qa_id stringlengths 30 53 | video stringlengths 20 22 | q_type stringclasses 5
values | order stringclasses 2
values | question stringlengths 44 166 | correct_answer stringclasses 4
values | open_ended_answer stringlengths 21 370 ⌀ | target_character stringlengths 2 69 ⌀ | from_character stringlengths 2 37 ⌀ | from_character_identity stringlengths 6 56 ⌀ | moment stringlengths 15 187 ⌀ | option_A stringlengths 3 179 | option_B stringlengths 2 170 | option_C stringlengths 42 179 ⌀ | option_D stringlengths 30 169 ⌀ |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
O_DUpe2lJ0c@3@Dr. Perry@desire@first | videos/O_DUpe2lJ0c.mp4 | desire_questions | first-order | What does Dr. Perry desire regarding the outcome of Evan's tennis career discussion? | D | Dr. Perry desires to keep the conversation harmonious while subtly guiding Evan towards realistic expectations, as shown by his neutral responses and calm demeanor. | Dr. Perry | Dr. Perry | Dr. Perry, bald man with glasses | Dr. Perry talks about Evan's plans. | To listen to Evan's ideas without offering any guidance, allowing Evan to make all decisions independently. | To discourage Evan from pursuing tennis by emphasizing the challenges, hoping Evan will choose a different path. | To enthusiastically encourage Evan's aspirations, celebrating his choices without any reservations. | To maintain family harmony while subtly steering Evan towards a realistic future. |
P-DsA_W8PvY@2@character_1@desire@first | videos/P-DsA_W8PvY.mp4 | desire_questions | first-order | What does Mary desire as a result of Jane saying sorry in this moment? | C | Mary's desire for consistent change indicates she is cautious and wants assurance of Jane's sincerity through actions, not just words. Her silence suggests she is not ready for immediate reconciliation. | Mary | character_1 | Mary, plaid shirt | immediately after Jane saying sorry | Mary desires to quickly return to their normal friendship, hoping things will go back to how they were before without needing any more conversation. | Mary desires to address additional problems she's had with Jane, wanting to discuss everything that’s been bothering her during this moment. | Mary desires to see consistent change from Jane before fully forgiving her. | Mary desires to emotionally withdraw from Jane so she can protect herself and prevent being hurt in a similar way again. |
P-DsA_W8PvY@3@character_1@desire@first | videos/P-DsA_W8PvY.mp4 | desire_questions | first-order | What does Mary desire by saying she forgives but keeping her expression neutral? | C | Mary desires to maintain peace without making herself too vulnerable. Her restrained expression indicates she is cautious about fully opening up. | Mary | character_1 | Mary, woman in plaid shirt | as she talks about the apology | To maintain control in the situation by keeping the other person unsure of her true feelings | To avoid escalating the conflict and prevent having to reveal her own emotions further | To restore peace without fully exposing vulnerability | To see if the other person will make additional efforts to apologize or explain themselves |
p02NAdMNi5k@2@character_1@desire@second | videos/p02NAdMNi5k.mp4 | desire_questions | second-order | What does Roy think Jill desires by saying to him to 'go with a friend'? | C | Roy interprets Jill's suggestion to go with a friend as her attempt to distance herself while ensuring he still enjoys the event. Her calm tone and avoidance of eye contact indicate a desire to disengage gently. | Jill | character_1 | Roy, young man, red pants | Jill talks to Roy about going with someone else after mentioning a change of heart | Roy thinks Jill desires to see if he values her company more than that of his friends by suggesting he go with someone else. | Roy thinks Jill desires to express her frustration and teach him a lesson for not listening to her preferences. | Roy thinks Jill desires to distance herself while ensuring Roy still enjoys the event. | Roy thinks Jill desires to break up with him on the spot and encourage him to find companionship elsewhere. |
p3qZtbpwrB8@2@John@desire@first | videos/p3qZtbpwrB8.mp4 | desire_questions | first-order | What does John desire by maintaining an expression and not looking directly at Mary when answering? | C | John's serious expression and avoidance of eye contact indicate a desire to protect himself emotionally by not fully engaging with Mary. | John | John | John, mustache, goatee, cowboy hat | while responding to Mary's inquiry about the victim | He desires to assert control over the conversation by maintaining seriousness and avoiding eye contact with Mary. | He desires to subtly signal discomfort with the topic by keeping his expression neutral and not looking at Mary. | He desires to protect himself emotionally by not fully engaging with Mary’s gaze. | He desires to conceal his true feelings about the situation by not making eye contact while responding to Mary. |
P5ZOwNK6n9U@2@guest@desire@first | videos/P5ZOwNK6n9U.mp4 | desire_questions | first-order | What does the bearded man in gray hoodie desire by repeatedly talking about the existence of a demiurge? | C | The bearded man in gray hoodie desires to find a convincing explanation that resolves his doubts. His animated gestures and hesitant speech suggest a wish to engage deeply and seek clarity rather than withdraw or challenge aggressively. | host | guest | bearded man in gray hoodie | guest repeatedly talks about the existence of a demiurge | He desires to steer the conversation toward a different topic because he feels uncertain, despite actively engaging with the subject. | He desires to challenge the host's perspective primarily to highlight inconsistencies, though his questions indicate genuine interest. | He desires to find common ground or a convincing explanation that resolves his doubts. | He desires to obscure his own stance by pretending uncertainty, even though his persistent questioning shows transparency. |
P9372fjJKqo@1@Alice@desire@first | videos/P9372fjJKqo.mp4 | desire_questions | first-order | What does Alice desire when she talks about the number of weddings she must attend? | B | Alice emphasizes the number of weddings to convey her stress and seek empathy from Ben. Her tone and concern suggest she wants him to understand her social burden. | Alice | Alice | Alice, red dress | when Alice says 'Four' | She desires to persuade Ben to skip attending weddings with her by highlighting how many she has to go to. | She desires understanding and empathy from Ben about her social burden. | She desires to subtly suggest to Ben that she is more in demand socially by bringing up all the weddings. | She desires to make Ben feel just as stressed as she does by emphasizing the number of weddings she must attend. |
P9372fjJKqo@2@Alice@desire@first | videos/P9372fjJKqo.mp4 | desire_questions | first-order | What does Alice desire most in this moment regarding the wedding invitation? | C | Alice's desire is driven by her fear of social judgment and loneliness at the wedding, as she repeatedly emphasizes not wanting to go alone. Her tone and words reflect a strong wish for Ben's companionship. | Alice | Alice | Alice in red dress | Alice talks to Ben about attending the wedding | She desires Ben to help her work through her anxiety about Nate, hoping for reassurance before she decides whether to go. | She desires to openly discuss her doubts about attending, wanting Ben to understand her concerns rather than push for a decision. | She desires Ben to accept coming with her to avoid going alone. | She desires to skip the wedding quietly and hopes Ben will cover for her so her absence isn't questioned. |
pAoTHS4JSi4@3@character_1@desire@first | videos/pAoTHS4JSi4.mp4 | desire_questions | first-order | What does the Older Man desire to achieve by talking to the Younger Man? | B | The Older Man desires to push the Younger Man away, as his presence threatens the Older Man's sense of control and personal boundaries. | Younger Man | character_1 | Older Man, checkered shirt | during the talk outside the car | To reveal a troubling memory from his past to the Younger Man, hoping for sympathy despite their tense interaction | To push the Younger Man away and end his presence near the house | To express regret for an earlier argument with the Younger Man, attempting to reconcile even though his words are harsh | To try forming a close connection with the Younger Man, despite his confrontational attitude suggesting otherwise |
pesYeCruSyI@3@Randall@desire@second | videos/pesYeCruSyI.mp4 | desire_questions | second-order | What does Randall think Maggie desires when she talks about her illness? | B | Randall interprets Maggie's hopelessness as a desire for acceptance and unconditional love, despite her illness. Her tone and expression suggest a need for understanding. | Maggie | Randall | Randall, man with dark jacket | when Maggie talks about there being no cure and asks about his love | Randall thinks Maggie desires to distance herself emotionally because she doesn't want to burden him with her illness. | Randall thinks Maggie desires acceptance of her condition and unconditional love despite no cure. | Randall thinks Maggie desires him to seek companionship elsewhere so he isn't tied down by her ongoing health problems. | Randall thinks Maggie desires to break up so that neither of them has to face the stress of her declining health together. |
pesYeCruSyI@1@Randall@desire@first | videos/pesYeCruSyI.mp4 | desire_questions | first-order | What does Randall desire regarding the outcome of this conversation with Maggie? | B | Randall desires Maggie to acknowledge hope and not give up on getting better, as indicated by his persistent questioning and blocking stance during their conversation. | Maggie | Randall | Randall, dark jacket, scarf | during the talk outdoors | To persuade Maggie that she is mistaken so he can feel victorious, without considering how she might react | To have Maggie acknowledge hope and not give up on getting better | To wrap up their discussion swiftly in order to prevent any escalation of tension between them | To encourage Maggie to give him space so he can deal with his emotions privately |
pesYeCruSyI@2@Randall@desire@first | videos/pesYeCruSyI.mp4 | desire_questions | first-order | What does Randall desire regarding Maggie's acceptance of her illness at this moment? | B | Randall desires Maggie to accept the seriousness of her illness so they can realistically face the future together. His gestures and voice express a wish for shared acceptance, aiming to prepare for challenges rather than avoid them. | Maggie | Randall | Randall, man with dark jacket | during the talk about living life versus focusing on Parkinson's | He desires Maggie to keep her feelings about the illness private to spare him emotional distress, believing that this distance will make things easier for both of them. | He desires Maggie to accept the seriousness so they can face the future together realistically. | He desires Maggie to act as if the illness isn't real so they can continue living as before, allowing them to escape the reality of her condition. | He desires Maggie to express frustration toward him about the situation, thinking that placing blame could help them move past their struggles. |
