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Except for the limited purpose of indicating that +material is shared under a Creative Commons public license or as +otherwise permitted by the Creative Commons policies published at +creativecommons.org/policies, Creative Commons does not authorize the +use of the trademark "Creative Commons" or any other trademark or logo +of Creative Commons without its prior written consent including, +without limitation, in connection with any unauthorized modifications +to any of its public licenses or any other arrangements, +understandings, or agreements concerning use of licensed material. For +the avoidance of doubt, this paragraph does not form part of the +public licenses. + +Creative Commons may be contacted at creativecommons.org. diff --git a/README b/README new file mode 100644 index 0000000000000000000000000000000000000000..c71f2d1880c2f78cdbfd50f8b5e809afff4f6a6e --- /dev/null +++ b/README @@ -0,0 +1 @@ +Please visit http://g.co/magenta/maestro-dataset diff --git a/augmented.csv b/augmented.csv new file mode 100644 index 0000000000000000000000000000000000000000..a78fe83f5cf97eb27ee5426d0e44cf2ddee75ede --- /dev/null +++ b/augmented.csv @@ -0,0 +1,6534 @@ +canonical_composer,canonical_title,split,year,midi_filename,audio_filename,duration,prompt +Alban Berg,Sonata Op. 1,train,2018,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1.wav,698.661160312,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2.wav,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3.wav,464.649432608,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav.wav,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav.wav,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"5 Preludes, Op.15",validation,2009,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_04_WAV.wav,400.557825938,"Give me a song that is introspective and expansive, composed in the Early Alexander Scriabin style. It should be a Prelude in the Romantic era, featuring meandering rubato. Incorporate arpeggiated chordal texture and highly chromatic harmony, and a transition from peaceful to unsettled." +Alexander Scriabin,"Entragete, Op.63",test,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV.wav,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3.wav,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV.wav,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV.wav,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav.wav,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,Etudes from Op.8,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav.wav,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.wav,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.wav,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.wav,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.wav,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.wav,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Alexander Scriabin,Sonata No. 2,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.wav,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.wav,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.wav,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.wav,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.wav,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.wav,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.wav,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.wav,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 5 in F-sharp Minor, Op. 53",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.wav,659.835660317,"Give me a song that is ecstatic and turbulent, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from mystical yearning to frenzied exaltation." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.wav,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.wav,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.wav,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.wav,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.wav,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.wav,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.wav,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.wav,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.wav,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.wav,520.215825937,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.wav,365.655350156,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Alexander Scriabin,"Waltz, Op. 38",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.wav,319.910203594,"Give me a song that is lyrical and melancholic, composed in the Middle Scriabin style. It should be a Waltz in the Late Romantic era, featuring a lilting 3/4 rhythm. Incorporate a flowing melody over rich, chromatic harmony, and a transition from wistful introspection to passionate intensity." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.wav,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.wav,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.wav,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.wav,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Images"", Series I",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.wav,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.wav,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.wav,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.wav,212.295460781,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Claude Debussy,"Barcarolle, Op. 60",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.wav,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,Bruyeres,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.wav,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Claude Debussy,Estampes (Complete),test,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.wav,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.wav,274.671199688,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Claude Debussy,"Etude ""Pour les accords""",test,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.wav,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.wav,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.wav,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.wav,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,Feux d'artifice,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.wav,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Four Preludes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.wav,672.901303594,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring fluid rhythm and rich piano textures. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a luminous mood." +Claude Debussy,Image (Book II),train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.wav,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images Book 1 (Complete), L 110",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.wav,903.260314687,"Give me a song that is fluid, shimmering, and atmospheric, composed in the Middle Debussy style. It should be an Image in the Impressionist era, featuring fluid arpeggiated rhythms. Incorporate whole-tone harmonies and a fragmented melody, and a transition from serene reflection to agitated motion." +Claude Debussy,Images Book II,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.wav,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,"Images, Book I",train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.wav,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.wav,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book II",train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.wav,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.wav,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.wav,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,L'Isle Joyeuse,train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.wav,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'isle joyeuse,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.wav,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.wav,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.wav,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.wav,346.025013871,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.wav,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.wav,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.wav,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Claude Debussy,Pour le piano (Complete),test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.wav,738.958333333,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.wav,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.wav,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.wav,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.wav,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.wav,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.wav,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.wav,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.wav,2463.4804425,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.wav,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.wav,240.3202725,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Claude Debussy,PreludesBII/7-12,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.wav,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,SuiteBergamasque,test,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.wav,942.903704531,"Give me a song that is evocative, atmospheric, and refined, composed in the Early Debussy style. It should be a Suite in the Impressionist era, featuring a piano. Incorporate fluid arpeggios, modal melodies, and non-functional harmony, and a transition from a pensive to a luminous mood." +Claude Debussy,Three Etudes,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.wav,727.226836875,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +César Franck,Prel./Chor./Fug.,validation,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.wav,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.wav,1054.57827234,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.wav,1021.9006875,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.wav,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prélude, chorale, et fugue, M. 21",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.wav,706.374827813,"Give me a song that is solemn, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prélude, Chorale et Fugue in the Romantic era, featuring piano. Incorporate dense, contrapuntal texture and a transition from meditative to triumphant." +Domenico Scarlatti,Sonata K. 466,train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.wav,121.187111719,"Give me a song that is expressive and challenging, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a somber to a dramatic mood." +Domenico Scarlatti,Sonata K. 525,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.wav,65.9481178125,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Domenico Scarlatti,Sonata K. 54,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.wav,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.wav,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.wav,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.wav,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.wav,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.wav,317.398186875,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.wav,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.wav,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.wav,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.wav,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.wav,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.wav,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.wav,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.wav,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.wav,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.wav,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.wav,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.wav,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.wav,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.wav,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.wav,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.wav,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.wav,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.wav,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.wav,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.wav,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.wav,96.3852114708,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Domenico Scarlatti,"Sonata, K239",test,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.wav,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,Two Sonatas,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.wav,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.wav,111.434183437,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.wav,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.wav,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Felix Mendelssohn,Etude in A Minor,validation,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.wav,76.0442615625,"Give me a song that is energetic and virtuosic, composed in the Early Felix Mendelssohn style. It should be an Etude in the Romantic era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical melody over a chromatic harmonic foundation, and a transition from a dramatic intensity to a brilliant resolve." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.wav,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.wav,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.wav,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.wav,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.wav,665.776652208,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.wav,712.135399408,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.wav,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.wav,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.wav,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.wav,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.wav,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.wav,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.wav,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.wav,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.wav,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.wav,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.wav,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.wav,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.wav,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.wav,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.wav,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.wav,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.wav,669.421072031,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.wav,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.wav,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.wav,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.wav,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.wav,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.wav,253.743068906,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Felix Mendelssohn / Sergei Rachmaninoff,"Scherzo from Mendelssohn's ""Midsummer Night's Dream""",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.wav,261.753210469,"Give me a song that is light, playful, and ethereal, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and delicate orchestration. Incorporate transparent texture, a gossamer melody, and Mendelssohn's characteristically clear harmony, and a transition from mischievous whimsy to a fleeting, dreamlike conclusion." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.wav,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.wav,265.471155469,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.wav,269.971685156,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.wav,428.272808906,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.wav,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.wav,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,Au bord d'une source,test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.wav,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.wav,747.902564063,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.wav,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.wav,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.wav,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.wav,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.wav,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.wav,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.wav,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.wav,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.wav,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.wav,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.wav,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.wav,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.wav,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.wav,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.wav,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.wav,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,Dante Sonata,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.wav,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.wav,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.wav,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.wav,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.wav,984.984324844,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Funerailles,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.wav,697.635520313,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,Funerailles,validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.wav,630.147607031,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.wav,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.wav,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.wav,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.wav,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.wav,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.wav,264.791437558,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.wav,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,Hungarian Rhapsody,validation,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.wav,608.523697031,"Give me a song that is nationalistic, virtuosic, and seductive, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring rhythmic spontaneity. Incorporate a unique gypsy scale in its melody and harmony, and a transition from direct expression to dramatic flair." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.wav,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.wav,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.wav,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.wav,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.wav,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.wav,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244/2",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.wav,539.083333333,"Give me a song that is virtuosic and dramatic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* rhythm transitioning to a *friss* rhythm. Incorporate a texture of brilliant piano figuration and a melody based on Hungarian folk themes, and a transition from a brooding, improvisatory mood to a fiery, exuberant mood." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.wav,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.wav,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.wav,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.wav,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.wav,569.204517423,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Franz Liszt,Mephisto Waltz,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.wav,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.wav,621.447953048,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.wav,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.wav,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.wav,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.wav,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.wav,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.wav,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.wav,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.wav,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.wav,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,Polonaise in E Major,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.wav,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Rem. of Don Juan,test,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.wav,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.wav,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.wav,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.wav,774.292762031,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a free, improvisatory texture, folk-like melodies, and highly chromatic yet tonal harmony, and a transition from a solemn, processional mood to a brilliant, festive one." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.wav,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.wav,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.wav,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.wav,771.030211875,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.wav,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.wav,773.212367813,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.wav,754.92445875,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rigoletto Paraphrase,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.wav,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.wav,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,Rigoletto-Paraphrase,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.wav,421.416512344,"Give me a song that is virtuosic and lyrical, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate a complex, operatic melody and advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.wav,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.wav,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.wav,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.wav,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.wav,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.wav,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.wav,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.wav,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.wav,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.wav,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.wav,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Spanish Rhapsody,train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.wav,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.wav,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Tarantella,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.wav,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.wav,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.wav,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.wav,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.wav,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.wav,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.wav,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.wav,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.wav,305.818337344,"Give me a song that is technically brilliant and emotionally intense, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated passion to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.wav,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 11 ""Harmonies du Soir""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.wav,607.479360469,"Give me a song that is serene and harmonically rich, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring broken chords and wide octave jumps. Incorporate a wandering chromatic harmony and a touchingly earnest melody, and a transition from contemplative stillness to impassioned display." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.wav,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.wav,257.133824063,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.wav,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.wav,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.wav,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.wav,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.wav,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.wav,243.934050937,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.wav,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.wav,220.76901,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.midi,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.wav,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.wav,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.wav,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.wav,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.wav,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.wav,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.wav,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.wav,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.wav,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.wav,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.wav,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.wav,328.064575781,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.wav,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.wav,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.wav,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.wav,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.wav,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.wav,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.wav,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.wav,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.wav,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.wav,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.wav,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.wav,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Erlkoenig""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.wav,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.wav,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.wav,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.wav,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_-2.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_-1.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_3.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_1.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_-3.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_-2.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_-2.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_3.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_-3.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_3.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_1.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_-1.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_1.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_-1.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_3.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_2.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_-3.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_-1.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_1.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_2.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_-2.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_1.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_-3.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_-1.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_1.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_-1.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_-3.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_1.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_-3.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_-2.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_2.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_-2.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_3.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_-3.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_-1.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_2.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_-2.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_2.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_-3.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_2.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_-1.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_3.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_-3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_2.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_-3.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_3.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_2.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_1.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_-3.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_-2.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_3.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_-3.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_2.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_1.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_-2.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_3.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_-2.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_1.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_-1.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_1.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_2.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_-1.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_-1.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_2.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_1.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_1.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_-1.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_3.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_1.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_-1.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_-3.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_3.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_1.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_2.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_-1.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_-3.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_2.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_2.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_3.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_1.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-2.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_2.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_-2.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_1.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_-2.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_1.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_3.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_3.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_-2.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_-1.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_-3.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_3.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_1.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_2.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_1.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_-1.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-2.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-3.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_1.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_3.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_2.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-2.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-3.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-1.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-1.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-2.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_3.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_-1.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_2.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_1.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_-3.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_2.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_-1.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_-3.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_-2.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_1.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_3.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_-2.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_-1.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_-2.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_3.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_1.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_-1.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_2.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_-3.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_-1.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_1.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_-3.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_2.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_-1.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_3.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_3.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_-1.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_2.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_1.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_3.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_-1.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_-2.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_1.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_3.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_-3.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_2.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_1.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_2.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_3.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_1.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_-2.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_-3.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_2.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_-2.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_-3.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_3.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_-3.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_1.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_3.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_3.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_2.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_-1.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_1.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_-3.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_-2.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_-3.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_2.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_-2.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_-1.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_3.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_-2.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_-2.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_1.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_-1.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_3.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_2.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_1.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_-3.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_1.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_2.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_-3.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_-2.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_3.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_-2.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_-3.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_2.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_-3.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_2.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_-1.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_-3.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_-2.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_1.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_-3.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_3.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_2.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_-2.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_3.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_-1.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_-1.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_-3.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_3.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-2.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-1.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-3.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-1.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_3.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_2.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_-2.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_-1.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_3.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_-2.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_-2.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_1.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_-1.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_3.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_-3.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_1.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_-2.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_3.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_2.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_1.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_2.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_-1.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_3.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_2.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_-3.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_-3.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_3.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_1.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_1.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_2.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_-2.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_3.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_2.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_1.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_1.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_2.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_-2.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_1.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_-2.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_2.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_3.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_2.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_-2.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_2.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_-3.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_3.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_3.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_2.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_1.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_1.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_-3.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_2.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_-1.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_1.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_3.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-3.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_-2.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_3.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_2.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_1.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_-3.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_-1.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_1.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_2.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_-1.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_-2.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_-3.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_2.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_-1.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_3.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_2.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_2.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_3.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_-2.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_3.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_-3.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_-1.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_2.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_-3.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_1.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_2.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_-2.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_3.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_1.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-3.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-2.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_-2.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_-1.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_2.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_-2.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_3.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_-1.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_2.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-1.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-2.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_2.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_-3.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_1.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_1.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_2.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_-1.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_3.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_-3.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_2.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_-3.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_1.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_-2.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_3.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_-2.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_-3.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_2.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_3.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_-3.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_1.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-2.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-1.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_2.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_1.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_3.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-1.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_2.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-3.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_3.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-1.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-3.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_-2.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_1.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_2.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_-1.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_-3.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_1.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_3.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_-3.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_-2.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_3.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_-3.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_1.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_3.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_-2.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_1.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_-2.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_3.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_1.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_2.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_1.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_3.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_-2.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_2.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_-3.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_1.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_2.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_-1.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_1.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-2.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-1.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_-2.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_3.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_2.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_3.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_-1.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_1.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_3.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_-2.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_2.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_-1.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_-2.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_1.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_-2.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_1.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_2.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-3.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_3.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-1.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_-2.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_3.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_-3.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_-1.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_3.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_1.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_1.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_3.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_2.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_1.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-1.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-2.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_3.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_1.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_2.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_3.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_-3.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_-2.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_2.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_1.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_-1.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_-2.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_2.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_1.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_-3.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_-2.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_3.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_-2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_3.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_-2.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_1.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_-3.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-2.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-1.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-3.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-1.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_2.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-3.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_-1.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_3.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_1.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_3.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_-1.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_2.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_-1.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_-2.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_3.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-2.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_1.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-3.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_2.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_-3.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_-1.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_-3.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_3.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_1.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_-1.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_-3.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_3.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_-1.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_-2.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_2.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_0.92.midi,,803.0218675820757,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_0.97.midi,,850.0622327876149,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_0.96.midi,,262.07061029638663,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_0.94.midi,,256.626989474961,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_0.93.midi,,567.9917527569492,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_0.99.midi,,610.1883367856462,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_0.97.midi,,661.7424895877516,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_1.02.midi,,693.2246953368088,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_time_0.92.midi,,125.19891956093733,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_time_0.97.midi,,132.4056583331368,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_0.95.midi,,635.509344472146,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_1.03.midi,,688.4022588881361,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_time_1.09.midi,,265.54021895078296,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_time_1.02.midi,,246.9636348183896,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_time_0.93.midi,,254.86288335178588,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_time_0.95.midi,,260.1868205030865,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_time_1.04.midi,,355.54674721574025,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_time_1.01.midi,,344.84846483940004,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_1.07.midi,,282.0833386027473,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_0.97.midi,,256.70204847214137,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_time_0.97.midi,,107.76807494676896,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_time_1.00.midi,,111.54911407796936,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_0.95.midi,,256.463767387859,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_1.08.midi,,292.2558524698864,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_time_1.10.midi,,359.5643875674039,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_time_0.96.midi,,314.71117244893054,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_1.10.midi,,704.3853055381971,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_1.08.midi,,693.5902339802401,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_1.05.midi,,735.3659586295805,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_0.97.midi,,680.0171805990035,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_1.08.midi,,287.886617438388,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_1.08.midi,,285.8223863094419,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_0.98.midi,,268.58938561561206,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_1.04.midi,,285.34251848497127,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_time_1.09.midi,,296.0237644682002,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_time_1.05.midi,,284.61540706412563,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_1.05.midi,,839.8456458031454,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_1.00.midi,,802.3373760993665,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3_time_0.93.midi,,222.8404779263473,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3_time_1.03.midi,,247.50042313128407,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.91.midi,,194.30344954675903,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.96.midi,,204.1650591013668,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_1.06.midi,,549.2571423120007,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_0.97.midi,,507.0338246317138,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_1.02.midi,,323.0750003353695,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_1.08.midi,,343.3577676220402,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_time_0.94.midi,,308.8036854530271,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_time_1.10.midi,,359.7901680204783,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.04.midi,,168.60256362888808,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.04.midi,,168.6527413956669,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.93.midi,,785.7303723465219,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.92.midi,,778.1193177156186,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_time_1.09.midi,,723.4223079153348,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_time_1.08.midi,,719.2685522706976,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.09.midi,,265.57429699591927,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.00.midi,,244.2748231744673,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_0.94.midi,,622.9804939004639,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_0.95.midi,,630.1811507725768,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_time_0.94.midi,,257.70959860335665,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_time_1.09.midi,,300.49820583289625,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav_time_1.08.midi,,463.44060016806543,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav_time_1.05.midi,,448.7333632601199,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_time_0.90.midi,,439.8109954347008,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_time_1.10.midi,,534.1824183542589,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_time_1.07.midi,,497.58715159329705,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_time_1.09.midi,,505.6550985446915,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_time_1.09.midi,,524.8312687654653,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_time_1.09.midi,,527.2592660692882,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_1.07.midi,,221.08319451080507,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_0.97.midi,,200.27204142186088,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_time_1.01.midi,,197.442068328772,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_time_1.04.midi,,204.2444310191288,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_0.99.midi,,347.52403806264607,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_1.08.midi,,378.8660279597208,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_time_1.07.midi,,603.8581790770955,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_time_1.01.midi,,572.0420020227581,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_1.07.midi,,379.4515135961298,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_0.98.midi,,349.0332823508654,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_1.01.midi,,79.96061488657209,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_1.05.midi,,83.53836055981961,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_time_0.91.midi,,210.8945930848156,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_time_1.07.midi,,248.4466502917056,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_time_0.92.midi,,582.0427636413067,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_time_0.90.midi,,571.8625452708877,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_time_0.98.midi,,131.6639721921158,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_time_0.97.midi,,130.97160229271788,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_time_0.98.midi,,133.27534248886442,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_time_0.96.midi,,130.78485015226735,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_time_1.05.midi,,247.45022928215428,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_time_0.92.midi,,217.50240029609407,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_0.99.midi,,777.0496083874497,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_0.91.midi,,713.1356270474494,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_time_1.01.midi,,417.4141403937713,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_time_1.04.midi,,430.00196569214137,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_time_0.94.midi,,201.94932026335005,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_time_1.09.midi,,233.9057576020737,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_0.96.midi,,166.61253244880996,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_1.04.midi,,180.6159551471351,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_time_0.96.midi,,619.1853181303863,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_time_0.95.midi,,607.6714833502849,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_0.98.midi,,167.53484946791824,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_1.08.midi,,184.8251021211437,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_time_0.94.midi,,913.8923473775408,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_time_0.99.midi,,966.2070769753908,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_0.97.midi,,326.21863599872233,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_1.05.midi,,351.8560998474022,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_time_0.95.midi,,1617.3049374966497,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_time_1.05.midi,,1783.6529273894848,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_time_1.04.midi,,179.42470492750357,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_time_0.93.midi,,160.31356742679515,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_time_1.00.midi,,154.76184863159105,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_time_1.02.midi,,158.2300557836894,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_1.08.midi,,404.979030751693,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_1.02.midi,,385.8390338332665,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_time_0.98.midi,,290.6148249088985,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_time_1.05.midi,,311.53795039348654,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_time_1.08.midi,,632.4352546506483,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_time_0.93.midi,,541.203139023058,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_time_1.01.midi,,741.8346905583396,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_time_1.02.midi,,753.4467820893856,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_0.94.midi,,121.22693902280128,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_1.01.midi,,130.1635217826941,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_time_1.02.midi,,1005.8923562884852,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_time_0.96.midi,,950.2886904189082,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_time_0.96.midi,,262.49010467501915,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_time_0.96.midi,,262.2670773550906,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_1.00.midi,,348.9596118176136,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_1.03.midi,,358.4653362383342,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_0.92.midi,,195.37859303375612,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_0.93.midi,,198.0423024720878,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3_time_0.93.midi,,239.3143999653988,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3_time_0.97.midi,,248.3915182619941,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_0.92.midi,,682.1898456645431,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_0.99.midi,,735.0094738293053,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.96.midi,,492.5511238419951,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.93.midi,,475.0620941679528,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_time_0.98.midi,,618.1574765134764,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_time_1.04.midi,,656.4603030706693,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_time_0.93.midi,,922.1349894965545,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_time_1.09.midi,,1086.848144061472,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_time_0.96.midi,,259.9706249197053,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_time_0.95.midi,,256.64831894600525,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_time_1.10.midi,,453.7224026740919,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_time_1.10.midi,,452.1518026942773,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_1.07.midi,,698.561339589762,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_0.94.midi,,615.0643813167202,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_time_0.91.midi,,128.0980157990858,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_time_0.93.midi,,130.2155302304942,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_time_0.91.midi,,362.373030472609,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_time_1.05.midi,,416.11954773369376,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_time_1.10.midi,,778.5808062976076,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_time_0.97.midi,,684.880477878942,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_time_1.01.midi,,386.1301074599843,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_time_1.08.midi,,411.9001050815476,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_time_0.99.midi,,618.025418157219,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_time_1.02.midi,,636.1025120702873,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_time_0.91.midi,,910.808062477586,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_time_1.01.midi,,1005.0399828590192,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_time_0.93.midi,,622.509626611693,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_time_1.08.midi,,725.6008921862725,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav_time_1.03.midi,,261.6718424571087,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav_time_1.05.midi,,266.6524169041604,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3_time_1.08.midi,,285.0798688337835,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3_time_1.02.midi,,269.78873940794097,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_1.09.midi,,1123.5415758517886,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_0.96.midi,,989.100872104785,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.02.midi,,370.304743375159,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.07.midi,,390.05139008599855,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_time_1.06.midi,,286.5834069950069,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_time_0.99.midi,,266.9294620482406,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_time_0.93.midi,,200.3695178749865,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_time_1.03.midi,,222.83652300958283,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_1.08.midi,,366.4810057069716,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_1.02.midi,,346.0368102922514,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.02.midi,,740.6141858773756,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.05.midi,,765.3354243687841,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_1.00.midi,,467.7834967664565,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_1.03.midi,,482.6346903997997,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_time_0.96.midi,,905.417654164316,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_time_0.94.midi,,882.3444141337261,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_0.95.midi,,196.6379715945284,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_0.94.midi,,195.712181251356,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_time_1.04.midi,,99.39209578557018,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_time_0.97.midi,,92.66090491743934,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_time_0.91.midi,,1340.281118458852,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_time_1.06.midi,,1570.2047089641192,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_time_0.94.midi,,85.2865378607013,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_time_1.06.midi,,96.83851507848836,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_time_1.05.midi,,253.99347520893863,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_time_1.06.midi,,257.3302376272514,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_time_0.98.midi,,475.7461705723339,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_time_1.06.midi,,517.9684473350533,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_time_1.09.midi,,58.59728327587354,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_time_0.93.midi,,50.379730976710846,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_1.09.midi,,282.9245632253494,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_1.08.midi,,281.5519516078129,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_time_1.00.midi,,421.82429992472765,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_time_1.01.midi,,424.5654594037616,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_time_0.97.midi,,310.2069302013218,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_time_0.95.midi,,303.8008409812272,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_1.09.midi,,1525.14087375802,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_1.01.midi,,1410.0650846763008,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_time_1.07.midi,,583.7072003685113,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_time_1.03.midi,,562.7599576334163,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_time_0.99.midi,,542.0071996003553,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_time_1.04.midi,,573.0963070518509,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_1.02.midi,,811.0968532429791,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_1.10.midi,,871.9025906538672,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_0.99.midi,,216.4671605295993,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_0.91.midi,,200.6988907642448,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_1.06.midi,,1067.176400168293,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_0.93.midi,,933.9857395491056,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_time_1.04.midi,,689.9873844715132,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_time_0.98.midi,,648.6212615844033,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_time_1.07.midi,,992.6421506213755,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_time_0.94.midi,,872.577273459826,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_time_1.05.midi,,677.6058638456775,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_time_0.94.midi,,604.7314847800013,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_1.07.midi,,721.9788793751262,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_0.96.midi,,651.0913830301931,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_time_0.92.midi,,651.5793679767077,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_time_1.08.midi,,762.2515481676687,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.08.midi,,743.7927700477732,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.09.midi,,750.6340003214417,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_time_0.99.midi,,513.9946970804997,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_time_0.90.midi,,469.53825441897726,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_1.09.midi,,1317.857031833178,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_0.92.midi,,1114.464874375525,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_time_1.07.midi,,102.83077018806466,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_time_0.99.midi,,95.01718048798634,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_time_0.96.midi,,581.270606815688,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_time_1.09.midi,,660.449349724944,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_time_1.03.midi,,404.95471987338766,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_time_1.04.midi,,408.5090270985055,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_time_1.06.midi,,326.49208840314594,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_time_0.98.midi,,301.8411587942035,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_time_0.94.midi,,157.73224209740934,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_time_0.97.midi,,163.03466155866093,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_time_1.06.midi,,722.8815224679947,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_time_0.95.midi,,651.084277255236,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.99.midi,,417.80240787920576,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.94.midi,,394.2223863918431,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_time_1.04.midi,,305.9841910488792,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_time_0.91.midi,,267.2069123960341,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_time_0.99.midi,,741.5247829299431,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_time_0.97.midi,,728.3470574910507,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_0.99.midi,,1176.9169754587858,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_1.04.midi,,1232.0520561638543,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_1.07.midi,,813.0880650968438,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_1.04.midi,,789.5735426952943,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_1.04.midi,,1733.6423995946288,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_0.96.midi,,1602.4468307913291,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_time_1.08.midi,,782.8238721097918,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_time_0.98.midi,,705.3252334361931,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_0.95.midi,,344.7775157616848,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_0.95.midi,,343.7236601167217,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_1.03.midi,,269.4749115530633,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_1.10.midi,,287.8333563668485,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_1.08.midi,,1845.549308085338,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_0.90.midi,,1543.4325555911428,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_1.09.midi,,313.17528499317336,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_0.91.midi,,261.25606485925886,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_time_0.93.midi,,307.7929236358141,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_time_0.96.midi,,316.9163692249462,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_0.95.midi,,210.0803588437476,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_1.05.midi,,231.3612900536336,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_0.96.midi,,675.8470886156007,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_0.99.midi,,697.1457609126289,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_1.00.midi,,558.3675707821226,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_0.96.midi,,532.6744419245583,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_time_0.94.midi,,862.1407890911089,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_time_1.02.midi,,929.5042129272856,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_0.94.midi,,706.1196278387717,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_0.94.midi,,711.1794168461281,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.07.midi,,986.6811113884844,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.01.midi,,931.510874118458,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_time_0.90.midi,,565.8532152066064,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_time_1.04.midi,,648.8803186205569,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_time_1.00.midi,,477.8288426406263,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_time_0.96.midi,,459.8906316433596,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_1.05.midi,,1081.031908172008,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_0.95.midi,,974.3891741291771,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_1.10.midi,,443.6065658084737,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_1.02.midi,,413.0015283748743,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_1.07.midi,,747.8919788249317,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_1.06.midi,,744.5719322912495,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_time_1.02.midi,,1772.53852766619,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_time_0.97.midi,,1697.512569728613,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_1.08.midi,,298.86502713188025,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_1.03.midi,,284.9975131665772,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_1.03.midi,,689.1533403435925,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_1.00.midi,,672.1434253878103,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_1.06.midi,,186.85953692458244,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_1.04.midi,,182.78493751046864,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_vel_1.02.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_vel_0.94.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_vel_1.01.midi,,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_vel_0.91.midi,,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_vel_0.94.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_vel_1.08.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_vel_0.90.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_vel_0.98.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_vel_0.98.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_vel_0.93.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_vel_1.03.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_vel_0.98.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_0.92.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_1.02.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_0.93.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_1.09.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_1.00.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_0.95.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_vel_1.06.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_vel_0.92.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_0.97.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_0.98.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_vel_0.95.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_vel_1.04.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_vel_0.96.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_vel_1.00.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_1.06.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_0.95.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_vel_0.99.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_vel_0.92.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Claude Debussy,Bruyeres,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav_vel_1.05.midi,,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Claude Debussy,Bruyeres,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav_vel_1.08.midi,,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_vel_1.00.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_vel_0.97.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_0.93.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_0.97.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_vel_1.02.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_vel_0.98.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_vel_0.95.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_vel_1.06.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_vel_1.05.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_vel_0.96.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_0.92.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_1.05.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_1.05.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_0.94.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_vel_0.99.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_vel_1.03.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_vel_0.95.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_vel_1.01.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_vel_1.06.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_vel_0.92.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_1.09.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_1.05.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_vel_0.99.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_vel_1.04.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_vel_0.91.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_vel_1.01.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_vel_1.06.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_vel_1.02.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_1.07.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_0.92.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_0.97.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_1.08.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +César Franck,Prel./Chor./Fug.,validation,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav_vel_1.01.midi,,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +César Franck,Prel./Chor./Fug.,validation,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav_vel_0.94.midi,,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_0.96.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_1.07.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_vel_1.04.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_vel_0.93.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1_vel_1.06.midi,,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1_vel_1.02.midi,,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_0.91.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_1.07.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_vel_0.98.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_vel_1.06.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_1.04.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_1.01.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_vel_1.04.midi,,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_vel_1.05.midi,,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_1.01.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_0.96.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_0.99.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_1.07.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_vel_1.06.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_vel_1.08.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_vel_0.95.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_vel_1.07.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_vel_0.94.midi,,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_vel_0.93.midi,,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav_vel_1.00.midi,,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav_vel_0.91.midi,,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Alexander Scriabin,Etudes from Op.8,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav_vel_0.96.midi,,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Alexander Scriabin,Etudes from Op.8,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav_vel_0.99.midi,,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_vel_0.97.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_vel_1.00.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_1.03.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_1.04.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_vel_1.08.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_vel_1.10.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_0.91.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_1.04.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_0.94.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_1.05.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_vel_0.91.midi,,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_vel_1.03.midi,,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.05.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.04.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_0.99.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_0.97.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_vel_0.92.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_vel_1.04.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_1.01.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_1.03.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_0.94.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_1.00.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_vel_0.94.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_vel_0.99.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_1.07.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_0.97.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_vel_1.02.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_vel_1.08.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_vel_0.96.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_vel_1.04.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_vel_0.93.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_vel_1.01.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_vel_0.90.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_vel_1.07.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_vel_1.00.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_vel_1.04.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_vel_0.97.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_vel_1.05.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_vel_0.94.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_vel_1.09.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_vel_0.93.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_vel_0.96.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.07.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.05.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_vel_0.98.midi,,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_vel_0.94.midi,,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Spanish Rhapsody,train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav_vel_0.92.midi,,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav_vel_0.93.midi,,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_vel_1.02.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_vel_0.97.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_0.97.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_0.98.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_vel_1.06.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_vel_0.92.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_vel_1.08.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_vel_1.01.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.08.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.01.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_1.08.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_0.94.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_0.90.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_0.94.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_1.05.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_0.92.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_vel_1.04.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_vel_1.05.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_0.90.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_0.91.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_1.09.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_1.00.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_vel_0.96.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_vel_1.05.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_vel_1.00.midi,,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_vel_0.94.midi,,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_1.09.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_1.02.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_0.95.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_0.95.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_0.98.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_1.09.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.09.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.01.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_vel_1.03.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_vel_0.99.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_vel_1.06.midi,,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_vel_1.09.midi,,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_1.06.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_0.97.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_0.98.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_0.98.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3_vel_1.00.midi,,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3_vel_1.09.midi,,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_vel_1.00.midi,,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_vel_1.07.midi,,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_0.97.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_1.00.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_vel_0.96.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_vel_0.93.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_vel_1.03.midi,,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_vel_1.07.midi,,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_vel_1.09.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_vel_1.00.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_0.98.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_0.91.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_vel_1.04.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_vel_1.09.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_0.98.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_0.96.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_vel_1.06.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_vel_1.08.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.03.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.09.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_0.95.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_0.91.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_vel_0.97.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_vel_1.03.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_1.02.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_1.01.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_0.92.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_0.94.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_1.07.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_0.91.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_vel_1.07.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_vel_0.99.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_1.10.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_0.96.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_1.04.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_0.99.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_vel_1.04.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_vel_0.97.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_vel_1.08.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_vel_0.97.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_1.07.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_0.91.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_vel_1.06.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_vel_0.98.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_vel_0.92.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_vel_1.04.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_0.92.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_1.02.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_vel_0.96.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_vel_1.09.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_vel_0.91.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_vel_0.95.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_0.95.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_0.90.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.07.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.08.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_1.01.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_1.01.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_1.08.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_0.95.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_1.02.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_0.96.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav_vel_0.93.midi,,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav_vel_0.98.midi,,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_1.05.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_0.92.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_1.05.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_0.99.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_1.07.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_0.92.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_1.03.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_1.09.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_1.04.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_0.98.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_vel_0.93.midi,,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_vel_1.08.midi,,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_vel_0.98.midi,,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_vel_0.97.midi,,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4_vel_1.08.midi,,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4_vel_0.95.midi,,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_vel_0.94.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_vel_0.93.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_0.96.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_0.92.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.01.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_vel_0.91.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_vel_1.01.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_vel_0.96.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_vel_1.00.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_0.98.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_1.09.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_vel_0.98.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_vel_1.02.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_vel_1.05.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_vel_1.08.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_0.95.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_0.97.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_vel_0.97.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_vel_1.07.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_1.02.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_0.99.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_vel_1.08.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_vel_0.98.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_0.93.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_0.97.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.00.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.03.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.wav,320.264102813,"Give me a song that is brief and quixotic, composed in the Late Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive to a more resolved mood." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.wav,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.wav,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.wav,932.691375,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.wav,849.484994531,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.wav,468.100493438,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.wav,590.496204375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.wav,592.003948594,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.wav,709.957890469,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.wav,772.517924063,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.wav,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.wav,660.76857,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.wav,670.895429531,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.wav,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.wav,435.830226563,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.wav,420.042315,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.wav,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.wav,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.wav,272.131138125,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.wav,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D962,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.wav,648.601114219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring lyrical melodies and song-like themes. Incorporate a rich harmonic language with dramatic modulations, and a transition from profound melancholy to transcendent acceptance." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.wav,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.wav,342.161784937,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.wav,2341.60689984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.wav,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.wav,2453.07847641,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D959",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.wav,2244.51297984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano instrumentation. Incorporate thematic unity and bold harmonic shifts, and a transition from serene lyricism to dramatic turbulence." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.wav,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.wav,569.863212188,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.wav,794.52912,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.wav,463.446384844,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.wav,308.593441406,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.wav,658.862856094,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.wav,731.219888438,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.wav,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.wav,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,"Sonata in A Minor, D. 537, I. Allegro ma non troppo",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.wav,308.591436612,"Give me a song that is dramatic and lyrical, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a turbulent harmonic texture, and a transition from restless agitation to lyrical respite." +Franz Schubert,"Sonata in A Minor, D. 845",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.wav,463.744194375,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a rhythmically unified exposition. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.wav,398.837742187,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Franz Schubert,"Sonata in A Minor, D. 847",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.wav,280.387005938,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 848",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.wav,293.561405156,"Give me a song that is plaintive and ominous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octave phrases ornamented with mordents, and a transition from a somber opening to a structurally integrated development." +Franz Schubert,"Sonata in A Minor, D784",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.wav,1371.54510281,"Give me a song that is sparse and profound, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stark piano texture. Incorporate bare octave textures and a highly chromatic but tonal harmony, and a transition from stark obsessiveness to lyrical release." +Franz Schubert,"Sonata in A Minor, D845",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.wav,1846.46449969,"Give me a song that is impassioned and tragic, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stormy rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic intensity to an oasis of calm." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.wav,1682.59847766,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.wav,908.675640469,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Franz Schubert,Sonata in B-flat Major D. 961,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.wav,635.457430781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a compelling rhythmic drive. Incorporate a highly chromatic harmony that establishes the home key, and a transition from inner stillness to dramatic compulsion." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.wav,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.wav,434.902075781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic shifts and a transition from contemplative stillness to compelling drama." +Franz Schubert,"Sonata in B-flat Major, D. 960",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.wav,949.83879375,"Give me a song that is serene and profound, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic exploration and a transition from contemplative stillness to dramatic compulsion." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.wav,2213.10943219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.wav,2624.66350781,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 961",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.wav,672.761079375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate a singing melody over rich harmonic shifts, and a transition from serene introspection to dramatic turbulence." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.wav,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 963",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.wav,515.92897125,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with sudden modulations, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.wav,902.321056094,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.wav,595.733285317,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.wav,225.191643375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.wav,456.341602506,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.wav,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.wav,572.456644581,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.wav,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.wav,488.711165135,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.wav,2561.10988547,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.wav,2421.89528109,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.wav,475.983765469,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.wav,488.363560781,"Give me a song that is introspective and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic turbulence to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.wav,203.632275,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.wav,521.642106562,"Give me a song that is dramatic and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to lyrical clearing." +Franz Schubert,"Sonata in C Major, D840",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.wav,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D841",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.wav,540.345346406,"Give me a song that is grand and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring expansive sonata form. Incorporate a singing melody over rich harmonic shifts, and a transition from a serene major to a somber minor." +Franz Schubert,"Sonata in C Major, D842",validation,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.wav,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Franz Schubert,"Sonata in C Major, D843",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.wav,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.wav,480.3627675,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.wav,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.wav,1790.89831594,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.wav,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.wav,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.wav,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.wav,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.wav,151.10027625,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.wav,520.219832344,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.wav,560.5763625,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.wav,692.722315437,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.wav,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.wav,745.937970417,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.wav,452.828792356,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.wav,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.wav,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.wav,463.915298113,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.wav,466.286017615,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.wav,152.737797285,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.wav,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.wav,1743.52523297,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.wav,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.wav,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.wav,1758.36229078,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C major, D. 840 (Complete)",test,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.wav,1579.19446781,"Give me a song that is expansive and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a sonata form first movement. Incorporate a dramatic harmonic shift to the minor mode, and a transition from a stately, moderate opening to a more introspective, lyrical character." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.wav,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.wav,396.018062513,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.wav,682.401833062,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.wav,351.6399883,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.wav,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.wav,2346.84060188,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.wav,2076.61384219,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.wav,1898.29804828,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.wav,1990.15425984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.wav,749.203986423,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.wav,417.901544965,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.wav,224.28886826,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.wav,506.776282783,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.wav,774.434321719,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.wav,928.51402875,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.wav,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.wav,459.31578,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.wav,227.10447375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.wav,241.472782031,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.wav,513.018984844,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.wav,460.102371094,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.wav,1025.03650605,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.wav,1298.3273665,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.wav,754.754183725,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.wav,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.wav,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.wav,442.276534219,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.wav,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert / Franz Liszt,Der Mueller und der Bach,validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.wav,301.624965469,"Give me a song that is lyrical and introspective, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a simple, song-like texture and Schubertian harmonic language, and a transition from pastoral contentment to melancholic reflection." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.wav,207.156577031,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.wav,503.913758906,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.wav,199.135751719,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.wav,209.410707023,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.wav,189.921448277,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.wav,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.wav,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.wav,332.408855625,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.wav,157.473133125,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.wav,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.wav,369.954224062,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.wav,1409.28857763,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.wav,327.327025835,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.wav,2398.64035989,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.wav,809.804211563,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.wav,819.874981406,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.wav,779.574540938,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.wav,794.2513425,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.wav,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.wav,761.139730313,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.wav,829.847429454,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.wav,824.448951633,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.wav,780.15947625,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.wav,826.469791667,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.wav,818.453125,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.wav,769.017660469,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,Ballade 4 Op. 52,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.wav,603.939032813,"Give me a song that is haunting, mysterious, and structurally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring intricate piano figuration. Incorporate a harmonic frame that begins in a major key before the main F minor theme, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.wav,551.649013656,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.wav,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.wav,516.970757429,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.wav,511.25625,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.wav,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.wav,511.011775313,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.wav,538.139152031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.wav,527.426021719,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.wav,502.698482344,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.wav,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.wav,340.642020469,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.wav,426.929327344,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.wav,411.467270156,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.wav,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.wav,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.midi,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.wav,424.21966125,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.wav,647.477985,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.wav,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.wav,611.620649062,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.wav,657.425891719,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.wav,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.wav,641.490446425,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.wav,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,Barcarolle in F#,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.wav,486.925260938,"Give me a song that is sweepingly romantic and slightly wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figuration in thirds and sixths with wide left-hand reaches, and a transition from a romantic to a more intense mood." +Frédéric Chopin,"Barcarolle in F-sharp Major, Op. 60",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.wav,499.187535,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths over a wide-ranging left-hand accompaniment, and a transition from a romantic to a more wistful mood." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.wav,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.wav,476.111970469,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.wav,536.125265156,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.wav,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,Berceuse Op. 57,validation,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.wav,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.wav,265.093786504,"Give me a song that is serene and lullaby-like, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a delicate, ornamented melody over a static harmonic ostinato, and a transition from tranquil contemplation to a more florid, decorative expression." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.wav,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,"Berceuse, Op. 57",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.wav,273.486458333,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.wav,293.0552625,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.wav,1203.88854254,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.wav,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.wav,115.228125,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.wav,115.634375,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.wav,104.165625,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.wav,116.702083333,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.wav,114.585889687,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.wav,116.213105767,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.wav,121.811368933,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.wav,114.474866421,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 10 in A-flat Major,train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.wav,124.78143985,"Give me a song that is technically demanding and expressively varied, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a persistent, accent-shifting figuration. Incorporate a single, continuously varied musical texture, and a transition from brilliant virtuosity to nuanced introspection." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.wav,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.wav,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.wav,150.49375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.wav,157.636458333,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.wav,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.wav,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.wav,70.726425,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.wav,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.wav,119.150521875,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.wav,111.881565469,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.wav,122.391704531,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.wav,113.671093594,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.wav,123.152921719,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.wav,124.61526,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.wav,123.041063763,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.wav,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.wav,112.612696058,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.wav,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.wav,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.wav,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 8,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.wav,138.896875,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.wav,125.043945469,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.wav,135.18148875,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.wav,131.456866406,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.wav,149.950437656,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.wav,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1,train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.wav,136.072246406,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.wav,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.wav,143.456562017,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.wav,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.wav,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.wav,237.826952344,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.wav,237.363153154,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.wav,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.wav,210.821875,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.wav,193.874004844,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.wav,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.wav,200.596754531,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.wav,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.wav,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.wav,193.441312969,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.wav,219.964734133,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.wav,136.692708333,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.wav,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.wav,137.845748906,"Give me a song that is turbulent and technically formidable, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring relentless semiquaver arpeggios spanning the keyboard. Incorporate a highly chromatic, expository melody with shifting keys, and a transition from stormy C minor to a resolved C major climax." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.wav,181.853450625,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.wav,127.005208333,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.wav,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.wav,116.065589062,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.wav,110.455284844,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.wav,221.737224844,"Give me a song that is technically formidable and stormy, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture with wide leaps, and a transition from a martial, defiant opening to a turbulent, tempestuous conclusion." +Frédéric Chopin,"Etude in F Major, Op. 10, No. 8",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.wav,150.433877344,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a polyphonic texture with a clear secondary melody, and a transition from lyrical brightness to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.wav,143.597612813,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 9,test,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.wav,124.808902969,"Give me a song that is turbulent and impassioned, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving left-hand accompaniment. Incorporate a highly chromatic melody over a stable harmonic foundation, and a transition from defiant agitation to a somber, resigned conclusion." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.wav,656.746138125,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.wav,715.326623087,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Frédéric Chopin,"Fantasy in F Minor, Op.49",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.wav,766.870226719,"Give me a song that is solemn and virtuosic, composed in the Middle Chopin style. It should be a Fantasy in the Romantic era, featuring a march-like rhythm. Incorporate a two-key scheme and split thematic groups, and a transition from a solemn march to a passionate doppio movimento." +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.wav,265.483174688,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a dance rhythm for piano. Incorporate a chromatic, harmonically rich texture, and a transition from brooding introspection to a more resolute character." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.wav,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.wav,235.214775469,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Frédéric Chopin,"Mazurka in D Major, Op. 33, No. 2",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.wav,124.491061406,"Give me a song that is fast and strongly accented, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring irregular dance rhythms. Incorporate a popular, lyrical melody and diatonic harmony, and a transition from spirited to lyrical." +Frédéric Chopin,"Mazurka in F Minor, Op. 7, No. 3",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.wav,121.519643437,"Give me a song that is ominous and sustained, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring two-part polyphony in the bass register. Incorporate a melody embellished by semitones, and a transition from an ominous mood to a more lyrical one." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.wav,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Mazurkas, Op. 17 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.wav,775.889982656,"Give me a song that is lyrical and folk-inspired, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm for piano. Incorporate a cantabile melody over chromatic harmony, and a transition from rustic simplicity to poignant melancholy." +Frédéric Chopin,Nocturne Op. 15 No. 1 in F Major,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.wav,240.451041667,"Give me a song that is lyrical and serene, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a simple ternary form. Incorporate a cantabile melody over supportive left-hand patterns, and a transition from a contemplative Andante to a more intense central section." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.wav,293.216854219,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.wav,351.594791667,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.wav,341.238712538,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.wav,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.wav,297.4875,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.wav,278.460416667,"Give me a song that is graceful, luminous, and calm, composed in the late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, steady crotchet rhythm. Incorporate a transparent texture with a lyrical right-hand melody over a supportive left-hand accompaniment, and a transition from a serene main theme to a more expressive central section." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.wav,405.313184896,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Frédéric Chopin,"Nocturne Op. 62, No. 2",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.wav,371.021263594,"Give me a song that is gentle, declamatory, and restless, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a solo piano. Incorporate a legato melody over a smooth texture and highly chromatic harmony, and a transition from a dolce, lyrical mood to a forte, agitato mood." +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.wav,220.688881875,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a rhythmic contrast between the treble and bass parts. Incorporate melodic chromaticism and bel canto-inspired melody, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.wav,346.917388125,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.wav,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in C Minor, Op. 48 No. 1",validation,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.wav,295.043775469,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, march-like rhythm. Incorporate a homophonic texture with a lyrical, ornamented melody and highly chromatic, functional harmony, and a transition from a somber lament to a heroic, impassioned climax." +Frédéric Chopin,"Nocturne in C-Sharp Minor, Op. Posth.",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.wav,230.862482812,"Give me a song that is melancholic and lyrical, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a steady left-hand accompaniment. Incorporate a highly chromatic and expressive harmony, and a transition from a somber, brooding mood to a more agitated, dramatic one." +Frédéric Chopin,"Nocturne in C-sharp Minor, Op. 27 No. 1",test,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.wav,302.6908245,"Give me a song that is profound, dramatic, and masterful, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a broken-chord accompaniment. Incorporate a highly chromatic and modulatory harmonic language, and a transition from a somber, lamenting mood to a passionate, agitated one." +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.wav,423.666777187,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.wav,355.499110313,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.wav,278.441227969,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.wav,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.wav,423.697492969,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Frédéric Chopin,Polonaise Op. 44,test,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.wav,662.006549531,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.wav,456.126680625,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.wav,379.931511094,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise-Fantasie,test,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.wav,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.wav,664.581333281,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.wav,721.536404531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.wav,779.399594531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Preludes, Book II, L 123, VI. Général Lavine - eccentric",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.wav,151.232291667,"Give me a song that is ironic and burlesque, composed in the Late Debussy style. It should be a Prelude in the Modern era, featuring an eccentric, incisive rhythm. Incorporate a fragmented, foreshadowing melody with highly chromatic harmony, and a transition from playful eccentricity to stark unease." +Frédéric Chopin,"Preludes, Op.28",train,2009,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.wav,2622.72440719,"Give me a song that is poetic and melancholic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a solo piano. Incorporate a lyrical melody over a highly chromatic harmony, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.wav,610.798000312,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.wav,496.481875313,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.wav,506.0037675,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.wav,527.487453281,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B minor, Op. 20",validation,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.wav,555.1917525,"Give me a song that is dramatic and rapid, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving rhythm. Incorporate a contrasting lyrical melody and chromatic harmony, and a transition from stormy intensity to a serene major-key section." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.wav,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.wav,581.988541667,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.wav,558.0485476,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.wav,581.174502658,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.wav,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.wav,533.733333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.wav,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.wav,536.088541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.wav,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.wav,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.wav,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,Scherzo No. 3,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.wav,433.202024063,"Give me a song that is dramatic and lyrical, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and delicate arpeggios. Incorporate a chorale-like melody and a tonal shift from C♯ minor to D♭ major, and a transition from pent-up energy to transcendent beauty." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.wav,418.929166667,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.wav,688.719930938,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over a dense, chromatic harmonic texture, and a transition from a generally calm temperament to passionate intensity." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.wav,637.803674029,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.wav,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.wav,623.886929531,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.wav,624.909898594,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.wav,665.485416667,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.wav,650.51217,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.wav,656.379262358,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.wav,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.wav,624.929630137,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.wav,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.wav,1442.79636703,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.wav,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.wav,1127.25314625,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,Sonata No. 3,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.wav,1611.38460656,"Give me a song that is lyrical and triumphant, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a major-key resolution and a lyrical largo movement, and a transition from the majestic to the vivacious." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.wav,493.142775994,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.wav,154.986722275,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.wav,768.135554506,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.wav,1639.91556094,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.wav,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.wav,1551.77061703,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.wav,1458.97557094,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.wav,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.wav,507.502855104,"Give me a song that is grand and lyrical, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate a complex, chromatic harmony, and a transition from a dramatic B minor to a triumphant B major." +Frédéric Chopin,"Sonata in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.wav,1442.05450661,"Give me a song that is dramatic and virtuosic, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring a driving 6/8 rhythm. Incorporate a highly chromatic harmony, and a transition from lyrical introspection to agitated panic." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.wav,282.30741,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.wav,117.120609375,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.wav,304.59375,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.wav,1424.93313703,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +George Enescu,Suite Op. 10,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.wav,1364.70483188,"Give me a song that is brilliant and resonant, composed in the Early George Enescu style. It should be a Suite in the Romantic era, featuring a toccata and dance movements. Incorporate rich, post-Romantic harmony, and a transition from ceremonial grandeur to lively folk character." +George Frideric Handel,Chaconne in G,train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.wav,329.032790625,"Give me a song that is stately and intricate, composed in the Early Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bass line. Incorporate a contrapuntal texture over a ground bass, and a transition from resolute grandeur to contemplative variation." +George Frideric Handel,"Chaconne in G Major, HWV 435",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.wav,328.904585625,"Give me a song that is stately and grand, composed in the Middle Baroque Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bassline. Incorporate a rich, contrapuntal texture over a diatonic G major harmony, and a transition from a solemn introduction to a triumphant conclusion." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.wav,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.wav,720.089756071,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.wav,856.080874687,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Georges Bizet / Ferruccio Busoni,"Sonatina No. 6, BV284 “Fantasia da Camera super Carmen”",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.wav,524.597498906,"Give me a song that is virtuosic, chromatic, and dramatic, composed in the Late Busoni style. It should be a Sonatina in the Modern era, featuring complex piano figuration. Incorporate dense, polyphonic texture and Lisztian thematic transformation, and a transition from sardonic playfulness to grandiose intensity." +Georges Bizet / Moritz Moszkowski,"Chanson Boheme de l'Opera ""Carmen"" by Georges Bizet",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.wav,336.530402275,"Give me a song that is brilliant and virtuosic, composed in the Late Romantic Moritz Moszkowski style. It should be a Concert Transcription in the Romantic era, featuring a lively, dance-like rhythm. Incorporate a rich, homophonic texture with ornate melodic embellishments, and a transition from a spirited, gypsy-like character to a triumphant, celebratory mood." +Georges Bizet / Vladimir Horowitz,Carmen Variations,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.wav,231.487113571,"Give me a song that is virtuosic, flamboyant, and dramatic, composed in the Late Romantic style. It should be a set of Variations in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic and rhythmically complex texture, and a transition from playful bravura to thunderous intensity." +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.wav,423.490495313,"Give me a song that is virtuosic and pianistic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring orchestral textures. Incorporate a melody derived from an operatic quartet and highly chromatic harmony, and a transition from dramatic intensity to lyrical reflection." +Henry Purcell,"Suite in C Major, Z. 666 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.wav,538.800209063,"Give me a song that is stately and ornate, composed in the Early Henry Purcell style. It should be a Suite in the Baroque era, featuring a harpsichord. Incorporate contrapuntal texture and functional harmony, and a transition from dignified to lively." +Isaac Albéniz,Asturias,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.wav,308.694937031,"Give me a song that is evocative and nostalgic, composed in the Early Albéniz style. It should be a Prelude in the Romantic era, featuring a rhythm that suggests flamenco guitar. Incorporate a tremolo texture and a highly chromatic melody, and a transition from a dramatic, percussive opening to a lyrical, song-like section." +Isaac Albéniz,"Evocacion from ""Iberia""",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.wav,316.343166563,"Give me a song that is evocative, virtuosic, and folk-inspired, composed in the late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring flamenco rhythms. Incorporate complex chromatic harmony and a transition from a pensive to a passionate mood." +Isaac Albéniz,Iberia Book II,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.wav,1245.62375438,"Give me a song that is evocative and impressionistic, composed in the Late Albéniz style. It should be a piano piece in the Modernist era, featuring complex Spanish rhythms. Incorporate a highly chromatic yet tonal harmony, and a transition from nostalgic reverie to vibrant celebration." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.wav,361.027781119,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.wav,291.849566392,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,Navarra,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.wav,336.871992188,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Isaac Albéniz,Triana from 'Iberia',train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.wav,259.816541231,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.wav,171.362008125,"Give me a song that is elegant and nostalgic, composed in the Late Romantic style. It should be a Tango in the Romantic era, featuring a habanera rhythm. Incorporate a rich, pianistic texture with lyrical melody and chromatic harmony, and a transition from a wistful, lyrical mood to a more passionate, dramatic one." +Jean-Philippe Rameau,RameauSelections,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.wav,334.854098906,"Give me a song that is witty and satirical, composed in the Middle Rameau style. It should be a Lyric Comedy in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a homophonic texture with a declamatory melody, and a transition from mock-grandeur to playful absurdity." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.wav,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Johann Pachelbel,Chaconne in F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.wav,172.9699125,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.wav,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.wav,738.034785469,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.wav,711.303125,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Duet in E Minor, BWV 802",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.wav,131.834804063,"Give me a song that is intricate and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring two-voice keyboard instrumentation. Incorporate imitative polyphony and strict counterpoint, and a transition from introspective gravity to resolved motion." +Johann Sebastian Bach,"Duet in G, BWV 804",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.wav,125.185505156,"Give me a song that is intricate and polyphonic, composed in the Late Baroque Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring contrapuntal instrumentation. Incorporate imitative texture and diatonic harmony, and a transition from clarity to virtuosic intensity." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.wav,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.wav,1324.77832266,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.wav,821.342661563,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite no. 3 in G Minor, Prelude",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.wav,168.862010625,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm for harpsichord. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, urgent intensity to a resolute, cadential close." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.wav,968.256759019,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.wav,792.520097956,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.wav,130.60752069,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.wav,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.wav,732.789064219,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.wav,771.034375,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.wav,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Johann Sebastian Bach,"Partita No. 1 in B-Flat Major, BWV 825 (Complete)",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.wav,951.542851875,"Give me a song that is structured and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard instrumentation. Incorporate contrapuntal texture and a transition from dignified to lively." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.wav,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.wav,1091.69094891,"Give me a song that is intricate, stately, and polyphonic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard suite instrumentation. Incorporate a contrapuntal texture and a highly chromatic yet tonally grounded harmony, and a transition from a dignified opening to a lively, virtuosic conclusion." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.wav,1286.67739922,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.wav,1133.65805437,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.wav,452.432774063,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.wav,290.666108906,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude & Fugue in B flat minor, Book I, BWV 867",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.wav,323.019174844,"Give me a song that is somber and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a chromatic, descending subject and dense polyphonic harmony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude & Fugue in G Minor, WTK II",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.wav,311.725576133,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a clear subject and countersubjects. Incorporate dense polyphonic texture and strict imitative counterpoint, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fuge in G-sharp Minor, WTC I, BWV 863",test,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.wav,297.515728125,"Give me a song that is introspective and chromatic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject, and a transition from somber reflection to complex resolution." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I , BWV 858",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.wav,227.335416667,"Give me a song that is serene and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, measured rhythm. Incorporate a contrapuntal texture with a clear subject, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.wav,211.635416667,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.wav,173.611458333,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.wav,316.24968375,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.wav,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.wav,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.wav,241.37796375,"Give me a song that is profound and clever, composed in the Late Baroque style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.wav,220.773016406,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.wav,236.185416667,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.wav,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.wav,241.077878542,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.wav,225.740346858,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.wav,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.wav,230.553989531,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.wav,208.19423625,"Give me a song that is serene and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a prelude with arpeggiated harmony and a fugue with a four-voice imitative texture, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC I, BWV 868",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.wav,188.697727969,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.wav,347.649225,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.wav,347.093384704,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.wav,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.wav,224.950362656,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.wav,254.6792325,"Give me a song that is intricate and profound, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic but tonally anchored harmony, and a transition from introspective gravity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.wav,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.wav,313.167708333,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.wav,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.wav,352.80947625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.wav,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.wav,360.5338275,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.wav,233.179166667,"Give me a song that is intricate and flowing, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic divisions, and a transition from motion to motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 846",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.wav,239.887580625,"Give me a song that is flowing and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to structured energy." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.wav,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in C Minor, WTC II, BWV 871",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.wav,238.729729219,"Give me a song that is intricate and severe, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from brooding introspection to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in C sharp major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.wav,202.549209844,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, motoric rhythm. Incorporate imitative polyphonic texture and a subject-driven melody, and a transition from flowing prelude to rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.wav,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.wav,202.95919875,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.wav,328.45052625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.wav,208.537451719,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.wav,180.019852031,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.wav,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.wav,217.730208333,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.wav,211.061487656,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.wav,194.047126088,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, Book I, BWV 849",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.wav,454.246340625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate strict polyphonic texture and a highly chromatic subject, and a transition from somber introspection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.wav,322.878950625,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.wav,439.36964195,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC II",test,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.wav,381.53808,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate strict contrapuntal harmony, and a transition from a somber prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in D Major, Book II",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.wav,313.288949531,"Give me a song that is brilliant and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, toccata-like texture and a strict, imitative fugue, and a transition from exuberant improvisation to structured counterpoint." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.wav,174.840904219,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.wav,208.622909367,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.wav,373.192708333,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.wav,352.833514688,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.wav,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.wav,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, Book II",validation,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.wav,203.718416123,"Give me a song that is harmonically anchored and contrasting, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring two-part keyboard writing. Incorporate a fugue with a striking subject and a transition from a prelude's stability to a fugue's contrapuntal intensity." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.wav,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.wav,228.760455,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue for solo keyboard. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a dramatic, rhapsodic mood to a focused, intellectual mood." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.wav,213.624252187,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.wav,208.592994983,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D major, WTC I",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.wav,230.445816562,"Give me a song that is brilliant and wide-ranging, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring an Alla breve rhythm. Incorporate slowly shifting harmonies and contrapuntal texture, and a transition from a brilliant introduction to a slow, reflective conclusion." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.wav,200.214810469,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.wav,229.831138779,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.wav,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.wav,157.071157031,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.wav,141.199110937,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.wav,144.941094375,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.wav,151.017422404,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.wav,150.834730992,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.wav,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.wav,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.wav,342.303343594,"Give me a song that is stately and intricate, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate dense contrapuntal texture and strict fugal form, and a transition from serene contemplation to complex grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.wav,226.341921094,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.wav,246.290459838,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.wav,511.423776062,"Give me a song that is profound and introspective, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.wav,545.822916667,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.wav,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.wav,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.wav,483.489083883,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC I, BWV 856",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.wav,127.639583333,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.wav,269.760681094,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II, BWV 880",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.wav,302.413048083,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from a flowing, improvisatory mood to a structured, intellectual mood." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.wav,336.694374844,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate a dense, imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, brooding prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.wav,312.713541667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.wav,355.026041667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.wav,113.862065625,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.wav,192.887093437,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.wav,331.603075992,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.wav,348.258977283,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.wav,219.032900625,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.wav,437.084231719,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.wav,348.580208333,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.wav,401.079994219,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.wav,385.827169267,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.wav,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.wav,218.721736406,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.wav,220.113294844,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.wav,214.034241094,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.wav,215.842465781,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.wav,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.wav,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.wav,223.305529729,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC II, BWV 884",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.wav,137.286720454,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free, arpeggiated prelude and a strict, imitative fugue. Incorporate contrapuntal texture and functional harmony, and a transition from improvisatory fluidity to structured intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.wav,349.715195156,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard instrumentation. Incorporate a dense polyphonic texture and a fugue subject with a descending chromatic line, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.wav,303.6535425,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a somber, improvisatory prelude to a rigorous, dense fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.wav,330.161458333,"Give me a song that is intricate and contrapuntal, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a pensive prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.wav,45.1695595313,"Give me a song that is intricate and contrapuntal, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a pensive prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.wav,275.396875,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.wav,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.wav,268.404667717,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.wav,472.302083333,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.wav,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,"Prelude from English Suite No. 6 in D Minor, BWV 811",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.wav,444.076746094,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber to a resolute mood." +Johann Sebastian Bach,"Prelude from the English Suite No. 1 in A Major, BWV 806",train,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.wav,246.539550469,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, flowing rhythm for harpsichord. Incorporate a dense, imitative texture based on a single thematic motif, and a transition from a formal, processional opening to a more animated and resolved conclusion." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.wav,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.wav,468.700118906,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Johann Sebastian Bach,"Prelude from the English Suite No. 6 in D Minor, BWV 811",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.wav,460.567114219,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber introduction to a complex, driven conclusion." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.wav,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.wav,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.wav,601.358907187,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.wav,419.617635937,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.wav,365.110416667,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach / Egon Petri,"""Sheep May Safely Graze""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.wav,262.753476562,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be a Cantata Aria in the Baroque era, featuring a lilting rhythm and keyboard transcription. Incorporate a flowing soprano melody over a secure basso continuo, and a transition from tranquil contentment to assured peace." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.wav,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Johann Sebastian Bach / Ferruccio Busoni,"""Wachet auf, ruft uns die Stimme' BWV 645",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.wav,202.363719265,"Give me a song that is devout and intricate, composed in the Late Baroque style. It should be a Chorale Prelude in the Baroque era, featuring a cantus firmus melody. Incorporate dense, polyphonic texture and rich chromatic harmony, and a transition from solemn anticipation to triumphant affirmation." +Johann Sebastian Bach / Ferruccio Busoni,Chaconne BWV1004,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.wav,839.471649844,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate a dense, polyphonic texture built on a repeating bass progression, and a transition from somber gravity to transcendent triumph." +Johann Sebastian Bach / Ferruccio Busoni,Chaconne in D Minor,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.wav,801.396100313,"Give me a song that is profound and monumental, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from solemn gravity to transcendent triumph." +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.wav,832.292416525,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from somber gravity to transcendent resolution." +Johann Sebastian Bach / Ferruccio Busoni,Toccata in DMin.,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.wav,530.895569531,"Give me a song that is dramatic and virtuosic, composed in the Late Baroque style. It should be a Toccata in the Baroque era, featuring a driving motor rhythm. Incorporate dense, imitative counterpoint and a highly chromatic harmonic language, and a transition from a brooding, improvisatory opening to a triumphant, fugal conclusion." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.wav,183.709752187,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.wav,362.185802344,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.wav,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.wav,204.798139219,"Give me a song that is serene and devotional, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Chorale from a Cantata in the Baroque era, featuring a steady, processional rhythm. Incorporate a contrapuntal texture with a cantus firmus melody, and a transition from reverent contemplation to joyful affirmation." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.wav,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.wav,1064.85903814,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.wav,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.wav,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.wav,1278.59914875,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.wav,322.240596563,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Johannes Brahms,Intermezzos Op. 119,validation,2018,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.wav,834.47566125,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a texture where melodic and harmonic motives operate separately and together, and a transition from lyrical contemplation to subdued resolution." +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.wav,611.940377546,"Give me a song that is virtuosic, rich, and novel, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring climactic piano writing. Incorporate a highly chromatic yet tonal harmonic spectrum, and a transition from thematic statement to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.wav,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.wav,1275.88948266,"Give me a song that is virtuosic and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a theme and variations structure. Incorporate complex harmonic and textural development, and a transition from thematic statement to brilliant finale." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.wav,551.766666667,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.wav,1335.99759563,"Give me a song that is introspective and lyrical, composed in the Late Brahms style. It should be a Piece for Piano in the Romantic era, featuring a complex piano texture. Incorporate dense, interwoven harmony and a singing melody, and a transition from melancholic reflection to resigned acceptance." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.wav,1445.39919563,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.wav,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.wav,1577.25002531,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Johannes Brahms,"Sonata No. 3 in F Minor, Op. 5",train,2009,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.wav,1998.331335,"Give me a song that is grand, passionate, and dramatic, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring a powerful, chordal piano texture. Incorporate a dense, contrapuntal texture, lyrical, song-like melodies, and a rich, expansive harmonic language, and a transition from turbulent, heroic struggle to a tender, introspective calm." +Johannes Brahms,Sonata Op. 5,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.wav,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.wav,477.495386256,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.wav,994.140229671,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.wav,662.274755685,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Variations and Fugue on the Theme of Händel, Op. 24",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.wav,1476.86016844,"Give me a song that is virtuosic, Baroque-inspired, and structurally rigorous, composed in the Middle Brahms style. It should be a Theme with Variations and Fugue in the Romantic era, featuring a Baroque theme and complex counterpoint. Incorporate a dense, polyphonic texture and a highly chromatic yet tonally grounded harmony, and a transition from a stately, classical foundation to a triumphant, contrapuntal climax." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.wav,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.wav,630.978125,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.wav,636.198958333,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Book II",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.wav,678.292590937,"Give me a song that is technically formidable and diabolically witty, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmonic language, and a transition from capricious playfulness to profound lyrical introspection." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.wav,1479.74136125,"Give me a song that is technically demanding and virtuosic, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, contrapuntal texture and a highly chromatic but tonal harmony, and a transition from a serious, studious mood to a brilliant, triumphant one." +Johannes Brahms,Variations on a theme by Paganini (Books I & II),train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.wav,1449.01922965,"Give me a song that is technically formidable and diabolically witty, composed in the Late Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, interlocking textures and extreme chromatic harmony, and a transition from lyrical introspection to brilliant virtuosity." +Joseph Haydn,Andante w/Var.,validation,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.wav,558.522411562,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Joseph Haydn,"Piano Sonata in C major, Hob. XVI:50 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.wav,790.4906625,"Give me a song that is adventurous and brilliant, composed in the Late Haydn style. It should be a Piano Sonata in the Classical era, featuring witty rhythms and idiomatic keyboard writing. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from playful wit to dramatic intensity." +Joseph Haydn,Son. Hob. XVI:32,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.wav,507.451415625,"Give me a song that is witty and surprising, composed in the Middle Haydn style. It should be a Piano Sonata in the Classical era, featuring abrupt transitions. