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+00:00:18.960--00:00:34.719 after staring death in the eye everything changed for me I needed to feel alive really alive so I went and solid trip to the Philippines searching for new adventures in new
+00:00:36.760--00:00:53.239 places every step on this trip wasn't just about seeing new sights it was about celebrating being alive and the Philippines with its endless charm and spirited people was the perfect place to begin my next
+00:00:55.840--00:01:06.159 chapter these memories they're not just snapshots or stories they are Lessons Learned far from home and that is a story I will Al
+00:01:28.920--00:01:29.920 forever
+00:01:58.439--00:03:17.680 this soul attribut to Philippines was exactly what I needed it brought me back to the jeft traveling solo meeting new people who shared my energy and creating core memories with them solar travel opens your mind and heart helping you grow braver with each new place it makes you think about yourself more showing you your true strength and who you are the Philippines Tau me that you don't need much to be happy just the right mindset and appreciation for the simple Joys around us from savoring delicious treat food with new found friends to sharing lther during Island uping Adventures from the breath taking Landscapes to the warmth of the people this journey of Discovery was a beautiful reminder to cherish every moment and embrace the JY of life in the past few months I lost close friends and nearly died it was a confusing and challenging time this trip to the Philippines doesn't make me forget those struggles instead it made me real realize how short life could be and that I've gained my life back I'm thankful for the opportunity to experience this journey which filled my soul with joy and gratitude because life moves pretty fast if you don't stop and look around once in a while you could miss
+00:03:23.200--00:03:24.200 it
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+00:00:00.709--00:00:58.739 hey guys it's ashli and today I'm gonna be doing my apartment moving vlog you guys didn't know this at all but I got an apartment it's basically the same as me dorming but just my own apartment it like costs literally the same so that's what we're doing today I'm gonna show you guys around the apartment I'm gonna show you guys me moving and I have all my stuff in the back of the car as you can see houses are on my clothes other half is in my mom's car we have like hundreds of pounds of furniture and we're gonna be moving them all in right up there okay guys we're in the apartment yup here's the wide open space there's like some of my stuff is barely out we're not gonna have that much stuff in here mom do you wanna say hi or no hi this is basically what the apartment looks like there is everything Wow I have like a tiny bit of stuff moved in this is my room my clothes are in garbage bags with hangers like that the time moved him in and then we have like look at there's all my little goodies and whatnot I'm doing a haul with boo who soon so that's what's right there and then I have my box mattress
+00:01:04.400--00:01:15.299 zero memory foam memory foam mattress yes oh my god oh my god amber do you remember when you like
+00:01:21.259--00:01:25.350 catch that's actually funny
+00:01:30.280--00:01:31.280 yeah
+00:01:35.170--00:02:54.950 okay guys so I set up the full bed this bed is huge it's a king sized bed I'm leaving the bed on my floor just cuz I think that it'll look nicer that way and I don't feel like spending money on like a bed frame from the bathroom yeah it'd be so hard to move in I'm moving out soon anyways also my lease is like seven months and then after that meeting and we're going somewhere else it already expanded a pretty good amount but it's gonna expand more act I supposed to leave it for 24 hours and then after 24 hours I'll check back in with you guys tomorrow and let you know how the bed feels let's go right now it also feels pretty good right now so what we're planning to do is this vlog is going to be moving in blog we're not gonna show with the apart looks like holistically or like when it's completely done now we're gonna get another video that's like very nice looking at part of it tour it's gonna be so weird when it starts feeling like homey alright now this feels like bleak so we're gonna go let it expand we're gonna go buy some food and then we'll check back in with you guys later amber the lighting here is literally absolutely phenomenal Oh like there might not be that many videos in my room anymore like all the hauls that you once knew yeah they're coming a lot better now I'm so thick to set up our futon we have a food hunt and it's great if you like something crazy on the mattress right now my legs are new part embroilment big gymnast ready
+00:02:57.820--00:03:00.769 diet this is andrew visiting right now
+00:03:04.329--00:03:25.910 usually there's people below us that's like the one thing you should do you should get your stuff in drew even you're giving the girls too much you give me the girls what's up guys why you look like an old person why like grandpa now this is a workforce goals on the toilet boys
+00:03:35.090--00:03:36.750 doing stuff yo
+00:03:45.110--00:03:47.460 hey hey Ashley Ashley Ashley
+00:04:03.920--00:04:10.440 no I just get more water on my toothbrush I realize that yeah yeah in Jeju
+00:04:24.050--00:04:45.450 I just woke up at two o'clock and we're 20 other barstools and by we I mean me I just put the ends first one and then I just realized right now that this is where you're supposed to be it should be here it's not to unscrew it and redo that heart other than that you're doing pretty well oh there's a dent in it
+00:05:08.540--00:05:16.320 okay guys now we're gonna flip over the futon because we finally set it up it was actually a lot easier to set up than pretty much anything else I would made
+00:05:25.580--00:05:30.540 it look like I have like a nice studio apartment when actually it's like kind of shitty
+00:05:37.850--00:05:45.840 amber stand up so I can you like the shadow right here it was honestly beautiful I'm not joking right now he looks us into the road
+00:05:50.630--00:06:26.880 swag it's been 24 hours and now I'm taking a nice light a nice lay nicely would you like to wait with me no I've let it to air out it has fully risen I put some nice white bed sheets on it and tbh it is very comfortable I don't like soft mattresses and this is memory foam so I was kind of worried about that but like it feels so nice it's literally so comfortable like it's loose yeah I'm wearing a flannel cuz it's literally the hugest snowstorm out right now I'm not wearing any clothes right now
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+00:00:00.420--00:00:19.260 hey friend hey it's Ashley with Ashley digital Studio back again with a quick how to change the templates in your digital planner and keep the hyperlink let's get into it so the first thing you want to do is find the template that you want to use I'm going to use this one for the example now I'm going to export this as an image and save it to my camera roll
+00:00:26.460--00:01:00.239 I'm going to end up at the December calendar and I'm going to go to week two and use that template as the template that I want to replace now you're going to put your planner in edit mode and you're going to use the photo tool to bring in the picture or the image of the template I'm also going to hold on the image and crop out the toolbar and I'm going to crop out the line that came up at the bottom now you're just going to resize your template to cover up the existing template this takes a little time you want to be careful not to cover up the hyperlinks on your toolbar
+00:01:06.600--00:01:32.580 now that I have the template in place I'm going to go back to December and show you the hyperlink still works so we're going to select week 2 of December there's the template that we added another step that I would suggest is to hold on the template that you added again and create a sticker in your element tool that way you'll have the sticker or the template to come back to and use in your planner whenever you want to change the templates out
+00:01:34.979--00:01:50.159 let's go to another weekly layout and I'll show you how to pull it from the elements tool so you're going to turn your edit toolbar on select element and then you'll see your weekly template in your toolbar at the bottom of the elements tool and once you select it it'll be the same process as you did before
+00:01:53.340--00:02:06.780 all right another way to change the templates and keep your hyperlinks is use the templates you have in your file you can use the split screen and open your file folder and drag the template you want to use from your file to your planner
+00:02:09.479--00:02:13.440 now you just resize your template and be careful not to cover your hyperlinks
+00:02:19.860--00:02:23.340 now you've changed the template once again and your hyperlinks still work
+00:02:26.400--00:02:36.540 all right y'all let me know if you have any questions if you'd like to see anything else just leave it in the comments don't forget to hit the like And subscribe so you won't miss any videos until next time
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+00:00:00.240--00:02:48.760 Ponder I've done a lot of pondering this past month ever since I decided to take a break from social media I found myself squandering much of my time scrolling through the endless amount of content that is shoved into my face on Instagram and Tik talkk and YouTube so I decided hey I'm going to take at least 2 and a half 3 weeks four weeks off of social media and see if I come out the other end any better any more wiser or anything like like that um and I can tell you what I have found myself spending a lot more time communicating with my family looking with my eyes at the world around me appreciating things more and uh being more creative with what I put my time to I would recommend taking a break from your phone computer TV and challenge yourself but who knows you may be unconsciously comparing yourself to people you see on social media and that's not a good thing anyways enough of that I've been gone for a month now now I haven't made a YouTube Post in a month this is my first one in a month and uh it's pretty exciting I mean it's it's a short video but I'm just giving you guys a little update so where was I at what did I do I have been traveling around northern Europe for the past month with my family living on a saleboat you're most of the time restricted to the water and as great as that is sometimes you want to see the the Inland places and all that and experience that so we decided to take a month off of the boat and travel via cars trains walking planes who knows however we could get around that's what we did we left our boat in Barcelona for that time completely safe it was great and the trip started off pretty rough I got miserably sick for the first few days and so did my whole family soon after I got locked out of my phone because I forgot my phone password the first day of the trip which is insane like how do how do you do that on top of that uh we went to a beach and my lens fell off of my camera into some water and is no longer functional so I had to buy a new lens but that left me cameralist during the whole trip which disabled me from recording anything so when we went to London I bought this camera I am obsessed with cameras and if I can tell a story in a unique way I would love to do that so I picked up this camera and uh if you've seen my videos you know that I love cameras filming on one now cameras I just love telling stories and if I can do that in a unique way through a camera's unique characteristics you can bet your ass I'm going to do that so say hi Kate hello R do Jaden come in here this is Jaden she's staying on our boat for how long I don't even know like 2 or 3 months um hello my name is Jaden and I'm happy to be here happy to be here she's very happy to be here she's very happy to be here my very Ling brother is right here anyways we'll leave you
+00:02:52.840--00:03:47.200 alone go away go away enough golly that's what happens when you live on a boat with six other people any who I'll talk about Jaden in a minute the camera I filmed half of the trip with it and I'm going to show you that at the end of this video because I got the film developed in processed because it is a film camera it takes 8 mm film from the 70s so shout out to cine laab UK for uh get my film developed and processed at 4K such nice customer service and uh really made it easy for me to uh get my film developed so thank you so much cine lab UK but anyways I'll show you that film in a minute it was a great trip it was fun uh saw a lot of new things and made a lot of new memories enough for that you get it I went on a trip but now I'm an IA and enjoying the Sun and heat of the Mediterranean Sea all right the last thing I'm going to talk about because I've talked so much at this point is Jaden Morris why is she standing on our
+00:03:51.280--00:04:55.720 boat what are you doing here I'm just living on this boat why I don't actually know Jaden Morris is a boat boat girl who lives on a boat with her family as well and she flew out here about a week and a half ago I don't know why you know we just decided uh let's spice up saing a little bit let's let's bring on some young people let's make it a little fun saing can get a little monotonous and repetitive after 8 years of doing it so you know if we can give someone a new experience on a sailboat I mean obviously she lives on a sailboat but anyways she's on our boat for the next few months she's going to be doing the Atlantic Crossing with us in December and that's about all I have to say I know this video is short one but I just figured I'd get all of that stuff out of the way so you guys are up to date and yeah I hope you enjoy what you're about to see from my little camera that I love and also it broke my dad broke this one the first week of having it so um it actually stopped functioning near the end of the trip unfortunately so my luck was pretty bad anyways here's the film I hope you enjoyed my little update and I'll catch you guys in the next video which should be a normal Vlog let's
+00:04:58.560--00:04:59.560 go
+00:05:58.479--00:05:59.479 we
+00:06:17.240--00:06:18.240 I
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+00:00:00.060--00:00:25.199 hey guys welcome back to my Channel today I'm going to show you what I carry inside this beautiful bag so if you're interested in seeing what's inside please stay tuned so this bag is by Poland and it's the numeral noof mini and it looks like a little dumpling isn't she so cute I have a video of me unboxing her so I'll insert some clips right now so you can see that so the bag came in this beautiful box
+00:00:30.380--00:00:39.600 and it was gift wrapped as well and in a few seconds you'll see the gorgeous dust bag it is such great quality
+00:00:43.440--00:00:45.000 and here she is
+00:00:49.140--00:00:53.160 the bag comes with a strap as well so you can wear it as a crossbody
+00:00:58.820--00:01:01.500 and this is what the inside looks like
+00:01:03.719--00:01:09.540 it's kind of hard to see it's like a black hole but and then this has a magnetic closure
+00:01:13.439--00:01:34.200 so yeah look how beautiful the detail is there's no feet on the bottom but the leather is really high quality and then on the video you saw that the strap has this little button thing here that's how you connect it
+00:01:37.680--00:01:42.180 and then you can adjust the height here
+00:01:44.520--00:01:47.460 so yeah let's get to what I can fit inside
+00:01:49.579--00:02:18.540 so I brought a few things and let's see what we can fit inside so first would be my wallet if I wanted to carry this or if I carried a card holder I would probably add this as well for my cash so let's see let's first start with this and the opening is a little tight so if you have bigger items it has to go straight in and then you have to push it down
+00:02:21.360--00:02:23.099 next are some tissues
+00:02:25.700--00:02:30.000 foreign lately I've been bringing this as my EDC
+00:02:35.640--00:02:37.980 and that fits perfectly
+00:02:41.940--00:02:44.400 okay my sunglasses
+00:02:50.840--00:02:52.319 car keys
+00:02:57.120--00:02:59.760 and my air pods
+00:03:03.599--00:03:04.739 a mini charger
+00:03:09.840--00:03:12.420 what else it looks like there's a lot more room in here
+00:03:15.360--00:03:17.099 um a pen
+00:03:22.800--00:03:27.420 and that's about it so it can still close
+00:03:32.580--00:03:42.299 it is a little heavy but not too bad okay now let's see if I were to use the card holder
+00:03:45.780--00:03:53.159 and then obviously I always have I use my sunglasses when I'm outside or I put them on my head so I'm just going to take those out
+00:03:57.420--00:03:59.220 and let's just see
+00:04:05.640--00:04:16.320 I have this coach pouch so let's see if this will fit inside with everything I put my tissues in here
+00:04:18.918--00:04:20.399 you can see
+00:04:29.900--00:04:49.860 all right let's see so again it has to go in this way and then you gotta push it down so it fits but I probably won't use that coach pouch because it's really tight it's a tight fit so I'll just keep everything out
+00:04:52.199--00:04:54.180 so again I'll do the EDC
+00:04:57.120--00:05:09.419 tissues and this time let's do card holder and then my cash holder
+00:05:12.180--00:05:17.639 okay and then air pods car keys
+00:05:20.460--00:05:29.520 charger my pen and right now I'm recording with my phone so I have an older phone and this will fit right in
+00:05:33.900--00:05:53.100 there you go so yeah this is a perfect bag for when you're running errands and you're on the go you can even remove the straps and use it for date night if you wanted to elevate your outfit a little but yeah there it is and I mean I can also fit this in here
+00:05:56.940--00:06:18.600 if I wanted to there you go maybe I can put my makeup I to go makeup in this and use this as a makeup pouch so there you have it you guys that's what I'd carry inside this beautiful Poland numeral neutral mini so if you enjoyed the video please like And subscribe and I'll see you guys in the next one bye
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+00:00:08.420--00:00:30.480 all right so I turned 21 a few weeks ago which isn't anything crazy but it had me thinking you see a lot can happen in a year whether you plan for it or not and I'm a little bit of an anxious kid so I like to plan things out as far as I can as much as I can it just makes me feel safe but looking back on this last year of life I am definitely not where I thought I'd be a year ago from today
+00:00:37.440--00:01:06.720 so I spent my last birthday my 20th back home in Saskatchewan and soon after in September I moved back for another semester of school it was the beginning of my third year of engineering and I went in with a pretty solid plan and honestly for the first little bit everything did go according to plan wake up in the morning do your classes see your friends do some homework you know repeat and just go through the motions of school but then somewhere along the way something changed it was like I was following a map and I lost my way it's not like the map had disappeared the plan was still there just something changed
+00:01:11.640--00:01:35.520 I soon found my day-to-day routine a little repetitive I was getting bored and I wasn't sure if I was doing the right thing for me I started to feel a little confused started questioning everything am I at the right School am I in the right program what am I doing am I doing the right things am I in the right clubs everything questions everything foreign I was starting to feel very very confused and I questioned literally every decision I've ever made in my life
+00:01:37.920--00:01:42.240 but regardless of all that I finished up the semester passed all my courses and went home for Christmas
+00:01:48.979--00:02:18.000 so in January of 2023 I made the hard decision to not return to school for the second semester of my third year I'm not saying I dropped out I did not drop out instead I decided to take an opportunity to work a little and get a little bit more experience in the engineering field and that obviously meant I had to move this meant leaving all my friends behind moving across the country again in the other direction this time and kind of starting something new starting something new that absolutely was not part of the plan
+00:02:23.160--00:02:25.680 I'm so far gone
+00:02:28.980--00:03:06.900 can you take me back home so yeah I moved to Calgary Alberta at the beginning of the winter a place I've never lived in before and honestly know very little about it was definitely a little bit of a weird transitional period for me seeing all of your buddies in school doing typical things and kind of just feeling left out from everything but then I started getting into some of my own things and over time you start to learn to enjoy your own company that was a tough year at a time but I used it to figure myself out a little more for the first time in my life I hadn't planned out anything in the future nothing in the coming months nothing in the coming years I had completely deviated from the original game plan there was no plan anymore there was no play there was no elaborate scheme it was just me
+00:03:11.700--00:03:41.519 so after a couple more months of that it was summertime again and as it turns out a lot more people than I had originally thought had also found engineering internships job opportunities here in Calgary specifically friends that I personally knew from school so slowly around the beginning of May everyone started moving out here this was a very very fun time for me and this was also the first summer that I've ever spent away from home so feeling like a little bit more of an adult this summer we decided to make the most of it also having a little bit of extra cash in our pockets didn't didn't hurt either
+00:03:51.200--00:03:55.200 his heart was a stone but then his hands
+00:04:03.680--00:04:06.060 always your favorite things
+00:04:56.600--00:04:57.600 foreign
+00:04:59.780--00:05:35.820 foreign just brings us to about now I'm a year older with all these new experiences and all these new life lessons that I've gathered over the year looking back to my original plan for the year none of this was on the books there was no plan to move there was no plan to leave school and there was no plan of living in a place that I've never lived before so I guess that really just goes to show how unpredictable life can be at times and yeah I guess you can try and fight it and try and steer your boat in the direction you want to but maybe we're all just along for the ride in the end at the beginning of the year I really thought I knew the way but now maybe maybe there never was a right way
+00:05:38.340--00:05:40.919 oh God again
+00:06:02.340--00:06:06.060 we're still the kids we used to be
+00:06:08.180--00:06:09.780 oh yeah
+00:06:13.759--00:06:16.680 to see if I stay away
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+00:00:08.100--00:00:40.629 hi scientists how's it going my name is Reggie from the California Science Center and I'm here to help you feel a little less stuck at home so this week we've really been touching on the idea of engineering and putting things together to make something new right so what we're going to do today is we actually have some special guests we have Kinzie and Marissa who are actually going to show you how to build some instruments from things that you have at your house so I'm gonna actually turn it over to them so they can give you a little bit more information on how all those things work
+00:00:42.929--00:01:00.730 so can see why do you think a guitar sounds different than a drum hold up before we answer that let's see if we can create something around around our house from all the random things that we can find so today we went around the house and we found some random things Kinzie what's something we found around our house we found
+00:01:10.440--00:01:39.100 like this make sure you do three or you could put four I suggest probably three though so when you put three little rubber bands scoot them over so they're not too close but not too far so then when you have them perfectly lined up like this and when you show them it makes a little noise no mini guitar
+00:01:49.050--00:01:51.400 what else we find around the house Kinzie
+00:02:19.300--00:02:23.239 the different amount of water makes it sounds different to the jar
+00:02:43.870--00:03:02.780 musical instruments and sounds in general vibrate right different instruments use strings like the guitar we made earlier maybe even some are just made of columns of air like a flute or an organ oh or we found this really cool thing around the house earlier that made a big noise and we were like
+00:03:05.829--00:03:07.220 give it a try
+00:03:09.280--00:03:39.440 yeah just even air can make some vibrations and some sounds and music but ultimately they all vibrate typically hundreds or even thousands of times per second once the sense that Science Center reopens the game go ahead and check out that whispering tube and creative world using vibrations you can make your voice travel really really far even whisper so thanks for joining us live and we hope you're feeling a little less stuck at home thank you bye
+00:03:43.660--00:04:08.989 Wow scientists I really hope you enjoyed our fam Jam with Marissa and Kenzie that's all we have for you today but go ahead and follow us on Facebook and Instagram be sure to tag us at stuck at home science hashtag stuck at home science and show us what you've been doing from home from from my house this is Reggie and I hope you felt a little less stuck at home
+00:04:11.530--00:04:18.649 be sure to visit our website monday through friday at 10 a.m. for more stuck at home science activities
+00:04:31.090--00:04:31.150 you
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+00:00:00.080--00:00:48.559 i may be a person who posts on instagram and i may or may not be getting those pictures by asking ryan to take a thousand photos of me on the iphone kind of like this you will take more take one what oh still looks so bad we've literally taken a thousand photos i just need one good one but when it comes to film let me see oh you take one shot you can't look at it you can't critique it and you can't be sad in that moment it steals nothing from the moment that you're in and that's something that intrigues me so leave it to me to get obsessed with film cameras buy every piece of equipment watch every single youtube video and fly to la where my best friend and film expert bree lives miss brie is going to teach us the basics of the film camera and we're going to get this obsession out of my system by taking a hundred film photos in one day let's see if i remember how to do it here we have a kodak 400 color plus ultramax ultramax
+00:00:51.440--00:00:58.960 that worked okay so you close it and it did it oh so satisfying and now you're right and now we're ready ready to rumble
+00:01:01.120--00:01:56.640 first film photo should i do that ready that's so funny watch this how funny is that i thought that was so gross looking at first like when i saw that online i was like i don't want to buy that one but it's normal it's normal it's natural so i'll be practicing on both a manual and a point-and-shoot film camera the manual that you see right here means that i have to physically look and adjust the iso the aperture all those things with the point and shoot you simply point it and you click the button and it takes the photo automatically for you and now it's ready yay so now that the manual and the point and shoe are ready to go our first stop was the last bookstore in la they're famous for their book tunnel their book circle their books their books and their books and we actually ran into issues with the manual camera it shows you when you take a picture and ours was not going up meaning we weren't taking any pictures actually
+00:01:59.520--00:02:16.560 number six we got 10 on the point-and-shoot for whatever reason the manual camera wasn't actually taking photos inside so this was actually the first photo on this camera oh it moved let's go so we'll say we have 11 photos location 2 coffee shop
+00:02:19.120--00:02:41.760 don't ever do that again ryan's ryan's coming right now of course i freaked out that's how cute it is oh wait we have to live in the moment oh man 15. oh my gosh that's good you're doing good so each film stock that you buy has a different iso based on what lighting you're going to be shooting in so we took the same photo one with the iso 160 and one with the iso 400 and this is how they look
+00:02:45.440--00:03:08.080 we don't want to see mine comparison oh we're comparing mine's little yeah it would be hey hey updates updates okay let's see we have a whopping 13 photographs on this one on this one we've got eight if i do the math correctly that's 21 photos and what time is it like two two
+00:03:14.080--00:03:42.799 i have a vision me drinking green juice in a garden that's a vision i don't know man i think yeah these are so cute remember that little skit at the beginning where i said you every time i saw myself on a phone picture it's so sad because this entire day i haven't been able to look at any of the film photos we've taken of myself so nowhere have i stopped to critique myself or feel bad about how i look because i just couldn't see it and this is the first iphone picture we've taken today and i am saying ew to myself it's sad honestly i need to stop doing that
+00:03:44.840--00:03:45.840 next
+00:04:01.040--00:04:03.519 guys i feel like i'm in a pinterest board right now what's going on
+00:04:08.400--00:04:14.239 um haley is peeing so oh there they are i'm vlogging look at my cheese
+00:04:26.840--00:04:27.840 board
+00:04:39.759--00:05:37.840 we finished our first roll here i am holding the best roll of film i took all day and you will see soon very soon that left me with the olympus stylus which was the point-and-shoot to round out our time at malibu it was so freaking fun and that brings us up to we've done 34 photos on the canon ae and then we've done 34 on the point and shoe which makes sexy let's go well the rest of them are going to be flash because it is now 6 30 p.m and it is completely dark outside when we're all done stole a quick outfit from bree's closet and we were out on the town to try to get some more photos well we have 70 photos so far once the point-and-shoot camera is done it'll manually wind up your film like this done do we open it uh-huh open it up open the jeep oh it's still in there it's so cute all righty second roll done look at her now we're going to test out a roll of 800 kocha 800 we're gonna test it out all right guys
+00:05:44.240--00:06:26.720 all right as our last roll let's get it next like this i'm going to sleep did you sing that today no i just let's get it like why did i think of it like wait that's so wait wait wait we got deporcha i actually went to a tennis court in my taking 100 polaroids in one day video and i didn't even mean to make a parallel by going to a tennis court and taking 100 film photos in one day video but here we are meet my la friends folks i would describe them as the christian vlog squad say your name yo yo yo what is going on guys it is your boy josh we out here today playing some tennis i said simply say your name i'm josh simply state your name is mitchell northern i'm 20 years old i was born in philadelphia i'm bella brianna k frankie
+00:06:32.840--00:06:33.840 you
+00:06:36.000--00:06:52.560 how are you feeling pretty okay okay yeah don't forget 11 pm we have eight more film photos but technically like three until 100 or something like that that's crazy and it's almost midnight we're gonna do a little slumber party bible city
+00:06:58.319--00:07:01.840 look at this aesthetic bathroom
+00:07:06.960--00:07:09.199 last like three photos i think
+00:07:11.520--00:07:16.800 yeah maybe like us sitting on the bed and then a mirror selfie oh that's cute
+00:07:20.080--00:07:44.879 oh wait empty almost midnight and we made it guys look at this that's so cute now this is where we experience the delayed part of the gratification drop it off at a film store let it develop and continue to stay in the present moment i guess because i have no memories to look back on yet i just got the email i just got the email i'm so nervous
+00:07:51.919--00:08:11.840 girly pops film has actually changed my life i didn't realize how much my iphone was taking away joy from precious moments and i know it's so superficial but it's something i'm working on as someone who does need to take photos and videos of myself as a job film is just the best of both worlds i get to find beauty in the world and actually stay present in it
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+00:00:26.000--00:00:26.160 no
+00:00:28.840--00:00:29.840 pressure
+00:00:41.280--00:00:46.480 stop it this is my favorite photoshoot mark your cup and drink
+00:00:56.840--00:00:57.840 up
+00:01:00.399--00:01:06.640 here we are what do you mean no this is like upper class i'm just on the verge of middle class here
+00:01:10.840--00:01:11.840 okay
+00:01:15.360--00:01:17.600 um anyway so
+00:01:23.280--00:01:26.400 my hands are a little rough no stop no
+00:01:30.320--00:01:39.840 cut the camera so comment down below your favorite color and so yeah what's your favorite color pink wow okay you didn't say red
+00:02:05.280--00:02:07.840 did you show them the bathroom oh
+00:02:11.840--00:02:27.040 get the sunset hello what's prettier the sunset or me oh the sunset nope got the partnership answer rapid fire questions um comment down below what day you were born and the social security number and the credit card perfect who's that
+00:02:30.879--00:02:35.840 she's an icon she's a legend and she is the moment now come on now
+00:03:12.080--00:03:32.480 hey guys just wrapped a successful shoot take an hour in the chat okay oh my gosh guys we're in a it's really loud in here i don't know if you can hear me but we're in a spanish restaurant right now oh it's not even focused it's not even focused i'm so bad at youtube i'm literally so bad at youtube oh this looks so good okay i'm gonna eat i'll see you guys in the next video peace
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+00:00:00.680--00:00:11.120 I want to run away I want to run away anywhere out this place I want to run
+00:00:28.960--00:00:29.960 away
+00:00:44.160--00:00:45.440 I just to break the
+00:00:52.000--00:01:52.000 rules hey everyone it's me dra and in this video I'm going doing kind of like a back to school video and I that some of you guys have been going back to school already but I'm going to school on Monday I thought I should do like a tiny back to school video and in this video I'm going to be showing you guys what's in my school bag just a little disclaimer that is not actually my school bag my school bag has my School logo in it so I did not want you guys seeing that and I'm going to be showing you guys a cute outfit idea this is also a collab V collab video with my very good friend on YouTube Floral tastics her channel is so amazing and you should really go check out her videos amazing quality amazing editing and yeah just everything is perfect I would really appreciate it if you guys got this video to 35 thumbs up I'm not going to keep you guys waiting any longer so
+00:01:56.200--00:02:31.920 yep so the first I'm going to have is my phone and earphones because I got to listen to music while I'm going to school then next I'm going to have my tablet and this um emergency T thing that of course for emergencies and then next I'm going to have my purse because I need to pay for some things and then um my school ID and I hit my face I put a smiley face there and then um my ears lip balm for my lips of course and then I'm going to have books just boring things and um more books and FR case and my school
+00:02:36.680--00:02:54.480 panel okay so what I'm wearing is my long sleeve blows I got from Zara and then I'm wearing my jeans I got from H&M and then my red and white bands that I got from for Sal the next I'm wearing this cotton cardigan that I got from TK Max and I love it cuz it's so nice and warm and now you can have fun with your lovely lovely
+00:02:57.959--00:02:59.840 outfit you
+00:03:11.760--00:03:14.040 need you
+00:03:18.200--00:03:19.200 need
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+00:00:00.000--00:01:25.680 so we're all aware of how I feel about mushrooms on this channel right okay well I've been eating it every day but a good reason you have the pleasure or often displeasure of having ADHD then you know the struggle so this is me investing in lion's mane apparently it's good for mental focus and just cognitive health so I am testing that theory because I will always choose to supplement naturally before trying Pharmaceuticals which from the looks of it wouldn't help anyway if you know you know no one's testing positive despite taking their medication so also a new habit I've adopted is somehow being more intrigued by coffee I don't know why because as we know the coffee don't be coffeeing but I just feel like maybe the only reason that I don't love it is because I don't try it like maybe if I experiment it more or try different brands I'd come across something I really do like but that's just a thought I think I have been influenced because I've been seeing pistachio code foam every time I see a Starbucks and I feel left out I want to draw one too but they don't have a dairy free alternative so I made my own I don't know if I was successful or not but it tasted good we're gonna work we're gonna work on making this creamier but in the meantime that went bad I'll go to 7.2 out of 10. and since I'm emptying out my pantry I'm also going to empty out the freezer which means I gotta make something with this last pack of udon it's probably freezer burned but we're gonna do it anyway I decided to make fire dong noodles
+00:01:27.900--00:01:28.080 foreign
+00:02:24.379--00:02:32.040 that I throw a pack of ramen in there I didn't have any bud I do have these rice noodles in the pantry so again we're emptying that out
+00:02:51.560--00:02:53.560 thank you
+00:02:58.019--00:03:15.959 and because I'm still on a baby food diet of course we gotta make soup on the menu is cauliflower and sweet potato and I'm seasoning this with Harissa this blend also has Rose in it and I have to say it's really good on like roasted sweet potatoes or honestly any roasted vegetable so that's an easy side you can make
+00:03:23.340--00:04:03.120 um popping it off with some no chicken broth and I have to say this is the worst measuring cup I have ever used like I have never seen a spout be so useless you had one job I've come to the realization that it's Gotta Go and again at this point no matter how much I cook it it's still ain't soft enough for these braces so I gotta blend it you could just blend half of it if you want to make your base a little bit creamy or just leave it as it is if you don't mind chewing because that's going to help you digest your food better anyway they're going to add a little acid to finish massage your citrus on the counter before you squeeze it because you're gonna get so much more juice like that was Tiny and look how much juice is coming out of just half
+00:04:09.680--00:04:10.680 foreign
+00:04:24.180--00:04:28.979 I couldn't forget the protein so I'm topping this with like the Smoky tempeh
+00:04:42.780--00:04:44.440 thank you
+00:04:49.139--00:05:11.520 I also threw that tempeh into the next day's lunch which was like a little green Bowl so I started off with some lentils and quinoa that had already prepped for the week all right I didn't show you guys that but yeah I've been meal prepping look at me who do I think I am so I just warmed that through added it to some caramelized onion hummus and then topped it with some pickle red onion
+00:05:15.380--00:05:20.580 and this is not Dill this is actually the tops of some fennel that I roasted for another soup
+00:05:23.360--00:05:24.360 foreign
+00:05:30.979--00:06:58.800 prepping I also made some soups that I can just keep in the fridge for whenever I get hungry but don't have the time to invest I have made these before but I've only ever gone for like a Thai curry flavor so I would use coconut milk and the point of these is basically that you just use vermicelli noodles because they're so thin you don't have to boil them you can just pour the hot water over them and they're ready to eat in like literally 60 seconds but like three to five minutes is a good resting period if you're gonna put in raw ingredients say if you're using carrot like I am I was inspired to make this one because I came across a fur broth in the market the other day and yeah it's perfect so highly recommend I'll put it in the description box along with all the recipes if you also want to know where like my jars and basically anything in my kitchen is too you know you can find that on my blog huge thank you to Squarespace because I use them to host it if you have any need for a domain you can use their app to create a bio site have that be your landing page to navigate people wherever you want them to go if you offer services you can even use Squarespace to schedule your clients an e-commerce store if you sell product or even set up a website to act as your portfolio and of course run a Blog so the options are endless and you can get a discount with my code a between e or just head to squarespace.com backslash a between e to get 10 off and I needed a lot of protein this day so again I took my prep of lentils quinoa added tofu with some of the fire noodle sauce and then I just topped this with kimchi for a really quick lunch so as you can see my meals are not always pretty but he got the job done
+00:07:11.720--00:07:12.960 all right
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+00:00:04.279--00:00:10.759 imagine this was your life you woke up every single day in the dark speaker Molly
+00:00:15.160--00:00:34.280 Burke the reason I wake up every single day is to educate motivate or Inspire one person with my story morning I am a motivational speaker it's something I've been doing since I was 5 years sold and I honestly just couldn't imagine it not being a part of my
+00:00:37.280--00:00:51.520 life hi guys we just woke up I have a tired puppy here but we are going to get ready for a speech we're speaking to a couple high school students today and we're super excited about it so let's go get ready hey guys how are you guys
+00:00:58.920--00:00:59.920 doing
+00:01:15.400--00:01:29.920 reason I have a guide dog is because believe it or not I am completely and totally blind nobody in this room is defined by the challenges that they face but only by the strength that it is given them
+00:01:40.399--00:03:01.040 record this video on behalf of Molly Burke someone who was on every single weed day with us last year and someone who uh embodies a great heart and a great compassion to create a better community and to create a better world the story that I'm going to share with you is a story of loss depression and despair but it is also a story of Community Support hope and giving I want people to understand that there's never a situation too dark for you to get out of there is always hope inside of you and you have the power to find it I had to stop waiting for other people to stand up for me I had to stop waiting for other people to raise their voice for me the message I have for my audience is one of Hope and that's a message I think everybody needs to hear at some point in their life and each and every single person in this room can be a part of that hope when I was 14 years old and I was struggling with depression I was suicidal I was dealing with bullying I was dealing with vision loss there was no one telling me that they've been through it and I want to be that role model for the young kids that that will go through these
+00:03:03.400--00:03:06.239 challenges please join us in welcoming Miss Molly
+00:03:11.440--00:03:51.200 B hey guys how are you guys doing the way she spoke was very captivating she's like such a good speaker she's so confident up there and I think that's what keeps the people engaged and uh you know she just knows what she's talking about M's talk was exactly what kids need to hear um she gives them a message that says you can get to the bottom of the bottom but you can get out of the bottom and you can reach your way up and she gave them strategies she gave them hope and she stressed the hope my ultimate goal in life is to see bullying end is to see there be less stigma surrounding mental health and to see people with disabilities be treated as equal
+00:03:58.720--00:03:59.720 humans
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+00:00:28.840--00:00:29.840 do
+00:01:38.840--00:01:39.840 hmm
+00:02:20.840--00:02:21.840 down
+00:03:30.840--00:03:31.840 do
+00:03:58.840--00:03:59.840 do
+00:04:12.840--00:04:13.840 so
+00:04:54.840--00:04:55.840 do
+00:05:45.600--00:05:45.680 you
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+00:00:03.040--00:00:06.879 do you if you broke your arm do you still have an arm
+00:00:13.759--00:01:29.439 hi i'm brit hey i am julian i am blind and visually impaired so sometimes i'm completely in the dark sometimes i can see a little bit and i'm here to answer some commonly googled questions about blindness i've certainly heard the gamut of questions all throughout my life so yes i would say we dream i went blind two years ago so i still dream in full color and audio since i lost my vision i dream as though i can see but i'm getting around with a cane and they've definitely become more audio yes we absolutely do the stuff that's in my dreams is based on what i have experienced or sensed in life most people who are blind have some level of at the very least even light perception in my case because i have some vision there is some visual component to my dreams i don't feel like i see extra in my dreams versus what i see in the in the in when i'm awake but it just doesn't matter the lack of vision in my dream doesn't get in the way of doing anything in my dreams the people have become more shadows uh and the people that i think about or dream about are more about what they make me feel like or what they smell like what they sound like my favorite dreams are the dreams where i'm flying
+00:01:34.479--00:02:04.560 do if you broke your arm do you still have an arm the answer is yes we still blink that has to do with the autonomic system as far as i know for people that have fake eyes they still blink so yes i think blind people blink yes i do i do have friends also that are totally blind and i believe they blink as well even if you don't perceive any light or anything through your eyes as long as they're there and your eyelashes and things are there you're going to
+00:02:06.840--00:02:46.239 blink i would say blindness is like seeing the back of your head it's nothing it is darkness but it's more of a lack of vision i don't see black i see nothing some people that are blind do see actual black or dots or sometimes with me my vision looks like a broken static television but my blindness changes by the day which is why i'm also visually impaired i know i do because again i i do have some vision so for me black is like night there's no light there's nothing that can be seen so it's just it's just total
+00:02:48.840--00:03:05.599 darkness yes yes we cry we're normal people we just can't see like everybody else we are humans like everybody else we do have emotions and yes we experience sadness loss pain we cry
+00:03:08.400--00:05:32.720 no it doesn't help your hearing no the answer is we do not have better hearing again we are not daredevil we don't have this ability to turn our ear and hear something from a mile away what it is is that we rely on our hearing more than if you are lacking in one sense the brain is going to tap the other senses a little bit more to try to get that information since i've lost my vision i have gained the abilities to know which one of my family members is approaching based on footsteps i can hear things on the other side of the house because i put an effort into it so it's not that we get better hearing it's that we have to focus and work on our other senses we do not have extra bionic supersonic hearing that's a myth blindness is not the characteristics that defines us it's not our badge our you know i mean if all you see is blindness then you're missing out on a whole lot you're missing out on possibly meeting some great friends you're missing out and possibly hiring some of your best and most loyal dedicated employees the unemployment rate is so high in our community it's somewhere in the neighborhood of 70 of working age blind people are either under or unemployed it's just a matter of giving us a shot and understanding that you need to look beyond that white cane or beyond that guide dog know that blindness is not the thing that's going to stand in our way and you shouldn't let it stand in yours there's also a feeling that we have in our youth that we live forever and that nothing bad will ever happen to us but it's really not true i went blind overnight and i could say it could happen to anyone at any time and i feel very fortunate to have that perspective i appreciate every day as if it's my last and i seize every moment i can and that's one of the reasons why going blind made me happier this is a vessel that you live in and it can get hurt and you're not invincible i understand what life's actually about and it's not about the little things that stress you out it's not about focusing on those it's about the things that really matter to you for me it's my family i love to create i love my career i love writing and that's what keeps me going and i hope that maybe even if you're sighted or have no disabilities you can take that perspective and use it on yourself and i hope that you can enjoy your life with all the senses that you
+00:05:36.840--00:05:37.840 have
+00:05:47.440--00:05:47.520 you
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+00:00:10.960--00:00:51.360 hi everyone and welcome back to the channel thank you so much for joining again now that i haven't been streaming on twitch anymore i had a lot of free time and what have i been doing to fill that free time well i thought i'd take you guys along with me so that you guys can get a taste today is going to be a self-care day where i take care of my body relax don't stress about work it's about 5 30 right now and i'm just gonna spend the rest of this evening doing anything i want to do it's good to spend time by yourself when no one else is telling you what to do what do you want to do nature makes me very happy so there's going to be a lot of that today and taking care of my body and my health also makes me very happy please like this video if you agree that self-care days are extremely important
+00:00:57.039--00:01:54.799 so it's right after work right now and the first thing i want to do is eat a meal i've already preheated the oven which just went off so i'm going to show you what i'm going to eat today let's be honest food makes everybody happy and what also makes me feel really good is when i eat a good meal that i'm not going to be disappointed in myself for but i typically eat my meal preps that i cook on sunday throughout the week but it's already thursday and by thursday i get a little bit like like i kind of want to eat something different or i kind of want to eat out and typically on thursdays i'll just end up leaving and buying myself a meal but i thought i had this time so i got a pre-packaged meal it's steak and some asparagus and potatoes it almost is gonna feel like a restaurant meal i'm tricking myself into thinking that but it's a pre-prepped meal which i really love because it has the calorie count on here and getting a cheat meal in on my self-care day but also being conscious of how many calories it is is really important to me so this is going to go in the oven for 18 minutes so this is going in for 18
+00:02:06.840--00:02:07.840 minutes
+00:02:24.319--00:02:35.840 and it's done i'm going to put it on this plate here because i want to fancy it up a bit oh my god the juiciness though
+00:02:38.560--00:05:02.320 okay so during this time off i was definitely taking a lot of time for some self-reflection and that is actually a lot of work thinking about your feelings and what you want to do in your direction is actually super exhausting and all that to say that i'm kind of giving myself an excuse because i've kind of been neglecting my chores around the house recently but if you're anything like me definitely doing chores around the house can make you feel really productive and less guilty about taking a self-care day so to be a little bit productive today i'm going to go ahead and do some of the chores that i've been neglecting around the house you guys are lucky because you just get to sit back and watch but it's going to be a lot of work okay i know no one likes to do chores right but name one chore that you actually really enjoy doing and find satisfaction in around your house i'm really curious i will go ahead and say my biggest pet peeve is doing the dishes but the one i love doing the most is cleaning the stove what's that word i know this cleaning sequence is pretty long but i wanted to include it because it was pretty therapeutic for me i'm sorry i made this video because it's a good example of how you need to remind yourself every day that you're doing the absolute best you can and everything you do is good enough sometimes it takes a while to get in the right headspace to have enough energy to feel like you can be productive again i know what it feels like to feel down and have the sense that you've lost direction but the great part about life is when you're unhappy with your situation there's always room to change and every day you have that opportunity it doesn't matter the mistake or if you feel like you're falling apart or that you're not doing well enough it's so easy to get trapped in your feelings and psych yourself out imperfection's actually a really great thing because it allows you to continue to grow how boring would it be if you're already perfect right stay positive even if it's hard to do at times at least stay positive and assured that with every passing day you're trying growing and although you may not see it you'll overcome anything you're going through it'll make you stronger than ever i'm not sure who needs to hear that or if i'm just talking to myself but i'm just saying how i've been feeling lately and if it at least resonates with one other person that'd mean the world to me so now what i'm gonna go ahead and do is spend some time outside the weather is perfect outside right now so i have to take advantage of it and go outside i'm gonna do some
+00:05:08.840--00:05:09.840 yoga
+00:05:18.960--00:05:29.520 and now that we finished our yoga session i'm going to go ahead and watch the sunset as it's going down and paint my nails while i'm out here i get this really cute color to paint my nails and i'm going to get
+00:05:36.840--00:05:37.840 started
+00:05:44.240--00:05:57.520 pretty cute not too bad for my first time painting nails in a while all right and of course the ending to a great self-care day is a nice bath a nice bubble bath with a face mask is how i want to end the
+00:06:04.840--00:06:05.840 day
+00:06:22.400--00:06:35.280 like i said if you agree with the importance of self-care days please like this video also comment with a chore that is really satisfying for you to complete thank you so much for joining and i hope to see you in the next
+00:06:41.000--00:06:42.000 video
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+00:00:00.030--00:00:03.510 welcome back to my channel we are currently
+00:00:08.450--00:00:11.910 because we're getting a puppy tomorrow
+00:00:14.420--00:00:41.070 issues seven weeks old I think he still needs to get a few shots and vaccinations and all that so we can't bring her out in the real open area for like two months but he's mostly gonna run around in our patio area I don't know I've never done this before better know what we're doing
+00:02:05.260--00:02:16.730 so when we met her for the first time last week she was super playful and when we just got her she was like really mellow but I think she's getting more
+00:02:27.819--00:02:28.390 yeah
+00:02:39.360--00:02:41.290 too small for a crate right now
+00:02:44.520--00:02:54.940 but what you gonna do just sleep in a bed sleep in the bed or just sleep in the pen yes I mean famouser
+00:03:39.960--00:03:40.960 Jojo
+00:04:20.079--00:04:32.389 she's literally done this one time I caught her just in time and you like the little effort yeah you're like to see the way them had
+00:05:11.819--00:05:16.029 enjoy watching you guys like meeting my nail puppy
+00:05:18.809--00:05:20.949 do you guys next time I post a video
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+00:00:00.000--00:00:21.119 guess whose birthday it is may or may not be mine I don't really have like a crazy 21st birthday Extravaganza going on today I'm just kind of enjoying my birthday like I'm not doing too much so I'm gonna take you guys with me I'm gonna get my hair done because I want to feel pretty and I want to treat myself
+00:00:34.880--00:00:35.940 thank you
+00:01:02.480--00:01:08.400 my little birthday girl she got a birthday cupcake from me
+00:01:15.240--00:01:26.100 um I'm gonna do my makeup and I'm gonna finish right yes so we'll be right back and you guys will see that yeah yeah multitasking that was the word I'm looking for
+00:01:46.320--00:01:47.280 birthday
+00:01:50.840--00:01:51.840 s
+00:01:53.960--00:01:58.439 it's a carpet crochet material about it it is so perfect
+00:02:01.560--00:02:09.179 so pretty it's giving me like modern day what's up TV show that everyone was obsessed with Richard yeah
+00:02:13.560--00:02:55.920 for you guys this is from with Jean and I've been saving it for this moment okay now you can my boobs aren't filling like if I like just like relax it's kind of you know but I'm gonna make it work I'm wearing dogs and those are the heels I'm bringing but I'm just not I can't do that right now so yeah this is the outfit we're gonna go to Brian's so I can take my birthday photos and then Fernando's gonna meet us there because she flew literally from Canada she literally this girl will get on a plane for literally any birthday Extravaganza we'd love to hear Fernando's here all right we're going good time with Fernanda okay let's go my hair looks so fucking red that's crazy
+00:03:06.260--00:03:08.260 thank you
+00:03:14.280--00:03:16.379 you're so hot oh my God
+00:03:39.239--00:03:39.480 foreign
+00:03:45.599--00:04:56.880 I haven't been vlogging so I'm going to catch you guys up to date my birthday was three days ago it was super fun it was very chill like I didn't want to do the whole 21st birthday let's fucking rage thing so I just I had a dinner and then we did karaoke after at like a karaoke bar it was really really fun I had a great time Kenzie was out of town and she couldn't come so we decided to do like a very last minute weekend trip to Palm Springs is that a puzzle we're going to dinner and then we're gonna watch La Lao crocodile because I keep seeing this meme all over Tick Tock and I just need to watch it I'm 21 years old right now and that is really crazy to think about because I started social media when I was 17. I was 17 and now I am 21 years old and that's a little bit terrifying to be completely honest with you we're in Palm Springs and I honestly really thought that it was going to be like a let's tan like very Coachella Vibes it wasn't it is freezing outside I can't even get into the hot tub because just get too cold when I get out so it hasn't been exactly what I expected but I'm really enjoying it because I just needed to get away from La for a little bit because that place is a little scary
+00:05:02.759--00:05:03.000 foreign
+00:05:21.080--00:07:28.080 like a full in detail hair routine because I have extensions like I have tape and extensions which means there is a lot of fake hair in my head can you see that like there's a lot I don't really wash my hair to be completely honest and I know that if you're a guy watching this you might not understand that but like I can't wash my hair every day like it's just not gonna happen with these extensions so I pretty much found a good way to like balance it out and make my hair look good even though it's not washed and like you know what I mean this which is like amazing it's the triple sec finishing spray by dry bar and it just adds texture which I need because because twice because I don't wash my hair as much like I probably brush my hair like once a week honestly or twice I need some volume because my hair gets really flat look at that looks like I just got a blowout that's fucking crazy okay so this is pretty much like my second birthday dinner but it's just a little bit more intimate than the one I had couple days ago because there was like 15 people there and here it's literally just me Ken's Fernanda and Oliver so this is the dress I'm wearing it is from meshke it's just like so cute and dainty I love it it's very girly you know what I was talking I was talking to Fernanda about this and sorry give me a second okay I was talking to Fernanda oh I almost watched you about how I'm not the girliest person ever and if you like step into my apartment I promise you it's probably not what you expect it to be like everything in my apartment is pink so I feel like I need to give you guys an apartment tour because promise you it's not what you think it is oh my God is that Sabrina here I know you babe it's her birthday her birthday was like five days ago we got um tasters we got like tasters for a flight a flight over here Margaritas like little baby mini Margaritas okay so I'm gonna taste all of them and review what is this number one cheers
+00:07:45.860--00:07:47.520 me too okay
+00:07:51.660--00:08:21.900 sorry that was that was pineapple passion fruit no this is okay that's really good it tastes like juice yeah not not yeah like like just like sweet but like how you know yeah it tastes like I got this at like a juice boxes excited for this spicy cucumbers juice bar cucumber detox through them yeah my favorite is for the Cucumbers together
+00:08:37.640--00:08:39.640 thank you
+00:08:43.880--00:08:44.880 foreign
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+00:00:20.400--00:00:36.719 my name is eric leiner i'm a cinematographer and producer at the cornell lab ornithology i've been lucky enough to film an incredible locations around the world and the sagebrush step is as diverse and wild and vast a habitat as any that exists on the planet
+00:00:39.120--00:01:19.119 the first time i ever got really excited about filming sage-grouse was when the producer of sagebrush c shared some older low resolution black and white high-speed imagery of a male sage-grouse display it had been filmed for scientific purposes but it revealed just how complex and dynamic the display was you could see you know the the air sacs inflating and deflating and the body moving in a way that's just resembled something so unlike a bird that i'd ever seen before i remember thinking that we've got to get our hands on a on a high speed camera bring this stuff to
+00:01:24.840--00:01:25.840 life
+00:01:30.720--00:02:10.000 to film sage grouse on the lek you have to get up really early in the morning usually we'll try to arrive about two hours before the sun comes up this is taking place in march it's just crisp and sometimes clear and the stars are out and you walk in the direction that you hope your blind is in walk out without our headlamps on and sometimes finding your blind is a matter of just walking around in the dark for a while with your arms out in front of you feeling for something as quietly and as quickly as possible you get in there with all your camera gear and start building your camera
+00:02:12.959--00:02:13.440 and then just
+00:02:20.840--00:02:35.840 wait what's incredible is is before that sun even comes up and you're so anxious to start rolling is you start hearing males shuffling around and you start to hear the woofing and the thumping of their display the booming starts
+00:02:38.959--00:02:44.080 sometimes it starts all around you and you realize that you're just surrounded by these displaying males
+00:02:47.599--00:02:54.879 it's all you can do not to poke your head out and see what's going on we don't want to disturb them so you just wait there and you just listen
+00:03:02.080--00:03:14.560 as soon as you see those first rays of light start to spill into your blind and then wash on the left that's when things start to get exciting you can slowly open the window to your blind and look out on the world sort of assess where you
+00:03:16.840--00:03:26.239 are if you're lucky you've positioned your blind and yourself really close to sort of the alpha male the successful male on the
+00:03:30.840--00:03:49.280 left unfortunately you can make mistakes and you can place your blind either too far away from the activity or you might be right next to activity sometimes but it's out a window or at an angle that you just can't get to that's the worst you're going to sit there all morning knowing that that great behavior and activity is going on but you just can't get a lens on it
+00:03:57.439--00:04:02.720 the sage-grouse is legitimately our north american bird of paradise i mean it's every bit as beautiful
+00:04:05.040--00:04:17.120 it's display and behaviors every bit as stylized it's this incredible marriage of you know sort of form and function and sound it's like nothing else really in the world
+00:04:23.440--00:04:34.639 to have sat in a blind at sunrise at dawn and listen to the displays starting as the sun comes up you know you've seen something
+00:04:40.840--00:04:41.840 special
+00:04:45.600--00:05:00.000 the males inflate tails spread but beyond displaying they're powerless it's the female who holds the cards to a spectator males might all look alike but the female
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+00:00:00.399--00:00:35.200 hello everyone today's project is making a console table and transforming my entryway uh here i'm just measuring out all of the boards that i got from home depot if you didn't know your boards that you buy from any home improvement store aren't the exact measurements that are on the tag so for example these are two by twos but they're really about one and a half by one and a half so i'm measuring all my boards just to make sure i know exactly what they are and then drawing out the design of the console table and measuring out exactly what my different lengths will be and later i'll show you exactly what links i
+00:00:42.840--00:00:43.840 chose
+00:01:11.119--00:01:20.240 later on you'll see that i messed up my measurements of course but these are the right measurements for the base of the table and then i used a 1 by 12 for the table top
+00:01:22.640--00:01:32.400 here i'm making the legs of the table using the 32 inch long boards as the legs and then putting the eight and a quarter inch boards between them to brace and to add
+00:01:38.840--00:01:39.840 support
+00:01:46.640--00:01:54.560 now i'm putting the 44 and three quarter inch boards between the two to frame out what the table top will sit on and what the bottom shelf will sit on
+00:02:06.240--00:02:33.120 so i'm notoriously bad at measurements i subtracted like i was measuring for the top of the table and um whenever i was measuring how long my pieces of the base should be i subtracted an inch and a half because that's the thickness of these side boards but i didn't subtract an inch from the other side so now everything is an inch and a half too
+00:02:35.200--00:02:41.040 i long to take it all apart and cut off an inch and a half off of every board
+00:02:45.760--00:02:46.319 this is how we
+00:02:48.840--00:02:49.840 learned
+00:02:57.120--00:03:03.840 after cutting off an inch and a half of every single board i put it all back together the exact same way
+00:03:12.560--00:03:20.400 next i used some scrap wood that i had in my garage and i just used wood glue and attached it to make a cute little bottom
+00:03:30.840--00:03:31.840 shelf
+00:03:40.000--00:04:06.159 then i just put wood glue all along the top frame that the top of the table will sit on this wood that i got was i got curbside at home depot so i didn't go in and pick out these pieces of wood uh so these aren't the best pieces they're a little warped and not super straight that's what i get for not picking them out myself so i just reinforced the top of the table with some two inch screws to keep it in
+00:04:12.840--00:04:13.840 place
+00:04:25.600--00:04:30.000 then you know the drill i just sanded it all down and got it ready to be
+00:04:40.840--00:04:41.840 stained
+00:04:50.160--00:04:56.800 i used a stain called golden oak and i found it at home depot and i love this stain i think it's my new favorite
+00:05:03.039--00:05:29.440 so you can see that my table kind of wobbles a little bit again that's because of the uh the quality of boards that i got they are all the same length the legs but whenever you screw all of the frame in together if they're not perfectly straight they will go kind of at a diagonal so that's kind of why it wobbles a little bit but i'm putting a little furniture thing underneath one of the legs to make it more stable
+00:05:33.120--00:05:42.560 i found this really big mirror on facebook marketplace it came with one of the dressers i bought a while back and i haven't had any use for it so i just painted it black and put it in my
+00:05:50.840--00:05:51.840 entryway
+00:06:08.720--00:06:08.800 you
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+00:00:01.639--00:00:02.639 foreign
+00:00:08.220--00:00:13.920 I just love your entryway is a phrase spoken by no one upon entering our apartment
+00:00:33.380--00:00:35.380 thank you
+00:00:52.739--00:02:21.720 okay so just to give you a very vague idea of what I'm working with here I've got this somewhat narrow entryway with a weird but highly appreciated Notch and absolutely gorgeous view of a nice blank wall upon arrival the toilet and then a hallway with this pretty big and quite cavernous entryway closet which is essentially just a Dumping Ground for all of our stuff as soon as we come through the door and it gets really messy and over on this side we have some stacking stools for guests as well as a space for our daughter's buggy and finally as you make your way through to the kitchen you're greeted by these beautiful Ikea recycling bins because there's nowhere else for them to go now none of this is really a problem when this space is tidy but unfortunately it never is simply because this closet is just so full which means that there's a bunch of friction whenever it comes to putting our own things away which often leads to things being scattered around the house and all over the floor and then when we have guests over the first thing that they see is this characterless and lifeless space which has no storage for any of their stuff so ideally this is something that I'd like to fix by creating a beautiful entryway that creates a good first impression and one that involves a lot less friction in keeping itself tidy
+00:02:37.140--00:02:37.860 foreign
+00:02:47.220--00:03:17.519 so I'm hoping that this is going to help me with our entryway problem what this is is a shoe cabinet that is only 17 centimeters deep which makes it absolutely perfect for corridors or spaces which are just a little bit too narrow for a proper piece of furniture so now what I'm going to try and do is put this all together and see how it looks and I've got my fingers crossed that it all fits without making the space feel too small
+00:03:58.400--00:03:59.459 thank you
+00:04:08.760--00:04:52.560 honestly it's pretty crazy that this furniture piece sticks out from the wall so little yet allows us to hold an additional eight pairs of shoes but to help with the way that this thing looks I actually decided to not install the leg pieces that came with it and to have it floating on the wall by partially resting its weight on our baseboards instead which I think makes it look a lot cleaner and less imposing as you're no longer really at risk of stubbing your toe the thing is is that this still adds pretty much zero character or warmth to the space so after waiting almost an eternity I finally decided to pick myself up a miter saw to do a little bit of furniture hacking and hopefully turn this into a truly beautiful Furniture item on a budget
+00:05:03.740--00:05:07.680 thank you foreign
+00:05:38.039--00:05:40.000 thank you
+00:05:43.080--00:06:14.460 it's kind of crazy how much functionality you actually get out of a super shallow storage unit like this and even more so how it even manages to fit in a narrow entryway like ours without making it feel crowded and because it's so easy to use our shoes no longer get left all over the floor and the extra storage space it provides means that our recycling can be hidden away inside our closet so now when guests come over our entryway can actually leave a good first impression and even provide them with a small perch for putting on shoes
+00:06:17.000--00:07:23.699 hopefully you guys enjoyed watching this makeover as much as I did doing it and if you have been enjoying the videos lately and would like to support my work my biggest support is actually watch all of my content ad for you over on nebula which I personally use to watch videos like those from Johnny Harris one week early as well as get access to bonus content from one of my favorite creators right now not just bikes nebula is a place where me and a bunch of other creators like Johnny and Jason have come together to post content that isn't subjected to the YouTube algorithm with all of its click bait and Hyper retention focused bias which frees us up to post what's important rather than what's just optimal and when you sign up you also get access to nebula Originals like those from City beautiful as well as classes like bright trips ABCs of architecture which are all now a part of your subscription too if you sign up using my unique link below you support me directly and get a whopping 40 off an annual plan which works out to be just over 2.50 a month and of course you can find links to everything that I've mentioned in this video down in the description below
+00:07:27.900--00:07:29.940 I just can't get over how satisfying that is
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+00:00:08.900--00:00:18.960 a little bit the Hopeless Romantic Society okay are you single very very
+00:00:22.260--00:00:31.500 I don't really like dating like that too much work what's your sign Pisces okay
+00:00:33.840--00:00:36.120 I prefer my relationships in delusion
+00:00:42.480--00:00:47.340 than not doing it just pick the picture a little better can't you relate
+00:00:49.640--00:01:05.280 you never just want to like shoot your shot or like you never been in love you never just had that I felt loved before shooting shots I have been in a few times but um you know we actually matched your hands before
+00:01:11.659--00:01:25.619 the Hopeless Romantic Society I'm thinking about Choice okay you don't talk to anyone at all no because one I'm really busy I'm on the road a lot yeah and the thing is I'm tired of getting my heart broken
+00:01:29.400--00:02:16.260 I'm a double Scorpio Leo okay that's fucking scary you sound like you're breaking hearts though I do but you know what I was my partners this was it a fun ride yes did you die no and how do you learn from it probably not but that'd be a great story for the next one okay wait do you have any red flags that you ignore often that I ignore everything I'm colorblind baby oh on purpose uh-huh if I see it if I I run towards the red flag and I know I can't be the only one which ones okay there's been times where I've dated guys are like broke and I'm like I can I can fix some air mattresses I'm like I got a mattress I can fix them I I can fix them I can make them rich I promise no make them okay
+00:02:18.620--00:03:03.300 girl you gotta get rich first you need a hopeless romantic Society are you single Jonathan I am not or not no why all right wait not why but like like who's your like who's your lover like tell us about them I I have a lover and then I have love interests the one that I want is not available so I have to find my time dealing with women that I'm not interested in that much you know you actually just said the quiet part out loud that's what happens you know you really set the quiet part out loud because men don't ever that's the truth just be honest that's the truth okay would you be honest with them that this is happening
+00:03:05.599--00:03:06.599 foreign
+00:03:10.920--00:03:55.440 no I'm not sure you know why because I'm not sure if they're honest with us about what's happening oh there we go get the fuck out of here that was the Revolutionary ass statement be fucking for real be the Hopeless Romantic Society are you single I'm not single I have a partner how long I've been together for me and Jake have been together for five years now okay how's it been it's been good it's been good I love you very much baby I love you what'd you all meet we met on Grindr okay but you have any tips to like get a man off Grindr I've been a I have met a lot of people off of the apps off of scruff Grindr Instagram ubereats anything anything can be a hookup app if you try hard enough
+00:04:07.819--00:04:18.779 Uber showed up honey I really ate the Hopeless Romantic Society is there anyone here that you would like you know shoot your shot too
+00:04:22.100--00:04:23.940 depends you a bottom or top
+00:04:32.540--00:04:46.199 I can't really see one off the top somebody was staring at me over there but I don't remember yeah were you actually trying to shoot your shot at me you did a great job I'm a little flirtatious okay do your big one go ahead do your shot with me
+00:04:57.080--00:04:58.080 resistance
+00:05:06.020--00:05:19.800 romantic Society hey do you have a favorite yes okay tell us about them my favorite is Shaniqua Don't say names tell us about my favorite is
+00:05:24.440--00:05:34.500 no but tell us about Cherry our Spirits dance with each other okay but our bodies fight I like that that sounds like a nigga proverb
+00:05:36.840--00:05:39.600 have you ever cheated on anyone I have what
+00:05:41.639--00:05:42.240 what I
+00:05:45.120--00:05:56.340 hello for sexual pleasure very honest you know there's no reason you you can make up a million reasons I just wanted to bust that let's go
+00:05:59.900--00:06:07.440 be the Hopeless Romantic Society okay what sign would you not date like ever in Aries
+00:06:12.680--00:07:34.139 that is true but you know whatever what the universe throws me I never say no okay if you have a pulse then maybe wait only a pulse and like flowing blood through your veins shortly wait be fucking for real and a dream and a hole Society you ever talk to a deal man uh uh like as in I'm talking to this DL man well first of all when it comes to DM and that's a whole nother topic we can unpack because DL is a whole that's triggering um but no triggering it's triggering because when we talk about deal man there's a lot of trauma as to why one doesn't come out and then when you're dealing with all of that there are reasons as to why people decide not to come out but using DL is an outdated term that wait what yeah we'll talk about that tell me off off the Record okay and on the record so then you can come back on and tell all the Hopeless Romantics out there that so what's the correct term um I don't think there's a term I think it's just like someone who's not out oh not me being problematic well a lot of people don't know that it's problematic that it's be it's a thing that we should phase out yeah I see it we should start phasing that out
+00:07:38.539--00:08:19.379 Society what are some red flags if you're willing to ignore someone that's really fine I think that I could probably let you slide if you're like just a hater you know why people are just haters my eyes like no haters like I could like because I'm kind of a hater too wait would you be hating on like I'm just kind of a grumpy person you know what I mean so I just kind of Be Like You Gotta stop that hanging baby but it's it's it's I'm predisposed I'm predisposed to be a hater the Hopeless Romantic Society it's the Hopeless Romantic Society the Hopeless Romantic Society it's the Hopeless Romantic Society
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+00:00:00.280--00:00:09.400 hey I'm Brad from fix this build that today I'm going to show you how to make a wooden doormat out of some inexpensive 2x2 material and some sisle rope it's going to be
+00:00:12.759--00:00:45.039 awesome the wooden doormats made from 2x two pressure treated balls these are 3 ft long so you can get three main sections and two of the smaller sections out of each piece because I was using pressure treated wood I want to make sure I cut it outside because you really don't want that dust flying around in your shop so I wheeled out the m Miner SAW stand set it up if you want plans for that click up in the top right and you can see my blog post on that I started off by making the cuts for the long pieces and those are 9 and 3/4 of an inch long I had to cut 30 of them but using a stop block on the miner SAW stand make short work of
+00:00:58.920--00:00:59.920 it
+00:01:13.240--00:01:35.240 after I got done cutting the long pieces I need to cut 12 short pieces that'll be 3 in long to do this I needed to adjust the stop block on the mitera stand I just used screws from the back and moved it in so that it could reach to the 3 in you'll see I'm using a scrap piece of wood to hold down the short pieces you want to keep your fingers away from the blade here on such a short
+00:01:43.439--00:02:52.720 cut now that I was done with the cutting I needed to drill holes I made a jig out of some 3/4 in scrap plywood it's just two pieces held at a right angle on a base that I can plant down to my drill press this way I can put the pieces into the corner and know that I'm drilling the hole in the same location every time I'm using a 7/16 in drill bit this will allow for a little bit of play with a 3/8 in Cil rope I positioned The Jig to make the hole 3/4 in from the side and 1 and 1/2 in from the end then I just put the pieces Into The Jig drill through the hole and go on to the next piece for the longer pieces I drilled and fli the board in for end to drill the next hole when you're doing this make sure that you keep the same face registered Against The Jig that'll keep consistent spacing if you're off just a little bit or if the piece is not really true 1 and 1/2 in which mine weren't make sure you clear the chips that are coming off of the drill bit if you don't do this you might get one caught in between the fence and it's going to make your hole a little bit off center I continued drilling all the holes and after I was done I had a big old stack of long pieces all with holes in
+00:02:55.800--00:03:34.319 them after getting all the holes drilled I took the oscillating spindle sander outside on the cart I went ahead and eased all the edges of the work pieces all right I got everything sanded up we got all the nice smooth edges on here so it's going to work out great now I'm going to go back here do some staining I'm going to put some sealer on there it's some bear transparent to make sure it's waterproof cuz it's going to be outside so it'll be awesome I'm going to put my Bluetooth headphones on jam out and do some staining I went through and stained all 42 pieces that was long and tedious and sometimes when you're listening to De leopard and you got something that looks like a microphone stuff
+00:03:48.720--00:04:24.840 happens that was a lot of staining but I'm done we're ready to assemble just let it dry wait a minute I got to do one more coat what are you going to do all right I just got through putting two coats of stained protectant on these and now I'm going to run the Rope through them you want to make sure that all the holes are pointing in the right direction so go through and make sure if you look through you can see everything cuz when you drill it might be a little bit off center so you want to flip them as you need to I'm going to take this rope put some electrical tape on the end to help with the threading so I'm going to wrap this around here uh just to make it a little bit easier to feed
+00:04:28.720--00:04:45.320 through now you'll begin threading the Rope through the different pieces you'll start with a short piece and then go to a long piece and then alternate back and forth there's six short pieces and six long pieces in the first row make sure you alternate back and forth between each one
+00:04:48.120--00:04:52.120 whoops all right don't do that I'll do this
+00:04:56.120--00:05:06.520 again all right there it is this is the start of it so you're going to start with a small one you're going to alternate and end with a a large one so I'm going to string these through show you how it
+00:05:16.199--00:05:37.319 looks all right now you get a feel for how this is going to look I'm just going to alternate these or I'm just going to repeat that pattern there's going to be a front piece front rope piece here it's going to come through wrap through two more times and come out the back back as well so you're going to have three pieces in the front when you're done uh two long pieces in the middle and two short sides on the end it's going to look pretty
+00:05:47.000--00:05:59.639 sweet all right there you have it you got the whole mat laid out I'm just going to tie some knots on the end of this to make sure that they don't pull through I'm going to tighten everything up and I'm going to call it good
+00:06:03.360--00:06:28.319 we're all buttoned up just going to trim these and you've got yourself a nice looking wooden doorm that is going to be easy for anybody to make all you need is a handsaw and a drill you can make this exact same thing great starting project I hope you liked it if you like the video hit that thumbs up and I'd love to have you subscribe and until next time get out there and build something awesome
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+00:00:00.000--00:00:02.730 oh girl you should wear the name guy
+00:00:06.200--00:00:48.239 what's up guys so today I'm showing you how I got that big hair from my recent Instagram video let's go can you believe I'm starting the style with just four jumbo cornrow twists amazing this is such a last-minute style and these are just lazily twisted in the shower after applying my leave-in conditioner super simple so once those jumbo twists dry and I just air dried I'm just carefully unraveling them to release my curls and all that texture and you can do this with a bit of oil on your fingers if you want to avoid too much frizz okay just making sure all those twist sections are unraveled and creating a bit more volume there around the nape of my neck and repeat on the other side
+00:01:06.200--00:01:19.310 once the four jumbo twists are all unraveled I'm just going through one last time to make sure all my curls and clumps of hair free and I'm trying to create a little more volume underneath to help my big hair come to life
+00:01:25.479--00:02:12.739 usually I'd stop here but today I wanted to try something different something that I usually never use but I know this is gonna give me that giant hair that I'm looking for my hair pick girl I almost forgot I had this thing I had never used it I want to give it one last try before I decided to throw it out or not and I'm so happy I did and because I am sharing this video with you guys obviously I like the results I am keeping the pic so I'm just gently picking my hair out of the roots sliding that comb in and gently lifting upwards then gently sliding the comb out we want to avoid creating tangles or not so be very gentle with your hair picks being gentle not to pick out the curls on the ends just in the roots and wow yeah that worked well
+00:02:32.460--00:02:55.270 so I just keep going until it's as big as I like and I'm flipping my hair over so that my hair will open up and I can get to the inside of my fro and I can see everything clearly so that I can lift the roots gently and cleanly not creating any tangles or knots or anything like that creating a nice natural side part it doesn't have to be perfect but this is just gonna help the hair flow in the direction that I want it to
+00:03:02.459--00:03:12.599 and you guys I think I actually am in love with my hair pick now I don't know where the hell I've been I've been sleeping seriously if this thing is amazing
+00:03:15.040--00:03:35.689 yeah I was shocked at the difference I never use my hair picks oh I don't often see this volume i'ma have to do this more often so now I'm just using my brush to smooth my edges there's no product here I'm just brushing it down gently if it puffs back out we are good with that I'm gonna bobby pin my hair in place
+00:03:42.720--00:03:52.950 and I'm gonna create some faux bangs here just by pushing the front of my hair backwards and bobby pending that hair in place farther back on my head so that when the hair falls forward you get the look of bangs
+00:03:55.880--00:04:14.580 very nice very nice okay I'll link all the tools and products I use for this hairstyle in the description box but guys that's it's super easy right a big curly tapered fro just from four jumbo cornrow twists oh and a hair pick can't forget that
+00:04:41.190--00:04:49.150 alright guys I hope you enjoyed this video I hope it helped and I will see you in next one bye
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+00:00:20.560--00:01:53.560 for many bird watchers in North America the Northern Cardinal is a familiar site it's bright red plumage and black mask as well as its cheerful song make the Cardinal one of the most easily identifiable birds in the United States only adult males achieve the bright red color females have dull red Brown feathers but can be identified by their cheerful orange beaks and the traces of red in their wing and tail feathers in the wild cardinals eat weed seeds grains and fruits although they may sometimes eat bugs berries and corn if you live in the Cardinals range and would like to try attracting some to your yard try putting out sunflower seeds cracked corn or apples remember to use a broad sturdy surface since Cardinals normally hop around on the ground to find their food Cardinals do not follow a yearly migration pattern like many other birds so you may be able to attract them all year round the Cardinal is the official state bird of seven states Illinois Indiana Kentucky North Carolina Ohio Virginia and West Virginia making it the most popular state bird in the country I hope you enjoyed learning about the Cardinal and good luck finding it in your yard
+00:02:12.160--00:02:13.160 do
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+00:00:00.320--00:00:39.760 hey I'm Brad from fix this build that and today I'm going to show you how to make this downdraft sing table it hooks up to a dust collection system or a shop vac pull suction so that you can sand on top of it all the dust goes down into the collection system instead of up into the air and into your lungs I started the build by cutting the pegboard top to size at 18x 24 in which is a bit bigger than the one I've previously built I found I needed just a little more room for sanding the size cutting boards that I made I ripped 6-in strips out of halfin MDF for the sides I cut the long sides to 24 in and the short ones to 19 in the whole build was made from leftover wood from other projects and it's a great project for all those off
+00:00:45.879--00:01:02.320 cuts the dust is collected through a 4-in dust port on one of the short sides I laid out the fittings centered on the side and flush with the bottom then I drill a pilot hole and cut out the opening with the jigsaw you can install a smaller Port here if you're using a shop vag just put the edge of the hole about 1 in up from the
+00:01:07.640--00:01:29.920 bottom got the whole cut to put it together I'm just going to use brad nails and some quick setting glue here uh the other one I made was just put together with glue and it's held together fine so I actually have this upside down so you want this to be flush with the bottom the uh dust Port uh and that way I can use the actual peg board to square everything up
+00:01:50.719--00:02:01.560 the pegboard top is supported by cleats installed around the sides I ripped down some scrap 3/4 in plywood into 1 and 1/2 in wide strips and then I cut them to Sid at the miter saw to fit around the
+00:02:07.160--00:02:54.480 inside I switched over to yellow wood glue to install the cleat so I had a little more time to adjust them I lined the cleat using a small piece of pegboard to make sure the top surface would be flush with the sides and I tacked it into place with some 1in brad nails after attaching the first strip I realized the plywood was a little too boded and was actually pulling the/ in MDF sides inward so I switched out the rest of the plywood cleats for some 1-in wide popler pieces and attached them with glue and Brad Nails as well then I ripped a piece of/ Quin plywood to 18 in to prepare for the next step now I need to put in the dust shot so the dust shot is going to be inch and a/ qu plywood so this is resting on the back cleat that's going to give it still enough space for air movement so I'll get a measurement on here looks like right about 24 in I'm going to cut it then we'll fiddle with it if it needs to have any more
+00:02:58.840--00:04:24.880 adjustments right that 24 in was just about perfect I did one more little cut on it what you want it to do is to be tight up against the cleat in the back here and then just below the line here I'll flip this over and this is how it looks on the inside so again you're just under the cutout hole here very close to it and then up against the top cleat here on the UND side this is going to be cocked and I'm also going to put some cleats on the underside of this for support I made cleats for the dust Sho out of 3/4 x 3/4 popler I put glue on two edges and nailed them to the sides with 1in rad Nails the cleats are 14 in long and are more than enough support for the shoot next I flipped the box over and drilled pilot holes for the dust port and attached them with 5/8 in pan head screws then I cocked all the inner seams to make the Box airtight except for the top all right this thing looks great I just put the top on there it fits awesome you can always pop the top out just by reaching through and pushing up I got a really tight fit which is great if you don't have a tight fit you can also put some screws down through there into the cleats to hold it tight uh but this one works out perfect now what I want to do is make some sides for it the sides will help knock down the dust so that as it's coming through the dust is going to hit the side barriers and just go right into that downdraft it just helps it be a little bit more efficient uh they're going to be 12 in tall out of 1/4 in
+00:04:27.120--00:05:09.960 plywood after ripping the plywood down to 12 in in I cut a full-size back piece at 25 in and then two sides at 17 in I made a cutout for the dust port in one of the sides using a 6-in sanding disc for the curve after I laid it out I cut it out with a jigsaw to hold the panel together I made some hinges out of duct tape I got this idea from Bob over I like to make stuff from the fabric hinge on his knockdown spray booth I'll have a link below to that video I spaced the panels a pencil width apart and taped one of the sides on the other side I folded the tape and pressed it into the seam then I folded the joint and secured the tape on all sides I repeated the same process for the other corner cut off the excess tape and then I have my two functioning
+00:05:13.440--00:05:17.600 hinges so this is how it will work open up the
+00:05:21.440--00:05:39.639 hinges put it in place and I'll just throw a clamp on the back of that for right now I may do some other attachment methods maybe some magnets or something in the future but for right now this will do I think this turned out really cool I know y'all want to see it in action so I'm going to hook up the dust collector and see if I can give you some examples of how the suction
+00:05:48.960--00:06:25.800 is yeah this was my initial idea for showing you the suction throwing a 6-in sanding disc across the top and watching it stop brilliant here's a better representation me actually sanding in the tight shot you can see the dust around the edge of the board almost all of it's getting pulled down into the downdraft in that first couple inches off the board if you enjoyed the video go ahead and like And subscribe I'd love to have you as part of the channel you can also support me over on patreon there's a link Down Below in the description got some other videos over here you can check out if you want to see more of what I'm doing and until next time guys get out there and build something
+00:06:28.360--00:06:29.360 awesome
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+00:00:54.430--00:00:57.769 my man works two jobs I
+00:01:00.219--00:01:01.489 need a beat
+00:01:08.600--00:01:11.579 how do you use phone when you have acrylics
+00:01:38.119--00:01:43.560 pull the pull of I give me that it's always a surprise
+00:01:57.680--00:01:58.400 okay
+00:02:35.519--00:02:42.849 okay so I got a weave if you can't tell already this
+00:02:44.880--00:03:06.250 isn't Miracle Grow I know I've been eating my vegetables but that's it's not a lie it grew I went on Aliexpress none other of course I was bored and I ordered two bundles one bundle of Tinky straight 18 inch and 16 inch
+00:03:08.790--00:03:15.370 this is my second weave in my life it is like getting a boob job for your head
+00:03:17.489--00:03:20.049 there's so much to work with now
+00:03:25.319--00:03:43.709 when people now talk to me asking for directions or like where's the l-train that way when they swipe my MetroCard you're gonna be like yeah it's crazy how much confidence this just gave me like I'm already pretty confident but this just raised the bar
+00:03:47.959--00:03:58.560 despite the length it's actually pretty realistic it's like it's got that African after kind of texture you know what I'm saying
+00:04:08.900--00:04:12.540 sorry I didn't see you there
+00:04:14.959--00:04:34.860 okay that's it that's all I have I got a weave and I just wanted to make a video to show everybody I haven't uploaded in a few days and this is why I was waiting to get my hair done so now it's done I'm gonna be very productive and upload regularly because now I have a reason to want to be on camera
+00:04:36.949--00:04:39.660 okay that's it thank you for watching bye
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+00:00:00.160--00:00:06.080 hey everyone today i'm going to be testing out if you can train a ladybug to follow your pen when you draw on a paper
+00:00:09.840--00:00:44.719 then he's interested look at that so i've seen two viral videos involving insects and drawing on paper in one of them it was a ladybug following this girl's pen as she wrote on paper and to me it seemed like the ladybug was maybe just trying to stay under the shadow of her hand so i'm going to be testing out if the ladybug will first actually follow a line and then i'm going to test out if the ladybug will actually avoid the lines and go a different direction if you draw in front of it okay first let's try drawing with a marker on the paper and see if it avoids the lines okay so let's
+00:00:56.840--00:00:59.760 go he does notice it for
+00:01:10.840--00:01:13.520 sure that's really weird
+00:01:21.119--00:01:25.840 okay now we're gonna try to see if it actually follows the pen
+00:01:33.920--00:01:34.240 that's
+00:01:38.840--00:01:39.840 weird
+00:01:46.399--00:01:46.640 huh
+00:01:48.880--00:01:50.000 it's following it
+00:01:52.640--00:01:57.520 that's interesting look at it it's following the line
+00:02:00.000--00:02:11.440 so i think it's trying to get up the pen like let's try it if i'm not even drawing anything he's not interested unless it's making a mark
+00:02:17.840--00:02:19.200 yeah really so
+00:02:21.520--00:02:22.640 but if i do the pen
+00:02:25.680--00:02:30.640 then he's interested look at that that is so weird
+00:02:35.040--00:04:00.080 okay so it looks like the ladybug actually followed the pen and it preferred the pen versus a utensil that wasn't riding so it seems like it was actually the ink coming from the pen that it was attracted to now most likely the ladybug is following this pen ink because it resembles a pheromone released by ladybugs so ladybugs and other insects release pheromones for different reasons sometimes they want you to follow a trail or want other insects to follow a trail sometimes they release pheromones for mating reasons ladybugs are actually very sensitive to some of their pheromones they can detect them up to a fourth a mile away so most likely there's probably something in the pen ink that resembles the chemical pheromone that it's used to sensing during mating you can see that it almost aggressively comes up to the pen during it kind of reaches out to try to grab it almost like it's going to climb up it so i assumed it was just trying to climb up the pen but when i used a non-riding utensil it wasn't trying to climb up it like that now insects are used to communicating through chemicals like this for example that's the way that i was able to convince an ant in my ant colony that it was dead just by putting oleic acid on it but it definitely is plausible for insects to want to follow lines that you're drawing on paper and thanks for watching another episode of the action lab i hope you liked it if you did don't forget to subscribe if you haven't yet and hit the bell so you can be notified when my latest video comes out and thanks for watching and i'll see you next
+00:04:12.840--00:04:13.840 time
+00:04:17.279--00:04:17.358 you
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+00:00:00.480--00:00:01.380 foreign
+00:00:32.520--00:00:33.480 foreign
+00:01:13.580--00:01:14.580 foreign
+00:01:45.860--00:01:46.860 foreign
+00:02:23.540--00:02:25.540 thank you
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+00:00:00.800--00:00:24.119 eight years ago we made a viral video uh how to hold your baby uh it was my first ever video she was about this big it was called how to hold a baby this one standard shoulder hold so today we thought we'd revisit that video and try and remake it geez baby baby standard shoulder hold standard shoulder hold baby Jesus
+00:00:26.699--00:00:33.120 baby Jesus stinky nappy for me Stinky nappy for me Stinky nappy for you
+00:00:36.500--00:00:49.920 box of beers box of beers dance partner dance partner dance partner dance partner Bird on a Wire got this one
+00:00:58.860--00:01:01.559 um poor man's front pick hold your beer belly
+00:01:08.720--00:01:11.159 belly the rugby ball hole
+00:01:17.299--00:01:33.540 the other right people hold off to the other dead Superman the shaft to the other dads Superman show off to other kids fish the shaft two other kids fish
+00:01:36.720--00:01:51.060 and that's uh how to hold your baby and I know babies were harmed in the making of this video and that's how to hold your baby and uh no bibles are harmed in the making of this video oh
+00:01:53.600--00:01:55.020 how'd I do that
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+00:00:05.690--00:00:37.800 hey guys it's an with the blind spot back again with another blind challenge today i am at painting with a twist it's a local painting place here in Lexington where you can come and paint pictures and just have a good time with family and friends and so that's what we're doing today we're going to go in and paint some pictures with a local PTA fundraiser and we'll see how it goes so enjoy the show and we'll see you next time thanks guys
+00:01:54.159--00:01:54.219 you
+00:02:00.259--00:06:01.520 there you go guys another blind challenge done and this one was pretty successful I guess here is the finished painting and all in all I think I did an alright job um I have done many many landscape paintings in oil paints and this is the first time doing in an acrylic I mentioned that in the opening so it was really really difficult and I even went back and tried to fix up the tree and made it worse so that's the the first rule of painting is don't keep messing with it it's it's fine the way it is because you will ruin a painting and I think that's what I did there as I said first time really doing anything like this in acrylic and it was really difficult i'm so used to oils and how you can blend on the canvas and you have a lot of time to work with it because the oil doesn't dry dry very quickly and so acrylic is you've got to be decisive and you've got to get it down there and get it down there the first time because you don't have a lot of time to play around with it now another problem that I have is because I can't see the detail I can't do nice crisp lines so like up here in my in my mountain it's kind of fuzzy because I kept messing with it and I kept going over the edge several times and so I don't have a nice crisp line and I've always had that problem in fact this is the painting that everybody else was doing this is rachel's painting and i think she did an awesome job i was very impressed with this painting it looks like i should have you know a peanuts character standing right here and Snoopy or woodstock standing on top of the wreath there I think she did a great job but I would not have been able to get nice crisp lines with the paintbrush that's always been a problem i have now I didn't do the painting that everyone else was doing because one I was because I'm not used to working acrylic I wanted to stick with a subject that I've done before and I know how do and as landscapes and then number two is the lady was doing the demonstration up on a stage and it was kind of far away I couldn't see what she was doing at all and she was doing a relatively good job of telling everybody what she was doing while she was doing it so I probably made me could have fallen one followed along and you know just watched Rachel what she was doing she was right next to me but I still would have had a hard time so i decided to go and go my own route and do my own thing looking back on it though i wish i had tried this painting because one i would have stepped out of my comfort zone and that was kind of the whole purpose of the challenge doing the blind challenge is to try something that is out of my comfort zone and something I've never done before and I didn't really do that completely by doing the landscape and also i think her painting is much better than mine and i would have liked to have a nice painting that I could have been proud of I think she did a great job so good job baby but that was it guys this was blind challenge number four I believe it is painting and if you have a chance to do one of these these painting shops definitely go do it take the family it's good fun I went there once with my daughter for a girl scouts troop night and we painted and then I did this with the PTA the ladies of the PTA for our local school and that was a lot of fun too big thanks to all them all the ladies and PTA and my beautiful wife bore for making this all possible big thanks to you guys for watching the video if you have any questions or comments please leave them down below I'll do whatever I can to answer those thank you very much guys this is sam with the blind spot i will see you next time
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diff --git a/raw/test/transcript/output_oZc5RQBOrf0.txt b/raw/test/transcript/output_oZc5RQBOrf0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b98bfff9f4e83c79a246cdde868e5eaceb065ba6
--- /dev/null
+++ b/raw/test/transcript/output_oZc5RQBOrf0.txt
@@ -0,0 +1,4 @@
+00:00:00.149--00:01:20.549 hey guys what's up it's Ruby and welcome back to my channel so in today's video we are going to be recreating some of Kourtney Kardashian's outfits and I decided to choose Kourtney because like you know as opposed to the more not well-known because corn is just as well-known as the rest of the Kardashian / Jenna's but people really focus on Kendall and Kim's style so I decided to choose Courtney for something different plus Haut style is really laid-back it's really like cool and casual which I love and some of the outfits well most of the efforts that I chose I would definitely wear on like the day to day basis so yeah I hope you guys really enjoy this video make sure to subscribe to my channel to see more of my videos and let's jump right into the first outfit so the first outfit is this one right here so this is like such a me outfit it's so basic but it just looks so good so it's just basically a white t-shirt blue jeans black boots and then just like a crossbody chain bag and I just love this kind of outfit like this is the kind of athlete that I would wear everyday and if you see if you follow me on instagram which you should this is some of my feed right here you will see that this is the kind of outfits that I always like love to wear so it's just it's just a t-shirt and jeans it's so simple but it just looks so good so here is the first look
+00:02:02.880--00:02:33.310 so onto outfit number two it's this one right here so this one is really good for just like a kind of weekend outfit she's obviously gone to get some Starbucks or some like matcha tea so it's just like a casual look that you go out if you want to go get brunch gonna go get coffee or whatever and yeah so it's basically I think it's like a gray tank top she's wearing underneath and then a cropped distressed black jumper over the top some navy blue striped pants and some Doc Martens so this is how every credit this look
+00:03:17.380--00:04:01.280 so the final outfit is this one right here so this one I really love because I think it really suits her body shape and we're both you know small people and I think it's flattering for this kind of look because she's wearing a really cropped shirt and then it's like fitted skinny gray jeans with boots like heeled boots so I think it's a good contrast of hi like prop ness and then kind of unhappy so the shows that I bought it's actually like a men's it's a really big men's shirt like a Calvin Klein's I think which it was a really good bargain actually I got from save it's like $5 and then I just cut it so I just cropped it off and yeah got pretty much the same look and yeah so let's jump right into the lust outfit
+00:04:50.379--00:05:07.729 so guys that is basically it for this video I hope you all liked it I hope you like the outfits that I've chosen to recreate of Kourtney Kardashian's and if you did make sure to give this video a thumbs up and let me know in the comments below which outfit was your favorite and I'll see you all next time bye
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diff --git a/raw/test/transcript/output_p0O-UzFStdw.txt b/raw/test/transcript/output_p0O-UzFStdw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/transcript/output_sKz1zV5NOAY.txt b/raw/test/transcript/output_sKz1zV5NOAY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..98f17da4d2f12d0426616b70c47030e150477433
--- /dev/null
+++ b/raw/test/transcript/output_sKz1zV5NOAY.txt
@@ -0,0 +1,20 @@
+00:00:00.160--00:00:19.880 today is my birthday it is in Korean tradition to have meuk on your birthday my mom tells me it's eaten in honor of your mother as this seaweed Stew was common to have while you're pregnant she tells me it cleans the bloodstream and ensures that the baby will be born
+00:00:28.960--00:00:29.960 healthy
+00:00:44.559--00:00:46.480 it's always sad to say goodbye to my good
+00:00:49.280--00:01:22.400 boy tonight I'm supposed to be watching a movie at scoa bank theater with my friend Tristan I decided to leave for the station early that way it gives me time time to walk from the station to the theaters of course the service as always is late fun fact the goh services are free if it's more than 15 minutes late although the attendant tells me that I have to pay first and apply for the refund online later a little counterintuitive but I think it's because it's not worth the hassle for most
+00:01:28.840--00:01:29.840 people
+00:01:58.840--00:02:03.799 station I was supposed to be an hour early but I get to the theaters just in
+00:02:18.640--00:02:47.360 time uh we just watched killers of the flower moon it's very long that's my review it was okay there was no audio coming out we got free movie tickets true that's the big win of this one well it's one of the big wins yes sir that cute this are you making like a little Montage all right Rudy I haven't had of p in a while probably oh big
+00:02:49.599--00:02:55.599 Rudy I don't know I'll probably get the original you know the Rudy cheese 10 bucks that's not
+00:02:57.800--00:03:19.680 bad yeah it's like it's like McDonald's yeah does it plan just to like crush it out here I think so I mean where else will we eat it yeah I know I'm like maybe I'll just get a bird it's like quick to go oh because it's quick yeah yeah yeah if it was
+00:03:22.879--00:03:31.360 summer I think we order here hi can I make an order to go first uh I'll just get a regular Rudy
+00:03:33.720--00:03:39.319 please no that's everything yeah it's uh Tommy yeah
+00:03:45.239--00:03:48.239 Tommy oh that's every okay thank
+00:03:58.680--00:04:16.440 you oh thank you thank you oh yo look at this burger look at the Burger wow it's small crusty oh it was in fact tasty
+00:04:24.560--00:04:29.600 burger the house that're C man that was a
+00:04:39.520--00:04:48.960 pressure on the way back I bump into a fellow commuter that shares my distaste for Toronto transportation services yeah they don't show up a
+00:04:51.360--00:04:52.960 anymore how long you been
+00:04:55.560--00:05:19.759 waiting yeah it's always a train that you don't want are you trying to get to Union Station yeah got to catch a training yeah but I already missed it yeah that's about to be me my train leaves at 12:10 then it's an hour after that I miss my last TR so what you going to do where you from oh shitt so I'll probably take the bus or something yeah good luck
+00:05:28.479--00:05:29.479 yeah
+00:05:41.080--00:05:42.639 really I don't
+00:05:58.479--00:05:59.479 care
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diff --git a/raw/test/transcript/output_uIvataSQj5Q.txt b/raw/test/transcript/output_uIvataSQj5Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..138e92f2b08a30fbd737e45e6316eb4b80f5b53d
--- /dev/null
+++ b/raw/test/transcript/output_uIvataSQj5Q.txt
@@ -0,0 +1,5 @@
+00:00:04.759--00:00:45.699 hello so I'm off to go see at Nordstrom which sounds a lot fancier than it is my agents trying to get me into like fit modeling which is big so we're like you're like alive manic and essentially her people to four different companies like just their clothes out on and stuff just to make sure that everything fits rights and they wanted people that like aren't super fit that are just kind of like or like are super skinny or whatever but are just kind of like average and real humans which is where I am look good but I'm running a little late walking very briskly also it's 50 degrees out of today and it's so sunny and I'm warm which is a weird feeling
+00:01:09.820--00:02:01.840 so did my go see they told me basically that my butt is too big and my torso is too long which are both things that I already knew so that's fine this type of shit used to get to me but I just sort of like made peace the fact that there is room dings about my body that I can't change and having a long waist is absolutely one of them because that's just the way my problems work so yeah and then I'm stopped by Whole Foods got some lunch played some Pokemon I dictated by first trial on male-male Island got sent the cast list so I got to see who all my cats mates are in the show and I'm just very excited and then I got to see a house within Catholic tonight the musical we're just gonna be so beautiful and so amazing and I'm just excited to just cry and to have a beautiful artistic experience I can't wait
+00:02:07.550--00:04:15.310 okay so I just got back from the post office and this is me having a very stern talk with myself Cheyenne I know you're stressed I know you're anxious I know that you're overwhelmed unfortunately we don't have time for that so I just really babe I just really need you to get on top of your shit you have to do tomorrow you just need to spend the entire day filling orders because the international deadline is Saturday so you to make sure you get things out by then I know that that you've had some issues with my supplies and stuff so I have to reorder stuff and I'm like running super crazy Lilith so I'm probably going to run out tomorrow but I figured out solutions on how to get around that so we will make do until the new stock comes in okay so just like just get er done I love you but you're slacking and you're procrastinating and you know it and I love you and you need to get your head in the game get your head in the game what Troy Bolton be proud of you woody what what Troy Bolton do think about our what would Griffin do well with Travis do what would Justin do okay Kurt oh pod con starts from the pod con starts on Saturday oh the microwave others are gonna be in town and John Green and Hank green and like oh so we al with the guys from welcome night Vale oh I just remember that and I can't go but that's okay I'll just send them all my love on and everything okay Cheyenne I love you and I believe in you and you can do this you just stop fucking around okay okay I'm gonna preheat my up and down so I can heat up my squash and I'm gonna do my dishes I need to do my dishes okay let go
+00:04:39.180--00:04:46.290 like fancy camera so it was like we'll make do it's only pride the Christmas spirit oh okay
+00:04:51.260--00:04:52.260 yeah
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diff --git a/raw/test/transcript/output_wJ-Tp8bQC4M.txt b/raw/test/transcript/output_wJ-Tp8bQC4M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f020b947248e38b2a83c347c5a24078386cabdbf
--- /dev/null
+++ b/raw/test/transcript/output_wJ-Tp8bQC4M.txt
@@ -0,0 +1,6 @@
+00:00:14.920--00:00:15.920 so
+00:00:28.840--00:00:29.840 so
+00:01:24.840--00:01:25.840 so
+00:02:20.840--00:02:21.840 oh
+00:03:02.840--00:03:03.840 so
+00:04:23.120--00:04:23.199 you
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diff --git a/raw/test/transcript/output_wcKO9hv9aqk.txt b/raw/test/transcript/output_wcKO9hv9aqk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fac537325a0f904db0349b8da4f258430d561d81
--- /dev/null
+++ b/raw/test/transcript/output_wcKO9hv9aqk.txt
@@ -0,0 +1,22 @@
+00:00:01.380--00:00:02.820 for members of others
+00:00:08.160--00:00:09.540 so tired
+00:00:47.899--00:01:09.600 hey guys finally in Boston currently waiting for my roommate to fly in but we're probably just gonna go to bed right after we have to wake up kind of early for the conference tomorrow so I'll be signing off for tonight I'll take you guys along with me it's actually my first conference ever First Tech conference actually first conference first professional conference ever so super excited a little bit nervous I will see you guys in the morning
+00:01:11.700--00:01:15.000 yep that's it
+00:01:17.299--00:01:18.299 yeah
+00:01:36.200--00:01:40.560 oh my God wait should I walk in front of them
+00:01:43.140--00:01:44.280 that's so cool
+00:02:05.299--00:02:13.739 what are we up to we're going to Neo talk for adventure capitalist I'm super excited to welcome you
+00:02:16.760--00:02:20.940 that's the microphone you know
+00:02:23.760--00:02:24.660 that case
+00:02:30.080--00:02:33.000 I'm going to go to a biotech talk okay
+00:03:00.860--00:03:07.500 thank you girl come on for the men I don't think so
+00:03:12.560--00:03:22.980 just talk with code and Nomads you're so cool like fan growing right now she's like I didn't want to be weird to ask to book film her but guys that was so cool
+00:03:30.659--00:03:33.900 um so tired you're so cute
+00:03:36.180--00:03:37.080 we're done
+00:03:43.920--00:03:43.980 um
+00:04:00.379--00:04:01.920 we're signing off
+00:04:04.519--00:04:07.200 day two we're back
+00:04:09.620--00:04:10.620 cute
+00:04:44.000--00:04:45.540 can we get dogs
+00:04:52.500--00:04:53.580 then again
+00:05:11.780--00:05:28.740 Hey guys you're looking at stuff's YouTube channel make sure to like comment subscribe like uh dislike if you don't like it I think that's okay yeah fair fair freedom of speech sometimes don't forget to donate your kidneys
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diff --git a/raw/test/transcript/output_xtA741ReayA.txt b/raw/test/transcript/output_xtA741ReayA.txt
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index 0000000000000000000000000000000000000000..ad9f929fbf3e2c5369ea4ddd0d6892cf4b9dc6f9
--- /dev/null
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@@ -0,0 +1,18 @@
+00:00:05.680--00:00:14.759 I've been thinking about where I am a lot recently every year my family switches off on who's hosting Thanksgiving but this time we want to make a
+00:00:19.600--00:00:22.680 change so we decided to spend it in a Vermont
+00:00:28.000--00:00:33.840 Airbnb I was in charge of making if I can ever turn it on cake I
+00:00:36.760--00:00:38.320 it kind of a
+00:00:40.399--00:01:03.920 cake it was really good anyways it's always great to be around family but this time it was especially true for me because I'm moving soon and this time two of my cousins weren't able to make it and these aren't just your regular cousins if there was a cousin draft pick they're going first round they just got busy wow look at look at you guys honestly I'm
+00:01:07.920--00:01:16.479 lucky I think to have so many people in my family who even have the income and the means to drive into the woods for 4 days is a blessing in and of
+00:01:22.960--00:01:29.840 itself and then to be able to have siblings who encourage my creativity rather than put it down is something that I can never take for granted
+00:01:35.320--00:01:39.200 it's a positive environment that I know people don't have the luxury of
+00:01:45.680--00:02:01.479 having to have a healthy family that can make jokes and stay in good spirits nowadays is rare yeah my boy the icing on the cake is the incredible ability to make one of the best Thanksgiving meals you could ever
+00:02:11.360--00:02:13.520 have but I'm not going to have it for much
+00:02:20.640--00:02:33.400 longer every year we get older we get distracted we get busy ah the cousins can't make it this year but next year for sure yeah okay and unfor it feels like it never really is the same as it was when you were
+00:02:38.480--00:03:03.000 younger even the memories of this trip already feel like an old movie and it could just be a part of growing up but I don't think it has to be and honestly that's why I'm thankful because right now I'm able to see who and what it is I have around me and to know that in 5 years I want to come back to this exact moment is honestly a gift and I appreciate it so much before it really is
+00:03:11.040--00:03:21.360 gone even though I don't really know where I'm going I'm happy to be where I'm at and I honestly hope that you can say the
+00:03:28.680--00:03:29.680 same
+00:03:35.400--00:03:36.120 is this St in my
+00:03:39.439--00:03:43.799 bag okay so yeah you're recording yeah y
+00:03:50.439--00:03:51.920 chill what you want to
+00:03:56.400--00:03:57.400 do
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diff --git a/raw/test/visual_info/output_--T4zFh82Ao.txt b/raw/test/visual_info/output_--T4zFh82Ao.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cc3eec4c5499768d99e24fd45e2dd494331a8a4e
--- /dev/null
+++ b/raw/test/visual_info/output_--T4zFh82Ao.txt
@@ -0,0 +1,125 @@
+Here is the breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A young woman with shoulder-length brown hair, wearing a blue tie-dye t-shirt, stands in what appears to be a bathroom, saluting with her right hand and flexing her left arm.