pI6EUdTZOy4@2@Beck@desire@first | videos/pI6EUdTZOy4.mp4 | desire_questions | first-order | What does Beck desire regarding the impression she makes in this moment? | C | Beck desires to be seen as competent and worthy, despite her nervousness, as indicated by her focused reading and avoidance of eye contact. | Beck | Beck | Woman in plaid shirt over white top | while reading from the paper in the presence of the man and woman | To be seen as approachable and friendly in order to make others feel more comfortable during the meeting | To be seen as assertive and willing to question others’ decisions so that she appears strong-willed | To be seen as competent and worthy despite her nervousness | To be seen as casual and disengaged from the discussion so that others do not have high expectations of her |
PjJzOpe9xEg@3@Colonel Jessup@desire@first | videos/PjJzOpe9xEg.mp4 | desire_questions | first-order | What does Colonel Jessup desire by ending his statement with a question to the Counselor? | C | Colonel Jessup desires to provoke the Counselor into revealing more, testing his resolve and intentions through a challenging question. | Colonel Jessup | Colonel Jessup | Colonel Jessup, dark suit and tie | immediately after delivering his message | He desires to wrap up the conversation efficiently, signaling that he is ready to close the discussion. | He desires to unsettle the Counselor, making him second-guess his own position. | He desires to provoke the Counselor into revealing more, testing his resolve and intentions. | He desires to present himself as open and sincere, encouraging the Counselor to lower his guard. |
pMU2Pk-SBs0@4@character_1@desire@first | videos/pMU2Pk-SBs0.mp4 | desire_questions | first-order | What does Eddie desire regarding his relationship with Carl at this moment? | D | Eddie's composed demeanor, coupled with a slight tension, indicates his desire to maintain autonomy and resist Carl's control. He seeks to assert his independence despite the pressure from Carl. | Eddie | character_1 | Eddie, younger man in suit | Carl talks to Eddie about the situation | Eddie desires to withdraw completely from Carl, severing their connection without further discussion. | Eddie desires to restore their friendship by yielding to Carl's wishes, hoping for a peaceful resolution. | Eddie desires to challenge Carl directly, initiating a confrontation to address their issues. | Eddie desires to maintain autonomy and avoid being controlled by Carl |
ptAEAY5Lbsw@3@Marcus@desire@second | videos/ptAEAY5Lbsw.mp4 | desire_questions | second-order | What does Marcus think Tish desires about the space during his explanation? | D | Marcus perceives Tish's desire for a more immediately livable space, as her body language suggests she is contemplating the extensive work required. | Tish | Marcus | Marcus, brown jacket | Marcus talks about the space possibilities | Marcus thinks Tish desires to transform the space into something completely different, embracing extensive changes and major renovations. | Marcus thinks Tish desires to suggest unconventional ideas for the space, hoping to impress him with her creativity. | Marcus thinks Tish desires to postpone any decisions about the space, wanting more time before moving forward with any plans. | Marcus thinks Tish desires a space that requires less work and feels more immediately livable |
pYCcwU9F_nc@2@Isaac Johnson@desire@first | videos/pYCcwU9F_nc.mp4 | desire_questions | first-order | What does Isaac desire regarding Gregson's reaction to his explanation about the ledger? | B | Isaac desires Gregson to trust his explanation about the ledger, aiming for acceptance and recognition of his competence. His calm and focused demeanor suggests a wish to maintain a professional dynamic without conflict. | Isaac Johnson | Isaac Johnson | Isaac Johnson, dark suit, holding bottle | when Isaac talks to Gregson about obtaining the ledger | To gain Gregson’s reassurance by expressing vulnerability, wishing Gregson will comfort him about the situation. | To have Gregson trust his explanation and accept his competence without suspicion. | To challenge Gregson so that he questions Isaac’s approach, causing Gregson to scrutinize his actions and possibly confront him. | To distract Gregson by giving ambiguous answers about the ledger, steering the conversation away from detailed inquiry. |
pYCcwU9F_nc@3@Isaac Johnson@desire@first | videos/pYCcwU9F_nc.mp4 | desire_questions | first-order | What does Isaac desire by saying Bob Lee's conditions about the ledger and Atlas in this manner? | A | Isaac desires to protect Bob Lee and his family by presenting the conditions calmly, aiming to de-escalate any potential conflict with Gregson. | Isaac Johnson | Isaac Johnson | Isaac Johnson, dark suit, short hair | Isaac walks through the hallway as he talks to Gregson. | To de-escalate potential conflict and protect Bob Lee and his family | To demonstrate control over the situation by making it clear he holds crucial leverage regarding the ledger and Atlas. | To pressure Gregson into making a mistake or exposing his agenda by introducing uncertainty. | To detach himself from the negotiation, signaling reluctance to personally engage with Bob Lee's predicament. |
pYCcwU9F_nc@5@Isaac Johnson@desire@first | videos/pYCcwU9F_nc.mp4 | desire_questions | first-order | What does Isaac desire by keeping an expression while asking about Gregson’s plan? | C | Isaac desires to gather truthful information by maintaining a neutral expression, ensuring Gregson cannot easily read his emotions or intentions. | Isaac Johnson | Isaac Johnson | Isaac Johnson, dark suit | while asking about Gregson’s intentions | Isaac desires to downplay his investment in Gregson’s plan, aiming to mask any personal stake he might have in the investigation’s success. | Isaac desires to pressure Gregson into reconsidering his plan by holding a firm, unreadable expression that could be seen as disapproval. | Isaac desires to extract truthful information without revealing his own emotions or biases. | Isaac desires to foster a sense of partnership with Gregson by keeping his expression neutral, signaling approachability and mutual respect. |
sw7OJ_eHuA4@2@character_1@intention@second | videos/sw7OJ_eHuA4.mp4 | intention_questions | second-order | What does the woman think the man believes about her role in managing the restaurant? | B | The woman perceives the man's question as indicative of doubt or surprise regarding her ability to manage the restaurant. His questioning tone and glance suggest skepticism, prompting her to justify her role. | the man in the blue robe | character_1 | Woman, gray cardigan, holding baby | when the man talks to her and asks 'So you manage that, too?' | She thinks he is uninterested in her responsibilities and is only being polite. | She thinks he doubts her ability or finds it surprising she manages it. | She thinks he is teasing her for trying to handle so many tasks at once. | She thinks he completely supports and assumes she is capable of managing the restaurant. |
sw7OJ_eHuA4@3@character_1@belief@second | videos/sw7OJ_eHuA4.mp4 | belief_questions | second-order | What does the woman think the man believes about her feelings when she says 'It's not so bad'? | C | The woman thinks the man perceives her as downplaying her stress, trying to maintain a composed exterior. Her actions and tone suggest she is managing her responsibilities while masking her true feelings. | the man in the blue robe | character_1 | Woman in light blue robe | while the woman gestures talking about her management role | She thinks he believes she is struggling more than she admits and is hoping for reassurance. | She thinks he believes she is unconcerned about the situation and doesn't care much about what happens. | She thinks he believes she is downplaying her stress and trying to appear composed. | She thinks he believes she is sincerely content and untroubled by the situation. |
sw7OJ_eHuA4@4@character_1@intention@second | videos/sw7OJ_eHuA4.mp4 | intention_questions | second-order | What does the woman think the man believes about her saying sorry? | C | The woman perceives that the man views her apology as sincere but incomplete, expecting further clarification. His attentive posture indicates he is open to understanding her deeper feelings. | the man in the light blue shirt | character_1 | Woman, dark hair, striped top | immediately after she says 'Sorry' during their walk | She thinks he believes she is apologizing simply to avoid further discussion. | She thinks he believes she is saying sorry just to make him feel better, not because she means it. | She thinks he believes she is being sincere but hesitant about revealing her true feelings. | She thinks he believes she is using the apology to subtly accuse him of causing the problem. |
T0cNy3l6Zek@1@Amanda@belief@second | videos/T0cNy3l6Zek.mp4 | belief_questions | second-order | What does Amanda think Mike believes about her intentions during the talk? | C | Amanda's firm tone and direct request for Mike to walk away suggest she wants to end the confrontation swiftly to prevent further public embarrassment. Mike likely perceives her intention as avoiding a prolonged conflict. | Mike | Amanda | Amanda, light blue tank top | when Amanda speaks to Mike about saving himself from embarrassment | That she is trying to make him look foolish so that others will side with her | That she no longer cares about his emotions and is coldly dismissing him | That she wants to end things quickly to avoid further public conflict | That she is still interested in getting back together with him in the near future |
T0cNy3l6Zek@1@Mike@intention@first | videos/T0cNy3l6Zek.mp4 | intention_questions | first-order | What does Mike intend by speaking with a wavering voice to Amanda's firm statement? | B | Mike's wavering voice suggests he is trying to mask his vulnerability by sounding defiant. Despite feeling hurt, he aims to protect himself by projecting a defensive stance. | Mike | Mike | Mike, male, red shirt | immediately after Amanda speaks to Mike about walking away | To avoid showing his true feelings by quietly backing away from the conversation | To mask his vulnerability by sounding defiant despite feeling hurt | To persuade Amanda that her rejection does not affect him emotionally | To pressure Amanda into reconsidering by challenging her decision more forcefully |
T0cNy3l6Zek@1@Mike@emotion@first | videos/T0cNy3l6Zek.mp4 | emotion_questions | first-order | What complex emotions is Mike likely experiencing despite his outward tone? | D | Mike's wavering voice and resigned expression suggest he is experiencing a mix of hurt, embarrassment, and reluctant acceptance, rather than pure anger or indifference. | Mike | Mike | Mike, male, red shirt | when responding to Amanda's breakup statement | A sense of detachment and dismissal, as if the conversation no longer matters to him | Intense frustration and a wish to retaliate against Amanda for rejecting him | Satisfaction and comfort from finally ending things with Amanda | A mix of hurt, embarrassment, and reluctant acceptance |
