movie_title
string | publisher_name
string | critic_name
string | review_content
string | review_score
string | grade_type
string | orig_num
float32 | orig_denom
float32 | includes_zero
bool | label
uint8 | scale_points
uint8 | multiplier
uint8 | group_id
uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Scouts Guide to the Zombie Apocalypse
|
3AW
|
Jim Schembri
|
Wall-to-wall fun...this good-natured splatterfest [is] a good, gory time with lots of laughs and digitally assisted dismemberment.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Equalizer
|
3AW
|
Jim Schembri
|
The indomitable Denzel Washington brings the everyday grit and the no-nonsense sense of right that has become his signature to this full-blooded, bloody big-screen up-scaling of the TV series.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Other Son
|
3AW
|
Jim Schembri
|
This moving, emotionally concise human drama is easily one of the most remarkable films about the unending conflict in the Middle East.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Beasts of the Southern Wild
|
3AW
|
Jim Schembri
|
An extraordinary film of raw, subtle power that blends jagged reality with elements of myth and moments of magic... easily qualifies as one of the most remarkable and unexpected films of the year.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
I Am Divine
|
3AW
|
Jim Schembri
|
The film's heart is the chequered relationship Milstead had with his mother, whose shifting regard for her larger-than-life son takes centre stage.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Rough Night
|
3AW
|
Jim Schembri
|
In the interests of promoting the cause of feminism, all of the accusations usually levelled against male comedies for being disgusting and vulgar and sexist, you can...now level those charges at women in comedies.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Love, Rosie
|
3AW
|
Jim Schembri
|
As romantic-comedies go, this worthwhile, incident-packed effort deserves credit for spending the balance of its time exploring the underside of love...The last time we saw that done this well was 27 Dresses.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Bel Ami
|
3AW
|
Jim Schembri
|
Visually, the film is ornate and very attractive while the story, based on the 1885 novel by Guy de Maupassant, is essentially a pulpy morality tale about the perils of taking short cuts through life. A very satisfying, rough-edged period drama.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Wilson
|
3AW
|
Jim Schembri
|
One of those unheralded, unpretentious films that offers unpolished truths about human nature and the awkwardness that comes with honesty. Please don't let this small gem of a film slip by you.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Iron Man 3
|
3AW
|
Jim Schembri
|
The film's army of digital artists deliver big servings of neuron-numbing spectacle. Anyone who thinks that's not important should avoid this film.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Miss Peregrine's Home for Peculiar Children
|
3AW
|
Jim Schembri
|
Another gloom-laden fantasy film intended for kids, this one featuring drab direction from Tim Burton and a time-travel storyline that will have you scratching your head.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
Partisan
|
3AW
|
Jim Schembri
|
Absolutely remarkable feature film debut ...Director Ariel Kleiman delivers a quietly powerful, engrossing tract about psychological seduction, manipulation and good old mind control.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Magic Mike XXL
|
3AW
|
Jim Schembri
|
It's got to be said that while there's no real story as such in the harmless, totally unnecessary follow-up to the 2012 hit Magic Mike there is an undeniable paleolithic charm to the low-brow lunkhead bromance.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Grand Budapest Hotel
|
3AW
|
Jim Schembri
|
Another visually scrumptious cinematic doily from America's master of over-designed whimsy, Wes Anderson, and this one is measurably better than many of his previous efforts in that there's something resembling a plot at the heart of it.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
ParaNorman
|
3AW
|
Jim Schembri
|
ParaNorman demonstrates - as did films such as Coraline, The Corpse Bride, Wallace & Gromit and The Nightmare Before Christmas - that stop-motion animation has a texture and warmth that can't (yet!) be replicated by computer.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Boxtrolls
|
3AW
|
Jim Schembri
|
A beautiful, visually lush, character-driven fairy tale where dark themes of abduction and deceit are off-set by perky characters and a constant stream of inventive visual humour.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Predestination
|
3AW
|
Jim Schembri
|
A dog's breakfast of clashing ideas and concepts; it's confused and confusing, and the more it tries to untangle itself, the deeper it digs itself into an incoherent hole.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Sex Tape
|
3AW
|
Jim Schembri
|