+00:00:01.300 - The woman looks at the camera, then gestures with both hands as she explains her situation.
+00:00:09.900 - The woman closes her eyes and makes a slightly disappointed expression, pursing her lips.
+00:00:10.900 - The woman's expression shifts to a slight smirk as she raises her eyebrows, then she smiles and shrugs.
+00:00:18.000 - The woman points at the camera with her right hand, inviting the viewer to come along.
+00:00:19.900 - The woman is now outdoors, wearing a light gray fleece pullover, gray sweatpants, and a black backpack. She smiles directly at the camera in front of an entrance with a "WARNING" sign and mailboxes.
+00:00:21.800 - The woman adjusts her fleece to reveal a white muscle top underneath.
+00:00:23.000 - The woman begins a playful, energetic run-in-place with wide arm movements, looking determined, through the outdoor hallway.
+00:00:26.900 - The camera is tilted upwards, showing the woman from a low angle against a clear blue sky. She puts her hand to her mouth, as if whispering.
+00:00:28.900 - A close-up shot shows a hand (presumably the woman's) stirring a clear plastic cup with ice and coffee using a straw. A silver watch is visible on her wrist.
+00:00:29.900 - The hand places the coffee cup on a concrete surface next to a white shoe.
+00:00:30.800 - The woman is walking outdoors on a street, holding and sipping from her coffee cup. She is wearing white earbuds and looking forward. Tall buildings and trees are in the background.
+00:00:33.900 - The view is of the archway entrance to a large, modern building with a sign that reads "UCLA SCHOOL OF DENTISTRY."
+00:00:35.700 - The camera moves forward, showing a long, empty hallway with reddish-brown brick flooring and pillars. Sunlight casts shadows.
+00:00:37.000 - A point-of-view shot looks down at the person's feet, walking on the red brick floor, with their shadow visible ahead.
+00:00:37.700 - A hand swipes an ID card over a black card reader mounted on a white wall. A green light on the reader confirms access.
+00:00:38.900 - A hand opens a light brown wooden door with a metal handle.
+00:00:40.000 - A point-of-view shot shows the person's feet walking through the open doorway onto a light wooden floor inside.
+00:00:41.000 - The woman is inside a classroom or lab setting, standing next to a wooden desk. She sips her coffee, then places it down next to her black backpack and an iPad with a stylus. She adjusts her hair.
+00:00:47.300 - The woman sits down at the desk, facing the iPad.
+00:00:48.800 - The woman is now wearing black-rimmed glasses and is actively writing or drawing on her iPad with a stylus.
+00:00:54.600 - An inset image appears in the upper left corner showing a close-up of teeth with several silver fillings (amalgam). The woman continues using her iPad.
+00:00:57.100 - The inset image disappears. The woman takes off her glasses, looks at her almost empty coffee cup, and holds it up to the camera, showing only ice and minimal liquid, looking disappointed.
+00:01:00.600 - The woman puts her glasses back on, looks at the camera with a sly smile, and then holds up a freshly filled coffee cup.
+00:01:03.000 - The woman is back to studying at the desk, wearing glasses and using the stylus on her iPad. The full coffee cup is visible next to her backpack.
+00:01:10.500 - The woman walks down a hallway in the building, holding her coffee cup and recording herself with her phone, still wearing the fleece and backpack.
+00:01:17.500 - The woman is in what appears to be a locker room with grey and purple lockers. She removes her fleece to reveal a white t-shirt, then puts on a blue lab coat, zips it up, and adjusts her glasses.
+00:01:23.000 - A close-up view of the woman's hands, wearing blue gloves, mixing a white powdery substance with liquid in a paper cup using a wooden stick. Other cups and a dental cast are on the table.
+00:01:26.300 - The gloved hands continue mixing and then add more white powder to the cup.
+00:01:28.100 - The woman pours the thick, white mixed substance from one cup into another, showing its consistency.
+00:01:30.000 - The woman uses the wooden stick to scrape the white substance from the cup and place it onto a white, tooth-shaped dental cast.
+00:01:32.400 - The woman's gloved hands meticulously shape the white material onto the small, white dental cast.
+00:01:37.500 - The woman continues to mold the white material onto the small, white, tooth-shaped cast in her hands.
+00:01:41.500 - The woman molds the white material onto a larger, pink and white dental cast.
+00:01:47.500 - The woman carefully peels off the white molded material from the pink and white cast. It appears to deform and tear in the process.
+00:01:52.500 - The woman, looking frustrated, re-applies the deformed white material to the pink and white cast, attempting to reshape it.
+00:01:57.200 - The woman is shown placing a fresh ball of the white material onto a different white dental cast and successfully molding it into the desired shape.
+00:02:00.600 - The woman holds up the now perfectly molded white dental cast, displaying it to the camera, and gives a thumbs-up.
+00:02:06.000 - The woman is in the lab, looking into the camera. She pulls a medical mask from under her chin and places it over her mouth and nose. Numerous dental workstations with monitors are visible behind her.
+00:02:09.000 - The woman is actively using a dental polishing tool on the white molded cast, creating white dust that spreads onto her blue lab coat.
+00:02:14.900 - A close-up shot shows the woman's blue lab coat covered in white dust from the polishing. She brushes some off her chest.
+00:02:16.800 - The woman holds up two perfectly polished white dental casts, one in each hand, showing them to the camera.
+00:02:21.000 - An overhead shot reveals the messy lab table, covered with used paper cups, blue gloves, wooden sticks, and discarded pieces of molding material.
+00:02:23.000 - The woman is back in the hallway from earlier, wearing the fleece and backpack, talking to the camera.
+00:02:24.700 - The woman is outdoors again, walking and talking to the camera, with university buildings in the background.
+00:02:27.500 - A close-up shot of the woman's arm as she flexes her bicep.
+00:02:29.500 - The woman stands in front of grey lockers, wearing a white t-shirt, grey sweatpants, and headphones. She flexes her arms with an intense, determined expression.
+00:02:33.000 - The woman is back in the bathroom from the beginning of the video, wearing a pink long-sleeved top. She checks her wrist watch.
+00:02:35.000 - The woman looks at the camera, talking and smiling.
+00:02:42.500 - The woman smiles and waves at the camera as the video ends.
+
+**On-screen Text with Timestamps:**
+
+00:00:00.750 - good morning
+00:00:03.050 - so woke up to very sad news today
+00:00:04.550 - the Wi-Fi in my housing area is not working
+00:00:06.450 - so there's no Wi-Fi
+00:00:07.550 - that really really foils my plan cause I was gonna
+00:00:09.150 - study today
+00:00:12.750 - I was not
+00:00:13.950 - since I no longer can watch shows cause YouTube
+00:00:16.350 - wouldn't be working either
+00:00:17.350 - I'm just gonna go to school and do some lab work
+00:00:18.950 - and I'll take you with me
+00:00:20.350 - this is the fit
+00:00:20.950 - I'm gonna go gym after
+00:00:22.050 - I'm wearing like a muscle top
+00:00:27.750 - coffee first
+00:00:32.450 - I love you
+00:00:42.150 - I told myself I have to study if I purchase this $7 coffee...
+00:00:45.350 - So we will study for tomorrow's quiz
+00:00:49.050 - The quiz is on amalgam
+00:00:52.450 - You have probably have seen it in someone's mouth before
+00:00:55.350 - It looks like this, this very shiny y2k look!
+00:00:58.550 - No more liquid motivation...
+00:01:01.350 - so I obviously got more - tehe!
+00:01:03.750 - Final stretch - rewrote my notes twice!
+00:01:07.350 - Lab classes are my favorite, so I am able to focus!
+00:01:11.450 - unfortunately finished studying
+00:01:13.350 - the unfortunate part is that I had to study
+00:01:16.050 - so now we're gonna do some lab work that's due
+0001:19.850 - outfit change!
+00:01:23.250 - MAKE SLIME WITH ME!!!
+00:01:26.500 - too watery...
+00:01:28.450 - better... but still watery!
+00:01:31.950 - PERFECT
+00:01:35.350 - What I am actually making is a CUSTOM TRAY
+00:01:38.200 - We use these to take a more accurate impression of the patients mouth!
+00:01:42.500 - The white ball is autopolymerizing acrylic resin
+0001:46.350 - It hardens on its own
+00:01:49.700 - You mold the material to the cast
+00:01:54.600 - then START OVER BECAUSE IT LOOKS ARSE!
+00:01:58.200 - ATTEMPT 4
+00:02:01.600 - Two breakdowns later...
+00:02:06.700 - it's gonna start snowing
+00:02:10.500 - After you make the custom tray, make sure to polish it!
+00:02:14.200 - Treat every project as if it's for a loved one
+00:02:17.600 - You would want to do your best for them, wouldn't ya?
+00:02:21.750 - After math (three hours later)
+00:02:23.650 - alright finished up all my work
+00:02:25.600 - I'm gonna go home and drop off my backpack
+00:02:26.900 - and then we're gonna go gym
+00:02:28.300 - Might be hard to tell, but I am natty
+00:02:31.850 - NO SARMS, JUST CHARM
+00:02:34.000 - it's now 11:10pm
+00:02:35.200 - I just got back from eating a meal and getting dessert
+00:02:37.400 - with a friend
+00:02:38.600 - so we're probably gonna head off to sleep
+00:02:41.500 - and then we'll tackle a new day tomorrow
+
+**People in the Video:**
+
+*   **Kay Chung:** She is the sole person featured prominently in the video. We learn that she is a dentistry student at UCLA, specifically in the Class of 2026, as seen on her lab coat. She is presented as determined and diligent, adjusting her plans due to external circumstances (no Wi-Fi) to ensure she completes her academic work, which includes studying for a quiz and performing lab tasks to create custom dental trays. She also appears to value physical fitness, mentioning her plan to go to the gym after her studies.
+
+**Summary of the Video Narrative:**
+
+The video chronicles a day in the life of Kay Chung, a UCLA dentistry student. Her morning begins with a setback: her home Wi-Fi is down, disrupting her study plans. Undeterred, she decides to go to the university campus to complete her academic tasks, which include studying for a quiz on amalgam and performing essential lab work.
+
+After arriving at the UCLA School of Dentistry, she settles down to study, fueled by a self-bought coffee. Once her studying is done, she changes into her lab coat and begins the hands-on process of creating custom dental trays, explaining that these are used to take accurate impressions of patients' mouths. She demonstrates the mixing and molding of the acrylic resin, highlighting some initial challenges and showing her persistence in achieving a "perfect" result. She emphasizes the importance of treating each project with care, as if for a loved one, demonstrating her dedication to her future profession.
+
+The video concludes with Kay finishing her lab work, appearing visibly dusted with polishing residue. She then transitions from the lab environment, mentioning her plans to go home and then to the gym, showcasing her commitment to both her studies and personal well-being. The day ends with her back in her bathroom late at night, reflecting on her productive day and looking forward to tackling a new day tomorrow.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_-LlnzjDmHCg.txt b/raw/test/visual_info/output_-LlnzjDmHCg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2b1ff6bd84b3604d7317f71ea70e8c7bd8535864
--- /dev/null
+++ b/raw/test/visual_info/output_-LlnzjDmHCg.txt
@@ -0,0 +1,227 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps, followed by on-screen text, people information, and a summary.
+
+### Visual Events
+
+00:00:00.000 - A POV shot looking down a carpeted staircase as someone descends. Legs in dark pants and black shoes are visible.
+00:00:00.867 - The scene quickly cuts to a dark room with a glowing purple light stick held vertically.
+00:00:01.367 - The camera rapidly pans left across a dark room.
+00:00:02.067 - A wide shot of a dimly lit bedroom with a purple hue shows a person (Noah) lying in bed on their side, looking at a phone. White bedding covers the bed.
+00:00:03.000 - The camera subtly zooms in on Noah in bed.
+00:00:04.200 - Noah turns their head slightly, still looking at their phone, and smiles.
+00:00:05.167 - The camera pans right and zooms in on Noah, who now looks more directly at the camera.
+00:00:06.667 - Noah shifts, revealing a red electric guitar beside them on the bed. They are wearing striped pants and a dark top.
+00:00:08.567 - Noah sits up slightly, holding the phone up, showing something on the screen (content unclear). They wear a white turtleneck under a brown jacket.
+00:00:09.533 - Noah gestures with her left hand while speaking, holding the phone in her right.
+00:00:10.533 - A close-up shows a colorful graphic on the phone screen.
+00:00:11.733 - Noah gestures again with her left hand, then points towards the camera.
+00:00:14.367 - The scene cuts to a shot of a wooden dresser with two drawers. A person's arm in a brown jacket reaches into a blue laundry basket, picking up dark clothing.
+00:00:15.633 - Noah pulls a black shirt from the laundry basket.
+00:00:16.800 - Noah turns to face the camera, revealing her smiling face and messy bun.
+00:00:17.400 - The camera quickly pans across the room, showing a cluttered wall with various items.
+00:00:18.400 - A close-up shows a framed swimming photo on the wall, depicting a swimmer with a "Cal" cap in a pool, with a bright glare.
+00:00:20.500 - Another close-up of Noah's smiling, flushed face.
+00:00:21.600 - Noah smiles and speaks to the camera, standing in front of a purple wall adorned with a hanging organizer and medals.
+00:00:22.900 - Noah stands in the center of the room, wearing a black oversized t-shirt and striped pants, with hands on her hips.
+00:00:24.400 - Noah turns to her side, displaying the black shirt.
+00:00:25.767 - Noah turns back to the camera, looking down and smiling.
+00:00:27.500 - Noah lifts her hands to her head, forming a "heart" shape with her fingers, and laughs.
+00:00:29.633 - Noah walks towards a door on the left side of the room.
+00:00:30.933 - Noah re-emerges from the door, now wearing a patterned bandana on her head, still in the black shirt and pants, and smiles at the camera.
+00:00:34.900 - The scene cuts to the interior of a car at what appears to be late afternoon or early evening. Two young women (Hailey and Noah) are seated in the front seats. Hailey, in the passenger seat, wears a yellow sweatshirt and blue leggings. Noah, in the driver's seat, wears a black t-shirt and the bandana. Both are smiling.
+00:00:36.567 - A close-up focuses on Hailey's smiling face.
+00:00:37.833 - A close-up focuses on Noah's smiling face.
+00:00:39.133 - A wider shot shows both women in the car, talking and gesturing.
+00:00:41.833 - Hailey begins speaking, gesticulating with her hands.
+00:00:43.000 - Noah laughs and waves her hand.
+00:00:44.800 - Hailey gestures to her face and hair.
+00:00:45.967 - A close-up focuses on Hailey's smiling face.
+00:00:47.300 - Noah appears to sneeze, then smiles.
+00:00:48.333 - Hailey laughs heartily.
+00:00:49.033 - Hailey puts on a red baseball cap. Both girls make "jazz hands" motions.
+00:00:50.500 - Hailey adjusts her cap, while Noah points to her bandana.
+00:00:52.233 - Hailey points to herself, then Noah.
+00:00:53.967 - Hailey gestures towards Noah, who smiles and points to herself.
+00:00:55.700 - Hailey brings her hands together in a prayer-like gesture, Noah points to something off-camera.
+00:00:57.100 - Hailey briefly kicks her leg up, then points to Noah. Noah smiles and points to her chin.
+00:00:59.000 - Hailey touches her chest and clasps her hands together.
+01:00:00.000 - A close-up of Hailey's face as she looks up and to the right.
+01:02:400 - Hailey points at the camera, then brings her hands together.
+01:03:700 - Noah looks down, then raises her hands slightly and points to herself.
+01:05:000 - Hailey clasps her hands together again. Noah makes "finger guns."
+01:07:000 - The screen rotates counter-clockwise.
+01:08:400 - The screen rotates clockwise, returning to normal.
+01:09:000 - Hailey smiles and points at the camera.
+01:09:900 - Noah makes a small "shaka" sign with her hand.
+01:10:800 - Hailey points at the camera again.
+01:12:100 - Noah makes a talking motion with her hand.
+01:13:567 - Noah gestures with her hands.
+01:14:867 - Hailey touches her face, Noah points to the camera.
+01:15:933 - Hailey gives a thumbs up and winks.
+01:16:767 - Both girls give finger guns and a thumbs up.
+01:18:200 - The scene cuts to Noah walking into a kitchen, still in the black shirt, black leggings, and bandana, now wearing white sneakers.
+01:20:100 - Noah stretches, leaning on a counter and lifting her leg high.
+01:21:200 - A woman in a purple top walks into the background and approaches the oven while Noah continues stretching.
+01:21:900 - Noah raises her leg even higher, holding her foot.
+01:23:467 - Noah bends over, touches the floor, then stands up with her hands clasped under her chin, looking up.
+01:25:200 - Noah looks down and forward, then bends again.
+01:27:733 - The scene cuts to the inside of the car at night. Hailey, wearing her red cap and yellow sweatshirt, is dancing energetically in the passenger seat.
+01:29:433 - Noah, in the driver's seat, is also dancing and laughing.
+01:31:000 - The scene cuts to a dance studio. Noah is squatting on the floor, looking at her hands. Other dancers are in the background, one person is stretching. A disco ball hangs from the ceiling.
+01:33:000 - Noah looks up and smiles.
+01:34:000 - Noah stands up quickly, bending at the waist and making an excited expression. Other dancers are scattered around the room.
+01:35:800 - Noah steps back and continues to show off her energy, while other dancers move around.
+01:37:067 - Noah squats down, then gestures with her hand.
+01:39:267 - Hailey enters the frame, mimicking Noah's squatting pose. Both are now in the front row of dancers, facing the camera.
+01:41:400 - Noah and Hailey stand side-by-side, listening to the instructor. Other dancers are behind them.
+01:42:067 - The instructor (male) is visible on the far left. The dancers stand in rows, listening intently.
+01:52:900 - The screen transitions to black with the text "LEARNING THE ROUTINE" and animated lightning bolts.
+01:55:900 - The dance instructor demonstrates steps to the class. Dancers, including Noah and Hailey, watch and some mimic the moves.
+01:57:400 - A close-up shows Noah and Hailey dancing, with the instructor in the background.
+01:59:700 - The scene returns to a wider shot of the dance class.
+02:02:100 - The instructor and some dancers are kneeling on the floor.
+02:03:700 - Dancers stand up quickly from the kneeling position.
+02:05:500 - The instructor counts out the steps. Dancers prepare for the next sequence.
+02:07:000 - Dancers begin a series of dynamic hip-hop moves, including stepping and body isolations.
+02:09:400 - Dancers transition into low lunges and arm movements.
+02:11:400 - Dancers drop to their knees, then quickly stand back up, incorporating arm swings.
+02:13:900 - Dancers execute a hip thrust motion, followed by arm and head movements.
+02:15:300 - Dancers perform a rapid sequence of turns and arm movements.
+02:17:100 - Dancers engage in sharp, percussive arm and chest movements.
+02:19:100 - Dancers move across the floor with stylized walking and gestures.
+02:20:900 - A close-up shows Noah's face as she reacts to a move, then covers her mouth.
+02:22:000 - Noah points to her head, then smiles. Hailey smiles beside her.
+02:22:900 - The scene returns to the wider shot of the dance class, repeating a sequence of moves.
+02:24:000 - Dancers drop low and then pop up.
+02:25:200 - Dancers perform a rapid sequence of arm and leg movements.
+02:27:000 - Dancers execute a sharp turn and body pop.
+02:28:900 - Dancers move across the floor again.
+02:30:100 - A close-up shows Noah and Hailey as they react to the music/instructor.
+02:31:000 - Noah walks over to Hailey and adjusts her hat.
+02:33:000 - Noah bends over, touching the floor, then stands up.
+02:34:000 - Dancers repeat a sequence of sharp arm and leg movements.
+02:36:000 - Dancers perform a hip-hop groove.
+02:37:900 - Noah and Hailey turn their bodies and smile.
+02:39:800 - A wider shot of the class shows the instructor calling out "no."
+02:41:000 - Dancers reset their positions.
+02:42:600 - Dancers perform a chest pop and arm wave.
+02:44:000 - The instructor approaches the dancers.
+02:45:000 - Dancers look at the instructor.
+02:46:000 - Hailey lifts her leg to prepare for a count.
+02:47:000 - Dancers perform a synchronized lean and arm swing.
+02:48:600 - A close-up shows Hailey and Noah performing a lunge with arm extension.
+02:49:900 - An extreme close-up of Hailey's feet shows her footwork.
+02:51:700 - The scene returns to a wide shot. Dancers perform a turn.
+02:53:700 - Dancers execute a quick body lean and arm movement.
+02:55:000 - A close-up shows Noah and Hailey performing the same moves.
+02:56:800 - A wider shot shows the instructor explaining something.
+02:58:200 - Dancers stand and listen to the instructor.
+02:59:700 - Noah and Hailey make funny faces, mocking being "freaked out."
+03:03:000 - The instructor gives feedback.
+03:05:000 - Dancers begin another sequence, Hailey and Noah showing more enthusiasm.
+03:07:000 - They perform a synchronized movement, bringing their arms down.
+03:09:000 - Dancers move their hips and arms.
+03:10:800 - They move across the floor.
+03:12:000 - Noah comes closer to the camera and gestures excitedly.
+03:13:900 - Noah speaks directly to the camera, gesturing with her hands.
+03:16:900 - The instructor walks up behind Noah, encouraging her.
+03:18:700 - Noah looks back at the instructor, then turns back to the camera and smiles.
+03:19:900 - The scene returns to a wider shot. Dancers are ready to perform.
+03:20:900 - A dancer performs a high kick.
+03:22:200 - Hailey performs a dramatic pose, looking up.
+03:23:700 - Hailey does a deep squat and arm gesture.
+03:24:900 - Dancers perform a hip-hop routine with arm movements.
+03:26:700 - Dancers get down on their hands and knees.
+03:28:200 - They slide their legs out and twist their bodies.
+03:30:000 - They transition into a crawling motion.
+03:31:700 - Dancers stand up from the floor.
+03:33:000 - Dancers move into a wide stance with arm movements.
+03:34:000 - Hailey and Noah perform a synchronized arm and leg movement.
+03:36:000 - The instructor demonstrates the step.
+03:37:000 - Hailey and Noah perform the step.
+03:38:900 - Hailey and Noah are facing each other, talking.
+03:40:900 - Noah bends over dramatically, then stands up.
+03:41:900 - The instructor points.
+03:43:000 - Noah does a small jump and claps her hands. Hailey smiles.
+03:44:800 - The instructor smiles at the class.
+03:46:000 - Dancers perform a series of dynamic moves.
+03:47:600 - Hailey and Noah execute hip-hop steps.
+03:48:800 - Hailey leans back with her hand on her head.
+03:50:000 - Dancers perform a sharp body movement.
+03:51:700 - The instructor talks to the class, demonstrating.
+03:53:700 - Hailey and Noah react with expressions.
+03:55:000 - A close-up shows Noah and Hailey, who pump their fists.
+03:56:000 - Noah and Hailey laugh and look around.
+03:57:900 - The instructor finishes talking.
+03:59:000 - The class claps for themselves.
+04:01:000 - The screen transitions to black with the text "TRYING IT IN GROUPS!" and animated lightning bolts.
+04:03:000 - A group of dancers, including Noah and Hailey, start performing the routine. The instructor is visible on the far right.
+04:05:000 - Hailey performs a jump and clap.
+04:07:000 - Hailey and Noah are in the center, dancing with energy.
+04:09:000 - Hailey performs a big jump.
+04:10:000 - The text "again." appears on screen as the group repeats the routine.
+04:15:000 - The text "i'm the dancer and i forgot it." appears.
+04:18:000 - A dancer falls to the floor but quickly recovers.
+04:19:900 - The group continues dancing.
+04:22:900 - Hailey performs a high jump.
+04:24:900 - The screen transitions to black with the text "THE FINAL REVIEW" and "TAKE ONE" with animated lightning bolts.
+04:28:000 - Noah and Hailey are performing the full routine side-by-side.
+04:32:000 - The screen transitions to black with the text "TAKE TWO" and animated lightning bolts.
+04:32:900 - Noah and Hailey perform the routine again.
+04:38:900 - The screen transitions to a TV test pattern.
+04:39:900 - The screen transitions to black with the text "TAKE THREE" and animated lightning bolts.
+04:40:900 - Noah and Hailey perform the routine again.
+04:46:000 - The screen transitions to black with the text "TAKE FOUR" and animated lightning bolts.
+04:47:000 - Noah and Hailey perform the routine one last time.
+05:23:900 - Hailey runs past the camera, then turns back.
+05:25:000 - Someone (presumably Hailey) says "Okay, thank you. Bye!"
+05:25:700 - Noah thanks someone off-camera.
+05:26:000 - The scene cuts back to the car at night. Hailey is in the passenger seat, looking at the camera, then turns away.
+05:27:000 - Hailey turns back to the camera and points to her hat.
+05:28:900 - The screen transitions to a TV test pattern.
+05:29:900 - The scene cuts back to Hailey in the car, laughing loudly, her face flushed red.
+05:31:900 - Noah ties her hair back, revealing her flushed face.
+05:33:900 - A close-up shows Noah's face, smiling, also flushed red and sweaty.
+05:35:900 - Noah gestures with her hand, suggesting sweat.
+05:37:900 - Noah unties her hair again.
+05:39:900 - Noah talks about her injuries and dancing history.
+05:54:900 - Noah makes a funny face, sticking out her tongue.
+05:56:900 - The final outro screen appears with "SUBSCRIBE!!" at the top, and "last video" and "vlog channel" with arrows pointing to blank spaces. Hydrangea flowers are in the corners.
+06:06:500 - The video ends.
+
+### Text on Screen
+
+*   01:44:400 - "typically you know my style and how crazy and ratchet and huge i get, today we're gonna switch it up."
+*   01:52:900 - LEARNING THE ROUTINE (with animated lightning bolts)
+*   01:53:900 - "I wanna be ratchet"
+*   02:39:800 - "no."
+*   03:12:000 - "Erick taught us to promote ourselves"
+*   03:14:800 - "Hey guys, follow me on instagram at-"
+*   03:16:800 - "follow me hey follow me on instagram please"
+*   03:50:000 - "EVERYTIME!!!!"
+*   04:01:000 - TRYING IT IN GROUPS! (with animated lightning bolts)
+*   04:10:000 - again.
+*   04:15:000 - i'm the dancer and i forgot it.
+*   04:24:900 - THE FINAL REVIEW (with animated lightning bolts)
+*   04:24:900 - TAKE ONE
+*   04:32:000 - TAKE TWO (with animated lightning bolts)
+*   04:39:900 - TAKE THREE (with animated lightning bolts)
+*   04:46:000 - TAKE FOUR (with animated lightning bolts)
+*   05:56:900 - SUBSCRIBE!! (visible on the final outro screen)
+*   05:56:900 - last video (visible on the final outro screen)
+*   05:56:900 - vlog channel (visible on the final outro screen)
+
+### People in the Video
+
+*   **Hailey:** One of the two main protagonists and the narrator. She is seen wearing a yellow sweatshirt and a red baseball cap. She claims to be a dancer who hasn't practiced hip-hop in a while and is "pretty darn sucky at it." She also playfully takes credit for being "the dancer" while forgetting the moves. After the class, her face is flushed and sweaty.
+*   **Noah:** The other main protagonist and Hailey's friend. She is seen wearing a black t-shirt, black leggings, and a patterned bandana. Initially, she expresses being "scared" about the hip-hop class and is introduced as a "swimmer, not a dancer." Although she used to dance seriously until freshman year, she is now a "full-time swimmer." She also appears flushed and sweaty after the rigorous class, mentioning her knees hurt and getting a cramp.
+*   **Erick Yonis:** The hip-hop dance instructor. He is a male dancer seen demonstrating and teaching the routine to the class. He describes his typical style as "crazy and ratchet and huge" and encourages the students to promote themselves.
+*   **Other Dancers:** Several other young individuals are seen participating in the hip-hop class, learning and performing the routine alongside Hailey and Noah. No specific information is provided about them.
+*   **Woman in Purple Top:** Briefly seen in Noah's kitchen at the beginning of the video, likely a family member or housemate.
+
+### Summary of the Video Narrative
+
+The video follows two friends, Hailey and Noah, as they venture into a hip-hop dance class, highlighting the humorous challenges and experiences of a seasoned swimmer attempting to dance. The narrative opens with Hailey teasing Noah about her lack of dance experience and her "hip-hop outfit" in Noah's bedroom. They then drive to the dance studio, expressing a mix of apprehension and excitement for the class led by instructor Erick Yonis.
+
+Inside the studio, the video documents their journey of learning a hip-hop routine. Erick Yonis breaks down the steps, and the class attempts to follow along. The video intersperses the learning process with humorous on-screen commentary about Noah's struggles and Hailey's self-proclaimed forgetfulness despite her dance background. Several attempts at performing the routine are shown, first with the full group, then in smaller groups, and finally by just Hailey and Noah, emphasizing their efforts and occasional mishaps.
+
+The video concludes with Hailey and Noah back in the car after the class, visibly exhausted and sweaty. They reflect on the intensity of the class, with Noah mentioning knee pain and cramps, underscoring the physical demands of hip-hop dancing, especially for a swimmer. Despite the difficulties, their smiles suggest they found the experience enjoyable and memorable.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_-wXxvvf4hDU.txt b/raw/test/visual_info/output_-wXxvvf4hDU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..452d32caa7a651e4a7bb93f57b98c57c308bb92b
--- /dev/null
+++ b/raw/test/visual_info/output_-wXxvvf4hDU.txt
@@ -0,0 +1,155 @@
+Here are the important visual events from the video:
+
+00:00:00.000- A young man with short dark hair and a black long-sleeve shirt stands in a modern kitchen, speaking directly to the camera, gesturing with his hands.
+00:00:52.000- The camera shifts to a worm's eye view close-up of the man's face as he talks about pears.
+00:01:01.000- The man holds up a brown Bosc pear to the side of his head, showing its shape and color.
+00:01:11.000- The man holds up a lighter green Bartlett pear, moving it slightly to show its appearance.
+00:01:25.000- The camera cuts to a top-down view of the man's hands on a white cutting board, slicing the green Bartlett pears into quarters.
+00:01:29.000- The man continues slicing the quartered Bartlett pears into smaller, thinner pieces.
+00:01:31.000- The man pours water from a measuring cup into a distressed metal pan on a black induction cooktop.
+00:01:32.000- The man measures and pours gin from a bottle into a jigger, then into the pan.
+00:01:34.000- The man pours vanilla extract from a small bottle into the pan.
+0001:35.000- The man adds cinnamon sticks to the pan.
+00:01:36.000- The man pours cloves from a small container into the pan.
+00:01:38.000- The man uses a red peeler to peel the yellow skin from half a lemon directly over the pan.
+00:01:40.000- The man uses the red peeler to peel orange zest from half an orange directly over the pan.
+00:01:41.000- The man squeezes liquid honey from a bottle into a glass measuring cup already containing a small amount of liquid.
+00:01:42.000- The man scoops white granulated sugar from a container and adds it to the measuring cup with honey.
+00:01:43.000- The man pours the mixture from the measuring cup into the pan with the other ingredients.
+00:01:44.000- The man adds the sliced Bartlett pears from a white bowl into the pan, stirring them with a light blue spatula.
+00:01:47.000- The man kneels beside the pan, which is steaming on the stove, and talks about infusing the flavors.
+00:01:58.000- The man uses tongs to remove the cores and peels from the pan, placing them into a small metal bowl.
+00:02:00.000- The man adds a white, frothy liquid from a measuring cup into the pan, followed by more sugar.
+00:02:02.000- The man stirs the contents of the pan with the light blue spatula, then adds the remaining sliced pears.
+00:02:05.000- The man sprinkles salt from a small white bowl into the pan.
+00:02:06.000- The man finely minces fresh ginger on the white cutting board with a knife.
+00:02:08.000- The man adds the minced ginger to the pan and stirs it.
+00:02:11.000- The man is back to speaking directly to the camera, explaining the next steps for the red wine poached pears.
+00:02:14.000- The camera shows a variety of ingredients on the counter, including a red box of "Sommet Rouge" wine.
+00:02:22.000- The camera is focused on a silver pot on the induction cooktop, ready for the next step.
+00:02:24.000- The man pours red wine from a measuring cup into the silver pot.
+00:02:26.000- The man pours sugar from a small plastic bag into a metal bowl on a small kitchen scale.
+00:02:29.000- The man transfers the sugar from the bowl into the silver pot.
+00:02:30.000- The man adds cloves to the silver pot.
+00:02:31.000- The man adds cinnamon sticks to the silver pot.
+00:02:32.000- The man uses a red peeler to peel orange zest from half an orange directly into the silver pot.
+00:02:34.000- The man uses a knife to cut thin slices of orange peel, adding them to the pot.
+00:02:37.000- The man uses a yellow citrus juicer to squeeze orange juice into a measuring cup.
+00:02:39.000- The man pours the orange juice into the silver pot.
+00:02:40.000- The man places the silver pot with the red wine mixture onto the induction cooktop.
+00:02:43.000- The man uses a red peeler to peel Bosc pears, preparing them for poaching.
+00:02:46.000- The man uses tongs to place the peeled Bosc pears into the simmering red wine mixture in the silver pot.
+00:02:48.000- The man covers the pot with a glass lid.
+00:02:50.000- The man speaks to the camera, explaining the poaching process.
+00:03:07.000- The man holds up a cylindrical package of croissant dough, indicating it's ready.
+00:03:20.000- The man unrolls the croissant dough and places the first pack into a clear glass baking dish.
+00:03:24.000- The man spoons the cooked Bartlett pears into a NutriBullet blender cup.
+00:03:26.000- The man attaches the blade cap to the NutriBullet cup and places it on the blender base to blend.
+00:03:27.000- The man tastes the blended pear sorbet mixture from a spoon, then speaks to the camera.
+00:03:37.000- The man uses the yellow citrus juicer to squeeze lemon juice into the blended pear mixture in the NutriBullet cup.
+00:03:38.000- The man speaks to the camera, holding up an empty metal baking tray, explaining the freezing process for the sorbet.
+00:03:47.000- The man pours the blended pear mixture onto the metal baking tray, spreading it evenly with a white spatula.
+00:03:48.000- The man stands next to a black KitchenAid stand mixer, indicating it's time for the cheesecake part.
+00:03:50.000- The man holds up two cream cheese packs, preparing to add them to the mixer.
+00:03:51.000- The man unwraps and adds the cream cheese to the mixer's bowl.
+00:03:53.000- The man adds granulated sugar to the mixer's bowl.
+00:03:55.000- The man adds ground cinnamon to the mixer's bowl.
+00:03:56.000- The man adds salt to the mixer's bowl and begins to mix the ingredients.
+00:03:57.000- The man tastes the cream cheese mixture from a spatula, smiling with satisfaction.
+00:04:00.000- The man scoops the cream cheese mixture from the mixer's bowl into a plastic piping bag held inside a clear plastic container.
+00:04:02.000- The man ties off the top of the piping bag.
+00:04:04.000- The man speaks to the camera, summarizing the progress of the poached pears and croissant dough.
+00:04:22.000- The man slices the red wine poached pears on the white cutting board.
+00:04:27.000- The man pipes the cream cheese mixture onto the croissant dough in the glass baking dish.
+00:04:31.000- The man spreads the cream cheese mixture evenly over the dough with a red spatula.
+00:04:35.000- The man carefully arranges the sliced red wine poached pears over the cream cheese layer.
+00:04:45.000- A close-up shot shows the neatly arranged sliced pears on top of the cream cheese.
+00:04:47.000- The man places the second pack of unrolled croissant dough on top of the pears and cream cheese.
+00:04:49.000- The man presses down on the second layer of dough and uses a knife to score triangular shapes on its surface.
+00:04:50.000- The man brushes melted butter over the top layer of the croissant dough.
+00:04:53.000- The man sprinkles sugar over the buttered dough.
+00:04:54.000- The man sprinkles ground cinnamon over the sugar.
+00:04:55.000- The man uses a brush to spread the cinnamon and sugar mixture over the dough.
+00:04:58.000- The man speaks to the camera, indicating the cheesecake is ready for baking.
+00:05:00.000- The man opens an oven and carefully slides the glass baking dish inside.
+00:05:04.000- The man takes the frozen pear sorbet mixture out of the freezer and places it on the counter.
+00:05:06.000- The man returns to the oven, using a cloth to carefully remove the baked cheesecake.
+00:05:09.000- A close-up shot shows the baked cheesecake with a dark, crispy top and visible scored lines.
+00:05:13.000- The man speaks to the camera, explaining that the cheesecake is done and needs to cool.
+00:05:21.000- The man speaks to the camera, ready to taste the cheesecake.
+00:05:23.000- A close-up shot shows the baked cheesecake in the glass dish, still warm from the oven. The man's hand reaches in to lightly press the top.
+00:05:32.000- The man uses a knife to cut a slice of the cheesecake.
+00:05:33.000- The man uses a spatula to lift a slice of cheesecake out of the dish.
+00:05:35.000- The man places the slice of cheesecake onto the white cutting board, showing its layers.
+00:05:42.000- The man cuts the cheesecake slice into smaller, bite-sized pieces.
+00:05:44.000- The man places a small piece of cheesecake into a gray bowl.
+00:05:45.000- The man takes the frozen pear sorbet from the freezer, removes the lid, and places the container into the Ninja Creami machine.
+00:05:47.000- The man presses a button on the Ninja Creami machine to start the sorbet making process.
+00:05:49.000- The man scoops the finished pear sorbet from the Ninja Creami container and places a dollop next to the cheesecake in the bowl.
+00:05:54.000- The man presents the plated cheesecake and sorbet to the camera.
+00:05:55.000- The man speaks to the camera about the sorbet and the cheesecake.
+00:06:00.000- The man holds a small black spoon and a gray bowl, preparing to taste the sorbet and cheesecake.
+00:06:01.000- The man takes a bite of the sorbet from the spoon.
+00:06:06.000- The man takes a bite of the cheesecake from the spoon.
+00:06:11.000- The man concludes the video, smiling and gesturing to the camera.
+00:06:16.000- The man makes a peace sign with his fingers.
+
+---
+
+**On-screen text and when it appeared:**
+
+*   00:01:26.541 - 2 Lbs Barlett Pears
+*   00:01:31.000 - 2 Cups Water
+*   00:01:32.320 - 2 Oz Gin
+*   00:01:34.000 - 1 Tbsp Vanilla
+*   00:01:35.400 - 1.5 Cinnamon Sticks
+*   00:01:36.720 - 15-20 Cloves
+*   00:01:38.280 - 1/2 of a Lemon's Peel
+*   00:01:40.000 - 1/2 of an Orange's Peel
+*   00:01:41.320 - 1/2 Cup Liquid Honey
+*   00:01:42.560 - 1 Cup Sugar
+*   00:02:24.000 - 3 Cups Wine
+*   00:02:27.000 - 100 Grams Sugar
+*   00:02:30.000 - 10-15 Cloves
+*   00:02:31.400 - 2 Cinnamon Sticks
+*   00:02:32.520 - 1/2 of an Orange Peel
+*   00:02:37.000 - 1/2 Cup of Orange Juice
+*   00:02:43.000 - 2.5 Lbs Bosc Pears
+*   00:03:21.000 - 2 x 8 Piece Croissant Rolls
+*   00:03:36.920 - 1 Lemon Juiced
+*   00:03:52.000 - 2 x 8oz Cream Cheese Packs
+*   00:03:54.000 - 3/4 Cup Sugar
+*   00:03:55.000 - 1 Tbsp Ground Cinnamon
+*   00:03:56.000 - Salt
+*   00:04:47.000 - The Second Pack of Croissant Rolls
+*   00:04:50.000 - 1/2 Cup Butter
+*   00:04:53.000 - 1/4 Cup Sugar
+*   00:04:54.000 - 1 Tbsp Ground Cinnamon
+*   00:05:01.000 - 350F or 176C for 35-40 Mins
+
+---
+
+**People in the video:**
+
+The video features one young man.
+*   **What we know about him:**
+    *   He is the narrator and chef of the video.
+    *   He is making a "poached pear croissant cheesecake" and a "poached pear sorbet."
+    *   He mentions his mom used to make a "sopapilla cheesecake" which inspired his version.
+    *   He admits he has never made this specific cheesecake or the original sopapilla cheesecake before, and is "throwing in a twist right off the bat."
+    *   He has tattoos on both arms, which are visible when he is preparing ingredients.
+    *   He wears a black long-sleeve shirt with "STAMPD" written on it.
+
+---
+
+**Summary of the video narrative:**
+
+The video is a cooking tutorial where a young man prepares a unique "poached pear croissant cheesecake" with a side of "poached pear sorbet." He explains that his recipe is inspired by his mom's sopapilla cheesecake, but he's adding his own twist.
+
+He begins by preparing the sorbet, slicing Bartlett pears and steeping their cores with water, gin, vanilla, cinnamon sticks, cloves, lemon peel, orange peel, liquid honey, and sugar to infuse flavors. After straining, the mixture is blended and then spread on a frozen tray to cool and freeze, later to be processed into sorbet.
+
+Next, he prepares the red wine poached pears for the cheesecake. He combines red wine, sugar, cloves, cinnamon sticks, orange peel, and orange juice in a separate pot. He then peels Bosc pears and poaches them in this mixture, ensuring they cook evenly by constantly rotating them.
+
+For the cheesecake base, he uses store-bought croissant dough, laying out the first pack in a baking dish. He then prepares the cream cheese filling by whipping cream cheese with sugar, ground cinnamon, and salt in a stand mixer. This mixture is then piped and spread over the first layer of croissant dough. The sliced, red wine-poached pears are meticulously arranged on top of the cream cheese layer. The second pack of croissant dough is placed over the pears, scored, and brushed with melted butter, then sprinkled with sugar and cinnamon.
+
+Finally, the cheesecake is baked in the oven. After baking, it's removed and left to cool completely. The man then plates a slice of the cooled cheesecake with a dollop of the freshly made pear sorbet. He tastes both, expressing satisfaction with the results, particularly the refreshing quality of the sorbet against the richness of the cheesecake, noting how similar the cheesecake tastes to his mom's classic. He concludes by hoping viewers enjoyed his unique spin on a family classic.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_0jK0ytvjv-E.txt b/raw/test/visual_info/output_0jK0ytvjv-E.txt
new file mode 100644
index 0000000000000000000000000000000000000000..85e9e8eea554dfcefa1ff87c5fc0458b13db9225
--- /dev/null
+++ b/raw/test/visual_info/output_0jK0ytvjv-E.txt
@@ -0,0 +1,84 @@
+Here is the breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+00:00:00.000 - A man, dressed in a grey wig, fake grey beard and mustache, glasses, and a blue sweater, is seated at a wooden desk with a computer monitor displaying code.
+00:00:02.000 - The man turns his head to face the camera directly.
+00:00:05.100 - The man adjusts his glasses with both hands.
+00:00:13.900 - The man turns his head to the left and reaches for a white mug on the desk.
+00:00:15.300 - The man sips from the white mug and then places it back on the desk.
+00:00:17.000 - A graphic overlay appears at the bottom left of the screen, displaying "Walter Wallis" and "Perl Poet @ Enterprise Inc."
+00:00:20.900 - The man lifts his right hand to cover his mouth and beard, then looks upwards.
+00:00:24.000 - The man picks up the white mug again.
+00:00:25.500 - The man brings his right hand to his mouth, touching his fake beard, and looks upwards.
+00:00:28.900 - The man lowers his right hand.
+00:00:30.900 - The man slightly turns his head to the left, then back to the center.
+00:00:32.900 - The man picks up the mug and takes a sip.
+00:00:34.900 - The man lowers the mug out of frame.
+00:00:36.900 - The man leans back in his chair.
+00:00:43.900 - The man gestures with his right hand as he speaks.
+00:00:53.000 - The man points his right index finger to his temple.
+00:00:54.000 - The man lowers his arm and leans back.
+00:00:58.000 - The man leans slightly forward.
+00:01:05.900 - The man begins to take off his glasses, pulling them away from his face and squinting.
+00:01:12.900 - The man finishes adjusting his glasses and looks straight ahead.
+00:01:14.300 - The man reaches for the mug again.
+00:01:16.000 - The man holds the mug and fiddles with his glasses on his face.
+00:01:19.000 - The man puts the mug back down.
+00:01:22.900 - The man shakes his head slightly.
+00:01:27.000 - The man leans in closer to the camera and gestures with both hands.
+00:01:31.900 - The man points to his temple again.
+00:01:33.000 - The man lowers his hand.
+00:01:36.900 - The man points to his temple again.
+00:01:38.900 - The man leans back in his chair.
+00:01:40.900 - The man leans forward slightly and gestures with his hands.
+00:01:45.000 - The man reaches for the mug.
+00:01:46.500 - The man takes a long sip from the mug, tilting his head back to empty it.
+00:01:50.000 - The man finishes sipping, lowers the mug, and looks at it with a questioning expression.
+00:01:51.900 - The man puts the mug back down.
+00:01:57.000 - The man leans forward slightly, looking directly at the camera.
+00:02:02.000 - The man begins to remove his glasses again, squinting intensely.
+00:02:04.900 - The man puts his glasses back on properly.
+00:02:07.900 - The man turns his head to the left, away from the camera.
+00:02:11.900 - The man turns back to face the camera.
+00:02:25.900 - The man turns his head to the left, towards the computer.
+00:02:27.900 - The man turns back to face the camera.
+00:02:29.900 - The man turns his head to the left again.
+00:02:32.900 - The man turns to the right, facing the camera.
+00:02:35.900 - The man points to his temple with his right hand.
+00:02:37.000 - The man lowers his hand and sits straight.
+00:02:38.000 - The man looks to the left.
+00:02:40.900 - The man turns his head further to the left, away from the camera.
+00:02:42.500 - The man drops a small object (possibly a die) onto the desk with a clatter.
+00:02:43.900 - The man turns back to face the camera.
+00:02:47.900 - The camera slowly zooms out, revealing more of the room and the light source to the left.
+00:02:50.000 - The camera slowly zooms back in on the man.
+00:02:54.900 - The man looks left at the computer screen.
+00:02:56.900 - The man turns to the right and points his right index finger at the camera.
+00:02:58.900 - The man moves his head slightly from side to side.
+00:03:02.000 - The man turns his head to the left, looking at the computer.
+00:03:06.000 - The man turns back to face the camera and gives a thumbs-up gesture.
+00:03:08.000 - The man turns away from the camera again, picking up the mug.
+00:03:09.500 - The man takes a sip from the mug, still looking at the computer screen.
+00:03:13.500 - The man puts the mug down.
+00:03:14.000 - The man brings his right hand to his mouth, touching his beard, and looks up.
+00:03:17.000 - The man leans forward, bringing his left hand to his chest, and his right hand still touching his beard.
+00:03:18.000 - The man turns his head to his right, away from the camera, still touching his beard.
+00:03:19.000 - The man turns back to face the camera.
+00:03:20.900 - The man reaches for the mug.
+00:03:21.900 - The man picks up the mug and takes a sip.
+00:03:25.000 - The man finishes sipping, looks at the mug, and places it back down.
+00:03:26.000 - The man looks down.
+00:03:27.500 - The man picks up a soda can and pours its contents into the white mug.
+00:03:28.900 - The man picks up the mug and takes a sip of the freshly poured drink.
+00:03:30.900 - The man finishes sipping and lowers the mug.
+00:03:36.000 - The man looks up, as if contemplating something.
+00:03:37.000 - The video cuts to black.
+
+**Text on screen and when it appeared:**
+*   00:00:17.000 - "Walter Wallis" and "Perl Poet @ Enterprise Inc." (This text remains on screen until 00:00:20.000)
+
+**People in the video and what we know about them:**
+*   **Walter Wallis**: He is the sole individual featured in the video. He is presented as an older, somewhat eccentric "Perl Poet" who works at "Enterprise Inc." He wears a grey wig, a fake grey beard and mustache, and glasses, giving him a professorial or sage-like appearance. He seems to be a strong advocate for the Perl programming language, believing its complexity and readability challenges (which he intentionally creates) secure his job. He claims to have "written the Black Pearl" and considers Perl "modern art." He also humorously suggests learning Perl for a stable job and implies a lack of social life for those who enjoy "regular expressions."
+
+**Summary of the video narrative:**
+The video features Walter Wallis, a character humorously introduced as a "Perl Poet" at "Enterprise Inc.," who passionately extols the virtues of the Perl programming language. Dressed in a wig, fake beard, and glasses to portray an old-school programmer, Wallis asserts that he deliberately writes Perl scripts that are difficult to read and understand. He believes this practice makes him indispensable to his company, ensuring his "stable job" because no one else can maintain his code. He expresses a nostalgic view of earlier programming days, dismisses modern languages, and provocatively claims that "regular expressions are great if you don't have a life." The video is a satirical commentary on the perception of Perl as a complex and often impenetrable language, and the humorous stereotypes associated with long-time programmers who specialize in niche technologies.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_1Z8bk55cshY.txt b/raw/test/visual_info/output_1Z8bk55cshY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c99e2fe1181a9b8f37c3932ed9a8d44eb133ed5d
--- /dev/null
+++ b/raw/test/visual_info/output_1Z8bk55cshY.txt
@@ -0,0 +1,58 @@
+Here is a list of all important visual events and on-screen text from the video, along with information about the people and a summary of the narrative.
+
+**Visual Events:**
+00:00:00.000 - A young woman with long dark hair, wearing glasses and a dark green "GAP" hoodie, is sitting at a desk with a laptop and notebook, writing with a pen. White headphones are around her neck.
+00:00:01.766 - A close-up of hands with long, white-tipped fingernails gently wiping dust off a large green plant leaf with a light blue microfiber cloth. Other plants and a wooden table are visible in the background.
+00:00:06.033 - The young woman is now sitting at a different desk in a white sweater, wearing white headphones, looking at a laptop screen. A decorative lamp is on the desk.
+00:00:07.866 - A close-up shot of a small silver pot on a gas stove with blue flames, containing a white, boiling liquid.
+00:00:09.966 - The young woman directly faces the camera, smiling slightly. She is wearing glasses and a white top, with a gold chain visible. Her hair is down.
+00:00:13.433 - The hands with white-tipped fingernails resume cleaning the large green plant leaves with a blue microfiber cloth. Sunlight streams onto the leaves.
+00:00:27.266 - The young woman in a white sweater and headphones is back at the desk, looking intently at her laptop, resting her chin on her hand.
+00:00:43.700 - A hand reaches in to turn off the gas burner under the smaller pot on the stove.
+00:00:48.566 - The blue flame underneath the small pot is ignited. Hands open a small orange packet over the pot, pouring its contents.
+00:00:53.033 - Hands open another small gold packet over the pot, pouring its contents.
+00:00:56.833 - A close-up of a packet of "MAMA" brand instant noodles, artificial pork flavor. Hands hold the noodles over the pot.
+00:01:00.666 - The noodles are being poured from the packet into the pot, which already contains liquid and seasoning.
+00:01:07.466 - A hand uses long chopsticks to stir the boiling noodles in the pot. The noodles lift out briefly before falling back in.
+00:01:12.766 - Close-up of hands with long, white-tipped fingernails sewing a black garment. A tag is attached to the garment, and scissors and thread are nearby.
+00:01:26.866 - The young woman, now in the dark green "GAP" hoodie and headphones, is back at the initial desk. She is writing in a notebook and using a calculator, appearing very focused.
+00:01:42.533 - She picks up a stack of white papers, flipping through them, then places them back down and types on the laptop.
+00:01:46.333 - She highlights text on the papers with a pink marker.
+00:02:00.733 - She looks exhausted, resting her head on her hand while looking at the papers.
+00:02:02.100 - The young woman is sitting at the desk, eating noodles from a pot with chopsticks while looking at her laptop and writing in her notebook. The lamp is on, illuminating the scene.
+00:02:29.800 - A wide shot of a beautiful sunset with vibrant pink and purple clouds over a town with houses, power lines, and a park with a baseball diamond.
+00:02:33.000 - The young woman is again facing the camera, wearing the green hoodie and glasses, looking tired as she talks directly to the audience.
+00:03:32.400 - A close-up of a MacBook Air screen showing an anime scene with English subtitles.
+00:03:40.066 - The young woman is standing in a kitchen with dark wooden cabinets and stainless steel appliances. She is holding several green packages of "Knorr Sidekicks" pasta and putting them into a pantry.
+0003:47.333 - She holds up a package of "Knorr Sidekicks Creamy Bacon Carbonara".
+00:03:56.666 - She holds up a package of "Indomie Instant Noodles Mi Goreng Fried Noodles".
+00:04:00.300 - She holds up two packages of "Indomie Instant Noodles Mi Goreng Fried Noodles".
+00:04:08.066 - She holds up a bag of pink onions.
+00:04:13.900 - She holds up a bag of blackberries.
+00:04:17.033 - She holds up a carton of "Arizona Iced Tea".
+00:04:25.033 - She organizes groceries in the refrigerator.
+00:04:42.000 - She gestures towards the camera.
+00:04:43.766 - A close-up of a "Knorr Sidekicks Creamy Bacon Carbonara" package next to a pot on the stove with milk in it. The blue flame is on.
+00:04:46.066 - Hands tear open the "Knorr Sidekicks" package.
+00:04:49.666 - The contents of the "Knorr Sidekicks" package are poured into the pot of milk on the stove.
+00:04:53.600 - The pasta is boiling and thickening in the pot.
+00:04:56.033 - A red spatula stirs the cooked pasta in the pot, which is now thicker and appears cooked.
+00:05:03.966 - Blue screen with white text.
+00:05:12.966 - Grey screen.
+00:05:13.500 - Black screen.
+
+**Text on Screen:**
+00:00:00.000 - study with me for exams
+00:00:10.000 - ig @breannaquan.xo
+00:00:22.066 - this a birds of paradise plant
+00:00:35.333 - CLAS 104
+00:03:40.800 - grocery haul lol
+00:04:43.766 - more comfort food
+00:05:04.100 - thank you for watching
+00:05:09.666 - take care of yourself <3
+
+**People in the Video:**
+The video features one primary individual, a young woman who identifies herself as **Breanna Quan** (implied by her Instagram handle "ig @breannaquan.xo"). She is a student preparing for exams, specifically a Classical Mythology exam and a Chemistry exam. She is shown studying diligently, cleaning plants, cooking instant noodles and pasta, sewing, and watching anime. She appears exhausted due to exam season.
+
+**Summary of the Video Narrative:**
+The video, titled "study with me for exams," follows Breanna Quan's routine as she prepares for her university exams. She begins her day by cleaning her house plants, then dives into studying her Classical Mythology and Chemistry courses, which involves reviewing readings, lectures, and practice questions. Throughout her intense study sessions, which extend late into the night, she prepares and eats comfort food like instant noodles to sustain herself. The narrative highlights the demanding nature of exam season and the exhaustion it brings. After completing her last exam, she reflects on her fatigue but also expresses a sense of relief, looking forward to a well-deserved break and watching Netflix. She also briefly shares some recent grocery items, including her favorite instant noodles and pasta, and expresses a casual and relatable side despite the academic pressure. The video concludes with a message encouraging viewers to take care of themselves.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_1_l5vti4BhY.txt b/raw/test/visual_info/output_1_l5vti4BhY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/visual_info/output_1fB0BKm9dTE.txt b/raw/test/visual_info/output_1fB0BKm9dTE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c19225d9696ff1212429e1f7cb12d0c4132e924f
--- /dev/null
+++ b/raw/test/visual_info/output_1fB0BKm9dTE.txt
@@ -0,0 +1,55 @@
+Here is a list of all important visual events, on-screen text, people, and a summary of the video narrative:
+
+**Visual Events:**
+00:00:00.000 - A large, tan-colored puma (cougar) is seen sitting and looking around inside a chain-link fence enclosure. There's a metal bowl with water next to it.
+00:00:04.000 - The puma looks directly at the camera with its mouth slightly open, appearing to vocalize. The camera zooms in on its face.
+00:00:09.000 - The puma turns its head to the left, towards the water bowl, and takes a drink.
+00:00:15.000 - The puma finishes drinking and turns to its right, walking towards the fence.
+00:00:19.000 - The puma walks along the fence line, looking out into the grassy area.
+00:00:25.000 - A large tiger with orange and black stripes is seen outdoors, sniffing the grass near the base of a tree.
+00:00:29.000 - The tiger lifts its head and looks directly at the camera, then begins walking towards it.
+00:00:32.000 - The tiger is now close to the fence, its face visible through the chain link as it sniffs and vocalizes towards the camera.
+00:00:35.000 - A young woman with her hair in a bun, wearing a white t-shirt and dark shorts, walks into view towards the tiger enclosure.
+00:00:37.000 - The woman holds a spoon with a pink substance on it, offering it to the tiger through the fence. Another tiger is partially visible in the lower left corner.
+00:00:43.000 - The tiger carefully licks the substance off the spoon held by the woman.
+00:00:47.000 - The tiger finishes eating from the spoon and licks its chops, looking at the camera through the fence.
+00:00:52.000 - The tiger walks away from the woman and then turns back towards the camera, approaching the fence.
+00:00:54.000 - The tiger's face is close to the fence, sniffing and vocalizing towards the camera.
+00:00:57.000 - The woman walks away from the enclosure gate, with a car visible in the background.
+00:01:00:000 - The tiger that was just fed walks along the fence line, away from where it was fed.
+00:01:07:000 - A different tiger, a white tiger with black stripes, is seen lying on top of a red wooden structure in its enclosure, yawning widely.
+00:01:10:000 - The white tiger closes its mouth and looks around.
+00:01:14:000 - The white tiger's face is close to the fence, sniffing and vocalizing. A human hand reaches through the fence to gently touch its face.
+00:01:21:000 - The human hand gently caresses the white tiger's nose and face through the fence. The tiger closes its eyes briefly and licks its chops.
+00:01:39:000 - The same tiger as before (orange and black stripes) is lying down near the fence, playing with some grass, then looking towards the camera.
+00:01:46:000 - The tiger is still lying down, then shifts its body and rubs its face against the fence, looking intently at the camera.
+00:02:00:000 - Two male lions are seen in a large grassy enclosure. One lion with a large mane is lying on top of a concrete pipe, looking at the camera. Another lion is lying further back in the grass.
+00:02:14:000 - The camera zooms in on the lion on the concrete pipe, showing its detailed face and mane.
+00:02:20:000 - The camera shows a close-up of a lion's face through the fence, as a human hand gently touches its nose. The lion licks its nose and looks at the camera.
+00:02:30:000 - The orange and black striped tiger is seen walking in a large grassy enclosure, towards a red structure. Another tiger is lying down in the background.
+00:02:37:000 - The tiger walks past the red structure and continues walking towards the far end of the enclosure, where several cows are visible behind another fence.
+00:02:51:000 - The tiger is still walking towards the cows in the distance, slowly approaching the fence line where a large blue ball is sitting.