T15XvRqmhqU@1@Brooke@emotion@second | videos/T15XvRqmhqU.mp4 | emotion_questions | second-order | What does Brooke think the man is feeling when he responds with a neutral to slightly smiling expression after she reveals her age? | D | Brooke thinks the man feels calm and accepting, indicating her age does not bother him. His neutral to slightly smiling expression and hand gestures suggest support and acceptance. | man | Brooke | Brooke, young woman black dress | after the man says, 'Hey, that’s... look, there’s nothing wrong with that, all right?' | She thinks he feels slightly surprised but is masking it with a polite smile. | She thinks he feels awkward and is unsure how his response will come across to her. | She thinks he feels indifferent and is only pretending to be interested in her answer. | She thinks he feels calm and accepting, showing that her age does not bother him. |
T15XvRqmhqU@3@Brooke@intention@second | videos/T15XvRqmhqU.mp4 | intention_questions | second-order | What does Brooke think the man intends by saying 'Rapist, actually' after her tease? | B | Brooke thinks the man intends to escalate the teasing with dark humor by responding 'Rapist, actually.' His steady eye contact and deadpan delivery suggest he is making a provocative joke to maintain the playful dynamic. | Man | Brooke | Brooke, woman in black dress | immediately after her teasing remark | To playfully unsettle Brooke and provoke a reaction that keeps her guessing about his motives | To escalate the teasing with dark humor and maintain the playful power dynamic | To make Brooke feel uneasy by suggesting there could be a real threat beneath the joke | To change the tone of the conversation suddenly and shift Brooke's attention away from teasing |
T15XvRqmhqU@4@Brooke@intention@second | videos/T15XvRqmhqU.mp4 | intention_questions | second-order | What does Brooke think the man’s intention is when he talks about her troubles as 'boy troubles'? | D | Brooke interprets the man's question about 'boy troubles' as an attempt to both comfort her and subtly probe her emotional state, possibly to see if there are other men involved. | the man | Brooke | Brooke, brown hair, black dress | when the man talks about 'boy troubles' | Brooke thinks he intends to redirect the conversation so she doesn't dwell on her feelings. | Brooke thinks he intends to downplay the seriousness of her concerns. | Brooke thinks he intends to tease her in a way that makes her uncomfortable about opening up. | Brooke thinks he intends to lighten the mood and invite her to share more personal details. |
T15XvRqmhqU@4@Brooke@belief@second | videos/T15XvRqmhqU.mp4 | belief_questions | second-order | What does Brooke think the man believes about her reasons for being reserved during their exchange? | D | Brooke perceives the man's attentive demeanor and focused eye contact as indications that he understands her reserved nature stems from genuine personal pain, rather than avoidance or manipulation. | the man | Brooke | Brooke, brown hair, black dress | after Brooke talks about family issues | Brooke thinks the man believes she is reserved because she wants to keep the interaction casual and avoid sharing personal details. | Brooke thinks the man believes her reservedness is a tactic to gain his attention or sympathy rather than genuine. | Brooke thinks the man believes she is being distant because she is unsure about his intentions and doesn't feel comfortable opening up yet. | Brooke thinks the man believes she is holding back because of personal pain she’s reluctant to share. |
T9nEjXhobTM@1@character_1@desire@second | videos/T9nEjXhobTM.mp4 | desire_questions | second-order | What does the man in light-colored striped shirt think the woman desires when she says 'I'm okay. I'm surviving'? | C | The woman's calm tone and choice of words suggest she is trying to appear strong and resilient, despite possibly feeling discomfort or unease. | woman with light-colored hair | character_1 | man in light-colored striped shirt | when the woman responds to the bearded man's inquiry | He thinks she desires for him to ask more personal questions so she can share her true feelings. | He thinks she desires to change the topic quickly to avoid discussing her emotions. | He thinks she desires to appear resilient while hiding discomfort. | He thinks she desires to show that she is genuinely content and not troubled by anything. |
T9nEjXhobTM@3@character_1@emotion@second | videos/T9nEjXhobTM.mp4 | emotion_questions | second-order | What does the man in the striped shirt think the woman with the teal top feels after he says 'Oh, he's awful'? | D | The man's blunt comment likely surprises the woman, as indicated by her open mouth and concerned gaze, suggesting she did not anticipate such a direct opinion. | woman with light-colored/blonde/light brown hair, dark/green/teal top | character_1 | man in light-colored striped shirt | right after his comment about the actor | He thinks she feels entertained and eager to respond with a witty remark. | He thinks she feels neutral and isn't particularly engaged in what he said. | He thinks she feels taken aback and is considering ending the conversation. | He thinks she feels surprised and slightly confused by his blunt opinion. |
T9nEjXhobTM@4@character_1@intention@second | videos/T9nEjXhobTM.mp4 | intention_questions | second-order | What does the man in light beige shirt think the woman in teal intends by saying someone is waiting outside in the car? | B | The man in the light beige shirt perceives the woman's mention of someone waiting outside as a polite excuse to leave due to her discomfort. Her hesitant tone and lack of direct eye contact suggest she is eager to end the interaction. | woman in teal | character_1 | man in light beige shirt | woman with light-colored/blonde/light brown hair, dark/green/teal top (character_3): 'I should, um... get going. Bernie's waiting outside in the car.' She looks towards the man, speaking. | He thinks she intends to suggest they could meet up again soon. | He thinks she intends to politely end the interaction due to discomfort. | He thinks she intends to encourage him to come outside with her. | He thinks she intends to steer the discussion away from something personal. |
T9nEjXhobTM@1@character_1@desire@first | videos/T9nEjXhobTM.mp4 | desire_questions | first-order | What does the man in light-colored striped shirt desire regarding the ongoing interaction between the bearded man and the woman? | C | The man in the light-colored striped shirt seems to be waiting for the bearded man to introduce him to the woman, as he is attentively observing the interaction without participating. | man in light-colored striped shirt | character_1 | man in light-colored striped shirt | when the bearded man introduces the woman | He desires to subtly insert himself into the conversation to steer its topic. | He desires to remain an observer without participating in the interaction. | He desires to be introduced to the woman by the bearded man. | He desires the conversation to come to a close so he can have a private word with the bearded man. |
tD4MidQ3KeE@1@character_1@intention@first | videos/tD4MidQ3KeE.mp4 | intention_questions | first-order | What does Man in black shirt intend by leaning forward and gesturing while talking about the childhood memory? | D | The man in black shirt leans forward and uses open gestures to actively engage his companion, aiming to create a shared emotional connection through vivid storytelling. | Man in black shirt | character_1 | Man in black shirt | Man in black shirt leans in and gestures during the early part of the conversation | He intends to steer the conversation away from sensitive topics by focusing on animated gestures. | He intends to take the lead in the discussion to highlight his own perspective on the memory. | He intends to see if his companion is paying attention to the details by emphasizing certain parts of the story. | He intends to evoke a shared emotional connection by emphasizing details to engage his companion. |
tD4MidQ3KeE@2@character_1@emotion@second | videos/tD4MidQ3KeE.mp4 | emotion_questions | second-order | What does Man in black shirt think the man in blue shirt feels about revisiting this childhood memory? | D | The man in black shirt perceives the man in blue shirt's laughter and smiles as signs of amusement and interest, indicating he finds the shared memory engaging. | man in blue shirt | character_1 | Man in black shirt | while the man in blue shirt laughs during the story | He thinks the man in blue shirt feels proud of what he did as a child and likes to brag about it. | He thinks the man in blue shirt feels detached from the memory and doesn't care much about reminiscing. | He thinks the man in blue shirt feels a bit irritated by the topic and would rather talk about something else. | He thinks the man in blue shirt feels amused and finds the shared experience interesting. |
tD4MidQ3KeE@3@character_1@emotion@second | videos/tD4MidQ3KeE.mp4 | emotion_questions | second-order | What does Man in black shirt think Man in blue shirt is feeling while listening and nodding? | C | The man in black shirt interprets the man in blue shirt's nodding and smiling as signs of amusement and shared enthusiasm for the story. | Man in blue shirt | character_1 | Man in black shirt | while Man in black shirt is telling the story | Mild embarrassment because the story is too personal | Disinterest and eagerness to wrap up the conversation | Amusement and shared enthusiasm for the story | Uncertainty about why the story is significant |
TgfJD9geSac@1@Peg@intention@second | videos/TgfJD9geSac.mp4 | intention_questions | second-order | What does Peg think Chris believes about Peg's role in their relationship at this moment? | C | Peg believes Chris expects her to manage all roles without complaint, as indicated by Peg's explicit mention of feeling overwhelmed by these expectations. Chris's quiet listening suggests she might not fully acknowledge the burden Peg feels. | Chris | Peg | Peg, older woman with curly blonde hair | Peg is talking about being expected to fulfill multiple roles | Peg thinks Chris believes Peg is emotionally withdrawn and avoids meaningful conversations about their relationship. | Peg thinks Chris believes Peg is making small issues seem much bigger than they actually are. | Peg thinks Chris believes Peg should fulfill all roles—mother, friend, and emotional punching bag—without complaint. | Peg thinks Chris believes both partners share responsibilities and support each other equally in the relationship. |
TgfJD9geSac@4@Peg@belief@second | videos/TgfJD9geSac.mp4 | belief_questions | second-order | What does Peg think Chris believes about Peg’s intentions during this interaction? | B | Peg thinks Chris believes her intentions are controlling because Chris's choice of words and tone suggest she feels restricted by Peg's presence. Chris's complaint about being 'babysat' indicates she perceives Peg's care as limiting her freedom. | Chris | Peg | Peg, older woman with curly blonde hair | when Chris talks about being 'babysat' | Peg thinks Chris believes Peg intends to distance herself emotionally from her. | Peg thinks Chris believes Peg intends to control and limit her freedom. | Peg thinks Chris believes Peg intends to support her decisions without interference. | Peg thinks Chris believes Peg intends to pay little attention to her concerns. |