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic intensity to playful resolution." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.wav,830.483945156,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.wav,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.wav,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.wav,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.wav,349.392518737,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring an Allegro moderato rhythm. Incorporate a lyrical melody over a diatonic A-flat major harmony, and a transition from peaceful lyricism to spirited grace." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.wav,362.353125,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.wav,276.880065,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano texture. Incorporate a predominantly homophonic texture and a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.wav,240.84377625,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.wav,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.wav,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.wav,325.622916667,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.wav,314.383333333,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.wav,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.wav,705.326484844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.wav,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.wav,347.301325885,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.wav,136.290196233,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.wav,290.9612475,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.wav,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, First Movement",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.wav,325.782259688,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a robust piano texture. Incorporate a sonata-allegro form with thematic development and a transition from playful grandeur to dramatic intensity." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.wav,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.wav,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.wav,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.wav,809.594542969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate witty thematic development and clear harmonic structure, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.wav,208.260069392,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.wav,272.176547504,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in E Major, Hob. XVI:31, First Movement",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.wav,190.071925313,"Give me a song that is lyrical and expressive, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring cascading sextuplet rhythms. Incorporate a two-part texture with three-part contrapuntal melodies, and a transition from lyrical grace to powerful climax." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.wav,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.wav,339.421875,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a robust, driving rhythm. Incorporate a sonata-allegro form with motivic development and witty harmonic turns, and a transition from stately confidence to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.wav,334.624398281,"Give me a song that is grand, virtuosic, and brilliant, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a robust, driving Allegro rhythm. Incorporate a rich, orchestral keyboard texture, a motivically developed melody, and a highly chromatic yet functional E-flat major harmony, and a transition from stately confidence to dramatic intensity." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.wav,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.wav,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.wav,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat major, Hob. XVI:52, I. Allegro",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.wav,341.064568092,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a sonata-allegro form with thematic development and witty harmonic surprises, and a transition from bold assertiveness to playful wit." +Joseph Haydn,"Sonata in F Major, Hob. XVI:23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.wav,945.389011875,"Give me a song that is bright and elegant, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a lively 2/4 time signature. Incorporate a homophonic texture with clear thematic development, and a transition from playful wit to graceful resolution." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.wav,186.908199844,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Joseph Haydn,"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.wav,207.125,"Give me a song that is elegant and lyrical, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a 2/4 meter. Incorporate a texture of horizontal melodic lines punctuated by vertical chords, and a transition from graceful poise to playful energy." +Leoš Janáček,In the Mists,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.wav,855.393108281,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Leoš Janáček,"In the Mists, I. Andante ",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.wav,217.770833333,"Give me a song that is introspective and nebulous, composed in the Late Janáček style. It should be a piano cycle movement in the Early Modern era, featuring a flexible, speech-like rhythm. Incorporate a fragmented, recitative-like melody over ambiguous, modal harmony, and a transition from melancholic contemplation to a brief, agitated outburst." +Leoš Janáček,"Piano Sonata 1. X. 1905 ""From the Street""",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.wav,837.561929531,"Give me a song that is somber and turbulent, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-tonal harmony, and a transition from defiant protest to resigned lament." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.wav,891.962249063,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.wav,1402.55462314,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.wav,524.024582813,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Ludwig van Beethoven,Bagatelles Op126,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.wav,1108.03708641,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring solo piano. Incorporate a cantabile melody and a pre-Romantic cyclic structure, and a transition from compiacevole contentment to grazioso elegance." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.wav,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Bagtellen, Op.126",train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.wav,1136.37306234,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring a singing melody over a flowing accompaniment. Incorporate a pre-Romantic, cyclic harmonic structure, and a transition from introspective calm to a brief, spirited outburst." +Ludwig van Beethoven,"Eroica Variations, Op. 35",validation,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.wav,1314.69697633,"Give me a song that is grand and inventive, composed in the Early Beethoven style. It should be a set of Variations in the Classical era, featuring a prominent bass line. Incorporate contrapuntal texture and a transition from playful to triumphant." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.wav,527.932164375,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Ludwig van Beethoven,"Rondo a capriccioso ""Rage over a Lost Penny"", Op. 129",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.wav,359.744565469,"Give me a song that is playful and capricious, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, perpetual-motion rhythm for solo piano. Incorporate a homophonic texture with a witty, folk-like melody and sudden harmonic shifts, and a transition from humorous agitation to triumphant exuberance." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.wav,338.34367875,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.wav,278.940693281,"Give me a song that is graceful and lyrical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a light, flowing rhythm. Incorporate a homophonic texture with a clear, song-like melody, and a transition from serene playfulness to a more dramatic, developmental character." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.wav,336.258333333,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.wav,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.wav,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.wav,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 12 in A-flat Major, Op. 26, First Movement",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.wav,405.62993625,"Give me a song that is serene and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a theme and variations structure. Incorporate a lyrical, song-like melody over a stable harmonic foundation, and a transition from contemplative introspection to gentle, flowing motion." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.wav,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.wav,281.444133737,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.wav,306.104269312,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement",test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.wav,283.811147812,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring an allegro vivace rhythm. Incorporate a pronounced ""Beethovenian"" harmonic style, and a transition from playful wit to graceful lyricism." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.wav,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.wav,876.420833333,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.wav,451.611460781,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like melody and dramatic pauses. Incorporate a highly chromatic and unstable harmonic language, and a transition from brooding suspense to explosive defiance." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.wav,397.774709062,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.wav,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.wav,340.150567969,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a Largo introduction followed by a driving Allegro rhythm. Incorporate a recitative-like melody and sudden dynamic contrasts, and a transition from brooding suspense to explosive agitation." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.wav,376.117815133,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.wav,380.419076108,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.wav,355.351891246,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.wav,384.556876346,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.wav,351.670321406,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.wav,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.wav,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.wav,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.wav,1344.34026891,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving rhythms and brilliant piano writing. Incorporate a sonata-allegro form with dramatic harmonic shifts, and a transition from heroic struggle to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.wav,1306.74014625,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, orchestral texture and a harmonically adventurous development section, and a transition from heroic striving to transcendent serenity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.wav,519.560110781,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.wav,521.564649375,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.wav,489.6789975,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.wav,534.701655469,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.wav,481.751655,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.wav,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.wav,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.wav,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.wav,470.289326719,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, virtuosic texture, a soaring melodic line, and a highly chromatic yet tonally anchored harmony, and a transition from dramatic urgency to transcendent lyricism." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.wav,473.193194162,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.wav,637.070596287,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.wav,484.191003521,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.wav,501.518910067,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.wav,480.396150321,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.wav,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 ""Appassionata"", First Movement",train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.wav,593.318049844,"Give me a song that is turbulent and dramatic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro assai rhythm. Incorporate a sonata-allegro form with a highly chromatic but tonally anchored F minor harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.wav,1251.28854167,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.wav,523.841623594,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.wav,572.423305781,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.wav,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.wav,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.wav,515.413072754,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Ludwig van Beethoven,"Sonata No. 24 in F-Sharp Major, Op. 78",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.wav,602.757142969,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from a cantabile adagio to a vivace allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.wav,397.693245469,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from tender introspection to spirited resolve." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.wav,278.421195937,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.wav,316.572784056,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.wav,453.392893256,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.wav,399.448051406,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.wav,338.045869219,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-flat Major, Op. 81a, I. Das Lebewohl. Adagio - Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.wav,407.455208333,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction and a vigorous Allegro. Incorporate a three-note 'farewell' motive and a transition from a sorrowful Adagio to a resolute Allegro." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.wav,760.2770175,"Give me a song that is intimate and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a very singable melody and a two-movement structure, and a transition from restless energy to resolved contentment." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.wav,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27, Op. 90, I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck",validation,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.wav,318.420448279,"Give me a song that is introspective and lyrical, composed in the late Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with expressive harmonic shifts, and a transition from restless energy to tender resolution." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.wav,1201.07919422,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.wav,1162.39066453,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.wav,1098.92518313,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.wav,2457.80737125,"Give me a song that is monumental, formidable, and expansive, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a driving, fugal rhythm. Incorporate dense contrapuntal texture, a grand melodic scope, and extreme harmonic exploration, and a transition from heroic struggle to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.wav,430.0636725,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.wav,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.wav,894.40625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a grand, orchestral texture and a transition from a heroic, assertive mood to a more lyrical, cantabile one." +Ludwig van Beethoven,"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.wav,450.154845513,"Give me a song that is energetic and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and brilliant harmonic writing, and a transition from assertive grandeur to spirited playfulness." +Ludwig van Beethoven,"Sonata No. 30 in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.wav,1176.40240266,"Give me a song that is serene and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring intricate counterpoint. Incorporate a rich harmonic structure and a strict form, and a transition from a carefree to a dramatic mood." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.wav,1022.54438344,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.wav,1137.43743094,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the late Classical era, featuring a fugal finale. Incorporate a singing melody and a transition from sorrowful lament to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.wav,1060.72142859,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.wav,1063.92121172,"Give me a song that is introspective and lyrical, composed in the late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like melody. Incorporate a fugue and arioso dolente textures, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.wav,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.wav,1603.11404859,"Give me a song that is profound and monumental, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a starkly contrasting two-movement structure. Incorporate a highly chromatic, trill-laden texture and a sublime, variation-form melody, and a transition from turbulent, dramatic struggle to transcendent, spiritual serenity." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.wav,1585.96930078,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Late Classical era, featuring a starkly contrasting two-movement structure. Incorporate a dramatic, fugato-laden first movement and a serene, variation-based Arietta, and a transition from tragic struggle to sublime acceptance." +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.wav,1590.10257656,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a stark Arietta theme. Incorporate a highly chromatic, trill-laden texture, and a transition from tragic struggle to sublime serenity." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.wav,330.763558125,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.wav,325.30950375,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.wav,332.583802031,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.wav,338.472916667,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.wav,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.wav,333.371229721,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.wav,271.508809687,"Give me a song that is energetic and angular, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring contrasting loud and soft rhythmic phrases. Incorporate a highly angular melody built from rising dotted arpeggios, and a transition from dramatic intensity to softer contrast." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, I. Allegro molto e con brio",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.wav,236.041666667,"Give me a song that is dramatic and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, symphonic rhythm. Incorporate a highly chromatic but tonally anchored harmony, and a transition from turbulent urgency to lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.wav,1254.06391687,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a Presto finale with syncopation. Incorporate a sonata-allegro structure with dramatic harmonic shifts, and a transition from a playful scherzo to a somber largo." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.wav,283.606821094,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.wav,397.789399219,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.wav,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.wav,304.532695817,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.wav,289.1011475,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.wav,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Ludwig van Beethoven,Sonata Op. 10/3,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.wav,1405.96413891,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythm. Incorporate a highly chromatic harmony, and a transition from a playful to a somber mood." +Ludwig van Beethoven,Sonata Op. 101,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.wav,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 110,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.wav,1075.70805891,"Give me a song that is introspective and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like Arioso and a fugue. Incorporate a texture of alternating Arioso dolente and fugal counterpoint, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.wav,1118.90161376,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Ludwig van Beethoven,Sonata Op. 54 in F Major,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.wav,534.516585565,"Give me a song that is concise and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure for piano. Incorporate a lyrical, cantabile melody against a persistent rhythmic motor, and a transition from a restrained, graceful mood to a more playful, energetic one." +Ludwig van Beethoven,Sonata Op. 78,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.wav,470.609839219,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a singing melody and clear harmonic progressions, and a transition from a contemplative adagio to a lively allegro." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.wav,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.wav,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.wav,362.762818735,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.wav,732.784163067,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.wav,1183.00228922,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in C Major, Op. 2 No. 3, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.wav,422.9696625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a dense, orchestral piano texture with bold harmonic shifts, and a transition from assertive grandeur to lyrical playfulness." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.wav,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.wav,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.wav,497.066909717,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.wav,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.wav,1114.77319078,"Give me a song that is intricate and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate rich harmonic structures and strict counterpoint, and a transition from lyrical introspection to transcendent resolution." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.wav,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.wav,934.418136094,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.wav,628.812138281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.wav,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.wav,615.112899844,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.wav,630.735213281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.wav,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.wav,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.wav,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.wav,644.729590313,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.wav,652.961419687,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.wav,618.502319531,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.wav,578.201041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2.wav,673.126041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2.wav,669.285416667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--2.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--2.wav,802.034454375,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1.wav,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1.wav,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1.wav,604.837848246,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1.wav,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2.wav,607.643390054,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.wav,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.wav,679.707139504,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.wav,630.186014637,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.wav,598.049419971,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.wav,590.600370937,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, contrapuntal texture and a highly chromatic, modulating harmony, and a transition from a somber, austere mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.wav,658.1875,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.wav,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.wav,1530.08260453,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.wav,326.59155375,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.wav,294.372034687,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.wav,255.60871875,"Give me a song that is lyrical and idyllic, composed in the Late Balakirev style. It should be an Etude-Idyll in the Romantic era, featuring a flowing piano texture. Incorporate a rich, chromatic harmonic language, and a transition from serene contemplation to passionate exaltation." +Mily Balakirev,Islamei,validation,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.wav,530.857408325,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a virtuosic piano showpiece. Incorporate thick-textured layers built from repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a frenetic, knuckle-busting climax." +Mily Balakirev,Islamey,validation,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.wav,491.751645,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.wav,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.wav,1749.46940438,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.wav,2009.46246703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.wav,1958.31687252,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.wav,1976.93006547,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.wav,1823.15789906,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.wav,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.wav,668.431489688,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Muzio Clementi,Sonata Op. 24/2,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.wav,653.231184375,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Muzio Clementi,"Sonata Op. 25 No. 5 in F-sharp Minor, First Movement",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.wav,245.819732813,"Give me a song that is fiery and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and rapid runs, and a transition from shock to exhilaration." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.wav,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,Sonata in F# Min,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.wav,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.wav,273.190164844,"Give me a song that is fiery and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and runs, and a transition from shock to betrayal." +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.wav,278.921996719,"Give me a song that is technically demanding and capricious, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a dramatic theme to a virtuosic finale." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.wav,365.333502188,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.wav,671.685811287,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Nikolai Medtner,"Sonata Tragica, Op. 39, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.wav,609.916590938,"Give me a song that is fiery and dramatic, composed in the Middle Nikolai Medtner style. It should be a Sonata in the Late-Romantic era, featuring complex piano writing. Incorporate dense, polyphonic texture and highly chromatic harmony, and a transition from brooding meditation to tragic grandeur." +Nikolai Medtner,"Three Fairy Tales ""Skazki"" from Op. 34",train,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.wav,727.833139688,"Give me a song that is lyrical and evocative, composed in the Middle Nikolai Medtner style. It should be a Skazka (Fairy Tale) in the Late Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a harmonically rich, chromatic language, and a transition from a narrative, folk-like mood to a dramatic, impassioned one." +Nikolai Medtner,Two Fairy Tales,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.wav,412.673198438,"Give me a song that is lyrical and fantastical, composed in the Early Medtner style. It should be a Fairy Tale in the Late-Romantic era, featuring complex pianistic textures. Incorporate rich, contrapuntal harmony, and a transition from a narrative opening to a dramatic, folk-inspired conclusion." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.wav,63.3786759375,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Orlando Gibbons,Pavan,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.wav,247.900393125,"Give me a song that is stately and contrapuntal, composed in the Early Orlando Gibbons style. It should be a Pavan in the Renaissance era, featuring a duple-meter rhythm. Incorporate imitative polyphony and consonant harmony, and a transition from dignified procession to gentle resolution." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.wav,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Pyotr Ilyich Tchaikovsky,Dumka,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.wav,513.645319687,"Give me a song that is melancholic and thoughtful, composed in the Middle Tchaikovsky style. It should be a Dumka in the Romantic era, featuring rhythmic folk patterns. Incorporate harmonic patterns drawn from Slavic folk music, and a transition from pensiveness to a more animated character." +Pyotr Ilyich Tchaikovsky,"Dumka, Op. 59",train,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.wav,474.076716094,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a flexible, rhapsodic rhythm. Incorporate a lyrical, song-like melody over a homophonic texture with chromatic harmony, and a transition from brooding lamentation to frenzied dance." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.wav,499.677652031,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.wav,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.wav,366.701022187,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.wav,469.876666875,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.wav,272.686693125,"Give me a song that is grand and lyrical, composed in the Late Tchaikovsky style. It should be a Pas de Deux in the Romantic era, featuring a solo piano arrangement. Incorporate a rich, chordal texture and a soaring, operatic melody, and a transition from a stately procession to a tender, romantic resolution." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.wav,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.wav,310.470237956,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.wav,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.wav,108.673769531,"Give me a song that is brisk and ceremonial, composed in the Late Tchaikovsky style. It should be a March in the Romantic era, featuring a crisp duple-meter rhythm and bright orchestration. Incorporate a homophonic texture with a bold, diatonic melody, and a transition from playful anticipation to triumphant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.wav,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,Lullaby,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.wav,236.329891875,"Give me a song that is tender and serene, composed in the Late Romantic style. It should be a Lullaby in the Romantic era, featuring a gentle, rocking rhythm and piano instrumentation. Incorporate a homophonic texture with a simple, folk-like melody, and a transition from peaceful repose to a more poignant, wistful mood." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.wav,295.250197385,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.wav,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Richard Wagner / Franz Liszt,Isolde's Liebestod,test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.wav,430.775477344,"Give me a song that is ecstatic and transcendent, composed in the Late Romantic style. It should be a Symphonic Poem in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony built on the 'Tristan chord', and a transition from yearning anguish to transfiguring release." +Robert Schumann,ABEGG Op. 1,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.wav,419.332291667,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Robert Schumann,ABEGG Variations Op. 1,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.wav,456.623475,"Give me a song that is youthful and virtuosic, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a melodic motif, and a transition from playful elegance to brilliant exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.wav,451.479249375,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.wav,450.517711875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.wav,451.658202188,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.wav,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.wav,493.855008281,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"Arabesque, Op. 18",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.wav,435.444276094,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.wav,382.695931406,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.wav,1703.20758236,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.wav,1443.84723636,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.wav,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.wav,1286.41030547,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Davidsbundlertanze, Op. 6",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.wav,2097.17864236,"Give me a song that is introspective and literary, composed in the Early Robert Schumann style. It should be a character-piece in the Romantic era, featuring a dance-like rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from Florestan's impetuosity to Eusebius's reflection." +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.wav,1885.56836016,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.wav,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,"Fantasy Pieces, Op. 12",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.wav,1255.95783337,"Give me a song that is intimate and expressive, composed in the Early Schumann style. It should be a Fantasy Piece in the Romantic era, featuring a lyrical piano melody. Incorporate a homophonic texture with chromatic harmony, and a transition from poetic reverie to impassioned declaration." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.wav,2028.95630437,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.wav,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Robert Schumann,"Humoresque, Op. 20",validation,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.wav,1634.31861141,"Give me a song that is capricious and introspective, composed in the Early Robert Schumann style. It should be a Humoreske in the Romantic era, featuring a solo piano. Incorporate a complex, multi-sectional structure with contrasting textures and a highly chromatic yet tonal harmony, and a transition from whimsical playfulness to profound melancholy." +Robert Schumann,"Intermezzi, Opus 4",test,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.wav,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Robert Schumann,Kreisleriana,train,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.wav,1888.42492781,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.wav,700.849428215,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.wav,705.86223394,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2009,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.wav,1893.88432406,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.wav,1873.31276344,"Give me a song that is agitated and capricious, composed in the Middle Schumann style. It should be a Phantasie in the Romantic era, featuring complex piano figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from impassioned fantasy to introspective lyricism." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.wav,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",validation,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.wav,245.831752031,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.wav,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,Sonata F# Minor,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.wav,1793.33421094,"Give me a song that is unconventional and intriguing, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a complex piano structure. Incorporate an unusual formal structure and highly chromatic harmony, and a transition from Florestan's passion to Eusebius's introspection." +Robert Schumann,"Sonata No. 1 in F-Sharp Minor, Op. 11 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.wav,1913.92303266,"Give me a song that is impassioned and fantastical, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a narrative approach to form. Incorporate a unifying falling perfect fifth motif and highly chromatic harmony, and a transition from introspective yearning to dramatic fervor." +Robert Schumann,"Sonata No. 1 in F-sharp Minor, Op. 11",train,2009,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.wav,1582.88703891,"Give me a song that is passionate and narrative, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring vivid flights of fantasy in its rhythm. Incorporate a unifying melodic motif of a falling perfect fifth and highly chromatic harmony, and a transition from introspective fantasy to dramatic intensity." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.wav,976.820604375,"Give me a song that is taut and compelling, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a driving rhythmic pulse. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from stormy passion to lyrical introspection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.wav,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.wav,981.026175854,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.wav,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.wav,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.wav,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes Op. 13,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.wav,1526.65579172,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Romantic Robert Schumann style. It should be a set of Études in the Romantic era, featuring elaborate piano counterpoint. Incorporate rich, orchestral harmony and thematic variation, and a transition from a somber theme to triumphant brilliance." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.wav,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.wav,1317.43591547,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.wav,1650.67409719,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.wav,1058.59166667,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.wav,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,Toccata Op. 7,test,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.wav,311.429977031,"Give me a song that is technically ferocious and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a demanding double-note piano texture. Incorporate sonata-allegro form and a highly chromatic C major harmony, and a transition from a fantastic study to a triumphant conclusion." +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.wav,404.076786094,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring rapid unison octaves and syncopation. Incorporate advanced chromaticism and contrapuntal texture, and a transition from a bold, chordal introduction to a relentless, virtuosic development." +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.wav,292.591854844,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring rapid unison octaves and syncopation. Incorporate advanced chromaticism and contrapuntal texture, and a transition from a bold, chordal introduction to a relentless, virtuosic development." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.wav,312.655060571,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Robert Schumann,"Toccata in C, Op. 7",test,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.wav,392.351370469,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from heroic struggle to triumphant resolution." +Robert Schumann / Franz Liszt,Widmung,train,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.wav,205.543330781,"Give me a song that is intimate and lyrical, composed in the Middle Robert Schumann style. It should be a Lied in the Romantic era, featuring a vocal melody with piano accompaniment. Incorporate a homophonic texture and a harmonically rich, diatonic foundation with chromatic passing tones, and a transition from tender devotion to impassioned climax." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.wav,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.wav,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.wav,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.wav,321.438154319,"Give me a song that is lyrical and melancholic, composed in the Early Rachmaninoff style. It should be a Morceau de fantaisie in the Romantic era, featuring piano solo instrumentation. Incorporate a rich, singing melody and lush, chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Etude Tableau Op. 39 No. 5,test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.wav,291.913436719,"Give me a song that is turbulent and passionate, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an Appassionato tempo. Incorporate dense chromatic harmony and a sweeping, dramatic melody, and a transition from agitated intensity to a climactic, tragic grandeur." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 1 in C Minor,test,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.wav,164.620561875,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chromatic harmony and a powerful, surging melody, and a transition from stormy agitation to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.wav,153.79258125,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.wav,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.wav,197.370262031,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.wav,280.047916667,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.wav,154.993167656,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.wav,262.041671719,"Give me a song that is turbulent and passionate, composed in the Middle Sergei Rachmaninoff style. It should be an Etude-Tableaux in the Late Romantic era, featuring an Allegro agitato tempo. Incorporate a dense, chromatic harmonic structure, and a transition from agitated intensity to a more resolute, march-like character." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.wav,273.573444375,"Give me a song that is turbulent and impassioned, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late-Romantic era, featuring an Appassionato tempo. Incorporate dense, chordal textures and a highly chromatic yet tonal harmony, and a transition from agitated tumult to a somber, march-like resolve." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.wav,158.788569844,"Give me a song that is dark and ambiguous, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex, shifting rhythm. Incorporate a dense, chromatic harmonic texture, and a transition from a brooding march to a tumultuous climax." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.wav,267.438313619,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.wav,190.852001088,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.wav,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.wav,1355.37791813,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Sergei Rachmaninoff,"Humoresque Op. 10, No. 5",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.wav,217.924570796,"Give me a song that is light and ironic, composed in the Early Rachmaninoff style. It should be a Humoresque in the Romantic era, featuring salon piano instrumentation. Incorporate a lyrical melody over chromatic harmony, and a transition from playful caprice to a more lyrical, singing mood." +Sergei Rachmaninoff,Lilac,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.wav,138.394626563,"Give me a song that is lyrical and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Romance in the Romantic era, featuring a soprano voice with piano accompaniment. Incorporate a flowing melody over rich chromatic harmony, and a transition from tender reflection to poignant sentiment." +Sergei Rachmaninoff,"Moment Musical, Op. 16, No.4",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.wav,158.014182992,"Give me a song that is turbulent and impassioned, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano writing. Incorporate a dense, chordal texture and a highly chromatic, yearning melody, and a transition from brooding intensity to a climactic, tragic grandeur." +Sergei Rachmaninoff,Moment Musicaux Op. 16 No. 4 in E Minor,train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.wav,164.292998379,"Give me a song that is dramatic and technically demanding, composed in the Early Rachmaninoff style. It should be a Moment Musicaux in the Romantic era, featuring a presto tempo and virtuosic piano writing. Incorporate a dense, chordal texture with a highly chromatic yet tonal harmony, and a transition from turbulent agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.wav,256.500811875,"Give me a song that is somber and lyrical, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a flowing, triplet-based rhythm. Incorporate a dense, chordal texture with a long-breathed, vocal melody, and a transition from melancholic introspection to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.wav,164.338777969,"Give me a song that is virtuosic, thickly textured, and sophisticated, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring demanding piano performance. Incorporate dense textures and a highly chromatic yet tonal harmony, and a transition from turbulent intensity to lyrical introspection." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.wav,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff,Moments Musicaux,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.wav,1750.78350563,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.wav,380.377557656,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.wav,177.222045,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.wav,224.7861,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.wav,162.591984844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.wav,209.215869844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.wav,276.942832031,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.wav,235.444818256,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.wav,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Polka de W.R.,validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.wav,243.356119704,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a 2/4 rhythm. Incorporate a lyrical melody over a chordal texture, and a transition from playful wistfulness to robust affirmation." +Sergei Rachmaninoff,Prelude Op. 23 No. 4 in D Major,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.wav,264.132291667,"Give me a song that is lyrical and expansive, composed in the Middle Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a cantabile melody over a flowing accompaniment. Incorporate rich, chromatic harmony with a tonal center in D major, and a transition from a serene, singing mood to a more dramatic, resolute one." +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.wav,167.493155156,"Give me a song that is grand and lyrical, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing sixteenth-note accompaniment. Incorporate a three-note melodic germ and variation form, and a transition from a stately opening to a more intense and developed mood." +Sergei Rachmaninoff,"Prelude Op. 23, No. 2",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.wav,168.511255027,"Give me a song that is brilliant and rhythmically complex, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a contrasting texture of thunderous left-hand figures, and a transition from a maestoso mood to a more lyrical one." +Sergei Rachmaninoff,Prelude Op. 23/4,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.wav,240.634107656,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a flowing rhythm for solo piano. Incorporate a rich harmonic texture with modulations to the subdominant, and a transition from serene contemplation to passionate intensity." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.wav,239.852858438,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.wav,109.870833333,"Give me a song that is somber and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a steady, march-like rhythm. Incorporate a dense, chordal texture with a lyrical, sighing melody over chromatically shifting harmony, and a transition from solemn resolve to tragic despair." +Sergei Rachmaninoff,"Prelude Op. 32, No. 10",test,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.wav,287.529574004,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a flowing melody over rich chromatic harmony, and a transition from somber reflection to a more resolute, though not triumphant, conclusion." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.wav,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.wav,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.wav,280.859761875,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.wav,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in G-Sharp Minor,Op. 32 No. 12",test,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.wav,127.737585938,"Give me a song that is somber and intense, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a piano. Incorporate a dense, chordal texture with a chromatic, descending melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.wav,700.402611563,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.wav,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.wav,293.417174531,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.wav,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.wav,344.883469219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.wav,1167.49976099,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Late Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a tonally ambiguous recapitulation, and a transition from dramatic conflict to a resolute, minor-key coda." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.wav,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.wav,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.wav,1227.78322734,"Give me a song that is turbulent and technically formidable, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring a virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated drama to a more lyrical, introspective mood." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.wav,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Sonata Op. 36,train,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.wav,1040.69473922,"Give me a song that is turbulent and virtuosic, composed in the Middle Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic agitation to lyrical reflection." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.wav,1168.36555172,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.wav,114.58321875,"Give me a song that is dazzling and virtuosic, composed in the Late Romantic style. It should be a Concert Paraphrase in the Romantic era, featuring a relentless, rapid-fire rhythm. Incorporate a homophonic texture built on highly chromatic harmony, and a transition from a tense, swirling agitation to a triumphant, brilliant conclusion." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.wav,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav.wav,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Wolfgang Amadeus Mozart,"Nine Variations, K. 264",train,2009,2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV.wav,735.7471275,"Give me a song that is elegant, playful, and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme-and-variations structure for solo piano. Incorporate a graceful, ornamented melody over a clear harmonic progression, and a transition from a lyrical and serene mood to a brilliant and spirited one." +Wolfgang Amadeus Mozart,"Nine variations on a minuet by Duport, K537",train,2018,2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1.wav,581.409675,"Give me a song that is elegant, witty, and refined, composed in the Late Mozart style. It should be a set of Variations in the Classical era, featuring a clear minuet rhythm. Incorporate a transparent texture with graceful melodic ornamentation, and a transition from courtly charm to playful virtuosity." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav.wav,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,Sonata K. 457,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav.wav,937.038325781,"Give me a song that is dramatic and intense, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano instrumentation. Incorporate textbook sonata form with thematic development and key relations, and a transition from dramatic tension to resolution." +Wolfgang Amadeus Mozart,"Sonata K. 457 in C minor, I. Allegro molto",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3.wav,228.583333333,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a bold, octave-based subject. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from turbulent defiance to tragic pathos." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2.wav,299.095587656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav.wav,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1.wav,307.326081563,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, I. Allegro",test,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3.wav,301.940828175,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano with Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful assurance to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3.wav,261.801287344,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV.wav,672.153441094,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Wolfgang Amadeus Mozart,"Sonata in C Major, K 330, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2.wav,257.267708333,"Give me a song that is elegant and balanced, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony, and a transition from graceful lyricism to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in C Major, K279",validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3.wav,598.585416667,"Give me a song that is bright and energetic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an active left-hand piano part. Incorporate a highly chromatic yet tonal harmony, and a transition from playful development to a firm, surprising close." +Wolfgang Amadeus Mozart,"Sonata in C Minor K457, First Movement",train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2.wav,230.639459531,"Give me a song that is dramatic and bold, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a homophonic texture with a stark, octave-based melody and functional yet chromatic harmony, and a transition from a stormy, minor-key tension to a more lyrical, contrasting theme." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1.wav,1070.4476475,"Give me a song that is dramatic and impassioned, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a solo piano. Incorporate a highly chromatic and expressive melody, and a transition from turbulent pathos to a more lyrical resolve." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2.wav,239.547036094,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Wolfgang Amadeus Mozart,Sonata in D Major K576,train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1.wav,803.47141875,"Give me a song that is brilliant and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a lively, horn-like opening theme. Incorporate a polyphonic texture with imitative counterpoint, and a transition from a stately, hunting fanfare to a more lyrical and playful character." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2.wav,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 576, First Movement",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--1.wav,236.252434687,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring contrapuntal writing. Incorporate a clear sonata-allegro form with imitative counterpoint, and a transition from a stately, regal mood to a playful, energetic one." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 284, First Movement",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav.wav,205.236172969,"Give me a song that is bright and virtuosic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo and piano instrumentation. Incorporate a homophonic texture with elegant, ornamented melodies and clear, functional harmony, and a transition from a stately confidence to a playful exuberance." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 311",train,2009,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV.wav,910.278202969,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a piano. Incorporate a classical harmonic framework, and a transition from spirited playfulness to lyrical grace." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1.wav,790.820523281,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2.wav,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3.wav,285.3629625,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV.wav,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in D-Major, K. 311, First Movement",train,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav.wav,194.098363594,"Give me a song that is delightful and exuberant, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring elegant keyboard writing. Incorporate a charming melody and clear harmonic structure, and a transition from playful energy to lyrical grace." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav.wav,1075.48904203,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav.wav,901.959568125,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1.wav,908.790625,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2.wav,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K. 280, 1st mov.",test,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3.wav,192.605309531,"Give me a song that is bright and classical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an Allegro assai tempo. Incorporate a homophonic texture and diatonic harmony, and a transition from a sprightly F major to a contrasting, lyrical secondary theme." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav.wav,245.315515633,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav.wav,241.470441506,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav.wav,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1.wav,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533/K494",validation,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3.wav,1068.75160219,"Give me a song that is intricate and balanced, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a three-movement structure. Incorporate contrapuntal texture and chromatic harmony, and a transition from lyrical grace to dramatic intensity." +Wolfgang Amadeus Mozart,"Twelve Variations, K179 (189a)",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav.wav,630.266303102,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme and variations structure for keyboard. Incorporate a graceful, ornamented melody over a simple harmonic foundation, and a transition from stately charm to lively virtuosity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_2.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_3.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_-1.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_-3.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_-2.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_1.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_time_0.98.midi,,549.8580003666126,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_time_0.99.midi,,556.8869408613061,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_0.94.midi,,514.786509823023,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_1.02.midi,,557.7738726494382,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav_vel_1.00.midi,,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav_vel_1.10.midi,,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_0.93.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_1.00.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav_pitch_-3.midi,,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav_pitch_3.midi,,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav_pitch_-2.midi,,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_pitch_-3.midi,,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_pitch_-1.midi,,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_pitch_-2.midi,,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_pitch_-1.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_pitch_-3.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_pitch_-2.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1_pitch_1.midi,,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1_pitch_3.midi,,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1_pitch_-2.midi,,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav_pitch_-2.midi,,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav_pitch_-1.midi,,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav_pitch_2.midi,,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1_pitch_-3.midi,,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1_pitch_3.midi,,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1_pitch_1.midi,,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_pitch_-1.midi,,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_pitch_3.midi,,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_pitch_2.midi,,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV_pitch_3.midi,,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV_pitch_2.midi,,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV_pitch_1.midi,,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2_pitch_-1.midi,,281.444133737,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2_pitch_1.midi,,281.444133737,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2_pitch_2.midi,,281.444133737,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_pitch_3.midi,,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_pitch_-1.midi,,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_pitch_-3.midi,,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4_pitch_-1.midi,,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4_pitch_3.midi,,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4_pitch_2.midi,,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav_pitch_-1.midi,,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav_pitch_3.midi,,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav_pitch_2.midi,,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav_pitch_1.midi,,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav_pitch_-3.midi,,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav_pitch_3.midi,,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3_pitch_-2.midi,,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3_pitch_2.midi,,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3_pitch_1.midi,,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_2.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_3.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_-1.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3_pitch_3.midi,,124.61526,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3_pitch_-1.midi,,124.61526,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3_pitch_-2.midi,,124.61526,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV_pitch_-1.midi,,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV_pitch_3.midi,,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV_pitch_1.midi,,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav_pitch_3.midi,,271.508809687,"Give me a song that is energetic and angular, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring contrasting loud and soft rhythmic phrases. Incorporate a highly angular melody built from rising dotted arpeggios, and a transition from dramatic intensity to softer contrast." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav_pitch_-3.midi,,271.508809687,"Give me a song that is energetic and angular, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring contrasting loud and soft rhythmic phrases. Incorporate a highly angular melody built from rising dotted arpeggios, and a transition from dramatic intensity to softer contrast." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav_pitch_-1.midi,,271.508809687,"Give me a song that is energetic and angular, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring contrasting loud and soft rhythmic phrases. Incorporate a highly angular melody built from rising dotted arpeggios, and a transition from dramatic intensity to softer contrast." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_pitch_1.midi,,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_pitch_-1.midi,,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_pitch_-3.midi,,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_2.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_3.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_-2.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1_pitch_3.midi,,527.932164375,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1_pitch_-3.midi,,527.932164375,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1_pitch_-1.midi,,527.932164375,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_pitch_1.midi,,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_pitch_-3.midi,,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_pitch_-2.midi,,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1_pitch_-2.midi,,1162.39066453,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1_pitch_2.midi,,1162.39066453,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1_pitch_-3.midi,,1162.39066453,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_pitch_-2.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_pitch_-1.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_pitch_1.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2_pitch_3.midi,,401.079994219,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2_pitch_1.midi,,401.079994219,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2_pitch_2.midi,,401.079994219,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1_pitch_1.midi,,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1_pitch_3.midi,,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1_pitch_-2.midi,,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_pitch_2.midi,,747.902564063,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_pitch_-3.midi,,747.902564063,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_pitch_1.midi,,747.902564063,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1_pitch_-3.midi,,524.024582813,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1_pitch_-1.midi,,524.024582813,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1_pitch_-2.midi,,524.024582813,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1_pitch_-1.midi,,208.19423625,"Give me a song that is serene and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a prelude with arpeggiated harmony and a fugue with a four-voice imitative texture, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1_pitch_2.midi,,208.19423625,"Give me a song that is serene and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a prelude with arpeggiated harmony and a fugue with a four-voice imitative texture, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1_pitch_3.midi,,208.19423625,"Give me a song that is serene and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a prelude with arpeggiated harmony and a fugue with a four-voice imitative texture, and a transition from contemplative to resolute." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_-1.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_3.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_-3.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2_pitch_-2.midi,,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2_pitch_-1.midi,,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2_pitch_2.midi,,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1_pitch_3.midi,,1306.74014625,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, orchestral texture and a harmonically adventurous development section, and a transition from heroic striving to transcendent serenity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1_pitch_2.midi,,1306.74014625,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, orchestral texture and a harmonically adventurous development section, and a transition from heroic striving to transcendent serenity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1_pitch_-3.midi,,1306.74014625,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, orchestral texture and a harmonically adventurous development section, and a transition from heroic striving to transcendent serenity." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav_pitch_-2.midi,,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav_pitch_1.midi,,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav_pitch_-1.midi,,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_-1.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_-2.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_1.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1_pitch_3.midi,,218.721736406,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1_pitch_1.midi,,218.721736406,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1_pitch_-3.midi,,218.721736406,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_-2.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_-3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1_pitch_1.midi,,254.6792325,"Give me a song that is intricate and profound, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic but tonally anchored harmony, and a transition from introspective gravity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1_pitch_-2.midi,,254.6792325,"Give me a song that is intricate and profound, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic but tonally anchored harmony, and a transition from introspective gravity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1_pitch_-3.midi,,254.6792325,"Give me a song that is intricate and profound, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic but tonally anchored harmony, and a transition from introspective gravity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1_pitch_3.midi,,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1_pitch_-2.midi,,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1_pitch_-1.midi,,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1_pitch_1.midi,,809.594542969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate witty thematic development and clear harmonic structure, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1_pitch_-3.midi,,809.594542969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate witty thematic development and clear harmonic structure, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1_pitch_-1.midi,,809.594542969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate witty thematic development and clear harmonic structure, and a transition from playful elegance to dramatic intensity." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_2.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_-1.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_3.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3_pitch_-3.midi,,150.49375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3_pitch_-2.midi,,150.49375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3_pitch_1.midi,,150.49375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_-3.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_1.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_3.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3_pitch_1.midi,,1201.07919422,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3_pitch_-2.midi,,1201.07919422,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3_pitch_-3.midi,,1201.07919422,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav_pitch_1.midi,,774.292762031,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a free, improvisatory texture, folk-like melodies, and highly chromatic yet tonal harmony, and a transition from a solemn, processional mood to a brilliant, festive one." +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav_pitch_-2.midi,,774.292762031,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a free, improvisatory texture, folk-like melodies, and highly chromatic yet tonal harmony, and a transition from a solemn, processional mood to a brilliant, festive one." +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav_pitch_-1.midi,,774.292762031,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a free, improvisatory texture, folk-like melodies, and highly chromatic yet tonal harmony, and a transition from a solemn, processional mood to a brilliant, festive one." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3_pitch_3.midi,,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3_pitch_1.midi,,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3_pitch_2.midi,,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,Sonata No. 3,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav_pitch_-3.midi,,1611.38460656,"Give me a song that is lyrical and triumphant, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a major-key resolution and a lyrical largo movement, and a transition from the majestic to the vivacious." +Frédéric Chopin,Sonata No. 3,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav_pitch_-2.midi,,1611.38460656,"Give me a song that is lyrical and triumphant, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a major-key resolution and a lyrical largo movement, and a transition from the majestic to the vivacious." +Frédéric Chopin,Sonata No. 3,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav_pitch_1.midi,,1611.38460656,"Give me a song that is lyrical and triumphant, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a major-key resolution and a lyrical largo movement, and a transition from the majestic to the vivacious." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_3.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_1.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_-1.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Jean-Philippe Rameau,RameauSelections,train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav_pitch_-3.midi,,334.854098906,"Give me a song that is witty and satirical, composed in the Middle Rameau style. It should be a Lyric Comedy in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a homophonic texture with a declamatory melody, and a transition from mock-grandeur to playful absurdity." +Jean-Philippe Rameau,RameauSelections,train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav_pitch_2.midi,,334.854098906,"Give me a song that is witty and satirical, composed in the Middle Rameau style. It should be a Lyric Comedy in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a homophonic texture with a declamatory melody, and a transition from mock-grandeur to playful absurdity." +Jean-Philippe Rameau,RameauSelections,train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav_pitch_-1.midi,,334.854098906,"Give me a song that is witty and satirical, composed in the Middle Rameau style. It should be a Lyric Comedy in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a homophonic texture with a declamatory melody, and a transition from mock-grandeur to playful absurdity." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1_pitch_-2.midi,,437.084231719,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1_pitch_2.midi,,437.084231719,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1_pitch_-3.midi,,437.084231719,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_pitch_2.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_pitch_-3.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_pitch_1.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4_pitch_1.midi,,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4_pitch_-3.midi,,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4_pitch_-2.midi,,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_pitch_-3.midi,,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_pitch_-1.midi,,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_pitch_-2.midi,,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1_pitch_-2.midi,,211.061487656,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1_pitch_1.midi,,211.061487656,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1_pitch_-1.midi,,211.061487656,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav_pitch_2.midi,,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav_pitch_3.midi,,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav_pitch_-3.midi,,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav_pitch_-2.midi,,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav_pitch_-1.midi,,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav_pitch_2.midi,,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_pitch_3.midi,,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_pitch_-3.midi,,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_pitch_-1.midi,,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_pitch_1.midi,,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_pitch_-2.midi,,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_pitch_3.midi,,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_pitch_3.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_pitch_1.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_pitch_2.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_pitch_3.midi,,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_pitch_-1.midi,,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_pitch_1.midi,,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_-1.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_-3.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_-2.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav_pitch_-2.midi,,832.292416525,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from somber gravity to transcendent resolution." +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav_pitch_-1.midi,,832.292416525,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from somber gravity to transcendent resolution." +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav_pitch_-3.midi,,832.292416525,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from somber gravity to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_pitch_3.midi,,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_pitch_2.midi,,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_pitch_-3.midi,,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav_pitch_-3.midi,,569.863212188,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav_pitch_2.midi,,569.863212188,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav_pitch_-2.midi,,569.863212188,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1_pitch_-2.midi,,771.034375,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1_pitch_-3.midi,,771.034375,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1_pitch_3.midi,,771.034375,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_pitch_-3.midi,,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_pitch_1.midi,,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_pitch_3.midi,,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav_pitch_1.midi,,1442.79636703,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav_pitch_-3.midi,,1442.79636703,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav_pitch_-2.midi,,1442.79636703,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Sergei Rachmaninoff,Sonata Op. 36,train,2006,augmented/2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav_pitch_2.midi,,1040.69473922,"Give me a song that is turbulent and virtuosic, composed in the Middle Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic agitation to lyrical reflection." +Sergei Rachmaninoff,Sonata Op. 36,train,2006,augmented/2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav_pitch_-2.midi,,1040.69473922,"Give me a song that is turbulent and virtuosic, composed in the Middle Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic agitation to lyrical reflection." +Sergei Rachmaninoff,Sonata Op. 36,train,2006,augmented/2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav_pitch_1.midi,,1040.69473922,"Give me a song that is turbulent and virtuosic, composed in the Middle Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic agitation to lyrical reflection." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav_pitch_-3.midi,,116.065589062,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav_pitch_-2.midi,,116.065589062,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav_pitch_2.midi,,116.065589062,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1_pitch_1.midi,,1873.31276344,"Give me a song that is agitated and capricious, composed in the Middle Schumann style. It should be a Phantasie in the Romantic era, featuring complex piano figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from impassioned fantasy to introspective lyricism." +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1_pitch_-1.midi,,1873.31276344,"Give me a song that is agitated and capricious, composed in the Middle Schumann style. It should be a Phantasie in the Romantic era, featuring complex piano figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from impassioned fantasy to introspective lyricism." +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1_pitch_3.midi,,1873.31276344,"Give me a song that is agitated and capricious, composed in the Middle Schumann style. It should be a Phantasie in the Romantic era, featuring complex piano figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from impassioned fantasy to introspective lyricism." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_pitch_2.midi,,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_pitch_3.midi,,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_pitch_-1.midi,,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_pitch_-1.midi,,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_pitch_-2.midi,,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_pitch_1.midi,,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2_pitch_2.midi,,630.186014637,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2_pitch_-3.midi,,630.186014637,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2_pitch_3.midi,,630.186014637,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav_pitch_-1.midi,,493.855008281,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav_pitch_2.midi,,493.855008281,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav_pitch_-3.midi,,493.855008281,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2_pitch_2.midi,,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2_pitch_-3.midi,,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2_pitch_3.midi,,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1_pitch_2.midi,,304.532695817,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1_pitch_1.midi,,304.532695817,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1_pitch_-2.midi,,304.532695817,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav_pitch_2.midi,,157.473133125,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav_pitch_3.midi,,157.473133125,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav_pitch_-2.midi,,157.473133125,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_pitch_1.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_pitch_2.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_pitch_-3.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5_pitch_2.midi,,665.485416667,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5_pitch_-2.midi,,665.485416667,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5_pitch_3.midi,,665.485416667,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Wolfgang Amadeus Mozart,"Sonata in C Major, K 330, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2_pitch_1.midi,,257.267708333,"Give me a song that is elegant and balanced, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony, and a transition from graceful lyricism to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in C Major, K 330, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2_pitch_2.midi,,257.267708333,"Give me a song that is elegant and balanced, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony, and a transition from graceful lyricism to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in C Major, K 330, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2_pitch_-2.midi,,257.267708333,"Give me a song that is elegant and balanced, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony, and a transition from graceful lyricism to playful brilliance." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_1.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_2.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_-3.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3_pitch_1.midi,,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3_pitch_-1.midi,,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3_pitch_3.midi,,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_pitch_-1.midi,,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_pitch_2.midi,,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_pitch_3.midi,,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1_pitch_-1.midi,,180.019852031,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1_pitch_2.midi,,180.019852031,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1_pitch_-2.midi,,180.019852031,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav_pitch_2.midi,,452.828792356,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav_pitch_1.midi,,452.828792356,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav_pitch_3.midi,,452.828792356,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_-2.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_1.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_3.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav_pitch_1.midi,,519.560110781,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav_pitch_-1.midi,,519.560110781,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav_pitch_-3.midi,,519.560110781,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_pitch_-1.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_pitch_2.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_pitch_3.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_pitch_2.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_pitch_1.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_pitch_3.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_pitch_-2.midi,,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_pitch_-1.midi,,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_pitch_-3.midi,,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1_pitch_1.midi,,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1_pitch_-3.midi,,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1_pitch_2.midi,,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1_pitch_-3.midi,,355.026041667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1_pitch_-1.midi,,355.026041667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1_pitch_-2.midi,,355.026041667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_pitch_3.midi,,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_pitch_2.midi,,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_pitch_1.midi,,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2_pitch_1.midi,,1133.65805437,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2_pitch_-1.midi,,1133.65805437,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2_pitch_3.midi,,1133.65805437,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_pitch_-1.midi,,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_pitch_1.midi,,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_pitch_-2.midi,,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav_pitch_3.midi,,477.495386256,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav_pitch_2.midi,,477.495386256,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav_pitch_1.midi,,477.495386256,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4_pitch_-2.midi,,641.490446425,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4_pitch_1.midi,,641.490446425,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4_pitch_3.midi,,641.490446425,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1_pitch_1.midi,,347.093384704,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1_pitch_2.midi,,347.093384704,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1_pitch_-2.midi,,347.093384704,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_3.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_-3.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_1.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-2.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_2.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-3.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav_pitch_1.midi,,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav_pitch_-3.midi,,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav_pitch_2.midi,,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4_pitch_1.midi,,136.692708333,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4_pitch_-2.midi,,136.692708333,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4_pitch_2.midi,,136.692708333,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1_pitch_-2.midi,,618.502319531,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1_pitch_-3.midi,,618.502319531,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1_pitch_3.midi,,618.502319531,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4_pitch_1.midi,,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4_pitch_-3.midi,,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4_pitch_-2.midi,,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_3.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_-3.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_2.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3_pitch_-3.midi,,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3_pitch_3.midi,,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3_pitch_1.midi,,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_3.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_1.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_-1.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4_pitch_3.midi,,304.59375,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4_pitch_2.midi,,304.59375,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4_pitch_1.midi,,304.59375,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2_pitch_1.midi,,339.421875,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a robust, driving rhythm. Incorporate a sonata-allegro form with motivic development and witty harmonic turns, and a transition from stately confidence to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2_pitch_-3.midi,,339.421875,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a robust, driving rhythm. Incorporate a sonata-allegro form with motivic development and witty harmonic turns, and a transition from stately confidence to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2_pitch_3.midi,,339.421875,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a robust, driving rhythm. Incorporate a sonata-allegro form with motivic development and witty harmonic turns, and a transition from stately confidence to playful exuberance." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1_pitch_2.midi,,268.404667717,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1_pitch_-1.midi,,268.404667717,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1_pitch_3.midi,,268.404667717,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV_pitch_2.midi,,398.837742187,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV_pitch_-2.midi,,398.837742187,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV_pitch_-1.midi,,398.837742187,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_pitch_2.midi,,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_pitch_1.midi,,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_pitch_-3.midi,,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-2.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_pitch_3.midi,,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_pitch_-2.midi,,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_pitch_2.midi,,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV_pitch_2.midi,,434.902075781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic shifts and a transition from contemplative stillness to compelling drama." +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV_pitch_-2.midi,,434.902075781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic shifts and a transition from contemplative stillness to compelling drama." +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV_pitch_3.midi,,434.902075781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic shifts and a transition from contemplative stillness to compelling drama." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav_pitch_1.midi,,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav_pitch_3.midi,,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav_pitch_-3.midi,,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_pitch_1.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_pitch_-3.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_pitch_3.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav_pitch_-1.midi,,144.941094375,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav_pitch_3.midi,,144.941094375,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav_pitch_2.midi,,144.941094375,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1_pitch_-3.midi,,712.135399408,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1_pitch_-2.midi,,712.135399408,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1_pitch_2.midi,,712.135399408,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_pitch_3.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_pitch_1.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_pitch_-1.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav_pitch_-2.midi,,720.089756071,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav_pitch_1.midi,,720.089756071,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav_pitch_2.midi,,720.089756071,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_pitch_-2.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_pitch_-3.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_pitch_1.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav_pitch_-3.midi,,113.862065625,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav_pitch_-2.midi,,113.862065625,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav_pitch_-1.midi,,113.862065625,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_-2.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_1.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_-3.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_3.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_-1.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_2.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV_pitch_-3.midi,,171.362008125,"Give me a song that is elegant and nostalgic, composed in the Late Romantic style. It should be a Tango in the Romantic era, featuring a habanera rhythm. Incorporate a rich, pianistic texture with lyrical melody and chromatic harmony, and a transition from a wistful, lyrical mood to a more passionate, dramatic one." +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV_pitch_-1.midi,,171.362008125,"Give me a song that is elegant and nostalgic, composed in the Late Romantic style. It should be a Tango in the Romantic era, featuring a habanera rhythm. Incorporate a rich, pianistic texture with lyrical melody and chromatic harmony, and a transition from a wistful, lyrical mood to a more passionate, dramatic one." +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV_pitch_1.midi,,171.362008125,"Give me a song that is elegant and nostalgic, composed in the Late Romantic style. It should be a Tango in the Romantic era, featuring a habanera rhythm. Incorporate a rich, pianistic texture with lyrical melody and chromatic harmony, and a transition from a wistful, lyrical mood to a more passionate, dramatic one." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav_pitch_-2.midi,,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav_pitch_2.midi,,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav_pitch_-3.midi,,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV_pitch_-2.midi,,779.574540938,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV_pitch_3.midi,,779.574540938,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV_pitch_1.midi,,779.574540938,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3_pitch_1.midi,,167.493155156,"Give me a song that is grand and lyrical, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing sixteenth-note accompaniment. Incorporate a three-note melodic germ and variation form, and a transition from a stately opening to a more intense and developed mood." +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3_pitch_2.midi,,167.493155156,"Give me a song that is grand and lyrical, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing sixteenth-note accompaniment. Incorporate a three-note melodic germ and variation form, and a transition from a stately opening to a more intense and developed mood." +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3_pitch_-3.midi,,167.493155156,"Give me a song that is grand and lyrical, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing sixteenth-note accompaniment. Incorporate a three-note melodic germ and variation form, and a transition from a stately opening to a more intense and developed mood." +Wolfgang Amadeus Mozart,"Sonata K. 457 in C minor, I. Allegro molto",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3_pitch_1.midi,,228.583333333,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a bold, octave-based subject. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from turbulent defiance to tragic pathos." +Wolfgang Amadeus Mozart,"Sonata K. 457 in C minor, I. Allegro molto",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3_pitch_-1.midi,,228.583333333,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a bold, octave-based subject. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from turbulent defiance to tragic pathos." +Wolfgang Amadeus Mozart,"Sonata K. 457 in C minor, I. Allegro molto",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3_pitch_2.midi,,228.583333333,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a bold, octave-based subject. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from turbulent defiance to tragic pathos." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-3.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3_pitch_-3.midi,,119.150521875,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3_pitch_2.midi,,119.150521875,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3_pitch_-2.midi,,119.150521875,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4_pitch_-2.midi,,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4_pitch_2.midi,,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4_pitch_-3.midi,,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_pitch_3.midi,,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_pitch_-3.midi,,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_pitch_-2.midi,,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1_pitch_-2.midi,,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1_pitch_2.midi,,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1_pitch_1.midi,,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav_pitch_1.midi,,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav_pitch_-3.midi,,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav_pitch_2.midi,,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_pitch_1.midi,,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_pitch_2.midi,,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_pitch_-1.midi,,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1_pitch_-3.midi,,348.258977283,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1_pitch_3.midi,,348.258977283,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1_pitch_-2.midi,,348.258977283,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2_pitch_3.midi,,115.634375,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2_pitch_1.midi,,115.634375,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2_pitch_-2.midi,,115.634375,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4_pitch_-1.midi,,108.673769531,"Give me a song that is brisk and ceremonial, composed in the Late Tchaikovsky style. It should be a March in the Romantic era, featuring a crisp duple-meter rhythm and bright orchestration. Incorporate a homophonic texture with a bold, diatonic melody, and a transition from playful anticipation to triumphant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4_pitch_-3.midi,,108.673769531,"Give me a song that is brisk and ceremonial, composed in the Late Tchaikovsky style. It should be a March in the Romantic era, featuring a crisp duple-meter rhythm and bright orchestration. Incorporate a homophonic texture with a bold, diatonic melody, and a transition from playful anticipation to triumphant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4_pitch_3.midi,,108.673769531,"Give me a song that is brisk and ceremonial, composed in the Late Tchaikovsky style. It should be a March in the Romantic era, featuring a crisp duple-meter rhythm and bright orchestration. Incorporate a homophonic texture with a bold, diatonic melody, and a transition from playful anticipation to triumphant celebration." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_pitch_2.midi,,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_pitch_-2.midi,,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_pitch_-3.midi,,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_pitch_2.midi,,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_pitch_-2.midi,,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_pitch_3.midi,,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_pitch_3.midi,,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_pitch_1.midi,,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_pitch_-3.midi,,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3_pitch_-1.midi,,365.655350156,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3_pitch_-3.midi,,365.655350156,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3_pitch_1.midi,,365.655350156,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Frédéric Chopin,"Preludes, Op.28",train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV_pitch_-2.midi,,2622.72440719,"Give me a song that is poetic and melancholic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a solo piano. Incorporate a lyrical melody over a highly chromatic harmony, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Preludes, Op.28",train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV_pitch_2.midi,,2622.72440719,"Give me a song that is poetic and melancholic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a solo piano. Incorporate a lyrical melody over a highly chromatic harmony, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Preludes, Op.28",train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV_pitch_3.midi,,2622.72440719,"Give me a song that is poetic and melancholic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a solo piano. Incorporate a lyrical melody over a highly chromatic harmony, and a transition from a contemplative to a dramatic mood." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-2.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-3.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-1.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4_pitch_2.midi,,664.581333281,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4_pitch_-1.midi,,664.581333281,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4_pitch_-2.midi,,664.581333281,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_pitch_-2.midi,,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_pitch_-3.midi,,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_pitch_1.midi,,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_pitch_-3.midi,,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_pitch_2.midi,,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_pitch_-2.midi,,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_pitch_2.midi,,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_pitch_-3.midi,,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_pitch_1.midi,,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_pitch_-1.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_pitch_-2.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_pitch_1.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3_pitch_-1.midi,,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3_pitch_2.midi,,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3_pitch_1.midi,,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_pitch_3.midi,,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_pitch_-1.midi,,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_pitch_-2.midi,,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3_pitch_1.midi,,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3_pitch_-3.midi,,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3_pitch_2.midi,,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2_pitch_3.midi,,673.126041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2_pitch_-2.midi,,673.126041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2_pitch_-1.midi,,673.126041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_pitch_3.midi,,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_pitch_1.midi,,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_pitch_-3.midi,,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2_pitch_-2.midi,,204.798139219,"Give me a song that is serene and devotional, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Chorale from a Cantata in the Baroque era, featuring a steady, processional rhythm. Incorporate a contrapuntal texture with a cantus firmus melody, and a transition from reverent contemplation to joyful affirmation." +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2_pitch_3.midi,,204.798139219,"Give me a song that is serene and devotional, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Chorale from a Cantata in the Baroque era, featuring a steady, processional rhythm. Incorporate a contrapuntal texture with a cantus firmus melody, and a transition from reverent contemplation to joyful affirmation." +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2_pitch_2.midi,,204.798139219,"Give me a song that is serene and devotional, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Chorale from a Cantata in the Baroque era, featuring a steady, processional rhythm. Incorporate a contrapuntal texture with a cantus firmus melody, and a transition from reverent contemplation to joyful affirmation." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5_pitch_-2.midi,,63.3786759375,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5_pitch_-3.midi,,63.3786759375,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5_pitch_-1.midi,,63.3786759375,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_-2.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_3.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_2.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3_pitch_2.midi,,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3_pitch_1.midi,,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3_pitch_-2.midi,,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV_pitch_-3.midi,,560.5763625,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV_pitch_-1.midi,,560.5763625,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV_pitch_-2.midi,,560.5763625,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_pitch_3.midi,,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_pitch_2.midi,,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_pitch_1.midi,,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav_pitch_-2.midi,,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav_pitch_1.midi,,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav_pitch_2.midi,,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1_pitch_3.midi,,545.822916667,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1_pitch_-3.midi,,545.822916667,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1_pitch_1.midi,,545.822916667,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Frédéric Chopin,Nocturne in Db,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav_pitch_-3.midi,,423.666777187,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne in Db,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav_pitch_-1.midi,,423.666777187,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne in Db,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav_pitch_2.midi,,423.666777187,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1_pitch_-1.midi,,790.820523281,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1_pitch_-3.midi,,790.820523281,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1_pitch_1.midi,,790.820523281,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6_pitch_2.midi,,305.818337344,"Give me a song that is technically brilliant and emotionally intense, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated passion to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6_pitch_-3.midi,,305.818337344,"Give me a song that is technically brilliant and emotionally intense, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated passion to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6_pitch_3.midi,,305.818337344,"Give me a song that is technically brilliant and emotionally intense, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated passion to a climactic, resolute conclusion." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 311",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV_pitch_-1.midi,,910.278202969,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a piano. Incorporate a classical harmonic framework, and a transition from spirited playfulness to lyrical grace." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 311",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV_pitch_2.midi,,910.278202969,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a piano. Incorporate a classical harmonic framework, and a transition from spirited playfulness to lyrical grace." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 311",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV_pitch_3.midi,,910.278202969,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a piano. Incorporate a classical harmonic framework, and a transition from spirited playfulness to lyrical grace." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2_pitch_2.midi,,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2_pitch_3.midi,,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2_pitch_1.midi,,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav_pitch_1.midi,,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav_pitch_2.midi,,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav_pitch_3.midi,,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_pitch_2.midi,,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_pitch_3.midi,,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_pitch_-3.midi,,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_pitch_-1.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_pitch_-2.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_pitch_3.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_pitch_-3.midi,,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_pitch_1.midi,,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_pitch_-1.midi,,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav_pitch_3.midi,,186.908199844,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav_pitch_-1.midi,,186.908199844,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav_pitch_-2.midi,,186.908199844,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4_pitch_1.midi,,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4_pitch_3.midi,,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4_pitch_-2.midi,,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_pitch_3.midi,,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_pitch_-3.midi,,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_pitch_-1.midi,,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_pitch_-3.midi,,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_pitch_2.midi,,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_pitch_1.midi,,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_pitch_-3.midi,,111.434183437,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_pitch_-2.midi,,111.434183437,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_pitch_-1.midi,,111.434183437,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav_pitch_3.midi,,293.417174531,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav_pitch_1.midi,,293.417174531,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav_pitch_-3.midi,,293.417174531,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_pitch_3.midi,,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_pitch_1.midi,,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_pitch_-2.midi,,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV_pitch_2.midi,,1424.93313703,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV_pitch_-1.midi,,1424.93313703,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV_pitch_-2.midi,,1424.93313703,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_2.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_1.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_3.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_pitch_2.midi,,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_pitch_3.midi,,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_pitch_-2.midi,,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4_pitch_-2.midi,,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4_pitch_-3.midi,,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4_pitch_1.midi,,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav_pitch_1.midi,,192.887093437,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav_pitch_-2.midi,,192.887093437,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav_pitch_3.midi,,192.887093437,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav_pitch_3.midi,,682.401833062,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav_pitch_-1.midi,,682.401833062,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav_pitch_1.midi,,682.401833062,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2_pitch_3.midi,,2463.4804425,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2_pitch_-2.midi,,2463.4804425,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2_pitch_2.midi,,2463.4804425,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_pitch_-3.midi,,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_pitch_-2.midi,,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_pitch_-1.midi,,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3_pitch_-2.midi,,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3_pitch_-1.midi,,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3_pitch_2.midi,,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4_pitch_-2.midi,,278.921996719,"Give me a song that is technically demanding and capricious, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a dramatic theme to a virtuosic finale." +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4_pitch_-1.midi,,278.921996719,"Give me a song that is technically demanding and capricious, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a dramatic theme to a virtuosic finale." +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4_pitch_2.midi,,278.921996719,"Give me a song that is technically demanding and capricious, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a dramatic theme to a virtuosic finale." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_pitch_-3.midi,,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_pitch_-2.midi,,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_pitch_-1.midi,,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_2.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_3.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_-1.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_pitch_2.midi,,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_pitch_-3.midi,,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_pitch_-2.midi,,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_pitch_2.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_pitch_-2.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_pitch_1.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_-1.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_3.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_1.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Robert Schumann,Symphonic Etudes Op. 13,train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2_pitch_-1.midi,,1526.65579172,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Romantic Robert Schumann style. It should be a set of Études in the Romantic era, featuring elaborate piano counterpoint. Incorporate rich, orchestral harmony and thematic variation, and a transition from a somber theme to triumphant brilliance." +Robert Schumann,Symphonic Etudes Op. 13,train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2_pitch_3.midi,,1526.65579172,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Romantic Robert Schumann style. It should be a set of Études in the Romantic era, featuring elaborate piano counterpoint. Incorporate rich, orchestral harmony and thematic variation, and a transition from a somber theme to triumphant brilliance." +Robert Schumann,Symphonic Etudes Op. 13,train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2_pitch_2.midi,,1526.65579172,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Romantic Robert Schumann style. It should be a set of Études in the Romantic era, featuring elaborate piano counterpoint. Incorporate rich, orchestral harmony and thematic variation, and a transition from a somber theme to triumphant brilliance." +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3_pitch_1.midi,,127.005208333,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3_pitch_3.midi,,127.005208333,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3_pitch_-3.midi,,127.005208333,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV_pitch_-2.midi,,499.677652031,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV_pitch_2.midi,,499.677652031,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV_pitch_1.midi,,499.677652031,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3_pitch_-1.midi,,235.214775469,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3_pitch_2.midi,,235.214775469,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3_pitch_1.midi,,235.214775469,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_pitch_-2.midi,,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_pitch_-1.midi,,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_pitch_2.midi,,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav_pitch_2.midi,,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav_pitch_-3.midi,,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav_pitch_3.midi,,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1_pitch_-1.midi,,2457.80737125,"Give me a song that is monumental, formidable, and expansive, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a driving, fugal rhythm. Incorporate dense contrapuntal texture, a grand melodic scope, and extreme harmonic exploration, and a transition from heroic struggle to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1_pitch_-2.midi,,2457.80737125,"Give me a song that is monumental, formidable, and expansive, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a driving, fugal rhythm. Incorporate dense contrapuntal texture, a grand melodic scope, and extreme harmonic exploration, and a transition from heroic struggle to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1_pitch_1.midi,,2457.80737125,"Give me a song that is monumental, formidable, and expansive, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a driving, fugal rhythm. Incorporate dense contrapuntal texture, a grand melodic scope, and extreme harmonic exploration, and a transition from heroic struggle to transcendent resolution." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_3.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_1.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_2.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_pitch_-2.midi,,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_pitch_2.midi,,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_pitch_-1.midi,,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_pitch_2.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_pitch_1.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_pitch_-3.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_-1.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_-3.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_3.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_pitch_-1.midi,,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_pitch_3.midi,,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_pitch_-2.midi,,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Franz Schubert,Sonata in A D959,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav_pitch_2.midi,,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav_pitch_3.midi,,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav_pitch_-2.midi,,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_pitch_1.midi,,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_pitch_2.midi,,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_pitch_-1.midi,,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_3.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_2.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_-2.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV_pitch_-2.midi,,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV_pitch_2.midi,,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV_pitch_1.midi,,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3_pitch_3.midi,,551.766666667,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3_pitch_-2.midi,,551.766666667,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3_pitch_1.midi,,551.766666667,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav_pitch_1.midi,,362.762818735,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav_pitch_-1.midi,,362.762818735,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav_pitch_-2.midi,,362.762818735,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3_pitch_-1.midi,,278.441227969,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3_pitch_-3.midi,,278.441227969,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3_pitch_1.midi,,278.441227969,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav_pitch_-2.midi,,592.003948594,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav_pitch_-3.midi,,592.003948594,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav_pitch_-1.midi,,592.003948594,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav_pitch_3.midi,,1479.74136125,"Give me a song that is technically demanding and virtuosic, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, contrapuntal texture and a highly chromatic but tonal harmony, and a transition from a serious, studious mood to a brilliant, triumphant one." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav_pitch_-2.midi,,1479.74136125,"Give me a song that is technically demanding and virtuosic, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, contrapuntal texture and a highly chromatic but tonal harmony, and a transition from a serious, studious mood to a brilliant, triumphant one." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav_pitch_-3.midi,,1479.74136125,"Give me a song that is technically demanding and virtuosic, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, contrapuntal texture and a highly chromatic but tonal harmony, and a transition from a serious, studious mood to a brilliant, triumphant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_pitch_-2.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_pitch_2.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_pitch_-1.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_1.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_2.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_-1.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav_pitch_-3.midi,,308.593441406,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav_pitch_1.midi,,308.593441406,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav_pitch_2.midi,,308.593441406,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav_pitch_2.midi,,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav_pitch_1.midi,,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav_pitch_-1.midi,,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV_pitch_1.midi,,1168.36555172,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV_pitch_-1.midi,,1168.36555172,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV_pitch_-2.midi,,1168.36555172,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_pitch_2.midi,,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_pitch_-2.midi,,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_pitch_3.midi,,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_pitch_-1.midi,,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_pitch_-2.midi,,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_pitch_-3.midi,,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav_pitch_-2.midi,,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav_pitch_3.midi,,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav_pitch_-3.midi,,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3_pitch_1.midi,,1335.99759563,"Give me a song that is introspective and lyrical, composed in the Late Brahms style. It should be a Piece for Piano in the Romantic era, featuring a complex piano texture. Incorporate dense, interwoven harmony and a singing melody, and a transition from melancholic reflection to resigned acceptance." +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3_pitch_-1.midi,,1335.99759563,"Give me a song that is introspective and lyrical, composed in the Late Brahms style. It should be a Piece for Piano in the Romantic era, featuring a complex piano texture. Incorporate dense, interwoven harmony and a singing melody, and a transition from melancholic reflection to resigned acceptance." +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3_pitch_-3.midi,,1335.99759563,"Give me a song that is introspective and lyrical, composed in the Late Brahms style. It should be a Piece for Piano in the Romantic era, featuring a complex piano texture. Incorporate dense, interwoven harmony and a singing melody, and a transition from melancholic reflection to resigned acceptance." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_2.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-3.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-2.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav_pitch_3.midi,,1203.88854254,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav_pitch_-1.midi,,1203.88854254,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav_pitch_-3.midi,,1203.88854254,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav_pitch_1.midi,,1758.36229078,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav_pitch_3.midi,,1758.36229078,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav_pitch_2.midi,,1758.36229078,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_pitch_3.midi,,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_pitch_2.midi,,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_pitch_-3.midi,,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav_pitch_-2.midi,,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav_pitch_-3.midi,,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav_pitch_1.midi,,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-2.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_3.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-3.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_pitch_-1.midi,,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_pitch_3.midi,,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_pitch_2.midi,,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1_pitch_3.midi,,1324.77832266,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1_pitch_-2.midi,,1324.77832266,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1_pitch_2.midi,,1324.77832266,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_pitch_-1.midi,,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_pitch_1.midi,,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_pitch_2.midi,,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_1.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_2.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_3.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav_pitch_1.midi,,1167.49976099,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Late Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a tonally ambiguous recapitulation, and a transition from dramatic conflict to a resolute, minor-key coda." +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav_pitch_2.midi,,1167.49976099,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Late Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a tonally ambiguous recapitulation, and a transition from dramatic conflict to a resolute, minor-key coda." +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav_pitch_-1.midi,,1167.49976099,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Late Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a tonally ambiguous recapitulation, and a transition from dramatic conflict to a resolute, minor-key coda." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_pitch_-3.midi,,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_pitch_3.midi,,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_pitch_1.midi,,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_pitch_1.midi,,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_pitch_-3.midi,,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_pitch_-1.midi,,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav_pitch_2.midi,,327.327025835,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav_pitch_1.midi,,327.327025835,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav_pitch_-2.midi,,327.327025835,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2_pitch_-1.midi,,306.104269312,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2_pitch_-3.midi,,306.104269312,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2_pitch_1.midi,,306.104269312,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_pitch_-2.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_pitch_3.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_pitch_1.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav_pitch_3.midi,,709.957890469,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav_pitch_-2.midi,,709.957890469,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav_pitch_1.midi,,709.957890469,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav_pitch_-1.midi,,278.940693281,"Give me a song that is graceful and lyrical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a light, flowing rhythm. Incorporate a homophonic texture with a clear, song-like melody, and a transition from serene playfulness to a more dramatic, developmental character." +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav_pitch_3.midi,,278.940693281,"Give me a song that is graceful and lyrical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a light, flowing rhythm. Incorporate a homophonic texture with a clear, song-like melody, and a transition from serene playfulness to a more dramatic, developmental character." +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav_pitch_2.midi,,278.940693281,"Give me a song that is graceful and lyrical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a light, flowing rhythm. Incorporate a homophonic texture with a clear, song-like melody, and a transition from serene playfulness to a more dramatic, developmental character." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_1.midi,,968.256759019,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_2.midi,,968.256759019,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_3.midi,,968.256759019,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_pitch_-2.midi,,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_pitch_-3.midi,,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_pitch_2.midi,,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_pitch_3.midi,,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_pitch_-2.midi,,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_pitch_-3.midi,,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav_pitch_-3.midi,,1118.90161376,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav_pitch_-2.midi,,1118.90161376,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav_pitch_1.midi,,1118.90161376,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav_pitch_2.midi,,1976.93006547,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav_pitch_-2.midi,,1976.93006547,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav_pitch_3.midi,,1976.93006547,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Franz Schubert,"Sonata in C Major, D842",validation,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV_pitch_2.midi,,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Franz Schubert,"Sonata in C Major, D842",validation,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV_pitch_-1.midi,,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Franz Schubert,"Sonata in C Major, D842",validation,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV_pitch_1.midi,,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_pitch_1.midi,,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_pitch_-1.midi,,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_pitch_2.midi,,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-2.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-1.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_2.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav_pitch_3.midi,,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav_pitch_2.midi,,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav_pitch_-3.midi,,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4_pitch_2.midi,,826.469791667,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4_pitch_-3.midi,,826.469791667,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4_pitch_-2.midi,,826.469791667,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2_pitch_2.midi,,342.161784937,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2_pitch_-1.midi,,342.161784937,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2_pitch_-3.midi,,342.161784937,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_pitch_3.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_pitch_1.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_pitch_-2.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav_pitch_-2.midi,,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav_pitch_1.midi,,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav_pitch_-3.midi,,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_pitch_-2.midi,,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_pitch_1.midi,,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_pitch_-1.midi,,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4_pitch_-3.midi,,1823.15789906,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4_pitch_1.midi,,1823.15789906,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4_pitch_-2.midi,,1823.15789906,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1_pitch_3.midi,,213.624252187,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1_pitch_-2.midi,,213.624252187,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1_pitch_2.midi,,213.624252187,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3_pitch_3.midi,,265.483174688,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a dance rhythm for piano. Incorporate a chromatic, harmonically rich texture, and a transition from brooding introspection to a more resolute character." +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3_pitch_-1.midi,,265.483174688,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a dance rhythm for piano. Incorporate a chromatic, harmonically rich texture, and a transition from brooding introspection to a more resolute character." +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3_pitch_-3.midi,,265.483174688,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a dance rhythm for piano. Incorporate a chromatic, harmonically rich texture, and a transition from brooding introspection to a more resolute character." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav_pitch_-1.midi,,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav_pitch_-2.midi,,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav_pitch_1.midi,,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5_pitch_2.midi,,1885.56836016,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5_pitch_1.midi,,1885.56836016,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5_pitch_3.midi,,1885.56836016,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_pitch_-3.midi,,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_pitch_-1.midi,,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_pitch_2.midi,,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4_pitch_-1.midi,,819.874981406,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4_pitch_-3.midi,,819.874981406,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4_pitch_-2.midi,,819.874981406,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Domenico Scarlatti,Sonata K. 466,train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3_pitch_3.midi,,121.187111719,"Give me a song that is expressive and challenging, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a somber to a dramatic mood." +Domenico Scarlatti,Sonata K. 466,train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3_pitch_-3.midi,,121.187111719,"Give me a song that is expressive and challenging, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a somber to a dramatic mood." +Domenico Scarlatti,Sonata K. 466,train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3_pitch_-1.midi,,121.187111719,"Give me a song that is expressive and challenging, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a somber to a dramatic mood." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav_pitch_-1.midi,,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav_pitch_3.midi,,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav_pitch_-3.midi,,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav_pitch_-3.midi,,1682.59847766,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav_pitch_-2.midi,,1682.59847766,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav_pitch_2.midi,,1682.59847766,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 284, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav_pitch_-3.midi,,205.236172969,"Give me a song that is bright and virtuosic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo and piano instrumentation. Incorporate a homophonic texture with elegant, ornamented melodies and clear, functional harmony, and a transition from a stately confidence to a playful exuberance." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 284, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav_pitch_-1.midi,,205.236172969,"Give me a song that is bright and virtuosic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo and piano instrumentation. Incorporate a homophonic texture with elegant, ornamented melodies and clear, functional harmony, and a transition from a stately confidence to a playful exuberance." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 284, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav_pitch_1.midi,,205.236172969,"Give me a song that is bright and virtuosic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo and piano instrumentation. Incorporate a homophonic texture with elegant, ornamented melodies and clear, functional harmony, and a transition from a stately confidence to a playful exuberance." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_pitch_2.midi,,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_pitch_-1.midi,,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_pitch_1.midi,,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Franz Liszt,Rigoletto-Paraphrase,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4_pitch_-1.midi,,421.416512344,"Give me a song that is virtuosic and lyrical, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate a complex, operatic melody and advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto-Paraphrase,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4_pitch_1.midi,,421.416512344,"Give me a song that is virtuosic and lyrical, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate a complex, operatic melody and advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto-Paraphrase,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4_pitch_3.midi,,421.416512344,"Give me a song that is virtuosic and lyrical, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate a complex, operatic melody and advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_pitch_3.midi,,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_pitch_2.midi,,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_pitch_1.midi,,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_pitch_-2.midi,,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_pitch_3.midi,,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_pitch_-3.midi,,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav_pitch_1.midi,,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav_pitch_-3.midi,,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav_pitch_3.midi,,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_pitch_-3.midi,,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_pitch_2.midi,,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_pitch_-1.midi,,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav_pitch_-2.midi,,293.216854219,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav_pitch_-1.midi,,293.216854219,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav_pitch_2.midi,,293.216854219,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_pitch_2.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_pitch_3.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_pitch_1.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_pitch_3.midi,,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_pitch_1.midi,,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_pitch_-2.midi,,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_pitch_-2.midi,,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_pitch_3.midi,,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_pitch_2.midi,,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_-2.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_-1.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_2.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3_pitch_3.midi,,715.326623087,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3_pitch_-2.midi,,715.326623087,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3_pitch_-3.midi,,715.326623087,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4_pitch_2.midi,,611.940377546,"Give me a song that is virtuosic, rich, and novel, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring climactic piano writing. Incorporate a highly chromatic yet tonal harmonic spectrum, and a transition from thematic statement to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4_pitch_-3.midi,,611.940377546,"Give me a song that is virtuosic, rich, and novel, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring climactic piano writing. Incorporate a highly chromatic yet tonal harmonic spectrum, and a transition from thematic statement to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4_pitch_-2.midi,,611.940377546,"Give me a song that is virtuosic, rich, and novel, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring climactic piano writing. Incorporate a highly chromatic yet tonal harmonic spectrum, and a transition from thematic statement to a brilliant finale." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_pitch_-3.midi,,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_pitch_3.midi,,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_pitch_-1.midi,,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav_pitch_3.midi,,761.139730313,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav_pitch_-1.midi,,761.139730313,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav_pitch_-3.midi,,761.139730313,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav_pitch_-3.midi,,2213.10943219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav_pitch_1.midi,,2213.10943219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav_pitch_2.midi,,2213.10943219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_pitch_-1.midi,,328.064575781,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_pitch_1.midi,,328.064575781,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_pitch_-3.midi,,328.064575781,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3_pitch_-1.midi,,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3_pitch_-2.midi,,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3_pitch_1.midi,,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav_pitch_2.midi,,502.698482344,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav_pitch_-1.midi,,502.698482344,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav_pitch_-3.midi,,502.698482344,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_pitch_1.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_pitch_3.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_pitch_-1.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav_pitch_2.midi,,700.849428215,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav_pitch_3.midi,,700.849428215,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav_pitch_-2.midi,,700.849428215,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1_pitch_3.midi,,157.071157031,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1_pitch_-2.midi,,157.071157031,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1_pitch_1.midi,,157.071157031,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav_pitch_2.midi,,705.86223394,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav_pitch_1.midi,,705.86223394,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav_pitch_-3.midi,,705.86223394,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav_pitch_-2.midi,,189.921448277,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav_pitch_-3.midi,,189.921448277,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav_pitch_1.midi,,189.921448277,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1_pitch_3.midi,,208.622909367,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1_pitch_-2.midi,,208.622909367,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1_pitch_-3.midi,,208.622909367,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4_pitch_-1.midi,,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4_pitch_1.midi,,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4_pitch_-2.midi,,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_pitch_-3.midi,,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_pitch_-1.midi,,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_pitch_3.midi,,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_pitch_3.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_pitch_2.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_pitch_-2.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_pitch_2.midi,,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_pitch_-1.midi,,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_pitch_3.midi,,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4_pitch_-2.midi,,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4_pitch_-3.midi,,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4_pitch_3.midi,,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_3.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-3.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-1.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav_pitch_-3.midi,,316.572784056,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav_pitch_1.midi,,316.572784056,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav_pitch_2.midi,,316.572784056,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5_pitch_1.midi,,265.093786504,"Give me a song that is serene and lullaby-like, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a delicate, ornamented melody over a static harmonic ostinato, and a transition from tranquil contemplation to a more florid, decorative expression." +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5_pitch_-2.midi,,265.093786504,"Give me a song that is serene and lullaby-like, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a delicate, ornamented melody over a static harmonic ostinato, and a transition from tranquil contemplation to a more florid, decorative expression." +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5_pitch_3.midi,,265.093786504,"Give me a song that is serene and lullaby-like, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a delicate, ornamented melody over a static harmonic ostinato, and a transition from tranquil contemplation to a more florid, decorative expression." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_pitch_2.midi,,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_pitch_1.midi,,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_pitch_-2.midi,,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav_pitch_-3.midi,,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav_pitch_3.midi,,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav_pitch_1.midi,,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_pitch_-2.midi,,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_pitch_1.midi,,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_pitch_-1.midi,,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2_pitch_-3.midi,,299.095587656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2_pitch_2.midi,,299.095587656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2_pitch_-2.midi,,299.095587656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5_pitch_2.midi,,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5_pitch_1.midi,,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5_pitch_-2.midi,,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav_pitch_-2.midi,,113.671093594,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav_pitch_2.midi,,113.671093594,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav_pitch_-3.midi,,113.671093594,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_pitch_-3.midi,,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_pitch_3.midi,,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_pitch_1.midi,,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_pitch_-2.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_pitch_2.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_pitch_3.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV_pitch_-2.midi,,475.983765469,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV_pitch_-3.midi,,475.983765469,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV_pitch_3.midi,,475.983765469,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_pitch_-2.midi,,269.971685156,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_pitch_2.midi,,269.971685156,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_pitch_-1.midi,,269.971685156,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav_pitch_3.midi,,293.0552625,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav_pitch_-1.midi,,293.0552625,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav_pitch_1.midi,,293.0552625,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_2.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_-2.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_1.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_pitch_1.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_pitch_-3.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_pitch_-1.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav_pitch_-3.midi,,451.611460781,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like melody and dramatic pauses. Incorporate a highly chromatic and unstable harmonic language, and a transition from brooding suspense to explosive defiance." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav_pitch_1.midi,,451.611460781,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like melody and dramatic pauses. Incorporate a highly chromatic and unstable harmonic language, and a transition from brooding suspense to explosive defiance." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav_pitch_3.midi,,451.611460781,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like melody and dramatic pauses. Incorporate a highly chromatic and unstable harmonic language, and a transition from brooding suspense to explosive defiance." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_pitch_-2.midi,,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_pitch_3.midi,,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_pitch_-3.midi,,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav_pitch_1.midi,,637.803674029,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav_pitch_2.midi,,637.803674029,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav_pitch_3.midi,,637.803674029,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_pitch_2.midi,,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_pitch_1.midi,,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_pitch_-2.midi,,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1_pitch_-3.midi,,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1_pitch_2.midi,,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1_pitch_1.midi,,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_pitch_1.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_pitch_2.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_pitch_-1.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4_pitch_3.midi,,769.017660469,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4_pitch_-2.midi,,769.017660469,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4_pitch_-3.midi,,769.017660469,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Leoš Janáček,In the Mists,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1_pitch_-1.midi,,855.393108281,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Leoš Janáček,In the Mists,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1_pitch_3.midi,,855.393108281,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Leoš Janáček,In the Mists,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1_pitch_1.midi,,855.393108281,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-3.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_1.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-2.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav_pitch_-1.midi,,123.152921719,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav_pitch_1.midi,,123.152921719,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav_pitch_-3.midi,,123.152921719,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_pitch_-2.midi,,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_pitch_3.midi,,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_pitch_1.midi,,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV_pitch_-3.midi,,856.080874687,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV_pitch_1.midi,,856.080874687,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV_pitch_3.midi,,856.080874687,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Sergei Rachmaninoff,Lilac,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav_pitch_-1.midi,,138.394626563,"Give me a song that is lyrical and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Romance in the Romantic era, featuring a soprano voice with piano accompaniment. Incorporate a flowing melody over rich chromatic harmony, and a transition from tender reflection to poignant sentiment." +Sergei Rachmaninoff,Lilac,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav_pitch_3.midi,,138.394626563,"Give me a song that is lyrical and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Romance in the Romantic era, featuring a soprano voice with piano accompaniment. Incorporate a flowing melody over rich chromatic harmony, and a transition from tender reflection to poignant sentiment." +Sergei Rachmaninoff,Lilac,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav_pitch_-2.midi,,138.394626563,"Give me a song that is lyrical and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Romance in the Romantic era, featuring a soprano voice with piano accompaniment. Incorporate a flowing melody over rich chromatic harmony, and a transition from tender reflection to poignant sentiment." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_pitch_3.midi,,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_pitch_-3.midi,,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_pitch_-1.midi,,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_pitch_3.midi,,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_pitch_-2.midi,,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_pitch_-1.midi,,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4_pitch_-2.midi,,256.500811875,"Give me a song that is somber and lyrical, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a flowing, triplet-based rhythm. Incorporate a dense, chordal texture with a long-breathed, vocal melody, and a transition from melancholic introspection to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4_pitch_1.midi,,256.500811875,"Give me a song that is somber and lyrical, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a flowing, triplet-based rhythm. Incorporate a dense, chordal texture with a long-breathed, vocal melody, and a transition from melancholic introspection to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4_pitch_-1.midi,,256.500811875,"Give me a song that is somber and lyrical, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a flowing, triplet-based rhythm. Incorporate a dense, chordal texture with a long-breathed, vocal melody, and a transition from melancholic introspection to a more agitated, dramatic climax." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1_pitch_-1.midi,,217.730208333,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1_pitch_-2.midi,,217.730208333,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1_pitch_2.midi,,217.730208333,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-3.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5_pitch_-2.midi,,164.338777969,"Give me a song that is virtuosic, thickly textured, and sophisticated, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring demanding piano performance. Incorporate dense textures and a highly chromatic yet tonal harmony, and a transition from turbulent intensity to lyrical introspection." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5_pitch_2.midi,,164.338777969,"Give me a song that is virtuosic, thickly textured, and sophisticated, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring demanding piano performance. Incorporate dense textures and a highly chromatic yet tonal harmony, and a transition from turbulent intensity to lyrical introspection." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5_pitch_1.midi,,164.338777969,"Give me a song that is virtuosic, thickly textured, and sophisticated, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring demanding piano performance. Incorporate dense textures and a highly chromatic yet tonal harmony, and a transition from turbulent intensity to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_pitch_-1.midi,,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_pitch_-2.midi,,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_pitch_1.midi,,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2_pitch_1.midi,,362.353125,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2_pitch_2.midi,,362.353125,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2_pitch_-2.midi,,362.353125,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_2.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_-3.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_-1.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3_pitch_-2.midi,,1590.10257656,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a stark Arietta theme. Incorporate a highly chromatic, trill-laden texture, and a transition from tragic struggle to sublime serenity." +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3_pitch_-3.midi,,1590.10257656,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a stark Arietta theme. Incorporate a highly chromatic, trill-laden texture, and a transition from tragic struggle to sublime serenity." +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3_pitch_2.midi,,1590.10257656,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a stark Arietta theme. Incorporate a highly chromatic, trill-laden texture, and a transition from tragic struggle to sublime serenity." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2_pitch_-2.midi,,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2_pitch_-1.midi,,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2_pitch_2.midi,,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV_pitch_-1.midi,,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV_pitch_-3.midi,,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV_pitch_3.midi,,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4_pitch_2.midi,,558.0485476,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4_pitch_-1.midi,,558.0485476,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4_pitch_1.midi,,558.0485476,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_pitch_-3.midi,,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_pitch_3.midi,,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_pitch_-1.midi,,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav_pitch_-3.midi,,754.754183725,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav_pitch_-2.midi,,754.754183725,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav_pitch_-1.midi,,754.754183725,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_pitch_1.midi,,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_pitch_3.midi,,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_pitch_-2.midi,,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1_pitch_-1.midi,,342.303343594,"Give me a song that is stately and intricate, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate dense contrapuntal texture and strict fugal form, and a transition from serene contemplation to complex grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1_pitch_1.midi,,342.303343594,"Give me a song that is stately and intricate, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate dense contrapuntal texture and strict fugal form, and a transition from serene contemplation to complex grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1_pitch_-3.midi,,342.303343594,"Give me a song that is stately and intricate, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate dense contrapuntal texture and strict fugal form, and a transition from serene contemplation to complex grandeur." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV_pitch_3.midi,,426.929327344,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV_pitch_-2.midi,,426.929327344,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV_pitch_2.midi,,426.929327344,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1_pitch_-3.midi,,604.837848246,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1_pitch_2.midi,,604.837848246,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1_pitch_1.midi,,604.837848246,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav_pitch_-2.midi,,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav_pitch_-1.midi,,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav_pitch_-3.midi,,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2_pitch_2.midi,,821.342661563,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2_pitch_1.midi,,821.342661563,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2_pitch_-1.midi,,821.342661563,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_pitch_-2.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_pitch_1.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_pitch_2.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Isaac Albéniz,Iberia Book II,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav_pitch_-2.midi,,1245.62375438,"Give me a song that is evocative and impressionistic, composed in the Late Albéniz style. It should be a piano piece in the Modernist era, featuring complex Spanish rhythms. Incorporate a highly chromatic yet tonal harmony, and a transition from nostalgic reverie to vibrant celebration." +Isaac Albéniz,Iberia Book II,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav_pitch_2.midi,,1245.62375438,"Give me a song that is evocative and impressionistic, composed in the Late Albéniz style. It should be a piano piece in the Modernist era, featuring complex Spanish rhythms. Incorporate a highly chromatic yet tonal harmony, and a transition from nostalgic reverie to vibrant celebration." +Isaac Albéniz,Iberia Book II,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav_pitch_-3.midi,,1245.62375438,"Give me a song that is evocative and impressionistic, composed in the Late Albéniz style. It should be a piano piece in the Modernist era, featuring complex Spanish rhythms. Incorporate a highly chromatic yet tonal harmony, and a transition from nostalgic reverie to vibrant celebration." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2_pitch_3.midi,,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2_pitch_-2.midi,,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2_pitch_2.midi,,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_pitch_2.midi,,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_pitch_-3.midi,,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_pitch_-1.midi,,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3_pitch_1.midi,,671.685811287,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3_pitch_-1.midi,,671.685811287,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3_pitch_-3.midi,,671.685811287,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav_pitch_3.midi,,316.24968375,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav_pitch_1.midi,,316.24968375,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav_pitch_2.midi,,316.24968375,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV_pitch_-2.midi,,721.536404531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV_pitch_2.midi,,721.536404531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV_pitch_1.midi,,721.536404531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_pitch_-1.midi,,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_pitch_-2.midi,,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_pitch_2.midi,,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_pitch_2.midi,,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_pitch_1.midi,,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_pitch_-1.midi,,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_pitch_3.midi,,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_pitch_-3.midi,,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_pitch_-2.midi,,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav_pitch_1.midi,,295.250197385,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav_pitch_3.midi,,295.250197385,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav_pitch_-3.midi,,295.250197385,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1_pitch_-3.midi,,173.611458333,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1_pitch_1.midi,,173.611458333,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1_pitch_2.midi,,173.611458333,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_pitch_-2.midi,,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_pitch_-1.midi,,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_pitch_1.midi,,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5_pitch_3.midi,,109.870833333,"Give me a song that is somber and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a steady, march-like rhythm. Incorporate a dense, chordal texture with a lyrical, sighing melody over chromatically shifting harmony, and a transition from solemn resolve to tragic despair." +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5_pitch_-3.midi,,109.870833333,"Give me a song that is somber and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a steady, march-like rhythm. Incorporate a dense, chordal texture with a lyrical, sighing melody over chromatically shifting harmony, and a transition from solemn resolve to tragic despair." +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5_pitch_2.midi,,109.870833333,"Give me a song that is somber and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a steady, march-like rhythm. Incorporate a dense, chordal texture with a lyrical, sighing melody over chromatically shifting harmony, and a transition from solemn resolve to tragic despair." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2_pitch_2.midi,,669.285416667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2_pitch_-1.midi,,669.285416667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2_pitch_1.midi,,669.285416667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1_pitch_1.midi,,360.5338275,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1_pitch_-1.midi,,360.5338275,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1_pitch_3.midi,,360.5338275,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3_pitch_2.midi,,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3_pitch_3.midi,,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3_pitch_-2.midi,,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav_pitch_-1.midi,,114.58321875,"Give me a song that is dazzling and virtuosic, composed in the Late Romantic style. It should be a Concert Paraphrase in the Romantic era, featuring a relentless, rapid-fire rhythm. Incorporate a homophonic texture built on highly chromatic harmony, and a transition from a tense, swirling agitation to a triumphant, brilliant conclusion." +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav_pitch_-2.midi,,114.58321875,"Give me a song that is dazzling and virtuosic, composed in the Late Romantic style. It should be a Concert Paraphrase in the Romantic era, featuring a relentless, rapid-fire rhythm. Incorporate a homophonic texture built on highly chromatic harmony, and a transition from a tense, swirling agitation to a triumphant, brilliant conclusion." +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav_pitch_3.midi,,114.58321875,"Give me a song that is dazzling and virtuosic, composed in the Late Romantic style. It should be a Concert Paraphrase in the Romantic era, featuring a relentless, rapid-fire rhythm. Incorporate a homophonic texture built on highly chromatic harmony, and a transition from a tense, swirling agitation to a triumphant, brilliant conclusion." +Robert Schumann,"Arabesque, Op. 18",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5_pitch_1.midi,,435.444276094,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5_pitch_3.midi,,435.444276094,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5_pitch_-2.midi,,435.444276094,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_3.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_2.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_1.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Wolfgang Amadeus Mozart,"Nine variations on a minuet by Duport, K537",train,2018,augmented/2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1_pitch_3.midi,,581.409675,"Give me a song that is elegant, witty, and refined, composed in the Late Mozart style. It should be a set of Variations in the Classical era, featuring a clear minuet rhythm. Incorporate a transparent texture with graceful melodic ornamentation, and a transition from courtly charm to playful virtuosity." +Wolfgang Amadeus Mozart,"Nine variations on a minuet by Duport, K537",train,2018,augmented/2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1_pitch_-3.midi,,581.409675,"Give me a song that is elegant, witty, and refined, composed in the Late Mozart style. It should be a set of Variations in the Classical era, featuring a clear minuet rhythm. Incorporate a transparent texture with graceful melodic ornamentation, and a transition from courtly charm to playful virtuosity." +Wolfgang Amadeus Mozart,"Nine variations on a minuet by Duport, K537",train,2018,augmented/2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1_pitch_1.midi,,581.409675,"Give me a song that is elegant, witty, and refined, composed in the Late Mozart style. It should be a set of Variations in the Classical era, featuring a clear minuet rhythm. Incorporate a transparent texture with graceful melodic ornamentation, and a transition from courtly charm to playful virtuosity." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_pitch_2.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_pitch_3.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_pitch_-1.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2_pitch_-3.midi,,241.077878542,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2_pitch_1.midi,,241.077878542,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2_pitch_-2.midi,,241.077878542,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_pitch_2.midi,,464.649432608,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_pitch_3.midi,,464.649432608,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_pitch_-1.midi,,464.649432608,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,Funerailles,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav_pitch_-2.midi,,697.635520313,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,Funerailles,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav_pitch_-3.midi,,697.635520313,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,Funerailles,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav_pitch_2.midi,,697.635520313,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_pitch_-1.midi,,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_pitch_1.midi,,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_pitch_-3.midi,,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav_pitch_2.midi,,338.045869219,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav_pitch_-1.midi,,338.045869219,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav_pitch_1.midi,,338.045869219,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav_pitch_-2.midi,,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav_pitch_-1.midi,,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav_pitch_3.midi,,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4_pitch_1.midi,,221.737224844,"Give me a song that is technically formidable and stormy, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture with wide leaps, and a transition from a martial, defiant opening to a turbulent, tempestuous conclusion." +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4_pitch_-3.midi,,221.737224844,"Give me a song that is technically formidable and stormy, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture with wide leaps, and a transition from a martial, defiant opening to a turbulent, tempestuous conclusion." +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4_pitch_2.midi,,221.737224844,"Give me a song that is technically formidable and stormy, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture with wide leaps, and a transition from a martial, defiant opening to a turbulent, tempestuous conclusion." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_pitch_-1.midi,,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_pitch_1.midi,,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_pitch_-3.midi,,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2_pitch_1.midi,,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2_pitch_-1.midi,,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2_pitch_-3.midi,,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_pitch_2.midi,,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_pitch_-3.midi,,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_pitch_-1.midi,,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_pitch_-1.midi,,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_pitch_2.midi,,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_pitch_-3.midi,,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_pitch_-1.midi,,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_pitch_3.midi,,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_pitch_2.midi,,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_pitch_2.midi,,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_pitch_-3.midi,,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_pitch_-1.midi,,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3_pitch_-2.midi,,114.585889687,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3_pitch_2.midi,,114.585889687,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3_pitch_1.midi,,114.585889687,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Muzio Clementi,Sonata in F# Min,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav_pitch_2.midi,,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Muzio Clementi,Sonata in F# Min,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav_pitch_3.midi,,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Muzio Clementi,Sonata in F# Min,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav_pitch_-3.midi,,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_pitch_-1.midi,,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_pitch_-2.midi,,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_pitch_-3.midi,,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_pitch_-2.midi,,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_pitch_1.midi,,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_pitch_-3.midi,,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV_pitch_1.midi,,520.219832344,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV_pitch_2.midi,,520.219832344,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV_pitch_3.midi,,520.219832344,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1_pitch_-2.midi,,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1_pitch_1.midi,,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1_pitch_-3.midi,,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5_pitch_3.midi,,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5_pitch_-2.midi,,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5_pitch_2.midi,,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1_pitch_2.midi,,307.326081563,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1_pitch_3.midi,,307.326081563,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1_pitch_-2.midi,,307.326081563,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_pitch_-1.midi,,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_pitch_3.midi,,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_pitch_-2.midi,,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav_pitch_-1.midi,,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav_pitch_-2.midi,,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav_pitch_-3.midi,,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1_pitch_2.midi,,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1_pitch_-1.midi,,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1_pitch_1.midi,,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4_pitch_1.midi,,647.477985,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4_pitch_-2.midi,,647.477985,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4_pitch_-3.midi,,647.477985,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_pitch_-1.midi,,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_pitch_3.midi,,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_pitch_2.midi,,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4_pitch_1.midi,,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4_pitch_3.midi,,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4_pitch_-3.midi,,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV_pitch_-1.midi,,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV_pitch_-2.midi,,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV_pitch_2.midi,,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav_pitch_-2.midi,,282.30741,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav_pitch_3.midi,,282.30741,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav_pitch_2.midi,,282.30741,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_pitch_-1.midi,,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_pitch_-2.midi,,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_pitch_2.midi,,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav_pitch_3.midi,,208.260069392,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav_pitch_-1.midi,,208.260069392,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav_pitch_-2.midi,,208.260069392,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav_pitch_3.midi,,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav_pitch_1.midi,,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav_pitch_-1.midi,,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2_pitch_-1.midi,,278.421195937,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2_pitch_-2.midi,,278.421195937,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2_pitch_1.midi,,278.421195937,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-3.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_2.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-1.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav_pitch_3.midi,,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav_pitch_-1.midi,,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav_pitch_1.midi,,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_pitch_2.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_pitch_-3.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_pitch_3.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2_pitch_-2.midi,,355.351891246,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2_pitch_-3.midi,,355.351891246,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2_pitch_-1.midi,,355.351891246,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4_pitch_2.midi,,451.658202188,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4_pitch_1.midi,,451.658202188,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4_pitch_-3.midi,,451.658202188,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV_pitch_-3.midi,,672.153441094,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV_pitch_3.midi,,672.153441094,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV_pitch_-2.midi,,672.153441094,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_pitch_2.midi,,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_pitch_-1.midi,,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_pitch_-3.midi,,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3_pitch_1.midi,,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3_pitch_3.midi,,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3_pitch_2.midi,,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_pitch_-2.midi,,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_pitch_2.midi,,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_pitch_3.midi,,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_pitch_-2.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_pitch_-3.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_pitch_1.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_pitch_-2.midi,,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_pitch_1.midi,,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_pitch_-3.midi,,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav_pitch_3.midi,,994.140229671,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav_pitch_-3.midi,,994.140229671,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav_pitch_-2.midi,,994.140229671,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_pitch_3.midi,,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_pitch_2.midi,,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_pitch_1.midi,,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2_pitch_-2.midi,,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2_pitch_-3.midi,,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2_pitch_1.midi,,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav_pitch_-1.midi,,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav_pitch_3.midi,,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav_pitch_1.midi,,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_pitch_3.midi,,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_pitch_-1.midi,,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_pitch_-3.midi,,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-3.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-1.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_1.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1_pitch_1.midi,,194.047126088,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1_pitch_2.midi,,194.047126088,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1_pitch_-3.midi,,194.047126088,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_pitch_3.midi,,665.776652208,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_pitch_-2.midi,,665.776652208,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_pitch_1.midi,,665.776652208,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav_pitch_1.midi,,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav_pitch_-3.midi,,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav_pitch_-1.midi,,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1_pitch_-3.midi,,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1_pitch_2.midi,,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1_pitch_3.midi,,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1_pitch_-1.midi,,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1_pitch_3.midi,,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1_pitch_-3.midi,,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav_pitch_2.midi,,303.6535425,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a somber, improvisatory prelude to a rigorous, dense fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav_pitch_-3.midi,,303.6535425,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a somber, improvisatory prelude to a rigorous, dense fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav_pitch_-2.midi,,303.6535425,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a somber, improvisatory prelude to a rigorous, dense fugue." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav_pitch_1.midi,,193.441312969,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav_pitch_-3.midi,,193.441312969,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav_pitch_3.midi,,193.441312969,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1_pitch_-2.midi,,598.049419971,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1_pitch_-1.midi,,598.049419971,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1_pitch_1.midi,,598.049419971,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1_pitch_3.midi,,644.729590313,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1_pitch_-3.midi,,644.729590313,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1_pitch_2.midi,,644.729590313,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2_pitch_-2.midi,,330.763558125,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2_pitch_-3.midi,,330.763558125,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2_pitch_3.midi,,330.763558125,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav_pitch_-1.midi,,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav_pitch_-2.midi,,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav_pitch_3.midi,,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav_pitch_2.midi,,320.264102813,"Give me a song that is brief and quixotic, composed in the Late Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive to a more resolved mood." +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav_pitch_-2.midi,,320.264102813,"Give me a song that is brief and quixotic, composed in the Late Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive to a more resolved mood." +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav_pitch_3.midi,,320.264102813,"Give me a song that is brief and quixotic, composed in the Late Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive to a more resolved mood." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1_pitch_2.midi,,230.553989531,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1_pitch_3.midi,,230.553989531,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1_pitch_1.midi,,230.553989531,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_pitch_2.midi,,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_pitch_3.midi,,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_pitch_-1.midi,,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3_pitch_3.midi,,278.460416667,"Give me a song that is graceful, luminous, and calm, composed in the late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, steady crotchet rhythm. Incorporate a transparent texture with a lyrical right-hand melody over a supportive left-hand accompaniment, and a transition from a serene main theme to a more expressive central section." +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3_pitch_-2.midi,,278.460416667,"Give me a song that is graceful, luminous, and calm, composed in the late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, steady crotchet rhythm. Incorporate a transparent texture with a lyrical right-hand melody over a supportive left-hand accompaniment, and a transition from a serene main theme to a more expressive central section." +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3_pitch_-1.midi,,278.460416667,"Give me a song that is graceful, luminous, and calm, composed in the late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, steady crotchet rhythm. Incorporate a transparent texture with a lyrical right-hand melody over a supportive left-hand accompaniment, and a transition from a serene main theme to a more expressive central section." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav_pitch_1.midi,,521.564649375,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav_pitch_2.midi,,521.564649375,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav_pitch_-1.midi,,521.564649375,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav_pitch_1.midi,,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav_pitch_-2.midi,,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav_pitch_3.midi,,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_pitch_-2.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_pitch_3.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_pitch_1.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav_pitch_3.midi,,901.959568125,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav_pitch_-3.midi,,901.959568125,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav_pitch_-2.midi,,901.959568125,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Frédéric Chopin,Polonaise-Fantasie,test,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav_pitch_2.midi,,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Frédéric Chopin,Polonaise-Fantasie,test,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav_pitch_3.midi,,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Frédéric Chopin,Polonaise-Fantasie,test,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav_pitch_-1.midi,,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_pitch_-3.midi,,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_pitch_2.midi,,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_pitch_-1.midi,,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_pitch_1.midi,,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_pitch_-2.midi,,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_pitch_2.midi,,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-3.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-2.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-1.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_pitch_-1.midi,,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_pitch_-2.midi,,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_pitch_-3.midi,,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_pitch_-1.midi,,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_pitch_1.midi,,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_pitch_-3.midi,,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav_pitch_2.midi,,1064.85903814,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav_pitch_-1.midi,,1064.85903814,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav_pitch_-3.midi,,1064.85903814,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV_pitch_-1.midi,,459.31578,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV_pitch_-2.midi,,459.31578,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV_pitch_2.midi,,459.31578,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_pitch_1.midi,,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_pitch_-2.midi,,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_pitch_3.midi,,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_pitch_-3.midi,,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_pitch_-2.midi,,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_pitch_2.midi,,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_pitch_3.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_pitch_-3.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_pitch_-2.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_-3.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_-1.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_1.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_-1.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_-2.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_-3.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2_pitch_-1.midi,,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2_pitch_-3.midi,,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2_pitch_-2.midi,,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_pitch_-3.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_pitch_1.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_pitch_3.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV_pitch_2.midi,,1603.11404859,"Give me a song that is profound and monumental, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a starkly contrasting two-movement structure. Incorporate a highly chromatic, trill-laden texture and a sublime, variation-form melody, and a transition from turbulent, dramatic struggle to transcendent, spiritual serenity." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV_pitch_-2.midi,,1603.11404859,"Give me a song that is profound and monumental, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a starkly contrasting two-movement structure. Incorporate a highly chromatic, trill-laden texture and a sublime, variation-form melody, and a transition from turbulent, dramatic struggle to transcendent, spiritual serenity." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV_pitch_-1.midi,,1603.11404859,"Give me a song that is profound and monumental, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a starkly contrasting two-movement structure. Incorporate a highly chromatic, trill-laden texture and a sublime, variation-form melody, and a transition from turbulent, dramatic struggle to transcendent, spiritual serenity." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_pitch_-1.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_pitch_1.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_pitch_-2.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Muzio Clementi,Sonata Op. 24/2,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav_pitch_-2.midi,,653.231184375,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Muzio Clementi,Sonata Op. 24/2,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav_pitch_1.midi,,653.231184375,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Muzio Clementi,Sonata Op. 24/2,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav_pitch_3.midi,,653.231184375,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1_pitch_-1.midi,,511.423776062,"Give me a song that is profound and introspective, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1_pitch_-3.midi,,511.423776062,"Give me a song that is profound and introspective, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1_pitch_-2.midi,,511.423776062,"Give me a song that is profound and introspective, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_1.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_-1.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_3.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav_pitch_-3.midi,,321.438154319,"Give me a song that is lyrical and melancholic, composed in the Early Rachmaninoff style. It should be a Morceau de fantaisie in the Romantic era, featuring piano solo instrumentation. Incorporate a rich, singing melody and lush, chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav_pitch_-1.midi,,321.438154319,"Give me a song that is lyrical and melancholic, composed in the Early Rachmaninoff style. It should be a Morceau de fantaisie in the Romantic era, featuring piano solo instrumentation. Incorporate a rich, singing melody and lush, chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav_pitch_3.midi,,321.438154319,"Give me a song that is lyrical and melancholic, composed in the Early Rachmaninoff style. It should be a Morceau de fantaisie in the Romantic era, featuring piano solo instrumentation. Incorporate a rich, singing melody and lush, chromatic harmony, and a transition from somber reflection to impassioned grief." +Franz Schubert,Sonata in G Major D894,train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav_pitch_-1.midi,,2076.61384219,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav_pitch_-2.midi,,2076.61384219,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav_pitch_1.midi,,2076.61384219,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2_pitch_1.midi,,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2_pitch_2.midi,,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2_pitch_-2.midi,,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_pitch_-1.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_pitch_1.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_pitch_-2.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_1.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_-2.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_-1.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_pitch_-1.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_pitch_3.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_pitch_2.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2_pitch_-2.midi,,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2_pitch_2.midi,,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2_pitch_3.midi,,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_pitch_2.midi,,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_pitch_1.midi,,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_pitch_-1.midi,,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1_pitch_-1.midi,,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1_pitch_2.midi,,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1_pitch_1.midi,,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Frédéric Chopin,Berceuse Op. 57,validation,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4_pitch_-1.midi,,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Frédéric Chopin,Berceuse Op. 57,validation,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4_pitch_-3.midi,,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Frédéric Chopin,Berceuse Op. 57,validation,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4_pitch_-2.midi,,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV_pitch_3.midi,,934.418136094,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV_pitch_1.midi,,934.418136094,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV_pitch_-1.midi,,934.418136094,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_pitch_3.midi,,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_pitch_1.midi,,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_pitch_-3.midi,,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1_pitch_-3.midi,,150.834730992,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1_pitch_3.midi,,150.834730992,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1_pitch_-1.midi,,150.834730992,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_pitch_-3.midi,,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_pitch_-1.midi,,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_pitch_2.midi,,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_pitch_-3.midi,,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_pitch_1.midi,,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_pitch_-2.midi,,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1_pitch_-1.midi,,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1_pitch_-2.midi,,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1_pitch_3.midi,,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Robert Schumann,"Intermezzi, Opus 4",test,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav_pitch_-1.midi,,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Robert Schumann,"Intermezzi, Opus 4",test,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav_pitch_3.midi,,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Robert Schumann,"Intermezzi, Opus 4",test,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav_pitch_-3.midi,,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_pitch_-1.midi,,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_pitch_3.midi,,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_pitch_1.midi,,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV_pitch_2.midi,,442.276534219,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV_pitch_1.midi,,442.276534219,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV_pitch_-3.midi,,442.276534219,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1_pitch_3.midi,,220.773016406,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1_pitch_2.midi,,220.773016406,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1_pitch_1.midi,,220.773016406,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5_pitch_-1.midi,,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5_pitch_3.midi,,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5_pitch_-2.midi,,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav_pitch_-3.midi,,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav_pitch_1.midi,,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav_pitch_2.midi,,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-3.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-1.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_2.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3_pitch_-1.midi,,451.479249375,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3_pitch_2.midi,,451.479249375,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3_pitch_-3.midi,,451.479249375,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav_pitch_3.midi,,423.490495313,"Give me a song that is virtuosic and pianistic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring orchestral textures. Incorporate a melody derived from an operatic quartet and highly chromatic harmony, and a transition from dramatic intensity to lyrical reflection." +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav_pitch_2.midi,,423.490495313,"Give me a song that is virtuosic and pianistic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring orchestral textures. Incorporate a melody derived from an operatic quartet and highly chromatic harmony, and a transition from dramatic intensity to lyrical reflection." +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav_pitch_-1.midi,,423.490495313,"Give me a song that is virtuosic and pianistic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring orchestral textures. Incorporate a melody derived from an operatic quartet and highly chromatic harmony, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_pitch_-2.midi,,984.984324844,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_pitch_1.midi,,984.984324844,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_pitch_-1.midi,,984.984324844,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_pitch_-2.midi,,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_pitch_1.midi,,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_pitch_2.midi,,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4_pitch_3.midi,,104.165625,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4_pitch_-2.midi,,104.165625,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4_pitch_-3.midi,,104.165625,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4_pitch_1.midi,,624.909898594,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4_pitch_-1.midi,,624.909898594,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4_pitch_3.midi,,624.909898594,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,augmented/2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1_pitch_2.midi,,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,augmented/2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1_pitch_-2.midi,,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,augmented/2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1_pitch_-3.midi,,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1_pitch_-2.midi,,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1_pitch_3.midi,,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1_pitch_1.midi,,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_pitch_-3.midi,,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_pitch_-2.midi,,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_pitch_-1.midi,,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,augmented/2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1_pitch_-3.midi,,1091.69094891,"Give me a song that is intricate, stately, and polyphonic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard suite instrumentation. Incorporate a contrapuntal texture and a highly chromatic yet tonally grounded harmony, and a transition from a dignified opening to a lively, virtuosic conclusion." +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,augmented/2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1_pitch_-2.midi,,1091.69094891,"Give me a song that is intricate, stately, and polyphonic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard suite instrumentation. Incorporate a contrapuntal texture and a highly chromatic yet tonally grounded harmony, and a transition from a dignified opening to a lively, virtuosic conclusion." +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,augmented/2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1_pitch_-1.midi,,1091.69094891,"Give me a song that is intricate, stately, and polyphonic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard suite instrumentation. Incorporate a contrapuntal texture and a highly chromatic yet tonally grounded harmony, and a transition from a dignified opening to a lively, virtuosic conclusion." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav_pitch_-2.midi,,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav_pitch_1.midi,,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav_pitch_-1.midi,,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_3.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-3.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-1.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3_pitch_-2.midi,,470.289326719,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, virtuosic texture, a soaring melodic line, and a highly chromatic yet tonally anchored harmony, and a transition from dramatic urgency to transcendent lyricism." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3_pitch_2.midi,,470.289326719,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, virtuosic texture, a soaring melodic line, and a highly chromatic yet tonally anchored harmony, and a transition from dramatic urgency to transcendent lyricism." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3_pitch_3.midi,,470.289326719,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, virtuosic texture, a soaring melodic line, and a highly chromatic yet tonally anchored harmony, and a transition from dramatic urgency to transcendent lyricism." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2_pitch_1.midi,,289.1011475,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2_pitch_-3.midi,,289.1011475,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2_pitch_3.midi,,289.1011475,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,augmented/2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav_pitch_-3.midi,,424.21966125,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,augmented/2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav_pitch_-1.midi,,424.21966125,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,augmented/2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav_pitch_2.midi,,424.21966125,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_pitch_-2.midi,,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_pitch_-1.midi,,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_pitch_3.midi,,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_pitch_1.midi,,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_pitch_-3.midi,,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_pitch_2.midi,,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2_pitch_-3.midi,,1022.54438344,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2_pitch_-2.midi,,1022.54438344,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2_pitch_2.midi,,1022.54438344,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_pitch_-3.midi,,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_pitch_1.midi,,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_pitch_-2.midi,,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_pitch_2.midi,,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_pitch_1.midi,,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_pitch_-2.midi,,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3_pitch_-1.midi,,829.847429454,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3_pitch_1.midi,,829.847429454,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3_pitch_2.midi,,829.847429454,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_pitch_2.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_pitch_1.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_pitch_-3.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4_pitch_2.midi,,153.79258125,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4_pitch_1.midi,,153.79258125,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4_pitch_3.midi,,153.79258125,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_-3.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_-2.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_1.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3_pitch_-2.midi,,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3_pitch_3.midi,,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3_pitch_-1.midi,,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2_pitch_-2.midi,,430.0636725,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2_pitch_1.midi,,430.0636725,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2_pitch_3.midi,,430.0636725,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_pitch_2.midi,,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_pitch_-1.midi,,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_pitch_-3.midi,,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_pitch_-1.midi,,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_pitch_-2.midi,,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_pitch_3.midi,,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_-3.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_-1.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_1.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav_pitch_2.midi,,137.845748906,"Give me a song that is turbulent and technically formidable, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring relentless semiquaver arpeggios spanning the keyboard. Incorporate a highly chromatic, expository melody with shifting keys, and a transition from stormy C minor to a resolved C major climax." +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav_pitch_-3.midi,,137.845748906,"Give me a song that is turbulent and technically formidable, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring relentless semiquaver arpeggios spanning the keyboard. Incorporate a highly chromatic, expository melody with shifting keys, and a transition from stormy C minor to a resolved C major climax." +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav_pitch_-1.midi,,137.845748906,"Give me a song that is turbulent and technically formidable, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring relentless semiquaver arpeggios spanning the keyboard. Incorporate a highly chromatic, expository melody with shifting keys, and a transition from stormy C minor to a resolved C major climax." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_pitch_-1.midi,,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_pitch_2.midi,,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_pitch_1.midi,,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav_pitch_1.midi,,932.691375,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav_pitch_3.midi,,932.691375,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav_pitch_-2.midi,,932.691375,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1_pitch_-2.midi,,214.034241094,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1_pitch_2.midi,,214.034241094,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1_pitch_1.midi,,214.034241094,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_3.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_-2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2_pitch_-1.midi,,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2_pitch_3.midi,,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2_pitch_-3.midi,,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4_pitch_2.midi,,624.929630137,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4_pitch_3.midi,,624.929630137,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4_pitch_-3.midi,,624.929630137,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_pitch_3.midi,,738.958333333,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_pitch_2.midi,,738.958333333,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_pitch_1.midi,,738.958333333,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Wolfgang Amadeus Mozart,"Nine Variations, K. 264",train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV_pitch_-1.midi,,735.7471275,"Give me a song that is elegant, playful, and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme-and-variations structure for solo piano. Incorporate a graceful, ornamented melody over a clear harmonic progression, and a transition from a lyrical and serene mood to a brilliant and spirited one." +Wolfgang Amadeus Mozart,"Nine Variations, K. 264",train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV_pitch_3.midi,,735.7471275,"Give me a song that is elegant, playful, and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme-and-variations structure for solo piano. Incorporate a graceful, ornamented melody over a clear harmonic progression, and a transition from a lyrical and serene mood to a brilliant and spirited one." +Wolfgang Amadeus Mozart,"Nine Variations, K. 264",train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV_pitch_2.midi,,735.7471275,"Give me a song that is elegant, playful, and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme-and-variations structure for solo piano. Incorporate a graceful, ornamented melody over a clear harmonic progression, and a transition from a lyrical and serene mood to a brilliant and spirited one." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_pitch_3.midi,,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_pitch_1.midi,,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_pitch_-1.midi,,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2_pitch_1.midi,,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2_pitch_-3.midi,,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2_pitch_3.midi,,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-2.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-3.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_2.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV_pitch_-3.midi,,1445.39919563,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV_pitch_3.midi,,1445.39919563,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV_pitch_-1.midi,,1445.39919563,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav_pitch_-3.midi,,190.852001088,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav_pitch_3.midi,,190.852001088,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav_pitch_-1.midi,,190.852001088,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav_pitch_-1.midi,,130.60752069,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav_pitch_3.midi,,130.60752069,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav_pitch_1.midi,,130.60752069,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3_pitch_-3.midi,,112.612696058,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3_pitch_3.midi,,112.612696058,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3_pitch_-1.midi,,112.612696058,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav_pitch_-3.midi,,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav_pitch_-2.midi,,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav_pitch_1.midi,,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_pitch_3.midi,,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_pitch_2.midi,,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_pitch_-1.midi,,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav_pitch_2.midi,,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav_pitch_1.midi,,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav_pitch_3.midi,,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Johannes Brahms,Sonata Op. 5,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav_pitch_-3.midi,,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Johannes Brahms,Sonata Op. 5,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav_pitch_-1.midi,,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Johannes Brahms,Sonata Op. 5,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav_pitch_3.midi,,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2_pitch_1.midi,,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2_pitch_-3.midi,,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2_pitch_2.midi,,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_pitch_-2.midi,,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_pitch_1.midi,,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_pitch_-1.midi,,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav_pitch_-3.midi,,220.688881875,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a rhythmic contrast between the treble and bass parts. Incorporate melodic chromaticism and bel canto-inspired melody, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav_pitch_-2.midi,,220.688881875,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a rhythmic contrast between the treble and bass parts. Incorporate melodic chromaticism and bel canto-inspired melody, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav_pitch_1.midi,,220.688881875,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a rhythmic contrast between the treble and bass parts. Incorporate melodic chromaticism and bel canto-inspired melody, and a transition from a serene to a more impassioned mood." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_pitch_2.midi,,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_pitch_-2.midi,,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_pitch_-1.midi,,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_pitch_-3.midi,,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_pitch_1.midi,,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_pitch_-1.midi,,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav_pitch_3.midi,,332.583802031,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav_pitch_2.midi,,332.583802031,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav_pitch_1.midi,,332.583802031,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav_pitch_-1.midi,,200.214810469,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav_pitch_1.midi,,200.214810469,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav_pitch_-3.midi,,200.214810469,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_1.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_-3.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_2.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_3.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_2.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_-1.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav_pitch_-1.midi,,255.60871875,"Give me a song that is lyrical and idyllic, composed in the Late Balakirev style. It should be an Etude-Idyll in the Romantic era, featuring a flowing piano texture. Incorporate a rich, chromatic harmonic language, and a transition from serene contemplation to passionate exaltation." +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav_pitch_1.midi,,255.60871875,"Give me a song that is lyrical and idyllic, composed in the Late Balakirev style. It should be an Etude-Idyll in the Romantic era, featuring a flowing piano texture. Incorporate a rich, chromatic harmonic language, and a transition from serene contemplation to passionate exaltation." +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav_pitch_3.midi,,255.60871875,"Give me a song that is lyrical and idyllic, composed in the Late Balakirev style. It should be an Etude-Idyll in the Romantic era, featuring a flowing piano texture. Incorporate a rich, chromatic harmonic language, and a transition from serene contemplation to passionate exaltation." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_pitch_2.midi,,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_pitch_1.midi,,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_pitch_3.midi,,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5_pitch_-1.midi,,366.701022187,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5_pitch_1.midi,,366.701022187,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5_pitch_-2.midi,,366.701022187,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_pitch_-2.midi,,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_pitch_-3.midi,,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_pitch_-1.midi,,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav_pitch_-2.midi,,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav_pitch_1.midi,,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav_pitch_-3.midi,,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_pitch_-1.midi,,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_pitch_2.midi,,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_pitch_1.midi,,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_pitch_-2.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_pitch_3.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_pitch_-3.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_pitch_-1.midi,,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_pitch_-3.midi,,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_pitch_3.midi,,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav_pitch_1.midi,,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav_pitch_-2.midi,,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav_pitch_-3.midi,,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_pitch_3.midi,,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_pitch_-3.midi,,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_pitch_1.midi,,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_pitch_1.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_pitch_-3.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_pitch_2.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4_pitch_-3.midi,,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4_pitch_2.midi,,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4_pitch_-1.midi,,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3_pitch_3.midi,,158.788569844,"Give me a song that is dark and ambiguous, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex, shifting rhythm. Incorporate a dense, chromatic harmonic texture, and a transition from a brooding march to a tumultuous climax." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3_pitch_-2.midi,,158.788569844,"Give me a song that is dark and ambiguous, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex, shifting rhythm. Incorporate a dense, chromatic harmonic texture, and a transition from a brooding march to a tumultuous climax." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3_pitch_-3.midi,,158.788569844,"Give me a song that is dark and ambiguous, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex, shifting rhythm. Incorporate a dense, chromatic harmonic texture, and a transition from a brooding march to a tumultuous climax." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_pitch_3.midi,,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_pitch_-3.midi,,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_pitch_1.midi,,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3_pitch_1.midi,,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3_pitch_-1.midi,,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3_pitch_-3.midi,,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_-3.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_1.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_-1.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4_pitch_-1.midi,,456.126680625,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4_pitch_-2.midi,,456.126680625,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4_pitch_1.midi,,456.126680625,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav_pitch_2.midi,,143.597612813,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav_pitch_-2.midi,,143.597612813,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav_pitch_-3.midi,,143.597612813,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav_pitch_1.midi,,237.826952344,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav_pitch_-2.midi,,237.826952344,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav_pitch_-3.midi,,237.826952344,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_pitch_3.midi,,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_pitch_2.midi,,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_pitch_-2.midi,,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_pitch_3.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_pitch_-3.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_pitch_-1.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_-1.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_-2.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_-3.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV_pitch_-3.midi,,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV_pitch_-2.midi,,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV_pitch_2.midi,,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_pitch_-1.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_pitch_-2.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_pitch_1.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_pitch_-3.midi,,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_pitch_-2.midi,,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_pitch_2.midi,,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav_pitch_1.midi,,224.28886826,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav_pitch_2.midi,,224.28886826,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav_pitch_-2.midi,,224.28886826,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2_pitch_-2.midi,,340.150567969,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a Largo introduction followed by a driving Allegro rhythm. Incorporate a recitative-like melody and sudden dynamic contrasts, and a transition from brooding suspense to explosive agitation." +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2_pitch_-1.midi,,340.150567969,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a Largo introduction followed by a driving Allegro rhythm. Incorporate a recitative-like melody and sudden dynamic contrasts, and a transition from brooding suspense to explosive agitation." +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2_pitch_2.midi,,340.150567969,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a Largo introduction followed by a driving Allegro rhythm. Incorporate a recitative-like melody and sudden dynamic contrasts, and a transition from brooding suspense to explosive agitation." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_1.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_3.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_2.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_pitch_-3.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_pitch_-2.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_pitch_3.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_pitch_2.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_pitch_-2.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_pitch_3.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4_pitch_1.midi,,135.18148875,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4_pitch_3.midi,,135.18148875,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4_pitch_2.midi,,135.18148875,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Wolfgang Amadeus Mozart,Sonata K. 457,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav_pitch_-1.midi,,937.038325781,"Give me a song that is dramatic and intense, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano instrumentation. Incorporate textbook sonata form with thematic development and key relations, and a transition from dramatic tension to resolution." +Wolfgang Amadeus Mozart,Sonata K. 457,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav_pitch_3.midi,,937.038325781,"Give me a song that is dramatic and intense, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano instrumentation. Incorporate textbook sonata form with thematic development and key relations, and a transition from dramatic tension to resolution." +Wolfgang Amadeus Mozart,Sonata K. 457,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav_pitch_2.midi,,937.038325781,"Give me a song that is dramatic and intense, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano instrumentation. Incorporate textbook sonata form with thematic development and key relations, and a transition from dramatic tension to resolution." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1_pitch_3.midi,,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1_pitch_-3.midi,,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1_pitch_-2.midi,,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_-1.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_2.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_-2.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5_pitch_3.midi,,272.686693125,"Give me a song that is grand and lyrical, composed in the Late Tchaikovsky style. It should be a Pas de Deux in the Romantic era, featuring a solo piano arrangement. Incorporate a rich, chordal texture and a soaring, operatic melody, and a transition from a stately procession to a tender, romantic resolution." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5_pitch_1.midi,,272.686693125,"Give me a song that is grand and lyrical, composed in the Late Tchaikovsky style. It should be a Pas de Deux in the Romantic era, featuring a solo piano arrangement. Incorporate a rich, chordal texture and a soaring, operatic melody, and a transition from a stately procession to a tender, romantic resolution." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5_pitch_2.midi,,272.686693125,"Give me a song that is grand and lyrical, composed in the Late Tchaikovsky style. It should be a Pas de Deux in the Romantic era, featuring a solo piano arrangement. Incorporate a rich, chordal texture and a soaring, operatic melody, and a transition from a stately procession to a tender, romantic resolution." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_pitch_-2.midi,,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_pitch_1.midi,,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_pitch_2.midi,,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav_pitch_3.midi,,527.426021719,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav_pitch_2.midi,,527.426021719,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav_pitch_1.midi,,527.426021719,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4_pitch_-3.midi,,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4_pitch_1.midi,,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4_pitch_2.midi,,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3_pitch_-1.midi,,111.881565469,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3_pitch_1.midi,,111.881565469,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3_pitch_2.midi,,111.881565469,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_pitch_2.midi,,698.661160312,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_pitch_-1.midi,,698.661160312,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_pitch_3.midi,,698.661160312,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5_pitch_1.midi,,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5_pitch_3.midi,,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5_pitch_-3.midi,,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2_pitch_1.midi,,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2_pitch_-1.midi,,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2_pitch_-3.midi,,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1_pitch_1.midi,,419.617635937,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1_pitch_-3.midi,,419.617635937,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1_pitch_-2.midi,,419.617635937,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_pitch_-3.midi,,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_pitch_3.midi,,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_pitch_2.midi,,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1_pitch_-3.midi,,322.878950625,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1_pitch_-1.midi,,322.878950625,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1_pitch_2.midi,,322.878950625,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav_pitch_-2.midi,,154.993167656,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav_pitch_3.midi,,154.993167656,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav_pitch_1.midi,,154.993167656,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav_pitch_-1.midi,,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav_pitch_-3.midi,,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav_pitch_1.midi,,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3_pitch_-2.midi,,262.041671719,"Give me a song that is turbulent and passionate, composed in the Middle Sergei Rachmaninoff style. It should be an Etude-Tableaux in the Late Romantic era, featuring an Allegro agitato tempo. Incorporate a dense, chromatic harmonic structure, and a transition from agitated intensity to a more resolute, march-like character." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3_pitch_3.midi,,262.041671719,"Give me a song that is turbulent and passionate, composed in the Middle Sergei Rachmaninoff style. It should be an Etude-Tableaux in the Late Romantic era, featuring an Allegro agitato tempo. Incorporate a dense, chromatic harmonic structure, and a transition from agitated intensity to a more resolute, march-like character." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3_pitch_-3.midi,,262.041671719,"Give me a song that is turbulent and passionate, composed in the Middle Sergei Rachmaninoff style. It should be an Etude-Tableaux in the Late Romantic era, featuring an Allegro agitato tempo. Incorporate a dense, chromatic harmonic structure, and a transition from agitated intensity to a more resolute, march-like character." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav_pitch_-2.midi,,240.84377625,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav_pitch_-1.midi,,240.84377625,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav_pitch_2.midi,,240.84377625,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4_pitch_-2.midi,,650.51217,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4_pitch_2.midi,,650.51217,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4_pitch_1.midi,,650.51217,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav_pitch_2.midi,,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav_pitch_3.midi,,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav_pitch_1.midi,,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Franz Schubert,"Sonata in A Minor, D845",train,2018,augmented/2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav_pitch_2.midi,,1846.46449969,"Give me a song that is impassioned and tragic, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stormy rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic intensity to an oasis of calm." +Franz Schubert,"Sonata in A Minor, D845",train,2018,augmented/2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav_pitch_3.midi,,1846.46449969,"Give me a song that is impassioned and tragic, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stormy rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic intensity to an oasis of calm." +Franz Schubert,"Sonata in A Minor, D845",train,2018,augmented/2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav_pitch_-2.midi,,1846.46449969,"Give me a song that is impassioned and tragic, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stormy rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic intensity to an oasis of calm." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_pitch_-3.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_pitch_3.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_pitch_1.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_pitch_-3.midi,,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_pitch_2.midi,,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_pitch_3.midi,,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_pitch_-2.midi,,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_pitch_2.midi,,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_pitch_1.midi,,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_-3.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_3.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_2.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_pitch_1.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_pitch_-2.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_pitch_2.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_pitch_3.midi,,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_pitch_1.midi,,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_pitch_-2.midi,,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_-3.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_2.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_-1.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_pitch_-2.midi,,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_pitch_2.midi,,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_pitch_-1.midi,,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_pitch_2.midi,,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_pitch_-1.midi,,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_pitch_1.midi,,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV_pitch_-1.midi,,1275.88948266,"Give me a song that is virtuosic and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a theme and variations structure. Incorporate complex harmonic and textural development, and a transition from thematic statement to brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV_pitch_-3.midi,,1275.88948266,"Give me a song that is virtuosic and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a theme and variations structure. Incorporate complex harmonic and textural development, and a transition from thematic statement to brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV_pitch_-2.midi,,1275.88948266,"Give me a song that is virtuosic and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a theme and variations structure. Incorporate complex harmonic and textural development, and a transition from thematic statement to brilliant finale." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav_pitch_1.midi,,794.52912,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav_pitch_-1.midi,,794.52912,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav_pitch_2.midi,,794.52912,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_pitch_-2.midi,,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_pitch_-3.midi,,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_pitch_3.midi,,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav_pitch_1.midi,,506.776282783,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav_pitch_-3.midi,,506.776282783,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav_pitch_-1.midi,,506.776282783,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2_pitch_3.midi,,273.190164844,"Give me a song that is fiery and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and runs, and a transition from shock to betrayal." +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2_pitch_-1.midi,,273.190164844,"Give me a song that is fiery and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and runs, and a transition from shock to betrayal." +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2_pitch_-2.midi,,273.190164844,"Give me a song that is fiery and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and runs, and a transition from shock to betrayal." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav_pitch_-3.midi,,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav_pitch_2.midi,,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav_pitch_1.midi,,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_pitch_1.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_pitch_2.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_pitch_3.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav_pitch_-3.midi,,1443.84723636,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav_pitch_1.midi,,1443.84723636,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav_pitch_2.midi,,1443.84723636,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-1.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-2.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_2.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV_pitch_1.midi,,794.2513425,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV_pitch_3.midi,,794.2513425,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV_pitch_2.midi,,794.2513425,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, I. Allegro molto e con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2_time_0.94.midi,,222.41895042897315,"Give me a song that is dramatic and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, symphonic rhythm. Incorporate a highly chromatic but tonally anchored harmony, and a transition from turbulent urgency to lyrical resolve." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, I. Allegro molto e con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2_time_1.06.midi,,250.57171626587657,"Give me a song that is dramatic and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, symphonic rhythm. Incorporate a highly chromatic but tonally anchored harmony, and a transition from turbulent urgency to lyrical resolve." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_time_0.94.midi,,171.22491802621263,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_time_0.96.midi,,175.15374647994358,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV_time_0.94.midi,,1235.2072798665506,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV_time_1.02.midi,,1345.0878498200696,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_0.96.midi,,362.3227180835289,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_1.00.midi,,377.77414302875627,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_1.04.midi,,569.9848876078512,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_1.07.midi,,584.7150347503267,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_time_0.91.midi,,1151.8367028347088,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_time_1.10.midi,,1388.098566123923,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Leoš Janáček,"Piano Sonata 1. X. 1905 ""From the Street""",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4_time_0.93.midi,,777.8074567219205,"Give me a song that is somber and turbulent, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-tonal harmony, and a transition from defiant protest to resigned lament." +Leoš Janáček,"Piano Sonata 1. X. 1905 ""From the Street""",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4_time_0.98.midi,,822.0434994797674,"Give me a song that is somber and turbulent, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-tonal harmony, and a transition from defiant protest to resigned lament." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_time_1.09.midi,,467.0374563196303,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_time_0.95.midi,,406.4978785230251,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4_time_0.94.midi,,502.7820460778574,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4_time_1.08.midi,,575.9378294766406,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5_time_0.92.midi,,611.0876600935851,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5_time_1.05.midi,,697.9756090165931,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4_time_1.02.midi,,838.9190255385399,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4_time_1.08.midi,,890.0866945280476,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_time_0.91.midi,,577.2658208640156,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_time_0.94.midi,,593.6870188576916,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV_time_1.01.midi,,205.56573068646406,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV_time_0.96.midi,,195.4360077021348,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav_time_1.01.midi,,385.9056893484829,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav_time_1.01.midi,,384.8120584580631,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Isaac Albéniz,"Evocacion from ""Iberia""",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV_time_0.95.midi,,300.3215358288616,"Give me a song that is evocative, virtuosic, and folk-inspired, composed in the late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring flamenco rhythms. Incorporate complex chromatic harmony and a transition from a pensive to a passionate mood." +Isaac Albéniz,"Evocacion from ""Iberia""",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV_time_0.96.midi,,302.162874958257,"Give me a song that is evocative, virtuosic, and folk-inspired, composed in the late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring flamenco rhythms. Incorporate complex chromatic harmony and a transition from a pensive to a passionate mood." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_time_1.08.midi,,460.92944898871747,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_time_0.99.midi,,422.92322611091834,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5_time_1.02.midi,,1919.745051417646,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5_time_1.04.midi,,1953.574327428888,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Domenico Scarlatti,Sonata K. 525,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2_time_1.09.midi,,72.11434515174062,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Domenico Scarlatti,Sonata K. 525,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2_time_0.92.midi,,60.95072064405685,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_1.07.midi,,758.5494276719668,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_0.95.midi,,669.0953216060682,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_0.93.midi,,653.8805727503122,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_1.10.midi,,770.7904817520354,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_0.96.midi,,385.58543164711534,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_0.97.midi,,392.81921757182164,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_0.98.midi,,343.5356875446788,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_1.03.midi,,362.4769425666606,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1_time_1.07.midi,,379.855101272642,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1_time_1.02.midi,,361.39083479307936,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2_time_1.06.midi,,362.7397858363378,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2_time_0.95.midi,,322.44254134295863,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1_time_1.10.midi,,234.10339527706634,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1_time_0.93.midi,,198.27944791922965,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_time_0.94.midi,,127.4964666308714,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_time_1.08.midi,,147.58959080654049,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_1.07.midi,,807.8830719459817,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_0.90.midi,,681.356421181364,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav_time_0.96.midi,,1246.0720522814331,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav_time_0.94.midi,,1220.7772754650714,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav_time_1.00.midi,,538.7994462177653,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav_time_1.05.midi,,566.9179758875267,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3_time_1.09.midi,,781.1171479877471,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3_time_1.02.midi,,729.724385653002,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_time_1.05.midi,,315.1574824153535,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_time_1.08.midi,,322.7676665678816,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_time_1.02.midi,,305.88793210324985,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_time_1.01.midi,,303.35578182820524,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_time_0.95.midi,,706.9599867098408,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_time_1.03.midi,,766.0074390946043,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4_time_1.09.midi,,608.7277794952663,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4_time_1.10.midi,,612.5074942314528,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Johann Sebastian Bach,"Prelude and Fugue in D Major, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1_time_0.99.midi,,311.53038976310063,"Give me a song that is brilliant and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, toccata-like texture and a strict, imitative fugue, and a transition from exuberant improvisation to structured counterpoint." +Johann Sebastian Bach,"Prelude and Fugue in D Major, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1_time_1.10.midi,,343.16720225006515,"Give me a song that is brilliant and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, toccata-like texture and a strict, imitative fugue, and a transition from exuberant improvisation to structured counterpoint." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav_time_1.08.midi,,389.71226203311863,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav_time_0.98.midi,,354.2001340472247,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav_time_0.90.midi,,575.9632950706341,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav_time_1.10.midi,,699.4380681429798,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV_time_1.00.midi,,561.5496177728809,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV_time_0.95.midi,,531.628717152485,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav_time_1.06.midi,,164.9805590848126,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav_time_1.04.midi,,161.80279483323213,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_time_1.09.midi,,454.324486039802,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_time_1.04.midi,,436.63695016693754,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Claude Debussy,SuiteBergamasque,test,2006,augmented/2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav_time_0.98.midi,,924.5307887451182,"Give me a song that is evocative, atmospheric, and refined, composed in the Early Debussy style. It should be a Suite in the Impressionist era, featuring a piano. Incorporate fluid arpeggios, modal melodies, and non-functional harmony, and a transition from a pensive to a luminous mood." +Claude Debussy,SuiteBergamasque,test,2006,augmented/2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav_time_1.05.midi,,988.8951867462314,"Give me a song that is evocative, atmospheric, and refined, composed in the Early Debussy style. It should be a Suite in the Impressionist era, featuring a piano. Incorporate fluid arpeggios, modal melodies, and non-functional harmony, and a transition from a pensive to a luminous mood." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_time_1.04.midi,,99.03751637888723,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_time_1.00.midi,,95.88740700219479,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_time_0.94.midi,,656.249657964816,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_time_0.90.midi,,633.6646334313714,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV_time_1.05.midi,,817.2408694741724,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV_time_1.08.midi,,841.7211718193939,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_time_1.06.midi,,1276.795609878757,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_time_1.05.midi,,1262.7212862553727,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_time_0.91.midi,,220.30423938348153,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_time_0.98.midi,,236.61911005162497,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav_time_0.92.midi,,1573.0443351699303,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav_time_1.00.midi,,1696.1382393884917,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3_time_1.09.midi,,492.92300943425437,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,augmented/2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3_time_1.06.midi,,480.5657358880029,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6_time_0.98.midi,,687.4172611762998,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6_time_1.07.midi,,750.1928232877707,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav_time_1.07.midi,,2514.8637864743864,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav_time_1.01.midi,,2375.7445585980863,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav_time_1.06.midi,,774.1810728745594,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav_time_0.90.midi,,659.1700084113597,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV_time_1.03.midi,,954.7738294154043,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV_time_1.07.midi,,994.3868129325713,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_time_0.92.midi,,267.11392044788647,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_time_0.91.midi,,263.4085017759816,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_time_0.97.midi,,309.78177325293825,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_time_0.94.midi,,301.5079600713615,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_1.05.midi,,216.29357800638078,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_1.08.midi,,221.27615320277803,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_time_1.01.midi,,225.47704495850957,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_time_0.91.midi,,204.76819292631285,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2_time_1.06.midi,,1162.0620885557055,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2_time_0.99.midi,,1086.6514580620978,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_time_0.92.midi,,118.57530523330882,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_time_0.94.midi,,120.27982469216816,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav_time_0.98.midi,,1050.9808840586236,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav_time_1.06.midi,,1137.422112714856,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_time_0.95.midi,,1287.2418655940282,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_time_1.09.midi,,1484.3590110964476,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1_time_0.91.midi,,298.72406100674226,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1_time_0.95.midi,,312.5483949640512,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_time_1.06.midi,,255.18822060875567,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_time_0.99.midi,,238.72688616413342,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_0.92.midi,,249.54877347226991,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_0.92.midi,,247.2761031609377,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav_time_0.98.midi,,267.6011568947926,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav_time_0.95.midi,,259.1830836144315,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2_time_0.96.midi,,2354.3523657905926,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2_time_1.08.midi,,2664.8949236071926,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav_time_1.01.midi,,468.8057326288189,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav_time_1.07.midi,,498.851653010104,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav_time_1.02.midi,,425.56341478446427,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav_time_0.93.midi,,387.89689426047687,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_time_1.00.midi,,640.9542438671546,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_time_0.98.midi,,627.2126403934677,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav_time_0.99.midi,,450.1839242557509,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav_time_1.04.midi,,474.042010653582,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4_time_0.98.midi,,151.4284525609756,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4_time_1.02.midi,,156.2607302897696,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav_time_0.93.midi,,994.5291709200702,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav_time_0.94.midi,,1005.7653497830291,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1_time_1.02.midi,,229.7360314980613,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1_time_1.07.midi,,240.68758525213852,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_1.07.midi,,1100.6121268663362,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_0.91.midi,,938.9204913950865,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2_time_1.06.midi,,1198.1097602367452,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2_time_1.07.midi,,1217.379713422953,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_time_1.03.midi,,200.02115751657436,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_time_1.09.midi,,210.0905818176404,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_time_0.97.midi,,143.64587659639403,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_time_0.92.midi,,135.96222215401895,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav_time_1.03.midi,,538.1498910986745,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav_time_1.09.midi,,567.1745754249486,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_time_1.00.midi,,664.7743248284324,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_time_0.99.midi,,656.9376050363605,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Modest Mussorgsky,Pictures at an E,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav_time_0.93.midi,,1633.6132113928686,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an E,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav_time_0.97.midi,,1692.767924062013,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2_time_0.94.midi,,261.14879124791366,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2_time_0.93.midi,,258.7941590502676,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_time_1.04.midi,,1241.642710068774,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_time_1.10.midi,,1312.0027698482652,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3_time_1.08.midi,,120.93751399254083,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3_time_1.02.midi,,114.55646602349427,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_time_1.05.midi,,232.2409530119389,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_time_1.02.midi,,225.44170811437465,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3_time_0.93.midi,,146.82661706019815,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3_time_1.06.midi,,167.42885946489616,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,"Nocturne in C-Sharp Minor, Op. Posth.",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6_time_1.06.midi,,243.8454885307295,"Give me a song that is melancholic and lyrical, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a steady left-hand accompaniment. Incorporate a highly chromatic and expressive harmony, and a transition from a somber, brooding mood to a more agitated, dramatic one." +Frédéric Chopin,"Nocturne in C-Sharp Minor, Op. Posth.",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6_time_1.09.midi,,250.65090701098597,"Give me a song that is melancholic and lyrical, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a steady left-hand accompaniment. Incorporate a highly chromatic and expressive harmony, and a transition from a somber, brooding mood to a more agitated, dramatic one." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3_time_1.04.midi,,227.71044026323807,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3_time_0.97.midi,,213.95046616615815,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav_time_1.05.midi,,281.38434278214055,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav_time_0.99.midi,,265.0145084717391,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I , BWV 858",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1_time_1.07.midi,,243.30134830575784,"Give me a song that is serene and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, measured rhythm. Incorporate a contrapuntal texture with a clear subject, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I , BWV 858",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1_time_0.95.midi,,215.16210488594245,"Give me a song that is serene and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, measured rhythm. Incorporate a contrapuntal texture with a clear subject, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1_time_0.92.midi,,402.36879904214663,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1_time_0.98.midi,,430.2724575757896,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV_time_1.05.midi,,896.4151500056535,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV_time_0.99.midi,,849.0790798919567,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_1.02.midi,,357.3827430679947,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_0.99.midi,,347.93203919156895,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1_time_1.10.midi,,578.1633953701058,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1_time_1.08.midi,,571.5389280801189,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1_time_1.03.midi,,359.1568933110167,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1_time_1.05.midi,,366.211994821579,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav_time_0.95.midi,,233.90041974172044,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav_time_1.05.midi,,258.44108716097804,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3_time_0.98.midi,,69.00177063971826,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3_time_0.96.midi,,67.90620397289902,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_time_1.08.midi,,148.17953253561097,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_time_0.99.midi,,135.73455660520352,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Robert Schumann,ABEGG Variations Op. 1,train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav_time_0.91.midi,,416.4333563416077,"Give me a song that is youthful and virtuosic, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a melodic motif, and a transition from playful elegance to brilliant exuberance." +Robert Schumann,ABEGG Variations Op. 1,train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav_time_1.00.midi,,457.3700825499721,"Give me a song that is youthful and virtuosic, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a melodic motif, and a transition from playful elegance to brilliant exuberance." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav_time_0.94.midi,,935.2475699324358,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav_time_0.95.midi,,946.7572746924209,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav_time_1.08.midi,,974.4236033806368,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav_time_1.00.midi,,904.2655494482588,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_1.01.midi,,792.4245782915201,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_1.01.midi,,791.996892295309,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_time_0.95.midi,,352.5806540220742,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_time_0.99.midi,,366.74671732362197,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav_time_1.01.midi,,228.14100351205857,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav_time_1.06.midi,,239.1580797517423,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_time_0.91.midi,,940.4092239304604,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_time_0.90.midi,,930.9105722423803,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1_time_0.98.midi,,357.14650184287217,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1_time_1.00.midi,,364.4221690737503,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_time_0.92.midi,,406.4343467790861,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_time_0.94.midi,,414.31360995033697,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Frédéric Chopin,Etude Op. 10 No. 10 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2_time_1.05.midi,,130.92768273196066,"Give me a song that is technically demanding and expressively varied, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a persistent, accent-shifting figuration. Incorporate a single, continuously varied musical texture, and a transition from brilliant virtuosity to nuanced introspection." +Frédéric Chopin,Etude Op. 10 No. 10 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2_time_0.96.midi,,120.13185182629394,"Give me a song that is technically demanding and expressively varied, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a persistent, accent-shifting figuration. Incorporate a single, continuously varied musical texture, and a transition from brilliant virtuosity to nuanced introspection." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_time_0.94.midi,,286.50772650372596,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_time_0.93.midi,,281.68788988068957,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_time_0.96.midi,,222.29841222068578,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_time_1.03.midi,,237.85279766082274,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_time_0.92.midi,,169.2488880527678,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_time_0.94.midi,,172.69601351260658,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Johannes Brahms,"Sonata No. 3 in F Minor, Op. 5",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV_time_0.96.midi,,1911.5108695498313,"Give me a song that is grand, passionate, and dramatic, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring a powerful, chordal piano texture. Incorporate a dense, contrapuntal texture, lyrical, song-like melodies, and a rich, expansive harmonic language, and a transition from turbulent, heroic struggle to a tender, introspective calm." +Johannes Brahms,"Sonata No. 3 in F Minor, Op. 5",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV_time_0.98.midi,,1952.1412404546863,"Give me a song that is grand, passionate, and dramatic, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring a powerful, chordal piano texture. Incorporate a dense, contrapuntal texture, lyrical, song-like melodies, and a rich, expansive harmonic language, and a transition from turbulent, heroic struggle to a tender, introspective calm." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_time_1.09.midi,,877.8291364642365,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_time_1.04.midi,,836.8479127398957,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_time_1.09.midi,,766.8843763660785,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_time_0.92.midi,,644.7548558399021,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3_time_1.07.midi,,548.0479122758379,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3_time_0.96.midi,,488.94230743899556,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Johann Sebastian Bach,"Duet in E Minor, BWV 802",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV_time_1.02.midi,,135.08078598311502,"Give me a song that is intricate and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring two-voice keyboard instrumentation. Incorporate imitative polyphony and strict counterpoint, and a transition from introspective gravity to resolved motion." +Johann Sebastian Bach,"Duet in E Minor, BWV 802",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV_time_1.09.midi,,143.92410565897194,"Give me a song that is intricate and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring two-voice keyboard instrumentation. Incorporate imitative polyphony and strict counterpoint, and a transition from introspective gravity to resolved motion." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_time_1.01.midi,,2123.034994241992,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_time_1.06.midi,,2231.538655448535,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav_time_1.01.midi,,2246.113112215949,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav_time_0.93.midi,,2052.1284751126973,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Nikolai Medtner,"Sonata Tragica, Op. 39, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5_time_0.97.midi,,589.6436817417998,"Give me a song that is fiery and dramatic, composed in the Middle Nikolai Medtner style. It should be a Sonata in the Late-Romantic era, featuring complex piano writing. Incorporate dense, polyphonic texture and highly chromatic harmony, and a transition from brooding meditation to tragic grandeur." +Nikolai Medtner,"Sonata Tragica, Op. 39, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5_time_1.06.midi,,646.9038455883903,"Give me a song that is fiery and dramatic, composed in the Middle Nikolai Medtner style. It should be a Sonata in the Late-Romantic era, featuring complex piano writing. Incorporate dense, polyphonic texture and highly chromatic harmony, and a transition from brooding meditation to tragic grandeur." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_time_1.04.midi,,773.9353948402616,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_time_0.96.midi,,713.2011380948434,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_time_1.02.midi,,537.7961865880444,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_time_1.01.midi,,536.8346232957468,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav_time_0.94.midi,,436.06515071397655,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav_time_0.91.midi,,419.6848224284802,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3_time_0.94.midi,,473.0147540076574,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3_time_1.06.midi,,533.2481354938631,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Johannes Brahms,Intermezzos Op. 119,validation,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2_time_0.92.midi,,768.1420978415717,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a texture where melodic and harmonic motives operate separately and together, and a transition from lyrical contemplation to subdued resolution." +Johannes Brahms,Intermezzos Op. 119,validation,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2_time_0.93.midi,,778.7610441730809,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a texture where melodic and harmonic motives operate separately and together, and a transition from lyrical contemplation to subdued resolution." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3_time_0.93.midi,,258.368622487709,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3_time_0.92.midi,,256.0353340578203,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_1.01.midi,,744.5336913586691,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_0.92.midi,,680.3140444783885,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav_time_1.09.midi,,2611.6070387911254,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav_time_1.00.midi,,2403.4415659874303,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_time_1.00.midi,,447.4375231410097,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_time_0.99.midi,,439.16252403039437,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Franz Schubert,Sonata in G Major D894,train,2018,augmented/2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav_time_0.95.midi,,1795.580406320093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,augmented/2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav_time_0.95.midi,,1807.5640695973013,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_time_1.02.midi,,397.2160216271192,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_time_1.04.midi,,406.9678280858679,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_0.93.midi,,650.8391054392588,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_1.07.midi,,750.3331687098847,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3_time_1.06.midi,,1330.8736817967754,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3_time_0.91.midi,,1141.792756985196,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_0.96.midi,,169.58575399691284,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_1.00.midi,,176.55660703682508,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1_time_0.95.midi,,143.05486062752308,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1_time_0.92.midi,,138.50103950290148,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV_time_0.92.midi,,614.9003806352376,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV_time_0.95.midi,,631.7563368506072,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav_time_1.01.midi,,458.4083206540454,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav_time_1.04.midi,,472.9669273397927,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_time_1.09.midi,,326.1013450637391,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_time_0.94.midi,,280.2617882311912,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2_time_1.02.midi,,548.0030688206456,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2_time_1.00.midi,,536.5319691884216,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav_time_0.90.midi,,359.00971260337525,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav_time_0.93.midi,,369.5657462922239,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav_time_0.97.midi,,184.15320079300193,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav_time_1.10.midi,,208.6174455845305,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_0.93.midi,,245.61497230256236,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_1.08.midi,,285.58932767786166,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5_time_1.01.midi,,817.5142833010827,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5_time_1.10.midi,,887.1044924813908,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_0.95.midi,,766.5349976651385,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_0.90.midi,,726.0013776880775,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav_time_1.02.midi,,165.81514150635485,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav_time_0.92.midi,,149.06959547390045,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4_time_1.02.midi,,300.01985092806825,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4_time_1.01.midi,,297.90398273326343,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_time_1.06.midi,,1183.5185919916687,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_time_0.99.midi,,1112.068448384466,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.90.midi,,767.8564320124261,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.96.midi,,814.8896053454652,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3_time_0.96.midi,,250.82831879259734,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3_time_0.92.midi,,241.79418654293045,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Robert Schumann,"Arabesque, Op. 18",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5_time_0.95.midi,,413.7418411515082,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5_time_1.08.midi,,468.5995534088743,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_time_1.05.midi,,1201.752364228256,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_time_1.02.midi,,1163.2137702570976,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1_time_1.00.midi,,523.3033404663516,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1_time_0.94.midi,,493.4829677364879,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_time_0.93.midi,,490.0250785839533,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_time_1.07.midi,,567.6020682933548,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.07.midi,,737.6814453212472,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.01.midi,,696.0361669510203,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_time_1.09.midi,,87.09261517610501,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_time_1.08.midi,,85.79523608209148,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_time_1.05.midi,,453.645719213998,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_time_0.91.midi,,395.1186207390571,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV_time_0.95.midi,,451.3057412172003,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV_time_1.09.midi,,517.456241324134,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_time_0.92.midi,,448.79323643370685,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_time_1.09.midi,,532.7103749920817,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_time_0.92.midi,,294.49531569339774,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_time_0.99.midi,,318.92903708271183,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3_time_0.91.midi,,577.9909914016398,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3_time_0.99.midi,,626.692189268302,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav_time_1.08.midi,,198.8480014150516,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav_time_0.93.midi,,171.53070152814016,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 1 in C Minor,test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3_time_1.00.midi,,164.18122561655952,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chromatic harmony and a powerful, surging melody, and a transition from stormy agitation to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 1 in C Minor,test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3_time_1.00.midi,,164.72011283539717,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chromatic harmony and a powerful, surging melody, and a transition from stormy agitation to a climactic, tragic resolution." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_time_0.94.midi,,156.24916541513105,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_time_0.96.midi,,159.89642527248787,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_time_0.97.midi,,374.529858194218,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_time_0.95.midi,,369.0183203375523,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_1.07.midi,,389.5667083111502,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_0.90.midi,,328.05168114435776,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Joseph Haydn,Andante w/Var.,validation,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav_time_1.09.midi,,609.0127134711668,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Joseph Haydn,Andante w/Var.,validation,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav_time_1.04.midi,,583.358190050404,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_0.96.midi,,274.92252569100265,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_0.90.midi,,258.9494424058292,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_time_0.98.midi,,434.4655690380729,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_time_1.08.midi,,478.28383917286675,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1_time_1.01.midi,,775.8170548758442,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1_time_0.95.midi,,733.1201122107118,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav_time_0.91.midi,,684.3971199092242,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav_time_0.95.midi,,714.0420004815394,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Robert Schumann,ABEGG Op. 1,train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3_time_1.06.midi,,444.1106005858105,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Robert Schumann,ABEGG Op. 1,train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3_time_1.04.midi,,437.66927768657837,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3_time_0.96.midi,,393.84009605419584,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3_time_1.06.midi,,436.35958063951784,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.97.midi,,496.60044777825567,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.99.midi,,505.23557361301084,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_time_1.06.midi,,683.1020280820709,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_time_0.95.midi,,610.5311768558217,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_time_1.08.midi,,667.1983161394296,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_time_0.92.midi,,564.7244151170852,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2_time_0.99.midi,,289.1087445123269,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2_time_0.96.midi,,279.46697720472747,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_time_0.96.midi,,374.6427364256844,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_time_1.08.midi,,421.17873056520244,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1_time_0.97.midi,,585.093136870697,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1_time_1.04.midi,,628.4753501674701,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_time_0.97.midi,,158.89402707304376,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_time_0.90.midi,,148.13734447269107,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav_time_0.94.midi,,222.15040660541575,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav_time_0.95.midi,,224.67253124845047,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_time_0.91.midi,,1419.9153153562336,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_time_0.96.midi,,1489.0304043553244,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_time_1.10.midi,,682.9354223209356,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_time_0.91.midi,,562.7043488772574,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_time_0.92.midi,,1505.3375860639233,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_time_1.05.midi,,1719.6845638619338,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav_time_0.94.midi,,276.24322954320644,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav_time_0.99.midi,,291.38047160903744,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Joseph Haydn,"Sonata in E-flat major, Hob. XVI:52, I. Allegro",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2_time_0.91.midi,,310.86791051366504,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a sonata-allegro form with thematic development and witty harmonic surprises, and a transition from bold assertiveness to playful wit." +Joseph Haydn,"Sonata in E-flat major, Hob. XVI:52, I. Allegro",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2_time_1.06.midi,,361.60776076931023,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a sonata-allegro form with thematic development and witty harmonic surprises, and a transition from bold assertiveness to playful wit." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1_time_1.00.midi,,345.79992785393324,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1_time_1.06.midi,,368.383292807773,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3_time_1.06.midi,,1443.2087520152645,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3_time_0.99.midi,,1335.1613772411242,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Muzio Clementi,Sonata Op. 24/2,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav_time_0.98.midi,,637.4413187609997,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Muzio Clementi,Sonata Op. 24/2,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav_time_1.08.midi,,708.7310431473894,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav_time_1.00.midi,,123.51452679553189,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav_time_1.03.midi,,126.92382592058023,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Felix Mendelssohn / Sergei Rachmaninoff,"Scherzo from Mendelssohn's ""Midsummer Night's Dream""",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4_time_0.96.midi,,250.07463433739673,"Give me a song that is light, playful, and ethereal, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and delicate orchestration. Incorporate transparent texture, a gossamer melody, and Mendelssohn's characteristically clear harmony, and a transition from mischievous whimsy to a fleeting, dreamlike conclusion." +Felix Mendelssohn / Sergei Rachmaninoff,"Scherzo from Mendelssohn's ""Midsummer Night's Dream""",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4_time_1.08.midi,,282.4822851338081,"Give me a song that is light, playful, and ethereal, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and delicate orchestration. Incorporate transparent texture, a gossamer melody, and Mendelssohn's characteristically clear harmony, and a transition from mischievous whimsy to a fleeting, dreamlike conclusion." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1_time_1.04.midi,,497.175333786299,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1_time_1.10.midi,,521.4189954794506,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_1.06.midi,,219.67262671684085,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_0.97.midi,,200.24943771768545,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Sergei Rachmaninoff,"Prelude in G-Sharp Minor,Op. 32 No. 12",test,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav_time_1.00.midi,,127.92196722899169,"Give me a song that is somber and intense, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a piano. Incorporate a dense, chordal texture with a chromatic, descending melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,"Prelude in G-Sharp Minor,Op. 32 No. 12",test,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav_time_0.94.midi,,120.02788188269555,"Give me a song that is somber and intense, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a piano. Incorporate a dense, chordal texture with a chromatic, descending melody, and a transition from brooding despair to a climactic, tragic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_0.96.midi,,342.74001867413307,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_0.93.midi,,330.98249709203134,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2_time_0.97.midi,,846.9964468415841,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2_time_1.09.midi,,958.6127126019105,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3_time_1.08.midi,,253.2273455213478,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3_time_1.01.midi,,238.43375557236791,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV_time_0.92.midi,,821.9410917803788,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV_time_0.97.midi,,862.5644946921886,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_time_0.94.midi,,297.35174463644637,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_time_0.91.midi,,287.74590897675546,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_time_1.01.midi,,279.2188941780302,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_time_1.10.midi,,303.956861690003,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_time_0.90.midi,,225.2390881917451,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_time_1.08.midi,,268.2840951720117,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_0.96.midi,,266.11386334789677,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_0.96.midi,,264.14893377223245,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_time_0.90.midi,,255.15651275696158,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_time_0.92.midi,,259.7855073050393,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_time_1.07.midi,,1752.770323524238,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_time_0.94.midi,,1543.2319915463002,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_time_0.99.midi,,258.8176037219278,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_time_1.08.midi,,283.15876632368463,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_time_0.96.midi,,474.6487780828586,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_time_1.03.midi,,510.3125143122278,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Ludwig van Beethoven,"Sonata No. 24 in F-Sharp Major, Op. 78",train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2_time_0.91.midi,,546.6986193879374,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from a cantabile adagio to a vivace allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-Sharp Major, Op. 78",train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2_time_1.00.midi,,605.5765005243534,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from a cantabile adagio to a vivace allegro." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav_time_0.92.midi,,685.9812483835158,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav_time_1.00.midi,,742.9516948959166,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav_time_1.04.midi,,201.45348161601657,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav_time_0.98.midi,,189.20386561689122,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_time_1.04.midi,,339.9096656567438,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_time_1.02.midi,,331.1167619980091,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_time_0.90.midi,,315.63696539817397,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_time_0.93.midi,,324.03462695241905,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_0.94.midi,,163.4629168379614,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_0.95.midi,,165.29665905013107,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_time_0.96.midi,,297.4116679656416,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_time_0.99.midi,,306.69488969851545,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_1.01.midi,,884.7937348903325,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_1.06.midi,,926.1932793342296,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_time_1.07.midi,,702.3303693303915,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_time_1.00.midi,,653.129620303592,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_time_1.06.midi,,108.00603854693068,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_time_1.00.midi,,101.87637384589635,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3_time_0.96.midi,,389.0919296063622,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3_time_1.02.midi,,413.8035562886118,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.00.midi,,724.5534410410385,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.04.midi,,758.7076903047345,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Ludwig van Beethoven,"Sonata No. 30 in E Major, Op. 109",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2_time_1.00.midi,,1174.15262021078,"Give me a song that is serene and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring intricate counterpoint. Incorporate a rich harmonic structure and a strict form, and a transition from a carefree to a dramatic mood." +Ludwig van Beethoven,"Sonata No. 30 in E Major, Op. 109",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2_time_1.03.midi,,1210.2170482161719,"Give me a song that is serene and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring intricate counterpoint. Incorporate a rich harmonic structure and a strict form, and a transition from a carefree to a dramatic mood." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav_time_0.96.midi,,108.74488690142266,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav_time_0.96.midi,,109.38931569111632,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Frédéric Chopin,Polonaise Op. 44,test,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav_time_1.04.midi,,690.2898330652118,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Frédéric Chopin,Polonaise Op. 44,test,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav_time_1.07.midi,,706.3603304949095,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4_time_0.94.midi,,618.5796281130381,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4_time_1.05.midi,,693.2953646185573,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav_time_0.93.midi,,465.91378056461576,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav_time_0.96.midi,,481.39375934849966,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV_time_0.95.midi,,466.2420824730613,"Give me a song that is introspective and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic turbulence to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV_time_1.02.midi,,500.4915106575619,"Give me a song that is introspective and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic turbulence to serene resolution." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1_time_1.05.midi,,497.05947732011896,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1_time_1.07.midi,,504.4211905336389,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_time_0.98.midi,,1102.208494589416,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_time_1.10.midi,,1236.2396316162076,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_0.96.midi,,251.09629116647366,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_0.90.midi,,237.52899329401035,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3_time_1.05.midi,,340.99020793037647,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3_time_1.01.midi,,327.89509239791516,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_time_1.07.midi,,451.24541293465063,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_time_0.92.midi,,385.3081301658835,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav_time_1.01.midi,,576.2353958960425,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav_time_1.09.midi,,619.8149615964032,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV_time_1.08.midi,,1256.3040542372717,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV_time_0.97.midi,,1136.6047071313194,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_time_1.07.midi,,1725.3310335082194,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_time_1.03.midi,,1657.3282579263835,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1_time_1.06.midi,,383.6506628178793,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1_time_1.08.midi,,387.96042487860416,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav_time_1.04.midi,,208.91107947829647,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav_time_0.93.midi,,186.02701142839794,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2_time_0.95.midi,,315.6146136667688,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2_time_0.99.midi,,328.0938903199518,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1_time_1.07.midi,,973.9743356312449,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1_time_1.00.midi,,908.1572041167848,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_time_1.05.midi,,216.9397859854478,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_time_0.90.midi,,185.92499165873522,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav_time_0.96.midi,,443.53118243647225,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav_time_0.98.midi,,455.65985918205894,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_1.09.midi,,297.2150206490631,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_0.98.midi,,267.69916832563894,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5_time_1.02.midi,,333.0855657697267,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5_time_0.93.midi,,303.1753809258943,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_1.09.midi,,738.66289243878,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_0.93.midi,,629.1978426398205,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_time_0.90.midi,,405.04515197740403,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_time_1.02.midi,,459.29498685822483,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_1.00.midi,,791.2069860293741,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_0.99.midi,,789.6844117785846,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_time_0.91.midi,,292.86245250064314,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_time_0.93.midi,,300.1951458204393,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Franz Schubert,"Sonata in C major, D. 840 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav_time_0.99.midi,,1570.7266831054042,"Give me a song that is expansive and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a sonata form first movement. Incorporate a dramatic harmonic shift to the minor mode, and a transition from a stately, moderate opening to a more introspective, lyrical character." +Franz Schubert,"Sonata in C major, D. 840 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav_time_1.01.midi,,1596.4957453395054,"Give me a song that is expansive and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a sonata form first movement. Incorporate a dramatic harmonic shift to the minor mode, and a transition from a stately, moderate opening to a more introspective, lyrical character." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav_time_0.94.midi,,496.21028635064386,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav_time_0.97.midi,,514.0925250852914,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2_time_0.92.midi,,616.5316333860866,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2_time_1.00.midi,,666.8149390086569,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV_time_0.95.midi,,475.68874153334144,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV_time_0.96.midi,,480.6926686099605,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav_time_1.09.midi,,601.5746191179152,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav_time_1.00.midi,,553.3105081772676,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Robert Schumann,"Humoresque, Op. 20",validation,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2_time_1.04.midi,,1697.0393796390013,"Give me a song that is capricious and introspective, composed in the Early Robert Schumann style. It should be a Humoreske in the Romantic era, featuring a solo piano. Incorporate a complex, multi-sectional structure with contrasting textures and a highly chromatic yet tonal harmony, and a transition from whimsical playfulness to profound melancholy." +Robert Schumann,"Humoresque, Op. 20",validation,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2_time_0.96.midi,,1576.443748498533,"Give me a song that is capricious and introspective, composed in the Early Robert Schumann style. It should be a Humoreske in the Romantic era, featuring a solo piano. Incorporate a complex, multi-sectional structure with contrasting textures and a highly chromatic yet tonal harmony, and a transition from whimsical playfulness to profound melancholy." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_time_0.91.midi,,402.61237938832915,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_time_1.07.midi,,472.61614046051733,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1_time_1.08.midi,,476.1584855997195,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1_time_0.95.midi,,419.2390072741217,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_time_1.06.midi,,315.5273745230801,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_time_0.95.midi,,282.23474938991336,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_0.90.midi,,926.5153086030481,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_1.02.midi,,1043.5255406498338,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1_time_1.00.midi,,268.75282704236486,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1_time_0.94.midi,,253.6733383366034,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Sergei Rachmaninoff,Moment Musicaux Op. 16 No. 4 in E Minor,train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2_time_1.04.midi,,170.52320622211275,"Give me a song that is dramatic and technically demanding, composed in the Early Rachmaninoff style. It should be a Moment Musicaux in the Romantic era, featuring a presto tempo and virtuosic piano writing. Incorporate a dense, chordal texture with a highly chromatic yet tonal harmony, and a transition from turbulent agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,Moment Musicaux Op. 16 No. 4 in E Minor,train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2_time_1.07.midi,,176.11393150390663,"Give me a song that is dramatic and technically demanding, composed in the Early Rachmaninoff style. It should be a Moment Musicaux in the Romantic era, featuring a presto tempo and virtuosic piano writing. Incorporate a dense, chordal texture with a highly chromatic yet tonal harmony, and a transition from turbulent agitation to a somber, resigned conclusion." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_time_1.00.midi,,397.2393487180651,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_time_0.94.midi,,372.9395177648189,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Johann Sebastian Bach,"Partita No. 1 in B-Flat Major, BWV 825 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1_time_0.93.midi,,885.0607904773286,"Give me a song that is structured and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard instrumentation. Incorporate contrapuntal texture and a transition from dignified to lively." +Johann Sebastian Bach,"Partita No. 1 in B-Flat Major, BWV 825 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1_time_0.91.midi,,862.5579420340997,"Give me a song that is structured and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard instrumentation. Incorporate contrapuntal texture and a transition from dignified to lively." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV_time_1.08.midi,,479.74434819910243,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV_time_1.03.midi,,454.7821757899332,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_0.98.midi,,745.7368162636957,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_0.94.midi,,713.0600420140132,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3_time_1.01.midi,,428.8256111093431,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3_time_1.01.midi,,427.15813054153165,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Mily Balakirev,Islamey,validation,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav_time_1.07.midi,,528.2281940196467,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Mily Balakirev,Islamey,validation,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav_time_1.03.midi,,505.479600548925,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav_time_1.09.midi,,318.26569720866877,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav_time_1.08.midi,,316.4494831055421,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav_time_0.95.midi,,293.94268993649814,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav_time_1.07.midi,,330.6992293780555,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_time_0.92.midi,,501.7654928833318,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_time_1.04.midi,,565.1301766914182,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_time_0.93.midi,,901.8351358561057,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_time_1.01.midi,,975.4704444653072,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2_time_0.96.midi,,229.48594091364808,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2_time_1.03.midi,,247.89136794513652,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_time_0.92.midi,,128.32752896636535,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_time_1.02.midi,,142.12168382853847,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_0.97.midi,,328.66600622800223,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_1.10.midi,,370.52950055473974,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Joseph Haydn,"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato",train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3_time_0.97.midi,,337.6783510547933,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring an Allegro moderato rhythm. Incorporate a lyrical melody over a diatonic A-flat major harmony, and a transition from peaceful lyricism to spirited grace." +Joseph Haydn,"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato",train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3_time_1.03.midi,,359.5074785703234,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring an Allegro moderato rhythm. Incorporate a lyrical melody over a diatonic A-flat major harmony, and a transition from peaceful lyricism to spirited grace." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_1.04.midi,,1739.107293886503,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_1.05.midi,,1746.1551154507315,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Frédéric Chopin,"Mazurka in D Major, Op. 33, No. 2",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3_time_1.04.midi,,129.66314081575064,"Give me a song that is fast and strongly accented, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring irregular dance rhythms. Incorporate a popular, lyrical melody and diatonic harmony, and a transition from spirited to lyrical." +Frédéric Chopin,"Mazurka in D Major, Op. 33, No. 2",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3_time_0.95.midi,,118.26995046550337,"Give me a song that is fast and strongly accented, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring irregular dance rhythms. Incorporate a popular, lyrical melody and diatonic harmony, and a transition from spirited to lyrical." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_time_1.05.midi,,226.24329464601294,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_time_1.08.midi,,233.18093121657284,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Sergei Rachmaninoff,Moments Musicaux,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav_time_1.01.midi,,1773.8901636530748,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Sergei Rachmaninoff,Moments Musicaux,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav_time_1.10.midi,,1924.8998775999846,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_time_1.04.midi,,244.7481070840333,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_time_0.91.midi,,214.75078315739378,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Georges Bizet / Ferruccio Busoni,"Sonatina No. 6, BV284 “Fantasia da Camera super Carmen”",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2_time_0.92.midi,,484.9528607933945,"Give me a song that is virtuosic, chromatic, and dramatic, composed in the Late Busoni style. It should be a Sonatina in the Modern era, featuring complex piano figuration. Incorporate dense, polyphonic texture and Lisztian thematic transformation, and a transition from sardonic playfulness to grandiose intensity." +Georges Bizet / Ferruccio Busoni,"Sonatina No. 6, BV284 “Fantasia da Camera super Carmen”",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2_time_0.98.midi,,513.8195648662793,"Give me a song that is virtuosic, chromatic, and dramatic, composed in the Late Busoni style. It should be a Sonatina in the Modern era, featuring complex piano figuration. Incorporate dense, polyphonic texture and Lisztian thematic transformation, and a transition from sardonic playfulness to grandiose intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1_time_0.96.midi,,679.3664432479679,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1_time_1.07.midi,,753.0917357675703,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3_time_0.96.midi,,120.49907570583564,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3_time_1.05.midi,,131.90326445328657,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Franz Schubert,"Sonata in A Minor, D. 845",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV_time_1.02.midi,,473.5888079999787,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a rhythmically unified exposition. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 845",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV_time_1.04.midi,,482.17199050551636,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a rhythmically unified exposition. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1_time_0.95.midi,,290.59265601749314,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1_time_0.99.midi,,302.80881714204577,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_time_0.98.midi,,633.8529707460361,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_time_0.96.midi,,620.6826056152056,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_time_1.10.midi,,794.2325497877642,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_time_1.10.midi,,795.3359697549123,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_time_0.95.midi,,548.8454922662423,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_time_1.01.midi,,582.1959955599245,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav_time_0.95.midi,,677.7614224332536,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav_time_0.91.midi,,642.7222876610856,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav_time_0.97.midi,,140.50714314496224,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav_time_1.02.midi,,147.98103537778854,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1_time_0.92.midi,,574.6300047291547,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1_time_1.05.midi,,652.8705325306116,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1_time_1.09.midi,,238.13787109765502,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1_time_0.93.midi,,202.98006075639242,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_time_0.95.midi,,710.9346998100896,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_time_1.07.midi,,800.5016505092466,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV_time_1.02.midi,,405.1939914778153,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV_time_1.10.midi,,438.43232682851533,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_time_1.07.midi,,80.9076937137669,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_time_1.05.midi,,79.75000219176557,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Johann Pachelbel,Chaconne in F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1_time_1.01.midi,,175.08840784747755,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Johann Pachelbel,Chaconne in F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1_time_1.06.midi,,183.02077278870124,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2_time_0.99.midi,,180.6625759119619,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2_time_0.97.midi,,176.7548350860262,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_time_1.07.midi,,208.80049559962382,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_time_1.04.midi,,203.87704891065198,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_time_1.06.midi,,374.5037227596364,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_time_0.98.midi,,345.9011553970398,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav_time_1.03.midi,,195.751759984304,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav_time_1.05.midi,,201.32362540529252,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_time_0.97.midi,,78.93678286223118,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_time_0.90.midi,,73.25122989272599,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_time_0.91.midi,,719.3114034303178,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_time_0.91.midi,,720.5707323739698,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_time_1.06.midi,,221.08800584951427,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_time_1.02.midi,,211.95293876831911,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav_time_0.96.midi,,112.08539580774033,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav_time_1.00.midi,,117.12681368472778,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Ludwig van Beethoven,Sonata Op. 10/3,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav_time_1.03.midi,,1448.159756188842,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythm. Incorporate a highly chromatic harmony, and a transition from a playful to a somber mood." +Ludwig van Beethoven,Sonata Op. 10/3,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav_time_1.02.midi,,1433.9689909948743,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythm. Incorporate a highly chromatic harmony, and a transition from a playful to a somber mood." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav_time_0.95.midi,,731.0155861780551,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav_time_1.06.midi,,818.9377237330856,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3_time_0.92.midi,,262.56953069934696,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3_time_0.97.midi,,277.8501171432306,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Pyotr Ilyich Tchaikovsky,Dumka,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav_time_0.98.midi,,503.6782676420678,"Give me a song that is melancholic and thoughtful, composed in the Middle Tchaikovsky style. It should be a Dumka in the Romantic era, featuring rhythmic folk patterns. Incorporate harmonic patterns drawn from Slavic folk music, and a transition from pensiveness to a more animated character." +Pyotr Ilyich Tchaikovsky,Dumka,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav_time_0.97.midi,,497.5404149253653,"Give me a song that is melancholic and thoughtful, composed in the Middle Tchaikovsky style. It should be a Dumka in the Romantic era, featuring rhythmic folk patterns. Incorporate harmonic patterns drawn from Slavic folk music, and a transition from pensiveness to a more animated character." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_1.05.midi,,702.7412626284743,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_0.96.midi,,642.6398743361077,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6_time_0.98.midi,,1617.1653876486391,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6_time_1.06.midi,,1749.27426312526,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4_time_0.94.midi,,319.58002195737475,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4_time_1.08.midi,,367.6411627260812,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1_time_0.97.midi,,201.41240418074148,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1_time_1.00.midi,,209.44404509514771,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_time_1.10.midi,,713.9849288969991,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_time_0.94.midi,,610.4409797514362,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2_time_0.92.midi,,287.88749726098314,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2_time_1.09.midi,,339.9358089032757,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_1.00.midi,,1005.0947743623431,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_1.09.midi,,1099.7277743861132,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav_time_1.06.midi,,881.3988371402941,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav_time_1.09.midi,,908.8321101541065,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_time_0.95.midi,,475.07175581273293,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_time_0.96.midi,,481.6753319459143,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3_time_0.90.midi,,496.9008184536556,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3_time_1.08.midi,,596.643867794718,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav_time_1.07.midi,,540.8150264094926,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav_time_0.93.midi,,470.9200877365591,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_0.90.midi,,1087.9710993773906,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_1.08.midi,,1297.698009965476,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Frédéric Chopin,"Barcarolle in F-sharp Major, Op. 60",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1_time_0.97.midi,,486.0963361051106,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths over a wide-ranging left-hand accompaniment, and a transition from a romantic to a more wistful mood." +Frédéric Chopin,"Barcarolle in F-sharp Major, Op. 60",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1_time_1.04.midi,,518.0265917484074,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths over a wide-ranging left-hand accompaniment, and a transition from a romantic to a more wistful mood." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_time_1.08.midi,,690.0683359782014,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_time_0.97.midi,,615.1504065218562,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2_time_0.92.midi,,107.38503698982622,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2_time_0.90.midi,,105.12831227729228,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4_time_1.07.midi,,145.67994438255892,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4_time_0.98.midi,,134.55125324322674,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1_time_0.92.midi,,158.98438598808647,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1_time_1.00.midi,,173.81228058746137,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV_time_0.93.midi,,1104.953689365411,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV_time_0.94.midi,,1112.9089858696211,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.92.midi,,195.75750897268315,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.98.midi,,207.8396569368734,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav_time_0.93.midi,,1298.3849498870425,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav_time_1.02.midi,,1435.2674515502426,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_time_1.10.midi,,1839.4664361804298,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_time_1.09.midi,,1825.8819025386222,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_time_1.03.midi,,537.003218830962,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_time_0.94.midi,,490.02094569087734,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav_time_0.93.midi,,192.33713840769644,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav_time_0.97.midi,,201.75316579884014,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav_time_1.01.midi,,760.9569603472804,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav_time_0.90.midi,,680.2844056214204,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_time_0.99.midi,,608.5620412775017,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_time_1.03.midi,,630.9477063161775,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3_time_1.09.midi,,135.59244160355067,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3_time_0.92.midi,,115.1611614882377,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1_time_0.91.midi,,192.36608382413124,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1_time_0.91.midi,,192.40620637080448,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Robert Schumann,Sonata F# Minor,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav_time_1.05.midi,,1885.8529184643846,"Give me a song that is unconventional and intriguing, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a complex piano structure. Incorporate an unusual formal structure and highly chromatic harmony, and a transition from Florestan's passion to Eusebius's introspection." +Robert Schumann,Sonata F# Minor,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav_time_0.98.midi,,1760.150109419873,"Give me a song that is unconventional and intriguing, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a complex piano structure. Incorporate an unusual formal structure and highly chromatic harmony, and a transition from Florestan's passion to Eusebius's introspection." +Georges Bizet / Moritz Moszkowski,"Chanson Boheme de l'Opera ""Carmen"" by Georges Bizet",train,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5_time_1.00.midi,,335.9169923332058,"Give me a song that is brilliant and virtuosic, composed in the Late Romantic Moritz Moszkowski style. It should be a Concert Transcription in the Romantic era, featuring a lively, dance-like rhythm. Incorporate a rich, homophonic texture with ornate melodic embellishments, and a transition from a spirited, gypsy-like character to a triumphant, celebratory mood." +Georges Bizet / Moritz Moszkowski,"Chanson Boheme de l'Opera ""Carmen"" by Georges Bizet",train,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5_time_0.97.midi,,324.8908027690217,"Give me a song that is brilliant and virtuosic, composed in the Late Romantic Moritz Moszkowski style. It should be a Concert Transcription in the Romantic era, featuring a lively, dance-like rhythm. Incorporate a rich, homophonic texture with ornate melodic embellishments, and a transition from a spirited, gypsy-like character to a triumphant, celebratory mood." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_time_1.08.midi,,710.6625779688869,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_time_1.09.midi,,710.9588907959051,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2_time_0.91.midi,,270.8632629418925,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2_time_1.06.midi,,317.48527533009656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_1.06.midi,,548.8790345470497,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_1.03.midi,,533.1455026601461,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2_time_1.07.midi,,651.0162385195977,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2_time_0.95.midi,,574.7767262271872,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_time_1.00.midi,,221.00156519305176,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_time_1.06.midi,,233.8232351887361,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3_time_1.04.midi,,292.48633146495354,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3_time_0.95.midi,,267.043985498081,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Isaac Albéniz,Asturias,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV_time_1.06.midi,,326.505488870476,"Give me a song that is evocative and nostalgic, composed in the Early Albéniz style. It should be a Prelude in the Romantic era, featuring a rhythm that suggests flamenco guitar. Incorporate a tremolo texture and a highly chromatic melody, and a transition from a dramatic, percussive opening to a lyrical, song-like section." +Isaac Albéniz,Asturias,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV_time_0.91.midi,,281.48582214426455,"Give me a song that is evocative and nostalgic, composed in the Early Albéniz style. It should be a Prelude in the Romantic era, featuring a rhythm that suggests flamenco guitar. Incorporate a tremolo texture and a highly chromatic melody, and a transition from a dramatic, percussive opening to a lyrical, song-like section." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_time_0.96.midi,,616.3870647677539,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_time_1.02.midi,,657.8374221460452,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Robert Schumann,"Kreisleriana, Op. 16",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV_time_0.95.midi,,1803.203239004,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV_time_0.97.midi,,1830.2869856584562,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.10.midi,,1005.5828109675042,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.06.midi,,969.8587755307826,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_time_1.02.midi,,1616.9099433736287,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_time_0.93.midi,,1460.371522294963,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1_time_1.07.midi,,641.8604903644572,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1_time_1.04.midi,,622.811356416584,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Schubert,"Sonata in A Minor, D. 537, I. Allegro ma non troppo",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3_time_0.90.midi,,278.9524667505184,"Give me a song that is dramatic and lyrical, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a turbulent harmonic texture, and a transition from restless agitation to lyrical respite." +Franz Schubert,"Sonata in A Minor, D. 537, I. Allegro ma non troppo",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3_time_1.01.midi,,310.744463209207,"Give me a song that is dramatic and lyrical, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a turbulent harmonic texture, and a transition from restless agitation to lyrical respite." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2_time_1.03.midi,,1051.640960747878,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2_time_0.93.midi,,949.107311464515,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_time_1.08.midi,,154.86276169599566,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_time_1.08.midi,,155.21664468199592,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_time_1.06.midi,,671.2363547983275,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_time_0.98.midi,,616.5709653748479,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3_time_1.06.midi,,130.15478971611242,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3_time_0.91.midi,,111.81805512483463,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5_time_0.94.midi,,224.58198472019816,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5_time_1.05.midi,,251.30162882204257,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_time_0.98.midi,,788.0146934741512,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_time_1.04.midi,,837.3676137453025,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_time_1.01.midi,,561.0216928670718,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_time_1.09.midi,,600.9445219574019,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_1.00.midi,,319.0131048672855,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_0.92.midi,,293.0508486858887,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_time_0.99.midi,,883.6553247252584,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_time_0.92.midi,,820.8474873629934,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1_time_1.00.midi,,735.9470181132888,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1_time_1.05.midi,,767.0700326274526,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV_time_0.95.midi,,887.8170062376532,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV_time_0.98.midi,,919.2416918655291,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3_time_1.02.midi,,1222.8111535463674,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3_time_1.07.midi,,1279.897881501579,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,augmented/2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav_time_0.98.midi,,326.6030606319466,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,augmented/2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav_time_1.02.midi,,337.9405180482206,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2_time_0.90.midi,,180.04923011229403,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2_time_1.03.midi,,204.1363978467298,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_time_1.03.midi,,659.1547104792061,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_time_0.92.midi,,589.3044643809594,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_time_0.95.midi,,670.0399265969559,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_time_1.04.midi,,735.1240775546413,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_time_0.97.midi,,1161.9902651520185,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_time_1.09.midi,,1300.7079974042604,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav_time_1.08.midi,,1211.3089689278881,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav_time_0.99.midi,,1112.5407225809947,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav_time_0.94.midi,,373.97094704552563,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav_time_0.96.midi,,380.5054770000589,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV_time_1.06.midi,,1629.1320513918856,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV_time_1.08.midi,,1645.9909087793355,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV_time_1.08.midi,,984.4829672693768,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV_time_0.99.midi,,902.6583699979577,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Ludwig van Beethoven,"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2_time_0.99.midi,,446.4414337805787,"Give me a song that is energetic and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and brilliant harmonic writing, and a transition from assertive grandeur to spirited playfulness." +Ludwig van Beethoven,"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2_time_1.08.midi,,488.0817003784588,"Give me a song that is energetic and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and brilliant harmonic writing, and a transition from assertive grandeur to spirited playfulness." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_time_1.04.midi,,1831.8617993521289,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_time_0.92.midi,,1630.620883757684,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5_time_0.96.midi,,453.362086921471,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5_time_0.93.midi,,435.6125036188165,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_time_1.05.midi,,964.9131386853215,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_time_0.94.midi,,863.9143792517593,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1_time_1.05.midi,,296.77116327173115,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1_time_0.97.midi,,274.18373312797456,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Johann Sebastian Bach,"Prelude and Fugue in C Minor, WTC II, BWV 871",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav_time_1.04.midi,,248.44687289546977,"Give me a song that is intricate and severe, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from brooding introspection to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in C Minor, WTC II, BWV 871",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav_time_0.96.midi,,228.78327355284895,"Give me a song that is intricate and severe, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from brooding introspection to resolute complexity." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_time_0.93.midi,,1037.5417601000267,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_time_0.95.midi,,1059.9798483534382,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_time_1.03.midi,,319.1676653541325,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_time_0.95.midi,,294.0379990923055,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_1.09.midi,,240.69408025466475,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_0.97.midi,,215.19148348603818,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav_time_0.96.midi,,179.8946519512841,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav_time_1.02.midi,,189.7566716261928,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3_time_0.91.midi,,292.1438645161247,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3_time_0.92.midi,,297.2397149393299,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_time_0.96.midi,,540.9270277451551,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_time_1.00.midi,,565.2970918819971,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_time_0.95.midi,,1554.9426378387277,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_time_1.05.midi,,1718.714236054183,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Joseph Haydn,"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2_time_1.04.midi,,288.27506498144913,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano texture. Incorporate a predominantly homophonic texture and a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2_time_1.03.midi,,284.353774711723,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano texture. Incorporate a predominantly homophonic texture and a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2_time_1.09.midi,,562.7048172045608,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2_time_0.96.midi,,492.6425263305913,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78",train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav_time_0.94.midi,,374.8079628295301,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from tender introspection to spirited resolve." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78",train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav_time_0.93.midi,,369.8920646094058,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from tender introspection to spirited resolve." +Frédéric Chopin,"Berceuse, Op. 57",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4_time_1.03.midi,,281.05997990065407,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4_time_1.06.midi,,288.6582268985665,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1_time_0.91.midi,,318.51998438751184,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1_time_1.04.midi,,361.6215872444635,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4_time_0.91.midi,,890.3271580278611,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4_time_0.96.midi,,945.1566366735465,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_1.07.midi,,291.8853403330411,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_0.98.midi,,268.04900473843975,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav_time_0.93.midi,,257.6324870853077,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav_time_0.93.midi,,256.4540142437072,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav_time_0.97.midi,,771.9576103698867,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav_time_1.04.midi,,827.6287900108327,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1_time_0.92.midi,,205.6855588937495,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1_time_1.07.midi,,238.68105546372277,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_1.05.midi,,711.6380648416645,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_1.01.midi,,683.9332012567437,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2_time_0.98.midi,,1985.8967876033266,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2_time_0.94.midi,,1899.0322949409972,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +George Enescu,Suite Op. 10,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav_time_0.99.midi,,1349.979109680106,"Give me a song that is brilliant and resonant, composed in the Early George Enescu style. It should be a Suite in the Romantic era, featuring a toccata and dance movements. Incorporate rich, post-Romantic harmony, and a transition from ceremonial grandeur to lively folk character." +George Enescu,Suite Op. 10,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav_time_0.95.midi,,1290.8313519311466,"Give me a song that is brilliant and resonant, composed in the Early George Enescu style. It should be a Suite in the Romantic era, featuring a toccata and dance movements. Incorporate rich, post-Romantic harmony, and a transition from ceremonial grandeur to lively folk character." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_time_1.00.midi,,352.4953961651664,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_time_0.99.midi,,348.2363253530384,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_time_0.95.midi,,756.7953478040446,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_time_1.02.midi,,807.0349026733782,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Leoš Janáček,In the Mists,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1_time_0.92.midi,,784.6414915539797,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Leoš Janáček,In the Mists,train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1_time_0.92.midi,,786.0903568640177,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav_time_1.05.midi,,499.685025119464,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav_time_0.96.midi,,459.2918454339258,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_time_0.97.midi,,111.29464656444893,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_time_1.06.midi,,121.6055480441264,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_time_1.03.midi,,390.28250415116946,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_time_1.00.midi,,377.75424545656415,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV_time_1.05.midi,,1350.7525878658723,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV_time_1.02.midi,,1315.3743521033055,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Sergei Rachmaninoff,"Humoresque Op. 10, No. 5",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav_time_0.91.midi,,197.8895430228454,"Give me a song that is light and ironic, composed in the Early Rachmaninoff style. It should be a Humoresque in the Romantic era, featuring salon piano instrumentation. Incorporate a lyrical melody over chromatic harmony, and a transition from playful caprice to a more lyrical, singing mood." +Sergei Rachmaninoff,"Humoresque Op. 10, No. 5",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav_time_0.95.midi,,206.1310160485328,"Give me a song that is light and ironic, composed in the Early Rachmaninoff style. It should be a Humoresque in the Romantic era, featuring salon piano instrumentation. Incorporate a lyrical melody over chromatic harmony, and a transition from playful caprice to a more lyrical, singing mood." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.10.midi,,398.86257367901584,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.09.midi,,397.047344424448,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav_time_0.97.midi,,213.30391131157248,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav_time_0.96.midi,,211.14728392380627,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_time_1.03.midi,,291.31513528704306,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_time_1.00.midi,,282.5755893249435,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_time_1.02.midi,,171.13715838122505,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_time_0.95.midi,,158.4445812380065,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3_time_0.93.midi,,1191.689930269677,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3_time_0.95.midi,,1218.920446201794,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_1.03.midi,,218.6948830880304,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_1.02.midi,,217.13653495502498,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav_time_1.07.midi,,561.8614029190406,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav_time_0.92.midi,,483.4032600201512,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav_time_1.08.midi,,359.47597846908997,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav_time_0.98.midi,,325.68114334837156,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav_time_0.96.midi,,366.1985232995363,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav_time_1.06.midi,,402.8487859794018,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav_time_0.90.midi,,129.6179912393373,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,augmented/2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav_time_1.06.midi,,151.90756780509767,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_time_0.96.midi,,191.1010040588527,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_time_0.96.midi,,190.54397215703628,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav_time_1.02.midi,,320.20120982881167,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav_time_0.95.midi,,295.73881838854226,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2_time_1.03.midi,,849.9188192865976,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2_time_1.00.midi,,817.9054856646842,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3_time_0.91.midi,,106.40841059969421,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3_time_1.06.midi,,123.2162187107326,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_1.03.midi,,630.4960470500472,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_0.94.midi,,575.4909223179126,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1_time_0.92.midi,,727.1888692842207,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1_time_1.07.midi,,844.2114865801439,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav_time_1.06.midi,,309.45276050261594,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,augmented/2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav_time_0.91.midi,,265.56441794939536,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Franz Liszt,Hungarian Rhapsody,validation,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV_time_1.09.midi,,663.0538132474804,"Give me a song that is nationalistic, virtuosic, and seductive, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring rhythmic spontaneity. Incorporate a unique gypsy scale in its melody and harmony, and a transition from direct expression to dramatic flair." +Franz Liszt,Hungarian Rhapsody,validation,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV_time_0.94.midi,,574.1762367418615,"Give me a song that is nationalistic, virtuosic, and seductive, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring rhythmic spontaneity. Incorporate a unique gypsy scale in its melody and harmony, and a transition from direct expression to dramatic flair." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5_time_1.02.midi,,461.1108760221266,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5_time_0.99.midi,,445.6867779046593,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_time_1.01.midi,,828.5423159123696,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_time_1.04.midi,,856.8470468649127,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Johann Sebastian Bach,"Prelude & Fugue in B flat minor, Book I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1_time_0.91.midi,,292.68518469305894,"Give me a song that is somber and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a chromatic, descending subject and dense polyphonic harmony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude & Fugue in B flat minor, Book I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1_time_0.98.midi,,317.01224847291076,"Give me a song that is somber and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a chromatic, descending subject and dense polyphonic harmony, and a transition from pensive solemnity to resolute grandeur." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1_time_0.98.midi,,641.8802204662308,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1_time_1.02.midi,,672.3907282346265,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Claude Debussy,"Images Book 1 (Complete), L 110",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4_time_1.05.midi,,951.3503090333309,"Give me a song that is fluid, shimmering, and atmospheric, composed in the Middle Debussy style. It should be an Image in the Impressionist era, featuring fluid arpeggiated rhythms. Incorporate whole-tone harmonies and a fragmented melody, and a transition from serene reflection to agitated motion." +Claude Debussy,"Images Book 1 (Complete), L 110",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4_time_0.93.midi,,836.0919652862207,"Give me a song that is fluid, shimmering, and atmospheric, composed in the Middle Debussy style. It should be an Image in the Impressionist era, featuring fluid arpeggiated rhythms. Incorporate whole-tone harmonies and a fragmented melody, and a transition from serene reflection to agitated motion." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_time_1.09.midi,,327.0794052356513,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_time_0.99.midi,,298.2020383768563,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2_time_1.04.midi,,498.68793534341097,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2_time_0.94.midi,,454.5757410508206,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-flat Major, Op. 81a, I. Das Lebewohl. Adagio - Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2_time_1.03.midi,,421.4766304607283,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction and a vigorous Allegro. Incorporate a three-note 'farewell' motive and a transition from a sorrowful Adagio to a resolute Allegro." +Ludwig van Beethoven,"Sonata No. 26 in E-flat Major, Op. 81a, I. Das Lebewohl. Adagio - Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2_time_0.90.midi,,367.82585493984243,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction and a vigorous Allegro. Incorporate a three-note 'farewell' motive and a transition from a sorrowful Adagio to a resolute Allegro." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_1.06.midi,,1806.8238575452792,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_1.08.midi,,1849.2482726198957,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_time_0.93.midi,,558.1827917868061,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_time_0.90.midi,,542.655791671345,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV_time_0.97.midi,,447.90428445922254,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV_time_0.96.midi,,443.0143929857696,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.93.midi,,390.45437392683493,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.93.midi,,392.676586572309,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3_time_0.92.midi,,105.00322814682013,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3_time_1.02.midi,,116.3520852101781,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_time_1.07.midi,,339.9520220787797,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_time_1.06.midi,,338.1256355036813,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_time_1.05.midi,,1316.3348132256276,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_time_0.98.midi,,1232.9753046137705,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_time_0.95.midi,,232.90949297051648,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_time_0.93.midi,,226.37808054553997,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_time_1.03.midi,,250.2675947025789,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_time_0.94.midi,,228.8556201068006,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Franz Liszt,Funerailles,validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4_time_1.03.midi,,647.8664783945724,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,Funerailles,validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4_time_1.08.midi,,677.947010719594,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3_time_1.06.midi,,718.1090994653537,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3_time_1.08.midi,,731.5463898066807,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_time_0.93.midi,,443.8334172746923,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_time_1.01.midi,,480.44925930495486,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_time_1.02.midi,,917.8438795673429,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_time_0.96.midi,,861.1583705673605,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav_time_1.00.midi,,692.1513093241283,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav_time_1.07.midi,,739.9549529189167,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav_time_1.02.midi,,344.7871315458467,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav_time_1.08.midi,,364.532957103867,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5_time_1.05.midi,,66.51928778092756,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5_time_1.05.midi,,66.35169288559155,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2_time_0.97.midi,,350.3199348657312,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2_time_0.97.midi,,351.9792078976351,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav_time_0.96.midi,,148.89224431533262,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav_time_1.06.midi,,164.11393475967006,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_time_1.08.midi,,663.1484198386154,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_time_0.97.midi,,598.2971715468911,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_time_1.04.midi,,98.37391967391912,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_time_0.99.midi,,93.74522586539022,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3_time_0.97.midi,,109.62043056872407,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3_time_0.95.midi,,106.46901116413665,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_time_0.94.midi,,183.89015610796275,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_time_1.05.midi,,205.11361902127936,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_time_1.02.midi,,901.4443469041094,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_time_0.97.midi,,858.7932750098798,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_time_1.07.midi,,148.28638115633697,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_time_1.07.midi,,148.32731766026706,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4_time_0.92.midi,,324.3613976020945,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4_time_1.00.midi,,351.3106304880367,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_time_0.90.midi,,411.16837858628526,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_time_0.98.midi,,446.0009969494456,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_0.98.midi,,254.9008152118281,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_1.09.midi,,282.92503904060857,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_0.94.midi,,1310.4697924580983,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_0.99.midi,,1378.6900767444408,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1_time_1.00.midi,,466.8457622825005,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1_time_1.00.midi,,470.26905983070935,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_1.08.midi,,183.90575443173427,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_0.96.midi,,163.94545854078567,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_time_0.90.midi,,329.8627352029543,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_time_1.08.midi,,395.79532477527613,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav_time_1.10.midi,,478.70245459716136,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav_time_0.94.midi,,409.20378918714044,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4_time_1.08.midi,,538.2479908582494,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4_time_1.02.midi,,507.4737855186218,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1_time_0.92.midi,,204.187281147103,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1_time_0.91.midi,,201.30040649984286,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav_time_1.04.midi,,251.35124730378604,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav_time_0.98.midi,,237.80527273860048,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22",validation,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4_time_1.06.midi,,1035.3632788783782,"Give me a song that is taut and compelling, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a driving rhythmic pulse. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from stormy passion to lyrical introspection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22",validation,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4_time_0.95.midi,,923.977082722162,"Give me a song that is taut and compelling, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a driving rhythmic pulse. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from stormy passion to lyrical introspection." +Ludwig van Beethoven,"Bagtellen, Op.126",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV_time_1.04.midi,,1181.0909972974225,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring a singing melody over a flowing accompaniment. Incorporate a pre-Romantic, cyclic harmonic structure, and a transition from introspective calm to a brief, spirited outburst." +Ludwig van Beethoven,"Bagtellen, Op.126",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV_time_1.00.midi,,1136.583991854049,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring a singing melody over a flowing accompaniment. Incorporate a pre-Romantic, cyclic harmonic structure, and a transition from introspective calm to a brief, spirited outburst." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2_time_0.97.midi,,416.0912450656715,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2_time_1.09.midi,,469.93774636293296,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_time_1.02.midi,,539.6848616770895,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_time_0.96.midi,,506.2575098221817,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav_time_1.01.midi,,211.84447216280435,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav_time_1.01.midi,,211.00158574941406,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_time_1.10.midi,,580.5295618661644,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_time_0.93.midi,,494.98566490163245,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_time_1.01.midi,,1401.0035186442965,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_time_1.00.midi,,1391.6977138201528,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_time_1.05.midi,,833.5197373118644,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_time_1.08.midi,,857.5513092170471,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Sergei Rachmaninoff,Prelude Op. 23/4,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav_time_1.04.midi,,250.54435858623336,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a flowing rhythm for solo piano. Incorporate a rich harmonic texture with modulations to the subdominant, and a transition from serene contemplation to passionate intensity." +Sergei Rachmaninoff,Prelude Op. 23/4,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav_time_1.00.midi,,241.7260893947194,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a flowing rhythm for solo piano. Incorporate a rich harmonic texture with modulations to the subdominant, and a transition from serene contemplation to passionate intensity." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1_time_0.94.midi,,294.30669351504343,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1_time_1.08.midi,,339.2864338135758,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav_time_1.09.midi,,377.2235162850869,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav_time_1.09.midi,,378.67169171071794,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_time_0.94.midi,,541.0915368419347,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_time_1.02.midi,,587.6176978877361,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1_time_0.96.midi,,684.2291893063939,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1_time_0.92.midi,,653.931056440681,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3_time_1.01.midi,,675.9908565332005,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3_time_0.95.midi,,638.0760540824865,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Muzio Clementi,"Sonata Op. 25 No. 5 in F-sharp Minor, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav_time_0.98.midi,,240.801441735379,"Give me a song that is fiery and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and rapid runs, and a transition from shock to exhilaration." +Muzio Clementi,"Sonata Op. 25 No. 5 in F-sharp Minor, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav_time_0.91.midi,,223.99532380110836,"Give me a song that is fiery and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and rapid runs, and a transition from shock to exhilaration." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",validation,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav_time_1.02.midi,,250.0195861895781,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",validation,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav_time_0.91.midi,,224.51622576396738,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_time_1.08.midi,,494.54555728119067,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_time_1.10.midi,,503.6980836131549,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav_time_1.01.midi,,1455.486693778273,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,augmented/2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav_time_0.94.midi,,1363.9324452222234,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_time_1.07.midi,,605.2489946890325,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_time_1.10.midi,,619.1838716881,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_0.98.midi,,546.6492803236271,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_1.10.midi,,611.7561937468397,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_0.96.midi,,210.31992213710004,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_1.01.midi,,222.724390859789,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_time_1.00.midi,,222.28189577089572,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_time_1.06.midi,,234.9540869355559,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_time_1.04.midi,,352.11638131803744,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_time_1.02.midi,,346.56301312150197,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3_time_1.03.midi,,122.5339598901608,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3_time_0.93.midi,,111.13731014663894,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_time_1.07.midi,,192.25945064365604,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_time_1.03.midi,,184.22693761858315,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav_time_1.10.midi,,727.8402224946858,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,augmented/2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav_time_0.97.midi,,639.563414016792,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4_time_1.08.midi,,304.0981710741757,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4_time_0.99.midi,,277.2396235029053,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_time_1.05.midi,,548.218651181872,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_time_0.98.midi,,516.2266522036646,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1_time_1.02.midi,,282.26462704523414,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1_time_0.98.midi,,270.443866471461,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav_time_1.10.midi,,1585.3918676463327,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav_time_0.97.midi,,1400.1286157627032,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_time_1.04.midi,,670.6842039188042,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_time_1.04.midi,,671.4320724443912,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4_time_1.03.midi,,314.3764096999925,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4_time_1.04.midi,,316.35371704567115,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav_time_1.01.midi,,615.9796371761828,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav_time_1.01.midi,,619.7548150462608,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1_time_1.08.midi,,348.6056208207232,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1_time_1.09.midi,,351.1078377542301,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_time_0.99.midi,,837.7384742669406,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_time_1.06.midi,,896.3573651036716,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_1.01.midi,,667.3186418427235,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_1.09.midi,,718.3923635947,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_time_1.02.midi,,222.96153562748896,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_time_0.97.midi,,210.9198613845835,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1_time_0.90.midi,,213.69697441440218,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1_time_1.09.midi,,257.80637811974975,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_time_1.02.midi,,1647.355450809245,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_time_1.01.midi,,1623.642995911912,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Isaac Albéniz,Navarra,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV_time_1.06.midi,,355.7186992681553,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Isaac Albéniz,Navarra,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV_time_1.01.midi,,338.9755236707716,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1_time_1.07.midi,,643.7423721804819,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1_time_1.08.midi,,646.812318190852,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Isaac Albéniz,Triana from 'Iberia',train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav_time_0.94.midi,,244.60430405505605,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Isaac Albéniz,Triana from 'Iberia',train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav_time_0.91.midi,,237.49528064451096,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav_time_0.97.midi,,112.65973074489574,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav_time_1.04.midi,,120.92447660243427,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3_time_0.94.midi,,108.13598468079377,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3_time_0.95.midi,,108.56918321297509,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_0.91.midi,,585.6038694240875,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_1.03.midi,,662.8542283859445,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4_time_1.09.midi,,839.0576503217725,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4_time_1.05.midi,,806.6264040879607,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_time_1.07.midi,,1631.0449769250977,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_time_0.96.midi,,1464.825366367463,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2_time_0.95.midi,,109.05348492513124,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2_time_1.06.midi,,122.53383134111641,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1_time_0.93.midi,,306.97452581638026,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1_time_1.05.midi,,347.46401831476567,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_time_1.07.midi,,401.8314390427396,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_time_1.05.midi,,395.1882089703166,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV_time_0.90.midi,,1307.3315852332255,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV_time_0.91.midi,,1319.26786716094,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_time_0.96.midi,,422.8289241982751,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_time_1.09.midi,,478.3411479308322,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_time_1.06.midi,,2132.1152978965806,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_time_0.99.midi,,1988.1009932850686,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_time_1.05.midi,,533.0961133922384,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_time_0.99.midi,,503.7651055671846,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav_time_0.96.midi,,280.1750421557541,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav_time_0.96.midi,,280.5586882158315,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Mily Balakirev,Islamei,validation,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav_time_1.04.midi,,551.3254046576258,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a virtuosic piano showpiece. Incorporate thick-textured layers built from repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a frenetic, knuckle-busting climax." +Mily Balakirev,Islamei,validation,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav_time_1.09.midi,,580.0031042531863,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a virtuosic piano showpiece. Incorporate thick-textured layers built from repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a frenetic, knuckle-busting climax." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_time_1.04.midi,,160.5249569537941,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_time_1.09.midi,,168.36876791410236,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav_time_0.93.midi,,113.51150515861272,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav_time_1.06.midi,,129.34110061213372,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Franz Liszt,"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244/2",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4_time_0.94.midi,,505.24934641931753,"Give me a song that is virtuosic and dramatic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* rhythm transitioning to a *friss* rhythm. Incorporate a texture of brilliant piano figuration and a melody based on Hungarian folk themes, and a transition from a brooding, improvisatory mood to a fiery, exuberant mood." +Franz Liszt,"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244/2",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4_time_1.01.midi,,546.6149005799111,"Give me a song that is virtuosic and dramatic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* rhythm transitioning to a *friss* rhythm. Incorporate a texture of brilliant piano figuration and a melody based on Hungarian folk themes, and a transition from a brooding, improvisatory mood to a fiery, exuberant mood." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4_time_0.91.midi,,95.25406107067002,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4_time_0.97.midi,,101.14398593839356,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav_time_0.95.midi,,2422.7081831841456,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav_time_1.07.midi,,2749.008434258511,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_1.01.midi,,1194.146750604895,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_1.02.midi,,1206.8647197521964,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_time_0.96.midi,,660.9015286836395,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_time_1.05.midi,,726.7378800523938,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.09.midi,,176.52231656027524,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.06.midi,,171.7204700952746,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_0.94.midi,,74.41027786268215,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_1.06.midi,,83.98709952703491,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Book II",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1_time_1.09.midi,,737.7954745063577,"Give me a song that is technically formidable and diabolically witty, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmonic language, and a transition from capricious playfulness to profound lyrical introspection." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Book II",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1_time_1.00.midi,,675.1492144945211,"Give me a song that is technically formidable and diabolically witty, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmonic language, and a transition from capricious playfulness to profound lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav_time_1.06.midi,,548.2514696557314,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav_time_0.91.midi,,474.94022361963533,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_time_1.04.midi,,389.581600993854,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_time_1.06.midi,,394.1701054976409,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_time_0.91.midi,,532.3247101790347,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_time_1.08.midi,,627.4557398846738,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav_time_1.00.midi,,1787.3103934103985,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav_time_1.00.midi,,1784.3001338887507,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_time_0.97.midi,,848.365495731906,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_time_1.08.midi,,939.602837792166,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav_time_1.01.midi,,778.7187730396729,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav_time_0.95.midi,,727.7033746602957,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav_time_1.05.midi,,201.8440580688302,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav_time_1.04.midi,,201.44373951789262,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1_time_0.96.midi,,566.4321412884854,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, contrapuntal texture and a highly chromatic, modulating harmony, and a transition from a somber, austere mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1_time_0.96.midi,,566.7567740167699,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, contrapuntal texture and a highly chromatic, modulating harmony, and a transition from a somber, austere mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2_time_1.05.midi,,705.7665014187454,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2_time_0.90.midi,,605.8434641121929,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_time_0.95.midi,,129.10633143299242,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_time_1.01.midi,,137.96625784701516,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav_time_1.00.midi,,591.5748134526731,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav_time_1.02.midi,,602.5309329237284,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_time_1.09.midi,,478.63238483843895,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_time_0.94.midi,,412.89171884751823,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4_time_1.09.midi,,699.7688397687933,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4_time_0.94.midi,,603.0085090623705,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_time_1.03.midi,,527.9045322400972,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_time_1.06.midi,,544.0012879085186,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1_time_0.94.midi,,141.96542849469995,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1_time_1.03.midi,,155.16954257837486,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_time_0.93.midi,,700.7369553472263,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_time_1.07.midi,,803.7787616747371,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_time_1.02.midi,,613.147916149152,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_time_0.95.midi,,571.3382224315759,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,"Scherzo No. 1 in B minor, Op. 20",validation,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4_time_1.02.midi,,566.571472919247,"Give me a song that is dramatic and rapid, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving rhythm. Incorporate a contrasting lyrical melody and chromatic harmony, and a transition from stormy intensity to a serene major-key section." +Frédéric Chopin,"Scherzo No. 1 in B minor, Op. 20",validation,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4_time_1.07.midi,,596.3922681267252,"Give me a song that is dramatic and rapid, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving rhythm. Incorporate a contrasting lyrical melody and chromatic harmony, and a transition from stormy intensity to a serene major-key section." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2_time_1.02.midi,,215.80905172757173,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2_time_0.91.midi,,192.33209884118466,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_time_1.04.midi,,82.74908646821017,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_time_1.01.midi,,79.89616956390228,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2_time_1.04.midi,,310.1290926703259,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2_time_0.93.midi,,276.3719749243639,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC I, BWV 868",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2_time_1.06.midi,,200.9448738447302,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC I, BWV 868",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2_time_0.93.midi,,175.14858074460867,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1_time_1.02.midi,,220.85454659385783,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1_time_1.03.midi,,221.8216484505205,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav_time_0.98.midi,,219.19109452255833,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav_time_0.98.midi,,219.74954774973878,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav_time_1.06.midi,,608.636652683063,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav_time_1.09.midi,,622.609708016306,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5_time_1.06.midi,,445.3153181117233,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5_time_1.01.midi,,423.58621155915154,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_1.05.midi,,696.115739169021,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_0.99.midi,,660.5268676406638,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2_time_0.90.midi,,305.3891695712205,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2_time_0.94.midi,,318.50253364869747,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_time_1.07.midi,,733.6375391765778,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_time_1.07.midi,,730.5941544277646,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2_time_1.03.midi,,353.0131361984667,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,augmented/2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2_time_1.04.midi,,355.6757136217819,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_time_1.10.midi,,731.4867940981384,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_time_0.96.midi,,642.6903416377633,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav_time_0.95.midi,,267.1426565983475,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav_time_1.07.midi,,302.466309106332,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1_time_1.10.midi,,1275.2588922549087,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1_time_0.97.midi,,1122.6274856560278,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV_time_1.00.midi,,366.9643286211073,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV_time_0.97.midi,,356.0336998889599,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav_time_1.07.midi,,773.4864593355635,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav_time_1.08.midi,,774.9100520094836,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav_time_0.94.midi,,536.5498229452853,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav_time_1.00.midi,,568.5531316569336,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Felix Mendelssohn,Etude in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3_time_1.06.midi,,80.41641059415984,"Give me a song that is energetic and virtuosic, composed in the Early Felix Mendelssohn style. It should be an Etude in the Romantic era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical melody over a chromatic harmonic foundation, and a transition from a dramatic intensity to a brilliant resolve." +Felix Mendelssohn,Etude in A Minor,validation,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3_time_1.03.midi,,78.22862639920164,"Give me a song that is energetic and virtuosic, composed in the Early Felix Mendelssohn style. It should be an Etude in the Romantic era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical melody over a chromatic harmonic foundation, and a transition from a dramatic intensity to a brilliant resolve." +Frédéric Chopin,Ballade 4 Op. 52,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav_time_0.93.midi,,563.9636863185035,"Give me a song that is haunting, mysterious, and structurally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring intricate piano figuration. Incorporate a harmonic frame that begins in a major key before the main F minor theme, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,Ballade 4 Op. 52,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav_time_0.97.midi,,586.3720176045123,"Give me a song that is haunting, mysterious, and structurally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring intricate piano figuration. Incorporate a harmonic frame that begins in a major key before the main F minor theme, and a transition from a contemplative to a dramatic mood." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_time_1.07.midi,,2045.8381741009316,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_time_1.09.midi,,2082.7296491858083,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_time_0.94.midi,,196.07768389118317,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_time_0.95.midi,,197.5527401435703,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_1.08.midi,,139.20499628221225,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_1.08.midi,,139.62798505112147,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_time_1.04.midi,,1518.2144146235837,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_time_1.02.midi,,1491.97714782556,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_0.97.midi,,255.54144832548954,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_1.00.midi,,265.02630839560607,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1_time_0.90.midi,,208.02360706316324,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1_time_1.02.midi,,234.91176138270353,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_time_0.92.midi,,607.4707209469304,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_time_1.06.midi,,702.9667076568694,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav_time_0.96.midi,,227.5784574512906,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav_time_1.06.midi,,250.97589489750717,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_1.05.midi,,686.7705440034508,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_0.98.midi,,642.987272721598,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1_time_0.93.midi,,994.8203907496206,"Give me a song that is dramatic and impassioned, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a solo piano. Incorporate a highly chromatic and expressive melody, and a transition from turbulent pathos to a more lyrical resolve." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1_time_0.97.midi,,1039.0136961143778,"Give me a song that is dramatic and impassioned, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a solo piano. Incorporate a highly chromatic and expressive melody, and a transition from turbulent pathos to a more lyrical resolve." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3_time_1.07.midi,,391.4834347979499,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3_time_1.10.midi,,401.75733929686635,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV_time_1.01.midi,,677.97639855018,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV_time_1.00.midi,,671.1925564954391,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_time_0.94.midi,,665.3007201933556,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_time_0.94.midi,,664.4402807393761,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_time_0.90.midi,,588.7184488341226,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_time_0.93.midi,,609.1697406751289,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV_time_0.98.midi,,1551.1462574520094,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV_time_1.01.midi,,1588.928862939898,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Franz Schubert,"Sonata in A Minor, D. 847",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV_time_0.97.midi,,271.7336102619809,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 847",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV_time_0.99.midi,,278.1918700050127,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav_time_0.94.midi,,227.2786373381451,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav_time_1.08.midi,,259.92647626615377,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Sergei Rachmaninoff,Polka de W.R.,validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav_time_0.93.midi,,227.19129693251347,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a 2/4 rhythm. Incorporate a lyrical melody over a chordal texture, and a transition from playful wistfulness to robust affirmation." +Sergei Rachmaninoff,Polka de W.R.,validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav_time_1.02.midi,,247.57222536365845,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a 2/4 rhythm. Incorporate a lyrical melody over a chordal texture, and a transition from playful wistfulness to robust affirmation." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1_time_0.95.midi,,184.32049186352683,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1_time_0.97.midi,,187.95808695325815,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_0.95.midi,,444.63920598262393,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_0.95.midi,,443.34751607650577,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533/K494",validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3_time_0.94.midi,,1008.2179772024904,"Give me a song that is intricate and balanced, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a three-movement structure. Incorporate contrapuntal texture and chromatic harmony, and a transition from lyrical grace to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533/K494",validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3_time_1.05.midi,,1119.4392583811682,"Give me a song that is intricate and balanced, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a three-movement structure. Incorporate contrapuntal texture and chromatic harmony, and a transition from lyrical grace to dramatic intensity." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav_time_0.98.midi,,1647.739844673928,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav_time_0.98.midi,,1657.1696846937998,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_0.91.midi,,305.9966284496029,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_0.97.midi,,325.8503975303524,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Johann Sebastian Bach,"Prelude & Fugue in G Minor, WTK II",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav_time_1.07.midi,,332.2884257658428,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a clear subject and countersubjects. Incorporate dense polyphonic texture and strict imitative counterpoint, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude & Fugue in G Minor, WTK II",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav_time_1.09.midi,,339.3032567202302,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a clear subject and countersubjects. Incorporate dense polyphonic texture and strict imitative counterpoint, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Robert Schumann,Kreisleriana,train,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav_time_0.98.midi,,1842.3766418080456,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Robert Schumann,Kreisleriana,train,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav_time_1.04.midi,,1967.1835863804974,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3_time_0.98.midi,,1040.3311773008713,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3_time_1.07.midi,,1127.419930271996,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV_time_1.05.midi,,1494.0130470279423,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV_time_0.92.midi,,1306.4976947189903,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1_time_0.92.midi,,1224.9100391451286,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1_time_0.92.midi,,1214.8918349828318,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_time_1.09.midi,,678.0495584773518,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_time_1.08.midi,,674.9655460532338,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5_time_1.07.midi,,394.12349649622143,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5_time_1.07.midi,,390.77133024481145,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5_time_1.05.midi,,206.54212971577215,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5_time_0.93.midi,,184.08700898119667,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav_time_0.96.midi,,348.9523013047489,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav_time_0.98.midi,,355.4459902949838,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_time_1.01.midi,,631.7796180879451,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_time_0.93.midi,,585.5766360772021,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_time_0.94.midi,,1039.7654524717605,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_time_1.02.midi,,1124.3740945845866,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_time_1.06.midi,,213.5155882349734,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_time_1.02.midi,,204.56064249042447,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav_time_0.99.midi,,502.66779927227174,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav_time_1.01.midi,,509.51989744904085,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2_time_1.01.midi,,360.61288607426974,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2_time_0.97.midi,,345.7791067146742,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.02.midi,,247.77475165007266,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.00.midi,,242.8339364404806,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_time_1.08.midi,,543.1559233061693,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_time_1.01.midi,,510.0608318732661,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2_time_0.97.midi,,800.6788282128863,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,augmented/2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2_time_1.01.midi,,831.8359495396596,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav_time_0.99.midi,,365.41278121920357,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav_time_1.09.midi,,403.8984497315278,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Ludwig van Beethoven,Bagatelles Op126,train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav_time_1.00.midi,,1108.0379856123745,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring solo piano. Incorporate a cantabile melody and a pre-Romantic cyclic structure, and a transition from compiacevole contentment to grazioso elegance." +Ludwig van Beethoven,Bagatelles Op126,train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav_time_1.05.midi,,1160.8393467522583,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring solo piano. Incorporate a cantabile melody and a pre-Romantic cyclic structure, and a transition from compiacevole contentment to grazioso elegance." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav_time_1.02.midi,,160.38403254817655,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav_time_0.97.midi,,152.07099773800007,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav_time_0.96.midi,,703.2298042800645,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav_time_0.93.midi,,679.1417950239529,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_time_1.05.midi,,96.15130145225216,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_time_0.98.midi,,90.30775544109358,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_time_0.91.midi,,96.74685018752119,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_time_1.07.midi,,113.937437288271,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_time_0.93.midi,,729.3883562077502,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_time_0.95.midi,,747.6460594711946,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_time_1.06.midi,,242.7991933443289,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_time_0.95.midi,,217.87765865840234,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_time_1.05.midi,,694.6042576923153,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_time_1.00.midi,,660.0340301726968,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav_vel_1.10.midi,,830.483945156,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav_vel_1.09.midi,,830.483945156,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV_vel_1.01.midi,,1286.67739922,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV_vel_0.99.midi,,1286.67739922,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_vel_1.10.midi,,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4_vel_1.07.midi,,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_vel_1.06.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_vel_0.96.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4_vel_1.03.midi,,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4_vel_1.09.midi,,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1_vel_1.07.midi,,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1_vel_0.91.midi,,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3_vel_1.03.midi,,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,augmented/2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3_vel_1.06.midi,,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_vel_1.07.midi,,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_vel_0.94.midi,,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_1.00.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_1.00.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav_vel_0.95.midi,,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav_vel_0.95.midi,,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav_vel_1.04.midi,,628.812138281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav_vel_0.95.midi,,628.812138281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav_vel_0.93.midi,,572.456644581,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav_vel_1.07.midi,,572.456644581,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3_vel_1.04.midi,,1278.59914875,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3_vel_0.94.midi,,1278.59914875,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_vel_0.96.midi,,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2_vel_0.99.midi,,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4_vel_1.02.midi,,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4_vel_0.97.midi,,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4_vel_0.98.midi,,496.481875313,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4_vel_0.96.midi,,496.481875313,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav_vel_1.06.midi,,344.883469219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav_vel_1.03.midi,,344.883469219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4_vel_0.92.midi,,771.030211875,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4_vel_0.92.midi,,771.030211875,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3_vel_0.90.midi,,301.940828175,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano with Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful assurance to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3_vel_0.96.midi,,301.940828175,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano with Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful assurance to playful brilliance." +Robert Schumann,"Sonata No. 1 in F-Sharp Minor, Op. 11 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav_vel_1.05.midi,,1913.92303266,"Give me a song that is impassioned and fantastical, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a narrative approach to form. Incorporate a unifying falling perfect fifth motif and highly chromatic harmony, and a transition from introspective yearning to dramatic fervor." +Robert Schumann,"Sonata No. 1 in F-Sharp Minor, Op. 11 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav_vel_0.97.midi,,1913.92303266,"Give me a song that is impassioned and fantastical, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a narrative approach to form. Incorporate a unifying falling perfect fifth motif and highly chromatic harmony, and a transition from introspective yearning to dramatic fervor." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_vel_0.99.midi,,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav_vel_1.06.midi,,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_vel_1.08.midi,,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4_vel_1.08.midi,,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_vel_1.07.midi,,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2_vel_0.99.midi,,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV_vel_1.08.midi,,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV_vel_1.01.midi,,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_1.09.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_0.94.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_vel_0.95.midi,,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,augmented/2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV_vel_0.97.midi,,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_vel_1.07.midi,,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4_vel_0.98.midi,,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav_vel_0.92.midi,,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav_vel_0.91.midi,,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_0.99.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_1.05.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5_vel_1.07.midi,,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5_vel_0.94.midi,,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav_vel_1.02.midi,,590.496204375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav_vel_0.98.midi,,590.496204375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_1.00.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_1.07.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav_vel_1.04.midi,,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav_vel_0.93.midi,,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1_vel_1.01.midi,,658.1875,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1_vel_1.04.midi,,658.1875,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2_vel_1.07.midi,,637.070596287,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2_vel_1.09.midi,,637.070596287,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4_vel_1.04.midi,,536.088541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4_vel_0.92.midi,,536.088541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_vel_1.03.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_vel_0.93.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_vel_0.99.midi,,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3_vel_0.94.midi,,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_vel_0.92.midi,,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav_vel_1.09.midi,,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav_vel_1.06.midi,,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav_vel_0.91.midi,,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV_vel_1.04.midi,,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV_vel_0.96.midi,,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_vel_0.94.midi,,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1_vel_1.04.midi,,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_vel_1.05.midi,,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,augmented/2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav_vel_0.98.midi,,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +César Franck,"Prelude, Choral et Fugue",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5_vel_1.01.midi,,1021.9006875,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +César Franck,"Prelude, Choral et Fugue",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5_vel_0.91.midi,,1021.9006875,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav_vel_0.95.midi,,200.596754531,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav_vel_0.98.midi,,200.596754531,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 846",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1_vel_1.00.midi,,239.887580625,"Give me a song that is flowing and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to structured energy." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 846",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1_vel_1.01.midi,,239.887580625,"Give me a song that is flowing and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to structured energy." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_vel_0.98.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_vel_0.92.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_vel_0.93.midi,,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav_vel_0.99.midi,,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Franz Schubert,"Sonata in C Major, D841",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV_vel_0.97.midi,,540.345346406,"Give me a song that is grand and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring expansive sonata form. Incorporate a singing melody over rich harmonic shifts, and a transition from a serene major to a somber minor." +Franz Schubert,"Sonata in C Major, D841",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV_vel_0.92.midi,,540.345346406,"Give me a song that is grand and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring expansive sonata form. Incorporate a singing melody over rich harmonic shifts, and a transition from a serene major to a somber minor." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1_vel_0.94.midi,,229.831138779,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1_vel_1.09.midi,,229.831138779,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,Prelude & Fugue,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav_vel_1.09.midi,,290.666108906,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Johann Sebastian Bach,Prelude & Fugue,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav_vel_1.09.midi,,290.666108906,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4_vel_0.92.midi,,280.859761875,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4_vel_0.96.midi,,280.859761875,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_vel_0.99.midi,,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4_vel_1.06.midi,,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5_vel_0.92.midi,,450.517711875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5_vel_0.95.midi,,450.517711875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.00.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.10.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3_vel_0.92.midi,,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3_vel_0.93.midi,,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4_vel_0.98.midi,,294.372034687,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4_vel_0.96.midi,,294.372034687,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6_vel_1.07.midi,,700.402611563,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6_vel_0.91.midi,,700.402611563,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_vel_1.04.midi,,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4_vel_0.94.midi,,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_vel_1.09.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_vel_1.02.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_vel_1.09.midi,,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav_vel_0.92.midi,,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5_vel_1.04.midi,,469.876666875,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5_vel_1.08.midi,,469.876666875,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4_vel_0.99.midi,,657.425891719,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4_vel_0.97.midi,,657.425891719,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Mily Balakirev,Islamey,validation,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav_vel_0.93.midi,,491.751645,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Mily Balakirev,Islamey,validation,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav_vel_1.04.midi,,491.751645,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_vel_1.10.midi,,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV_vel_1.10.midi,,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4_vel_1.07.midi,,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4_vel_0.93.midi,,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_vel_1.09.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_vel_0.99.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2_vel_1.09.midi,,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2_vel_0.95.midi,,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3_vel_0.92.midi,,405.313184896,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3_vel_0.92.midi,,405.313184896,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_1.02.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_0.97.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_vel_0.94.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_vel_0.99.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_vel_1.05.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_vel_1.09.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_vel_1.01.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_vel_1.02.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_0.98.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_0.95.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_1.10.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_1.09.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav_vel_0.98.midi,,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav_vel_1.09.midi,,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_0.93.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_1.10.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav_vel_0.93.midi,,312.655060571,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav_vel_1.06.midi,,312.655060571,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4_vel_1.03.midi,,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4_vel_1.02.midi,,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_vel_0.98.midi,,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV_vel_0.95.midi,,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_vel_1.05.midi,,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_vel_1.01.midi,,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav_vel_0.99.midi,,149.950437656,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav_vel_0.98.midi,,149.950437656,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_vel_0.99.midi,,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3_vel_0.93.midi,,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_1.09.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_1.07.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav_vel_0.98.midi,,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav_vel_1.05.midi,,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Franz Schubert,Sonata in A D959,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav_vel_1.08.midi,,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav_vel_0.94.midi,,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_vel_0.90.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_vel_1.04.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_vel_1.00.midi,,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav_vel_1.09.midi,,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1_vel_1.06.midi,,365.110416667,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1_vel_0.92.midi,,365.110416667,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_vel_0.93.midi,,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1_vel_0.99.midi,,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3_vel_0.96.midi,,70.726425,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3_vel_0.93.midi,,70.726425,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3_vel_0.99.midi,,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,augmented/2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3_vel_1.04.midi,,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_vel_1.03.midi,,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1_vel_0.99.midi,,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1_vel_1.08.midi,,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1_vel_1.05.midi,,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_vel_0.94.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_vel_1.07.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_vel_0.95.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_vel_0.99.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Claude Debussy,Four Preludes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav_vel_1.03.midi,,672.901303594,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring fluid rhythm and rich piano textures. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a luminous mood." +Claude Debussy,Four Preludes,train,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav_vel_1.08.midi,,672.901303594,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring fluid rhythm and rich piano textures. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a luminous mood." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav_vel_0.92.midi,,272.131138125,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav_vel_0.94.midi,,272.131138125,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1_vel_1.09.midi,,439.36964195,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1_vel_1.01.midi,,439.36964195,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2_vel_1.04.midi,,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2_vel_1.00.midi,,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav_vel_0.93.midi,,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav_vel_1.09.midi,,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV_vel_0.94.midi,,513.018984844,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV_vel_0.92.midi,,513.018984844,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Frédéric Chopin,"Preludes, Book II, L 123, VI. Général Lavine - eccentric",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5_vel_0.90.midi,,151.232291667,"Give me a song that is ironic and burlesque, composed in the Late Debussy style. It should be a Prelude in the Modern era, featuring an eccentric, incisive rhythm. Incorporate a fragmented, foreshadowing melody with highly chromatic harmony, and a transition from playful eccentricity to stark unease." +Frédéric Chopin,"Preludes, Book II, L 123, VI. Général Lavine - eccentric",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5_vel_1.10.midi,,151.232291667,"Give me a song that is ironic and burlesque, composed in the Late Debussy style. It should be a Prelude in the Modern era, featuring an eccentric, incisive rhythm. Incorporate a fragmented, foreshadowing melody with highly chromatic harmony, and a transition from playful eccentricity to stark unease." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_vel_0.97.midi,,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV_vel_0.96.midi,,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2_vel_0.94.midi,,515.413072754,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2_vel_0.92.midi,,515.413072754,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_0.91.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_1.05.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Frédéric Chopin,"Mazurka in F Minor, Op. 7, No. 3",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5_vel_0.93.midi,,121.519643437,"Give me a song that is ominous and sustained, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring two-part polyphony in the bass register. Incorporate a melody embellished by semitones, and a transition from an ominous mood to a more lyrical one." +Frédéric Chopin,"Mazurka in F Minor, Op. 7, No. 3",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5_vel_0.99.midi,,121.519643437,"Give me a song that is ominous and sustained, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring two-part polyphony in the bass register. Incorporate a melody embellished by semitones, and a transition from an ominous mood to a more lyrical one." +Isaac Albéniz,Triana from 'Iberia',train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav_vel_0.96.midi,,259.816541231,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Isaac Albéniz,Triana from 'Iberia',train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav_vel_1.01.midi,,259.816541231,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_1.01.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_1.05.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2_vel_1.09.midi,,338.34367875,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2_vel_1.08.midi,,338.34367875,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_vel_0.93.midi,,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav_vel_0.97.midi,,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1_vel_1.10.midi,,381.53808,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate strict contrapuntal harmony, and a transition from a somber prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC II",test,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1_vel_1.07.midi,,381.53808,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate strict contrapuntal harmony, and a transition from a somber prelude to a rigorous fugue." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_0.91.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_0.91.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1_vel_1.06.midi,,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1_vel_1.00.midi,,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1_vel_1.04.midi,,246.290459838,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2017,augmented/2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1_vel_1.05.midi,,246.290459838,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2_vel_1.06.midi,,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2_vel_1.03.midi,,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_vel_1.10.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_vel_1.00.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1_vel_0.96.midi,,348.580208333,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1_vel_0.98.midi,,348.580208333,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_vel_1.07.midi,,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8_vel_1.05.midi,,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_0.91.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_1.08.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Frédéric Chopin,"Nocturne in C Minor, Op. 48 No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3_vel_1.08.midi,,295.043775469,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, march-like rhythm. Incorporate a homophonic texture with a lyrical, ornamented melody and highly chromatic, functional harmony, and a transition from a somber lament to a heroic, impassioned climax." +Frédéric Chopin,"Nocturne in C Minor, Op. 48 No. 1",validation,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3_vel_1.05.midi,,295.043775469,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, march-like rhythm. Incorporate a homophonic texture with a lyrical, ornamented melody and highly chromatic, functional harmony, and a transition from a somber lament to a heroic, impassioned climax." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1_vel_0.96.midi,,1254.06391687,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a Presto finale with syncopation. Incorporate a sonata-allegro structure with dramatic harmonic shifts, and a transition from a playful scherzo to a somber largo." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1_vel_1.05.midi,,1254.06391687,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a Presto finale with syncopation. Incorporate a sonata-allegro structure with dramatic harmonic shifts, and a transition from a playful scherzo to a somber largo." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2_vel_1.08.midi,,894.40625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a grand, orchestral texture and a transition from a heroic, assertive mood to a more lyrical, cantabile one." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2_vel_1.01.midi,,894.40625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a grand, orchestral texture and a transition from a heroic, assertive mood to a more lyrical, cantabile one." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_0.94.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_1.04.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav_vel_0.96.midi,,768.135554506,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav_vel_1.02.midi,,768.135554506,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3_vel_0.98.midi,,237.363153154,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3_vel_0.93.midi,,237.363153154,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4_vel_1.06.midi,,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4_vel_1.07.midi,,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3_vel_0.99.midi,,1058.59166667,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3_vel_0.94.midi,,1058.59166667,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_0.99.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_1.04.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_vel_1.01.midi,,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav_vel_1.04.midi,,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5_vel_0.93.midi,,239.852858438,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5_vel_1.02.midi,,239.852858438,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_vel_1.07.midi,,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav_vel_1.06.midi,,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav_vel_0.91.midi,,347.301325885,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav_vel_0.90.midi,,347.301325885,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_vel_1.04.midi,,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_vel_0.95.midi,,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav_vel_0.92.midi,,122.391704531,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav_vel_0.91.midi,,122.391704531,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2_vel_1.09.midi,,351.670321406,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2_vel_0.99.midi,,351.670321406,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Johannes Brahms,"Variations and Fugue on the Theme of Händel, Op. 24",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3_vel_1.07.midi,,1476.86016844,"Give me a song that is virtuosic, Baroque-inspired, and structurally rigorous, composed in the Middle Brahms style. It should be a Theme with Variations and Fugue in the Romantic era, featuring a Baroque theme and complex counterpoint. Incorporate a dense, polyphonic texture and a highly chromatic yet tonally grounded harmony, and a transition from a stately, classical foundation to a triumphant, contrapuntal climax." +Johannes Brahms,"Variations and Fugue on the Theme of Händel, Op. 24",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3_vel_1.06.midi,,1476.86016844,"Give me a song that is virtuosic, Baroque-inspired, and structurally rigorous, composed in the Middle Brahms style. It should be a Theme with Variations and Fugue in the Romantic era, featuring a Baroque theme and complex counterpoint. Incorporate a dense, polyphonic texture and a highly chromatic yet tonally grounded harmony, and a transition from a stately, classical foundation to a triumphant, contrapuntal climax." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_vel_0.93.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_vel_0.90.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2_vel_1.02.midi,,397.789399219,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2_vel_0.98.midi,,397.789399219,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_1.06.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_1.09.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Robert Schumann,Toccata Op. 7,test,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav_vel_1.05.midi,,311.429977031,"Give me a song that is technically ferocious and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a demanding double-note piano texture. Incorporate sonata-allegro form and a highly chromatic C major harmony, and a transition from a fantastic study to a triumphant conclusion." +Robert Schumann,Toccata Op. 7,test,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav_vel_1.05.midi,,311.429977031,"Give me a song that is technically ferocious and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a demanding double-note piano texture. Incorporate sonata-allegro form and a highly chromatic C major harmony, and a transition from a fantastic study to a triumphant conclusion." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_vel_0.91.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_vel_0.91.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_vel_1.05.midi,,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4_vel_0.94.midi,,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_vel_0.96.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_vel_1.07.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_vel_0.96.midi,,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav_vel_1.03.midi,,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4_vel_0.95.midi,,533.733333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4_vel_1.02.midi,,533.733333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4_vel_1.08.midi,,273.573444375,"Give me a song that is turbulent and impassioned, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late-Romantic era, featuring an Appassionato tempo. Incorporate dense, chordal textures and a highly chromatic yet tonal harmony, and a transition from agitated tumult to a somber, march-like resolve." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4_vel_0.99.midi,,273.573444375,"Give me a song that is turbulent and impassioned, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late-Romantic era, featuring an Appassionato tempo. Incorporate dense, chordal textures and a highly chromatic yet tonal harmony, and a transition from agitated tumult to a somber, march-like resolve." +Johann Sebastian Bach,"Prelude from the English Suite No. 6 in D Minor, BWV 811",train,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav_vel_0.95.midi,,460.567114219,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber introduction to a complex, driven conclusion." +Johann Sebastian Bach,"Prelude from the English Suite No. 6 in D Minor, BWV 811",train,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav_vel_1.10.midi,,460.567114219,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber introduction to a complex, driven conclusion." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_1.01.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_0.99.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav_vel_0.99.midi,,488.711165135,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav_vel_1.07.midi,,488.711165135,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_vel_1.06.midi,,520.215825937,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_vel_0.97.midi,,520.215825937,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav_vel_1.02.midi,,902.321056094,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav_vel_0.91.midi,,902.321056094,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_vel_1.06.midi,,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1_vel_0.92.midi,,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_vel_1.02.midi,,96.3852114708,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_vel_0.96.midi,,96.3852114708,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1_vel_1.09.midi,,236.185416667,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1_vel_0.98.midi,,236.185416667,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav_vel_1.09.midi,,506.0037675,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav_vel_0.92.midi,,506.0037675,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav_vel_1.03.midi,,1402.55462314,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav_vel_1.03.midi,,1402.55462314,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Joseph Haydn,Andante w/Var.,validation,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav_vel_1.09.midi,,558.522411562,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Joseph Haydn,Andante w/Var.,validation,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav_vel_0.99.midi,,558.522411562,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_0.96.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_1.08.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2_vel_1.07.midi,,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2_vel_0.98.midi,,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1_vel_1.03.midi,,336.694374844,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate a dense, imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, brooding prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1_vel_1.03.midi,,336.694374844,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate a dense, imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, brooding prelude to a complex, driven fugue." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_0.91.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_0.93.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5_vel_1.01.midi,,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5_vel_0.93.midi,,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav_vel_1.06.midi,,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,augmented/2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav_vel_1.00.midi,,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.10.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.02.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav_vel_0.93.midi,,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav_vel_0.95.midi,,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_vel_0.91.midi,,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,augmented/2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV_vel_1.00.midi,,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_vel_0.97.midi,,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1_vel_1.02.midi,,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2_vel_1.04.midi,,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2_vel_1.06.midi,,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_vel_0.93.midi,,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1_vel_0.92.midi,,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav_vel_0.97.midi,,1409.28857763,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav_vel_1.08.midi,,1409.28857763,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_1.00.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_0.96.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Richard Wagner / Franz Liszt,Isolde's Liebestod,test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV_vel_0.98.midi,,430.775477344,"Give me a song that is ecstatic and transcendent, composed in the Late Romantic style. It should be a Symphonic Poem in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony built on the 'Tristan chord', and a transition from yearning anguish to transfiguring release." +Richard Wagner / Franz Liszt,Isolde's Liebestod,test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV_vel_0.92.midi,,430.775477344,"Give me a song that is ecstatic and transcendent, composed in the Late Romantic style. It should be a Symphonic Poem in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony built on the 'Tristan chord', and a transition from yearning anguish to transfiguring release." +Frédéric Chopin,"Etude in F Major, Op. 10, No. 8",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3_vel_1.01.midi,,150.433877344,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a polyphonic texture with a clear secondary melody, and a transition from lyrical brightness to more intense passagework." +Frédéric Chopin,"Etude in F Major, Op. 10, No. 8",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3_vel_1.06.midi,,150.433877344,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a polyphonic texture with a clear secondary melody, and a transition from lyrical brightness to more intense passagework." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90",validation,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3_vel_1.03.midi,,760.2770175,"Give me a song that is intimate and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a very singable melody and a two-movement structure, and a transition from restless energy to resolved contentment." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90",validation,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3_vel_0.96.midi,,760.2770175,"Give me a song that is intimate and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a very singable melody and a two-movement structure, and a transition from restless energy to resolved contentment." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_vel_1.10.midi,,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5_vel_1.03.midi,,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_vel_1.04.midi,,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4_vel_0.99.midi,,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_vel_0.93.midi,,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav_vel_0.96.midi,,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Frédéric Chopin,"Mazurkas, Op. 17 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2_vel_0.96.midi,,775.889982656,"Give me a song that is lyrical and folk-inspired, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm for piano. Incorporate a cantabile melody over chromatic harmony, and a transition from rustic simplicity to poignant melancholy." +Frédéric Chopin,"Mazurkas, Op. 17 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2_vel_1.08.midi,,775.889982656,"Give me a song that is lyrical and folk-inspired, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm for piano. Incorporate a cantabile melody over chromatic harmony, and a transition from rustic simplicity to poignant melancholy." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav_vel_1.10.midi,,235.444818256,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav_vel_1.00.midi,,235.444818256,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_vel_1.00.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_vel_0.92.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2_vel_1.02.midi,,1098.92518313,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2_vel_1.08.midi,,1098.92518313,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_vel_1.10.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_vel_1.09.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3_vel_0.90.midi,,423.697492969,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3_vel_1.00.midi,,423.697492969,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_vel_0.94.midi,,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Major, D843",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV_vel_1.05.midi,,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3_vel_0.91.midi,,285.3629625,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3_vel_0.90.midi,,285.3629625,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_vel_0.97.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_vel_0.93.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_vel_1.09.midi,,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav_vel_1.02.midi,,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_vel_1.06.midi,,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1_vel_1.02.midi,,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3_vel_0.91.midi,,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3_vel_1.01.midi,,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_vel_0.91.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_vel_0.97.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_vel_1.03.midi,,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav_vel_0.92.midi,,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4_vel_1.07.midi,,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4_vel_0.99.midi,,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_vel_0.98.midi,,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4_vel_0.96.midi,,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_vel_0.93.midi,,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2_vel_0.94.midi,,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.06.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.06.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Robert Schumann,ABEGG Op. 1,train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3_vel_1.08.midi,,419.332291667,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Robert Schumann,ABEGG Op. 1,train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3_vel_0.98.midi,,419.332291667,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav_vel_0.92.midi,,131.456866406,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav_vel_1.06.midi,,131.456866406,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav_vel_1.00.midi,,773.212367813,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav_vel_1.02.midi,,773.212367813,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_0.92.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_0.97.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav_vel_0.91.midi,,397.774709062,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav_vel_1.04.midi,,397.774709062,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Frédéric Chopin,"Nocturne in C-sharp Minor, Op. 27 No. 1",test,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3_vel_0.93.midi,,302.6908245,"Give me a song that is profound, dramatic, and masterful, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a broken-chord accompaniment. Incorporate a highly chromatic and modulatory harmonic language, and a transition from a somber, lamenting mood to a passionate, agitated one." +Frédéric Chopin,"Nocturne in C-sharp Minor, Op. 27 No. 1",test,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3_vel_1.01.midi,,302.6908245,"Give me a song that is profound, dramatic, and masterful, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a broken-chord accompaniment. Incorporate a highly chromatic and modulatory harmonic language, and a transition from a somber, lamenting mood to a passionate, agitated one." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1_vel_1.09.midi,,656.746138125,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1_vel_0.92.midi,,656.746138125,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav_vel_0.91.midi,,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav_vel_0.92.midi,,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav_vel_0.92.midi,,225.191643375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav_vel_0.90.midi,,225.191643375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV_vel_1.08.midi,,346.917388125,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV_vel_1.06.midi,,346.917388125,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2_vel_1.08.midi,,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2_vel_1.07.midi,,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.05.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.01.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_1.01.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_0.99.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_vel_1.04.midi,,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2_vel_0.98.midi,,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2_vel_0.93.midi,,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2_vel_1.07.midi,,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_0.98.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_1.10.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_vel_0.94.midi,,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2_vel_0.96.midi,,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Franz Liszt,"Transcendental Etude No. 11 ""Harmonies du Soir""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7_vel_1.00.midi,,607.479360469,"Give me a song that is serene and harmonically rich, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring broken chords and wide octave jumps. Incorporate a wandering chromatic harmony and a touchingly earnest melody, and a transition from contemplative stillness to impassioned display." +Franz Liszt,"Transcendental Etude No. 11 ""Harmonies du Soir""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7_vel_0.91.midi,,607.479360469,"Give me a song that is serene and harmonically rich, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring broken chords and wide octave jumps. Incorporate a wandering chromatic harmony and a touchingly earnest melody, and a transition from contemplative stillness to impassioned display." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_vel_1.04.midi,,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1_vel_0.97.midi,,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_vel_1.06.midi,,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3_vel_0.91.midi,,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_vel_0.93.midi,,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_vel_1.09.midi,,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3_vel_0.92.midi,,679.707139504,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3_vel_0.95.midi,,679.707139504,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV_vel_1.02.midi,,908.675640469,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV_vel_0.90.midi,,908.675640469,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav_vel_1.04.midi,,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav_vel_1.07.midi,,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3_vel_1.00.midi,,125.043945469,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3_vel_0.91.midi,,125.043945469,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_vel_0.94.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_vel_1.03.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Robert Schumann,"Fantasy Pieces, Op. 12",train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav_vel_0.90.midi,,1255.95783337,"Give me a song that is intimate and expressive, composed in the Early Schumann style. It should be a Fantasy Piece in the Romantic era, featuring a lyrical piano melody. Incorporate a homophonic texture with chromatic harmony, and a transition from poetic reverie to impassioned declaration." +Robert Schumann,"Fantasy Pieces, Op. 12",train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav_vel_0.98.midi,,1255.95783337,"Give me a song that is intimate and expressive, composed in the Early Schumann style. It should be a Fantasy Piece in the Romantic era, featuring a lyrical piano melody. Incorporate a homophonic texture with chromatic harmony, and a transition from poetic reverie to impassioned declaration." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2_vel_0.92.midi,,2028.95630437,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2_vel_1.07.midi,,2028.95630437,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2_vel_1.04.midi,,116.213105767,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,augmented/2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2_vel_1.00.midi,,116.213105767,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_vel_0.99.midi,,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,augmented/2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav_vel_0.98.midi,,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_0.94.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_1.00.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_vel_1.04.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_vel_0.96.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_1.04.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_0.99.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_vel_1.04.midi,,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1_vel_1.06.midi,,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_vel_1.06.midi,,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4_vel_0.95.midi,,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_vel_1.09.midi,,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,augmented/2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav_vel_0.97.midi,,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Georges Bizet / Vladimir Horowitz,Carmen Variations,train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5_vel_1.05.midi,,231.487113571,"Give me a song that is virtuosic, flamboyant, and dramatic, composed in the Late Romantic style. It should be a set of Variations in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic and rhythmically complex texture, and a transition from playful bravura to thunderous intensity." +Georges Bizet / Vladimir Horowitz,Carmen Variations,train,2017,augmented/2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5_vel_1.00.midi,,231.487113571,"Give me a song that is virtuosic, flamboyant, and dramatic, composed in the Late Romantic style. It should be a set of Variations in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic and rhythmically complex texture, and a transition from playful bravura to thunderous intensity." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_vel_0.96.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_vel_0.96.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_vel_1.06.midi,,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav_vel_0.93.midi,,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_vel_1.09.midi,,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2_vel_1.10.midi,,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2_vel_1.01.midi,,481.751655,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2_vel_0.91.midi,,481.751655,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav_vel_1.05.midi,,523.841623594,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav_vel_0.99.midi,,523.841623594,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_vel_0.98.midi,,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2_vel_0.99.midi,,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav_vel_0.93.midi,,310.470237956,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav_vel_1.00.midi,,310.470237956,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_vel_1.08.midi,,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV_vel_0.91.midi,,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav_vel_0.99.midi,,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav_vel_1.06.midi,,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,augmented/2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1_vel_1.08.midi,,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,augmented/2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1_vel_0.99.midi,,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_vel_1.09.midi,,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2_vel_0.94.midi,,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5_vel_1.08.midi,,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5_vel_0.96.midi,,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5_vel_0.95.midi,,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5_vel_0.94.midi,,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1_vel_1.07.midi,,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1_vel_0.91.midi,,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_vel_1.06.midi,,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav_vel_0.93.midi,,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_vel_1.00.midi,,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_vel_1.00.midi,,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_0.92.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_0.99.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav_vel_1.09.midi,,630.735213281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav_vel_1.08.midi,,630.735213281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Sonata in E Major, Op. 109",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1_vel_0.93.midi,,1114.77319078,"Give me a song that is intricate and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate rich harmonic structures and strict counterpoint, and a transition from lyrical introspection to transcendent resolution." +Ludwig van Beethoven,"Sonata in E Major, Op. 109",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1_vel_0.99.midi,,1114.77319078,"Give me a song that is intricate and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate rich harmonic structures and strict counterpoint, and a transition from lyrical introspection to transcendent resolution." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_1.04.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_1.00.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_vel_1.09.midi,,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav_vel_0.98.midi,,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.08.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.00.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_vel_0.91.midi,,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 101,train,2006,augmented/2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav_vel_1.02.midi,,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_vel_1.08.midi,,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4_vel_1.07.midi,,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2_vel_1.10.midi,,312.713541667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2_vel_0.98.midi,,312.713541667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2_vel_0.92.midi,,484.191003521,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2_vel_0.99.midi,,484.191003521,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2_vel_0.93.midi,,338.472916667,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2_vel_0.95.midi,,338.472916667,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_vel_1.07.midi,,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav_vel_1.07.midi,,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_vel_0.97.midi,,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav_vel_0.95.midi,,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1_vel_0.97.midi,,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1_vel_0.94.midi,,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_vel_1.10.midi,,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV_vel_1.00.midi,,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_vel_1.07.midi,,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1_vel_1.04.midi,,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Robert Schumann,Kreisleriana,train,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav_vel_0.99.midi,,1888.42492781,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Robert Schumann,Kreisleriana,train,2006,augmented/2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav_vel_1.10.midi,,1888.42492781,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2_vel_1.03.midi,,1585.96930078,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Late Classical era, featuring a starkly contrasting two-movement structure. Incorporate a dramatic, fugato-laden first movement and a serene, variation-based Arietta, and a transition from tragic struggle to sublime acceptance." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2_vel_1.09.midi,,1585.96930078,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Late Classical era, featuring a starkly contrasting two-movement structure. Incorporate a dramatic, fugato-laden first movement and a serene, variation-based Arietta, and a transition from tragic struggle to sublime acceptance." +Alexander Scriabin,"Waltz, Op. 38",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4_vel_1.01.midi,,319.910203594,"Give me a song that is lyrical and melancholic, composed in the Middle Scriabin style. It should be a Waltz in the Late Romantic era, featuring a lilting 3/4 rhythm. Incorporate a flowing melody over rich, chromatic harmony, and a transition from wistful introspection to passionate intensity." +Alexander Scriabin,"Waltz, Op. 38",validation,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4_vel_0.92.midi,,319.910203594,"Give me a song that is lyrical and melancholic, composed in the Middle Scriabin style. It should be a Waltz in the Late Romantic era, featuring a lilting 3/4 rhythm. Incorporate a flowing melody over rich, chromatic harmony, and a transition from wistful introspection to passionate intensity." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1_vel_1.03.midi,,224.950362656,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1_vel_1.06.midi,,224.950362656,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Wolfgang Amadeus Mozart,"Sonata in C Minor K457, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2_vel_1.07.midi,,230.639459531,"Give me a song that is dramatic and bold, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a homophonic texture with a stark, octave-based melody and functional yet chromatic harmony, and a transition from a stormy, minor-key tension to a more lyrical, contrasting theme." +Wolfgang Amadeus Mozart,"Sonata in C Minor K457, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2_vel_1.09.midi,,230.639459531,"Give me a song that is dramatic and bold, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a homophonic texture with a stark, octave-based melody and functional yet chromatic harmony, and a transition from a stormy, minor-key tension to a more lyrical, contrasting theme." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_vel_1.02.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_vel_0.92.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav_vel_0.99.midi,,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav_vel_1.04.midi,,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Domenico Scarlatti,Sonata K. 525,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2_vel_1.08.midi,,65.9481178125,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Domenico Scarlatti,Sonata K. 525,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2_vel_0.99.midi,,65.9481178125,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_vel_0.94.midi,,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2_vel_0.92.midi,,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5_vel_0.96.midi,,507.502855104,"Give me a song that is grand and lyrical, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate a complex, chromatic harmony, and a transition from a dramatic B minor to a triumphant B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5_vel_1.06.midi,,507.502855104,"Give me a song that is grand and lyrical, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate a complex, chromatic harmony, and a transition from a dramatic B minor to a triumphant B major." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_vel_0.92.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_vel_1.07.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_vel_1.05.midi,,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3_vel_0.93.midi,,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_vel_1.06.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_vel_1.03.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV_vel_0.96.midi,,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV_vel_0.98.midi,,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav_vel_0.95.midi,,745.937970417,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav_vel_1.08.midi,,745.937970417,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_vel_1.07.midi,,274.671199688,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_vel_0.93.midi,,274.671199688,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_vel_0.90.midi,,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2_vel_1.03.midi,,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav_vel_1.10.midi,,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav_vel_1.02.midi,,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_vel_0.90.midi,,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_vel_1.02.midi,,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3_vel_0.90.midi,,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3_vel_0.90.midi,,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2_vel_0.97.midi,,297.4875,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2_vel_1.00.midi,,297.4875,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_vel_1.03.midi,,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2_vel_1.08.midi,,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1_vel_1.08.midi,,705.326484844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1_vel_1.07.midi,,705.326484844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_vel_0.94.midi,,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3_vel_1.03.midi,,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3_vel_1.03.midi,,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3_vel_0.98.midi,,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3_vel_1.08.midi,,322.240596563,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,augmented/2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3_vel_1.09.midi,,322.240596563,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Wolfgang Amadeus Mozart,Sonata in D Major K576,train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1_vel_0.95.midi,,803.47141875,"Give me a song that is brilliant and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a lively, horn-like opening theme. Incorporate a polyphonic texture with imitative counterpoint, and a transition from a stately, hunting fanfare to a more lyrical and playful character." +Wolfgang Amadeus Mozart,Sonata in D Major K576,train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1_vel_0.90.midi,,803.47141875,"Give me a song that is brilliant and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a lively, horn-like opening theme. Incorporate a polyphonic texture with imitative counterpoint, and a transition from a stately, hunting fanfare to a more lyrical and playful character." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2_vel_0.92.midi,,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2_vel_1.09.midi,,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav_vel_1.07.midi,,272.176547504,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav_vel_1.10.midi,,272.176547504,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_vel_0.93.midi,,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,augmented/2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav_vel_0.98.midi,,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_vel_0.99.midi,,243.934050937,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_vel_1.08.midi,,243.934050937,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2_vel_1.06.midi,,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2_vel_0.98.midi,,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5_vel_0.94.midi,,418.929166667,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5_vel_1.03.midi,,418.929166667,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_vel_1.03.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_vel_0.98.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,"Davidsbundlertanze, Op. 6",validation,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav_vel_0.92.midi,,2097.17864236,"Give me a song that is introspective and literary, composed in the Early Robert Schumann style. It should be a character-piece in the Romantic era, featuring a dance-like rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from Florestan's impetuosity to Eusebius's reflection." +Robert Schumann,"Davidsbundlertanze, Op. 6",validation,2004,augmented/2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav_vel_1.01.midi,,2097.17864236,"Give me a song that is introspective and literary, composed in the Early Robert Schumann style. It should be a character-piece in the Romantic era, featuring a dance-like rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from Florestan's impetuosity to Eusebius's reflection." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav_vel_0.92.midi,,849.484994531,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav_vel_1.06.midi,,849.484994531,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_vel_0.94.midi,,754.92445875,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_vel_1.07.midi,,754.92445875,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3_vel_1.02.midi,,261.801287344,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3_vel_1.06.midi,,261.801287344,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav_vel_1.03.midi,,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav_vel_0.93.midi,,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav_vel_0.93.midi,,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav_vel_1.08.midi,,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Johann Sebastian Bach / Egon Petri,"""Sheep May Safely Graze""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4_vel_0.92.midi,,262.753476562,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be a Cantata Aria in the Baroque era, featuring a lilting rhythm and keyboard transcription. Incorporate a flowing soprano melody over a secure basso continuo, and a transition from tranquil contentment to assured peace." +Johann Sebastian Bach / Egon Petri,"""Sheep May Safely Graze""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4_vel_0.93.midi,,262.753476562,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be a Cantata Aria in the Baroque era, featuring a lilting rhythm and keyboard transcription. Incorporate a flowing soprano melody over a secure basso continuo, and a transition from tranquil contentment to assured peace." +Joseph Haydn,"Sonata in F Major, Hob. XVI:23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1_vel_1.04.midi,,945.389011875,"Give me a song that is bright and elegant, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a lively 2/4 time signature. Incorporate a homophonic texture with clear thematic development, and a transition from playful wit to graceful resolution." +Joseph Haydn,"Sonata in F Major, Hob. XVI:23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1_vel_1.08.midi,,945.389011875,"Give me a song that is bright and elegant, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a lively 2/4 time signature. Incorporate a homophonic texture with clear thematic development, and a transition from playful wit to graceful resolution." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_vel_0.96.midi,,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1_vel_0.96.midi,,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4_vel_1.02.midi,,652.961419687,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4_vel_1.03.midi,,652.961419687,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav_vel_1.06.midi,,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav_vel_0.93.midi,,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_vel_0.93.midi,,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_vel_1.08.midi,,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav_vel_0.92.midi,,241.470441506,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav_vel_0.97.midi,,241.470441506,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav_vel_1.08.midi,,2624.66350781,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav_vel_0.99.midi,,2624.66350781,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav_vel_1.08.midi,,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav_vel_0.90.midi,,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_vel_1.10.midi,,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1_vel_0.91.midi,,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4_vel_1.04.midi,,341.238712538,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4_vel_0.96.midi,,341.238712538,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_vel_0.91.midi,,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_vel_1.04.midi,,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_1.08.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_1.00.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav_vel_0.97.midi,,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav_vel_1.04.midi,,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_vel_1.10.midi,,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,augmented/2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav_vel_1.03.midi,,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5_vel_1.00.midi,,611.620649062,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5_vel_0.95.midi,,611.620649062,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_1.07.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_1.01.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2_vel_1.09.midi,,534.701655469,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2_vel_1.05.midi,,534.701655469,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_vel_0.92.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_vel_0.95.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 ""Appassionata"", First Movement",train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2_vel_1.07.midi,,593.318049844,"Give me a song that is turbulent and dramatic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro assai rhythm. Incorporate a sonata-allegro form with a highly chromatic but tonally anchored F minor harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 ""Appassionata"", First Movement",train,2008,augmented/2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2_vel_1.04.midi,,593.318049844,"Give me a song that is turbulent and dramatic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro assai rhythm. Incorporate a sonata-allegro form with a highly chromatic but tonally anchored F minor harmony, and a transition from brooding intensity to explosive defiance." +Wolfgang Amadeus Mozart,"Sonata in C Major, K279",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3_vel_0.93.midi,,598.585416667,"Give me a song that is bright and energetic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an active left-hand piano part. Incorporate a highly chromatic yet tonal harmony, and a transition from playful development to a firm, surprising close." +Wolfgang Amadeus Mozart,"Sonata in C Major, K279",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3_vel_1.01.midi,,598.585416667,"Give me a song that is bright and energetic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an active left-hand piano part. Incorporate a highly chromatic yet tonal harmony, and a transition from playful development to a firm, surprising close." +Joseph Haydn,Son. Hob. XVI:32,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav_vel_1.02.midi,,507.451415625,"Give me a song that is witty and surprising, composed in the Middle Haydn style. It should be a Piano Sonata in the Classical era, featuring abrupt transitions. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic intensity to playful resolution." +Joseph Haydn,Son. Hob. XVI:32,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav_vel_0.96.midi,,507.451415625,"Give me a song that is witty and surprising, composed in the Middle Haydn style. It should be a Piano Sonata in the Classical era, featuring abrupt transitions. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic intensity to playful resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav_vel_0.96.midi,,489.6789975,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav_vel_1.05.midi,,489.6789975,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4_vel_0.92.midi,,143.456562017,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4_vel_1.09.midi,,143.456562017,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav_vel_1.00.midi,,207.156577031,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,augmented/2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav_vel_1.05.midi,,207.156577031,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Robert Schumann,"Intermezzi, Opus 4",test,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav_vel_1.08.midi,,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Robert Schumann,"Intermezzi, Opus 4",test,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav_vel_1.02.midi,,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav_vel_0.94.midi,,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav_vel_0.99.midi,,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_1.03.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_0.91.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV_vel_0.91.midi,,365.333502188,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV_vel_1.08.midi,,365.333502188,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_vel_0.92.midi,,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV_vel_1.00.midi,,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4_vel_0.95.midi,,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4_vel_1.09.midi,,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav_vel_0.98.midi,,417.901544965,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,augmented/2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav_vel_1.00.midi,,417.901544965,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_vel_0.91.midi,,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_vel_0.94.midi,,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Robert Schumann / Franz Liszt,Widmung,train,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3_vel_1.10.midi,,205.543330781,"Give me a song that is intimate and lyrical, composed in the Middle Robert Schumann style. It should be a Lied in the Romantic era, featuring a vocal melody with piano accompaniment. Incorporate a homophonic texture and a harmonically rich, diatonic foundation with chromatic passing tones, and a transition from tender devotion to impassioned climax." +Robert Schumann / Franz Liszt,Widmung,train,2008,augmented/2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3_vel_1.09.midi,,205.543330781,"Give me a song that is intimate and lyrical, composed in the Middle Robert Schumann style. It should be a Lied in the Romantic era, featuring a vocal melody with piano accompaniment. Incorporate a homophonic texture and a harmonically rich, diatonic foundation with chromatic passing tones, and a transition from tender devotion to impassioned climax." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_vel_1.08.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_vel_0.96.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2_vel_1.02.midi,,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2_vel_1.03.midi,,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav_vel_1.07.midi,,420.042315,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav_vel_0.91.midi,,420.042315,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_1.07.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_1.04.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Wolfgang Amadeus Mozart,"Twelve Variations, K179 (189a)",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav_vel_0.91.midi,,630.266303102,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme and variations structure for keyboard. Incorporate a graceful, ornamented melody over a simple harmonic foundation, and a transition from stately charm to lively virtuosity." +Wolfgang Amadeus Mozart,"Twelve Variations, K179 (189a)",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav_vel_0.95.midi,,630.266303102,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme and variations structure for keyboard. Incorporate a graceful, ornamented melody over a simple harmonic foundation, and a transition from stately charm to lively virtuosity." +Robert Schumann,"Toccata in C, Op. 7",test,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV_vel_1.04.midi,,392.351370469,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from heroic struggle to triumphant resolution." +Robert Schumann,"Toccata in C, Op. 7",test,2009,augmented/2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV_vel_1.05.midi,,392.351370469,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from heroic struggle to triumphant resolution." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV_vel_0.96.midi,,460.102371094,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV_vel_0.93.midi,,460.102371094,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5_vel_1.04.midi,,326.59155375,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5_vel_0.98.midi,,326.59155375,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_vel_0.94.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_vel_0.92.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_vel_0.92.midi,,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1_vel_1.04.midi,,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Joseph Haydn,"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2_vel_1.03.midi,,207.125,"Give me a song that is elegant and lyrical, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a 2/4 meter. Incorporate a texture of horizontal melodic lines punctuated by vertical chords, and a transition from graceful poise to playful energy." +Joseph Haydn,"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2_vel_0.93.midi,,207.125,"Give me a song that is elegant and lyrical, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a 2/4 meter. Incorporate a texture of horizontal melodic lines punctuated by vertical chords, and a transition from graceful poise to playful energy." +Ludwig van Beethoven,"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3_vel_0.92.midi,,1137.43743094,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the late Classical era, featuring a fugal finale. Incorporate a singing melody and a transition from sorrowful lament to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3_vel_0.91.midi,,1137.43743094,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the late Classical era, featuring a fugal finale. Incorporate a singing melody and a transition from sorrowful lament to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2_vel_1.00.midi,,876.420833333,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2_vel_1.04.midi,,876.420833333,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav_vel_1.10.midi,,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav_vel_0.91.midi,,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1_vel_1.00.midi,,738.034785469,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1_vel_0.95.midi,,738.034785469,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_vel_0.94.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_vel_1.04.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_0.94.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_1.08.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav_vel_1.02.midi,,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav_vel_0.93.midi,,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_vel_0.96.midi,,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav_vel_0.93.midi,,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_vel_1.00.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_vel_0.92.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_vel_1.02.midi,,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav_vel_1.01.midi,,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Muzio Clementi,Sonata in F# Min,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav_vel_1.00.midi,,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Muzio Clementi,Sonata in F# Min,train,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav_vel_0.96.midi,,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav_vel_1.08.midi,,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav_vel_0.90.midi,,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1_vel_1.02.midi,,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1_vel_0.96.midi,,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Wolfgang Amadeus Mozart,"Sonata in F Major, K. 280, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3_vel_1.07.midi,,192.605309531,"Give me a song that is bright and classical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an Allegro assai tempo. Incorporate a homophonic texture and diatonic harmony, and a transition from a sprightly F major to a contrasting, lyrical secondary theme." +Wolfgang Amadeus Mozart,"Sonata in F Major, K. 280, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3_vel_0.96.midi,,192.605309531,"Give me a song that is bright and classical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an Allegro assai tempo. Incorporate a homophonic texture and diatonic harmony, and a transition from a sprightly F major to a contrasting, lyrical secondary theme." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_vel_1.04.midi,,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav_vel_0.94.midi,,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_vel_1.02.midi,,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV_vel_0.98.midi,,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav_vel_0.94.midi,,569.204517423,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,augmented/2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav_vel_0.99.midi,,569.204517423,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_0.98.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_0.96.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_vel_0.99.midi,,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3_vel_1.07.midi,,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_vel_1.09.midi,,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,augmented/2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav_vel_1.00.midi,,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Robert Schumann,"Arabesque, Op. 18",validation,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2_vel_0.92.midi,,382.695931406,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2_vel_1.09.midi,,382.695931406,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav_vel_0.95.midi,,369.954224062,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav_vel_1.09.midi,,369.954224062,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_vel_1.04.midi,,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2_vel_0.90.midi,,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_vel_0.91.midi,,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2_vel_1.03.midi,,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_vel_0.96.midi,,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2_vel_1.08.midi,,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_vel_0.96.midi,,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav_vel_1.05.midi,,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_1.02.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_0.96.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1_vel_0.95.midi,,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1_vel_0.95.midi,,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_0.91.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_1.08.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1_vel_0.91.midi,,283.606821094,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1_vel_1.01.midi,,283.606821094,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_0.92.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_0.94.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1_vel_0.92.midi,,468.700118906,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1_vel_0.96.midi,,468.700118906,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_vel_1.05.midi,,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2_vel_0.98.midi,,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV_vel_1.03.midi,,1227.78322734,"Give me a song that is turbulent and technically formidable, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring a virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated drama to a more lyrical, introspective mood." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op.36",train,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV_vel_1.01.midi,,1227.78322734,"Give me a song that is turbulent and technically formidable, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring a virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated drama to a more lyrical, introspective mood." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav_vel_1.01.midi,,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav_vel_1.01.midi,,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav_vel_0.90.midi,,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav_vel_1.01.midi,,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV_vel_0.98.midi,,521.642106562,"Give me a song that is dramatic and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV_vel_1.06.midi,,521.642106562,"Give me a song that is dramatic and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to lyrical clearing." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_1.03.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_1.02.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_vel_1.00.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_vel_1.01.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV_vel_0.96.midi,,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV_vel_1.06.midi,,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4_vel_1.08.midi,,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4_vel_1.03.midi,,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2_vel_1.05.midi,,340.642020469,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2_vel_1.04.midi,,340.642020469,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2_vel_0.95.midi,,239.547036094,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2_vel_0.90.midi,,239.547036094,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav_vel_0.97.midi,,202.95919875,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,augmented/2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav_vel_1.01.midi,,202.95919875,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1_vel_0.94.midi,,233.179166667,"Give me a song that is intricate and flowing, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic divisions, and a transition from motion to motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1_vel_1.03.midi,,233.179166667,"Give me a song that is intricate and flowing, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic divisions, and a transition from motion to motionlessness." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_0.97.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_1.00.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV_vel_0.91.midi,,1530.08260453,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV_vel_1.00.midi,,1530.08260453,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1_vel_1.04.midi,,472.302083333,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1_vel_1.03.midi,,472.302083333,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_0.90.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_0.95.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_1.01.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_1.08.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_vel_0.97.midi,,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2_vel_1.04.midi,,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1_vel_1.06.midi,,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1_vel_1.05.midi,,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3_vel_1.02.midi,,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3_vel_0.94.midi,,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1_vel_0.92.midi,,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1_vel_1.04.midi,,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav_vel_1.01.midi,,245.315515633,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav_vel_0.97.midi,,245.315515633,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav_vel_0.97.midi,,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,augmented/2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav_vel_0.98.midi,,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1_vel_0.95.midi,,328.45052625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1_vel_0.91.midi,,328.45052625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_vel_0.94.midi,,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav_vel_0.91.midi,,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV_vel_0.96.midi,,1317.43591547,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV_vel_0.91.midi,,1317.43591547,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Sergei Rachmaninoff,Prelude Op. 23 No. 4 in D Major,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4_vel_0.95.midi,,264.132291667,"Give me a song that is lyrical and expansive, composed in the Middle Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a cantabile melody over a flowing accompaniment. Incorporate rich, chromatic harmony with a tonal center in D major, and a transition from a serene, singing mood to a more dramatic, resolute one." +Sergei Rachmaninoff,Prelude Op. 23 No. 4 in D Major,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4_vel_1.09.midi,,264.132291667,"Give me a song that is lyrical and expansive, composed in the Middle Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a cantabile melody over a flowing accompaniment. Incorporate rich, chromatic harmony with a tonal center in D major, and a transition from a serene, singing mood to a more dramatic, resolute one." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_vel_1.00.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_vel_0.95.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_vel_0.93.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_vel_1.05.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_vel_0.94.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_vel_0.95.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_0.98.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_0.92.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3_vel_1.07.midi,,325.622916667,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3_vel_1.06.midi,,325.622916667,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_1.07.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_0.90.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Joseph Haydn,"Sonata in E Major, Hob. XVI:31, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2_vel_1.08.midi,,190.071925313,"Give me a song that is lyrical and expressive, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring cascading sextuplet rhythms. Incorporate a two-part texture with three-part contrapuntal melodies, and a transition from lyrical grace to powerful climax." +Joseph Haydn,"Sonata in E Major, Hob. XVI:31, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2_vel_1.05.midi,,190.071925313,"Give me a song that is lyrical and expressive, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring cascading sextuplet rhythms. Incorporate a two-part texture with three-part contrapuntal melodies, and a transition from lyrical grace to powerful climax." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3_vel_1.06.midi,,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3_vel_1.02.midi,,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1_vel_1.01.midi,,269.760681094,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1_vel_0.94.midi,,269.760681094,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav_vel_0.99.midi,,610.798000312,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,augmented/2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav_vel_0.96.midi,,610.798000312,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_0.96.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_0.94.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_0.91.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_1.08.