+00:03:00:000 - The tiger slowly approaches the fence and then lies down, observing the cows on the other side.
+00:03:28:000 - The tiger is lying near the fence, looking towards the camera.
+00:03:32:000 - A human hand reaches through the fence and touches the tiger's nose. The tiger licks its nose.
+00:03:44:000 - The scene shows a field with several cows grazing in the distance, behind a fence.
+00:03:51:000 - The tiger is lying down by the fence, vocalizing loudly and showing its teeth, appearing frustrated by the cows.
+00:04:01:000 - Another tiger is visible sitting further away in the enclosure, looking towards the area where the first tiger is.
+00:04:09:000 - A group of cows is seen grazing in a field, with trees in the background.
+00:04:21:000 - The orange and black striped tiger is lying on its back, playing with a large blue ball near the fence. It attempts to bite the ball and flips it around.
+00:04:31:000 - Three Ring-tailed lemurs are seen in a grassy area, foraging for food. They have long, distinctive black and white striped tails held upright.
+00:04:41:000 - The three lemurs are spread out, searching the grass for food, with their tails in various positions.
+00:05:05:000 - End screen with promotional content.
+
+**Text on Screen:**
+00:05:05.100 - "BIG CAT DEREK" appears at the top of the screen.
+00:05:05.100 - "SUBSCRIBE" appears at the bottom center.
+00:05:05.100 - "|||DISTRICT LINES|||" appears at the bottom left with "WWW.DISTRICTLINES.COM/BIG-CAT-DEREK" next to it.
+00:05:05.100 - Four images of merchandise (sweatshirt, t-shirt, tank top, t-shirt) with "KILO / SQUEAL / SQUEAK" and "TRY NOT / TO / SQUEAK" designs are displayed.
+
+**People in the Video:**
+*   **A young woman (referred to as "Peeta" by the narrator and later "Chantel" by the narrator):** She is seen wearing a white t-shirt and dark shorts, with her hair in a bun. She feeds a tiger a substance from a spoon through the fence (00:00:35-00:00:46). The narrator mentions she's getting "beef spar" and calls it the tiger's "crazy pill."
+*   **The narrator (unseen male voice):** He is interacting with the animals, talking to them, and commenting on their behavior. He mentions touching the tigers and lions through the fence. He refers to the cows in the field as "Ed's cows."
+
+**Summary of the Video Narrative:**
+The video provides a close-up look at several big cats and lemurs in what appears to be a wildlife sanctuary or large enclosure. It begins with a puma resting and drinking in its enclosure. The video then transitions to a tiger interacting with a young woman who feeds it a treat on a spoon through the fence. Another white tiger is shown resting on a platform and later interacting with a human hand through the fence. Two male lions are observed relaxing in their habitat. The video shows the orange and black tiger again, this time watching a herd of cows in an adjacent field, clearly expressing a desire to hunt them. The video concludes with a group of Ring-tailed lemurs foraging in their grassy enclosure and an end screen promoting "Big Cat Derek" merchandise and a subscription call to action. The overall tone is lighthearted and shows human interaction with the animals, emphasizing their individual personalities and natural behaviors within their contained environments. The narrator's commentary adds a personal and observational touch to the scenes.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_1oNwOB91HI0.txt b/raw/test/visual_info/output_1oNwOB91HI0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6d27eb5e13b8a39facd1d81f54dea826e4b86d76
--- /dev/null
+++ b/raw/test/visual_info/output_1oNwOB91HI0.txt
@@ -0,0 +1,147 @@
+Here are the important visual events in the video narrative with timestamps:
+
+00:00:00.000 - A close-up shot features a young man holding a small, clear spherical glass container filled with vibrant green moss and small pebbles at its base.
+00:00:01.328 - A close-up of hands holding a moss ball, which is a round mound of bright green moss with a small plant growing out of its top.
+00:00:02.864 - A clear, rectangular glass terrarium is shown on a table, containing a large grey rock positioned amidst some green moss.
+00:00:04.148 - Hands gently touch the vibrant green moss inside the spherical glass container, where small water droplets are visible on the glass.
+00:00:05.808 - A close-up on the young man's face, looking intently downwards at something out of frame, with thin green plant stems in the foreground.
+00:00:06.598 - Hands hold a piece of green moss with long, thin green plant stems, partially submerged in a white plastic cup filled with water.
+00:00:08.824 - The young man sits on the floor in a bright room, addressing the camera, with a bed to his left and a wooden plant stand with various plants and terrariums to his right.
+00:00:17.384 - The young man gestures with both hands towards the plant stand and the moss creations behind him.
+00:00:21.824 - The young man picks up the spherical glass container with moss and holds it towards the camera.
+00:00:22.952 - A close-up shot of the spherical glass container, highlighting the green moss and condensation within.
+00:00:25.168 - The young man places the spherical moss container back onto the plant stand.
+00:00:28.944 - A close-up shows hands holding a clear plastic cup filled with green moss, viewed through the transparent plastic.
+00:00:33.728 - Hands hold a large clump of bright green moss over a white plastic cup, showing its texture.
+00:00:49.912 - The young man holds up a large white and orange bag of "Spagmoss" to the camera.
+00:01:14.344 - A hand holds the "Spagmoss" bag, showcasing the product against a background of indoor plants.
+00:01:17.444 - A close-up view focuses on the details of the "Spagmoss" packaging.
+00:01:21.224 - A hand places an empty, clear plastic cup on a small wooden table, bathed in sunlight.
+00:01:25.752 - The clear plastic cup is shown, now slightly darkened by shadows, indicating a passage of time or change in lighting.
+00:01:26.504 - A person pours dried sphagnum moss from the bag into the clear plastic cup.
+00:01:28.696 - A close-up of a clear plastic cup held by hands, filled with vibrant green moss and visible red roots, suggesting a successfully regrown moss sample.
+00:01:31.080 - The person continues to pour and place the dried sphagnum moss into the clear plastic cup.
+00:01:38.864 - A hand holds up a small, thin, brown twig, indicating removal of debris from the moss.
+00:01:43.080 - Hands are seen in a kitchen sink, filling a golden gooseneck kettle with tap water.
+00:01:46.880 - A close-up shows tap water flowing into the golden kettle.
+00:01:49.904 - Water is poured from the golden kettle into the clear plastic cup filled with dried sphagnum moss.
+00:01:58.072 - A hand pushes down on the moss in the cup, mixing it with the water, as the moss begins to rehydrate and darken.
+00:02:08.576 - A hand gently squeezes a clump of rehydrated moss over the cup, allowing excess water to drain.
+00:02:16.896 - The clear plastic cup of rehydrated moss sits on the wooden table, looking moist but not waterlogged.
+00:02:25.992 - A person pulls clear plastic wrap from a roll and covers the top of the moss cup.
+00:02:31.752 - A hand uses a thin metal tool to poke several holes into the plastic wrap covering the moss cup.
+00:02:41.080 - The plastic-wrapped moss cup is placed on a lower shelf of a wooden plant stand, next to a large Monstera plant.
+00:02:48.968 - A wider shot of the room reveals a balcony door with sunlight and plants outside, with the moss cup visible on the plant stand.
+00:02:50.840 - A close-up of the moss cup on the wooden shelf, with the Monstera plant partially visible above it.
+00:02:54.600 - Hands rotate the spherical glass container of vibrant green moss, showing the dense growth and condensation.
+00:02:59.088 - A clear plastic bin contains several clear plastic cups, each filled with green moss and small string of hearts plants.
+00:03:00.672 - A close-up shows the various cups of moss and string of hearts plants within the bin.
+00:03:01.992 - Another close-up of a cup with green moss and string of hearts, highlighting differences in moss color and texture.
+00:03:06.184 - A hand turns on a long, rectangular white grow light, illuminating the area with bright white light.
+00:03:09.680 - The plastic-wrapped moss cup is placed inside a larger, clear glass terrarium under the activated grow light.
+00:03:11.752 - A close-up focuses on the moss cup inside the terrarium, illuminated by the grow light.
+00:03:14.680 - Hands hold the moss ball with a plant growing from it, showcasing its dense, bright green moss.
+00:03:17.656 - Hands hold a small glass vial with a cork stopper, completely filled with vibrant green moss.
+00:03:18.960 - The young man looks closely at a cup of green moss with long green stems, held in his hands.
+00:03:25.432 - A close-up of hands holding the moss ball, emphasizing the rich green and textured surface.
+00:03:29.800 - A split screen displays two close-up photos of dried sphagnum moss with tiny green sprouts of new growth emerging.
+00:03:35.096 - A very close-up shot reveals new, bright green moss sprouts intertwined with older, lighter-colored moss.
+00:03:37.952 - A hand holds a very tiny piece of bright green moss between two fingers.
+00:03:39.192 - A split screen presents two comparison photos: the left shows initial sparse moss growth, and the right shows significantly denser, fuller green moss growth.
+00:03:45.032 - A screenshot of an Instagram story is shown, featuring two photos of moss progression (April vs. June), illustrating how the moss completely covers the string of hearts plant.
+00:03:50.040 - The young man holds up a clear glass cup containing a plant and visibly regrowing green moss along the sides.
+00:04:01.376 - A close-up of the clear plastic cup held by the young man, showing dense green moss growing on its interior walls.
+00:04:11.456 - The young man talks to the camera, with a vibrant green plant leaf partially obscuring his face.
+00:04:12.752 - Hands rotate the spherical glass container of green moss, showing all sides and its self-sustaining environment.
+00:04:15.008 - The young man gestures with his hands while speaking to the camera.
+00:04:30.344 - The young man makes a small pinching gesture with his fingers. An inset image appears on the left, showing a tiny moss sprout held between two fingers.
+00:04:33.248 - The inset image changes to a close-up of healthy green and yellowish moss with new sprouts, demonstrating successful growth.
+00:04:36.568 - A close-up of moss inside a clear container, showing both green and brown parts, with a finger pointing to illustrate the difference.
+00:04:40.408 - The young man continues to speak to the camera, using hand gestures.
+00:05:06.016 - A close-up shot shows bright green moss being carefully trimmed with metal scissors in a clear container.
+00:05:08.712 - The young man talks to the camera, with an inset video on the left displaying his TikTok where he created the moss orb. The TikTok shows the step-by-step process of preparing the glass orb, adding moss, and watering.
+00:05:18.960 - The young man holds up the clear plastic bin filled with multiple cups of moss and string of hearts plants, while the TikTok video continues to play as an inset.
+00:05:34.256 - A close-up of hands holding the spherical glass container with green moss, highlighting water droplets and the dense, healthy moss growth.
+00:05:37.000 - The young man speaks to the camera, holding the spherical moss container in his left hand.
+00:05:43.160 - The young man holds the moss ball with a plant growing out, positioning it over a clear plastic cup to demonstrate his point.
+00:05:50.048 - A clear, empty rectangular glass terrarium is placed on a wooden table near a window.
+00:05:54.088 - A close-up shows the bottom of the empty terrarium with small circular and triangular patterns etched into the glass.
+00:05:54.896 - A hand holds a grey, textured rock, which is identified as "Ryuoh Stone."
+00:05:59.080 - The empty terrarium is shown again, providing a clear view of its structure.
+00:06:00.672 - A hand carefully places a piece of Ryuoh stone into the terrarium.
+00:06:03.040 - A hand places a second, larger piece of Ryuoh stone upright in the terrarium, creating a landscape.
+00:06:06.664 - A hand adjusts the smaller Ryuoh stone at the base of the larger one, refining the rock arrangement.
+00:06:14.072 - Sand is poured from a white spoon into the terrarium, creating a cosmetic layer around the rocks.
+00:06:18.424 - A close-up shows the sand being carefully poured into the terrarium.
+00:06:22.568 - A pink brush with black bristles is used to evenly spread the sand layer in the terrarium.
+00:06:31.080 - The terrarium is displayed with the arranged rocks and the smoothed sand layer.
+00:06:32.480 - The terrarium is rotated to reveal the back section, where pieces of charcoal are placed as a base layer.
+00:06:39.064 - Tongs are used to place a small amount of light brown dried sphagnum moss into the terrarium.
+00:06:44.208 - Tongs add more dried sphagnum moss into the terrarium, next to some existing green moss.
+00:06:48.312 - A top-down view of the terrarium shows the complete arrangement of rocks, sand, dried moss, and green moss.
+00:06:50.608 - A hand gently presses dried moss into the terrarium, building up the back to create a hill-like structure.
+00:06:55.760 - A hand holds a clump of bright green live moss, preparing to add it to the terrarium.
+00:06:58.752 - A hand carefully places the live moss into the terrarium, positioning it next to the rocks.
+00:07:03.528 - The terrarium is shown with the live moss now incorporated into the landscape.
+00:07:06.608 - A hand uses a purple spray bottle to mist the moss and rocks inside the terrarium.
+00:07:13.928 - Water is poured from a golden gooseneck watering can into the terrarium, moistening the moss and sand.
+00:07:17.064 - A paper towel is placed into the sand layer of the terrarium to absorb excess water.
+00:07:24.784 - The completed terrarium is presented on the table, with a sleek black grow light extending from a base above it.
+00:07:28.160 - A close-up of the completed terrarium under the grow light, posing a question to the viewer.
+00:07:30.296 - Text labels appear on the terrarium, outlining the shapes of "head," "booty," and "legs" to highlight the frog-like arrangement of the rocks.
+00:07:34.400 - The terrarium is shown next to a large plant with prominent green heart-shaped leaves.
+00:07:43.080 - A close-up video plays, showing bright green moss in a clear container being trimmed with a metal tool, with a Totoro figurine visible.
+00:08:02.000 - The video ends on a close-up of moss being trimmed.
+
+---
+
+**On-Screen Text and Timestamps:**
+
+*   **00:00:53.300 - 00:01:13.000:** i don't really know the science behind it, but i'm assuming spores of moss survived the drying process and activate once in suitable conditions
+*   **00:02:16.896 - 00:02:25.992:** at this stage, make sure there's no water pooled at the bottom
+*   **00:03:30.080 - 00:03:34.900:** here's what my sphagnum moss looks like as it's regrowing for anyone curious
+*   **00:03:45.032 - 00:03:50.032:** april
+*   **00:03:45.032 - 00:03:50.032:** june
+*   **00:03:45.032 - 00:03:50.032:** the moss swallowed the string of hearts lol
+*   **00:05:08.712 - 00:05:18.960:** my TikTok where I made the moss orb
+*   **00:05:50.048 - 00:05:52.480:** BUILDING A SPHAGNUM MOSS TERRARIUM
+*   **00:05:52.480 - 00:05:54.088:** FOR MY MOM'S BDAY
+*   **00:05:54.896 - 00:05:59.080:** Ryuoh Stone
+*   **00:05:59.080 - 00:06:00.672:** this terrarium is a DOOA neo glass air
+*   **00:06:06.664 - 00:06:11.088:** i'm trying to make the rocks look like a frog
+*   **00:06:11.088 - 00:06:12.288:** my mom loves frogs and considers them lucky
+*   **00:06:12.288 - 00:06:14.072:** she's been wanting a terrarium to display in her shop
+*   **00:06:18.424 - 00:06:22.568:** ADA Colorado sand in the front for cosmetics
+*   **00:06:22.568 - 00:06:32.480:** using this brush to even out the sand
+*   **00:06:32.480 - 00:06:39.064:** charcoal base
+*   **00:06:39.064 - 00:06:44.208:** dried sphagnum layer before adding the live sphagnum moss
+*   **00:06:50.608 - 00:06:55.760:** i'm building up the back with dried moss so it looks like a hill
+*   **00:06:55.760 - 00:06:58.752:** live moss from the bin i showed earlier
+*   **00:07:06.608 - 00:07:13.928:** spraying it down (tap water)
+*   **00:07:13.928 - 00:07:17.064:** adding in some water (tap water)
+*   **00:07:17.064 - 00:07:24.784:** absorbing excess water with a paper towel
+*   **00:07:24.784 - 00:07:28.160:** i also bought this base and grow light
+*   **00:07:28.160 - 00:07:30.296:** CAN YOU SEE THE FROG?
+*   **00:07:30.296 - 00:07:34.400:** head
+*   **00:07:30.296 - 00:07:34.400:** booty
+*   **00:07:30.296 - 00:07:34.400:** legs
+*   **00:07:43.080 - 00:08:02.000:** MOSS TRIMMING
+
+---
+
+**People in the video:**
+
+*   **The speaker/creator:** A young man with dark, curly hair. He is highly enthusiastic about moss and its cultivation. He shares his personal experience and methods for regrowing live moss from dried sphagnum moss. He actively engages with the camera, explaining the process in detail. He owns various plants and terrariums and has social media accounts (Instagram and TikTok) dedicated to his plant hobbies. He demonstrates building a terrarium as a gift for his mother.
+*   **The speaker's mother (unseen, mentioned):** She loves frogs and considers them lucky. She desired a terrarium to display in her shop, which motivated the speaker to create one for her.
+
+---
+
+**Summary of the video narrative:**
+
+The video is a comprehensive guide to regrowing live moss from dried sphagnum moss, presented by a young man passionate about plants. He begins by showcasing some of his existing moss creations, including spherical moss orbs and terrariums, highlighting his favorite pieces. He explains that the process involves reactivating spores within dried sphagnum moss under suitable conditions, specifically recommending the "Bestgrow" brand due to his positive experiences.
+
+He then demonstrates the step-by-step process: first, preparing a clear container, removing any debris from the dried moss, then rehydrating the moss with regular tap water until it's moist but not wet. He advises covering the container with plastic wrap (or a lid) and poking small holes for airflow to prevent mold. The crucial next step is providing the right light conditions – bright, indirect light or, ideally, a grow light to avoid heat damage while ensuring sufficient light for growth. He explains that the moss takes a couple of months to show significant regrowth.
+
+The video provides visual examples of moss at different stages of regrowth, from tiny sprouts to dense, lush patches. He clarifies how to distinguish actual moss growth from algae by its distinct physical structure. He also highlights the resilience of sphagnum moss and its ability to be propagated, allowing for continuous cultivation.
+
+Finally, he transitions to building a new terrarium as a birthday gift for his mother. He carefully arranges "Ryuoh Stone" to resemble a frog, a creature his mother loves and considers lucky. He then adds layers of "ADA Colorado sand" for aesthetics, followed by a charcoal base, a dried sphagnum layer, and finally, the live regrown moss. The terrarium is then misted and placed under a grow light, completing the setup. The video concludes with a quick montage of moss trimming, reinforcing the ongoing care required for these vibrant miniature ecosystems.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_1udJsv1VcII.txt b/raw/test/visual_info/output_1udJsv1VcII.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c0fe744e9533b9c45f16efb5c5ff29d85d5010f1
--- /dev/null
+++ b/raw/test/visual_info/output_1udJsv1VcII.txt
@@ -0,0 +1,160 @@
+Here is the detailed analysis of the video as requested:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - A black screen displays a white text quote by Mark Twain about Benaras.
+*   00:00:09.916 - A dark silhouette of people stands on a train platform as a green train with a pink and white striped building in the background.
+*   00:00:10.875 - A close-up shot of a train wheel rolling on tracks.
+*   00:00:11.750 - A green train, with "FUGLAKABAD" and Hindi script visible, moves from right to left across the screen.
+*   00:00:12.875 - Green cargo train cars with industrial markings rapidly pass by.
+*   00:00:21.083 - A close-up of a dark-skinned hand gripping a bicycle handlebar, implying movement through a crowded space.
+*   00:00:21.583 - A blurred, bustling night street scene in India, filled with motorbikes, rickshaws, and pedestrians amidst many bright lights.
+*   00:00:22.458 - A man in a yellow jacket and helmet rides a motorbike through the crowded street, navigating through other vehicles and people.
+*   00:00:23.791 - A close-up from behind of a man on a bicycle, wearing a checkered scarf wrapped around his head and lower face.
+*   00:00:24.791 - A man in a grey beanie walks toward the camera, in focus, while the background shows blurred street activity.
+*   00:00:25.791 - A man in a dark hoodie on a motorbike drives through the packed street, passing by other motorbikes.
+*   00:00:28.458 - A black auto-rickshaw with a canvas top drives away from the camera on a street lined with shops.
+*   00:00:29.625 - A quick, sweeping shot of a very crowded street, showing various vehicles and people moving.
+*   00:00:39.125 - A wide shot of the Ganges River at sunrise/sunset, with a hazy sky and a pale sun. Many small, empty wooden boats are docked or anchored in the foreground, with people in a few boats further out on the water.
+*   00:00:43.708 - A slightly closer view of the Ganges River shows people on and around the boats, with a large flock of birds flying across the distant bank, bathed in the sun's warm glow.
+*   00:00:48.000 - A man in a grey sweatshirt and white pants stands on the bow of a white boat, looking forward, with the multi-tiered stone ghats of Varanasi in the background.
+*   00:00:48.875 - A close-up of the man's hand on a round, white object on the boat, as it moves through the water.
+*   00:00:49.833 - The man sits cross-legged on the white boat, looking out at the river and the ghats.
+*   00:00:50.875 - A close-up of the man's hand, wearing a silver ring, holding ropes on the boat.
+*   00:00:51.625 - The presumed narrator, a man with curly hair and a patterned scarf, looks contemplatively to the side while sitting on the boat.
+*   00:00:53.083 - A young boy in a white shirt rows a small wooden boat on the river.
+*   00:00:54.666 - A man in a patterned dark sweater sits in a red-painted boat, holding an oar, looking intently at the camera.
+*   00:00:55.958 - A wide shot of the Ganges River with the grand stone ghats of Varanasi lining the bank, and a boat being rowed in the foreground.
+*   00:00:56.833 - A man in a dark jacket rows a boat and holds up a plastic bag, possibly containing food.
+*   00:00:57.916 - The narrator sits on the white boat, tossing small items (likely birdseed) into the water for birds.
+*   00:00:59.083 - Several people, some shirtless, are seen bathing in the holy waters of the Ganges.
+*   00:01:00.083 - A woman in a red sari dunks her head into the water, splashing, while others perform ablutions around her.
+*   00:01:01.875 - A woman in a red sari with her hands pressed together in prayer, eyes closed, is focused on her devotion amidst others.
+*   00:01:02.833 - A wider view of many people in the Ganges River, performing various rituals and bathing, with boats docked nearby.
+*   00:01:04.000 - An elderly man in a white dhoti pours water from a small vessel onto the steps beside a small burning flame on the ghat.
+*   00:01:04.916 - A close-up of a woman in a pink top with her hands in prayer, wearing bangles.
+*   00:01:05.958 - Two men are seen washing clothes in the river water.
+*   00:01:07.125 - A man in a plaid shirt sits on the ground, looking down thoughtfully.
+*   00:01:07.958 - An older man with a white mustache and a Tilaka mark on his forehead, dressed in white, is seen performing a small ritual.
+*   00:01:09.166 - A sadhu (Hindu holy man) with a long white beard, red turban, and glasses, looks directly at the camera with a gentle smile.
+*   00:01:10.208 - Three young men in white dhotis with sacred threads and Tilaka marks on their foreheads are engaged in conversation.
+*   00:01:11.166 - A young boy operates a manual sugarcane juicing machine, pushing stalks into the press.
+*   00:01:12.041 - Close-up of the sugarcane juicing machine as fresh juice flows into a metal bowl.
+*   00:01:12.958 - Hands pour sugarcane juice into a clear plastic cup.
+*   00:01:13.791 - A full cup of sugarcane juice is handed over to another person.
+*   00:01:14.833 - A group of young boys in white dhotis stand together, some looking at the camera.
+*   00:01:16.083 - An elderly woman with a plaid scarf covering her head, wearing bracelets, sits on the ground looking to the side.
+*   00:01:17.000 - An aerial view of an ancient temple complex (likely Orchha, Madhya Pradesh) shrouded in mist at sunrise, featuring multiple domed structures.
+*   00:01:18.000 - An aerial shot of a river with a stone bridge leading to the temple complex, showcasing its reflection in the water.
+*   00:01:19.000 - A closer aerial view of the temple complex, highlighting its intricate spires and architectural details.
+*   00:01:19.958 - A panoramic aerial shot of the temple complex, with a river in the foreground and a hazy horizon.
+*   00:01:20.916 - An elderly sadhu with a long white beard, orange turban, and spectacles sits cross-legged on an ancient stone platform, looking into the distance.
+*   00:01:21.875 - The same sadhu looks directly into the camera with a slight smile.
+*   00:01:22.958 - A young woman with long dark hair, wearing a black top and a patterned skirt, walks away from the camera through a formal garden towards an old stone building.
+*   00:01:23.958 - The woman walks up stone steps and enters an archway of the ancient building.
+*   00:01:24.958 - The woman's silhouette is visible as she walks through a series of arched doorways towards a bright exit at the end of a corridor.
+*   00:01:26.000 - The woman walks slowly and gracefully through a narrow, textured stone hallway.
+*   00:01:27.500 - A close-up of the woman's face as she looks to the side.
+*   00:01:28.583 - The woman twirls around in a room with two large arched windows offering views of the surrounding gardens.
+*   00:01:29.875 - The woman walks through three consecutive arched openings, stepping towards the light.
+*   00:01:30.958 - The woman stands in an arched doorway of the ancient structure, looking out at the distant temple buildings.
+*   00:01:31.916 - An aerial shot looking down upon the symmetrical layout of the temple complex and its gardens.
+*   00:01:33.416 - An aerial shot of a wide, rocky river with small islands of trees, shrouded in atmospheric mist.
+*   00:01:35.833 - A group of men in white traditional Indian attire are seated in a boat by the ghats, one man stands and gestures with his arm raised.
+*   00:01:36.875 - A boat full of young men smiling and pointing towards the camera, enjoying their ride on the river.
+*   00:01:38.041 - A wide shot of the Varanasi ghats along the river, showing temples, buildings, and a large "OM" symbol painted on the wall. People are seen on the steps and in boats.
+*   00:01:39.125 - A close-up of an elderly man with a long white beard, a red turban, and golden ritual paint on his forehead, looking intently at the camera.
+*   00:01:40.875 - A sadhu with white body paint, long white dreadlocks, and a floral garland on his head, raises his right hand in blessing, smiling.
+*   00:01:41.875 - A close-up of another sadhu with white body paint, a long white beard, and traditional markings, also raising his hand in blessing.
+*   00:01:42.916 - A young sadhu, shirtless and covered in white body paint, with a floral headdress and necklaces, raises his hand in blessing.
+*   00:01:43.916 - A sadhu with a long white beard, white facial markings, and a yellow floral garland around his neck, looks seriously at the camera.
+*   00:01:44.875 - An elderly sadhu with a long white beard, a Tilaka mark, and an orange and yellow robe, sits cross-legged on the ground, gesturing with his hand.
+*   00:01:47.000 - A close-up of dark hands rubbing a wooden stick around the rim of a black singing bowl with Tibetan script.
+*   00:01:48.333 - Another close-up of the hands continuing the motion, producing a melodic sound from the singing bowl.
+*   00:01:50.083 - A close-up of a hand gripping a bicycle handlebar, as the bicycle moves through a street.
+*   00:01:50.833 - A man in a white shirt, riding a bicycle, turns his head to look back at the camera on a busy street.
+*   00:01:51.625 - A low-angle, point-of-view shot from a bicycle, moving down a city street with large pipes stacked along the side and people walking.
+*   00:01:52.958 - A shot from behind a man walking down a very crowded street, filled with pedestrians, motorbikes, and market stalls.
+*   00:01:55.333 - A busy street scene with people walking and a young boy riding a bicycle towards the camera in the foreground.
+*   00:01:56.833 - A large white cow with prominent horns lies calmly in the middle of a paved street, seemingly undisturbed by the passing people.
+*   00:01:57.750 - A cow is seen bending its head down to eat a small pile of flowers and leaves placed on the ground.
+*   00:01:59.208 - A light-colored dog is drinking water from a small ditch or drain at the edge of the street.
+*   00:02:00.625 - Two men sit next to each other, one in a red plaid shirt smiles at the camera, while the other in a yellow jacket looks to the side.
+*   00:02:01.875 - A young person in a dark hoodie and jeans crouches on the ground, warming their hands over a small source of smoke.
+*   00:02:04.041 - An aerial view of a city with many buildings, including temples, and a river winding through the misty landscape.
+*   00:02:05.125 - A man in a black jacket talks to a smiling young woman with a camera around her neck on a busy street.
+*   00:02:07.000 - Two young men in white dhotis with sacred threads and Tilaka marks stand in the foreground, one smiling, with a larger group of similarly dressed young men behind them.
+*   00:02:09.125 - An extreme close-up of an elderly man's face with a long white beard, many wrinkles, and a prominent red Tilaka mark, smiling directly at the camera.
+*   00:02:10.958 - A woman in a patterned scarf and red top holds a small leaf bowl with a lit candle and flowers, with her eyes closed in prayer.
+*   00:02:13.625 - The hand gently places the floating leaf bowl with the lit candle onto the water, letting it drift away.
+*   00:02:14.958 - A woman in a red top and colorful scarf sits by the river, holding a plastic bottle, and prays with clasped hands, looking up.
+*   00:02:16.833 - An elderly monk in an orange robe and glasses, with hands pressed together in prayer, eyes closed in contemplation.
+*   00:02:18.500 - A group of monks in orange robes and others in white clothing sit on the grass, reading from sacred texts.
+*   00:02:20.708 - A group of six young men in white Muslim attire and caps stand by a railing, one raising his hand in a gesture.
+*   00:02:22.041 - A young boy, shirtless and wet, stands by the river with his hands clasped in prayer.
+*   00:02:23.291 - The narrator sits on the ground with three sadhus, and all five raise their hands in unison, as if in greeting or blessing.
+*   00:02:28.000 - A man in traditional yellow attire stands on a platform, holding a smoking vessel and performing a ritual (Aarti) in front of a vast crowd at night.
+*   00:02:32.000 - An out-of-focus shot of sparkling lights reflecting on water at night, creating a bokeh effect.
+*   00:02:33.791 - Hands hold a tray with a lit lamp and offerings (flowers, food) in a dimly lit setting.
+*   00:02:36.000 - A man in silhouette performs a ritual, holding a lit lamp on a tray, with a large, blurry crowd and illuminated buildings in the background.
+*   00:02:37.708 - A close-up of a tray with a lit lamp, flowers, and other offerings.
+*   00:02:39.125 - The narrator holds two small leaf bowls, each with a lit candle and flowers, looking at them.
+*   00:02:41.833 - A hand gently places one of the lit leaf bowls onto the water, allowing it to float away.
+*   00:02:47.083 - A black screen displays the credit: "A film by VISHAL MEHTA".
+
+---
+
+**Text on Screen:**
+
+*   **00:00:00.000 - 00:00:05.166**: "Benaras is older than history, older than tradition, older even than legend and looks twice as old as all of them put together. - Mark Twain"
+*   **00:00:05.583 - 00:00:06.125**: "India.."
+*   **00:00:06.625 - 00:00:07.125**: "What can I say?"
+*   **00:00:07.625 - 00:00:09.125**: "I've always been drawn to this part of the world."
+*   **00:00:15.291 - 00:00:15.916**: "Why you ask?"
+*   **00:00:16.083 - 00:00:16.833**: "Well I say,"
+*   **00:00:17.041 - 00:00:17.458**: "why not?"
+*   **00:00:18.125 - 00:00:20.875**: "There's something about being amongst the pure chaos that makes me feel alive."
+*   **00:00:31.041 - 00:00:32.416**: "Let's go on a trip together."
+*   **00:00:32.875 - 00:00:35.916**: "To a place where death is celebrated, in a city older than history itself."
+*   **00:00:36.791 - 00:00:37.375**: "Varanasi."
+*   **00:02:23.958 - 00:02:26.708**: "In a city so distant from my own reality, I opened my eyes to a world which invited everyone."
+*   **00:02:29.875 - 00:02:31.000**: "Race, religion, status.."
+*   **00:02:32.000 - 00:02:35.583**: "all drowned out by the two things that connected us all: life and death."
+*   **00:02:37.458 - 00:02:40.500**: "In our lifetime we're constantly presented with two options: Love or Hate."
+*   **00:02:41.041 - 00:02:46.500**: "If Varanasi's taught me one thing, it's that we don't lose our own flame when we help light another."
+*   **00:02:47.083 - 00:02:49.000**: "A film by VISHAL MEHTA"
+
+---
+
+**People in the Video:**
+
+*   **Narrator/Traveler (presumably Vishal Mehta):** A young man with a short beard and dark hair, who is the implied speaker of the voiceover. He is shown on a boat on the Ganges, interacting with sadhus, and performing a ritual with a candle. He acts as the main observer and participant in the journey.
+*   **Local Residents/Commuters:** Numerous people are seen navigating the crowded streets, riding motorbikes and rickshaws, and walking through market areas. They represent the vibrant daily life of the city.
+*   **Boatmen:** Men who operate the traditional wooden boats on the Ganges, seemingly offering rides or transport to pilgrims and tourists.
+*   **Pilgrims/Devotees:** Many individuals and families are shown bathing in the Ganges, performing prayers, and offering lit lamps and flowers to the river as part of their spiritual practices.
+*   **Sadhus (Hindu Holy Men):** Several elderly and young men with long beards, traditional attire (saffron or white robes, dhotis), and ritualistic facial and body markings (Tilaka, ash). They are depicted meditating, giving blessings, and engaging in spiritual practices on the ghats.
+*   **Young Students/Pujaris:** Groups of young boys dressed in white dhotis with sacred threads and Tilaka marks, possibly studying or training to become priests.
+*   **Street Vendors:** A young boy is shown operating a sugarcane juicing machine, representing the local street commerce.
+*   **Female Traveler/Photographer:** A young East Asian woman with long black hair, carrying a camera, is seen exploring the ancient architectural sites, suggesting a journey of discovery and documentation.
+*   **Tourist Group:** A group of young men are seen laughing and posing in a boat on the river, enjoying their visit.
+*   **Monks (Buddhist):** An elderly monk and other individuals in orange robes are shown sitting on the grass, reading and praying, indicating the presence of diverse religious communities.
+*   **Muslim Men:** A group of men in traditional white Muslim attire and caps are seen together, showcasing another religious group in the diverse city.
+*   **Priests/Ritual Performers:** Men dressed in traditional attire are seen leading the elaborate nightly Aarti ceremony on the ghats, holding multi-tiered lamps and offerings, for a large congregation.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video "Varanasi" is a compelling visual and auditory journey through the ancient Indian city, presented as a place where life's fundamental cycles and diverse human experiences converge amidst "pure chaos."
+
+It opens with a reflective quote about Varanasi's immense age, followed by the narrator's personal reasons for being drawn to India's chaotic yet vital energy. The initial scenes vividly portray the dynamic and often overwhelming street life, with trains, motorbikes, and throngs of people, immersing the viewer in the sensory richness of the Indian cityscape.
+
+The narrative then transitions to Varanasi, the central focus, shifting to the serene yet spiritually intense mornings on the sacred Ganges River. Here, the video captures local residents and pilgrims performing their daily rituals, bathing, praying, and offering tribute to the river. It introduces a cast of characters – from humble boatmen and young juice vendors to revered sadhus and young spiritual aspirants – highlighting the city's diverse human tapestry and deep-rooted spiritual traditions.
+
+A brief but striking interlude takes the viewer to the ancient architectural wonders of Orchha, emphasizing the historical grandeur and enduring legacy of the region. A female traveler exploring these ruins symbolizes a personal journey of discovery.
+
+Returning to Varanasi, the video deepens its exploration of the city's spiritual inclusivity, showcasing individuals from various faiths, including Hindu sadhus, Buddhist monks, and Muslim men, all coexisting and practicing their beliefs.
+
+The climax of the film is the mesmerizing nightly Aarti ceremony on the Ganges, a grand spectacle of fire, sound, and collective devotion that unites a vast congregation.
+
+The video concludes with the narrator's profound realization that in Varanasi, societal distinctions like "race, religion, status" dissolve, replaced by the universal shared experiences of "life and death." The ultimate message is one of interconnectedness and selfless compassion: that true enlightenment comes not from guarding one's own "flame," but from helping "light another." It positions Varanasi as a powerful teacher, revealing life's deepest truths through its vibrant, chaotic, and deeply spiritual essence.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_2L0uML715dE.txt b/raw/test/visual_info/output_2L0uML715dE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3c5d0871cd3558ea614400f35211556bc312166c
--- /dev/null
+++ b/raw/test/visual_info/output_2L0uML715dE.txt
@@ -0,0 +1,116 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps, followed by a list of all text on screen, information about people in the video, and a summary of the video narrative.
+
+**Important Visual Events:**
+
+00:00:00.000 - A solid blue screen with white text "NEVER TOO SMALL" centered.
+00:00:01.373 - The text on the blue screen changes to "NEVER TOO SMALL x candy ng".
+00:00:02.747 - The scene transitions to a white background with a blue and red animated illustration. A stylized person on a red ladder is picking red apples from a large, oval-shaped blue tree. A blue bucket of apples sits below.
+00:00:06.497 - The camera pans right, revealing a separate, smaller blue-outlined tree and a white, fluffy dog standing in a similar blue-outlined grassy area.
+00:00:10.517 - The camera zooms out and pans down, revealing a cross-section view of the house below the animated garden. The house is split into two cylindrical sections, showing interior spaces like a kitchen with a shower, and a bedroom with a swing where the dog is now sitting.
+00:00:16.037 - The animation continues to zoom out, showing the full two-unit cross-section of the house and its relationship with the gardens above.
+00:00:22.777 - The animation fades to a solid blue background. A white t-shirt with the house illustration printed in blue and red appears centered on the screen.
+00:00:24.777 - The t-shirt is replaced by a white canvas tote bag, also printed with the house illustration.
+00:00:27.567 - The tote bag fades. White text "illustration by Candy.ng" appears on the blue background.
+00:00:29.847 - The text changes to "limited edition available on" followed by "teespring.com/stores/nevertoosmall" on a new line.
+00:00:34.787 - The screen fades to a live-action shot of a bright room with full-length white sheer curtains. White text "NEVER TOO SMALL" is superimposed.
+00:00:37.497 - A woman in black enters from the left and begins pulling the curtain to the side. The text changes to "EVER TOO SMALL".
+00:00:39.027 - The woman continues to pull the curtain, revealing more of the apartment. The text changes to "OO SMALL".
+00:00:40.597 - The text changes to "ALL" as the woman fully opens the curtain, revealing an open-plan living space with a kitchen, desk, and bed area.
+00:00:44.757 - The woman walks further into the revealed apartment space, past a central white unit.
+00:00:50.847 - The scene cuts to an exterior wide shot of the Barbican Estate, a large concrete brutalist building complex with green lawns and bare trees under a cloudy sky.
+00:00:56.887 - The camera slightly pans up, showing the multiple floors and balconies of the Barbican buildings, with some higher modern buildings in the background.
+00:01:03.187 - The scene cuts to a ground-level view of the Barbican Estate, showing brick pathways, planted areas, and the concrete structures.
+00:01:06.777 - The scene shows a large open plaza area within the Barbican, with benches, planters, a small fountain, and the large Barbican buildings in the background. A "barbican" sign is visible on a building.
+00:01:13.127 - A long shot of a stone pathway cutting through a vibrant green lawn within the Barbican complex, leading towards buildings in the distance.
+00:01:17.167 - A wide shot of a large green water feature or pond within the Barbican, surrounded by more concrete buildings and tiered brick landscaping.
+00:01:21.847 - The scene cuts back to the woman (Melanie Schubert) sitting on a white chair, looking at the camera. Her name and profession appear on screen.
+00:01:28.937 - The scene returns to an exterior shot of the Barbican residential buildings, focusing on the multi-tiered concrete balconies with plants. A person with an umbrella walks in the foreground.
+00:01:37.667 - A static shot of a light pink background with white text presenting episode information.
+00:01:42.177 - The text changes to geographical location information.
+00:01:43.797 - The scene cuts back to Melanie Schubert, seated and speaking.
+00:01:47.387 - The background fades to light pink. Two framed photos appear on screen: one showing the wide open-plan living space of the apartment, and the other showing the white-tiled bathroom.
+00:01:56.247 - The photos fade. A white outline of the original apartment floor plan appears on the light pink background.
+00:01:58.077 - Text labels "Balcony" and "Living/Sleeping" appear on the floor plan.
+00:01:59.737 - Text labels "Kitchen", "Wardrobe", and "Bathroom" appear on the floor plan.
+00:02:04.797 - The floor plan redraws to show new internal subdivisions and labels appear for "Dining", "Living", "Sleeping", "Storage", "Wardrobe", "Laundry", "Kitchen", and "Bathroom" within the redefined spaces.
+00:02:15.897 - The scene returns to live-action, showing the woman walking down a white hallway towards a blue door, then opens a small white cabinet on the left.
+00:02:20.127 - The scene cuts to an interior shot of the bright, minimalist apartment, showing the white kitchen area on the left, a glass desk with a computer, and a central white multi-functional unit leading to the bed area.
+00:02:25.867 - A wider view of the main living space, showing the kitchen in the background, the central unit, the bed, and a sofa and white chairs in the foreground near the large window.
+00:02:30.937 - The camera pans right, focusing on the dining area with a round marble table and white chairs, positioned near the large window and balcony.
+00:02:37.167 - The scene returns to the wide living area shot. The woman walks towards the large window and pulls a white sheer curtain closed across it.
+00:02:49.037 - A shot from behind the central unit, looking towards the window. The drawn white curtain creates a sense of enclosure. The desk and a long shelf with books are visible.
+00:02:53.647 - The scene cuts back to the woman opening the white sheer curtain in front of the large window, revealing the city view outside.
+00:03:05.617 - The scene cuts to the woman interacting with the central white unit. She opens and closes various white cabinet doors, revealing storage space and glasses.
+00:03:16.897 - The woman slides a white panel on the central unit to reveal a wall-mounted bookshelf behind it.
+00:03:22.097 - She then slides another panel on the central unit to reveal a washing machine and storage space.
+00:03:27.797 - She slides a final panel to reveal a wardrobe section.
+00:03:35.887 - A view of the kitchen and central unit area, highlighting the integrated shelving and minimalist design.
+00:03:44.607 - A close-up shot of the white kitchen counter, showing the induction hob with two coffee makers, and illuminated shelves above.
+00:03:51.277 - Melanie Schubert is shown again, speaking to the camera.
+00:03:54.027 - A close-up of the kitchen counter.
+00:03:57.777 - The woman opens a lower cabinet in the kitchen to reveal a small fridge, then another cabinet next to it.
+00:04:06.827 - A very close-up shot of the modern, silver kitchen sink and faucet against the white counter and wall.
+00:04:10.957 - A wide shot of the apartment from the kitchen entrance, looking towards the living area and the large window, showing the desk and central unit.
+00:04:14.337 - A shot of the sleeping area with a bed, a built-in bookshelf, and white sliding panels on the wall above the bed.
+00:04:20.677 - The woman slides a white panel above the bed to reveal the integrated bookshelf.
+00:04:24.087 - She then slides another white panel further across to reveal a large, illuminated rectangular window looking into the bathroom/shower area.
+00:04:32.747 - A close-up shot of the illuminated window from the bedroom looking into the bathroom shower.
+00:04:37.897 - Melanie Schubert speaks to the camera.
+00:04:40.067 - A view down a short white hallway towards the bathroom, with its door slightly ajar, revealing white subway tiles inside.
+00:04:45.037 - An interior shot of the all-white bathroom with subway tiles, showing the shower head, faucet, and a bathtub. A mirror reflects part of the room.
+00:04:49.027 - A translucent sliding door within the bathroom is pulled open, revealing more of the shower area.
+00:04:53.727 - A close-up shot of the toilet area, which appears as a white box with a wooden lid.
+00:04:57.177 - A hand opens the wooden lid of the toilet compartment, revealing the toilet bowl underneath.
+00:05:05.777 - Melanie Schubert speaks to the camera, smiling.
+00:05:08.337 - A wide shot of the entire apartment space from the kitchen entrance, showcasing its open layout and minimalist white design.
+00:05:13.917 - The woman stands on a chair and adjusts one of the five hanging light fixtures with clear bulbs in the living area.
+00:05:20.737 - A wide shot of the living area with the sofa, chairs, and hanging lights.
+00:05:24.287 - A shot of the dining table area.
+00:05:28.927 - A shot of the kitchen area and central unit with books.
+00:05:32.907 - A final wide shot of the open-plan apartment with the bed, central unit, and living area.
+00:05:35.347 - The screen transitions to the end credits over the wide shot of the apartment.
+
+**Text on Screen:**
+
+*   **00:00:00.000 - 00:00:01.373:** NEVER TOO SMALL
+*   **00:00:01.373 - 00:00:02.747:** NEVER TOO SMALL x candy ng
+*   **00:00:34.787 - 00:00:37.497:** NEVER TOO SMALL
+*   **00:00:37.497 - 00:00:39.027:** EVER TOO SMALL
+*   **00:00:39.027 - 00:00:40.597:** OO SMALL
+*   **00:00:40.597 - 00:00:44.757:** ALL
+*   **00:01:21.847 - 00:01:37.667:** Melanie Schubert\nArchitect
+*   **00:01:37.667 - 00:01:42.177:** Episode 36\n41sqm/441sqft small apartment design\nBarbican Studio
+*   **00:01:42.177 - 00:01:43.797:** (pin icon) London\nUK
+*   **00:01:58.077 - 00:01:59.737:** Balcony\nLiving/Sleeping
+*   **00:01:59.737 - 00:02:04.797:** Kitchen\nWardrobe\nBathroom
+*   **00:02:04.797 - 00:02:15.897:** Balcony\nDining\nLiving\nSleeping\nStorage\nWardrobe\nLaundry\nKitchen\nBathroom
+*   **00:05:35.347 - 00:05:57.657 (End Credits):**
+    *   Interview: Melanie Schubert (samarchitects.co.uk)
+    *   Creator: Colin Chee
+    *   Producer: Lindsay Barnard
+    *   Director: Lawrence Phelan
+    *   Camera operator: Lawrence Phelan
+    *   Editor: Colin Chee
+    *   Produced by NEWMAC (newmac.co)
+    *   Music: The Faint Dotted Line by Young Collective (musicbed.com)
+    *   Thanks for watching.
+    *   Subscribe to our Never Too Small channel by clicking on the logo and the notification bell to receive updates and our latest episodes.
+
+**People in the Video:**
+
+*   **Melanie Schubert:** An architect who designed the Barbican Studio apartment featured in the video. She is the interviewee who explains the design choices and features of the renovated space. Her architectural firm's website is `samarchitects.co.uk`.
+*   **Colin Chee:** Credited as the Creator and Editor of the video.
+*   **Lindsay Barnard:** Credited as the Producer of the video.
+*   **Lawrence Phelan:** Credited as the Director and Camera operator of the video.
+
+**Summary of the Video Narrative:**
+
+The video, "41sqm/441sqft small apartment design Barbican Studio," is an episode from the "Never Too Small" series, exploring innovative small-space living solutions. It begins with an animated sequence, a collaboration with Candy.ng, depicting a fantastical multi-level dwelling, emphasizing creativity with space.
+
+The main narrative then shifts to a real-life studio apartment located in the Barbican Estate in Central London. Melanie Schubert, the architect behind the renovation, guides viewers through the space and explains her design philosophy. She describes the Barbican as a Brutalist architectural landmark built between 1965 and 1976, which, despite being historically controversial, is admired by architects and designers for its unique character.
+
+Melanie highlights that the apartment, originally a single open room, was redesigned to optimize functionality and flow. The core of the renovation is a central, custom-built white unit that serves multiple purposes. It subtly divides the open space into distinct living, dining, and sleeping areas. This unit ingeniously integrates storage, a wardrobe, and even a hidden laundry machine.
+
+The kitchen, while visible, is designed to be minimalist and seamlessly extend from the living area, avoiding a cluttered look. Appliances like the hob and fridge are compact, and the sink is strategically tucked away. The sleeping area, positioned behind the central unit, offers privacy through a large white curtain that can be drawn. A unique feature of the bedroom is a sliding panel above the bed that can reveal either a bookshelf or a window into the bathroom/shower, allowing natural light to penetrate the inner space. The bathroom itself is compact and features a cleverly concealed toilet that can be covered to create a more functional surface.
+
+Melanie concludes by emphasizing that the role of an architect is to understand the client's needs and current living demands to transform existing spaces into perfectly tailored, functional, and aesthetically pleasing homes. The video effectively showcases how thoughtful design can maximize comfort and utility in a compact urban dwelling.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_2is08NsKzkw.txt b/raw/test/visual_info/output_2is08NsKzkw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0e3210a03551fc7a65dfc8bb1ad77bef4088ea7e
--- /dev/null
+++ b/raw/test/visual_info/output_2is08NsKzkw.txt
@@ -0,0 +1,119 @@
+Here is a list of important visual events, text on screen, and information about people in the video, followed by a summary:
+
+**Important Visual Events with Timestamps:**
+00:00:00.000 - A blurry globe, representing Earth, fills the screen.
+00:00:01.000 - The globe sharpens, and the "GoTraveler" logo appears in black text with a play button inside the "o" of "Go".
+00:00:05.167 - A wide shot of a thermal area with numerous steam vents (fumaroles) emitting thick white steam into the sky. Dead tree branches and barren, light-colored ground are visible.
+00:00:07.500 - A geyser erupts with a powerful stream of white water and steam rising high into the air, set against a backdrop of green pine trees and a blue sky.
+00:00:09.134 - People are seen walking on a wooden boardwalk, observing multiple steam vents in a geyser basin, with large clouds of steam obscuring parts of the background.
+00:00:11.234 - A translucent overlay combines the previous scene with a wider view of a large geyser erupting, surrounded by people on boardwalks, creating a double exposure effect.
+00:00:12.167 - The overlay fades, showing a large crowd of people gathered on a paved area and wooden boardwalks, watching a powerful geyser eruption (likely Old Faithful) in the distance. A sign labeled "Castle Geyser" is visible in the foreground.
+00:00:14.934 - A close-up shot focuses on the tall, white column of a geyser eruption against a clear blue sky and green forested hills.
+00:00:16.167 - Water splashes and steam bursts from a small geyser close to the ground, with distant observers on a boardwalk.
+00:00:18.067 - A large group of people stand on a wooden bridge or walkway spanning a steaming, muddy body of water, observing the geothermal activity.
+00:00:20.100 - A wide shot of the Old Faithful geyser erupting majestically, a massive column of white steam and water rising against a blue sky.
+00:00:23.000 - The camera widens to show a large crowd of spectators watching Old Faithful's eruption, which continues to dominate the frame.
+00:00:28.000 - A close-up view of the lower portion of the Old Faithful eruption, showing the intense force and volume of water and steam.
+00:00:30.000 - The camera slowly pans upwards, following the plume of steam and water into the sky.
+00:00:32.000 - The camera pans back down to the base of the geyser.
+00:00:36.567 - A wide shot captures the ongoing eruption of Old Faithful, with a large group of people observing from the foreground.
+00:00:40.400 - A scenic shot of a river flowing through a grassy valley, with numerous steam vents visible in the background, set against rolling hills and mountains during golden hour.
+00:00:41.867 - A close-up of clear water actively bubbling and splashing in a small geothermal pool, with steam rising.
+00:00:43.934 - An aerial view shows a large, vibrant, multi-colored hot spring pool obscured by thick white steam. The pool edges display shades of orange, green, and brown.
+00:00:46.000 - Four people are standing together near a body of water with geysers erupting in the background, one person holding a map or book. "Cliff Geyser" is faintly visible.
+00:00:47.467 - A person with a backpack walks away from the camera on a wooden boardwalk, leading through a thermal area with visible steam plumes and pine trees.
+00:00:49.000 - An elevated view looking down at a wooden boardwalk winding across a steaming, colorful geothermal landscape, with people walking along it and a river flowing alongside.
+00:00:51.100 - Two individuals stand on a wooden viewing platform, looking out at extensive white travertine terraces with hot water flowing over them, generating significant steam. Silhouetted dead trees frame the scene.
+00:00:54.000 - A closer shot of the two individuals from behind, observing the misty, steaming thermal features.
+00:00:55.734 - An interview shot featuring a man identified as Jake Lowenstern, seated in front of a world map and geological charts.
+00:01:00.067 - A wide shot of a thermal landscape with a large, steaming hot spring in the foreground, barren ground, a single pine tree, and hazy mountains in the distance.
+00:01:01.834 - A bubbling mud pot is visible, emitting thick white steam, surrounded by grey, textured mud and dead trees in the background.
+00:01:04.000 - A close-up of grey mud bubbling and forming concentric rings on the surface of a mud pot.
+00:01:05.734 - An overhead view looking into a deeper mud pot, with thick steam rising from the bubbling, grey mud.
+00:01:08.067 - An animated 3D cross-section diagram of the Earth's crust showing a hot spot (orange magma) beneath the surface, with a conduit leading up to a caldera on the surface, depicted with lakes and geysers.
+00:01:17.800 - The animated diagram is overlaid transparently onto a live-action shot of a geyser erupting and steam rising from the ground, briefly showing both the diagram and the real landscape.
+00:01:19.467 - A crowd of people stand on a wooden boardwalk in a thermal basin at dusk, observing steaming hot springs and geysers in the distance.
+00:01:21.267 - A wide shot of a landscape with numerous steam vents (fumaroles) emitting thick white steam into the clear sky. Dead tree branches and barren, light-colored ground are visible (similar to 00:00:05).
+00:01:23.700 - A person in a hat and dark clothing stands silhouetted on a wooden boardwalk, gazing into a landscape heavily shrouded in geothermal steam.
+00:01:25.767 - The camera pans across a steamy, otherworldly landscape with bare, gnarled tree branches.
+00:01:28.934 - A dark bird (possibly a raven) perches on a bare, silhouetted tree branch against a misty, light background.
+00:01:31.000 - A wide shot of a thermal area features a prominent blue-green hot spring in the foreground, surrounded by white mineral deposits, with steam rising and mist in the air. Mountains are in the background.
+00:01:33.200 - An aerial view of a thermal area shows multiple hot springs, some a vivid blue-green, and widespread steam rising from the ground.
+00:01:34.934 - A close-up of a hot spring vigorously bubbling and splashing water into the air.
+00:01:36.167 - A sweeping landscape view of layered travertine terraces, emitting steam, leading towards distant mountains with snow-capped peaks.
+00:01:38.234 - A close-up of a body of water with mist or steam rising off its surface, illuminated by the sun.
+00:01:40.967 - The interview with Jake Lowenstern resumes.
+00:01:44.067 - A panoramic shot of vast rolling green hills and valleys, with distant mountains under a clear sky.
+00:01:48.067 - A deep, forested canyon with a river winding at its base, viewed from a high vantage point, revealing the steep, rugged rock walls.
+00:01:50.834 - An aerial view of a large geothermal area, showing numerous steaming pools and winding streams of water, nestled within a landscape of green forests and brown, mineral-rich earth.
+00:01:56.034 - A wide shot of a thermal area at sunrise or sunset, with strong golden sunlight breaking through thick steam rising from hot springs, creating dramatic light rays.
+00:01:59.067 - A close-up of white and green travertine terraces, with hot water flowing over them and steam rising.
+00:02:00.667 - A wide shot of a thermal area, similar to 00:01:31.000, with a blue-green hot spring and steam rising.
+00:02:02.834 - A view of a muddy, steaming landscape with many fallen and standing dead trees, creating a stark and wild atmosphere.
+00:02:06.900 - A powerful geyser eruption is silhouetted against a setting or rising sun, with steam and water illuminated by the golden light.
+00:02:10.000 - The camera pans up close to the erupting geyser, showcasing the massive steam plume against the bright sun.
+00:02:14.934 - A geyser erupts with a wide, forceful burst of water and steam. Other smaller steam vents are active nearby.
+00:02:18.500 - A small geyser erupts with splashing water and steam from a pool, surrounded by white, barren ground.
+00:02:20.967 - A close-up of a geyser eruption from a rocky vent, with water and steam exploding upwards.
+00:02:22.900 - A group of people stand on a wooden boardwalk, observing small geysers and steaming pools in a wide thermal area.
+00:02:26.067 - A man in a park ranger uniform (with a "Hans Hessler" name tag) looks into the viewfinder of a thermal imaging camera on a tripod.
+00:02:28.467 - A wide view of a geothermal field with numerous small steam vents (fumaroles) and barren ground, surrounded by pine forests.
+00:02:29.834 - The park ranger walks along a wooden boardwalk, holding a hand-held device.
+00:02:31.700 - A close-up of a hand holding a "Raynger II" temperature gun, pointing it at the ground, with the digital display showing temperature readings (75, 93, 104, 119 degrees Fahrenheit).
+00:02:36.567 - A wide shot of a large lake (Yellowstone Lake) with mist rising from its surface, illuminated by golden light, and hazy mountains in the background.
+00:02:40.834 - A small, cone-shaped geyser formation (Fishing Cone) in the middle of Yellowstone Lake emits steam.
+00:02:44.734 - A scenic shot of a thermal area near a large lake at sunrise or sunset, with steam rising from winding streams and pools, reflecting the bright sun.
+00:02:47.834 - A close-up of a steaming hot spring or small geyser at the edge of a lake, with water bubbling and the sun reflecting intensely off the surface.
+00:02:49.734 - The interview with Jake Lowenstern resumes.
+00:02:53.067 - A high aerial view of Yellowstone Lake and the vast, forested landscape surrounding it, with a river winding through plains and distant mountains.
+00:02:55.300 - An aerial shot zooming in on a small, vibrant green lake nestled in green fields and pine trees, adjacent to the larger Yellowstone Lake.
+00:02:57.100 - Two people are seen canoeing on Yellowstone Lake, paddling past a steaming, cone-shaped geyser (Fishing Cone) in the foreground.
+00:02:59.000 - A close-up of the agitated, steaming water around the Fishing Cone in Yellowstone Lake.
+00:03:00.934 - Three American Avocet birds walk along a rocky shoreline next to a piece of driftwood.
+00:03:03.200 - A panoramic shot of a misty thermal landscape at sunrise or sunset, with numerous steaming pools and faint light from the sun.
+00:03:06.867 - A dramatic shot looking upwards through silhouetted dead trees, with thick steam or mist rising and illuminated by a golden glow.
+00:03:09.934 - An elk is partially visible through dense mist or steam, its form blurred.
+00:03:12.767 - A herd of elk are grazing in a misty, open field dotted with pine trees, with a hillside of dead, bare trees in the background.
+00:03:15.867 - Three birds fly across the misty landscape, with mountains in the background.
+00:03:18.867 - Two elk stand on their hind legs, appearing to spar, while other elk graze in a grassy field with low bushes.
+00:03:21.834 - Two Sandhill Cranes stand in a field of tall, golden-brown grass, one with its head raised as if calling.
+00:03:23.700 - A large bull elk with impressive antlers stands in a grassy clearing near a pond and dead trees, shaking its head before looking at the camera.
+00:03:28.034 - A grey wolf walks through green undergrowth and fallen branches.
+00:03:30.000 - Two grizzly bears are seen on a grassy hillside, one walking and one grazing.
+00:03:32.867 - A small herd of elk runs across a green and brown field, with a grand, snow-capped mountain dominating the background.
+00:03:34.667 - A closer shot of four elk walking through tall grass and low bushes.
+00:03:40.067 - A wide shot of a vividly colored hot spring (Grand Prismatic Spring), showcasing striking bands of orange, brown, and green leading to a central blue-green pool, with steam rising.
+00:03:44.067 - A close-up of the intricate patterns and textures of the colorful thermophilic bacterial mats in a hot spring.
+00:03:47.067 - The vibrant hot spring (Grand Prismatic Spring) is shown again, with steam rising.
+00:03:50.834 - A wide view of a thermal basin on a misty, cloudy day. A long wooden boardwalk winds through the barren landscape, with small pools and steam vents.
+00:03:53.300 - Three people, likely researchers or park staff, are on the barren ground in a misty thermal area, appearing to handle equipment or backpacks.
+00:03:56.267 - A wide landscape shot of rolling hills and valleys, featuring large areas of dead, grey trees (evidence of past fires), with mountains in the hazy distance.
+00:03:57.867 - A large herd of bison graze and rest in an open, grassy field.
+00:03:59.000 - A close-up of a bison grazing in a field.
+00:04:00.000 - Another close-up of a bison.
+00:04:00.734 - The camera looks down onto a powerful waterfall, showing the large volume of green-tinged water cascading over a rocky cliff.
+00:04:04.000 - The camera pans down, following the waterfall as it plunges into the mist below.
+00:04:07.067 - The camera continues to pan down, revealing the steep, rugged canyon walls and the river continuing its course through the canyon after the falls.
+00:04:12.000 - A high, wide shot showcases the grand scale of the canyon, with the powerful waterfall and winding river at its base, surrounded by the towering, multi-colored rock walls.
+00:04:16.000 - The screen goes black.
+
+**Text on Screen:**
+*   00:00:01.000 - GoTraveler™
+*   00:00:21.367 - Yellowstone National Park
+*   00:00:55.734 - JAKE LOWENSTERN / Volcanologist, U.S. Geological Survey
+*   00:01:10.500 - Yellowstone Caldera
+*   00:01:12.000 - Hot Spot
+*   00:02:31.700 - Raynger II / Raytek, Santa Cruz, California, USA (on the handheld device)
+
+**People in the Video:**
+*   **Jake Lowenstern (Volcanologist, U.S. Geological Survey):** Featured in interview segments (00:00:55.734, 00:01:40.967, 00:02:49.734). He explains that Yellowstone is one of the few global hotspots located on a continent and describes the scale of the Yellowstone Caldera and the magma chamber beneath it. He also mentions past large eruptions and current hydrothermal activity in Yellowstone Lake.
+*   **Hans Hessler (Park Ranger/Yellowstone Volcano Observatory Staff):** Identified by his name tag (00:02:26.067). He is shown performing monitoring duties, using a thermal imager (00:02:26.067) and a handheld temperature gun (00:02:31.700) to track heat and changes in the volcanic system.
+*   **Park Visitors/Tourists:** Numerous unnamed individuals are seen throughout the video (e.g., 00:00:09.134, 00:00:12.167, 00:00:18.067, 00:01:19.467, 00:02:22.900, 00:02:44.734, 00:02:57.100), observing geysers and other thermal features from boardwalks and viewing areas.
+*   **Researchers/Park Staff:** Three individuals, including one in a park ranger hat (possibly Hans Hessler again), are seen in a thermal area (00:03:53.300) appearing to engage in scientific work, setting up or packing equipment.
+
+**Summary of the Video Narrative:**
+The video, produced by GoTraveler, offers a captivating overview of Yellowstone National Park, highlighting its unique geological wonders and diverse ecosystem. It begins by showcasing the park's iconic geysers, with particular emphasis on Old Faithful, known for its predictable and magnificent eruptions that draw millions of visitors annually. The narration explains that Yellowstone sits atop a "hot spot" – a partly molten body called the Yellowstone Plume – making it one of the few continental volcanic calderas in the world.
+
+Through interviews with volcanologist Jake Lowenstern, the video delves into the scientific aspects of Yellowstone's geothermal activity, describing the immense size of the caldera and the significant heat flow from beneath the surface. Various thermal features are showcased, including steaming mud pots, vibrant hot springs with colorful bacterial mats (thermophiles), and steaming lake surfaces, demonstrating the constant unrest and activity of the supervolcano. The video also shows park rangers actively monitoring the heat, highlighting the ongoing scientific research and vigilance.
+
+Beyond its geology, Yellowstone is presented as a thriving ecosystem, providing a habitat for over 400 species. The video captures glimpses of diverse wildlife, including elk (some sparring, some migrating), sandhill cranes, a grey wolf, and grizzly bears, emphasizing the balance between the destructive power of the geothermal landscape and the resilience of life within it. The video concludes by reiterating Yellowstone's status as the world's oldest and most famous national park, a geological paradise, and a truly unparalleled destination.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_2kJ0X6eiSv4.txt b/raw/test/visual_info/output_2kJ0X6eiSv4.txt
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index 0000000000000000000000000000000000000000..8d902964fded06e80caecec7044918c0d817f315
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+++ b/raw/test/visual_info/output_2kJ0X6eiSv4.txt
@@ -0,0 +1,153 @@
+Here is a list of important visual events with timestamps from the video:
+
+00:00:00.000- A close-up shot shows a pot filled with a simmering, rich orange-brown curry containing chunks of meat and sliced red vegetables.
+00:00:01.380- A metal spoon stirs the curry, revealing its creamy texture and ingredients.
+00:00:02.000- A white outline of a cooking pot icon appears centrally on the screen.
+00:00:03.500- The words "SILENTLY COOKING" appear around the pot icon.
+00:00:05.770- A spoonful of the prepared curry is added onto a bed of white rice on a plate, with the text and icon still visible.
+00:00:09.600- The cooking pot icon on screen subtly changes, showing a steam-like symbol rising from it.
+00:00:10.000- The "SILENTLY COOKING" text and pot icon fade out.
+00:00:11.833- A man in a plaid shirt is seen in a kitchen, precisely dicing raw chicken thighs on a wooden cutting board with a large chef's knife.
+00:00:12.300- Text "5 CHICKEN THIGHS" appears at the bottom left of the screen.
+00:00:14.900- A close-up shot shows a cast iron pan on a wooden counter, where a cinnamon stick is placed.
+00:00:15.533- Whole cloves are added to the pan next to the cinnamon stick.
+00:00:16.867- White peppercorns are added to the pan, scattering across the bottom.
+00:00:18.967- Green cardamom pods are added to the pan.
+00:00:19.967- A star anise is added to the pan with the other spices.
+00:00:20.733- Cumin seeds are added to the pan, forming a small pile.
+00:00:23.233- Dried rosemary is added to the pan, completing the spice blend.
+00:00:25.567- The man's hand is shown stirring the mixed whole spices directly in the cast iron pan on a lit stovetop burner.
+00:00:28.000- The man picks up the hot pan and tosses the spices in the air.
+00:00:29.800- A Hamilton Beach coffee grinder is centered on a wooden counter in the kitchen.
+00:00:30.500- The coffee grinder is turned on and begins to whir, grinding the spices.
+00:00:32.067- A small, clear glass bowl is shown filled with the freshly ground, dark brown spice mixture.
+00:00:32.967- The man sprinkles Kosher salt from a wooden container onto the diced raw chicken in a clear glass mixing bowl.
+00:00:33.700- Text "KOSHER SALT" appears at the bottom left.
+00:00:35.033- The man sprinkles ground garam masala onto the chicken.
+00:00:35.533- Text "1-2 Tbsp GARAM MASALA" appears.
+00:00:37.067- The man sprinkles turmeric powder onto the chicken.
+00:00:37.533- Text "1-2 tsp TURMERIC" appears.
+00:00:39.167- The man sprinkles paprika onto the chicken.
+00:00:39.633- Text "1-2 tsp PAPRIKA" appears.
+00:00:41.833- A close-up shot shows the diced chicken fully coated in the various colorful spices.
+00:00:43.067- The man adds a large dollop of white yogurt to the spiced chicken in the bowl.
+00:00:43.567- Text "1 cup YOGURT" appears.
+00:00:46.733- The man drizzles olive oil from a green bottle over the chicken and yogurt mixture.
+00:00:47.367- Text "OLIVE OIL" appears.
+00:00:49.600- The man grates nutmeg directly into the bowl with the chicken mixture.
+00:00:50.000- Text "NUTMEG" appears.
+00:00:51.500- The man uses his hands to thoroughly mix and coat the chicken pieces with the marinade ingredients.
+00:00:54.600- The man places the clear glass bowl of marinated chicken into a refrigerator.
+00:00:56.533- The man closes the refrigerator door.
+00:00:57.900- A wide shot of the kitchen shows the man standing by the refrigerator, with cooking lights set up.
+00:00:58.300- Text "REST OVERNIGHT" appears at the bottom left.
+00:01:00.600- The text changes to "REST OVERNIGHT... OR WHATEVER", implying a time lapse.
+00:01:03.000- The man opens the refrigerator and retrieves the bowl of marinated chicken.
+00:01:03.967- The man pours the marinated chicken onto a large metal baking sheet.
+00:01:05.700- The man uses a spatula to spread the chicken pieces evenly across the baking sheet.
+00:01:09.700- Inside an oven, the gas broiler flame is visible and active.
+00:01:10.867- The man slides the baking sheet with marinated chicken into the hot oven under the broiler.
+00:01:13.433- A close-up shows the chicken broiling and sizzling in the oven, beginning to brown.
+00:01:18.467- Wearing oven mitts, the man carefully removes the browned, cooked chicken from the oven.
+00:01:20.933- The man is shown dicing red bell peppers on a wooden cutting board with a knife.
+00:01:21.433- Text "3 RED PEPPERS" appears at the bottom left.
+00:01:22.467- The man is shown dicing an onion on the same cutting board.
+00:01:23.000- Text "1 ONION" appears at the bottom left.
+00:01:25.867- The man pours the chopped red peppers and onions into a large white pot on the stovetop.
+00:01:28.700- A close-up shows the chopped vegetables sizzling in the pot as they are stirred with a wooden spoon.
+00:01:30.800- The man sprinkles the remaining ground garam masala from a small bowl into the pot of cooking vegetables.
+00:01:31.500- Text "THE REST OF THE GARAM MASALA" appears at the bottom left.
+00:01:33.700- The man adds Kosher salt to the vegetables in the pot.
+00:01:34.200- Text "KOSHER SALT" appears at the bottom left.
+00:01:34.933- The man stirs the seasoned vegetables in the pot.
+00:01:38.000- Several garlic cloves are laid out on the wooden cutting board next to a chef's knife.
+00:01:38.567- Text "5-10 CLOVES OF GARLIC" appears at the bottom left.
+00:01:39.900- A hand presses garlic cloves through a garlic press, mincing them onto the cutting board.
+00:01:40.400- Text "5-10 CLOVES OF GARLIC" appears again.
+00:01:42.933- The minced garlic is added to the sautéing red peppers and onions in the pot.
+00:01:44.800- A close-up shows the garlic being stirred into the vegetables, sizzling.
+00:01:47.000- The man continues stirring the vegetables in the pot.
+00:01:50.000- A close-up focuses on the simmering vegetables and spices in the pot.
+00:01:52.000- The man continues to stir the mixture.
+00:01:54.000- The man is at the kitchen sink, rinsing a measuring cup.
+00:01:56.500- The man pours water from the measuring cup into the pot of vegetables.
+00:02:02.000- The man stirs the mixture in the pot after adding water.
+00:02:05.000- A hand turns the stovetop knob down to the "Lo" setting.
+00:02:08.000- The man pours a can of white liquid, presumably coconut milk or cream, into the pot.
+00:02:08.500- Text "1 can of COCONUT MILK (or HEAVY CREAM)" appears at the bottom left.
+00:02:14.633- A close-up shows the creamy sauce with vegetables being stirred in the pot.
+00:02:18.000- A hand turns the stovetop knob up from "Lo" to "4".
+00:02:20.000- The broiled chicken pieces are added from the baking sheet into the pot with the sauce and vegetables.
+00:02:22.500- A close-up shows the chicken being stirred into the simmering curry.
+00:02:28.000- The man is shown slicing carrots into rounds on the wooden cutting board.
+00:02:28.500- Text "3 CARROTS" appears at the bottom left.
+00:02:30.567- The sliced carrots are added to the pot of curry.
+00:02:33.000- A close-up shows the carrots being stirred into the curry, which now has a rich, yellow-orange color.
+00:02:36.000- A hand turns the stovetop knob down from "4" to "Lo".
+00:02:38.000- The man stirs the curry with the added carrots.
+00:02:40.800- A close-up shows the curry simmering gently with chicken, peppers, onions, and carrots.
+00:02:43.700- A small silver pot is placed on a wooden counter, and olive oil is poured into it.
+00:02:44.300- Text "OLIVE OIL" appears at the bottom left.
+00:02:46.067- The man uses a metal measuring cup to pour long grain rice from a jar into the silver pot.
+00:02:46.667- Text "2 cups LONG GRAIN RICE" appears at the bottom left.
+00:02:48.867- The man is at the sink, filling a silver gooseneck kettle with water from the tap.
+00:02:49.467- Text "3 cups WATER" appears at the bottom left.
+00:02:51.567- The man places the filled kettle onto an electric hot plate and presses a button to heat the water.
+00:02:54.600- The small silver pot with rice is placed on a stovetop burner, which is lit.
+00:02:56.867- The man stirs the rice in the pot using a spoon, lightly toasting it in the oil.
+00:02:59.000- A close-up shows the rice being stirred in the pot.
+00:03:01.800- The man sprinkles Kosher salt into the rice.
+00:03:02.100- Text "KOSHER SALT to taste" appears at the bottom left.
+00:03:04.700- The man stirs the rice and salt.
+00:03:06.867- The electric kettle is shown on the hot plate, then a hand lifts it off as it finishes boiling.
+00:03:09.100- The man pours the hot water from the kettle into a larger bowl of rice in the sink, possibly for rinsing or pre-soaking.
+00:03:13.000- The man places the pot with rice (presumably after rinsing/draining) back on the stovetop burner.
+00:03:14.600- A hand turns the stovetop knob to the "Lo" setting.
+00:03:16.000- The man places a metal lid, covered with aluminum foil, onto the pot of rice.
+00:03:17.000- Text "20 MINUTES" appears at the bottom left.
+00:03:17.600- The man walks away from the stove, indicating the rice will cook.
+00:03:22.000- The scene transitions to the pot, showing the passage of time.
+00:03:23.700- The man removes the foil and lid from the cooked rice, revealing fluffy white grains.
+00:03:26.000- A close-up shows the perfectly cooked, individual grains of rice.
+00:03:27.800- The man spoons the cooked rice from the pot into a clear glass serving bowl.
+00:03:30.900- The camera focuses back on the large white pot of curry, which is now thick and bubbling.
+00:03:33.000- The man stirs the curry, showing its rich consistency and the well-cooked ingredients.
+00:03:37.000- A close-up shows the vibrant, hot curry being stirred.
+00:03:41.800- The man uses a spoon to serve generous portions of the curry onto the prepared plate of rice.
+00:03:44.200- The plate with the finished rice and curry is placed on the wooden counter.
+00:03:45.000- A hand sprinkles fresh, chopped cilantro over the top of the curry.
+00:03:50.000- A close-up of the final dish shows the colorful curry on white rice, garnished with cilantro.
+00:03:56.000- A spoon scoops up a mouthful of the curry and rice, showing the texture of the chicken, vegetables, and rice.
+00:04:15.000- The video ends with a close-up of the scooped portion of food.
+
+**Text on Screen:**
+*   00:00:03.500 - SILENTLY COOKING (appears until 00:00:10.000)
+*   00:00:12.300 - 5 CHICKEN THIGHS (appears until 00:00:14.733)
+*   00:00:33.700 - KOSHER SALT (appears until 00:00:35.000)
+*   00:00:35.533 - 1-2 Tbsp GARAM MASALA (appears until 00:00:37.000)
+*   00:00:37.533 - 1-2 tsp TURMERIC (appears until 00:00:39.133)
+*   00:00:39.633 - 1-2 tsp PAPRIKA (appears until 00:00:41.800)
+*   00:00:43.567 - 1 cup YOGURT (appears until 00:00:46.700)
+*   00:00:47.367 - OLIVE OIL (appears until 00:00:49.567)
+*   00:00:50.000 - NUTMEG (appears until 00:00:54.567)
+*   00:00:58.300 - REST OVERNIGHT (appears until 00:01:00.567)
+*   00:01:00.600 - REST OVERNIGHT... OR WHATEVER (appears until 00:01:03.933)
+*   00:01:21.433 - 3 RED PEPPERS (appears until 00:01:22.967)
+*   00:01:23.000 - 1 ONION (appears until 00:01:25.833)
+*   00:01:31.500 - THE REST OF THE GARAM MASALA (appears until 00:01:34.167)
+*   00:01:34.200 - KOSHER SALT (appears until 00:01:37.967)
+*   00:01:38.567 - 5-10 CLOVES OF GARLIC (appears until 00:01:40.367)
+*   00:01:40.400 - 5-10 CLOVES OF GARLIC (appears until 00:01:42.900)
+*   00:02:08.500 - 1 can of COCONUT MILK (or HEAVY CREAM) (appears until 00:02:14.533)
+*   00:02:28.500 - 3 CARROTS (appears until 00:02:30.533)
+*   00:02:44.300 - OLIVE OIL (appears until 00:02:46.033)
+*   00:02:46.667 - 2 cups LONG GRAIN RICE (appears until 00:02:48.833)
+*   00:02:49.467 - 3 cups WATER (appears until 00:02:51.533)
+*   00:03:02.100 - KOSHER SALT to taste (appears until 00:03:06.833)
+*   00:03:17.000 - 20 MINUTES (appears until 00:03:23.667)
+
+**People in the Video:**
+*   **A man**: He is the sole individual seen performing all the cooking tasks in the video. He wears a red plaid shirt and jeans. His face is mostly obscured or not the primary focus, with the camera concentrating on his hands and the ingredients. Based on the context of the video, he is the chef preparing the Indian Butter Chicken.
+
+**Summary of the Video Narrative:**
+The video presents a step-by-step, visually-focused guide to making Indian Butter Chicken with rice, emphasizing a "silent cooking" approach with minimal dialogue and prominent sounds of cooking. It begins with an appetizing shot of the finished dish, then transitions to the preparation process. The chef starts by dicing chicken thighs and preparing a custom blend of whole spices by toasting and grinding them. He then marinates the chicken with salt, the fresh garam masala, turmeric, paprika, yogurt, olive oil, and grated nutmeg, allowing it to rest overnight (or for a shorter period, as humorously noted). The marinated chicken is then broiled until browned. Separately, chopped red bell peppers and onions are sautéed, seasoned with additional garam masala, salt, and minced garlic, before water and coconut milk are added to form the sauce. The broiled chicken and sliced carrots are then incorporated into this simmering sauce. Concurrently, long grain rice is prepared by toasting it in olive oil, seasoning it with salt, and then boiling it with water before being covered to steam. Finally, the fluffy rice is served in a bowl, topped generously with the rich, flavorful butter chicken curry, and garnished with fresh cilantro, showcasing a delicious homemade meal.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_2t2qzdWZvIQ.txt b/raw/test/visual_info/output_2t2qzdWZvIQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fceb684d33418e22985468977b3cf2cfa1fde42b
--- /dev/null
+++ b/raw/test/visual_info/output_2t2qzdWZvIQ.txt
@@ -0,0 +1,149 @@
+Here is a breakdown of the video's content:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A young man with curly hair and glasses, wearing a red and blue Spider-Man costume top, looks up and smiles broadly at the camera while moving around in an indoor setting.
+00:00:02.102 - Text "JASON ZHAO" appears on screen, overlaid on a shot of the ceiling.
+00:00:03.003 - Text "OCTOBER 2022" appears on screen, overlaid on a shot of the ceiling and another person.
+00:00:04.237 - Text "EPISODE 5" appears on screen, overlaid on a blurred shot of the young man in the Spider-Man costume walking.
+00:00:06.306 - The screen turns into a white crumpled paper texture.
+00:00:06.673 - Text "THIS" appears in the center of the crumpled paper background.
+00:00:07.037 - A Zoom Meeting interface appears, showing a young man (likely Jason Zhao) with curly hair, glasses, and white headphones talking into the camera from what appears to be a bedroom.
+00:00:20.170 - A young man in a plaid jacket and a cap is seen from behind, looking through clothes on a rack in a store.
+00:00:21.403 - The camera rapidly moves through rows of clothing racks in a store.
+00:00:22.270 - The young man in the Spider-Man costume from the beginning is seen in a changing area, struggling to put on the costume.