TgfJD9geSac@2@Peg@intention@second | videos/TgfJD9geSac.mp4 | intention_questions | second-order | What does Peg think Chris intends by emphasizing 'I'm your child!' and speaking to Peg to 'figure this all out'? | D | Peg perceives Chris's raised voice and emphatic gestures as a demand for accountability, indicating Chris's intention to make Peg acknowledge her failures as a mother. | Chris | Peg | Peg, older woman with curly blonde hair | while Chris raises her voice and gestures | Peg thinks Chris intends to redirect the conversation toward unresolved family problems instead of focusing on their personal relationship. | Peg thinks Chris intends to subtly admit her own faults as a way of diffusing the tension between them. | Peg thinks Chris intends to ease the tension in the conversation by using humor or irony about their situation. | Peg thinks Chris intends to force Peg to accept responsibility and acknowledge her failures as a mother. |
TgfJD9geSac@2@Peg@emotion@second | videos/TgfJD9geSac.mp4 | emotion_questions | second-order | What does Peg think Chris feels while delivering her statements? | D | Peg interprets Chris's tense posture and raised voice as signs of hurt and resentment, coupled with a desperate need for connection and understanding. | Chris | Peg | Peg, older woman with curly blonde hair | during Chris’s speech about Peg’s parenting and worldview | Peg thinks Chris feels amused and lighthearted while she is speaking. | Peg thinks Chris feels detached and uninterested in what is being discussed. | Peg thinks Chris feels composed and at ease with everything that's happening. | Peg thinks Chris feels hurt and resentful, but also desperate for connection. |
TgfJD9geSac@3@Peg@desire@second | videos/TgfJD9geSac.mp4 | desire_questions | second-order | What does Peg think Chris desires by talking about the sincerity of Peg’s love? | C | Peg perceives Chris's challenge as a desire for clarity and emotional honesty, driven by confusion about their relationship. Chris's direct questioning and contemplative stance suggest a search for truth. | Chris | Peg | Peg, older woman with curly blonde hair | Chris talks about Peg’s love expression directly | Chris desires to protect herself by creating emotional distance, hoping Peg will stop pressing for commitment. | Chris desires to gain reassurance from Peg, aiming to test whether Peg will reaffirm her love despite doubts. | Chris desires clarity and emotional honesty, seeking to resolve her confusion about their relationship | Chris desires to elicit a strong emotional reaction from Peg, intending to make Peg reveal her true feelings in front of others. |
thyfYONK0Hs@1@character_2@intention@second | videos/thyfYONK0Hs.mp4 | intention_questions | second-order | What does John think Sandvich believes about his question on her drinking? | C | John perceives that Sandvich feels judged by his question, as indicated by her defensive posture and lack of direct engagement. He believes she interprets his concern as judgmental, which makes her defensive. | Sandvich | character_2 | John, dark clothing | immediately after asking the question | That he is only asking out of politeness and doesn't actually care about her answer | That he is trying to start a confrontation to assert his authority over her choices | That he is concerned but also somewhat judgmental, which makes her defensive | That he has no real understanding of her drinking habits and is asking purely out of ignorance |
thyfYONK0Hs@2@character_1@intention@second | videos/thyfYONK0Hs.mp4 | intention_questions | second-order | What does Mary think John intends by saying 'look' while spreading his arms? | C | Mary interprets John's gesture as an attempt to reassure her that being physically together equates to emotional closeness. However, her frustration indicates she feels this is not enough to address their emotional distance. | John | character_1 | Mary, blonde, light outfit | when John spreads his arms | She thinks John intends to emphasize his authority in the situation by spreading his arms and saying 'look.' | She thinks John intends to steer the conversation away from their disagreement by using 'look' and gesturing. | She thinks John intends to reassure her that their physical presence means they are together emotionally. | She thinks John intends to minimize the importance of her concerns by saying 'look' and making a broad gesture. |
thyfYONK0Hs@3@character_1@belief@second | videos/thyfYONK0Hs.mp4 | belief_questions | second-order | What does Mary believe John thinks about her frustration with his schedule? | A | Mary believes John is aware of the validity of her concerns but chooses not to acknowledge them openly, as indicated by his calm yet pointed tone. | John | character_1 | Mary, blonde, earnest | after Mary talks about seeing him only on stage | Mary believes John knows she is right but is unwilling to admit or face it | Mary believes John thinks she is always understanding about his demanding work commitments. | Mary believes John thinks she doesn't care much about the conflicts his schedule causes at home. | Mary believes John thinks she wants him to abandon his musical career altogether. |
thyfYONK0Hs@4@character_1@intention@second | videos/thyfYONK0Hs.mp4 | intention_questions | second-order | What does Mary think John intends by saying 'Yeah, with all of them'? | D | Mary perceives John's statement 'Yeah, with all of them' as an indication of his feeling overwhelmed by the presence of many people. His serious expression and tone suggest he is not entirely comfortable with the situation. | John | character_1 | Mary, blonde, embellished jacket | immediately after Mary acknowledges John's presence among others | Mary thinks John intends to avoid discussing his true feelings by making a vague comment. | Mary thinks John intends to express excitement about being involved with so many people. | Mary thinks John intends to subtly question whether all those people truly belong in their lives. | Mary thinks John intends to express feeling overwhelmed or burdened by the presence of many people in their shared life. |
TNVwN7IfVAw@3@character_1@intention@second | videos/TNVwN7IfVAw.mp4 | intention_questions | second-order | What does Man think the Woman intends by looking at him after he throws the book? | C | The Woman's focused gaze and silence indicate she is carefully assessing the Man's reaction, possibly feeling cautious or guilty about the situation. Her lack of verbal response suggests she is processing the tension rather than escalating it. | Woman | character_1 | Man, green hoodie | immediately after throwing the book | She is purposefully ignoring him to show she doesn't care about his actions. | She looks at him because she wants to challenge him openly and start an argument. | She is silently assessing his reaction and possibly feeling guilty or cautious | She is considering shifting the conversation to something neutral to diffuse the situation. |
TNVwN7IfVAw@3@character_1@desire@second | videos/TNVwN7IfVAw.mp4 | desire_questions | second-order | What does Man think the Woman desires by remaining silent and watching him after he throws the book? | D | The Woman's calm demeanor and attentive gaze suggest she desires to avoid escalating the situation, choosing silence as a way to process the Man's frustration and maintain peace. | Woman | character_1 | Man, green hoodie | right after the book is thrown | She wants him to interpret her silence as indifference to his actions. | She hopes that by remaining silent, he will realize he was wrong and apologize first. | She desires to assert control over the situation by making him uncomfortable with her silence. | She wants to avoid escalating the conflict while processing his frustration |
TNVwN7IfVAw@2@character_2@intention@first | videos/TNVwN7IfVAw.mp4 | intention_questions | first-order | What does the woman intend by repeatedly saying she did not reveal the book's ending? | C | The woman intends to de-escalate the man's frustration by denying her role in spoiling the ending, as indicated by her neutral tone and resigned gestures. | Woman | character_2 | Woman, green top, brown vest | during the conversation about the book's ending | She intends to redirect the conversation toward another topic to lessen her own discomfort. | She intends to create uncertainty for the man so that he questions what he actually heard. | She intends to avoid escalating the man's frustration by minimizing her role in spoiling the ending. | She intends to playfully annoy the man by repeatedly bringing up the book's ending. |
TP4alkgoZis@2@character_2@intention@second | videos/TP4alkgoZis.mp4 | intention_questions | second-order | What does Woman at desk think the man with afro believes about William's prognosis? | A | The woman at the desk perceives the man with afro's optimistic statement as an unrealistic hope for William's recovery, despite the medical certainty of his condition. | Man with afro | character_2 | Woman at desk, calm and composed | after the man with afro says 'He'll surprise them' | She thinks he holds an unrealistic hope that William will recover despite medical certainty | She thinks he outwardly agrees with the prognosis but is privately hopeful for a better outcome. | She thinks he is mainly concerned with practical matters around William's care instead of his actual prognosis. | She thinks he is attempting to suggest she is not showing enough optimism about William's chances. |
TP4alkgoZis@2@character_2@belief@second | videos/TP4alkgoZis.mp4 | belief_questions | second-order | What does Woman at desk think the man with afro believes about William's recovery? | D | The woman at the desk interprets the man with afro's hopeful statement as a belief that William might recover, despite the medical certainty of his condition. | Man with afro | character_2 | Woman at desk, calm and composed | after his statement | He believes the firm should prepare for William not recovering, regardless of the prognosis | He believes William’s condition will not improve, and that everyone should start moving on | He believes the prognosis is only what William wants to hear | He believes William might recover despite medical certainty |
TP4alkgoZis@4@character_1@intention@second | videos/TP4alkgoZis.mp4 | intention_questions | second-order | What does George Pierce think the man with afro intends when he says 'I'll take over' after looking at the books? | D | George perceives the man with afro as intending to assert control over the situation to address the financial issues and demonstrate his capability. Despite internal doubts, his serious tone and gestures suggest a commitment to proving his worth. | man with afro | character_1 | George Pierce, dark blue suit | after the man with afro says 'I'll take over' | George thinks the man with afro intends to impress the woman at the desk by taking initiative for his own reputation. | George thinks the man with afro intends to pass off the responsibility to someone else so he won't be held accountable if things go wrong. | George thinks the man with afro intends to step back and let others handle the situation without his participation. | George thinks the man with afro intends to assert control to fix the financial issues and prove his worth. |