Sex Tape is perfectly watchable, funny slapstick contemporary comedy that, like Chef, does a very good job weaving the perils of social media into its plot.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Hit & Run
|
3AW
|
Jim Schembri
|
The wafer-thin story...is little more than an excuse for a series of nifty chase sequences and comic interludes, all mounted with the kind of fizzy enthusiasm essential for an inconsequential, enjoyable road movie lark to work.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Rio 2
|
3AW
|
Jim Schembri
|
Largely boring, repetitive sequel to the 2011 hit about exotically coloured birds of South America who sing and dance.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
A Little Chaos
|
3AW
|
Jim Schembri
|
Alan Rickman directs Kate Winslet in this charming period chick flick about the woman charged by Louis XIV to design and build a fountain garden in the palace of Versailles.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
One Direction: This Is Us
|
3AW
|
Jim Schembri
|
What's super-odd about this film is its director, Morgan Spurlock. Best-known as an activist documentarian...it's a bit of a shock to see his controversy-magnet name attached to something so tame, formulaic and corporate.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Midnight Special
|
3AW
|
Jim Schembri
|
A clever blending of Close Encounters of the Third Kind, Starman, ET and The Day the Earth Stood Still...writer/director Jeff Nichols (Take Shelter) weaves the piece together with a deft balance of tension and wonderment.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Sightseers
|
3AW
|
Jim Schembri
|
Deftly directed by Ben Wheatley (whose fright-fest Kill List is a must on DVD)...the film is careful not to make light of violence, using comedy to sharpen its sinister edge
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Amour
|
3AW
|
Jim Schembri
|
While [director Michael] Haneke's love of long takes invite you to stare into the corrugated faces of Georges and Anne as their worlds change, there is a leaden quality to many stretches of the film that assume a profundity that simply isn't there.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Peter Rabbit
|
3AW
|
Jim Schembri
|
It's sad to see how the common sense of some people has been over-estimated by an animated bunny rabbit.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Mary Queen of Scots
|
3AW
|
Jim Schembri
|
Powerhouse performances from Saoirse Ronan & Margot Robbie drive Josie Rourke's searing chamber piece about one of history's greatest catfights.The film has been Oscar-nominated for make-up, which managed the extraordinary feat of making Robbie look ugly.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Citizenfour
|
3AW
|
Jim Schembri
|
Director Laura Poitras presents a portrait of whistleblower Edward Snowden that is neither demon not saint, though his patriotic motives are clear in that he felt he was uncovering massive abuses of authority.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
That Awkward Moment
|
3AW
|
Jim Schembri
|
One dares suggest that had the film gone for a more formulaic approach - focusing on one character's plight instead of all three - it might have been tighter and stronger.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Look of Love
|
3AW
|
Jim Schembri
|
In this light-hearted period biopic, a cool Steve Coogan brings a cheeky urbane swagger to his portrayal of Paul Raymond, the adult-entertainment entrepreneur who brought nude live shows and softcore pornography to the masses.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Men in Black International
|
3AW
|
Jim Schembri
|
Absolutely awful.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
The Double
|
3AW
|
Jim Schembri
|
Who says you can't have fun with a self-consciously arthouse film? Director Richard Ayoade mashes the styles of Terry Gilliam (lots of ducts), David Lynch (lots of lamps) and the Coen brothers (lots of dim corridors) in this diverting style exercise.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Maggie's Plan
|
3AW
|
Jim Schembri
|
Julianne Moore is terrific as the high-IQ wife while Greta Gerwig again shows her flair for these types of wistful independent urban comedies.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Star
|
3AW
|
Jim Schembri
|
Easily the most slapstick version of the Nativity story ever made and one that finally pays tribute to the critical part played by all the talking animals at the manger on that night.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Winter's Tale
|
3AW
|
Jim Schembri
|
There's a lot of yapping about miracles in Winter's Tale, a punishingly dull super-natural, high-concept romantic mish mash...And it's just as well. About half-way through you'll be wishing God could miracle your way out of the cinema.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Jason Bourne
|
3AW
|
Jim Schembri
|