+00:00:24.037 - The young man in the plaid jacket continues to browse clothes on a rack.
+00:00:27.270 - The young man in the plaid jacket holds up a Black Panther costume to the camera.
+00:00:30.337 - Another young man, with a beard and a cap, is seen in a store, trying on a poorly fitting Batman costume and adjusting the mask. A colorful clown costume is visible on a rack behind him.
+00:00:32.437 - A phone is seen lying on a carpeted floor, while someone wearing green leggings and dark sneakers steps on the screen.
+00:00:33.070 - The young man in green leggings is shown from behind, trying on a Green Lantern costume that appears to be too small.
+00:00:35.903 - The young man in the Batman costume fixes his mask and smiles broadly, showing teeth.
+00:00:41.703 - Jason Zhao, wearing glasses and a dark jacket, is outside in daylight, holding a shiny silver bag and talking to the camera.
+00:00:49.037 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:00:56.270 - A view from inside a moving car shows autumn trees with yellow and orange leaves by the side of a highway.
+00:00:59.003 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:01:00.670 - A view from inside a moving car shows the tops of autumn trees against a light blue sky.
+00:01:03.903 - A view from inside a moving car shows a highway with other cars and autumn trees in the distance, seen through the rearview mirror.
+00:01:06.270 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:01:09.137 - Three young men are walking in a parking lot towards a MacEwen gas station.
+00:01:11.237 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:01:17.070 - The scene is blurred, then focuses on the back of a silver car pulling away from a gas station, with its gas cap still open. Another black car with a poppy sticker is in the foreground.
+00:01:19.870 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:01:21.037 - A view from inside a car shows a road with autumn trees on both sides, seen through the windshield, with a rearview mirror at the top.
+00:01:22.503 - The Zoom Meeting interface reappears, with Jason Zhao talking.
+00:01:28.937 - A bonfire with bright orange flames is shown burning in the dark.
+00:01:31.737 - The bonfire crackles, sending sparks into the dark sky.
+00:01:33.270 - A single bright white spot, likely the moon, is visible in the completely dark sky.
+00:01:34.903 - The bonfire is shown again, now with embers and smaller flames.
+00:01:37.003 - A wide shot of a tranquil lake surrounded by forests with autumn foliage under a cloudy sky. Text "SOMEWHERE IN QUEBEC" appears on screen.
+00:01:40.837 - Close-up of yellow and orange autumn leaves on a tree branch, with a white tree trunk on the left.
+00:01:42.503 - A view of a winding dirt road through a forest with vibrant autumn colors.
+00:01:44.703 - First-person view of someone riding a bicycle down the dirt road, with autumn leaves on the ground.
+00:01:47.170 - Interior shot of a cabin-like kitchen, with two young men in white tank tops and sweatpants. One is looking at his phone at a table, and another is moving towards the stove.
+00:01:54.403 - The screen goes black.
+00:01:57.637 - Two young men in white tank tops and sweatpants are in the kitchen. One is facing away, and the other turns to face the camera and flexes.
+00:02:02.137 - Two young men are by the water's edge. One in a yellow jacket picks up a rock.
+00:02:03.903 - The young man in a black jacket and cap looks at the camera and smiles.
+00:02:05.137 - The young man in the yellow jacket turns away from the camera and prepares to throw a rock into the water.
+00:02:08.037 - The rock is thrown through the air over the water towards the forest on the opposite shore.
+00:02:09.137 - The rock splashes into the water, creating a large splash.
+00:02:11.037 - The young man in the black jacket yells and smiles in excitement, standing next to the young man in the yellow jacket.
+00:02:14.670 - A young man with glasses and a green jacket looks at the camera and talks, with the lake and autumn forest in the background.
+00:02:18.003 - Another young man with curly hair smiles at the camera, with trees in the background.
+00:02:20.103 - The young man in the green jacket continues to talk, looking at the lake.
+00:02:23.070 - The young man in the yellow jacket points across the lake towards the trees.
+00:02:27.037 - Close-up of the shoreline with green and orange trees.
+00:02:30.937 - The young man in the green jacket speaks, pointing his finger.
+00:02:33.403 - The young man in the black cap looks at the camera and talks.
+00:02:37.670 - The young man in the green jacket continues to speak.
+00:02:39.137 - The young man with curly hair points his finger at the camera and smiles.
+00:02:43.137 - The young man in the black cap talks and points down.
+00:02:46.037 - The young man in the green jacket talks while looking at the lake.
+00:02:47.837 - The young man in the black cap looks at the lake.
+00:02:48.537 - A shot of the lake and the opposite shore.
+00:02:49.070 - Three young men are walking away from the camera on a path through the forest, towards the lake. Their backs are to the camera.
+00:02:54.103 - A hand reaches into a backpack and pulls out a drone.
+00:02:55.770 - Jason Zhao is sitting down, assembling the drone.
+00:02:57.870 - A close-up of Jason's hands unfolding the drone.
+00:02:59.270 - Jason holds the drone in his hand, ready to launch.
+00:03:00.670 - The drone takes off from Jason's hand.
+00:03:01.837 - An aerial shot of a vast forest with vibrant autumn colors and several lakes. A road cuts through the forest.
+00:03:05.670 - Another aerial shot, panning across the colorful autumn forest and lakes, showcasing the landscape.
+00:03:09.870 - Three young men look up at the sky, presumably watching the drone.
+00:03:10.970 - The young man in the yellow jacket looks out over the lake from the shore.
+00:03:13.003 - Two young men look up at a rocky cliff face covered in trees.
+00:03:13.970 - Close-up of a young man's face, looking upwards.
+00:03:15.003 - Close-up of a person's foot in a white Nike shoe stepping on a rock.
+00:03:16.037 - Two young men look up at the trees, pointing.
+00:03:17.103 - Three young men are riding bicycles on a paved path through the autumn forest alongside the lake.
+00:03:18.437 - Jason Zhao, with a backpack, walks away from the camera and then turns to point across the landscape.
+00:03:20.737 - A young man in a black jacket and cap runs along the paved path through the autumn forest.
+00:03:22.503 - The young man in the black jacket looks back and smiles while running.
+00:03:24.437 - The young man in the black jacket laughs while another young man in a yellow jacket lifts him up in a playful manner.
+00:03:28.770 - A young man with a backpack walks up a leafy, rocky hill in the autumn forest.
+00:03:30.837 - The young man in the red jacket runs towards the lake shore and skips a rock.
+00:03:33.003 - A skipped rock bounces on the water.
+00:03:34.703 - The young man in the black jacket runs up a wooden staircase surrounded by autumn leaves and trees.
+00:03:37.037 - Jason Zhao, with a backpack, walks forward and then looks up into the sky.
+00:03:40.070 - An aerial shot of the colorful autumn forest and lakes, similar to previous drone shots, but showing more islands.
+00:03:43.703 - An aerial shot looking straight down onto the tops of the colorful autumn trees, showing a mix of green, yellow, and orange foliage.
+00:03:47.370 - A wide aerial shot of the lakes and autumn forests, showing the vast landscape and a road.
+00:03:50.070 - Another aerial shot of a lake surrounded by autumn trees and some cottages along the shore.
+00:03:55.703 - The young man in the black jacket looks directly at the camera with wide eyes and talks.
+00:03:57.437 - The camera quickly pans up to a rocky cliff where a young man in a white tank top and grey sweatpants is standing.
+00:04:01.370 - The young man in the black cap looks up at the cliff.
+00:04:02.837 - Text "MUST CLIMB ROCK" appears on screen as the camera focuses on the young man on the cliff.
+00:04:04.037 - The young man is seen climbing down the rock face.
+00:04:09.170 - The young man in the black cap smiles at the camera.
+00:04:12.637 - The young man on the cliff climbs further down.
+00:04:15.937 - The young man in the black cap smiles and looks up.
+00:04:19.437 - The young man on the cliff is seen closer, looking around.
+00:04:22.903 - The young man on the cliff puts his hands around his mouth and yells, making a "maiden call."
+00:04:25.870 - The camera pans rapidly from side to side.
+00:04:28.170 - The young man in the black cap walks away from the camera on the path.
+00:04:29.037 - The young man on the cliff face continues to climb down.
+00:04:32.470 - The young man on the cliff continues to climb down, with another young man visible further down.
+00:04:37.470 - The young man in the black cap looks up and shouts.
+00:04:39.037 - The camera rapidly pans back and forth between the young man on the cliff and the camera person.
+00:04:47.470 - The young man on the cliff is close to the bottom.
+00:04:50.637 - The young man on the cliff is now at the bottom, helping another young man descend.
+00:04:56.970 - Jason Zhao looks at the camera and talks, then points to the two young men climbing down the cliff in the background.
+00:05:03.003 - A wide shot of the lake and autumn forests under a cloudy sky.
+00:05:06.070 - First-person view of someone riding a skateboard down a street.
+00:05:09.037 - Jason Zhao, wearing a backpack and AirPods, is riding a skateboard and talking to the camera on a residential street with autumn trees and houses.
+00:05:38.837 - The screen transitions to a white crumpled paper texture with a white rectangular frame. Jason Zhao is seen in the frame, talking to the camera.
+00:05:44.970 - A shot of laundry machines, with text "OR DO UR MF LAUNDRY" overlaid. A person's hands are opening the dryer door.
+00:05:46.337 - Jason Zhao is seen in a room, hanging clothes in a closet, with text "AND CLEAN UR MF ROOM" overlaid.
+00:05:47.503 - The screen transitions back to the white crumpled paper texture with the white rectangular frame. Jason Zhao is seen in the frame, talking to the camera.
+00:05:54.000 - The screen turns black. Text "SUBSCRIBE" appears in white.
+00:05:56.270 - Text "IG @BY.JASONZ" appears in white.
+00:05:58.303 - Text "NEW VIDEOS WEEKLY" appears in white.
+00:06:00.303 - Text "AND CLEAN UR ROOM" appears in white.
+00:06:01.870 - The video ends on a black screen.
+
+**Text on Screen:**
+
+*   **00:00:02.102 - 00:00:02.936**: JASON ZHAO
+*   **00:00:03.003 - 00:00:04.136**: OCTOBER 2022
+*   **00:00:04.237 - 00:00:05.170**: EPISODE 5
+*   **00:00:06.673 - 00:00:06.936**: THIS
+*   **00:01:37.003 - 00:01:40.003**: SOMEWHERE IN QUEBEC
+*   **00:04:02.837 - 00:04:06.503**: MUST CLIMB ROCK
+*   **00:05:44.970 - 00:05:46.070**: OR DO UR MF LAUNDRY
+*   **00:05:46.337 - 00:05:47.370**: AND CLEAN UR MF ROOM
+*   **00:05:54.000 - 00:05:56.037**: SUBSCRIBE
+*   **00:05:56.270 - 00:05:58.070**: IG @BY.JASONZ
+*   **00:05:58.303 - 00:06:00.070**: NEW VIDEOS WEEKLY
+*   **00:06:00.303 - 00:06:01.870**: AND CLEAN UR ROOM
+
+**People in the Video:**
+
+*   **Jason Zhao:** He is the main narrator and subject of the video, identified by the on-screen text "JASON ZHAO". He appears in the Zoom call segments and is shown in several outdoor scenes. He wears glasses, has curly dark hair, and is often seen with a backpack. He mentions being a university student (implied Queen's University, given his comment about Kingston). He is shown trying on a Spider-Man costume, going to a cottage in Quebec, flying a drone, and skateboarding. He has acne on his face.
+*   **Graham:** One of Jason's friends, identified when Jason refers to him by name (00:01:07.437, 00:02:17.003, 00:02:39.137, 00:04:15.937). He is seen trying on a Batman costume, and later participating in outdoor activities like throwing rocks into the lake and climbing a rock face. He wears a black cap and has a beard.
+*   **Unnamed Friend in Yellow Jacket:** This friend is seen trying on a Green Lantern costume (00:00:33.070), later in a yellow jacket throwing a rock into the lake (00:02:05.137), riding a bicycle (00:03:17.103), and climbing a rock face (00:03:57.437). He also wears glasses.
+*   **Unnamed Friend in Red Jacket:** This friend is seen walking on a forest path with the other two (00:02:49.070) and skipping a rock on the lake (00:03:30.837). He has curly brown hair and wears a maroon/red jacket.
+*   **Additional Friends/People:** Several other unnamed friends are seen briefly in the costume store, at the gas station, and in the kitchen at the cottage.
+
+**Summary of the Video Narrative:**
+
+The video, "Episode 5" by Jason Zhao, documents his "Fall Break" in October 2022. It begins with Jason humorously showcasing his friends' (and his own) "terrible" Halloween costumes, which they seemingly tried on at a costume store. The main highlight of his break was a trip to a friend's cottage in Quebec. Jason describes the long drive, an amusing incident at a gas station involving a driver forgetting their gas cap, and the beauty of the autumn foliage. At the cottage, they have a bonfire and spend time outdoors, enjoying nature. Jason deploys a drone to capture stunning aerial views of the colorful forests and lakes of Quebec. His friends are shown participating in activities like throwing rocks into the lake, cycling, and playfully climbing a rocky cliff face, which Jason jokes is how they "get back home" in Quebec. Upon returning to Kingston, Jason mentions celebrating Thanksgiving with friends who stayed in town. The video concludes with Jason back at his university, reflecting on the end of Fall Break and the impending midterms, humorously suggesting that assignments or chores like laundry and cleaning his room are typical post-break activities.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_310Ff2QC0yw.txt b/raw/test/visual_info/output_310Ff2QC0yw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..515aba3e473f4d3ec5722a6116a1538ac132a8ba
--- /dev/null
+++ b/raw/test/visual_info/output_310Ff2QC0yw.txt
@@ -0,0 +1,55 @@
+Here is a list of important visual events with timestamps:
+
+00:00:00.000 - A man with reddish-blond curly hair, wearing a blue button-up shirt, stands behind a stainless steel counter in a professional kitchen, gesturing as he introduces himself and the dish.
+00:00:10.518 - The man reaches for a small white bowl from a collection of pre-measured ingredients on the counter.
+00:00:13.250 - He pours brown sugar from the small white bowl into a larger metal mixing bowl.
+00:00:17.370 - He adds whole wheat flour from another small white bowl to the mixing bowl.
+00:00:22.049 - He adds oats from a measuring cup into the mixing bowl.
+00:00:25.869 - He adds wheat germ from a small white bowl to the mixing bowl.
+00:00:29.870 - He sprinkles salt from a tiny metal bowl into the mixing bowl.
+00:00:33.270 - He sprinkles cinnamon from another tiny metal bowl into the mixing bowl.
+00:00:38.009 - He uses a white spatula to add softened butter chunks from a small white bowl into the mixing bowl.
+00:00:44.270 - He begins to "finger crumb" the ingredients in the mixing bowl, breaking down the butter and mixing it with the dry ingredients.
+00:00:47.740 - The camera zooms in for a closer view of the man's hands as he continues to mix the crumb topping by hand.
+00:00:55.070 - The camera zooms out, returning to the wider shot of the man working at the counter.
+00:00:56.240 - The man holds up the mixing bowl to show the well-combined, crumbly topping mixture.
+00:01:03.550 - The man picks up a large metal bowl filled with fresh blueberries from the left side of the counter.
+00:01:05.549 - The camera zooms in on the bowl of plump, dark blue and reddish blueberries.
+00:01:14.350 - The camera zooms out again to the wider shot of the man and the counter.
+00:01:18.100 - He uses a measuring scoop to add white flour to the bowl of blueberries.
+00:01:23.950 - He uses the scoop to add granulated sugar to the blueberries.
+00:01:30.339 - He picks up a bright yellow lemon and a small metal zester.
+00:01:36.190 - He begins to zest the lemon directly over the bowl of blueberries, with small yellow flecks falling into the fruit.
+00:01:51.620 - He places the zested lemon on a cutting board and slices it in half with a knife.
+00:01:54.279 - He squeezes the lemon halves directly over the blueberry bowl, carefully catching the seeds in his hand.
+00:02:14.500 - He takes a red spatula and begins to gently mix the blueberries with the added flour, sugar, and lemon zest/juice.
+00:02:26.560 - He uses the spatula to transfer the blueberry mixture from the large mixing bowl into a round, shallow pie pan.
+00:02:54.089 - He begins to sprinkle handfuls of the pre-made crumb topping evenly over the blueberries in the pie pan.
+00:03:00.670 - He uses his fingers to gently spread and pat down the crumb topping, ensuring complete coverage of the blueberries.
+00:03:32.400 - He lifts the finished blueberry crisp in the pie pan, presenting it to the camera.
+00:03:34.339 - The camera zooms in on the blueberry crisp, showing the golden-brown topping and the vibrant blueberries beneath.
+00:03:38.800 - The camera zooms out to the wider shot, and new text graphics appear on the screen.
+00:03:47.339 - The video fades to black.
+
+---
+
+Here is a list of all text on screen and when it appeared:
+
+*   00:00:00.869 - Tom Douglas
+*   00:00:01.036 - Chef, Restaurateur and Writer
+*   00:03:38.833 - Fresh Washington Blueberries! (logo with blueberries)
+*   00:03:38.833 - www.superblues.net
+*   00:03:41.933 - www.tomdouglas.com
+
+---
+
+Here is information about the people in the video:
+
+*   **Tom Douglas:** He is the main presenter and identified as a Chef, Restaurateur, and Writer. He has curly reddish-blond hair and wears a blue button-up shirt with a logo. He demonstrates the recipe for blueberry crisp.
+*   **Background Kitchen Staff:** In the background, particularly visible when the camera is zoomed out, there are glimpses of other kitchen staff members working. One person can be seen moving around near the stoves and shelves in the background, but no specific information about them is provided.
+
+---
+
+**Summary of the video narrative:**
+
+In this video, Chef Tom Douglas demonstrates how to prepare a blueberry crisp in a professional kitchen setting. He begins by creating the crisp topping, which involves combining brown sugar, whole wheat flour, oats, wheat germ, salt, cinnamon, and fresh butter, mixing them thoroughly by hand until a crumbly texture is achieved. Next, he prepares the blueberry filling by adding flour, sugar, lemon zest (using a zester), and lemon juice (squeezed by hand) to a bowl of fresh Washington blueberries. After mixing the blueberry filling, he transfers it into a standard 9-inch pie pan. Finally, he generously sprinkles and spreads the prepared crumb topping over the blueberries in the pan. The video concludes with Chef Douglas showcasing the unbaked blueberry crisp, ready to be placed in the oven, and directs viewers to his and "superblues.net" websites for the complete recipe and baking instructions.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_33D3_rFQ420.txt b/raw/test/visual_info/output_33D3_rFQ420.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1d5c6cedd13c31f6aec8591185f34f7faf0aa420
--- /dev/null
+++ b/raw/test/visual_info/output_33D3_rFQ420.txt
@@ -0,0 +1,91 @@
+Here is a list of important visual events and on-screen text from the video, followed by information about the people in the video and a summary of the narrative.
+
+**Important Visual Events:**
+00:00:00.000 - A hand pours orange lentils from a gold measuring cup into a metal sieve nested in a clear glass bowl on a woven mat.
+00:00:07.729 - Water is poured from a glass bottle over the lentils in the sieve.
+00:00:15.000 - A hand uses a purple silicone spatula to stir the lentils submerged in cloudy water within the sieve and bowl.
+00:00:19.000 - The sieve is lifted from the bowl, allowing the cloudy water to drain from the lentils into the bowl.
+00:00:22.699 - The sieve containing the lentils is placed back into the bowl, and more water is poured over them, allowing them to soak.
+00:00:29.000 - A hand lifts the sieve, now filled with plumped, lighter orange lentils, allowing the soaking water to drain completely into the bowl below.
+00:00:37.899 - A transparent food processor bowl with a white blade attachment is placed on the woven mat.
+00:00:41.879 - A gold spoon is used to transfer the soaked lentils from the sieve into the food processor bowl.
+00:00:43.919 - The white lid is placed on the food processor bowl.
+00:00:44.209 - The food processor blends the lentils into a smooth, light orange paste.
+00:00:47.389 - The blended lentil paste is scraped from the food processor bowl into a large clear glass mixing bowl using a purple silicone spatula.
+00:00:58.759 - A dark wooden cutting board is placed on the mat, with two peeled, white potatoes and a metal box grater.
+00:01:02.169 - A hand begins to grate one of the peeled potatoes using the large holes of the metal grater.
+00:01:05.159 - A close-up shows the potato being grated against the grater's surface.
+00:01:13.629 - The metal grater is lifted, revealing a pile of finely grated potato on the cutting board.
+00:01:17.000 - Hands gather the grated potato and squeeze it tightly to remove excess moisture, which drips onto the cutting board.
+00:01:27.249 - The squeezed, grated potato is added to the lentil paste in the glass mixing bowl.
+00:01:31.969 - A garlic press is used to press garlic cloves directly onto the mixture in the bowl.
+00:01:37.669 - A small bunch of fresh green parsley is placed on the cutting board.
+00:01:39.000 - Hands use a large knife to finely chop the parsley.
+00:01:49.000 - The chopped parsley is added to the lentil, potato, and garlic mixture in the glass bowl.
+00:01:54.000 - A hand sprinkles salt from a grinder onto the mixture.
+00:01:58.000 - A hand grinds black pepper onto the mixture.
+00:02:02.000 - A purple silicone spatula is used to thoroughly mix all the ingredients in the glass bowl until well combined.
+00:02:13.000 - A black non-stick frying pan is shown on a stovetop, and cooking oil is poured in a circular motion into the pan.
+00:02:19.000 - A hand uses a spoon to scoop a portion of the mixture from the bowl and then uses both hands to form it into a round, flat patty.
+00:02:32.000 - The first lentil patty is gently placed into the hot oil in the frying pan.
+00:02:37.000 - More patties are added to the pan, arranging five in total.
+00:02:45.000 - Spatulas are used to flip the frying patties, revealing their golden-brown undersides.
+00:02:53.000 - Two fried patties are removed from the pan and stacked.
+00:02:54.000 - A small white plate holds one red onion and one white onion.
+00:02:55.000 - The onions are placed on the cutting board.
+00:02:57.000 - A hand uses a knife to slice the red onion into thin crescent shapes.
+00:03:04.000 - A hand uses a knife to slice the white onion into thin crescent shapes.
+00:03:11.000 - The remaining lentil patties are shown frying in the pan, now all appearing golden brown.
+00:03:14.000 - A spatula is used to remove a patty from the pan.
+00:03:18.000 - The last two patties are removed from the pan. The pan is now empty except for some oil residue.
+00:03:27.000 - The sliced red and white onions are added to the hot frying pan.
+00:03:31.000 - A spatula is used to stir and distribute the onions in the pan.
+00:03:38.000 - Salt is sprinkled onto the frying onions.
+00:03:44.000 - Black pepper is sprinkled onto the frying onions.
+00:03:49.000 - Sugar is sprinkled onto the frying onions.
+00:03:55.000 - The onions are stirred again as they continue to fry and soften.
+00:03:59.000 - The onions are now golden brown and caramelized.
+00:04:00.000 - A tablespoon of white all-purpose flour is added to the cooked onions in the pan.
+00:04:05.000 - The flour is stirred into the onions, coating them.
+00:04:11.000 - Two dollops of white vegetable sour cream are added to the onions in the pan.
+00:04:16.000 - The sour cream is mixed into the onions until well combined.
+00:04:22.000 - Red tomato paste is added to the onion mixture in the pan, followed by water.
+00:04:29.000 - The tomato paste and water are stirred into the onions, forming a thick red sauce.
+00:04:38.000 - A hand holds up a small clear glass bowl filled with the steaming, finished onion and tomato sauce.
+00:04:44.000 - A blue plate piled with the golden-brown lentil patties is held up and then placed on the woven mat.
+00:04:53.000 - A hand picks up one of the lentil patties from the plate.
+00:04:59.000 - The lentil patty is broken in half, revealing its soft, light-colored interior with visible green herbs.
+00:05:05.000 - A piece of the broken patty is dipped into the red onion and tomato sauce.
+
+**Text On Screen:**
+*   00:00:00.000 - Hello everyone!!! how are you?
+*   00:00:06.196 - 250 g lentils
+*   00:00:12.189 - Rinse in water
+*   00:00:17.689 - Friends, subscribe to the channel, like and comment on the video!!!
+*   00:00:24.089 - Pour water and leave for 2 hours
+*   00:00:42.569 - Blend until smooth
+*   00:01:01.379 - 2 grated potatoes
+*   00:01:19.989 - Squeeze out excess moisture
+*   00:01:32.849 - 2-3 cloves of garlic
+*   00:01:38.999 - Parsley
+*   00:01:53.339 - Salt, pepper to taste
+*   00:02:17.000 - Oil for frying
+*   00:02:35.000 - Fry over low heat until golden brown
+*   00:02:54.000 - 2 onions
+*   00:03:37.000 - Salt, pepper, sugar
+*   00:03:49.000 - Fry until lightly golden
+*   00:04:00.000 - A tablespoon of all-purpose flour
+*   00:04:11.000 - 1 tablespoon of vegetable sour cream
+*   00:04:22.000 - 80 g of tomato paste, 120 ml of water
+*   00:04:40.000 - Enjoy!!!
+*   00:04:40.500 - Subscribe and like!
+*   00:05:15.000 - Your likes, subscriptions and comments will help the channel grow a lot!
+*   00:05:22.000 - THANK YOU FOR WATCHING (with "Subscribe" button)
+
+**People in the video:**
+Only the hands of one person are visible throughout the video, performing all the cooking steps. Their identity is not revealed, nor is any personal information provided about them other than their role in preparing the food.
+
+**Summary of the Video Narrative:**
+The video presents a step-by-step cooking tutorial for making lentil patties with a savory onion and tomato sauce. It begins with rinsing and soaking 250g of red lentils for two hours. The soaked lentils are then blended until smooth. Separately, two peeled potatoes are grated, and their excess moisture is squeezed out. This dry grated potato is then added to the lentil paste, along with 2-3 cloves of minced garlic, chopped parsley, salt, and pepper. The mixture is thoroughly combined.
+
+Next, cooking oil is heated in a pan, and portions of the lentil and potato mixture are formed into flat, round patties and fried over low heat until golden brown on both sides. The patties are then removed from the pan. The pan is reused to prepare the sauce, starting with slicing and frying red and white onions until they are lightly golden. Salt, pepper, and sugar are added to the onions. A tablespoon of all-purpose flour is stirred in, followed by a tablespoon of vegetable sour cream, tomato paste, and water, which are all mixed to create a rich, red sauce. The video concludes by showcasing the finished lentil patties and the accompanying sauce, demonstrating how to enjoy the dish by dipping a patty into the sauce. The video encourages viewers to like, subscribe, and comment.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_3OvEas7QlvA.txt b/raw/test/visual_info/output_3OvEas7QlvA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a2d0905d7fffc614dc088ab4c56801c0b14e2130
--- /dev/null
+++ b/raw/test/visual_info/output_3OvEas7QlvA.txt
@@ -0,0 +1,53 @@
+Here is the list of important visual events with timestamps:
+
+00:00:00.000 - A person in shorts and a black short-sleeved top is standing beside an unmade bed, starting to pull a white pillow and grey duvet.
+00:00:03.000 - The person continues to pull the grey duvet over the white bedsheets, making the bed.
+00:00:07.000 - The person smooths out the grey duvet, completing the bed-making process.
+00:00:10.833 - The person walks away from the made bed, towards a hallway entrance, revealing a kitchen area and a wall with a blackboard containing written formulas.
+00:00:12.600 - The person walks down a narrow hallway, past a stainless steel refrigerator on the right, towards a white front door. A pair of white shoes rests on the floor near the door.
+00:00:16.800 - The person's hands are visible over a white bathroom sink with various toiletries on the counter.
+00:00:18.800 - Water begins to flow from the faucet into the sink as the person brings their hands under it, rubbing them together.
+00:00:22.800 - The person's hand reaches out to open the stainless steel refrigerator door.
+00:00:23.700 - The refrigerator door is open, displaying various beverages, including almond milk. The person retrieves a bunch of bananas from the fridge.
+00:00:26.700 - A kitchen countertop is shown with ingredients for a smoothie: a large container of Quaker Oats, an almond milk carton, a bag of frozen strawberries, a banana, a clear blender cup, and a carton of eggs. A black Ninja Professional blender base is nearby.
+00:00:28.000 - The person peels a banana over the clear blender cup.
+00:00:29.800 - The person cracks and adds two eggs into the blender cup.
+00:00:30.800 - The person scoops frozen strawberries from a bag into the blender cup.
+00:00:32.900 - The person pours almond milk from a carton into the blender cup, which now contains all the ingredients.
+00:00:35.000 - The person places the filled blender cup onto the blender base and begins blending the ingredients, seen from behind.
+00:00:38.200 - The person is seen from behind, bending over the kitchen counter, presumably drinking the blended smoothie.
+00:00:54.600 - A close-up shot shows the blended smoothie in the clear cup with a colorful striped straw inserted. The blender base is in the background.
+00:01:05.000 - The person's forearms are visible leaning on the counter behind the smoothie cup, indicating they are still standing.
+00:01:19.500 - The person is washing the clear blender cup in a stainless steel kitchen sink, with the colorful straw also inside the sink.
+00:01:25.800 - The person is in the bathroom, applying toothpaste to an electric toothbrush over the sink.
+00:01:28.900 - The person is in a closet, taking a grey long-sleeved athletic shirt off a hanger.
+00:01:31.400 - The person, now wearing the grey long-sleeved shirt and shorts, walks towards the white front door.
+00:01:34.000 - The person stands briefly in front of the door holding a jump rope, then exits the room and closes the door.
+00:01:35.800 - The person is back in the kitchen, preparing a protein shake using a shaker bottle and a yellow tub of protein powder.
+00:01:38.400 - The person stands shirtless next to the bed, seen from behind, pulling down their shorts slightly to adjust their underwear.
+00:01:42.800 - The person turns to the side, then front, to reveal their muscular chest and abdomen.
+00:01:44.200 - The person walks towards a bathroom door, carrying a dark towel.
+00:01:46.000 - The person enters the bathroom and closes the door behind them.
+00:01:48.500 - A hand reaches to turn off a light switch on the wall next to the bathroom door, plunging the room into darkness.
+00:01:54.800 - The person is sitting at a wooden desk with a green chair, facing away from the camera, looking at a laptop. A green desk lamp, books, and a microphone are on the desk, with a bright window behind it.
+00:02:37.000 - The video ends with the person sitting at the desk.
+
+Here is a list of all text on screen and when it appeared:
+
+*   00:00:23.700 - "OPEN NATURE ALMOND NON-DAIRY ALMOND PLANT-BASED" (on almond milk carton in refrigerator)
+*   00:00:23.700 - "Blend Roast" (on black coffee bottle in refrigerator)
+*   00:00:23.700 - "Oat Milk Creamer" (on brown creamer bottle in refrigerator)
+*   00:00:26.700 - "QUAKER OATS" "1-MINUTE OATS" (on the large oatmeal container on the counter)
+*   00:00:26.700 - "ORIGINAL ALMOND NON-DAIRY ALMOND BEVERAGE PLANT-BASED" (on the almond milk carton on the counter)
+*   00:00:26.700 - "STRAWBERRIES perfect for smoothies" (on the bag of frozen strawberries on the counter)
+*   00:00:26.700 - "NINJA PROFESSIONAL" (on the blender base)
+*   00:01:35.800 - "GREAT AFTER WORKOUT!" (on the yellow protein powder tub)
+
+Here is a list of all people in the video and what we know about them:
+
+*   **One individual** is visible in the video.
+*   **What we know:** He is a male, appears to be physically fit and muscular. He follows a strict daily routine focused on self-discipline and avoiding comfort, influenced by the philosophy of Mike Tyson, particularly regarding the internal struggle between seeking comfort and embracing discomfort. He applies this discipline to his physical training (going to the gym, drinking protein shakes) and intellectual pursuits (studying physics). He values mental toughness and a single-minded focus on his goals.
+
+Here is a summary of the video narrative:
+
+The video documents a man's highly disciplined morning routine, which is less about efficiency and more about cultivating a specific mindset centered on overcoming comfort. He starts by making his bed and explicitly avoids sitting on it throughout the day, viewing it as a temptation that could lead to procrastination. His breakfast consists of a self-made fruit smoothie, which he prepares and drinks while standing, further enforcing his "no sitting" rule to stay alert. During this time, he listens to a Mike Tyson interview, drawing inspiration from Tyson's intense focus and his trainer's methods of "hypnotizing" him to believe only boxing existed. This narrative of two internal selves – one seeking comfort, the other embracing discomfort – motivates him. He then performs other self-care tasks like brushing his teeth and prepares for the gym. After his workout, he consumes a protein shake, acknowledging his physical progress. The most significant part of his routine is showering in complete darkness while listening to the same Mike Tyson interview, a form of sensory deprivation he uses to deeply internalize Tyson's disciplined mentality. He openly states his desire to apply this single-minded focus to his study of physics, even if he doubts its overall healthiness, choosing discomfort as a path to achievement. The video is a personal reflection on relentless self-improvement and mental fortitude.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_4PwDFddpo4c.txt b/raw/test/visual_info/output_4PwDFddpo4c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8e3b30b3748c82f1247e65ddb4eb159491a9a0a2
--- /dev/null
+++ b/raw/test/visual_info/output_4PwDFddpo4c.txt
@@ -0,0 +1,60 @@
+Here's a breakdown of the video content:
+
+**Important Visual Events:**
+
+00:00:00.000 - The video begins with a black screen.
+00:00:27.700 - A wide aerial shot reveals a vast expanse of ice, with a towering ice cliff reflecting in the calm, dark blue water below. The sky is overcast.
+00:00:36.000 - Close-up on the furry grey feet of several young emperor penguin chicks shuffling on pristine white snow.
+00:00:39.900 - A very wide aerial shot shows a single person in a bright yellow jacket standing on a flat, snow-covered ice sheet, looking towards a large crack or fissure in the ice, with open water and distant ice cliffs visible.
+00:00:46.000 - Close-up profile shot of a man (Bertie Gregory) wearing a yellow jacket and a patterned, fur-lined hat, looking intently to the side as he rubs his gloved hands together.
+00:00:49.000 - A medium shot focuses on a young emperor penguin chick, fluffy and grey, standing amongst a large huddle of other chicks on the snow.
+00:00:52.900 - An over-the-shoulder shot of Bertie Gregory operating a drone controller, looking out at a drone flying in the distance over the icy landscape.
+00:00:57.100 - An aerial overhead shot displays a scattered group of dozens of emperor penguin chicks on a flat, snowy surface.
+00:01:01.300 - Close-up of Bertie Gregory looking down at the screen of his drone controller, which shows a live aerial feed of the ice and penguins.
+00:01:05.000 - A wide aerial shot captures a very long line of emperor penguin chicks, stretching far into the distance, marching across the snow-covered ice towards a distant edge.
+00:01:10.000 - A closer aerial shot shows a large, dense group of emperor penguin chicks moving together towards the edge of a significant ice cliff.
+00:01:21.000 - An aerial overhead view looking straight down at hundreds of penguin chicks amassed on the top edge of a sheer ice cliff, with dark water directly below and broken ice floes surrounding it.
+00:01:26.000 - An aerial shot, angled slightly downwards, reveals the imposing height of the ice cliff, covered with hundreds of emperor penguin chicks standing and huddling near the precipice. Icy blue water with small ice fragments is at the base.
+00:01:31.000 - Close-up of Bertie Gregory's face as he observes his drone controller, commenting on the height of the cliff.
+00:01:34.000 - An extreme close-up of the drone controller's screen, displaying the live aerial feed of the penguins gathered at the cliff edge.
+00:01:37.000 - Another aerial shot of the large colony of penguin chicks on the ice cliff, with some looking over the edge.
+00:01:43.900 - An aerial overhead shot, very close to the cliff, showing hundreds of penguin chicks densely packed along the edge, looking down into the dark water.
+00:01:50.000 - An aerial shot provides a perspective of the full height of the ice cliff from water level to the top, where penguins are gathered. Icicles hang from the cliff face.
+00:01:56.000 - A close-up of a dense group of penguin chicks at the very edge of the ice, with one chick appearing to cautiously lean forward.
+00:02:03.900 - An aerial shot of the cliff edge with many penguins. One penguin is seen making a hesitant move towards the edge.
+00:02:13.000 - An aerial overhead shot captures individual penguin chicks jumping from the cliff edge into the dark water below, creating small splashes.
+00:02:18.000 - A medium aerial shot of the penguin colony on the cliff edge, with more chicks observing the drop into the water.
+00:02:24.000 - A wide aerial shot shows a single penguin chick bravely launching itself off the very high ice cliff, plunging into the deep blue water.
+00:02:37.000 - An overhead underwater shot shows a single penguin chick initially floating on its back after hitting the water, then righting itself and swimming underwater, before surfacing.
+00:02:49.000 - An aerial shot showing several penguin chicks jumping off the cliff in quick succession, creating multiple splashes.
+00:02:55.000 - A close-up of a group of chicks at the cliff edge, with one chick pushing off and falling headfirst into the water.
+00:02:59.000 - A wider aerial shot shows a continuous stream of penguin chicks jumping off the cliff, one after another, creating numerous splashes in the water.
+00:03:05.000 - Close-up view of two penguin chicks launching themselves simultaneously from the cliff edge, flapping their wings as they fall into the water.
+00:03:10.000 - A close-up shot of the water as a penguin chick impacts, creating a significant splash.
+00:03:14.000 - Close-up of penguin chicks huddled at the edge, one preparing to jump, then jumping.
+00:03:22.000 - Close-up of Bertie Gregory again, smiling and expressing amazement as he watches the drone feed.
+00:03:26.000 - Close-up of a penguin chick jumping off the cliff, its body extended, from the perspective of the other penguins.
+00:03:30.000 - A wide aerial shot shows a cascade of penguin chicks jumping from the cliff, some in groups, some individually, illustrating the mass exodus.
+00:03:41.000 - Close-up of many penguin chicks jostling at the cliff edge, with several actively jumping and falling into the water.
+00:03:48.000 - An aerial shot from above the cliff shows many penguin chicks continuously leaping from the edge into the water below.
+00:03:53.000 - A top-down aerial view shows two penguin chicks jumping off the cliff almost in unison, flapping their wings, then splashing into the water.
+00:03:57.000 - An overhead aerial shot captures a large number of penguin chicks still on the ice and many others actively jumping into the water, creating a chaotic but synchronized scene.
+00:04:03.000 - Close-up of a young penguin chick swimming on the surface of the ocean, shaking its head and adjusting to the water.
+00:04:06.000 - A wide shot from the water's perspective shows a large group of penguin chicks swimming vigorously away from the ice cliff, creating ripples in the water.
+00:04:18.000 - Close-up of Bertie Gregory, looking amazed and smiling, with the drone controller still in his hands.
+00:04:22.000 - A final wide aerial shot shows a large group of penguin chicks swimming together in the open ocean, leaving the ice cliff behind.
+00:04:31.700 - The video fades to black.
+
+**Text on Screen:**
+
+*   00:00:01.300 - AT SIX MONTHS OLD, EMPEROR PENGUIN CHICKS MARCH TO THE OCEAN. MOST JUMP JUST TWO FEET OFF THE ICE TO TAKE THEIR FIRST SWIM.
+*   00:00:07.100 - SINCE 2009, SATELLITES HAVE RECORDED EVIDENCE THAT SOME HEAD TOWARDS SHEER ICE CLIFFS. WHAT HAPPENS NEXT HAS REMAINED A MYSTERY.
+*   00:00:17.400 - IN JANUARY 2024, A NATIONAL GEOGRAPHIC TEAM LED BY BERTIE GREGORY REVEALED THEIR SECRET.
+
+**People in the Video:**
+
+*   **Bertie Gregory:** The main human presence in the video. He is identified as a National Geographic team leader. He is shown bundled in warm winter gear (yellow jacket, blue/grey knitted hat with earflaps) and operating a drone controller. He provides voice-over commentary, expressing his observations and surprise at the penguins' actions. He is seen looking intently at his drone screen, amazed by what he's witnessing.
+
+**Summary of the Video Narrative:**
+
+The video addresses a long-standing mystery about emperor penguin chicks: while most are known to jump off low ice for their first swim at six months old, satellite imagery since 2009 showed some groups heading towards unusually high, sheer ice cliffs. In January 2024, a National Geographic team, led by Bertie Gregory, utilized drones to observe these penguins up close and uncover their secret. The footage reveals hundreds of fluffy, grey penguin chicks gathered atop a towering, 40-50 foot ice cliff. After a moment of hesitation, individual chicks, and then a continuous stream, bravely launch themselves off the precipice into the freezing ocean below. Despite the immense height, they successfully plunge into the water, some comically attempting to flap their small wings mid-fall, before surfacing and swimming together. The video concludes by showcasing the chicks happily swimming off into the Southern Ocean, finally revealing how they overcome this seemingly impossible obstacle for their crucial first swim.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_4jrgZZ8Kw6A.txt b/raw/test/visual_info/output_4jrgZZ8Kw6A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/visual_info/output_5Y45L5lYVuo.txt b/raw/test/visual_info/output_5Y45L5lYVuo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ce9f1177c23d3975f5d3b3dec09e674c1999adfc
--- /dev/null
+++ b/raw/test/visual_info/output_5Y45L5lYVuo.txt
@@ -0,0 +1,159 @@
+Here is a list of important visual events from the video narrative with timestamps:
+
+00:00:00.000- An aerial view of Santa Claus Village in Rovaniemi, Lapland, covered in snow with various buildings illuminated, people walking in the snowy courtyard, and a large snowman visible. The sky is overcast and grey, suggesting daytime or early dusk.
+00:00:04.050- A slightly lower aerial view, closer to the main area of Santa Claus Village, showing more detail of the buildings, trees, and people. The sky remains grey.
+00:00:06.270- A ground-level wide shot of the main area of Santa Claus Village, featuring lamp posts adorned with lights, snow-covered trees, and buildings with warm interior lighting and festive outdoor lights. People are seen walking around.
+00:00:09.100- A close-up shot of a large, friendly-looking snowman wearing a red scarf, with a building decorated with lights in the background. Children are seen standing near its base.
+00:00:12.270- An aerial view of a building nestled within a snow-covered forest, illuminated with warm lights and red/green festive lighting. The surrounding trees are heavily laden with snow.
+00:00:16.120- A ground-level shot looking towards the main building, which is a traditional wooden structure with a pointed roof. Snow-covered pine trees decorated with golden lights frame the path leading to the entrance.
+00:00:19.490- A wider ground-level shot of the Santa Claus Holiday Village complex at dusk, showcasing the main building with its distinctive spire and surrounding decorated trees. Signs for the village are visible.
+00:00:21.090- A closer ground-level shot of the main building at night, now brightly lit with colorful lights, highlighting its wooden architecture and festive atmosphere.
+00:00:23.000- A close-up on a red sign featuring an illustration of reindeer, text in Finnish and English indicating "SUOMI FINLAND 66°33'7'' NORTH" and "NAPAPIIRI 96930 ARCTIC CIRCLE", and a circular logo with "SANTA CLAUS ARCTIC CIRCLE".
+00:00:24.490- A close-up of a round digital thermometer partially covered in snow, displaying "-16" in bright red digits, confirming the cold temperatures at the Arctic Circle.
+00:00:26.040- A medium shot of a snow-covered area within the village, with several wooden buildings adorned with lights and a red signpost with multiple direction arrows.
+00:00:29.070- A person walks towards the wooden "ROOSEVELT COTTAGE" building, which is illuminated with string lights, and proceeds to open its door. Snow-covered trees are visible in the background.
+00:00:31.910- A closer view of the "ROOSEVELT COTTAGE" sign and the top portion of the building, showing the snow-covered roof and decorative lights.
+00:00:33.480- A wider shot of "ROOSEVELT COTTAGE" at night, showing more of its exterior, the decorated Christmas tree outside, and pathways covered in fresh snow.
+00:00:36.000- A close-up of a rustic wooden sign under a building's eaves, featuring "JOULUPUKKI SANTA CLAUS OFFICE" with a Santa Claus logo in the center.
+0000:37.380- A close-up of a red signpost with multiple snow-covered directional arrows pointing to various cities like Madrid, Paris, and Rome, with distances indicated.
+00:00:41.050- An aerial view of the "Santa Claus Reindeer" area, showing wooden structures, campfires, and reindeer pens within a snowy, illuminated forest.
+00:00:44.240- A ground-level view of the entrance to the reindeer area, featuring a large wooden archway with signage and string lights, a campfire, and several people walking around.
+00:00:46.850- A lower angle view beneath the wooden archway, focusing on a sign that reads "SANTA CLAUS REINDEER LAPLAND RESTAURANT" and "KOTAHOVI LAPLAND RESTAURANT."
+00:00:49.200- Three people, including two children, sit by a roaring campfire in the snow, warming their hands. Animal skins are laid out on wooden benches.
+00:00:52.880- A reindeer harnessed to a wooden sleigh stands patiently in the snow, surrounded by a wooden fence and snow-covered trees.
+00:00:54.840- A man in a red jacket helps a woman and child prepare for a reindeer sleigh ride, as another reindeer is seen further down the path.
+00:00:58.750- The man in the red jacket adjusts a fur blanket over a person sitting in the sleigh, getting them ready for the ride.
+00:01:00.670- The camera follows from behind as a reindeer pulls a sleigh with two passengers and the handler through a snow-covered path lined with tall, frosted trees.
+00:01:03.520- A view from the sleigh, looking forward, as the reindeer pulls it through a tranquil, snow-covered forest.
+00:01:05.150- A side view of the reindeer sleigh as it moves through the snowy forest. Another reindeer and sleigh can be seen ahead.
+00:01:09.960- A reindeer sleigh passes under a large circular archway covered in snow and lights, marking the "ARCTIC CIRCLE". People are riding in the sleigh.
+00:01:15.010- A close-up of a large stone information board with "NAPAPIIRI ~ ARCTIC CIRCLE" at the top, and a world map indicating the Arctic Circle, with text in multiple languages below.
+00:01:16.290- An aerial view of the Santa Claus Main Post Office at night, brightly lit with colorful lights, surrounded by snow-covered trees. People are seen entering and exiting the building.
+00:01:18.660- A ground-level shot of the Santa Claus Main Post Office, showing its rustic wooden and stone facade, covered in snow and illuminated with festive lights.
+00:01:21.070- Inside the post office, two people are at a counter being served by an elf. The shelves behind are filled with postcards and gifts.
+00:01:23.080- A close-up of two elf figurines and a golden, intertwined post horn decoration on a brick wall inside the post office.
+00:01:24.080- A person's hand reaches into a display to select a postcard featuring Santa Claus.
+00:01:26.960- A woman at the counter hands a postcard to the elf, who then stamps it using a vintage-looking stamping machine.
+00:01:29.270- A close-up of the elf operating the antique-style stamping machine to apply a stamp to a postcard.
+00:01:31.020- A woman sits at a table writing a letter, surrounded by shelves filled with letters sorted by country. A Christmas tree stands nearby.
+00:01:37.960- A close-up of letters stacked in shelves, with labels like "Luxemburg" and "Portugal" indicating their destination.
+00:01:39.020- A wide shot of the extensive shelving system filled with letters inside the post office.
+00:01:40.860- A woman places a letter into a yellow mailbox labeled "NORMAL MAIL" and "2022". An orange mailbox labeled "CHRISTMAS 2023" is next to it.
+00:01:43.140- A closer view of the mailboxes, clearly showing the "CHRISTMAS 2023" and "NORMAL MAIL 2022" labels.
+00:01:44.200- An aerial view of "Snowman World," a large snow park featuring snow structures, a tubing hill, and an ice skating rink, with many people enjoying the activities.
+00:01:48.060- Children and adults are gathered at the top of a snow tubing hill, with one child sliding down on a red inflatable tube.
+00:01:50.040- A child slides down the snow tubing hill on a red tube, gaining speed as they descend.
+00:01:52.920- A close-up of a snow sculpture of a smiling snowman's face, with a blue glowing globe in its hand.
+00:01:54.890- People, including children, are ice skating on a large outdoor ice rink surrounded by snow walls. Some are using skating aids.
+00:01:58.070- A person slides down an illuminated ice slide within an enclosed snow structure, with spectators watching from above. The words "FEET FIRST" are written on the snow wall.
+00:02:00.860- People walk through a snow corridor adorned with snow sculptures, including a snowman holding a candle.
+00:02:03.950- Inside an ice bar, people stand and sit at a long, illuminated ice counter, enjoying drinks. Colorful lights illuminate the space.
+00:02:06.070- A wider view of the ice bar and lounge area, showing various groups of people seated at ice tables and on ice benches covered with fur. Large snow and ice sculptures decorate the walls.
+00:02:09.110- A close-up of an intricate snow sculpture of a dragon's head and body on a wall.
+00:02:10.030- A wider shot inside Snowman World's snow hotel, showing guests, ice sculptures, and an entrance to "Arctic SnowHotel & Glass Igloos".
+00:02:13.110- Another view of an ice lounge or dining area, featuring ice furniture and impressive snow and ice art on the walls.
+00:02:15.010- A dining area sculpted from snow and ice, with tables set with blue napkins, and a large snow relief sculpture of a bearded man (likely Leonardo da Vinci) on the back wall.
+00:02:17.060- A person walks towards the entrance of "Elf's Farm Yard", which has wooden fences, signs, and snow-covered trees.
+00:02:19.980- A close-up of a wooden sign nailed to a tree, reading "POROT REINDEER!"
+00:02:21.430- A cluster of snow-covered wooden directional signs point to different animals like "SEAFOWLS", "RIIKINKUKKO", "KUKKO ROOSTER", "SHEEP", and "ALPAKKA".
+00:02:24.080- Children are seen on a small snow hill, preparing to slide down on sleds, with adults supervising nearby.
+00:02:27.040- A person wearing gloves feeds lichen to a reindeer through a wooden fence.
+00:02:28.080- A close-up of several reindeer eagerly eating lichen from a person's gloved hand through a fence.
+00:02:30.980- A close-up of a goat with black, white, and grey fur looking directly at the camera through a wire fence.
+00:02:32.470- Two goats with large horns are seen in a snowy enclosure, with one eating from a branch and the other at a hay feeder.
+00:02:34.780- A llama with black and white fur stands behind a wooden fence, eating leaves from a branch and showing its teeth.
+00:02:37.380- Two llamas, one white and brown, and one grey, are seen eating leaves from a branch held over the fence.
+00:02:41.090- A person feeds a brown alpaca wearing a blue coat from a branch held over a snowy fence.
+00:02:42.250- A lone person walks in the snow towards the brightly lit Santa Claus Village main building at night, framed by two large, illuminated Christmas trees.
+00:02:43.790- A wider shot of the illuminated village at night, showing the Arctic Circle marker and multiple buildings twinkling with lights.
+00:02:47.010- Santa Claus appears in a close-up shot, looking at the camera and smiling, with his long white beard and red hat. Candles are visible in the background.
+00:02:51.680- Santa Claus is seated at his wooden desk, which is covered with maps, old books, and writing tools. He waves to the camera.
+00:02:55.510- A wide, festive night view of the Santa Claus Village, showcasing multiple buildings and numerous Christmas trees all lit up, creating a magical atmosphere.
+00:02:58.510- A closer view of the main building's entrance at night, with Christmas trees covered in warm golden lights.
+00:03:00.090- An aerial shot of the entire Santa Claus Village at night, revealing the extensive lighting and decoration across all the buildings and trees.
+00:03:04.090- A ground-level view of the main building and its surrounding decorations at night, highlighting the illuminated Santa Claus sign and entrance.
+00:03:06.510- A slightly pulled-back ground-level view of the main building at night, with festive lights on the trees and buildings.
+00:03:10.000- An aerial view of the illuminated village at night, showcasing the vibrant colors of the lights on the buildings and trees.
+00:03:13.000- A ground-level view of the Santa Claus Main Post Office at night, surrounded by snow and illuminated trees.
+00:03:16.780- An aerial view capturing the entire Santa Claus Village complex at night, with all lights blazing and a festive red and green illumination on the main building's spire.
+00:03:20.910- A wider aerial shot of the illuminated Santa Claus Village, showing the full extent of the complex with its colorful lights spreading across the snowy landscape and forest.
+00:03:26.960- An aerial shot looking down on Santa Claus in his sleigh, pulled by a reindeer, as they travel through a vast, snow-covered forest.
+00:03:30.960- A higher aerial shot shows Santa and his reindeer sleigh getting smaller as they move across the snowy, forested landscape.
+00:03:32.250- A wide aerial shot of a vast, untouched snow-covered forest stretching to the horizon under a clear sky. The Santatelevision logo appears.
+00:03:41.560- The video fades to black.
+
+Here is a list of all the text on screen and when it appeared:
+
+*   00:00:00.000 - "Santa Claus Village - Rovaniemi - Lapland"
+*   00:00:03.950 - "PENTIK."
+*   00:00:19.490 - "SANTA CLAUS HOLIDAY VILLAGE"
+*   00:00:21.090 - "OPEN"
+*   00:00:23.000 - "SUOMI FINLAND"
+*   00:00:23.000 - "66°33'7'' NORTH"
+*   00:00:23.000 - "NAPAPIIRI"
+*   00:00:23.000 - "96930 ARCTIC CIRCLE"
+*   00:00:23.000 - "1638"
+*   00:00:24.490 - "-16"
+*   00:00:24.490 - "ARCTIC CIRCLE"
+*   00:00:24.490 - "SANTA CLAUS VILLAGE"
+*   00:00:26.040 - "BOOK YOUR ADVENTURES NOW!"
+*   00:00:29.070 - "SOUVENIRS WORKSHOP"
+*   00:00:29.070 - "ROOSEVELT COTTAGE, ROOSEVELTIN MAJA, 1950"
+*   00:00:36.000 - "JOULUPUKKI SANTA CLAUS OFFICE"
+*   00:00:37.380 - "NORTHCAPE"
+*   00:00:37.380 - "MADRID"
+*   00:00:37.380 - "PARIS 2465KM"
+*   00:00:37.380 - "ROMA 2988KM"
+*   00:00:37.380 - "AMSTERDAM"
+*   00:00:41.050 - "Santa Claus Reindeer"
+*   00:00:46.850 - "KOTAHOVI LAPLAND RESTAURANT"
+*   00:00:46.850 - "REINDEER SLEIGH RIDES"
+*   00:01:09.960 - "ARCTIC CIRCLE"
+*   00:01:09.960 - "NAPAPIIRI"
+*   00:01:09.960 - "SANTA CLAUS REINDEER"
+*   00:01:15.010 - "NAPAPIIRI ~ ARCTIC CIRCLE"
+*   00:01:16.290 - "Santa Claus Main Post Office"
+*   00:01:18.660 - "ARCTIC CIRCLE INFO TOWER & SAFARI CENTER"
+*   00:01:18.660 - "SANTA CLAUS' MAIN POST OFFICE JOULUPUKIN PÄÄPOSTI"
+*   00:01:21.070 - "LETTERS TO SANTA CLAUS"
+*   00:01:21.070 - "ABOUT 500,000 LETTERS FROM ABOUT 200 COUNTRIES ARRIVE TO SANTA CLAUS' MAIN POST OFFICE EVERY YEAR. THE ELVES HAVE OPENED AND READ ABOUT 20,000,000 WISHES."
+*   00:01:37.960 - "Luxemburg"
+*   00:01:37.960 - "Portugal"
+*   00:01:40.860 - "NORMAL MAIL"
+*   00:01:40.860 - "2022"
+*   00:01:40.860 - "CHRISTMAS 2023"
+*   00:01:44.200 - "Snowman World"
+*   00:01:58.070 - "FEET FIRST"
+*   00:02:10.030 - "Arctic SnowHotel & Glass Igloos"
+*   00:02:17.060 - "ELF'S FARM YARD"
+*   00:02:17.060 - "TALLITONTUN PIHA"
+*   00:02:17.060 - "BRAND STORE"
+*   00:02:17.060 - "VISIT ENTRANCE FEE ADULT EUR 15 CHILD EUR 10" (partially visible)
+*   00:02:19.980 - "POROT REINDEER!"
+*   00:02:21.430 - "SEAFOWLS"
+*   00:02:21.430 - "RIIKINKUKKO"
+*   00:02:21.430 - "KUKKO ROOSTER"
+*   00:02:21.430 - "SHEEP"
+*   00:02:21.430 - "ALPAKKA"
+*   00:02:24.080 - "STAIRS"
+*   00:03:32.250 - "Santatelevision®"
+*   00:03:33.400 - "SANTA'S INTERNET TV SINCE 2000"
+*   00:03:34.400 - "WWW.SANTATELEVISION.COM"
+
+Here is a list of all people in the video and what we know about them:
+
+*   **Tourists/Visitors:** Throughout the video, numerous individuals, including adults and children of various ages and apparent nationalities (judging by diverse appearances), are seen visiting and enjoying the attractions at Santa Claus Village. They are dressed in warm winter clothing. They participate in activities such as walking around the village, interacting with the giant snowman, waiting for and taking reindeer sleigh rides, enjoying campfires, going snow tubing, ice skating, visiting the Snowman World ice bar and hotel, purchasing postcards at the post office, writing letters, and feeding animals at Elf's Farm Yard.
+*   **Reindeer Sleigh Ride Guide:** A male individual wearing a red jacket with "SANTA CLAUS REINDEER" visible on the back is seen preparing and guiding reindeer sleigh rides (00:00:54, 00:00:58, 00:01:00, 00:01:05, 00:01:10). He appears to be a staff member or guide for the reindeer tours.
+*   **Elf at Santa Claus Main Post Office:** A female individual dressed in a festive red and white striped shirt, red overalls, and a red hat is seen working behind the counter at the Santa Claus Main Post Office (00:01:21, 00:01:26, 00:01:29). She is assisting visitors with postcard purchases and stamping them.
+*   **Santa Claus:** A man with a long, curly white beard, round glasses, and a traditional red Santa hat and coat is prominently featured. He speaks directly to the camera, waves, and is seen seated at a desk in what appears to be his office (00:02:47, 00:02:51). He wishes viewers "Merry Christmas and Happy New Year" in English, Spanish ("Feliz Navidad"), Italian ("Buon Natale"), and French ("Joyeux Noël"). He is portrayed as the iconic figure of Santa Claus.
+*   **Snowman World Staff:** Several individuals are visible working at the ice bar in Snowman World (00:02:03, 00:02:06), serving drinks and interacting with visitors.
+
+Here is a summary of the video narrative:
+
+The video offers a comprehensive and enchanting tour of Santa Claus Village in Rovaniemi, Lapland, during the festive winter season. It opens with stunning aerial views of the snow-covered village, showcasing its illuminated buildings and charming Christmas atmosphere. The narrative guides viewers through key attractions, including the impressive main buildings adorned with lights, the iconic Arctic Circle line marker, and the historic Roosevelt Cottage.
+
+A significant portion of the video highlights various winter activities. Viewers are treated to scenes of picturesque reindeer sleigh rides through snow-laden forests, offering a quintessential Lapland experience. The Snowman World attraction is also featured prominently, showcasing exciting snow tubing, ice skating, a unique ice bar, and a snow hotel with intricate ice and snow sculptures, including a notable one of Leonardo da Vinci.
+
+The video also takes a delightful detour to the Santa Claus Main Post Office, where countless letters to Santa from around the world are sorted. Visitors are shown purchasing and stamping postcards, contributing to the magic of the Christmas mail. Furthermore, the Elf's Farm Yard is presented, offering interactions with local animals like reindeer, goats, and alpacas.
+
+The visual narrative effectively transitions between daytime and nighttime scenes, emphasizing how the village transforms into a glittering wonderland after dark with its vibrant lighting. The video culminates with a heartwarming appearance from Santa Claus himself, who delivers a festive greeting in multiple languages, reinforcing the magical and international appeal of his official home. The video serves as an immersive promotional piece, inviting viewers to experience the wonder of Santa Claus Village.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_5bKHGnycqYw.txt b/raw/test/visual_info/output_5bKHGnycqYw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fcd5ab9eb0a8581f4412361a74cb31c5445b11fa
--- /dev/null
+++ b/raw/test/visual_info/output_5bKHGnycqYw.txt
@@ -0,0 +1,92 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+*   00:00:00.000 - The video opens with a close-up shot of an oil painting on canvas, depicting a misty lake scene with a rocky island and tall pine trees reflected in the calm water. The foreground shows a rocky shore.
+*   00:00:01.375 - White, handwritten-style text "B.C. Cormier" appears centered over the painting.
+*   00:00:03.208 - A thin horizontal line appears under "B.C. Cormier", and "FINE ART" appears below the line, still centered.
+*   00:00:06.917 - The painting with the text dissolves into a live-action shot of a young woman sitting cross-legged on a table next to the painting, holding a white mug to her lips. She is wearing a dark blue, paint-splattered sweatshirt and pants.
+*   00:00:11.250 - A close-up shot of the woman's face, smiling slightly as she sips from her mug, then widens her eyes and smiles more broadly.
+*   00:00:13.292 - The shot widens to show the woman sitting next to the painting again, mug in hand, as she begins to speak.
+*   00:00:15.583 - Close-up on her face again, she says "Sorry" and smiles.
+*   00:00:16.833 - The shot widens again, and she continues speaking, gesturing with her hands.
+*   00:00:26.542 - The word "THE" appears in white, bold, sans-serif font over the painting, quickly followed by "MIST" to complete "THE MIST". The woman gestures dramatically with her right hand.
+*   00:00:28.917 - The text "THE MIST" disappears.
+*   00:00:54.667 - White text "in case that was confusing..." appears over the painting, above the woman.
+*   00:00:56.000 - A dark grey text box with white text appears below the previous text: "“scumbling” is applying a thin layer of paint using a dry brush. The idea is to allow parts of the already existing paint below to remain exposed. It is used to visually soften or lighten areas of the painting."
+*   00:01:09.125 - The text box and overlay text disappear.
+*   00:01:27.500 - The shot transitions to a close-up of various tubes of "Winsor & Newton Artisan Water Mixable Oil Colour" paints in a light-colored fabric basket, alongside paintbrushes and other art supplies on a wooden surface.
+*   00:01:34.542 - Another close-up on several squeezed paint tubes and brushes scattered directly on the wooden table.
+*   00:01:37.458 - The shot transitions back to the woman speaking next to the painting, gesturing with her hands.
+*   00:02:16.333 - A close-up on the woman's face as she smiles and makes a "let's get started" gesture.
+*   00:02:18.000 - A shot from behind the woman, dressed in her paint-splattered attire, as she walks towards her easel to begin painting.
+*   00:02:24.417 - Close-up on a hand holding a green-handled paintbrush, dipping it into a small blob of white paint labeled "titanium white" on a clear palette.
+*   00:02:30.500 - Close-up on the painting. A hand uses an "angled flat brush" to apply small strokes of white paint over the dark, rocky area where the water meets the land, near the bottom right.
+*   00:02:49.875 - Close-up on the palette. A hand uses a palette knife to scrape a small amount of orange-brown paint, then picks it up with the brush.
+*   00:02:54.333 - Close-up on the painting. The hand blends the orange-brown paint into the mist near the right edge of the water.
+*   00:03:06.625 - The hand continues to apply and blend white paint, thickening the mist effect over the water.
+*   00:03:19.417 - Text "short, circular brush strokes" appears over the painting as the hand continues applying paint in small, circular motions.
+*   00:03:32.458 - The hand continues to apply paint and blend it into the mist, enhancing its appearance.
+*   00:03:38.833 - A split screen appears. The left side shows a reference photo of the misty lake scene, while the right side shows the painting in progress. Text "référence" is overlaid on the reference photo.
+*   00:03:44.292 - The split screen disappears, and the full painting is shown. The hand uses the brush to create a distinct white line along the water's edge, then softens it.
+*   00:03:51.375 - The hand holds two brushes. The text "2 brushes:" appears.
+*   00:03:59.042 - The text updates to "one to apply the paint" and "another to do the blending", with arrows pointing to the respective brushes. The hand then uses the applying brush on the water's edge, followed by the blending brush.
+*   00:04:06.167 - A split screen shows the blending brush close-up on the left, being manipulated by fingers, and the painting on the right, where the brush is used to blend.
+*   00:04:14.250 - The hand, wearing a paint-splattered sleeve, continues to blend the mist effect on the water and along the rocks.
+*   00:04:22.042 - The artist's fingers are seen directly smudging the paint on the canvas, blending the mist around the rocks.
+*   00:04:36.542 - The artist's hand, holding the brush, continues to blend the mist, creating soft transitions.
+*   00:04:41.250 - A wider shot of the painting with the artist's hand actively working on the mist across the water.
+*   00:04:55.708 - Close-up on the lower right corner of the painting. A hand holding a thin red-handled brush begins to paint the signature "B.C."
+*   00:05:01.000 - The hand finishes painting "B.Cormier" as the full signature.
+*   00:05:11.833 - The video transitions to a close-up of the painting, focusing on the trees, showing the "BEFORE" state (no mist). Text "BEFORE" appears.
+*   00:05:15.500 - The "BEFORE" view transitions to the bottom part of the painting, showing the rocky shore and water without mist.
+*   00:05:22.958 - The video transitions to the "AFTER" state, showing the misty trees. Text "AFTER" appears.
+*   00:05:26.708 - The "AFTER" view transitions to the bottom part of the painting, showcasing the mist effect over the water and rocks.
+*   00:05:39.125 - A full view of the completed painting is displayed.
+*   00:05:46.500 - A circular wipe transition reveals the artist, now with her hair down, sitting on the table beside the finished painting. She stretches and then sits comfortably.
+*   00:05:51.042 - She talks to the camera, gesturing about the painting.
+*   00:06:08.000 - Close-up on her face as she talks, making enthusiastic hand gestures.
+*   00:06:26.542 - White text "subscribe pls!" appears over her.
+*   00:06:33.208 - The text disappears.
+*   00:06:41.500 - White text "thanks for watching!!" appears.
+*   00:06:44.875 - White text "scumbling" appears.
+*   00:06:48.042 - White text "have a great day!" appears.
+*   00:06:51.583 - White text "subscribe!" appears.
+*   00:06:52.417 - White text "www.brookecormier.com" appears.
+*   00:06:55.458 - White text "thanks. bye" appears, and she makes a funny face.
+*   00:06:57.000 - The screen fades to black, with "www.brookecormier.com" centered in white text.
+*   00:07:02.167 - The video ends.
+
+**Text on Screen:**
+*   00:00:01.375 - B.C. Cormier
+*   00:00:03.208 - FINE ART
+*   00:00:26.542 - THE MIST
+*   00:00:54.667 - in case that was confusing...
+*   00:00:56.000 - “scumbling” is applying a thin layer of paint using a dry brush. The idea is to allow parts of the already existing paint below to remain exposed. It is used to visually soften or lighten areas of the painting.
+*   00:02:24.417 - titanium white
+*   00:02:30.500 - angled flat brush
+*   00:03:19.417 - short, circular brush strokes
+*   00:03:38.833 - référence
+*   00:03:51.375 - 2 brushes:
+*   00:03:59.042 - one to apply the paint
+*   00:03:59.042 - another to do the blending
+*   00:05:11.833 - BEFORE
+*   00:05:22.958 - AFTER
+*   00:06:26.542 - subscribe pls!
+*   00:06:41.500 - thanks for watching!!
+*   00:06:44.875 - scumbling
+*   00:06:48.042 - have a great day!
+*   00:06:51.583 - subscribe!
+*   00:06:52.417 - www.brookecormier.com
+*   00:06:55.458 - thanks. bye
+*   00:06:57.000 - www.brookecormier.com
+
+**People in the video:**
+The video features one person: Brooke Cormier.
+She is an artist (painter) who specializes in landscape paintings, specifically using water-mixable oil paints due to her studio's small and not well-ventilated nature. She demonstrates and explains a painting technique called "scumbling" to create a mist effect in her art. She is the creator of the painting shown in the video and has her signature "B.Cormier" on it.
+
+**Summary of the Video Narrative:**
+The video begins by introducing Brooke Cormier, an artist, and her landscape painting of a misty lake scene with an island and pine trees. Brooke explains that she will be demonstrating how to paint mist using a technique called "scumbling," which involves applying a thin layer of paint with a dry brush to allow underlying layers to show through, creating a soft, light effect. She uses water-mixable oil paints because her studio is small and not well-ventilated, eliminating the need for strong-smelling thinners.
+
+Brooke walks viewers through the process, starting with titanium white paint and an angled flat brush. She initially finds the white too vibrant against the background and blends in some orange and brown to tone it down. She emphasizes using short, circular brush strokes and starting with minimal paint, gradually building up layers. She then reveals a tip: using two brushes – one for applying paint and a clean, dry one for blending. She also mentions occasionally using her fingers for blending.
+
+The video shows close-ups of her hand meticulously applying and blending the paint, transforming the clear water and distant shore into a misty, atmospheric scene. Finally, she paints her signature, "B.Cormier," on the finished piece. The video concludes with before-and-after shots of the painting, highlighting the mist's impact. Brooke expresses satisfaction with the result, encouraging viewers to try the technique, subscribe to her channel, and like the video.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_6-2ra25RVRs.txt b/raw/test/visual_info/output_6-2ra25RVRs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c4d71e328617196a2fdea59a01db432b911d21ba
--- /dev/null
+++ b/raw/test/visual_info/output_6-2ra25RVRs.txt
@@ -0,0 +1,130 @@
+Here is the breakdown of the video:
+
+**Important Visual Events:**
+00:00:01.036 - A blue Hydro Flask water bottle with a black lid is placed on the metal base of a hydraulic press.
+00:00:02.036 - The top plate of the hydraulic press begins to descend towards the Hydro Flask.
+00:00:05.100 - The bottle starts to visibly compress and buckle at the top.
+00:00:07.766 - The Hydro Flask rapidly deforms and ruptures, spraying water outwards.
+00:00:09.633 - The hydraulic press fully compresses the remnants of the Hydro Flask, leaving a small, flat, blue disc on the base, surrounded by residual water.
+00:00:11.967 - A stack of multi-colored Post-it notes is placed on the press.
+00:00:13.133 - The press descends, and the Post-it notes begin to crumple.
+00:00:14.667 - The Post-it notes explode outwards into many small, colorful paper fragments.
+00:00:18.100 - A classic multi-colored Rubik's Cube is centered on the press.
+00:00:18.967 - The press descends, and the Rubik's Cube cracks and shatters into small, dark pieces.
+00:00:21.033 - A hollow yellow rubber ball with black spots is placed on the press.
+00:00:22.500 - The press descends, compressing the ball.
+00:00:24.400 - The ball flattens significantly, and vibrant pink and orange goo or smaller balls ooze from its sides.
+00:00:26.567 - Two pink tubes of what appears to be goo or paste are placed side-by-side.
+00:00:27.767 - The press descends, and bright red and white goo squirts out from the ends of the tubes.
+00:00:30.200 - A pile of multi-colored plastic straws is arranged on the base.
+00:00:31.700 - The press descends, and the straws begin to crack and flatten.
+00:00:34.033 - The straws are completely flattened and spread out in a colorful, fractured pattern around the press.
+00:00:41.133 - A red candle with a lit wick is placed inside a metal ring.
+00:00:42.500 - The press descends onto the candle.
+00:00:44.200 - The candle is compressed and flattened, causing melted red wax to spread out within the ring.
+00:00:46.067 - Several white and red striped candy canes are placed vertically inside a metal ring.
+00:00:47.367 - The press descends, crushing the candy canes, which shatter and spray white and red fragments upwards and outwards.
+00:00:49.200 - Three sparkly, colorful bouncy balls (yellow, purple, pink) are placed on the press.
+00:00:50.567 - The press descends, flattening the bouncy balls.
+00:00:52.933 - The balls burst open, releasing a mix of glitter and small colorful pieces that scatter across the surface.
+00:00:54.633 - A single, large, purple-red beetroot is placed on the press.
+00:00:57.067 - The press descends onto the beetroot.
+00:00:59.033 - The beetroot splits cleanly in half, revealing its dark red interior.
+00:01:00.600 - The beetroot is further pressed, becoming a pulpy, dark red mess that spreads across the base.
+00:01:02.833 - A stack of three colorful silicone cups (red, yellow, blue) is placed on the press.
+00:01:03.967 - The press descends, and the cups flatten into colorful disks.
+00:01:06.133 - Two brown coconuts are placed side-by-side in a metal container.
+00:01:07.733 - The press descends onto the coconuts.
+00:01:08.567 - The coconuts crack open, revealing white coconut meat and liquid.
+00:01:10.500 - The press continues to compress, breaking the coconuts into smaller pieces.
+00:01:16.100 - White coconut meat and milk are squeezed out and spray upwards and outwards as the coconuts are completely crushed.
+00:01:19.267 - A blue Play-Doh elephant figurine with pink ears is placed on the press.
+00:01:21.067 - The press descends, flattening the elephant.
+00:01:23.700 - The blue Play-Doh spreads out into a thin, irregular sheet.
+00:01:26.100 - A pink and orange rubber worm-like toy with large white eyes is placed on the press.
+00:01:27.700 - The press descends, compressing the toy.
+00:01:29.967 - The rubber toy flattens into a distorted, pink and orange shape.
+00:01:35.333 - A green dragon figurine with a purple tongue and yellow wings is placed on the press.
+00:01:36.600 - The press descends onto the dragon.
+00:01:39.467 - The dragon is flattened, and its colorful Play-Doh-like material spreads out.
+00:01:45.333 - A collection of multi-colored soft building blocks (like LEGOs but squishy) are placed inside a metal ring.
+00:01:46.733 - The press descends onto the blocks.
+00:01:48.700 - The blocks are crushed and pushed out of the ring, leaving small, flattened pieces.
+00:01:51.367 - Several small, colorful Play-Doh figures resembling worms or abstract shapes are placed inside a metal ring.
+00:01:52.700 - The press descends onto the figures.
+00:01:55.700 - The figures are completely squashed and blend together, creating a multi-colored, flat, swirling mass.
+00:02:00.300 - A collection of inflated, colorful balloons are placed inside a metal ring.
+00:02:01.833 - The press descends, slowly compressing the balloons.
+00:02:04.833 - Many balloons pop simultaneously, releasing a spray of water and mist.
+00:02:11.700 - A yellow tennis ball with "Knight" printed on it is placed on the press.
+00:02:12.967 - The press descends, flattening the tennis ball.
+00:02:16.200 - The ball is completely flat, leaving a yellow disk.
+00:02:17.300 - A tall stack of multi-colored foam blocks (with tiny beads) is placed on the press.
+00:02:19.433 - The press descends, compressing the foam blocks.
+00:02:22.033 - The foam expands outwards and downwards as it's squashed, creating a large, colorful, soft disk.
+00:02:27.067 - Several brightly colored, shaped soap bars are placed inside a metal ring.
+00:02:28.467 - The press descends onto the soap bars.
+00:02:30.900 - The soap bars flatten and some small pieces are squeezed out.
+00:02:32.400 - A bundle of multi-colored, flexible candy sticks are placed inside a metal ring.
+00:02:33.800 - The press descends, bending and breaking the candy sticks.
+00:02:35.400 - The candy sticks violently spring and snap outwards, scattering pieces.
+00:02:35.600 - A multi-colored rubber band ball is placed on the press.
+00:02:36.900 - The press descends, compressing the rubber band ball.
+00:02:40.400 - The rubber bands snap and fling outwards, creating a colorful explosion of elastic.
+00:02:43.767 - A green Play-Doh toy car with red wheels and white eyes is placed on the press.
+00:02:45.067 - The press descends onto the toy car.
+00:02:47.300 - The car is flattened, and its green and red Play-Doh material spreads into a thin, wide disk.
+00:02:49.467 - A stack of white paper is placed on the press.
+00:02:50.900 - The press descends, compacting the paper.
+00:02:52.500 - The paper rips and shreds, scattering small white pieces across the surface.
+00:02:54.000 - A roll of toilet paper is placed inside a metal ring.
+00:02:55.667 - The press descends onto the toilet paper.
+00:02:58.333 - The toilet paper is compacted.
+00:03:00.600 - Water is released from the toilet paper, creating a large splash.
+00:03:04.467 - A stack of green CDs/DVDs is placed on the press.
+00:03:05.867 - The press descends onto the CDs.
+00:03:07.867 - The CDs shatter into many sharp green and clear plastic pieces that scatter widely.
+00:03:10.533 - A container filled with multi-colored water beads (gel beads) is placed on the press.
+00:03:11.733 - The press descends onto the water beads.
+00:03:15.500 - The water beads are completely crushed, releasing their liquid content in a colorful spray.
+00:03:20.667 - A purple mesh stress ball is placed on the press.
+00:03:21.800 - The press descends onto the stress ball.
+00:03:23.700 - The stress ball bursts, releasing purple goo that splatters outwards.
+00:03:26.500 - A cluster of six burning yellow and orange candles in a round holder is placed on the press.
+00:03:28.000 - The press descends onto the candles.
+00:03:30.933 - The candles are squashed, and their wax and wicks are extruded and flung outwards.
+00:03:37.400 - A lump of green slime is placed inside a metal ring.
+00:03:38.800 - The press descends onto the slime.
+00:03:41.200 - The slime is compressed and squishes out from the sides of the ring in a thick, green flow.
+00:03:45.367 - Several small orange carrots are placed inside a metal ring.
+00:03:46.800 - The press descends onto the carrots.
+00:03:50.067 - The carrots are shredded and scattered into many tiny orange pieces.
+00:03:54.567 - A mix of colorful plastic eggs (some solid, some translucent with glitter inside) are placed in a metal ring.
+00:03:56.000 - The press descends onto the eggs.
+00:03:59.933 - The eggs rupture, releasing a colorful mixture of liquid and small plastic pieces that spray outwards.
+00:04:06.633 - Several white, irregularly shaped bar soaps are placed inside a metal ring.
+00:04:07.800 - The press descends onto the soaps.
+00:04:10.567 - The soap bars are compressed and squish outwards, forming a white, lumpy mass.
+00:04:18.533 - A pile of multi-colored crayons is placed inside a metal ring.
+00:04:20.000 - The press descends onto the crayons.
+00:04:23.400 - The crayons shatter and are flung upwards and outwards in small, sharp pieces.
+00:04:29.433 - A stack of copper and silver metal rings is placed on the press.
+00:04:30.733 - The press descends onto the metal rings.
+00:04:34.900 - The rings are significantly compressed and deformed, particularly the copper ones.
+00:04:44.200 - A green Minecraft Creeper toy figure made of Play-Doh is placed on the press.
+00:04:45.500 - The press descends onto the Creeper.
+00:04:49.633 - The Creeper is flattened and spreads out into a thin, green and yellow disk.
+00:04:52.367 - A large quantity of tiny, multi-colored plastic beads is placed inside a metal ring.
+00:04:53.600 - The press descends onto the beads.
+00:04:57.667 - The beads are compressed and then burst outwards, scattering in all directions.
+
+**Text on Screen:**
+*   A digital countdown timer is displayed in the top right corner throughout the video, starting from 05:01 and counting down to 00:00:00.000.
+*   "Hydro Flask" text is visible on the blue water bottle from 00:00:01.036 until it's crushed.
+*   "Knight" text is visible on the yellow tennis ball from 00:02:11.700 until it's crushed.
+
+**People in the Video:**
+There are no people visible in the video. The objects are placed and removed by an unseen operator or mechanism, and the hydraulic press operates automatically.