TP4alkgoZis@4@character_1@belief@second | videos/TP4alkgoZis.mp4 | belief_questions | second-order | What does George Pierce think the woman at the desk believes about the man with afro’s ability to manage the current situation? | A | George perceives the woman at the desk as believing the man with afro can manage the situation if he takes responsibility, but she doubts it will be easy. Her calm and firm tone suggests she has cautious optimism but is realistic about the challenges involved. | woman at desk | character_1 | George Pierce, dark blue suit | when the woman at the desk talks to the man with afro | George thinks she believes he can manage if he takes responsibility but doubts it will be easy. | George thinks she believes he lacks the necessary skills and should stay out of the situation entirely. | George thinks she believes the man with the afro is overstating the challenges in order to gain attention from others. | George thinks she believes he is attempting to avoid being held accountable for the outcome. |
tswPOcaeEAM@2@character_4@belief@second | videos/tswPOcaeEAM.mp4 | belief_questions | second-order | What does Cash think Maya believes Owen thinks about her travel plans? | B | Maya's anxious demeanor and careful choice of words indicate that she believes Owen suspects she is uncertain or hiding something about her travel plans. Her behavior suggests she is aware of Owen's probing nature and is trying to manage his impression to avoid conflict. | Maya | character_4 | Cash, black jacket, jeans | right after Owen’s question about Olympia | Maya believes Owen hasn't been paying attention to her travel plans and might not realize she's leaving for Denver. | Maya believes Owen thinks she is uncertain or hiding something | Maya believes Owen is completely confident in her decision and trusts her choice to go to Denver. | Maya believes Owen doesn't really care what she decides about her travel plans and won't be affected by her leaving. |
tswPOcaeEAM@2@character_1@intention@second | videos/tswPOcaeEAM.mp4 | intention_questions | second-order | What does Owen think Maya intends when she says 'I just have to' about going to Denver? | D | Maya's steady voice and underlying anxiety suggest she feels compelled by circumstances beyond her control to go to Denver. Her demeanor indicates a reluctant but necessary choice, reflecting her feeling of being trapped by the situation. | Maya | character_1 | Owen, young man in blue plaid | after Maya sits down and speaks with steady voice | That Maya is deliberately leaving her reasons unclear to see how Owen will respond to her news | That Maya is outwardly showing certainty, but might actually be covering up doubts about her choice | That Maya is choosing her words carefully to hide her true motivation and keep things calm between them | That Maya feels compelled by circumstances beyond her control to go to Denver |
tswPOcaeEAM@2@character_1@desire@second | videos/tswPOcaeEAM.mp4 | desire_questions | second-order | What does Owen think Maya desires when she hesitates about her travel companion? | C | Maya's anxious tone and careful wording indicate she desires to avoid disappointing Owen or causing him worry. Her behavior suggests she is managing Owen's expectations to protect his feelings by not fully disclosing her situation. | Maya | character_1 | Owen, young man in blue plaid | after Maya says 'I think he's gonna take me the rest' | That Maya desires Owen to step in and help her decide whether to go to Denver or stay with Cash | That Maya desires to wrap up the conversation quickly so she doesn't have to discuss her plans in detail with Owen | That Maya desires to avoid disappointing Owen or causing him worry | That Maya desires to show she can handle things on her own by not sharing her real reasons for leaving |
tswPOcaeEAM@3@character_1@desire@second | videos/tswPOcaeEAM.mp4 | desire_questions | second-order | What does Owen think Maya desires when she hesitates to give a direct answer about her plans? | B | Owen perceives Maya's hesitation as an attempt to avoid causing him emotional discomfort. Her non-verbal cues, such as a closed expression, indicate she is carefully managing what she reveals to protect his feelings. | Maya | character_1 | Owen, blue plaid shirt | during Owen’s question about departure | Owen thinks Maya desires to pick a fight with him by being evasive about her plans. | Owen thinks Maya desires to avoid hurting his feelings by not being fully transparent. | Owen thinks Maya desires to keep the upper hand in their conversation by not revealing her intentions. | Owen thinks Maya desires to put emotional pressure on him for questioning her. |
tz56LhvDFho@1@character_2@intention@second | videos/tz56LhvDFho.mp4 | intention_questions | second-order | What does Mr. Shullian think Maggie intends by leaning in and lowering her voice when saying her 'actual fact'? | D | Mr. Shullian perceives Maggie's lowered voice and proximity as an attempt to establish control and test his reaction. This behavior suggests she is not merely sharing information but assessing her influence over him. | Maggie | character_2 | Mr. Shullian, gray hair, brown jacket | when Maggie leans in to say her fact to Mr. Shullian | She wants to subtly redirect the conversation to avoid revealing her true feelings. | She wants to assert dominance in the discussion by using a hushed, close manner. | She wants to confide something personal in order to create a sense of alliance. | She wants to establish secretive control and test his reaction |
tz56LhvDFho@5@character_2@desire@second | videos/tz56LhvDFho.mp4 | desire_questions | second-order | What does Mr. Shullian think the blonde employee desires when she responds? | D | The blonde employee's tone, which is both challenging and inviting, indicates she is testing Mr. Shullian's intentions while maintaining a facade of cooperation to keep control of the interaction. | Blonde Employee | character_2 | Mr. Shullian, gray hair, brown jacket | when the blonde employee says 'So? Very good. What do you want to know?' | He thinks she desires to undermine his authority subtly while remaining polite. | He thinks she desires to support his ideas enthusiastically and align herself with his goals. | He thinks she desires to change the topic smoothly to prevent any potential conflict or discomfort. | He thinks she desires to test his intentions while appearing cooperative to maintain control over the interaction. |
tz56LhvDFho@1@character_1@intention@first | videos/tz56LhvDFho.mp4 | intention_questions | first-order | What does Maggie intend by leaning in and lowering her voice to say something to Mr. Shullian? | D | Maggie leans in and lowers her voice to create a sense of intimacy, suggesting she is sharing something confidential. This behavior is intended to influence Mr. Shullian by making him feel included in something exclusive, thereby asserting control. | Maggie | character_1 | Maggie, short hair, layered necklaces | during the initial exchange at the salon entrance | She intends to assert her position by speaking more forcefully and making her demands public to those nearby. | She intends to distance herself emotionally from Mr. Shullian by stepping back and disengaging from the discussion. | She intends to keep Mr. Shullian off-balance by switching unpredictably between whispering and speaking loudly, making her message ambiguous. | She intends to create a sense of intimacy and control by sharing something confidential to influence him. |
TZQWu0gDpO4@1@Driver@intention@second | videos/TZQWu0gDpO4.mp4 | intention_questions | second-order | What does the driver think the officer intends by shining the flashlight inside the car and speaking about license and registration? | C | The officer's use of a flashlight and request for license and registration suggest a formal verification process. His serious demeanor indicates an intention to check for suspicious behavior. | Officer | Driver | Driver, dark-colored jacket | Officer: 'License, registration?' He looks out of the window. | To pressure the driver into revealing nervousness or guilt through their reactions | To covertly observe the car’s interior for hidden items while keeping the driver occupied | To verify the driver's identity and check for any suspicious behavior | To engage in friendly conversation and put the driver at ease during the stop |
TZQWu0gDpO4@2@Driver@intention@second | videos/TZQWu0gDpO4.mp4 | intention_questions | second-order | What does Driver think the officer intends by shining the flashlight inside the taxi and looking at the blood and mess? | B | The Driver perceives the officer's actions as an attempt to find evidence that contradicts his story. The officer's serious demeanor and methodical inspection suggest he is looking for proof to justify further action. | Officer | Driver | Driver, tense male in taxi | when the officer looks at the taxi interior | Driver thinks the officer intends to verify his identity and let him go without inspecting the scene closely. | Driver thinks the officer intends to find evidence contradicting the driver’s story and justify further action. | Driver thinks the officer intends to overlook the blood and instead ask about driving violations or paperwork. | Driver thinks the officer intends to offer assistance in handling the aftermath rather than investigate the cause. |
TZQWu0gDpO4@3@Driver@intention@second | videos/TZQWu0gDpO4.mp4 | intention_questions | second-order | What does Driver think the officer believes about his story when the officer gestures? | D | The driver's perception of the officer's skeptical gestures leads him to believe the officer suspects his story is fabricated. | Officer | Driver | Driver, tense man in taxi | when the officer talks to the driver about hitting a deer | Driver thinks the officer accepts his explanation but is still considering other possibilities. | Driver thinks the officer is skeptical but mainly focused on procedure rather than his story. | Driver thinks the officer is trying to appear neutral but actually feels uncertain about what happened. | Driver thinks the officer believes the story is fabricated and is suspicious. |
T__twbwyFq0@2@character_1@intention@second | videos/T__twbwyFq0.mp4 | intention_questions | second-order | What does Older Man think Younger Man intends by repeatedly saying 'You did' smile? | C | Older Man perceives Younger Man's insistence as a challenge to his emotional control, indicated by the calm yet firm tone and steady posture of Younger Man. | Younger Man | character_1 | Older Man, gray hair, glasses | while Older Man denies smiling and Younger Man says he did | Older Man thinks Younger Man intends to tease him lightly in a friendly way, without wanting to cause any real discomfort. | Older Man thinks Younger Man intends to explore his feelings sincerely to connect on a deeper level. | Older Man thinks Younger Man intends to unsettle or test his composure. | Older Man thinks Younger Man intends to divert his attention away from what he was focused on. |