The world has changed a great deal since the last Bourne and it would have been good to see that seriously incorporated here. It's a tad disappointing to see the Bourne franchise prove itself susceptible to sequelitis.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Wadjda
|
3AW
|
Jim Schembri
|
A warm, winning, restless film...Beautiful, modestly progressive and heartfelt, with a wonderful, brash central performance from first-timer Waad Mohammed.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Kubo and the Two Strings
|
3AW
|
Jim Schembri
|
Man, is it gloomy.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Thérèse
|
3AW
|
Jim Schembri
|
A boring French film about boring French people...sadly the final film by veteran director Claude Miller.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
All the Money in the World
|
3AW
|
Jim Schembri
|
As well as being a terrific crime drama, All the Money in the World also has the questionable distinction of being the first major film to entirely replace one of its stars after post-production.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Neil Young Journeys
|
3AW
|
Jim Schembri
|
Fans of folk rock legend Neil Young who are willing to accept that the guy is well past his prime will respond to the downbeat tone of Jonathan Demme's concert film.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Lovelace
|
3AW
|
Jim Schembri
|
Amanda Seyfried brings the mythologised Lovelace to life ...a surprisingly touching, extraordinary biopic. It certainly stands with Boogie Nights (1997) and Hardcore (1979) as one of the few good feature films about porn.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Words And Pictures
|
3AW
|
Jim Schembri
|
Veteran Aussie director Fred Schepisi slams together a gruff Clive Owen with a frail Juliette Binoche for a romantic comedy that dares to have brains as well as heart.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Selfish Giant
|
3AW
|
Jim Schembri
|
Anyone worried that the spirit of British social-realist director Ken Loach might not continue once he goes can take heart. Newbie director Clio Barnard has his style down pat as she tells of two teenage truants who scrounge for scrap metal.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Sully
|
3AW
|
Jim Schembri
|
Any lingering doubts that Clint Eastwood was at the top of his game as one of America's premier film directors are swept away by his taut, compelling retelling of the forced landing on New York's Hudson River in which 155 lives were saved.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
Run All Night
|
3AW
|
Jim Schembri
|
With the exception of the first Taken film (which, let's face it, should have been the only Taken film) this taut little Liam Neeson actioner could just be the best shoot'em upper he's done so far.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Pirate Fairy
|
3AW
|
Jim Schembri
|
Terrific stuff, beautifully animated and with a nice, positive message... it is great fun and another example of how new ideas can help keep a franchise fresh.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mad Max: Fury Road
|
3AW
|
Jim Schembri
|
It's fine B-grade mulch, but it's certainly no masterpiece...it's surprising, and a tad disheartening, how readily Fury Road falls into line with so many other production-line blockbusters.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Beauty (Skoonheid)
|
3AW
|
Jim Schembri
|
Director Oliver Hermanus values quiet, naturalistic scenes of domestic life to build considerable emotional tensions in this finely nuanced film.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
20th Century Women
|
3AW
|
Jim Schembri
|
Writer/director Mike Mills, who gave us the fabulous film Beginners, tries hard to inject style into this semi-biographical coming-of-age yarn, but it's a long, slow haul.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
100 Bloody Acres
|
3AW
|
Jim Schembri
|
A horror-comedy is typically much tougher to pull off than straight horror - or straight comedy, for that matter - and that balance is all over the shop in this occasionally giggle-worthy, hap-hazard affair.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
War for the Planet of the Apes
|
3AW
|
Jim Schembri
|
An exciting, moving closing chapter that again punches the thesis that humans have no inherent right to presume dominion over the earth... We often complain about reboots and sequels. The Apes series is a prime example of how to do it right.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
13 Hours: The Secret Soldiers Of Benghazi
|
3AW
|
Jim Schembri
|
Taking a break from his Transformer showreels, director Michael Bay mounts a frenetic, exciting, realistic recreation of the 2012 battle in Benghazi where a security team made up of ex-soldiers defended a besieged American diplomatic outpost.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Neighbors 2: Sorority Rising
|
3AW
|
Jim Schembri
|
What could have - should have - been a knock-out, gross-out comedy is hobbled by all these awkwardly shoe-horned politically correct asides about sexism, gender inequality and friendship...Oh, if only this film had been made as if it was 1981!