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_vel_1.09.midi,,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2_vel_0.99.midi,,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav_vel_0.97.midi,,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav_vel_1.08.midi,,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_vel_1.06.midi,,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1_vel_0.93.midi,,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Sergei Rachmaninoff,Moments Musicaux,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav_vel_0.90.midi,,1750.78350563,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Sergei Rachmaninoff,Moments Musicaux,train,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav_vel_0.93.midi,,1750.78350563,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_vel_0.97.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_vel_1.09.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Frédéric Chopin,Polonaise Op. 44,test,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav_vel_1.03.midi,,662.006549531,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Frédéric Chopin,Polonaise Op. 44,test,2006,augmented/2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav_vel_1.08.midi,,662.006549531,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_vel_0.94.midi,,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,augmented/2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav_vel_1.10.midi,,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_vel_0.99.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_vel_1.06.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Isaac Albéniz,Navarra,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV_vel_0.94.midi,,336.871992188,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Isaac Albéniz,Navarra,train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV_vel_1.09.midi,,336.871992188,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_vel_1.01.midi,,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav_vel_0.99.midi,,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4_vel_0.99.midi,,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4_vel_0.99.midi,,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Leoš Janáček,"In the Mists, I. Andante ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4_vel_0.98.midi,,217.770833333,"Give me a song that is introspective and nebulous, composed in the Late Janáček style. It should be a piano cycle movement in the Early Modern era, featuring a flexible, speech-like rhythm. Incorporate a fragmented, recitative-like melody over ambiguous, modal harmony, and a transition from melancholic contemplation to a brief, agitated outburst." +Leoš Janáček,"In the Mists, I. Andante ",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4_vel_1.00.midi,,217.770833333,"Give me a song that is introspective and nebulous, composed in the Late Janáček style. It should be a piano cycle movement in the Early Modern era, featuring a flexible, speech-like rhythm. Incorporate a fragmented, recitative-like melody over ambiguous, modal harmony, and a transition from melancholic contemplation to a brief, agitated outburst." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3_vel_1.06.midi,,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3_vel_1.02.midi,,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_vel_1.03.midi,,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,augmented/2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3_vel_1.04.midi,,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, Book II",validation,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav_vel_1.05.midi,,203.718416123,"Give me a song that is harmonically anchored and contrasting, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring two-part keyboard writing. Incorporate a fugue with a striking subject and a transition from a prelude's stability to a fugue's contrapuntal intensity." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, Book II",validation,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav_vel_0.91.midi,,203.718416123,"Give me a song that is harmonically anchored and contrasting, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring two-part keyboard writing. Incorporate a fugue with a striking subject and a transition from a prelude's stability to a fugue's contrapuntal intensity." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav_vel_0.91.midi,,692.722315437,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav_vel_1.06.midi,,692.722315437,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav_vel_1.03.midi,,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav_vel_1.01.midi,,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1_vel_0.97.midi,,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1_vel_1.00.midi,,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Ludwig van Beethoven,Sonata Op. 110,train,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav_vel_1.02.midi,,1075.70805891,"Give me a song that is introspective and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like Arioso and a fugue. Incorporate a texture of alternating Arioso dolente and fugal counterpoint, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,Sonata Op. 110,train,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav_vel_0.90.midi,,1075.70805891,"Give me a song that is introspective and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like Arioso and a fugue. Incorporate a texture of alternating Arioso dolente and fugal counterpoint, and a transition from lamentation to triumphant affirmation." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_vel_0.98.midi,,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,augmented/2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav_vel_1.06.midi,,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_vel_1.05.midi,,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6_vel_0.92.midi,,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2_vel_0.91.midi,,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2_vel_1.05.midi,,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +César Franck,"Prélude, chorale, et fugue, M. 21",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3_vel_1.00.midi,,706.374827813,"Give me a song that is solemn, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prélude, Chorale et Fugue in the Romantic era, featuring piano. Incorporate dense, contrapuntal texture and a transition from meditative to triumphant." +César Franck,"Prélude, chorale, et fugue, M. 21",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3_vel_0.91.midi,,706.374827813,"Give me a song that is solemn, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prélude, Chorale et Fugue in the Romantic era, featuring piano. Incorporate dense, contrapuntal texture and a transition from meditative to triumphant." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV_vel_0.95.midi,,1577.25002531,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV_vel_1.03.midi,,1577.25002531,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_vel_0.94.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_vel_0.93.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_0.97.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_0.91.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_vel_0.95.midi,,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav_vel_1.03.midi,,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_vel_0.93.midi,,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,augmented/2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1_vel_0.98.midi,,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_vel_1.05.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_vel_1.07.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_vel_0.94.midi,,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,augmented/2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav_vel_1.01.midi,,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav_vel_1.01.midi,,658.862856094,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav_vel_0.98.midi,,658.862856094,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_vel_1.00.midi,,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,augmented/2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav_vel_0.92.midi,,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_vel_0.97.midi,,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_vel_1.09.midi,,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Johannes Brahms,Sonata Op. 5,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav_vel_0.91.midi,,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Johannes Brahms,Sonata Op. 5,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav_vel_1.02.midi,,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Robert Schumann,"Carnaval, Op. 9",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6_vel_0.99.midi,,1286.41030547,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6_vel_1.00.midi,,1286.41030547,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_1.04.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_0.95.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_vel_0.93.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_vel_1.01.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav_vel_0.92.midi,,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav_vel_0.91.midi,,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_vel_1.01.midi,,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1_vel_0.91.midi,,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_vel_1.07.midi,,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1_vel_0.95.midi,,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_vel_1.05.midi,,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4_vel_1.03.midi,,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_vel_1.05.midi,,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav_vel_0.95.midi,,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_1.08.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_1.03.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3_vel_0.90.midi,,1355.37791813,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3_vel_1.02.midi,,1355.37791813,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.06.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.04.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2_vel_0.96.midi,,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2_vel_1.06.midi,,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,augmented/2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav_vel_1.09.midi,,332.408855625,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,augmented/2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav_vel_0.93.midi,,332.408855625,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_vel_0.92.midi,,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,augmented/2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1_vel_1.00.midi,,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_1.05.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_1.08.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Johann Sebastian Bach,"English Suite no. 3 in G Minor, Prelude",train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1_vel_1.10.midi,,168.862010625,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm for harpsichord. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, urgent intensity to a resolute, cadential close." +Johann Sebastian Bach,"English Suite no. 3 in G Minor, Prelude",train,2008,augmented/2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1_vel_1.04.midi,,168.862010625,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm for harpsichord. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, urgent intensity to a resolute, cadential close." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_vel_0.90.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_vel_0.98.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_vel_0.95.midi,,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4_vel_1.00.midi,,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Ludwig van Beethoven,"Sonata in C Major, Op. 2 No. 3, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2_vel_1.05.midi,,422.9696625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a dense, orchestral piano texture with bold harmonic shifts, and a transition from assertive grandeur to lyrical playfulness." +Ludwig van Beethoven,"Sonata in C Major, Op. 2 No. 3, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2_vel_1.01.midi,,422.9696625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a dense, orchestral piano texture with bold harmonic shifts, and a transition from assertive grandeur to lyrical playfulness." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav_vel_0.99.midi,,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav_vel_0.92.midi,,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Frédéric Chopin,Polonaise-Fantasie,test,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav_vel_0.99.midi,,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Frédéric Chopin,Polonaise-Fantasie,test,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav_vel_0.96.midi,,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_vel_1.08.midi,,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,augmented/2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav_vel_1.00.midi,,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV_vel_0.96.midi,,241.472782031,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,augmented/2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV_vel_0.96.midi,,241.472782031,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_vel_1.07.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_vel_1.03.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_0.91.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_1.00.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV_vel_0.95.midi,,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,augmented/2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV_vel_0.91.midi,,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1_vel_0.95.midi,,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1_vel_0.92.midi,,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_vel_1.04.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_vel_0.92.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1_vel_1.10.midi,,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1_vel_0.93.midi,,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1_vel_1.00.midi,,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,augmented/2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1_vel_0.96.midi,,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_vel_1.05.midi,,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3_vel_0.91.midi,,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav_vel_1.06.midi,,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav_vel_1.00.midi,,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav_vel_1.01.midi,,792.520097956,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav_vel_0.93.midi,,792.520097956,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,"Prelude from English Suite No. 6 in D Minor, BWV 811",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1_vel_1.10.midi,,444.076746094,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber to a resolute mood." +Johann Sebastian Bach,"Prelude from English Suite No. 6 in D Minor, BWV 811",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1_vel_0.97.midi,,444.076746094,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber to a resolute mood." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2_vel_0.91.midi,,1063.92121172,"Give me a song that is introspective and lyrical, composed in the late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like melody. Incorporate a fugue and arioso dolente textures, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2_vel_0.98.midi,,1063.92121172,"Give me a song that is introspective and lyrical, composed in the late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like melody. Incorporate a fugue and arioso dolente textures, and a transition from lamentation to triumphant affirmation." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_vel_0.92.midi,,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav_vel_0.91.midi,,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Franz Schubert,Sonata in A D962,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav_vel_1.08.midi,,648.601114219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring lyrical melodies and song-like themes. Incorporate a rich harmonic language with dramatic modulations, and a transition from profound melancholy to transcendent acceptance." +Franz Schubert,Sonata in A D962,train,2006,augmented/2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav_vel_1.09.midi,,648.601114219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring lyrical melodies and song-like themes. Incorporate a rich harmonic language with dramatic modulations, and a transition from profound melancholy to transcendent acceptance." +Johannes Brahms,Variations on a theme by Paganini (Books I & II),train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav_vel_1.04.midi,,1449.01922965,"Give me a song that is technically formidable and diabolically witty, composed in the Late Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, interlocking textures and extreme chromatic harmony, and a transition from lyrical introspection to brilliant virtuosity." +Johannes Brahms,Variations on a theme by Paganini (Books I & II),train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav_vel_1.07.midi,,1449.01922965,"Give me a song that is technically formidable and diabolically witty, composed in the Late Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, interlocking textures and extreme chromatic harmony, and a transition from lyrical introspection to brilliant virtuosity." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_vel_1.06.midi,,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1_vel_0.99.midi,,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Pachelbel,Chaconne in F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1_vel_0.91.midi,,172.9699125,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Johann Pachelbel,Chaconne in F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1_vel_0.91.midi,,172.9699125,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav_vel_1.01.midi,,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav_vel_1.08.midi,,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_vel_0.95.midi,,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,augmented/2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav_vel_1.04.midi,,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Modest Mussorgsky,Pictures at an E,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav_vel_1.05.midi,,1749.46940438,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an E,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav_vel_1.09.midi,,1749.46940438,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_vel_1.09.midi,,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV_vel_1.09.midi,,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_vel_0.99.midi,,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3_vel_0.97.midi,,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV_vel_1.09.midi,,891.962249063,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,augmented/2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV_vel_0.97.midi,,891.962249063,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_vel_1.10.midi,,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5_vel_1.00.midi,,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_vel_0.93.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_vel_0.93.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_vel_0.94.midi,,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,augmented/2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav_vel_0.92.midi,,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Johann Sebastian Bach,"Prelude and Fugue in D major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1_vel_0.95.midi,,230.445816562,"Give me a song that is brilliant and wide-ranging, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring an Alla breve rhythm. Incorporate slowly shifting harmonies and contrapuntal texture, and a transition from a brilliant introduction to a slow, reflective conclusion." +Johann Sebastian Bach,"Prelude and Fugue in D major, WTC I",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1_vel_0.95.midi,,230.445816562,"Give me a song that is brilliant and wide-ranging, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring an Alla breve rhythm. Incorporate slowly shifting harmonies and contrapuntal texture, and a transition from a brilliant introduction to a slow, reflective conclusion." +Franz Schubert,"Sonata in C Major, D842",validation,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV_vel_0.96.midi,,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Franz Schubert,"Sonata in C Major, D842",validation,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV_vel_1.01.midi,,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav_vel_0.95.midi,,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,augmented/2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav_vel_0.97.midi,,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +George Frideric Handel,"Chaconne in G Major, HWV 435",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1_vel_0.96.midi,,328.904585625,"Give me a song that is stately and grand, composed in the Middle Baroque Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bassline. Incorporate a rich, contrapuntal texture over a diatonic G major harmony, and a transition from a solemn introduction to a triumphant conclusion." +George Frideric Handel,"Chaconne in G Major, HWV 435",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1_vel_1.02.midi,,328.904585625,"Give me a song that is stately and grand, composed in the Middle Baroque Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bassline. Incorporate a rich, contrapuntal texture over a diatonic G major harmony, and a transition from a solemn introduction to a triumphant conclusion." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav_vel_1.05.midi,,731.219888438,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav_vel_0.98.midi,,731.219888438,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1_vel_1.05.midi,,623.886929531,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1_vel_1.07.midi,,623.886929531,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4_vel_1.08.midi,,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4_vel_0.98.midi,,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_vel_1.04.midi,,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3_vel_0.97.midi,,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_vel_1.05.midi,,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1_vel_1.09.midi,,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav_vel_0.91.midi,,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav_vel_1.05.midi,,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1_vel_0.97.midi,,385.827169267,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1_vel_1.09.midi,,385.827169267,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav_vel_0.93.midi,,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav_vel_0.94.midi,,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV_vel_1.06.midi,,668.431489688,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,augmented/2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV_vel_0.97.midi,,668.431489688,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II, BWV 880",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1_vel_1.03.midi,,302.413048083,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from a flowing, improvisatory mood to a structured, intellectual mood." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II, BWV 880",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1_vel_1.04.midi,,302.413048083,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from a flowing, improvisatory mood to a structured, intellectual mood." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav_vel_0.94.midi,,399.448051406,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav_vel_1.08.midi,,399.448051406,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav_vel_1.08.midi,,463.446384844,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav_vel_1.05.midi,,463.446384844,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav_vel_0.94.midi,,267.438313619,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav_vel_0.99.midi,,267.438313619,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Schubert,"Sonata in A Minor, D. 848",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV_vel_1.06.midi,,293.561405156,"Give me a song that is plaintive and ominous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octave phrases ornamented with mordents, and a transition from a somber opening to a structurally integrated development." +Franz Schubert,"Sonata in A Minor, D. 848",train,2009,augmented/2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV_vel_1.04.midi,,293.561405156,"Give me a song that is plaintive and ominous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octave phrases ornamented with mordents, and a transition from a somber opening to a structurally integrated development." +Ludwig van Beethoven,Sonata Op. 54 in F Major,train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav_vel_1.00.midi,,534.516585565,"Give me a song that is concise and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure for piano. Incorporate a lyrical, cantabile melody against a persistent rhythmic motor, and a transition from a restrained, graceful mood to a more playful, energetic one." +Ludwig van Beethoven,Sonata Op. 54 in F Major,train,2004,augmented/2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav_vel_0.96.midi,,534.516585565,"Give me a song that is concise and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure for piano. Incorporate a lyrical, cantabile melody against a persistent rhythmic motor, and a transition from a restrained, graceful mood to a more playful, energetic one." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3_vel_0.95.midi,,1251.28854167,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3_vel_0.93.midi,,1251.28854167,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_vel_0.93.midi,,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,augmented/2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV_vel_0.91.midi,,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_1.08.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_0.96.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav_vel_0.96.midi,,615.112899844,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav_vel_0.98.midi,,615.112899844,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3_vel_1.03.midi,,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3_vel_1.07.midi,,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_vel_0.93.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_vel_0.91.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_1.07.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_1.03.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5_vel_0.98.midi,,630.978125,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5_vel_1.01.midi,,630.978125,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2_vel_1.02.midi,,181.853450625,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2_vel_1.01.midi,,181.853450625,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_vel_1.03.midi,,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,augmented/2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav_vel_1.03.midi,,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav_vel_1.06.midi,,2561.10988547,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,augmented/2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav_vel_1.08.midi,,2561.10988547,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_1.07.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_1.09.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav_vel_0.94.midi,,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav_vel_0.97.midi,,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4_vel_0.98.midi,,656.379262358,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,augmented/2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4_vel_1.04.midi,,656.379262358,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6_vel_1.04.midi,,1650.67409719,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6_vel_0.98.midi,,1650.67409719,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3_vel_0.99.midi,,280.047916667,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3_vel_1.07.midi,,280.047916667,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2_vel_0.98.midi,,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2_vel_1.01.midi,,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav_vel_0.97.midi,,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav_vel_1.05.midi,,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5_vel_0.93.midi,,197.370262031,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5_vel_1.02.midi,,197.370262031,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1_vel_1.00.midi,,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1_vel_0.90.midi,,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav_vel_0.90.midi,,497.066909717,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav_vel_0.96.midi,,497.066909717,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Frédéric Chopin,Etude Op. 10 No. 8,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3_vel_1.06.midi,,138.896875,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3_vel_1.08.midi,,138.896875,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1_vel_0.90.midi,,601.358907187,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1_vel_1.04.midi,,601.358907187,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1_vel_0.93.midi,,208.537451719,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1_vel_1.01.midi,,208.537451719,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav_vel_1.03.midi,,154.986722275,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav_vel_1.03.midi,,154.986722275,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_vel_0.98.midi,,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,augmented/2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3_vel_0.92.midi,,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav_vel_0.92.midi,,503.913758906,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,augmented/2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav_vel_0.93.midi,,503.913758906,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav_vel_0.96.midi,,209.215869844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,augmented/2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav_vel_1.06.midi,,209.215869844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_vel_0.94.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_vel_0.97.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Robert Schumann,"Sonata No. 1 in F-sharp Minor, Op. 11",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV_vel_1.02.midi,,1582.88703891,"Give me a song that is passionate and narrative, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring vivid flights of fantasy in its rhythm. Incorporate a unifying melodic motif of a falling perfect fifth and highly chromatic harmony, and a transition from introspective fantasy to dramatic intensity." +Robert Schumann,"Sonata No. 1 in F-sharp Minor, Op. 11",train,2009,augmented/2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV_vel_1.09.midi,,1582.88703891,"Give me a song that is passionate and narrative, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring vivid flights of fantasy in its rhythm. Incorporate a unifying melodic motif of a falling perfect fifth and highly chromatic harmony, and a transition from introspective fantasy to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_vel_0.99.midi,,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2_vel_1.03.midi,,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2_vel_1.06.midi,,325.30950375,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2_vel_0.91.midi,,325.30950375,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav_vel_1.06.midi,,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,augmented/2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav_vel_0.91.midi,,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_1.09.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_0.97.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_vel_0.94.midi,,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,augmented/2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2_vel_0.95.midi,,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4_vel_0.96.midi,,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4_vel_1.01.midi,,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav_vel_1.07.midi,,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav_vel_0.91.midi,,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav_vel_0.96.midi,,2453.07847641,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav_vel_0.91.midi,,2453.07847641,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav_vel_1.02.midi,,2398.64035989,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav_vel_1.10.midi,,2398.64035989,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_vel_1.02.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_vel_1.05.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_1.07.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_0.92.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Frédéric Chopin,Berceuse Op. 57,validation,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4_vel_1.02.midi,,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Frédéric Chopin,Berceuse Op. 57,validation,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4_vel_1.00.midi,,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_1.08.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_1.10.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_1.01.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_1.10.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_vel_0.96.midi,,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D840",test,2009,augmented/2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV_vel_1.00.midi,,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_vel_1.05.midi,,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,augmented/2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav_vel_0.95.midi,,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2_vel_1.07.midi,,199.135751719,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2_vel_1.00.midi,,199.135751719,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_vel_0.91.midi,,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav_vel_0.97.midi,,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3_vel_1.09.midi,,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3_vel_1.07.midi,,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav_vel_0.95.midi,,772.517924063,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,augmented/2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav_vel_1.08.midi,,772.517924063,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Frédéric Chopin,Etude Op. 25 No. 11,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2_vel_0.96.midi,,193.874004844,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2_vel_1.01.midi,,193.874004844,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav_vel_1.03.midi,,453.392893256,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,augmented/2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav_vel_0.92.midi,,453.392893256,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_1.08.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_0.97.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.03.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.06.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4_vel_1.08.midi,,351.594791667,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4_vel_0.93.midi,,351.594791667,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_vel_0.91.midi,,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,augmented/2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2_vel_0.91.midi,,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2_vel_1.04.midi,,283.811147812,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring an allegro vivace rhythm. Incorporate a pronounced ""Beethovenian"" harmonic style, and a transition from playful wit to graceful lyricism." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement",test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2_vel_0.94.midi,,283.811147812,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring an allegro vivace rhythm. Incorporate a pronounced ""Beethovenian"" harmonic style, and a transition from playful wit to graceful lyricism." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV_vel_0.97.midi,,203.632275,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,augmented/2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV_vel_1.00.midi,,203.632275,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_vel_1.07.midi,,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav_vel_0.90.midi,,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_vel_0.94.midi,,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3_vel_0.91.midi,,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1_vel_0.91.midi,,476.111970469,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1_vel_0.99.midi,,476.111970469,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV_vel_0.98.midi,,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV_vel_0.98.midi,,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav_vel_0.90.midi,,291.849566392,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav_vel_0.94.midi,,291.849566392,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_1.02.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_0.99.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Wolfgang Amadeus Mozart,"Sonata in D-Major, K. 311, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav_vel_0.98.midi,,194.098363594,"Give me a song that is delightful and exuberant, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring elegant keyboard writing. Incorporate a charming melody and clear harmonic structure, and a transition from playful energy to lyrical grace." +Wolfgang Amadeus Mozart,"Sonata in D-Major, K. 311, First Movement",train,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav_vel_1.00.midi,,194.098363594,"Give me a song that is delightful and exuberant, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring elegant keyboard writing. Incorporate a charming melody and clear harmonic structure, and a transition from playful energy to lyrical grace." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2_vel_0.93.midi,,1551.77061703,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2_vel_1.03.midi,,1551.77061703,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1_vel_0.91.midi,,732.789064219,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1_vel_0.97.midi,,732.789064219,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav_vel_1.01.midi,,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,augmented/2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav_vel_0.91.midi,,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1_vel_1.02.midi,,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1_vel_1.00.midi,,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_vel_0.97.midi,,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav_vel_0.98.midi,,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav_vel_0.98.midi,,1075.48904203,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,augmented/2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav_vel_1.04.midi,,1075.48904203,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1_vel_0.91.midi,,211.635416667,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1_vel_1.09.midi,,211.635416667,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3_vel_1.01.midi,,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,augmented/2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3_vel_0.91.midi,,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav_vel_1.03.midi,,219.032900625,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,augmented/2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav_vel_0.94.midi,,219.032900625,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_vel_0.94.midi,,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4_vel_1.01.midi,,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3_vel_1.03.midi,,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3_vel_1.03.midi,,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav_vel_1.07.midi,,688.719930938,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over a dense, chromatic harmonic texture, and a transition from a generally calm temperament to passionate intensity." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav_vel_0.93.midi,,688.719930938,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over a dense, chromatic harmonic texture, and a transition from a generally calm temperament to passionate intensity." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,Lullaby,train,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav_vel_0.93.midi,,236.329891875,"Give me a song that is tender and serene, composed in the Late Romantic style. It should be a Lullaby in the Romantic era, featuring a gentle, rocking rhythm and piano instrumentation. Incorporate a homophonic texture with a simple, folk-like melody, and a transition from peaceful repose to a more poignant, wistful mood." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,Lullaby,train,2006,augmented/2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav_vel_1.04.midi,,236.329891875,"Give me a song that is tender and serene, composed in the Late Romantic style. It should be a Lullaby in the Romantic era, featuring a gentle, rocking rhythm and piano instrumentation. Incorporate a homophonic texture with a simple, folk-like melody, and a transition from peaceful repose to a more poignant, wistful mood." +Franz Schubert,Sonata in B-flat Major D. 961,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV_vel_1.02.midi,,635.457430781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a compelling rhythmic drive. Incorporate a highly chromatic harmony that establishes the home key, and a transition from inner stillness to dramatic compulsion." +Franz Schubert,Sonata in B-flat Major D. 961,train,2009,augmented/2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV_vel_0.96.midi,,635.457430781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a compelling rhythmic drive. Incorporate a highly chromatic harmony that establishes the home key, and a transition from inner stillness to dramatic compulsion." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_0.99.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_0.92.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_vel_0.94.midi,,265.471155469,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_vel_0.98.midi,,265.471155469,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav_vel_0.95.midi,,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,augmented/2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav_vel_0.91.midi,,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_1.04.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_1.08.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_vel_1.09.midi,,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4_vel_1.08.midi,,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_0.98.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_1.00.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2_vel_1.10.midi,,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2_vel_1.06.midi,,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." diff --git a/augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_1.midi b/augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_1.midi new file mode 100644 index 0000000000000000000000000000000000000000..96f4ff040257a86f0f1a8e54263c933ac22da8f3 --- /dev/null +++ b/augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_1.midi @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:c5890c0a03c2e68a92ea8479a5ba450e444e74d5dc39541afbd7e3bde9e6fbbd +size 100002 diff --git a/augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_2.midi b/augmented/2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav_pitch_2.midi new file mode 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Minor,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.wav,512.164284844 +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.wav,476.806414219 +Alexander Scriabin,"Fantasy, Op. 28",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.wav,486.857152031 +Alexander Scriabin,"Fragilite, Op.51",validation,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.wav,138.421335938 +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.wav,463.605305625 +Alexander Scriabin,Sonata No. 2,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.wav,613.737367031 +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.wav,701.147803125 +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.wav,685.005992344 +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.wav,661.909149792 +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.wav,1120.09102734 +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.wav,1195.01082422 +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.wav,1117.95828375 +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.wav,440.110403906 +Alexander Scriabin,"Sonata No. 5 in F-sharp Minor, Op. 53",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.wav,659.835660317 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.wav,701.488347656 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.wav,706.203887813 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.wav,648.955013438 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.wav,601.648703906 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.wav,707.903939531 +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.wav,644.840434219 +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.wav,476.652835312 +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.wav,426.268270313 +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.wav,520.139704219 +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.wav,520.215825937 +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.wav,365.655350156 +Alexander Scriabin,"Waltz, Op. 38",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.wav,319.910203594 +Antonio Soler,Sonata No. 10 in B Minor,train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.wav,232.765525781 +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.wav,939.13367625 +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.wav,557.392605 +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.wav,242.752161094 +Claude Debussy,"""Images"", Series I",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.wav,918.021250781 +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.wav,166.49556 +Claude Debussy,"""Ondine"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.wav,193.30108875 +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.wav,212.295460781 +Claude Debussy,"Barcarolle, Op. 60",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.wav,482.755208333 +Claude Debussy,Bruyeres,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.wav,984.527594531 +Claude Debussy,Estampes (Complete),test,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.wav,849.030935156 +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.wav,274.671199688 +Claude Debussy,"Etude ""Pour les accords""",test,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.wav,270.703522031 +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.wav,90.9961696875 +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.wav,79.3348565625 +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.wav,134.376478304 +Claude Debussy,Feux d'artifice,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.wav,242.578550156 +Claude Debussy,Four Preludes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.wav,672.901303594 +Claude Debussy,Image (Book II),train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.wav,701.103700969 +Claude Debussy,"Images Book 1 (Complete), L 110",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.wav,903.260314687 +Claude Debussy,Images Book II,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.wav,679.697504063 +Claude Debussy,"Images, Book I",train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.wav,924.171084375 +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.wav,281.579579531 +Claude Debussy,"Images, Book II",train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.wav,845.710959844 +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.wav,219.9784125 +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.wav,207.262079062 +Claude Debussy,L'Isle Joyeuse,train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.wav,329.560300781 +Claude Debussy,L'isle joyeuse,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.wav,363.915234375 +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.wav,298.988750156 +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.wav,350.077107188 +Claude Debussy,L'isle joyeuse,train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.wav,346.025013871 +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.wav,349.685814844 +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.wav,176.46349875 +Claude Debussy,Pagodas from Estampes No. 1,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.wav,345.819632813 +Claude Debussy,Pour le piano (Complete),test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.wav,738.958333333 +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.wav,318.511967813 +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.wav,247.761504375 +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.wav,297.192544688 +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.wav,257.919079688 +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.wav,338.261822638 +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.wav,260.039831171 +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.wav,179.321401875 +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.wav,2463.4804425 +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.wav,173.302083333 +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.wav,240.3202725 +Claude Debussy,PreludesBII/7-12,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.wav,1184.04261937 +Claude Debussy,SuiteBergamasque,test,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.wav,942.903704531 +Claude Debussy,Three Etudes,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.wav,727.226836875 +César Franck,Prel./Chor./Fug.,validation,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.wav,1188.161205 +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.wav,1054.57827234 +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.wav,1021.9006875 +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.wav,632.269666875 +César Franck,"Prélude, chorale, et fugue, M. 21",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.wav,706.374827813 +Domenico Scarlatti,Sonata K. 466,train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.wav,121.187111719 +Domenico Scarlatti,Sonata K. 525,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.wav,65.9481178125 +Domenico Scarlatti,Sonata K. 54,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.wav,205.774366875 +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.wav,146.682545625 +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.wav,298.063270313 +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.wav,95.0212725 +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.wav,294.075560625 +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.wav,317.398186875 +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.wav,167.319544219 +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.wav,241.6877925 +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.wav,132.728232656 +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.wav,174.2092275 +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.wav,79.7421745313 +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.wav,136.679884688 +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.wav,136.354030313 +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.wav,205.845146719 +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.wav,170.509979063 +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.wav,788.930835 +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.wav,138.765886875 +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.wav,140.121387656 +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.wav,139.008942187 +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.wav,194.772775312 +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.wav,201.390022969 +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.wav,214.695298125 +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.wav,217.822965937 +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.wav,95.9707907813 +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.wav,239.784081463 +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.wav,143.520155625 +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.wav,96.3852114708 +Domenico Scarlatti,"Sonata, K239",test,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.wav,196.015447394 +Domenico Scarlatti,Two Sonatas,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.wav,373.6107375 +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.wav,111.434183437 +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.wav,183.914078906 +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.wav,75.8452767188 +Felix Mendelssohn,Etude in A Minor,validation,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.wav,76.0442615625 +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.wav,661.205093412 +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.wav,362.836175625 +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.wav,359.457439688 +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.wav,724.481492758 +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.wav,665.776652208 +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.wav,712.135399408 +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.wav,623.033271908 +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.wav,632.121902587 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.wav,641.788888125 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.wav,649.901860781 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.wav,723.034800469 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.wav,677.239583333 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.wav,667.11875 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.wav,615.815356406 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.wav,666.257346563 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.wav,614.557344844 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.wav,642.626227031 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.wav,738.074849531 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.wav,654.413074219 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.wav,661.282725469 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.wav,643.549035937 +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.wav,706.74074625 +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.wav,669.421072031 +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.wav,690.980879531 +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.wav,623.717708333 +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.wav,661.06875 +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.wav,709.402083333 +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.wav,267.872328281 +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.wav,253.743068906 +Felix Mendelssohn / Sergei Rachmaninoff,"Scherzo from Mendelssohn's ""Midsummer Night's Dream""",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.wav,261.753210469 +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.wav,273.16212 +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.wav,265.471155469 +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.wav,269.971685156 +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.wav,428.272808906 +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.wav,1027.3494 +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.wav,997.267966406 +Franz Liszt,Au bord d'une source,test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.wav,219.655229063 +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.wav,747.902564063 +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.wav,741.736704844 +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.wav,856.576333594 +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.wav,821.002117031 +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.wav,168.182257031 +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.wav,303.805785937 +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.wav,376.477988906 +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.wav,215.734292813 +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.wav,228.45062625 +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.wav,161.806729219 +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.wav,290.866666667 +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.wav,154.977142031 +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.wav,272.248659375 +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.wav,263.861915625 +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.wav,273.5625 +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.wav,351.182875313 +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.wav,375.854325 +Franz Liszt,Dante Sonata,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.wav,1005.00558223 +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.wav,1003.39109062 +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.wav,913.148125313 +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.wav,901.1743125 +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.wav,984.984324844 +Franz Liszt,Funerailles,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.wav,697.635520313 +Franz Liszt,Funerailles,validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.wav,630.147607031 +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.wav,1610.85576094 +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.wav,262.876041667 +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.wav,276.421875 +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.wav,262.686458333 +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.wav,282.123617587 +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.wav,264.791437558 +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.wav,283.232586512 +Franz Liszt,Hungarian Rhapsody,validation,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.wav,608.523697031 +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.wav,335.35 +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.wav,334.736577656 +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.wav,566.314871719 +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.wav,421.862558906 +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.wav,507.396661406 +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.wav,313.966032187 +Franz Liszt,"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244/2",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.wav,539.083333333 +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.wav,441.165573321 +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.wav,386.800455096 +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.wav,632.172177656 +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.wav,645.111458333 +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.wav,569.204517423 +Franz Liszt,Mephisto Waltz,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.wav,670.279778437 +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.wav,621.447953048 +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.wav,685.255457123 +Franz Liszt,Mephisto Waltz No. 1,train,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.wav,641.020993594 +Franz Liszt,Mephisto Waltz No. 1,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.wav,662.270972344 +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.wav,676.294729688 +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.wav,682.626187031 +Franz Liszt,Mephisto-Waltz No. 1,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.wav,637.078689844 +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.wav,255.070524844 +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.wav,274.468208438 +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.wav,421.584472688 +Franz Liszt,Polonaise in E Major,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.wav,468.594616875 +Franz Liszt,Rem. of Don Juan,test,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.wav,995.665403906 +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.wav,794.300754844 +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.wav,750.80053125 +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.wav,774.292762031 +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.wav,794.979172969 +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.wav,783.325 +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.wav,743.269822969 +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.wav,771.030211875 +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.wav,794.788200938 +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.wav,773.212367813 +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.wav,754.92445875 +Franz Liszt,Rigoletto Paraphrase,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.wav,391.296350156 +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.wav,379.090165781 +Franz Liszt,Rigoletto-Paraphrase,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.wav,421.416512344 +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.wav,977.023595625 +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.wav,1700.13318234 +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.wav,1744.15290328 +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.wav,1396.30736437 +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.wav,1670.37092578 +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.wav,1710.21062953 +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.wav,1726.19619047 +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.wav,1480.26561375 +Franz Liszt,Sonetto 104 del Petrarca,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.wav,379.317195469 +Franz Liszt,Sonetto 104 del Petrarca,train,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.wav,398.729569219 +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.wav,412.511606719 +Franz Liszt,Spanish Rhapsody,train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.wav,750.325777985 +Franz Liszt,Spanish Rhapsody,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.wav,802.764955781 +Franz Liszt,Tarantella,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.wav,545.376041667 +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.wav,532.707800625 +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.wav,487.864095469 +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.wav,504.102230742 +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.wav,626.159897344 +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.wav,53.936911875 +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.wav,45.1552083333 +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.wav,257.278054688 +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.wav,305.818337344 +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.wav,235.22412375 +Franz Liszt,"Transcendental Etude No. 11 ""Harmonies du Soir""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.wav,607.479360469 +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.wav,269.271899531 +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.wav,257.133824063 +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.wav,128.823958333 +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.wav,260.515230938 +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.wav,494.709708281 +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.wav,414.234375 +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.wav,226.426055625 +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.wav,243.934050937 +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.wav,208.186223437 +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.wav,220.76901 +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.midi,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.wav,215.347006875 +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.wav,317.551765781 +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.wav,298.708301719 +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.wav,355.499110313 +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.wav,510.89592875 +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.wav,381.608172846 +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.wav,286.726159138 +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.wav,529.717489842 +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.wav,549.447094021 +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.wav,342.2875 +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.wav,327.398176875 +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.wav,328.064575781 +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.wav,403.523902031 +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.wav,990.913806094 +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.wav,1033.23481078 +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.wav,267.455954417 +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.wav,270.732647762 +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.wav,394.658322575 +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.wav,484.962367262 +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.wav,212.663487858 +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.wav,604.709598281 +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.wav,308.576080313 +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.wav,529.54006875 +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.wav,336.379204219 +Franz Schubert,"""Erlkoenig""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.wav,274.736637656 +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.wav,236.42070375 +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.wav,1204.94174533 +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.wav,584.943325313 +Franz Schubert,Impromptu Op. 142 No. 1 in F Minor,train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--3.wav,635.781949688 +Franz Schubert,"Impromptu Op. 142 No. 1 in F Minor, D. 935",train,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--1.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--1.wav,578.621096367 +Franz Schubert,"Impromptu Op. 142 No. 1 in F Minor, D. 935",train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--3.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--3.wav,566.241883521 +Franz Schubert,"Impromptu Op. 142 No. 1 in F Minor, D935",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--1.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--1.wav,574.096648125 +Franz Schubert,"Impromptu Op. 142 No. 1, in F Minor, D935",train,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_07_Track07_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_07_Track07_wav.wav,537.582261562 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-Flat Major, D935",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--1.wav,638.698613438 +Franz Schubert,Impromptu Op. 142 No. 3 in B-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--3.wav,392.005208333 +Franz Schubert,Impromptu Op. 142 No. 3 in B-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--2.wav,685.165625 +Franz Schubert,Impromptu Op. 142 No. 3 in B-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--1.wav,685.057291667 +Franz Schubert,Impromptu Op. 142 No. 3 in B-flat Major,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--1.wav,474.560155781 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D. 935",train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--2.wav,680.221025875 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D. 935",train,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--1.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--1.wav,551.678920692 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D935",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--1.wav,634.483874063 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D935",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--2.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--2.wav,462.785327812 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D935",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--1.wav,389.417345625 +Franz Schubert,"Impromptu Op. 142 No. 3 in B-flat Major, D935",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--1.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--1.wav,717.590094375 +Franz Schubert,"Impromptu Op. 142 No. 3, in B-Flat Major, D935",train,2011,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_06_Track06_wav.wav,523.286068594 +Franz Schubert,"Impromptu Op. 142 No. 3, in B-Flat Major, D935",train,2011,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_10_Track10_wav.midi,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_10_Track10_wav.wav,696.215917031 +Franz Schubert,"Impromptu Op. 142 No. 3, in B-Flat Major, D935",train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_04_Track04_wav.wav,399.084803906 +Franz Schubert,"Impromptu Op. 142 No. 3, in B-Flat Major, D935",train,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_08_Track08_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_08_Track08_wav.wav,407.183086406 +Franz Schubert,"Impromptu Op. 142 No. 4 in F Minor, D. 935",test,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--2.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--2.wav,376.731059992 +Franz Schubert,"Impromptu Op. 142 No. 4, in F Minor, D935",test,2011,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_02_Track02_wav.wav,329.194382344 +Franz Schubert,Impromptu Op. 90 No. 1,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--1.wav,566.467115156 +Franz Schubert,Impromptu Op. 90 No. 1 in C Minor,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--1.wav,532.502138437 +Franz Schubert,Impromptu Op. 90 No. 1 in C Minor,train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--1.wav,519.358455 +Franz Schubert,"Impromptu Op. 90 No. 1 in C Minor, D. 899",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--2.wav,559.081662196 +Franz Schubert,"Impromptu Op. 90 No. 1, in C Minor, D899",train,2011,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_02_Track02_wav.midi,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_02_Track02_wav.wav,588.366131719 +Franz Schubert,"Impromptu Op. 90 No. 1, in C Minor, D899",train,2011,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_07_Track07_wav.wav,566.914497188 +Franz Schubert,Impromptu Op. 90 No. 2,train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--1.wav,223.212917812 +Franz Schubert,Impromptu Op. 90 No. 2 E-flat Major,train,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--1.wav,264.608442656 +Franz Schubert,Impromptu Op. 90 No. 2 in E-flat Major,train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--2.wav,274.862171719 +Franz Schubert,Impromptu Op. 90 No. 2 in E-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--1.wav,287.720833333 +Franz Schubert,"Impromptu Op. 90 No. 2 in E-flat Major, D. 899",train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--1.wav,287.37038675 +Franz Schubert,"Impromptu Op. 90 No. 2 in E-flat Major, D899",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--2.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--2.wav,267.370192031 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat,train,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--3.wav,300.25611 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat Major,train,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--1.wav,375.151868438 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat Major,train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--2.wav,365.193277969 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--2.wav,355.173958333 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--3.wav,302.311458333 +Franz Schubert,Impromptu Op. 90 No. 3 in G-flat Major,train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--1.wav,366.34375 +Franz Schubert,"Impromptu Op. 90 No. 3 in G-flat Major, D. 899",train,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--2.wav,366.462947912 +Franz Schubert,"Impromptu Op. 90 No. 3 in G-flat Major, D. 899",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--3.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--3.wav,327.167200292 +Franz Schubert,"Impromptu Op. 90 No. 3 in G-flat Major, D899",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--2.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--2.wav,357.281961094 +Franz Schubert,"Impromptu Op. 90 No. 3, in G-flat Major, D899",train,2011,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_04_Track04_wav.midi,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_04_Track04_wav.wav,320.318857031 +Franz Schubert,"Impromptu Op. 90 No. 3, in G-flat Major, D899",train,2011,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_09_Track09_wav.wav,258.665606719 +Franz Schubert,Impromptu Op. 90 No. 4 in A-flat Major,test,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--3.wav,400.711404844 +Franz Schubert,Impromptu Op. 90 No. 4 in A-flat Major,test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--4.wav,342.504999375 +Franz Schubert,Impromptu Op. 90 No. 4 in A-flat Major,test,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--1.wav,112.872916667 +Franz Schubert,Impromptu Op. 90 No. 4 in A-flat Major,test,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--1.wav,354.151041667 +Franz Schubert,Impromptu Op. 90 No. 4 in A-flat Major,test,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--3.wav,366.94375 +Franz Schubert,"Impromptu Op. 90, No. 3, in G-flat Major, D899",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_04_Track04_wav.wav,307.356797344 +Franz Schubert,"Impromptu Op.142 No.3, in B-Flat Major, D935",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--1.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--1.wav,445.906338281 +Franz Schubert,Impromptus Op. 90,train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--3.wav,644.389045781 +Franz Schubert,"Impromptus Op. 90, No. 3",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--1.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--1.wav,340.525040821 +Franz Schubert,Moment Musical Op. 94 No. 1 in C Major,validation,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--2.wav,351.030208333 +Franz Schubert,"Moment Musical Op. 94 No. 4 in C-sharp Minor, D780",test,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--2.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--2.wav,414.592267031 +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.wav,320.264102813 +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.wav,106.156410937 +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.wav,776.242546406 +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.wav,932.691375 +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.wav,849.484994531 +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.wav,468.100493438 +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.wav,590.496204375 +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.wav,592.003948594 +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.wav,709.957890469 +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.wav,772.517924063 +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.wav,719.690786719 +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.wav,660.76857 +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.wav,670.895429531 +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.wav,677.290989375 +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.wav,435.830226563 +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.wav,420.042315 +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.wav,427.673183437 +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.wav,896.542906875 +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.wav,272.131138125 +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.wav,844.489005937 +Franz Schubert,Sonata in A D962,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.wav,648.601114219 +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.wav,903.514803525 +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.wav,342.161784937 +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.wav,2341.60689984 +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.wav,2210.52262922 +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.wav,2453.07847641 +Franz Schubert,"Sonata in A Major, D959",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.wav,2244.51297984 +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.wav,339.792662344 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.wav,569.863212188 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.wav,794.52912 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.wav,463.446384844 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.wav,308.593441406 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.wav,658.862856094 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.wav,731.219888438 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.wav,424.8500025 +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.wav,272.511746719 +Franz Schubert,"Sonata in A Minor, D. 537, I. Allegro ma non troppo",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.wav,308.591436612 +Franz Schubert,"Sonata in A Minor, D. 845",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.wav,463.744194375 +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.wav,398.837742187 +Franz Schubert,"Sonata in A Minor, D. 847",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.wav,280.387005938 +Franz Schubert,"Sonata in A Minor, D. 848",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.wav,293.561405156 +Franz Schubert,"Sonata in A Minor, D784",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.wav,1371.54510281 +Franz Schubert,"Sonata in A Minor, D845",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.wav,1846.46449969 +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.wav,1682.59847766 +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.wav,908.675640469 +Franz Schubert,Sonata in B-flat Major D. 961,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.wav,635.457430781 +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.wav,216.3032025 +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.wav,434.902075781 +Franz Schubert,"Sonata in B-flat Major, D. 960",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.wav,949.83879375 +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.wav,2213.10943219 +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.wav,2624.66350781 +Franz Schubert,"Sonata in B-flat Major, D. 961",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.wav,672.761079375 +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.wav,220.921253438 +Franz Schubert,"Sonata in B-flat Major, D. 963",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.wav,515.92897125 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.wav,902.321056094 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.wav,595.733285317 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.wav,225.191643375 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.wav,456.341602506 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.wav,917.292165775 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.wav,572.456644581 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.wav,240.996083931 +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.wav,488.711165135 +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.wav,2561.10988547 +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.wav,2421.89528109 +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.wav,475.983765469 +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.wav,488.363560781 +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.wav,203.632275 +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.wav,521.642106562 +Franz Schubert,"Sonata in C Major, D840",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.wav,704.256774375 +Franz Schubert,"Sonata in C Major, D841",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.wav,540.345346406 +Franz Schubert,"Sonata in C Major, D842",validation,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.wav,312.578480156 +Franz Schubert,"Sonata in C Major, D843",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.wav,529.414534688 +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.wav,480.3627675 +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.wav,493.521141094 +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.wav,1790.89831594 +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.wav,1766.21885344 +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.wav,469.549477031 +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.wav,573.772129219 +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.wav,166.621094063 +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.wav,151.10027625 +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.wav,520.219832344 +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.wav,560.5763625 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.wav,692.722315437 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.wav,525.664047577 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.wav,745.937970417 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.wav,452.828792356 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.wav,465.319140125 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.wav,705.474414571 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.wav,463.915298113 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.wav,466.286017615 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.wav,152.737797285 +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.wav,547.810349767 +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.wav,1743.52523297 +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.wav,1749.02602875 +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.wav,1631.10547359 +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.wav,1758.36229078 +Franz Schubert,"Sonata in C major, D. 840 (Complete)",test,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.wav,1579.19446781 +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.wav,1974.04316484 +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.wav,396.018062513 +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.wav,682.401833062 +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.wav,351.6399883 +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.wav,440.98053671 +Franz Schubert,"Sonata in D Major, D850",train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.wav,2346.84060188 +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.wav,2076.61384219 +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.wav,1898.29804828 +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.wav,1990.15425984 +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.wav,749.203986423 +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.wav,417.901544965 +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.wav,224.28886826 +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.wav,506.776282783 +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.wav,774.434321719 +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.wav,928.51402875 +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.wav,410.555145 +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.wav,459.31578 +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.wav,227.10447375 +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.wav,241.472782031 +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.wav,513.018984844 +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.wav,460.102371094 +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.wav,1025.03650605 +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.wav,1298.3273665 +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.wav,754.754183725 +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.wav,433.1782093 +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.wav,685.919985077 +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.wav,442.276534219 +Franz Schubert,Wanderer Fantasy,test,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.wav,1263.03426047 +Franz Schubert / Franz Liszt,Der Mueller und der Bach,validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.wav,301.624965469 +Franz Schubert / Franz Liszt,Die Forelle,train,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.wav,207.156577031 +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.wav,503.913758906 +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.wav,199.135751719 +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.wav,209.410707023 +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.wav,189.921448277 +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.wav,141.831846552 +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.wav,249.113581352 +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.wav,332.408855625 +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.wav,157.473133125 +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.wav,126.815625 +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.wav,369.954224062 +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.wav,1409.28857763 +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.wav,327.327025835 +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.wav,2398.64035989 +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.wav,809.804211563 +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.wav,819.874981406 +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.wav,779.574540938 +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.wav,794.2513425 +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.wav,802.590009375 +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.wav,761.139730313 +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.wav,829.847429454 +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.wav,824.448951633 +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.wav,780.15947625 +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.wav,826.469791667 +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.wav,818.453125 +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.wav,769.017660469 +Frédéric Chopin,Ballade 4 Op. 52,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.wav,603.939032813 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.wav,551.649013656 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.wav,544.937494994 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.wav,516.970757429 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.wav,511.25625 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.wav,590.019442031 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.wav,511.011775313 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.wav,538.139152031 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.wav,527.426021719 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.wav,502.698482344 +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.wav,558.778244879 +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.wav,340.642020469 +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.wav,426.929327344 +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.wav,411.467270156 +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.wav,459.913344704 +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.wav,418.390340156 +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.midi,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.wav,424.21966125 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.wav,647.477985 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.wav,616.031702344 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.wav,611.620649062 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.wav,657.425891719 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.wav,653.658534375 +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.wav,641.490446425 +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.wav,628.508986875 +Frédéric Chopin,Barcarolle in F#,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.wav,486.925260938 +Frédéric Chopin,"Barcarolle in F-sharp Major, Op. 60",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.wav,499.187535 +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.wav,553.574499844 +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.wav,476.111970469 +Frédéric Chopin,"Barcarolle, Op. 60",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.wav,536.125265156 +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.wav,519.593607825 +Frédéric Chopin,Berceuse Op. 57,validation,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.wav,261.343221562 +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.wav,265.093786504 +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.wav,256.01470125 +Frédéric Chopin,"Berceuse, Op. 57",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.wav,273.486458333 +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.wav,293.0552625 +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.wav,1203.88854254 +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.wav,604.44159296 +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.wav,115.228125 +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.wav,115.634375 +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.wav,104.165625 +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.wav,116.702083333 +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.wav,114.585889687 +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.wav,116.213105767 +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.wav,121.811368933 +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.wav,114.474866421 +Frédéric Chopin,Etude Op. 10 No. 10 in A-flat Major,train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.wav,124.78143985 +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.wav,154.826041667 +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.wav,136.134375 +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.wav,150.49375 +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.wav,157.636458333 +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.wav,138.094146094 +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.wav,81.2895833333 +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.wav,70.726425 +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.wav,79.48679 +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.wav,119.150521875 +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.wav,111.881565469 +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.wav,122.391704531 +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.wav,113.671093594 +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.wav,123.152921719 +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.wav,124.61526 +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.wav,123.041063763 +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.wav,115.376571404 +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.wav,112.612696058 +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.wav,95.57645475 +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.wav,92.236727525 +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.wav,98.7099864042 +Frédéric Chopin,Etude Op. 10 No. 8,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.wav,138.896875 +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.wav,125.043945469 +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.wav,135.18148875 +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.wav,131.456866406 +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.wav,149.950437656 +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.wav,137.86875 +Frédéric Chopin,Etude Op. 25 No. 1,train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.wav,136.072246406 +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.wav,147.718293271 +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.wav,143.456562017 +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.wav,250.193392969 +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.wav,243.747085312 +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.wav,237.826952344 +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.wav,237.363153154 +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.wav,217.536458333 +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.wav,210.821875 +Frédéric Chopin,Etude Op. 25 No. 11,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.wav,193.874004844 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.wav,238.691000625 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.wav,200.596754531 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.wav,221.514201563 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.wav,213.302404219 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.wav,193.441312969 +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.wav,219.964734133 +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.wav,136.692708333 +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.wav,156.28125 +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.wav,137.845748906 +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.wav,181.853450625 +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.wav,127.005208333 +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.wav,120.675627187 +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.wav,116.065589062 +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.wav,110.455284844 +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.wav,221.737224844 +Frédéric Chopin,"Etude in F Major, Op. 10, No. 8",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.wav,150.433877344 +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.wav,143.597612813 +Frédéric Chopin,Etudes Op. 10 Nos. 9,test,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.wav,124.808902969 +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.wav,656.746138125 +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.wav,715.326623087 +Frédéric Chopin,"Fantasy in F Minor, Op.49",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.wav,766.870226719 +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.wav,265.483174688 +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.wav,137.6280675 +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.wav,235.214775469 +Frédéric Chopin,"Mazurka in D Major, Op. 33, No. 2",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.wav,124.491061406 +Frédéric Chopin,"Mazurka in F Minor, Op. 7, No. 3",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.wav,121.519643437 +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.wav,94.3936021875 +Frédéric Chopin,"Mazurkas, Op. 17 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.wav,775.889982656 +Frédéric Chopin,Nocturne Op. 15 No. 1 in F Major,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.wav,240.451041667 +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.wav,293.216854219 +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.wav,351.594791667 +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.wav,341.238712538 +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.wav,261.275112656 +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.wav,297.4875 +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.wav,278.460416667 +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.wav,405.313184896 +Frédéric Chopin,"Nocturne Op. 62, No. 2",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.wav,371.021263594 +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.wav,220.688881875 +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.wav,346.917388125 +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.wav,352.914978281 +Frédéric Chopin,"Nocturne in C Minor, Op. 48 No. 1",validation,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.wav,295.043775469 +Frédéric Chopin,"Nocturne in C-Sharp Minor, Op. Posth.",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.wav,230.862482812 +Frédéric Chopin,"Nocturne in C-sharp Minor, Op. 27 No. 1",test,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.wav,302.6908245 +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.wav,423.666777187 +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.wav,355.499110313 +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.wav,278.441227969 +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.wav,230.070549844 +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.wav,423.697492969 +Frédéric Chopin,Polonaise Op. 44,test,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.wav,662.006549531 +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.wav,456.126680625 +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.wav,379.931511094 +Frédéric Chopin,Polonaise-Fantasie,test,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.wav,779.016315 +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.wav,664.581333281 +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.wav,721.536404531 +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.wav,779.399594531 +Frédéric Chopin,"Preludes, Book II, L 123, VI. Général Lavine - eccentric",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.wav,151.232291667 +Frédéric Chopin,"Preludes, Op.28",train,2009,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.wav,2622.72440719 +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.wav,610.798000312 +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.wav,496.481875313 +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.wav,506.0037675 +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.wav,527.487453281 +Frédéric Chopin,"Scherzo No. 1 in B minor, Op. 20",validation,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.wav,555.1917525 +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.wav,578.37549 +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.wav,581.988541667 +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.wav,558.0485476 +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.wav,581.174502658 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.wav,549.705646875 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.wav,533.733333333 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.wav,622.283333333 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.wav,536.088541667 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.wav,580.788541667 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.wav,577.134992537 +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.wav,565.314605625 +Frédéric Chopin,Scherzo No. 3,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.wav,433.202024063 +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.wav,418.929166667 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.wav,688.719930938 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.wav,637.803674029 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.wav,691.635259219 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.wav,623.886929531 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.wav,624.909898594 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.wav,665.485416667 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.wav,650.51217 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.wav,656.379262358 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.wav,631.082377767 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.wav,624.929630137 +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.wav,655.006405837 +Frédéric Chopin,Sonata 3 Op. 58,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.wav,1442.79636703 +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.wav,1461.01216078 +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.wav,1127.25314625 +Frédéric Chopin,Sonata No. 3,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.wav,1611.38460656 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.wav,493.142775994 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.wav,154.986722275 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.wav,768.135554506 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.wav,1639.91556094 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.wav,1607.37152297 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.wav,1551.77061703 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.wav,1458.97557094 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.wav,528.9951975 +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.wav,507.502855104 +Frédéric Chopin,"Sonata in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.wav,1442.05450661 +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.wav,282.30741 +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.wav,117.120609375 +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.wav,304.59375 +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.wav,1424.93313703 +George Enescu,Suite Op. 10,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.wav,1364.70483188 +George Frideric Handel,Chaconne in G,train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.wav,329.032790625 +George Frideric Handel,"Chaconne in G Major, HWV 435",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.wav,328.904585625 +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.wav,453.091796933 +George Frideric Handel,Suite No. 3 in D Minor,train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.wav,720.089756071 +George Frideric Handel,Suite No. 3 in D Minor,train,2009,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.wav,856.080874687 +Georges Bizet / Ferruccio Busoni,"Sonatina No. 6, BV284 “Fantasia da Camera super Carmen”",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.wav,524.597498906 +Georges Bizet / Moritz Moszkowski,"Chanson Boheme de l'Opera ""Carmen"" by Georges Bizet",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.wav,336.530402275 +Georges Bizet / Vladimir Horowitz,Carmen Variations,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.wav,231.487113571 +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.wav,423.490495313 +Henry Purcell,"Suite in C Major, Z. 666 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.wav,538.800209063 +Isaac Albéniz,Asturias,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.wav,308.694937031 +Isaac Albéniz,"Evocacion from ""Iberia""",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.wav,316.343166563 +Isaac Albéniz,Iberia Book II,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.wav,1245.62375438 +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.wav,361.027781119 +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.wav,291.849566392 +Isaac Albéniz,Navarra,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.wav,336.871992188 +Isaac Albéniz,Triana from 'Iberia',train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.wav,259.816541231 +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.wav,171.362008125 +Jean-Philippe Rameau,RameauSelections,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.wav,334.854098906 +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.wav,688.398610244 +Johann Pachelbel,Chaconne in F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.wav,172.9699125 +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.wav,636.456361406 +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.wav,738.034785469 +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.wav,711.303125 +Johann Sebastian Bach,"Duet in E Minor, BWV 802",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.wav,131.834804063 +Johann Sebastian Bach,"Duet in G, BWV 804",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.wav,125.185505156 +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.wav,285.801041667 +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.wav,1324.77832266 +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.wav,821.342661563 +Johann Sebastian Bach,"English Suite no. 3 in G Minor, Prelude",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.wav,168.862010625 +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.wav,968.256759019 +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.wav,792.520097956 +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.wav,130.60752069 +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.wav,784.858990781 +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.wav,732.789064219 +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.wav,771.034375 +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.wav,442.826747344 +Johann Sebastian Bach,"Partita No. 1 in B-Flat Major, BWV 825 (Complete)",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.wav,951.542851875 +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.wav,265.774306875 +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.wav,1091.69094891 +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.wav,1286.67739922 +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.wav,1133.65805437 +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.wav,452.432774063 +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.wav,290.666108906 +Johann Sebastian Bach,"Prelude & Fugue in B flat minor, Book I, BWV 867",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.wav,323.019174844 +Johann Sebastian Bach,"Prelude & Fugue in G Minor, WTK II",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.wav,311.725576133 +Johann Sebastian Bach,"Prelude and Fuge in G-sharp Minor, WTC I, BWV 863",test,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.wav,297.515728125 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I , BWV 858",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.wav,227.335416667 +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.wav,211.635416667 +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.wav,173.611458333 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.wav,316.24968375 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.wav,303.235540781 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.wav,309.229254 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.wav,241.37796375 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.wav,220.773016406 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.wav,236.185416667 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.wav,244.373420156 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.wav,241.077878542 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.wav,225.740346858 +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.wav,215.636763887 +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.wav,230.553989531 +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.wav,208.19423625 +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC I, BWV 868",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.wav,188.697727969 +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.wav,347.649225 +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.wav,347.093384704 +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.wav,223.900684219 +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.wav,224.950362656 +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.wav,254.6792325 +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.wav,420.449614371 +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.wav,313.167708333 +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.wav,316.22831625 +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.wav,352.80947625 +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.wav,337.989779531 +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.wav,360.5338275 +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.wav,233.179166667 +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 846",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.wav,239.887580625 +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.wav,258.54375 +Johann Sebastian Bach,"Prelude and Fugue in C Minor, WTC II, BWV 871",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.wav,238.729729219 +Johann Sebastian Bach,"Prelude and Fugue in C sharp major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.wav,202.549209844 +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.wav,208.378530937 +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.wav,202.95919875 +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.wav,328.45052625 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.wav,208.537451719 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.wav,180.019852031 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.wav,195.688906875 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.wav,217.730208333 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.wav,211.061487656 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.wav,194.047126088 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, Book I, BWV 849",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.wav,454.246340625 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.wav,322.878950625 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.wav,439.36964195 +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC II",test,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.wav,381.53808 +Johann Sebastian Bach,"Prelude and Fugue in D Major, Book II",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.wav,313.288949531 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.wav,174.840904219 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.wav,208.622909367 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.wav,373.192708333 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.wav,352.833514688 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.wav,153.460049531 +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.wav,171.830757656 +Johann Sebastian Bach,"Prelude and Fugue in D Minor, Book II",validation,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.wav,203.718416123 +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.wav,220.760997188 +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.wav,228.760455 +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.wav,213.624252187 +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.wav,208.592994983 +Johann Sebastian Bach,"Prelude and Fugue in D major, WTC I",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.wav,230.445816562 +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.wav,200.214810469 +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.wav,229.831138779 +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.wav,388.630754531 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.wav,157.071157031 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.wav,141.199110937 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.wav,144.941094375 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.wav,151.017422404 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.wav,150.834730992 +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.wav,159.4875 +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.wav,201.866666667 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.wav,342.303343594 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.wav,226.341921094 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.wav,246.290459838 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.wav,511.423776062 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.wav,545.822916667 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.wav,513.906669879 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.wav,524.592514954 +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.wav,483.489083883 +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC I, BWV 856",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.wav,127.639583333 +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.wav,269.760681094 +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II, BWV 880",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.wav,302.413048083 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.wav,336.694374844 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.wav,312.713541667 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.wav,355.026041667 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.wav,113.862065625 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.wav,192.887093437 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.wav,331.603075992 +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.wav,348.258977283 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.wav,219.032900625 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.wav,437.084231719 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.wav,348.580208333 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.wav,401.079994219 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.wav,385.827169267 +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.wav,449.358909242 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.wav,218.721736406 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.wav,220.113294844 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.wav,214.034241094 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.wav,215.842465781 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.wav,199.409375 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.wav,220.686210937 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.wav,223.305529729 +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC II, BWV 884",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.wav,137.286720454 +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.wav,349.715195156 +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.wav,303.6535425 +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.wav,330.161458333 +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.wav,45.1695595313 +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.wav,275.396875 +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.wav,269.322647344 +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.wav,268.404667717 +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.wav,472.302083333 +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.wav,182.581281094 +Johann Sebastian Bach,"Prelude from English Suite No. 6 in D Minor, BWV 811",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.wav,444.076746094 +Johann Sebastian Bach,"Prelude from the English Suite No. 1 in A Major, BWV 806",train,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.wav,246.539550469 +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.wav,156.930932813 +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.wav,468.700118906 +Johann Sebastian Bach,"Prelude from the English Suite No. 6 in D Minor, BWV 811",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.wav,460.567114219 +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.wav,342.48897375 +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.wav,621.090457969 +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.wav,601.358907187 +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.wav,419.617635937 +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.wav,365.110416667 +Johann Sebastian Bach / Egon Petri,"""Sheep May Safely Graze""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.wav,262.753476562 +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.wav,273.688295181 +Johann Sebastian Bach / Ferruccio Busoni,"""Wachet auf, ruft uns die Stimme' BWV 645",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.wav,202.363719265 +Johann Sebastian Bach / Ferruccio Busoni,Chaconne BWV1004,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.wav,839.471649844 +Johann Sebastian Bach / Ferruccio Busoni,Chaconne in D Minor,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.wav,801.396100313 +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.wav,832.292416525 +Johann Sebastian Bach / Ferruccio Busoni,Toccata in DMin.,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.wav,530.895569531 +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.wav,183.709752187 +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.wav,362.185802344 +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.wav,871.552280156 +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.wav,204.798139219 +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.wav,373.027083333 +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.wav,1064.85903814 +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.wav,982.801808179 +Johannes Brahms,Fantasien Op.116,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.wav,1357.78443281 +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.wav,1278.59914875 +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.wav,322.240596563 +Johannes Brahms,Intermezzos Op. 119,validation,2018,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.wav,834.47566125 +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.wav,611.940377546 +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.wav,667.405849687 +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.wav,1275.88948266 +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.wav,551.766666667 +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.wav,1335.99759563 +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.wav,1445.39919563 +Johannes Brahms,Sonata No. 1,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.wav,1673.36504672 +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.wav,1577.25002531 +Johannes Brahms,"Sonata No. 3 in F Minor, Op. 5",train,2009,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.wav,1998.331335 +Johannes Brahms,Sonata Op. 5,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.wav,2008.69323703 +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.wav,477.495386256 +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.wav,994.140229671 +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.wav,662.274755685 +Johannes Brahms,"Variations and Fugue on the Theme of Händel, Op. 24",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.wav,1476.86016844 +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.wav,1556.83337906 +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.wav,630.978125 +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.wav,636.198958333 +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Book II",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.wav,678.292590937 +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.wav,1479.74136125 +Johannes Brahms,Variations on a theme by Paganini (Books I & II),train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.wav,1449.01922965 +Joseph Haydn,Andante w/Var.,validation,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.wav,558.522411562 +Joseph Haydn,"Piano Sonata in C major, Hob. XVI:50 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.wav,790.4906625 +Joseph Haydn,Son. Hob. XVI:32,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.wav,507.451415625 +Joseph Haydn,Son. Hob. XVI:39,validation,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.wav,830.483945156 +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.wav,960.620032969 +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.wav,1030.59325359 +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.wav,298.232874844 +Joseph Haydn,"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.wav,349.392518737 +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.wav,362.353125 +Joseph Haydn,"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.wav,276.880065 +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.wav,240.84377625 +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.wav,128.60029875 +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.wav,885.980684531 +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.wav,325.622916667 +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.wav,314.383333333 +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.wav,655.070124844 +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.wav,705.326484844 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.wav,301.098470731 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.wav,347.301325885 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.wav,136.290196233 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.wav,290.9612475 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.wav,320.065117969 +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, First Movement",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.wav,325.782259688 +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.wav,300.520532812 +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.wav,317.5424175 +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.wav,322.507690313 +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.wav,809.594542969 +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.wav,208.260069392 +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.wav,272.176547504 +Joseph Haydn,"Sonata in E Major, Hob. XVI:31, First Movement",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.wav,190.071925313 +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.wav,299.194791667 +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.wav,339.421875 +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.wav,334.624398281 +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.wav,330.897105 +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.wav,326.69839125 +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.wav,330.695449219 +Joseph Haydn,"Sonata in E-flat major, Hob. XVI:52, I. Allegro",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.wav,341.064568092 +Joseph Haydn,"Sonata in F Major, Hob. XVI:23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.wav,945.389011875 +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.wav,186.908199844 +Joseph Haydn,"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.wav,207.125 +Leoš Janáček,In the Mists,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.wav,855.393108281 +Leoš Janáček,"In the Mists, I. Andante ",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.wav,217.770833333 +Leoš Janáček,"Piano Sonata 1. X. 1905 ""From the Street""",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.wav,837.561929531 +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.wav,891.962249063 +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.wav,1402.55462314 +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.wav,524.024582813 +Ludwig van Beethoven,Bagatelles Op126,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.wav,1108.03708641 +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.wav,1158.83297578 +Ludwig van Beethoven,"Bagtellen, Op.126",train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.wav,1136.37306234 +Ludwig van Beethoven,"Eroica Variations, Op. 35",validation,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.wav,1314.69697633 +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.wav,527.932164375 +Ludwig van Beethoven,"Rondo a capriccioso ""Rage over a Lost Penny"", Op. 129",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.wav,359.744565469 +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.wav,338.34367875 +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.wav,278.940693281 +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.wav,336.258333333 +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.wav,318.44375 +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.wav,1320.41401078 +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.wav,321.794363371 +Ludwig van Beethoven,"Sonata No. 12 in A-flat Major, Op. 26, First Movement",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.wav,405.62993625 +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.wav,454.737088017 +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.wav,281.444133737 +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.wav,306.104269312 +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement",test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.wav,283.811147812 +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.wav,277.578515156 +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.wav,876.420833333 +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.wav,451.611460781 +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.wav,397.774709062 +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.wav,360.045045937 +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.wav,340.150567969 +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.wav,376.117815133 +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.wav,380.419076108 +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.wav,355.351891246 +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.wav,384.556876346 +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.wav,351.670321406 +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.wav,352.347404063 +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.wav,1206.21807797 +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.wav,353.245063963 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.wav,1344.34026891 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.wav,1306.74014625 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.wav,519.560110781 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.wav,521.564649375 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.wav,489.6789975 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.wav,534.701655469 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.wav,481.751655 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.wav,484.226041667 +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.wav,504.610416667 +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.wav,506.996020781 +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.wav,470.289326719 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.wav,473.193194162 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.wav,637.070596287 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.wav,484.191003521 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.wav,501.518910067 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.wav,480.396150321 +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.wav,488.333077242 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 ""Appassionata"", First Movement",train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.wav,593.318049844 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.wav,1251.28854167 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.wav,523.841623594 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.wav,572.423305781 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.wav,564.872565469 +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.wav,568.347455156 +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.wav,515.413072754 +Ludwig van Beethoven,"Sonata No. 24 in F-Sharp Major, Op. 78",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.wav,602.757142969 +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.wav,397.693245469 +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.wav,278.421195937 +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.wav,316.572784056 +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.wav,453.392893256 +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.wav,399.448051406 +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.wav,338.045869219 +Ludwig van Beethoven,"Sonata No. 26 in E-flat Major, Op. 81a, I. Das Lebewohl. Adagio - Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.wav,407.455208333 +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.wav,760.2770175 +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.wav,308.53601625 +Ludwig van Beethoven,"Sonata No. 27, Op. 90, I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck",validation,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.wav,318.420448279 +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.wav,1201.07919422 +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.wav,1162.39066453 +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.wav,1098.92518313 +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.wav,2457.80737125 +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.wav,430.0636725 +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.wav,445.68125 +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.wav,894.40625 +Ludwig van Beethoven,"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.wav,450.154845513 +Ludwig van Beethoven,"Sonata No. 30 in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.wav,1176.40240266 +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.wav,1022.54438344 +Ludwig van Beethoven,"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.wav,1137.43743094 +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.wav,1060.72142859 +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.wav,1063.92121172 +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.wav,397.215147656 +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.wav,1603.11404859 +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.wav,1585.96930078 +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.wav,1590.10257656 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.wav,330.763558125 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.wav,325.30950375 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.wav,332.583802031 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.wav,338.472916667 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.wav,325.877676696 +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.wav,333.371229721 +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.wav,271.508809687 +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, I. Allegro molto e con brio",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.wav,236.041666667 +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.wav,1254.06391687 +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.wav,283.606821094 +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.wav,397.789399219 +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.wav,278.132734688 +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.wav,304.532695817 +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.wav,289.1011475 +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.wav,921.498811406 +Ludwig van Beethoven,Sonata Op. 10/3,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.wav,1405.96413891 +Ludwig van Beethoven,Sonata Op. 101,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.wav,1256.10718406 +Ludwig van Beethoven,Sonata Op. 110,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.wav,1075.70805891 +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.wav,1118.90161376 +Ludwig van Beethoven,Sonata Op. 54 in F Major,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.wav,534.516585565 +Ludwig van Beethoven,Sonata Op. 78,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.wav,470.609839219 +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.wav,370.492842696 +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.wav,563.933165452 +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.wav,362.762818735 +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.wav,732.784163067 +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.wav,1183.00228922 +Ludwig van Beethoven,"Sonata in C Major, Op. 2 No. 3, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.wav,422.9696625 +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.wav,804.745489242 +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.wav,1451.39945672 +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.wav,497.066909717 +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.wav,781.777608279 +Ludwig van Beethoven,"Sonata in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.wav,1114.77319078 +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.wav,753.739897969 +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.wav,934.418136094 +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.wav,628.812138281 +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.wav,582.602248594 +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.wav,615.112899844 +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.wav,630.735213281 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.wav,649.673958333 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.wav,544.017885469 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.wav,638.0976525 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.wav,644.729590313 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.wav,652.961419687 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.wav,618.502319531 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.wav,578.201041667 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 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WoO 80",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.wav,599.888086175 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.wav,679.707139504 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.wav,630.186014637 +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.wav,598.049419971 +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.wav,590.600370937 +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.wav,658.1875 +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.wav,687.135416667 +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.wav,1530.08260453 +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.wav,326.59155375 +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.wav,294.372034687 +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.wav,255.60871875 +Mily Balakirev,Islamei,validation,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.wav,530.857408325 +Mily Balakirev,Islamey,validation,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.wav,491.751645 +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.wav,534.923343281 +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.wav,1749.46940438 +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.wav,2009.46246703 +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.wav,1958.31687252 +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.wav,1976.93006547 +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.wav,1823.15789906 +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.wav,1906.30017703 +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.wav,668.431489688 +Muzio Clementi,Sonata Op. 24/2,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.wav,653.231184375 +Muzio Clementi,"Sonata Op. 25 No. 5 in F-sharp Minor, First Movement",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.wav,245.819732813 +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.wav,642.479325469 +Muzio Clementi,Sonata in F# Min,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.wav,649.095237656 +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.wav,273.190164844 +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.wav,278.921996719 +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.wav,365.333502188 +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.wav,671.685811287 +Nikolai Medtner,"Sonata Tragica, Op. 39, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.wav,609.916590938 +Nikolai Medtner,"Three Fairy Tales ""Skazki"" from Op. 34",train,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.wav,727.833139688 +Nikolai Medtner,Two Fairy Tales,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.wav,412.673198438 +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.wav,63.3786759375 +Orlando Gibbons,Pavan,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.wav,247.900393125 +Percy Grainger,Ramble on the Last Love - Duet,train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.wav,441.12135375 +Pyotr Ilyich Tchaikovsky,Dumka,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.wav,513.645319687 +Pyotr Ilyich Tchaikovsky,"Dumka, Op. 59",train,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.wav,474.076716094 +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.wav,499.677652031 +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.wav,218.688349687 +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.wav,366.701022187 +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.wav,469.876666875 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.wav,272.686693125 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.wav,969.764233204 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.wav,310.470237956 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.wav,241.512846094 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.wav,108.673769531 +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.wav,976.011310312 +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,Lullaby,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.wav,236.329891875 +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.wav,295.250197385 +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.wav,506.294899688 +Richard Wagner / Franz Liszt,Isolde's Liebestod,test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.wav,430.775477344 +Robert Schumann,ABEGG Op. 1,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.wav,419.332291667 +Robert Schumann,ABEGG Variations Op. 1,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.wav,456.623475 +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.wav,451.479249375 +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.wav,450.517711875 +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.wav,451.658202188 +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.wav,389.577601875 +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.wav,493.855008281 +Robert Schumann,"Arabesque, Op. 18",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.wav,435.444276094 +Robert Schumann,"Arabesque, Op. 18",validation,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.wav,382.695931406 +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.wav,1703.20758236 +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.wav,1443.84723636 +Robert Schumann,"Carnaval, Op. 9",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.wav,1522.04575359 +Robert Schumann,"Carnaval, Op. 9",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.wav,1286.41030547 +Robert Schumann,"Davidsbundlertanze, Op. 6",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.wav,2097.17864236 +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.wav,1885.56836016 +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.wav,1894.08063797 +Robert Schumann,"Fantasy Pieces, Op. 12",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.wav,1255.95783337 +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.wav,2028.95630437 +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.wav,638.000163281 +Robert Schumann,"Humoresque, Op. 20",validation,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.wav,1634.31861141 +Robert Schumann,"Intermezzi, Opus 4",test,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.wav,1303.54743657 +Robert Schumann,Kreisleriana,train,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.wav,1888.42492781 +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.wav,700.849428215 +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.wav,705.86223394 +Robert Schumann,"Kreisleriana, Op. 16",train,2009,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.wav,1893.88432406 +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.wav,1873.31276344 +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.wav,2014.85909625 +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",validation,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.wav,245.831752031 +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.wav,438.614678906 +Robert Schumann,Sonata F# Minor,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.wav,1793.33421094 +Robert Schumann,"Sonata No. 1 in F-Sharp Minor, Op. 11 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.wav,1913.92303266 +Robert Schumann,"Sonata No. 1 in F-sharp Minor, Op. 11",train,2009,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.wav,1582.88703891 +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.wav,976.820604375 +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.wav,1128.44438438 +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.wav,981.026175854 +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.wav,1577.65333688 +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.wav,1623.70831219 +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.wav,1634.54564109 +Robert Schumann,Symphonic Etudes Op. 13,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.wav,1526.65579172 +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.wav,2096.39614078 +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.wav,1317.43591547 +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.wav,1650.67409719 +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.wav,1058.59166667 +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.wav,1634.97165563 +Robert Schumann,Toccata Op. 7,test,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.wav,311.429977031 +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.wav,404.076786094 +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.wav,292.591854844 +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.wav,312.655060571 +Robert Schumann,"Toccata in C, Op. 7",test,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.wav,392.351370469 +Robert Schumann / Franz Liszt,Widmung,train,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.wav,205.543330781 +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.wav,1103.90648156 +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.wav,376.323074531 +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.wav,302.103063281 +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.wav,321.438154319 +Sergei Rachmaninoff,Etude Tableau Op. 39 No. 5,test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.wav,291.913436719 +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 1 in C Minor,test,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.wav,164.620561875 +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.wav,153.79258125 +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.wav,161.913736533 +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.wav,197.370262031 +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.wav,280.047916667 +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.wav,154.993167656 +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.wav,262.041671719 +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.wav,273.573444375 +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.wav,158.788569844 +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.wav,267.438313619 +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.wav,190.852001088 +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.wav,204.878267344 +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.wav,1355.37791813 +Sergei Rachmaninoff,"Humoresque Op. 10, No. 5",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.wav,217.924570796 +Sergei Rachmaninoff,Lilac,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.wav,138.394626563 +Sergei Rachmaninoff,"Moment Musical, Op. 16, No.4",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.wav,158.014182992 +Sergei Rachmaninoff,Moment Musicaux Op. 16 No. 4 in E Minor,train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.wav,164.292998379 +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.wav,256.500811875 +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.wav,164.338777969 +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.wav,207.710796563 +Sergei Rachmaninoff,Moments Musicaux,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.wav,1750.78350563 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.wav,380.377557656 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.wav,177.222045 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.wav,224.7861 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.wav,162.591984844 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.wav,209.215869844 +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.wav,276.942832031 +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.wav,235.444818256 +Sergei Rachmaninoff,Polka de W. R.,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.wav,199.615185 +Sergei Rachmaninoff,Polka de W.R.,validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.wav,243.356119704 +Sergei Rachmaninoff,Prelude Op. 23 No. 4 in D Major,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.wav,264.132291667 +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.wav,167.493155156 +Sergei Rachmaninoff,"Prelude Op. 23, No. 2",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.wav,168.511255027 +Sergei Rachmaninoff,Prelude Op. 23/4,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.wav,240.634107656 +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.wav,239.852858438 +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.wav,109.870833333 +Sergei Rachmaninoff,"Prelude Op. 32, No. 10",test,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.wav,287.529574004 +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.wav,365.457700781 +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.wav,231.917050885 +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.wav,280.859761875 +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.wav,263.720355938 +Sergei Rachmaninoff,"Prelude in G-Sharp Minor,Op. 32 No. 12",test,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.wav,127.737585938 +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.wav,700.402611563 +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.wav,582.148189219 +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.wav,293.417174531 +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.wav,91.6839360938 +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.wav,344.883469219 +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.wav,1167.49976099 +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.wav,649.419024379 +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.wav,1387.26089906 +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.wav,1227.78322734 +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.wav,1195.73578881 +Sergei Rachmaninoff,Sonata Op. 36,train,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.wav,1040.69473922 +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.wav,1168.36555172 +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.wav,114.58321875 +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.wav,182.654731875 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197","96":"Sonata in B Minor, K. 27","97":"Sonata in B Minor, K. 87","98":"Sonata in B Minor, K. 87","99":"Sonata in B Minor, L. 33","100":"Sonata in C Major, K. 132","101":"Sonata in C Major, K. 179","102":"Sonata in C Major, K. 513","103":"Sonata in C Minor, K. 84","104":"Sonata in D Major, K. 118","105":"Sonata in D Major, K. 119","106":"Sonata in D Major, K. 145","107":"Sonata in D Major, K. 430","108":"Sonata in D Major, K. 576","109":"Sonata in D Major, K. 96 L. 465","110":"Sonata in D Major, K96","111":"Sonata in D Minor, K. 1","112":"Sonata in D Minor, K. 141","113":"Sonata in D Minor, K. 141","114":"Sonata in D Minor, K. 213","115":"Sonata in D Minor, K. 9","116":"Sonata in D Minor, K. 9 L. 413","117":"Sonata in F Minor, K. 466","118":"Sonata in G Major, K. 146","119":"Sonata in G Major, K. 455","120":"Sonata, K239","121":"Two Sonatas","122":"Lyric Piece in A Minor, \u201cWaltz,\u201d Op. 12 No. 2","123":"Lyric Piece in E Minor, \u201cValse-Impromptu,\u201d Op. 47 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Op. 54","150":"Variations s\u00e9rieuses, Op. 54","151":"Variations s\u00e9rieuses, Op. 54","152":"Variations s\u00e9rieuses, Op. 54","153":"Scherzo","154":"Scherzo from A Midsummer Night's Dream","155":"Scherzo from Mendelssohn's \"Midsummer Night's Dream\"","156":"\"La Campanella\"","157":"\"La Campanella\"","158":"\"La Campanella\"","159":"Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este","160":"Apr\u00e8s une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7","161":"Apr\u00e9s une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7","162":"Au bord d'une source","163":"Ballade No. 2 in B Minor, S 171","164":"Ballade No. 2 in B Minor, S 171","165":"Ballade No. 2 in B Minor, S. 171","166":"Ballade No. 2 in B Minor, S. 171","167":"Concert Etude \"Gnomenreigen\"","168":"Concert Etude \"La Leggierezza\"","169":"Concert Etude \"Un Sospiro\"","170":"Concert Etude \"Waldesrauschen\"","171":"Concert Etude \"Waldesrauschen\"","172":"Concert Etude No. 2 \"Gnomenreigen\"","173":"Concert Etude No. 2 La Leggierezza, S. 144","174":"Concert Etude No. 2, \"Gnomenreigen\", S. 145\/2","175":"Concert Etude No. 2, \"La Leggierezza\", S. 144\/2","176":"Concert Etude No. 2, \"La Leggierezza\", S. 144\/2","177":"Concert Etude No. 2, \u201cLa leggierezza\", S. 144","178":"Concert Etude No. 3 in D-flat Major, \"Un Sospiro\", S. 144\/3","179":"Concert Etude No. 3 in D-flat Major, \"Un Sospiro\", S. 144\/3","180":"Dante Sonata","181":"Dante Sonata","182":"Dante Sonata","183":"Dante Sonata","184":"Dante Sonata","185":"Funerailles","186":"Funerailles","187":"Grandes Etudes de Paganini, S. 141","188":"Grandes \u00e8tudes de Paganini No. 3 \"La Campanella\", S. 141","189":"Grandes \u00e8tudes de Paganini No. 3 \"La Campanella\", S. 141","190":"Grandes \u00e8tudes de Paganini No. 3 La Campanella, S. 141","191":"Grandes \u00e9tudes de Paganini, No. 3 \"La campanella\", S.141\/3","192":"Grandes \u00e9tudes de Paganini, No. 3 \"La campanella\", S.141\/3","193":"Grandes \u00e9tudes de Paganini, No. 3 \"La campanella\", S.141\/3","194":"Hungarian Rhapsody","195":"Hungarian Rhapsody No. 10 in E-flat Major, S. 244\/10","196":"Hungarian Rhapsody No. 10, S. 244\/10","197":"Hungarian Rhapsody No. 12, S. 244\/12","198":"Hungarian Rhapsody No. 13 (arr. Volodos)","199":"Hungarian Rhapsody No. 13, S. 244\/13","200":"Hungarian Rhapsody No. 15 in A Minor","201":"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244\/2","202":"Hungarian Rhapsody No. 6, S.244\/6","203":"Hungarian Rhapsody No. 6, S.244\/6","204":"Hungarian Rhapsody No. 9","205":"Hungarian Rhapsody No. 9 in E-flat Major, S. 244","206":"Hungarian Rhapsody, No. 12","207":"Mephisto Waltz","208":"Mephisto Waltz No. 1","209":"Mephisto Waltz No. 1","210":"Mephisto Waltz No. 1","211":"Mephisto Waltz No. 1","212":"Mephisto Waltz No. 1, S.514","213":"Mephisto Waltz No. 1, S.514","214":"Mephisto-Waltz No. 1","215":"Paganini Etude No. 3, S. 141\/3 \"La Campanella\"","216":"Paganini Etude No. 3, S. 141\/3 \"La Campanella\"","217":"Paraphrase de concert sur Rigoletto, S.434","218":"Polonaise in E Major","219":"Rem. of Don Juan","220":"Rhapsodie Espagnole","221":"Rhapsodie Espagnole","222":"Rhapsodie Espagnole S.254","223":"Rhapsodie Espagnole, S. 254","224":"Rhapsodie Espagnole, S. 254","225":"Rhapsodie Espagnole, S. 254","226":"Rhapsodie Espagnole, S. 254","227":"Rhapsodie Espagnole, S.254","228":"Rhapsody Esp.","229":"Rhapsody Esp.","230":"Rigoletto Paraphrase","231":"Rigoletto Paraphrase, S. 434","232":"Rigoletto-Paraphrase","233":"R\u00e9miniscences de Don Juan, S.418","234":"Sonata In B Minor, S. 178","235":"Sonata in B Min.","236":"Sonata in B Min.","237":"Sonata in B Minor, S. 178","238":"Sonata in B Minor, S. 178","239":"Sonata in B Minor, S. 178","240":"Sonata in B Minor, S. 178","241":"Sonetto 104 del Petrarca","242":"Sonetto 104 del Petrarca","243":"Sonetto 123 del Petrarca","244":"Spanish Rhapsody","245":"Spanish Rhapsody","246":"Tarantella","247":"Tarantella from Annees de Pelerinage 2eme Annee","248":"Tarantella, S. 162 No. 3 from Venezia e Napoli","249":"Tarantella, Venezia e Napoli in G Minor, S.159","250":"Tarantelle di Bravura, S. 386","251":"Transcendental Etude No. 1 \"Prelude\"","252":"Transcendental Etude No. 1, \u201cPreludio\"","253":"Transcendental Etude No. 10 in F Minor","254":"Transcendental Etude No. 10 in F Minor \"Appassionata\"","255":"Transcendental Etude No. 10 in F Minor, S. 139\/10","256":"Transcendental Etude No. 11 \"Harmonies du Soir\"","257":"Transcendental Etude No. 12 \"Chasse-neige\"","258":"Transcendental Etude No. 12 \"Chasse-neige\"","259":"Transcendental Etude No. 2, \u201cMolto vivace\"","260":"Transcendental Etude No. 3 \"Paysage\"","261":"Transcendental Etude No. 4 \"Mazeppa\"","262":"Transcendental Etude No. 4, \"Mazeppa\"","263":"Transcendental Etude No. 5 \"Feux Follets\"","264":"Transcendental Etude No. 5 \"Feux Follets\"","265":"Transcendental Etude No. 5 \"Feux Follets\"","266":"Transcendental Etude No. 5 \u201cFeux Follets,\u201d S.139, No. 5","267":"Transcendental Etude No. 5, \"Feux Follets\", S. 139\/5","268":"Transcendental Etude No. 8 \"Wilde Jagd\"","269":"Transcendental Etude No. 8 \"Wilde Jagd\"","270":"Transcendental Etude No. 8, \"Wilde Jagd\", S. 139\/8","271":"Transcendental Etude No. 9, 'Ricordanza'","272":"Tristan and Isolde - Liebestod, S.447","273":"Trois Etudes de Concert \"La leggierezza\", S.144","274":"Valse de l'opera Faust de Charles Gounod, S.407","275":"Valse de l'opera Faust de Charles Gounod, S.407","276":"Valse-Impromptu, S. 213","277":"Venezia e Napoli","278":"Venezia e Napoli","279":"Venezia e Napoli","280":"Venezia e Napoli, S. 162","281":"Venezia e Napoli, S.162 (Complete)","282":"\u00c9tudes d'ex\u00e9cution transcendante, No. 10 in F Minor, S.139\/10","283":"\u00c9tudes d'ex\u00e9cution transcendante, No. 12, \"Chasse-Neige\" S.139\/12","284":"\u00c9tudes d'ex\u00e9cution transcendante, No. 4, \"Mazeppa\" S.139\/4","285":"\u00c9tudes d'ex\u00e9cution transcendante, No. 4, \"Mazeppa\" S.139\/4","286":"\u00c9tudes d'ex\u00e9cution transcendante, No. 5, \"Feux follets\" S.139\/5","287":"Danse Macabre S555\/R240","288":"Hungarian Rhapsody No. 15 (Horowitz edition)","289":"Hungarian Rhapsody No. 2 (Horowitz Edition)","290":"\"Der Mueller und der Bach\"","291":"\"Erlkoenig\"","292":"\"Gretchen am Spinnrade\"","293":"Fantasia in C Major, \"Wanderer\", D. 760","294":"Impromptu Op. 142 No. 1 F Minor","295":"Impromptu Op. 142 No. 1 in F Minor","296":"Impromptu Op. 142 No. 1 in F Minor, D. 935","297":"Impromptu Op. 142 No. 1 in F Minor, D. 935","298":"Impromptu Op. 142 No. 1 in F Minor, D935","299":"Impromptu Op. 142 No. 1, in F Minor, D935","300":"Impromptu Op. 142 No. 3 in B-Flat Major, D935","301":"Impromptu Op. 142 No. 3 in B-flat Major","302":"Impromptu Op. 142 No. 3 in B-flat Major","303":"Impromptu Op. 142 No. 3 in B-flat Major","304":"Impromptu Op. 142 No. 3 in B-flat Major","305":"Impromptu Op. 142 No. 3 in B-flat Major, D. 935","306":"Impromptu Op. 142 No. 3 in B-flat Major, D. 935","307":"Impromptu Op. 142 No. 3 in B-flat Major, D935","308":"Impromptu Op. 142 No. 3 in B-flat Major, D935","309":"Impromptu Op. 142 No. 3 in B-flat Major, D935","310":"Impromptu Op. 142 No. 3 in B-flat Major, D935","311":"Impromptu Op. 142 No. 3, in B-Flat Major, D935","312":"Impromptu Op. 142 No. 3, in B-Flat Major, D935","313":"Impromptu Op. 142 No. 3, in B-Flat Major, D935","314":"Impromptu Op. 142 No. 3, in B-Flat Major, D935","315":"Impromptu Op. 142 No. 4 in F Minor, D. 935","316":"Impromptu Op. 142 No. 4, in F Minor, D935","317":"Impromptu Op. 90 No. 1","318":"Impromptu Op. 90 No. 1 in C Minor","319":"Impromptu Op. 90 No. 1 in C Minor","320":"Impromptu Op. 90 No. 1 in C Minor, D. 899","321":"Impromptu Op. 90 No. 1, in C Minor, D899","322":"Impromptu Op. 90 No. 1, in C Minor, D899","323":"Impromptu Op. 90 No. 2","324":"Impromptu Op. 90 No. 2 E-flat Major","325":"Impromptu Op. 90 No. 2 in E-flat Major","326":"Impromptu Op. 90 No. 2 in E-flat Major","327":"Impromptu Op. 90 No. 2 in E-flat Major, D. 899","328":"Impromptu Op. 90 No. 2 in E-flat Major, D899","329":"Impromptu Op. 90 No. 3 in G-flat","330":"Impromptu Op. 90 No. 3 in G-flat Major","331":"Impromptu Op. 90 No. 3 in G-flat Major","332":"Impromptu Op. 90 No. 3 in G-flat Major","333":"Impromptu Op. 90 No. 3 in G-flat Major","334":"Impromptu Op. 90 No. 3 in G-flat Major","335":"Impromptu Op. 90 No. 3 in G-flat Major, D. 899","336":"Impromptu Op. 90 No. 3 in G-flat Major, D. 899","337":"Impromptu Op. 90 No. 3 in G-flat Major, D899","338":"Impromptu Op. 90 No. 3, in G-flat Major, D899","339":"Impromptu Op. 90 No. 3, in G-flat Major, D899","340":"Impromptu Op. 90 No. 4 in A-flat Major","341":"Impromptu Op. 90 No. 4 in A-flat Major","342":"Impromptu Op. 90 No. 4 in A-flat Major","343":"Impromptu Op. 90 No. 4 in A-flat Major","344":"Impromptu Op. 90 No. 4 in A-flat Major","345":"Impromptu Op. 90, No. 3, in G-flat Major, D899","346":"Impromptu Op.142 No.3, in B-Flat Major, D935","347":"Impromptus Op. 90","348":"Impromptus Op. 90, No. 3","349":"Moment Musical Op. 94 No. 1 in C Major","350":"Moment Musical Op. 94 No. 4 in C-sharp Minor, D780","351":"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780","352":"Moment Musicaux in F Minor, Op. 94 No. 3","353":"Son. in Bb D.960","354":"Son. in Bb D.960","355":"Son. in Bb D.960","356":"Son. in Bb D.961","357":"Son. in Bb D.961","358":"Son. in Bb D.961","359":"Son. in Bb D.962","360":"Son. in Bb D.962","361":"Son. in Bb D.962","362":"Sonata in A D959","363":"Sonata in A D959","364":"Sonata in A D959","365":"Sonata in A D960","366":"Sonata in A D960","367":"Sonata in A D960","368":"Sonata in A D961","369":"Sonata in A D961","370":"Sonata in A D961","371":"Sonata in A D962","372":"Sonata in A Major, D. 664 (Complete)","373":"Sonata in A Major, D. 664, I. Allegro moderato","374":"Sonata in A Major, D. 959 (Complete)","375":"Sonata in A Major, D. 959 (Complete)","376":"Sonata in A Major, D. 959 (Complete)","377":"Sonata in A Major, D959","378":"Sonata in A Major, Op. 120, I. Allegro moderato","379":"Sonata in A Min.","380":"Sonata in A Min.","381":"Sonata in A Min.","382":"Sonata in A Min.","383":"Sonata in A Min.","384":"Sonata in A Min.","385":"Sonata in A Min.","386":"Sonata in A Min.","387":"Sonata in A Minor, D. 537, I. Allegro ma non troppo","388":"Sonata in A Minor, D. 845","389":"Sonata in A Minor, D. 846","390":"Sonata in A Minor, D. 847","391":"Sonata in A Minor, D. 848","392":"Sonata in A Minor, D784","393":"Sonata in A Minor, D845","394":"Sonata in A minor, D. 845 (Complete)","395":"Sonata in B-flat Major D. 960","396":"Sonata in B-flat Major D. 961","397":"Sonata in B-flat Major D. 962","398":"Sonata in B-flat Major D. 963","399":"Sonata in B-flat Major, D. 960","400":"Sonata in B-flat Major, D. 960 (Complete)","401":"Sonata in B-flat Major, D. 960 (Complete)","402":"Sonata in B-flat Major, D. 961","403":"Sonata in B-flat Major, D. 962","404":"Sonata in B-flat Major, D. 963","405":"Sonata in B-flat Major, D960","406":"Sonata in B-flat Major, D960","407":"Sonata in B-flat Major, D960","408":"Sonata in B-flat Major, D960","409":"Sonata in B-flat Major, D960","410":"Sonata in B-flat Major, D960","411":"Sonata in B-flat Major, D960","412":"Sonata in B-flat Major, D960","413":"Sonata in B-flat Major, D960","414":"Sonata in B-flat Major, D960","415":"Sonata in C Minor, D. 958","416":"Sonata in C Minor, D. 959","417":"Sonata in C Minor, D. 960","418":"Sonata in C Minor, D. 961","419":"Sonata in C Major, D840","420":"Sonata in C Major, D841","421":"Sonata in C Major, D842","422":"Sonata in C Major, D843","423":"Sonata in C Minor, D. 958","424":"Sonata in C Minor, D. 958","425":"Sonata in C Minor, D. 958 (Complete)","426":"Sonata in C Minor, D. 958 (Complete)","427":"Sonata in C Minor, D. 959","428":"Sonata in C Minor, D. 959","429":"Sonata in C Minor, D. 960","430":"Sonata in C Minor, D. 960","431":"Sonata in C Minor, D. 961","432":"Sonata in C Minor, D. 961","433":"Sonata in C Minor, D958","434":"Sonata in C Minor, D958","435":"Sonata in C Minor, D958","436":"Sonata in C Minor, D958","437":"Sonata in C Minor, D958","438":"Sonata in C Minor, D958","439":"Sonata in C Minor, D958","440":"Sonata in C Minor, D958","441":"Sonata in C Minor, D958","442":"Sonata in C Minor, D958","443":"Sonata in C Minor, D958","444":"Sonata in C Minor, D958","445":"Sonata in C Minor, D958","446":"Sonata in C Minor, D958","447":"Sonata in C major, D. 840 (Complete)","448":"Sonata in D Major, D. 850 (Complete)","449":"Sonata in D Major, D850","450":"Sonata in D Major, D850","451":"Sonata in D Major, D850","452":"Sonata in D Major, D850","453":"Sonata in D Major, D850","454":"Sonata in G Major D894","455":"Sonata in G Major D894","456":"Sonata in G Major D894","457":"Sonata in G Major, D 894","458":"Sonata in G Major, D 894","459":"Sonata in G Major, D 894","460":"Sonata in G Major, D 894","461":"Sonata in G Major, D. 894","462":"Sonata in G Major, D. 894","463":"Sonata in G Major, D. 895","464":"Sonata in G Major, D. 895","465":"Sonata in G Major, D. 896","466":"Sonata in G Major, D. 896","467":"Sonata in G Major, D. 897","468":"Sonata in G Major, D. 897","469":"Sonata in G Major, D894","470":"Sonata in G Major, D894","471":"Sonata in G Major, D894","472":"Sonata in G Major, D894","473":"Sonata in G Major, D894","474":"Valse-Caprice No. 6 from Soirees de Vienne","475":"Wanderer Fantasy","476":"Der Mueller und der Bach","477":"Die Forelle","478":"Fruelingsglaube, Die Junge Nonne","479":"Gretchen am Spinnrade","480":"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig","481":"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig","482":"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig","483":"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig","484":"Staendchen from Schwannengesang, R245\/7","485":"Standchen, S. 558, NO. 9, \"Horch, horch! Die Lerch\"","486":"Moment Musical Op. 94 No. 3 in F-sharp Minor","487":"Liebesfreud","488":"12 Etudes, Op. 25","489":"12 Etudes, Op. 25","490":"24 Preludes, Op. 28","491":"Andante Spianato and Grand Polonaise Brilliante, Op. 22","492":"Andante Spianato and Grand Polonaise Brilliante, Op. 22","493":"Andante Spianato and Grande Polonaise Brillante, Op. 22","494":"Andante Spianato and Grande Polonaise Brillante, Op. 22","495":"Andante Spianato et Grande Polonaise Brillante, Op. 22","496":"Andante Spianato et Grande Polonaise Brillante, Op. 22","497":"Andante spianato e grande polonaise, Op. 22","498":"Andante spianato e grande polonaise, Op. 22","499":"Andante spianato et grande polonaise brillante, Op. 22","500":"Andante spianato et grande polonaise brillante, Op. 22","501":"Andante spianato et grande polonaise brillante, Op. 22","502":"Andante spianato et grande polonaise brillante, Op. 22","503":"Ballade 4 Op. 52","504":"Ballade No. 1 in G Minor, Op. 23","505":"Ballade No. 1 in G Minor, Op. 23","506":"Ballade No. 1 in G Minor, Op. 23","507":"Ballade No. 1 in G Minor, Op. 23","508":"Ballade No. 1 in G Minor, Op. 23","509":"Ballade No. 1 in G Minor, Op. 23","510":"Ballade No. 1 in G Minor, Op. 23","511":"Ballade No. 1 in G Minor, Op. 23","512":"Ballade No. 1 in G Minor, Op. 23","513":"Ballade No. 1 in G Minor, Op. 23","514":"Ballade No. 2 in F Major","515":"Ballade No. 2 in F Major, Op. 38","516":"Ballade No. 2 in F Major, Op. 38","517":"Ballade No. 2 in F Major, Op. 38","518":"Ballade No. 3 in A-flat Major, Op. 47","519":"Ballade No. 3 in A-flat Major, Op. 47","520":"Ballade No. 4 in F Minor, Op. 52","521":"Ballade No. 4 in F Minor, Op. 52","522":"Ballade No. 4 in F Minor, Op. 52","523":"Ballade No. 4 in F Minor, Op. 52","524":"Ballade No. 4 in F Minor, Op. 52","525":"Ballade No. 4 in F Minor, Op. 52","526":"Ballade No. 4 in F minor, Op. 52","527":"Barcarolle in F#","528":"Barcarolle in F-sharp Major, Op. 60","529":"Barcarolle, Op. 60","530":"Barcarolle, Op. 60","531":"Barcarolle, Op. 60","532":"Barcarolle, Op. 60","533":"Berceuse Op. 57","534":"Berceuse Op. 57 in D-flat Major","535":"Berceuse in D-Flat Major, Op. 57","536":"Berceuse, Op. 57","537":"Berceuse, Op. 57","538":"Complete Etudes, Opus 25","539":"Complete Etudes, Opus 25","540":"Etude Op. 10 No. 1","541":"Etude Op. 10 No. 1","542":"Etude Op. 10 No. 1","543":"Etude Op. 10 No. 1","544":"Etude Op. 10 No. 1","545":"Etude Op. 10 No. 1 in C Major","546":"Etude Op. 10 No. 1 in C Major","547":"Etude Op. 10 No. 1 in C Major","548":"Etude Op. 10 No. 10 in A-flat Major","549":"Etude Op. 10 No. 12","550":"Etude Op. 10 No. 12","551":"Etude Op. 10 No. 12","552":"Etude Op. 10 No. 12","553":"Etude Op. 10 No. 12 in C Minor","554":"Etude Op. 10 No. 2","555":"Etude Op. 10 No. 2","556":"Etude Op. 10 No. 2 in A Minor","557":"Etude Op. 10 No. 4","558":"Etude Op. 10 No. 4","559":"Etude Op. 10 No. 4 in C-Sharp Minor","560":"Etude Op. 10 No. 4 in C-Sharp Minor","561":"Etude Op. 10 No. 4 in C-Sharp 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Minor","589":"Etude Op. 25 No. 11 in A Minor","590":"Etude Op. 25 No. 11 in A Minor","591":"Etude Op. 25 No. 12","592":"Etude Op. 25 No. 12","593":"Etude Op. 25 No. 12 in C Minor","594":"Etude Op. 25 No. 5 in E Minor","595":"Etude Op. 25 No. 6","596":"Etude Op. 25 No. 6","597":"Etude Op. 25 No. 6 in G-sharp Minor","598":"Etude Op. 25 No. 6 in G-sharp Minor","599":"Etude in A Minor, Op. 25, No. 11","600":"Etude in F Major, Op. 10, No. 8","601":"Etudes Op. 10 Nos. 8","602":"Etudes Op. 10 Nos. 9","603":"Etudes Op. 25 Nos. 1-5","604":"Fantasie in F Minor, Op. 49","605":"Fantasy in F Minor, Op.49","606":"Mazurka Op. 50 No. 3 in C-sharp Minor","607":"Mazurka Op. 6 No. 2 in C-sharp Minor","608":"Mazurka in C-sharp Minor, Op. 50 No. 3","609":"Mazurka in D Major, Op. 33, No. 2","610":"Mazurka in F Minor, Op. 7, No. 3","611":"Mazurka in G-sharp Minor, Op. 33, No. 1","612":"Mazurkas, Op. 17 (Complete)","613":"Nocturne Op. 15 No. 1 in F Major","614":"Nocturne Op. 27 No. 1 in C-sharp Minor","615":"Nocturne Op. 27 No. 2 in D-flat Major","616":"Nocturne Op. 27 No. 2 in D-flat Major","617":"Nocturne Op. 32 No. 2 in A-flat Major","618":"Nocturne Op. 48 No. 1 in C Minor","619":"Nocturne Op. 55 No. 2 in E-flat Major","620":"Nocturne Op. 62 No. 1 in B Major","621":"Nocturne Op. 62, No. 2","622":"Nocturne Op. 9 No. 2 in E-flat Major","623":"Nocturne in B Major, Op. 9, No. 3","624":"Nocturne in B Major, Op. 9, No. 3","625":"Nocturne in C Minor, Op. 48 No. 1","626":"Nocturne in C-Sharp Minor, Op. Posth.","627":"Nocturne in C-sharp Minor, Op. 27 No. 1","628":"Nocturne in Db","629":"Nocturne in Db","630":"Nocturne in E-flat Major, Op. 55 No. 2","631":"Nocturne in F-sharp Major, Op. 15, No. 2","632":"Polonaise Op. 26 in E-flat Minor","633":"Polonaise Op. 44","634":"Polonaise Op. 53 in A-flat Major","635":"Polonaise Op. 53 in A-flat Major","636":"Polonaise-Fantasie","637":"Polonaise-Fantasie Op. 61","638":"Polonaise-Fantasie, Op. 61","639":"Polonaise-Fantasie, Op. 61","640":"Preludes, Book II, L 123, VI. G\u00e9n\u00e9ral Lavine - eccentric","641":"Preludes, Op.28","642":"Rondo in C Minor, Op. 1","643":"Rondo in C minor, Op. 1","644":"Scherzo No. 1 in B Minor, Op. 20","645":"Scherzo No. 1 in B Minor, Op. 20","646":"Scherzo No. 1 in B minor, Op. 20","647":"Scherzo No. 2 in B-Flat Minor, Op.31","648":"Scherzo No. 2 in B-flat Major, Op. 31","649":"Scherzo No. 2 in B-flat Major, Op. 31","650":"Scherzo No. 2 in B-flat Major, Op. 31","651":"Scherzo No. 2 in B-flat Minor, Op. 31","652":"Scherzo No. 2 in B-flat Minor, Op. 31","653":"Scherzo No. 2 in B-flat Minor, Op. 31","654":"Scherzo No. 2 in B-flat Minor, Op. 31","655":"Scherzo No. 2 in B-flat Minor, Op. 31","656":"Scherzo No. 2 in B-flat Minor, Op. 31","657":"Scherzo No. 2 in B-flat Minor, Op.31","658":"Scherzo No. 3","659":"Scherzo No. 3 in C-sharp Minor, Op. 39","660":"Scherzo No. 4 in E Major, Op. 54","661":"Scherzo No. 4 in E Major, Op. 54","662":"Scherzo No. 4 in E Major, Op. 54","663":"Scherzo No. 4 in E Major, Op. 54","664":"Scherzo No. 4 in E Major, Op. 54","665":"Scherzo No. 4 in E Major, Op. 54","666":"Scherzo No. 4 in E Major, Op. 54","667":"Scherzo No. 4 in E Major, Op. 54","668":"Scherzo No. 4 in E Major, Op. 54","669":"Scherzo No. 4 in E Major, Op. 54","670":"Scherzo No. 4 in E Major, Op. 54","671":"Sonata 3 Op. 58","672":"Sonata No. 2 in B-flat Minor, Op. 35","673":"Sonata No. 2 in B-flat Minor, Op. 35","674":"Sonata No. 3","675":"Sonata No. 3 in B Minor, Op. 58","676":"Sonata No. 3 in B Minor, Op. 58","677":"Sonata No. 3 in B Minor, Op. 58","678":"Sonata No. 3 in B Minor, Op. 58","679":"Sonata No. 3 in B Minor, Op. 58","680":"Sonata No. 3 in B Minor, Op. 58 (Complete)","681":"Sonata No. 3 in B Minor, Op. 58 (Complete)","682":"Sonata No. 3 in B Minor, Op. 58, 1st mov.","683":"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso","684":"Sonata in B Minor, Op. 58","685":"Two Preludes from Op. 28, Nos. 15 and 24","686":"Two Preludes from Op. 28, Nos. 15 and 24","687":"Valse brillante No. 1 in A-flat Major, Op. 34","688":"Variations and Fugue in E-flat Major, Op. 35, \"Eroica\"","689":"Suite Op. 10","690":"Chaconne in G","691":"Chaconne in G Major, HWV 435","692":"Suite No. 2 in F Major, HWV 427 (Complete)","693":"Suite No. 3 in D Minor","694":"Suite No. 3 in D Minor","695":"Sonatina No. 6, BV284 \u201cFantasia da Camera super Carmen\u201d","696":"Chanson Boheme de l'Opera \"Carmen\" by Georges Bizet","697":"Carmen Variations","698":"Rigoletto Parap.","699":"Suite in C Major, Z. 666 (Complete)","700":"Asturias","701":"Evocacion from \"Iberia\"","702":"Iberia Book II","703":"Iberia, Evocation, Triana","704":"Iberia, Evocation, Triana","705":"Navarra","706":"Triana from 'Iberia'","707":"Tango","708":"RameauSelections","709":"12 Variations on a Theme from a Menuet by Fischer","710":"Chaconne in F Minor","711":"Chromatic Fantasy and Fugue in D Minor, BWV 903","712":"Chromatic Fantasy and Fugue in D Minor, BWV 903","713":"Chromatic Fantasy and Fugue in D Minor, BWV 903","714":"Duet in E Minor, BWV 802","715":"Duet in G, BWV 804","716":"English Suite No. 2 in A Minor, BWV 807, I. Prelude","717":"English Suite in A Minor, BWV 807","718":"English Suite in A Minor, BWV 807","719":"English Suite no. 3 in G Minor, Prelude","720":"French Suite No. 5 in G Major","721":"French Suite No. 5 in G Major","722":"French Suite No. 5 in G Major","723":"Italian Concerto in F Major, BWV 971 (Complete)","724":"Italian Concerto, BWV 971","725":"Italian Concerto, BWV 971 (Complete)","726":"Overture in the French Style in B Minor, BWV 831","727":"Partita No. 1 in B-Flat Major, BWV 825 (Complete)","728":"Partita No. 2 in C Minor, I. 