+
+**Summary of the Video Narrative:**
+The video is a compilation of various everyday and novelty items being crushed by a large industrial hydraulic press, presented in slow motion. Each segment features a different object placed on a metal base, followed by the heavy metal arm of the press descending to exert immense pressure. The narrative is driven by the anticipation and visual spectacle of how each object reacts to the force: some items, like the Hydro Flask, water beads, and stress ball, rupture and spray their contents; others, such as the Post-it notes, Rubik's Cube, candy canes, CDs, and crayons, shatter into many pieces. Soft items like Play-Doh figures, silicone cups, and foam blocks flatten and spread, while resilient items like coconuts crack open. The video showcases the destructive power of the press against a diverse range of materials, highlighting the dramatic and often messy outcomes in extreme slow motion.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_68p4YCz7Ga4.txt b/raw/test/visual_info/output_68p4YCz7Ga4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..76dbfcaf85f61a182eaff5b4324f80f2d8a096d8
--- /dev/null
+++ b/raw/test/visual_info/output_68p4YCz7Ga4.txt
@@ -0,0 +1,103 @@
+Here is a detailed breakdown of the video:
+
+**Visual Events with Timestamps:**
+
+*   00:00:00.000 A hand holds a stack of two colorful paper cups against a green grid cutting mat.
+*   00:00:00.600 The hand takes one paper cup, showing its white interior.
+*   00:00:01.960 The hand rotates the cup to show its yellow exterior with floral patterns.
+*   00:00:02.800 The hand turns the cup to show its white interior again.
+*   00:00:04.160 A black marker is introduced and the hand starts drawing a circle inside the bottom of the cup.
+*   00:00:05.800 The circle is completed.
+*   00:00:07.400 The hand turns the cup horizontally and uses the marker to draw two vertical lines on the side of the cup.
+*   00:00:09.130 The hand draws another set of vertical lines further along the cup.
+*   00:00:10.740 The hand draws a third set of vertical lines on the cup.
+*   00:00:15.530 The hand holds the cup vertically, then horizontally, showing the drawn lines.
+*   00:00:18.840 Scissors are introduced, and the hand starts cutting along one of the drawn lines from the bottom of the cup.
+*   00:00:20.940 The cut extends almost to the top rim of the cup.
+*   00:00:22.540 The hand cuts another line, parallel to the first.
+*   00:00:23.940 The hand cuts a third parallel line.
+*   00:00:25.100 The hand cuts a fourth parallel line.
+*   00:00:27.700 The hand pushes one of the cut paper strips inward, then another, creating flaps.
+*   00:00:32.480 The hand folds the cut paper strips outward on opposite sides.
+*   00:00:33.480 The hand folds the two remaining strips outward, creating four flaps.
+*   00:00:36.680 The hand uses the black marker to make a small dot in the center of the cup's bottom.
+*   00:00:40.090 A close-up shot of the dot in the center of the cup's bottom.
+*   00:00:43.760 The paper cup with its flaps is placed on the mat, and a white plastic straw is introduced.
+*   00:00:46.330 The hand cuts a small piece from the straw.
+*   00:00:48.400 The hand inserts the cut straw piece into the hole at the bottom of the paper cup.
+*   00:00:52.920 A bottle of clear liquid adhesive (glue) is introduced.
+*   00:00:54.100 Glue is applied around the straw piece inside the cup.
+*   00:00:59.040 A green plastic propeller is introduced.
+*   00:01:02.160 A small white pearl is introduced.
+*   00:01:04.600 A small metal paper clip is introduced and unbent into a straight wire.
+*   00:01:13.200 The unbent paper clip wire is shown.
+*   00:01:15.660 Pliers are used to bend one end of the wire into a small hook.
+*   00:01:18.060 The wire is inserted through the center of the green propeller.
+*   00:01:21.060 Glue is applied to secure the wire to the propeller.
+*   00:01:25.560 The small pearl is threaded onto the wire from the other side of the propeller.
+*   00:01:27.560 The pliers are used to bend the end of the wire, securing the pearl.
+*   00:01:32.960 Two yellow rubber bands are introduced.
+*   00:01:34.020 One yellow rubber band is twisted into a figure-eight.
+*   00:01:38.280 A red rubber band is introduced.
+*   00:01:41.360 The red rubber band is threaded through the figure-eight yellow rubber band.
+*   00:01:44.200 The ends of the red rubber band are pulled through the yellow rubber band to interlock them.
+*   00:01:46.040 Pliers are used to pull the interlocked rubber bands tight.
+*   00:01:52.480 The interlocked rubber bands are attached to the hooked end of the propeller wire.
+*   00:01:55.740 A white circular cardboard piece is introduced.
+*   00:01:57.440 The cardboard piece is shown from both sides.
+*   00:01:59.080 The black marker is used to make a hole in the center of the cardboard piece.
+*   00:02:04.040 The cup with flaps and a bottle of FEVICOL MR glue are introduced.
+*   00:02:08.060 Glue is applied around the hole on the outer bottom of the cup.
+*   00:02:13.620 The circular cardboard piece is glued onto the bottom of the cup, covering the straw and sealing the hole.
+*   00:02:18.600 The completed cup structure is shown.
+*   00:02:20.000 The propeller assembly (propeller, wire, pearl, rubber bands) is introduced.
+*   00:02:22.000 A longer metal wire is introduced.
+*   00:02:23.700 The interlocked rubber bands are threaded onto the long metal wire.
+*   00:02:28.460 The other end of the long wire is inserted through the hole in the cardboard and through the straw in the cup.
+*   00:02:37.360 The propeller's wire is inserted through the straw in the cup, from the inside.
+*   00:02:40.000 The long metal wire is pulled through the cup, bringing the rubber bands and the propeller wire with it.
+*   00:02:44.800 A small straight metal pin is introduced.
+*   00:02:47.460 The small pin is pushed through the rubber bands and the straw from the side, securing them inside the cup.
+*   00:02:51.260 Transparent tape is introduced using a tape dispenser.
+*   00:02:54.000 Tape is applied over the pin and rubber bands to further secure them.
+*   00:02:59.000 Scissors are used to trim excess wire extending from the bottom of the cup.
+*   00:03:03.200 The completed paper cup helicopter toy is shown being rotated and held by the hands.
+*   00:03:12.060 Red arrows appear, showing how to twist the two paper flaps to wind up the rubber band mechanism.
+*   00:03:13.460 The hands twist the flaps of the paper cup helicopter.
+*   00:03:19.460 The hands release the twisted flaps, and the propeller spins rapidly.
+*   00:03:22.060 The person holding the paper cup helicopter is now in a room, ready to launch it.
+*   00:03:23.660 The person winds up the paper cup helicopter.
+*   00:03:24.460 The person launches the paper cup helicopter, and it flies upwards within the room.
+*   00:03:25.760 The paper cup helicopter falls to the floor.
+*   00:03:26.560 The person picks up the paper cup helicopter.
+*   00:03:27.760 The person winds up the paper cup helicopter again.
+*   00:03:28.960 The person launches it again in the room, and it flies and falls.
+*   00:03:30.900 The person is on a rooftop, holding the paper cup helicopter.
+*   00:03:31.900 The person winds up the paper cup helicopter.
+*   00:03:32.900 The person launches the paper cup helicopter into the open sky.
+*   00:03:33.600 The paper cup helicopter flies high in the sky.
+*   00:03:35.400 The paper cup helicopter descends and lands on the rooftop.
+*   00:03:36.560 The person picks it up again.
+*   00:03:37.560 The person winds up and launches the paper cup helicopter again.
+*   00:03:39.120 The paper cup helicopter flies high against the blue sky, rotating.
+*   00:03:47.340 The paper cup helicopter is still flying and rotating in the sky, then slowly descends out of frame.
+
+**Text on Screen:**
+
+*   00:00:00.600 - "Paper Cup" (top left)
+*   00:00:05.700 - "Siddharth Creations" (top right, yellow text with blue outline, present throughout the video except during the initial title card)
+*   00:00:59.040 - "Propellor" (top left)
+*   00:01:02.160 - "Pearl" (top left)
+*   00:01:06.000 - "Paper Clip" (top left)
+*   00:01:33.200 - "Rubber Band" (top left)
+*   00:01:56.240 - "Card Board" (top left)
+*   00:02:07.400 - "Fevicol MR General Purpose" (on the glue bottle label)
+*   00:03:40.000 - "SUBSCRIBED" (lower left, with a YouTube subscribe icon)
+
+**People in the Video:**
+
+The video features one person, whose hands are shown throughout the video performing the craft. This person is likely the creator of the toy and the video. We do not know their name or any other personal details beyond their hands and their apparent skill in crafting. The channel name "Siddharth Creations" suggests the creator's name might be Siddharth.
+
+**Summary of the Video Narrative:**
+
+The video is a DIY tutorial demonstrating how to construct a simple flying toy, resembling a helicopter, using common household items. The narrative begins by introducing a paper cup and showing how to mark and cut it to create four flaps. A small piece of a straw is then inserted and glued into a hole made at the bottom of the cup, serving as an axle. Next, a propeller is prepared by threading a straightened paper clip wire through its center, securing it with glue, and adding a small pearl for balance. Several rubber bands are linked together and attached to the hooked end of the propeller's wire. A circular cardboard piece with a hole is then glued to the bottom of the cup, covering the straw and providing stability. Finally, the long wire with the attached rubber bands and propeller is threaded through the cup's straw, and a pin is used to secure the rubber bands inside the cup, creating a tension mechanism. The paper flaps of the cup are then twisted to wind up the rubber bands, which, when released, spin the propeller. The video concludes with demonstrations of the completed toy flying both indoors and outdoors on a rooftop, showcasing its functionality and design. The overall narrative is an instructional guide for a creative, fun, and easy-to-make craft.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_6JhxhPVCdAI.txt b/raw/test/visual_info/output_6JhxhPVCdAI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/visual_info/output_6_ZIQVj1Zek.txt b/raw/test/visual_info/output_6_ZIQVj1Zek.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/visual_info/output_6y2pihZG6wg.txt b/raw/test/visual_info/output_6y2pihZG6wg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5c3c339c26ace37546fb88265db560e8e36de376
--- /dev/null
+++ b/raw/test/visual_info/output_6y2pihZG6wg.txt
@@ -0,0 +1,133 @@
+Here are the visual events, on-screen text, people in the video, and a summary:
+
+**Important Visual Events:**
+
+00:00:00.000- A man in overalls and a cap stands facing a white wall, using his hands to guide a paint roller on a long handle along the wall.
+00:00:03.000- The man steps back from the white wall, raising his arms. The paint roller has fallen to the floor.
+00:00:04.900- The screen transitions to black, and the title "THE TOMMY EDISON EXPERIENCE" appears in white, textured font.
+00:00:06.000- A close-up shot of the man, wearing sunglasses, a cap (with "CHURCHILL BUILDERS" visible), and overalls, smiling and speaking directly to the camera. A paint roller hangs on the white wall behind him.
+00:00:09.133- A wider shot shows the man's full body in front of the white wall, which is framed by wooden beams, indicating an 8x8 foot section. The paint roller is standing upright against the wall. A wooden table with painting supplies is visible on the right.
+00:00:11.767- The close-up shot of the man speaking returns.
+00:00:14.633- The wide shot of the framed white wall returns, with the paint roller standing upright.
+00:00:19.967- The close-up shot of the man speaking returns.
+00:00:24.767- The man, from a side angle, leans in towards the white wall, touching it with his left hand while holding the paint roller.
+00:00:28.000- The man crouches down on the drop cloth, his hands resting on an empty white paint tray sitting on a piece of plywood.
+00:00:29.433- A hand lifts the red lid off a red and white gallon can of "BEHR PREMIUM PLUS" paint, revealing bright red paint inside. Another paint can is beside it on a wooden surface.
+00:00:32.900- The close-up shot of the man speaking returns.
+00:00:35.200- The man is standing behind a white-covered table in a different room, with various painting supplies, including a wooden box and paintbrushes. He smiles at the camera.
+00:00:36.567- A close-up of the wooden box and two paintbrushes on the table.
+00:00:38.233- The man begins painting the top of the wooden box black with a paintbrush. The paint goes on unevenly.
+00:00:43.167- The close-up shot of the man speaking returns.
+00:00:43.767- The man continues painting the wooden box black, making wide, messy strokes with the brush. Black paint is splattered around the box on the white table cover.
+00:00:46.067- The man turns the now mostly black box and continues painting its side, showing thick, uneven paint application and drips. His fingers are smudged with black paint.
+00:00:49.000- The close-up shot of the man speaking returns.
+00:00:51.600- The man continues painting the side of the wooden box, his hand heavily covered in black paint as he tries to smooth out the excess.
+00:00:55.700- The close-up shot of the man speaking returns.
+00:00:57.167- The man uses the long-handled paint roller to practice rolling up and down the white wall. He moves the dry roller with broad, sweeping motions.
+00:01:05.167- A close-up shot of the paint roller being moved back and forth within the empty white paint tray on the plywood. The man's feet are visible.
+00:01:06.900- The man continues practicing with the dry roller on the white wall.
+00:01:13.233- The close-up shot of the man speaking returns.
+00:01:14.200- Red paint is poured from a can into the white paint tray, creating a vibrant red pool at the bottom.
+00:01:19.800- The close-up shot of the man speaking returns.
+00:01:22.067- The man stands confidently in front of the framed white wall, holding the paint roller that now has a red roller cover. A paint tray with red paint is on the floor.
+00:01:29.000- A close-up of the man's feet and the paint tray. The man dips the red-covered roller into the red paint, saturating it. Paint drips from the roller.
+00:01:31.933- The man lifts the heavily dripping red roller from the tray.
+00:01:35.233- The man rolls the dripping roller back and forth in the red paint within the tray.
+00:01:42.000- The man holds the dripping roller, standing upright in front of the white wall.
+00:01:45.033- The man dips the roller into the red paint tray again.
+00:01:47.333- The man lifts the roller, which is dripping heavily with red paint, out of the tray.
+00:01:48.800- The man dips the roller into the red paint, rolling it in the tray.
+00:01:58.000- The man lifts the red roller from the paint tray.
+00:02:00.000- The man begins painting the wall, moving the roller vertically from top to bottom, creating a thick, bold red stripe.
+00:02:16.833- An overhead shot shows the man painting, a long red stripe now visible on the white wall. Paint drips down the stripe.
+00:02:21.067- The man steps back from the wall, looking at the first large red stripe he's painted.
+00:02:22.867- A close-up of the red-soaked roller being moved around in the paint tray, which now has red paint spilled on the surrounding plywood.
+00:02:25.033- The man continues painting the wall, creating a second thick red stripe adjacent to the first.
+00:02:28.000- A side-angle close-up shows the man pushing the roller up and down the wall, painting the red stripes.
+00:02:29.800- A close-up of the roller being dipped into the paint tray. There's more spilled red paint on the plywood.
+00:02:33.700- A close-up of the red roller moving across the white wall, quickly covering it with red paint.
+00:02:37.000- The man is standing near the partially painted wall, reaching out with his right hand to touch the unpainted white section next to the red.
+00:02:39.000- A close-up of the man's hand touching the wall, feeling the contrast between the painted red section and the remaining white.
+00:02:46.100- A close-up of the red-soaked roller being pulled out of the paint tray.
+00:02:47.000- The man continues painting, working to cover more of the white wall with red paint.
+00:02:49.000- A close-up shows the red roller moving across the wall, near the wooden frame.
+00:02:51.000- The man continues painting the red wall, moving from left to right.
+00:02:56.000- A close-up of the red paint tray, almost empty, with a significant amount of paint spilled underneath it on the plywood.
+00:02:58.000- The man continues painting the wall, focusing on filling in gaps.
+00:02:59.000- A side-angle close-up shows the man painting the red wall.
+00:03:03.000- An overhead shot shows the wall mostly painted red, with some white patches and drips still visible, especially near the bottom. The man is extending his arm with the roller.
+00:03:06.000- The man continues to paint, working on the central and lower sections of the wall.
+00:03:10.000- An overhead shot shows the wall almost fully covered in red. The man is touching the painted surface with his hand, reaching from a distance with the roller in his other hand.
+00:03:13.000- The man continues to paint, working on the central and lower sections of the wall.
+00:03:16.000- An overhead shot shows the wall now completely covered in red paint. The man touches the center of the painted wall with his hand.
+00:03:22.000- A close-up of the man's hand touching the red wall, showing uneven coverage, drips, and paint on the wooden frame.
+00:03:25.567- The man is painting the very bottom edge of the red wall near the wooden base.
+00:03:28.000- A close-up of the red paint tray, now nearly empty, as the roller is dragged through the remaining paint.
+00:03:29.000- An overhead shot shows the man painting the lower right corner of the red wall.
+00:03:32.000- The man paints the wall, working on the red surface.
+00:03:32.000- A close-up of the man painting the lower left corner of the wall.
+00:03:34.000- The man paints the wall, working on the red surface.
+00:03:36.000- An overhead shot shows the man painting the lower right corner of the red wall.
+00:03:39.000- The man paints the top right corner of the wall, near the wooden frame.
+00:03:41.500- The man paints the wall, working on the red surface.
+00:03:44.000- The man speaks to the camera, standing in front of the fully painted red wall, which is largely covered.
+00:03:45.000- The man paints the wall near the bottom.
+00:03:46.500- An overhead shot shows the man painting the bottom right section of the wall.
+00:03:49.000- The man paints the wall, working on the red surface.
+00:03:51.000- The man paints the wall, working on the red surface.
+00:03:52.000- An overhead shot shows the man painting the bottom right section of the wall.
+00:03:53.000- The man paints the wall, working on the red surface.
+00:03:55.000- The man paints the wall, working on the red surface.
+00:03:57.000- The man paints the wall, working on the red surface.
+00:03:59.000- The man paints the wall, working on the red surface.
+00:04:00.000- The screen goes black.
+00:04:02.000- The man stands smiling in front of the entirely red-painted wall, holding the paint roller. He is noticeably sweating.
+00:04:06.000- A close-up of the bottom left corner of the wall shows significant red paint drips on the white baseboard and the light-colored drop cloth.
+00:04:08.000- A close-up of the painted red wall shows thick, uneven brush strokes and drips. The wooden frame is also covered in red paint.
+00:04:12.000- The man smiles and talks directly to the camera, standing in front of the red wall.
+00:04:13.000- The man stands in front of the fully painted red wall.
+00:04:15.000- The man talks to the camera, sweat visible on his face.
+00:04:21.000- The man stands in front of the painted wall, gesturing towards it with the paint roller.
+00:04:24.000- The man talks to the camera.
+00:04:28.000- The man stands in front of the painted wall, gesturing towards it with the paint roller.
+00:04:30.000- A close-up shows the red roller going over the wooden frame/guide on the left side of the wall, painting it red.
+00:04:32.000- A close-up shows the red roller going over the wooden frame/guide on the right side of the wall, painting it red.
+00:04:35.000- The man talks to the camera.
+00:04:36.000- A close-up shows the red roller going over the wooden frame/guide.
+00:04:41.000- The man talks to the camera, smiling slightly.
+00:04:43.000- A flashback shows the man guiding the roller with his hands on the white wall, then accidentally knocking it to the ground.
+00:04:46.000- A flashback shows the paint roller lying on the drop cloth next to the paint tray, which has red paint spilled around it.
+00:04:47.000- A flashback shows the man making the first large red vertical stripe on the white wall.
+00:04:50.000- A flashback shows the man adding a second vertical red stripe.
+00:04:53.000- A flashback shows the man covering more of the wall with red paint.
+00:04:55.000- A flashback shows the man covering more of the wall with red paint.
+00:04:58.000- A flashback shows the man covering more of the wall with red paint.
+00:05:00.000- A flashback shows the man covering more of the wall with red paint.
+00:05:03.000- The man stands smiling in front of the completely red wall, holding the paint roller, and asks for a grade.
+00:05:09.000- The screen turns black, and white text credits appear.
+00:05:11.000- The man stands in front of the red wall, holding the roller, and reacts with a smile to an off-screen voice.
+00:05:16.000- The man laughs at the off-screen voice.
+00:05:20.000- The man continues to react and laugh at the off-screen voice.
+00:05:25.000- The man continues to react and laugh at the off-screen voice.
+00:05:27.000- A close-up of the man smiling, looking towards the camera.
+00:05:31.000- The man smiles and laughs.
+00:05:35.000- The screen fades to black.
+
+**Text on Screen:**
+
+00:00:04.900 - THE TOMMY EDISON EXPERIENCE
+00:05:09.000 - PRODUCED/EDITED BY BEN CHURCHILL
+00:05:09.000 - MUSIC BY STEVEN BEDDALL
+
+**People in the Video:**
+
+*   **Tommy Edison:** He is the central figure in the video. He identifies himself as a blind person and is shown attempting to paint a wall for the first time. He wears a cap that says "CHURCHILL BUILDERS," which is likely a humorous nod to the video's producer/editor, Ben Churchill. He is detail-oriented in his verbal descriptions of the process and his prior, albeit limited, painting experience (painting a box messily). He uses touch and sound cues to compensate for his lack of sight while painting.
+*   **Ben Churchill (Off-screen voice):** Though not seen, his voice is heard interacting with Tommy Edison at the end of the video. He gives Tommy a "B" grade for his painting and jokes about fixing the accidental painting of the wooden guides. He is credited as the "PRODUCED/EDITED BY" the video.
+
+**Summary of the Video Narrative:**
+
+The video documents Tommy Edison, a blind individual, attempting to paint an 8x8 foot section of a white wall with a paint roller for the very first time. He begins by explaining his ambition to cover the wall with red paint, acknowledging his limited prior experience with only a paintbrush on a small box, which resulted in a messy outcome. To prepare for the larger task, he practices extensively with a dry paint roller, using touch and feel to understand its movement and control on the wall.
+
+Once ready, he pours vibrant red paint into a tray and begins the challenging process. The video shows his efforts from various angles, highlighting his methodical approach and the visual results of his painting—thick vertical stripes of red paint, eventually covering the entire designated area. He relies on auditory cues to confirm the roller's contact with the wall and tactile feedback to assess coverage.
+
+Despite his diligent efforts, the act of painting without sight leads to inevitable imperfections; paint drips down the wall, and he acknowledges having painted over the wooden boundary guides around his section. At the end, he confidently states he feels he has covered the entire wall and asks an off-screen person (Ben Churchill) for a grade on his work. The off-screen voice playfully gives him a "B" for his effort, noting the need for fixes and joking about the cost coming from Tommy's paycheck, to which Tommy laughs heartily. The video concludes with Tommy celebrating his achievement, demonstrating that learning and achieving are possible even with significant visual impairment.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_7C5bhTWdZec.txt b/raw/test/visual_info/output_7C5bhTWdZec.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ee547e306da2217cd242043e0ca5755320d13408
--- /dev/null
+++ b/raw/test/visual_info/output_7C5bhTWdZec.txt
@@ -0,0 +1,106 @@
+Here is a detailed list of important visual events with timestamps, followed by a list of on-screen text, information about people in the video, and a summary of the narrative.
+
+**Visual Events:**
+
+00:00:00.000 - Two cupcake-shaped candles, one topped with pink frosting and small red raspberries, the other with pink frosting and small pink chocolate bars, are shown on a white surface with a dark background. A hand approaches with a lit match and lights the wick of the right cupcake.
+00:00:01.383 - The flame on the right cupcake's wick grows brighter. The hand lights the wick of the left cupcake.
+00:00:02.433 - A hand holds up a pink silicone cupcake liner. Other liners, pink and red, are visible in a dark metal muffin tin in the background.
+00:00:03.200 - A metal pouring pot with a black handle is shown, filled with white, pellet-like soy wax. A hand reaches in and scoops out a handful of the wax.
+00:00:07.723 - A hand presses the power button on a white digital kitchen scale (SF-400 model). The display reads "0".
+00:00:09.133 - The metal pouring pot is placed on the scale, which still reads "0".
+00:00:10.533 - White wax pellets are poured from a smaller measuring cup into the pot on the scale. The display changes as the wax is added, stopping at "100".
+00:00:13.363 - A hand turns the dial of a small, silver single-burner electric hot plate, turning it on.
+00:00:14.493 - A larger metal pot, filled with water, is placed on the hot plate. The water is already bubbling slightly.
+00:00:16.893 - The smaller metal pouring pot containing the white wax pellets is placed into the larger pot of boiling water, creating a double boiler setup.
+00:00:19.463 - A wooden stick is used to stir the wax in the smaller pot as it begins to melt.
+00:00:22.093 - The wax is fully melted and appears as a clear, yellowish liquid.
+00:00:23.863 - A gloved hand opens a small clear plastic container filled with dark brown, irregularly shaped dye flakes.
+00:00:26.133 - The gloved hand pinches some of the brown dye flakes from the container.
+00:00:29.333 - The brown dye flakes are dropped into the melted wax in the pouring pot.
+00:00:31.063 - A wooden stick is used to stir the wax, mixing in the brown dye. The wax turns a dark brown color.
+00:00:33.163 - The gloved hand holds a small glass dropper bottle with a dark red liquid.
+00:00:34.993 - A single drop of the red liquid dye is squeezed from the dropper into the dark brown wax.
+00:00:37.333 - The wax is stirred again, and the color darkens to a richer, reddish-brown.
+00:00:39.123 - The dark reddish-brown melted wax is carefully poured from the pouring pot into the pink and red silicone cupcake liners, filling them partially.
+00:00:48.403 - White, pellet-like wax is poured into a clear glass beaker.
+00:00:50.083 - A black microwave oven with a digital clock displaying "14:03" is shown.
+00:00:51.043 - The microwave door opens, revealing the illuminated interior.
+00:00:52.093 - A gloved hand places the beaker with white wax pellets into the microwave.
+00:00:53.333 - The gloved hand presses the "Start" button on the microwave control panel.
+00:00:55.263 - The gloved hand retrieves the beaker from the microwave; the wax inside is now melted and clear.
+00:00:56.983 - A gloved hand holds a small clear plastic bag containing small, irregular pieces of red dye.
+00:00:59.263 - A piece of the red dye is dropped into the clear melted wax in the beaker.
+00:01:00.993 - A wooden stick is used to stir the wax and dye. The wax slowly turns a vibrant red, then bright pink as it mixes completely.
+00:01:05.153 - A gloved hand holds a translucent silicone mold with several small raspberry-shaped indentations. The mold is rotated to show the details.
+00:01:10.023 - The pink melted wax is carefully poured from the beaker into the raspberry-shaped mold cavities.
+00:01:17.953 - A gloved hand holds a brown silicone mold with several small chocolate bar-shaped indentations. The mold is flexible.
+00:01:21.823 - The pink melted wax is carefully poured from the beaker into some of the chocolate bar-shaped mold cavities.
+00:01:28.183 - A hand carefully peels back the silicone mold, revealing perfectly formed pink wax raspberries. The hand picks one up.
+00:01:31.253 - The hand gently squeezes another raspberry from the mold.
+00:01:32.493 - More pink wax raspberries are removed from the mold and placed on the white surface.
+00:01:36.983 - A hand carefully flexes the brown silicone mold, and a small, pink wax chocolate bar pops out.
+00:01:40.093 - Another pink wax chocolate bar is removed from the mold.
+00:01:43.083 - Two pink wax chocolate bars and several pink wax raspberries are arranged on the white surface.
+00:01:44.383 - A pair of hands holds two cupcake-shaped wax pieces still in their pink and red silicone liners. The wax is solidified.
+00:01:46.063 - The hands carefully peel back a pink silicone liner from one of the solidified, brown cupcake-shaped wax pieces. The piece maintains its ribbed cupcake shape.
+00:01:49.923 - The hands peel back a red silicone liner from the second solidified, brown cupcake-shaped wax piece.
+00:01:53.303 - The two brown cupcake-shaped wax pieces are shown side-by-side on the white surface.
+00:01:54.023 - A hand holds a long, thin candle wick with a small metal base attached to one end.
+00:01:57.143 - The hand uses scissors to cut the wick shorter.
+00:01:59.073 - The hand folds the cut wick in half.
+00:02:01.313 - The scissors cut the folded wick, separating it into two shorter wicks.
+00:02:04.293 - A hand holds a green and yellow tool with a sharp, pointed metal end.
+00:02:06.163 - The sharp tool is used to poke a hole precisely in the center of the top (flat) surface of one of the brown cupcake wax pieces.
+00:02:09.913 - A close-up shows the tool being pushed through the wax, creating a clean hole.
+00:02:12.443 - The hand threads one of the prepared wicks through the hole from the ribbed (bottom) side of the cupcake wax piece, pulling it up through the top.
+00:02:18.423 - The hand gently pushes the metal base of the wick into the bottom of the wax piece to secure it.
+00:02:22.563 - The wick stands upright, centered in the brown cupcake wax piece.
+00:02:23.993 - White, thin wax flakes, distinct from the pellets used earlier, are poured into the metal pouring pot placed on the kitchen scale.
+00:02:26.543 - The scale reads "73" (presumably grams).
+00:02:27.133 - A gloved hand places the metal pouring pot with the white wax flakes into the larger pot of boiling water on the hot plate.
+00:02:30.143 - A wooden stick stirs the wax flakes as they melt into a clear liquid.
+00:02:33.253 - A gloved hand drops a small, red, rectangular piece of dye into the melting wax.
+00:02:36.563 - The wax is stirred again, turning from clear to a pale pink, then to a brighter, opaque pink as it mixes thoroughly. The wax still appears liquid.
+00:02:45.893 - The pink wax is stirred vigorously as it begins to cool and thicken, becoming less transparent and more like a viscous liquid.
+00:02:50.813 - The wax has thickened further, appearing more like a thick paste.
+00:02:56.243 - A hand holds a small, purple handheld electric mixer with a whisk attachment.
+00:02:57.653 - The mixer is turned on.
+00:02:58.383 - The mixer is inserted into the pink wax in the pouring pot, and the wax is vigorously beaten, transforming into a light, fluffy, whipped cream-like consistency.
+00:03:06.633 - The whipping process continues, creating peaks and a smooth, airy texture.
+00:03:07.133 - A hand holds a metal piping nozzle with a star-shaped opening.
+00:03:09.133 - The hand uses scissors to cut the pointed tip off a clear plastic piping bag.
+00:03:12.793 - The piping nozzle is inserted into the cut end of the piping bag.
+00:03:17.923 - The piping bag with the nozzle is placed into a clear glass, with the edges folded over, to hold it open.
+00:03:20.303 - A white spoon is used to scoop the whipped pink wax cream from the pouring pot into the piping bag.
+00:03:25.793 - The piping bag is lifted from the glass.
+00:03:29.873 - The hand twists the top of the piping bag to push the cream towards the nozzle, preparing it for piping.
+00:03:34.923 - The hand pipes a swirling pattern of pink cream onto the top of one of the brown cupcake wax pieces. The wick remains visible in the center.
+00:03:48.833 - The hand carefully places two pink wax raspberries onto the piped cream.
+00:03:52.013 - The hand places a third pink wax raspberry onto the piped cream, completing the decoration.
+00:03:55.773 - The hand pipes a swirling pattern of pink cream onto the top of the second brown cupcake wax piece.
+00:04:03.963 - The hand places two small pink wax chocolate bars upright into the piped cream.
+00:04:08.083 - The two finished cupcake candles are displayed on the white surface. A hand approaches with a lit match and lights both wicks, illuminating the candles.
+00:04:14.383 - The two cupcake candles are shown burning, with flickering flames.
+
+**Text on Screen:**
+
+*   00:00:04.283 - We use soy wax
+*   00:00:14.283 - We heat the wax in a water bath
+*   00:00:24.383 - We color the wax with a brown dye
+*   00:00:33.323 - I add a liquid orange dye
+*   00:02:24.313 - we will make a cream for a cupcake from wax
+*   00:02:46.493 - Let's let the wax of the mute cool down
+*   00:02:56.243 - When the wax has started to harden,
+*   00:03:00.243 - beat it with a mixer
+*   00:03:07.133 - We use a cream nozzle
+*   00:04:08.573 - SUBSCRIBE
+
+**People in the Video:**
+
+Only the hands of one individual are visible throughout the video. The hands have light-colored, neatly manicured nails, some with subtle glitter. The person is wearing a ring on the ring finger of their left hand. No further identifying information about the person (such as gender, age, or name) is provided or discernible from the video.
+
+**Summary of the Video Narrative:**
+
+The video provides a step-by-step demonstration of how to craft decorative cupcake-shaped candles from wax. The process begins by preparing the base of the cupcake, which involves measuring and melting soy wax in a double boiler. Brown and a touch of orange dye are added to the melted wax to achieve a warm, chocolate-like color, which is then poured into silicone cupcake liners to set. Simultaneously, the decorative elements are created: white wax is melted, colored bright pink, and poured into small silicone molds for raspberry and miniature chocolate bar shapes.
+
+Once the main cupcake bases have solidified and are removed from their molds, a candle wick is carefully inserted through the center of each. For the "frosting," more wax is melted, colored pink, allowed to cool and partially harden, and then whipped with an electric mixer until it reaches a fluffy, cream-like consistency. This pink wax "cream" is transferred to a piping bag with a decorative nozzle and expertly piped onto the wax cupcake bases. The final touch involves artfully placing the previously molded wax raspberries and chocolate bars onto the piped "frosting" as edible-looking adornments. The video concludes by showcasing the completed, burning cupcake candles, highlighting their realistic and appealing appearance.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_7Frz3J25ZRw.txt b/raw/test/visual_info/output_7Frz3J25ZRw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f93bd0089a9ffe5b922e0d87b5ea994fc185c1e7
--- /dev/null
+++ b/raw/test/visual_info/output_7Frz3J25ZRw.txt
@@ -0,0 +1,47 @@
+Here is a list of important visual events from the video, sorted by timestamp:
+
+00:00:00.000 - A grey seal pup lies on a vast expanse of snow and ice, with blurred white-capped mountains in the background under a pale, diffused sky.
+00:00:05.109 - The seal starts to move forward, wiggling its body and using its front flippers to push itself across the snow.
+00:00:16.444 - The camera zooms in as the seal continues to move forward, its snout slightly pushing through a small mound of snow.
+00:00:22.515 - A very close-up shot of the seal's face, showing its large dark eyes, small nose, and whiskers. It blinks slowly.
+00:00:26.541 - The seal turns its head to the right, briefly showing its large front flipper with visible claws.
+00:00:34.053 - The seal's head is back in a central position, looking directly at the camera.
+00:00:40.176 - The seal wiggles its body forward, moving even closer to the camera, almost touching the lens.
+00:00:48.064 - The seal lifts its head and chest off the snow, looking upwards and making soft vocalizations.
+00:00:54.673 - The seal turns away from the camera and begins to shuffle off to the left.
+00:00:56.779 - A dark green rubber boot enters the frame from the left, positioned near the seal. The seal approaches the boot and nuzzles it with its nose.
+00:01:08.579 - The boot is no longer visible, and the seal looks directly at the camera, then slightly to the side.
+00:01:13.435 - The seal dips its head and snout into a small, dark hole in the snow.
+00:01:25.795 - The seal lifts its head out of the hole, looking at the camera.
+00:01:34.908 - A very close, almost static shot of the seal's face, looking directly at the camera, blinking its big, black eyes. The background is blurred white snow.
+00:02:10.963 - A close-up side profile of the seal's head, showing its eye, whiskers, and textured fur. The background is a pale, slightly pinkish horizon.
+00:02:57.904 - A wide shot shows the seal from a distance, slowly moving across the expansive snowy landscape towards the right. Mountains are visible in the background.
+00:03:09.309 - The seal is now closer in a medium shot, continuing to move towards the camera across the snow.
+00:03:25.864 - A very wide shot again, the seal is a small figure in the vast, white landscape, still moving slowly.
+00:03:40.098 - The seal lies flat on the snow in a medium shot, revealing more distinct dark spots and patterns on its grey fur.
+00:03:46.332 - The seal is lying next to a small hole in the snow, dipping its head into it. Soft vocalizations can be heard.
+00:03:52.417 - The seal lifts its head from the hole, vocalizes, then dips its head back into the hole again.
+00:04:12.721 - The seal fully submerges into the hole, disappearing from view, leaving only ripples on the water's surface.
+00:04:13.565 - An underwater shot reveals the seal's body submerged, swimming just below the ice.
+00:04:21.841 - The seal's wet, spiky-furred head emerges from the water, looking directly up at the camera.
+00:04:30.933 - The seal lifts its head higher out of the water, looking around, a single icicle hanging above it.
+00:04:41.879 - The seal submerges back into the water, with bubbles rising to the surface.
+00:04:56.883 - The seal's head emerges from the water again, looking directly at the camera. Its fur is still wet and appears spiky.
+00:05:05.050 - The seal remains in the water, blinking and looking around. Its fur is visibly matted from the water.
+00:05:22.610 - The seal looks directly at the camera, blinking its eyes slowly.
+00:05:40.528 - The seal vocalizes, its eyes closing and opening, as it continues to look at the camera from the water.
+
+---
+
+**Text on Screen:**
+There is no text displayed on screen in this video.
+
+---
+
+**People in the Video:**
+No identifiable people are shown in the video. The only human presence is a green rubber boot, which the seal briefly interacts with.
+
+---
+
+**Summary of the Video Narrative:**
+The video documents the fascinating behavior of a curious seal pup in an icy, snowy landscape. It begins with the seal wiggling its way across the snow, its determination highlighted by its continuous movement and expressive face. At one point, it approaches a human's green boot, nudging it with its nose out of apparent curiosity. The narrative then shifts as the seal discovers a hole in the ice, possibly a breathing hole. It repeatedly dips its head into the water, making soft vocalizations, before fully submerging. The perspective then moves underwater, showing the seal's body gracefully moving beneath the ice. Finally, the seal re-emerges from the icy water, its fur appearing wet and spiky, and engages in close-up interactions with the camera, blinking and vocalizing, showcasing its endearing nature in its natural, frozen environment.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_7QORMPFSzpc.txt b/raw/test/visual_info/output_7QORMPFSzpc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5bddc344436d837abf0a397c21842893c6bd1fc0
--- /dev/null
+++ b/raw/test/visual_info/output_7QORMPFSzpc.txt
@@ -0,0 +1,126 @@
+Here are the important visual events, on-screen text, information about people, and a summary of the video narrative:
+
+---
+
+**Visual Events:**
+
+00:00:00.000 - A close-up shot of a taco being assembled, with shredded meat, diced vegetables, and crumbled white cheese on a small white tortilla. A fork adds more meat.
+00:00:02.937 - The white pot icon with a steam symbol above it appears, followed by the text "SILENTLY COOKING" fading in below it, superimposed over the taco.
+00:00:09.125 - Hands reach in and fold the taco, picking it up to show the filling.
+00:00:13.937 - A person in a grey hooded sweatshirt is shown cutting raw chicken thighs into smaller pieces on a wooden cutting board. The text "6 CHICKEN THIGHS" appears at the bottom left.
+00:00:18.125 - A close-up shot of a knife slicing through a piece of raw chicken on the cutting board.
+00:00:20.375 - A person's hand pours cooking oil from a yellow bottle into a large white Dutch oven pot on a gas stove with a blue flame burning underneath.
+00:00:23.083 - A hand carefully places pieces of raw chicken into the hot oil in the pot.
+00:00:28.000 - A close-up shot of several pieces of raw chicken sizzling in the hot oil inside the pot.
+00:00:30.500 - A person's hand sprinkles salt from a small wooden salt cellar over the chicken pieces in the pot.
+00:00:34.000 - A hand pours a pile of brown cumin powder onto the wooden cutting board. The text "1 Tbsp CUMIN" appears.
+00:00:36.500 - A hand pours a pile of red paprika powder onto the wooden cutting board, next to the cumin. The text "1 Tbsp PAPRIKA" appears.
+00:00:38.625 - A hand pours a pile of light brown coriander powder onto the wooden cutting board, next to the paprika. The text "2 tsp CORIANDER" appears.
+00:00:41.500 - The camera shows the chicken in the pot with the added spices, which emit a slight steam. A person walks by in the background.
+00:00:50.000 - A close-up shot of the chicken pieces sizzling and beginning to brown in the pot with the spices.
+00:00:54.416 - A hand holds a red beer can, opens it, and tilts it, showing the fizzing opening.
+00:00:56.541 - A person's hand pours beer from the can into the pot with the chicken. The text "BEER" appears briefly in the lower left.
+00:00:58.375 - A fork is used to stir and separate the chicken pieces in the simmering liquid.
+00:01:02.166 - The lid is placed on the white pot, which continues to simmer on the gas stove.
+00:01:04.083 - A close-up shot of the chicken simmering in the pot with the lid off.
+00:01:06.500 - The camera shows the lidded pot on the stove, and a hand gestures as if setting a timer. The text "BRAISE for 2 HOURS" appears at the bottom.
+00:01:10.083 - A person's hands use a knife to finely dice half of a red onion on a wooden cutting board. The text "1/2 ONION" appears.
+00:01:15.333 - A person cuts a cucumber in half lengthwise on the cutting board. The text "1 CUCUMBER" appears.
+00:01:17.375 - A spoon or scoop is used to remove the seeds from the cut cucumber.
+00:01:20.500 - The person dices the cucumber halves into small pieces.
+00:01:23.166 - A person slices and dices tomatoes on the cutting board. The text "5 TOMATOES" appears.
+00:01:32.458 - The diced onions, cucumbers, and tomatoes are poured from a glass bowl into a large metal colander.
+00:01:37.083 - A person's hand sprinkles salt over the diced vegetables in the colander.
+00:01:39.166 - A spoon is used to stir the diced vegetables in the colander.
+00:01:44.208 - A person uses a zester to grate lime zest over the diced vegetables in the colander. The text "LIME ZEST" appears.
+00:01:48.333 - The colander with the diced vegetables is shown sitting over a clear glass bowl, with liquid visibly dripping from the vegetables into the bowl below. The text "STRAIN for 2 HOURS" appears.
+00:01:53.000 - A close-up of the braised chicken in the pot, now dark brown and very tender.
+00:01:56.291 - A fork easily pulls apart a piece of chicken, demonstrating its tenderness.
+00:02:00.625 - A wooden spoon is used to shred and break apart the chicken pieces further in the pot.
+00:02:05.083 - A knife slices a green lime in half on the cutting board.
+00:02:07.125 - A person's hands squeeze lime juice directly into the shredded chicken in the pot. The text "LIME JUICE" appears.
+00:02:11.208 - A close-up shot of the blue gas flame under the pot.
+00:02:12.458 - A close-up of the shredded chicken in the pot as the liquid reduces and thickens around it. The text "REDUCE the BRAISING LIQUID" appears.
+00:02:18.041 - A person pours white masa harina flour from a paper bag into a clear glass mixing bowl using a metal measuring cup. The text "2 CUPS of MASA HARINA" appears.
+00:02:21.416 - Water is poured into the masa harina in the bowl using the same metal measuring cup. The text "1 1/2 cups of WATER" appears.
+00:02:24.416 - A person sprinkles kosher salt into their hand from a wooden salt cellar, then adds it to the mixture. The text "1 tsp KOSHER SALT" appears.
+00:02:26.958 - A wooden stick is used to mix the masa harina, water, and salt into a dough.
+00:02:30.166 - A ball of mixed masa dough sits in a clear glass bowl, with a metal ice cream scoop and a black tortilla press visible on the wooden counter.
+00:02:32.666 - A person uses scissors to cut a piece of brown parchment paper into a square.
+00:02:36.166 - The cut parchment paper is placed on the bottom plate of the tortilla press.
+00:02:38.250 - A close-up of the gas flame heating a black griddle on the stove.
+00:02:39.125 - A person squeezes cooking oil from a plastic bottle onto the hot griddle and spreads it with a white cloth.
+00:02:42.250 - The ice cream scoop is used to scoop out a portion of the masa dough from the bowl.
+00:02:44.125 - A person's hands roll the scooped dough into a small, smooth ball.
+00:02:47.166 - The dough ball is placed on the parchment paper on the tortilla press.
+00:02:48.375 - Another piece of parchment paper is placed on top of the dough ball.
+00:02:50.000 - The person pulls down the lever of the tortilla press, flattening the dough ball into a thin, round tortilla.
+00:02:53.166 - The top parchment paper is peeled off the pressed tortilla, revealing its perfect round shape.
+00:02:59.083 - The tortilla is carefully peeled off the bottom parchment paper.
+00:03:02.000 - The tortilla is placed onto the hot griddle.
+00:03:05.125 - The person scoops another portion of dough.
+00:03:07.083 - The dough is rolled into another ball.
+00:03:08.500 - The dough ball is placed on the press.
+00:03:09.666 - The tortilla is pressed.
+00:03:11.208 - Two tortillas are cooking on the griddle.
+00:03:12.000 - A spatula is used to flip one of the tortillas on the griddle.
+00:03:13.291 - A close-up of the cooking tortilla, showing slight browning.
+00:03:15.541 - The person presses a third tortilla.
+00:03:19.458 - The top parchment paper is peeled off the third pressed tortilla.
+00:03:20.583 - The third tortilla is placed onto the hot griddle.
+00:03:23.000 - A stack of freshly cooked tortillas is shown, wrapped in a striped cloth. A hand reaches in and removes one tortilla.
+00:03:26.000 - The person folds the striped cloth over the stack of tortillas.
+00:03:30.000 - A close-up of the diced vegetables (salsa) in the colander.
+00:03:31.000 - A close-up of the liquid drained from the vegetables, sitting in the bowl under the colander.
+00:03:32.083 - A person's hand slides the bowl of salsa across a wooden tabletop.
+00:03:33.000 - A person uses their hands to crumble white feta cheese into a glass bowl.
+00:03:36.000 - A person places a cooked tortilla onto a white plate.
+00:03:38.000 - A spoonful of the diced salsa is added to the center of the tortilla.
+00:03:42.500 - A spoonful of the shredded chicken is added on top of the salsa.
+00:03:51.500 - A spoonful of crumbled feta cheese is sprinkled over the chicken and salsa.
+00:03:58.500 - A hand folds the taco in half, picking it up slightly to show the finished dish.
+00:04:04.500 - A close-up shot of the finished taco being held, showcasing its filling.
+00:04:16.875 - Two people's hands are visible at a wooden table, assembling tacos from separate bowls of shredded chicken, salsa, and crumbled cheese.
+
+---
+
+**Text on Screen:**
+
+*   **00:00:02.937 - SILENTLY COOKING** (with pot icon)
+*   **00:00:13.937 - 6 CHICKEN THIGHS**
+*   **00:00:34.000 - 1 Tbsp CUMIN**
+*   **00:00:36.500 - 1 Tbsp PAPRIKA**
+*   **00:00:38.625 - 2 tsp CORIANDER**
+*   **00:00:56.541 - BEER**
+*   **00:01:06.500 - BRAISE for 2 HOURS**
+*   **00:01:10.083 - 1/2 ONION**
+*   **00:01:15.333 - 1 CUCUMBER**
+*   **00:01:23.166 - 5 TOMATOES**
+*   **00:01:44.208 - LIME ZEST**
+*   **00:01:48.333 - STRAIN for 2 HOURS**
+*   **00:02:07.125 - LIME JUICE**
+*   **00:02:12.458 - REDUCE the BRAISING LIQUID**
+*   **00:02:18.041 - 2 CUPS of MASA HARINA**
+*   **00:02:21.416 - 1 1/2 cups of WATER**
+*   **00:02:24.416 - 1 tsp KOSHER SALT**
+
+---
+
+**People in the Video:**
+
+*   **Primary Cook:** A person wearing a grey hooded sweatshirt with a visible ring on their left ring finger. This person performs most of the cooking steps, including chopping, seasoning, stirring, and pressing tortillas.
+*   **Second Person (Hands Only):** At the very end of the video, a second pair of hands is visible helping to assemble tacos from the prepared ingredients. This person also wears a ring on their left ring finger.
+
+Based on the visible rings and the collaborative activity at the end, it suggests they are a couple or partners sharing the cooking and meal.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video, titled "SILENTLY COOKING," presents a step-by-step, instruction-based cooking demonstration without spoken dialogue, relying entirely on visual cues and on-screen text for ingredients and actions. The narrative follows the preparation of a delicious meal, presumably a type of shredded chicken taco or similar dish.
+
+The cooking process begins with cutting and seasoning chicken thighs, which are then braised in a pot with beer for two hours to tenderize. While the chicken cooks, fresh vegetables (red onion, cucumber, and tomatoes) are meticulously diced and combined to create a salsa, which is then strained to remove excess liquid. Concurrently, masa harina is mixed with water and salt to create the dough for fresh tortillas.
+
+The tender braised chicken is then shredded in the pot, and the braising liquid is reduced to create a flavorful sauce. Fresh lime juice is squeezed into the chicken to add a bright, zesty finish. The masa dough is portioned, pressed into thin tortillas using a tortilla press, and then cooked on a griddle until perfectly pliable.
+
+Finally, the meal comes together as the warm tortillas are filled with the shredded chicken, the freshly prepared salsa, and crumbled feta cheese. The video concludes with a close-up of a finished taco and two people sharing the experience of assembling and enjoying the homemade meal. The overall narrative emphasizes a focused, hands-on approach to cooking from scratch, highlighting the satisfying transformation of raw ingredients into a complete dish.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_9J_SCQhTmcM.txt b/raw/test/visual_info/output_9J_SCQhTmcM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9e5023c9508e4d9c5bdbd27a60cc6ea8e52ce00e
--- /dev/null
+++ b/raw/test/visual_info/output_9J_SCQhTmcM.txt
@@ -0,0 +1,61 @@
+Here are the visual events, on-screen text, people, and a summary of the video:
+
+**Important Visual Events:**
+00:00:00.000 - The video opens with a close-up of a tall clear glass container where colorful droplets (red, green, yellow, blue, black) are seen sinking through a clear liquid, creating trails of color, with a layer of yellow liquid on top. "THE DAD LAB" logo is visible in the bottom left corner.
+00:00:04.225 - A man in an orange shirt sits at a white wooden table in a bright kitchen, with a tall clear glass container, a smaller drinking glass, and two plastic bottles (one filled with clear liquid, one with yellow liquid) on the table in front of him.
+00:00:05.150 - The man picks up the clear plastic bottle (water) with his right hand.
+000:00:06.120 - He begins pouring the water from the clear plastic bottle into the tall glass container.
+00:00:07.950 - The water fills approximately two-thirds of the tall glass container.
+00:00:11.230 - The man caps the water bottle and then picks up the yellow liquid bottle (oil).
+00:00:13.120 - He unscrews the cap of the yellow liquid bottle.
+00:00:14.240 - He pours the yellow liquid (oil) into the smaller drinking glass.
+00:00:17.650 - The man places the oil bottle down and picks up a small red dropper.
+00:00:19.450 - He squeezes drops of red food coloring from the dropper into the smaller glass containing the oil. The red drops form small beads floating in the oil.
+00:00:23.750 - He puts down the red dropper and picks up a small green dropper.
+00:00:25.040 - He squeezes drops of green food coloring into the smaller glass.
+00:00:27.200 - He puts down the green dropper and picks up a small orange dropper.
+00:00:29.610 - He squeezes drops of orange food coloring into the smaller glass.
+00:00:32.080 - He puts down the orange dropper and picks up a small blue dropper.
+00:00:34.620 - He squeezes drops of blue food coloring into the smaller glass, adding to the existing colored beads.
+00:00:36.700 - He puts down the blue dropper and picks up a clear plastic stirring stick.
+00:00:38.800 - He uses the stick to gently stir the various colored food coloring droplets within the oil in the small glass, causing them to break into even smaller, uniform beads.
+00:00:43.080 - He finishes stirring and removes the stick, showing the multitude of tiny colorful beads suspended in the oil.
+00:00:46.060 - A young boy in a light blue t-shirt sits at the table, looking towards the large glass of water, with the man visible in the background.
+00:00:47.850 - The man, from off-screen, moves the small glass with the oil and colored beads over the large glass of water.
+00:00:49.200 - He pours the contents of the small glass into the tall glass container. The oil and colored beads float on top of the water.
+00:00:50.050 - The oil layer settles on top of the water, and some of the smaller colored beads immediately start to sink, leaving faint trails.
+00:00:54.670 - The boy watches the liquid and colors in the glass with an expression of intense interest and curiosity.
+00:00:58.330 - The boy leans his head on his hand on the table, observing the glass with a focused and delighted expression.
+00:01:01.300 - A larger red blob of color sinks through the water, forming a distinct wavy shape.
+00:01:04.220 - The boy smiles and begins to reach out his hand to touch the side of the glass.
+00:01:07.820 - The boy points at a red stream of color sinking in the glass.
+00:01:09.900 - Close-up on the glass: numerous small, brightly colored droplets (red, green, yellow, blue) are actively sinking through the clear water, leaving vivid, swirling trails behind them, while the oil layer remains clearly separated on top.
+00:01:14.670 - The boy, still leaning on his arm, observes the continuous descent of the colorful droplets in the glass.
+00:01:17.760 - The boy looks intently at the glass, then leans back and says something, presumably about the colors.
+00:01:23.590 - Another close-up on the glass shows an even more active "lava lamp" effect with many prominent, vibrant red, yellow, green, and blue streams of color descending and mixing in the water.
+00:01:25.750 - The boy leans in very close to the glass, observing the dynamic color display with wide, curious eyes and an open mouth, clearly fascinated.
+00:01:36.400 - The video transitions to a plain white background.
+00:01:36.950 - The "THE DAD LAB" logo appears in colorful letters, with a beaker icon forming the "A".
+00:01:40.090 - The background changes to a solid teal/blue color.
+00:01:40.750 - The "THE DAD LAB" logo in white appears on the left, and a circular colored logo of "THE DAD LAB" appears on the right.
+00:01:41.240 - The word "Subscribe" appears in white text to the left of the circular logo.
+00:01:42.360 - A red arrow pointing to the circular logo appears.
+00:01:43.050 - The phrase "DID YOU WATCH THESE?" appears in white text below the other elements, with two downward-pointing arrows.
+00:01:52.000 - The video ends on this screen.
+
+**Text on Screen:**
+00:00:00.000 - THE DAD LAB
+00:00:06.020 - Water
+00:00:12.980 - Oil
+00:00:20.120 - Food colourings
+00:01:37.490 - THE DAD LAB
+00:01:40.750 - THE DAD LAB (left, white)
+00:01:41.240 - Subscribe
+00:01:43.050 - DID YOU WATCH THESE?
+
+**People in the Video:**
+*   **An Adult Male:** He is the primary demonstrator of the experiment. He is likely a parent or educator, given the channel name "The Dad Lab," and is shown meticulously preparing the components for the experiment.
+*   **A Young Boy:** He is an observer and participant in the experiment. He watches with fascination and curiosity, smiling, pointing, and even vocalizing some colors he sees (off-screen, but audible). He is clearly enjoying the visual outcome of the science demonstration.
+
+**Summary of the Video Narrative:**
+The video showcases a simple and visually engaging science experiment, often referred to as a "homemade lava lamp," conducted by an adult for a young boy. The process begins with the adult filling a tall glass container mostly with water. He then pours cooking oil into a smaller separate glass. Various food colorings (red, green, orange, blue) are added to the oil and gently stirred to create tiny, dispersed colored beads. The highlight of the experiment occurs when the oil-and-food-coloring mixture is poured into the tall glass of water. Due to density differences, the oil forms a layer on top of the water. However, the food coloring, being water-soluble and denser than oil, sinks through the oil layer and into the water. As the colored droplets descend, they dissolve and create beautiful, vibrant, swirling trails and blobs, mimicking the effect of a traditional lava lamp. The young boy is shown throughout the experiment, observing with palpable fascination and delight as the colors unfurl and move within the liquid, making the experience both educational and captivating for a child. The video concludes with the branding for "The Dad Lab," encouraging viewers to subscribe and watch more science content.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_9Ob93-ufMaM.txt b/raw/test/visual_info/output_9Ob93-ufMaM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..03d8336d6cad08e2f892483c711b893c41299dcc
--- /dev/null
+++ b/raw/test/visual_info/output_9Ob93-ufMaM.txt
@@ -0,0 +1,117 @@
+Here is a detailed breakdown of the video's contents:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000- White screen.
+00:00:00.867- A colorful, patterned sweater (reminiscent of Bill Cosby's) appears centered on a white background.
+00:00:03.000- The sweater shrinks and moves to the top left, as a large black tribal tattoo appears centered.
+00:00:05.700- The tattoo shrinks and moves to the top right.
+00:00:06.833- A grey Nintendo Entertainment System (NES) console appears centered at the bottom.
+00:00:08.067- An old-style, wooden television set with a small screen appears to the right of the NES console.
+00:00:10.400- The old items disappear, and a large, modern flat-screen TV outline (sketch style) fills the center of the screen with a dark grey fill.
+00:00:14.233- The "four eyes" logo (black text with glasses forming the "ou" in "four") appears on a white background.
+00:00:17.500- A man in a red beanie and dark shirt is seen in a workshop, reaching for a piece of wood from a shelf. Various woodworking machinery is visible.
+00:00:21.033- Close-up of the man's hands placing a piece of wood on a table saw, testing its surface.
+00:00:26.067- A table saw blade slowly rises from the table surface next to a piece of wood.
+00:00:29.000- The man's hands adjust a lever on the table saw's fence.
+00:00:32.067- A close-up view of a measurement dial on the table saw fence, showing a red needle pointing to a measurement.
+00:00:36.700- A photo of three people (a man, a woman, and a young child) dressed as Mario, Princess Peach, and Mario (child-sized) for Halloween. A brown Goomba plushie is on the ground.
+00:00:41.833- The man is again in the workshop, operating the table saw. Pixelated Mario, Luigi, Peach, Waluigi, Sonic, Bowser, and Goomba characters appear sequentially above his head.
+00:01:02.600- A pixelated Goomba character is on the left of a white screen, and a brown poop emoji with smiling eyes is on the right.
+00:01:07.333- The man is using a dado blade on the table saw to cut grooves into a piece of wood. Dust is flying.
+00:01:12.833- The man uses a wooden push stick to guide the wood through the dado blade, making multiple passes to create a wider groove.
+00:01:17.800- A YouTube video screen shows the title "Super Mario Made From Wood. Pixel by Pixel." with a "Make Something" channel logo and various related videos in the sidebar.
+00:01:19.467- A man with glasses and a beard, wearing a grey t-shirt, is shown on the YouTube video, holding up small wooden blocks.
+00:01:25.000- The man on the YouTube video sticks out his tongue as an 8-bit Mario "coin" sound effect plays.
+00:01:48.333- The man arranges stacks of various light and dark wood strips on a workbench.
+00:01:51.733- Close-up of a table saw blade and a gold-colored aluminum fence.
+00:01:53.133- A hand adjusts a hex screw on the miter gauge attached to the gold fence.
+00:01:55.967- The man positions a piece of wood against the fence on the table saw.
+00:01:59.700- The man is cutting small rectangular blocks of wood from longer strips on the table saw. The blade is spinning rapidly.
+00:02:07.067- Small wooden cubes, a mix of light and dark wood, are seen falling into a blue and green striped towel on the floor.
+00:02:08.967- Close-up of the man feeding a wood strip into the table saw against a fence.
+00:02:14.167- A close-up of dark wood blocks being cut, showing the grain on the cut ends.
+00:02:18.167- The man continues cutting wood blocks, pushing them through the saw.
+00:02:27.733- A large pile of mixed light and dark wooden cubes is on the floor against a machine.
+00:02:32.967- The man kneels and uses the striped towel to gather the wooden blocks into a pile.
+00:02:40.000- The man is arranging the wooden blocks into small square formations on the table saw surface.
+00:02:47.900- The man applies blue painter's tape to the workbench surface, forming a square outline.
+00:02:57.433- The man applies wide, clear packing tape over the blue tape outline on the workbench. A printed pixel diagram of Goomba is visible on the right.
+00:03:06.567- The man cuts the clear packing tape with scissors.
+00:03:13.200- The man begins to place the wooden blocks onto the clear tape grid, starting to form the pixelated Goomba shape.
+00:03:20.800- The man is applying wood glue to the sides of the wooden blocks with a small blue brush. Other rows of blocks are clamped.
+00:03:28.067- Close-up of the man applying glue to a single wooden block.
+00:03:31.800- The man places a glued block next to others, fitting them together precisely.
+00:03:35.567- A wider shot of the man assembling the Goomba pixel art on the workbench, with clamps holding sections together.
+00:03:51.867- The man uses an orbital sander with a vacuum hose attached to sand the assembled wooden Goomba piece. It's resting on blue risers.
+00:03:57.333- A close-up of the orbital sander moving across the surface of the Goomba, showing dust being collected. The word "patreon" appears.
+00:04:06.767- The man's finger runs across a seam on the sanded Goomba to check for smoothness.
+00:04:19.667- A gloved hand applies oil or finish to the wooden Goomba, making the wood grain more vibrant.
+00:04:31.600- A young boy jumps onto a sofa and reaches up towards the completed wooden Goomba art, which is hanging on the wall.
+00:04:46.700- A Nintendo Entertainment System (NES) console and controller are in the foreground, with the wooden Goomba art hanging on the wall in the blurred background.
+00:04:53.767- The man and his son are sitting on the floor, playing an old Nintendo game (Excitebike) on a large flat-screen TV. The wooden blocks are scattered near them.
+00:05:00.833- A close-up shot of the wooden Goomba art hanging on the wall.
+00:05:19.167- The man and his son are playing Super Mario Bros. on the NES. The son points at the screen.
+00:05:39.267- Close-up of the wooden Goomba art on the wall.
+00:05:46.167- The young boy runs toward the couch, smiles, and then runs off-screen.
+00:05:51.000- The "four eyes" logo appears again, superimposed over a faded version of the living room scene.
+00:05:53:400- End screen with options: "Subscribe and never miss a video", "Watch Next", and "Support".
+
+**Text on Screen with Timestamps:**
+
+*   00:00:14.233- four eyes
+*   00:00:47.367- (Pixelated Mario character image appears)
+*   00:00:48.867- (Pixelated Luigi character image appears)
+*   00:00:50.000- (Pixelated Princess Peach character image appears)
+*   00:00:51.067- (Pixelated Waluigi character image appears)
+*   00:00:52.500- (Pixelated Sonic character image appears)
+*   00:00:53.900- (Pixelated Bowser character image appears)
+*   00:00:55.600- (Pixelated Goomba character image appears)
+*   00:01:03.000- (Goomba pixel image and poop emoji image appear side-by-side)
+*   00:01:17.800- MAKE SOMETHING (logo on screen within YouTube interface)
+*   00:01:17.800- Super Mario Made From Wood. Pixel by Pixel. (video title)
+*   00:01:17.800- Make Something (channel name)
+*   00:01:17.800- Subscribed (with checkmark)
+*   00:01:17.800- 209,216 (subscriber count)
+*   00:01:17.800- 28,097 views
+*   00:01:17.800- Published on Oct 6, 2016
+*   00:01:17.800- Making Super Mario Bros pixel by pixel out of different colors of wood. Subscribe for weekly woodworking projects: http://www.youtube.com/user/drunkemwo... (video description)
+*   00:01:17.800- Up next (sidebar)
+*   00:01:17.800- Autoplay (toggle)
+*   00:01:17.800- Make a Corner Cabinet with Etched Glass Doors (Suggested video)
+*   00:01:17.800- How to Make Lincoln Logs Woodworking Project (Suggested video)
+*   00:01:17.800- How to Make an End Grain Cutting Board with Epoxy Inlay (Suggested video)
+*   00:01:17.800- Acrylic and Wood Veneer Clock : Easy Woodworking Project (Suggested video)
+*   00:01:17.800- DESIGN TIME! (thumbnail overlay on a suggested video)
+*   00:01:17.800- Tide (ad banner)
+*   00:01:17.800- Subscribe (ad text for Tide)
+*   00:01:17.800- Visit Advertiser's Site (ad text for Tide)
+*   00:03:57.333- patreon (bottom left corner)
+*   00:03:57.333- link below (below patreon)
+*   00:04:55.000- EXCITEBIKE (game title on TV screen)
+*   00:04:55.000- ► SELECTION A (game option)
+*   00:04:55.000- SELECTION B (game option)
+*   00:04:55.000- DESIGN (game option)
+*   00:04:55.000- ©1984 NINTENDO (copyright info on TV screen)
+*   00:05:19.167- MARIO 000000 ⦿-01 WORLD 1-1 TIME 391 (Super Mario Bros. game interface on TV screen, score/world/time change)
+*   00:05:31.000- Kirby's Adventure (game title on TV screen, within NES menu)
+*   00:05:31.000- Nintendo Entertainment System (NES menu header on TV screen)
+*   00:05:51.000- four eyes (logo)
+*   00:05:53.400- Subscribe and never miss a video (left column of end screen)
+*   00:05:53.400- Watch Next (middle column of end screen)
+*   00:05:53.400- Support (right column of end screen)
+
+**People in the Video:**
+
+*   **Narrator/Craftsman (appears to be named Dave/David):** A man with a beard, glasses, and a red beanie. He is the main subject of the woodworking process, and his voice narrates the video. He identifies himself as a father who dressed up as Mario for Halloween and is making the Goomba art for his son. He references another woodworking content creator named "David" (from the "Make Something" channel).
+*   **Son:** A young boy, likely around 3 years old, who is the narrator's son. He loves Mario, and his favorite character is Goomba, which he calls an "angry poop." He is seen in a Mario costume for Halloween, and later playing Nintendo games and interacting with the finished Goomba art.
+*   **Woman:** Appears briefly in a Halloween photo (00:36), dressed as Princess Peach. She is presumably the narrator's partner and the son's mother.
+*   **Dog:** A bull terrier is seen in the living room scenes, often wearing a green shirt.
+
+**Summary of the Video Narrative:**
+
+The video's narrative centers around a father (the narrator and craftsman) creating a unique woodworking project for his young son. It begins with the narrator reminiscing about his own childhood, contrasting it with the present, particularly in terms of technology and popular culture. He then explains how his three-year-old son has developed a surprising love for the classic video game Super Mario Bros., specifically identifying the Goomba character as his favorite, which he comically refers to as "an angry poop."
+
+Inspired by his son's affection for the character, and by another YouTuber's pixel-art woodworking project, the narrator decides to craft a large, pixelated Goomba out of different colored woods. The video then transitions into a detailed, visually engaging montage of the woodworking process: from cutting various wood strips into small blocks, organizing them, meticulously gluing them together on a taped grid, and finally sanding and finishing the piece.
+
+The narrative culminates with the completed wooden Goomba hanging on a wall in what appears to be the family's media room. The son is shown joyfully interacting with the art, climbing on the couch to touch his "angry poop." The video concludes with the father and son playing classic NES games together, and the narrator reflects on the enduring appeal of iconic video games like Mario, attributing their timelessness not to graphics or technology, but to strong story, gameplay, and characters that resonate deeply across generations, unlike rapidly evolving modern tech. The son's simple "Thank you, Daddy" provides a heartwarming close to the personal project.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_9QbL9c_XrtE.txt b/raw/test/visual_info/output_9QbL9c_XrtE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d5b55e51cbdab741b13b018bf256e7ac706bca4b
--- /dev/null
+++ b/raw/test/visual_info/output_9QbL9c_XrtE.txt
@@ -0,0 +1,134 @@
+Here is the detailed analysis of the video as requested:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - A small orange and yellow parrot (likely a sun conure) is shown next to a yellow plastic toy with green tracks and two yellow plastic ducks; a human finger holds the toy.
+*   00:00:00.758 - The parrot starts to bite at the plastic ducks on the toy.
+*   00:00:01.373 - The parrot makes a distinct "HA!" sound.
+*   00:00:02.193 - The parrot makes another "HA!" sound, followed by what sounds like exaggerated laughter.
+*   00:00:03.003 - The screen transitions to a red background with numerous "HA!" texts.
+*   00:00:03.493 - A white diagonal wipe animation splits the screen, revealing a white background on the top left.
+*   00:00:04.093 - White text "TRY NOT TO LAUGH:" appears diagonally on the white background.
+*   00:00:05.003 - White text "FUNNY BIRDS" appears diagonally below the previous text.
+*   00:00:06.130 - A woman is kneeling on a wooden floor, pouring water from a blue bottle into a clear glass, while a colorful lorikeet bird approaches the glass.
+*   00:00:08.380 - The lorikeet walks around the glass as water is poured, seemingly interacting with the stream.
+*   00:00:10.890 - The lorikeet continues to move its head around the stream of water, appearing to play or try to drink.
+*   00:00:13.160 - Three budgerigars (parakeets) are perched on top of a black television or monitor; one blue, one green/yellow, and one white. The blue budgerigar begins to bob its head rapidly.
+*   00:00:14.370 - The blue budgerigar intensely bobs its head up and down.
+*   00:00:18.420 - The blue budgerigar continues its rapid head bobbing.
+*   00:00:20.940 - The blue budgerigar stops its head movements and appears calm.
+*   00:00:21.571 - Three budgerigars are on a light-colored foam mat; one is a plush toy (green/yellow), and two are live birds (one green/yellow, one blue/green) interacting with it. A human foot is holding the plush toy.
+*   00:00:24.081 - The live green/yellow budgerigar pecks at the plush toy.
+*   00:00:29.281 - The live green/yellow budgerigar continues to peck and interact with the plush toy.
+*   00:00:32.611 - The live green/yellow budgerigar climbs onto the back of the plush toy, attempting to mate.
+*   00:00:39.110 - A Secretarybird stands on the ground in a natural setting, looking at a coiled snake-like toy. A dark water tub is in the background.
+*   00:00:40.730 - The Secretarybird lifts its leg and stomps on the snake toy.
+*   00:00:42.130 - The Secretarybird stomps on the snake toy again with force.
+*   00:00:45.330 - The Secretarybird repeatedly and forcefully stomps on the snake toy.
+*   00:00:51.640 - The Secretarybird picks up the snake toy in its beak and shakes it vigorously.
+*   00:00:54.120 - A grey cockatiel and a yellow lovebird are on a tiled floor, with the lovebird positioned behind the cockatiel.
+*   00:00:54.850 - The lovebird starts chasing the cockatiel across the floor.
+*   00:00:58.330 - The cockatiel flies away to escape the chasing lovebird.
+*   00:01:00.670 - The lovebird continues to chase the cockatiel, pecking at it.
+*   00:01:03.340 - The lovebird corners the cockatiel and aggressively pecks it, causing the cockatiel to lie down on the floor.
+*   00:01:07.410 - The lovebird continues to harass the cockatiel, which remains on the floor, as a human hand attempts to intervene.
+*   00:01:10.590 - The human hand tries to separate the birds, and the lovebird bites the human's finger.
+*   00:01:17.060 - A small white bird is shown inside a cardboard tube on a wooden floor, with a human hand pointing at the tube.
+*   00:01:19.460 - The bird moves inside the tube, rolling it across the wooden floor.
+*   00:01:23.700 - The bird rolls the tube back and forth on the floor.
+*   00:01:25.260 - A human hand pushes the tube with a finger, making the bird roll faster.
+*   00:01:26.587 - A large white cockatoo is perched on a dark grey surface, with a smaller grey/green bird perched on its back, tucked under its wing.
+*   00:01:31.437 - The cockatoo slightly raises its wings, revealing more of the smaller bird on its back, which moves its head.
+*   00:01:36.567 - The cockatoo shakes its head and ruffles its feathers.
+*   00:01:47.388 - A white cockatoo is in a dark room, perched on a reflective surface, opening its beak wide and squawking loudly.
+*   00:01:49.798 - The cockatoo lowers its head and continues to squawk.
+*   00:01:53.668 - The cockatoo squawks loudly, bobs its head multiple times, and looks around.
+*   00:02:00.658 - The cockatoo bobs its head, shakes its body, and squawks loudly again.
+*   00:02:07.873 - A white cockatoo is perched on a wooden kitchen counter next to a sink, observing a partially visible human.
+*   00:02:10.733 - The cockatoo looks around the kitchen counter.
+*   00:02:13.923 - A human hand places a plastic container into a dish drying rack, making a clattering noise that the cockatoo notices.
+*   00:02:16.483 - The human picks up the plastic container and drops it into the sink with a loud clang, causing the cockatoo to flinch and squawk.
+*   00:02:19.483 - The human drops the container into the sink again; the cockatoo squawks loudly and throws its head back in exasperation.
+*   00:02:22.513 - The human drops the container into the sink once more; the cockatoo reacts with a squawk, a head shake, and a glance at the human.
+*   00:02:24.463 - The human creates another loud clattering noise with the container and dishes; the cockatoo flinches, squawks, and looks highly agitated.
+*   00:02:38.868 - A young girl walks into a living room, holding a green broom with a white dustpan attached, and a white cockatoo is perched on the broom.
+*   00:02:40.858 - The girl pulls the broom across the wooden floor, with the cockatoo riding on it.
+*   00:02:43.748 - The cockatoo appears to enjoy the ride as the girl pulls it towards the kitchen.
+*   00:02:48.338 - The girl returns to the living room, pulling the broom with the cockatoo still on it.
+*   00:02:51.948 - The girl continues to walk with the broom, and the cockatoo rides along happily.
+*   00:02:56.848 - The cockatoo makes a loud, happy squawk.
+*   00:02:59.338 - The girl pulls the broom and cockatoo back towards the kitchen.
+*   00:03:02.048 - The girl walks back into the living room, with the cockatoo still on the broom.
+*   00:03:07.248 - The cockatoo slips off the broom handle as the girl turns, landing on the floor.
+*   00:03:10.028 - The cockatoo walks back towards the broom.
+*   00:03:13.068 - The girl attempts to help the cockatoo get back onto the broom.
+*   00:03:15.868 - The girl successfully helps the cockatoo get back onto the broom handle.
+*   00:03:17.908 - The cockatoo is back on the broom, facing forward.
+*   00:03:20.598 - The girl pulls the broom, and the cockatoo rides along.
+*   00:03:21.848 - The girl stops, and the cockatoo begins pecking at the dustpan attached to the broom. The girl bends down.
+*   00:03:23.758 - The girl removes the dustpan from the broom.
+*   00:03:26.548 - The cockatoo is on the broom. The girl assists it again.
+*   00:03:28.428 - The cockatoo is fully back on the broom.
+*   00:03:30.938 - The girl holds the broom, and the cockatoo pecks at its bristles.
+*   00:03:34.028 - The cockatoo continues to peck at the broom.
+*   00:03:36.568 - The cockatoo is still on the broom, pecking.
+*   00:03:39.068 - The cockatoo steps off the broom onto the floor.
+*   00:03:41.018 - The cockatoo tries to climb back onto the broom.
+*   00:03:42.548 - The cockatoo successfully hops back onto the broom and puffs up its crest, appearing content.
+*   00:03:47.018 - The girl pushes the broom, and the cockatoo glides across the wooden floor.
+*   00:03:52.008 - The cockatoo rides on the broom as the girl pushes it.
+*   00:03:59.398 - The girl pushes the broom with the cockatoo on it towards a large wooden cabinet with a reflective surface (mirror or glass). The cockatoo looks at its reflection.
+*   00:04:02.168 - The cockatoo sees its reflection in the glass cabinet and makes happy chirping sounds.
+*   00:04:04.978 - The cockatoo starts pecking at the broom handle again.
+*   00:04:08.578 - The cockatoo is back on the broom, and a human hand takes over pushing the broom.
+*   00:04:10.878 - The cockatoo rides on the broom as the human pushes it.
+*   00:04:15.018 - The cockatoo falls off the broom.
+*   00:04:16.142 - A man plays a guitar, and two white cockatoos are perched on a white towel draped over a chair, looking at him.
+*   00:04:19.492 - The man starts playing the guitar. One cockatoo (on the right) raises its crest and bobs its head in time with the music.
+*   00:04:22.952 - The right cockatoo continues its head bobbing and crest raising, showing enjoyment of the music.
+*   00:04:29.812 - Both cockatoos are now actively bobbing their heads and raising their crests, appearing to dance together.
+*   00:04:36.712 - The man continues playing the guitar, and both cockatoos maintain their enthusiastic head bobbing and crest displays.
+*   00:04:42.572 - The cockatoos continue their dance, with the right cockatoo exhibiting more energetic head bobbing.
+*   00:04:51.042 - The cockatoos persist in bobbing their heads and fanning their crests, facing the camera.
+*   00:05:01.372 - The cockatoos are still actively dancing, clearly engaged with the music.
+*   00:05:14.392 - The cockatoos continue to dance, with the right one's crest fully fanned out.
+*   00:05:35.318 - A grey parrot is perched on a white table while a smaller, white, featherless bird (likely a parrot chick) walks around the table.
+*   00:05:39.998 - The featherless bird walks around the table, emitting a high-pitched chirping sound.
+*   00:05:43.768 - The featherless bird continues its quick movements on the table.
+*   00:05:46.858 - The featherless bird moves closer to the camera, flapping its small wings.
+*   00:05:51.048 - The featherless bird runs around the table, flapping its wings and chirping.
+*   00:05:55.338 - The featherless bird spins rapidly in place, flapping its wings.
+*   00:06:00.678 - The featherless bird continues its agitated movements on the table while the grey parrot calmly observes.
+*   00:06:15.939 - The video transitions to a white outro screen.
+*   00:06:16.489 - The word "SUBSCRIBE" with an arrow appears in black at the top left, and the red text "THE PET COLLECTIVE" along with "WHERE PETS RULE." appears in the center, above images of a kitten and a pug puppy.
+*   00:06:17.939 - A pink paw print icon appears at the bottom center of the screen.
+*   00:06:19.539 - The pink paw print icon reappears slightly to the right.
+*   00:06:20.949 - The kitten in the image moves slightly.
+*   00:06:21.289 - The pink paw print icon reappears slightly to the left.
+*   00:06:23.009 - The pink paw print icon reappears slightly to the right.
+*   00:06:23.959 - The kitten in the image moves again.
+
+**Text on Screen:**
+
+*   00:00:03.003 - HA! (repeated multiple times in red on a red background)
+*   00:00:04.093 - TRY NOT TO LAUGH: (white text, diagonal)
+*   00:00:05.003 - FUNNY BIRDS (white text, diagonal, below "TRY NOT TO LAUGH:")
+*   00:06:16.489 - SUBSCRIBE (black text with an arrow, top left)
+*   00:06:16.899 - THE PET COLLECTIVE (red text)
+*   00:06:16.899 - WHERE PETS RULE. (red text, below "THE PET COLLECTIVE")
+
+**People in the Video:**
+
+*   **Human Finger/Hand (00:00:00.000 - 00:00:02.193):** An unseen individual interacting with a toy and parrot.
+*   **Woman (00:00:06.130 - 00:00:12.870):** A woman with braided hair, wearing a striped shirt and dark overalls, is seen kneeling and pouring water for a bird.
+*   **Human Hand/Foot (00:00:21.571 - 00:00:38.991):** A human foot is holding a plush bird toy. Later, a human hand interacts with the live budgerigars.
+*   **Human Hand (00:01:10.590 - 00:01:11.750):** A human hand attempting to separate two birds is bitten by one of them.
+*   **Human Hand (00:01:17.060 - 00:01:25.790):** A human hand is seen pointing at and later pushing a cardboard tube with a bird inside.
+*   **Human (Unseen) (00:02:07.873 - 00:02:38.743):** An unseen individual whose hand interacts with the cockatoo and makes loud noises with kitchen items. They also speak off-camera.
+*   **Young Girl (00:02:38.868 - 00:04:15.808):** A young girl in a teal t-shirt and pink pants who pushes a broom, giving a cockatoo a ride, and also tries to help it back on. She speaks with an adult off-camera.
+*   **Adult Voice (Female) (00:02:39.698 - 00:04:14.938):** An off-camera adult female voice is heard interacting with the girl and the cockatoo, commenting on the bird's actions.
+*   **Man (00:04:16.142 - 00:05:34.932):** A man wearing a dark striped shirt and blue guitar strap is playing an acoustic guitar for two cockatoos.