T__twbwyFq0@3@character_1@intention@second | videos/T__twbwyFq0.mp4 | intention_questions | second-order | What does the Older Man think the Younger Man believes about the purpose of their presence in the room? | D | The Younger Man's urgent questioning suggests he believes their presence should result in a tangible outcome, such as finishing the painting. The Older Man perceives this expectation, which contrasts with his own ambivalence. | Younger Man | character_1 | Older Man, gray hair, glasses | when the Younger Man asks 'Then why are we here?' | He thinks the Younger Man believes the Older Man is avoiding making a decision about the painting. | He thinks the Younger Man believes they are supposed to be discussing personal matters instead of working. | He thinks the Younger Man believes the main reason to be there has already been accomplished. | He thinks the Younger Man believes their presence should lead to a clear, tangible outcome like finishing the painting. |
u484hWA0imw@1@Ms. Harper@belief@second | videos/u484hWA0imw.mp4 | belief_questions | second-order | What does Ms. Harper think Claire believes about Ms. Harper’s intentions with the file? | D | Claire's defensive behavior suggests she believes Ms. Harper intends to use the file to reprimand or control her, fearing negative consequences from its contents. | Claire | Ms. Harper | Ms. Harper, older woman with glasses | when Ms. Harper shows the file and asks permission to open it | Claire believes Ms. Harper plans to highlight her achievements with the file. | Claire believes Ms. Harper wants to get rid of the file so it won’t affect anyone. | Claire believes Ms. Harper does not care about what’s in the file or how it relates to her. | Claire believes Ms. Harper intends to use the file to reprimand or control her |
u484hWA0imw@2@Claire@emotion@second | videos/u484hWA0imw.mp4 | emotion_questions | second-order | What emotions does Claire think Ms. Harper is trying to convey by reading the file but momentarily showing surprise? | B | Claire perceives Ms. Harper's stern tone as conveying frustration, but the momentary surprise suggests a flicker of doubt or curiosity about Claire's reactions, indicating complex emotions. | Ms. Harper | Claire | Claire, woman in leather jacket | when Ms. Harper’s tone shifts to showing surprise | Compassion concealed beneath a strict professional facade | Frustration mixed with a flicker of doubt or curiosity | Annoyance expressed with unwavering confidence and no hesitation | Disinterest in the discussion, as if wishing it would end soon |
u484hWA0imw@3@Claire@belief@second | videos/u484hWA0imw.mp4 | belief_questions | second-order | What does Claire think Ms. Harper believes about Claire’s future use of math after Claire says she will never use it? | A | Claire perceives Ms. Harper's disbelief and concern through her pointed tone and raised eyebrow, suggesting that Ms. Harper thinks Claire is being reckless by dismissing math's importance. | Ms. Harper | Claire | Claire, woman in leather jacket | when Ms. Harper raises an eyebrow after Claire talks about the relevance of math | Ms. Harper believes Claire is underestimating the importance of math and being reckless | Ms. Harper believes Claire is making this statement because she feels discouraged by math assignments. | Ms. Harper believes Claire is uncertain about how math might connect to her future plans. | Ms. Harper believes Claire is exaggerating her dislike for math to get a reaction. |
u484hWA0imw@4@Ms. Harper@intention@second | videos/u484hWA0imw.mp4 | intention_questions | second-order | What does Ms. Harper think Claire believes about the comparison between math and physical education? | C | Claire's defensive posture and lack of verbal agreement indicate she views the analogy as a justification for rules she resents, rather than a genuine attempt at empathy. | Claire | Ms. Harper | Ms. Harper, older woman with glasses | Claire talks to Ms. Harper about the analogy between subjects. | Claire assumes Ms. Harper misunderstands her perspective on the value of both subjects. | Claire probably thinks the comparison is a helpful explanation and accepts it without question. | Claire likely sees the comparison as an attempt to justify an unwanted rule she resents | Claire believes Ms. Harper is teasing her for not caring enough about the subjects discussed. |
UCW_UH-k-ec@1@Man with Jacket@intention@second | videos/UCW_UH-k-ec.mp4 | intention_questions | second-order | What does John think the woman believes about him before he speaks? | D | John perceives the woman's attentive posture as an indication that she holds a misconception about his identity, prompting him to clarify his true self. | woman in red top | Man with Jacket | John, dark beard, light shirt | just before John talks about being a Latin pop star | John thinks the woman assumes he is deliberately keeping details about his background secret. | John thinks the woman hasn't formed any opinion about who he is or what he does. | John thinks the woman is suspicious that he isn't being fully honest during their exchange. | John thinks the woman mistakenly believes he is a Latin pop star or associates him with that image. |
UCW_UH-k-ec@3@Man with Jacket@intention@second | videos/UCW_UH-k-ec.mp4 | intention_questions | second-order | What does John think the other man believes about his repeated phrase 'He bangs, he bangs'? | C | The other man's reaction, covering his face in sadness, suggests he perceives John's tone as sarcastic and dismissive, rather than supportive or comforting. | Other man | Man with Jacket | Man with Jacket | immediately after John speaks | That John is genuinely offering encouragement and support to him | That John feels the emotional weight of the moment and is trying to relate | That John is being sarcastic and not taking the situation seriously | That John is uncertain about how to respond and is repeating himself out of awkwardness |
UjH9kYibsAs@1@character_1@intention@second | videos/UjH9kYibsAs.mp4 | intention_questions | second-order | What does Woman in black leather jacket think her audience believes about the boy while she is speaking? | D | The woman believes her audience doubts the boy's worth, as indicated by her urgent tone and emphasis on his being 'discarded,' suggesting they have not recognized his true potential. | unseen audience | character_1 | Woman in black leather jacket | while talking about the boy's pain and discarded talent | They believe the boy is simply experiencing a common setback and that his issues are not as serious as described. | They think the boy’s artistic ability is already obvious and requires no further attention or advocacy. | They feel detached from the boy’s situation, but quietly respect his resilience without openly acknowledging it. | They doubt or dismiss the boy's worth and have not recognized his true potential. |
UjH9kYibsAs@2@character_1@intention@second | videos/UjH9kYibsAs.mp4 | intention_questions | second-order | What does Woman in black leather jacket think the woman with the necklace intends by saying to her 'Have a seat'? | B | The woman with the necklace uses a calm tone and invites the speaker to sit, indicating her intention to manage the emotional intensity and control the conversation. This suggests she wants to calm the situation rather than escalate it. | Woman with short curly hair and necklace | character_1 | Woman in black leather jacket | character_2 says 'Have a seat' after character_1 talks about the boy | She intends to challenge the speaker’s emotional arguments by downplaying their importance. | She intends to calm the conversation and gain control over the emotional intensity | She intends to encourage mutual understanding and signal willingness to listen to the speaker’s viewpoint. | She intends to minimize the significance of the speaker’s concerns and indicate that the topic is closed for further debate. |
UjH9kYibsAs@2@character_1@desire@second | videos/UjH9kYibsAs.mp4 | desire_questions | second-order | What does Woman in black leather jacket believe the woman with the necklace desires by inviting her to sit? | B | By inviting the speaker to sit, the woman with the necklace aims to create a more controlled environment, reducing confrontation and managing the emotional intensity of the discussion. | Woman with short curly hair and necklace | character_1 | Woman in black leather jacket | character_2 says 'Have a seat' after character_1's statement about the boy | To subtly establish her authority in the room by guiding where each person sits during the conversation | To create a more controlled and less confrontational environment for the discussion | To signal that she values the instructor’s viewpoint and is willing to listen attentively to her arguments | To slow down the pace of the meeting so she has more time to consider her response and delay any commitments |
UjH9kYibsAs@5@character_1@intention@second | videos/UjH9kYibsAs.mp4 | intention_questions | second-order | What does Woman in black leather jacket think the interlocutor believes about her command 'Go find him.'? | A | The woman’s serious demeanor and direct command suggest she expects the interlocutor to understand her urgency and comply immediately. Her posture and tone indicate that she is not making a suggestion but issuing a directive that requires prompt action. | unseen interlocutor | character_1 | Woman in black leather jacket | immediately after she gives the command | She thinks the interlocutor believes she is serious and expects compliance without delay. | She thinks the interlocutor believes she is exaggerating the urgency and might hesitate before acting. | She thinks the interlocutor believes she is overcompensating for uncertainty and isn't fully committed to the command. | She thinks the interlocutor interprets her command as an option to be discussed rather than an order to be followed immediately. |
v2tEGbTpIDU@2@Character_1@intention@second | videos/v2tEGbTpIDU.mp4 | intention_questions | second-order | What does Roman think his companion intends by making a peace sign while instructing? | C | Roman perceives his companion's peace sign and smile as an attempt to ease tension and promote cooperation. The friendly gestures contrast with the serious advice, suggesting a supportive approach. | companion | Character_1 | Roman, bald man, contemplative | when the companion stands on the fence making a peace sign | Roman thinks his companion intends to signal that he is taking the lead in a lighthearted way. | Roman thinks his companion intends to poke fun at him gently while giving instructions. | Roman thinks his companion intends to ease tension and encourage cooperation through friendliness. | Roman thinks his companion intends to lighten the mood so he won’t focus on the importance of the instructions. |
v2tEGbTpIDU@1@Character_1@emotion@first | videos/v2tEGbTpIDU.mp4 | emotion_questions | first-order | What complex emotion is Roman likely experiencing while holding the object? | B | Roman's contemplative demeanor and deliberate gestures indicate a complex emotional state, likely involving nostalgia and hesitation. He seems conflicted about whether to share a memory or remain focused on the current interaction. | Roman | Character_1 | Roman, bald man, dark blue shirt | while Roman looks at the object and then rests his hand on his chin | Roman feels detached and indifferent, as if the object has no significance to him at all. | Roman feels a mix of nostalgia and hesitation, conflicted between sharing a memory and staying focused on the present conversation. | Roman feels mounting irritation and impatience with his companion, believing the discussion about the object is pointless. | Roman feels lighthearted delight, finding the object amusing and unproblematic, which lifts his mood. |