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on the Theme of H\u00e4ndel, Op. 24","888":"Variations and Fugue on the theme of Handel, Op. 24","889":"Variations on a Theme by Paganini, Op. 35 Book II","890":"Variations on a Theme by Paganini, Op. 35 Book II","891":"Variations on a Theme by Paganini, Op. 35, Book II","892":"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2","893":"Variations on a theme by Paganini (Books I & II)","894":"Andante w\/Var.","895":"Piano Sonata in C major, Hob. XVI:50 (Complete)","896":"Son. Hob. XVI:32","897":"Son. Hob. XVI:39","898":"Son. Hob. XVI:52","899":"Son. Hob. XVI:52","900":"Sonata E-Flat Major, Hob. XVI:49, First Movement","901":"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato","902":"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato","903":"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.","904":"Sonata in B-flat Major, Hob.XVI:41","905":"Sonata in B-flat Major, Hob.XVI:41","906":"Sonata in C Major, Hob. XVI\/50","907":"Sonata in C Major, Hob. XVI: 50, I. Allegro","908":"Sonata in C Major, Hob. XVI: 50, I. Allegro","909":"Sonata in C Major, Hob. XVI:48 (Complete)","910":"Sonata in C Major, Hob. XVI:48 (Complete)","911":"Sonata in C Major, Hob. XVI:50","912":"Sonata in C Major, Hob. XVI:50","913":"Sonata in C Major, Hob. XVI:50","914":"Sonata in C Major, Hob. XVI:50, 1st mov.","915":"Sonata in C Major, Hob. XVI:50, 1st mov.","916":"Sonata in C Major, Hob. XVI:50, First Movement","917":"Sonata in C Minor, First Movement","918":"Sonata in C Minor, Hob. XVI:20, 1st mov.","919":"Sonata in C Minor, Hob. XVI:20, 1st mov.","920":"Sonata in C major, Hob. XVI: 50","921":"Sonata in D Major, Hob. XVI:24","922":"Sonata in D Major, Hob. XVI:24","923":"Sonata in E Major, Hob. XVI:31, First Movement","924":"Sonata in E flat Major, Hob. XVI: 49, I. Allegro","925":"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro","926":"Sonata in E-flat Major, Hob. XVI:52, 1st mov.","927":"Sonata in E-flat Major, Hob. XVI:52, First Movement","928":"Sonata in E-flat Major, Hob. XVI:52, First Movement","929":"Sonata in E-flat Major, Hob. XVI:52, First Movement","930":"Sonata in E-flat major, Hob. XVI:52, I. Allegro","931":"Sonata in F Major, Hob. XVI:23","932":"Sonata in G Major, Hob. XVI:6, First Movement","933":"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato","934":"In the Mists","935":"In the Mists, I. Andante ","936":"Piano Sonata 1. X. 1905 \"From the Street\"","937":"Sonata 1.x.1905 \"On the Streets\"","938":"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35","939":"Andante favori in F Major, WoO 57","940":"Bagatelles Op126","941":"Bagatelles, Op. 126 (Complete)","942":"Bagtellen, Op.126","943":"Eroica Variations, Op. 35","944":"Fantasia, Op. 77","945":"Rondo a capriccioso \"Rage over a Lost Penny\", Op. 129","946":"Rondo, Op. 129","947":"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement","948":"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio","949":"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio","950":"Sonata No. 11 in E-flat Major, Op. 22 (Complete)","951":"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio","952":"Sonata No. 12 in A-flat Major, Op. 26, First Movement","953":"Sonata No. 15 in D Major, Op. 28, I. Allegro","954":"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace","955":"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace","956":"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement","957":"Sonata No. 16 in G Major, Op. 31 No. 1, First movement","958":"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ","959":"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement","960":"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement","961":"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement","962":"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.","963":"Sonata No. 17, Op. 31 No. 2 in D Minor \"Tempest\", I. Largo-Allegro","964":"Sonata No. 17, Op. 31 No. 2 in D Minor \"Tempest\", I. Largo-Allegro","965":"Sonata No. 17, Op. 31 No. 2 in D Minor \"Tempest\", I. Largo-Allegro","966":"Sonata No. 17, Op. 31 No. 2 in D Minor \"Tempest\", I. Largo-Allegro","967":"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement","968":"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement","969":"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)","970":"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro","971":"Sonata No. 21 in C Major, Op. 53","972":"Sonata No. 21 in C Major, Op. 53","973":"Sonata No. 21 in C Major, Op. 53, \"Waldstein\", First Movement","974":"Sonata No. 21 in C Major, Op. 53, \"Waldstein\", First Movement","975":"Sonata No. 21 in C Major, Op. 53, \"Waldstein\", First Movement","976":"Sonata No. 21 in C Major, Op. 53, 1st mov.","977":"Sonata No. 21 in C Major, Op. 53, First Movement","978":"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio","979":"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio","980":"Sonata No. 21 in C major, Op. 53, 1st mov.","981":"Sonata No. 21 in C major, Op. 53, \u201cWaldstein,\u201d I. Allegro con brio","982":"Sonata No. 21, Op. 53, \"Waldstein\", I. 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Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck","1006":"Sonata No. 28 in A Major, Op. 101 (Complete)","1007":"Sonata No. 28 in A Major, Op. 101 (Complete)","1008":"Sonata No. 28 in A Major, Op. 101 (Complete)","1009":"Sonata No. 29 in B-flat Major, Op. 106","1010":"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement","1011":"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio","1012":"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ","1013":"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio","1014":"Sonata No. 30 in E Major, Op. 109","1015":"Sonata No. 31 In A-flat Major, Op. 110","1016":"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)","1017":"Sonata No. 31 in A-flat Major, Op. 110","1018":"Sonata No. 31 in A-flat Major, Op. 110 (Complete)","1019":"Sonata No. 31 in A-flat Major, Op. 110, First movement","1020":"Sonata No. 32 in C Minor, Op. 111","1021":"Sonata No. 32 in C Minor, Op. 111 (Complete)","1022":"Sonata No. 32 in C minor, Op. 111","1023":"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.","1024":"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.","1025":"Sonata No. 4 in E-flat Major, Op. 7, First Movement","1026":"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio","1027":"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio","1028":"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio","1029":"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement","1030":"Sonata No. 5 in C Minor, Op. 10 No. 1, I. 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d_Recital9-11_MID--AUDIO_11_R1_2018_wav--1.midi","318":"2008\/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--1.midi","319":"2013\/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--1.midi","320":"2017\/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--2.midi","321":"2011\/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_02_Track02_wav.midi","322":"2011\/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_07_Track07_wav.midi","323":"2008\/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--1.midi","324":"2008\/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--1.midi","325":"2008\/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--2.midi","326":"2015\/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--1.midi","327":"2017\/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--1.midi","328":"2013\/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--2.midi","329":"2008\/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--3.midi","330":"2008\/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--1.midi","331":"2008\/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--2.midi","332":"2015\/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--2.midi","333":"2015\/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--3.midi","334":"2015\/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--1.midi","335":"2017\/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--2.midi","336":"2017\/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--3.midi","337":"2013\/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--2.midi","338":"2011\/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_04_Track04_wav.midi","339":"2011\/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_09_Track09_wav.midi","340":"2008\/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--3.midi","341":"2008\/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--4.midi","342":"2015\/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--1.midi","343":"2015\/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--1.midi","344":"2015\/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--3.midi","345":"2011\/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_04_Track04_wav.midi","346":"2013\/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--1.midi","347":"2018\/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--3.midi","348":"2004\/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--1.midi","349":"2015\/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--2.midi","350":"2013\/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--2.midi","351":"2011\/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.midi","352":"2008\/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.midi","353":"2006\/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.midi","354":"2006\/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.midi","355":"2006\/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.midi","356":"2006\/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.midi","357":"2006\/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.midi","358":"2006\/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.midi","359":"2006\/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.midi","360":"2006\/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.midi","361":"2006\/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.midi","362":"2006\/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.midi","363":"2006\/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.midi","364":"2006\/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.midi","365":"2006\/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.midi","366":"2006\/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.midi","367":"2006\/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.midi","368":"2006\/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.midi","369":"2006\/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.midi","370":"2006\/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.midi","371":"2006\/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.midi","372":"2017\/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.midi","373":"2017\/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.midi","374":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.midi","375":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.midi","376":"2014\/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.midi","377":"2018\/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.midi","378":"2013\/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.midi","379":"2006\/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.midi","380":"2006\/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.midi","381":"2006\/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.midi","382":"2006\/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.midi","383":"2006\/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.midi","384":"2006\/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.midi","385":"2006\/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.midi","386":"2006\/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.midi","387":"2017\/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.midi","388":"2009\/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.midi","389":"2009\/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.midi","390":"2009\/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.midi","391":"2009\/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.midi","392":"2018\/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.midi","393":"2018\/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.midi","394":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.midi","395":"2009\/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.midi","396":"2009\/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.midi","397":"2009\/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.midi","398":"2009\/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.midi","399":"2009\/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.midi","400":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.midi","401":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.midi","402":"2009\/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.midi","403":"2009\/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.midi","404":"2009\/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.midi","405":"2004\/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.midi","406":"2004\/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.midi","407":"2004\/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.midi","408":"2004\/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.midi","409":"2004\/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.midi","410":"2004\/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.midi","411":"2004\/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.midi","412":"2004\/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.midi","413":"2018\/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.midi","414":"2018\/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.midi","415":"2009\/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.midi","416":"2009\/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.midi","417":"2009\/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.midi","418":"2009\/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.midi","419":"2009\/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.midi","420":"2009\/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.midi","421":"2009\/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.midi","422":"2009\/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.midi","423":"2009\/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.midi","424":"2009\/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.midi","425":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.midi","426":"2014\/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.midi","427":"2009\/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.midi","428":"2009\/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.midi","429":"2009\/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.midi","430":"2009\/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.midi","431":"2009\/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.midi","432":"2009\/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.midi","433":"2004\/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.midi","434":"2004\/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.midi","435":"2004\/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.midi","436":"2004\/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.midi","437":"2004\/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.midi","438":"2004\/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.midi","439":"2004\/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.midi","440":"2004\/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.midi","441":"2004\/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.midi","442":"2004\/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.midi","443":"2018\/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.midi","444":"2018\/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.midi","445":"2018\/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.midi","446":"2018\/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.midi","447":"2014\/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.midi","448":"2014\/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.midi","449":"2004\/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.midi","450":"2004\/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.midi","451":"2004\/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.midi","452":"2004\/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.midi","453":"2018\/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.midi","454":"2018\/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.midi","455":"2018\/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.midi","456":"2018\/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.midi","457":"2004\/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.midi","458":"2004\/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.midi","459":"2004\/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.midi","460":"2004\/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.midi","461":"2009\/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.midi","462":"2009\/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.midi","463":"2009\/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.midi","464":"2009\/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.midi","465":"2009\/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.midi","466":"2009\/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.midi","467":"2009\/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.midi","468":"2009\/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.midi","469":"2004\/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.midi","470":"2004\/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.midi","471":"2004\/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.midi","472":"2004\/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.midi","473":"2004\/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.midi","474":"2009\/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.midi","475":"2006\/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.midi","476":"2018\/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.midi","477":"2011\/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.midi","478":"2006\/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.midi","479":"2018\/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.midi","480":"2004\/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.midi","481":"2004\/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.midi","482":"2004\/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.midi","483":"2004\/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_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\ No newline at end of file diff --git a/with_prompt.csv b/with_prompt.csv new file mode 100644 index 0000000000000000000000000000000000000000..5a68b6309620a78e4739f27b0bdaa06fcf2fa298 --- /dev/null +++ b/with_prompt.csv @@ -0,0 +1,2264 @@ +canonical_composer,canonical_title,split,year,midi_filename,audio_filename,duration,prompt +Alban Berg,Sonata Op. 1,train,2018,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1.wav,698.661160312,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2.wav,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3.wav,464.649432608,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav.wav,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav.wav,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"5 Preludes, Op.15",validation,2009,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_04_WAV.wav,400.557825938,"Give me a song that is introspective and expansive, composed in the Early Alexander Scriabin style. It should be a Prelude in the Romantic era, featuring meandering rubato. Incorporate arpeggiated chordal texture and highly chromatic harmony, and a transition from peaceful to unsettled." +Alexander Scriabin,"Entragete, Op.63",test,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV.wav,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3.wav,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV.wav,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV.wav,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav.wav,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,Etudes from Op.8,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav.wav,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3.wav,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav.wav,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5.wav,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV.wav,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Prelude and Nocturne for Left Hand, Op. 9",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--3.wav,463.605305625,"Give me a song that is inventive, rich, and sincere, composed in the Early Alexander Scriabin style. It should be a Prelude and Nocturne in the Romantic era, featuring left-hand piano writing. Incorporate a melodically inventive and harmonically rich texture, and a transition from introspective melancholy to passionate intensity." +Alexander Scriabin,Sonata No. 2,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav.wav,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4.wav,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2.wav,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4.wav,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2.wav,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2.wav,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2.wav,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4.wav,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 5 in F-sharp Minor, Op. 53",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_12_Track12_wav.wav,659.835660317,"Give me a song that is ecstatic and turbulent, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from mystical yearning to frenzied exaltation." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2.wav,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV.wav,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV.wav,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4.wav,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6.wav,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4.wav,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav.wav,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav.wav,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV.wav,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1.wav,520.215825937,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Alexander Scriabin,"Two Impromptus, Op. 14 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--3.wav,365.655350156,"Give me a song that is lyrical and improvisatory, composed in the Early Alexander Scriabin style. It should be an Impromptu in the Late Romantic era, featuring piano instrumentation. Incorporate a texture of flowing arpeggios and a highly chromatic yet tonal harmony, and a transition from poetic reverie to impassioned climax." +Alexander Scriabin,"Waltz, Op. 38",validation,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--4.wav,319.910203594,"Give me a song that is lyrical and melancholic, composed in the Middle Scriabin style. It should be a Waltz in the Late Romantic era, featuring a lilting 3/4 rhythm. Incorporate a flowing melody over rich, chromatic harmony, and a transition from wistful introspection to passionate intensity." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV.wav,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3.wav,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav.wav,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4.wav,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Images"", Series I",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2.wav,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3.wav,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Ondine"" from Book II",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--3.wav,193.30108875,"Give me a song that is fluid, shimmering, and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring arpeggiated piano figuration. Incorporate a highly chromatic harmony over a D♭ Major tonality, and a transition from playful mystery to a subdued, distant conclusion." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4.wav,212.295460781,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Claude Debussy,"Barcarolle, Op. 60",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3.wav,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,Bruyeres,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav.wav,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Claude Debussy,Estampes (Complete),test,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4.wav,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV.wav,274.671199688,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Claude Debussy,"Etude ""Pour les accords""",test,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV.wav,270.703522031,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV.wav,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2.wav,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1.wav,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,Feux d'artifice,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav.wav,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Four Preludes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_03_Track03_wav.wav,672.901303594,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring fluid rhythm and rich piano textures. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a luminous mood." +Claude Debussy,Image (Book II),train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav.wav,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images Book 1 (Complete), L 110",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--4.wav,903.260314687,"Give me a song that is fluid, shimmering, and atmospheric, composed in the Middle Debussy style. It should be an Image in the Impressionist era, featuring fluid arpeggiated rhythms. Incorporate whole-tone harmonies and a fragmented melody, and a transition from serene reflection to agitated motion." +Claude Debussy,Images Book II,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav.wav,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,"Images, Book I",train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV.wav,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4.wav,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book II",train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3.wav,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II, ""Poissons d'or""",train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--5.wav,219.9784125,"Give me a song that is shimmering and pictorial, composed in the Middle Claude Debussy style. It should be a Poème in the Impressionist era, featuring fluid, arpeggiated piano figuration. Incorporate a highly chromatic, non-functional harmonic language and a transition from a static, shimmering mood to a brief, playful animation." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav.wav,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,L'Isle Joyeuse,train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav.wav,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'isle joyeuse,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6.wav,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4.wav,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3.wav,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--4.wav,346.025013871,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4.wav,349.685814844,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2.wav,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3.wav,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Claude Debussy,Pour le piano (Complete),test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3.wav,738.958333333,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1.wav,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3.wav,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3.wav,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5.wav,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav.wav,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav.wav,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2.wav,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, L 123 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--2.wav,2463.4804425,"Give me a song that is atmospheric and evocative, composed in the late Debussy style. It should be a Prélude in the Impressionist era, featuring pianistic textures. Incorporate fluid harmony with non-functional chord progressions, and a transition from a static, pictorial mood to a more animated, whimsical one." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4.wav,173.302083333,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3.wav,240.3202725,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Claude Debussy,PreludesBII/7-12,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav.wav,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,SuiteBergamasque,test,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_04_Track04_wav.wav,942.903704531,"Give me a song that is evocative, atmospheric, and refined, composed in the Early Debussy style. It should be a Suite in the Impressionist era, featuring a piano. Incorporate fluid arpeggios, modal melodies, and non-functional harmony, and a transition from a pensive to a luminous mood." +Claude Debussy,Three Etudes,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav.wav,727.226836875,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +César Franck,Prel./Chor./Fug.,validation,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav.wav,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--2.wav,1054.57827234,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +César Franck,"Prelude, Choral et Fugue",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--5.wav,1021.9006875,"Give me a song that is grand, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prelude, Choral et Fugue in the Romantic era, featuring solo piano. Incorporate dense, organ-like textures, a unifying cyclic theme, and a transition from solemn meditation to triumphant resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2.wav,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prélude, chorale, et fugue, M. 21",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--3.wav,706.374827813,"Give me a song that is solemn, cyclical, and chromatic, composed in the Late César Franck style. It should be a Prélude, Chorale et Fugue in the Romantic era, featuring piano. Incorporate dense, contrapuntal texture and a transition from meditative to triumphant." +Domenico Scarlatti,Sonata K. 466,train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--3.wav,121.187111719,"Give me a song that is expressive and challenging, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a somber to a dramatic mood." +Domenico Scarlatti,Sonata K. 525,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--2.wav,65.9481178125,"Give me a song that is bright and inventive, composed in the Late Baroque Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a legato texture and modulations within F major, and a transition from sprightly to contemplative." +Domenico Scarlatti,Sonata K. 54,test,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1.wav,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2.wav,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV.wav,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV.wav,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3.wav,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--1.wav,317.398186875,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV.wav,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1.wav,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV.wav,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2.wav,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1.wav,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1.wav,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV.wav,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2.wav,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2.wav,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV.wav,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2.wav,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3.wav,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1.wav,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6.wav,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2.wav,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 213",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--5.wav,214.695298125,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with clear harmonic cadences, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--1.wav,217.822965937,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from dramatic tension to playful release." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1.wav,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1.wav,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV.wav,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2.wav,96.3852114708,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Domenico Scarlatti,"Sonata, K239",test,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav.wav,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,Two Sonatas,test,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav.wav,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1.wav,111.434183437,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in E Minor, “Valse-Impromptu,” Op. 47 No.1",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--3.wav,183.914078906,"Give me a song that is wistful and elegant, composed in the Middle Grieg style. It should be a Lyric Piece in the Romantic era, featuring a waltz rhythm for solo piano. Incorporate a lyrical melody over chromatic harmony, and a transition from melancholic introspection to a more animated, dance-like spirit." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2.wav,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Felix Mendelssohn,Etude in A Minor,validation,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--3.wav,76.0442615625,"Give me a song that is energetic and virtuosic, composed in the Early Felix Mendelssohn style. It should be an Etude in the Romantic era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical melody over a chromatic harmonic foundation, and a transition from a dramatic intensity to a brilliant resolve." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4.wav,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4.wav,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav.wav,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3.wav,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1.wav,665.776652208,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--1.wav,712.135399408,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1.wav,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4.wav,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3.wav,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1.wav,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2.wav,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2.wav,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2.wav,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1.wav,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1.wav,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1.wav,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2.wav,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3.wav,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav.wav,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav.wav,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav.wav,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav.wav,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav.wav,669.421072031,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2.wav,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2.wav,623.717708333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1.wav,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2.wav,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav.wav,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav.wav,253.743068906,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Felix Mendelssohn / Sergei Rachmaninoff,"Scherzo from Mendelssohn's ""Midsummer Night's Dream""",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--4.wav,261.753210469,"Give me a song that is light, playful, and ethereal, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and delicate orchestration. Incorporate transparent texture, a gossamer melody, and Mendelssohn's characteristically clear harmony, and a transition from mischievous whimsy to a fleeting, dreamlike conclusion." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3.wav,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4.wav,265.471155469,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4.wav,269.971685156,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav.wav,428.272808906,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2.wav,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1.wav,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,Au bord d'une source,test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4.wav,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3.wav,747.902564063,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2.wav,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2.wav,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav.wav,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3.wav,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4.wav,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5.wav,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3.wav,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3.wav,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5.wav,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3.wav,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav.wav,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav.wav,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav.wav,263.861915625,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5.wav,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav.wav,351.182875313,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav.wav,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,Dante Sonata,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav.wav,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav.wav,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav.wav,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV.wav,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV.wav,984.984324844,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Funerailles,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_01_Track01_wav.wav,697.635520313,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,Funerailles,validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--4.wav,630.147607031,"Give me a song that is somber, dramatic, and elegiac, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring a tolling bell rhythm and virtuosic left-hand octaves. Incorporate a dense, chordal texture with a recitative-like melody and highly chromatic, funeral march harmony, and a transition from a mournful lament to a defiant, heroic outcry." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3.wav,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5.wav,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6.wav,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5.wav,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3.wav,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3.wav,264.791437558,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4.wav,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,Hungarian Rhapsody,validation,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_05_WAV.wav,608.523697031,"Give me a song that is nationalistic, virtuosic, and seductive, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring rhythmic spontaneity. Incorporate a unique gypsy scale in its melody and harmony, and a transition from direct expression to dramatic flair." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5.wav,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav.wav,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav.wav,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4.wav,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav.wav,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5.wav,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,"Hungarian Rhapsody No. 2 in C-sharp Minor, S. 244/2",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--4.wav,539.083333333,"Give me a song that is virtuosic and dramatic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* rhythm transitioning to a *friss* rhythm. Incorporate a texture of brilliant piano figuration and a melody based on Hungarian folk themes, and a transition from a brooding, improvisatory mood to a fiery, exuberant mood." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4.wav,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.midi,2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4.wav,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4.wav,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,"Hungarian Rhapsody No. 9 in E-flat Major, S. 244",test,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--4.wav,645.111458333,"Give me a song that is virtuosic and festive, composed in the Early Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a csárdás rhythm. Incorporate a brilliant texture with Hungarian folk melody traits, and a transition from a stately Lassú to a frenetic Friska." +Franz Liszt,"Hungarian Rhapsody, No. 12",validation,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_04_Track04_wav.wav,569.204517423,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* rhythm. Incorporate a texture of dense chords and a melody with Hungarian gypsy scales, and a transition from a brooding lament to a fiery, celebratory dance." +Franz Liszt,Mephisto Waltz,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav.wav,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_02-03_ORIG_MID--AUDIO_05_R1_2004_06_Track06_wav.wav,621.447953048,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav.wav,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV.wav,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3.wav,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2.wav,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4.wav,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3.wav,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5.wav,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2.wav,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4.wav,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,Polonaise in E Major,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4.wav,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Rem. of Don Juan,test,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav.wav,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4.wav,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2.wav,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole S.254,train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_06_Track06_wav.wav,774.292762031,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a free, improvisatory texture, folk-like melodies, and highly chromatic yet tonal harmony, and a transition from a solemn, processional mood to a brilliant, festive one." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2.wav,794.979172969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4.wav,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3.wav,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--4.wav,771.030211875,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2.wav,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_03_Track03_wav.wav,773.212367813,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav.wav,754.92445875,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rigoletto Paraphrase,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV.wav,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav.wav,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,Rigoletto-Paraphrase,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--4.wav,421.416512344,"Give me a song that is virtuosic and lyrical, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate a complex, operatic melody and advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6.wav,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5.wav,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav.wav,1744.15290328,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav.wav,1396.30736437,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV.wav,1670.37092578,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV.wav,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV.wav,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5.wav,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV.wav,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4.wav,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV.wav,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Spanish Rhapsody,train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav.wav,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV.wav,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Tarantella,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4.wav,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3.wav,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav.wav,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, Venezia e Napoli in G Minor, S.159",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--4.wav,504.102230742,"Give me a song that is ferocious and ominous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a breathtaking speed and low-register piano rumblings. Incorporate freely alternating phrases, and a transition from an ominous to a frenetic mood." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV.wav,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2.wav,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3.wav,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3.wav,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,"Transcendental Etude No. 10 in F Minor ""Appassionata""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--6.wav,305.818337344,"Give me a song that is technically brilliant and emotionally intense, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated passion to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3.wav,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 11 ""Harmonies du Soir""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--7.wav,607.479360469,"Give me a song that is serene and harmonically rich, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring broken chords and wide octave jumps. Incorporate a wandering chromatic harmony and a touchingly earnest melody, and a transition from contemplative stillness to impassioned display." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4.wav,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3.wav,257.133824063,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4.wav,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3.wav,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4.wav,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4.wav,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5.wav,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3.wav,243.934050937,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3.wav,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3.wav,220.76901,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.midi,2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav.wav,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4.wav,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4.wav,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav.wav,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav.wav,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3.wav,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1.wav,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5.wav,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4.wav,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1.wav,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav.wav,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav.wav,328.064575781,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav.wav,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4.wav,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8.wav,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3.wav,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3.wav,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4.wav,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3.wav,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2.wav,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav.wav,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7.wav,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5.wav,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV.wav,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Erlkoenig""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV.wav,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV.wav,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3.wav,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3.wav,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_-2.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_-1.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_03-04_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_04_WAV_pitch_3.midi,,648.955013438,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_1.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_-3.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_pitch_-2.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_-2.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_3.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Schubert,"""Der Mueller und der Bach""",validation,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_02_WAV_pitch_-3.midi,,336.379204219,"Give me a song that is sorrowful and resigned, composed in the Middle Schubert style. It should be a Lied in the Romantic era, featuring a dialogue between voice and piano. Incorporate a texture of alternating minor and major keys, and a transition from anguished despair to tragic acceptance." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_3.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_1.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_pitch_-1.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_1.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_-1.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_pitch_3.midi,,707.903939531,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_2.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_-3.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_pitch_-1.midi,,363.915234375,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_1.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_2.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--1_pitch_-2.midi,,623.033271908,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_1.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_-3.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_pitch_-1.midi,,274.468208438,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_1.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_-1.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_pitch_-3.midi,,995.665403906,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_1.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_-3.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_pitch_-2.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_2.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_-2.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_pitch_3.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_-3.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_-1.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_pitch_2.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_-2.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_2.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_pitch_-3.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_2.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_-1.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_pitch_3.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_-3.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_pitch_2.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_-3.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_3.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_pitch_2.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_1.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_-3.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_pitch_-2.midi,,1033.23481078,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_3.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_-3.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_pitch_2.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_1.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_-2.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Domenico Scarlatti,"Sonata in B Minor, K. 27",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_01_WAV_pitch_3.midi,,95.0212725,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid passages and dynamic contrasts. Incorporate extensive crossing-hand technique and a highly chromatic but tonal harmony, and a transition from energetic to contemplative." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_-2.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_1.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_03_R2_2015_wav--2_pitch_-1.midi,,677.239583333,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_1.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_2.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_pitch_-1.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_-1.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_2.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_pitch_1.midi,,706.203887813,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_1.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_-1.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_pitch_3.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_1.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_-1.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_pitch_-3.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_3.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_1.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_pitch_2.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_-1.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_-3.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_pitch_2.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_2.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_3.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_pitch_1.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-2.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_-1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_pitch_1.midi,,549.447094021,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_2.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_-2.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Alexander Scriabin,"Sonata No. 4 in F-sharp Major ,Op.30",validation,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--4_pitch_1.midi,,440.110403906,"Give me a song that is expressive and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the post-Romantic era, featuring an attacca transition. Incorporate a monothematic, cyclic structure and highly chromatic harmony, and a transition from a calm, dolcissimo mood to a jubilant, focosamente mood." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_-2.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_1.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_pitch_3.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_3.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_-2.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_pitch_-1.midi,,140.121387656,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_-3.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_3.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_pitch_1.midi,,270.732647762,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_2.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_1.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_pitch_-1.midi,,545.376041667,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-2.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_-3.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Franz Liszt,Rigoletto Paraphrase,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_06_WAV_pitch_1.midi,,391.296350156,"Give me a song that is virtuosic and operatic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring solo piano instrumentation. Incorporate advanced, chromatic harmony, and a transition from dramatic tension to lyrical release." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_3.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_2.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-2.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-3.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_02_R3_2013_wav--1_pitch_-1.midi,,615.815356406,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-1.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_-2.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_pitch_3.midi,,690.980879531,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_-1.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_2.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_pitch_1.midi,,783.325,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_-3.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_2.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_pitch_-1.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_-3.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_-2.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_pitch_1.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_3.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_-2.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_pitch_-1.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_-2.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_3.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_pitch_1.midi,,79.3348565625,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_-1.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_2.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_pitch_-3.midi,,849.030935156,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_-1.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_1.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Claude Debussy,"Preludes, Book II, III - La puerta del vino",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--2_pitch_-3.midi,,179.321401875,"Give me a song that is ferocious and violent, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring brusque rhythmic oppositions. Incorporate extreme harmonic contrasts, and a transition from brusque violence to a contrasting mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_2.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_-1.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_pitch_3.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_3.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_-1.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Franz Liszt,"Transcendental Etude No. 1, “Preludio""",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--3_pitch_2.midi,,45.1552083333,"Give me a song that is brilliant and explosive, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring a rapid C major arpeggiated texture. Incorporate a monophonic texture and a simple harmonic progression, and a transition from a declarative to a triumphant mood." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_1.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_3.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_pitch_-1.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_-2.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_1.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_pitch_3.midi,,241.6877925,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_-3.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_2.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_pitch_1.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_2.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_3.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_pitch_1.midi,,176.46349875,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_-2.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_-3.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Domenico Scarlatti,"Sonata in D Major, K. 145",train,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--2_pitch_2.midi,,205.845146719,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a single harpsichord line. Incorporate a binary form with Spanish-influenced rhythms and sudden harmonic shifts, and a transition from a stately, courtly mood to a playful, energetic one." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_-2.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_-3.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_pitch_3.midi,,412.511606719,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_-3.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_1.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_pitch_3.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_3.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_2.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_pitch_-1.midi,,701.103700969,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_1.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_-3.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_pitch_-2.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_-3.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_2.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_pitch_-2.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_-1.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_3.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_081_PIANO081_MID--AUDIO-split_07-09-17_Piano-e_2_-02_wav--4_pitch_-2.midi,,386.800455096,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_-2.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_1.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_pitch_-1.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_3.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_2.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_pitch_1.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_-3.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_1.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Domenico Scarlatti,"Sonata in G Major, K. 146",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_05_WAV_pitch_2.midi,,143.520155625,"Give me a song that is lively and brilliant, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 3/8 time signature. Incorporate a single-line melody with clear harmonic progression, and a transition from playful energy to a more resolved conclusion." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_-3.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_-2.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_pitch_3.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_-2.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_-3.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_pitch_2.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_-3.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_2.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_pitch_-1.midi,,215.347006875,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_-3.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_-2.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_pitch_1.midi,,242.752161094,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_-3.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_3.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_pitch_2.midi,,738.074849531,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_-2.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_3.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 2 (Horowitz Edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--5_pitch_-1.midi,,529.54006875,"Give me a song that is virtuosic and flamboyant, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *lassú* rhythm and *friss* cimbalom-like piano instrumentation. Incorporate a thick, chordal texture with a folk-inspired melody and a highly chromatic yet tonal harmony, and a transition from a brooding, improvisational mood to a frenetic, celebratory one." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_-1.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_-3.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_06_Track06_wav_pitch_3.midi,,267.872328281,"Give me a song that is light, playful, and orchestral, composed in the Middle Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid, staccato string articulation. Incorporate transparent texture, a gossamer melody, and Mendelssohnian chromatic harmony, and a transition from mischievous whimsy to ethereal calm." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-2.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-1.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_pitch_-3.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-1.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_pitch_-3.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_3.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_2.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Franz Liszt,"Transcendental Etude No. 10 in F Minor, S. 139/10",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--3_pitch_-2.midi,,235.22412375,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a dense, chromatic texture and a dramatic, leaping melody, and a transition from turbulent agitation to a climactic, resolute conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_-1.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_3.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_pitch_-2.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_-2.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_1.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_pitch_-1.midi,,260.515230938,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_3.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_-3.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_02_Track02_wav_pitch_1.midi,,643.549035937,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_-2.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_3.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_pitch_2.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_1.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_2.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_pitch_-1.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_3.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_2.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--5_pitch_-3.midi,,529.717489842,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_-3.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_3.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_pitch_1.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_1.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_2.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_pitch_-2.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_3.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_2.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_13_R2_2015_wav--1_pitch_1.midi,,661.06875,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_1.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_2.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--5_pitch_-2.midi,,255.070524844,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_1.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_-2.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_pitch_2.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_3.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_2.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_pitch_-2.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_2.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_-3.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in F Minor, K. 466",test,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--1_pitch_3.midi,,239.784081463,"Give me a song that is dramatic and intense, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic and dissonant harmony, and a transition from a brooding tension to a fiery resolve." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_3.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_2.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_pitch_1.midi,,170.509979063,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_1.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_-3.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Claude Debussy,"""Les collines d'Anacapri"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--3_pitch_2.midi,,166.49556,"Give me a song that is bright and energetic, composed in the Middle Debussy style. It should be a Prelude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a bell-like texture, and a transition from vibrant exuberance to a serene conclusion." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_-1.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_1.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_05_WAV_pitch_3.midi,,379.317195469,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-3.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_pitch_-1.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_-2.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_3.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_pitch_2.midi,,134.376478304,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_1.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_-3.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,"Concert Etude No. 2 La Leggierezza, S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--3_pitch_-1.midi,,290.866666667,"Give me a song that is delicate, virtuosic, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line under rapid figuration, and a transition from introspective lyricism to brilliant lightness." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_1.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_2.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--4_pitch_-1.midi,,794.300754844,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_-2.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_-3.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_pitch_2.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_-1.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_3.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_pitch_2.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_2.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_3.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_pitch_-2.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_3.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_-3.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_pitch_-1.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_2.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_-3.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Franz Liszt,Hungarian Rhapsody No. 15 in A Minor,validation,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--5_pitch_1.midi,,313.966032187,"Give me a song that is martial and heroic, composed in the Early Romantic Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a march rhythm. Incorporate a homophonic texture with a bold, fanfare-like melody, and a transition from a solemn, processional mood to a triumphant, militant mood." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_2.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_-2.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_pitch_3.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_1.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-3.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--2_pitch_-2.midi,,667.11875,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_-2.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_-1.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--3_pitch_2.midi,,282.123617587,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_-2.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_3.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--4_pitch_-1.midi,,601.648703906,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_2.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-1.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_pitch_-2.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_2.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_-3.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Domenico Scarlatti,"Sonata in B Minor, K. 197",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_04_WAV_pitch_1.midi,,298.063270313,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single-line harpsichord texture. Incorporate a binary form with Spanish-influenced rhythms and a transition from a pensive, minor-key opening to a more agitated and brilliant conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_1.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_2.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_pitch_-1.midi,,632.121902587,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_3.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_-3.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_pitch_2.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_-3.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_1.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_pitch_-2.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_3.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_-2.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_pitch_-3.midi,,262.686458333,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_2.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_3.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_pitch_-3.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_1.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-2.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_pitch_-1.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_2.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_1.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_pitch_3.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-1.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_2.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_pitch_-3.midi,,604.709598281,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_3.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-1.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_pitch_-3.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_-2.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_1.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_pitch_2.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_-1.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_-3.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_pitch_1.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_3.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_-3.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_pitch_-2.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_3.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_-3.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_pitch_1.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_3.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_-2.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_pitch_1.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_-2.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_3.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_pitch_1.midi,,918.021250781,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_2.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_1.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_pitch_3.midi,,154.977142031,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_-2.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_2.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_pitch_-3.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_1.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_2.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_pitch_-1.midi,,376.477988906,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_1.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-2.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_pitch_-1.midi,,294.075560625,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_-2.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_3.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_pitch_2.midi,,272.248659375,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_3.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_-1.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_pitch_1.midi,,566.314871719,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_3.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_-2.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_pitch_2.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_-1.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_-2.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_pitch_1.midi,,679.697504063,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_-2.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_1.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_pitch_2.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-3.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_3.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_pitch_-1.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_-2.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_3.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_pitch_-3.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_-1.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_3.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_10_Track10_wav_pitch_1.midi,,685.255457123,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_1.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_3.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_pitch_2.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_1.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-1.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_pitch_-2.midi,,872.640588096,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_3.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_1.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_pitch_2.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_3.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_-3.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_pitch_-2.midi,,802.764955781,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_2.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_1.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--5_pitch_-1.midi,,226.426055625,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_-2.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_2.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_pitch_1.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_-3.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_-2.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Franz Liszt,"Transcendental Etude No. 4 ""Mazeppa""",train,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--4_pitch_3.midi,,494.709708281,"Give me a song that is technically formidable and dramatically programmatic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring sections separated by double-octave progressions. Incorporate a main theme in octaves with inner-third accompaniment, and a transition from a turbulent, ad libitum cadenza to a heroic, march-like presentation." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_-2.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_pitch_3.midi,,318.511967813,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_-2.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_1.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_pitch_-3.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-2.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-1.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_pitch_-3.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-1.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_2.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_pitch_-3.midi,,613.737367031,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_-1.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_3.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Domenico Scarlatti,"Sonata in C Minor, K. 84",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--1_pitch_1.midi,,79.7421745313,"Give me a song that is concise and binary, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a consistent musical procedure where major-key blocks resolve to the minor, and a transition from a major opening to a minor conclusion." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_3.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_-1.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_pitch_2.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_-1.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_-2.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_pitch_3.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-2.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_1.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_pitch_-3.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_2.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_-3.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_04_Track04_wav_pitch_-1.midi,,476.652835312,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_-3.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_3.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_pitch_1.midi,,632.269666875,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_-1.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_-3.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_pitch_3.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_-1.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_-2.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_pitch_2.midi,,421.862558906,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_0.92.midi,,803.0218675820757,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Alexander Scriabin,"24 Preludes Op. 11, No. 13-24",train,2004,augmented/2004/MIDI-Unprocessed_XP_21_R1_2004_01_ORIG_MID--AUDIO_21_R1_2004_01_Track01_wav_time_0.97.midi,,850.0622327876149,"Give me a song that is lyrical and harmonically adventurous, composed in the Early Scriabin style. It should be a Prelude in the Romantic era, featuring a flexible, rubato rhythm. Incorporate a texture of arpeggiated chords with a singing melody, and a transition from melancholic introspection to passionate intensity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_0.96.midi,,262.07061029638663,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_18_Track18_wav_time_0.94.midi,,256.626989474961,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_0.93.midi,,567.9917527569492,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Alexander Scriabin,Sonata No. 2,train,2006,augmented/2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_02_Track02_wav_time_0.99.midi,,610.1883367856462,"Give me a song that is turbulent and evocative, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a rumbling triplet rhythm. Incorporate a powerful, low-textured undercurrent, and a transition from quiet introspection to stormy agitation." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_0.97.midi,,661.7424895877516,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Claude Debussy,Images Book II,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_02_Track02_wav_time_1.02.midi,,693.2246953368088,"Give me a song that is atmospheric and coloristic, composed in the late Debussy style. It should be a piece from the 'Images' suite in the Impressionist era, featuring fluid rhythm and intricate piano textures. Incorporate non-functional harmony, whole-tone scales, and fragmented melody, and a transition from reflective stillness to shimmering motion." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_time_0.92.midi,,125.19891956093733,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_time_0.97.midi,,132.4056583331368,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_0.95.midi,,635.509344472146,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--1_time_1.03.midi,,688.4022588881361,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_time_1.09.midi,,265.54021895078296,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Claude Debussy,"""Feux d'artifice"" from Book II",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--4_time_1.02.midi,,246.9636348183896,"Give me a song that is virtuosic, brilliant, and flashy, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex piano figuration. Incorporate shimmering textures, fragmented melodic motifs, and highly chromatic yet tonal harmony, and a transition from a nocturnal, expectant atmosphere to a climactic, explosive finale." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_time_0.93.midi,,254.86288335178588,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_time_0.95.midi,,260.1868205030865,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_time_1.04.midi,,355.54674721574025,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_time_1.01.midi,,344.84846483940004,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_1.07.midi,,282.0833386027473,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Franz Liszt,"Concert Etude No. 2, ""La Leggierezza"", S. 144/2",train,2011,augmented/2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_11_Track11_wav_time_0.97.midi,,256.70204847214137,"Give me a song that is brilliant and light, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple, monothematic melody over a chromatic harmonic texture, and a transition from lyrical introspection to virtuosic fluidity." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_time_0.97.midi,,107.76807494676896,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Edvard Grieg,"Lyric Piece in A Minor, “Waltz,” Op. 12 No. 2",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--1_time_1.00.midi,,111.54911407796936,"Give me a song that is lyrical and melancholic, composed in the Early Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a simple homophonic texture with a folk-like melody and chromatic harmonic color, and a transition from wistful introspection to a more animated, dance-like character." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_0.95.midi,,256.463767387859,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--4_time_1.08.midi,,292.2558524698864,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_time_1.10.midi,,359.5643875674039,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_time_0.96.midi,,314.71117244893054,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_1.10.midi,,704.3853055381971,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_time_1.08.midi,,693.5902339802401,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_1.05.midi,,735.3659586295805,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2018,augmented/2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--1_time_0.97.midi,,680.0171805990035,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_1.08.midi,,287.886617438388,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--4_time_1.08.midi,,285.8223863094419,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_0.98.midi,,268.58938561561206,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_time_1.04.midi,,285.34251848497127,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_time_1.09.midi,,296.0237644682002,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,"Études d'exécution transcendante, No. 12, ""Chasse-Neige"" S.139/12",validation,2017,augmented/2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--3_time_1.05.midi,,284.61540706412563,"Give me a song that is turbulent and bleak, composed in the Late Liszt style. It should be an Étude in the Romantic era, featuring tremolo and chromatic scales. Incorporate a dense, shimmering texture and extreme chromatic harmony, and a transition from a desolate storm to a frozen, exhausted stillness." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_1.05.midi,,839.8456458031454,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_05_WAV_time_1.00.midi,,802.3373760993665,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3_time_0.93.midi,,222.8404779263473,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Claude Debussy,"Preludes, Book II, VII - La terasse des audiences du clair de lune",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_02_R2_2013_wav--3_time_1.03.midi,,247.50042313128407,"Give me a song that is sublime and atmospheric, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring piano. Incorporate a slow tempo in F-sharp major with luminous, complex harmony, and a transition from contemplative stillness to transcendent radiance." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.91.midi,,194.30344954675903,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_time_0.96.midi,,204.1650591013668,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_1.06.midi,,549.2571423120007,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_time_0.97.midi,,507.0338246317138,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_1.02.midi,,323.0750003353695,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_time_1.08.midi,,343.3577676220402,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_time_0.94.midi,,308.8036854530271,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_08_Track08_wav_time_1.10.midi,,359.7901680204783,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.04.midi,,168.60256362888808,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_time_1.04.midi,,168.6527413956669,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.93.midi,,785.7303723465219,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Claude Debussy,Estampes (Complete),test,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--4_time_0.92.midi,,778.1193177156186,"Give me a song that is evocative and coloristic, composed in the Middle Debussy style. It should be a set of Estampes in the Impressionist era, featuring pentatonic scales and mimicked guitar strumming. Incorporate layered textures and modal harmony, and a transition from exotic contemplation to sultry evening." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_time_1.09.midi,,723.4223079153348,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_time_1.08.midi,,719.2685522706976,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.09.midi,,265.57429699591927,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--3_time_1.00.midi,,244.2748231744673,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_0.94.midi,,622.9804939004639,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_time_0.95.midi,,630.1811507725768,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_time_0.94.midi,,257.70959860335665,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Claude Debussy,"Etude ""Pour le arpeges composes""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_02_WAV_time_1.09.midi,,300.49820583289625,"Give me a song that is fluid and shimmering, composed in the Late Debussy style. It should be an Etude in the Impressionist era, featuring arpeggiated textures. Incorporate complex, layered harmonies, and a transition from contemplative to ecstatic." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav_time_1.08.midi,,463.44060016806543,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Franz Liszt,Annes de Pelerinage III: Le jeux d'eau a la Villa d'Este,train,2011,augmented/2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_03_Track03_wav_time_1.05.midi,,448.7333632601199,"Give me a song that is shimmering and fluid, composed in the Late Liszt style. It should be a Poème in the Romantic era, featuring arpeggiated figuration. Incorporate impressionistic harmony and a transition from contemplative to ecstatic." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_time_0.90.midi,,439.8109954347008,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_time_1.10.midi,,534.1824183542589,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_time_1.07.midi,,497.58715159329705,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--3_time_1.09.midi,,505.6550985446915,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_time_1.09.midi,,524.8312687654653,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_time_1.09.midi,,527.2592660692882,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_1.07.midi,,221.08319451080507,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_time_0.97.midi,,200.27204142186088,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_time_1.01.midi,,197.442068328772,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_time_1.04.midi,,204.2444310191288,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_0.99.midi,,347.52403806264607,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_03_Track03_wav_time_1.08.midi,,378.8660279597208,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_time_1.07.midi,,603.8581790770955,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 12, S. 244/12",validation,2011,augmented/2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_19_Track19_wav_time_1.01.midi,,572.0420020227581,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a slow *lassú* and fast *friss* section. Incorporate a texture of thick chords and octaves, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_1.07.midi,,379.4515135961298,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_time_0.98.midi,,349.0332823508654,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_1.01.midi,,79.96061488657209,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Claude Debussy,"Etude No. 6, Book I, ""Pour les huits doigts""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--2_time_1.05.midi,,83.53836055981961,"Give me a song that is technically demanding and crystalline, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring precise, two-handed fingerwork. Incorporate a contrapuntal texture with clear, diatonic harmony, and a transition from playful lightness to a more deliberate, resolved character." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_time_0.91.midi,,210.89459308481557,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_time_1.07.midi,,248.44665029170557,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_time_0.92.midi,,582.0427636413067,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--4_time_0.90.midi,,571.8625452708877,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_time_0.98.midi,,131.6639721921158,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Claude Debussy,"Etude No. 7 ""Study in Chromatic Steps""",test,2004,augmented/2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--1_time_0.97.midi,,130.97160229271788,"Give me a song that is fluid and shimmering, composed in the late Debussy style. It should be an Etude in the Impressionist era, featuring a chromatic, stepwise melody. Incorporate a complex, layered texture and non-functional harmony, and a transition from a mysterious, suspended mood to a more resolved, luminous one." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_time_0.98.midi,,133.27534248886442,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_time_0.96.midi,,130.78485015226735,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_time_1.05.midi,,247.45022928215428,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_time_0.92.midi,,217.50240029609407,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_0.99.midi,,777.0496083874497,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--4_time_0.91.midi,,713.1356270474494,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_time_1.01.midi,,417.4141403937713,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_time_1.04.midi,,430.00196569214137,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_time_0.94.midi,,201.94932026335005,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Franz Liszt,"Transcendental Etude No. 5, ""Feux Follets"", S. 139/5",train,2011,augmented/2011/MIDI-Unprocessed_06_R2_2011_MID--AUDIO_R2-D2_07_Track07_wav_time_1.09.midi,,233.90575760207372,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a light, elusive mood to a more brilliant, virtuosic one." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_0.96.midi,,166.61253244880996,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_time_1.04.midi,,180.6159551471351,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_time_0.96.midi,,619.1853181303863,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_time_0.95.midi,,607.6714833502849,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_0.98.midi,,167.53484946791824,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 430",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--2_time_1.08.midi,,184.8251021211437,"Give me a song that is bright and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a single-line melody with rapid passagework, and a transition from playful energy to a more lyrical conclusion." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_time_0.94.midi,,913.8923473775408,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_time_0.99.midi,,966.2070769753908,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_0.97.midi,,326.21863599872233,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_time_1.05.midi,,351.8560998474022,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_time_0.95.midi,,1617.3049374966497,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_time_1.05.midi,,1783.6529273894848,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_time_1.04.midi,,179.42470492750357,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Claude Debussy,"Preludes, Book II, L 123, IV. «Les fées sont d'exquises danseuses»",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--4_time_0.93.midi,,160.31356742679515,"Give me a song that is delicate, evanescent, and scherzando, composed in the Middle Debussy style. It should be a Prélude in the Impressionist era, featuring a waltz-like rhythm and pianistic textures. Incorporate a pentatonic melody over complex, non-functional harmony, and a transition from playful whimsy to a fading, mysterious conclusion." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_time_1.00.midi,,154.76184863159105,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude No. 2, ""Gnomenreigen"", S. 145/2",test,2011,augmented/2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_10_Track10_wav_time_1.02.midi,,158.2300557836894,"Give me a song that is playful and technically demanding, composed in the Late Liszt style. It should be a Concert Etude in the Romantic era, featuring fast, soft passages. Incorporate a theme of grace notes followed by eighths, and a transition from a scherzando F-sharp minor to a playful A major." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_1.08.midi,,404.979030751693,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Franz Liszt,"Concert Etude ""Un Sospiro""",train,2008,augmented/2008/MIDI-Unprocessed_11_R2_2008_01-05_ORIG_MID--AUDIO_11_R2_2008_wav--5_time_1.02.midi,,385.8390338332665,"Give me a song that is lyrical and technically brilliant, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate intensity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_time_0.98.midi,,290.6148249088985,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_time_1.05.midi,,311.53795039348654,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_time_1.08.midi,,632.4352546506483,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_time_0.93.midi,,541.203139023058,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_time_1.01.midi,,741.8346905583396,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--3_time_1.02.midi,,753.4467820893856,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_0.94.midi,,121.22693902280128,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_time_1.01.midi,,130.1635217826941,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_time_1.02.midi,,1005.8923562884852,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_09_WAV_time_0.96.midi,,950.2886904189082,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_time_0.96.midi,,262.49010467501915,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Franz Liszt,"Paganini Etude No. 3, S. 141/3 ""La Campanella""",train,2013,augmented/2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--2_time_0.96.midi,,262.2670773550906,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Étude in the Romantic era, featuring a persistent, bell-like rhythm. Incorporate a melody with wide leaps and chromatic harmony, and a transition from delicate playfulness to thunderous grandeur." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_1.00.midi,,348.9596118176136,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"L'isle joyeuse, L. 106",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--4_time_1.03.midi,,358.4653362383342,"Give me a song that is vibrant and ecstatic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring fluid rhythm. Incorporate whole-tone and Lydian harmonic contexts, and a transition from anticipatory to joyful." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_0.92.midi,,195.37859303375615,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Claude Debussy,"""Voiles"" from Preludes, Book I",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--4_time_0.93.midi,,198.0423024720878,"Give me a song that is ethereal and ambiguous, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring a static, undulating rhythm. Incorporate a whole-tone scale harmonic texture, and a transition from a veiled, suspended mood to a brief, pentatonic clarity." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3_time_0.93.midi,,239.3143999653988,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2008,augmented/2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--3_time_0.97.midi,,248.3915182619941,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_0.92.midi,,682.1898456645431,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Claude Debussy,Pour le piano (Complete),test,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--3_time_0.99.midi,,735.0094738293053,"Give me a song that is brilliant and percussive, composed in the Middle Claude Debussy style. It should be a Sarabande in the Impressionist era, featuring a stately rhythm. Incorporate modal harmony and parallel chords, and a transition from archaic solemnity to luminous serenity." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.96.midi,,492.5511238419951,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_time_0.93.midi,,475.0620941679528,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_time_0.98.midi,,618.1574765134764,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +César Franck,"Prelude, Fugue et Variation, Op. 18, Arrangement Delle Vigne",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--2_time_1.04.midi,,656.4603030706693,"Give me a song that is lyrical and contrapuntal, composed in the Middle César Franck style. It should be a Prelude, Fugue et Variation in the Romantic era, featuring organ-like piano textures. Incorporate clear polyphonic lines and chromatic harmony, and a transition from meditative solemnity to serene resolution." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_time_0.93.midi,,922.1349894965545,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Franz Liszt,Rem. of Don Juan,test,2006,augmented/2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_04_Track04_wav_time_1.09.midi,,1086.848144061472,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Opera Paraphrase in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a seductive, lyrical mood to a diabolical, triumphant one." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_time_0.96.midi,,259.9706249197053,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Claude Debussy,"Etude ""Pour les accords""",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_04_WAV_time_0.95.midi,,256.64831894600525,"Give me a song that is intricate and coloristic, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex chordal textures. Incorporate dense harmonic clusters and a transition from concentrated study to luminous release." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_time_1.10.midi,,453.7224026740919,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Franz Liszt,Sonetto 123 del Petrarca,validation,2009,augmented/2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_04_WAV_time_1.10.midi,,452.1518026942773,"Give me a song that is expansive and rapturous, composed in the Middle Franz Liszt style. It should be a Sonetto in the Romantic era, featuring expressive piano writing. Incorporate rich, chromatic harmony and an expressive melody, and a transition from contemplative longing to transcendent ecstasy." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_1.07.midi,,698.561339589762,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_time_0.94.midi,,615.0643813167202,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_time_0.91.midi,,128.0980157990858,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Domenico Scarlatti,"Sonata in D Major, K96",test,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--3_time_0.93.midi,,130.2155302304942,"Give me a song that is lively and intricate, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate complex harmonic structures and intricate melodies, and a transition from energetic to more reflective." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_time_0.91.midi,,362.373030472609,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_time_1.05.midi,,416.11954773369376,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_time_1.10.midi,,778.5808062976076,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_time_0.97.midi,,684.880477878942,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_time_1.01.midi,,386.1301074599843,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_time_1.08.midi,,411.9001050815476,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_time_0.99.midi,,618.025418157219,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--2_time_1.02.midi,,636.1025120702873,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_time_0.91.midi,,910.808062477586,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_time_1.01.midi,,1005.0399828590192,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_time_0.93.midi,,622.509626611693,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_time_1.08.midi,,725.6008921862725,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav_time_1.03.midi,,261.6718424571087,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Felix Mendelssohn / Sergei Rachmaninoff,Scherzo from A Midsummer Night's Dream,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_05_Track05_wav_time_1.05.midi,,266.6524169041604,"Give me a song that is light, ethereal, and fleet, composed in the Middle Romantic Mendelssohn style. It should be a Scherzo in the Romantic era, featuring rapid staccato articulation and orchestral textures adapted for piano. Incorporate gossamer texture, a tripping melody, and Mendelssohn's characteristically clear, diatonic harmony with chromatic passing tones, and a transition from mischievous playfulness to a delicate, vanishing conclusion." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3_time_1.08.midi,,285.0798688337835,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--3_time_1.02.midi,,269.78873940794097,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_1.09.midi,,1123.5415758517886,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Franz Liszt,"Venezia e Napoli, S.162 (Complete)",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--8_time_0.96.midi,,989.100872104785,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of character pieces in the Romantic era, featuring a brilliant piano transcription style. Incorporate a rich, textured melody and highly chromatic harmony, and a transition from a lyrical gondolier's song to a fiery, energetic tarantella." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.02.midi,,370.304743375159,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--6_time_1.07.midi,,390.05139008599855,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_time_1.06.midi,,286.5834069950069,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_time_0.99.midi,,266.9294620482406,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_time_0.93.midi,,200.3695178749865,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_time_1.03.midi,,222.83652300958283,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_1.08.midi,,366.4810057069716,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_time_1.02.midi,,346.0368102922514,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.02.midi,,740.6141858773756,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Claude Debussy,Three Etudes,train,2006,augmented/2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_02_Track02_wav_time_1.05.midi,,765.3354243687841,"Give me a song that is intricate and exploratory, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring complex pianistic figuration. Incorporate fluid textures, non-functional harmony, and a transition from playful abstraction to poignant reflection." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_1.00.midi,,467.7834967664565,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_time_1.03.midi,,482.6346903997997,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_time_0.96.midi,,905.417654164316,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_time_0.94.midi,,882.3444141337261,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_0.95.midi,,196.6379715945284,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_time_0.94.midi,,195.712181251356,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_time_1.04.midi,,99.39209578557018,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_time_0.97.midi,,92.66090491743934,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_time_0.91.midi,,1340.281118458852,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_time_1.06.midi,,1570.2047089641192,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_time_0.94.midi,,85.2865378607013,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_time_1.06.midi,,96.83851507848836,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_time_1.05.midi,,253.99347520893863,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Domenico Scarlatti,"Sonata in C Major, K. 132",test,2014,augmented/2014/MIDI-UNPROCESSED_19-21_R3_2014_MID--AUDIO_21_R3_2014_wav--1_time_1.06.midi,,257.3302376272514,"Give me a song that is bright and energetic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord. Incorporate a two-part texture with clear melodic phrasing, and a transition from lively brilliance to a more lyrical mood." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_time_0.98.midi,,475.7461705723339,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_time_1.06.midi,,517.9684473350533,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_time_1.09.midi,,58.59728327587354,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_time_0.93.midi,,50.379730976710846,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_1.09.midi,,282.9245632253494,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,"Transcendental Etude No. 3 ""Paysage""",test,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--3_time_1.08.midi,,281.5519516078129,"Give me a song that is serene and pastoral, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from contemplative calm to a more resolute, forward-moving expression." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_time_1.00.midi,,421.82429992472765,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Franz Liszt,Hungarian Rhapsody No. 13 (arr. Volodos),validation,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_14_R2_2013_wav--4_time_1.01.midi,,424.5654594037616,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu to friss rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from melancholic to stormy." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_time_0.97.midi,,310.2069302013218,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Claude Debussy,"Prelude No. 24 ""Fireworks""",train,2008,augmented/2008/MIDI-Unprocessed_04_R2_2008_01-04_ORIG_MID--AUDIO_04_R2_2008_wav--1_time_0.95.midi,,303.8008409812272,"Give me a song that is virtuosic and coloristic, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring complex pianistic textures. Incorporate shimmering, layered harmonies, and a transition from a mysterious, nocturnal atmosphere to a brilliant, explosive finale." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_1.09.midi,,1525.14087375802,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_05_Track05_wav_time_1.01.midi,,1410.0650846763008,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_time_1.07.midi,,583.7072003685113,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,Tarantella,train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--4_time_1.03.midi,,562.7599576334163,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a rapid 6/8 rhythm. Incorporate a brilliant, ornamented melody over a driving texture, and a transition from a lively folk dance to a more dramatic and intense mood." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_time_0.99.midi,,542.0071996003553,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Valse de l'opera Faust de Charles Gounod, S.407",train,2017,augmented/2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--4_time_1.04.midi,,573.0963070518509,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Valse in the Romantic era, featuring a waltz rhythm and piano instrumentation. Incorporate a brilliant, operatic melody and a lush, chromatic harmony, and a transition from a dramatic bravura to a dreamy fantasy." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_1.02.midi,,811.0968532429791,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--2_time_1.10.midi,,871.9025906538672,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_0.99.midi,,216.4671605295993,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_time_0.91.midi,,200.6988907642448,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_1.06.midi,,1067.176400168293,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_time_0.93.midi,,933.9857395491056,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_time_1.04.midi,,689.9873844715132,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_time_0.98.midi,,648.6212615844033,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_time_1.07.midi,,992.6421506213755,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_time_0.94.midi,,872.577273459826,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_time_1.05.midi,,677.6058638456775,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_time_0.94.midi,,604.7314847800013,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_1.07.midi,,721.9788793751262,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_time_0.96.midi,,651.0913830301931,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_time_0.92.midi,,651.5793679767077,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--6_time_1.08.midi,,762.2515481676687,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.08.midi,,743.7927700477732,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Felix Mendelssohn,"Variations serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--2_time_1.09.midi,,750.6340003214417,"Give me a song that is serious and masterful, composed in the Late Mendelssohn style. It should be a set of Variations in the Romantic era, featuring solo piano instrumentation. Incorporate a theme and 17 variations with complex harmonic development, and a transition from a somber D minor theme to a brilliant and virtuosic finale." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_time_0.99.midi,,513.9946970804997,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Alexander Scriabin,"Sonata No. 9, Op. 68, ""Black Mass""",test,2018,augmented/2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--1_time_0.90.midi,,469.53825441897726,"Give me a song that is dissonant, unstable, and legendary, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring piano. Incorporate themes based on the minor ninth interval, and a transition from the ominous to the ecstatic." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_1.09.midi,,1317.857031833178,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_time_0.92.midi,,1114.464874375525,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_time_1.07.midi,,102.83077018806466,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Domenico Scarlatti,"Sonata in G Major, K. 455",train,2017,augmented/2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--2_time_0.99.midi,,95.01718048798634,"Give me a song that is vibrant and lively, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a 2/2 alla breve rhythm. Incorporate intricate melodic lines and harmonies, and a transition from a spirited to a more intricate character." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_time_0.96.midi,,581.270606815688,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt / Camille Saint-Saëns,Danse Macabre S555/R240,train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_07_Track07_wav_time_1.09.midi,,660.449349724944,"Give me a song that is chilling and evocative, composed in the Middle Romantic style. It should be a Tone-Poem arrangement in the Romantic era, featuring virtuosic piano instrumentation. Incorporate highly chromatic harmonies and expanded transitions, and a transition from a macabre dance to a spectral conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_time_1.03.midi,,404.95471987338766,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_time_1.04.midi,,408.5090270985055,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_time_1.06.midi,,326.49208840314594,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_time_0.98.midi,,301.8411587942035,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_time_0.94.midi,,157.73224209740934,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_time_0.97.midi,,163.03466155866093,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_time_1.06.midi,,722.8815224679947,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_time_0.95.midi,,651.084277255236,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.99.midi,,417.80240787920576,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_time_0.94.midi,,394.2223863918431,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_time_1.04.midi,,305.9841910488792,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Domenico Scarlatti,"Sonata in B Minor, K. 87",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--3_time_0.91.midi,,267.2069123960341,"Give me a song that is brilliant and charming, composed in the Early Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate a texture of repetitive figurations after a thematic crux, and a transition from thematic variety to modulatory drive." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_time_0.99.midi,,741.5247829299431,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_04_R2_2013_wav--3_time_0.97.midi,,728.3470574910507,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_0.99.midi,,1176.9169754587858,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_time_1.04.midi,,1232.0520561638543,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_1.07.midi,,813.0880650968438,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_time_1.04.midi,,789.5735426952943,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_1.04.midi,,1733.6423995946288,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_03_R1_2009_01-02_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_02_WAV_time_0.96.midi,,1602.4468307913291,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_time_1.08.midi,,782.8238721097918,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_time_0.98.midi,,705.3252334361931,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_0.95.midi,,344.7775157616848,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_time_0.95.midi,,343.7236601167217,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_1.03.midi,,269.4749115530633,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 La Campanella, S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--5_time_1.10.midi,,287.8333563668485,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Grandes Étude in the Romantic era, featuring a perpetuum mobile rhythm. Incorporate a sparkling, high-register melody over a G-sharp minor harmonic foundation, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_1.08.midi,,1845.549308085338,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_time_0.90.midi,,1543.4325555911428,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_1.09.midi,,313.17528499317336,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_time_0.91.midi,,261.25606485925886,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_time_0.93.midi,,307.7929236358141,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_time_0.96.midi,,316.9163692249462,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_0.95.midi,,210.0803588437476,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Franz Liszt,"Transcendental Etude No. 5 “Feux Follets,” S.139, No. 5",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--3_time_1.05.midi,,231.3612900536336,"Give me a song that is rapid, ethereal, and notoriously difficult, composed in the Middle Franz Liszt style. It should be a Transcendental Etude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a gossamer texture over a highly chromatic but tonal harmony, and a transition from a mysterious shimmer to a brilliant, fleeting conclusion." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_0.96.midi,,675.8470886156007,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_04_WAV_time_0.99.midi,,697.1457609126289,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_1.00.midi,,558.3675707821226,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_time_0.96.midi,,532.6744419245583,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_time_0.94.midi,,862.1407890911089,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_time_1.02.midi,,929.5042129272856,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_0.94.midi,,706.1196278387717,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Franz Liszt,Rhapsody Esp.,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_04_Track04_wav_time_0.94.midi,,711.1794168461281,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate rich keyboard textures, a highly chromatic yet tonal harmony, and a transition from a brooding, improvisatory mood to a fiery, passionate one." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.07.midi,,986.6811113884844,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Claude Debussy,"""Images"", Series I",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--2_time_1.01.midi,,931.510874118458,"Give me a song that is evocative and atmospheric, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm and innovative piano writing. Incorporate a complex, non-functional harmonic texture and a transition from reflective stillness to dynamic motion." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_time_0.90.midi,,565.8532152066064,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_time_1.04.midi,,648.8803186205569,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_time_1.00.midi,,477.8288426406263,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_time_0.96.midi,,459.8906316433596,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_1.05.midi,,1081.031908172008,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_time_0.95.midi,,974.3891741291771,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_1.10.midi,,443.6065658084737,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_time_1.02.midi,,413.0015283748743,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_1.07.midi,,747.8919788249317,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,Image (Book II),train,2004,augmented/2004/MIDI-Unprocessed_XP_08_R1_2004_03_ORIG_MID--AUDIO_08_R1_2004_03_Track03_wav_time_1.06.midi,,744.5719322912495,"Give me a song that is coloristic and atmospheric, composed in the Middle Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_time_1.02.midi,,1772.53852766619,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,Sonata in B Min.,train,2006,augmented/2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_03_Track03_wav_time_0.97.midi,,1697.512569728613,"Give me a song that is dramatic and monumental, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring complex piano instrumentation. Incorporate thematic transformation and highly chromatic harmony, and a transition from brooding intensity to triumphant transcendence." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_1.08.midi,,298.86502713188025,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_time_1.03.midi,,284.9975131665772,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_1.03.midi,,689.1533403435925,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Felix Mendelssohn,"Variations Seriouses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_16_R3_2011_MID--AUDIO_R3-D5_02_Track02_wav_time_1.00.midi,,672.1434253878103,"Give me a song that is serious, lyrical, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six distinct variations. Incorporate a chorale-like theme, contrapuntal textures, and rich chromatic harmony, and a transition from solemn introspection to agitated drama." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_1.06.midi,,186.85953692458244,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,Les Collines d'Anacapri from Book I,train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--2_time_1.04.midi,,182.78493751046864,"Give me a song that is bright and energetic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a tarantella-like rhythm. Incorporate whole-tone harmonies and a glissando texture, and a transition from exuberant dance to a serene, distant conclusion." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_vel_1.02.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Claude Debussy,PreludesBII/7-12,train,2006,augmented/2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_02_Track02_wav_vel_0.94.midi,,1184.04261937,"Give me a song that is atmospheric and evocative, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring fluid rhythm and piano instrumentation. Incorporate whole-tone scales, parallel chords, and a transition from a mysterious to a whimsical mood." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_vel_1.01.midi,,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Tarantella, S. 162 No. 3 from Venezia e Napoli",train,2011,augmented/2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_06_Track06_wav_vel_0.91.midi,,487.864095469,"Give me a song that is energetic and virtuosic, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving, folk-inspired rhythm. Incorporate a brilliant, toccata-like texture and a highly chromatic yet tonally anchored harmony, and a transition from playful exuberance to a triumphant conclusion." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_vel_0.94.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,"Venezia e Napoli, S. 162",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--4_vel_1.08.midi,,990.913806094,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a set of Character Pieces in the Romantic era, featuring a tarantella rhythm. Incorporate a brilliant, ornamented melody over rich, chromatic harmony, and a transition from a serene gondolier's song to a fiery, energetic dance." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_vel_0.90.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,Au bord d'une source,test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--4_vel_0.98.midi,,219.655229063,"Give me a song that is sparkling, fluid, and serene, composed in the Early Romantic Franz Liszt style. It should be a Character Piece in the Romantic era, featuring a rippling, arpeggiated piano texture. Incorporate a lyrical melody over a clear A♭ Major harmonic foundation, and a transition from playful tranquility to a brief, effervescent climax." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_vel_0.98.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Concert Etude ""La Leggierezza""",train,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--4_vel_0.93.midi,,303.805785937,"Give me a song that is brilliant and light, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a monothematic texture with a simple melodic line, and a transition from lyrical fluidity to virtuosic lightness." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_vel_1.03.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Études d'exécution transcendante, No. 5, ""Feux follets"" S.139/5",train,2017,augmented/2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--2_vel_0.98.midi,,212.663487858,"Give me a song that is brilliant and mercurial, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid, alternating-hand figuration. Incorporate a gossamer texture, a fleeting melody, and highly chromatic yet functionally tonal harmony, and a transition from a mysterious, whispering atmosphere to a triumphant, virtuosic climax." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_0.92.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Franz Liszt,"Rhapsodie Espagnole, S. 254",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_17_R2_2013_wav--3_vel_1.02.midi,,743.269822969,"Give me a song that is virtuosic, evocative, and Spanish-inflected, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring complex rhythms and brilliant piano writing. Incorporate a texture of thematic transformation and a highly chromatic but tonally anchored harmony, and a transition from a stately, folia-based theme to a fiery, dance-like finale." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_0.93.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--3_vel_1.09.midi,,350.077107188,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_1.00.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--3_vel_0.95.midi,,641.788888125,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_vel_1.06.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Franz Liszt,"Transcendental Etude No. 5 ""Feux Follets""",train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--3_vel_0.92.midi,,208.186223437,"Give me a song that is playful and mysterious, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid double-note passages and wide broken intervals. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a shimmering, elusive mood to a more assertive, brilliant one." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_0.97.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"3 Etudes, Op. 65",validation,2006,augmented/2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_04_Track04_wav_vel_0.98.midi,,397.857508125,"Give me a song that is mystical and harmonically complex, composed in the Late Scriabin style. It should be an Etude in the Late Romantic era, featuring intricate piano figuration. Incorporate dense, atonal harmony based on synthetic chords, and a transition from tense agitation to ecstatic release." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_vel_0.95.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Alexander Scriabin,"Fragilite, Op.51",validation,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_06_WAV_vel_1.04.midi,,138.421335938,"Give me a song that is delicate and ephemeral, composed in the Middle Scriabin style. It should be a Morceau in the Late Romantic era, featuring a fluid piano texture. Incorporate a fragmented melody over chromatically shifting harmonies, and a transition from a state of fragile reverie to one of unsettled dissolution." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_vel_0.96.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Antonio Soler,Sonata No. 10 in B Minor,train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_01_WAV_vel_1.00.midi,,232.765525781,"Give me a song that is energetic and Iberian-influenced, composed in the Early Antonio Soler style. It should be a Keyboard Sonata in the Classical era, featuring a single-movement structure for harpsichord or fortepiano. Incorporate a clear homophonic texture with a highly melodic right hand, and a transition from a dramatic, minor-key opening to a more lyrical and resolved conclusion." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_1.06.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2011,augmented/2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_15_Track15_wav_vel_0.95.midi,,359.457439688,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_vel_0.99.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Franz Liszt,Rhapsodie Espagnole,train,2008,augmented/2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--2_vel_0.92.midi,,750.80053125,"Give me a song that is evocative, virtuosic, and ornate, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms. Incorporate lavish harmony and a decorated folk melody, and a transition from a brooding introduction to a brilliant, festive finale." +Claude Debussy,Bruyeres,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav_vel_1.05.midi,,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Claude Debussy,Bruyeres,train,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_03_Track03_wav_vel_1.08.midi,,984.527594531,"Give me a song that is serene and pentatonic, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring a gentle, flowing rhythm. Incorporate a homophonic texture with parallel harmonies, and a transition from pastoral calm to a more introspective, veiled mood." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_vel_1.00.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Franz Liszt,"Études d'exécution transcendante, No. 10 in F Minor, S.139/10",test,2017,augmented/2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--3_vel_0.97.midi,,267.455954417,"Give me a song that is impassioned, turbulent, and technically formidable, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an Allegro agitato molto rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from agitated struggle to a climactic, resolute conclusion." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_0.93.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Felix Mendelssohn,"Fantasy in F-sharp Minor, Op. 28 (Complete)",test,2017,augmented/2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--4_vel_0.97.midi,,661.205093412,"Give me a song that is elegant and fluid, composed in the Middle Mendelssohn style. It should be a Fantasy (Sonata écossaise) in the Romantic era, featuring a three-movement structure with increasing tempi. Incorporate simple themes transformed through varied harmonies, and a transition from turbulent F-sharp minor to a brighter A major." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_vel_1.02.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Alexander Scriabin,"Entragete, Op.63",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_07_WAV_vel_0.98.midi,,163.745829844,"Give me a song that is enigmatic and capricious, composed in the Middle Scriabin style. It should be a Poème in the Late Romantic era, featuring complex, shifting rhythms. Incorporate a highly chromatic, non-functional harmonic language and a fragmented, elusive melody, and a transition from a mysterious, static atmosphere to a brief, agitated climax." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_vel_0.95.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--2_vel_1.06.midi,,723.034800469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_vel_1.05.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Claude Debussy,"Images, Book I, ""Reflets dans l'eau""",train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--4_vel_0.96.midi,,281.579579531,"Give me a song that is shimmering and fluid, composed in the Middle Claude Debussy style. It should be a piece in the Impressionist era, featuring arpeggiated piano figurations. Incorporate whole-tone harmonies and a fragmented melody, and a transition from calm stillness to rippling motion." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_0.92.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,"Concert Etude No. 2, “La leggierezza"", S. 144",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--5_vel_1.05.midi,,273.5625,"Give me a song that is light, agile, and monothematic, composed in the Middle Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line in each hand under flowing accompaniment, and a transition from lyrical introspection to brilliant passagework." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_1.05.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Franz Liszt,Sonetto 104 del Petrarca,train,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--4_vel_0.94.midi,,398.729569219,"Give me a song that is lyrical and introspective, composed in the Middle Franz Liszt style. It should be a Poème in the Romantic era, featuring piano transcription. Incorporate a recitative-less structure with a chromatically rich harmonic introduction, and a transition from turbulent yearning to transcendent resolution." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_vel_0.99.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--2_vel_1.03.midi,,642.626227031,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_vel_0.95.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Franz Schubert,"""Gretchen am Spinnrade""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_03_WAV_vel_1.01.midi,,236.42070375,"Give me a song that is dramatic and chromatic, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a spinning wheel rhythm. Incorporate a through-composed form with mixture and harmonic color, and a transition from restless longing to anguished despair." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_vel_1.06.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Alban Berg,Sonata Op. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--2_vel_0.92.midi,,759.51847125,"Give me a song that is dark, turbulent, and highly chromatic, composed in the Early Alban Berg style. It should be a Sonata in the Late Romantic era, featuring complex piano writing. Incorporate dense, contrapuntal texture and leitmotif-like thematic development, and a transition from brooding intensity to a climactic, tragic resolution." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_1.09.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Felix Mendelssohn,"Variations sérieuses, Op. 54",train,2015,augmented/2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--2_vel_1.05.midi,,709.402083333,"Give me a song that is serious, intricate, and dramatic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring an agitated rhythm. Incorporate a chorale-like texture and a highly chromatic harmony, and a transition from solemn introspection to passionate agitation." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_vel_0.99.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Claude Debussy,"Images, Book II",train,2018,augmented/2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--3_vel_1.04.midi,,845.710959844,"Give me a song that is atmospheric and coloristic, composed in the Late Debussy style. It should be a piano piece in the Impressionist era, featuring fluid rhythm. Incorporate non-functional harmony and layered textures, and a transition from reflective mystery to shimmering brilliance." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_vel_0.91.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19 (Complete)",train,2017,augmented/2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--4_vel_1.01.midi,,661.909149792,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and soaring melody, and a transition from brooding melancholy to triumphant passion." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_vel_1.06.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Tarantella from Annees de Pelerinage 2eme Annee,train,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--3_vel_1.02.midi,,532.707800625,"Give me a song that is energetic, virtuosic, and folk-inspired, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a driving 6/8 rhythm. Incorporate brilliant passagework, a lyrical central melody, and highly chromatic harmony, and a transition from fiery exuberance to a more cantabile interlude." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_1.07.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2009,augmented/2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_02_WAV_vel_0.92.midi,,901.1743125,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_0.97.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +Franz Liszt,"Grandes Etudes de Paganini, S. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--3_vel_1.08.midi,,1610.85576094,"Give me a song that is technically formidable and brilliantly virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring rapid passagework and demanding piano instrumentation. Incorporate a complex texture of melody and accompaniment, and a transition from dramatic intensity to lyrical reflection." +César Franck,Prel./Chor./Fug.,validation,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav_vel_1.01.midi,,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +César Franck,Prel./Chor./Fug.,validation,2006,augmented/2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_02_Track02_wav_vel_0.94.midi,,1188.161205,"Give me a song that is solemn and cyclical, composed in the Late César Franck style. It should be a Prélude, Choral et Fugue in the Romantic era, featuring piano. Incorporate dense chromatic harmony and cyclic form, and a transition from meditative to triumphant." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_0.96.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2011,augmented/2011/MIDI-Unprocessed_16_R2_2011_MID--AUDIO_R2-D4_08_Track08_wav_vel_1.07.midi,,821.002117031,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_vel_1.04.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Rondo Capriccioso in E Minor, Op. 14",validation,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--4_vel_0.93.midi,,362.836175625,"Give me a song that is brilliant and capricious, composed in the Early Romantic Mendelssohn style. It should be a Rondo Capriccioso in the Romantic era, featuring virtuosic piano writing. Incorporate a singing melody over rapid passagework, and a transition from lyrical introspection to fiery exuberance." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1_vel_1.06.midi,,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2008,augmented/2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--1_vel_1.02.midi,,649.901860781,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_0.91.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Alexander Scriabin,"Sonata No. 9, Op. 68",test,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_06-09_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_08_WAV_vel_1.07.midi,,520.139704219,"Give me a song that is mystical and intense, composed in the Late Scriabin style. It should be a Sonata in the Early Modern era, featuring complex rhythmic shifts. Incorporate dense chromatic harmony, and a transition from a meditative state to a demonic march." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_vel_0.98.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_21_R1_2009_04_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_04_WAV_vel_1.06.midi,,1726.19619047,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_1.04.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_04_Track04_wav_vel_1.01.midi,,654.413074219,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_vel_1.04.midi,,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_09_Track09_wav_vel_1.05.midi,,403.523902031,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_1.01.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_08_Track08_wav_vel_0.96.midi,,338.261822638,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_0.99.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2013,augmented/2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_11_R2_2013_wav--3_vel_1.07.midi,,662.270972344,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_vel_1.06.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert,"Fantasia in C Major, ""Wanderer"", D. 760",test,2017,augmented/2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--3_vel_1.08.midi,,1204.94174533,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for piano. Incorporate a highly chromatic harmonic language and thematic transformation, and a transition from lyrical introspection to triumphant virtuosity." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_vel_0.95.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Franz Liszt,Venezia e Napoli,train,2011,augmented/2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_07_Track07_wav_vel_1.07.midi,,327.398176875,"Give me a song that is virtuosic and impetuous, composed in the Middle Franz Liszt style. It should be a Tarantella in the Romantic era, featuring a prestissimo tempo and a lengthy crescendo. Incorporate fragmented melodic returns and highly chromatic harmony, and a transition from energetic to seemingly unending fervor." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_vel_0.94.midi,,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Domenico Scarlatti,"Sonata in D Major, K. 118",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--1_vel_0.93.midi,,136.679884688,"Give me a song that is bright and elegant, composed in the Early Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triplet rhythms. Incorporate thin textures and melodies with feminine cadences, and a transition from sprightly to graceful." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav_vel_1.00.midi,,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Claude Debussy,"Preludes No. 2, 6, 12",train,2004,augmented/2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_09_Track09_wav_vel_0.91.midi,,260.039831171,"Give me a song that is atmospheric and fluid, composed in the Late Debussy style. It should be a Prélude in the Impressionist era, featuring solo piano. Incorporate non-functional harmony and a non-strict tonal center, and a transition from a veiled, mysterious mood to a more defined, luminous one." +Alexander Scriabin,Etudes from Op.8,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav_vel_0.96.midi,,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Alexander Scriabin,Etudes from Op.8,train,2006,augmented/2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_04_Track04_wav_vel_0.99.midi,,550.997045156,"Give me a song that is technically demanding and expressively intense, composed in the Early Scriabin style. It should be an Étude in the Romantic era, featuring a virtuosic piano texture. Incorporate a highly chromatic yet tonal harmony, and a transition from brooding melancholy to dramatic, climactic despair." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_vel_0.97.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--4_vel_1.00.midi,,394.658322575,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_1.03.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--6_vel_1.04.midi,,194.772775312,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_vel_1.08.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Domenico Scarlatti,"Sonata in D Major, K. 576",train,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_01_WAV_vel_1.10.midi,,788.930835,"Give me a song that is brilliant and virtuosic, composed in the Late Scarlatti style. It should be a Sonata in the Baroque era, featuring a crisp harpsichord. Incorporate a single-line melody with rapid hand-crossing, and a transition from playful energy to lyrical reflection." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_0.91.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,"Hungarian Rhapsody No. 13, S. 244/13",validation,2011,augmented/2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_05_Track05_wav_vel_1.04.midi,,507.396661406,"Give me a song that is defiant, capricious, and virtuosic, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a lassu and friss rhythm. Incorporate a melancholic melody and stormy harmony, and a transition from defiant melancholy to stormy virtuosity." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_0.94.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--3_vel_1.05.midi,,228.45062625,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_vel_0.91.midi,,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--2_vel_1.03.midi,,676.294729688,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.05.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Schubert,"""Erlkoenig""",test,2009,augmented/2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_04_WAV_vel_1.04.midi,,274.736637656,"Give me a song that is dramatic, urgent, and narrative, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a relentless galloping piano accompaniment. Incorporate a through-composed structure with distinct vocal characterizations and highly chromatic harmony, and a transition from paternal anxiety to supernatural terror." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_0.99.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Franz Liszt,"Concert Etude ""Gnomenreigen""",test,2008,augmented/2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--3_vel_0.97.midi,,168.182257031,"Give me a song that is fast, playful, and technically difficult, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring rapid, soft passages. Incorporate a texture of imitative grace notes and a harmonic transition from F-sharp minor to A major, and a transition from a mischievous dance to a more playful theme." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_vel_0.92.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Carl Maria von Weber,"Sonata No. 1, 2nd, 3rd and 4th movements",train,2008,augmented/2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--3_vel_1.04.midi,,939.13367625,"Give me a song that is spirited, lyrical, and virtuosic, composed in the Middle Carl Maria von Weber style. It should be a Piano Sonata in the Romantic era, featuring a legato Allegro moderato. Incorporate a singing melody over rich harmonic textures, and a transition from dramatic intensity to lyrical repose." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_1.01.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--1_vel_1.03.midi,,666.257346563,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_0.94.