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
The Amazing Spider-Man 2
|
3AW
|
Jim Schembri
|
Returning director Marc Webb has here grabbed onto two driving principles: deliver a killer final reel and give the audience something they can care for. He's commendably come through on both accounts. Thankfully.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Words
|
3AW
|
Jim Schembri
|
Engrossing morality tale about lying, guilt and just how great a character actor Jeremy Irons has turned into.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Memory: The Origins of Alien
|
3AW
|
Jim Schembri
|
The film's chief purpose is to pull focus on the work of the late Dan O'Bannon (died 2009) who first dreamt up the idea.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Teenage Mutant Ninja Turtles
|
3AW
|
Jim Schembri
|
The tone is light, the visual effects are outstanding and the unfairly maligned Megan Fox does a perfectly swell job at the centre of all the action in this heavy-hitting reboot of the cheesy 1980s mock-superhero phenomenon.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Stories We Tell
|
3AW
|
Jim Schembri
|
Canadian actress/director Sarah Polley (Away from Her; Take This Waltz) presents an absorbing family history that is so ingeniously mounted it doubles as a wry commentary on the documentary form, examining our willingness to believe what we see.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Southpaw
|
3AW
|
Jim Schembri
|
Though much has been made of the physical transformation Jake Gyllenhaal put himself through to look like a real boxer, Southpaw is a fairly standard, by-the-numbers boxing melodrama that hits all those beats we're accustomed to through the Rocky films.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
American Ultra
|
3AW
|
Jim Schembri
|
Nerdy Jesse Eisdenberg as an action man? You better believe it as he devours his role as a slacker/CIA sleeper agent who is targeted for termination...A very tight, enjoyable action comedy romp with Kristen Stewart providing great value-add.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mommy
|
3AW
|
Jim Schembri
|
Unsettling drama from prolific Canadian director Xavier Dolan tells of the troubled relationship between a feisty, attractive middle-aged single mother (Anne Dorval) and her unbridled, attention-deficient teenage son (Antoine-Olivier Pilon).
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Yoga Hosers
|
3AW
|
Jim Schembri
|
Aimless, sloppy, low-budget garbage that will prove especially painful to endure for long-time Kevin Smith fans. Where did all that zeitgeist savvy go?