+
+**Summary of the Video Narrative:**
+
+The video presents a compilation of humorous and endearing moments featuring various pet birds and their interactions with humans and objects. It opens with a parrot comically "laughing," setting a lighthearted tone. Subsequent clips include a lorikeet playing with water, budgerigars head-bobbing and attempting to mate with a plush toy, and a Secretarybird displaying its hunting instincts by vigorously "attacking" a snake toy. Another segment shows a lovebird aggressively chasing and pecking a cockatiel, even biting a human hand that tries to intervene. The video also features a small bird playing inside a cardboard tube and a large cockatoo reacting dramatically to loud kitchen noises. A significant portion is dedicated to a cockatoo enjoying "rides" on a broom pushed by a young girl and observing its reflection. The compilation concludes with two cockatoos joyfully "dancing" to a man playing guitar and a featherless parrot chick energetically moving on a tabletop. The overarching narrative highlights the diverse and often amusing personalities of pet birds.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_9_NY-FRlZ6I.txt b/raw/test/visual_info/output_9_NY-FRlZ6I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f2c71588e0038e1c275857ba43c6edffca322dad
--- /dev/null
+++ b/raw/test/visual_info/output_9_NY-FRlZ6I.txt
@@ -0,0 +1,124 @@
+Here are the important visual events, text on screen, and a summary of the video narrative:
+
+**Visual Events with Timestamps:**
+
+*   00:00:00.000 - The video opens with a static shot of a dark night scene, featuring illuminated streetlights along a waterfront pathway, with distant city lights visible.
+*   00:00:02.133 - A burst of red and white fireworks illuminates the distant sky above the city lights.
+*   00:00:03.000 - A close-up shot of a small, rectangular calendar hanging on a white wall, clearly displaying the date "1 MONDAY Jan 2024".
+*   00:00:03.900 - A close-up of a modern shower head with water vigorously spraying downwards onto grey tiled walls. A pink bath pouf hangs from the shower fixture.
+*   00:00:04.900 - A young woman, seen from the side, wearing a white t-shirt and light-colored shorts, walks from left to right across a brightly lit room. She holds a striped cloth and a smartphone.
+*   00:00:05.900 - A close-up of a hand with vibrant green nail polish holding a clear gel pen, tapping it gently on the grid lines of an open notebook lying on a wooden surface.
+*   00:00:06.900 - A wider shot of the woman from behind, standing at a wooden desk in a modern living space. A black metal staircase is on the left, and a small white dog is lying on a patterned rug in the foreground. A glimpse of a larger brown dog is seen on the far right.
+*   00:00:07.900 - A close-up view of the brown dog's face, peeking from behind a light-colored curtain that a hand with green nails is pulling open. The dog is looking directly at the camera through a glass door.
+*   00:00:08.867 - A black screen appears with white text "first day" centered.
+*   00:00:09.600 - The white text on the black screen changes to "first day of 2024".
+*   00:00:10.700 - A static shot of a white wall decorated with the calendar showing "1 MONDAY Jan 2024", a red-framed picture, and a white magnetic board adorned with various small magnets.
+*   00:00:13.600 - The camera zooms in on the calendar, showing "1 MONDAY Jan 2024" clearly.
+*   00:00:14.800 - The woman is again seen from behind at the wooden desk, now holding a small object. The white dog remains on the rug.
+*   00:00:19.467 - A close-up of the woman's hands sorting small papers and a black notebook on the wooden desk. A red woven basket and a plant are visible to the left, and a car is parked outside a large glass window on the right.
+*   00:00:21.800 - A hand reaches into a brown paper bag and retrieves a folded white piece of paper.
+*   00:00:22.900 - The woman, now facing the camera from behind the desk, holds up a piece of paper. The white dog is sitting patiently on the floor.
+*   00:00:25.000 - Close-up of the woman's hands using black-handled scissors to cut several stacked white papers. Scraps of paper lie on the wooden table next to a brown paper envelope.
+*   00:00:28.467 - A hand with green nail polish writes on a grid-lined notebook. The heading "TO DO LIST 1/1/24" is visible, and the hand writes below the crossed-out "clean space" with items like "workout", "learn japanese", "reading".
+*   00:00:29.800 - A potted green plant with long, feathery leaves is shown against a light grey wall. A fine mist, possibly from a humidifier or water spray, is visible in the air around the plant.
+*   00:00:31.900 - A hand opens a black-framed window. Outside, a small potted green plant sits on a concrete ledge next to a silver watering can.
+*   00:00:33.400 - The silver watering can is briefly placed on the ledge, then picked up and repositioned.
+*   00:00:34.900 - A top-down view of the silver watering can on a tiled floor. A hand sprays water into the can from a hose nozzle.
+*   00:00:38.800 - A close-up shot inside the watering can as clear water fills it, creating bubbles.
+*   00:00:41.000 - A hand carries the full silver watering can, moving it from the tiled floor to a higher position.
+*   00:00:42.800 - A top-down view of a plant with large, glossy green leaves in a black pot. The watering can is brought over the plant, and water is poured onto its soil.
+*   00:00:46.000 - A medium shot through a window showing a large, vibrant green palm-like plant in a pot outside.
+*   00:00:46.600 - A hand reaches through the open window to lift the silver watering can, which is now empty, from the ledge.
+*   00:00:52.200 - The hand, holding the full watering can, pours water onto the soil of the large palm-like plant outside.
+*   00:00:54.000 - A close-up of the water soaking into the dark soil around the base of the palm-like plant.
+*   00:00:55.700 - A dynamic shot, panning past the large green plant outside the window, then past a dark door frame.
+*   00:00:57.600 - A hand closes the black-framed window.
+*   00:00:59.800 - The woman walks from right to left, holding a striped cloth and her phone, passing a wooden stool with a basket.
+*   00:01:00.800 - A close-up of the shower head with water running and the pink bath pouf.
+*   00:01:03.700 - A small white dog stretches on the floor near a large glass door, beyond which a grey SUV is parked. A brown dog is also visible on the right.
+*   00:01:06.000 - The white dog walks closer to the glass door and sniffs the floor.
+*   00:01:09.600 - A close-up of the brown dog lying down near the glass door, looking thoughtfully at the camera. A hand with green nails pulls back a white curtain, revealing more of the dog.
+*   00:01:14.200 - An overhead shot of an open grid-lined notebook on a wooden table, next to a pair of scissors and a white box. The "TO DO LIST" for "1/1/24" includes "clean space", "workout", "learn japanese", and "reading".
+*   00:01:15.500 - A close-up of a hand with green nail polish writing new items on the "TO DO LIST" in the notebook: "journaling", "edit japan video", and "content planning".
+*   00:01:19.800 - A small white dog is sitting attentively on the tiled floor, looking up at the camera. A metal dog bowl with kibble is visible behind it.
+*   00:01:23.700 - A large brown dog is standing on its hind legs with front paws on a wooden table, looking eagerly at the camera and licking its nose.
+*   00:01:26.500 - A human hand offers a small, yellow treat to the brown dog, whose paws are still on the table.
+*   00:01:29.800 - The brown dog gently takes the treat from the hand. The white dog is now visible in the background, peeking from behind the table.
+*   00:01:34.900 - The woman is sitting against a white wall, cross-legged on a wooden bench or low surface. She wears glasses and a black t-shirt and reads an open book titled "101 ESSAYS THAT WILL CHANGE THE WAY YOU THINK". A glass jar with a straw is on the table in the foreground.
+*   00:01:38.200 - The woman speaks, gesturing with the book, then looks up and chews on something, showing her face clearly.
+*   00:01:57.500 - A hand with green nail polish uses a green marker to strike through "learn japanese 20 mins" and "reading 10 mins" on the "TO DO LIST". It then adds "read bible" to the list.
+*   00:02:00.000 - The woman, seen from behind, stretches her arms out wide in a brightly lit room. She wears a black t-shirt with a white bicycle graphic and blue shorts.
+*   00:02:02.900 - The woman is seated at a wooden desk, focused on a silver MacBook Air laptop. A glass jar with a straw and a blue plant pot are on the desk.
+*   00:02:04.900 - A computer screen displays a "Women's Cargo Pants" page from Dickies, showing multiple images of pants.
+*   00:02:05.900 - The screen updates to show a detailed product page for "Women's Relaxed Fit Cropped Cargo Pants".
+*   00:02:08.800 - The woman stands up from the desk, turns, and looks out the glass door/window. Both the brown and white dogs are in the foreground, looking at her.
+*   00:02:13.700 - The woman pulls closed a set of light-colored curtains, obscuring the view outside.
+*   00:02:15.000 - The woman is sitting back at the desk, looking at her open laptop. The curtains behind her are now closed.
+*   00:02:18.000 - A close-up shot of the silver MacBook Air keyboard.
+*   00:02:19.400 - A hand with green nail polish strikes through "clean space" and "learn japanese 20 mins" on the "TO DO LIST" in the notebook.
+*   00:02:22.900 - A hand turns on a tap in a kitchen sink, and water streams into a small, old-looking metal pot with a rustic texture.
+*   00:02:24.000 - An overhead shot of the metal pot in the sink, filling with water. A green bottle of dish soap and a yellow sponge holder are visible.
+*   00:02:25.100 - A hand carries the water-filled metal pot to a black gas stove.
+*   00:02:26.800 - A hand turns a silver knob on the "FOTILE" brand gas stove, and a blue flame ignites beneath the pot.
+*   00:02:28.900 - The woman's hands expertly tear open a green plastic package of "Indomie Rasa Soto Mie" instant noodles.
+*   00:02:30.900 - The open noodle package is on the wooden table, next to the instant noodle block and small seasoning packets.
+*   00:02:32.000 - The woman places a green ceramic bowl with two small handles on the wooden table.
+*   00:02:33.700 - The woman pours the dry instant noodles from the package into the green ceramic bowl.
+*   00:02:35.700 - A close-up of the instant noodles rapidly boiling in the metal pot on the stove.
+*   00:02:37.000 - The woman uses metal tongs and a spoon to transfer the hot, cooked noodles from the metal pot to the green ceramic bowl, steam rising.
+*   00:02:39.000 - The woman cracks an egg and drops its contents directly into the boiling water remaining in the metal pot.
+*   00:02:40.400 - A close-up of the egg cooking in the boiling water, the white part rapidly solidifying around the yolk.
+*   00:02:41.500 - The woman uses a spoon to carefully scoop the now cooked egg from the pot and adds it to the noodles in the green bowl.
+*   00:02:43.100 - The woman pours the hot, steamy water from the metal pot into the green bowl, covering the noodles and egg.
+*   00:02:45.000 - The woman is seated at the wooden desk, her bowl of instant noodles ready in front of her. She has her laptop open and is looking at it.
+*   00:02:48.900 - The woman eats her instant noodles with a fork and spoon, occasionally looking up at her laptop screen.
+*   00:02:54.900 - An overhead shot of the empty green ceramic bowl in a metal sink, with a fork and spoon resting inside it. A stream of water runs into the bowl as a hand with green nails begins to wash it.
+*   00:02:58.900 - A black yoga mat unrolls itself across a tiled floor.
+*   00:03:01.900 - A hand places a black smartphone face up on the unrolled yoga mat.
+*   00:03:03.700 - A close-up of the smartphone screen displaying "Timers" with options for "01:00", "22:00", and "5:00". A finger taps the "01:00" timer, which has a pause icon next to it, turning it into a play icon.
+*   00:03:04.900 - The woman is in a low plank position on the yoga mat, resting on her forearms and toes, looking down at her phone.
+*   00:03:07.900 - A black smartphone is shown horizontally, displaying a video of a woman driving a car and talking. The video has an "ec" logo in the bottom right corner.
+*   00:03:11.700 - The woman is still in the low plank position on the yoga mat.
+*   00:03:12.000 - A hand with green nail polish uses a pen to strike through "workout" and "learn japanese 20 mins" on the "TO DO LIST". "read bible" remains unchecked.
+*   00:03:13.900 - Various skincare and beauty products are neatly arranged on a white surface, with a dark-framed mirror behind them reflecting the room.
+*   00:03:14.900 - The woman, wearing blue and white striped pajamas and with a white towel wrapped around her wet hair, applies a clear liquid from a dropper bottle to her hands, then rubs it onto her face.
+*   00:03:17.900 - The woman applies a white cream from a small jar to her face, massaging it in.
+*   00:03:20.900 - The woman continues to rub the cream into her face, focusing on her forehead and cheeks.
+*   00:03:27.700 - A close-up of a hand with green nail polish washing under running water in a white sink, soap suds are visible.
+*   00:03:30.000 - A hand uses a blue date stamp to firmly press "01 JAN 2024" in blue ink onto a blank page of a beige notebook.
+*   00:03:32.000 - A close-up shot of the fresh blue "01 JAN 2024" stamp on the notebook page.
+*   00:03:34.900 - The woman is sitting at the wooden desk, wearing her pajamas and glasses, diligently writing in her notebook using a clear pen. A pitcher of water and her laptop are also on the desk.
+*   00:03:40.900 - A close-up of the woman's hand writing the words "happy new year! life really to fast..." into the notebook, below the "01 JAN 2024" stamp.
+*   00:03:42.500 - A hand with green nail polish strikes through "journaling" on the "TO DO LIST" in the notebook.
+*   00:03:43.900 - A small white dog is seen in a dimly lit hallway, sniffing the tiled floor and walking around.
+*   00:04:15.900 - A close-up shot of two small pieces of dog feces on the tiled floor in a dimly lit area.
+*   00:04:21.000 - A human hand, covered with a clear plastic bag, reaches down and picks up the dog feces from the floor.
+
+**Text on Screen:**
+
+*   00:00:03.000 - "1 MONDAY Jan 2024" (on calendar)
+*   00:00:08.867 - "first day" (white text on black screen)
+*   00:00:09.600 - "first day of 2024" (white text on black screen)
+*   00:01:14.200 - "TO DO LIST 1/1/24" (in notebook)
+*   00:01:15.500 - "journaling", "edit japan video", "content planning" (written in notebook)
+*   00:01:34.900 - "101 ESSAYS THAT WILL CHANGE THE WAY YOU THINK" (book title)
+*   00:01:57.500 - "read bible" (written in notebook)
+*   00:02:04.900 - "Women's Cargo Pants", "Dickies" (website title/brand)
+*   00:02:05.900 - "Women's Relaxed Fit Cropped Cargo Pants", "$64.99 $26.00 - $64.99 CLEARANCE", "Write a review", "Color", "Fit", "Size", "Length", "All Filters", "Sort by", "Sale Colors", "Length Regular", "Regular", "24, 25, 26, 27, 28, 29, 30, 32, 34", "Add to Cart" (on product webpage)
+*   00:02:26.800 - "FOTILE" (on stove burner)
+*   00:02:28.900 - "Rasa Soto Mie", "Indomie" (on noodle package)
+*   00:03:03.700 - "Timers", "01:00", "22:00", "5:00" (on phone screen)
+*   00:03:07.900 - "ec" (logo in bottom right of phone video)
+*   00:03:30.000 - "01 JAN 2024" (stamped in notebook)
+*   00:03:40.900 - "happy new year! life really to fast..." (written in notebook)
+
+**People in the Video:**
+
+*   **A young woman with short dark hair and glasses:** She is the central figure of the video. The narrative follows her daily activities on the first day of 2024. She is shown engaging in routines such as personal hygiene (showering, skincare), household chores (tidying, watering plants, cleaning), productive tasks (writing a to-do list, working on a laptop, learning Japanese, reading), and cooking. She appears organized and focused on self-improvement. She has distinct green nail polish throughout the video.
+*   **A woman in a video on a smartphone screen (00:03:07.900 - 00:03:10.900):** This individual is seen only on a smartphone screen, driving a car and talking, suggesting she is a vlogger or content creator. She is blonde, wearing sunglasses, and seems to be discussing something with the viewer. She is not directly interacting with the main character.
+
+**Summary of the Video Narrative:**
+
+The video chronicles the "first day of 2024" for a young woman, highlighting her routine and aspirations for the new year. It opens with a celebratory note of distant fireworks, quickly transitioning to the mundane yet meaningful start of her day. She begins with her morning routine, which includes showering and tidying her living space. A significant part of her day is dedicated to planning and productivity, as she creates a detailed to-do list in her journal, encompassing goals like cleaning, working out, learning Japanese, reading, and journaling itself.
+
+The video shows her actively pursuing these goals: she waters plants, works on her laptop (even browsing for clothes and watching a video), and prepares a simple meal of instant noodles. There are endearing moments featuring her two dogs, a white and a brown one, who are her constant companions, receiving treats and attention. As the day ends, she shifts to her evening routine, performing a skincare regimen and reflecting in her journal, reinforcing her commitment to her new year's intentions. The video concludes with a candid moment of domesticity, showing her cleaning up after one of her dogs, underscoring the everyday realities intertwined with her aspirations for personal growth and a productive year.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_9m-vWlTfy4A.txt b/raw/test/visual_info/output_9m-vWlTfy4A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a71be7af2caf99f668d1307af69948dc7090e2a8
--- /dev/null
+++ b/raw/test/visual_info/output_9m-vWlTfy4A.txt
@@ -0,0 +1,133 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps, followed by text on screen, people in the video, and a summary.
+
+**Visual Events with Timestamps:**
+*   00:00:00.000 - A person's hand holds a sharpened wooden pencil.
+*   00:00:01.834 - The person begins to sharpen the pencil further using a utility knife, peeling off wood shavings.
+*   00:00:04.934 - A close-up shows the utility knife carving away the wood from the pencil's tip, revealing a dark, thin metal rod inside where the graphite lead would normally be.
+*   00:00:06.600 - The sharpening process continues, exposing more of the metal rod.
+*   00:00:09.100 - The metal rod is fully exposed from the wooden casing, and the utility knife is used to trim the very end of the wood.
+*   00:00:10.534 - A close-up view of the metal rod of the pencil, showing its cylindrical shape and a small, flat notch carved into one side of the tip.
+*   00:00:14.000 - The utility knife is used again to refine the notch on the metal rod.
+*   00:00:18.067 - The person holds up the modified pencil, showing the extended metal rod with the carved notch.
+*   00:00:18.967 - An even closer shot of the intricate carving on the metal rod.
+*   00:00:20.667 - The person holds the modified pencil, touching its metal rod to the positive and negative terminals of a 9V battery.
+*   00:00:22.067 - A matchstick is brought close to the heated metal rod of the pencil.
+*   00:00:22.967 - The matchstick instantly ignites with a bright orange flame upon touching the hot metal rod.
+*   00:00:25.767 - The matchstick is pulled away, and the flame extinguishes, leaving the pencil rod no longer glowing.
+*   00:00:26.334 - A hand holds a translucent green flexible drinking straw.
+*   00:00:27.500 - The person bends the straw at its flexible joint.
+*   00:00:29.000 - Scissors are used to cut the straw exactly at the flexible joint, separating it into two pieces.
+*   00:00:30.934 - The two cut pieces of the straw are held up.
+*   00:00:31.900 - Two identical empty clear glasses are placed on a white surface.
+*   00:00:32.400 - Water is poured from a plastic bottle into the right glass.
+*   00:00:34.200 - A close-up shows water filling the right glass, with small bubbles visible.
+*   00:00:36.167 - Both glasses are shown again, the right one now filled with water.
+*   00:00:36.834 - The two pieces of the green straw are carefully placed into the water in the right glass.
+*   00:00:38.200 - A close-up shows the straw pieces floating and bending in the water.
+*   00:00:40.834 - The person uses their fingers to lift one end of the straw from the water in the right glass and place it into the empty left glass.
+*   00:00:42.534 - The straw is now bent over the edge, connecting the two glasses. Water starts to slowly siphon from the right glass to the left.
+*   00:00:44.867 - Water is actively flowing from the full glass into the empty glass through the straw.
+*   00:00:46.400 - The water levels in both glasses appear nearly equalized, indicating the siphon has completed its work.
+*   00:00:47.067 - A hand holds a metal nail.
+*   00:00:48.900 - A hand holds a small, circular metal object.
+*   00:00:49.734 - A close-up of the small circular metal object is shown.
+*   00:00:51.300 - The small circular object is placed onto the nail, where it magnetically attaches.
+*   00:00:53.600 - The nail with the attached magnet is held up.
+*   00:00:54.800 - The nail, with the magnet attached to its head, is clamped into an alligator clip of a helping hand tool.
+*   00:00:56.567 - The magnet falls off the nail onto the table, but the clip still holds the nail. This appears to be a mistake in the narrative, as the magnet should have been placed *onto* the nail, not attached to the clip. (Correction: The magnet *was* on the nail and then fell off. The next scene clarifies it was reattached.)
+*   00:00:57.900 - A hand holds a small black and clear butane torch lighter.
+*   00:00:59.034 - The torch is ignited, producing a blue flame.
+*   00:01:00.034 - A close-up of the blue flame from the torch.
+*   00:01:01.834 - The setup is shown: the nail held by the helping hand tool, and the magnet now appears to be reattached to the nail's tip. The person aims the flame of the torch directly at the magnet.
+*   00:01:05.100 - As the magnet is heated by the torch, it suddenly loses its magnetic properties and falls off the nail.
+*   00:01:08.534 - The magnet is picked up, and the person tries to reattach it to the nail, but it no longer sticks.
+*   00:01:12.767 - The demagnetized magnet is placed on the table, and the nail is brought close, confirming it has lost its magnetic attraction.
+*   00:01:16.034 - A hand holds a small yellow matchbox.
+*   00:01:17.067 - The matchbox is opened, revealing several matchsticks inside.
+*   00:01:19.467 - A piece of crumpled aluminum foil is laid flat on a white surface.
+*   00:01:21.067 - Several matchsticks are placed side by side onto one end of the aluminum foil, with their heads aligned.
+*   00:01:24.434 - More matchsticks are added to the foil.
+*   00:01:25.700 - The person carefully rolls the aluminum foil around the arranged matchsticks to form a tight cylindrical shape.
+*   00:01:29.867 - The rolled foil containing the matches is shown.
+*   00:01:31.934 - The person crimps and twists one end of the foil cylinder to seal it and create a pointed tip.
+*   00:01:36.567 - The finished aluminum foil cylinder, resembling a small firecracker, is held up.
+*   00:01:37.967 - An empty clear glass is placed on the white surface.
+*   00:01:38.834 - The foil cylinder is placed diagonally inside the glass, resting against the rim.
+*   00:01:39.934 - A lighter is used to ignite the pointed end of the foil cylinder.
+*   00:01:42.934 - The foil cylinder burns, producing smoke that fills the glass.
+*   00:01:48.067 - The burning foil cylinder is removed from the glass, revealing a dense white cloud of smoke trapped inside.
+*   00:01:50.567 - A hand holds the smoke-filled glass and slowly tilts it, pouring the smoke out onto a black background as if it were a liquid.
+*   00:01:54.600 - The smoke continues to pour and spread across the black surface.
+*   00:01:55.834 - A hand places a blue plastic water bottle on a wooden picnic table outdoors.
+*   00:01:57.867 - A dark blue string is tied around the neck of the bottle cap.
+*   00:02:00.600 - The string is tightened around the cap.
+*   00:02:01.400 - The bottle is lifted by the string, showing it is securely tied.
+*   00:02:03.967 - A hand holds a single matchstick.
+*   00:02:05.100 - The matchstick is placed vertically against the edge of the wooden table.
+*   00:02:06.867 - A heavy black battery pack is placed on top of the matchstick, pressing it against the table edge.
+*   00:02:09.167 - The loop of the string from the water bottle is hooked onto the head of the matchstick.
+*   00:02:11.800 - The water bottle hangs suspended from the matchstick, which is held by the battery pack.
+*   00:02:14.200 - A close-up shot of the matchstick and string holding the bottle.
+*   00:02:15.034 - Another matchstick is carefully inserted horizontally between the two strands of the string, below the first matchstick, forming a triangular shape with the string.
+*   00:02:19.467 - A third matchstick is inserted diagonally, completing a complex interlocking structure that holds the string and bottle.
+*   00:02:24.400 - The entire setup is shown again, with the bottle hanging below the matchstick structure.
+*   00:02:27.700 - A closer view of the matchstick structure and the hanging bottle.
+*   00:02:29.967 - The battery pack is removed from the table. The matchstick structure remains stable, holding the bottle suspended by itself, demonstrating a surprising balancing act.
+*   00:02:37.034 - A hand places a clear glass with a large, clean break along its rim on a white surface.
+*   00:02:40.400 - A hand holds a small black and clear butane torch lighter.
+*   00:02:42.200 - The torch is ignited.
+*   00:02:43.700 - The torch is placed on the surface next to the broken glass.
+*   00:02:47.334 - The torch is activated, and the glass violently shatters into many pieces due to the rapid temperature change or sonic vibration.
+*   00:02:49.700 - Slow-motion replay of the glass shattering.
+*   00:02:52.834 - A hand holds a blue plastic water bottle.
+*   00:02:54.434 - The person opens the blue cap, revealing a white pop-up dispenser.
+*   00:02:58.200 - A close-up of the bottle cap and dispenser being opened.
+*   00:02:59.967 - A blue craft knife is used to carefully puncture and create a hole in the very center of the bottle's bottom.
+*   00:03:03.434 - The hole is successfully made at the bottom of the bottle.
+*   00:03:05.700 - A hand holds a clear, flexible plastic tube that has been tied into a simple knot in the middle.
+*   00:03:08.767 - The knotted plastic tube is inserted into the hole at the bottom of the bottle.
+*   00:03:10.967 - A hot glue gun is used to apply glue around the tube at the bottle's bottom, sealing it.
+*   00:03:13.600 - The person tilts the bottle, and water streams out of the newly installed tube, confirming the seal is effective.
+*   00:03:18.967 - A hand holds a yellow matchbox.
+*   00:03:22.034 - Two matchsticks are taken from the matchbox.
+*   00:03:27.967 - A piece of aluminum foil is laid flat.
+*   00:03:29.600 - The two matchsticks are placed onto the aluminum foil.
+*   00:03:31.967 - More matchsticks are added and arranged on the foil.
+*   00:03:33.200 - The aluminum foil is rolled tightly around the matchsticks.
+*   00:03:37.400 - The rolled foil containing the matches is shown.
+*   00:03:41.900 - The person crimps and twists one end of the foil cylinder to form a pointed tip.
+*   00:03:45.334 - The finished aluminum foil cylinder is held up.
+*   00:03:51.600 - The bottle's blue cap is unscrewed, and the white dispenser is popped open.
+*   00:03:53.300 - The foil cylinder is inserted into the top opening of the bottle, with its pointed end facing outwards.
+*   00:03:56.534 - A yellow BIC lighter is used to ignite the pointed end of the foil cylinder.
+*   00:04:02.067 - The foil is burning, and dense white smoke fills the inside of the bottle.
+*   00:04:05.134 - The bottle is now full of smoke. The person closes the white dispenser, then opens it, allowing smoke to release from the top of the bottle.
+*   00:04:13.900 - A blue bottle cap, now acting as a small container, holds a clear liquid.
+*   00:04:15.534 - The white dispenser from the water bottle is dipped into the clear liquid (bubble solution).
+*   00:04:17.334 - The smoke-filled bottle is tilted, and the dispenser, coated with bubble solution, touches a flat white surface, releasing smoke.
+*   00:04:20.067 - A large, iridescent smoke bubble forms and expands on the surface.
+*   00:04:26.067 - A finger gently pokes the smoke bubble, causing it to pop and release the contained smoke.
+*   00:04:29.567 - Another smoke bubble is formed from the bottle.
+*   00:04:36.567 - The second smoke bubble is popped, releasing more smoke.
+*   00:04:43.700 - A hand holds a small transparent bottle of hand sanitizer.
+*   00:04:46.034 - The hand sanitiser is squeezed out onto a green cutting mat, forming several lines of clear gel.
+*   00:04:51.834 - A lighter ignites the hand sanitiser, producing blue, almost invisible flames.
+*   00:04:54.000 - The flames are visible as they rise from the sanitizer.
+*   00:04:54.634 - The person's hand is moved through the blue flames, demonstrating that the flames do not burn the skin. The hand then 'scoops' up some of the flame.
+*   00:05:01.367 - The person moves their fingers directly through the flames, which appear to adhere to and flow around their fingers, without causing harm.
+
+**Text on Screen:**
+*   00:00:49.200 - magnet
+*   00:01:13.200 - permanently demagnetized
+*   00:04:14.333 - Bubble solution
+*   00:04:43.833 - Hand sanitiser
+*   00:04:54.100 - SUBSCRIBE (with an arrow pointing towards the bottom right of the screen)
+
+**People in the video:**
+There is one person (or at least one pair of hands) visible in the video.
+*   **What we know about them:** They are right-handed, as evidenced by their dominant hand performing most of the actions involving tools and objects. They are demonstrating various scientific or "life hack" experiments. Their hands appear clean and well-groomed. No other personal information is provided.
+
+**Summary of the Video Narrative:**
+The video presents a compilation of several short, engaging demonstrations of scientific principles and clever "life hacks" using everyday objects.
+
+It begins with the conversion of a pencil into a heating element by exposing its graphite core (or a metal rod disguised as one) and connecting it to a 9V battery to light a match. Next, it illustrates the siphon effect using a cut drinking straw to transfer water between two glasses. A demonstration of demagnetization follows, where a magnet loses its magnetic properties after being heated by a torch. The video then showcases how to create and control smoke, first by burning matchsticks inside aluminum foil in a glass to collect smoke, and then "pouring" it like a liquid. A gravity-defying feat is performed by suspending a water bottle from a matchstick structure balanced on a table edge, which remains stable even after a heavy counterweight is removed. Finally, the video concludes with a demonstration of "cool flames" by igniting hand sanitizer, showing that the resulting blue flames can be touched without burning the skin due to their low heat output.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_A0itqdwsuNg.txt b/raw/test/visual_info/output_A0itqdwsuNg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d07ae9942397bddae298d2d80448b8b517ee774d
--- /dev/null
+++ b/raw/test/visual_info/output_A0itqdwsuNg.txt
@@ -0,0 +1,38 @@
+Here's a breakdown of the video's visual events, on-screen text, people, and a summary:
+
+**Important Visual Events:**
+
+00:00:00.000 - A man with a black du-rag and beard, wearing a red t-shirt, stands outdoors in front of a light-colored building with a large open garage door. He is looking directly at the camera and talking.
+00:00:06.014 - The scene transitions with a rapid blue and purple horizontal wipe effect.
+00:00:06.314 - The man is now in a gym setting, wearing a red du-rag, dark gray t-shirt, and black and white striped athletic pants. He is standing in front of a blue wall with white gym equipment.
+00:00:10.514 - He gestures with his right hand as he talks about workout tips.
+00:00:27.714 - He raises both arms to shoulder height and brings them down to illustrate a movement.
+00:00:54.684 - The man turns to his left and walks towards a gym machine with a barbell attached, positioned against the blue wall.
+00:00:59.214 - He stands facing the camera, with the barbell in front of him, demonstrating a front-facing shrug exercise.
+00:01:03.204 - He turns his back to the camera, standing behind the barbell, and demonstrates a traditional shrug by lifting the barbell off the rack and shrugging his shoulders.
+00:01:19.454 - He steps away from the barbell, walks a few steps, and then turns to face the barbell machine from the side.
+00:01:34.024 - He grips the barbell, demonstrating the proper hand placement with an overhand grip, with his body facing away from the camera.
+00:01:42.504 - He performs a shrugging motion with the barbell, lifting his shoulders.
+00:02:00.674 - He steps away from the barbell, turns to face the camera, and demonstrates a "shrug and contract" motion with his hands, explaining the next exercise.
+00:02:08.764 - He turns his back to the camera, bends over, and grips the barbell on the machine.
+00:02:12.784 - He performs the "shrug and contract" movement, shrugging his shoulders and then pulling the barbell upwards towards his chest in a rowing motion. This is repeated several times.
+00:02:37.384 - He racks the barbell and turns to face the camera.
+00:02:40.094 - He walks a few steps to his right and then turns to the side, flexing his back and shoulder muscles to show the results of the exercise.
+00:02:57.064 - He turns to face the camera again, continuing to talk about the benefits of the exercise.
+00:03:04.094 - He briefly walks away from the camera again, then turns back towards the barbell, briefly demonstrating the front-facing shrug again before turning to his side.
+00:03:19.744 - He again demonstrates the "shrug and contract" movement from the side angle, focusing on the upward shrug and then the contraction.
+00:03:45.034 - He racks the barbell and steps away from the machine.
+00:03:46.034 - He turns to face the camera, continuing to speak and making gestures with his hands to emphasize points about training.
+00:04:39.114 - The man is still speaking to the camera, encouraging viewers to like, comment, subscribe, and share. The video ends.
+
+**Text on Screen:**
+
+*   **00:00:07.484 - 00:00:08.514:** "DO NOT SLAM BALLS AGAINST THE WALL!!" (This sign is visible throughout the gym scenes.)
+
+**People in the Video:**
+
+*   **Steph (also referred to as "your boy Steph"):** The main individual in the video. He is a muscular man with a beard, wearing a du-rag. He identifies himself as "Steph" and associated with "Dom Game Division." He appears to be a fitness enthusiast or trainer, sharing a tip for building trap muscles. He mentions he doesn't train his traps on shoulder day because they are more of a stabilizer, and he demonstrates a specific "double shrug" movement (which he also calls "double dime") for huge traps. He emphasizes the importance of protein and encourages viewers to like, comment, subscribe, and share his video.
+
+**Video Narrative Summary:**
+
+The video begins with Steph, introducing himself as being from "Dom Game Division," inviting viewers to listen to his workout tips. He transitions to a gym setting where he explains his approach to training traps, noting they are more of a stabilizer muscle and are often worked during rowing and pull-down movements. He then demonstrates a specific exercise he calls the "double dime" or "double shrug," first showing a traditional shrug and then combining a shrug with a contraction. He performs this exercise from both front and side angles to illustrate proper form. Throughout the demonstration, he emphasizes that super heavy weight is not needed and that the focus should be on the stretch and contraction. He concludes by advising viewers to incorporate this exercise into their routine, eat enough protein, and encourages engagement with his channel.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_AMfeW7bEYd0.txt b/raw/test/visual_info/output_AMfeW7bEYd0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..825075961064c6b3e53cb60ab6a4f020db17cf02
--- /dev/null
+++ b/raw/test/visual_info/output_AMfeW7bEYd0.txt
@@ -0,0 +1,47 @@
+Here is a list of important visual events, text on screen, people, and a summary of the video narrative:
+
+**Important Visual Events:**
+
+00:00:00.000 - Three individuals are seen bodyboarding in rough ocean waves under an overcast sky.
+00:00:06.800 - The scene abruptly changes to a wide aerial view of a city skyline at dusk, overlooking a wide river with two distinct bridges, and large crowds gathered along the riverbanks and a wide road.
+00:00:19.400 - The camera slowly zooms in on the far bridge (35W Bridge), which is illuminated with red, white, and blue lights, reflecting on the river below.
+00:00:30.800 - The camera zooms back out to the wide aerial view, showing both bridges and the large crowds along the river and road.
+00:00:43.700 - The camera slowly pans from right to left, revealing more of the long, stone-arched bridge (Stone Arch Bridge) on the left, which is packed with people. The river flows rapidly under the bridges.
+00:01:07.000 - The camera continues panning left, showing the left side of the Stone Arch Bridge, more of the river, and buildings on the left bank.
+00:01:17.000 - The camera pans down, focusing on the ground level below the vantage point, showing people walking on a wooden boardwalk and sitting on grassy areas, likely waiting for the fireworks. The Stone Arch Bridge is still visible in the background.
+00:01:28.000 - The camera slowly pans up and slightly left, revealing more of the city skyline, including taller buildings and other bridges in the distance, as the sky darkens.
+00:01:38.000 - The camera pans down again, showing the ground level with people, the boardwalk, and the stone bridge in the background.
+00:01:57.900 - The camera pans up once more to the wide cityscape view, with the river, two bridges, and crowds, as the sky continues to darken.
+00:02:38.900 - The video transitions to a night shot of the city, with minimal ambient light and the bridges still visible in the distance, one lit in patriotic colors.
+00:02:40.000 - The first fireworks burst appears in the dark sky, a purple and white spherical explosion.
+00:02:44.700 - Green and white fireworks explode in a circular pattern.
+00:02:48.000 - Yellow and white fireworks explode in a circular pattern.
+00:02:51.200 - Pink and red fireworks explode in a circular pattern.
+00:02:56.500 - White fireworks explode in a circular pattern.
+00:03:01.500 - Red/pink heart-shaped fireworks explode.
+00:03:07.000 - A succession of smaller, scattered fireworks bursts in various colors.
+00:03:10.500 - Green and pink fireworks explode in a large, messy burst.
+00:03:17.000 - Red and white fireworks explode, with a visible moon in the sky.
+00:03:25.000 - Multiple white and pink fireworks explode in a cluster.
+00:03:31.000 - Blue and green fireworks burst, followed by more white ones.
+00:03:38.000 - White, fan-shaped fireworks explode.
+00:03:41.000 - White and pink fireworks explode simultaneously.
+00:03:45.000 - A large white explosion with scattered pink fireworks below it.
+00:03:49.000 - The "Grand Finale" begins with multiple, rapid-fire fireworks explosions in various colors (white, red, pink, yellow, blue, green) and patterns, filling the sky with light and smoke. The bursts are continuous and intense.
+00:05:07.000 - The final massive white fireworks burst fills the center of the screen, followed by lingering sparks.
+00:05:10.000 - The fireworks display ends, leaving the night sky dark with the city lights and the patriotically lit bridge still visible in the distance.
+
+**Text on Screen:**
+
+00:00:01.000 - BLIND TO BILLIONAIRE (fades out by 00:00:06.000)
+
+**People in the Video:**
+
+*   **Matt (the narrator):** He introduces himself as Matt and the host of the "Blind to Billionaire" channel. He is in downtown Minneapolis for the 4th of July fireworks.
+*   **Matt's Uncle and his Girlfriend:** Matt mentions that he is at their balcony, which provides the excellent vantage point for filming the event.
+*   **Woman's Voice (Matt's Uncle's girlfriend / Aunt):** A woman's voice, presumably Matt's uncle's girlfriend or aunt, chimes in at 00:01:19.000 to describe the Lock and Dam system visible in the river.
+*   **Numerous Crowds:** Many unnamed individuals are seen gathered on the Stone Arch Bridge, along the riverbanks, on the road, and on a building rooftop, all waiting to watch the fireworks. They are sitting on blankets, walking, and generally enjoying the pre-fireworks atmosphere.
+
+**Summary of the Video Narrative:**
+
+The video begins with a brief, unrelated clip of people bodyboarding in the ocean, overlaid with the channel's title "BLIND TO BILLIONAIRE." It then transitions to a panoramic view of downtown Minneapolis on the 4th of July at dusk, as described by the narrator, Matt. He highlights the I-35W Bridge, famously rebuilt after its collapse, now lit in patriotic red, white, and blue. He also points out the historic Stone Arch Bridge, packed with people awaiting the fireworks, and an island in the river where the fireworks will be launched. The camera pans across the lively crowds gathered on the riverbanks and boardwalk, enjoying the festive atmosphere with food trucks and live music. As night falls, the video culminates in a spectacular display of 4th of July fireworks over the Minneapolis skyline, featuring various colors and patterns, including a heart-shaped burst, and ending with a grand finale. Matt concludes by expressing his love for the holiday and sharing his experience.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_BA2yyhbHcCc.txt b/raw/test/visual_info/output_BA2yyhbHcCc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7ce2a8d90ad76c7c9df9ba2caaba48272fb058b9
--- /dev/null
+++ b/raw/test/visual_info/output_BA2yyhbHcCc.txt
@@ -0,0 +1,112 @@
+Here is the breakdown of the video narrative:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - The video opens with a blurred title "Stuck at Home Science" and the California Science Center logo on a black background.
+00:00:01.880 - The blurred text "Stuck at Home Science" comes into sharp focus.
+00:00:05.180 - Monica, the presenter, is shown at the California Science Center, looking into a large, white, periscope-like microscope in an exhibit with purple walls. She turns to face the camera.
+00:00:09.916 - A wider shot reveals Monica sitting on a low bench next to the microscope, surrounded by various informational displays and circular diagrams on the purple wall.
+00:00:15.986 - Close-up on Monica as she speaks, with her "Monica" name tag visible.
+00:00:22.516 - An extreme close-up of Monica's face shows her eyes, with one eye widening and the other squinting playfully.
+00:00:25.850 - The view switches to a first-person perspective, looking down at two open palms, then they briefly clap together.
+00:00:30.216 - The hands move out of view, and the first-person perspective begins to walk forward on a carpeted floor, moving through the science center.
+00:00:32.483 - The walking perspective passes large upright exhibit panels with images and text like "Diversity" and "Evolution."
+00:00:34.616 - The view pans down to reveal a patterned floor, then pans up towards an exhibit entrance labeled "Kelp Forest."
+00:00:36.566 - The camera moves into a dimly lit exhibit area featuring several aquariums, one with a poster saying "Help me replant kelp."
+00:00:38.283 - The perspective approaches a glass-enclosed area labeled "Curator's Lab."
+00:00:41.816 - Inside the Curator's Lab, a woman named Morgan is seen sitting at a desk, looking into a white microscope.
+00:00:44.883 - Morgan lifts her head from the microscope and smiles at the camera, with shelves of tanks visible behind her.
+00:01:11.750 - A close-up shot of the white Olympus SZ61 microscope that Morgan was using.
+00:01:13.683 - The view switches to the microscopic perspective, showing a circular field of view with small transparent organisms in water; a red circle highlights one small brine shrimp.
+00:01:19.466 - A blue arrow appears, pointing to a red rock shrimp within the same microscopic view.
+00:01:21.816 - The view returns to the Olympus SZ61 microscope.
+00:01:29.083 - The first-person perspective looks into an aquarium with blue lighting and then pulls back to resume walking.
+00:01:31.050 - The camera moves through a concrete tunnel with large glass panels showcasing a kelp forest inside.
+00:01:32.883 - Exiting the tunnel, the perspective enters a brightly lit hallway with benches.
+00:01:33.566 - The camera approaches a door labeled "CAUTION HAZARDOUS MATERIAL STORAGE AREA" which opens to reveal a clean, white laboratory.
+00:01:34.050 - A woman named Viani is standing next to a microscope on a stainless steel counter in the lab, smiling at the camera. She is wearing gloves.
+00:01:40.483 - Viani gestures with her gloved hands as she speaks, with a bess bug visible on the microscope stage beside her.
+00:02:09.916 - The view switches to the microscopic perspective, showing a small brown mite on a white background, highlighted by a purple arrow and the text "Mite."
+00:02:11.833 - The view returns to Viani speaking in the lab.
+00:02:22.050 - Viani gestures towards the microscope, inviting the viewer to look.
+00:02:22.950 - A close-up of the microscope Viani was using is shown.
+00:02:27.133 - The view switches to the microscopic perspective, showing a close-up of a black and yellow beetle.
+00:02:30.950 - The view zooms in further on the beetle, revealing small yellow mites on its surface.
+00:02:37.066 - The view returns to the microscope.
+00:02:43.000 - The first-person perspective walks further into the vet clinic, showing various stainless steel counters and lab equipment.
+00:02:49.000 - A woman named Kim is seated at a stainless steel table, looking into a compound microscope.
+00:02:52.050 - Kim lifts her head from the microscope and smiles at the camera.
+00:03:14.650 - The view switches to the microscopic perspective, showing a purple background filled with tiny, rod-shaped bacteria, with the text "Bacteria."
+00:03:19.000 - The microscopic view changes to show two translucent, flat, leaf-shaped organisms, labeled "Parasites."
+00:03:23.233 - The microscopic view changes again to show a purple background with numerous circular and irregularly shaped cells, labeled "Inflammation cells."
+00:03:26.500 - The view returns to Kim, who is still smiling and speaking.
+00:03:29.683 - Kim pushes the microscope table closer to the camera and gestures for the viewer to look.
+00:03:38.033 - The view switches to the microscopic perspective, showing a translucent, oval-shaped organism, likely a parasite.
+00:03:43.900 - The microscopic view zooms out slightly to show the entire circular field of view with the organism in the center.
+00:03:45.383 - The view returns to the microscope.
+00:03:47.050 - Kim smiles at the camera.
+00:03:51.050 - Kim waves goodbye to the camera.
+00:03:51.983 - The view transitions to a circular, lens-like shot of a large red shrimp hiding under a purple rock in an aquarium.
+00:03:56.550 - A young girl, identified as a "junior scientist," is shown at a table at home, holding a plastic cup with the bottom cut out. She begins to explain her activity.
+00:04:00.616 - Text "Baggie or plastic wrap" appears on screen as the girl holds up clear plastic.
+00:04:03.550 - Text "container with bottom cut" appears as the girl displays the cut plastic cup.
+00:04:08.083 - Text "water" appears as the girl points to a bowl of water.
+00:04:10.950 - Text "rubber band" appears as the girl points to a rubber band.
+00:04:13.066 - The girl stretches the plastic bag over the cut end of the cup. An adult's hands help secure it.
+00:04:16.850 - An adult's hands secure the plastic onto the cup with a rubber band.
+00:04:25.750 - The girl pours water from a measuring cup into the plastic membrane on the cup, forming a water lens.
+00:04:29.083 - The girl places various small rocks and toys on the table around the cup, then leans down to look through the water lens at them.
+00:04:36.566 - The girl looks up from her homemade microscope and smiles.
+00:04:37.750 - The girl waves goodbye.
+00:04:40.050 - The view switches to the perspective through the homemade water lens, showing a blurred garden with red and pink flowers.
+00:04:43.766 - The view through the water lens pans slightly, becoming more blurred.
+00:04:45.333 - The view spins and distorts as the perspective returns to Monica.
+00:04:48.333 - Monica is back at the large periscope-like microscope in the science exhibit, smiling and holding the scope.
+00:04:54.600 - The California Science Center logo is displayed on a black background, accompanied by uplifting music.
+00:04:57.066 - White text "TO DOWNLOAD THIS ACTIVITY AND MORE" appears.
+00:05:00.666 - White text "VISIT OUR WEBSITE" appears.
+00:05:02.900 - White text "WWW.CALIFORNIASCIENCECENTER.ORG /STUCKATHOME" appears.
+00:05:06.133 - White text "TAG US ON SOCIAL MEDIA USING #STUCKATHOMESCIENCE" appears.
+00:05:10.000 - Video ends.
+
+**Text on Screen:**
+
+*   **00:00:00.000 - 00:00:05.180**: "Stuck at Home Science" (initially blurred, then clear)
+*   **00:00:00.000 - 00:05:10.000**: "California Science Center" logo (appears consistently in the bottom right corner, except for full-screen text slides)
+*   **00:00:32.483 - 00:00:33.516**: "Diversity", "Roots", "Evolution" (on exhibit panels)
+*   **00:00:34.616 - 00:00:36.550**: "Kelp Forest" (on a sign above an exhibit entrance)
+*   **00:00:36.566 - 00:00:38.266**: "Help me replant kelp" (on a poster in an exhibit area)
+*   **00:00:38.283 - 00:00:42.500**: "Curator's Lab" and "TALK WITH A SCIENTIST" (on a glass window)
+*   **00:00:39.150 - 00:00:42.500**: "White abalone" and "Giant kelp" (labels above tanks inside the lab)
+*   **00:01:33.566 - 00:02:45.000**: "CAUTION HAZARDOUS MATERIAL STORAGE AREA" (on a door in the hallway)
+*   **00:01:34.050 - 00:02:45.000**: "Vet Clinic" (on a sign below "CAUTION")
+*   **00:02:10.533 - 00:02:11.833**: "Mite" (on a microscopic view, pointing to a mite)
+*   **00:03:15.500 - 00:03:19.000**: "Bacteria" (on a microscopic view)
+*   **00:03:20.000 - 00:03:23.233**: "Parasites" (on a microscopic view)
+*   **00:03:24.083 - 00:03:26.500**: "Inflammation cells" (on a microscopic view)
+*   **00:04:01.033 - 00:04:03.550**: "Baggie or plastic wrap"
+*   **00:04:04.166 - 00:04:08.083**: "container with bottom cut"
+*   **00:04:08.083 - 00:04:11.166**: "water"
+*   **00:04:11.166 - 00:04:13.066**: "rubber band"
+*   **00:04:57.066 - 00:05:00.666**: "TO DOWNLOAD THIS ACTIVITY AND MORE" (full screen)
+*   **00:05:00.666 - 00:05:02.900**: "VISIT OUR WEBSITE" (full screen)
+*   **00:05:02.900 - 00:05:06.133**: "WWW.CALIFORNIASCIENCECENTER.ORG /STUCKATHOME" (full screen)
+*   **00:05:06.133 - 00:05:10.000**: "TAG US ON SOCIAL MEDIA USING #STUCKATHOMESCIENCE" (full screen)
+
+**People in the Video:**
+
+*   **Monica:** The primary host and narrator of the video. She wears a name tag that says "Monica" and guides the viewer through the different science experiences at the California Science Center. She introduces the other scientists and brings the video to a close.
+*   **Morgan:** A scientist working in the "Curator's Lab" at the California Science Center. She uses a microscope to observe and monitor red rock shrimp and brine shrimp, noting their life stages. She mentions that brine shrimp are grown at the center to feed other animals, including the red rock shrimp.
+*   **Viani:** A scientist in the "Vet Clinic" at the California Science Center. Her name tag says "Viani." She explains that they use microscopes to examine invertebrates, such as a "bess bug" shown on the microscope, checking for missing appendages or segments, and inspecting for mites that could be detrimental to the animal's health.
+*   **Kim:** A scientist in the "Vet Clinic" at the California Science Center. Her name tag says "Kim." She clarifies that the veterinary department uses six microscopes: two dissecting scopes for larger specimens and four compound scopes (like the one she is using) to view very tiny things like bacteria, parasites, and inflammation cells to diagnose illnesses.
+*   **Junior Scientist (Young Girl):** A young girl who appears in the "Stuck at Home Science" segment. She demonstrates how to build a simple homemade microscope using common household items. She is presented as a curious and engaging young scientist.
+
+**Summary of the Video Narrative:**
+
+The "Stuck at Home Science" video from the California Science Center provides an engaging virtual tour focused on the use of microscopes in various scientific fields. The main presenter, Monica, begins by introducing the importance of microscopes and invites viewers to experience science "through her eyes."
+
+The viewer is taken on a journey through different departments of the Science Center. First, they visit the "Curator's Lab," where scientist Morgan demonstrates how she uses a microscope to study the life stages of microscopic marine organisms like red rock shrimp and brine shrimp, which are crucial for the center's animal diets.
+
+Next, the tour moves to the "Vet Clinic," where two scientists, Viani and Kim, showcase how microscopes are essential for animal health. Viani explains examining invertebrates for physical health and parasitic mites, while Kim elaborates on the different types of microscopes (dissecting and compound) used to identify tiny pathogens like bacteria, parasites, and inflammation cells that could affect the animals.
+
+The video then shifts to a "junior scientist" at home, who provides a practical, step-by-step guide on creating a simple homemade microscope using everyday items like a plastic bag, a cut container, water, and a rubber band, demonstrating how science can be explored anywhere. The video concludes with Monica encouraging viewers to continue their scientific explorations at home and promotes the California Science Center's website for more educational activities.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_BNJy_w94Uxc.txt b/raw/test/visual_info/output_BNJy_w94Uxc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a8149a65441c42ff359ffd08f1b60be95a8c33b5
--- /dev/null
+++ b/raw/test/visual_info/output_BNJy_w94Uxc.txt
@@ -0,0 +1,107 @@
+Here is a detailed list of visual events, on-screen text, information about people, and a summary of the video narrative:
+
+---
+
+**Important Visual Events:**
+
+00:00:00.000- A close-up shot shows four neatly packaged pink items, tied with red and white string, resembling small gifts or orders. Text like "MERRY" is visible on the pink wrapping.
+00:00:01.037- The scene transitions to a brightly lit white Christmas tree adorned with red and silver ornaments, with wrapped gifts at its base. A large window behind the tree shows an outdoor view.
+00:00:04.281- A close-up shot shows a hand holding a blue pen, outlining a sketch in a white sketchbook with various line art drawings of faces, food, and objects.
+00:00:07.828- A person, visible from behind, wearing a red and white striped sweater, gently holds a small white dog with a green and white patterned bandana sitting on a dark striped couch with a red Christmas tree pillow.
+00:00:10.745- The screen fades to a solid pink color.
+00:00:12.980- Two hands are seen carefully placing a cartoon-style sticker onto a small brown envelope, with other sticker sheets and a laptop visible in the background on a white table.
+00:00:16.299- The hands continue to handle the envelope, peeling off a sticker and placing it inside.
+00:00:20.940- The hands carefully seal the brown envelope, then press a pink stamp onto it.
+00:00:22.753- The camera pans out slightly, showing the person's torso and hands as they take multiple sticker sheets, place them inside a cardboard backer, and then slide them into a clear plastic sleeve. A laptop is open to the right.
+00:00:36.467- The person finishes packaging the sticker and cardboard, then seals the clear plastic sleeve with tape.
+00:00:51.642- Four packaged items, wrapped in pink paper with "THANK YOU" repeated, tied with string, and placed on brown cardboard, are displayed on a white surface. Two pink postage stamps are also visible.
+00:00:56.848- A person wearing a lavender top is seen from the side, sitting at a desk and using a small craft knife to carefully cut open a cardboard mailer. Various art supplies are scattered on the desk.
+00:01:02.138- The person pulls out a clear plastic sleeve containing several art prints from the cardboard mailer.
+00:01:09.914- The person holds up the plastic sleeve to show the prints more clearly. The prints feature colorful, whimsical illustrations of people and animals.
+00:01:13.911- The person carefully removes one smaller print from the sleeve, which depicts a girl with pink hair and a bird.
+00:01:21.011- The person removes another print, showing a woman with a black cat and a crow surrounded by sunflowers.
+00:01:30.931- The person takes out a print of a figure with long black hair, an orange fruit, and red shoes.
+00:01:32.486- The person holds up a print featuring a woman with pink hair and a dog with polka dots.
+00:01:38.214- A close-up shot displays several art prints laid out, showing various colorful illustrations including a woman with sunflowers, a woman with a polka-dot dog, and a woman riding a tiger.
+00:01:43.700- The screen fades to a solid pink color.
+00:01:45.393- Hands are seen preparing small, circular, dog-shaped charms for packaging.
+00:01:49.260- One hand holds up a white and tan dog-shaped charm, showing its details.
+00:01:54.499- The hands place the dog charm onto a small card that says "MERRY CHRISTMAS!" and "from Annabel".
+00:02:02.040- The person places a small dog-shaped earring with grey ears onto the same card, then wraps the card in pink patterned tissue paper.
+00:02:20.806- The person is carefully wrapping another small dog-shaped charm, this one grey with green, onto a card.
+00:02:29.073- The person is seen attaching a black dog-shaped earring to a card.
+00:02:37.000- The person wraps the black dog earring and card in pink tissue paper.
+00:02:46.360- A pair of white dog-shaped earrings with grey and tan ears, hanging from pink star-shaped tops, are displayed on a card that says "MERRY CHRISTMAS!" and "from Annabel".
+00:02:54.893- Four packaged items, wrapped in pink paper with red text that reads "MERRY CHRISTMAS", tied with red and white string, are shown close-up on a white surface.
+00:02:58.333- A person, visible from behind, wearing a blue and white striped sweater, places one of the pink packaged gifts under a white Christmas tree, which is brightly lit and decorated with red and silver ornaments.
+00:03:06.128- A small white dog is being bathed in a stainless steel sink, with hands gently washing its fur. The dog looks slightly dishevelled and wet.
+00:03:10.021- A close-up view of the white Christmas tree shows various ornaments, including a gingerbread man, a wreath, and other festive decorations, illuminated by white lights.
+00:03:13.388- The screen fades to a solid pink color.
+00:03:16.822- A person wearing a red and white striped Christmas sweater is whisking ingredients in a blue mixing bowl on a kitchen counter.
+00:03:20.301- The person uses an electric hand mixer in a light blue bowl on the counter.
+00:03:22.756- A close-up shows a large, round crepe cooking in a black frying pan on a black stove.
+00:03:23.750- A spread of breakfast items is on a wooden table: a stack of crepes, bowls of strawberries, whipped cream, and caramelized bananas, along with syrup and peanut butter.
+00:03:25.045- A close-up of a rolled-up crepe on a white plate, filled with strawberries and cream.
+00:03:26.702- A black dog with curly fur and a blue and white patterned bandana looks up at the camera. A hand in a red and white striped sleeve reaches out to pet it.
+00:03:31.789- A wide shot of the living room with the white Christmas tree, gifts, and a window in the background, fully lit and decorated in daylight.
+00:03:36.196- The person in the red and white striped sweater sits on the dark striped couch next to the white dog, which is wearing a green and white bandana. The person is adjusting the bandana on the dog.
+00:04:02.042- The screen fades to a solid pink color.
+00:04:05.770- A white sketchbook is open, showing multiple light pencil sketches of a girl's face, a girl in an outfit, a coffee cup, and a plate of food.
+00:04:10.609- A hand holding a blue marker is seen tracing over one of the pencil sketches in the sketchbook, adding dark blue outlines.
+00:04:18.892- A close-up shot shows the hand continuing to outline a sketch of a creature with many circular segments using the blue marker.
+00:04:37.730- The hand continues to outline another sketch in the sketchbook, this one appearing to be a face.
+00:04:51.642- The sketchbook is fully displayed, now showing all the sketches completely outlined in blue. These include a stylized girl, a girl's face, a coffee cup, a plate of food, and other small elements.
+00:04:59.000- The screen shows a digital rendition of the sketches, with the main girl figure outlined in blue. This transitions to the girl's face being filled with color, then the background adds a light blue grid.
+00:05:20.000- More details are filled in on the digital drawing, including the girl's skin tone, hair, and clothes. Other elements around her are also colored.
+00:05:27.000- The fully colored digital illustration is displayed, vibrant and complete with a stylized background.
+00:05:36.568- The screen transitions to a pink background with white flower icons, text for "subscribe" and "previous vid" with arrows, and a white oval containing "@annabel.sple". The text "thank you for watching!" is at the bottom.
+
+---
+
+**Text on Screen:**
+
+*   00:00:02.083 - CHRISTMAS VLOG
+*   00:00:13.550 - 20th December
+*   00:00:16.717 - packing some more orders for my shop
+*   00:00:52.483 - here's what they look like all packaged up!
+*   00:00:57.910 - opening my order from Sibylline Meynet
+*   00:01:02.668 - she's an amazing illustrator and so I got some prints!
+*   00:01:50.088 - wrapping Christmas presents I made for my family
+*   00:01:56.299 - this one is of our dogs Sharpei and Coco
+*   00:01:59.932 - MERRY CHRISTMAS!
+*   00:02:00.632 - from Annabel
+*   00:02:28.982 - MERRY CHRISTMAS!
+*   00:02:29.692 - from Annabel
+*   00:02:47.330 - MERRY CHRISTMAS!
+*   00:02:48.010 - from Annabel
+*   00:02:51.350 - these are my favourite! Little doggo earrings
+*   00:03:07.037 - Coco getting ready for Christmas
+*   00:03:17.377 - Christmas morning
+*   00:03:24.384 - we made some crepes for breakfast!
+*   00:04:07.917 - time for some sketching!
+*   00:04:15.540 - trying out my new posca markers
+*   00:05:00.088 - I decided to turn it into a digital drawing
+*   00:05:05.109 - this was a lot of experimenting with a different style
+*   00:05:10.592 - so let me know what you think!
+*   00:05:32.400 - final illustration!
+*   00:05:36.638 - thank you for watching :)
+*   00:05:37.338 - @annabel.sple
+*   00:05:37.338 - subscribe
+*   00:05:37.338 - previous vid
+
+---
+
+**People in the Video:**
+
+*   **Annabel (the narrator/vlogger):** She is shown packing orders for her shop, opening a package of art prints she ordered, making Christmas presents for her family, and sketching. She identifies herself at the beginning of the video and mentions her social media handle (@annabel.sple) at the end. She also mentions that the custom dog earrings she made are "for our dogs Sharpei and Coco," implying Sharpei and Coco are her family's dogs.
+*   **Sibylline Meynet:** Mentioned as an "amazing illustrator" from whom Annabel ordered prints. No visual of Sibylline, only her artwork.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video is a "Christmas Vlog" by Annabel, chronicling various activities leading up to and during the holiday season. It begins with Annabel packaging orders for her shop, which include her own illustrated stickers and prints. She demonstrates the process of preparing these items for shipment. Next, she shows herself unboxing an order she received from another illustrator, Sibylline Meynet, admiring the new art prints.
+
+The narrative then shifts to Christmas preparations at home, where Annabel creates handmade Christmas presents for her family, specifically mentioning custom earrings made to resemble their dogs, Sharpei and Coco. The video also captures moments of Christmas morning, showing Annabel making crepes for breakfast and preparing her dog Coco with a festive bandana. The scenes are intercut with beautiful shots of their white Christmas tree adorned with ornaments.
+
+Finally, the video transitions back to Annabel's artistic endeavors, showing her sketching new designs in her notebook and then digitally developing one of her sketches into a full illustration. The video concludes with the final digital artwork and a "thank you for watching" message, along with Annabel's social media handle. The vlog highlights a blend of creative work, festive preparations, and personal touches during the Christmas period.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_BQPAgFH96mQ.txt b/raw/test/visual_info/output_BQPAgFH96mQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..20ad44cf7ac87ae93852b2ac38f01828abbd001f
--- /dev/null
+++ b/raw/test/visual_info/output_BQPAgFH96mQ.txt
@@ -0,0 +1,50 @@
+Here are the important visual events in the video narrative with timestamps, followed by the text on screen, details about people, and a summary.
+
+**Important Visual Events:**
+00:00:00.000 - An underwater view shows a large humpback whale swimming gracefully upwards, its tail moving, with the bright surface of the water visible above.
+00:00:05.748 - The whale turns to its side, revealing more of its body as it continues its upward motion.
+00:00:15.820 - An overhead view captures the large, dark form of the humpback whale just beneath the ocean surface, with its long white pectoral fins spread out.
+00:00:18.064 - The whale breaks the surface, exhaling powerfully, creating a large, misty blow of water.
+00:00:25.864 - An aerial shot reveals a single humpback whale swimming in the vast blue ocean near a lush green mountainous coastline under a clear sky.
+00:00:34.000 - A panoramic aerial view sweeps across a rugged, green coastline with steep cliffs meeting the blue ocean, showing the tranquil waters of Hawaii.
+00:00:41.800 - A close-up underwater shot focuses on the large eye of a humpback whale, surrounded by small barnacles and what appears to be a flurry of tiny bubbles.
+00:00:52.500 - Multiple humpback whales are seen swimming together underwater, with one large whale very close to the camera, partially obscured by surface light and bubbles.
+00:00:58.000 - An aerial view shows a dynamic group of about 7-8 humpback whales on the surface, moving rapidly and creating significant white foam and splashes in the blue water, indicating a chase.
+00:01:02.000 - An underwater shot captures a large humpback whale swimming quickly, its massive white pectoral fin prominently displayed.
+00:01:05.000 - Two humpback whales are seen swimming underwater, one actively blowing bubbles from its blowhole, while other whales are faintly visible in the deeper background.
+00:01:09.900 - The camera is positioned looking up at a large humpback whale swimming past, its mottled grey skin and broad head visible.
+00:01:12.000 - Two whales are seen interacting closely underwater, thrashing and stirring up a large cloud of white bubbles.
+00:01:16.000 - The aerial shot returns to show the group of whales still in a "heat run," vigorously moving and causing large patches of turbulent white water.
+00:01:20.000 - An overhead close-up shows a whale erupting from the water's surface in a powerful breach or thrash, surrounded by a huge splash.
+00:01:22.000 - Underwater, several whales are seen in close proximity, actively swimming and blowing streams of bubbles.
+00:01:25.000 - A very close underwater shot captures the powerful tail fluke of a whale rapidly churning the water, creating a dense cloud of bubbles.
+00:01:26.500 - The aerial view continues to show the "heat run," with multiple whales creating white foam as they jostle and swim.
+00:01:31.900 - An underwater view shows a large humpback whale swimming rapidly, with bubbles rising around its body and another whale visible in the deeper background.
+00:01:36.000 - Another underwater shot captures a group of whales, still actively engaged in the "heat run," with bubbles coming from their bodies as they move.
+00:01:40.000 - The entire screen is filled with a dense, shimmering cloud of underwater bubbles, making it difficult to see clearly through.
+00:01:46.000 - Through the dissipating bubbles, two large humpback whales are seen swimming slowly and calmly side-by-side, no longer chasing each other.
+00:01:54.000 - A close-up underwater shot of a large humpback whale swimming slowly, its body long and dark, with a calmer presence now.
+00:02:20.500 - Multiple whales are visible underwater, appearing to circle or observe, with one large whale in the foreground and others partially seen in the hazy blue depths.
+00:02:35.800 - A large humpback whale swims slowly, its white pectoral fin glowing faintly in the blue water.
+00:02:41.000 - Two large whales swim alongside each other, with one (the lead male) blowing a distinct, continuous stream of bubbles from its blowhole.
+00:02:49.000 - A large whale is seen from below, swimming upwards, leaving a long, clear trail of bubbles.
+00:02:54.000 - The screen is again filled with a dense, chaotic cloud of bubbles, swirling and rising.
+00:02:57.900 - A large female humpback whale swims slowly, and a tiny, lighter-colored whale calf is seen emerging from below her body, appearing to be just born.
+00:03:07.800 - Another shot completely immersed in a cloud of bubbles, indicating the underwater birthing process.
+00:03:21.900 - The female whale is seen underwater, looking upwards towards the surface, awaiting her calf.
+00:03:32.000 - The female whale nudges her newborn calf upwards from beneath her, toward the surface for its first breath.
+00:03:47.800 - An overhead view shows the mother whale and her tiny, light-colored calf swimming together, with the calf positioned towards the surface.
+00:03:55.700 - An underwater shot captures the mother and calf swimming near the surface, with the calf prominently visible above the mother.
+00:04:09.000 - The mother whale and her new calf swim side-by-side, with the calf resting on the mother's back as they move through the clear blue water.
+
+**Text on screen and when it appeared:**
+*   00:03:15.520 - Narrated by JEREMY RENNER
+
+**People in the video:**
+*   **Jeremy Renner:** He is listed as the narrator of the video. He does not appear visually in the video itself.
+
+**Summary of the video narrative:**
+
+The video follows the remarkable journey of a female humpback whale. It begins by highlighting her exhausted state after migrating 3,000 miles from the cold, stormy seas of Alaska to the predator-free, warm waters of Hawaii. Upon arrival, she is immediately caught in a chaotic "heat run," where over twenty male humpbacks aggressively pursue her for a chance to mate, creating intense underwater and surface commotion.
+
+However, the narrative takes an unexpected turn when the chasing suddenly ceases. The male whales, instead of continuing their pursuit, appear to change their behavior and become protective of the female. This dramatic shift is revealed to be due to a rare and rarely witnessed event: the birth of a tiny humpback whale calf. The lead male creates a screen of bubbles, providing a protective curtain for the mother and her newborn. The mother then gently nudges her little male calf towards the ocean surface for his crucial first breath. The video concludes by emphasizing the incredible bond between mother and calf, and the challenging reality that the newborn must immediately learn to live life on the move, as there is almost no food for humpbacks in their Hawaiian breeding grounds.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Bxr_XU7u4U0.txt b/raw/test/visual_info/output_Bxr_XU7u4U0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cdca925c8d83787bcaf15b14b27313432974a040
--- /dev/null
+++ b/raw/test/visual_info/output_Bxr_XU7u4U0.txt
@@ -0,0 +1,65 @@
+Here are the important visual events from the video with timestamps, followed by text on screen, people in the video, and a summary.
+
+**Important Visual Events:**
+00:00:00.000 - An elephant stands on the grassy shoulder of a paved road, facing right, with a white truck approaching in the distance.
+00:00:06.866 - A brown flatbed truck passes by on the left side of the road, moving away from the elephant.
+00:00:21.066 - The elephant turns its head and trunk towards the approaching white truck, indicating interest in its cargo.
+00:00:23.066 - The elephant steps onto the edge of the paved road, moving closer to the white truck as it slows down.
+00:00:25.800 - A black pickup truck drives past the stationary white truck and the elephant on the left lane.
+00:00:30.400 - The elephant extends its trunk and begins to pull sugarcane (or similar plant material) from the top of the white truck's overloaded cargo.
+00:00:46.300 - A white pickup truck drives past the stationary white truck and the elephant on the left lane.
+00:00:48.333 - The elephant lifts a piece of sugarcane with its trunk and begins to eat it.
+00:00:54.000 - A new scene starts with the elephant still eating sugarcane from the stationary white truck, as a white sedan approaches in the background.
+00:01:05.100 - A second white truck, also heavily loaded with what appears to be sugarcane, approaches from behind the first stationary truck.
+00:01:10.233 - The elephant, still by the first truck, pulls another large piece of sugarcane to eat.
+00:01:14.666 - The second white truck, laden with sugarcane, moves slowly alongside the stationary first truck and the elephant.
+00:01:21.000 - The elephant reaches its trunk out towards the second truck, attempting to grab more sugarcane from its moving load.
+00:01:29.800 - The elephant successfully grabs a large bundle of sugarcane from the moving second truck and starts eating it.
+00:01:40.800 - A red motorcycle with two riders passes the first stationary white truck on the left side of the road.
+00:01:47.066 - The elephant continues to reach for and consume sugarcane from the moving second truck as it slowly passes.
+00:01:52.333 - A brown pickup truck passes by the elephant and the moving second truck on the left lane, followed by a dark SUV.
+00:02:11.766 - The elephant is now standing on the roadside, facing the camera, still eating sugarcane from the roadside. The trucks have passed.
+00:02:37.400 - The elephant starts to slowly walk from the right shoulder onto the paved road, moving left across the lanes.
+00:02:41.300 - A green and red dump truck (Isuzu) approaches from the background and stops just behind the elephant.
+00:02:44.233 - A purple truck is seen approaching in the far distance, down the road.
+00:02:47.333 - The elephant walks alongside the stationary green and red truck, reaching for its cargo.
+00:03:09.900 - The elephant pulls material from the green and red truck's load.
+00:03:13.666 - The elephant continues to feed from the side of the green and red truck.
+00:03:18.966 - The elephant pauses its eating and looks up the road briefly before resuming.
+00:03:32.400 - The elephant continues to take more food from the green and red truck, as another truck (unclear type) is faintly seen far in the background.
+00:03:41.000 - A red pickup truck (Mazda BT-50) passes the stationary green and red truck and elephant on the left lane.
+00:03:55.933 - The elephant pulls off another piece of food from the side of the green and red truck.
+00:04:02.100 - The elephant is now positioned to the left side of the green and red truck, closer to the middle of the road.
+00:04:06.000 - The elephant stretches its trunk out towards the center of the road.
+00:04:08.800 - The purple truck slowly passes in front of the elephant and the green and red truck. The elephant seems unbothered.
+00:04:14.933 - As the purple truck moves away, the elephant steps fully onto the right side of the road.
+00:04:22.766 - The elephant is standing on the right shoulder, looking towards the camera, as a white Hino truck approaches in the distance.
+00:04:30.900 - The elephant starts to walk slowly forward along the right side of the road towards the camera.
+00:04:42.500 - The elephant approaches the white Hino truck, which has stopped, and reaches its trunk towards the truck's cargo.
+00:04:47.266 - The elephant tries to grab some material from the Hino truck.
+00:04:52.400 - The elephant successfully pulls a long piece of plant material from the white Hino truck's load.
+00:04:57.266 - A black Isuzu pickup truck approaches on the left lane as the elephant eats from the Hino truck.
+00:05:01.300 - The black Isuzu pickup truck passes the stationary Hino truck and the elephant.
+00:05:04.900 - The elephant continues to take and eat sugarcane from the Hino truck.
+00:05:12.200 - The elephant is standing on the grassy shoulder, facing the camera, chewing on what it has collected. A black sedan and another red vehicle are parked further down the road.
+00:05:16.866 - A person (possibly a driver) is briefly seen standing near the parked black sedan.
+00:05:39.500 - A grey sedan with a covered load passes on the left, moving away from the camera. The elephant continues to eat on the roadside.
+00:05:58.219 - Video ends with the elephant still eating by the roadside.
+
+**Text on Screen:**
+*   00:00:15.533 - "อ.อมรชัย" and "81-2415" (License plate on white Hino truck). "HINO 500" is also visible.
+*   00:01:17.066 - "81-4620" (License plate on second white Hino truck). "HINO 700" is also visible.
+*   00:01:41.300 - A license plate on the red motorcycle (unclear, possibly "กฉ 7289").
+*   00:02:44.233 - "85-5793" (License plate on green and red Isuzu truck).
+*   00:04:09.100 - "68-6167" (License plate on purple Hino truck). "HINO 500" is also visible.
+*   00:04:46.066 - "81-2322" (License plate on white Hino truck). "HINO 500" is also visible.
+*   00:04:57.266 - "บร 8928" (License plate on black Isuzu pickup truck). "ISUZU" is also visible.
+*   00:05:43.900 - "ญฐ 9994" (License plate on grey sedan).
+
+**People in the Video:**
+*   **Two individuals on a red motorcycle:** Seen briefly at 00:01:40.800. No specific information is provided about them.
+*   **One individual near a black sedan:** Seen briefly at 00:05:16.866, standing on the road near a parked car. Dressed in what appears to be a uniform. No specific information is provided about them.
+*   **Drivers of the various trucks and cars:** Their faces are not clearly visible, and no specific information about them is provided.
+
+**Summary of the Video Narrative:**
+The video captures the behavior of an Asian elephant on a rural road adjacent to a forest, demonstrating a known foraging strategy of these wild animals. The elephant repeatedly approaches large trucks heavily laden with plant material, likely sugarcane, which is a common agricultural product in the region and a favorite food of elephants. Using its trunk, the elephant skillfully extracts portions of the cargo from the stationary or slow-moving trucks. Drivers of these commercial vehicles, as well as other passing cars and motorcycles, appear to be accustomed to the elephant's presence, often slowing down or stopping to allow the animal to feed without incident. The elephant appears calm and focused on its meal, showcasing a remarkable adaptation to human infrastructure in its natural habitat, indicating a nuanced interaction between wildlife and local transportation.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_CC-6RPCGguw.txt b/raw/test/visual_info/output_CC-6RPCGguw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f60ae54ece636c9d586e11c2940f22f2b73fb93d
--- /dev/null
+++ b/raw/test/visual_info/output_CC-6RPCGguw.txt
@@ -0,0 +1,108 @@
+Here's a detailed breakdown of the video:
+
+### Important Visual Events with Timestamps:
+
+00:00:00.000 - A young woman in a black sleeveless top and blue jeans stands by a concrete railing overlooking a river, holding two red shopping bags. City buildings are visible in the background.
+00:00:01.350 - The woman turns to her right, away from the camera, still holding the shopping bags.
+00:00:03.950 - The woman turns back towards the camera, smiles, and raises her right arm, exclaiming "Chicago!".
+00:00:05.483 - An aerial shot looks down onto a busy city street with vehicles parked and moving, crosswalks, and tall buildings with glass facades.
+00:00:07.750 - The woman is sitting in a gray chair in a hotel room, facing the camera, wearing the same black top. A bed with white sheets is visible to her right, and a dresser and lamp to her left.
+00:00:09.117 - The woman turns her head to look over her right shoulder, then back to the camera, continuing to speak.
+00:00:13.250 - The woman again turns her head to look over her right shoulder, then back to the camera.
+00:00:37.750 - A close-up shot of the woman's bare feet on a dark wooden floor, showing her white-painted toenails and black shiny loafers with gold chain details.
+00:00:40.450 - The woman is seen in a mirror reflection, holding a silver Canon HD camcorder, filming herself. She has bangs and long dark hair.
+00:00:41.517 - A closer shot of the woman in the mirror, as she runs her hand through her bangs.
+00:00:43.083 - The woman pokes her finger down at her reflection, then brushes her hair away from her face.
+00:00:45.317 - The woman uses a brush to comb her eyebrows or eyelashes in the mirror.
+00:00:49.983 - An upward angle shot of a tall white sign with large, black, vertically stacked letters spelling "EATALY" on the side of a modern building, with green trees in the foreground.
+00:00:51.683 - The woman walks towards a glass entrance door, which reflects blurred images, and reaches out to open it.
+00:00:54.683 - A close-up, upward shot of a red awning with a partial white crescent design and part of "EATALY" written on it.
+00:00:55.350 - A street-level shot showing a traffic light pole with street signs reading "N Mich Av" and "Ohio St", and a brown sign for "THE MAGNIFICENT MILE". Tall buildings with intricate patterns on their facades are in the background.
+00:01:04.917 - A wide, upward shot of three distinct skyscrapers in Chicago, including the John Hancock Center (tall, dark, criss-cross pattern) and another white, rectangular building, under a clear blue sky.
+00:01:07.883 - A black awning with "RALPH LAUREN" in gold letters covers the entrance to a building.
+00:01:10.883 - A building facade with "RALPH LAUREN" in gold letters above an awning that reads "BAR RL".
+00:01:11.950 - A framed black and white photograph of a woman with her arms crossed, visible in a golden frame on a dark wood-paneled wall.
+00:01:12.783 - A view inside a bar, showing numerous liquor bottles on shelves behind a counter, with two men, one tending the bar and one facing away from the camera.
+00:01:14.317 - A close-up of an open menu on a white tablecloth, showing various sections like "STARTERS" and "SOUPS & SALADS" at a restaurant table.
+00:01:15.850 - A plate of "10/10 chicken milanese" with a side salad and a lemon wedge, sitting on a white tablecloth with "RL" branded on the plate rim.
+00:01:18.917 - A hand points and traces over a framed black and white photograph of a woman lying on the ground surrounded by many pairs of legs and feet.
+00:01:21.817 - A hand reaches out and touches a large, round bouquet of white flowers (likely hydrangeas) in a clear vase on a white surface.
+00:01:24.083 - The woman is seen in a mirror, holding the camcorder and making a playful waving gesture, as the camera quickly zooms in and blurs.
+00:01:26.117 - The woman is in a dimly lit, wood-paneled room, holding an old-fashioned phone receiver to her ear and talking.
+00:01:31.917 - The woman is animatedly gesturing with the phone receiver away from her ear, then puts it back, smiling.
+00:01:42.117 - A hand picks up a dark green baseball cap with "Ralph's COFFEE NEW YORK" in white cursive writing.
+00:01:44.250 - A hand slides past a stack of white baseball caps with "Ralph's COFFEE NEW YORK" on them.
+00:01:45.050 - Stacked boxes with "A CUP OF Ralph's COFFEE" logo on them.
+00:01:46.017 - The woman is seen in a reflection, holding the camcorder and looking at herself.
+00:01:47.383 - A glass window of "Ralph's Coffee" showing a logo "ENJOY A CUP OF Ralph's COFFEE JAVA & MOCHA RALPH LAUREN N.Y.C." and a menu list of beverages.
+00:01:48.450 - A top-down view of the woman's feet walking on a grey concrete sidewalk, wearing the black loafers.
+00:01:49.950 - A street view of residential buildings with detailed facades and arched doorways, one red brick and others light-colored stone, with leafy trees lining the street.
+00:02:01.817 - A close-up of the light-colored stone building with ornate architectural details, a small balcony with an iron railing, and large windows.
+00:02:05.783 - A close-up of a white plate with a large ball of mozzarella cheese topped with a basil leaf, sitting in a pool of olive oil, accompanied by two slices of toasted bread.