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Domenico Scarlatti,"Sonata in D Major, K. 96 L. 465",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--2_vel_1.00.midi,,138.765886875,"Give me a song that is intricate and complex, composed in the Middle Baroque Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate intricate melodies and complex harmonic structures, and a transition from a lively to a more contemplative mood." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_vel_0.94.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt / Vladimir Horowitz,Hungarian Rhapsody No. 15 (Horowitz edition),validation,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--7_vel_0.99.midi,,308.576080313,"Give me a song that is virtuosic and folk-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring a *verbunkos* rhythm. Incorporate a texture of alternating recitative and bravura passages, and a transition from a solemn, improvisatory mood to a fiery, energetic one." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_1.07.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2009,augmented/2009/MIDI-Unprocessed_19_R1_2009_01-02_ORIG_MID--AUDIO_19_R1_2009_19_R1_2009_02_WAV_vel_0.97.midi,,1710.21062953,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_vel_1.02.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Franz Liszt,Mephisto Waltz No. 1,train,2009,augmented/2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_03_WAV_vel_1.08.midi,,641.020993594,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a 3/4 dance rhythm. Incorporate a highly chromatic and dissonant harmony, and a transition from a seductive allure to a frenzied bacchanal." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_vel_0.96.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,"Prelude No. 6, Book I, ""Des pas sur la neige""",test,2018,augmented/2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--3_vel_1.04.midi,,247.761504375,"Give me a song that is sparse and melancholic, composed in the Middle Claude Debussy style. It should be a Prélude in the Impressionist era, featuring a persistent, trudging ostinato rhythm. Incorporate a static, homophonic texture with a plaintive, chromatic melody, and a transition from bleak isolation to a fleeting, sorrowful warmth." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_vel_0.93.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Claude Debussy,L'Isle Joyeuse,train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_10_Track10_wav_vel_1.01.midi,,329.560300781,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance-like rhythm. Incorporate whole-tone and Lydian harmony traits, and a transition from a fluid introduction to a climactic dance." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_vel_0.90.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Edvard Grieg,"Lyric Piece in E Minor, “Waltz,” Op. 38 No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--2_vel_1.07.midi,,75.8452767188,"Give me a song that is melancholic and graceful, composed in the Middle Grieg style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate a lyrical melody over a chromatic, harmonically rich accompaniment, and a transition from wistful introspection to a more resolute character." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_vel_1.00.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Franz Liszt,"Concert Etude No. 2 ""Gnomenreigen""",test,2013,augmented/2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--5_vel_1.04.midi,,161.806729219,"Give me a song that is fast and scherzando, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a presto rhythm. Incorporate a light, imitative texture and a theme in F-sharp minor, and a transition from playful to technically brilliant." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_vel_0.97.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Claude Debussy,"Preludes Book II: “Feux d'artifice,” L 123, No. 12",train,2014,augmented/2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--5_vel_1.05.midi,,257.919079688,"Give me a song that is brilliant and shimmering, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring complex pianistic figuration. Incorporate a highly chromatic, non-functional harmonic language and a texture of layered sonorities, and a transition from a mysterious, nocturnal atmosphere to a climactic, explosive brilliance." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_vel_0.94.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,"Ballade No. 2 in B Minor, S 171",train,2013,augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_15_R2_2013_wav--2_vel_1.09.midi,,741.736704844,"Give me a song that is profound, menacing, and luminous, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by chromatic rumbles. Incorporate a texture of a chordal meditation, and a transition from menacing to luminous." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_vel_0.93.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto Waltz,train,2006,augmented/2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_03_Track03_wav_vel_0.96.midi,,670.279778437,"Give me a song that is devilish, whirling, and dazzling, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a whirling dance rhythm. Incorporate dramatic, programmatic harmony traits, and a transition from a diabolical dance to a more lyrical, seductive mood." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.07.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,Mephisto-Waltz No. 1,train,2008,augmented/2008/MIDI-Unprocessed_03_R2_2008_01-03_ORIG_MID--AUDIO_03_R2_2008_wav--3_vel_1.05.midi,,637.078689844,"Give me a song that is diabolical and virtuosic, composed in the Late Franz Liszt style. It should be a Waltz in the Romantic era, featuring a frenzied 3/4 rhythm. Incorporate a super-virtuoso texture, highly chromatic harmony, and a transition from seductive revelry to frantic, demonic energy." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_vel_0.98.midi,,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--6_vel_0.94.midi,,276.421875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,Spanish Rhapsody,train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav_vel_0.92.midi,,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Franz Liszt,Spanish Rhapsody,train,2004,augmented/2004/MIDI-Unprocessed_XP_06_R1_2004_02-03_ORIG_MID--AUDIO_06_R1_2004_05_Track05_wav_vel_0.93.midi,,750.325777985,"Give me a song that is evocative, virtuosic, and Iberian-inspired, composed in the Middle Franz Liszt style. It should be a Rhapsody in the Romantic era, featuring Spanish folk rhythms and brilliant piano instrumentation. Incorporate a texture of complex ornamentation and a melody derived from traditional tunes, and a transition from a stately, processional mood to a fiery, dance-like mood." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_vel_1.02.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Domenico Scarlatti,"Sonata in A Major, K. 208",test,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--2_vel_0.97.midi,,146.682545625,"Give me a song that is playful and cantabile, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a dance-like rhythm. Incorporate a clear, singing melody over supportive harmonies, and a transition from lively to lyrical." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_0.97.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,"Hungarian Rhapsody No. 10, S. 244/10",train,2011,augmented/2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_04_Track04_wav_vel_0.98.midi,,334.736577656,"Give me a song that is virtuosic and capricious, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-like passages and glissandi. Incorporate a dark, chromatic theme in the parallel minor, and a transition from a carefree, decisive mood to a darker, more capricious one." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_vel_1.06.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_02_Track02_wav_vel_0.92.midi,,1003.39109062,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_vel_1.08.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,"Fantasy in B Minor, Op. 28",train,2011,augmented/2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_15_Track15_wav_vel_1.01.midi,,476.806414219,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano figuration. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.08.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Claude Debussy,"Barcarolle, Op. 60",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--3_vel_1.01.midi,,482.755208333,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_1.08.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Schubert,Impromptu Op. 142 No. 1 F Minor,train,2008,augmented/2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--3_vel_0.94.midi,,584.943325313,"Give me a song that is wistful, subdued, and dark, composed in the Late Schubert style. It should be an Impromptu in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonal harmony, and a transition from a reflective atmosphere to moments of contained energy." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_0.90.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Grandes études de Paganini, No. 3 ""La campanella"", S.141/3",train,2017,augmented/2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--4_vel_0.94.midi,,283.232586512,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be a Concert Étude in the Romantic era, featuring rapid, bell-like figuration. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from delicate playfulness to triumphant bravura." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_1.05.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Franz Liszt,"Paraphrase de concert sur Rigoletto, S.434",train,2017,augmented/2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--4_vel_0.92.midi,,421.584472688,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, rich chromatic harmony, and a transition from brooding intensity to triumphant exuberance." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_vel_1.04.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Alexander Scriabin,"Etude Op. 8, No. 13",validation,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_05_WAV_vel_1.05.midi,,167.085837188,"Give me a song that is technically demanding and expressively intense, composed in the Early Alexander Scriabin style. It should be an Etude in the Late-Romantic era, featuring virtuosic piano writing. Incorporate a highly chromatic harmonic language and a lyrical melody, and a transition from dramatic turbulence to a triumphant conclusion." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_0.90.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Claude Debussy,"Etude ""Pour les huit doigts""",train,2009,augmented/2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_03_WAV_vel_0.91.midi,,90.9961696875,"Give me a song that is intricate, precise, and demanding, composed in the Late Debussy style. It should be an Étude in the Modern era, featuring a complex, toccata-like rhythm for piano. Incorporate a two-voice contrapuntal texture, a highly chromatic melody, and fluid, non-functional harmony, and a transition from playful agility to a more mysterious and subdued character." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_1.09.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in D Major, K. 119",train,2009,augmented/2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_02_WAV_vel_1.00.midi,,136.354030313,"Give me a song that is brilliant and fanfare-like, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring triadic figures and cadential rhythms. Incorporate a clear rounded binary form with a first section establishing the tonic, and a transition from a declarative opening to a contrasting middle section." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_vel_0.96.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Domenico Scarlatti,"Sonata in B Minor, L. 33",train,2009,augmented/2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_02_WAV_vel_1.05.midi,,167.319544219,"Give me a song that is intricate and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord or fortepiano. Incorporate a single-line melody with rapid figuration and a highly chromatic but tonal harmony, and a transition from a pensive mood to a brilliant mood." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_vel_1.00.midi,,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Alexander Scriabin,Fantasy Op. 28 in B Minor,train,2013,augmented/2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_11_R3_2013_wav--3_vel_0.94.midi,,512.164284844,"Give me a song that is dramatic and expansive, composed in the Middle Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_1.09.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Claude Debussy,Jardins sous la pluie from Estampes,test,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_05_Track05_wav_vel_1.02.midi,,207.262079062,"Give me a song that is energetic, rhythmic, and dramatic, composed in the Middle Claude Debussy style. It should be a piece from *Estampes* in the Impressionist era, featuring a virtuosic piano texture. Incorporate chromatic and whole-tone harmonies with embedded folk melodies, and a transition from a turbulent storm to a serene resolution." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_0.95.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Rigoletto Paraphrase, S. 434",train,2011,augmented/2011/MIDI-Unprocessed_09_R2_2011_MID--AUDIO_R2-D3_03_Track03_wav_vel_0.95.midi,,379.090165781,"Give me a song that is virtuosic, lyrical, and dramatic, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring brilliant piano figuration. Incorporate operatic melody, chromatic harmony, and a transition from tender lyricism to triumphant bravura." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_0.98.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata In B Minor, S. 178",train,2018,augmented/2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--5_vel_1.09.midi,,1700.13318234,"Give me a song that is monumental and dramatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.09.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata in C Major, K. 179",train,2009,augmented/2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_03_WAV_vel_1.01.midi,,132.728232656,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring a single harpsichord. Incorporate a binary form structure with clear harmonic progressions, and a transition from a lively, rhythmic drive to a more lyrical and resolved character." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_vel_1.03.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Domenico Scarlatti,"Sonata, K239",test,2004,augmented/2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_06_Track06_wav_vel_0.99.midi,,196.015447394,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line melody with rapid passagework and functional harmony, and a transition from a pensive F minor to a more active and resolved mood." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_vel_1.06.midi,,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--4_vel_1.09.midi,,317.551765781,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_1.06.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Franz Liszt,"Tristan and Isolde - Liebestod, S.447",test,2017,augmented/2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--3_vel_0.97.midi,,381.608172846,"Give me a song that is dramatic and impassioned, composed in the Late Liszt style. It should be a Transcription in the Romantic era, featuring quiet tremolandi for piano accompanying a soprano line. Incorporate shimmering textures and a gradually building harmonic intensity, and a transition from quiet transfiguration to climactic release." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_0.98.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,"Images, Book I",train,2009,augmented/2009/MIDI-Unprocessed_15_R1_2009_03-06_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_03_WAV_vel_0.98.midi,,924.171084375,"Give me a song that is fluid, atmospheric, and impressionistic, composed in the Middle Claude Debussy style. It should be a piano piece in the Impressionist era, featuring complex, non-metrical rhythms. Incorporate shimmering textures, pentatonic melodies, and extended tertian harmony, and a transition from contemplative stillness to playful motion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3_vel_1.00.midi,,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Claude Debussy,Pagodas from Estampes No. 1,test,2008,augmented/2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--3_vel_1.09.midi,,345.819632813,"Give me a song that is evocative, atmospheric, and pentatonic, composed in the Middle Debussy style. It should be a piece in the Impressionist era, featuring a static, gong-like rhythm. Incorporate a layered texture with parallel harmonies, and a transition from serene mystery to a shimmering, resonant conclusion." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_vel_1.00.midi,,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2006,augmented/2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_05_Track05_wav_vel_1.07.midi,,913.148125313,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_0.97.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Franz Liszt,"Transcendental Etude No. 2, “Molto vivace""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--4_vel_1.00.midi,,128.823958333,"Give me a song that is brilliant and crackling, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring rapid alternating-hand rhythms. Incorporate a highly chromatic yet tonal harmonic language and a texture of steep right-hand leaps, and a transition from explosive propulsion to fleeting lyricism." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_vel_0.96.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Alexander Scriabin,"Etude Op. 42, Nos. 4 & 5",test,2009,augmented/2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_04_WAV_vel_0.93.midi,,136.315301719,"Give me a song that is poetic, virtuosic, and harmonically adventurous, composed in the Middle Scriabin style. It should be an Etude in the Late Romantic era, featuring complex piano figuration. Incorporate a dense, chromatic harmonic texture, and a transition from turbulent intensity to ecstatic resolution." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_vel_1.03.midi,,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Claude Debussy,"Prelude No. 7, Book II, La terrasse des audiences du clair de lune",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--3_vel_1.07.midi,,297.192544688,"Give me a song that is subtle, sublime, and slow, composed in the Late Debussy style. It should be a Prelude in the Impressionist era, featuring piano instrumentation. Incorporate a luminous, slow texture in F-sharp major, and a transition from a static, atmospheric mood to one of transcendent clarity." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_vel_1.09.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Tarantelle di Bravura, S. 386",validation,2009,augmented/2009/MIDI-Unprocessed_16_R1_2009_03-06_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_03_WAV_vel_1.00.midi,,626.159897344,"Give me a song that is virtuosic and rhythmically wild, composed in the Middle Franz Liszt style. It should be a Tarantelle in the Romantic era, featuring a solo piano. Incorporate a theme and variations structure with disjunct parts, and a transition from a dramatic introduction to a frenetic dance." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_0.98.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 4, ""Mazeppa""",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--4_vel_0.91.midi,,414.234375,"Give me a song that is complex and virtuosic, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring expansive piano writing. Incorporate a ternary form (ABA') with a central development, and a transition from a dramatic introduction to a triumphant coda." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_vel_1.04.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Transcendental Etude No. 1 ""Prelude""",validation,2008,augmented/2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--2_vel_1.09.midi,,53.936911875,"Give me a song that is brief, brilliant, and technically demanding, composed in the Early Franz Liszt style. It should be an Etude in the Romantic era, featuring rapid arpeggiated piano figuration. Incorporate a homophonic texture with a soaring melodic line over a dense harmonic foundation, and a transition from a dramatic, declamatory opening to a more lyrical and expansive mood." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_0.98.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Franz Liszt,"Mephisto Waltz No. 1, S.514",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--4_vel_0.96.midi,,682.626187031,"Give me a song that is diabolical, virtuosic, and programmatic, composed in the Late Romantic Franz Liszt style. It should be a Concert Waltz in the Romantic era, featuring a violinistic piano texture. Incorporate highly chromatic harmony, a frenzied dance rhythm, and a transition from sinister seduction to bacchanalian frenzy." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_vel_1.06.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Domenico Scarlatti,Sonata K. 54,test,2008,augmented/2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--1_vel_1.08.midi,,205.774366875,"Give me a song that is harmonically innovative, technically demanding, and expressively deep, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring keyboard instrumentation. Incorporate harmonic innovation, and a transition from a compelling to a pivotal mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.03.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2013,augmented/2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--1_vel_1.09.midi,,614.557344844,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_0.95.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Franz Liszt,"Aprés une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_04_R3_2014_wav--1_vel_0.91.midi,,997.267966406,"Give me a song that is dramatic, chromatic, and programmatic, composed in the Early Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a virtuosic piano instrumentation. Incorporate a dense, chordal texture and a highly chromatic D minor harmony, and a transition from a lamenting, infernal mood to a transcendent, resolved mood." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_vel_0.97.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_04_Track04_wav_vel_1.03.midi,,661.282725469,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_1.02.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,"Hungarian Rhapsody No. 6, S.244/6",train,2017,augmented/2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--4_vel_1.01.midi,,441.165573321,"Give me a song that is virtuosic and improvisatory, composed in the Middle Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythmic structure. Incorporate thematic transformation and Hungarian-gypsy scale melodies, and a transition from a brooding, recitative-like lament to a fiery, dance-like finale." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_0.92.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,Hungarian Rhapsody No. 9,test,2008,augmented/2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--4_vel_0.94.midi,,632.172177656,"Give me a song that is virtuosic and improvisatory, composed in the Middle Franz Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring a *lassú* and *friss* rhythm. Incorporate a texture of brilliant piano figuration and folk-influenced melody, and a transition from a solemn, recitative-like mood to a fiery, dance-like mood." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_1.07.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Franz Liszt,"Hungarian Rhapsody No. 10 in E-flat Major, S. 244/10",train,2015,augmented/2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--5_vel_0.91.midi,,335.35,"Give me a song that is virtuosic and capricious, composed in the Middle Romantic Liszt style. It should be a Hungarian Rhapsody in the Romantic era, featuring free, cadenza-filled passages and glissandi. Incorporate a thematic shift from a carefree, decisive Andante to a darker Allegretto in the parallel minor, and a transition from a bold introduction to a playful, darker character." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_vel_1.07.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 141",train,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--2_vel_0.99.midi,,201.390022969,"Give me a song that is brilliant and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring rapid repeated notes and hand-crossing. Incorporate a single-line texture with brilliant passagework, and a transition from a driving intensity to a more lyrical conclusion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_1.10.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--2_vel_0.96.midi,,1120.09102734,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_1.04.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Domenico Scarlatti,"Sonata in D Minor, K. 1",train,2014,augmented/2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--1_vel_0.99.midi,,139.008942187,"Give me a song that is brilliant and graceful, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate binary form and a flowing melody, and a transition from technical poise to charming ease." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_vel_1.04.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,Polonaise in E Major,train,2008,augmented/2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--4_vel_0.97.midi,,468.594616875,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate a dense, chordal texture with chromatic harmonic inflections, and a transition from a heroic, martial character to a more lyrical, cantabile mood." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_vel_1.08.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Franz Liszt,"Réminiscences de Don Juan, S.418",test,2014,augmented/2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--6_vel_0.97.midi,,977.023595625,"Give me a song that is technically formidable and dramatically intense, composed in the Middle Franz Liszt style. It should be a Concert Paraphrase in the Romantic era, featuring virtuosic piano writing. Incorporate chromatic passagework, leaping intervals, and a dense, orchestral texture, and a transition from ominous foreboding to diabolical triumph." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_1.07.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Domenico Scarlatti,Two Sonatas,test,2006,augmented/2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_02_Track02_wav_vel_0.91.midi,,373.6107375,"Give me a song that is brilliant and energetic, composed in the Late Baroque Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring distinctive Iberian dance rhythms. Incorporate a single-line melody with guitar-like strumming textures and a transition from a lively, folk-inspired mood to a more dramatic, virtuosic mood." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_vel_1.06.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2018,augmented/2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--2_vel_0.98.midi,,701.488347656,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_vel_0.92.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Alexander Scriabin,Sonata No. 9,test,2006,augmented/2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_03_Track03_wav_vel_1.04.midi,,426.268270313,"Give me a song that is mystical and chromatic, composed in the Late Scriabin style. It should be a Sonata in the Modern era, featuring complex piano textures. Incorporate dense, atonal harmony, and a transition from ominous mystery to ecstatic release." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_0.92.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"Valse-Impromptu, S. 213",validation,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--1_vel_1.02.midi,,342.2875,"Give me a song that is brilliant and capricious, composed in the Middle Franz Liszt style. It should be a Waltz in the Romantic era, featuring a solo piano. Incorporate a florid melody over a waltz rhythm, and a transition from playful elegance to a more expansive, lyrical mood." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_vel_0.96.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"""La Campanella""",train,2008,augmented/2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--3_vel_1.09.midi,,273.16212,"Give me a song that is brilliant and virtuosic, composed in the Middle Liszt style. It should be an Etude in the Romantic era, featuring a rapid, bell-like rhythm. Incorporate a highly chromatic melody over a clear tonal harmony, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_vel_0.91.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Trois Etudes de Concert ""La leggierezza"", S.144",train,2017,augmented/2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--1_vel_0.95.midi,,286.726159138,"Give me a song that is light, fluid, and poetic, composed in the Middle Franz Liszt style. It should be a Concert Étude in the Romantic era, featuring a Quasi allegretto tempo. Incorporate a simple melodic line over a monothematic structure in F minor, and a transition from delicate introspection to brilliant passagework." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_0.95.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Transcendental Etude No. 8, ""Wilde Jagd"", S. 139/8",test,2011,augmented/2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_04_Track04_wav_vel_0.90.midi,,355.499110313,"Give me a song that is turbulent and virtuosic, composed in the Early Franz Liszt style. It should be an Étude in the Romantic era, featuring a rapid 'Presto furioso' rhythm. Incorporate a sonata-form structure with a first subject in C minor, and a transition from a fierce hunt to a dramatic resolution." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.07.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Études d'exécution transcendante, No. 4, ""Mazeppa"" S.139/4",train,2017,augmented/2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--3_vel_1.08.midi,,484.962367262,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a relentless galloping rhythm. Incorporate a dense, chordal texture with a heroic, arpeggiated melody and highly chromatic, though tonally anchored, harmony, and a transition from turbulent struggle to triumphant victory." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_1.01.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Transcendental Etude No. 12 ""Chasse-neige""",validation,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--4_vel_1.01.midi,,269.271899531,"Give me a song that is technically formidable and atmospherically stark, composed in the Late Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring tremolo-based textures. Incorporate a highly chromatic melodic motif and dense harmonic texture, and a transition from a gentle, peaceful mood to a turbulent, stormy one." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_1.08.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Grandes ètudes de Paganini No. 3 ""La Campanella"", S. 141",train,2015,augmented/2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--5_vel_0.95.midi,,262.876041667,"Give me a song that is brilliant and virtuosic, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a piano with a persistent, bell-like rhythm. Incorporate a highly chromatic yet tonal harmony and a sparkling, leaping melody, and a transition from playful lightness to dramatic intensity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_1.02.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Après une lecture de Dante: Fantasia quasi Sonata, S.161, No. 7",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--2_vel_0.96.midi,,1027.3494,"Give me a song that is dramatic, programmatic, and virtuosic, composed in the Middle Franz Liszt style. It should be a Fantasia quasi Sonata in the Romantic era, featuring a declamatory rhythm and solo piano. Incorporate a highly chromatic, non-functional harmony, and a transition from infernal torment to transcendent serenity." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav_vel_0.93.midi,,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Franz Liszt,"Concert Etude No. 3 in D-flat Major, ""Un Sospiro"", S. 144/3",train,2011,augmented/2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_10_Track10_wav_vel_0.98.midi,,375.854325,"Give me a song that is lyrical and technically brilliant, composed in the Middle Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing arpeggiated accompaniment. Incorporate a singing melody over a complex harmonic texture, and a transition from serene contemplation to passionate climax." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_1.05.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Domenico Scarlatti,"Sonata in C Major, K. 513",train,2014,augmented/2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--2_vel_0.92.midi,,174.2092275,"Give me a song that is bright and virtuosic, composed in the Late Domenico Scarlatti style. It should be a Keyboard Sonata in the Baroque era, featuring harpsichord instrumentation. Incorporate a single-movement binary form and clear harmonic structure, and a transition from a lively opening to a more intricate development." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_1.05.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Alexander Scriabin,"Fantasy, Op. 28",train,2014,augmented/2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--5_vel_0.99.midi,,486.857152031,"Give me a song that is dramatic and expansive, composed in the Early Alexander Scriabin style. It should be a Fantasy in the Late Romantic era, featuring complex piano instrumentation. Incorporate a sonata form structure with chromatic harmony, and a transition from turbulent passion to transcendent resolution." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_1.07.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,Transcendental Etude No. 10 in F Minor,test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--3_vel_0.92.midi,,257.278054688,"Give me a song that is technically formidable and impassioned, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring an agitato rhythm. Incorporate a dense, chordal texture with sweeping melodic lines and highly chromatic, functionally unstable harmony, and a transition from turbulent agitation to a climactic, tragic grandeur." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_1.03.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Transcendental Etude No. 9, 'Ricordanza'",validation,2004,augmented/2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_05_Track05_wav_vel_1.09.midi,,510.89592875,"Give me a song that is wistful and gentle, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring delicate finger work and syncopated rhythms. Incorporate a placid, chromatic harmonic language with lyrical melody, and a transition from nostalgic remembrance to tender passion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_1.04.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Franz Liszt,"Transcendental Etude No. 8 ""Wilde Jagd""",test,2013,augmented/2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--4_vel_0.98.midi,,298.708301719,"Give me a song that is furiously rapid and technically rigorous, composed in the Middle Franz Liszt style. It should be a Transcendental Étude in the Romantic era, featuring a presto furioso rhythm. Incorporate a sonata form structure with a first subject in C minor, and a transition from a wild hunt to a dramatic conclusion." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_vel_0.93.midi,,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Felix Mendelssohn,Variations Serieuses Op. 54,train,2017,augmented/2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--3_vel_1.08.midi,,724.481492758,"Give me a song that is serious, masterful, and intricate, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations for solo piano. Incorporate a theme with a dotted rhythm, chromatic harmony, and a transition from a somber Andante to an agitated Agitato." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_vel_0.98.midi,,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--2_vel_0.97.midi,,685.005992344,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4_vel_1.08.midi,,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Claude Debussy,L'isle joyeuse,train,2013,augmented/2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--4_vel_0.95.midi,,298.988750156,"Give me a song that is chromatic and evocative, composed in the Middle Debussy style. It should be a Poème in the Impressionist era, featuring a dance rhythm. Incorporate whole-tone and Lydian harmony, and a transition from a fluid introduction to a joyful climax." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_vel_0.94.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Franz Liszt,"Rhapsodie Espagnole, S.254",train,2014,augmented/2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--2_vel_0.93.midi,,794.788200938,"Give me a song that is evocative and virtuosic, composed in the Middle Franz Liszt style. It should be a Rhapsodie in the Romantic era, featuring Spanish dance rhythms. Incorporate a texture of brilliant octaves and a melody based on folk tunes, and a transition from a somber, processional mood to a fiery, exuberant one." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_0.96.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Claude Debussy,Feux d'artifice,train,2006,augmented/2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_02_Track02_wav_vel_0.92.midi,,242.578550156,"Give me a song that is brilliant, shimmering, and explosive, composed in the Late Claude Debussy style. It should be a Prélude in the Impressionist era, featuring virtuosic piano figuration. Incorporate complex polytonal harmony, and a transition from nocturnal mystery to a climactic, celebratory release." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.01.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_vel_0.91.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Sonata No. 5, Op. 53",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--4_vel_1.01.midi,,644.840434219,"Give me a song that is mystical and ecstatic, composed in the Middle Scriabin style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate highly chromatic harmony with a tonal center, and a transition from languid mystery to frenzied triumph." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_vel_0.96.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Etude in D-flat Major, Op. 8 No. 10",train,2011,augmented/2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_09_Track09_wav_vel_1.00.midi,,102.007109531,"Give me a song that is lyrical and virtuosic, composed in the early Scriabin style. It should be an Étude in the Romantic era, featuring a singing melody over arpeggiated accompaniment. Incorporate lush, chromatic harmony, and a transition from poetic reverie to passionate intensity." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_0.98.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Alexander Scriabin,"Sonata No. 2 in G-sharp Minor, Op. 19",train,2018,augmented/2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--4_vel_1.09.midi,,701.147803125,"Give me a song that is turbulent and ecstatic, composed in the Early Scriabin style. It should be a Sonata-Fantasy in the Romantic era, featuring a dramatic Presto. Incorporate dense chromatic harmony and a lyrical, soaring melody, and a transition from poetic reverie to stormy agitation." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_vel_0.98.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Felix Mendelssohn,"Variations Serieuses, Op. 54",train,2011,augmented/2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_05_Track05_wav_vel_1.02.midi,,706.74074625,"Give me a song that is serious, intricate, and virtuosic, composed in the Middle Mendelssohn style. It should be a set of Variations in the Romantic era, featuring a theme and six variations. Incorporate a chorale-like theme, contrapuntal textures, and highly chromatic harmony, and a transition from solemn introspection to agitated intensity." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_vel_1.05.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--2_vel_1.08.midi,,1117.95828375,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_0.95.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Concert Etude ""Waldesrauschen""",test,2008,augmented/2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--3_vel_0.97.midi,,215.734292813,"Give me a song that is serene and shimmering, composed in the Late Franz Liszt style. It should be a Concert Etude in the Romantic era, featuring a flowing, arpeggiated texture. Incorporate a lyrical melody over a D-flat major harmonic foundation with rich chromaticism, and a transition from tranquil contemplation to a more animated, wind-swept atmosphere." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_vel_0.97.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,"Sonata in B Minor, S. 178",train,2014,augmented/2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--5_vel_1.07.midi,,1480.26561375,"Give me a song that is monumental, dramatic, and innovative, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring a single-movement structure. Incorporate thematic transformation, dense chromatic harmony, and a transition from brooding introspection to triumphant affirmation." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_1.02.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,Dante Sonata,train,2004,augmented/2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_17_Track17_wav_vel_0.99.midi,,1005.00558223,"Give me a song that is dramatic and programmatic, composed in the Middle Franz Liszt style. It should be a Sonata in the Romantic era, featuring turbulent rhythms and virtuosic piano instrumentation. Incorporate dense chromatic harmony and a fragmented, recitative-like melody, and a transition from infernal torment to transcendent peace." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_vel_1.08.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Franz Liszt,"Ballade No. 2 in B Minor, S. 171",train,2014,augmented/2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--2_vel_0.98.midi,,856.576333594,"Give me a song that is dramatic and virtuosic, composed in the Middle Franz Liszt style. It should be a Ballade in the Romantic era, featuring a broad opening melody underpinned by menacing chromatic rumbles. Incorporate a luminous chordal meditation, and a transition from a menacing, brooding mood to a luminous, meditative one." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_0.93.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Domenico Scarlatti,"Sonata in D Minor, K. 9 L. 413",test,2008,augmented/2008/MIDI-Unprocessed_10_R2_2008_01-05_ORIG_MID--AUDIO_10_R2_2008_wav--1_vel_0.97.midi,,95.9707907813,"Give me a song that is energetic and virtuosic, composed in the Early Domenico Scarlatti style. It should be a Sonata in the Baroque era, featuring a binary form and harpsichord. Incorporate a single-line texture with rapid passagework, and a transition from dramatic intensity to a more lyrical conclusion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.00.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Alexander Scriabin,"Sonata No. 3 in F-sharp Minor, Op. 23",train,2018,augmented/2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--2_vel_1.03.midi,,1195.01082422,"Give me a song that is dramatic and Gothic, composed in the Early Scriabin style. It should be a Sonata in the Late-Romantic era, featuring a piano. Incorporate chromatic harmony and dense texture, and a transition from lyrical introspection to fiery passion." +Franz Schubert,"Moment Musical Op. 94 No. 4, in C-sharp Minor, D780",test,2011,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R2_2011_MID--AUDIO_R2-D6_03_Track03_wav.wav,320.264102813,"Give me a song that is brief and quixotic, composed in the Late Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive to a more resolved mood." +Franz Schubert,"Moment Musicaux in F Minor, Op. 94 No. 3",validation,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--2.wav,106.156410937,"Give me a song that is brief and quixotic, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic harmony, and a transition from a pensive minor to a resolved major." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_01_Track01_wav.wav,776.242546406,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_01_Track01_wav.wav,932.691375,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.960,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_01_Track01_wav.wav,849.484994531,"Give me a song that is profound, lyrical, and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a singing melody over a rhythmic pulse. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to tragic turmoil." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_02_Track02_wav.wav,468.100493438,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_02_Track02_wav.wav,590.496204375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.961,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_02_Track02_wav.wav,592.003948594,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a wandering harmonic language with sudden modulations, and a transition from serene contemplation to profound melancholy." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R2_2006_01_ORIG_MID--AUDIO_05_R2_2006_03_Track03_wav.wav,709.957890469,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R2_2006_01_ORIG_MID--AUDIO_09_R2_2006_03_Track03_wav.wav,772.517924063,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Son. in Bb D.962,train,2006,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R2_2006_01_ORIG_MID--AUDIO_16_R2_2006_03_Track03_wav.wav,719.690786719,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano writing. Incorporate a complex harmonic language with dramatic modulations, and a transition from introspective melancholy to transcendent resolution." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_01_Track01_wav.wav,660.76857,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_01_Track01_wav.wav,670.895429531,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D959,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_01_Track01_wav.wav,677.290989375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate rich harmonic shifts and cyclical thematic development, and a transition from serene lyricism to profound turbulence." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_02_Track02_wav.wav,435.830226563,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_02_Track02_wav.wav,420.042315,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D960,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_02_Track02_wav.wav,427.673183437,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical melody over a steady rhythm. Incorporate a singing melody and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_01_R2_2006_01_ORIG_MID--AUDIO_01_R2_2006_03_Track03_wav.wav,896.542906875,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_03_Track03_wav.wav,272.131138125,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D961,train,2006,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R2_2006_01_ORIG_MID--AUDIO_08_R2_2006_03_Track03_wav.wav,844.489005937,"Give me a song that is introspective and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical melodies and song-like phrasing. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene melancholy to defiant resolve." +Franz Schubert,Sonata in A D962,train,2006,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_07_R2_2006_01_ORIG_MID--AUDIO_07_R2_2006_04_Track04_wav.wav,648.601114219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring lyrical melodies and song-like themes. Incorporate a rich harmonic language with dramatic modulations, and a transition from profound melancholy to transcendent acceptance." +Franz Schubert,"Sonata in A Major, D. 664 (Complete)",test,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--2.wav,903.514803525,"Give me a song that is lyrical and genial, composed in the Early Schubert style. It should be a Piano Sonata in the Romantic era, featuring piano instrumentation. Incorporate a lyrical melody and Romantic harmonic traits, and a transition from a serene to a more animated mood." +Franz Schubert,"Sonata in A Major, D. 664, I. Allegro moderato",test,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--2.wav,342.161784937,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a gentle, song-like melody. Incorporate a homophonic texture with diatonic harmony, and a transition from pastoral contentment to a more introspective calm." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_08_R2_2014_wav.wav,2341.60689984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_17_R2_2014_wav.wav,2210.52262922,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D. 959 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_19_R2_2014_wav.wav,2453.07847641,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring song-like melodies and dramatic recitative. Incorporate harmonic exploration and sudden modulations, and a transition from serene lyricism to turbulent drama." +Franz Schubert,"Sonata in A Major, D959",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_07_R2_2018_wav.wav,2244.51297984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies and rich piano instrumentation. Incorporate thematic unity and bold harmonic shifts, and a transition from serene lyricism to dramatic turbulence." +Franz Schubert,"Sonata in A Major, Op. 120, I. Allegro moderato",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--2.wav,339.792662344,"Give me a song that is lyrical, buoyant, and poignant, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a harmonically rich, chromatic texture, and a transition from a summery, idyllic mood to a more introspective one." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_01_Track01_wav.wav,569.863212188,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_02_Track02_wav.wav,794.52912,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_03_Track03_wav.wav,463.446384844,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R2_2006_01_ORIG_MID--AUDIO_22_R2_2006_04_Track04_wav.wav,308.593441406,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_01_Track01_wav.wav,658.862856094,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_02_Track02_wav.wav,731.219888438,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_03_Track03_wav.wav,424.8500025,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,Sonata in A Min.,train,2006,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R2_2006_01_ORIG_MID--AUDIO_23_R2_2006_04_Track04_wav.wav,272.511746719,"Give me a song that is lyrical and dramatic, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate sonata form with a submediant exposition and a subdominant recapitulation, and a transition from turbulent minor to a resolved major." +Franz Schubert,"Sonata in A Minor, D. 537, I. Allegro ma non troppo",test,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--3.wav,308.591436612,"Give me a song that is dramatic and lyrical, composed in the Early Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a turbulent harmonic texture, and a transition from restless agitation to lyrical respite." +Franz Schubert,"Sonata in A Minor, D. 845",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_01_WAV.wav,463.744194375,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a rhythmically unified exposition. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 846",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_02_WAV.wav,398.837742187,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber pianissimo to a contrasting chordal resolve." +Franz Schubert,"Sonata in A Minor, D. 847",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_03_WAV.wav,280.387005938,"Give me a song that is plaintive and ominous, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octaves ornamented with mordents, and a transition from a somber opening to a contrasting chordal consequent." +Franz Schubert,"Sonata in A Minor, D. 848",train,2009,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_09_R2_2009_01_ORIG_MID--AUDIO_09_R2_2009_09_R2_2009_04_WAV.wav,293.561405156,"Give me a song that is plaintive and ominous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring an alla breve rhythm. Incorporate a texture of unison octave phrases ornamented with mordents, and a transition from a somber opening to a structurally integrated development." +Franz Schubert,"Sonata in A Minor, D784",test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--1.wav,1371.54510281,"Give me a song that is sparse and profound, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stark piano texture. Incorporate bare octave textures and a highly chromatic but tonal harmony, and a transition from stark obsessiveness to lyrical release." +Franz Schubert,"Sonata in A Minor, D845",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_02_R2_2018_wav.wav,1846.46449969,"Give me a song that is impassioned and tragic, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a stormy rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic intensity to an oasis of calm." +Franz Schubert,"Sonata in A minor, D. 845 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_15_R2_2014_wav.wav,1682.59847766,"Give me a song that is ambitious and lyrical, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody over a sonata-form structure, and a transition from dramatic intensity to lyrical introspection." +Franz Schubert,Sonata in B-flat Major D. 960,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_01_WAV.wav,908.675640469,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a singing melody and a transition from serene introspection to dramatic tension." +Franz Schubert,Sonata in B-flat Major D. 961,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_02_WAV.wav,635.457430781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a compelling rhythmic drive. Incorporate a highly chromatic harmony that establishes the home key, and a transition from inner stillness to dramatic compulsion." +Franz Schubert,Sonata in B-flat Major D. 962,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_03_WAV.wav,216.3032025,"Give me a song that is mature, vigorous, and cyclical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring compelling rhythmic drive. Incorporate a unique, individual harmonic language and a texture of inner stillness, and a transition from compulsion to profound stillness." +Franz Schubert,Sonata in B-flat Major D. 963,train,2009,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_21_R2_2009_01_ORIG_MID--AUDIO_21_R2_2009_21_R2_2009_04_WAV.wav,434.902075781,"Give me a song that is serene yet vigorous, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic shifts and a transition from contemplative stillness to compelling drama." +Franz Schubert,"Sonata in B-flat Major, D. 960",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_01_WAV.wav,949.83879375,"Give me a song that is serene and profound, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate expansive harmonic exploration and a transition from contemplative stillness to dramatic compulsion." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_04_R2_2014_wav.wav,2213.10943219,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 960 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_12_R2_2014_wav.wav,2624.66350781,"Give me a song that is expansive and introspective, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate harmonic exploration through third-related keys, and a transition from serene contemplation to dramatic tension." +Franz Schubert,"Sonata in B-flat Major, D. 961",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_02_WAV.wav,672.761079375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate a singing melody over rich harmonic shifts, and a transition from serene introspection to dramatic turbulence." +Franz Schubert,"Sonata in B-flat Major, D. 962",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_03_WAV.wav,220.921253438,"Give me a song that is expansive and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with dramatic modulations, and a transition from serene contemplation to profound agitation." +Franz Schubert,"Sonata in B-flat Major, D. 963",train,2009,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R2_2009_01_ORIG_MID--AUDIO_10_R2_2009_10_R2_2009_04_WAV.wav,515.92897125,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring song-like melodies. Incorporate a rich harmonic language with sudden modulations, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_01_Track01_wav.wav,902.321056094,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_02_Track02_wav.wav,595.733285317,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_03_Track03_wav.wav,225.191643375,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_14_R2_2004_01_ORIG_MID--AUDIO_14_R2_2004_04_Track04_wav.wav,456.341602506,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_01_Track01_wav.wav,917.292165775,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_02_Track02_wav.wav,572.456644581,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_03_Track03_wav.wav,240.996083931,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2004,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_16_R2_2004_01_ORIG_MID--AUDIO_16_R2_2004_04_Track04_wav.wav,488.711165135,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_09_R2_2018_wav.wav,2561.10988547,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in B-flat Major, D960",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_10_R2_2018_wav.wav,2421.89528109,"Give me a song that is profound and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring lyrical piano writing. Incorporate song-like melodies and harmonic wanderings, and a transition from serene contemplation to dramatic turmoil." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_01_WAV.wav,475.983765469,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from C minor to C major, and a transition from a heroic, Beethovenian mood to a more lyrical and expansive one." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_02_WAV.wav,488.363560781,"Give me a song that is introspective and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic turbulence to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_03_WAV.wav,203.632275,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical first subject. Incorporate a unique harmonic language, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R2_2009_01_ORIG_MID--AUDIO_17_R2_2009_17_R2_2009_04_WAV.wav,521.642106562,"Give me a song that is dramatic and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to lyrical clearing." +Franz Schubert,"Sonata in C Major, D840",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_01_WAV.wav,704.256774375,"Give me a song that is grand and incomplete, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a minuet and trio. Incorporate expansive melodies and unusual harmonic changes, and a transition from lyrical serenity to dramatic intensity." +Franz Schubert,"Sonata in C Major, D841",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_02_WAV.wav,540.345346406,"Give me a song that is grand and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring expansive sonata form. Incorporate a singing melody over rich harmonic shifts, and a transition from a serene major to a somber minor." +Franz Schubert,"Sonata in C Major, D842",validation,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_03_WAV.wav,312.578480156,"Give me a song that is lyrical and expansive, composed in the Middle Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a foreground of lyricism over a deep tonal structure, and a transition from thematic progress to unresolved eccentricity." +Franz Schubert,"Sonata in C Major, D843",test,2009,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_16_R2_2009_01_ORIG_MID--AUDIO_16_R2_2009_16_R2_2009_04_WAV.wav,529.414534688,"Give me a song that is energetic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a pulsating rhythmic drive. Incorporate a harmonically adventurous second theme, and a transition from dramatic assertion to lyrical introspection." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_01_WAV.wav,480.3627675,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_01_WAV.wav,493.521141094,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme shifting from C minor to C major with allusions to D♭ major, and a transition from a heroic mood to a desolate one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_07_R2_2014_wav.wav,1790.89831594,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 958 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_21_R2_2014_wav.wav,1766.21885344,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a first theme that shifts from minor to major with allusions to D♭ major, and a transition from a heroic, Beethovenian mood to a more lyrical and introspective one." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_02_WAV.wav,469.549477031,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 959",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_02_WAV.wav,573.772129219,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a rondo finale. Incorporate a highly chromatic harmonic language and expansive melodies, and a transition from turbulent intensity to serene resolution." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_03_WAV.wav,166.621094063,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 960",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_03_WAV.wav,151.10027625,"Give me a song that is expansive and regal, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate a unique harmonic language with chromatic shifts, and a transition from profound serenity to dramatic tension." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_07_R2_2009_01_ORIG_MID--AUDIO_07_R2_2009_07_R2_2009_04_WAV.wav,520.219832344,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D. 961",train,2009,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_12_R2_2009_01_ORIG_MID--AUDIO_12_R2_2009_12_R2_2009_04_WAV.wav,560.5763625,"Give me a song that is dramatic and lyrical, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a three-key exposition. Incorporate a major-mode shift within a minor-key theme, and a transition from turbulent momentum to unexpected lyrical clearing." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_01_Track01_wav.wav,692.722315437,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_02_Track02_wav.wav,525.664047577,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_06_R2_2004_01_ORIG_MID--AUDIO_06_R2_2004_03_Track03_wav.wav,745.937970417,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_01_Track01_wav.wav,452.828792356,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_02_Track02_wav.wav,465.319140125,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R2_2004_01_ORIG_MID--AUDIO_19_R2_2004_03_Track03_wav.wav,705.474414571,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_01_Track01_wav.wav,463.915298113,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_02_Track02_wav.wav,466.286017615,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_03_Track03_wav.wav,152.737797285,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav.wav,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert1-3_MID--AUDIO_05_R2_2018_wav.wav,1743.52523297,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert4-6_MID--AUDIO_08_R2_2018_wav.wav,1749.02602875,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_11_R2_2018_wav.wav,1631.10547359,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_16_R2_2018_wav.wav,1758.36229078,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C major, D. 840 (Complete)",test,2014,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_19-20-21_R2_2014_MID--AUDIO_20_R2_2014_wav.wav,1579.19446781,"Give me a song that is expansive and lyrical, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a sonata form first movement. Incorporate a dramatic harmonic shift to the minor mode, and a transition from a stately, moderate opening to a more introspective, lyrical character." +Franz Schubert,"Sonata in D Major, D. 850 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.midi,2014/MIDI-UNPROCESSED_04-07-08-10-12-15-17_R2_2014_MID--AUDIO_10_R2_2014_wav.wav,1974.04316484,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring driving rhythms and virtuosic piano writing. Incorporate lyrical melodies over rich harmonic shifts, and a transition from vigorous energy to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_01_Track01_wav.wav,396.018062513,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_02_Track02_wav.wav,682.401833062,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_03_Track03_wav.wav,351.6399883,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2004,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R2_2004_01_ORIG_MID--AUDIO_15_R2_2004_04_Track04_wav.wav,440.98053671,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,"Sonata in D Major, D850",train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_20_R2_2018_wav.wav,2346.84060188,"Give me a song that is robust and expansive, composed in the Middle Schubert style. It should be a Piano Sonata in the Romantic era, featuring a driving, dotted rhythm. Incorporate a dense, chordal texture and lyrical, song-like melodies, and a transition from heroic vigor to introspective lyricism." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert7-9_MID--AUDIO_15_R2_2018_wav.wav,2076.61384219,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_17_R2_2018_wav.wav,1898.29804828,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Sonata in G Major D894,train,2018,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.midi,2018/MIDI-Unprocessed_Schubert10-12_MID--AUDIO_18_R2_2018_wav.wav,1990.15425984,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and harmonic exploration, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_01_Track01_wav.wav,749.203986423,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_02_Track02_wav.wav,417.901544965,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_03_Track03_wav.wav,224.28886826,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D 894",train,2004,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_17_R2_2004_01_ORIG_MID--AUDIO_17_R2_2004_04_Track04_wav.wav,506.776282783,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a Moderato tempo and piano instrumentation. Incorporate a lyrical melody over a chorale-like harmonic texture, and a transition from contemplative stillness to a more animated, dance-like character." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_01_WAV.wav,774.434321719,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D. 894",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_01_WAV.wav,928.51402875,"Give me a song that is serene and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and modulations to relative and parallel minors, and a transition from lyrical contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_02_WAV.wav,410.555145,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 895",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_02_WAV.wav,459.31578,"Give me a song that is serene and luminous, composed in the Late Schubert style. It should be a Piano Sonata in the Romantic era, featuring a piano. Incorporate lyrical melody and harmonic poignancy, and a transition from peaceful serenity to stormy contrast." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_03_WAV.wav,227.10447375,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Franz Schubert,"Sonata in G Major, D. 896",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_03_WAV.wav,241.472782031,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a piano. Incorporate a cantabile melody and a harmonic structure that moves between major and relative minor keys, and a transition from a serene, moderated mood to a more introspective, andante one." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_08_R2_2009_01_ORIG_MID--AUDIO_08_R2_2009_08_R2_2009_04_WAV.wav,513.018984844,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D. 897",train,2009,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.midi,2009/MIDI-Unprocessed_19_R2_2009_01_ORIG_MID--AUDIO_19_R2_2009_19_R2_2009_04_WAV.wav,460.102371094,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and a harmonic structure that moves between major and its relative minor, and a transition from a serene, moderated opening to a more introspective, andante mood." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_01_Track01_wav.wav,1025.03650605,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_04_R2_2004_01_ORIG_MID--AUDIO_04_R2_2004_02_Track02_wav.wav,1298.3273665,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_01_Track01_wav.wav,754.754183725,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_02_Track02_wav.wav,433.1782093,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,"Sonata in G Major, D894",train,2004,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_20_R2_2004_01_ORIG_MID--AUDIO_20_R1_2004_03_Track03_wav.wav,685.919985077,"Give me a song that is lyrical and expansive, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a cantabile piano melody. Incorporate a harmonic language that is tonal but richly chromatic, and a transition from serene contemplation to dramatic intensity." +Franz Schubert,Valse-Caprice No. 6 from Soirees de Vienne,test,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_03_WAV.wav,442.276534219,"Give me a song that is elegant and lyrical, composed in the Middle Schubert style. It should be a Valse-Caprice in the Romantic era, featuring a lilting waltz rhythm for piano. Incorporate a homophonic texture with a graceful, song-like melody, and a transition from gentle reverie to spirited virtuosity." +Franz Schubert,Wanderer Fantasy,test,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_03_Track03_wav.wav,1263.03426047,"Give me a song that is technically demanding and dramatic, composed in the Middle Schubert style. It should be a Fantasy in the Romantic era, featuring a four-movement structure for solo piano. Incorporate a highly chromatic harmonic language, and a transition from lyrical introspection to triumphant virtuosity." +Franz Schubert / Franz Liszt,Der Mueller und der Bach,validation,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--3.wav,301.624965469,"Give me a song that is lyrical and introspective, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a simple, song-like texture and Schubertian harmonic language, and a transition from pastoral contentment to melancholic reflection." +Franz Schubert / Franz Liszt,Die Forelle,train,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_08_Track08_wav.wav,207.156577031,"Give me a song that is lyrical and playful, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment with a rippling, triplet rhythm. Incorporate a strophic form with a clear, folk-like melody and diatonic harmony, and a transition from a light, carefree mood to a more agitated, dramatic one." +Franz Schubert / Franz Liszt,"Fruelingsglaube, Die Junge Nonne",train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_04_Track04_wav.wav,503.913758906,"Give me a song that is lyrical and introspective, composed in the Middle Romantic Franz Liszt style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for piano. Incorporate a rich, chordal texture with chromatic harmony, and a transition from somber contemplation to hopeful resolution." +Franz Schubert / Franz Liszt,Gretchen am Spinnrade,test,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_09_R1_2018_wav--2.wav,199.135751719,"Give me a song that is agitated and obsessive, composed in the Early Schubert style. It should be a Lied in the Romantic era, featuring a piano accompaniment mimicking a spinning wheel. Incorporate a repetitive rhythmic ostinato and a distressed minor tonality, and a transition from restless longing to overwhelming distress." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_02_Track02_wav.wav,209.410707023,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_03_Track03_wav.wav,189.921448277,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_04_Track04_wav.wav,141.831846552,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Song Transcriptions: Aufenthalt, Gretchen am Spinnrade, Standchen von Shakespeare, Der Erlkonig",test,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_01-02_ORIG_MID--AUDIO_18_R1_2004_05_Track05_wav.wav,249.113581352,"Give me a song that is virtuosic, dramatic, and lyrical, composed in the Middle Franz Liszt style. It should be a Song Transcription in the Romantic era, featuring demanding piano instrumentation. Incorporate a dense, orchestral texture with a faithful vocal melody, and a transition from narrative urgency to tragic finality." +Franz Schubert / Franz Liszt,"Staendchen from Schwannengesang, R245/7",train,2011,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_25_R2_2011_MID--AUDIO_R2-D6_08_Track08_wav.wav,332.408855625,"Give me a song that is lyrical and yearning, composed in the Late Schubert style. It should be a Lied transcription in the Romantic era, featuring a piano accompaniment. Incorporate a vocal melody over arpeggiated harmony, and a transition from tender entreaty to passionate climax." +Franz Schubert / Franz Liszt,"Standchen, S. 558, NO. 9, ""Horch, horch! Die Lerch""",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_05_Track05_wav.wav,157.473133125,"Give me a song that is lyrical and serene, composed in the Middle Schubert style. It should be a Lied transcription in the Romantic era, featuring a vocal melody adapted for solo piano. Incorporate a cantabile melody over arpeggiated accompaniment, and a transition from a tender entreaty to a peaceful resolution." +Franz Schubert / Leopold Godowsky,Moment Musical Op. 94 No. 3 in F-sharp Minor,train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--4.wav,126.815625,"Give me a song that is lyrical and poignant, composed in the Middle Schubert style. It should be a Moment Musical in the Romantic era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with a folk-like melody and chromatic harmonic shifts, and a transition from melancholic introspection to a brief, tender consolation." +Fritz Kreisler / Sergei Rachmaninoff,Liebesfreud,train,2011,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R2_2011_MID--AUDIO_R2-D5_06_Track06_wav.wav,369.954224062,"Give me a song that is charming and sentimental, composed in the Late Romantic Sergei Rachmaninoff style. It should be a transcription of a Viennese Dance in the Late Romantic era, featuring a virtuosic piano solo. Incorporate a lyrical melody over rich, chromatic harmony, and a transition from playful exuberance to tender reflection." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_02_Track02_wav.wav,1409.28857763,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"12 Etudes, Op. 25",train,2004,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_05_R1_2004_01_ORIG_MID--AUDIO_05_R1_2004_03_Track03_wav.wav,327.327025835,"Give me a song that is challenging and evocative, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"24 Preludes, Op. 28",train,2004,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_06_R1_2004_01_ORIG_MID--AUDIO_06_R1_2004_01_Track01_wav.wav,2398.64035989,"Give me a song that is poetic and turbulent, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring rapid scalar runs. Incorporate a quiet, chilling opening texture and highly chromatic harmony, and a transition from introspective melancholy to dramatic tumult." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_10_R3_2008_01-05_ORIG_MID--AUDIO_10_R3_2008_wav--5.wav,809.804211563,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grand Polonaise Brilliante, Op. 22",train,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--4.wav,819.874981406,"Give me a song that is serene and oneiric, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_03_WAV.wav,779.574540938,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato and Grande Polonaise Brillante, Op. 22",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_03_WAV.wav,794.2513425,"Give me a song that is serene and oneiric, composed in the Early Frédéric Chopin style. It should be an Andante Spianato in the Romantic era, featuring a gentle 6/8 rhythm. Incorporate a nocturne-like texture with rippling effects and a chordal trio, and a transition from a lullaby mood to a processional one." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R3_2011_MID--AUDIO_R3-D2_06_Track06_wav.wav,802.590009375,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante Spianato et Grande Polonaise Brillante, Op. 22",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_17_Track17_wav.wav,761.139730313,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a 3/4 rhythm. Incorporate a nocturne-like texture with gentle rippling effects, and a transition from a oneiric lullaby to a processional fanfare." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--3.wav,829.847429454,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato e grande polonaise, Op. 22",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--2.wav,824.448951633,"Give me a song that is serene and brilliant, composed in the Early Chopin style. It should be a Polonaise Brillante preceded by an Andante spianato in the Romantic era, featuring a gentle 6/8 rhythm transitioning to a processional 3/4. Incorporate rippling textures and a chordal trio section, and a transition from a tranquil, smooth mood to a grand, processional one." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--7.wav,780.15947625,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--4.wav,826.469791667,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--4.wav,818.453125,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,"Andante spianato et grande polonaise brillante, Op. 22",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--4.wav,769.017660469,"Give me a song that is serene and nocturne-like, composed in the Early Chopin style. It should be a Polonaise Brillante in the Romantic era, featuring a transition from solo piano to orchestral fanfares. Incorporate a smooth, even texture and oneiric melody, and a transition from a lullaby mood to a brilliant, announced mood." +Frédéric Chopin,Ballade 4 Op. 52,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_01_Track01_wav.wav,603.939032813,"Give me a song that is haunting, mysterious, and structurally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring intricate piano figuration. Incorporate a harmonic frame that begins in a major key before the main F minor theme, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_07_Track07_wav.wav,551.649013656,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_06_Track06_wav.wav,544.937494994,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_12_Track12_wav--2.wav,516.970757429,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--5.wav,511.25625,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--3.wav,590.019442031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--3.wav,511.011775313,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R2_2011_MID--AUDIO_R2-D2_03_Track03_wav.wav,538.139152031,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_05_Track05_wav.wav,527.426021719,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_10_Track10_wav.wav,502.698482344,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,"Ballade No. 1 in G Minor, Op. 23",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--4.wav,558.778244879,"Give me a song that is dramatic and majestic, composed in the Early Chopin style. It should be a Ballade in the Romantic era, featuring complex piano figuration. Incorporate a Neapolitan chord opening and unresolved harmonic tension, and a transition from a lyrical narrative to a tempestuous coda." +Frédéric Chopin,Ballade No. 2 in F Major,train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--2.wav,340.642020469,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring solo piano. Incorporate a jarring harmonic shift from a distant key, and a transition from pastoral serenity to furious agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_04_WAV.wav,426.929327344,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--3.wav,411.467270156,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 2 in F Major, Op. 38",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--4.wav,459.913344704,"Give me a song that is lyrical and turbulent, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a solo piano. Incorporate a contrasting thematic structure and highly chromatic harmony, and a transition from pastoral serenity to dramatic agitation." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--4.wav,418.390340156,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 3 in A-flat Major, Op. 47",train,2011,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.midi,2011/MIDI-Unprocessed_10_R2_2011_MID--AUDIO_R2-D3_11_Track11_wav.wav,424.21966125,"Give me a song that is lyrical and dramatic, composed in the Middle Chopin style. It should be a Ballade in the Romantic era, featuring a waltz-like rhythm. Incorporate a cantabile melody with chromatic harmony, and a transition from pastoral serenity to impassioned turmoil." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--4.wav,647.477985,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--2.wav,616.031702344,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--5.wav,611.620649062,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--4.wav,657.425891719,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_14_Track14_wav.wav,653.658534375,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F Minor, Op. 52",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--4.wav,641.490446425,"Give me a song that is haunting, mysterious, and complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a piano. Incorporate a highly chromatic harmony, and a transition from a fading major-key introduction to a sad, minor-key theme." +Frédéric Chopin,"Ballade No. 4 in F minor, Op. 52",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--5.wav,628.508986875,"Give me a song that is profound and architecturally complex, composed in the Late Chopin style. It should be a Ballade in the Romantic era, featuring a fluid, rubato rhythm. Incorporate a dense, polyphonic texture with a highly chromatic, winding melody, and a transition from melancholic introspection to triumphant, tragic grandeur." +Frédéric Chopin,Barcarolle in F#,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_06_Track06_wav.wav,486.925260938,"Give me a song that is sweepingly romantic and slightly wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figuration in thirds and sixths with wide left-hand reaches, and a transition from a romantic to a more intense mood." +Frédéric Chopin,"Barcarolle in F-sharp Major, Op. 60",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_18_R3_2013_wav--1.wav,499.187535,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate right-hand figures in thirds and sixths over a wide-ranging left-hand accompaniment, and a transition from a romantic to a more wistful mood." +Frédéric Chopin,"Barcarolle, Op. 60",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_03_WAV.wav,553.574499844,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2008,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R3_2008_01-05_ORIG_MID--AUDIO_08_R3_2008_wav--1.wav,476.111970469,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--3.wav,536.125265156,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,"Barcarolle, Op. 60",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--5.wav,519.593607825,"Give me a song that is sweepingly romantic and wistful, composed in the Late Chopin style. It should be a Barcarolle in the Romantic era, featuring a barcarolle rhythm. Incorporate intricate polyphony with right-hand thirds and sixths, and a transition from a romantic to a slightly wistful tone." +Frédéric Chopin,Berceuse Op. 57,validation,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--4.wav,261.343221562,"Give me a song that is gentle and lyrical, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a steady, rocking rhythm. Incorporate a texture of continuous left-hand figuration supporting a right-hand melody with ornamental variations, and a transition from serene tranquility to a more ecstatic, embellished conclusion." +Frédéric Chopin,Berceuse Op. 57 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.midi,2017/MIDI-Unprocessed_083_PIANO083_MID--AUDIO-split_07-09-17_Piano-e_2_-06_wav--5.wav,265.093786504,"Give me a song that is serene and lullaby-like, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a delicate, ornamented melody over a static harmonic ostinato, and a transition from tranquil contemplation to a more florid, decorative expression." +Frédéric Chopin,"Berceuse in D-Flat Major, Op. 57",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--4.wav,256.01470125,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from tranquil repose to tender embellishment." +Frédéric Chopin,"Berceuse, Op. 57",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--4.wav,273.486458333,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Berceuse, Op. 57",validation,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_05_Track05_wav.wav,293.0552625,"Give me a song that is serene and delicate, composed in the Late Chopin style. It should be a Berceuse in the Romantic era, featuring a gently rocking rhythm. Incorporate a texture of variations over a sustained bass harmony, and a transition from peaceful tenderness to a more florid, decorative reverie." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_09_Track09_wav.wav,1203.88854254,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,"Complete Etudes, Opus 25",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_04_ORIG_MID--AUDIO_17_R1_2004_11_Track11_wav.wav,604.44159296,"Give me a song that is technically demanding and poetically expressive, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring intricate polyrhythms and arpeggiated figuration. Incorporate a singing melody over chromatic harmony, and a transition from lyrical introspection to dramatic intensity." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--2.wav,115.228125,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--2.wav,115.634375,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--4.wav,104.165625,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--3.wav,116.702083333,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--3.wav,114.585889687,"Give me a song that is virtuosic and lyrical, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring broad arpeggiated chords. Incorporate innovative pianism and a unified artistic texture, and a transition from technical exercise to musical poem." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--2.wav,116.213105767,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--3.wav,121.811368933,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 1 in C Major,train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--3.wav,114.474866421,"Give me a song that is bright and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring rapid arpeggiated figuration. Incorporate a broad, lyrical melody over a sweeping harmonic texture, and a transition from brilliant grandeur to lyrical introspection." +Frédéric Chopin,Etude Op. 10 No. 10 in A-flat Major,train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--2.wav,124.78143985,"Give me a song that is technically demanding and expressively varied, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a persistent, accent-shifting figuration. Incorporate a single, continuously varied musical texture, and a transition from brilliant virtuosity to nuanced introspection." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--4.wav,154.826041667,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--6.wav,136.134375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--3.wav,150.49375,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12,test,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--3.wav,157.636458333,"Give me a song that is dramatic and technically demanding, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring relentless left-hand semiquaver passages. Incorporate a powerful chordal melody over a dominant minor ninth harmony, and a transition from turbulent agitation to resolute defiance." +Frédéric Chopin,Etude Op. 10 No. 12 in C Minor,test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_03_Track03_wav.wav,138.094146094,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a rapid left-hand figuration. Incorporate a turbulent C minor harmony, and a transition from heroic defiance to resolute determination." +Frédéric Chopin,Etude Op. 10 No. 2,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--2.wav,81.2895833333,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--3.wav,70.726425,"Give me a song that is turbulent and technically formidable, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless chromatic right-hand figuration. Incorporate dense contrapuntal texture and highly chromatic harmony, and a transition from agitated struggle to a resigned, somber conclusion." +Frédéric Chopin,Etude Op. 10 No. 2 in A Minor,train,2017,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_070_PIANO070_MID--AUDIO-split_07-08-17_Piano-e_1-02_wav--2.wav,79.48679,"Give me a song that is rapid and chromatic, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a relentless right-hand semiquaver rhythm. Incorporate a dense, polyphonic texture with a sinuous melody over chromatic harmony, and a transition from agitated intensity to a fleeting, resigned close." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--3.wav,119.150521875,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--3.wav,111.881565469,"Give me a song that is tumultuous and technically challenging, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring rapid sixteenth-note runs. Incorporate a sharp chordal opening and highly chromatic harmony, and a transition from agitated intensity to a more dramatic conclusion." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_05_Track05_wav.wav,122.391704531,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_09_Track09_wav.wav,113.671093594,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-Sharp Minor,train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_09_Track09_wav.wav,123.152921719,"Give me a song that is brilliant and virtuosic, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring tumultuous sixteenth-note runs. Incorporate rapid fingerwork and sharp chordal interjections, and a transition from a sharp, abrupt opening to a torrential, dexterous flow." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--3.wav,124.61526,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--3.wav,123.041063763,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--3.wav,115.376571404,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 4 in C-sharp Minor,train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--3.wav,112.612696058,"Give me a song that is brilliant and virtuosic, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving rhythm. Incorporate rapid fingerwork and dexterity, and a transition from intense urgency to brilliant clarity." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--2.wav,95.57645475,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--3.wav,92.236727525,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 5 in G-flat Major,validation,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--3.wav,98.7099864042,"Give me a song that is brilliant and playful, composed in the Early Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a rapid, right-hand staccato figuration. Incorporate a homophonic texture with a simple, cantabile melody over diatonic harmony, and a transition from sparkling virtuosity to a more lyrical conclusion." +Frédéric Chopin,Etude Op. 10 No. 8,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--3.wav,138.896875,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--3.wav,125.043945469,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and imitative counterpoint, and a transition from lyrical exposition to a more developed central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--4.wav,135.18148875,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_04_Track04_wav.wav,131.456866406,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 10 No. 8 in F Major,train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_14_Track14_wav.wav,149.950437656,"Give me a song that is bright and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from a sparkling, trilled opening to a more lyrical central section." +Frédéric Chopin,Etude Op. 25 No. 1,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--3.wav,137.86875,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1,train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--3.wav,136.072246406,"Give me a song that is lyrical and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios for solo piano. Incorporate a harmonic texture based on A-flat major with modulations, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--2.wav,147.718293271,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 1 in A-flat Major,train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--4.wav,143.456562017,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring arpeggiated sextuplet accompaniment. Incorporate a cantabile melody over a polyrhythmic texture, and a transition from serene lyricism to agitated virtuosity." +Frédéric Chopin,Etude Op. 25 No. 10,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--5.wav,250.193392969,"Give me a song that is stormy and impassioned, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring a fast tempo in cut time and triple metre. Incorporate a distinctive ternary form with a theme in B major, and a transition from turbulent to lyrical." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_03_Track03_wav.wav,243.747085312,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_11_Track11_wav.wav,237.826952344,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 10 in B Minor,train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--3.wav,237.363153154,"Give me a song that is turbulent and technically demanding, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid octave passages. Incorporate a dense, chordal texture with a chromatic harmonic language, and a transition from a stormy, aggressive mood to a resigned, somber one." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--3.wav,217.536458333,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--2.wav,210.821875,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11,train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--2.wav,193.874004844,"Give me a song that is turbulent and heroic, composed in the Middle Chopin style. It should be an Etude in the Romantic era, featuring relentless arpeggiated figures. Incorporate a dense, interlocking texture of parallel sixths in both hands, and a transition from stormy defiance to a climactic, resolute conclusion." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--4.wav,238.691000625,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_09_Track09_wav.wav,200.596754531,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_03_Track03_wav.wav,221.514201563,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_13_Track13_wav.wav,213.302404219,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_04_Track04_wav.wav,193.441312969,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 11 in A Minor,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--3.wav,219.964734133,"Give me a song that is turbulent, dexterous, and brilliant, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring cascading right-hand runs and a flexible left-hand accompaniment. Incorporate a soft, melodic introduction contrasted with intense, chromatic harmony, and a transition from a pensive, piano opening to a stormy, virtuosic climax." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--4.wav,136.692708333,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--4.wav,156.28125,"Give me a song that is technically formidable and impassioned, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless arpeggiated figuration. Incorporate a dense, oceanic texture built on C minor chord progressions, and a transition from turbulent struggle to resolute finality." +Frédéric Chopin,Etude Op. 25 No. 12 in C Minor,train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_14_Track14_wav.wav,137.845748906,"Give me a song that is turbulent and technically formidable, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring relentless semiquaver arpeggios spanning the keyboard. Incorporate a highly chromatic, expository melody with shifting keys, and a transition from stormy C minor to a resolved C major climax." +Frédéric Chopin,Etude Op. 25 No. 5 in E Minor,train,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--2.wav,181.853450625,"Give me a song that is technically demanding and expressively nuanced, composed in the Middle Frédéric Chopin style. It should be an Étude in the Romantic era, featuring a distinctive, irregular rhythm. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a serious, searching mood to a more resolved, poignant one." +Frédéric Chopin,Etude Op. 25 No. 6,train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--3.wav,127.005208333,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6,train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--3.wav,120.675627187,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a despairing conclusion." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_17_Track17_wav.wav,116.065589062,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,Etude Op. 25 No. 6 in G-sharp Minor,train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_16_Track16_wav.wav,110.455284844,"Give me a song that is technically formidable and chromatic, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a rapid, perpetual motion texture. Incorporate a relentless double-thirds figuration and highly chromatic harmony, and a transition from agitated intensity to a more lyrical, resigned despair." +Frédéric Chopin,"Etude in A Minor, Op. 25, No. 11",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--4.wav,221.737224844,"Give me a song that is technically formidable and stormy, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture with wide leaps, and a transition from a martial, defiant opening to a turbulent, tempestuous conclusion." +Frédéric Chopin,"Etude in F Major, Op. 10, No. 8",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--3.wav,150.433877344,"Give me a song that is fluid and contrapuntal, composed in the Early Chopin style. It should be an Etude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a polyphonic texture with a clear secondary melody, and a transition from lyrical brightness to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 8,train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_10_Track10_wav.wav,143.597612813,"Give me a song that is lyrical and contrapuntal, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a left-hand melody over right-hand arpeggios. Incorporate a clear ternary structure and embedded secondary lines, and a transition from flowing lyricism to more intense passagework." +Frédéric Chopin,Etudes Op. 10 Nos. 9,test,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_11_Track11_wav.wav,124.808902969,"Give me a song that is turbulent and impassioned, composed in the Early Chopin style. It should be an Étude in the Romantic era, featuring a driving left-hand accompaniment. Incorporate a highly chromatic melody over a stable harmonic foundation, and a transition from defiant agitation to a somber, resigned conclusion." +Frédéric Chopin,Etudes Op. 25 Nos. 1-5,train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_03_R2_2013_wav--1.wav,656.746138125,"Give me a song that is fluid and harp-like, composed in the Middle Chopin style. It should be an Étude in the Romantic era, featuring rapid arpeggios. Incorporate harmonic modulations based on A-flat major, and a transition from a lyrical to a more resolute mood." +Frédéric Chopin,"Fantasie in F Minor, Op. 49",validation,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--3.wav,715.326623087,"Give me a song that is masterful and dramatic, composed in the Middle Chopin style. It should be a Fantasie in the Romantic era, featuring a march-like rhythm. Incorporate a free interplay of musical ideas and highly chromatic harmony, and a transition from a shrouded, somber mood to one of artistic fulfillment." +Frédéric Chopin,"Fantasy in F Minor, Op.49",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_06_WAV.wav,766.870226719,"Give me a song that is solemn and virtuosic, composed in the Middle Chopin style. It should be a Fantasy in the Romantic era, featuring a march-like rhythm. Incorporate a two-key scheme and split thematic groups, and a transition from a solemn march to a passionate doppio movimento." +Frédéric Chopin,Mazurka Op. 50 No. 3 in C-sharp Minor,train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--3.wav,265.483174688,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a dance rhythm for piano. Incorporate a chromatic, harmonically rich texture, and a transition from brooding introspection to a more resolute character." +Frédéric Chopin,Mazurka Op. 6 No. 2 in C-sharp Minor,validation,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_02_Track02_wav.wav,137.6280675,"Give me a song that is lyrical and melancholy, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a triple-meter dance rhythm. Incorporate a Lydian mode second theme and contrapuntal inner voices, and a transition from a wistful introduction to a joyous trio section." +Frédéric Chopin,"Mazurka in C-sharp Minor, Op. 50 No. 3",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--3.wav,235.214775469,"Give me a song that is melancholic and rhythmically intricate, composed in the Late Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm. Incorporate a chromatic, harmonically rich texture, and a transition from introspective sorrow to a more resolute, dignified expression." +Frédéric Chopin,"Mazurka in D Major, Op. 33, No. 2",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--3.wav,124.491061406,"Give me a song that is fast and strongly accented, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring irregular dance rhythms. Incorporate a popular, lyrical melody and diatonic harmony, and a transition from spirited to lyrical." +Frédéric Chopin,"Mazurka in F Minor, Op. 7, No. 3",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--5.wav,121.519643437,"Give me a song that is ominous and sustained, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring two-part polyphony in the bass register. Incorporate a melody embellished by semitones, and a transition from an ominous mood to a more lyrical one." +Frédéric Chopin,"Mazurka in G-sharp Minor, Op. 33, No. 1",validation,2008,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R2_2008_01-05_ORIG_MID--AUDIO_07_R2_2008_wav--2.wav,94.3936021875,"Give me a song that is lyrical and bittersweet, composed in the Middle Chopin style. It should be a Mazurka in the Romantic era, featuring a playful rhythmic episode. Incorporate a melody with touches of G-sharp minor within a B major section, and a transition from lyrical to playful." +Frédéric Chopin,"Mazurkas, Op. 17 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--2.wav,775.889982656,"Give me a song that is lyrical and folk-inspired, composed in the Early Chopin style. It should be a Mazurka in the Romantic era, featuring a characteristic mazurka rhythm for piano. Incorporate a cantabile melody over chromatic harmony, and a transition from rustic simplicity to poignant melancholy." +Frédéric Chopin,Nocturne Op. 15 No. 1 in F Major,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--3.wav,240.451041667,"Give me a song that is lyrical and serene, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a simple ternary form. Incorporate a cantabile melody over supportive left-hand patterns, and a transition from a contemplative Andante to a more intense central section." +Frédéric Chopin,Nocturne Op. 27 No. 1 in C-sharp Minor,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_10_Track10_wav.wav,293.216854219,"Give me a song that is somber and dramatic, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a piano. Incorporate a cantabile melody over a homophonic texture, and a transition from a melancholic larghetto to a more agitated più mosso." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--4.wav,351.594791667,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 27 No. 2 in D-flat Major,validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--4.wav,341.238712538,"Give me a song that is lyrical and expressive, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a waltz-like accompaniment. Incorporate a homophonic texture with rich chromatic harmony, and a transition from serene contemplation to impassioned climax." +Frédéric Chopin,Nocturne Op. 32 No. 2 in A-flat Major,validation,2011,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_02_R2_2011_MID--AUDIO_R2-D1_03_Track03_wav.wav,261.275112656,"Give me a song that is melodic and turbulent, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a lyrical melody with dramatic harmonic shifts, and a transition from a serene to an agitated mood." +Frédéric Chopin,Nocturne Op. 48 No. 1 in C Minor,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--2.wav,297.4875,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a doppio movimento rhythm. Incorporate a chorale-like melody with chromatic harmony, and a transition from somber introspection to impassioned grandeur." +Frédéric Chopin,Nocturne Op. 55 No. 2 in E-flat Major,validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--3.wav,278.460416667,"Give me a song that is graceful, luminous, and calm, composed in the late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, steady crotchet rhythm. Incorporate a transparent texture with a lyrical right-hand melody over a supportive left-hand accompaniment, and a transition from a serene main theme to a more expressive central section." +Frédéric Chopin,Nocturne Op. 62 No. 1 in B Major,validation,2017,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.midi,2017/MIDI-Unprocessed_072_PIANO072_MID--AUDIO-split_07-08-17_Piano-e_1-06_wav--3.wav,405.313184896,"Give me a song that is gentle and introspective, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring solo piano. Incorporate a legato melody over rich chromatic harmony, and a transition from serene declamation to a more agitated, recitative-like passage." +Frédéric Chopin,"Nocturne Op. 62, No. 2",validation,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_05_WAV.wav,371.021263594,"Give me a song that is gentle, declamatory, and restless, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a solo piano. Incorporate a legato melody over a smooth texture and highly chromatic harmony, and a transition from a dolce, lyrical mood to a forte, agitato mood." +Frédéric Chopin,Nocturne Op. 9 No. 2 in E-flat Major,validation,2011,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_06_R3_2011_MID--AUDIO_R3-D3_05_Track05_wav.wav,220.688881875,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a rhythmic contrast between the treble and bass parts. Incorporate melodic chromaticism and bel canto-inspired melody, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2009,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_03-06_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_03_WAV.wav,346.917388125,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in B Major, Op. 9, No. 3",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--4.wav,352.914978281,"Give me a song that is lyrical and ornate, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a flowing, arpeggiated left-hand accompaniment. Incorporate a highly decorated, free-flowing melody with chromatic harmonies, and a transition from a serene to a more agitated mood." +Frédéric Chopin,"Nocturne in C Minor, Op. 48 No. 1",validation,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--3.wav,295.043775469,"Give me a song that is solemn and dramatic, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a slow, march-like rhythm. Incorporate a homophonic texture with a lyrical, ornamented melody and highly chromatic, functional harmony, and a transition from a somber lament to a heroic, impassioned climax." +Frédéric Chopin,"Nocturne in C-Sharp Minor, Op. Posth.",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--6.wav,230.862482812,"Give me a song that is melancholic and lyrical, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a steady left-hand accompaniment. Incorporate a highly chromatic and expressive harmony, and a transition from a somber, brooding mood to a more agitated, dramatic one." +Frédéric Chopin,"Nocturne in C-sharp Minor, Op. 27 No. 1",test,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--3.wav,302.6908245,"Give me a song that is profound, dramatic, and masterful, composed in the Middle Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a broken-chord accompaniment. Incorporate a highly chromatic and modulatory harmonic language, and a transition from a somber, lamenting mood to a passionate, agitated one." +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_06_Track06_wav.wav,423.666777187,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,Nocturne in Db,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_07_Track07_wav.wav,355.499110313,"Give me a song that is lyrical and expressive, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a left-hand arpeggiated accompaniment. Incorporate a rhythmically free right-hand melody over a stable harmonic foundation, and a transition from a serene to a more impassioned mood." +Frédéric Chopin,"Nocturne in E-flat Major, Op. 55 No. 2",validation,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--3.wav,278.441227969,"Give me a song that is lyrical and expansive, composed in the Late Chopin style. It should be a Nocturne in the Romantic era, featuring a cantabile melody over a flowing left-hand accompaniment. Incorporate a rich, singing texture with chromatic harmonic inflections, and a transition from serene contemplation to a more dramatic, impassioned middle section." +Frédéric Chopin,"Nocturne in F-sharp Major, Op. 15, No. 2",test,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--1.wav,230.070549844,"Give me a song that is lyrical and personal, composed in the Early Chopin style. It should be a Nocturne in the Romantic era, featuring a descending triplet pattern in the left hand. Incorporate a simple melody over this accompaniment, and a transition from a serene F-sharp major section to a fast, contrasting middle section." +Frédéric Chopin,Polonaise Op. 26 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_09_R2_2008_01-05_ORIG_MID--AUDIO_09_R2_2008_wav--3.wav,423.697492969,"Give me a song that is ominous, agitated, and passionate, composed in the Early Chopin style. It should be a Polonaise in the Romantic era, featuring a contrasting middle section. Incorporate a dark harmonic atmosphere and a subtle closing, and a transition from gloominess to explosive energy." +Frédéric Chopin,Polonaise Op. 44,test,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_02_Track02_wav.wav,662.006549531,"Give me a song that is dark, furious, and menacing, composed in the Middle Frédéric Chopin style. It should be a Polonaise in the Romantic era, featuring a powerful polonaise rhythm. Incorporate a highly chromatic harmony and a composite ternary form, and a transition from a menacing introduction to a furious, patriotic theme." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--4.wav,456.126680625,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise Op. 53 in A-flat Major,test,2011,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.midi,2011/MIDI-Unprocessed_22_R2_2011_MID--AUDIO_R2-D5_11_Track11_wav.wav,379.931511094,"Give me a song that is heroic, virtuosic, and triumphant, composed in the Late Chopin style. It should be a Polonaise in the Romantic era, featuring a stately triple-meter rhythm. Incorporate rapid octave passages, chromatic scales, and a dense, chordal texture, and a transition from martial grandeur to lyrical reflection." +Frédéric Chopin,Polonaise-Fantasie,test,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_02_Track02_wav.wav,779.016315,"Give me a song that is expansive and dramatic, composed in the Late Chopin style. It should be a Polonaise-Fantasie in the Romantic era, featuring a broad 12/8 rhythm. Incorporate a fantaisie formal paradigm and watery, undulating melodic character, and a transition from a calm beginning to immense, oceanic swells." +Frédéric Chopin,Polonaise-Fantasie Op. 61,test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--4.wav,664.581333281,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_01_R1_2009_01-04_ORIG_MID--AUDIO_01_R1_2009_01_R1_2009_04_WAV.wav,721.536404531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Polonaise-Fantasie, Op. 61",test,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_03_WAV.wav,779.399594531,"Give me a song that is improvisatory, melancholic, and heroic, composed in the Late Chopin style. It should be a Polonaise-Fantaisie in the Romantic era, featuring a complex polonaise rhythm. Incorporate a fantasia-like structure with chromatic harmony, and a transition from dreamy reflection to triumphant resolve." +Frédéric Chopin,"Preludes, Book II, L 123, VI. Général Lavine - eccentric",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--5.wav,151.232291667,"Give me a song that is ironic and burlesque, composed in the Late Debussy style. It should be a Prelude in the Modern era, featuring an eccentric, incisive rhythm. Incorporate a fragmented, foreshadowing melody with highly chromatic harmony, and a transition from playful eccentricity to stark unease." +Frédéric Chopin,"Preludes, Op.28",train,2009,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_04_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_04_WAV.wav,2622.72440719,"Give me a song that is poetic and melancholic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a solo piano. Incorporate a lyrical melody over a highly chromatic harmony, and a transition from a contemplative to a dramatic mood." +Frédéric Chopin,"Rondo in C Minor, Op. 1",test,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_15_Track15_wav.wav,610.798000312,"Give me a song that is dramatic and virtuosic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring brilliant piano writing. Incorporate a classical structure with strong harmonic shifts, and a transition from a stormy C minor to a lyrical E major." +Frédéric Chopin,"Rondo in C minor, Op. 1",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--4.wav,496.481875313,"Give me a song that is youthful and dramatic, composed in the Early Chopin style. It should be a Rondo in the Romantic era, featuring piano instrumentation. Incorporate a classical rondo structure with thematic returns and harmonic traits of moving from C minor to E major and A-flat major, and a transition from a stormy opening to a more lyrical middle section." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_06_Track06_wav.wav,506.0037675,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B Minor, Op. 20",validation,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_05_Track05_wav.wav,527.487453281,"Give me a song that is dramatic and tempestuous, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from turbulent agitation to lyrical repose." +Frédéric Chopin,"Scherzo No. 1 in B minor, Op. 20",validation,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--4.wav,555.1917525,"Give me a song that is dramatic and rapid, composed in the Early Chopin style. It should be a Scherzo in the Romantic era, featuring a driving rhythm. Incorporate a contrasting lyrical melody and chromatic harmony, and a transition from stormy intensity to a serene major-key section." +Frédéric Chopin,"Scherzo No. 2 in B-Flat Minor, Op.31",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--3.wav,578.37549,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical B major melody against turbulent chromatic harmony, and a transition from stormy agitation to serene repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--4.wav,581.988541667,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--4.wav,558.0485476,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Major, Op. 31",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--5.wav,581.174502658,"Give me a song that is tender, bold, and overflowing, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a Presto rhythm. Incorporate a structural and harmonic frame with a thematic contrast, and a transition from contemplative love to dramatic contempt." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--3.wav,549.705646875,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--4.wav,533.733333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--4.wav,622.283333333,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_06_R2_2015_wav--4.wav,536.088541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--3.wav,580.788541667,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op. 31",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--4.wav,577.134992537,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, questioning melody over chromatically shifting harmony, and a transition from turbulent agitation to a serene, chorale-like repose." +Frédéric Chopin,"Scherzo No. 2 in B-flat Minor, Op.31",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_07_WAV.wav,565.314605625,"Give me a song that is dramatic and virtuosic, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring a driving 3/4 rhythm. Incorporate a lyrical, singing melody over dense, chromatic harmony, and a transition from turbulent agitation to triumphant grandeur." +Frédéric Chopin,Scherzo No. 3,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_05_Track05_wav.wav,433.202024063,"Give me a song that is dramatic and lyrical, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and delicate arpeggios. Incorporate a chorale-like melody and a tonal shift from C♯ minor to D♭ major, and a transition from pent-up energy to transcendent beauty." +Frédéric Chopin,"Scherzo No. 3 in C-sharp Minor, Op. 39",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--5.wav,418.929166667,"Give me a song that is dramatic and turbulent, composed in the Middle Chopin style. It should be a Scherzo in the Romantic era, featuring octave passages and chorale-like sections. Incorporate a highly chromatic harmony with a Picardy third, and a transition from pent-up energy to lyrical beauty." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_04_Track04_wav.wav,688.719930938,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over a dense, chromatic harmonic texture, and a transition from a generally calm temperament to passionate intensity." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_03-04_ORIG_MID--AUDIO_10_R1_2004_03_Track03_wav.wav,637.803674029,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_02_WAV.wav,691.635259219,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2008,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R2_2008_01-04_ORIG_MID--AUDIO_08_R2_2008_wav--1.wav,623.886929531,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--4.wav,624.909898594,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--5.wav,665.485416667,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--4.wav,650.51217,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--4.wav,656.379262358,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--4.wav,631.082377767,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--4.wav,624.929630137,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,"Scherzo No. 4 in E Major, Op. 54",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--4.wav,655.006405837,"Give me a song that is lyrical and dramatic, composed in the Late Chopin style. It should be a Scherzo in the Romantic era, featuring a complex, triple-meter rhythm. Incorporate a singing melody over rich chromatic harmony, and a transition from a calm, pastoral mood to a passionate, agitated one." +Frédéric Chopin,Sonata 3 Op. 58,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_03_Track03_wav.wav,1442.79636703,"Give me a song that is dramatic and lyrical, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring complex polyrhythms. Incorporate a singing melody over rich chromatic harmony, and a transition from heroic struggle to triumphant resolution." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--3.wav,1461.01216078,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,"Sonata No. 2 in B-flat Minor, Op. 35",test,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--2.wav,1127.25314625,"Give me a song that is dramatic and somber, composed in the Middle Frédéric Chopin style. It should be a Sonata in the Romantic era, featuring a funeral march rhythm. Incorporate a highly chromatic harmony, and a transition from a grave, turbulent mood to a lyrical, major-key repose." +Frédéric Chopin,Sonata No. 3,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_04_Track04_wav.wav,1611.38460656,"Give me a song that is lyrical and triumphant, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a major-key resolution and a lyrical largo movement, and a transition from the majestic to the vivacious." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_06_Track06_wav.wav,493.142775994,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_07_Track07_wav.wav,154.986722275,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_05_ORIG_MID--AUDIO_09_R1_2004_08_Track08_wav.wav,768.135554506,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--3.wav,1639.91556094,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58",train,2018,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber5_MID--AUDIO_18_R3_2018_wav--1.wav,1607.37152297,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a four-movement structure. Incorporate a complex harmonic progression, and a transition from a B minor to a B major key." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--2.wav,1551.77061703,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--5.wav,1458.97557094,"Give me a song that is grand and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring complex left-hand figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from doleful introspection to triumphant resolution." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.midi,2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_18_R2_2013_wav--4.wav,528.9951975,"Give me a song that is lyrical and contrapuntal, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate complex harmony traits, and a transition from B minor to B major." +Frédéric Chopin,"Sonata No. 3 in B Minor, Op. 58, I. Allegro maestoso",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--5.wav,507.502855104,"Give me a song that is grand and lyrical, composed in the Late Chopin style. It should be a Sonata in the Romantic era, featuring a majestic rhythm. Incorporate a complex, chromatic harmony, and a transition from a dramatic B minor to a triumphant B major." +Frédéric Chopin,"Sonata in B Minor, Op. 58",train,2004,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.midi,2004/MIDI-Unprocessed_XP_18_R1_2004_04_ORIG_MID--AUDIO_18_R1_2004_07_Track07_wav.wav,1442.05450661,"Give me a song that is dramatic and virtuosic, composed in the Late Chopin style. It should be a Piano Sonata in the Romantic era, featuring a driving 6/8 rhythm. Incorporate a highly chromatic harmony, and a transition from lyrical introspection to agitated panic." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_10_Track10_wav.wav,282.30741,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Two Preludes from Op. 28, Nos. 15 and 24",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_11_Track11_wav.wav,117.120609375,"Give me a song that is poetic, melancholic, and dramatic, composed in the Middle Chopin style. It should be a Prelude in the Romantic era, featuring a lyrical piano line. Incorporate a highly chromatic harmony, and a transition from somber reflection to turbulent despair." +Frédéric Chopin,"Valse brillante No. 1 in A-flat Major, Op. 34",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--4.wav,304.59375,"Give me a song that is brilliant, virtuosic, and elegant, composed in the Middle Chopin style. It should be a Waltz in the Romantic era, featuring a 3/4 waltz rhythm for solo piano. Incorporate a melody with wide leaps and florid ornamentation, and a transition from a stately, processional mood to a more playful, capricious one." +Frédéric Chopin,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_01-03_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_02_WAV.wav,1424.93313703,"Give me a song that is grand, heroic, and structurally ambitious, composed in the Middle Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a powerful, march-like rhythm. Incorporate a contrapuntally dense fugue and a theme derived from his own symphony, and a transition from a solemn, introductory mood to a triumphant, celebratory one." +George Enescu,Suite Op. 10,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_04_Track04_wav.wav,1364.70483188,"Give me a song that is brilliant and resonant, composed in the Early George Enescu style. It should be a Suite in the Romantic era, featuring a toccata and dance movements. Incorporate rich, post-Romantic harmony, and a transition from ceremonial grandeur to lively folk character." +George Frideric Handel,Chaconne in G,train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_01_WAV.wav,329.032790625,"Give me a song that is stately and intricate, composed in the Early Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bass line. Incorporate a contrapuntal texture over a ground bass, and a transition from resolute grandeur to contemplative variation." +George Frideric Handel,"Chaconne in G Major, HWV 435",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_01_R1_2018_wav--1.wav,328.904585625,"Give me a song that is stately and grand, composed in the Middle Baroque Handel style. It should be a Chaconne in the Baroque era, featuring a steady, repeating bassline. Incorporate a rich, contrapuntal texture over a diatonic G major harmony, and a transition from a solemn introduction to a triumphant conclusion." +George Frideric Handel,"Suite No. 2 in F Major, HWV 427 (Complete)",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--1.wav,453.091796933,"Give me a song that is stately and buoyant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a contrapuntal texture with clear harmonic progressions, and a transition from dignified procession to lively celebration." +George Frideric Handel,Suite No. 3 in D Minor,train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_01_Track01_wav.wav,720.089756071,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +George Frideric Handel,Suite No. 3 in D Minor,train,2009,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_01-02_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_01_WAV.wav,856.080874687,"Give me a song that is dark and triumphant, composed in the Early Handel style. It should be a Suite in the Baroque era, featuring harpsichord instrumentation. Incorporate a highly chromatic harmony, and a transition from introspective to playful." +Georges Bizet / Ferruccio Busoni,"Sonatina No. 6, BV284 “Fantasia da Camera super Carmen”",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--2.wav,524.597498906,"Give me a song that is virtuosic, chromatic, and dramatic, composed in the Late Busoni style. It should be a Sonatina in the Modern era, featuring complex piano figuration. Incorporate dense, polyphonic texture and Lisztian thematic transformation, and a transition from sardonic playfulness to grandiose intensity." +Georges Bizet / Moritz Moszkowski,"Chanson Boheme de l'Opera ""Carmen"" by Georges Bizet",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--5.wav,336.530402275,"Give me a song that is brilliant and virtuosic, composed in the Late Romantic Moritz Moszkowski style. It should be a Concert Transcription in the Romantic era, featuring a lively, dance-like rhythm. Incorporate a rich, homophonic texture with ornate melodic embellishments, and a transition from a spirited, gypsy-like character to a triumphant, celebratory mood." +Georges Bizet / Vladimir Horowitz,Carmen Variations,train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--5.wav,231.487113571,"Give me a song that is virtuosic, flamboyant, and dramatic, composed in the Late Romantic style. It should be a set of Variations in the Romantic era, featuring brilliant piano instrumentation. Incorporate a highly chromatic and rhythmically complex texture, and a transition from playful bravura to thunderous intensity." +Giuseppe Verdi / Franz Liszt,Rigoletto Parap.,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_04_Track04_wav.wav,423.490495313,"Give me a song that is virtuosic and pianistic, composed in the Middle Franz Liszt style. It should be a Paraphrase in the Romantic era, featuring orchestral textures. Incorporate a melody derived from an operatic quartet and highly chromatic harmony, and a transition from dramatic intensity to lyrical reflection." +Henry Purcell,"Suite in C Major, Z. 666 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--7.wav,538.800209063,"Give me a song that is stately and ornate, composed in the Early Henry Purcell style. It should be a Suite in the Baroque era, featuring a harpsichord. Incorporate contrapuntal texture and functional harmony, and a transition from dignified to lively." +Isaac Albéniz,Asturias,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_06_WAV.wav,308.694937031,"Give me a song that is evocative and nostalgic, composed in the Early Albéniz style. It should be a Prelude in the Romantic era, featuring a rhythm that suggests flamenco guitar. Incorporate a tremolo texture and a highly chromatic melody, and a transition from a dramatic, percussive opening to a lyrical, song-like section." +Isaac Albéniz,"Evocacion from ""Iberia""",train,2009,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_01-05_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_02_WAV.wav,316.343166563,"Give me a song that is evocative, virtuosic, and folk-inspired, composed in the late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring flamenco rhythms. Incorporate complex chromatic harmony and a transition from a pensive to a passionate mood." +Isaac Albéniz,Iberia Book II,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_03_Track03_wav.wav,1245.62375438,"Give me a song that is evocative and impressionistic, composed in the Late Albéniz style. It should be a piano piece in the Modernist era, featuring complex Spanish rhythms. Incorporate a highly chromatic yet tonal harmony, and a transition from nostalgic reverie to vibrant celebration." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_04_Track04_wav.wav,361.027781119,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,"Iberia, Evocation, Triana",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_03-05_ORIG_MID--AUDIO_04_R1_2004_05_Track05_wav.wav,291.849566392,"Give me a song that is impressionistic and virtuosic, composed in the Late Albéniz style. It should be a piece in the Modernist era, featuring complex Spanish rhythms. Incorporate whole-tone harmonies and Lisztian textures, and a transition from nostalgic reverie to vibrant festivity." +Isaac Albéniz,Navarra,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_08_WAV.wav,336.871992188,"Give me a song that is brilliant and evocative, composed in the late Isaac Albéniz style. It should be a Piece in the Romantic era, featuring piano. Incorporate a rich, chordal texture and Spanish folk rhythms, and a transition from a stately, processional mood to a more animated, festive one." +Isaac Albéniz,Triana from 'Iberia',train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_03-06_ORIG_MID--AUDIO_20_R2_2004_08_Track08_wav.wav,259.816541231,"Give me a song that is vibrant and flamenco-inspired, composed in the Late Isaac Albéniz style. It should be a piano piece in the Modernist era, featuring complex rhythms and guitar-like piano figuration. Incorporate a dense, polyphonic texture with highly chromatic but tonal harmony, and a transition from a festive, dance-like mood to a more introspective and lyrical mood." +Isaac Albéniz / Leopold Godowsky,Tango,train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_07_WAV.wav,171.362008125,"Give me a song that is elegant and nostalgic, composed in the Late Romantic style. It should be a Tango in the Romantic era, featuring a habanera rhythm. Incorporate a rich, pianistic texture with lyrical melody and chromatic harmony, and a transition from a wistful, lyrical mood to a more passionate, dramatic one." +Jean-Philippe Rameau,RameauSelections,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_01_Track01_wav.wav,334.854098906,"Give me a song that is witty and satirical, composed in the Middle Rameau style. It should be a Lyric Comedy in the Baroque era, featuring a dance-like rhythm and harpsichord. Incorporate a homophonic texture with a declamatory melody, and a transition from mock-grandeur to playful absurdity." +Johann Christian Fischer / Wolfgang Amadeus Mozart,12 Variations on a Theme from a Menuet by Fischer,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_01_Track01_wav.wav,688.398610244,"Give me a song that is elegant and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a piano. Incorporate a clear theme with decorative figuration, and a transition from graceful to brilliant." +Johann Pachelbel,Chaconne in F Minor,train,2008,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R2_2008_01-05_ORIG_MID--AUDIO_06_R2_2008_wav--1.wav,172.9699125,"Give me a song that is somber and intricate, composed in the Early Johann Pachelbel style. It should be a Chaconne in the Baroque era, featuring a stately, repeating ground bass for organ. Incorporate a polyphonic texture over a descending tetrachord bass line, and a transition from solemn gravity to resolute affirmation." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--1.wav,636.456361406,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--1.wav,738.034785469,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Chromatic Fantasy and Fugue in D Minor, BWV 903",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--1.wav,711.303125,"Give me a song that is improvisatory and dramatic, composed in the Early Johann Sebastian Bach style. It should be a Fantasy and Fugue in the Baroque era, featuring harpsichord. Incorporate a highly chromatic, rhapsodic texture and a transition from turbulent fantasy to structured fugue." +Johann Sebastian Bach,"Duet in E Minor, BWV 802",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_03_WAV.wav,131.834804063,"Give me a song that is intricate and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring two-voice keyboard instrumentation. Incorporate imitative polyphony and strict counterpoint, and a transition from introspective gravity to resolved motion." +Johann Sebastian Bach,"Duet in G, BWV 804",train,2009,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_03-07_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_04_WAV.wav,125.185505156,"Give me a song that is intricate and polyphonic, composed in the Late Baroque Johann Sebastian Bach style. It should be a Duet in the Baroque era, featuring contrapuntal instrumentation. Incorporate imitative texture and diatonic harmony, and a transition from clarity to virtuosic intensity." +Johann Sebastian Bach,"English Suite No. 2 in A Minor, BWV 807, I. Prelude",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--1.wav,285.801041667,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, resolute mood to a brilliant, virtuosic mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--1.wav,1324.77832266,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite in A Minor, BWV 807",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--2.wav,821.342661563,"Give me a song that is intricate and feisty, composed in the Early Bach style. It should be a Suite in the Baroque era, featuring a record number of dance movements. Incorporate a highly chromatic yet tonal harmony, and a transition from a powerful statement to a more introspective mood." +Johann Sebastian Bach,"English Suite no. 3 in G Minor, Prelude",train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--1.wav,168.862010625,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring a driving, toccata-like rhythm for harpsichord. Incorporate imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, urgent intensity to a resolute, cadential close." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_05_Track05_wav.wav,968.256759019,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_03_Track03_wav.wav,792.520097956,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,French Suite No. 5 in G Major,train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_05_Track05_wav.wav,130.60752069,"Give me a song that is elegant and courtly, composed in the Middle Johann Sebastian Bach style. It should be a French Suite in the Baroque era, featuring a dance suite instrumentation. Incorporate contrapuntal texture and a clear harmonic progression, and a transition from stately grace to lively exuberance." +Johann Sebastian Bach,"Italian Concerto in F Major, BWV 971 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--1.wav,784.858990781,"Give me a song that is lively and brilliant, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a ritornello texture with clear thematic contrast, and a transition from a stately opening to a spirited conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--1.wav,732.789064219,"Give me a song that is brilliant and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring a solo keyboard with ritornello rhythms. Incorporate a clear three-movement structure with contrapuntal texture and Italianate melody, and a transition from a majestic opening to a lyrical conclusion." +Johann Sebastian Bach,"Italian Concerto, BWV 971 (Complete)",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_07_R2_2015_wav--1.wav,771.034375,"Give me a song that is brilliant and vivacious, composed in the Late Baroque Johann Sebastian Bach style. It should be a Concerto in the Baroque era, featuring two-manual harpsichord solo instrumentation. Incorporate a clear ritornello-solo texture and a driving, motoric rhythm, and a transition from a majestic opening to a more lyrical and expressive middle section." +Johann Sebastian Bach,"Overture in the French Style in B Minor, BWV 831",test,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--1.wav,442.826747344,"Give me a song that is grand and ornate, composed in the Middle Johann Sebastian Bach style. It should be an Overture (French Suite) in the Baroque era, featuring a stately dotted-rhythm introduction. Incorporate contrapuntal texture and a transition from a solemn, processional mood to a lively, fugal mood." +Johann Sebastian Bach,"Partita No. 1 in B-Flat Major, BWV 825 (Complete)",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_14_R1_2014_wav--1.wav,951.542851875,"Give me a song that is structured and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard instrumentation. Incorporate contrapuntal texture and a transition from dignified to lively." +Johann Sebastian Bach,"Partita No. 2 in C Minor, I. Sinfonia",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_12_R2_2013_wav--1.wav,265.774306875,"Give me a song that is grave and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Sinfonia in the Baroque era, featuring a slow, dotted French overture rhythm. Incorporate a dense, three-voice fugal texture, and a transition from a solemn introduction to a driven, learned counterpoint." +Johann Sebastian Bach,"Partita No. 4 in D Major, BWV 828",train,2018,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber4_MID--AUDIO_11_R3_2018_wav--1.wav,1091.69094891,"Give me a song that is intricate, stately, and polyphonic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a keyboard suite instrumentation. Incorporate a contrapuntal texture and a highly chromatic yet tonally grounded harmony, and a transition from a dignified opening to a lively, virtuosic conclusion." +Johann Sebastian Bach,Partita No. 6 in E Minor,train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_01_WAV.wav,1286.67739922,"Give me a song that is intricate and profound, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a multi-movement suite for keyboard. Incorporate a contrapuntal texture with a highly chromatic yet tonally anchored harmony, and a transition from somber introspection to spirited virtuosity." +Johann Sebastian Bach,"Partita in C Minor, BWV 826",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--2.wav,1133.65805437,"Give me a song that is intricate and dramatic, composed in the Middle Johann Sebastian Bach style. It should be a Partita in the Baroque era, featuring a courante rhythm. Incorporate contrapuntal texture and a highly chromatic, expressive melody, and a transition from solemn gravity to vigorous resolve." +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_17_R1_2006_01-06_ORIG_MID--AUDIO_17_R1_2006_01_Track01_wav.wav,452.432774063,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Johann Sebastian Bach,Prelude & Fugue,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_01_Track01_wav.wav,290.666108906,"Give me a song that is masterful and complex, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring contrapuntal instrumentation. Incorporate intricate polyphonic texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude & Fugue in B flat minor, Book I, BWV 867",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--1.wav,323.019174844,"Give me a song that is somber and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a chromatic, descending subject and dense polyphonic harmony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude & Fugue in G Minor, WTK II",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_02_Track02_wav.wav,311.725576133,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a clear subject and countersubjects. Incorporate dense polyphonic texture and strict imitative counterpoint, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fuge in G-sharp Minor, WTC I, BWV 863",test,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_07_Track07_wav.wav,297.515728125,"Give me a song that is introspective and chromatic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject, and a transition from somber reflection to complex resolution." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I , BWV 858",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--1.wav,227.335416667,"Give me a song that is serene and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, measured rhythm. Incorporate a contrapuntal texture with a clear subject, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC I, BWV 864",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--1.wav,211.635416667,"Give me a song that is bright and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free arpeggiated prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in A Major, WTC II, BWV 888",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--1.wav,173.611458333,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a clear subject and countersubject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_12_Track12_wav.wav,316.24968375,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_14_Track14_wav.wav,303.235540781,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC I, BWV 865",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--1.wav,309.229254,"Give me a song that is intricate and rigorous, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a highly chromatic subject, and a transition from a flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_14_Track14_wav.wav,241.37796375,"Give me a song that is profound and clever, composed in the Late Baroque style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 847",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--1.wav,220.773016406,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--1.wav,236.185416667,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_07_Track07_wav.wav,244.373420156,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--2.wav,241.077878542,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--1.wav,225.740346858,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A Minor, WTC II, BWV 889",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--2.wav,215.636763887,"Give me a song that is profound and clever, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate contrapuntal texture with a fugue where a melody is played against itself, and a transition from introspective to complex." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I",test,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--1.wav,230.553989531,"Give me a song that is serene and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate a four-voice imitative texture and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in A-flat Major, WTC I, BWV 862",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--1.wav,208.19423625,"Give me a song that is serene and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a prelude with arpeggiated harmony and a fugue with a four-voice imitative texture, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC I, BWV 868",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--2.wav,188.697727969,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate imitative polyphony and diatonic harmony with suspensions, and a transition from contemplative stability to intricate, animated motion." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_12_Track12_wav.wav,347.649225,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Major, WTC II, BWV 892",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--1.wav,347.093384704,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate strict contrapuntal texture and a mathematically clever fugue, and a transition from a flowing prelude to a complex, learned fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--1.wav,223.900684219,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II",train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--1.wav,224.950362656,"Give me a song that is intricate and profound, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a strict fugue with a chromatic subject and dense harmonic counterpoint, and a transition from a somber, flowing prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in B Minor, WTC II, BWV 893",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--1.wav,254.6792325,"Give me a song that is intricate and profound, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic but tonally anchored harmony, and a transition from introspective gravity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-Moll, No. 22 WTKII",test,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_01_Track01_wav.wav,420.449614371,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense polyphonic texture and a highly chromatic fugue subject, and a transition from a somber prelude to a dramatic fugue." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--1.wav,313.167708333,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--1.wav,316.22831625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--1.wav,352.80947625,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC I, BWV 867",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_12_Track12_wav.wav,337.989779531,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive solemnity to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in B-flat Minor, WTC II",test,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--1.wav,360.5338275,"Give me a song that is somber and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject and dense polyphony, and a transition from pensive reflection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--1.wav,233.179166667,"Give me a song that is intricate and flowing, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic divisions, and a transition from motion to motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 846",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--1.wav,239.887580625,"Give me a song that is flowing and intricate, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to structured energy." +Johann Sebastian Bach,"Prelude and Fugue in C Major, WTC II, BWV 870",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--1.wav,258.54375,"Give me a song that is fluid and intricate, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate a contrapuntal texture with clear harmonic motion, and a transition from serene motion to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in C Minor, WTC II, BWV 871",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_07_Track07_wav.wav,238.729729219,"Give me a song that is intricate and severe, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from brooding introspection to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in C sharp major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_08_Track08_wav.wav,202.549209844,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, motoric rhythm. Incorporate imitative polyphonic texture and a subject-driven melody, and a transition from flowing prelude to rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_02_Track02_wav.wav,208.378530937,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_15_Track15_wav.wav,202.95919875,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in C-Sharp Minor, WTC I, BWV 849",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--1.wav,328.45052625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a four-voice subject. Incorporate strict contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, flowing prelude to a dense, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--1.wav,208.537451719,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a dense polyphonic texture and a subject-driven melody, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--1.wav,180.019852031,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I",train,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--1.wav,195.688906875,"Give me a song that is intricate and flowing, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a rocking 9/8 rhythm. Incorporate a contrapuntal texture and a clear harmonic progression, and a transition from gentle motion to structured motion." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--1.wav,217.730208333,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--1.wav,211.061487656,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--1.wav,194.047126088,"Give me a song that is intricate and flowing, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a 9/8 rocking rhythm. Incorporate imitative counterpoint and a clear harmonic progression, and a transition from serene motion to complex motionlessness." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, Book I, BWV 849",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--1.wav,454.246340625,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal fugue. Incorporate strict polyphonic texture and a highly chromatic subject, and a transition from somber introspection to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I",validation,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--1.wav,322.878950625,"Give me a song that is mournful and woeful, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a descending melodic motif and a brief turn to the mediant, and a transition from dominant to tonic." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC I, BWV 849",validation,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--1.wav,439.36964195,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense polyphonic harmony, and a transition from contemplative gravity to intense, driven complexity." +Johann Sebastian Bach,"Prelude and Fugue in C-sharp Minor, WTC II",test,2008,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R3_2008_01-04_ORIG_MID--AUDIO_11_R3_2008_wav--1.wav,381.53808,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate strict contrapuntal harmony, and a transition from a somber prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in D Major, Book II",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--1.wav,313.288949531,"Give me a song that is brilliant and virtuosic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, toccata-like texture and a strict, imitative fugue, and a transition from exuberant improvisation to structured counterpoint." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_07_Track07_wav.wav,174.840904219,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC I, BWV 850",test,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--1.wav,208.622909367,"Give me a song that is bright and energetic, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a brisk, motoric rhythm. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from joyful exuberance to structured grandeur." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--1.wav,373.192708333,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--1.wav,352.833514688,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_02_Track02_wav.wav,153.460049531,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Major, WTC II, BWV 874",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_03_Track03_wav.wav,171.830757656,"Give me a song that is intricate and sunny, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal texture. Incorporate a highly chromatic, sectional structure with a provocative harmonic clash, and a transition from a bright to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, Book II",validation,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_01_Track01_wav.wav,203.718416123,"Give me a song that is harmonically anchored and contrasting, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring two-part keyboard writing. Incorporate a fugue with a striking subject and a transition from a prelude's stability to a fugue's contrapuntal intensity." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC I, BWV 851",train,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_02_Track02_wav.wav,220.760997188,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a toccata-like prelude and a three-voice fugue. Incorporate a highly chromatic fugue subject and dense polyphonic texture, and a transition from turbulent urgency to resolute finality." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_02_Track02_wav.wav,228.760455,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue for solo keyboard. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a dramatic, rhapsodic mood to a focused, intellectual mood." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--1.wav,213.624252187,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D Minor, WTC II, BWV 875",validation,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--1.wav,208.592994983,"Give me a song that is improvisatory and rigorous, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate a free, arpeggiated texture and a complex, imitative counterpoint, and a transition from a brooding, fantastical mood to a focused, intellectual one." +Johann Sebastian Bach,"Prelude and Fugue in D major, WTC I",test,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--1.wav,230.445816562,"Give me a song that is brilliant and wide-ranging, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring an Alla breve rhythm. Incorporate slowly shifting harmonies and contrapuntal texture, and a transition from a brilliant introduction to a slow, reflective conclusion." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_07_Track07_wav.wav,200.214810469,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-flat Major, WTC I, BWV 848",train,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--1.wav,229.831138779,"Give me a song that is brilliant, wide-ranging, and provocative, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal alla breve rhythm. Incorporate slowly shifting harmonies and a clash between major and minor tonalities, and a transition from a sunny to a dusky mood." +Johann Sebastian Bach,"Prelude and Fugue in D-sharp Minor, WTC II, BWV 877",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--1.wav,388.630754531,"Give me a song that is intricate and chromatic, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture and a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--1.wav,157.071157031,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--1.wav,141.199110937,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_15_Track15_wav.wav,144.941094375,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--1.wav,151.017422404,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854",train,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--1.wav,150.834730992,"Give me a song that is serene and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady pulse and harpsichord. Incorporate a flowing arpeggiated texture and a subject-based melody, and a transition from contemplative to resolute." +Johann Sebastian Bach,"Prelude and Fugue in E Major, WTC I, BWV 854 ",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--1.wav,159.4875,"Give me a song that is intricate and balanced, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a flowing arpeggiated prelude and a strict fugue with a clear subject, and a transition from serene contemplation to intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in E Minor WTC I, BWV 855",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--2.wav,201.866666667,"Give me a song that is introspective and intricate, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a harpsichord. Incorporate a contrapuntal texture with a highly chromatic fugue subject, and a transition from somber reflection to complex, driven energy." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC I",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--1.wav,342.303343594,"Give me a song that is stately and intricate, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate dense contrapuntal texture and strict fugal form, and a transition from serene contemplation to complex grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_02_Track02_wav.wav,226.341921094,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Major, WTC II, BWV 876",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--1.wav,246.290459838,"Give me a song that is intricate and learned, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate imitative polyphony and a clear tonal structure, and a transition from a flowing prelude to a dense, complex fugue." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--1.wav,511.423776062,"Give me a song that is profound and introspective, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--1.wav,545.822916667,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--1.wav,513.906669879,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--1.wav,524.592514954,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in E-flat Minor, WTC I, BWV 853",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--3.wav,483.489083883,"Give me a song that is profound and introspective, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate masterful harmonic and motivic organisation, and a transition from sombre contemplation to complex, resolved grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC I, BWV 856",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--1.wav,127.639583333,"Give me a song that is intricate and profound, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--1.wav,269.760681094,"Give me a song that is bright and contrapuntal, composed in the Late Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free prelude and a strict fugue. Incorporate imitative polyphony and diatonic harmony, and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in F Major, WTC II, BWV 880",train,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--1.wav,302.413048083,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a contrapuntal texture with a clear subject and answer, and a transition from a flowing, improvisatory mood to a structured, intellectual mood." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--1.wav,336.694374844,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a keyboard. Incorporate a dense, imitative polyphonic texture and a highly chromatic, modulating harmony, and a transition from a somber, brooding prelude to a complex, driven fugue." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--2.wav,312.713541667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--1.wav,355.026041667,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_08_Track08_wav.wav,113.862065625,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_09_Track09_wav.wav,192.887093437,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--1.wav,331.603075992,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F Minor, WTC I, BWV 857",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--1.wav,348.258977283,"Give me a song that is introspective and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a free, arpeggiated texture leading to a strict, three-voice fugue, and a transition from somber contemplation to resolute complexity." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Major, WTC I, BWV 858",test,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_02_Track02_wav.wav,219.032900625,"Give me a song that is intricate and polyphonic, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring keyboard instrumentation. Incorporate contrapuntal texture and a clear major key harmonic framework, and a transition from a flowing prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II",validation,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--1.wav,437.084231719,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a contrapuntal keyboard texture. Incorporate a highly chromatic fugue subject with strict imitative counterpoint, and a transition from introspective melancholy to resolute grandeur." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II , BWV 883",validation,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--1.wav,348.580208333,"Give me a song that is intricate and profound, composed in the Late Baroque Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--2.wav,401.079994219,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--1.wav,385.827169267,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in F-sharp Minor, WTC II, BWV 883",validation,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--1.wav,449.358909242,"Give me a song that is intricate and profound, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a dense contrapuntal texture with a highly chromatic fugue subject, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--1.wav,218.721736406,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--2.wav,220.113294844,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--1.wav,214.034241094,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I",train,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--1.wav,215.842465781,"Give me a song that is intricate and contrapuntal, composed in the Early Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, driving rhythm. Incorporate imitative polyphonic texture and a transition from improvisatory to rigorously structured." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--1.wav,199.409375,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--1.wav,220.686210937,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC I, BWV 860",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--1.wav,223.305529729,"Give me a song that is bright and contrapuntal, composed in the Early Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a steady, flowing rhythm. Incorporate a homophonic texture transitioning to strict polyphony, and a transition from serene contemplation to vigorous intellectual engagement." +Johann Sebastian Bach,"Prelude and Fugue in G Major, WTC II, BWV 884",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--1.wav,137.286720454,"Give me a song that is intricate and balanced, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a free, arpeggiated prelude and a strict, imitative fugue. Incorporate contrapuntal texture and functional harmony, and a transition from improvisatory fluidity to structured intellectual rigor." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--1.wav,349.715195156,"Give me a song that is intricate and contrapuntal, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard instrumentation. Incorporate a dense polyphonic texture and a fugue subject with a descending chromatic line, and a transition from a somber, improvisatory prelude to a rigorous, intellectual fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_02_Track02_wav.wav,303.6535425,"Give me a song that is intricate and contrapuntal, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a somber, improvisatory prelude to a rigorous, dense fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--1.wav,330.161458333,"Give me a song that is intricate and contrapuntal, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a pensive prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G Minor, WTC II, BWV 885",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_12_Track12_wav.wav,45.1695595313,"Give me a song that is intricate and contrapuntal, composed in the Late Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a solo keyboard. Incorporate a highly chromatic but tonally anchored harmony, and a transition from a pensive prelude to a rigorous fugue." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--1.wav,275.396875,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--1.wav,269.322647344,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC I, BWV 863",test,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--1.wav,268.404667717,"Give me a song that is intricate and severe, composed in the Middle Johann Sebastian Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a strict contrapuntal texture. Incorporate a highly chromatic fugue subject and dense imitative counterpoint, and a transition from contemplative fluidity to rigorous intellectual intensity." +Johann Sebastian Bach,"Prelude and Fugue in G-sharp Minor, WTC II, BWV 887",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--1.wav,472.302083333,"Give me a song that is intricate and intellectual, composed in the Late Baroque Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a fugue with a three-voice texture. Incorporate a highly chromatic subject and dense counterpoint, and a transition from a contemplative prelude to a rigorous fugue." +Johann Sebastian Bach,Prelude from English Suite No. 3 in G Major,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--1.wav,182.581281094,"Give me a song that is stately and ornate, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, motoric rhythm. Incorporate a dense, imitative texture and a clear G major harmonic framework, and a transition from a processional introduction to a more flowing, dance-like character." +Johann Sebastian Bach,"Prelude from English Suite No. 6 in D Minor, BWV 811",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--1.wav,444.076746094,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber to a resolute mood." +Johann Sebastian Bach,"Prelude from the English Suite No. 1 in A Major, BWV 806",train,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_08_Track08_wav.wav,246.539550469,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, flowing rhythm for harpsichord. Incorporate a dense, imitative texture based on a single thematic motif, and a transition from a formal, processional opening to a more animated and resolved conclusion." +Johann Sebastian Bach,"Prelude from the English Suite No. 2 in A Minor, BWV 807",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_02_Track02_wav.wav,156.930932813,"Give me a song that is intricate and contrapuntal, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a steady, driving rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from a serious, resolute mood to a more urgent and dramatic one." +Johann Sebastian Bach,Prelude from the English Suite No. 6,train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--1.wav,468.700118906,"Give me a song that is grand, virtuosic, and profound, composed in the Early Bach style. It should be a Prelude in the Baroque era, featuring a toccata-like rhythm for harpsichord. Incorporate a dense, imitative texture and a highly chromatic, expansive harmonic language, and a transition from a driving, energetic opening to a more introspective and complex development." +Johann Sebastian Bach,"Prelude from the English Suite No. 6 in D Minor, BWV 811",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_02_Track02_wav.wav,460.567114219,"Give me a song that is monumental and deeply expressive, composed in the Early Johann Sebastian Bach style. It should be a Prelude in the Baroque era, featuring harpsichord. Incorporate contrapuntal texture and a highly chromatic harmonic language, and a transition from a somber introduction to a complex, driven conclusion." +Johann Sebastian Bach,"Toccata from Partita No. 6 in E Minor, Missing Opening!!!!",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--1.wav,342.48897375,"Give me a song that is intricate and virtuosic, composed in the Middle Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring a free, rhapsodic rhythm. Incorporate a dense, imitative texture and a highly chromatic, modulating harmony, and a transition from an improvisatory introduction to a rigorous fugal section." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--3.wav,621.090457969,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in C Minor, BWV 911",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--1.wav,601.358907187,"Give me a song that is agitated and improvisatory, composed in the Early Bach style. It should be a Toccata in the Baroque era, featuring a rhythmically free opening. Incorporate a monophonic texture transitioning to polyphony, and a transition from an unmeasured, quasi-improvisatory mood to a structured, contrapuntal mood." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--1.wav,419.617635937,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach,"Toccata in E Minor, BWV 914",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--1.wav,365.110416667,"Give me a song that is intricate and expressive, composed in the Early Johann Sebastian Bach style. It should be a Toccata in the Baroque era, featuring improvisation-style and fugue-style movements. Incorporate a blend of technical demand and intense expressiveness, and a transition from improvisatory freedom to strict contrapuntal rigor." +Johann Sebastian Bach / Egon Petri,"""Sheep May Safely Graze""",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--4.wav,262.753476562,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be a Cantata Aria in the Baroque era, featuring a lilting rhythm and keyboard transcription. Incorporate a flowing soprano melody over a secure basso continuo, and a transition from tranquil contentment to assured peace." +Johann Sebastian Bach / Egon Petri,"Sheep May Safely Graze, from Bach's Birthday Cantata",train,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_01_Track01_wav.wav,273.688295181,"Give me a song that is serene and pastoral, composed in the Early Bach style. It should be an Aria in the Baroque era, featuring a soprano with a reduced instrumental ensemble. Incorporate a flowing melody over a supportive basso continuo texture, and a transition from a gentle, secure calm to a more animated, assured contentment." +Johann Sebastian Bach / Ferruccio Busoni,"""Wachet auf, ruft uns die Stimme' BWV 645",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_01_Track01_wav.wav,202.363719265,"Give me a song that is devout and intricate, composed in the Late Baroque style. It should be a Chorale Prelude in the Baroque era, featuring a cantus firmus melody. Incorporate dense, polyphonic texture and rich chromatic harmony, and a transition from solemn anticipation to triumphant affirmation." +Johann Sebastian Bach / Ferruccio Busoni,Chaconne BWV1004,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_01_Track01_wav.wav,839.471649844,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate a dense, polyphonic texture built on a repeating bass progression, and a transition from somber gravity to transcendent triumph." +Johann Sebastian Bach / Ferruccio Busoni,Chaconne in D Minor,train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_07_R1_2014_wav--7.wav,801.396100313,"Give me a song that is profound and monumental, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from solemn gravity to transcendent triumph." +Johann Sebastian Bach / Ferruccio Busoni,"Chaconne in D Minor, BWV 1004",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_02_Track02_wav.wav,832.292416525,"Give me a song that is monumental and profound, composed in the Early Bach style. It should be a Chaconne in the Baroque era, featuring a stately triple-meter rhythm. Incorporate dense polyphonic texture built on a repeating bass pattern, and a transition from somber gravity to transcendent resolution." +Johann Sebastian Bach / Ferruccio Busoni,Toccata in DMin.,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_01_Track01_wav.wav,530.895569531,"Give me a song that is dramatic and virtuosic, composed in the Late Baroque style. It should be a Toccata in the Baroque era, featuring a driving motor rhythm. Incorporate dense, imitative counterpoint and a highly chromatic harmonic language, and a transition from a brooding, improvisatory opening to a triumphant, fugal conclusion." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_02_Track02_wav.wav,183.709752187,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,"Prelude and Fugue in A Minor, S.462/1",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_03_Track03_wav.wav,362.185802344,"Give me a song that is intricate and monumental, composed in the Late Baroque J.S. Bach style. It should be a Prelude and Fugue in the Baroque era, featuring a virtuosic piano transcription. Incorporate dense contrapuntal texture and a highly chromatic, modulating harmony, and a transition from turbulent improvisation to structured grandeur." +Johann Sebastian Bach / Franz Liszt,Var. on BACH,train,2006,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_20_R1_2006_01-04_ORIG_MID--AUDIO_20_R1_2006_01_Track01_wav.wav,871.552280156,"Give me a song that is monumental and virtuosic, composed in the Late Liszt style. It should be a Fantasy and Fugue in the Romantic era, featuring organ instrumentation. Incorporate a motif based on the B-A-C-H musical spelling and dense chromatic harmony, and a transition from a dramatic, free fantasy to a rigorous, contrapuntal fugue." +Johann Sebastian Bach / Myra Hess,"Jesu, Joy of Man’s Desiring, BWV 147",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_05_R1_2014_wav--2.wav,204.798139219,"Give me a song that is serene and devotional, composed in the Middle Baroque Johann Sebastian Bach style. It should be a Chorale from a Cantata in the Baroque era, featuring a steady, processional rhythm. Incorporate a contrapuntal texture with a cantus firmus melody, and a transition from reverent contemplation to joyful affirmation." +Johann Strauss / Alfred Grünfeld,"Soiree de Vienne, Op. 56 (Concert Paraphrase on the overture from Die Fledermaus)",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--5.wav,373.027083333,"Give me a song that is brilliant and virtuosic, composed in the late Romantic Alfred Grünfeld style. It should be a Concert Paraphrase in the Romantic era, featuring a waltz rhythm and pianistic bravura. Incorporate a texture of melody with intricate accompaniment, and a transition from sparkling gaiety to lyrical reflection." +Johannes Brahms,"16 Waltzes, Op. 39",validation,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_01-03_ORIG_MID--AUDIO_14_R1_2004_03_Track03_wav.wav,1064.85903814,"Give me a song that is charming and lyrical, composed in the Middle Brahms style. It should be a Waltz in the Romantic era, featuring a lilting 3/4 rhythm. Incorporate rich, chordal harmony with a singing melody, and a transition from graceful elegance to tender introspection." +Johannes Brahms,Fantasias Op. 116 (Selections),train,2017,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.midi,2017/MIDI-Unprocessed_074_PIANO074_MID--AUDIO-split_07-08-17_Piano-e_2-04_wav--3.wav,982.801808179,"Give me a song that is introspective and autumnal, composed in the Late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Fantasien Op.116,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_02_Track02_wav.wav,1357.78443281,"Give me a song that is introspective, complex, and autumnal, composed in the late Brahms style. It should be a Capriccio or Intermezzo in the Romantic era, featuring piano. Incorporate a dense, polyphonic texture with rich, chromatic harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,"Fantasies, Op. 116 No. 7 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--3.wav,1278.59914875,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be a Fantasie in the Romantic era, featuring solo piano. Incorporate a dense, interwoven texture and a highly chromatic yet tonally anchored harmony, and a transition from turbulent passion to resigned melancholy." +Johannes Brahms,Intermezzo Op. 118 No. 6 in E-flat Minor,train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--3.wav,322.240596563,"Give me a song that is introspective and somber, composed in the Late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a dense, contrapuntal texture and a highly chromatic, wandering harmony, and a transition from tragic lament to resigned acceptance." +Johannes Brahms,Intermezzos Op. 119,validation,2018,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.midi,2018/MIDI-Unprocessed_Chamber3_MID--AUDIO_10_R3_2018_wav--2.wav,834.47566125,"Give me a song that is introspective and autumnal, composed in the late Brahms style. It should be an Intermezzo in the Romantic era, featuring piano instrumentation. Incorporate a texture where melodic and harmonic motives operate separately and together, and a transition from lyrical contemplation to subdued resolution." +Johannes Brahms,"Paganini Variations, Op. 35 Book 2",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--4.wav,611.940377546,"Give me a song that is virtuosic, rich, and novel, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring climactic piano writing. Incorporate a highly chromatic yet tonal harmonic spectrum, and a transition from thematic statement to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Book II",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--4.wav,667.405849687,"Give me a song that is virtuosic, demanding, and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a piano étude. Incorporate a highly chromatic yet tonal harmonic language, and a transition from a structured theme to a brilliant finale." +Johannes Brahms,"Paganini Variations, Op. 35 Books I and II",train,2009,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_06-07_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_06_WAV.wav,1275.88948266,"Give me a song that is virtuosic and climactic, composed in the Middle Brahms style. It should be a Variation in the Romantic era, featuring a theme and variations structure. Incorporate complex harmonic and textural development, and a transition from thematic statement to brilliant finale." +Johannes Brahms,Rhapsody Op. 79 No. 1 in B minor,validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--3.wav,551.766666667,"Give me a song that is agitated and expansive, composed in the Middle Brahms style. It should be a Rhapsody in the Romantic era, featuring a piano. Incorporate sophisticated harmony and sonata form structure, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Six Pieces for Piano, Op. 118",train,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--3.wav,1335.99759563,"Give me a song that is introspective and lyrical, composed in the Late Brahms style. It should be a Piece for Piano in the Romantic era, featuring a complex piano texture. Incorporate dense, interwoven harmony and a singing melody, and a transition from melancholic reflection to resigned acceptance." +Johannes Brahms,"Sonata 2 F-sharp Minor, Op. 2",test,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_02_WAV.wav,1445.39919563,"Give me a song that is passionate and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring virtuosic piano writing. Incorporate dense, contrapuntal texture and lyrical, sweeping melodies, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,Sonata No. 1,validation,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_03_Track03_wav.wav,1673.36504672,"Give me a song that is turbulent and Romantic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring piano instrumentation. Incorporate a highly chromatic yet tonal harmony based on E minor, and a transition from dramatic intensity to lyrical introspection." +Johannes Brahms,"Sonata No. 1 in C Major, Op. 1",validation,2009,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_05-06_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_05_WAV.wav,1577.25002531,"Give me a song that is bold and ambitious, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring robust piano writing. Incorporate dense, contrapuntal textures and expansive, lyrical melodies, and a transition from heroic grandeur to introspective lyricism." +Johannes Brahms,"Sonata No. 3 in F Minor, Op. 5",train,2009,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_04_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_04_WAV.wav,1998.331335,"Give me a song that is grand, passionate, and dramatic, composed in the Early Brahms style. It should be a Piano Sonata in the Romantic era, featuring a powerful, chordal piano texture. Incorporate a dense, contrapuntal texture, lyrical, song-like melodies, and a rich, expansive harmonic language, and a transition from turbulent, heroic struggle to a tender, introspective calm." +Johannes Brahms,Sonata Op. 5,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_01_Track01_wav.wav,2008.69323703,"Give me a song that is intense and majestic, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring a prominent rhythmic motif. Incorporate a tight sonata form with dramatic harmonic shifts, and a transition from a stormy, minor-key opening to a triumphant, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_02_Track02_wav.wav,477.495386256,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_04_Track04_wav.wav,994.140229671,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Sonata in F Minor, Op. 5",train,2004,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_07_R1_2004_01_ORIG_MID--AUDIO_07_R1_2004_06_Track06_wav.wav,662.274755685,"Give me a song that is grand, dramatic, and expansive, composed in the Early Brahms style. It should be a Sonata in the Romantic era, featuring fortissimo chords spanning the piano's register. Incorporate a sonata form with two distinct subjects, and a transition from a maestoso, turbulent mood to a more resolved, major-key conclusion." +Johannes Brahms,"Variations and Fugue on the Theme of Händel, Op. 24",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_11_R1_2014_wav--3.wav,1476.86016844,"Give me a song that is virtuosic, Baroque-inspired, and structurally rigorous, composed in the Middle Brahms style. It should be a Theme with Variations and Fugue in the Romantic era, featuring a Baroque theme and complex counterpoint. Incorporate a dense, polyphonic texture and a highly chromatic yet tonally grounded harmony, and a transition from a stately, classical foundation to a triumphant, contrapuntal climax." +Johannes Brahms,"Variations and Fugue on the theme of Handel, Op. 24",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--2.wav,1556.83337906,"Give me a song that is virtuosic, systematic, and contrapuntal, composed in the Early Brahms style. It should be a set of Variations and Fugue in the Romantic era, featuring a concluding fugue. Incorporate a theme from Handel, dense harmonic writing, and a transition from baroque elegance to romantic grandeur." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--5.wav,630.978125,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35 Book II",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--3.wav,636.198958333,"Give me a song that is virtuosic, intricate, and demanding, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmony, and a transition from a serious, studious mood to a triumphant, brilliant mood." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Book II",train,2013,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.midi,2013/ORIG-MIDI_01_7_8_13_Group__MID--AUDIO_07_R2_2013_wav--1.wav,678.292590937,"Give me a song that is technically formidable and diabolically witty, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, chordal textures and a highly chromatic, yet tonally anchored, harmonic language, and a transition from capricious playfulness to profound lyrical introspection." +Johannes Brahms,"Variations on a Theme by Paganini, Op. 35, Volumes 1 & 2",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_01_Track01_wav.wav,1479.74136125,"Give me a song that is technically demanding and virtuosic, composed in the Middle Brahms style. It should be a set of Variations in the Romantic era, featuring complex piano figuration. Incorporate dense, contrapuntal texture and a highly chromatic but tonal harmony, and a transition from a serious, studious mood to a brilliant, triumphant one." +Johannes Brahms,Variations on a theme by Paganini (Books I & II),train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_02_Track02_wav.wav,1449.01922965,"Give me a song that is technically formidable and diabolically witty, composed in the Late Brahms style. It should be a set of Variations in the Romantic era, featuring intricate piano figuration. Incorporate dense, interlocking textures and extreme chromatic harmony, and a transition from lyrical introspection to brilliant virtuosity." +Joseph Haydn,Andante w/Var.,validation,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_02_Track02_wav.wav,558.522411562,"Give me a song that is introspective and elegant, composed in the late Haydn style. It should be an Andante with Variations in the Classical era, featuring a solo piano. Incorporate a theme-and-variations structure with a somber F minor theme, and a transition from a pensive melancholy to a more animated, major-key character." +Joseph Haydn,"Piano Sonata in C major, Hob. XVI:50 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--1.wav,790.4906625,"Give me a song that is adventurous and brilliant, composed in the Late Haydn style. It should be a Piano Sonata in the Classical era, featuring witty rhythms and idiomatic keyboard writing. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from playful wit to dramatic intensity." +Joseph Haydn,Son. Hob. XVI:32,train,2006,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_19_R1_2006_01-07_ORIG_MID--AUDIO_19_R1_2006_02_Track02_wav.wav,507.451415625,"Give me a song that is witty and surprising, composed in the Middle Haydn style. It should be a Piano Sonata in the Classical era, featuring abrupt transitions. Incorporate a highly chromatic yet tonal harmony, and a transition from dramatic intensity to playful resolution." +Joseph Haydn,Son. Hob. XVI:39,validation,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_02_Track02_wav.wav,830.483945156,"Give me a song that is witty and perky, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a self-borrowed, recycled melody, and a transition from isolated to popular." +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_02_R1_2006_01-04_ORIG_MID--AUDIO_02_R1_2006_01_Track01_wav.wav,960.620032969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,Son. Hob. XVI:52,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_01_Track01_wav.wav,1030.59325359,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a witty, motivic melody and a harmonically adventurous development section, and a transition from a stately, majestic mood to a playful, exuberant one." +Joseph Haydn,"Sonata E-Flat Major, Hob. XVI:49, First Movement",test,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_03_Track03_wav.wav,298.232874844,"Give me a song that is brilliant and witty, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a clear homophonic texture with a singing melody and sudden harmonic shifts, and a transition from stately confidence to playful surprise." +Joseph Haydn,"Sonata in A-Flat Major, Hob. XVI:46, I. Allegro moderato",train,2017,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_042_PIANO042_MID--AUDIO-split_07-06-17_Piano-e_1-02_wav--3.wav,349.392518737,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring an Allegro moderato rhythm. Incorporate a lyrical melody over a diatonic A-flat major harmony, and a transition from peaceful lyricism to spirited grace." +Joseph Haydn,"Sonata in A-flat Major, Hob. XVI: 46, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--2.wav,362.353125,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano melody. Incorporate a predominantly homophonic texture with a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in A-flat Major, No. 31 Hob. XVI:46, 1st mov.",train,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_10_R1_2013_wav--2.wav,276.880065,"Give me a song that is serene and graceful, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a lyrical piano texture. Incorporate a predominantly homophonic texture and a peaceful A-flat major harmony, and a transition from graceful lyricism to spirited but contained energy." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_02_Track02_wav.wav,240.84377625,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in B-flat Major, Hob.XVI:41",validation,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_03_Track03_wav.wav,128.60029875,"Give me a song that is tender and experimental, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a monophonic, unsupported melodic line, and a transition from lyrical introspection to formal playfulness." +Joseph Haydn,"Sonata in C Major, Hob. XVI/50",train,2009,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_12_R1_2009_03-05_ORIG_MID--AUDIO_12_R1_2009_12_R1_2009_03_WAV.wav,885.980684531,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a brilliant piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_15_R1_2015_wav--3.wav,325.622916667,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI: 50, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_21_R1_2015_wav--2.wav,314.383333333,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate a witty, thematic melody and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_08_R1_2014_wav--1.wav,655.070124844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:48 (Complete)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_22_R1_2014_wav--1.wav,705.326484844,"Give me a song that is elegant and formally inventive, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a witty, conversational texture and a transition from playful brilliance to lyrical introspection." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_08_Track08_wav.wav,301.098470731,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_09_Track09_wav.wav,347.301325885,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50",train,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_10_Track10_wav.wav,136.290196233,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a witty, syncopated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts, and a transition from playful wit to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--2.wav,290.9612475,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_17_R1_2013_wav--2.wav,320.065117969,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with sudden dynamic contrasts and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in C Major, Hob. XVI:50, First Movement",train,2008,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_04_R1_2008_01-04_ORIG_MID--AUDIO_04_R1_2008_wav--2.wav,325.782259688,"Give me a song that is witty and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a robust piano texture. Incorporate a sonata-allegro form with thematic development and a transition from playful grandeur to dramatic intensity." +Joseph Haydn,"Sonata in C Minor, First Movement",test,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--1.wav,300.520532812,"Give me a song that is dramatic and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a tripartite exposition. Incorporate initiating, medial, and concluding thematic functions, and a transition from assertive initiation to developmental contrast." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_14_R1_2013_wav--2.wav,317.5424175,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C Minor, Hob. XVI:20, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_19_R1_2013_wav--2.wav,322.507690313,"Give me a song that is dramatic and intense, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a driving, syncopated rhythm. Incorporate a highly chromatic, minor-key harmonic language, and a transition from turbulent Sturm und Drang to a more lyrical resolve." +Joseph Haydn,"Sonata in C major, Hob. XVI: 50",train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--1.wav,809.594542969,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a piano forte. Incorporate witty thematic development and clear harmonic structure, and a transition from playful elegance to dramatic intensity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_01_Track01_wav.wav,208.260069392,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in D Major, Hob. XVI:24",test,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_02_Track02_wav.wav,272.176547504,"Give me a song that is lively and witty, composed in the late Haydn style. It should be a Sonata in the Classical era, featuring a cheerful Allegro. Incorporate a two-movement formal experiment and a transition from playful charm to structural ingenuity." +Joseph Haydn,"Sonata in E Major, Hob. XVI:31, First Movement",train,2008,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_13_R1_2008_01-04_ORIG_MID--AUDIO_13_R1_2008_wav--2.wav,190.071925313,"Give me a song that is lyrical and expressive, composed in the Middle Haydn style. It should be a Sonata in the Classical era, featuring cascading sextuplet rhythms. Incorporate a two-part texture with three-part contrapuntal melodies, and a transition from lyrical grace to powerful climax." +Joseph Haydn,"Sonata in E flat Major, Hob. XVI: 49, I. Allegro",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_04_R1_2015_wav--2.wav,299.194791667,"Give me a song that is witty and robust, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a crisp, Alberti-bass-driven rhythm. Incorporate a sonata-allegro structure with clear thematic development and functional harmony, and a transition from a stately, confident exposition to a more dramatic and harmonically adventurous development." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI: 52, I. Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_14_R1_2015_wav--2.wav,339.421875,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a robust, driving rhythm. Incorporate a sonata-allegro form with motivic development and witty harmonic turns, and a transition from stately confidence to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_15_R1_2013_wav--2.wav,334.624398281,"Give me a song that is grand, virtuosic, and brilliant, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a robust, driving Allegro rhythm. Incorporate a rich, orchestral keyboard texture, a motivically developed melody, and a highly chromatic yet functional E-flat major harmony, and a transition from stately confidence to dramatic intensity." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--2.wav,330.897105,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.midi,2011/MIDI-Unprocessed_01_R1_2011_MID--AUDIO_R1-D1_04_Track04_wav.wav,326.69839125,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat Major, Hob. XVI:52, First Movement",train,2011,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.midi,2011/MIDI-Unprocessed_12_R1_2011_MID--AUDIO_R1-D4_13_Track13_wav.wav,330.695449219,"Give me a song that is brilliant and virtuosic, composed in the Late Haydn style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate a homophonic texture with witty melodic development and functional harmony, and a transition from stately grandeur to playful exuberance." +Joseph Haydn,"Sonata in E-flat major, Hob. XVI:52, I. Allegro",train,2017,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.midi,2017/MIDI-Unprocessed_054_PIANO054_MID--AUDIO-split_07-07-17_Piano-e_1-02_wav--2.wav,341.064568092,"Give me a song that is brilliant and virtuosic, composed in the late Haydn style. It should be a Piano Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a sonata-allegro form with thematic development and witty harmonic surprises, and a transition from bold assertiveness to playful wit." +Joseph Haydn,"Sonata in F Major, Hob. XVI:23",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--1.wav,945.389011875,"Give me a song that is bright and elegant, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a lively 2/4 time signature. Incorporate a homophonic texture with clear thematic development, and a transition from playful wit to graceful resolution." +Joseph Haydn,"Sonata in G Major, Hob. XVI:6, First Movement",test,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_10_Track10_wav.wav,186.908199844,"Give me a song that is lively and structured, composed in the Early Haydn style. It should be a Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a binary form structure with Baroque-influenced modulations, and a transition from playful stability to developmental motion." +Joseph Haydn,"Sonata in in F Major, Hob. XVI: 23, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_02_R1_2015_wav--2.wav,207.125,"Give me a song that is elegant and lyrical, composed in the Middle Haydn style. It should be a Keyboard Sonata in the Classical era, featuring a 2/4 meter. Incorporate a texture of horizontal melodic lines punctuated by vertical chords, and a transition from graceful poise to playful energy." +Leoš Janáček,In the Mists,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--1.wav,855.393108281,"Give me a song that is introspective and melancholic, composed in the Middle Leoš Janáček style. It should be a piano cycle in the Late Romantic era, featuring a landler-style rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from a calm, misty atmosphere to a more impassioned expression." +Leoš Janáček,"In the Mists, I. Andante ",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_19_R1_2015_wav--4.wav,217.770833333,"Give me a song that is introspective and nebulous, composed in the Late Janáček style. It should be a piano cycle movement in the Early Modern era, featuring a flexible, speech-like rhythm. Incorporate a fragmented, recitative-like melody over ambiguous, modal harmony, and a transition from melancholic contemplation to a brief, agitated outburst." +Leoš Janáček,"Piano Sonata 1. X. 1905 ""From the Street""",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--4.wav,837.561929531,"Give me a song that is somber and turbulent, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-tonal harmony, and a transition from defiant protest to resigned lament." +Leoš Janáček,"Sonata 1.x.1905 ""On the Streets""",train,2009,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_03-05_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_04_WAV.wav,891.962249063,"Give me a song that is somber and agitated, composed in the Early Janáček style. It should be a Piano Sonata in the Late Romantic era, featuring stark piano instrumentation. Incorporate a highly chromatic, non-atonal harmonic language and a transition from mournful lament to defiant protest." +Ludwig van Beethoven,"15 Variations and Fugue in Eb on an Original Theme ('Eroica Variations'), Op.35",validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_05_Track05_wav.wav,1402.55462314,"Give me a song that is grand, intricate, and meticulously crafted, composed in the Early Beethoven style. It should be a set of Variations and Fugue in the Classical era, featuring a solo piano. Incorporate a theme transformed through different textures and a concluding fugue, and a transition from playful exploration to triumphant finality." +Ludwig van Beethoven,"Andante favori in F Major, WoO 57",validation,2018,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber6_MID--AUDIO_20_R3_2018_wav--1.wav,524.024582813,"Give me a song that is lyrical and graceful, composed in the Middle Beethoven style. It should be an Andante in the Classical era, featuring a flowing rhythm for piano. Incorporate a song-like melody over a supportive harmonic texture, and a transition from serene tenderness to a more dramatic, impassioned mood." +Ludwig van Beethoven,Bagatelles Op126,train,2006,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_11_R1_2006_01-06_ORIG_MID--AUDIO_11_R1_2006_02_Track02_wav.wav,1108.03708641,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring solo piano. Incorporate a cantabile melody and a pre-Romantic cyclic structure, and a transition from compiacevole contentment to grazioso elegance." +Ludwig van Beethoven,"Bagatelles, Op. 126 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_12_R3_2014_wav--1.wav,1158.83297578,"Give me a song that is lyrical and introspective, composed in the late Beethoven style. It should be a Bagatelle in the Romantic era, featuring solo piano. Incorporate a cantabile melody and a highly chromatic yet tonal harmony, and a transition from a complacent grace to a more dramatic intensity." +Ludwig van Beethoven,"Bagtellen, Op.126",train,2009,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_10_R1_2009_01-02_ORIG_MID--AUDIO_10_R1_2009_10_R1_2009_02_WAV.wav,1136.37306234,"Give me a song that is concise and lyrical, composed in the Late Beethoven style. It should be a Bagatelle in the Classical era, featuring a singing melody over a flowing accompaniment. Incorporate a pre-Romantic, cyclic harmonic structure, and a transition from introspective calm to a brief, spirited outburst." +Ludwig van Beethoven,"Eroica Variations, Op. 35",validation,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_01-02_ORIG_MID--AUDIO_10_R1_2004_02_Track02_wav.wav,1314.69697633,"Give me a song that is grand and inventive, composed in the Early Beethoven style. It should be a set of Variations in the Classical era, featuring a prominent bass line. Incorporate contrapuntal texture and a transition from playful to triumphant." +Ludwig van Beethoven,"Fantasia, Op. 77",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--1.wav,527.932164375,"Give me a song that is dramatic, improvisatory, and rhapsodic, composed in the Middle Beethoven style. It should be a Fantasia in the Classical era, featuring a free, sectional structure. Incorporate a texture of cascading arpeggios and a harmony of abrupt tonal shifts, and a transition from turbulent urgency to lyrical introspection." +Ludwig van Beethoven,"Rondo a capriccioso ""Rage over a Lost Penny"", Op. 129",test,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--3.wav,359.744565469,"Give me a song that is playful and capricious, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, perpetual-motion rhythm for solo piano. Incorporate a homophonic texture with a witty, folk-like melody and sudden harmonic shifts, and a transition from humorous agitation to triumphant exuberance." +Ludwig van Beethoven,"Rondo, Op. 129",test,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--2.wav,338.34367875,"Give me a song that is humorous, capricious, and energetic, composed in the Middle Beethoven style. It should be a Rondo in the Classical era, featuring a brisk, dance-like rhythm. Incorporate a playful melody over a simple harmonic foundation, and a transition from comic frustration to exuberant release." +Ludwig van Beethoven,"Sonata No. 10 in G Major, Op. 14 No. 2, First Movement",test,2011,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.midi,2011/MIDI-Unprocessed_09_R1_2011_MID--AUDIO_R1-D3_13_Track13_wav.wav,278.940693281,"Give me a song that is graceful and lyrical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a light, flowing rhythm. Incorporate a homophonic texture with a clear, song-like melody, and a transition from serene playfulness to a more dramatic, developmental character." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_03_R1_2015_wav--3.wav,336.258333333,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in B-flat Major, Op. 22, I. Allegro con brio",validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_13_R1_2015_wav--2.wav,318.44375,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm for solo piano. Incorporate a clear sonata-allegro form with a lyrical second theme and strong harmonic contrasts, and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11 in E-flat Major, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_16_R1_2014_wav--2.wav,1320.41401078,"Give me a song that is grand, confident, and classical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a sonata-allegro structure. Incorporate a clear, balanced texture and a transition from assertive brilliance to lyrical repose." +Ludwig van Beethoven,"Sonata No. 11, Op. 22 in B-flat Major, I. Allegro con brio",validation,2017,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.midi,2017/MIDI-Unprocessed_058_PIANO058_MID--AUDIO-split_07-07-17_Piano-e_2-02_wav--3.wav,321.794363371,"Give me a song that is grand, proud, and culminating, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring an Allegro con brio rhythm. Incorporate a masterful Classical harmonic structure, and a transition from energetic confidence to lyrical repose." +Ludwig van Beethoven,"Sonata No. 12 in A-flat Major, Op. 26, First Movement",test,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--2.wav,405.62993625,"Give me a song that is serene and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a theme and variations structure. Incorporate a lyrical, song-like melody over a stable harmonic foundation, and a transition from contemplative introspection to gentle, flowing motion." +Ludwig van Beethoven,"Sonata No. 15 in D Major, Op. 28, I. Allegro",test,2017,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_044_PIANO044_MID--AUDIO-split_07-06-17_Piano-e_1-04_wav--2.wav,454.737088017,"Give me a song that is serene and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a gentle, rocking rhythm. Incorporate a homophonic texture with simple, folk-like melodies, and a transition from pastoral calm to playful energy." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.midi,2017/MIDI-Unprocessed_046_PIANO046_MID--AUDIO-split_07-06-17_Piano-e_2-02_wav--2.wav,281.444133737,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 Op. 31 No. 1 in G Major, I. Allegro vivace",test,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--2.wav,306.104269312,"Give me a song that is witty and capricious, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a syncopated rhythm. Incorporate a conversational texture between hands, and a transition from playful humor to dramatic intensity." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First Movement",test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--2.wav,283.811147812,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring an allegro vivace rhythm. Incorporate a pronounced ""Beethovenian"" harmonic style, and a transition from playful wit to graceful lyricism." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, First movement",test,2008,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R1_2008_01-04_ORIG_MID--AUDIO_17_R1_2008_wav--2.wav,277.578515156,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful rhythm. Incorporate a homophonic texture with witty harmonic surprises, and a transition from whimsical levity to ironic wit." +Ludwig van Beethoven,"Sonata No. 16 in G Major, Op. 31 No. 1, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_06_R1_2015_wav--2.wav,876.420833333,"Give me a song that is light, breezy, and humorous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a pronounced ""Beethovenian"" sense of style in its melody and harmony, and a transition from playful irony to a more pronounced character." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, 1st Movement",train,2011,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.midi,2011/MIDI-Unprocessed_19_R1_2011_MID--AUDIO_R1-D7_13_Track13_wav.wav,451.611460781,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like melody and dramatic pauses. Incorporate a highly chromatic and unstable harmonic language, and a transition from brooding suspense to explosive defiance." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_08_Track08_wav.wav,397.774709062,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D Minor, Op. 31 No. 2, First Movement",train,2011,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_15_R1_2011_MID--AUDIO_R1-D6_08_Track08_wav.wav,360.045045937,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like arpeggiated passages. Incorporate a stark contrast between lyrical melody and stormy harmony, and a transition from brooding suspense to explosive drama." +Ludwig van Beethoven,"Sonata No. 17 in D minor, Op. 31 No. 2, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_08_R1_2013_wav--2.wav,340.150567969,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a Largo introduction followed by a driving Allegro rhythm. Incorporate a recitative-like melody and sudden dynamic contrasts, and a transition from brooding suspense to explosive agitation." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_050_PIANO050_MID--AUDIO-split_07-06-17_Piano-e_3-01_wav--2.wav,376.117815133,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.midi,2017/MIDI-Unprocessed_053_PIANO053_MID--AUDIO-split_07-06-17_Piano-e_3-04_wav--3.wav,380.419076108,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.midi,2017/MIDI-Unprocessed_055_PIANO055_MID--AUDIO-split_07-07-17_Piano-e_1-04_wav--2.wav,355.351891246,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 17, Op. 31 No. 2 in D Minor ""Tempest"", I. Largo-Allegro",train,2017,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.midi,2017/MIDI-Unprocessed_057_PIANO057_MID--AUDIO-split_07-07-17_Piano-e_1-07_wav--2.wav,384.556876346,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like Largo introduction. Incorporate a highly chromatic, arpeggiated harmony, and a transition from a brooding, questioning mood to a stormy, agitated one." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--2.wav,351.670321406,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_18_R1_2008_01-04_ORIG_MID--AUDIO_18_R1_2008_wav--2.wav,352.347404063,"Give me a song that is witty and playful, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo-like rhythm. Incorporate a homophonic texture with sudden dynamic shifts, and a transition from humorous lightness to a more dramatic intensity." +Ludwig van Beethoven,"Sonata No. 18 in E-flat Major, Op. 31, No. 3 (Complete)",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--2.wav,1206.21807797,"Give me a song that is playful and vivacious, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a scherzo movement. Incorporate a graceful minuet with a lyrical trio section, and a transition from spirited energy to elegant charm." +Ludwig van Beethoven,"Sonata No. 18, Op. 31 No. 3 in E-flat Major, I. Allegro",test,2017,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_066_PIANO066_MID--AUDIO-split_07-07-17_Piano-e_3-02_wav--2.wav,353.245063963,"Give me a song that is warm, big-hearted, and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a playful, scherzo-like rhythm. Incorporate a lyrical melody over a stable harmonic foundation, and a transition from playful exuberance to gracious moderation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2009,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_11_R1_2009_01-05_ORIG_MID--AUDIO_11_R1_2009_11_R1_2009_01_WAV.wav,1344.34026891,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving rhythms and brilliant piano writing. Incorporate a sonata-allegro form with dramatic harmonic shifts, and a transition from heroic struggle to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_18_R1_2018_wav--1.wav,1306.74014625,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, orchestral texture and a harmonically adventurous development section, and a transition from heroic striving to transcendent serenity." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_11_R1_2011_MID--AUDIO_R1-D4_08_Track08_wav.wav,519.560110781,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.midi,2011/MIDI-Unprocessed_13_R1_2011_MID--AUDIO_R1-D5_04_Track04_wav.wav,521.564649375,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, ""Waldstein"", First Movement",train,2011,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.midi,2011/MIDI-Unprocessed_18_R1_2011_MID--AUDIO_R1-D7_08_Track08_wav.wav,489.6789975,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythms. Incorporate a brilliant, arpeggiated texture, a soaring melodic line, and a bold harmonic language, and a transition from dramatic urgency to lyrical repose." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_03_R1_2013_wav--2.wav,534.701655469,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving motor rhythm. Incorporate a brilliant, arpeggiated texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, First Movement",train,2008,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_15_R1_2008_01-04_ORIG_MID--AUDIO_15_R1_2008_wav--2.wav,481.751655,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a brilliant, expansive texture and a harmonically adventurous development section, and a transition from assertive grandeur to mysterious anticipation." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_07_R1_2015_wav--2.wav,484.226041667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C Major, Op. 53, I. Allegro con brio",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_08_R1_2015_wav--2.wav,504.610416667,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, expansive texture and a transition from dramatic tension to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--2.wav,506.996020781,"Give me a song that is heroic and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving rhythmic momentum. Incorporate a brilliant, virtuosic texture and a transition from heroic grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21 in C major, Op. 53, “Waldstein,” I. Allegro con brio",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--3.wav,470.289326719,"Give me a song that is grand, heroic, and expansive, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring driving, motoric rhythms. Incorporate a brilliant, virtuosic texture, a soaring melodic line, and a highly chromatic yet tonally anchored harmony, and a transition from dramatic urgency to transcendent lyricism." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.midi,2017/MIDI-Unprocessed_041_PIANO041_MID--AUDIO-split_07-06-17_Piano-e_1-01_wav--2.wav,473.193194162,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.midi,2017/MIDI-Unprocessed_043_PIANO043_MID--AUDIO-split_07-06-17_Piano-e_1-03_wav--2.wav,637.070596287,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_048_PIANO048_MID--AUDIO-split_07-06-17_Piano-e_2-05_wav--2.wav,484.191003521,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.midi,2017/MIDI-Unprocessed_056_PIANO056_MID--AUDIO-split_07-07-17_Piano-e_1-05_wav--3.wav,501.518910067,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.midi,2017/MIDI-Unprocessed_059_PIANO059_MID--AUDIO-split_07-07-17_Piano-e_2-03_wav--2.wav,480.396150321,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 21, Op. 53, ""Waldstein"", I. Allegro con brio",train,2017,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.midi,2017/MIDI-Unprocessed_062_PIANO062_MID--AUDIO-split_07-07-17_Piano-e_2-07_wav--1.wav,488.333077242,"Give me a song that is energetic and heroic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythmic pulse. Incorporate a brilliant, scalar melody over a sonata-allegro form with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 ""Appassionata"", First Movement",train,2008,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_03_R1_2008_01-04_ORIG_MID--AUDIO_03_R1_2008_wav--2.wav,593.318049844,"Give me a song that is turbulent and dramatic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro assai rhythm. Incorporate a sonata-allegro form with a highly chromatic but tonally anchored F minor harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_10_R1_2015_wav--3.wav,1251.28854167,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, rhythmic pulse. Incorporate dense, chordal textures and a highly chromatic, turbulent harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_03_Track03_wav.wav,523.841623594,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_20_R1_2011_MID--AUDIO_R1-D8_04_Track04_wav.wav,572.423305781,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First Movement",train,2011,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.midi,2011/MIDI-Unprocessed_25_R1_2011_MID--AUDIO_R1-D9_15_Track15_wav.wav,564.872565469,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a turbulent minor-key harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav.wav,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23, Op. 57 in F Minor, ""Appassionata"", I. Allegro assai",train,2017,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.midi,2017/MIDI-Unprocessed_045_PIANO045_MID--AUDIO-split_07-06-17_Piano-e_2-01_wav--2.wav,515.413072754,"Give me a song that is dramatic and passionate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a driving 12/8 rhythm. Incorporate a stark, motivic melody with extreme dynamic contrasts and a transition from brooding tension to explosive release." +Ludwig van Beethoven,"Sonata No. 24 in F-Sharp Major, Op. 78",train,2008,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_11_R1_2008_01-04_ORIG_MID--AUDIO_11_R1_2008_wav--2.wav,602.757142969,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from a cantabile adagio to a vivace allegro." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78",train,2011,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.midi,2011/MIDI-Unprocessed_24_R1_2011_MID--AUDIO_R1-D9_09_Track09_wav.wav,397.693245469,"Give me a song that is intimate and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a dolce melody and a harmonic foundation in the rare F-sharp major key, and a transition from tender introspection to spirited resolve." +Ludwig van Beethoven,"Sonata No. 24 in F-sharp Major, Op. 78, First Movement",train,2008,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_01_R1_2008_01-04_ORIG_MID--AUDIO_01_R1_2008_wav--2.wav,278.421195937,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a dolce, cantabile theme in F-sharp major, and a transition from a serene adagio to a spirited allegro." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_02_Track02_wav.wav,316.572784056,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in 3-flat Major, Op. 81a (2nd & 3rd Movements)",train,2004,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_09_R1_2004_01-02_ORIG_MID--AUDIO_09_R1_2004_03_Track03_wav.wav,453.392893256,"Give me a song that is poignant and valedictory, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a lyrical, song-like melody. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from tender farewell to jubilant reunion." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.midi,2011/MIDI-Unprocessed_16_R1_2011_MID--AUDIO_R1-D6_14_Track14_wav.wav,399.448051406,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-Flat Major, Op. 81a, ""Les Adiex"", First Movement",train,2011,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R1_2011_MID--AUDIO_R1-D7_03_Track03_wav.wav,338.045869219,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction. Incorporate a motivic 'farewell' cell and highly chromatic harmony, and a transition from sorrowful departure to hopeful anticipation." +Ludwig van Beethoven,"Sonata No. 26 in E-flat Major, Op. 81a, I. Das Lebewohl. Adagio - Allegro",train,2015,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-21-22_mid--AUDIO-from_mp3_22_R1_2015_wav--2.wav,407.455208333,"Give me a song that is programmatic and poignant, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a slow introduction and a vigorous Allegro. Incorporate a three-note 'farewell' motive and a transition from a sorrowful Adagio to a resolute Allegro." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--3.wav,760.2770175,"Give me a song that is intimate and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a very singable melody and a two-movement structure, and a transition from restless energy to resolved contentment." +Ludwig van Beethoven,"Sonata No. 27 in E Minor, Op. 90, First Movement",validation,2008,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_07_R1_2008_01-04_ORIG_MID--AUDIO_07_R1_2008_wav--2.wav,308.53601625,"Give me a song that is introspective and lyrical, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a 3/4 tempo. Incorporate a song-like melody with expressive harmonic shifts, and a transition from restless conflict to tender resignation." +Ludwig van Beethoven,"Sonata No. 27, Op. 90, I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck",validation,2017,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.midi,2017/MIDI-Unprocessed_051_PIANO051_MID--AUDIO-split_07-06-17_Piano-e_3-02_wav--2.wav,318.420448279,"Give me a song that is introspective and lyrical, composed in the late Middle Beethoven style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with expressive harmonic shifts, and a transition from restless energy to tender resolution." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--3.wav,1201.07919422,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_17_R1_2014_wav--1.wav,1162.39066453,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 28 in A Major, Op. 101 (Complete)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--2.wav,1098.92518313,"Give me a song that is intimate and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a lyrical piano melody. Incorporate contrapuntal textures and harmonic ambiguity, and a transition from tender reflection to triumphant resolve." +Ludwig van Beethoven,"Sonata No. 29 in B-flat Major, Op. 106",validation,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--1.wav,2457.80737125,"Give me a song that is monumental, formidable, and expansive, composed in the Late Beethoven style. It should be a Sonata in the Classical era, featuring a driving, fugal rhythm. Incorporate dense contrapuntal texture, a grand melodic scope, and extreme harmonic exploration, and a transition from heroic struggle to transcendent resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, First Movement",test,2008,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_10_R1_2008_01-04_ORIG_MID--AUDIO_10_R1_2008_wav--2.wav,430.0636725,"Give me a song that is virtuosic and brilliant, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and bold harmonic gestures, and a transition from energetic assertion to triumphant resolution." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. Allegro con brio",test,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_05_R1_2015_wav--3.wav,445.68125,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, energetic rhythm. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical contrast." +Ludwig van Beethoven,"Sonata No. 3 in C Major, Op. 2 No. 3, I. and II. ",test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_09_R1_2015_wav--2.wav,894.40625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a grand, orchestral texture and a transition from a heroic, assertive mood to a more lyrical, cantabile one." +Ludwig van Beethoven,"Sonata No. 3, Op. 2 No. 3 in C major, I. Allegro con brio",test,2017,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.midi,2017/MIDI-Unprocessed_065_PIANO065_MID--AUDIO-split_07-07-17_Piano-e_3-01_wav--2.wav,450.154845513,"Give me a song that is energetic and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a swift Allegro con brio rhythm. Incorporate a large-scale structure and brilliant harmonic writing, and a transition from assertive grandeur to spirited playfulness." +Ludwig van Beethoven,"Sonata No. 30 in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_14_R1_2018_wav--2.wav,1176.40240266,"Give me a song that is serene and introspective, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring intricate counterpoint. Incorporate a rich harmonic structure and a strict form, and a transition from a carefree to a dramatic mood." +Ludwig van Beethoven,"Sonata No. 31 In A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--2.wav,1022.54438344,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 in A-Flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_06-08_R1_2014_MID--AUDIO_06_R1_2014_wav--3.wav,1137.43743094,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the late Classical era, featuring a fugal finale. Incorporate a singing melody and a transition from sorrowful lament to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110",train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_10_R1_2018_wav--2.wav,1060.72142859,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring recitative and arioso figures. Incorporate a vocally-oriented melody and hexachord-derived themes, and a transition from a meditative Adagio to a resolute Fuga." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110 (Complete)",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--2.wav,1063.92121172,"Give me a song that is introspective and lyrical, composed in the late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like melody. Incorporate a fugue and arioso dolente textures, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,"Sonata No. 31 in A-flat Major, Op. 110, First movement",train,2011,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_14_R1_2011_MID--AUDIO_R1-D6_03_Track03_wav.wav,397.215147656,"Give me a song that is elegiac and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a Moderato cantabile molto espressivo tempo. Incorporate a melody derived from a hexachord and vocally-oriented recitative figures, and a transition from a cantabile expression to a fugal development." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111",train,2009,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_06_R1_2009_01-02_ORIG_MID--AUDIO_06_R1_2009_06_R1_2009_02_WAV.wav,1603.11404859,"Give me a song that is profound and monumental, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a starkly contrasting two-movement structure. Incorporate a highly chromatic, trill-laden texture and a sublime, variation-form melody, and a transition from turbulent, dramatic struggle to transcendent, spiritual serenity." +Ludwig van Beethoven,"Sonata No. 32 in C Minor, Op. 111 (Complete)",train,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--2.wav,1585.96930078,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Late Classical era, featuring a starkly contrasting two-movement structure. Incorporate a dramatic, fugato-laden first movement and a serene, variation-based Arietta, and a transition from tragic struggle to sublime acceptance." +Ludwig van Beethoven,"Sonata No. 32 in C minor, Op. 111",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--3.wav,1590.10257656,"Give me a song that is monumental and transcendent, composed in the Late Beethoven style. It should be a Piano Sonata in the Classical era, featuring a stark Arietta theme. Incorporate a highly chromatic, trill-laden texture, and a transition from tragic struggle to sublime serenity." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--2.wav,330.763558125,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--2.wav,325.30950375,"Give me a song that is grand and expansive, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a rich harmonic texture and lyrical melodies, and a transition from a stately, noble mood to a more dramatic and intense one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, First Movement",train,2011,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.midi,2011/MIDI-Unprocessed_22_R1_2011_MID--AUDIO_R1-D8_13_Track13_wav.wav,332.583802031,"Give me a song that is grand and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, repeated-note rhythm. Incorporate a dense, chordal texture and a bold harmonic language, and a transition from a stately, assertive mood to a more turbulent, dramatic one." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--2.wav,338.472916667,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--4.wav,325.877676696,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 4 in E-flat Major, Op. 7, I. Allegro molto e con brio",train,2017,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.midi,2017/MIDI-Unprocessed_061_PIANO061_MID--AUDIO-split_07-07-17_Piano-e_2-05_wav--2.wav,333.371229721,"Give me a song that is bold and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring driving piano rhythms. Incorporate a dense, orchestral piano texture with dramatic harmonic shifts, and a transition from assertive grandeur to lyrical introspection." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, First Movement",test,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_03_Track03_wav.wav,271.508809687,"Give me a song that is energetic and angular, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring contrasting loud and soft rhythmic phrases. Incorporate a highly angular melody built from rising dotted arpeggios, and a transition from dramatic intensity to softer contrast." +Ludwig van Beethoven,"Sonata No. 5 in C Minor, Op. 10 No. 1, I. Allegro molto e con brio",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_16_R1_2015_wav--2.wav,236.041666667,"Give me a song that is dramatic and energetic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving, symphonic rhythm. Incorporate a highly chromatic but tonally anchored harmony, and a transition from turbulent urgency to lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--1.wav,1254.06391687,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a Presto finale with syncopation. Incorporate a sonata-allegro structure with dramatic harmonic shifts, and a transition from a playful scherzo to a somber largo." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_06_R1_2013_wav--1.wav,283.606821094,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--2.wav,397.789399219,"Give me a song that is energetic and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a brisk tempo and dramatic dynamic contrasts. Incorporate a homophonic texture with a clear, singing melody, and a transition from a bright, assertive mood to a more introspective and tender one." +Ludwig van Beethoven,"Sonata No. 7 in D Major, Op. 10 No. 3, First Movement",train,2011,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.midi,2011/MIDI-Unprocessed_06_R1_2011_MID--AUDIO_R1-D2_15_Track15_wav.wav,278.132734688,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving rhythm. Incorporate a homophonic texture with a lyrical secondary theme, and a transition from a bright, assertive mood to a more lyrical and tender one." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.midi,2017/MIDI-Unprocessed_047_PIANO047_MID--AUDIO-split_07-06-17_Piano-e_2-04_wav--1.wav,304.532695817,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 7, Op. 10 No. 3 in D Major, I. Presto",train,2017,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.midi,2017/MIDI-Unprocessed_067_PIANO067_MID--AUDIO-split_07-07-17_Piano-e_3-03_wav--2.wav,289.1011475,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving Presto rhythm. Incorporate a homophonic texture with bold harmonic shifts, and a transition from turbulent intensity to a more lyrical resolve." +Ludwig van Beethoven,"Sonata No. 8 in C Minor, Op.13",test,2009,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_09_R1_2009_01-04_ORIG_MID--AUDIO_09_R1_2009_09_R1_2009_03_WAV.wav,921.498811406,"Give me a song that is dramatic and stormy, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a Grave introduction and Allegro movements. Incorporate a highly chromatic, pathos-filled harmony, and a transition from tragic intensity to heroic resolve." +Ludwig van Beethoven,Sonata Op. 10/3,train,2006,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_10_R1_2006_01-04_ORIG_MID--AUDIO_10_R1_2006_02_Track02_wav.wav,1405.96413891,"Give me a song that is energetic and dramatic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving rhythm. Incorporate a highly chromatic harmony, and a transition from a playful to a somber mood." +Ludwig van Beethoven,Sonata Op. 101,train,2006,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_21_R1_2006_01-04_ORIG_MID--AUDIO_21_R1_2006_02_Track02_wav.wav,1256.10718406,"Give me a song that is introspective and masterful, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring compressed sonata form. Incorporate a knit relationship between melody and harmony, and a transition from structural clarity to profound synthesis." +Ludwig van Beethoven,Sonata Op. 110,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_02_Track02_wav.wav,1075.70805891,"Give me a song that is introspective and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring a recitative-like Arioso and a fugue. Incorporate a texture of alternating Arioso dolente and fugal counterpoint, and a transition from lamentation to triumphant affirmation." +Ludwig van Beethoven,"Sonata Op. 31, No. 3 in E-flat Major",test,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_03_ORIG_MID--AUDIO_15_R1_2004_03_Track03_wav.wav,1118.90161376,"Give me a song that is witty and playful, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a scherzo movement. Incorporate a four-movement structure with a humorous, dance-like rhythm, and a transition from lightheartedness to a more robust, triumphant conclusion." +Ludwig van Beethoven,Sonata Op. 54 in F Major,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_01-02_ORIG_MID--AUDIO_15_R1_2004_01_Track01_wav.wav,534.516585565,"Give me a song that is concise and unconventional, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure for piano. Incorporate a lyrical, cantabile melody against a persistent rhythmic motor, and a transition from a restrained, graceful mood to a more playful, energetic one." +Ludwig van Beethoven,Sonata Op. 78,train,2006,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_05_R1_2006_01-05_ORIG_MID--AUDIO_05_R1_2006_01_Track01_wav.wav,470.609839219,"Give me a song that is lyrical and intimate, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a two-movement structure. Incorporate a singing melody and clear harmonic progressions, and a transition from a contemplative adagio to a lively allegro." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_02_Track02_wav--2.wav,370.492842696,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata Op. 81 No. 26, 'Les Adieux'",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-03_ORIG_MID--AUDIO_17_R1_2004_03_Track03_wav.wav,563.933165452,"Give me a song that is programmatic and expressive, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring piano. Incorporate descriptive harmony and thematic motifs, and a transition from poignant farewell to joyful reunion." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_02_Track02_wav.wav,362.762818735,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_01-02_ORIG_MID--AUDIO_01_R1_2004_03_Track03_wav.wav,732.784163067,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in A-flat, Op. 110",train,2009,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_21_R1_2009_01-03_ORIG_MID--AUDIO_21_R1_2009_21_R1_2009_01_WAV.wav,1183.00228922,"Give me a song that is introspective and lyrical, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate a disintegration of sonata form and a cyclical structure, and a transition from arioso dolente lament to a fugal, triumphant affirmation." +Ludwig van Beethoven,"Sonata in C Major, Op. 2 No. 3, 1st mov.",test,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_16_R1_2013_wav--2.wav,422.9696625,"Give me a song that is brilliant and virtuosic, composed in the Early Beethoven style. It should be a Sonata in the Classical era, featuring a driving Allegro con brio rhythm. Incorporate a dense, orchestral piano texture with bold harmonic shifts, and a transition from assertive grandeur to lyrical playfulness." +Ludwig van Beethoven,"Sonata in C Major, Op. 53 'Waldstein'",train,2004,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_22_R1_2004_01-04_ORIG_MID--AUDIO_22_R1_2004_10_Track10_wav.wav,804.745489242,"Give me a song that is grand and heroic, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring driving motor rhythms. Incorporate a luminous, high-register texture and a harmonically adventurous development section, and a transition from dramatic urgency to transcendent calm." +Ludwig van Beethoven,"Sonata in D Minor, Op. 31 No. 2 ""Tempest""",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_06_R1_2018_wav--2.wav,1451.39945672,"Give me a song that is dramatic and tragic, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring recitative-like passages. Incorporate a turbulent first movement with arpeggiated harmonies, and a transition from brooding tension to a serene, lyrical Adagio." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_02_Track02_wav.wav,497.066909717,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in D minor, Op. 31, No. 2",train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_02_ORIG_MID--AUDIO_21_R1_2004_03_Track03_wav.wav,781.777608279,"Give me a song that is dramatic and tempestuous, composed in the Middle Beethoven style. It should be a Sonata in the Classical era, featuring a recitative-like rhythm. Incorporate a highly chromatic, minor-key harmony, and a transition from brooding intensity to a final, defiant resolution." +Ludwig van Beethoven,"Sonata in E Major, Op. 109",train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--1.wav,1114.77319078,"Give me a song that is intricate and profound, composed in the Late Beethoven style. It should be a Sonata in the Romantic era, featuring piano. Incorporate rich harmonic structures and strict counterpoint, and a transition from lyrical introspection to transcendent resolution." +Ludwig van Beethoven,"Sonata in E Major, Op. 14, No. 1",test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_01_WAV.wav,753.739897969,"Give me a song that is bright and lyrical, composed in the Early Beethoven style. It should be a Piano Sonata in the Classical era, featuring a clear, homophonic texture. Incorporate a diatonic, song-like melody with simple harmonic progressions, and a transition from graceful playfulness to a more robust, energetic character." +Ludwig van Beethoven,"Sonata in E-flat Major, Op. 81a",train,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_01_WAV.wav,934.418136094,"Give me a song that is poignant and programmatic, composed in the Middle Beethoven style. It should be a Characteristic Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic but tonally grounded harmony, and a transition from sorrowful longing to joyful reunion." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_03_Track03_wav.wav,628.812138281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_02_Track02_wav.wav,582.602248594,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.midi,2011/MIDI-Unprocessed_22_R3_2011_MID--AUDIO_R3-D7_03_Track03_wav.wav,615.112899844,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variaions in C Minor, WoO80",train,2011,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.midi,2011/MIDI-Unprocessed_25_R3_2011_MID--AUDIO_R3-D9_04_Track04_wav.wav,630.735213281,"Give me a song that is dramatic, virtuosic, and monolithic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic ostinato. Incorporate a dense, chordal texture and a highly chromatic but tonally anchored harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_19_R2_2015_wav--2.wav,649.673958333,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, persistent rhythm. Incorporate a stark, chordal texture and a highly chromatic, modulating harmony, and a transition from austere gravity to triumphant defiance." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_02_R3_2008_01-03_ORIG_MID--AUDIO_02_R3_2008_wav--1.wav,544.017885469,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_03_R3_2008_01-03_ORIG_MID--AUDIO_03_R3_2008_wav--1.wav,638.0976525,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_04_R3_2008_01-07_ORIG_MID--AUDIO_04_R3_2008_wav--1.wav,644.729590313,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R3_2008_01-07_ORIG_MID--AUDIO_09_R3_2008_wav--4.wav,652.961419687,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--1.wav,618.502319531,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_12_R2_2015_wav--1.wav,578.201041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_21_R2_2015_wav--2.wav,673.126041667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2015,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2.midi,2015/MIDI-Unprocessed_R2_D2-19-21-22_mid--AUDIO-from_mp3_22_R2_2015_wav--2.wav,669.285416667,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--2.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_07_R3_2013_wav--2.wav,802.034454375,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1.midi,2013/ORIG-MIDI_01_7_10_13_Group_MID--AUDIO_08_R3_2013_wav--1.wav,602.1575175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_12_R3_2013_wav--1.wav,663.106975781,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1.midi,2017/MIDI-Unprocessed_071_PIANO071_MID--AUDIO-split_07-08-17_Piano-e_1-04_wav--1.wav,604.837848246,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--1.wav,665.632422146,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2.midi,2017/MIDI-Unprocessed_075_PIANO075_MID--AUDIO-split_07-08-17_Piano-e_2-06_wav--2.wav,607.643390054,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--1.wav,599.888086175,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.midi,2017/MIDI-Unprocessed_079_PIANO079_MID--AUDIO-split_07-09-17_Piano-e_1-04_wav--3.wav,679.707139504,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.midi,2017/MIDI-Unprocessed_080_PIANO080_MID--AUDIO-split_07-09-17_Piano-e_1-06_wav--2.wav,630.186014637,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C Minor, WoO 80",train,2017,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.midi,2017/MIDI-Unprocessed_082_PIANO082_MID--AUDIO-split_07-09-17_Piano-e_2_-04_wav--1.wav,598.049419971,"Give me a song that is dramatic and rigorous, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving rhythmic ostinato. Incorporate a dense, contrapuntal texture built on a chromatic bass line, and a transition from brooding intensity to triumphant resolve." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80",train,2013,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.midi,2013/ORIG-MIDI_02_7_10_13_Group_MID--AUDIO_14_R3_2013_wav--1.wav,590.600370937,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, contrapuntal texture and a highly chromatic, modulating harmony, and a transition from a somber, austere mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--1.wav,658.1875,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Thirty-Two Variations in C minor, WoO 80 ",train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_11_R2_2015_wav--1.wav,687.135416667,"Give me a song that is dramatic and virtuosic, composed in the Middle Beethoven style. It should be a set of Variations in the Classical era, featuring a driving, rhythmic bass ostinato. Incorporate a dense, chordal texture and a highly chromatic, modulating harmony, and a transition from a brooding, serious mood to a triumphant, brilliant one." +Ludwig van Beethoven,"Variations and Fugue in E-flat Major, Op. 35, ""Eroica""",validation,2009,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_16_R1_2009_01-02_ORIG_MID--AUDIO_16_R1_2009_16_R1_2009_01_WAV.wav,1530.08260453,"Give me a song that is grand, contrapuntal, and heroic, composed in the Middle Beethoven style. It should be a Theme and Variations with Fugue in the Classical era, featuring a basso del tema and a concluding fugue. Incorporate a dense, polyphonic texture and a theme derived from a bass line, and a transition from playful variation to triumphant culmination." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--5.wav,326.59155375,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mikhail Glinka / Mily Balakirev,Lark,train,2008,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_06_R1_2008_01-04_ORIG_MID--AUDIO_06_R1_2008_wav--4.wav,294.372034687,"Give me a song that is lyrical and nostalgic, composed in the early Glinka style. It should be a song transcription in the Romantic era, featuring a piano arrangement. Incorporate a simple, folk-like melody over a single binary form in E minor, and a transition from melancholic reflection to a more hopeful resolution." +Mily Balakirev,"In the Garden, Etude-Idyll",train,2011,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R3_2011_MID--AUDIO_R3-D1_06_Track06_wav.wav,255.60871875,"Give me a song that is lyrical and idyllic, composed in the Late Balakirev style. It should be an Etude-Idyll in the Romantic era, featuring a flowing piano texture. Incorporate a rich, chromatic harmonic language, and a transition from serene contemplation to passionate exaltation." +Mily Balakirev,Islamei,validation,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_06_ORIG_MID--AUDIO_04_R1_2004_08_Track08_wav.wav,530.857408325,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a virtuosic piano showpiece. Incorporate thick-textured layers built from repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a frenetic, knuckle-busting climax." +Mily Balakirev,Islamey,validation,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_05_Track05_wav.wav,491.751645,"Give me a song that is virtuosic, brilliant, and folk-influenced, composed in the Middle Mily Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring a demanding piano showpiece. Incorporate a highly chromatic yet tonal harmony, and a transition from an exotic, lyrical mood to a frenetic, percussive one." +Mily Balakirev,"Oriental Fantasy ""Islamey""",validation,2011,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.midi,2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_10_Track10_wav.wav,534.923343281,"Give me a song that is technically formidable and exotically flavored, composed in the Middle Balakirev style. It should be an Oriental Fantasy in the Romantic era, featuring virtuosic piano writing. Incorporate thick-textured layers with repeated notes and chords in fourths, fifths, and octaves, and a transition from a folk-inspired narrative to a brilliant, percussive climax." +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_04_R1_2006_01-04_ORIG_MID--AUDIO_04_R1_2006_04_Track04_wav.wav,1749.46940438,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an E,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_05_Track05_wav.wav,2009.46246703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring promenade theme. Incorporate stark contrasts in texture and harmony, and a transition from solemn grandeur to grotesque whimsy." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_03_R1_2004_01-02_ORIG_MID--AUDIO_03_R1_2004_02_Track02_wav.wav,1958.31687252,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2004,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_21_R1_2004_03_ORIG_MID--AUDIO_21_R1_2004_04_Track04_wav.wav,1976.93006547,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_07_R1_2018_wav--4.wav,1823.15789906,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Modest Mussorgsky,Pictures at an Exhibition,train,2018,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital8_MID--AUDIO_08_R1_2018_wav--4.wav,1906.30017703,"Give me a song that is programmatic and evocative, composed in the Middle Mussorgsky style. It should be a piano suite in the Romantic era, featuring a recurring Promenade theme. Incorporate descriptive, pictorial melodies and bold, modal harmonies, and a transition from solemn reflection to grotesque character." +Muzio Clementi,"Sonata Bb, Op. 24, No. 2",train,2009,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_18_R1_2009_01-03_ORIG_MID--AUDIO_18_R1_2009_18_R1_2009_02_WAV.wav,668.431489688,"Give me a song that is brilliant and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a clear, homophonic texture with Alberti bass, and a transition from a stately, lyrical mood to a playful, energetic one." +Muzio Clementi,Sonata Op. 24/2,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_01_Track01_wav.wav,653.231184375,"Give me a song that is bright and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable, repeated opening motif, and a transition from playful brilliance to lyrical elegance." +Muzio Clementi,"Sonata Op. 25 No. 5 in F-sharp Minor, First Movement",train,2011,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_10_R1_2011_MID--AUDIO_R1-D4_04_Track04_wav.wav,245.819732813,"Give me a song that is fiery and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and rapid runs, and a transition from shock to exhilaration." +Muzio Clementi,"Sonata in B-flat Major, Op.24, No. 2",train,2009,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_15_R1_2009_01-02_ORIG_MID--AUDIO_15_R1_2009_15_R1_2009_01_WAV.wav,642.479325469,"Give me a song that is bright and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring a brisk allegro tempo and keyboard instrumentation. Incorporate a homophonic texture with a memorable opening motif, and a transition from playful elegance to dramatic intensity." +Muzio Clementi,Sonata in F# Min,train,2006,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_15_R1_2006_01-05_ORIG_MID--AUDIO_15_R1_2006_01_Track01_wav.wav,649.095237656,"Give me a song that is dramatic and virtuosic, composed in the Early Muzio Clementi style. It should be a Sonata in the Classical era, featuring a brisk, motoric rhythm. Incorporate a dense, two-handed texture with rapid scalar passages, and a transition from a stormy, agitated mood to a more lyrical, cantabile one." +Muzio Clementi,"Sonata in F-sharp minor, op. 25 no. 5, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_07_R1_2013_wav--2.wav,273.190164844,"Give me a song that is fiery and virtuosic, composed in the Early Clementi style. It should be a Sonata in the Classical era, featuring an Allegro con Brio rhythm. Incorporate dramatic harmonic shifts and a texture of chords and runs, and a transition from shock to betrayal." +Niccolò Paganini / Franz Liszt,Etude No. 6 in A Minor,train,2008,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_16_R1_2008_01-04_ORIG_MID--AUDIO_16_R1_2008_wav--4.wav,278.921996719,"Give me a song that is technically demanding and capricious, composed in the Middle Franz Liszt style. It should be an Étude in the Romantic era, featuring a theme and variations structure. Incorporate a highly chromatic yet tonally anchored harmony, and a transition from a dramatic theme to a virtuosic finale." +Nikolai Medtner,"Fairy Tale in D Minor, Op. 54",train,2009,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_03_R1_2009_03-08_ORIG_MID--AUDIO_03_R1_2009_03_R1_2009_05_WAV.wav,365.333502188,"Give me a song that is lyrical and fantastical, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale (Skazka) in the Late Romantic era, featuring complex piano writing. Incorporate dense polyphonic texture and chromatic harmony, and a transition from brooding mystery to triumphant resolve." +Nikolai Medtner,"Fairy Tales Op. 51 No. 1, 2 and No. 3",train,2017,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.midi,2017/MIDI-Unprocessed_078_PIANO078_MID--AUDIO-split_07-09-17_Piano-e_1-02_wav--3.wav,671.685811287,"Give me a song that is lyrical and folkloric, composed in the Middle Nikolai Medtner style. It should be a Fairy Tale in the Late Romantic era, featuring complex piano writing. Incorporate a contrapuntal texture with chromatic harmony, and a transition from a narrative opening to a dramatic conclusion." +Nikolai Medtner,"Sonata Tragica, Op. 39, No. 5",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--5.wav,609.916590938,"Give me a song that is fiery and dramatic, composed in the Middle Nikolai Medtner style. It should be a Sonata in the Late-Romantic era, featuring complex piano writing. Incorporate dense, polyphonic texture and highly chromatic harmony, and a transition from brooding meditation to tragic grandeur." +Nikolai Medtner,"Three Fairy Tales ""Skazki"" from Op. 34",train,2018,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital16_MID--AUDIO_16_R1_2018_wav--2.wav,727.833139688,"Give me a song that is lyrical and evocative, composed in the Middle Nikolai Medtner style. It should be a Skazka (Fairy Tale) in the Late Romantic era, featuring complex piano figuration. Incorporate dense, polyphonic texture and a harmonically rich, chromatic language, and a transition from a narrative, folk-like mood to a dramatic, impassioned one." +Nikolai Medtner,Two Fairy Tales,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_01_Track01_wav.wav,412.673198438,"Give me a song that is lyrical and fantastical, composed in the Early Medtner style. It should be a Fairy Tale in the Late-Romantic era, featuring complex pianistic textures. Incorporate rich, contrapuntal harmony, and a transition from a narrative opening to a dramatic, folk-inspired conclusion." +Nikolai Rimsky-Korsakov / Sergei Rachmaninoff,The Flight of the Bunble-Bee,train,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--5.wav,63.3786759375,"Give me a song that is virtuosic, rapid, and programmatic, composed in the Middle Romantic style. It should be an Orchestral Interlude in the Romantic era, featuring perpetual motion string figuration. Incorporate chromatic scalar melodies and homophonic texture, and a transition from frantic agitation to a sudden, light conclusion." +Orlando Gibbons,Pavan,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--2.wav,247.900393125,"Give me a song that is stately and contrapuntal, composed in the Early Orlando Gibbons style. It should be a Pavan in the Renaissance era, featuring a duple-meter rhythm. Incorporate imitative polyphony and consonant harmony, and a transition from dignified procession to gentle resolution." +Percy Grainger,Ramble on the Last Love - Duet,train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_02_R1_2018_wav--3.wav,441.12135375,"Give me a song that is lush and sentimental, composed in the Middle Percy Grainger style. It should be a Paraphrase in the Late Romantic era, featuring a piano duet arrangement. Incorporate a rich, homophonic texture with soaring, operatic melody and highly chromatic, late-Romantic harmony, and a transition from tender intimacy to ecstatic culmination." +Pyotr Ilyich Tchaikovsky,Dumka,train,2006,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_18_R1_2006_01-05_ORIG_MID--AUDIO_18_R1_2006_03_Track03_wav.wav,513.645319687,"Give me a song that is melancholic and thoughtful, composed in the Middle Tchaikovsky style. It should be a Dumka in the Romantic era, featuring rhythmic folk patterns. Incorporate harmonic patterns drawn from Slavic folk music, and a transition from pensiveness to a more animated character." +Pyotr Ilyich Tchaikovsky,"Dumka, Op. 59",train,2008,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.midi,2008/MIDI-Unprocessed_17_R2_2008_01-04_ORIG_MID--AUDIO_17_R2_2008_wav--2.wav,474.076716094,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a flexible, rhapsodic rhythm. Incorporate a lyrical, song-like melody over a homophonic texture with chromatic harmony, and a transition from brooding lamentation to frenzied dance." +Pyotr Ilyich Tchaikovsky,"Dumka, Op.59",train,2009,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_01-03_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_01_WAV.wav,499.677652031,"Give me a song that is melancholic and folk-inspired, composed in the Late Tchaikovsky style. It should be a Dumka in the Romantic era, featuring a rubato rhythm. Incorporate a lyrical, song-like melody with chromatic harmony, and a transition from brooding lament to energetic dance." +Pyotr Ilyich Tchaikovsky,Meditation,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_04_Track04_wav.wav,218.688349687,"Give me a song that is lyrical and introspective, composed in the Middle Tchaikovsky style. It should be a Meditation in the Romantic era, featuring a piano. Incorporate a homophonic texture with a singing, arching melody, and a transition from pensive melancholy to a more consoling, resolved calm." +Pyotr Ilyich Tchaikovsky,Russian Scherzo Op. 1,train,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--5.wav,366.701022187,"Give me a song that is lively and folk-inspired, composed in the Early Tchaikovsky style. It should be a Scherzo in the Romantic era, featuring a brisk, dance-like rhythm. Incorporate a homophonic texture based on a Ukrainian folk melody in B-flat major, and a transition from playful exuberance to a more lyrical middle section." +Pyotr Ilyich Tchaikovsky,"The Seasons, Op. 37a (Selections)",train,2014,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_16-18_R1_2014_MID--AUDIO_18_R1_2014_wav--5.wav,469.876666875,"Give me a song that is lyrical and picturesque, composed in the Middle Tchaikovsky style. It should be a Character Piece in the Romantic era, featuring a solo piano. Incorporate a cantabile melody and diatonic harmony with chromatic color, and a transition from a contemplative to a more animated mood." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Andante Maestoso from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--5.wav,272.686693125,"Give me a song that is grand and lyrical, composed in the Late Tchaikovsky style. It should be a Pas de Deux in the Romantic era, featuring a solo piano arrangement. Incorporate a rich, chordal texture and a soaring, operatic melody, and a transition from a stately procession to a tender, romantic resolution." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Ballet Nutcracker,train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_13_Track13_wav.wav,969.764233204,"Give me a song that is sparkling and fantastical, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring virtuosic piano instrumentation. Incorporate lush, chromatic harmony, and a transition from delicate wonder to exuberant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Concert Suite from the Nutcracker,train,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_03-04_ORIG_MID--AUDIO_11_R1_2004_03_Track03_wav.wav,310.470237956,"Give me a song that is lyrical and virtuosic, composed in the Late Tchaikovsky style. It should be a Concert Suite in the Romantic era, featuring piano transcription. Incorporate lush chromatic harmony, and a transition from dreamlike wonder to brilliant exuberance." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"Intermezzo from ""Nutcracker Suite""",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--3.wav,241.512846094,"Give me a song that is delicate and dreamlike, composed in the Late Tchaikovsky style. It should be an Intermezzo in the Romantic era, featuring harp and string instrumentation. Incorporate a flowing melody over a simple harmonic texture, and a transition from a pensive calm to a warm, lyrical resolve." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,"March from ""Nutcracker Suite",train,2008,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.midi,2008/MIDI-Unprocessed_02_R2_2008_01-05_ORIG_MID--AUDIO_02_R2_2008_wav--4.wav,108.673769531,"Give me a song that is brisk and ceremonial, composed in the Late Tchaikovsky style. It should be a March in the Romantic era, featuring a crisp duple-meter rhythm and bright orchestration. Incorporate a homophonic texture with a bold, diatonic melody, and a transition from playful anticipation to triumphant celebration." +Pyotr Ilyich Tchaikovsky / Mikhail Pletnev,Nutcracker Suite,train,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_04_Track04_wav.wav,976.011310312,"Give me a song that is whimsical and brilliant, composed in the Late Tchaikovsky style. It should be a Ballet Suite in the Romantic era, featuring a celesta. Incorporate a lush, chromatic harmony, and a transition from playful wonder to majestic celebration." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,Lullaby,train,2006,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_13_R1_2006_01-06_ORIG_MID--AUDIO_13_R1_2006_04_Track04_wav.wav,236.329891875,"Give me a song that is tender and serene, composed in the Late Romantic style. It should be a Lullaby in the Romantic era, featuring a gentle, rocking rhythm and piano instrumentation. Incorporate a homophonic texture with a simple, folk-like melody, and a transition from peaceful repose to a more poignant, wistful mood." +Pyotr Ilyich Tchaikovsky / Sergei Rachmaninoff,"Lullaby Op. 16, No. 1",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_05_Track05_wav.wav,295.250197385,"Give me a song that is gentle and lyrical, composed in the Early Tchaikovsky style. It should be a Lullaby in the Romantic era, featuring a rocking rhythm and piano accompaniment. Incorporate a simple, folk-like melody over a homophonic texture, and a transition from serene tenderness to a slightly more animated middle section." +Richard Wagner / Franz Liszt,IsoldasLiebestod,test,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_02_Track02_wav.wav,506.294899688,"Give me a song that is ecstatic and transcendent, composed in the Middle-Late Wagnerian style. It should be a symphonic transcription of an operatic aria in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony with unresolved appoggiaturas, and a transition from yearning anguish to serene consummation." +Richard Wagner / Franz Liszt,Isolde's Liebestod,test,2009,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_17_R1_2009_01-03_ORIG_MID--AUDIO_17_R1_2009_17_R1_2009_02_WAV.wav,430.775477344,"Give me a song that is ecstatic and transcendent, composed in the Late Romantic style. It should be a Symphonic Poem in the Romantic era, featuring a full orchestral texture. Incorporate a chromatically saturated harmony built on the 'Tristan chord', and a transition from yearning anguish to transfiguring release." +Robert Schumann,ABEGG Op. 1,train,2015,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D1-2-3-6-7-8-11_mid--AUDIO-from_mp3_08_R2_2015_wav--3.wav,419.332291667,"Give me a song that is virtuosic and playful, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a five-note theme. Incorporate rhythmic and textural variation, and a transition from a lyrical Cantabile to a brilliant finale." +Robert Schumann,ABEGG Variations Op. 1,train,2011,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.midi,2011/MIDI-Unprocessed_04_R1_2011_MID--AUDIO_R1-D2_06_Track06_wav.wav,456.623475,"Give me a song that is youthful and virtuosic, composed in the Early Robert Schumann style. It should be a Theme and Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a melodic motif, and a transition from playful elegance to brilliant exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2008,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R2_2008_01-04_ORIG_MID--AUDIO_12_R2_2008_wav--3.wav,451.479249375,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--5.wav,450.517711875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_13_R1_2013_wav--4.wav,451.658202188,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2013,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.midi,2013/ORIG-MIDI_02_7_8_13_Group__MID--AUDIO_08_R2_2013_wav--3.wav,389.577601875,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"ABEGG Variations, Op. 1",train,2011,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.midi,2011/MIDI-Unprocessed_08_R1_2011_MID--AUDIO_R1-D3_09_Track09_wav.wav,493.855008281,"Give me a song that is inventive and lyrical, composed in the Early Schumann style. It should be a Theme with Variations in the Romantic era, featuring a piano. Incorporate a musical cryptogram as a motivic basis, and a transition from playful elegance to passionate exuberance." +Robert Schumann,"Arabesque, Op. 18",validation,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_01_R1_2014_wav--5.wav,435.444276094,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Arabesque, Op. 18",validation,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_15_R3_2013_wav--2.wav,382.695931406,"Give me a song that is graceful and beguiling, composed in the Early Robert Schumann style. It should be an Arabeske in the Romantic era, featuring a leisurely melody against a steady bass. Incorporate a fluid, organic texture, and a transition from poetic charm to playful teasing." +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_03_ORIG_MID--AUDIO_01_R1_2004_04_Track04_wav.wav,1703.20758236,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2004,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_10_R1_2004_05_ORIG_MID--AUDIO_10_R1_2004_05_Track05_wav.wav,1443.84723636,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_15_R1_2018_wav--4.wav,1522.04575359,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Carnaval, Op. 9",train,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_03_R1_2014_wav--6.wav,1286.41030547,"Give me a song that is whimsical and characterful, composed in the Early Robert Schumann style. It should be a programmatic piano cycle in the Romantic era, featuring dance-like rhythms. Incorporate a highly chromatic harmony based on a musical cryptogram, and a transition from introspective to exuberant." +Robert Schumann,"Davidsbundlertanze, Op. 6",validation,2004,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_XP_19_R1_2004_01-02_ORIG_MID--AUDIO_19_R1_2004_03_Track03_wav.wav,2097.17864236,"Give me a song that is introspective and literary, composed in the Early Robert Schumann style. It should be a character-piece in the Romantic era, featuring a dance-like rhythm. Incorporate a highly chromatic yet tonal harmony, and a transition from Florestan's impetuosity to Eusebius's reflection." +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital9-11_MID--AUDIO_11_R1_2018_wav--5.wav,1885.56836016,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,Fantasie Op. 17,train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--4.wav,1894.08063797,"Give me a song that is passionate and expansive, composed in the Early Romantic Schumann style. It should be a Fantasie in the Romantic era, featuring virtuosic piano writing. Incorporate a rhapsodic melody, highly chromatic harmony, and a transition from turbulent yearning to transcendent resolution." +Robert Schumann,"Fantasy Pieces, Op. 12",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_01-02_ORIG_MID--AUDIO_08_R1_2004_02_Track02_wav.wav,1255.95783337,"Give me a song that is intimate and expressive, composed in the Early Schumann style. It should be a Fantasy Piece in the Romantic era, featuring a lyrical piano melody. Incorporate a homophonic texture with chromatic harmony, and a transition from poetic reverie to impassioned declaration." +Robert Schumann,"Fantasy in C Major, Op. 17",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--2.wav,2028.95630437,"Give me a song that is passionate, fantastic, and lyrical, composed in the Early Romantic Schumann style. It should be a Fantasy in the Romantic era, featuring free, alternating meters. Incorporate a highly chromatic yet tonal harmony, and a transition from distress to passionate yearning." +Robert Schumann,"Gesänge der Frühe, Op. 133",test,2014,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_01-03_R1_2014_MID--AUDIO_02_R1_2014_wav--4.wav,638.000163281,"Give me a song that is serene and introspective, composed in the late Schumann style. It should be a character piece in the Romantic era, featuring piano. Incorporate a tonal structure organized around a major triad and a transition from contemplative stillness to transcendent luminosity." +Robert Schumann,"Humoresque, Op. 20",validation,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_20_R1_2014_wav--2.wav,1634.31861141,"Give me a song that is capricious and introspective, composed in the Early Robert Schumann style. It should be a Humoreske in the Romantic era, featuring a solo piano. Incorporate a complex, multi-sectional structure with contrasting textures and a highly chromatic yet tonal harmony, and a transition from whimsical playfulness to profound melancholy." +Robert Schumann,"Intermezzi, Opus 4",test,2004,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_11_R1_2004_01-02_ORIG_MID--AUDIO_11_R1_2004_02_Track02_wav.wav,1303.54743657,"Give me a song that is passionate and sensitive, composed in the Early Schumann style. It should be an Intermezzo in the Romantic era, featuring unusual rhythms and accentuation. Incorporate a highly chromatic harmony, and a transition from an Allegro marcato main section to a faster central ""Alternativo.""" +Robert Schumann,Kreisleriana,train,2006,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_23_R1_2006_01-05_ORIG_MID--AUDIO_23_R1_2006_04_Track04_wav.wav,1888.42492781,"Give me a song that is intricate, colorful, and varied, composed in the Middle Schumann style. It should be a Kreisleriana in the Romantic era, featuring a singing melody embedded in the texture. Incorporate imitative counterpoint between voices, and a transition from lyrical to dramatic." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_04_Track04_wav.wav,700.849428215,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2004,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_17_R1_2004_01-02_ORIG_MID--AUDIO_20_R2_2004_06_Track06_wav.wav,705.86223394,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16",train,2009,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_03-05_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_03_WAV.wav,1893.88432406,"Give me a song that is agitated, introspective, and lyrical, composed in the Middle Robert Schumann style. It should be a character piece in the Romantic era, featuring a highly animated rhythm. Incorporate a contrasting ABACA form with a very inward melody, and a transition from extreme agitation to tender intimacy." +Robert Schumann,"Kreisleriana, Op. 16 (1st edition) (Complete)",train,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_12_R1_2014_wav--1.wav,1873.31276344,"Give me a song that is agitated and capricious, composed in the Middle Schumann style. It should be a Phantasie in the Romantic era, featuring complex piano figuration. Incorporate a highly chromatic yet tonal harmony, and a transition from impassioned fantasy to introspective lyricism." +Robert Schumann,"Kreisleriana, Op. 16 (Complete)",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_10_R1_2014_wav--3.wav,2014.85909625,"Give me a song that is extremely animated and inwardly lyrical, composed in the Middle Robert Schumann style. It should be a Phantasie in the Romantic era, featuring contrasting movements for solo piano. Incorporate a highly chromatic yet tonal harmony, and a transition from agitated passion to poetic introspection." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",validation,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_03_Track03_wav.wav,245.831752031,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,"Romances Op. 28, Nos. 2 and 3",test,2011,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.midi,2011/MIDI-Unprocessed_23_R3_2011_MID--AUDIO_R3-D8_04_Track04_wav.wav,438.614678906,"Give me a song that is lyrical and introspective, composed in the Early Schumann style. It should be a Romance in the Romantic era, featuring a piano solo. Incorporate a song-like melody and rich chromatic harmony, and a transition from melancholic yearning to tender resolution." +Robert Schumann,Sonata F# Minor,train,2006,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_01_R1_2006_01-09_ORIG_MID--AUDIO_01_R1_2006_01_Track01_wav.wav,1793.33421094,"Give me a song that is unconventional and intriguing, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a complex piano structure. Incorporate an unusual formal structure and highly chromatic harmony, and a transition from Florestan's passion to Eusebius's introspection." +Robert Schumann,"Sonata No. 1 in F-Sharp Minor, Op. 11 (Complete)",train,2014,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.midi,2014/MIDI-UNPROCESSED_04-08-12_R3_2014_MID--AUDIO_08_R3_2014_wav.wav,1913.92303266,"Give me a song that is impassioned and fantastical, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a narrative approach to form. Incorporate a unifying falling perfect fifth motif and highly chromatic harmony, and a transition from introspective yearning to dramatic fervor." +Robert Schumann,"Sonata No. 1 in F-sharp Minor, Op. 11",train,2009,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.midi,2009/MIDI-Unprocessed_13_R1_2009_04_ORIG_MID--AUDIO_13_R1_2009_13_R1_2009_04_WAV.wav,1582.88703891,"Give me a song that is passionate and narrative, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring vivid flights of fantasy in its rhythm. Incorporate a unifying melodic motif of a falling perfect fifth and highly chromatic harmony, and a transition from introspective fantasy to dramatic intensity." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22",validation,2018,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital4_MID--AUDIO_04_R1_2018_wav--4.wav,976.820604375,"Give me a song that is taut and compelling, composed in the Early Robert Schumann style. It should be a Piano Sonata in the Romantic era, featuring a driving rhythmic pulse. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from stormy passion to lyrical introspection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--3.wav,1128.44438438,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,"Sonata No. 2 in G Minor, Op. 22 (Complete)",validation,2017,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.midi,2017/MIDI-Unprocessed_073_PIANO073_MID--AUDIO-split_07-08-17_Piano-e_2-02_wav--4.wav,981.026175854,"Give me a song that is passionate and structurally innovative, composed in the Early Robert Schumann style. It should be a Sonata in the Romantic era, featuring a sonata-rondo finale. Incorporate highly chromatic harmony, and a transition from stormy intensity to lyrical reflection." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.midi,2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_03_Track03_wav.wav,1577.65333688,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_01_Track01_wav.wav,1623.70831219,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes,train,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_03_Track03_wav.wav,1634.54564109,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Etude in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from poetic introspection to dramatic intensity." +Robert Schumann,Symphonic Etudes Op. 13,train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--2.wav,1526.65579172,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Romantic Robert Schumann style. It should be a set of Études in the Romantic era, featuring elaborate piano counterpoint. Incorporate rich, orchestral harmony and thematic variation, and a transition from a somber theme to triumphant brilliance." +Robert Schumann,Symphonic Etudes Op. 13 (with Posthumous variations),train,2018,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital20_MID--AUDIO_20_R1_2018_wav--4.wav,2096.39614078,"Give me a song that is virtuosic, passionate, and structurally inventive, composed in the Early Robert Schumann style. It should be a Symphonic Etude in the Romantic era, featuring a theme and variations for solo piano. Incorporate a dense, polyphonic texture with dramatic harmonic shifts, and a transition from brooding introspection to triumphant exaltation." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2009,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_02_R1_2009_01-02_ORIG_MID--AUDIO_02_R1_2009_02_R1_2009_02_WAV.wav,1317.43591547,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2014,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.midi,2014/MIDI-UNPROCESSED_14-15_R1_2014_MID--AUDIO_15_R1_2014_wav--6.wav,1650.67409719,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13",train,2015,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.midi,2015/MIDI-Unprocessed_R2_D2-12-13-15_mid--AUDIO-from_mp3_15_R2_2015_wav--3.wav,1058.59166667,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be an Étude in the Romantic era, featuring elaborate counterpoint. Incorporate rich harmonic texture and orchestral chords, and a transition from a somber theme to triumphant variations." +Robert Schumann,"Symphonic Etudes, Op. 13 (with Posthumous Etudes)",train,2014,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_21-22_R1_2014_MID--AUDIO_21_R1_2014_wav--8.wav,1634.97165563,"Give me a song that is grand, virtuosic, and symphonic, composed in the Early Robert Schumann style. It should be a set of Études in the Romantic era, featuring orchestral piano textures. Incorporate elaborate counterpoint and rich, chromatic harmony, and a transition from a somber theme to triumphant variations." +Robert Schumann,Toccata Op. 7,test,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_02_Track02_wav.wav,311.429977031,"Give me a song that is technically ferocious and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a demanding double-note piano texture. Incorporate sonata-allegro form and a highly chromatic C major harmony, and a transition from a fantastic study to a triumphant conclusion." +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_11-13_R1_2014_MID--AUDIO_13_R1_2014_wav--4.wav,404.076786094,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring rapid unison octaves and syncopation. Incorporate advanced chromaticism and contrapuntal texture, and a transition from a bold, chordal introduction to a relentless, virtuosic development." +Robert Schumann,"Toccata in C Major, Op. 7",test,2014,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.midi,2014/MIDI-UNPROCESSED_19-20_R1_2014_MID--AUDIO_19_R1_2014_wav--8.wav,292.591854844,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring rapid unison octaves and syncopation. Incorporate advanced chromaticism and contrapuntal texture, and a transition from a bold, chordal introduction to a relentless, virtuosic development." +Robert Schumann,"Toccata in C Major, Opus 7",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_10_Track10_wav.wav,312.655060571,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from a heroic, assertive mood to a more lyrical, resolved mood." +Robert Schumann,"Toccata in C, Op. 7",test,2009,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_20_R1_2009_01-05_ORIG_MID--AUDIO_20_R1_2009_20_R1_2009_02_WAV.wav,392.351370469,"Give me a song that is technically demanding and brilliant, composed in the Early Robert Schumann style. It should be a Toccata in the Romantic era, featuring a relentless, driving rhythm. Incorporate a dense, chordal texture and a sonata-allegro form structure, and a transition from heroic struggle to triumphant resolution." +Robert Schumann / Franz Liszt,Widmung,train,2008,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.midi,2008/MIDI-Unprocessed_15_R2_2008_01-04_ORIG_MID--AUDIO_15_R2_2008_wav--3.wav,205.543330781,"Give me a song that is intimate and lyrical, composed in the Middle Robert Schumann style. It should be a Lied in the Romantic era, featuring a vocal melody with piano accompaniment. Incorporate a homophonic texture and a harmonically rich, diatonic foundation with chromatic passing tones, and a transition from tender devotion to impassioned climax." +Sergei Rachmaninoff,Corelli Var.Op42,validation,2006,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_09_R1_2006_01-04_ORIG_MID--AUDIO_09_R1_2006_03_Track03_wav.wav,1103.90648156,"Give me a song that is introspective, chromatic, and virtuosic, composed in the Late Rachmaninoff style. It should be a Theme and Variations in the Late Romantic era, featuring a complex piano texture. Incorporate a highly chromatic yet tonal harmonic language, and a transition from somber lyricism to dramatic intensity." +Sergei Rachmaninoff,Elegie in E-Flat Minor Op. 3,validation,2011,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.midi,2011/MIDI-Unprocessed_12_R2_2011_MID--AUDIO_R2-D4_02_Track02_wav.wav,376.323074531,"Give me a song that is melancholic and introspective, composed in the Early Sergei Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,"Elegie in E-flat Minor, Op. 3 No. 1",validation,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_01_R1_2013_wav--3.wav,302.103063281,"Give me a song that is melancholic and introspective, composed in the Early Rachmaninoff style. It should be an Élégie in the Romantic era, featuring piano instrumentation. Incorporate a lyrical, singing melody over rich, chromatic harmony, and a transition from somber reflection to impassioned yearning." +Sergei Rachmaninoff,"Elegy Op. 3, No. 1",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_03_Track03_wav.wav,321.438154319,"Give me a song that is lyrical and melancholic, composed in the Early Rachmaninoff style. It should be a Morceau de fantaisie in the Romantic era, featuring piano solo instrumentation. Incorporate a rich, singing melody and lush, chromatic harmony, and a transition from somber reflection to impassioned grief." +Sergei Rachmaninoff,Etude Tableau Op. 39 No. 5,test,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--2.wav,291.913436719,"Give me a song that is turbulent and passionate, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an Appassionato tempo. Incorporate dense chromatic harmony and a sweeping, dramatic melody, and a transition from agitated intensity to a climactic, tragic grandeur." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 1 in C Minor,test,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--3.wav,164.620561875,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chromatic harmony and a powerful, surging melody, and a transition from stormy agitation to a climactic, tragic resolution." +Sergei Rachmaninoff,Etude Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_09_R1_2008_01-05_ORIG_MID--AUDIO_09_R1_2008_wav--4.wav,153.79258125,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableaux in the Late Romantic era, featuring a complex, ambiguous rhythmic structure. Incorporate a highly chromatic and tonally ambiguous harmonic texture, and a transition from a brooding, unsettled mood to a climactic, despairing one." +Sergei Rachmaninoff,Etude-Tableau Op. 39 No. 6 in A Minor,validation,2017,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.midi,2017/MIDI-Unprocessed_049_PIANO049_MID--AUDIO-split_07-06-17_Piano-e_2-06_wav--4.wav,161.913736533,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a sweeping, lamenting melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableau in C Minor, Op. 39, No. 1",test,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--5.wav,197.370262031,"Give me a song that is dark and turbulent, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring an agitated Allegro rhythm. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from stormy agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Etude-Tableau in E-flat Minor, op. 39 No. 5",test,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_17_R1_2015_wav--3.wav,280.047916667,"Give me a song that is tragic, grandiose, and passionate, composed in the Middle Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex piano texture. Incorporate dense, chromatic harmony, and a transition from brooding intensity to epic grandeur." +Sergei Rachmaninoff,"Etude-Tableau, Op. 39 No. 6 in A Minor",validation,2011,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.midi,2011/MIDI-Unprocessed_23_R1_2011_MID--AUDIO_R1-D9_05_Track05_wav.wav,154.993167656,"Give me a song that is dramatic and turbulent, composed in the Late Rachmaninoff style. It should be an Etude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a chromatic, yearning melody, and a transition from brooding intensity to a climactic, despairing conclusion." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5,test,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_04_R1_2013_wav--3.wav,262.041671719,"Give me a song that is turbulent and passionate, composed in the Middle Sergei Rachmaninoff style. It should be an Etude-Tableaux in the Late Romantic era, featuring an Allegro agitato tempo. Incorporate a dense, chromatic harmonic structure, and a transition from agitated intensity to a more resolute, march-like character." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 5 in E-flat Minor,test,2008,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.midi,2008/MIDI-Unprocessed_05_R1_2008_01-04_ORIG_MID--AUDIO_05_R1_2008_wav--4.wav,273.573444375,"Give me a song that is turbulent and impassioned, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late-Romantic era, featuring an Appassionato tempo. Incorporate dense, chordal textures and a highly chromatic yet tonal harmony, and a transition from agitated tumult to a somber, march-like resolve." +Sergei Rachmaninoff,Etude-Tableaux Op. 39 No. 6 in A Minor,validation,2008,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R1_2008_01-04_ORIG_MID--AUDIO_12_R1_2008_wav--3.wav,158.788569844,"Give me a song that is dark and ambiguous, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a complex, shifting rhythm. Incorporate a dense, chromatic harmonic texture, and a transition from a brooding march to a tumultuous climax." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 33 No. 3 in C Minor",validation,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_06_Track06_wav.wav,267.438313619,"Give me a song that is dramatic and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chromatic harmony, and a transition from brooding intensity to a climactic, tragic resolution." +Sergei Rachmaninoff,"Etude-Tableaux, Opus 39 No. 8 in D Minor",test,2004,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_02_R1_2004_01-05_ORIG_MID--AUDIO_02_R1_2004_08_Track08_wav.wav,190.852001088,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring a driving, march-like rhythm. Incorporate dense, chordal textures and a highly chromatic, minor-key harmony, and a transition from a grim, processional mood to a climactic, despairing one." +Sergei Rachmaninoff,Etudes-Tableaux,test,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_07_Track07_wav.wav,204.878267344,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a singing melody, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Etudes-Tableaux Op. 33,validation,2018,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital5-7_MID--AUDIO_05_R1_2018_wav--3.wav,1355.37791813,"Give me a song that is virtuosic and poetic, composed in the Middle Sergei Rachmaninoff style. It should be an Étude-Tableau in the Late Romantic era, featuring complex piano figuration. Incorporate dense chromatic harmony and a lyrical, expansive melody, and a transition from turbulent intensity to melancholic reflection." +Sergei Rachmaninoff,"Humoresque Op. 10, No. 5",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_04_Track04_wav.wav,217.924570796,"Give me a song that is light and ironic, composed in the Early Rachmaninoff style. It should be a Humoresque in the Romantic era, featuring salon piano instrumentation. Incorporate a lyrical melody over chromatic harmony, and a transition from playful caprice to a more lyrical, singing mood." +Sergei Rachmaninoff,Lilac,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_03_Track03_wav.wav,138.394626563,"Give me a song that is lyrical and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Romance in the Romantic era, featuring a soprano voice with piano accompaniment. Incorporate a flowing melody over rich chromatic harmony, and a transition from tender reflection to poignant sentiment." +Sergei Rachmaninoff,"Moment Musical, Op. 16, No.4",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--2.wav,158.014182992,"Give me a song that is turbulent and impassioned, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano writing. Incorporate a dense, chordal texture and a highly chromatic, yearning melody, and a transition from brooding intensity to a climactic, tragic grandeur." +Sergei Rachmaninoff,Moment Musicaux Op. 16 No. 4 in E Minor,train,2017,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.midi,2017/MIDI-Unprocessed_060_PIANO060_MID--AUDIO-split_07-07-17_Piano-e_2-04_wav--2.wav,164.292998379,"Give me a song that is dramatic and technically demanding, composed in the Early Rachmaninoff style. It should be a Moment Musicaux in the Romantic era, featuring a presto tempo and virtuosic piano writing. Incorporate a dense, chordal texture with a highly chromatic yet tonal harmony, and a transition from turbulent agitation to a somber, resigned conclusion." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 3 in B Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--4.wav,256.500811875,"Give me a song that is somber and lyrical, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a flowing, triplet-based rhythm. Incorporate a dense, chordal texture with a long-breathed, vocal melody, and a transition from melancholic introspection to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 4 in E Minor",train,2018,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital1-3_MID--AUDIO_03_R1_2018_wav--5.wav,164.338777969,"Give me a song that is virtuosic, thickly textured, and sophisticated, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring demanding piano performance. Incorporate dense textures and a highly chromatic yet tonal harmony, and a transition from turbulent intensity to lyrical introspection." +Sergei Rachmaninoff,"Moment Musicaux, Op. 16 No. 5",train,2013,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.midi,2013/ORIG-MIDI_01_7_6_13_Group__MID--AUDIO_02_R1_2013_wav--4.wav,207.710796563,"Give me a song that is gently flowing and untroubled, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring a barcarolle rhythm. Incorporate a sustained texture and bright melodic harmony, and a transition from darkness to a bright mood." +Sergei Rachmaninoff,Moments Musicaux,train,2006,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_22_R1_2006_01-04_ORIG_MID--AUDIO_22_R1_2006_04_Track04_wav.wav,1750.78350563,"Give me a song that is poignant and virtuosic, composed in the Early Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring complex piano figuration. Incorporate a lyrical melody over dense, chromatic harmony, and a transition from melancholic introspection to impassioned climax." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_03_Track03_wav.wav,380.377557656,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_04_Track04_wav.wav,177.222045,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_05_Track05_wav.wav,224.7861,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_06_Track06_wav.wav,162.591984844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_07_Track07_wav.wav,209.215869844,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Moments Musicaux, Op. 16",train,2011,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.midi,2011/MIDI-Unprocessed_17_R3_2011_MID--AUDIO_R3-D6_08_Track08_wav.wav,276.942832031,"Give me a song that is virtuosic and formally masterful, composed in the Early Sergei Rachmaninoff style. It should be a Moment Musical in the Romantic era, featuring solo piano. Incorporate dense textures, lyrical melody, and rich chromatic harmony, and a transition from brooding introspection to impassioned intensity." +Sergei Rachmaninoff,"Polka de ""W.R.""",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_06_Track06_wav.wav,235.444818256,"Give me a song that is lively and charming, composed in the Early Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a brisk 2/4 rhythm. Incorporate a texture of a right-hand melody over a left-hand accompaniment, and a transition from playful to more lyrical." +Sergei Rachmaninoff,Polka de W. R.,validation,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_04_Track04_wav.wav,199.615185,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Late Romantic era, featuring a 2/4 dance rhythm. Incorporate a texture of a right-hand figuration against a left-hand melody, and a transition from playful to lyrical." +Sergei Rachmaninoff,Polka de W.R.,validation,2004,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.midi,2004/MIDI-Unprocessed_SMF_13_01_2004_01-05_ORIG_MID--AUDIO_13_R1_2004_12_Track12_wav.wav,243.356119704,"Give me a song that is charming and nostalgic, composed in the Middle Sergei Rachmaninoff style. It should be a Polka in the Romantic era, featuring a 2/4 rhythm. Incorporate a lyrical melody over a chordal texture, and a transition from playful wistfulness to robust affirmation." +Sergei Rachmaninoff,Prelude Op. 23 No. 4 in D Major,train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--4.wav,264.132291667,"Give me a song that is lyrical and expansive, composed in the Middle Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a cantabile melody over a flowing accompaniment. Incorporate rich, chromatic harmony with a tonal center in D major, and a transition from a serene, singing mood to a more dramatic, resolute one." +Sergei Rachmaninoff,Prelude Op. 23 No. 6 in E-flat Major,test,2008,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.midi,2008/MIDI-Unprocessed_12_R3_2008_01-04_ORIG_MID--AUDIO_12_R3_2008_wav--3.wav,167.493155156,"Give me a song that is grand and lyrical, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing sixteenth-note accompaniment. Incorporate a three-note melodic germ and variation form, and a transition from a stately opening to a more intense and developed mood." +Sergei Rachmaninoff,"Prelude Op. 23, No. 2",train,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_04_Track04_wav.wav,168.511255027,"Give me a song that is brilliant and rhythmically complex, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring virtuosic piano instrumentation. Incorporate a contrasting texture of thunderous left-hand figures, and a transition from a maestoso mood to a more lyrical one." +Sergei Rachmaninoff,Prelude Op. 23/4,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_05_Track05_wav.wav,240.634107656,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a flowing rhythm for solo piano. Incorporate a rich harmonic texture with modulations to the subdominant, and a transition from serene contemplation to passionate intensity." +Sergei Rachmaninoff,Prelude Op. 3 No. 2 in C-sharp Minor,validation,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--5.wav,239.852858438,"Give me a song that is dramatic and brooding, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a somber, tolling-bell motif and rich chromatic harmony, and a transition from ominous foreboding to a powerful, climactic despair." +Sergei Rachmaninoff,Prelude Op. 32 No. 8 in A Minor,test,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--5.wav,109.870833333,"Give me a song that is somber and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring a steady, march-like rhythm. Incorporate a dense, chordal texture with a lyrical, sighing melody over chromatically shifting harmony, and a transition from solemn resolve to tragic despair." +Sergei Rachmaninoff,"Prelude Op. 32, No. 10",test,2004,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.midi,2004/MIDI-Unprocessed_XP_08_R1_2004_04-06_ORIG_MID--AUDIO_08_R1_2004_05_Track05_wav--1.wav,287.529574004,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a flowing melody over rich chromatic harmony, and a transition from somber reflection to a more resolute, though not triumphant, conclusion." +Sergei Rachmaninoff,Prelude Op. 32/5,validation,2006,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.midi,2006/MIDI-Unprocessed_14_R1_2006_01-05_ORIG_MID--AUDIO_14_R1_2006_04_Track04_wav.wav,365.457700781,"Give me a song that is lyrical and introspective, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring solo piano. Incorporate a melancholic melody over rich, chromatic harmony, and a transition from pensive calm to a more agitated, dramatic climax." +Sergei Rachmaninoff,"Prelude in C-sharp Minor, Op. 3, No. 2",validation,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_02_Track02_wav.wav,231.917050885,"Give me a song that is somber and dramatic, composed in the Early Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a heavy, chordal texture. Incorporate a mournful, descending melody over dense, chromatic harmony, and a transition from brooding despair to a climactic, anguished outcry." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2014,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.midi,2014/MIDI-UNPROCESSED_04-05_R1_2014_MID--AUDIO_04_R1_2014_wav--4.wav,280.859761875,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in D Major, Op. 23, No. 4",train,2013,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_6_13_Group__MID--AUDIO_05_R1_2013_wav--3.wav,263.720355938,"Give me a song that is lyrical and expansive, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a flowing rhythm. Incorporate a cantabile melody over rich, chromatic harmony, and a transition from serene nobility to a more somber, developmental mood." +Sergei Rachmaninoff,"Prelude in G-Sharp Minor,Op. 32 No. 12",test,2011,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.midi,2011/MIDI-Unprocessed_03_R2_2011_MID--AUDIO_R2-D1_06_Track06_wav.wav,127.737585938,"Give me a song that is somber and intense, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Romantic era, featuring a piano. Incorporate a dense, chordal texture with a chromatic, descending melody, and a transition from brooding despair to a climactic, tragic resolution." +Sergei Rachmaninoff,"Preludes Op. 23, Nos. 2, 4 and 5",train,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_19_R1_2018_wav--6.wav,700.402611563,"Give me a song that is lyrical, expansive, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Prelude in the Late Romantic era, featuring complex piano figuration. Incorporate rich chromatic harmony and a singing melody, and a transition from introspective melancholy to impassioned grandeur." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_04_Track04_wav.wav,582.148189219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_07_Track07_wav.wav,293.417174531,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_08_Track08_wav.wav,91.6839360938,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-Flat Minor Op. 36 (1913),train,2011,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.midi,2011/MIDI-Unprocessed_12_R3_2011_MID--AUDIO_R3-D4_09_Track09_wav.wav,344.883469219,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate free variations and a tonally ambiguous recapitulation, and a transition from turbulent agitation to a resolute minor coda." +Sergei Rachmaninoff,Sonata No. 2 in B-flat Minor,train,2004,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_15_R1_2004_04_ORIG_MID--AUDIO_15_R1_2004_04_Track04_wav.wav,1167.49976099,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Late Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a tonally ambiguous recapitulation, and a transition from dramatic conflict to a resolute, minor-key coda." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36",train,2004,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_01_R1_2004_04-05_ORIG_MID--AUDIO_01_R1_2004_06_Track06_wav.wav,649.419024379,"Give me a song that is turbulent and dramatic, composed in the Late Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a somber, lyrical lament." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op. 36 (1913)",train,2009,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_08_WAV.wav,1387.26089906,"Give me a song that is dramatic and harmonically rich, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an Allegro agitato rhythm. Incorporate free developmental variations and a tonally ambiguous recapitulation, and a transition from agitated tension to a settled, minor-key resolution." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_05-06_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_06_WAV.wav,1227.78322734,"Give me a song that is turbulent and technically formidable, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring a virtuosic piano instrumentation. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated drama to a more lyrical, introspective mood." +Sergei Rachmaninoff,"Sonata No. 2 in B-flat Minor, Opus 36",train,2004,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.midi,2004/MIDI-Unprocessed_SMF_16_R1_2004_01-08_ORIG_MID--AUDIO_16_R1_2004_08_Track08_wav.wav,1195.73578881,"Give me a song that is turbulent and virtuosic, composed in the Early Sergei Rachmaninoff style. It should be a Piano Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and a highly chromatic but tonally anchored harmony, and a transition from brooding intensity to triumphant resolve." +Sergei Rachmaninoff,Sonata Op. 36,train,2006,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.midi,2006/MIDI-Unprocessed_03_R1_2006_01-05_ORIG_MID--AUDIO_03_R1_2006_05_Track05_wav.wav,1040.69473922,"Give me a song that is turbulent and virtuosic, composed in the Middle Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring an agitated rhythm. Incorporate a highly chromatic harmony, and a transition from dramatic agitation to lyrical reflection." +Sergei Rachmaninoff,"Sonata in B-flat Minor, Op.36",train,2009,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.midi,2009/MIDI-Unprocessed_07_R1_2009_04-05_ORIG_MID--AUDIO_07_R1_2009_07_R1_2009_05_WAV.wav,1168.36555172,"Give me a song that is turbulent, dramatic, and virtuosic, composed in the Middle Sergei Rachmaninoff style. It should be a Sonata in the Late Romantic era, featuring complex piano figuration. Incorporate dense, chordal textures and highly chromatic harmony, and a transition from agitated intensity to a triumphant conclusion." +Sergei Rachmaninoff / György Cziffra,Flight of B.B.,train,2006,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.midi,2006/MIDI-Unprocessed_12_R1_2006_01-08_ORIG_MID--AUDIO_12_R1_2006_08_Track08_wav.wav,114.58321875,"Give me a song that is dazzling and virtuosic, composed in the Late Romantic style. It should be a Concert Paraphrase in the Romantic era, featuring a relentless, rapid-fire rhythm. Incorporate a homophonic texture built on highly chromatic harmony, and a transition from a tense, swirling agitation to a triumphant, brilliant conclusion." +Sergei Rachmaninoff / Vyacheslav Gryaznov,Italian Polka,train,2009,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_04-06_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_06_WAV.wav,182.654731875,"Give me a song that is lively and popular, composed in the Late Rachmaninoff style. It should be a Polka in the Romantic era, featuring a two-hand piano transcription. Incorporate a simple texture and a harmonic transition from E-flat minor to E-flat major, and a transition from a pensive to a brighter mood." +Wolfgang Amadeus Mozart,Fantasy in C Min,train,2006,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav.midi,2006/MIDI-Unprocessed_07_R1_2006_01-04_ORIG_MID--AUDIO_07_R1_2006_02_Track02_wav.wav,691.770141563,"Give me a song that is dramatic and sectional, composed in the Middle Mozart style. It should be a Fantasy in the Classical era, featuring solo piano. Incorporate chromatic harmony and a free, rhapsodic texture, and a transition from a brooding Adagio to a contrasting D major section." +Wolfgang Amadeus Mozart,"Nine Variations, K. 264",train,2009,2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV.midi,2009/MIDI-Unprocessed_04_R1_2009_01-03_ORIG_MID--AUDIO_04_R1_2009_04_R1_2009_02_WAV.wav,735.7471275,"Give me a song that is elegant, playful, and virtuosic, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme-and-variations structure for solo piano. Incorporate a graceful, ornamented melody over a clear harmonic progression, and a transition from a lyrical and serene mood to a brilliant and spirited one." +Wolfgang Amadeus Mozart,"Nine variations on a minuet by Duport, K537",train,2018,2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1.midi,2018/MIDI-Unprocessed_Chamber2_MID--AUDIO_09_R3_2018_wav--1.wav,581.409675,"Give me a song that is elegant, witty, and refined, composed in the Late Mozart style. It should be a set of Variations in the Classical era, featuring a clear minuet rhythm. Incorporate a transparent texture with graceful melodic ornamentation, and a transition from courtly charm to playful virtuosity." +Wolfgang Amadeus Mozart,"Rondo in A Minor, K. 511",test,2011,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav.midi,2011/MIDI-Unprocessed_05_R1_2011_MID--AUDIO_R1-D2_12_Track12_wav.wav,500.815471406,"Give me a song that is introspective and melancholic, composed in the Late Mozart style. It should be a Rondo in the Classical era, featuring a piano. Incorporate a highly chromatic yet tonal harmony, and a transition from poignant reflection to a more resigned acceptance." +Wolfgang Amadeus Mozart,Sonata K. 457,train,2006,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_24_R1_2006_01-05_ORIG_MID--AUDIO_24_R1_2006_01_Track01_wav.wav,937.038325781,"Give me a song that is dramatic and intense, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano instrumentation. Incorporate textbook sonata form with thematic development and key relations, and a transition from dramatic tension to resolution." +Wolfgang Amadeus Mozart,"Sonata K. 457 in C minor, I. Allegro molto",train,2015,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D1-1-8_mid--AUDIO-from_mp3_01_R1_2015_wav--3.wav,228.583333333,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a bold, octave-based subject. Incorporate a highly chromatic yet tonally grounded harmony, and a transition from turbulent defiance to tragic pathos." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K 333, First Movement",test,2008,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_08_R1_2008_01-05_ORIG_MID--AUDIO_08_R1_2008_wav--2.wav,299.095587656,"Give me a song that is unified, economical, and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a prevailing unity of melodic material and character, and a transition from a prevailing mood to a contrasting mood." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 281, First Movement",train,2011,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav.midi,2011/MIDI-Unprocessed_02_R1_2011_MID--AUDIO_R1-D1_09_Track09_wav.wav,183.08742375,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo for piano. Incorporate a light Alberti bass texture, a graceful and ornamented melody, and a transition from a spirited exposition to a more lyrical development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, 1st mov.",test,2013,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1.midi,2013/ORIG-MIDI_03_7_10_13_Group_MID--AUDIO_17_R3_2013_wav--1.wav,307.326081563,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful exposition to more dramatic development." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 333, I. Allegro",test,2017,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3.midi,2017/MIDI-Unprocessed_052_PIANO052_MID--AUDIO-split_07-06-17_Piano-e_3-03_wav--3.wav,301.940828175,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano with Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with secondary dominants, and a transition from graceful assurance to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K. 570, 1st mov.",train,2013,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3.midi,2013/ORIG-MIDI_02_7_7_13_Group__MID--AUDIO_18_R1_2013_wav--3.wav,261.801287344,"Give me a song that is elegant and lyrical, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over a transparent texture, and a transition from graceful playfulness to a more poignant reflection." +Wolfgang Amadeus Mozart,"Sonata in B-flat Major, K.281",train,2009,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_08_R1_2009_01-04_ORIG_MID--AUDIO_08_R1_2009_08_R1_2009_01_WAV.wav,672.153441094,"Give me a song that is elegant and lyrical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a singing piano melody. Incorporate a homophonic texture with galant harmonic clarity, and a transition from graceful poise to tender introspection." +Wolfgang Amadeus Mozart,"Sonata in C Major, K 330, I. Allegro moderato",train,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_20_R1_2015_wav--2.wav,257.267708333,"Give me a song that is elegant and balanced, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony, and a transition from graceful lyricism to playful brilliance." +Wolfgang Amadeus Mozart,"Sonata in C Major, K279",validation,2015,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3.midi,2015/MIDI-Unprocessed_R1_D2-13-20_mid--AUDIO-from_mp3_18_R1_2015_wav--3.wav,598.585416667,"Give me a song that is bright and energetic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an active left-hand piano part. Incorporate a highly chromatic yet tonal harmony, and a transition from playful development to a firm, surprising close." +Wolfgang Amadeus Mozart,"Sonata in C Minor K457, First Movement",train,2008,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_02_R1_2008_01-05_ORIG_MID--AUDIO_02_R1_2008_wav--2.wav,230.639459531,"Give me a song that is dramatic and bold, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a homophonic texture with a stark, octave-based melody and functional yet chromatic harmony, and a transition from a stormy, minor-key tension to a more lyrical, contrasting theme." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457",train,2018,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital13-15_MID--AUDIO_13_R1_2018_wav--1.wav,1070.4476475,"Give me a song that is dramatic and impassioned, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a solo piano. Incorporate a highly chromatic and expressive melody, and a transition from turbulent pathos to a more lyrical resolve." +Wolfgang Amadeus Mozart,"Sonata in C Minor, K. 457, 1st mov.",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_11_R1_2013_wav--2.wav,239.547036094,"Give me a song that is dramatic and stormy, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring a driving, agitated rhythm. Incorporate a homophonic texture with a lyrical, singing melody and dramatic harmonic contrasts, and a transition from turbulent urgency to poignant lyricism." +Wolfgang Amadeus Mozart,Sonata in D Major K576,train,2018,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1.midi,2018/MIDI-Unprocessed_Recital12_MID--AUDIO_12_R1_2018_wav--1.wav,803.47141875,"Give me a song that is brilliant and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a lively, horn-like opening theme. Incorporate a polyphonic texture with imitative counterpoint, and a transition from a stately, hunting fanfare to a more lyrical and playful character." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 284, First Movement",train,2008,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2.midi,2008/MIDI-Unprocessed_14_R1_2008_01-05_ORIG_MID--AUDIO_14_R1_2008_wav--2.wav,267.495726094,"Give me a song that is elegant, brilliant, and expressive, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Allegro rhythm. Incorporate a homophonic texture with a singing melody and diatonic harmony with chromatic inflections, and a transition from stately confidence to playful wit." +Wolfgang Amadeus Mozart,"Sonata in D Major, K 576, First Movement",train,2008,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--1.midi,2008/MIDI-Unprocessed_07_R3_2008_01-05_ORIG_MID--AUDIO_07_R3_2008_wav--1.wav,236.252434687,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring contrapuntal writing. Incorporate a clear sonata-allegro form with imitative counterpoint, and a transition from a stately, regal mood to a playful, energetic one." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 284, First Movement",train,2011,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav.midi,2011/MIDI-Unprocessed_03_R1_2011_MID--AUDIO_R1-D1_16_Track16_wav.wav,205.236172969,"Give me a song that is bright and virtuosic, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring a brisk Allegro tempo and piano instrumentation. Incorporate a homophonic texture with elegant, ornamented melodies and clear, functional harmony, and a transition from a stately confidence to a playful exuberance." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 311",train,2009,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV.midi,2009/MIDI-Unprocessed_14_R1_2009_06-08_ORIG_MID--AUDIO_14_R1_2009_14_R1_2009_06_WAV.wav,910.278202969,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring a piano. Incorporate a classical harmonic framework, and a transition from spirited playfulness to lyrical grace." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576 (Complete)",train,2014,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1.midi,2014/MIDI-UNPROCESSED_09-10_R1_2014_MID--AUDIO_09_R1_2014_wav--1.wav,790.820523281,"Give me a song that is brilliant and virtuosic, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a contrapuntal texture. Incorporate a sonata-form structure with a lyrical second theme, and a transition from a stately, hunting fanfare to a more intimate and lyrical mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, I - Allegro",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--2.wav,214.958385469,"Give me a song that is bright and contrapuntal, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a crisp, articulated rhythm. Incorporate imitative counterpoint and diatonic harmony with chromatic inflection, and a transition from a stately, hunting fanfare to a more lyrical and playful mood." +Wolfgang Amadeus Mozart,"Sonata in D Major, K. 576, II - Adagio",train,2013,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3.midi,2013/ORIG-MIDI_01_7_7_13_Group__MID--AUDIO_12_R1_2013_wav--3.wav,285.3629625,"Give me a song that is lyrical and introspective, composed in the Late Mozart style. It should be a Sonata movement in the Classical era, featuring a slow Adagio tempo. Incorporate a singing melody over a simple Alberti bass accompaniment, and a transition from serene contemplation to poignant expressiveness." +Wolfgang Amadeus Mozart,"Sonata in D Major, K.311",train,2009,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV.midi,2009/MIDI-Unprocessed_05_R1_2009_01-02_ORIG_MID--AUDIO_05_R1_2009_05_R1_2009_01_WAV.wav,792.420414844,"Give me a song that is energetic and jovial, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate classical harmony, and a transition from youthful exuberance to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in D-Major, K. 311, First Movement",train,2011,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav.midi,2011/MIDI-Unprocessed_07_R1_2011_MID--AUDIO_R1-D3_04_Track04_wav.wav,194.098363594,"Give me a song that is delightful and exuberant, composed in the Early Mozart style. It should be a Piano Sonata in the Classical era, featuring elegant keyboard writing. Incorporate a charming melody and clear harmonic structure, and a transition from playful energy to lyrical grace." +Wolfgang Amadeus Mozart,Sonata in F,validation,2006,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_16_R1_2006_01-04_ORIG_MID--AUDIO_16_R1_2006_01_Track01_wav.wav,1075.48904203,"Give me a song that is elegant and balanced, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring piano. Incorporate a homophonic texture with clear melodic phrasing, and a transition from playful to lyrical." +Wolfgang Amadeus Mozart,Sonata in F K332,train,2006,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav.midi,2006/MIDI-Unprocessed_06_R1_2006_01-04_ORIG_MID--AUDIO_06_R1_2006_01_Track01_wav.wav,901.959568125,"Give me a song that is lyrical and stylistically diverse, composed in the Middle Mozart style. It should be a Sonata in the Classical era, featuring galant homophony. Incorporate song-like themes and learned counterpoint, and a transition from expositional clarity to developmental complexity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_11_R1_2015_wav--1.wav,908.790625,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K 332 (Complete)",train,2015,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2.midi,2015/MIDI-Unprocessed_R1_D1-9-12_mid--AUDIO-from_mp3_12_R1_2015_wav--2.wav,832.53125,"Give me a song that is elegant and lyrical, composed in the Middle Mozart style. It should be a Piano Sonata in the Classical era, featuring a clear Alberti bass accompaniment. Incorporate a singing melody over diatonic harmony with periodic phrasing, and a transition from graceful playfulness to dramatic intensity." +Wolfgang Amadeus Mozart,"Sonata in F Major, K. 280, 1st mov.",test,2013,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3.midi,2013/ORIG-MIDI_03_7_6_13_Group__MID--AUDIO_09_R1_2013_wav--3.wav,192.605309531,"Give me a song that is bright and classical, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring an Allegro assai tempo. Incorporate a homophonic texture and diatonic harmony, and a transition from a sprightly F major to a contrasting, lyrical secondary theme." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_04_Track04_wav.wav,245.315515633,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",test,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_05_Track05_wav.wav,241.470441506,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K280",train,2004,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav.midi,2004/MIDI-Unprocessed_XP_14_R1_2004_04_ORIG_MID--AUDIO_14_R1_2004_06_Track06_wav.wav,114.696242842,"Give me a song that is bright and elegant, composed in the Early Mozart style. It should be a Sonata in the Classical era, featuring Alberti bass and rapid sixteenth notes. Incorporate a clear sonata form structure with distinct thematic exposition, and a transition from assertive opening to lyrical development." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533",validation,2004,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1.midi,2004/MIDI-Unprocessed_SMF_12_01_2004_01-05_ORIG_MID--AUDIO_12_R1_2004_03_Track03_wav--1.wav,1139.19847773,"Give me a song that is substantial, chromatic, and beautiful, composed in the Late Mozart style. It should be a Sonata in the Classical era, featuring a piano. Incorporate a highly chromatic harmonic language with unexpected tonal excursions, and a transition from a spirited allegro to a lyrical andante." +Wolfgang Amadeus Mozart,"Sonata in F Major, K533/K494",validation,2018,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3.midi,2018/MIDI-Unprocessed_Recital17-19_MID--AUDIO_17_R1_2018_wav--3.wav,1068.75160219,"Give me a song that is intricate and balanced, composed in the Late Mozart style. It should be a Piano Sonata in the Classical era, featuring a three-movement structure. Incorporate contrapuntal texture and chromatic harmony, and a transition from lyrical grace to dramatic intensity." +Wolfgang Amadeus Mozart,"Twelve Variations, K179 (189a)",train,2004,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav.midi,2004/MIDI-Unprocessed_XP_04_R1_2004_01-02_ORIG_MID--AUDIO_04_R1_2004_02_Track02_wav.wav,630.266303102,"Give me a song that is elegant and playful, composed in the Early Mozart style. It should be a set of Variations in the Classical era, featuring a theme and variations structure for keyboard. Incorporate a graceful, ornamented melody over a simple harmonic foundation, and a transition from stately charm to lively virtuosity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_2.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_3.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_pitch_-1.midi,,563.904350625,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_-3.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_-2.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Charles Gounod / Franz Liszt,Faust Waltz,train,2006,augmented/augmented/2006/MIDI-Unprocessed_08_R1_2006_01-04_ORIG_MID--AUDIO_08_R1_2006_Disk1_01_Track01_wav_vel_1.08_pitch_1.midi,,557.392605,"Give me a song that is brilliant and celebratory, composed in the Middle Romantic Liszt style. It should be a Waltz in the Romantic era, featuring a lilting triple-meter rhythm. Incorporate a virtuosic, operatic melody over a lush harmonic texture, and a transition from festive exuberance to lyrical tenderness." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_time_0.98.midi,,549.8580003666126,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Alexander Scriabin,"Etude Op. 2 No.1; Etudes Op. 8, Nos. 5, 11 and 12",train,2013,augmented/augmented/2013/ORIG-MIDI_03_7_8_13_Group__MID--AUDIO_19_R2_2013_wav--3_pitch_1_time_0.99.midi,,556.8869408613061,"Give me a song that is poignant and heartfelt, composed in the Early Alexander Scriabin style. It should be an Étude in the Romantic era, featuring a 3/4 rhythm. Incorporate a melody influenced by Russian Gypsy music, and a transition from lyrical melancholy to impassioned intensity." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_0.94.midi,,514.786509823023,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_time_1.02.midi,,557.7738726494382,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav_vel_1.00.midi,,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Ludwig van Beethoven,"Sonata No. 23 in F Minor, Op. 57, First movement",train,2011,augmented/2011/MIDI-Unprocessed_21_R1_2011_MID--AUDIO_R1-D8_08_Track08_wav_vel_1.10.midi,,568.347455156,"Give me a song that is dramatic and turbulent, composed in the Middle Beethoven style. It should be a Piano Sonata in the Classical era, featuring a driving, relentless rhythm. Incorporate a stark, homophonic texture with a highly chromatic and modulating harmony, and a transition from brooding intensity to explosive defiance." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_0.93.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair." +Franz Schubert,"Sonata in C Minor, D958",train,2004,augmented/2004/MIDI-Unprocessed_XP_22_R2_2004_01_ORIG_MID--AUDIO_22_R2_2004_04_Track04_wav_vel_1.00.midi,,547.810349767,"Give me a song that is dramatic and tragic, composed in the Late Schubert style. It should be a Sonata in the Romantic era, featuring a powerful piano. Incorporate a highly chromatic harmony, and a transition from heroic defiance to profound despair."