|
0.5/5
|
5
| 0.5
| 5
| true
| 1
| 11
| 2
| 1
|
Adore
|
3AW
|
Jim Schembri
|
There's more depth and feeling to the admittedly provocative premise of this twisted sexual drama than you might expect...It's the excoriating payoff to the story that makes Adoration a cautionary tale with a major sting.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mid90s
|
3AW
|
Jim Schembri
|
A small, unorthodox social-realist gem with much to recommend it thanks to some fine naturalistic acting from a young cast.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Suspiria
|
3AW
|
Jim Schembri
|
A posturing and pretentious bore...Half-way through you'll be hoping Leatherface will appear and liven things up.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Blood Father
|
3AW
|
Jim Schembri
|
Unexceptional, occasionally exciting chase film with Mel Gibson playing a grizzled recovering alcoholic whose destitute life is given purpose when his missing daughter calls him for help.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Passengers
|
3AW
|
Jim Schembri
|
The film does serve as a timely metaphor for much of Hollywood product these days: beautiful, exacting visual work helping dress up a threadbare story.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Elena
|
3AW
|
Jim Schembri
|
Elena takes us into the mind of a woman who has been pushed by life into an uncomfortable corner where she has to choose between different kinds of love...[a]very solid, intense drama.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Ted
|
3AW
|
Jim Schembri
|
Rude as hell, funny as hell...While merrily delivering all the coarse anti-PC humour the Family Guy fanbase have a right to expect, the best thing about Ted is also its biggest surprise - it has real heart.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
The Call
|
3AW
|
Jim Schembri
|
A straight-forward, race-against-time thriller...In an alternate universe, one imagines a disciple of Hitchcock making this film in real time and without any violence.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Trainwreck
|
3AW
|
Jim Schembri
|
As with so many of the man-child comedies of the last decade, the film is essentially a cautionary comic tale, its vulgar veneer serving to veil a set of home-spun truths and conservative values about commitment, loyalty, love and common sense.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Lion
|
3AW
|
Jim Schembri
|
Unhurried in pace, subtle in tone and simple in structure, this moving, compassionate film engages with the age-old theme of finding one's place in the world, yet through uniquely 21st Century means.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Celeste and Jesse Forever
|
3AW
|
Jim Schembri
|
The film bears a kinship with the underrated 2006 film The Break-Up; both are, for lack of a better term, post-romantic comedies by exploring the largely virgin territory of what happens long after the meet-cute, when life takes hold and love goes sour.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mortdecai
|
3AW
|
Jim Schembri
|
A dreadfully flat and unfunny film...It really is painful to watch such a terrific actor as Johnny Depp bland out in such a big way.
|
1.5/5
|
5
| 1.5
| 5
| true
| 3
| 11
| 2
| 1
|
A Haunted House
|
3AW
|
Jim Schembri
|
Clearly what the world needs right now is another low-rent horror movie spoof. And this one's not bad. Sticking to Paranormal Activity for its premise, it actually produces some pretty funny moments.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Logan Lucky
|
3AW
|
Jim Schembri
|
Directed by Steven Soderberg, the film is intended as a backhander to the director's own Ocean's 11 trilogy, which were all glossy, hi-tech, largely unfunny and totally lacking in ideas. Logan Lucky certainly provides an entertaining counter punch.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
West of Memphis
|
3AW
|
Jim Schembri
|
It's reasonable to question whether the time and resources poured into this project might have been better spent highlighting a miscarriage of American justice that nobody knows about rather than one that enjoys a celebrity profile.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Night Moves
|
3AW
|
Jim Schembri
|
. A master at understatement, [director Kelly] Reichardt elicits very effective, subdued performances from her key cast, who have to keep the lid on their emotions almost all of the time.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Now You See Me
|
3AW
|
Jim Schembri
|
Clever, original, wildly improbable, wildly enjoyable and directed with all the necessary flash and dazzle, the film combines the pleasure of a well-engineered heist movie with a twisty-turny plot full of wit, double-takes and sleight-of-camera.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Charlie's Angels
|
3AW
|
Jim Schembri
|
The latest excruciating example from Hollywood of big-budget franchise film-making gone wrong...Not so much a reboot as an act of cinematic vandalism, its only real value being that it reminds us of just how cool, wild and fun those McG movies were.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Holding The Man
|
3AW
|
Jim Schembri
|