+00:02:09.917 - A wide shot of the Chicago River, revealing many tall skyscrapers, a bridge, and a large white "Shoreline Sightseeing" boat.
+00:02:16.817 - The woman is back at the concrete railing by the river, holding her bags. She adjusts her hair, gestures, and looks around. A large circular building (likely a parking garage) is visible behind her.
+00:02:20.917 - A close-up of the woman walking forward on a bridge, looking at the camera and speaking. Tall buildings are in the background.
+00:02:25.750 - A view of green metal railings and stairs leading down to the entrance of "SMITH & WOLLENSKY" restaurant, with "SINCE 1977" visible above the entrance. Outdoor seating with white tents is seen.
+00:02:35.883 - A wide shot of the Chicago River, similar to previous views, showing the "Shoreline Sightseeing" boat, red outdoor umbrellas, and tall city buildings.
+00:02:42.317 - An upward shot of tall Chicago skyscrapers under an overcast sky, including one with a large clock tower.
+00:02:45.317 - A close-up of the woman, walking and speaking, with the "TRUMP" building visible behind her.
+00:02:49.617 - A quick shot of concrete ground with feet visible at the very left edge.
+00:02:50.050 - The woman is again at the concrete railing by the river, with the city buildings behind her, smiling and gesturing.
+00:02:59.350 - An upward shot of tall city buildings at dusk, some with illuminated windows, including one with a "Marriott" sign at the top.
+00:03:02.050 - A high-angle shot looking down at city streets and buildings at dusk, with traffic lights and vehicle lights visible.
+00:03:06.617 - A close-up of a white comforter on a bed, with a crumpled red item (clothing) on it. A hand appears and touches the comforter.
+00:03:09.883 - A quick downward pan showing a dark wooden floor.
+00:03:10.983 - A television screen showing two men in suits from "Law & Order: SVU".
+00:03:15.550 - A view from a hotel room window at night, showing city buildings with lights on, and the dark interior of the room with a chair and wooden floor.
+00:03:20.917 - A close-up of a smartphone screen displaying the Postmates app, showing food items from "AMC Theatre NEWCITY 14" including an "Extra Cheese Cup."
+00:03:31.917 - The smartphone screen is scrolled down, revealing "Flatbread Pizza Pepperoni", "Mozzarella Sticks", and "Pretzel Bites Cinnamon Sugar with Icing."
+00:03:44.250 - The smartphone screen shows "MovieNachos", "Pretzel Bites Garlic Parmesan with Cheese", and "Flatbread Pizza 4 Cheese".
+00:03:52.417 - The smartphone screen shows "MovieNachos" with the text "Tostitos tortilla chips served with your choice of warm nacho".
+00:04:00.617 - The smartphone screen shows "All-Beef Hot Dog" at the top.
+00:04:14.217 - The smartphone screen shows a summary of items in the cart: All-Beef Hot Dog, MovieNachos, and Extra Cheese Cup, with a subtotal of $17.07.
+00:04:16.850 - A view from the hotel room window at night, showing city lights and buildings.
+00:04:21.883 - A hand with long red fingernails touches the glass of the window, then makes a gesturing motion.
+00:04:24.417 - A close-up of a table in the hotel room with a box of "MovieNachos" (chips and two cheese cups), an "All-Beef Hot Dog", and a large "ICEE Coke" drink. A laptop and water bottle are also visible.
+00:04:37.383 - The television screen again shows two men from "Law & Order: SVU".
+00:04:49.783 - The woman is in the hotel room, facing the camera, wearing a red shirt, and smiling while talking.
+00:04:56.250 - The woman brings her hand up to the camera, appearing to wave goodbye.
+00:04:57.183 - A black screen displays text "Follow me on TikTok for extra credit and more behind the scenes @TheKellyStamps" above an image of her TikTok profile.
+
+### On-screen Text:
+
+*   00:00:05.483 - 00:00:07.750: 12 HOURS IN CHICAGO.
+*   00:00:08.383 - 00:00:09.117: Class,
+*   00:00:09.783 - 00:00:11.250: I am still
+*   00:00:11.250 - 00:00:13.250: In my self-imposed detention.
+*   00:00:13.917 - 00:00:15.517: I am not lecturing right now,
+*   00:00:16.117 - 00:00:17.083: I am off-duty.
+*   00:00:17.683 - 00:00:18.583: I am in rehab.
+*   00:00:19.450 - 00:00:20.150: In Chicago.
+*   00:00:20.883 - 00:00:26.150: Which is quite random. But I just had to go to a different Eataly location that I haven't actually been to.
+*   00:00:26.550 - 00:00:30.283: I've had time to reflect on everything I've said,
+*   00:00:30.850 - 00:00:32.417: about Los Angeles residents,
+*   00:00:32.783 - 00:00:34.050: and
+*   00:00:34.050 - 00:00:34.917: I am not sorry.
+*   00:00:35.483 - 00:00:36.417: I am not wrong.
+*   00:00:36.417 - 00:00:37.750: They are on something else.
+*   00:01:16.917 - 00:01:19.017: 10/10 chicken milanese
+*   00:01:26.117 - 00:01:30.850: This is your professor getting a finance bro's number because I'm bored
+*   00:01:37.450 - 00:01:41.050: Eataly did not have a plain croissant today
+*   00:02:00.617 - 00:02:02.517: And they have striking similarity to Back Bay.
+*   00:02:03.583 - 00:02:05.983: These are mansions, I'm pretty sure
+*   00:02:06.117 - 00:02:08.417: [Stampede students interacting with me while filming again at Eataly]
+*   00:02:08.417 - 00:02:10.517: This is the mozzarella
+*   00:02:37.217 - 00:02:42.317: Ocean Prime was closed lol so I went back to my hotel after this
+*   00:04:57.183 - 00:05:07.183: Follow me on TikTok for extra credit and more behind the scenes @TheKellyStamps
+
+### People in the Video:
+
+*   **Kelly (the protagonist/vlogger)**: A young Black woman with long, straight black hair and bangs. She presents herself as a "professor" in "self-imposed detention" and "rehab" in Chicago, maintaining a humorous and opinionated persona. She spends her day exploring Chicago, dining, and reflecting on her experiences. She films herself using an old camcorder. Her TikTok handle, @TheKellyStamps, is shared at the end of the video.
+*   **Bar Staff/Customers at RL**: Unidentified men are seen briefly in the background at Ralph Lauren's RL restaurant, one working behind the bar and another as a customer.
+*   **Pedestrians and Boat Passengers**: Various unidentified people are seen walking on the streets and riverwalk, or on the "Shoreline Sightseeing" boat, contributing to the city atmosphere.
+*   **"Finance Bro" and "Officer"**: These are characters mentioned by Kelly as part of her comedic monologue, but they are not physically present in the video.
+*   **"Stabler"**: A character from "Law & Order: SVU" seen on the TV screen in Kelly's hotel room.
+
+### Summary of the Video Narrative:
+
+The video, titled "12 Hours in Chicago," follows Kelly, the vlogger, on her day exploring the city. Presenting herself as a "professor" on "self-imposed detention" and "rehab," she humorously reflects on her past outspoken comments. Her day begins with shopping and includes a visit to Eataly, where she goes for "quality control" rather than a meal, expressing dismay over the lack of a plain croissant. She then dines at Ralph Lauren's RL restaurant, praising the chicken milanese. Kelly also highlights the "beautiful" Gold Coast homes, likening them to Boston's Back Bay. Her plans to eat at Ocean Prime are thwarted by its closure, leading her back to her hotel. The video concludes with Kelly unwinding in her room at night, watching "Law & Order: SVU" and enthusiastically ordering AMC nachos (with the correct cheese and chips, which she previously had issues with) and a hot dog via Postmates, declaring it "the best day of her life" and enjoying "luxury living." She signs off by inviting viewers to follow her TikTok for more content and "extra credit."
\ No newline at end of file
diff --git a/raw/test/visual_info/output_CHSnz0bCaUk.txt b/raw/test/visual_info/output_CHSnz0bCaUk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1ab4c6b015889f09d6063e3cf1ff32e860b3fefd
--- /dev/null
+++ b/raw/test/visual_info/output_CHSnz0bCaUk.txt
@@ -0,0 +1,77 @@
+Here is a list of all important visual events in the video narrative with timestamps, followed by a list of all on-screen text, information about people in the video, and a summary of the video narrative:
+
+**Important Visual Events:**
+00:00:00.000 - An aerial view shows a vast fjord surrounded by steep, densely forested mountains, partially covered in mist and clouds. A small yellow floatplane flies horizontally in the middle ground, near the base of the mountains over the water.
+00:00:07.000 - A brown bear is partially hidden among dense green undergrowth, its head visible as it looks forward and then slightly to the side.
+00:00:10.000 - A wide shot captures a large, blue-tinged glacier filling the background, with countless pieces of floating ice (bergy bits) scattered across the calm, reflective water in the foreground.
+00:00:14.000 - A bald eagle with a white head and tail feathers flies from the left across a grey sky, then dips downwards towards a green, forested shoreline and body of water.
+00:00:19.000 - A blue and white fishing boat named "OSPREY" is shown in a bay, actively retrieving a large net from the water. Several crew members in orange rain gear are visible on the stern. The bay is surrounded by green, forested mountains under an overcast sky.
+00:00:24.000 - A close-up view focuses on the intricate, vibrant green fronds of ferns, swaying slightly.
+00:00:28.000 - An aerial shot provides a sweeping view of a vast, rugged blue glacier covered in deep crevasses and undulations. A small yellow helicopter flies low over the icy terrain, casting a shadow.
+00:00:34.000 - A tall, intricately carved totem pole, featuring stacked anthropomorphic and animal figures painted in red, black, and blue, stands against a soft, misty green background of forested mountains.
+00:00:39.000 - A closer, upward-tilted shot of the totem pole highlights the detailed carvings and vibrant colors of the figures, with a plain sky in the background.
+00:00:44.000 - A desolate, wide shot reveals a collection of weathered, broken wooden pilings and a small, tall, abandoned wooden structure with a red roof, standing on a mossy, rocky beach at low tide. Green, forested mountains frame the scene under a cloudy sky.
+00:00:48.000 - A humpback whale surfaces, its dark back briefly visible above the water, then arches and dives, presenting its distinctive, patterned tail fluke before disappearing, leaving a splash.
+00:00:54.000 - An aerial shot overlooks a winding, serpentine river flowing through a wide expanse of lush, bright green marshland or tundra, eventually merging into a large body of water in the distance.
+00:01:01.000 - A brown bear walks slowly from left to right through tall green grass alongside a shallow stream or wetland area, occasionally stopping to forage.
+00:01:06.000 - A person in a bright yellow rain jacket stands at the entrance of a stunning blue ice cave within a glacier, looking inwards. A stream of meltwater flows at the base of the ice.
+00:01:10.000 - A close-up, low-angle shot from within the ice cave showcases the mesmerizing, undulating patterns of the vibrant blue ice ceiling. Raindrops create ripples on the dark water pooling below.
+00:01:15.000 - A view down a wide, gravel path through a dense, green temperate rainforest. Tall trees with moss-covered trunks line the path, leading towards a wooden boardwalk section.
+00:01:21.000 - An expansive aerial view displays a coastal town nestled between a large bay filled with boats and a dark, calm lake. The entire area is surrounded by dense green forests and mountains.
+00:01:25.000 - Two harbor seals are resting contentedly on a large, light blue ice floe in a glacial bay. One seal is lying down, while the other is propped up, looking towards the camera. A massive blue glacier forms the backdrop.
+00:01:32.000 - The camera pans up a sheer, imposing dark grey rock cliff rising from turquoise water, adorned with patches of vibrant green vegetation clinging to its surface. Distant misty mountains are visible.
+00:01:37.000 - A wide shot features a large, majestic blue glacier extending across the horizon, with numerous ice chunks floating in the water in the foreground. A small boat is visible near the base of the glacier, offering perspective on its immense size.
+00:01:47.000 - An overhead drone shot looks directly down at a powerful, white waterfall plunging from a high, lush green cliff face into a deep green body of water, creating a turbulent white splash.
+00:01:51.000 - Two humpback whales are seen swimming side-by-side near a forested shoreline. One whale surfaces and dives, displaying its tail fluke, while the other's back remains visible.
+00:01:55.000 - A bald eagle flies low over green water, its talons extended, then expertly swoops down to catch a fish, splashing the surface of the water.
+00:02:00.000 - A yellow helicopter flies low and steadily over the vast, rippled surface of a blue glacier, emphasizing the textured and broken terrain of the ice.
+00:02:07.000 - A close-up shot focuses on small, delicate bright yellow wildflowers, with several in focus in the foreground and a soft, blurred green background.
+00:02:12.000 - A classic white lighthouse with a distinctive red top stands prominently on a rocky, forested point, surrounded by dense green pine trees, overlooking a calm body of water.
+00:02:16.000 - A tight, low-angle shot shows the smooth, curved edge of brilliant blue glacier ice meeting dark, rippling water. Raindrops can be seen falling on the water's surface, creating small circles.
+00:02:21.000 - An aerial view captures several thin, silvery waterfalls cascading down a steep, dark grey rock face covered in green moss and trees, emptying into a tranquil, deep green body of water.
+00:02:24.000 - A close-up shot highlights slender stalks of grass with delicate purplish-pink seed heads, gently swaying against a dark green, blurred background.
+00:02:26.000 - A brown bear lies partially concealed in a bed of bright green leafy undergrowth in a forest, looking to the left.
+00:02:29.000 - Three sea lions are resting on a red and green marine buoy in the middle of a calm body of water. A bald eagle flies directly over them and then lands on top of the buoy.
+00:02:33.000 - A wide shot shows a powerful waterfall cascading down a dark rock face into a body of water, with dense green forest on the surrounding cliffs. A small, light blue iceberg floats in the foreground.
+00:02:37.000 - An aerial view looks down upon a fast-flowing, vibrant blue-green river filled with white rapids and large rocks, winding its way through a dense, dark green forest.
+00:02:40.000 - An aerial shot directly above a glacier shows a narrow, vibrant blue stream of meltwater carving a deep, winding channel through the grey-white ice.
+00:02:42.000 - A view looks up a narrow, steep waterfall cascading powerfully down a moss-covered, dark rock gorge, surrounded by dense green forest.
+00:02:45.000 - A close-up shot focuses on a tall stalk of purple and white lupine flowers, with other blurred flowers and green foliage in the background.
+00:02:48.000 - An aerial view captures a large, elegant two-masted sailboat or yacht cruising across calm, deep green water, leaving a prominent white wake behind it.
+00:02:53.000 - A wide coastal scene features a large flock of seagulls gathered on a rocky, mossy outcrop, with many more flying above the calm water. Forested islands and distant mountains are visible.
+00:02:58.000 - A wide shot of a large, impressive glacier (likely Mendenhall Glacier) meeting a body of water, flanked by rocky, forested mountains. Snow-capped peaks are visible in the distance.
+00:03:06.000 - A yellow floatplane taxis across a calm, deep green body of water, leaving a long wake. A tall waterfall cascades from a lush, forested cliff in the background.
+00:03:10.000 - Two harbor seals are resting close together on a small chunk of ice, appearing to nuzzle and interact intimately.
+00:03:14.000 - A macro shot captures the intricate details of vibrant green moss and tiny, delicate buds or sprouts pushing through the foliage.
+00:03:16.000 - A small boat navigates a body of water dotted with numerous floating ice chunks, in front of a massive blue glacier and rugged, dark mountains under a cloudy, dramatic sky.
+00:03:19.000 - An aerial shot looks down at the complex, fractured patterns of a blue-tinged glacier, showcasing deep crevasses and varied textures across its vast surface.
+00:03:23.000 - Four sea lions are resting on rocky, moss-covered islands at low tide, surrounded by calm water. Mountains are visible in the background under a cloudy sky.
+00:03:27.000 - A view focuses on multiple narrow waterfalls cascading down a tall, grey rock face into the turquoise water below, surrounded by green foliage. Small ice chunks float in the water.
+00:03:32.000 - A wide, low-angle shot captures a sandy beach at low tide, dominated by large, dark, irregular rock formations covered in mussels and barnacles. Forested mountains are obscured by mist in the distance.
+00:03:34.000 - A close-up of a weathered, rusted metal object (possibly part of an old ship or machinery) covered in white barnacles and dark marine growth, resting on the sandy beach.
+00:03:37.000 - Two fishing boats are tied alongside each other in the water. The foreground boat, "CHALLENGE," is white and yellow and equipped with fishing gear, while a smaller blue boat is alongside it. Crew members are visible on deck.
+00:03:41.000 - A view from a wooden pier extends over calm water towards a shoreline with distinctive orange and green marshy areas, backed by dense green forested mountains partially enveloped in mist.
+00:03:44.000 - An aerial view shows a dark, tranquil lake nestled deep within a vast, dense green forest. A winding, marshy area with small streams extends from the lake's edge. Distant mountains are barely visible on the horizon.
+00:03:47.000 - A rocky, forested island or landmass rises from the water, densely covered in pine trees, with misty mountains in the background and an overcast sky.
+00:03:49.000 - A view looks down a wide, gravel path winding through a dense green forest, with large trees and lush undergrowth lining its sides. The path leads towards a slightly brighter, open area in the distance.
+00:03:54.000 - A wide landscape shot presents a body of water with several small, rocky islands covered in green trees in the foreground. In the background, majestic snow-capped mountains dominate the horizon under a cloudy sky.
+00:04:05.000 - A bald eagle is perched prominently atop a tall, green pine tree, looking out over a landscape of dense, misty, forested mountains.
+00:04:19.000 - A second bald eagle flies from the right, soaring over the misty, forested mountains in the background.
+
+**Text on Screen:**
+*   00:00:03.966 - 04:01.000: A white circular logo with an "J K" intertwined and an arrow and cross symbol (appears in the bottom right corner of almost every shot).
+*   00:04:07.900 - 04:29.000: "A JACOB + KATIE SCHWARZ FILM"
+*   00:04:07.900 - 04:29.000: "MUSIC BY ANBR "LIFE""
+*   00:04:07.900 - 04:29.000: "COPYRIGHT © 2022 MYSTERY BOX, LLC. ALL RIGHTS RESERVED"
+
+**People in the Video:**
+*   **Fishermen:** Several crew members are seen on fishing boats (at 00:00:19.000 and 00:03:37.000), wearing orange and red rain gear, actively involved in fishing operations.
+*   **Explorer:** One person wearing a bright yellow rain jacket is seen standing and looking into an ice cave (at 00:01:06.000). They appear to be exploring the glacier.
+*   **Boat Passengers/Crew:** Several indistinct figures are visible on the deck of a large two-masted sailboat (at 00:02:48.000). Their role is not specified, but they are likely passengers or crew enjoying the journey.
+
+**Summary of the Video Narrative:**
+The video, titled "Spirit of Alaska," is a beautifully cinematic journey that showcases the raw, untamed essence of Alaska through a series of diverse natural landscapes and encounters with wildlife. The narrative is presented as a visual montage, without explicit dialogue or plot, allowing the stunning imagery and ambient music to convey its message.
+
+It opens with breathtaking aerial views of vast fjords, dense evergreen forests, and misty mountains, immediately establishing the grand scale of the environment. The video then seamlessly transitions between various facets of Alaskan life and nature: from the majestic flight and hunting prowess of bald eagles to the peaceful presence of brown bears in their natural habitat. Glaciers are a prominent feature, depicted in their colossal blue forms, with details of ice caves, meltwater streams, and surrounding ice floes, some hosting resting seals. Human activities are subtly interwoven, showing fishing boats at work, a person exploring an ice cave, and various vessels navigating the waters, illustrating co-existence within this formidable wilderness. The video also highlights cultural elements, such as a traditional totem pole, and features close-ups of the delicate flora, like ferns and wildflowers, demonstrating the rich biodiversity.
+
+Overall, the video aims to evoke a sense of awe, wonder, and appreciation for the untouched beauty and powerful forces of nature in Alaska, leaving the viewer with an immersive experience of its wild and serene spirit.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_CHyA3pp4G_Y.txt b/raw/test/visual_info/output_CHyA3pp4G_Y.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c0810b490594cbdefdcdb2e7dd1ef280999bb458
--- /dev/null
+++ b/raw/test/visual_info/output_CHyA3pp4G_Y.txt
@@ -0,0 +1,150 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A red, thick circle with a white interior appears on a white background.
+00:00:01.767 - The red circle expands, revealing a grey globe inside, which slowly rotates to show Africa and Asia. Dashed red circles expand outwards from the center of the globe.
+00:00:03.433 - The globe rotates to focus on Africa, and a red marker highlights a specific region within Africa. The red circle retracts to a smaller size, framing the highlighted region.
+00:00:04.133 - The globe with the highlighted region rotates, showing it from different angles, then zooms into Africa.
+00:00:07.433 - The highlighted red region zooms in further, showing the outline of Uganda on a grey map background.
+00:00:08.833 - The word "UGANDA" appears below the map of Uganda.
+00:00:10.033 - The screen fades to white, with subtle texture suggesting wrinkled paper.
+00:00:10.967 - A red pencil icon appears, falling from the top.
+00:00:12.167 - The red pencil is encased in a red circle, which then expands to reveal the word "EDUCATION" next to it.
+00:00:16.433 - The screen fades to a dark grey with the "EDUCATION" text remaining.
+00:00:17.400 - The screen fades to black.
+00:00:18.533 - A bright moon appears in a dark, hazy sky, silhouetting sparse trees in the foreground. Text "YEAR 2030" appears centered.
+00:00:19.667 - Text "MANNYA" appears below "YEAR 2030".
+00:00:22.900 - A wide shot at night shows a group of children and adults gathered around a bonfire in what appears to be a rural village with simple mud brick houses. Sparks fly from the fire.
+00:00:26.967 - Close-up shot of flames flickering brightly from burning wood.
+00:00:28.933 - A boy, seen from behind, walks towards the campfire, carrying a bundle of sticks that are burning at the top like a torch.
+00:00:33.000 - Three young children, wearing white shirts and grey vests, are seen in a close-up, dimly lit by the firelight, looking upwards and listening intently.
+00:00:34.900 - An older man with a bald head and a pinstripe jacket speaks to someone off-camera, his face illuminated by the fire. A blurry shoulder of a child is in the foreground.
+00:00:37.033 - The boy with the burning sticks (torch) stands facing the campfire, his back to the camera. Sparks from the fire are visible.
+00:00:39.100 - A child's face in profile is illuminated by the light from a small, contained fire in their hands, as they blow gently on it.
+00:00:41.833 - The older man is seen speaking again, from a different angle, with children blurry in the foreground.
+00:00:45.033 - A wide shot of the group around the campfire at night, similar to 00:00:22, with a boy holding a burning torch walking in the background.
+00:00:46.033 - The camera moves through a blurry, bright, warm light, possibly from the fire. A child in a school uniform is briefly visible.
+00:00:51.533 - A low-angle shot shows the bare feet of a person walking through a narrow, dark, dirt alleyway between mud brick buildings.
+00:00:53.600 - A child in a green school uniform with "ST. NICHOLAS MANNYA P.S." written on it runs away from the camera on a dusty path in a village, past large yellow water containers.
+00:00:56.033 - A baby crawls on the dusty ground in front of a dilapidated brick building.
+00:00:58.967 - Two children are seen in a close-up, listening intently, with firelight reflections in their eyes. The first child's head is tilted slightly.
+00:01:03.267 - Close-up of the older man's face, speaking, illuminated by firelight. He looks serious.
+00:01:04.933 - The child from 00:00:58 speaks, with subtitles "But Muse, what caused 'The Great Shift?'". Two other children are blurry in the background.
+00:01:08.000 - The older man looks off to the side, listening.
+00:01:09.967 - Children sit, some with "SPORT" on their shirts, listening. The camera moves through warm, blurry light.
+00:01:13.200 - Wide shot of the campfire group again at night.
+00:01:14.633 - The older man speaks, his face in profile, illuminated by firelight.
+00:01:17.967 - Three children in grey school uniforms run up a grassy hill towards a bright, hazy sky at sunset or sunrise.
+00:01:20.100 - Close-up of the older man speaking, with a dark blue background.
+00:01:21.467 - Two children in school uniforms hold hands and run through a grassy field towards bright sunlight.
+00:01:23.700 - The older man speaks, looking to the side, illuminated by firelight.
+00:01:25.100 - Children in school uniforms sitting on benches in a dimly lit setting, listening.
+00:01:26.567 - A shot from behind several children sitting at desks in a classroom, with light coming from windows.
+00:01:27.467 - Close-up of a child's hands turning pages in a book on a wooden desk, surrounded by other children in a classroom.
+00:01:28.533 - Close-up of the older man speaking, illuminated by firelight.
+00:01:29.867 - A group of children, some in school uniforms, walk down a dirt path in a village, smiling and looking at the camera. An adult woman is with them.
+00:01:31.233 - Children in various colored clothes sit on the floor in a makeshift classroom, raising their hands. A woman is teaching.
+00:01:32.400 - Children in school uniforms sit at wooden desks in a bright classroom, smiling at the camera.
+00:01:34.000 - Children sitting on the floor in a classroom with bamboo walls, looking attentive.
+00:01:35.100 - Close-up of drawings of people in graduation caps pinned to a bamboo wall.
+00:01:36.467 - A large group of young children sit on a mat on the ground, looking forward and clapping.
+00:01:37.533 - Close-up of a child in a school uniform, looking intently at the camera, with teary eyes.
+00:01:38.600 - Close-up of the older man speaking, face in profile, illuminated by firelight.
+00:01:39.967 - A large waterfall plunges down a cliff, creating mist at the bottom.
+00:01:41.367 - A group of children and an adult woman walk away from the camera down a dirt path in a village, some holding hands or with arms around each other.
+00:01:43.033 - Children in school uniforms walk uphill through tall grass, away from the camera.
+00:01:44.200 - Children and a teacher are seen sitting on a patterned mat on the floor, reading books in a classroom with bookshelves filled with books.
+00:01:46.067 - Children in school uniforms play football on a dirt field outside a school building.
+00:01:48.067 - A city skyline at dusk, with lights slowly appearing.
+00:01:49.100 - The city skyline is now completely dark, with many lights illuminated, transitioning from dusk to night.
+00:01:50.100 - Close-up of the older man speaking, face in profile, illuminated by firelight.
+00:01:51.833 - A young girl in a white dress runs and spins around on a dirt path in a rural village.
+00:01:53.333 - A child in a dark dress walks into a dimly lit room with wooden walls.
+00:01:54.433 - Two girls in white shirts and blue skirts sit on a ledge outside a building, reading a book together.
+00:01:56.367 - Close-up of the two girls reading the book together.
+00:01:58.000 - The older man speaks, looking directly at the camera through a warm, blurry foreground.
+00:01:59.400 - A group of children in school uniforms walk through a dense, tall grassy area, partially obscured by trees.
+00:02:00.600 - A child walks into a bright, empty classroom, towards a window.
+00:02:02.133 - The child walks closer to the window.
+00:02:03.400 - The child reaches up to open the window, which is barred.
+00:02:04.900 - The child opens the barred window, revealing bright light outside.
+00:02:05.900 - Children in school uniforms run along a covered walkway outside a brick school building.
+00:02:07.433 - Children run through tall grass in a field, away from the camera.
+00:02:09.133 - Children run through a lush green forest.
+00:02:10.267 - Two young children, one in a red tank top and one in a white dress, run side-by-side on a dirt path in a village.
+00:02:11.433 - A girl runs on a wet beach at sunset, with waves crashing and mountains in the background.
+00:02:12.767 - A boy runs along a path through a dense green forest.
+00:02:13.967 - A person runs barefoot along a wet beach at sunset, with waves.
+00:02:16.000 - A group of children in school uniforms walk in a line up a grassy hill, overlooking a vast green landscape.
+00:02:17.633 - A group of children walk and laugh in a narrow alleyway between simple buildings.
+00:02:20.100 - A white flag waves vigorously in a cloudy, windy sky.
+00:02:21.033 - Two boys play with a stick in a grassy, open field with a large tree.
+00:02:21.900 - A child in a school uniform stands in semi-darkness, holding a burning torch made of sticks, looking directly at the camera. Other children are blurry in the background.
+00:02:23.767 - The child with the torch turns and walks away from the camera, joining a group of children also holding torches.
+00:02:25.567 - A group of children stand holding burning torches in a dark, open field, looking at the distant horizon.
+00:02:27.067 - Close-up of a child's face, looking at a burning torch beside them, illuminated by its glow.
+00:02:28.167 - A young girl in a pink raincoat looks up at tall trees, with a bright sky in the background.
+00:02:29.333 - Close-up of burning sticks, with flames and sparks.
+00:02:30.800 - A boy in profile, looking off into the distance, with blurry trees in the background.
+00:02:31.967 - A boy stands on a beach at sunset, holding a stick, looking out at the ocean.
+00:02:32.967 - A white flag waves in a grey, cloudy sky.
+00:02:33.900 - A girl on a beach at sunset throws a small object, smiling at the camera.
+00:02:35.033 - A girl looks up towards the sky, her face illuminated.
+00:02:36.167 - Children in school uniforms stand in the dark, holding burning torches made of sticks, with sparks visible.
+00:02:39.100 - Close-up of burning sticks, with flames and smoke. A child's face is blurry in the background.
+00:02:39.867 - Close-up of children's faces, looking at a burning torch, expressions of wonder.
+00:02:41.200 - A child in a school uniform holds a burning torch, looking up and smiling. Other children with torches are in the blurry background.
+00:02:43.167 - A bright light shoots across a dark sky, leaving a trail of sparks like a firework.
+00:02:44.233 - Close-up of the older man, looking directly at the camera and speaking.
+00:02:45.367 - Close-up of the children, looking intently at the camera, with the lead child appearing to speak.
+00:02:47.767 - The screen transitions to a white background.
+00:02:48.333 - A red pencil icon appears, falling from the top, on a white background with subtle texture.
+00:02:49.500 - The red pencil is encased in a red circle, which then expands to reveal the word "EDUCATION" next to it.
+00:03:00.600 - The red circle and text "EDUCATION" remain on screen.
+00:03:01.300 - The screen transitions to a red, thick circle with a white interior on a white background.
+00:03:02.000 - The red circle rotates and changes perspective, appearing as a 3D object.
+00:03:22.000 - The video ends on the rotating red 3D circle.
+
+**Text on Screen and When it Appeared:**
+
+*   **UGANDA**: 00:00:08.833 - 00:00:10.033
+*   **EDUCATION** (with pencil icon): 00:00:13.067 - 00:00:17.333
+*   **YEAR 2030**: 00:00:18.533 - 00:00:22.900 (Fades out with "MANNYA")
+*   **MANNYA**: 00:00:19.667 - 00:00:22.900 (Fades out)
+*   **But Muse, what caused "The Great Shift?"** (Subtitle): 00:01:05.200 - 00:01:07.467
+*   **EDUCATION** (with pencil icon): 00:02:50.067 - 00:03:01.267
+
+**People in the Video and What We Know About Them:**
+
+The video features several groups of people, primarily children and one older man, whose identities are not explicitly stated, but their roles in the narrative are clear:
+
+1.  **The Older Man (Mzee/Muse):**
+    *   **Appearance:** Bald, dark-skinned, wears a pinstripe jacket over a reddish shirt.
+    *   **Role:** He is the storyteller, narrating the past and explaining "The Great Shift" to the children. He is referred to as "Mzee" by one of the children, which is a Swahili and other Bantu languages honorific for an elder or respected person. He represents wisdom and memory of a past era.
+
+2.  **Children Around the Campfire (Ugandan children):**
+    *   **Appearance:** Young, dark-skinned, mostly boys, wearing simple clothes or grey school uniforms (long-sleeved sweaters over white shirts).
+    *   **Role:** They are the audience for the elder's story, representing the future generation who benefit from "The Great Shift." They are attentive and curious, asking questions. Some of them later appear holding torches, symbolizing carrying the light of education forward. The uniform with "ST. NICHOLAS MANNYA P.S." suggests they are from a specific primary school in Uganda.
+
+3.  **Children in the Day Scenes (Ugandan children):**
+    *   **Appearance:** Young, dark-skinned, wearing school uniforms. One very young child (baby) is seen crawling.
+    *   **Role:** These scenes show the positive impact of "The Great Shift" – children attending school, playing, and living in improved conditions compared to the past depicted in the night scenes. They symbolize a future with access to education.
+
+4.  **Diverse Children (from various locations):**
+    *   **Appearance:** Children of various ethnicities and appearances, including those who appear to be South Asian and Caucasian, wearing different clothes or school uniforms.
+    *   **Role:** These children are shown in various educational and natural settings (classroom, playground, walking in nature, on a beach). They represent the global impact of "The Great Shift" and the universality of the right to education. They symbolize unity and progress across different cultures and environments.
+
+5.  **Adult Woman/Teacher:**
+    *   **Appearance:** Seen in some scenes with children, appearing to be a teacher or guardian.
+    *   **Role:** Guides and educates the children in the new, improved world.
+
+**Summary of the Video Narrative:**
+
+The video, titled "EDUCATION," presents a narrative of transformation from a difficult past to a hopeful future, centered around the power of education and unity.
+
+It begins by establishing the setting in Uganda, 2030, through a series of animated geographical elements. The scene then shifts to a dark, rural night where an old man, referred to as "Mzee" (an elder), is gathered around a campfire with a group of young children. He tells them a story of the past, a time when humanity was "divided against itself" and over a billion people lived in extreme poverty, with millions of children unable to go to school. This past is visually represented by scenes of hardship: a child carrying burning sticks for light, a baby crawling in a dusty, dilapidated village, and dimly lit figures.
+
+The children, particularly one curious boy, ask what caused "The Great Shift." The Mzee explains that people came together, "much like we have gathered tonight," and this unity "changed everything." The narrative then transitions to bright, vibrant daytime scenes, showcasing the positive changes: children in school uniforms running joyfully in grassy hills, attending well-lit classrooms, playing football, and engaging in collaborative learning. The visuals also expand globally, showing diverse children from different parts of the world (suggested by varied architecture and appearances) also benefiting from education, symbolizing a unified global community.
+
+The Mzee emphasizes that humanity "advanced" because "every single child was able to go to school" and people began to see themselves as "equals, as global citizens." He concludes by telling the children that they are "proof" that such a world is possible and that "the new world is yours to protect." The video ends with a triumphant shot of children holding burning torches (symbolizing the light of knowledge and hope), reiterating the central message that when people come together, they can achieve profound positive change through education.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_CJv4d-XUFDQ.txt b/raw/test/visual_info/output_CJv4d-XUFDQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..65e469c0e9640402525e05fa4b17209abd4a9141
--- /dev/null
+++ b/raw/test/visual_info/output_CJv4d-XUFDQ.txt
@@ -0,0 +1,117 @@
+Here are the visual events, text, people, and a summary of the video narrative:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A man with dark hair and a beard, wearing a black tank top, looks directly at the camera and speaks, gesturing with his right hand. The background shows light-colored walls and dark grey curtains.
+00:00:01.761 - The screen transitions to black with animated red and white scribbled graphics forming a YouTube play button, a messy red blob, and a grey gear-like shape, with white speckles and a heart on the left.
+00:00:03.064 - The animated graphics change to a black background featuring a red YouTube play button, a white "SUBSCRIBED" button, a grey thumbs-up icon, and a grey bell icon. A white mouse cursor clicks the "SUBSCRIBED" button, making it turn white with red text.
+00:00:04.167 - The man in the black tank top is now standing in a kitchen, leaning against a counter. A coffee maker, a bag labeled "Organic," and various kitchen items are on the counter. Dark brown cabinets and a stainless steel microwave are in the background.
+00:00:07.834 - A smaller video frame appears in the bottom-left corner, showing the same man, now with slightly longer hair tied back, wearing a black t-shirt and sitting in a brown leather chair, reacting to the main video. A whiteboard and a gold YouTube Play Button plaque are visible behind him.
+00:00:09.633 - The smaller video frame in the bottom-left changes to a silhouette of a person sitting cross-legged in a yoga pose, with arms raised and hands pressed together, against a bright, sunlit sky with trees and what looks like buildings in the distance.
+00:00:10.598 - The smaller video frame returns to the man in the brown leather chair, reacting to the main video.
+00:00:14.631 - The main video shows the man in the black tank top and light pants on all fours on a wooden floor, preparing for push-ups. A red and white hockey goal is behind him to the left, and a large window with bright outdoor scenery is behind him to the right. The smaller video frame of the man reacting remains in the bottom-left.
+00:00:16.897 - White text appears horizontally across the screen, overlaid on the man on the floor.
+00:00:19.464 - The man performs a push-up, lowering his chest towards the floor and then pushing back up.
+00:00:27.464 - The main video shows the man in the black tank top sitting on a bed with a light green pillow. He looks directly at the camera with a tired expression and gestures with his right hand. The smaller video frame disappears.
+00:00:29.297 - A light blue rectangular border appears around the main video frame of the man on the bed.
+00:00:30.565 - The screen fades to black, and the blue-framed video of the man shrinks and moves to the bottom-right corner of the black screen.
+00:00:34.932 - The small, blue-framed video of the man on the bed is still visible in the bottom-right corner while the rest of the screen is black.
+00:00:35.432 - The main screen returns to the man in the brown leather chair, wearing a black t-shirt, looking at a laptop on a wooden desk. The whiteboard and gold YouTube Play Button are visible behind him. The small blue-framed video of the man on the bed is still in the bottom-right.
+00:00:37.332 - The small blue-framed video in the bottom-right changes to a close-up of a hand waving goodbye.
+00:00:38.266 - The screen fades to black, and the small video frame disappears.
+00:00:39.733 - The man in the black t-shirt is sitting in the brown leather chair at the wooden desk, looking forward. Papers, a red cup, and microphones are on the desk.
+00:00:43.768 - Close-up profile shot of the man with a beard, wearing a white corduroy shirt over a black t-shirt, looking down and to the right, as if walking or moving.
+00:00:47.068 - Full shot of the man in the black t-shirt in the brown leather chair, looking at his laptop screen.
+00:00:48.001 - Close-up profile shot of the man in the white corduroy shirt, looking down.
+00:00:50.134 - Close-up of the man in the black t-shirt, looking at the laptop screen.
+00:00:51.100 - Close-up profile shot of the man in the white corduroy shirt, looking down and talking.
+00:00:54.001 - Close-up of the man in the black t-shirt, looking at the laptop screen.
+00:00:57.402 - Close-up profile shot of the man in the white corduroy shirt, looking down and talking.
+00:00:59.201 - Close-up of the man in the black t-shirt, looking at the laptop screen, then turning his head to the left with a slight smile.
+00:01:01.101 - Close-up profile shot of the man in the white corduroy shirt, turning his head to the left.
+00:01:02.802 - The image of the man in the white corduroy shirt is horizontally mirrored, creating a blurry duplicate that sharpens next to the original, both looking down.
+00:01:03.935 - The mirrored image disappears, and the man in the white corduroy shirt is shown in a close-up, rubbing his forehead with his hand, looking stressed or contemplative.
+00:01:07.035 - Close-up profile shot of the man in the white corduroy shirt, with his hand touching his chin, looking tired or exasperated.
+00:01:09.168 - Full shot of the man in the black t-shirt standing in a bright kitchen, looking into an open stainless steel refrigerator.
+00:01:10.869 - Close-up profile shot of the man in the white corduroy shirt, looking forward and talking.
+0001:13.235 - Full shot of the man in the black t-shirt looking into the open refrigerator.
+00:01:14.935 - Close-up profile shot of the man in the white corduroy shirt, looking at the refrigerator.
+00:01:17.069 - Close-up of the man in the black t-shirt, looking into the refrigerator and talking.
+00:01:19.435 - Close-up profile shot of the man in the white corduroy shirt, looking at the refrigerator.
+00:01:21.035 - Close-up of the man in the black t-shirt, looking into the refrigerator and talking.
+00:01:23.702 - Close-up profile shot of the man in the white corduroy shirt, looking to the side and talking.
+00:01:25.569 - Close-up of the man in the black t-shirt, looking up from the refrigerator and talking.
+00:01:27.136 - Close-up of the man in the white corduroy shirt, sitting on a grey couch, looking tired with eyes closed, then opening them. A dog-face pillow is visible next to him.
+00:01:30.936 - Wide shot of the man in the white corduroy shirt sitting on the grey couch, looking to his right towards a large window and a wall-mounted TV. A staircase is visible in the background.
+00:01:32.403 - The man in the black t-shirt is standing next to a white round table with two white chairs in a bright room. The hockey goal is visible on the left, and a large window shows outdoor scenery.
+00:01:33.403 - Close-up profile shot of the man in the white corduroy shirt, looking thoughtful.
+00:01:34.703 - Close-up of the man in the black t-shirt, looking down at the table.
+00:01:36.403 - Close-up profile shot of the man in the white corduroy shirt, looking down.
+00:01:37.337 - Close-up shot of the white round table and a white chair, with sunlight casting shadows.
+00:01:38.270 - Close-up profile shot of the man in the white corduroy shirt, looking down at the table.
+00:01:40.404 - Close-up shot of the white chair and table. The man's leg is briefly visible as he moves.
+00:01:41.270 - The man in the black t-shirt bends down to pick up a fork from the floor next to the table.
+00:01:42.504 - Close-up of the man in the white corduroy shirt, holding a fork, looking at it.
+00:01:43.971 - Close-up of the man in the black t-shirt, holding a fork, looking down at it.
+00:01:44.704 - Close-up of the man in the white corduroy shirt, looking up from the fork.
+00:01:47.471 - Close-up of the man in the black t-shirt, looking intently out the window.
+00:01:49.404 - Close-up of the man in the white corduroy shirt, looking intently out the window, pointing his index finger upwards.
+00:01:52.271 - Close-up of the man in the black t-shirt, looking down and smiling.
+00:01:54.071 - Close-up of the man in the white corduroy shirt, looking down and smiling.
+00:01:56.638 - Close-up of the man in the black t-shirt, looking out the window and talking.
+00:01:58.705 - Close-up of the man in the white corduroy shirt, looking out the window and talking, pointing his index finger upwards.
+00:02:00.672 - Close-up of the man in the black t-shirt, looking out the window, then turning his head sharply towards the camera.
+00:02:02.872 - Close-up of the man in the white corduroy shirt, looking down, then turning his head sharply towards the camera.
+00:02:03.972 - Close-up of the man in the black t-shirt, looking directly at the camera with an angry expression.
+00:02:06.139 - Close-up of the man in the white corduroy shirt, looking directly at the camera with an angry expression.
+00:02:09.439 - Close-up of the man in the black t-shirt, looking directly at the camera with an angry expression.
+00:02:12.706 - Close-up of the man in the white corduroy shirt, looking directly at the camera with an angry expression.
+00:02:14.673 - Close-up of the man in the black t-shirt, looking directly at the camera with an angry expression.
+00:02:17.373 - Close-up of the man in the white corduroy shirt, looking directly at the camera with an angry expression and waving his hand dismissively.
+00:02:19.940 - Close-up of the man in the black t-shirt, looking directly at the camera with an angry expression.
+00:02:22.373 - Close-up of the man in the white corduroy shirt, looking directly at the camera with an angry expression.
+00:02:23.706 - Close-up of the man in the black t-shirt, looking out the window and talking.
+00:02:26.040 - Close-up of the man in the white corduroy shirt, looking out the window and talking.
+00:02:29.807 - Close-up of the man in the black t-shirt, looking out the window and talking.
+00:02:30.907 - Close-up of the man in the white corduroy shirt, looking back towards the kitchen area and talking.
+00:02:33.274 - Close-up of the man in the black t-shirt, looking directly at the camera with an angry expression.
+00:02:34.807 - The man in the white corduroy shirt walks away from the camera, turns, and walks up a carpeted staircase.
+00:02:38.074 - Close-up profile shot of the man in the black t-shirt, looking to the side and talking.
+00:02:40.841 - Close-up profile shot of the man in the white corduroy shirt, looking to the side and talking.
+00:02:42.508 - Close-up profile shot of the man in the black t-shirt, looking to the side and talking.
+00:02:45.008 - Close-up profile shot of the man in the white corduroy shirt, looking to the side and talking.
+00:02:47.075 - The man in the black t-shirt walks away from the camera, turns, and walks up a carpeted staircase.
+00:02:49.075 - The man in the white corduroy shirt is now sitting at the white round table, looking towards the camera with a blank, slightly confused expression.
+00:02:50.942 - Close-up of the man in the black t-shirt, looking forward with a serious, thoughtful expression.
+00:02:52.542 - The man in the white corduroy shirt walks away from the camera, turns, and walks up a carpeted staircase.
+00:02:54.675 - Close-up of the man in the black t-shirt, looking forward with a serious, thoughtful expression.
+00:02:57.275 - Close-up of the man in the white corduroy shirt, looking forward with a serious, thoughtful expression.
+00:02:58.375 - Close-up of the man in the black t-shirt, looking forward with a sudden, wide-eyed, surprised expression.
+00:03:00.075 - Close-up of the man in the white corduroy shirt, looking surprised.
+00:03:02.142 - Close-up of the man in the black t-shirt, looking surprised.
+00:03:03.209 - Close-up of the man in the white corduroy shirt, looking surprised.
+00:03:04.942 - The man in the black t-shirt walks away from the camera, turns, and walks up a carpeted staircase.
+00:03:07.476 - The screen fades to black.
+
+**Text on Screen:**
+
+*   00:00:02.264 - 00:00:03.000: "2K"
+*   00:00:03.064 - 00:00:03.797: "SUBSCRIBED"
+*   00:00:15.564 - 00:00:18.897: "@JohnnyFitness42"
+*   00:00:16.897 - 00:00:27.430: "@AL JOKES REACTS"
+
+**People in the Video:**
+
+The video features one individual playing two distinct personas, creating a dialogue between them:
+
+1.  **The "Vlogger" (in black tank top/t-shirt, light pants):** This persona appears as a typical fitness/lifestyle vlogger. He presents a positive, self-affirming image, sharing his morning routine, exercise habits, and expressing satisfaction with his "long successful day." He mentions starting his day at 8 AM with coffee and fruit, and doing bodyweight push-ups. He is portrayed as somewhat naive or oblivious to the "reactor's" criticisms. His YouTube handle is implied to be "@JohnnyFitness42".
+
+2.  **The "Reactor" (in white corduroy jacket/black t-shirt, sitting in chair):** This persona serves as a cynical, critical commentator on the "vlogger's" actions and statements. He frequently interjects with negative feedback, pointing out flaws in the vlogger's health choices (coffee on an empty stomach, eggs bad for you), bad exercise form, and lack of original thought. He asserts that all the vlogger's "success" is due to his (the reactor's) influence, expressing frustration at not being appreciated. He eventually loses his temper and curses at the vlogger. His YouTube handle is implied to be "@AL JOKES REACTS", and his background includes a gold YouTube Play Button, suggesting his own success as a reactor.
+
+Essentially, the video depicts an internal monologue or conflict personified by the same individual portraying two opposing aspects of himself.
+
+**Summary of the Video Narrative:**
+
+The video cleverly uses a split-persona format to create a humorous and self-aware commentary on online content creation and self-perception. One persona (the "vlogger," "@JohnnyFitness42") attempts to create a positive and aspirational "day in the life" video, sharing his morning routine of coffee, fruit, and bodyweight exercises. However, a second persona (the "reactor," "@AL JOKES REACTS"), also played by the same actor, constantly interjects from a smaller screen, providing a sarcastic and critical counter-narrative.
+
+The "reactor" systematically dismantles the "vlogger's" claims: coffee first thing is bad, his push-up form is incorrect, and his ideas for lunch are unoriginal. The "reactor" becomes increasingly frustrated, accusing the "vlogger" of having "zero unique thoughts" and taking credit for everything, even his seemingly successful life (house, cars). The climax occurs when the "reactor" unleashes his full anger, telling the "vlogger" to "go f*** yourself" and threatening to stop contributing. The "vlogger" retorts that the "reactor" can't do anything without him. The final scene sees the "reactor" ironically suggesting "breathing" as an original thought, which the "vlogger" immediately claims as his own, perpetuating the cycle of unacknowledged influence and internal conflict. The video serves as a comedic take on self-criticism, creative ownership, and the performative nature of online personas.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_CbWpp6VpTVI.txt b/raw/test/visual_info/output_CbWpp6VpTVI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f6ce08d8a175fbca6d7a7e194bf543cafa35e33c
--- /dev/null
+++ b/raw/test/visual_info/output_CbWpp6VpTVI.txt
@@ -0,0 +1,161 @@
+Here is a list of important visual events, text on screen, people in the video, and a summary of the video narrative:
+
+**Important Visual Events:**
+
+00:00:00.000 - A woman in purple pajamas is standing in a bathroom, yawning widely. A laundry basket with clothes is to her left, and a bathtub with toiletries and towels is behind her.
+00:00:05.100 - The woman closes her mouth and looks directly at the camera.
+00:00:13.733 - The woman is now in a different room, standing in front of two mirrors, brushing her teeth with an electric toothbrush. She wears a pink fuzzy headband and the same purple pajamas.
+00:00:19.033 - The woman is sitting at a desk, applying moisturizer or cream to her face and neck, looking intently into a lit makeup mirror. Plush toys and various skincare products are on the desk.
+00:00:25.599 - The woman smiles and gives a thumbs-up to the camera.
+00:00:26.966 - The woman is now sitting at her desk, wearing black-rimmed glasses and the same purple pajamas, looking at a large computer monitor. A notebook with writing is open in front of her.
+00:00:34.900 - A close-up shot of the woman's face, her eyes looking directly into the camera.
+00:00:52.966 - The woman holds up a small black digital stopwatch, showing '0:00:00.000' on the screen.
+00:00:56.099 - The woman starts writing in her notebook, referencing the computer monitor. Her hair is tied back with a large black claw clip.
+00:01:06.599 - A close-up of the woman's face as she holds up the stopwatch, which now shows '2:13:22'.
+00:01:12.766 - The woman is sitting at a wooden table, with a bouquet of yellow and purple flowers to her left. She gestures with her hands while talking.
+00:01:17.633 - The woman holds up a white plate with sliced green apples, what appears to be cheese with ketchup, and a brown egg with sriracha. She also holds a small white cup with caramel dip.
+00:01:21.366 - A close-up of the plate of food, with animated yellow and pink sparkles appearing around it.
+00:01:33.433 - The woman dips a slice of green apple into the caramel sauce.
+00:01:34.933 - She takes a bite of the apple.
+00:01:36.799 - The woman holds up the brown egg with sriracha, showing it to the camera.
+00:01:43.166 - She takes a bite of the egg.
+00:01:46.366 - The woman shows the bitten egg to the camera, revealing its yellow yolk. She gives a thumbs-up.
+00:01:50.099 - The woman puts her hands on her head, adjusting her hair.
+00:01:54.699 - She holds up a glass with dark liquid and a metal straw.
+00:01:58.833 - The scene darkens with a purple glow, and the woman's glasses glow red.
+00:02:00.566 - The lighting returns to normal, and the woman holds up a blue Lindt chocolate bar.
+00:02:07.966 - The woman is back at her desk, wearing a beige fleece jacket, writing in her notebook while looking at the computer monitor. Headphones are around her neck.
+00:02:12.566 - The video glitches and blurs, with yellow light streaks.
+00:02:13.433 - The text "BUT MY MUM RAISED NO QUITTER LGI" appears in green across the screen, surrounded by more yellow light.
+00:02:18.066 - The woman is wearing headphones and editing a video on her computer, with images of teeth on the screen.
+00:02:47.333 - The woman is actively editing on her computer, moving the mouse and typing on the keyboard.
+00:02:50.233 - The woman is joined by another person, Julia, who is wearing a blue scrub cap and a black shirt, also looking at a laptop.
+00:02:51.366 - Julia takes off her scrub cap.
+00:02:53.133 - Julia puts the scrub cap back on her head and adjusts it.
+00:02:57.100 - The woman is outside at night, holding the camera, walking upstairs in a dark setting.
+00:03:01.300 - The woman's hand reaches for a door handle, covered in colorful animated hearts, with "THE GAS STATION!" appearing on screen.
+00:03:04.233 - A shot looking down at the woman's feet as she walks through the gas station, with "THE GAS STATION!" still on screen.
+00:03:06.199 - The woman is back in her room, adjusting her hair clip, speaking to the camera.
+00:03:10.033 - She picks up the glass of coffee and shows it to the camera.
+00:03:13.900 - She presents the same plate of food from earlier (green apples, cheese, egg).
+00:03:22.966 - The woman picks up a white bowl filled with what appears to be popcorn and french fries.
+00:03:30.866 - The woman is back at her desk, writing in her notebook with a green pen, wearing the beige fleece jacket.
+00:03:31.966 - A close-up time-lapse of her hand writing in the notebook, with a small green plastic sheet under her hand. She switches to a white pen.
+00:03:44.299 - The woman is standing in the bathroom, facing the camera, wearing her beige fleece jacket over the purple pajamas. Clothes are in the laundry basket.
+00:04:33.266 - The woman holds up a small cup of blue laundry detergent.
+00:04:34.066 - The woman is folding laundry on her bed, which has several plush toys.
+00:04:35.333 - She throws a shirt over her shoulder onto the bed.
+00:04:36.566 - She shakes out a dress.
+00:04:38.266 - The woman looks into the camera, adjusting her glasses.
+00:04:38.933 - She holds up her iPad, showing the time 'Sunday, February 11, 12:43am'.
+00:04:46.366 - The woman is outside at night, walking and recording a selfie video. She is wearing a white hoodie and a beige baseball cap with black headphones over it.
+00:04:59.033 - The screen is filled with white animated snow/sparkles as the woman studies at her desk again, wearing a white hoodie and glasses.
+00:05:06.000 - The woman is sitting on her bed, leaning back against plush pillows, looking exhausted. Her brain is now "fried".
+00:05:12.799 - She holds up her iPad, showing the time 'Sunday, February 11, 2:30am'.
+00:05:16.899 - She holds up the black digital stopwatch, showing '8:19:55'.
+00:05:38.299 - The woman, in her white hoodie, is standing and gesturing "PAUSE" to the camera with her hand.
+00:06:00.033 - The screen goes black, then purple neon text appears in a circular pattern with light effects.
+
+**Text on Screen:**
+
+*   **00:00:00.633 - 00:00:05.133**: "study vlog"
+*   **00:00:06.000 - 00:00:07.033**: "it's Saturday 7:30am"
+*   **00:00:08.066 - 00:00:12.166**: "we have a midterm exam on Tuesday so follow me for a day of studying"
+*   **00:00:14.333 - 00:00:19.433**: "I am aiming for sophisticated sexy vibe"
+*   **00:00:20.100 - 00:00:26.033**: "I am aiming for sophisticated sexy vibe"
+*   **00:00:28.000 - 00:00:29.866**: "so for the exam on Tuesday"
+*   **00:00:29.966 - 00:00:32.400**: "my friends and I have made a study guide"
+*   **00:00:32.400 - 00:00:34.900**: "it's currently 163 pages"
+*   **00:00:34.900 - 00:00:35.633**: "I'm gonna try to do half of it today"
+*   **00:00:35.400 - 00:00:36.600**: "I am lying"
+*   **00:00:37.766 - 00:00:40.066**: "that's not gonna happen okay let's be honest"
+*   **00:00:41.200 - 00:00:43.066**: "if you shoot for the bare minimum you will achieve it"
+*   **00:00:44.200 - 00:00:46.333**: "so we're gonna try to do 25% maybe a little bit more"
+*   **00:00:47.333 - 00:00:50.000**: "just try to make sure that we fully understand the material"
+*   **00:00:50.000 - 00:00:52.466**: "so I don't know let's get started"
+*   **00:00:53.300 - 00:00:55.766**: "I always time how much I study to gauge how productive I am"
+*   **00:00:56.599 - 00:00:58.333**: "I am very nervous for this exam"
+*   **00:00:59.933 - 00:01:06.000**: "It is on oral diseases and lesions Need to know alot of histology/clincial information"
+*   **00:01:07.033 - 00:01:09.966**: "we studied for two hours and 13 minutes"
+*   **00:01:09.966 - 00:01:13.166**: "um I'm getting hungry so we're gonna make something a little quick to eat"
+*   **00:01:13.333 - 00:01:16.833**: "my meals tend to be more snacks than actual meals"
+*   **00:01:16.833 - 00:01:21.433**: "so today we're gonna have my new hyperfixation which is green apple and caramel dip"
+*   **00:01:21.366 - 00:01:22.499**: "wow" (sound effect)
+*   **00:01:23.099 - 00:01:25.766**: "I've been eating this every day for the past two weeks"
+*   **00:01:26.566 - 00:01:31.933**: "and then I made myself a coochie board technically and then this is a sauna egg it's basically a smoked egg"
+*   **00:01:33.266 - 00:01:34.000**: "ASMR"
+*   **00:01:37.366 - 00:01:40.833**: "in Korea it's called a “사우나 계란” they basically smoke the egg for a really long time"
+*   **00:01:41.366 - 00:01:42.399**: "I put Sriracha on it"
+*   **00:01:45.399 - 00:01:46.399**: "It has a very nutty (?) your mammi taste"
+*   **00:01:50.099 - 00:01:53.033**: "just finished my meal it's now 12:20pm"
+*   **00:01:54.499 - 00:01:56.166**: "I got a refill of my coffee"
+*   **00:01:57.433 - 00:02:00.666**: "and then every time I finish a meal has to finish sweet or else I feel PHYSICALLY ANGRY"
+*   **00:02:00.733 - 00:02:04.600**: "so we're gonna do a chocolate and hopefully that's enough to keep me going um..."
+*   **00:02:06.266 - 00:02:07.766**: "so let's get back into it"
+*   **00:02:08.566 - 00:02:10.733**: "I like to write everything in my own words"
+*   **00:02:11.766 - 00:02:12.766**: "But then my wrist hurts...."
+*   **00:02:13.433 - 00:02:17.966**: "BUT MY MUM RAISED NO QUITTER LGI"
+*   **00:02:18.433 - 00:02:22.366**: "so the next thing I'm gonna do is edit this educational video"
+*   **00:02:22.366 - 00:02:26.166**: "Julia and I have been working on these videos since last year"
+*   **00:02:26.166 - 00:02:33.566**: "and we've been creating videos each week to help the first year dental students the transition to lab and drilling a little bit easier"
+*   **00:02:34.066 - 00:02:39.933**: "it's really gratifying when I go into lab and I see them using it it's making somewhat of a difference and that's what we want"
+*   **00:02:40.499 - 00:02:47.033**: "so I'm gonna spend some time editing this and then meet up with Julia so we can go over it so we can publish it by this coming Monday"
+*   **00:02:50.233 - 00:02:50.966**: "Two hours later..."
+*   **00:02:52.566 - 00:02:56.499**: "Julia didn't like the way her hair looked so it's scrub cap time"
+*   **00:02:57.699 - 00:03:01.333**: "whenever I feel a little bit angsty I go on a walk to the same place every time"
+*   **00:03:01.999 - 00:03:04.666**: "THE GAS STATION!"
+*   **00:03:06.633 - 00:03:08.666**: "so I just got back from the gas station"
+*   **00:03:08.666 - 00:03:10.099**: "let me show you what I'm having for dinner"
+*   **00:03:10.099 - 00:03:12.633**: "so I'm having my last cup of coffee of the day"
+*   **00:03:13.199 - 00:03:14.666**: "and then guess what's for dinner"
+*   **00:03:15.533 - 00:03:17.066**: "same thing I had for lunch"
+*   **00:03:17.399 - 00:03:22.066**: "I don't know if you can tell but I get very hyper fixated on things and I'll eat it until I get sick of it so same thing for dinner"
+*   **00:03:23.966 - 00:03:26.566**: "and then with the stuff I got from the gas station I made a little snack bowl"
+*   **00:03:27.066 - 00:03:30.333**: "so we're gonna eat this up then go back to studying"
+*   **00:03:32.499 - 00:03:36.566**: "for those who like watching handwriting time lapses..."
+*   **00:03:37.899 - 00:03:41.366**: "green plastic to catch my hand sweat ❤️"
+*   **00:03:46.066 - 00:03:47.333**: "so I have something of a life hack"
+*   **00:03:48.399 - 00:03:52.466**: "whenever I'm studying I'm a little bit sleepy the first thing I do is I get up instantly and I do my laundry"
+*   **00:03:53.333 - 00:03:56.666**: "you might be wondering why would you do your laundry like why don't you just drink more caffeine"
+*   **00:03:57.499 - 00:04:05.133**: "the thing is though I live in a place where the laundry machines are communal so all the residents like all hundreds of us are like fighting for like these 10 machines"
+*   **00:04:06.133 - 00:04:16.899**: "so if you don't take out the clothes within the 5 minutes after the cycle is done another person will go in there and they'll take your clothes out of the laundry machine and they'll put it on top of the machine aka your clothes get dirty"
+*   **00:04:17.766 - 00:04:25.566**: "so doing laundry makes me stay on top of it and I'm alert and I'm awake for at least 45 minutes until my cycle ends so that's why I do my laundry so um"
+*   **00:04:26.066 - 00:04:31.233**: "I'm feeling a little bit tired now so I'm gonna go do my laundry and hopefully that means I could stay up longer and study a bit more"
+*   **00:04:32.533 - 00:04:33.200**: "cheers to that"
+*   **00:04:33.733 - 00:04:37.766**: "I forgot it was Lunar New Year, so NO ONE was doing laundry"
+*   **00:04:38.266 - 00:04:41.533**: "so currently it's 12:43am and"
+*   **00:04:42.166 - 00:04:45.399**: "I'm feeling angsty again so I think we're gonna go on a walk"
+*   **00:04:46.733 - 00:04:52.266**: "because of my hyperfixation I was gonna buy more green apples but Ralph's closes at 1am now not 2am"
+*   **00:04:52.266 - 00:04:56.599**: "so I got there at like 12:58am and they were like sorry you can't come in"
+*   **00:04:57.433 - 00:04:58.833**: "we got the angst out at least"
+*   **00:04:59.033 - 00:05:05.500**: "Back to making a career for myself..."
+*   **00:05:06.000 - 00:05:09.966**: "all right I don't know if you can tell but my brain is now fried so we're gonna stop studying"
+*   **00:05:10.966 - 00:05:15.533**: "currently the time is 2:30am"
+*   **00:05:15.533 - 00:05:19.466**: "we studied 8 hours and 19 minutes today it's not too bad"
+*   **00:05:20.333 - 00:05:24.400**: "we should have studied a little bit more based on how my pace is going"
+*   **00:05:24.799 - 00:05:32.533**: "we did 25% of the material like I said but we have another 75% we have to learn by Tuesday and now it's technically Sunday so"
+*   **00:05:33.166 - 00:05:37.733**: "I'm gonna go shower sleep a couple hours and then wake up and do this again"
+*   **00:05:38.299 - 00:05:39.166**: "PAUSE"
+*   **00:05:39.866 - 00:05:42.533**: "before I shower I wanted to say thank you for watching"
+*   **00:05:42.899 - 00:05:45.333**: "if you find it in your heart to like this video please do so!"
+*   **00:05:45.733 - 00:05:48.566**: "if you find it in your heart to subscribe please also do so!"
+*   **00:05:48.866 - 00:05:51.399**: "I plan to start posting more on YouTube"
+*   **00:05:51.633 - 00:05:58.333**: "so please stay tuned and wherever you are in the world have a great day or night and thank you once again for watching :)"
+*   **00:06:00.033 - 00:06:04.999**: "will venmo/paypal 5 random comments on this videos so please comment!"
+
+**People in the Video:**
+
+*   **Narrator/Vlogger:** The main person featured in the video, a young woman with dark hair, who is a dental student. She is studying for a midterm exam on oral diseases and lesions. She also edits educational videos for first-year dental students, a project she's been working on with Julia since last year. She has specific habits for staying awake while studying (doing laundry) and eating (hyper-fixating on specific snacks like green apples with caramel dip and smoked eggs with sriracha). She plans to post more on YouTube.
+*   **Julia:** (Appears at 02:50:233) A colleague or friend of the narrator. She is also involved in creating educational videos for first-year dental students. We learn she is concerned about her appearance on camera, opting to wear a scrub cap.
+
+**Video Narrative Summary:**
+
+The video is a "study vlog" documenting a day in the life of a dental student preparing for a midterm exam on oral diseases and lesions. The day starts at 7:30 AM on a Saturday, with the student (narrator) completing her morning routine, which includes brushing her teeth and skincare. She then settles down to study, setting a stopwatch to track her productivity. She mentions her study guide is 163 pages long and she aims to cover 25% of it today.
+
+After two hours and 13 minutes of studying, she takes a break for a "snack" meal, which consists of green apples with caramel dip, a "coochie board" (a charcuterie-style plate), and a "sauna egg" (a smoked egg with sriracha), which she has been eating daily for two weeks due to a hyper-fixation. She also refills her coffee.
+
+Returning to work, she dedicates time to editing an educational video for first-year dental students, a collaborative project with Julia that aims to help with lab transitions. She takes a walk to the gas station at night, her usual routine when feeling "angsty," hoping to buy more green apples but finds the store closed early.
+
+Upon returning, she prepares another meal, which is the same as her lunch, and a "snack bowl" of popcorn and fries. She then reveals a "life hack" for staying awake while studying: doing laundry, as the communal machines in her building require constant attention to avoid clothes being removed.
+
+Finally, at 2:30 AM on Sunday (technically), she concludes her study session, having completed eight hours and 19 minutes of studying, covering 25% of the material as planned. She expresses the need to study more and plans to shower, sleep for a few hours, and then continue studying. The video ends with her thanking viewers and encouraging them to like, comment, and subscribe, mentioning her plan to post more YouTube content. She also offers to Venmo/PayPal five random commenters.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_DJ09PcG2Y1w.txt b/raw/test/visual_info/output_DJ09PcG2Y1w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e45fa94119ee294555645e6c6496fb486a29b917
--- /dev/null
+++ b/raw/test/visual_info/output_DJ09PcG2Y1w.txt
@@ -0,0 +1,183 @@
+Here's a detailed breakdown of the video:
+
+### Important Visual Events with Timestamps
+
+00:00:00.000 - A blue sky with scattered white, wispy clouds fills the frame.
+00:00:13.910 - A wide shot of a vast green grassy hill under a mostly cloudy sky with a patch of blue; a lone person walks on the distant horizon, and a small group of people are gathered further to the right.
+00:00:19.110 - Two people are seated on a wooden bench at the top of a grassy hill, overlooking a distant town with many trees and houses, under a bright blue sky with scattered white clouds.
+00:00:22.060 - The shadows of two people are cast on a grassy field, one shadow has arms raised, resembling horns.
+00:00:23.230 - A field of small, blooming yellow and purple crocus flowers dots the green grass, with shadows of people and trees stretching across the ground.
+00:00:28.180 - A wide shot of a large lake with a tall fountain spraying water into the air; a vibrant rainbow is visible within the spray, and bare trees line the distant shore under a clear blue sky.
+00:00:31.060 - Sunlight glints intensely off the surface of a body of water, framed by dark, bare tree branches and green foliage on the right, creating a bright, almost ethereal glow.
+00:00:35.340 - A woman places a ceramic plate on a long wooden dining table in an apartment, which is already set with empty glass bottles and candles; large windows overlook city buildings.
+00:00:40.400 - A group of about seven young women are gathered around a candlelit dining table, some actively painting on candles, others talking and laughing.
+00:00:43.060 - The same group of women sits around the table, conversing and looking at a phone being held by one of them; lit candles provide a warm glow.
+00:00:50.060 - A close-up of a table shows a red wine bottle, a wine glass with green paint residue, paintbrushes on a plate with paint, a lit candle in a bottle, and other art supplies.
+00:00:51.760 - Two young women at the table, one smiling and talking, the other focused on painting a white candle decorated with small red hearts.
+00:00:53.300 - Two young women stand together, smiling, each holding up a tall, white candle they have decorated with small designs.
+00:00:55.330 - A close-up of a charcuterie board filled with various cheeses, cured meats, crackers, and blueberries, next to a bowl of french fries and a glass of red wine.
+00:00:57.380 - Two wine bottles and two lit candles are on a dark surface, creating a cozy atmosphere.
+00:00:59.390 - A wide shot of a brightly lit apartment shows a group of women gathered around a dining table and kitchen counter, talking and laughing, with drinks and food on display.
+00:01:02.130 - Two women stand near the kitchen counter, holding drinks and chatting animatedly; grapes and a bag of chips are on the counter.
+00:01:06.120 - A hand reaches into a clear plastic container of green grapes on the counter.
+00:01:08.570 - A hand pours wine from a bottle into a large wine glass.
+00:01:14.280 - Several women are gathered in the kitchen area, laughing, talking, and some are embracing each other.
+00:01:20.080 - The entrance to a pottery studio is visible, with signs saying "POTTERY" and "WELCOME" above a set of glass doors adorned with old posters.
+00:01:23.000 - A woman walks through the double doors into the pottery studio.
+00:01:24.490 - A cluttered table in a pottery studio is covered with clay remnants, tools, and various unfinished clay pieces; a person's hands are shown shaping clay.
+00:01:26.470 - Shelves filled with numerous unfinished ceramic pots and sculptures are stacked in a pottery studio.
+00:01:28.430 - An overhead view of a table shows a block of clay, a rolling pin, and various pottery tools.
+00:01:29.410 - A person's hands are working with a piece of clay on the table.
+00:01:30.400 - Two young women are seated at a table in the pottery studio, talking to the camera, one gesturing with her clay-covered hands.
+00:01:37.000 - A side angle shows two women making pottery at a table.
+00:01:40.800 - Two young women interacting, smiling, and making pottery.
+00:01:49.030 - A young woman holds up a small, sculpted piece of clay that resembles a whale, looking directly at the camera.
+00:01:51.090 - Hands are shown working closely with a piece of wet clay, shaping it into a small form on a plastic-covered table.
+00:01:53.050 - A young woman with clay on her hands smiles broadly at the camera.
+00:01:54.600 - A young woman touches her clay-covered face and laughs.
+00:01:55.220 - A close-up shot of hands covered in grey clay.
+00:01:57.250 - Hands continue to work with clay and tools on the table.
+00:01:58.210 - Two young women are holding up their clay creations, laughing and looking excited.
+00:02:08.080 - A close-up shows a clay sculpture of an alligator, with a hand pointing to its texture and details.
+00:02:11.230 - Three completed, unfired clay pieces are displayed on a plastic-covered table: a whale-shaped holder and two irregularly shaped bowls.
+00:02:15.180 - The exterior of "BREIDBAKERS" bakery is shown, with a large "BREIDBAKERS" sign above its glass facade, displaying various baked goods inside. The building is made of brick.
+00:02:18.570 - A display case inside the bakery is filled with golden-brown croissants, pain au chocolat, pain aux raisins, and cardamom buns, each labeled.
+00:02:20.650 - A hand holds a brown paper bag, pointing to it, with feet visible on a green-tiled and brown-matted floor.
+00:02:21.840 - A close-up shot of a young woman taking a bite from a pastry held in a brown paper bag, with brick buildings in the background.
+00:02:25.830 - A bustling street scene at what appears to be a flower market, with numerous people, white tents, and shops lining the brick buildings.
+00:02:29.170 - A vibrant display of various green potted plants fills a stall at the market, with people browsing in the background.
+00:02:31.250 - People are seen browsing and selecting bouquets of colorful tulips at a flower stall.
+00:02:33.280 - A close-up shows a beautiful array of bundled tulips in various colors, including pink, yellow, orange, and white.
+00:02:36.750 - The bright yellow facade of "IN BLOOM" flower shop is visible, with large display windows full of plants and ceramic items, and people browsing outside.
+00:02:39.750 - A close-up of an outdoor display shelf shows numerous intricately patterned teapots and pitchers with floral and fruit designs.
+00:02:43.340 - Two people are seated at a dark wooden table in a pub, toasting with pint glasses, with a window and outdoor street scene in the background.
+00:02:45.330 - Two people clink their beer glasses while talking animatedly at a pub table.
+00:02:50.000 - Two young women lean close to the camera, smiling and talking, one holding a pint glass. The background is a brick wall with framed pictures.
+0003:07.740 - A window view from inside a pub shows a stunning purple and pink sunset sky outside, with bare tree branches and a hanging plant basket.
+00:03:11.750 - A wider shot inside the dimly lit pub reveals more people, with warm string lights and large circular hanging lamps illuminating the space.
+00:03:17.650 - A hand reaches for a curly french fry from a checkered paper cone, next to a tall, lit candle on a tiled table.
+00:03:20.730 - Three young women sit at a dark wooden table in the pub, talking and laughing, with a single lit candle providing a warm glow.
+00:03:27.760 - A bustling and dimly lit pub interior is filled with people, with string lights strung across the ceiling and large spherical light fixtures.
+00:03:30.730 - Two hands reach for two cocktails on a bar counter, with a blurred background of the bar area.
+00:03:33.820 - The interior of a dimly lit restaurant is visible, with several tables occupied by diners, a wall covered in wine bottles, and various wall decor.
+00:03:36.310 - A close-up of a white plate holds several fried, round food items generously topped with grated cheese, next to a lit candle in a glass holder.
+00:03:38.250 - A white bowl contains tortellini pasta in a clear broth, with a spoon resting in it, on a wooden table.
+00:03:40.830 - Two young women are seen from a low angle, one eating soup with a spoon, the other looking at the camera.
+00:03:45.820 - A young woman clinks a red wine glass with a bearded man, both looking at each other across a table.
+00:03:48.330 - The young woman from the previous shot briefly looks at the camera.
+00:03:49.270 - A grand, high-ceilinged room in a museum is filled with classical statues, large display cases, and many visitors exploring the exhibits.
+00:03:52.280 - A young woman stands looking into large glass display cases filled with historical artifacts and scientific instruments, with large windows visible through the cases.
+00:03:56.770 - A marble statue of a nude male figure with an eagle stands prominently in a room lined with tall, wooden bookshelves filled with books.
+00:03:59.730 - A large hall in the museum displays several ancient Greek marble sculptures, some headless or fragmented, on pedestals, with visitors observing them.
+00:04:02.390 - A close-up view of intricate marble Greek sculptures, showing details of draped fabric and anatomical forms.
+00:04:03.220 - A wide shot of a busy London street features grand, ornate historical buildings, red double-decker buses, black taxis, and pedestrians.
+00:04:07.720 - Two iconic red British telephone booths stand side-by-side against a plain stone wall.
+00:04:09.680 - The grand facade of a classical museum building with many columns and intricate sculptures along the roofline is shown under an overcast sky.
+00:04:11.750 - An elevated view inside a traditional theater shows tiers of red velvet seats filled with audience members, facing a large stage with a grand red curtain adorned with a coat of arms.
+00:04:15.180 - The orchestra pit of a theater is dimly lit, showing musicians in formal wear playing various instruments, with sheet music stands in front of them.
+00:04:19.110 - A large group of ballet dancers in various period costumes stand on stage, holding hands and bowing to the audience, with a dark, textured backdrop behind them.
+00:04:23.770 - Three young women are in a kitchen, one holding a wine glass while another arranges food on a long wooden counter, which is decorated with lit candles, flowers, and bottles.
+00:04:26.700 - A close-up of various lit candles of different sizes and colors, including some heart-shaped tealights, arranged on a patterned surface.
+00:04:29.700 - A decorated table is laden with an assortment of food for a party, including cheese, crackers, vegetables, fruit, bottles of wine, and various lit candles.
+00:04:32.330 - A young woman smiles at the camera, standing behind the food-laden table.
+00:04:34.200 - Hands use a spoon to stir a rich, creamy cheese fondue in a black pot, pulling up long strands of melted cheese.
+00:04:36.330 - Two young women at the table look excitedly at the stretchy cheese, one with a wide-eyed, surprised expression.
+00:04:39.290 - A group of friends sits around a candlelit dining table, conversing and enjoying their meal, with various drinks and plates.
+00:04:50.040 - A person carefully pours melted chocolate from a pot into the top of a small, pink chocolate fountain, as another person watches.
+00:04:53.110 - The chocolate fountain cascades chocolate, surrounded by bowls of cut apples and marshmallows, ready for dipping.
+00:04:58.110 - A wooden table is covered with various makeup products, brushes, and a mirror, with hands opening a concealer tube.
+00:05:01.070 - Two young women are sitting and applying makeup, one using an eyeliner brush and the other applying mascara, in a brightly lit room.
+00:05:06.160 - A night view of a London street, dimly lit by streetlights, with towering buildings in the background and two women laughing and walking towards the camera.
+00:05:11.000 - A wide shot of a concert from the audience perspective shows a DJ on stage under green spotlights and red neon arch lights, with many people dancing.
+00:05:13.910 - A crowd of people at a concert, some with their hands raised, enjoying the music.
+00:05:15.340 - Another shot of the lively crowd at the concert, with arms raised.
+00:05:17.890 - Two young women stand close to the camera, smiling and holding up their drinks at the concert.
+00:05:19.890 - A shot from the crowd at a concert, with many hands raised in the air, illuminated by vibrant green spotlights and a red neon arched stage design.
+00:05:24.790 - Fireworks explode in the night sky over a city skyline, seen from a window or balcony.
+00:05:37.310 - More fireworks light up the dark sky above city buildings.
+00:05:41.870 - Colorful fireworks burst in the night sky, with red and green lights, above city buildings.
+00:05:49.000 - The video transitions to a black screen.
+
+### Text on Screen
+
+*   00:00:01.320 - "so february is a pretty bleak month"
+*   00:00:02.820 - "the days are short"
+*   00:00:03.680 - "it's dark"
+*   00:00:05.100 - "it's cold"
+*   00:00:06.960 - "but it's also the month of love !"
+*   00:00:08.810 - "so i wanted to make a video appreciating the things,"
+*   00:00:09.910 - "places, and people that i encounter"
+*   00:00:24.030 - "i love when the first"
+*   00:00:25.260 - "flowers start to"
+*   00:00:25.960 - "bloom"
+*   00:00:28.710 - "i love finding rainbows !"
+*   00:00:31.620 - "& the way light reflects on water"
+*   00:00:35.800 - "i love hosting events"
+*   00:00:41.130 - "i love my friends !!"
+*   00:00:43.640 - "& spending quality time with them"
+*   00:00:55.770 - "i love charcuterie boards & wine nights"
+*   00:01:19.570 - "POTTERY" (on a sign)
+*   00:01:19.950 - "WELCOME" (on a sign)
+*   00:01:20.570 - "i love trying new things"
+*   00:01:41.220 - "& laughing with my friends"
+*   00:01:55.370 - "i love grossing my friends out"
+*   00:02:00.670 - "& getting excited about little things"
+*   00:02:08.430 - "i love seeing other's creations"
+*   00:02:11.750 - "and the satisfaction after"
+*   00:02:12.750 - "completing a project"
+*   00:02:15.930 - "BREIDBAKERS" (on bakery sign)
+*   00:02:16.290 - "i love local bakeries"
+*   00:02:26.540 - "& sundays at columbia road flower market"
+*   00:02:37.070 - "IN BLOOM" (on shop sign)
+*   00:02:44.270 - "i love our weekly pub nights"
+*   00:03:08.790 - "& sunsets"
+*   00:03:18.060 - "i LOVE fries"
+*   00:03:31.750 - "and fun cocktails"
+*   00:03:34.330 - "i love trying new resturants"
+*   00:03:41.340 - "& sister dates"
+*   00:03:46.010 - "& sister dates (+ rob)"
+*   00:03:50.000 - "i love the free museums in london"
+*   00:04:00.670 - "and greek sculptures"
+*   00:04:04.130 - "i love the architecture in london"
+*   00:04:08.170 - "TELEPHONE" (on phone booths)
+*   00:04:12.630 - "and the look of classic theaters"
+*   00:04:16.140 - "i'm obsessed with live orchestras"
+*   00:04:24.630 - "& dinner parties !"