v2tEGbTpIDU@4@Character_1@emotion@first | videos/v2tEGbTpIDU.mp4 | emotion_questions | first-order | What emotion is Roman most likely experiencing while leaning on the railing and listening to his companion? | D | Roman's neutral expression and body language suggest he is in a contemplative state, processing his thoughts internally rather than displaying overt emotions like joy or irritation. | Roman | Character_1 | Roman, bald man with beard | during the exchange about the horse's name | Roman feels tense and guarded, bracing himself for possible criticism from his companion. | Roman feels mildly annoyed and uninterested, barely paying attention to what his companion is saying. | Roman feels visibly cheerful and eager, expressing enthusiasm about the upcoming decision about the horse. | Roman feels contemplative and slightly reserved, processing thoughts internally. |
v9LWNFTA2YQ@1@character_1@intention@second | videos/v9LWNFTA2YQ.mp4 | intention_questions | second-order | What does the Elderly Man think the younger woman believes about his comment 'You look a mess'? | C | The younger woman's stillness and gaze suggest she is processing the comment as harsh or critical, indicating she might feel challenged or criticized. | Younger Woman | character_1 | Elderly Man, red shirt with suspenders | immediately after speaking the line | That the Elderly Man is uncertain and perhaps doesn’t fully grasp how his words are being received | That the Elderly Man is uninterested in her feelings and emotionally distant | That the Elderly Man is being harsh and critical, possibly antagonistic | That the Elderly Man is making a lighthearted remark and expects her not to take offense |
v9LWNFTA2YQ@1@character_1@desire@second | videos/v9LWNFTA2YQ.mp4 | desire_questions | second-order | What does the Elderly Man think the younger man desires regarding the interaction? | C | The younger man's serious tone and direct call indicate he wants to stop the Elderly Man from being harsh, suggesting a desire to moderate the situation. | Younger Man | character_1 | Elderly Man, red shirt with suspenders | when the younger man calls out 'Alfie!' | That the younger man desires to reassure the Elderly Man and maintain harmony in their conversation | That the younger man desires to challenge the Elderly Man’s viewpoint and provoke further debate | That the younger man desires to stop the Elderly Man from being harsh | That the younger man desires to distance himself emotionally and not get involved in the discussion |
Va4epzbb690@1@character_1@intention@second | videos/Va4epzbb690.mp4 | intention_questions | second-order | What does the man think the woman intends by asking about his entry into financial consulting? | B | The woman's tentative tone and downward gaze indicate she is genuinely curious and possibly nervous, suggesting she wants to understand him better. The man interprets this as an attempt to connect rather than criticize or mock. | Woman | character_1 | Man, dark suit, glasses | when the woman asks her question | He thinks she is only trying to fill an awkward silence and is not genuinely interested in his background. | He thinks she wants to initiate a personal connection or understand him better, despite her nervousness. | He thinks she is questioning his qualifications or the legitimacy of his career path in a confrontational way. | He thinks she is being sarcastic and subtly making fun of his decision to work in financial consulting. |
Va4epzbb690@2@character_1@intention@second | videos/Va4epzbb690.mp4 | intention_questions | second-order | What does the man think the woman intends by continuing to talk about professions despite his demeanor? | C | The woman continues to ask questions about professions, indicating she wants to keep the conversation going and possibly seeks affirmation or connection from the man. Despite his neutral demeanor, her persistence suggests she is interested in engaging with him on a deeper level. | the woman | character_1 | Man, dark suit, glasses | while the man listens and talks | She is trying to challenge the man to see if he will contradict her ideas about professions. | She is mostly ignoring the man's reactions and is determined to share her views regardless of his interest. | She wants to maintain the conversation and perhaps seeks affirmation or connection | She hopes that by sticking to straightforward topics, the conversation will wrap up soon without further discussion. |
Va4epzbb690@1@character_1@intention@first | videos/Va4epzbb690.mp4 | intention_questions | first-order | What does the man intend by putting his sandwich down before the woman starts speaking? | C | The man puts down his sandwich, which suggests he is preparing for a conversation, showing a polite readiness to listen, even if he is not enthusiastic about engaging. His lack of eye contact and passive demeanor indicate a reluctance to fully participate. | Man | character_1 | Man, dark suit, glasses | just before the woman starts speaking | He intends to signal that he is ready to listen, but actually plans to tune out the woman's words. | He intends to finish his meal quickly so he can avoid answering any questions from the woman. | He intends to pause eating to prepare for a possible conversation, balancing politeness with reluctance. | He intends to express enthusiastic interest in participating in the conversation, hoping to impress the woman with his knowledge. |
Va4epzbb690@3@character_1@intention@first | videos/Va4epzbb690.mp4 | intention_questions | first-order | What does the man intend by saying that he has a pocket protector? | B | The man mentions the pocket protector to acknowledge the woman's comment while maintaining a guarded stance, as indicated by his light tone and brief glance. | Woman | character_1 | Man, dark suit, glasses | immediately after the woman talks about her father's accountant traits | He intends to playfully reinforce the stereotype mentioned by the woman, aligning himself with her expectations. | He intends to subtly acknowledge the woman's comment without fully engaging, maintaining a guarded stance. | He intends to deflect attention from his own habits by making a comparison to something the woman said about her father. | He intends to open up a discussion about quirky habits related to their profession, hoping to find common ground. |
vajeoyUEuts@1@character_1@intention@second | videos/vajeoyUEuts.mp4 | intention_questions | second-order | What does Ethan think the older man intends by saying 'Is that a Nintendo game?' | A | Ethan perceives the older man's question as a genuine attempt to understand his interests, given the man's curious tone and professional demeanor. The older man's lack of sarcasm or judgment suggests he is seeking clarification rather than making assumptions. | Older Man (Mr. Harris) | character_1 | Young Man (Ethan), maroon-gray striped shirt | after Ethan mentions 'Guild Wars' and the older man starts speaking with a question | He intends to clarify his limited knowledge about gaming to better understand Ethan's interests. | He intends to gently tease Ethan about his choice of game to see how he reacts. | He intends to check if Ethan is genuinely familiar with gaming or just pretending. | He intends to steer the discussion toward a topic where he feels more knowledgeable. |
vajeoyUEuts@3@character_1@intention@second | videos/vajeoyUEuts.mp4 | intention_questions | second-order | What does Ethan think Mr. Harris intends by saying 'In RL?' with a gesture? | D | Ethan perceives Mr. Harris's questioning gesture as an attempt to confirm his understanding of the term 'RL' and to engage in the conversation, despite his limited familiarity with gaming slang. | Mr. Harris | character_1 | Young Man (Ethan), red and white striped shirt | when Mr. Harris says 'In RL?' after Ethan’s explanation | Ethan thinks Mr. Harris intends to question whether Ethan’s online friends are real or trustworthy. | Ethan thinks Mr. Harris intends to steer the conversation away from Ethan’s social life by shifting focus. | Ethan thinks Mr. Harris intends to make fun of the way Ethan talks about games and online culture. | Ethan thinks Mr. Harris intends to confirm his understanding and engage in the topic despite limited familiarity. |
vajeoyUEuts@5@character_2@intention@second | videos/vajeoyUEuts.mp4 | intention_questions | second-order | What does Mr. Harris think Ethan intends by pausing and stopping in the middle of his sentence? | B | Ethan's serious expression and hesitation suggest he is protecting himself by not revealing sensitive information. His behavior indicates internal conflict rather than an attempt to confuse or change the subject. | Ethan | character_2 | Older Man (Mr. Harris), glasses, striped sweater vest | when Ethan stops speaking, considering his next words | Ethan intends to see if Mr. Harris will prompt him to continue by pausing mid-sentence. | Ethan intends to protect himself emotionally by withholding sensitive information | Ethan intends to steer the conversation away from his personal feelings by shifting focus. | Ethan intends to make Mr. Harris unsure about what he really means, deliberately leaving things unclear. |
vajeoyUEuts@1@character_1@desire@first | videos/vajeoyUEuts.mp4 | desire_questions | first-order | What does Ethan desire from the older man during this conversation? | D | Ethan's open posture and calm tone suggest he seeks understanding and acceptance from the older man. He wants to be seen as an individual with genuine interests, not just as a client. | Young Man (Ethan) | character_1 | Young Man (Ethan), maroon-gray striped shirt | during the initial exchange about personal interests and gaming | He desires to challenge the older man's assumptions about his hobbies. | He desires to impress the older man by showcasing how much he knows about his interests. | He desires to steer the conversation away from personal topics to avoid feeling judged. | He desires to be understood and accepted despite his niche interests. |
VbOjicIdrIE@5@character_1@belief@second | videos/VbOjicIdrIE.mp4 | belief_questions | second-order | What does Man in dark suit think the woman believes about his intentions in this conversation? | C | The woman likely perceives that the man is trying to pressure her, as indicated by her steady gaze and firm tone, which suggest she is aware of the tension but questions his empathy. His professional demeanor may conflict with any personal understanding he might show, leading her to believe he is aware of the emotional... | Woman in gray sweatshirt | character_1 | Man in dark suit | after he says sorry and talks about the prosecution’s viewpoint | She believes I am only interested in getting information from her and not concerned with how she feels. | She believes I am understanding and will not hold her lack of response against her. | She believes I am trying to pressure her but am aware of the emotional impact | She believes I am covertly supporting her position in the discussion. |