Director Neil Armfield sidesteps melodrama to deliver a heart-breaking, sensitive, poignant portrait of love and loss. Anthony LaPaglia and Guy Pearce provide sturdy support as the fathers...2015 is turning into a stellar year for Australian film
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Overlord
|
3AW
|
Jim Schembri
|
Julius Avery blends war movie with zombie horror to create a big, fun, action-splattered hybrid film that proposes how the Nazis were working on reanimating dead soldiers during the D-Day invasion. Think of it as Saving Private Ryan of the Living Dead.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Wedding Party
|
3AW
|
Jim Schembri
|
Clumsily cobbled, tonally confused romantic comedy...a terrific premise with strong leads is sadly derailed by too many side stories.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
Cuban Fury
|
3AW
|
Jim Schembri
|
Cuban Fury is a formulaic, by-the-numbers feel-good dance movie, and as far as formulaic, by-the-numbers feel-good dance movies go, it's formulaic, it's by-the-numbers, and it feels pretty good.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Great Expectations
|
3AW
|
Jim Schembri
|
Helena Bonham Carter does something with Miss Havisham that Martita Hunt couldn't quite manage in the brilliant 1946 David Lean film; namely, make it feel as though she never changed out of that damned wedding dress.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Red Sparrow
|
3AW
|
Jim Schembri
|
Lawrence had a great chance to register a new female action hero into the modern-day canon. What an opportunity missed.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
He Named Me Malala
|
3AW
|
Jim Schembri
|
A rousing profile of the teenage Pakistani girl the Taliban tried to kill for her belief in education and equality...one of the unintended pleasures is registering how Malala has become the worst possible nightmare to her failed murderers.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Wish I Was Here
|
3AW
|
Jim Schembri
|
Zach Braff's quality sequel to his quarter-life crisis gem Garden State.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Captain Phillips
|
3AW
|
Jim Schembri
|
Captain Phillips is a prime example of Hollywood's unrivalled ability to rapidly reprocess a story from headline to marquee. And it's a splendidly mounted, nerve-racking thrill ride, building to an almost unbearably tense climax.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
Nocturnal Animals
|
3AW
|
Jim Schembri
|
A good way to describe this film is like the cinematic version of a Kinder surprise, with a ripping B-grade badlands thriller wrapped inside an A-grade art movie. It certainly is edge-of-the-seat stuff.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
London Has Fallen
|
3AW
|
Jim Schembri
|
An unapologetic, proudly political post-9/11 Red State actioner where no quarter is given to the terrorists. Their slaughter is our catharsis, and there's lots of it.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Grown Ups 2
|
3AW
|
Jim Schembri
|
Adam Sandler's follow-up to one of the most improbable blockbuster comedy hits in film history - Grown Ups took $270m in 2010 - is a similarly plotless, reasonably pleasant, rough-edged comic ramble.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Bombshell
|
3AW
|
Jim Schembri
|
There are so many places where the film could have gone deeper, but overall it paints an effective and disturbing portrait of the entitlement culture that comes with extraordinary power.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Toy Story 4
|
3AW
|
Jim Schembri
|
Featuring a decent handful of great laugh-out-loud moments, Toy Story 4 is certainly terrific family entertainment, though it doesn't quite hit the emotional peaks delivered by Toy Story 3.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The LEGO Movie
|
3AW
|
Jim Schembri
|
In what is sure to turn out to be this generation's Toy Story, this crazy-funny animated lark takes us into a hyper-happy world where everything is so awesome there's even a pop anthem called Everything is Awesome... fresh and fast and funny.
|
5/5
|
5
| 5
| 5
| true
| 10
| 11
| 2
| 1
|
The Hunt
|
3AW
|
Jim Schembri
|
The film's snarky humour is just a ruse to conjure the illusion of controversy. You could say the film offers a cheeky backhander to self-righteousness [but] it would strain any brain to see it as anything but a mischievous piece of splatter cinema.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Rock of Ages
|
3AW
|
Jim Schembri
|
This exuberant, hugely entertaining big-screen adaptation of the smash stage musical comedy doesn't put a foot wrong...[Tom] Cruise again proves he's on a mid-life career peak.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Emma.
|
3AW
|
Jim Schembri
|
A fine, lush-looking, very well-directed remake starring a cast of relative unknowns and a lot of splendidly upholstered heritage-listed houses.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mission: Impossible - Fallout
|
3AW
|
Jim Schembri
|
A near-perfect blend of old-school cliffhanger movie aesthetics with state of the art filmmaking technology...it joins Bourne, the Fast and the Furious, Transformers and the Dark Knight trilogy as a franchise setting the pace in the 21st century.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
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