VbOjicIdrIE@2@character_1@intention@second | videos/VbOjicIdrIE.mp4 | intention_questions | second-order | What does Man in dark suit think the woman intends by holding the glass and keeping her hands clasped during the questioning? | C | The woman holds the glass and keeps her hands clasped as a way to maintain her composure and self-soothe, which helps her resist revealing the secret she is guarding. Her deliberate gestures indicate a protective stance rather than openness or defiance. | Woman in gray sweatshirt | character_1 | Man in dark suit | while the woman responds to questions about the memo | He thinks she intends to challenge his authority by holding the glass and keeping her hands clasped, making a subtle statement of control. | He thinks she intends to mask her anxiety and divert his attention from her answers by fidgeting with the glass and clasping her hands. | He thinks she intends to maintain composure and self-soothe to resist revealing the secret. | He thinks she intends to appear trustworthy and cooperative by holding the glass and keeping her hands visible during the questioning. |
VITNLDx3Kgk@1@character_2@intention@second | videos/VITNLDx3Kgk.mp4 | intention_questions | second-order | What does Black T-shirt Man think the bearded man believes about his willingness to follow orders? | D | The bearded man's authoritative tone and the younger man's silent nod suggest that the bearded man believes the younger man will follow orders without question. The younger man's behavior aligns with the expectation of obedience. | Bearded Man | character_2 | Black T-shirt Man, younger male | when the younger man nods in response to the bearded man's commands | Thinks the bearded man believes he is pretending to listen but intends to act on his own ideas | Thinks the bearded man believes he doesn't really care whether he follows the orders or not | Thinks the bearded man believes he is quietly undermining the authority through subtle gestures | Thinks the bearded man believes he will obey without question because of his submissive behavior |
VITNLDx3Kgk@1@character_1@intention@second | videos/VITNLDx3Kgk.mp4 | intention_questions | second-order | What does Bearded Man think the younger man intends by nodding and following what he says? | D | The younger man's silent nod and focused demeanor indicate compliance, likely out of respect or fear. His behavior suggests he recognizes the authority and necessity of following orders. | Younger Man | character_1 | Bearded Man, red cap | when the younger man nods in response to what the bearded man says | He intends to appear cooperative while actually planning to undermine my instructions when possible. | He intends to feign agreement as a way to gain my trust, but will later pursue his own agenda. | He intends to challenge my authority subtly by using nods as a form of nonverbal disagreement. | He intends to comply out of respect or fear, recognizing my authority and the necessity of obedience. |
VITNLDx3Kgk@1@character_1@desire@second | videos/VITNLDx3Kgk.mp4 | desire_questions | second-order | What does Bearded Man think the younger man desires by responding 'How high' to the command 'I say jump'? | D | The younger man's immediate response of 'How high' indicates a desire to show full compliance and willingness to follow orders. His verbal acknowledgment aligns with the expectation of obedience. | Younger Man | character_1 | Bearded Man, red cap | when the younger man verbally responds to the Bearded Man's command | He desires to demonstrate reluctant acceptance while masking his true feelings. | He desires to test the Bearded Man’s authority by responding in a way that could be interpreted multiple ways. | He desires to display exaggerated agreement in a way that gently satirizes the Bearded Man’s authority. | He desires to show full compliance and willingness to follow orders without question. |
VlLHMWFVgvk@2@older_woman@intention@second | videos/VlLHMWFVgvk.mp4 | intention_questions | second-order | What does the Older Woman think the Younger Woman believes about her comment on the temperature? | A | The Older Woman observes the Younger Woman's surprised look and believes that her comment is understood as a subtle warning about the heat, despite the lack of explicit acknowledgment. | Younger Woman | older_woman | Older Woman, gray hair, purple cardigan | after saying 'It's 40 degrees out' and seeing the Younger Woman's look | The Older Woman thinks the Younger Woman believes the comment is a subtle warning about the heat | The Older Woman thinks the Younger Woman believes she is just mentioning the temperature to keep the conversation light. | The Older Woman thinks the Younger Woman believes she doesn't really care about how hot it is outside. | The Older Woman thinks the Younger Woman believes she is making the weather sound worse than it actually is. |
VlLHMWFVgvk@2@older_woman@belief@second | videos/VlLHMWFVgvk.mp4 | belief_questions | second-order | What does the Older Woman believe the Younger Woman thinks about her mental state regarding the heat? | C | The Older Woman's neutral comment about the heat and the Younger Woman's surprised reaction suggest that the Younger Woman perceives the Older Woman as overly cautious or nagging. The lack of direct engagement implies a disconnect in their understanding. | Younger Woman | older_woman | Older Woman, gray hair, purple cardigan | after the Older Woman's comment and the Younger Woman's reaction | The Older Woman believes the Younger Woman thinks she is attentive and always notices the details, like remembering the grapefruit. | The Older Woman believes the Younger Woman thinks she doesn't care much about what the Younger Woman does, such as running in cold weather or reorganizing the fridge. | The Older Woman believes the Younger Woman thinks she is overly cautious or nagging | The Older Woman believes the Younger Woman thinks she finds the situation funny, especially when they disagree about the fruit. |
VlLHMWFVgvk@3@younger_woman@belief@second | videos/VlLHMWFVgvk.mp4 | belief_questions | second-order | What does Younger Woman think the older woman believes about the younger woman’s feelings during the conversation? | C | The older woman likely perceives the younger woman's tone as exasperated due to her repeated expressions of 'Oh, Jesus' and 'Jesus, Mom,' which suggest impatience rather than amusement or sympathy. | Older Woman | younger_woman | Younger Woman, dark hair, white shirt | when Younger Woman says 'Oh, Jesus.' and 'Jesus, Mom.' | She believes I am uninterested and unaffected by her comments. | She believes I am joking around and making light of the situation. | She believes I am exasperated and possibly impatient with her. | She believes I am patient and considerate of her perspective. |
VlLHMWFVgvk@4@older_woman@intention@second | videos/VlLHMWFVgvk.mp4 | intention_questions | second-order | What does the Older Woman think the younger woman believes about her concerns over the food items? | D | The Older Woman perceives the younger woman's dismissive gestures and tone as indicating that she believes the Older Woman is overreacting. This perception leads the Older Woman to feel defensive and more insistent about her concerns. | Younger Woman | older_woman | Older Woman, gray hair, purple cardigan | when the younger woman responds with 'Oh, come on, Mom' and gestures with both hands | She thinks the younger woman believes she doesn't use the food enough and should let her cook with it more often. | She thinks the younger woman believes she doesn't know which fruit is which and often misunderstands what’s in the fridge. | She thinks the younger woman believes she is being practical and simply wants to sort things out for everyone’s benefit. | She thinks the younger woman believes she is overreacting or being unreasonable about the food. |
VlLHMWFVgvk@5@older_woman@intention@second | videos/VlLHMWFVgvk.mp4 | intention_questions | second-order | What does the Older Woman think the Younger Woman intends by holding up the bag and saying about fruit identification? | A | The Older Woman perceives the Younger Woman's actions as a challenge to her description of the fruit, possibly suspecting the fruit is spoiled. The Younger Woman's tone and gestures suggest skepticism rather than a simple request for help. | Younger Woman | older_woman | Older Woman, gray hair, purple cardigan | when the Younger Woman holds the bag and says 'Identify the fruit, and I'll put them back' | To challenge the Older Woman’s description, believing the fruit might be spoiled | To signal that she accepts the Older Woman’s claim that the fruit is still good and should be kept | To ask the Older Woman for help identifying the fruit, showing she trusts her judgment | To shift the Older Woman’s attention away from a different disagreement they were having earlier |
Vmo12BffgQc@2@Ethan@belief@second | videos/Vmo12BffgQc.mp4 | belief_questions | second-order | What does Ethan think Marilyn believes about how Susan perceives her during the greeting? | C | Ethan observes Marilyn's neutral expression and controlled tone, which suggests she is aware of how she presents herself as polite but emotionally reserved. This implies that Marilyn believes Susan perceives her in this way. | Marilyn | Ethan | Ethan, young man, dark blazer | Marilyn greets Susan | Ethan thinks Marilyn believes Susan sees her as genuinely friendly and eager to connect. | Ethan thinks Marilyn believes Susan sees her as distant and uninterested in engaging. | Ethan thinks Marilyn believes Susan sees her as polite but emotionally reserved. | Ethan thinks Marilyn believes Susan sees her as unsure about how to respond to the situation. |
Vmo12BffgQc@2@Susan@belief@second | videos/Vmo12BffgQc.mp4 | belief_questions | second-order | What does Susan think Marilyn believes about her during the meeting? | B | Susan believes that Marilyn, with her neutral but attentive demeanor, perceives her as nervous but trying to be friendly. This is based on Marilyn's ability to notice subtle signs of nervousness despite Susan's attempts to appear confident. | Marilyn | Susan | Susan, blonde woman in black top | Susan talks to Marilyn | Susan thinks Marilyn believes she is overly assertive and trying to control the conversation. | Susan thinks Marilyn believes she is nervous but trying to be friendly. | Susan thinks Marilyn believes she is distracted and not fully engaged in the discussion. | Susan thinks Marilyn believes she is relaxed and comfortable taking charge during the meeting. |
Vmo12BffgQc@4@Marilyn@intention@second | videos/Vmo12BffgQc.mp4 | intention_questions | second-order | What does Marilyn think Ethan believes Susan intends by looking down after mentioning the loss? | C | Susan's downward gaze and quiet tone suggest she is trying to maintain her composure by withholding deeper grief. Ethan likely interprets this as an attempt to keep her emotions private. | Susan | Marilyn | Marilyn, older woman | after Susan says her father is 'not with us anymore' and looks down | Ethan believes Susan intends to steer the conversation away from the loss to prevent awkwardness. | Ethan believes Susan intends to indirectly express frustration toward him by avoiding eye contact. | Ethan believes Susan intends to withhold her deeper grief to maintain composure. | Ethan believes Susan intends to silently prompt him to offer comfort or support. |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.