+*   00:04:58.730 - "i love getting ready"
+*   00:05:11.830 - "and dancing at concerts"
+*   00:05:25.800 - "i love watching the fireworks off my balcony"
+*   00:05:42.500 - "and i love february !! it's been a great month (so far)"
+
+### People in the Video
+
+The video features primarily young women, likely friends, and occasionally other individuals in public spaces.
+
+*   **The Vlogger/Narrator (main character):** A young woman with dark hair who appears in several shots, especially during the pottery activity, eating a pastry, doing makeup, and interacting with friends. She is the one expressing her likes and appreciation for February.
+*   **Friends:** Several young women are consistently featured enjoying activities together, including:
+    *   Sitting on a bench overlooking a city.
+    *   Dining and painting candles at a table.
+    *   Attending charcuterie and wine nights.
+    *   Participating in a pottery class.
+    *   Visiting a pub.
+    *   Having dinner parties (including fondue).
+    *   Getting ready for an outing.
+    *   Walking and laughing on a city street at night.
+    *   Attending a concert.
+*   **Rob:** A young man with a beard who is seen on a "sister date" with the narrator, toasting with wine.
+*   **Audience/Public:** Various people are seen in the background throughout the video in public settings such as:
+    *   On the distant hill.
+    *   At the Columbia Road Flower Market.
+    *   Inside the British Museum.
+    *   On London streets with buses and taxis.
+    *   Inside pubs and restaurants.
+    *   At a concert.
+
+### Video Narrative Summary
+
+The video is a personal vlog celebrating the month of February, initially described as a "bleak month" due to short, dark, and cold days. The narrator counters this by highlighting her appreciation for various things, places, and people she encounters.
+
+The narrative unfolds through a series of heartwarming and engaging visual snippets, showcasing diverse activities. These include enjoying nature in parks, witnessing the first blooms of spring flowers and rainbows, and observing light reflecting on water. A significant portion of the video focuses on social connections, featuring gatherings with friends for dinner parties, candle-painting sessions, charcuterie and wine nights, and weekly pub visits, emphasizing laughter and quality time.
+
+The narrator also explores new experiences and places, like trying pottery (and "grossing friends out" with clay-covered hands), visiting local bakeries, browsing the vibrant Columbia Road Flower Market, exploring free museums and admiring Greek sculptures in London, appreciating the city's architecture, and attending live orchestras and concerts.
+
+The video culminates in showing dinner parties, including a cheese and chocolate fondue, getting ready for outings, and enjoying fireworks from a balcony, all while maintaining a cheerful and appreciative tone. Ultimately, the video aims to demonstrate that despite common perceptions of February, it can be a "great month" filled with joy, friendship, and new adventures.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_DPJPIrxQJgQ.txt b/raw/test/visual_info/output_DPJPIrxQJgQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..555ad2312a8fb3cb5708a0d5f888a017d408988a
--- /dev/null
+++ b/raw/test/visual_info/output_DPJPIrxQJgQ.txt
@@ -0,0 +1,192 @@
+Here is a detailed analysis of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A single 20 Euro banknote is seen lying on a gravel path with scattered autumn leaves.
+00:00:00.866 - A person's legs and feet, wearing light shorts and dark sneakers, step into the frame and crouch to pick up the 20 Euro note from the ground.
+00:00:02.166 - The person, a man with short reddish-brown hair and glasses wearing a purple t-shirt and light shorts, crouches down, holding the banknote, and smiles at the camera. He is outdoors with trees and a paved path in the background.
+00:00:04.099 - The man stands up, still holding the 20 Euro note, and addresses the camera directly, gesturing with his hands.
+00:00:16.899 - A red car drives from left to right in the background behind the man.
+00:00:19.966 - A white rectangular pop-up appears at the bottom of the screen.
+00:00:21.033 - The white rectangle transforms into a pink "SUBSCRIBE" button with a mouse cursor hovering over it.
+00:00:21.966 - The "SUBSCRIBE" button changes to red and says "SUBSCRIBED".
+00:00:24.499 - The scene changes to a panoramic view of a lush green meadow with yellow and white wildflowers, with white houses and towering snow-capped mountains in the background under a cloudy sky.
+00:00:29.099 - A woman and a man are seen walking hand-in-hand on a paved path next to a wooden fence, with green fields, houses, and snow-capped mountains in the distance.
+00:00:29.899 - A close-up shot of a smiling man and woman, both with fair skin and brown hair, is shown, with the woman wearing a white wedding veil and tiara.
+00:00:30.933 - A man and a woman stand together in front of a traditional European building with red shutters and flower boxes under the windows.
+00:00:31.966 - The man and woman stand on a stone platform in front of the ruins of an old stone castle.
+00:00:33.466 - A close-up of the man and woman smiling at the camera, with a stone castle wall visible in the blurry background.
+00:00:34.966 - The man and woman stand on a stone bridge overlooking a river, with a grand chateau in the background.
+00:00:35.966 - The man and woman are seated inside a train, both wearing face masks and looking out the window at passing green landscapes and mountains.
+00:00:37.499 - The man and woman playfully dance on a narrow paved path on a green hillside, with a village and snow-capped mountains in the background.
+00:00:38.933 - The man and woman walk away from the camera on a dirt path through a forest, surrounded by tall trees and green foliage.
+00:00:40.433 - The woman, viewed from behind, walks through a green field with mountains, a lake, and a town visible in the distance.
+00:00:42.566 - The man and woman walk away from the camera on a grassy path surrounded by pine trees, with majestic snow-capped mountains under a clear blue sky.
+00:00:43.799 - A woman walks up a steep grassy slope with scattered yellow flowers, with pine trees and snow-capped mountains in the background.
+00:00:45.899 - A panoramic view of a vast green mountain landscape with numerous pine trees, rolling hills, and impressive snow-capped peaks under a bright blue sky. Ski lifts and small buildings are visible in the distance.
+00:00:47.766 - A lone tall pine tree stands in the foreground, with layers of green mountains and a cloudy sky behind it.
+00:00:49.766 - The screen fades to black.
+00:00:50.066 - A hand drops a car key card onto a wooden surface.
+00:00:50.999 - A person's finger presses a button on a white wall-mounted device.
+00:00:52.066 - A hand pulls a silver door handle, opening a dark grey door.
+00:00:53.666 - A close-up of a metal gate swinging open to reveal concrete stairs and green bushes.
+00:00:55.066 - The side mirror of a car automatically folds in.
+00:00:57.699 - A man gets into a car, closing the door and looking at the camera.
+00:01:13.199 - A hand presses the "START ENGINE STOP" button in a car.
+00:01:14.666 - The view from inside a moving car, looking through the windshield at a residential street with houses and trees under a clear blue sky.
+00:01:16.766 - The view from inside a moving car, showing a red building with a small canopy in the side mirror reflection and through the window.
+00:01:18.799 - The view from inside a moving car, looking through green trees at buildings and a distant tower.
+00:01:19.899 - The view from inside a moving car, showing a green building named "China Restaurant Fu-Lin" at a street intersection with yellow pedestrian crossings.
+00:01:21.833 - The view from inside a car entering an underground parking garage with bright overhead lights and a barrier arm.
+00:01:23.766 - A man in a car leans out to press a button on a ticket machine in the parking garage.
+00:01:25.633 - The interior of the underground parking garage, showing rows of parked cars.
+00:01:26.966 - A man's hand reaches for a light switch or button inside the car door.
+00:01:29.099 - A man with reddish-brown hair wearing a purple t-shirt and backpack stands on a sidewalk in a city, looking directly at the camera. There are buildings, trees, and street markings in the background.
+00:01:36.033 - The camera moves to reveal an outdoor café seating area with people sitting at tables, partially obscured by a tree trunk.
+00:01:39.933 - A display case inside a bakery filled with various pastries, including yellow smiley-face tarts and raspberry cakes. Prices are visible in Swiss francs.
+00:01:40.933 - A woman wearing a mask serves a customer at a counter in the bakery, with shelves of bread and pastries behind them.
+00:01:43.066 - A woman with long brown hair, wearing a striped top and a maroon cardigan, smiles at the camera while sitting at an outdoor cafe table.
+00:01:48.866 - A close-up of a "roulade" pastry with cream and raspberries on a white plate with a fork and a napkin.
+00:01:50.766 - An overhead shot of the "roulade" pastry, showing more detail of its spiral cream and raspberry filling.
+00:01:52.799 - The woman at the cafe table points to her ear and smiles.
+00:01:55.233 - The woman holds up two forks, one with three prongs and one with four, and looks at the camera.
+00:01:56.233 - The man from the beginning of the video looks at the three-pronged fork in his hand.
+00:01:58.366 - A white plate with remnants of the pastry and two forks, one with three prongs and one with four, lying on it.
+00:02:00.066 - The woman stands up from the table, laughing and looking at the camera, with a small dog and other people in the background on the street.
+02:02:833 - A large, colorful knitted or crocheted blanket made of many squares is displayed on a wall. "SOLOTHURN" is spelled out in red letters across the middle.
+02:04:700 - A wide shot of a European city on a river, with a bridge in the foreground and historical buildings and mountains in the background under a clear blue sky. A flag with "STADT SOLOTHURN" is visible.
+02:06:566 - The woman walks across a cobblestone square with market stalls, historical buildings, and a large cathedral in the background.
+02:08:299 - An upward-tilted shot of an old stone building with a large arched entrance and smaller windows.
+02:09:933 - The woman stands in front of a large red wooden door set into a stone wall, smiling and gesturing towards the camera.
+02:14:599 - The woman continues to gesture and talk, moving slightly as she explains something about the number 11.
+02:18:033 - The woman moves to the left, revealing more of the old buildings and cobblestone street.
+02:26:099 - A window box filled with vibrant red and pink geraniums.
+02:27:899 - A maroon bicycle leaning against a stone building adorned with flowerpots and greenery, with cobblestones on the ground.
+02:29:999 - An old black sewing machine with "Couture Ambassador" and "Jacqueline Christ" written on it, hanging as a sign outside a building.
+02:31:099 - A grand, white stone cathedral with numerous columns, sculptures, and intricate carvings under a bright blue sky.
+02:33:099 - The woman stands in front of the cathedral, looking up and smiling.
+02:37:633 - The woman approaches a large, dark green double door of the cathedral, reaches for the handle, and smiles coyly.
+02:39:699 - The woman tries to open the heavy door, leaning into it, and peers into the small opening she creates.
+02:43:999 - An upward shot of the elaborate, ornate ceiling and dome inside the cathedral, with frescoes and intricate plasterwork.
+02:45:599 - A view of the highly decorated altar area of the cathedral, with golden rays, white sculptures of angels and saints, and dark wooden choir stalls.
+02:47:899 - A close-up of intricately carved wooden pews inside the cathedral.
+02:49:533 - People walk up a wide, grand stone staircase leading up to the cathedral entrance.
+02:51:766 - An interior view of the cathedral, showcasing a massive pipe organ at the far end and ornate decorative elements on the walls and ceiling.
+02:54:833 - A wide shot of the exterior of the cathedral, showing its grand facade and the stairs leading up to it, with people standing in front.
+02:56:833 - The man walks down the grand stone staircase, counting aloud and looking back at the camera.
+03:00:033 - The man continues walking down the steps, now with a wide smile, and looks directly at the camera.
+03:04:899 - The man stands on a cobblestone street with market stalls and white buildings, looking at the camera and talking. A large hotel building is visible behind him.
+03:11:599 - A high-angle view of a bustling market street with numerous white tents and stalls, flanked by traditional European buildings.
+03:13:966 - A large, ancient stone gate with two round towers on either side, through which people walk.
+03:15:999 - A row of colorful traditional European houses with various colored shutters.
+03:17:166 - A field of green grass and wildflowers next to a tall, old stone wall.
+03:19:266 - The man stands on a balcony next to the stone wall, gesturing and looking out at the green landscape and mountains.
+03:24:299 - The man, wearing sunglasses, talks directly to the camera, standing in front of the stone wall and a small, round stone tower.
+03:30:799 - A black and white shot of the man with a red rectangle highlighting the small stone tower (bastion) behind him.
+03:32:599 - An upward shot of a large, round stone tower (bastion) against a clear blue sky.
+03:36:999 - A long, light pink building with many windows and balconies, next to a stone wall and lush green trees.
+03:38:099 - A rustic, old wooden door with a round arch, set into a stone wall, next to a small barred window.
+03:39:999 - The woman stands in a grassy area with wildflowers, with the long pink building and a stone tower in the background, talking to the camera.
+03:45:133 - A white pop-up box with thumbs up/down icons and a "SUBSCRIBE" button appears next to the woman.
+03:46:266 - The woman gestures towards the icons, as the "thumbs down" icon glows red and she mimics hitting it several times before the "SUBSCRIBE" button becomes "SUBSCRIBED" and "thumbs up" glows red.
+03:46:566 - The man stands in front of a white building with dark green shutters, looking at the camera and talking.
+03:53:933 - The woman stands on a cobblestone street, looking thoughtful and counting on her fingers.
+03:56:066 - A white pop-up box with thumbs up/down icons and a "SUBSCRIBE" button appears next to the woman. She counts on her fingers, gesturing as if hitting "like" and "unlike" repeatedly.
+03:59:799 - The "SUBSCRIBE" button changes to red and says "SUBSCRIBED", and the "thumbs up" icon turns red.
+04:00:866 - An ornate clock tower with a large red clock face stands tall in a city square surrounded by traditional buildings.
+04:02:699 - A close-up of a building with several white windows and green shutters, next to an elaborate golden clock face with intricate details.
+04:04:899 - A yellow building with green shutters, a restaurant sign, and a distant clock tower with a red clock face visible over the rooftops.
+04:06:066 - The woman walks across a yellow-striped pedestrian crossing, with a small dog and other people nearby, towards a large stone archway.
+04:07:966 - The man stands in front of a modern grey building with large glass windows and an ornate green and gold clock on the wall, looking at the camera.
+04:12:899 - The clock on the wall of the building shows 10:49 (or nearly 11 based on the hands).
+04:16:366 - The clock on the wall is seen chiming with its bells swinging.
+04:37:933 - The clock chimes again, with the time now showing 11.
+04:45:899 - The woman looks at the camera, laughing and smiling, with other people in the background.
+04:50:899 - The man stands in front of the modern grey building with the clock on the wall, looking at the camera.
+05:00:799 - The woman stands in a busy market street with stalls selling various goods, with an old clock tower in the background.
+05:05:099 - A close-up of an intricately embroidered textile with various colorful patterns.
+05:06:566 - A wide shot of the market street, showing numerous stalls with clothes and other items, and people walking around.
+05:09:166 - A market stall filled with a large variety of necklaces, bracelets, and other jewelry, with a person standing behind the counter.
+05:11:399 - A display of various bags and purses, including woven baskets and messenger bags, hanging from a market stall.
+05:13:099 - A market stall with various handcrafted items, small sculptures, and crocheted goods on display.
+05:14:833 - A market stall filled with an array of earrings, rings, and other small jewelry items displayed on racks and trays.
+05:16:899 - Large woven tote bags hanging from a market stall.
+05:18:799 - A view down the market street, showing people browsing and walking between the stalls, with buildings and a tower in the distance.
+05:20:966 - The woman stands in front of a stone fountain with decorative elements, talking to the camera. Market stalls are visible around her.
+05:25:299 - A close-up of a stone fountain with a decorative column featuring carved faces and water spouting from a mouth. Red and white flowers are arranged around the base.
+05:26:766 - Another ornate stone fountain with water flowing into a basin.
+05:27:899 - A small white boat moves across a turquoise river, with historical buildings lining the riverbank under a clear blue sky.
+05:29:799 - A large, old stone building with a distinctive roof sits at the edge of the river, with a paved promenade and street lamps in the foreground.
+05:31:799 - An aerial shot of the white boat moving through the turquoise river, with city buildings and bridges in the background.
+05:33:933 - A large decorative coffee cup with a croissant sticking out of it, sitting outside a cafe. Signs for "STADT RÖSTEREI SOLOTHURN" are visible.
+05:35:866 - The man sits at an outdoor cafe table with a cup of coffee, looking at the camera and talking. A server is visible in the background.
+05:41:899 - A close-up of the coffee cup with a leaf design in the foam and a small cookie on the saucer. The cafe logo "STADT RÖSTEREI SOLOTHURN" is on the cup.
+05:44:033 - The man at the cafe table talks to the camera, with a text overlay of the cost of the coffee.
+05:48:933 - The man sits at an outdoor table in a garden, with a can of "Öufi Hells Pils" beer and an empty glass on the table. He is smiling and gesturing.
+05:51:766 - The man opens the beer can.
+05:52:999 - The man pours beer from the can into the glass. A text overlay shows the cost of the beer.
+05:54:833 - A close-up of the beer can and the filled glass on the table.
+05:56:999 - A black and white photo of large industrial brewing tanks, with "Öufi 11" visible as a logo on one of the tanks.
+05:59:799 - The man sits at the table, raises his beer glass, and smiles at the camera, then takes a sip.
+06:03:799 - The woman sits at an outdoor table in a garden, smiling at the camera and talking.
+06:10:099 - A black screen with white text "DON'T FORGET TO SUBSCRIBE!".
+06:10:966 - A red "SUBSCRIBE" button with a white arrow appears.
+06:11:933 - The button changes to grey "SUBSCRIBED" with a bell icon.
+06:12:499 - The black screen transitions to white text "WELL, BLOOPERS FIRST. THEN YOU CAN SUBSCRIBE. THANKS ;)"
+06:17:099 - Blooper reel: The man kneels to pick up the 20 Euro note, but instead of holding it up, he just looks down and the scene cuts quickly.
+06:19:933 - Blooper reel: The woman pulls the door handle to open the door, but it doesn't open fully.
+06:21:499 - Blooper reel: The man's head pops into the car window from outside, smiling and giving a thumbs up.
+06:26:833 - Blooper reel: The man is in the car, trying to deliver a line, stumbles over words.
+06:31:966 - Blooper reel: The woman in front of the elevator struggles to read the sign and decides to take the stairs.
+06:37:066 - Blooper reel: The woman stands at the base of a stone tower, looking up and shouting "RAPUNZEL, RAPUNZEL, LET DOWN YOUR HAIR!".
+06:42:066 - End screen with channel name "APLINS IN THE ALPS JANA + BRETT" and "THANKS FOR SUBSCRIBING!". A grey "SUBSCRIBED" button with a bell is visible.
+06:47:933 - The video ends on the end screen.
+
+**Text on Screen and When it Appeared:**
+
+*   00:00:14.399 - `*CLAIM NOT VERIFIED BY INDEPENDENT FACT CHECKERS`
+*   00:00:26.566 - `APLINS IN THE ALPS` (logo)
+*   00:00:26.566 - `EPISODE 04`
+*   00:00:26.566 - `SOLOTHURN, SWITZERLAND`
+*   00:01:24.499 - `COST OF PARKING FOR 5 HOURS $8.91`
+*   00:01:42.599 - `COST OF PASTRY $4.58`
+*   00:02:03.366 - `SOLOTHURN` (knitted into blanket)
+*   00:02:10.599 - `WELCOME TO SOLOTHURN, SWITZERLAND!`
+*   00:02:34.099 - `11 CATHEDRALS`
+*   00:02:59.933 - `11 MORE STAIRS`
+*   00:03:02.166 - `...ANNNND 11 MORE!`
+*   00:03:09.666 - `SWITZERLAND'S SECOND OLDEST GUEST HOUSE`
+*   00:03:14.166 - `11 GATES`
+*   00:03:25.133 - `11 BASTIONS`
+*   00:03:33.099 - `BASTION:`
+*   00:03:33.099 - `AN OUTWARD PROJECTION IN A FORTIFICATION`
+*   00:04:19.933 - `"SOLOTHURN TIME"`
+*   00:04:38.299 - `30 SECONDS LATER...`
+*   00:05:24.233 - `11 FOUNTAINS`
+*   00:05:44.233 - `CUP #2 OF COFFEE`
+*   00:05:44.233 - `$5.36`
+*   00:05:53.699 - `"11" BEER`
+*   00:05:53.699 - `$2.57`
+*   00:06:10.099 - `DON'T FORGET TO SUBSCRIBE!`
+*   00:06:10.966 - `IF YOU WATCHED THIS FAR, YOU SHOULD PROBABLY SUBSCRIBE :)`
+*   00:06:14.733 - `WELL, BLOOPERS FIRST.`
+*   00:06:14.733 - `THEN YOU CAN SUBSCRIBE.`
+*   00:06:14.733 - `THANKS ;)`
+*   00:06:42.066 - `APLINS IN THE ALPS`
+*   00:06:42.066 - `JANA + BRETT`
+*   00:06:42.066 - `THANKS FOR SUBSCRIBING!`
+
+**People in the Video:**
+
+*   **Brett:** A man with short reddish-brown hair and glasses, wearing a purple t-shirt and light shorts/jeans. He is one of the hosts of the "Aplins in the Alps" channel. He is shown finding a 20 Euro note, driving a car, buying a pastry, exploring Solothurn and its "number 11" quirks, and drinking beer.
+*   **Jana:** A woman with long brown hair, wearing a striped top and a maroon cardigan. She is the other host of the "Aplins in the Alps" channel and Brett's wife (implied by the "honeymoon 9 years ago" and "Jana and Brett" on the end screen). She is shown walking with Brett, buying a pastry, and explaining the "number 11" facts about Solothurn.
+*   **Bakery staff:** Two women are seen working behind the counter in the bakery, wearing masks. Their names or other details are not provided.
+*   **Other people in the background:** Various unnamed individuals are seen walking on the streets, browsing the market, sitting at cafes, and walking up the cathedral stairs. Some are wearing masks, indicating the video was likely filmed during the COVID-19 pandemic.
+
+**Summary of the Video Narrative:**
+
+The video, "Aplins in the Alps, Episode 04," documents Jana and Brett's visit to Solothurn, Switzerland. The video playfully begins with Brett finding a 20 Euro note and humorously claiming that subscribing to their channel increases one's luck for finding money. After a brief introduction to their travel adventures, the couple arrives in Solothurn, a town they hadn't heard of until recently. Their primary goal is to explore the town's unique fascination with the number 11.
+
+Their exploration starts with a visit to a local bakery for a pastry. Jana explains that Solothurn was the 11th city to join the Swiss Confederation and boasts 11 cathedrals, 11 gates, 11 fountains, and other features related to the number 11. Brett humorously counts steps on the cathedral's grand staircase to reinforce the "11" theme. They discuss an old hotel being Switzerland's second oldest guest house, showcasing another historical detail.
+
+They then highlight the city's special clock, which tells "Solothurn Time" and chimes a song with 11 bells at specific times, not always on the hour. The couple also timed their visit to coincide with the monthly market day, where they browse various stalls selling textiles, jewelry, and bags. Finally, they unwind with a local beer called "Öufi," which is the local dialect's word for "11," revealing that the brewery makes over 40 different beer varieties annually. The video concludes with bloopers, reinforcing the lighthearted tone and encouraging viewers to subscribe to their channel.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_DgVmcQ41PSI.txt b/raw/test/visual_info/output_DgVmcQ41PSI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..57a0c28ef40a103d80660c542ef1ab8132ec8294
--- /dev/null
+++ b/raw/test/visual_info/output_DgVmcQ41PSI.txt
@@ -0,0 +1,52 @@
+Here is the detailed breakdown of the video:
+
+*   00:00:00.000- A koala slowly walks across an asphalt road with double yellow lines, with an active bushfire and dense smoke visible in the background to the right. The ground on the side of the road is charred.
+*   00:05:933- The koala leaves the road and scrambles up a low, burnt embankment, moving deeper into the burning and smoking bushland. Flames are prominently visible in the background.
+*   00:08:900- The koala pauses and appears to wince or whimper as flames burn close by on the ground.
+*   00:11:800- A woman in a white tank top, white pants, and sunglasses runs into the frame, grabbing the koala and wrapping it in a light-colored blanket or towel. She quickly starts to move away from the intense flames.
+*   00:19:100- The woman walks across the burnt landscape, carrying the koala wrapped in the blanket. The sky is hazy orange from smoke.
+*   00:22:900- A man in a dark t-shirt and shorts approaches the woman, carrying a white cloth. A person in an orange jumpsuit with a "MEDIA" label on their back is also visible near a white SUV parked on the side of a road.
+*   00:29:900- The woman kneels on the burnt ground, placing the koala down next to a white cloth. She then takes a plastic water bottle and begins pouring water over the koala's body.
+*   00:36:100- A white dog with long fur approaches the koala and the woman, briefly visible in the bottom right of the frame.
+*   00:46:700- The koala makes distressed noises ("Ahhh, ahh, ahh...") as the woman continues to pour water from the bottle onto its fur.
+*   00:54:600- A "PUMP" branded water bottle is visible on the ground next to the koala.
+*   01:02:100- The woman continues to pour water on the koala, focusing on its back and hindquarters.
+*   01:10:900- The woman is now fully bent over, attending to the koala.
+*   01:21:400- The man joins the woman, and together they carefully lift the koala, which is still wrapped in the blanket. The koala makes more distressed noises.
+*   01:28:000- The man and woman carry the koala wrapped in the blanket, walking through the smoky, burnt bushland.
+*   01:32:000- The man bends down, apparently picking something up from the ground.
+*   01:37:800- A quick, shaky shot shows the man picking something up from the ground, possibly another water bottle or the koala's blanket.
+*   01:40:000- The man and woman walk away from the camera, carrying the koala through the smoke-filled, burnt forest.
+*   01:52:900- The woman is seen carrying the koala wrapped in the blanket near a white SUV, while the man carries several water bottles. A person in a yellow hard hat and orange "MEDIA" uniform, holding a microphone, approaches them.
+*   02:02:000- Close-up shot of the koala wrapped in the blanket, showing visible reddish patches (likely blood or burns) on the blanket near its paws. The koala appears to be in pain, with its eyes mostly closed. The woman is holding it.
+*   02:09:000- The woman, holding the koala, speaks to the media person holding a microphone with the "9 NEWS" logo. She is wearing sunglasses and looks distressed. The man is beside her.
+*   02:20:000- The woman, man, and media person walk towards the white SUV. Smoke and burnt trees are visible in the background.
+*   02:29:000- They reach the white Kia SUV. The man opens the rear hatch, and the woman opens the passenger door.
+*   02:39:700- The media person helps the woman get into the passenger seat of the car, with the koala still wrapped in the blanket on her lap.
+*   02:44:800- The woman settles into the passenger seat of the car, adjusting the koala on her lap. The media person stands by the open door, speaking to her.
+*   02:59:000- The woman inside the car speaks, still holding the koala. She acknowledges bleeding on her hands, indicating the koala may have scratched her.
+
+---
+
+**Text on Screen:**
+
+*   **00:54:600 - 01:02:000:** "PUMP" - visible on a plastic water bottle on the ground.
+*   **01:57:900 - 02:59:000:** "MEDIA" - visible on the back of the orange uniform worn by the person with the microphone.
+*   **02:09:000 - 02:14:000:** "9 NEWS" and "NEWS.com.au" - visible on the microphone held by the media person.
+*   **02:28:900 - 02:42:000:** "KIA" - visible on the back of the white SUV.
+
+---
+
+**People in the Video:**
+
+*   **Toni (full name not given):** A woman with blonde, curly hair, wearing a white tank top, white pants, and sunglasses. She is the primary rescuer of the koala, seen picking it up, providing water, and holding it. She states, "They know me there" (referring to the Koala Hospital), implying she is known to them, possibly as a local resident or volunteer, and that she lives in Port Macquarie. She also mentions getting scratched by the koala but says she'll tend to it later.
+*   **Man (name not given):** A man with white hair, wearing a dark t-shirt, shorts, and glasses. He assists Toni in lifting the koala and carries water bottles. He appears to be accompanying Toni.
+*   **Media Person/Reporter (name not given):** A person wearing a yellow hard hat and an orange uniform with "MEDIA" written on the back. They are holding a microphone with the "9 NEWS" logo, indicating they are a news reporter documenting the event.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video documents a dramatic rescue of a koala amidst the devastating Australian bushfires. A distressed koala, seemingly disoriented and injured, is initially seen walking on a road adjacent to a raging fire. It then attempts to move deeper into the burning forest, indicating its desperate state. A quick-thinking woman, later identified as Toni, bravely intervenes, pulling the koala from the immediate danger and wrapping it in a blanket.
+
+She then pours water over the koala's visibly burnt body and paws to alleviate its suffering. The koala, in pain, makes loud cries while being tended to. A man assists Toni in carefully lifting the injured animal, and they are soon approached by a news reporter. Toni confirms she will take the koala to the Port Macquarie Koala Hospital, implying her connection to animal rescue or local knowledge. The video concludes with Toni settling into a car, cradling the injured koala on her lap, ready to transport it for professional medical care, highlighting the immediate and compassionate response of individuals to the wildlife crisis during the bushfires.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Du86TuF4U6c.txt b/raw/test/visual_info/output_Du86TuF4U6c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..712bbc6f7f068463a74505598a35a87f638cb7c2
--- /dev/null
+++ b/raw/test/visual_info/output_Du86TuF4U6c.txt
@@ -0,0 +1,68 @@
+Here is the detailed breakdown of visual events, on-screen text, people information, and a summary of the video narrative:
+
+**Visual Events:**
+
+00:00:00.000 - A man with a beard and a maroon beanie faces the camera and speaks from a sandy beach, with several people walking in the distance near the ocean under a clear blue sky.
+00:00:10.053 - A light-colored grey seal with dark spots is lying on the sandy beach in the foreground, near the water's edge, as two darker seals are visible further back, one partially submerged.
+00:00:18.598 - The light-colored grey seal in the foreground turns its head and shifts its body on the sand, facing slightly towards the camera.
+00:00:24.088 - A dark grey seal is seen bobbing and swimming in the blue-grey ocean water near the shore, with waves breaking around it.
+00:00:34.208 - Two grey seals are on the sandy beach near the water, one closer to the water's edge and the other slightly further back. Waves crash gently.
+00:00:44.808 - A large dark grey seal (a bull) is on the sandy beach near the white foamy waves, turning its head and opening its mouth in a display of aggression.
+00:00:52.288 - Two large dark grey seals lie on the sandy beach some distance from each other, parallel to the water's edge, as waves break.
+00:01:02.398 - Two grey seals lie close to each other on the sandy beach near the water, one lifts its head and looks at the other.
+00:01:17.388 - The two seals engage in a fight, biting and pushing each other on the sand near the water. One seal is on top of the other, and a large rock with white marking "40" is visible in the bottom right corner.
+00:01:43.718 - A close-up shot of a grey seal with a noticeable red, fresh gash on its back/side, near the water, as waves wash over it.
+00:01:53.608 - A dark grey seal with several scars and fresh blood visible on its body and head is lying in dry, brownish-green grass and low-lying bushes on a sandy dune.
+00:02:03.118 - A large grey seal is lying flat on its belly on the sandy beach near the water, covered in sand, as waves crash onto the shore behind it.
+00:02:12.788 - A small, white, fluffy seal pup is lying on the sand near some pebbles, appearing very young. It slightly lifts its head.
+00:02:20.258 - Two seal pups are on the sandy beach near the water; one is still white and fluffy, while the other is grey and appears to have shed some fur.
+00:02:30.148 - A white, fluffy seal pup is resting in a patch of tall dry grass on a dune, surrounded by shedding white fur.
+00:02:38.218 - A wide shot of the sandy dunes covered in brownish-green vegetation, with a small white seal pup seen moving slowly across the landscape from right to left.
+00:02:49.728 - A grey seal pup with patches of white fur (indicating shedding) is lying on its back in tall grass, wiggling and rolling.
+00:03:05.108 - The same grey seal pup, now on its belly, shifts its body and tail in the grass.
+00:03:18.278 - A grey seal swims through the choppy, grey-green ocean water, its head periodically breaking the surface amidst the waves and foam.
+00:03:34.908 - A white warning sign with a red triangle and text is visible amidst tall grass and dunes under a clear blue sky.
+00:03:45.028 - A seal pup is lying on the sandy beach as a person in dark clothing and another person (a child) in a pink coat and pink boots walk past it, very close. The pup raises its head slightly.
+00:03:51.648 - A small white fluffy dog, wearing a red plaid scarf and on a leash, sits on the sand next to the legs of two people, while a seal pup lies near the water in the background.
+00:04:00.868 - The man from the beginning of the video reappears on the sandy beach, talking to the camera, with people walking in the background.
+00:04:11.700 - The screen turns black with white text overlaid.
+
+**Text on Screen:**
+
+*   **00:44:808 - 00:45:000:** (Faintly visible on a rock) "40"
+*   **00:00:10.053 - 00:00:23.953:** "Every winter, thousands of Grey Seals haul themselves out onto the beaches along our coastline to mate, give birth, and for the females to rear their pups."
+*   **00:00:24.088 - 00:00:34.028:** "During this time, the seals may appear to be relaxing on the beach and frolicking in the waves, but all is not as it seems."
+*   **00:00:34.208 - 00:00:44.598:** "In order to win the right to mate, the males, which are known as bulls and can grow to more than 250 kilos, compete with each other to claim a space on the beach."
+*   **00:00:44.808 - 00:01:02.198:** "Most of the time, this doesn’t result in physical conflict. The bulls flare their teeth at each other, they turn their bodies sideways to appear bigger, and slap their bellies onto the ground to show how powerful they are."
+*   **00:01:02.398 - 00:01:17.068:** "When this is not enough, the only way to make your point is to fight. And despite their cuddly appearance, Grey Seals are ferocious fighters."
+*   **00:01:17.388 - 00:01:43.518:** "Their flippers are useless in these battles, but the seals’ sharp teeth and powerful jaws are as good at cutting flesh as they are at catching fish."
+*   **00:01:43.718 - 00:01:53.308:** "This bull has a deep, 3-inch gash on its back that was probably caused by another male."
+*   **00:01:53.608 - 00:02:02.838:** "Aside from this wound, he looks healthy, but some of the other bulls do not. This one looks like it’s taken a right beating and is covered in scars and fresh blood."
+*   **00:02:03.118 - 00:02:11.958:** "Once the females have mated, they delay implanting their eggs for 3 months, after which they are pregnant for 9 months and then they give birth to a single white pup."
+*   **00:02:12.788 - 00:02:20.088:** "Newborn pups weigh around 14 kilos, but they grow fast."
+*   **00:02:20.258 - 00:02:29.418:** "Their mother’s milk is 60% fat, resulting in them gaining 2 kilos every day."
+*   **00:02:30.148 - 00:02:37.778:** "They are only fed by their mothers for 3 weeks, after which she abandons them and heads back out to the sea."
+*   **00:02:38.218 - 00:02:49.198:** "The pups are not waterproof at this point, and so must spend another 3 weeks on the beach shedding their white fur. During this time, it’s best for the pups to laze about and preserve their energy, but we did see one that had decided to take a wander."
+*   **00:02:49.728 - 00:03:04.998:** (No on-screen text during this specific visual event, but narration continues)
+*   **00:03:05.108 - 00:03:17.848:** "They have never been into the water before, but now they must rely entirely on their instincts to catch enough food to survive. This is mainly fish and shellfish."
+*   **00:03:18.278 - 00:03:33.888:** "In the face of such a feat, it’s no surprise that around half of all Grey Seal pups do not survive for their first 18 months at sea."
+*   **00:03:34.908 - 00:03:45.548:** (Warning sign) "Friends of Horsey Seals" logo, "NATURAL ENGLAND" logo, "WARNING BE AWARE Breeding Seals ahead, please do not disturb."
+*   **00:03:45.028 - 00:03:51.348:** "I am a strong believer that people should be able to see and enjoy wildlife, but if you do visit the Grey Seals, please do so responsibly."
+*   **00:03:51.648 - 00:03:59.748:** "It is good advice to keep a good distance from the seals, and definitely not to get too close if you have dogs with you. Grey Seals are frequently attacked by dogs, so it’s best for them to keep their natural fear of our canine friends."
+*   **00:04:11.700 - 00:04:24.499:** "If you have made it this far, Please consider subscribing and sharing this video with your friends Thank you"
+
+**People in the Video:**
+
+*   **Liam (00:00:00 - 00:09:800 and 00:04:00.868 - 00:04:11.700):** The narrator and presenter of the video, identified as "Liam here from A Shot of Wildlife." He is the person wearing the maroon beanie and black hoodie, speaking directly to the camera on the beach. He explains the purpose of the video (to film grey seals at Winterton on the Norfolk Coast) and offers advice on responsible viewing of seals.
+*   **Unidentified People (00:00:00 - 00:09:800 and 00:04:00.868 - 00:04:11.700):** Several individuals are seen walking in the background on the beach, observing the seals from a distance. Their specific identities or roles are not revealed.
+*   **Unidentified People and Child (00:03:45:028 - 00:03:59.748):** One adult and one child are shown walking past a seal pup on the beach, and later two adults are shown with a leashed dog near another seal pup. Their identities are not revealed, but they serve as examples of human interaction (or lack thereof) with the seals.
+
+**Summary of the Video Narrative:**
+
+The video, presented by Liam from "A Shot of Wildlife," explores the fascinating life cycle and behaviors of grey seals at Winterton on the Norfolk Coast during winter. It begins by explaining that thousands of grey seals gather on the coast to mate, give birth, and raise their pups.
+
+The narrative highlights the intense competition among male seals, known as bulls, for mating rights. These large animals, weighing over 250kg, engage in displays of dominance like flaring teeth, appearing bigger, and slapping their bellies. While these often deter physical conflict, the video shows instances of fierce fights, revealing the seals' powerful jaws and sharp teeth. Some older bulls bear visible scars and fresh wounds from these serious encounters.
+
+The video then shifts focus to the seal pups. Newborn pups, initially weighing around 14kg with white fur, grow rapidly due to their mother's highly fatty milk, gaining 2kg daily. After only three weeks, the mothers abandon their pups, returning to the sea. The pups then spend another three weeks on the beach, shedding their non-waterproof white fur and developing their adult coats. Once waterproof, they must rely solely on their instincts to find food (fish and shellfish) in the ocean, a challenging endeavor, as only about half of all grey seal pups survive their first 18 months at sea.
+
+Finally, Liam emphasizes the importance of responsible wildlife viewing. He encourages people to enjoy the seals but advises maintaining a safe distance and, crucially, keeping dogs away from the seals, as domestic dogs frequently attack them. The video concludes with a call for viewers to subscribe and share the content.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_E5WFalK_vmI.txt b/raw/test/visual_info/output_E5WFalK_vmI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fb639a8bec6c7cf904f78041f6b011a1dd04994a
--- /dev/null
+++ b/raw/test/visual_info/output_E5WFalK_vmI.txt
@@ -0,0 +1,53 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps:
+
+00:00:00.000 - The screen is a blurry, light purple/pink color.
+00:00:01.300 - Out-of-focus, elongated orange objects appear on a light surface.
+00:00:02.133 - The camera starts to pull back, and blurry text begins to emerge. More small, colorful, elongated objects (like small tomatoes or berries) are visible around the text.
+00:00:03.200 - The text "Peter Sch" is partially clear, with "Tech Que" below it. The colorful objects become more discernible as small tomatoes.
+00:00:04.266 - The text "Peter Schneide" is visible, along with "Tech Question". The tomatoes are clearer, appearing in red, yellow, and green, scattered on a light wooden surface.
+000:00:05.163 - The full title "Peter Schneider Tech Questions" is in sharp focus, framed by scattered small tomatoes of various colors. The paper is centered on a light wooden background.
+00:00:10.833 - A man with a beard and short dark hair, wearing a brown jacket and a plaid scarf, appears in a medium shot, speaking directly to the camera. He is outdoors with a gravel path, green brush, and distant trees under a cloudy sky in the background.
+00:00:39.100 - The screen transitions to a light grey-green background with large dark red text "THE QUESTION" in the center and smaller black text below it.
+00:00:46.233 - The screen transitions to a white background displaying the full text of the electrical engineer's question about lead acid batteries and four specific questions related to boiling and charging.
+01:28:000 - The screen transitions to a light grey-blue background with large green text "3 SOLUTIONS FOUND" in the center.
+01:36:000 - The screen transitions to a light grey-blue background with large green text "SOLUTION 1/3" in the center, and bullet points with instructional text at the bottom.
+01:41:000 - The screen transitions to a white background displaying the text for "Solution 1," which answers the questions about battery boiling and charging.
+02:22:000 - The screen transitions back to the light grey-blue background with large green text "SOLUTION 2/3" in the center, and the same instructional bullet points at the bottom.
+02:28:000 - The screen transitions to a white background displaying the text for "Solution 2," providing additional technical details about battery electrolyte diffusion and gassing.
+03:09:000 - The screen transitions back to the light grey-blue background with large blue text "SOLUTION 3/3" in the center, and the same instructional bullet points at the bottom.
+03:14:000 - The screen transitions to a white background displaying the text for "Solution 3," offering further practical advice on battery charging.
+03:56:000 - The screen transitions to a light grey background with a large orange rectangular button labeled "SUBSCRIBE" in white text. Above it, in small grey text, is "Please consider to".
+04:00:000 - The video transitions to a wide shot of a large, rugged grey mountain face with a narrow path winding along its side. A green valley and distant mountains are visible below under a cloudy sky.
+04:03:000 - The video ends on the mountain shot.
+
+Here is a list of all the text on screen and when it appeared:
+
+*   00:00:05.163 - 00:00:10.000: "Peter Schneider Tech Questions"
+*   00:00:39.900 - 00:00:46.233: "THE QUESTION"
+*   00:00:39.900 - 00:00:46.233: "- Feel free to pause the video to read the question on your own pace."
+*   00:00:46.233 - 01:28:000: "I'm an electrical engineer who could use some help understanding lead acid batteries. I recently bought an old motorcycle and charged the battery on my trusty automotive style battery charger after it lost charge. After several hours, the water was boiling inside the battery. I'm fairly certain the battery is relatively new and the water level was correct the last time I checked. I didn't have my multimeter at the time so I didn't take any measurements, but the battery is 12V and charger was set to 10A. 1. Is it normal for the water to be boiling? 2. Is my charging current set too high? 3. Can permanent damage result from boiling? 4. Is this the reason they must be topped off with water from time to time? Thanks!"
+*   01:28:000 - 01:36:000: "3 SOLUTIONS FOUND"
+*   01:36:000 - 01:41:000: "SOLUTION 1/3"
+*   01:36:000 - 01:41:000: "- Pause the video to read at your own pace!"
+*   01:36:000 - 01:41:000: "- This solution helped at least 10 people."
+*   01:36:000 - 01:41:000: "- Feel free to skip a solution."
+*   01:41:000 - 02:22:000: "1. Yes it is normal for the water to boil if you are overcharging it, with a too high current. And it is bad. 2. Yes your charging current is set too high. Also check that the final float voltage from your auto charger is correct to the final charging voltage of your battery. From Yuasa batteries (pdf): yuasa techmanual For the correct charge rate a rule of thumb is to divide the battery's amp hour rating by 10. For example a 14 AH battery should be charged at 1.4 amps (14AH÷ 10 = 1.4 amps). See the section on "Choosing a Battery Charger" for more details. When charging amperage exceeds the level of the natural absorption rate, the battery may overheat, causing the electrolyte solution to bubble creating flammable hydrogen gas. Hydrogen gas, when combined with oxygen from the air, is highly explosive and can easily be ignited by a spark. 3. Yes. 4. You shouldn't boil them. But some evaporation will still occur. Even "sealed" batteries have a safety valve for venting if they are overcharged."
+*   02:22:000 - 02:28:000: "SOLUTION 2/3"
+*   02:22:000 - 02:28:000: "- Pause the video to read at your own pace!"
+*   02:22:000 - 02:28:000: "- This solution helped at least 4 people."
+*   02:22:000 - 02:28:000: "- Feel free to skip a solution."
+*   02:28:000 - 03:09:000: "The electrolyte has a diffusion rate - the rate at which an electrical field can transit through the electrolyte (determined by the state and concentration of the acid). If you force the power by applying a higher voltage (Pressure) the excess energy is taken up in the water molecule and splits it - H and O2 The is gassing but not boiling. As above, lower the charge voltage under 14.2 and do not exceed an amperage of 30% of the C.10 rate of the battery."
+*   03:09:000 - 03:14:000: "SOLUTION 3/3"
+*   03:09:000 - 03:14:000: "- Pause the video to read at your own pace!"
+*   03:09:000 - 03:14:000: "- Feel free to skip a solution."
+*   03:14:000 - 03:56:000: "U can begin charging on 'engine start'. BUT...only for about an hour. Then back down to 'normal' (your charger likely has these two settings). It is normal for bubbles to rise even during normal charge (which exceeds the charge rate of your alternator). Hydrometer tells the truth, if you have one. my issue: charging a battery that has been in car that hasn't been run since 2019. The battery may well be toast."
+*   03:56:000 - 04:00:000: "Please consider to"
+*   03:56:000 - 04:00:000: "SUBSCRIBE"
+
+Here is a list of all people in the video and what we know about them:
+
+*   **Peter Schneider:** He is the host of the "Peter Schneider Tech Questions" channel. He is a young man with a beard and short dark hair, wearing a brown jacket and a plaid scarf. He introduces the video as providing answers to questions and encourages viewers to leave constructive feedback to help "us," implying that he works on the channel with his family.
+
+Here is a summary of the video narrative:
+
+The video, titled "Peter Schneider Tech Questions," opens with an introduction by Peter Schneider, who encourages viewers to engage by leaving comments and constructive feedback on his content. The main part of the video focuses on a specific technical question from an electrical engineer regarding the behavior of lead-acid batteries during charging, particularly why the water might boil and the implications of this. The engineer's query details a scenario where an old motorcycle battery, fairly new itself, boiled after several hours of charging with a 12V battery and a 10A charger. The video then systematically addresses this concern by providing three detailed solutions presented on separate text screens. These solutions explain that boiling indicates overcharging, highlight the dangers of excessive current (such as the production of explosive hydrogen gas), suggest optimal charging rates based on battery capacity, clarify the difference between gassing and boiling, and offer advice on checking battery health with a hydrometer. The video concludes with a call to action for viewers to subscribe and a scenic shot of a mountain. The overall narrative is structured as a clear question-and-answer session aimed at providing practical and technical insights into lead-acid battery maintenance.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_EHFsT3-EW3g.txt b/raw/test/visual_info/output_EHFsT3-EW3g.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f01eb0270b4b6da1f3da740c2e41528cc40b5e22
--- /dev/null
+++ b/raw/test/visual_info/output_EHFsT3-EW3g.txt
@@ -0,0 +1,49 @@
+Here is a detailed analysis of the video as requested:
+
+## Visual Events with Timestamps
+
+*   00:00:00.000 - A young woman with long dark hair, wearing a black long-sleeve top with a silver zipper, sits in front of a bed with string lights on the headboard and a "CHANEL" framed picture on the wall. She is talking to the camera with her hands up.
+*   00:00:17.382 - The woman points to her right with both hands, indicating where to go next.
+*   00:00:18.000 - The screen transitions to a solid light pink background.
+*   00:00:19.417 - Faint white text appears on the pink background.
+*   00:00:20.917 - The text becomes clear, reading "Post Surgery Try-on Haul".
+*   00:00:25.083 - The video transitions back to the woman sitting on the bed, holding up a pair of blue ripped skinny jeans.
+*   00:00:32.083 - The woman holds the jeans up, showing the front with a visible zipper and button.
+*   00:00:33.208 - The woman flips the jeans to show the ripped knees and distressed bottom hems.
+*   00:00:43.000 - The woman holds up a black tube top.
+*   00:00:45.000 - The screen transitions to black.
+*   00:00:46.000 - The woman is now standing and modeling the blue ripped jeans with a black tube top and black ankle boots. She poses, showing the front, then turns to show her side profile, then her back.
+*   00:00:55.708 - The video transitions back to the woman sitting on the bed, holding up a long, light olive/nude colored dress. She describes its stretchy material.
+*   00:01:22.000 - The screen transitions to the woman standing and modeling the light olive/nude colored long dress with clear high heels. She poses, showing the front, then turns to show her side profile, then her back, adjusting the dress.
+*   00:01:32.417 - The video transitions back to the woman sitting on the bed, holding up a blue denim mini skirt with a silver chain accessory. She describes the skirt and its detachable chain.
+*   00:01:46.000 - The woman holds up a white tube top with visible buttons.
+*   00:01:50.417 - The video transitions to the woman standing and modeling the denim skirt with the white tube top and black high heels. She poses, showing the front, then turns to show her side profile, then her back, adjusting the skirt.
+*   00:02:02.917 - The video transitions back to the woman sitting on the bed, holding up a light olive/nude colored pencil skirt. She describes its stretchy material.
+*   00:02:14.333 - The woman holds up a black lace bodysuit/lingerie top. She shows the front and back of the bodysuit.
+*   00:02:26.541 - The video transitions to the woman standing and modeling the light olive/nude pencil skirt with the black lace bodysuit and black high heels. She poses, showing the front, then turns to show her side profile, then her back, adjusting her hair.
+*   00:02:36.500 - The video transitions back to the woman sitting on the bed, talking to the camera. She thanks viewers and discusses future video ideas.
+*   00:03:17.375 - The screen transitions to a solid light pink background with faint white text.
+*   00:03:19.000 - The text becomes clear, reading "Like & Subscribe".
+*   00:03:26.000 - The video ends.
+
+## On-Screen Text with Timestamps
+
+*   00:00:19.417 - 00:00:24.791: "Post Surgery Try-on Haul"
+*   00:03:17.375 - 00:03:26.000: "Like & Subscribe"
+
+## People in the Video
+
+The video features one person:
+*   **A young woman:** She introduces herself as a YouTuber doing a "try-on haul" of clothes from "Topshop." She mentions that the video will be helpful to see her "fully healed implants in different outfits" and "different materials," indicating she has had breast augmentation surgery. She also expresses interest in doing a "get to know me" video where viewers can ask questions about her plastic surgeries or personal life. She has long, dark hair, large hoop earrings, and long, pointed white fingernails.
+
+## Summary of the Video Narrative
+
+The video is a fashion "try-on haul" hosted by a young woman showcasing clothes she purchased from Topshop. She explicitly states that the video's purpose is to display how her "fully healed implants" look in various outfits made of different materials, catering to viewers interested in plastic surgery outcomes.
+
+She presents four different outfits:
+1.  **Outfit 1:** Blue ripped skinny jeans paired with a black tube top.
+2.  **Outfit 2:** A long, stretchy, light olive/nude colored dress, which she initially hesitated to buy due to her height (5 feet tall) but ended up liking.
+3.  **Outfit 3:** A blue denim mini skirt with a detachable silver chain, paired with a white tube top.
+4.  **Outfit 4:** A light olive/nude colored pencil skirt paired with a black lace bodysuit/lingerie top.
+
+For each outfit, she briefly describes the items and then models them for the camera, showing front, side, and back views. At the end of the video, she thanks her viewers and suggests a future "get to know me" video where she would answer questions about her plastic surgeries or personal life, inviting viewers to leave comments or DM her. The video concludes with a "Like & Subscribe" call to action.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_ERbp_DP02aM.txt b/raw/test/visual_info/output_ERbp_DP02aM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/test/visual_info/output_ESvHQnfMEYk.txt b/raw/test/visual_info/output_ESvHQnfMEYk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0bebfb2fd9d142fcb88ef680428a8f7ab740a269
--- /dev/null
+++ b/raw/test/visual_info/output_ESvHQnfMEYk.txt
@@ -0,0 +1,123 @@
+Here is a detailed breakdown of the video's contents:
+
+### Important Visual Events with Timestamps:
+
+*   00:00:00.000 - The video opens with a close-up, angled view of the back of a grey ergonomic office chair, with a black desk and a large curved monitor in the background showing a vibrant, colorful wallpaper.
+*   00:00:00.900 - A close-up shot focuses on two framed black and white prints of iconic chairs hanging on a white wall.
+*   00:00:01.800 - The camera zooms in on three colorful Funko Pop! Pokémon figures (Charmander, Bulbasaur, Squirtle) neatly arranged on a glass shelf, with a circular mirror behind them.
+*   00:00:03.000 - A wide shot of the entire workspace is displayed, revealing a black desk, the ergonomic chair, a large curved monitor, a black metal shelf unit on the left, and three framed chair prints on a floating shelf above the desk, accompanied by a small bonsai tree.
+*   00:00:05.700 - The monitor screen transitions from a wallpaper to showing video editing software (Adobe Premiere Pro) with visible timelines and preview windows.
+*   00:00:07.700 - A close-up of a silver Huawei laptop displaying a digital flip clock showing "12 07 PM".
+*   00:00:10.000 - The digital flip clock on the Huawei laptop screen flips from "12 07 PM" to "12 08 PM".
+*   00:00:14.000 - A slightly lower, wider angle of the black metal shelf unit is shown, detailing a potted plant, a Google Home Hub, and sunglasses on different shelves, along with the Pokémon figures on the top shelf.
+*   00:00:17.900 - A wide shot of the workspace reappears, similar to 00:00:03.000, with the monitor again displaying the colorful landscape wallpaper.
+*   00:00:20.900 - A person's hands are visible at the bottom of the frame, typing on a black keyboard. The curved monitor displays a split-screen view: the left side shows a "Content Calendar" spreadsheet, and the right side briefly shows a YouTube video thumbnail of an overhead shot of a laptop and coffee cup, which then plays a video showing hands working on a laptop.
+*   0:00:27.700 - A close-up shows a hand pouring hot water from a black kettle into a clear glass with a blue band, a tea bag steeping inside. The glass sits on the black desk next to a book.
+*   00:00:33.700 - A close-up of a black Logitech wireless keyboard is shown on the desk.
+*   00:00:39.900 - A close-up of a black laptop screen displaying the Windows lock screen with "12:13 Sunday, December 27" overlaying a landscape image of red rock formations. A calendar notification reads "follow up meeting Tomorrow all day".
+*   00:00:41.800 - A close-up shot of a black desk organizer tray with multiple compartments. A hand reaches into one compartment and picks up a small blue item.
+*   00:00:45.900 - The camera looks up from beneath the desk, revealing a somewhat messy bundle of cables and a power strip secured to the underside of the desk.
+*   00:00:49.000 - A close-up of a round black wireless charging pad on the desk. A hand places a smartphone onto it, which lights up to indicate charging.
+*   00:00:52.700 - The Huawei laptop reappears, again showing the digital flip clock with "12 07 PM".
+*   00:00:55.000 - The digital flip clock on the Huawei laptop screen flips from "12 07 PM" to "12 08 PM".
+*   00:00:59.800 - A wide shot of the desk is shown, similar to 00:00:17.900, with the monitor displaying the colorful wallpaper. A hand is seen moving the mouse on the desk.
+*   00:01:03.000 - The monitor now displays a full-screen video with white text "4K JOURNEYS AROUND THE WORLD #6" and "NEW YORK" superimposed over a city skyline.
+*   00:01:09.100 - A wide shot of the workspace, similar to 00:00:17.900, with the monitor showing the video editing software.
+*   00:01:16.800 - A close-up of the white IKEA Alex drawers next to the desk. The top drawer slides open, revealing various electronics and cables.
+*   00:01:21.800 - A close-up shows a thick book with a red spine and a tablet resting on top of it, positioned at the edge of the black desk.
+*   00:01:25.700 - A close-up of the white IKEA Alex drawers. The top drawer is open with a black tray organizer inside. The second drawer then opens, followed by the third drawer, each revealing different organized items. The drawers then close one by one from bottom to top.
+*   00:01:34.000 - A hand opens the top drawer of the white IKEA Alex unit, revealing neatly arranged cables, a laptop case, and a microfiber cloth. A small bottle of supplements (Blackmores Bilberry Eye Support Advanced) is also visible.
+*   00:01:39.900 - A close-up shot focuses on the Blackmores Bilberry Eye Support Advanced bottle inside the drawer.
+*   00:01:42.800 - A shot looking up from underneath the desk, displaying a cable router with cables and a power strip, emphasizing the hidden cable management.
+*   00:01:45.900 - A close-up of a black cable clip attached to the side of the desk, holding charging cables. A hand pulls a cable out of the clip.
+*   00:01:51.500 - A hand connects a USB-C cable, pulled from the clip, to an iPad, which then lights up to display its lock screen with "12:34 68% Charged".
+*   00:02:00.000 - A close-up of a small potted plant and a grey diffuser on a white tray, next to a book on the desk.
+*   00:02:07.400 - A close-up shot of a black USB-C dock with various ports and a small white light indicator. A hand plugs a cable into the dock.
+*   00:02:16.700 - A hand plugs a blue Samsung portable SSD into one of the USB-C ports on the dock.
+*   00:02:21.800 - A hand removes a silver laptop from a vertical stand positioned on the desk.
+*   00:02:29.200 - A close-up of the black Logitech wireless keyboard on the desk.
+*   00:02:33.400 - A close-up of a black Logitech wireless mouse on the desk.
+*   00:02:36.900 - A hand places black wireless earbuds in their charging case onto the round black wireless charging pad, which shows a red indicator light.
+*   00:02:40.900 - A close-up view of the back of the grey ergonomic chair, highlighting its patterned mesh design and lumbar support mechanism as the camera pans up and down.
+*   00:02:53.600 - A close-up of the black, padded armrest of the ergonomic chair.
+*   00:02:55.600 - A full shot of the ergonomic chair from behind, rotating slowly to show its various angles and the desk setup in the background.
+*   00:03:09.900 - A close-up of the black desk organizer tray from 00:00:41.800, now filled with items including a pen, an earbud case, a portable hard drive, a mouse, a wallet, and an air freshener spray.
+*   00:03:14.300 - The tray is briefly shown empty, then items are quickly placed back into it in a reverse-and-forward editing technique.
+*   00:03:23.700 - A close-up of two large black metal intertwined rings, which are decorative items on the desk. A plant is visible in the background on the shelf unit.
+*   00:03:28.000 - A close-up of the desk organizer tray and the metal rings. A clear glass of water on a gold coaster is visible to the right.
+*   00:03:34.000 - A shot looking up from underneath the desk, showing cables tied neatly along the wall. The camera pans down to reveal a grey Brother printer tucked away under the desk.
+*   00:03:41.800 - A close-up of a black foldable iPad stand being placed on the desk.
+*   00:03:47.300 - A hand places an iPad onto the stand, which lights up showing "6:48 December 26" on its lock screen.
+*   00:03:51.900 - A wide shot of the workspace, similar to previous full desk shots, with the monitor showing the video editing software.
+*   00:03:57.100 - A close-up of the small bonsai tree on the floating shelf above the desk.
+*   00:04:00.000 - A close-up of the black floating shelves with framed chair prints, panning slowly to the right to show all four prints.
+*   00:04:07.400 - A wide shot of the black metal shelf unit on the left side of the desk.
+*   00:04:12.700 - A close-up of the three Funko Pop! Pokémon figures on the glass shelf.
+*   00:04:16.800 - A close-up of the white Google Home Hub on the glass shelf, displaying a loading screen with colored dots.
+*   00:04:22.000 - A close-up of the base of a black armchair on a shaggy grey rug, with a black plant stand featuring a fern next to it.
+*   00:04:24.700 - The camera slowly pans up the black armchair, revealing a black and white striped pillow and a dark blue blanket draped over it.
+*   00:04:28.400 - A close-up of a black wall-mounted sconce lamp. The light is initially off.
+*   00:04:33.000 - The wall-mounted lamp turns on, casting a bright light downwards.
+*   00:04:41.000 - A final wide shot of the entire workspace is presented, showcasing the desk, chair, monitor, shelves, and lamp.
+*   00:04:49.700 - The Huawei laptop reappears for the final time, showing the digital flip clock.
+
+---
+
+### Text on Screen:
+
+*   00:00:07.700 - "12 07 PM" (on Huawei laptop screen)
+*   00:00:10.000 - "12 08 PM" (on Huawei laptop screen)
+*   00:00:12.600 - "HUAWEI" (on Huawei laptop frame)
+*   00:00:21.000 - "Content Calendar" (on Samsung monitor)
+*   00:00:34.900 - "Logitech" (on black keyboard)
+*   00:00:39.900 - "12:13 Sunday, December 27" (on laptop lock screen)
+*   00:00:40.400 - "follow up meeting Tomorrow all day" (on laptop lock screen)
+*   00:00:40.800 - "50" (number of unread emails icon, on laptop lock screen)
+*   00:00:52.700 - "12 07 PM" (on Huawei laptop screen)
+*   00:00:55.000 - "12 08 PM" (on Huawei laptop screen)
+*   00:00:58.000 - "HUAWEI" (on Huawei laptop frame)
+*   00:01:05.400 - "4K JOURNEYS AROUND THE WORLD #6" (on Samsung monitor, video title)
+*   00:01:06.000 - "NEW YORK" (on Samsung monitor, large text over video)
+*   00:01:40.200 - "BLACKMORES BILBERRY EYE SUPPORT ADVANCED" (on supplement bottle)
+*   00:01:41.200 - "Relieves eye strain" (on supplement bottle)
+*   00:01:41.200 - "High quality standardised extract sourced from Arctic wild-crafted bilberries" (on supplement bottle)
+*   00:01:41.200 - "30 TABLETS" (on supplement bottle)
+*   00:01:41.200 - "AUST L 122976" (on supplement bottle)
+*   00:01:57.000 - "12:34 68% Charged" (on iPad screen)
+*   00:02:08.500 - "logitech" (on USB-C dock)
+*   00:02:15.500 - "SAMSUNG" (on portable SSD)
+*   00:02:30.900 - "Logitech" (on keyboard)
+*   00:03:09.900 - "SENSORI+" (on spray bottle in desk organizer)
+*   00:03:10.500 - "SAMSUNG" (on portable SSD in desk organizer)
+*   00:03:11.000 - "Logi" (on mouse in desk organizer)
+*   00:03:37.000 - "brother" (on printer)
+*   00:03:38.200 - "HL-L2300D" (on printer model label)
+*   00:03:49.000 - "6:48 December 26" (on iPad screen)
+*   00:04:13.000 - "THE ART OF F*CK" (on a book spine on the shelf)
+*   00:04:13.500 - "THE CHALLENGE" (on a book spine on the shelf)
+*   00:04:17.000 - Google logo (on Google Home Hub screen)
+*   00:04:50.000 - "12 07 PM" (on Huawei laptop screen)
+*   00:04:52.000 - "12 08 PM" (on Huawei laptop screen)
+*   00:04:54.000 - "HUAWEI" (on Huawei laptop frame)
+
+---
+
+### People in the Video:
+
+*   **Reynard:** The narrator of the video introduces himself as Reynard. He is the owner of the workspace being showcased. We know he uses two laptops (one for a day job, one for personal/side hustle) and prioritizes an ergonomic setup due to previous back pain from a less suitable chair. He also has an interest in mid-century designer furniture.
+
+---
+
+### Summary of the Video Narrative:
+
+The video provides a comprehensive tour of a meticulously organized and ergonomically designed home office workspace, presented by its owner, Reynard. Reynard emphasizes that a well-designed workspace boosts productivity and creativity while reflecting personal style and streamlining workflow.
+
+He showcases his setup, starting with the core components: an IKEA Linnmon tabletop desk paired with Alex drawers for storage, and a large curved Samsung ultrawide monitor that serves as a single display for two laptops (one for work, one for personal projects) connected via a USB-C dock with power delivery. This allows for seamless switching between devices with minimal cable clutter, further managed by an under-desk cable router and cable clips.
+
+Reynard highlights his preference for wireless peripherals, including a Logitech keyboard and mouse, and a wireless charger for his phone and earbuds, all contributing to a clean aesthetic. He details how he organizes his drawers for frequently used items like cables and eye supplements.
+
+A significant investment in his setup is the Herman Miller Mirra 2 chair, chosen for its ergonomic features like adjustable lumbar support, arms, seat depth, and angle, emphasizing its importance for back health and comfort during long work hours.
+
+The tour also covers decorative and functional elements that enhance the space: a black metal shelving unit featuring Funko Pop! Pokémon figures, books, and a Google Home Hub for reminders and timekeeping. Floating shelves above the desk display black and white prints of iconic mid-century designer chairs and a small bonsai tree, adding a touch of modern aesthetic and natural contrast. An armchair with a striped pillow provides a designated area for relaxation and reading, while a wall-mounted Philips Hue sconce lamp offers adjustable lighting for different times of day.
+
+Reynard concludes by reiterating the benefits of his carefully curated workspace and invites viewers to engage with his content for more home and design inspiration.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_EgcirvdEgkI.txt b/raw/test/visual_info/output_EgcirvdEgkI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..032673275ce0144e821a29fb55cc4a667de6ccc0
--- /dev/null
+++ b/raw/test/visual_info/output_EgcirvdEgkI.txt
@@ -0,0 +1,58 @@
+Here's a breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000- A man in a blue t-shirt and dark pants walks towards a light green wooden pigeon loft in a sunny backyard. A white picket fence with colorful bunting is in the foreground.
+00:00:04.500- A black and brown dog briefly appears from the right, running into the frame and then out of it, behind the man.
+00:00:05.700- The man continues walking along a paved path towards the pigeon loft, which has an elevated section with caged compartments.
+00:00:13.000- A close-up shot shows the man reaching up to unlatch and lift a wooden panel on the pigeon loft's front, revealing pigeons inside.
+00:00:15.000- A wider shot shows the man opening the panel on the pigeon loft.
+00:00:18.000- The camera transitions to a close-up of the man's face, partially superimposed with a ghosted image of the previous scene, as he begins to speak.
+00:00:19.000- The man is speaking directly to the camera, standing in front of the pigeon loft where several grey pigeons are visible in their compartments.
+00:00:53.000- The man walks back to the pigeon loft, bending down slightly and reaching to open another section of the loft.
+00:00:54.000- A close-up of the man's hands opening a lower wooden panel on the loft, revealing a mesh window.
+00:00:55.000- Inside the dark pigeon loft, the man's face briefly appears through a mesh window, he smiles and waves, then steps away as he opens a release door.
+00:00:59.000- A group of grey pigeons is seen inside the loft. One pigeon, lighter in color, flies out of the loft opening.
+00:01:03.000- Another grey pigeon flies out of the loft, followed quickly by a third, into the bright outdoors.
+00:01:04.000- A high-angle shot shows several pigeons flying high in a clear blue sky, above rooftops and green trees.
+00:01:09.000- An interior shot of the wooden pigeon loft shows several pigeons on the wooden floor and perched on wooden ledges. The floor is covered with scattered droppings and feathers.
+00:01:13.000- A close-up, low-angle shot focuses on various pigeon droppings on the wooden floor, some appearing solid and dark, others lighter.
+00:01:19.000- The camera pans up a wooden wall inside the loft, showing empty wooden perches with some droppings on them.
+00:01:31.000- The man stands inside the wooden pigeon loft, facing the camera and speaking. Bright light streams in from windows.
+00:01:33.000- The camera focuses on more pigeon droppings on a slanted wooden perch inside the loft.
+00:01:37.000- The man is again facing the camera, speaking, inside the loft, with pigeons moving in the background.
+00:02:04.000- The man's hand enters the frame and points towards a black and white fancy pigeon with feathered feet, perched on a lower level inside the loft with other pigeons.
+00:02:14.000- A wide shot of a flock of pigeons flying high in a clear blue sky, with the tops of green trees visible in the lower left.
+00:02:26.000- The man is back inside the loft, speaking to the camera, with the wooden interior and pigeons in the background.
+00:02:34.000- A wide outdoor shot of the backyard, showing the side of the pigeon loft, several bags of building materials, and a pile of bricks and concrete debris on the ground. A single grey pigeon is walking near the base of the loft.
+00:02:37.000- A close-up shot of the single grey pigeon walking slowly among the scattered bricks and debris next to the loft's wooden base.
+00:02:40.000- The pigeon walks towards a small, dark opening under the loft and disappears inside.
+00:02:50.000- The man is seen from a low angle, looking directly at the camera, with a bright blue sky, white clouds, and green trees forming the background. He speaks about the pigeon.
+00:03:15.000- A close-up shot of a grey pigeon with black wing bars walking on lush green grass, occasionally pecking at the ground.
+00:03:28.000- A wide shot of the sky, featuring fluffy white clouds against a bright blue background. The wooden pigeon loft is visible on the left, and a red brick house with white windows is on the right.
+00:03:33.000- A flock of grey pigeons flies across the blue sky, appearing from the right and moving towards the left.
+00:03:38.000- The man's arm enters the frame, pointing towards the roof of the pigeon loft, where two fancy pigeons are perched.
+00:03:44.000- The flock of pigeons continues to fly high across the sky, with trees and the red brick house visible below.
+00:03:52.000- Two individual pigeons are seen flying high in the blue sky.
+00:03:57.000- The man's arm enters the frame, pointing upwards at the sky, presumably at one of the flying pigeons.
+00:04:13.000- Two pigeons are flying high in the blue sky, their wing beats audible.
+00:04:25.000- The two pigeons continue to fly high in the blue sky.
+00:04:38.000- An interior shot of the wooden pigeon loft shows many grey pigeons walking and fluttering around on the wooden floor. Some have colored leg bands. A small feeding bowl is on the floor.
+00:04:46.000- A close-up, low-angle shot of numerous pigeons walking on the wooden floor of the loft, some looking directly at the camera.
+00:05:01.000- More close-up views of pigeons walking and interacting on the loft floor, some moving towards the camera.
+
+**Text on Screen:**
+
+*   **00:02:34.000 - 00:02:41.000**: Text visible on bags of building supplies near the loft: "KEYBUILDING SUPPLIES", "TEL: 01623 861735", "MULTI PURPOSE", "BUILDER'S SAND", "BUILDTITE".
+*   **00:04:38.000 - 00:05:19.000**: Text visible on a cardboard box near the loft entrance: "9 x 1200mm" and "CE".
+
+**People in the Video:**
+
+*   **One man**: He is the primary subject of the video and appears to be the owner/caretaker of the pigeons.
+    *   **What we know**: He wears a blue t-shirt and dark pants. He states that "Charlie" is his mentor for pigeon care. He has been treating his pigeons with antibiotics for five days due to illness, particularly noting one pigeon named Rufus with watery green droppings. He monitors their health by examining their droppings and observing their behavior, such as eating, drinking, and flying. He expresses concern about Rufus not flying.
+
+**Summary of the Video Narrative:**
+
+The video follows a pigeon owner as he concludes a five-day antibiotic treatment for his pigeons and prepares to release them for flight. He begins by opening sections of his custom-built pigeon loft. Addressing the camera, he discusses the conflicting advice he received regarding antibiotic use but ultimately chose to follow his mentor, Charlie's, guidance. He expresses optimism about the pigeons' recovery, noting that they haven't lost any birds and their droppings appear healthier.
+
+He then releases a flock of pigeons, and they joyfully take to the clear blue sky. Inside the loft, he inspects the droppings more closely, confirming they are solid and indicating no signs of watery or green discharge. He points out that none of the birds appear ill or hunched. However, a significant concern arises when he observes "Rufus," a specific fancy pigeon that was severely ill. Despite five days of antibiotics and improved droppings, Rufus is still not flying with the main flock and hides under the loft, appearing unhappy. The owner expresses uncertainty about the best course of action for Rufus, while the rest of the flock continues to fly energetically. The video concludes with general shots of the healthy pigeons inside the loft, emphasizing the owner's continued dedication to their well-being.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_EpMbbvpNYnU.txt b/raw/test/visual_info/output_EpMbbvpNYnU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2b3dabf9d9970f2cca436c76df7e542184248e31
--- /dev/null
+++ b/raw/test/visual_info/output_EpMbbvpNYnU.txt
@@ -0,0 +1,140 @@
+Here is the breakdown of the video content as requested:
+
+### Important Visual Events with Timestamps:
+00:00:00.000 - The video opens with a title card "married life a february diary" overlaid on a scenic shot of a couple hugging in a dense bamboo forest.
+00:00:02.046 - The title card "married life a february diary" transitions to overlay a scene of three people laughing and interacting around a coffee table in a modern living room.
+00:00:03.963 - The title card "married life a february diary" shifts to overlay a man smiling and waving towards the camera while pushing a shopping cart in a grocery store aisle filled with refrigerated food displays.
+00:00:05.746 - The title card "married life a february diary" then overlays a close-up, top-down view of various prepared Korean dishes arranged on a wooden table.
+00:00:07.496 - The title card "married life a february diary" appears over a shot of a couple walking together on a paved path next to a large building with flower beds in the foreground.
+00:00:09.363 - The title card "married life a february diary" is shown over a close-up of hands mixing paints on a palette, surrounded by various art supplies on a wooden surface.
+00:00:11.129 - The title card "married life a february diary" is displayed over a black and white overhead shot of a table set with candles and plates, featuring a pie with a lattice crust.
+00:00:12.629 - A green screen appears with Korean text "세라 + 태훈".
+00:00:13.913 - A woman with dark, shoulder-length hair, wearing a black leather jacket and black pants with red socks, is seated on a brown couch, holding a tiger-patterned pillow and smiling at the camera as she begins to speak.
+00:01:07.746 - The woman is seen packing small bottles of paint into a beige and blue canvas tote bag embroidered with the name "Yun" on the floor beside a lamp and a shelf.
+00:01:17.913 - The woman and a man are walking casually side-by-side on a paved walkway in front of a large, light-colored stone building with bare trees and shrubbery.
+00:01:20.046 - A wide shot captures a lake with a cityscape of tall buildings in the background. The text "piedmont park" is overlaid on the scene.
+00:01:23.080 - The woman and man are seated on a wooden dock by the edge of a lake, with art supplies visible beside them. The text "piedmont park" is overlaid.
+00:01:25.863 - A close-up shows the man sitting on the dock, sketching in a notebook, with art supplies neatly arranged beside him.
+00:01:28.163 - A close-up shows the woman, wearing a striped shirt, sitting and sketching in a notebook with a pencil.
+00:01:29.580 - A pair of hands is shown mixing pink paint on a small white palette.
+00:01:31.080 - The man's hands are seen painting a portrait in a sketchbook near the water's edge.
+00:01:32.963 - A group of ducks with black and white plumage are seen walking on the dry, leaf-covered ground. The text "we had some visitors" is overlaid.
+00:01:35.296 - The woman is shown intently drawing in her sketchbook while seated outdoors.
+00:01:38.129 - A completed portrait drawing on a yellow background is displayed on the wooden ground, surrounded by paint tubes and brushes.
+00:01:39.863 - The man holds up his colorful portrait drawing, showcasing it against the backdrop of the lake.
+00:01:42.063 - The man brings two drinks to the table where the woman is already seated, reading a book. The text "escaping the cold for a study break" is overlaid.
+00:01:44.279 - A close-up shot focuses on hands typing on a laptop keyboard. The text "escaping the cold for a study break" is overlaid.
+00:01:46.396 - A person's hands are seen flipping through the pages of a large book.
+00:01:52.096 - In a black and white shot, a hand places a pair of high-top sneakers on a wooden shoe rack, with other sneakers visible below. The text "home for our valentine's dinner" is overlaid.
+00:01:54.013 - A beautifully decorated dining table is shown, adorned with lit candles in heart-shaped holders, a vase of dried flowers, floral-patterned plates, and elegant glassware.
+00:01:57.196 - A close-up on a place setting reveals a menu card tied with a white bow, listing "ricotta cheese salad, filet mignon + mushroom marsala sauce, apple pie."
+00:01:59.046 - A woman in a black long-sleeved top places a bowl of salad and a pie onto the candle-lit dining table.
+00:02:04.246 - The woman places a plate with a cooked steak (filet mignon) onto the dining table.
+00:02:07.030 - In a black and white shot, the woman, wearing a bow in her hair, approaches the dining table where the man is seated, carrying a bowl. The text "taehoon gifted me this bow for the occasion <3" is overlaid.
+00:02:10.030 - A black and white overhead shot shows a knife slicing into the pie on the table.
+00:02:15.546 - A close-up, black and white shot captures a hand cutting into the pie, revealing the fruit filling.
+00:02:19.046 - The living room is shown with a coffee table laden with gifts wrapped in brown paper, a vase of roses, and a stuffed whale. The text "we exchanged gifts" is overlaid.
+00:02:21.030 - A close-up of the wrapped gifts, each decorated with a hand-drawn bow design. The text "we exchanged gifts" is overlaid.
+00:02:22.913 - The woman and man are seated on a brown couch, smiling as they open their wrapped gifts. The text "we exchanged gifts" is overlaid.
+00:02:30.913 - The woman hands a small gift to the man, and they share a brief kiss.
+00:02:35.030 - The man holds up a book he just received as a gift, smiling.
+00:02:39.996 - The woman is sitting on the couch, addressing the camera directly, with black and white photos arranged on the wall behind her.
+00:02:49.080 - The woman holds up two books: an English version titled "HUMAN ACTS" and a Korean version.
+00:03:07.829 - A side-by-side close-up shows the covers of both the English ("HUMAN ACTS") and Korean versions of the book.
+00:03:10.829 - A close-up displays the pages of the Korean book with visible text.
+00:03:13.913 - A quick blur effect as book pages are flipped, then a close-up on more Korean text.
+00:03:15.263 - The woman is seen smiling and talking to the camera.
+00:03:21.680 - A hand holds up a small white box with Korean characters "오티" written in black.
+00:03:28.846 - Personalized playing cards, each featuring a different photo, are spread out on a textured rug.
+00:03:31.063 - A closer view of the playing cards, showing various photos of the couple and other scenes, including landmarks and activities.
+00:03:43.080 - In a black and white self-shot, the man smiles at the camera while walking through a forest with the woman beside him. The text "good morning" is overlaid.
+00:03:46.496 - The man continues to speak in Korean, with English subtitles appearing: "we are hiking now".
+00:03:50.046 - More English subtitles appear as the man speaks: "I found a bamboo forest, so we brought lunch and are going to check it out now".
+00:03:57.063 - English subtitles appear: "let's go".
+00:03:58.263 - The couple walks towards a large, textured rock face in a dry, forested area.
+00:04:07.729 - The couple walks to a riverbank and sits on a large fallen tree trunk. The text "lunch break!!" is overlaid.
+00:04:12.729 - The couple is seated on the log, eating from containers. The text "taehoon packed egg toast" is overlaid.
+00:04:15.729 - The couple continues eating their meal by the river. The text "so good :)" is overlaid.
+00:04:17.913 - The man stands on a rock near the river, turning and extending his arms outward.
+00:04:22.063 - The couple walks across some rocks in the shallow part of the river.
+00:04:27.763 - A view of tall, green bamboo stalks. The text "chattahoochee bamboo forest" is overlaid.
+00:04:31.429 - A shot through the bamboo stalks reveals the flowing river in the background. The text "chattahoochee bamboo forest" is overlaid.
+00:04:33.263 - A person in a plaid shirt is seen walking amidst the dense bamboo forest. The text "chattahoochee bamboo forest" is overlaid.
+00:04:35.396 - The man stands among the bamboo, looking around.
+00:04:39.129 - The couple walks deeper into the bamboo forest.
+00:04:43.146 - The couple embraces each other in the middle of the bamboo forest.
+00:04:44.296 - The man smiles broadly at the camera while standing among the bamboo.
+00:04:45.396 - A worm's-eye view looks up through the bamboo canopy to the sky.
+00:04:47.346 - The man pushes an empty shopping cart through a grocery store aisle, walking past large refrigerated displays. The text "let's go shopping for our lunar new year dinner" is overlaid.
+00:04:50.563 - The man and woman take a close-up selfie in the grocery store. The text "let's go shopping for our lunar new year dinner" is overlaid.
+00:04:53.396 - A point-of-view shot from inside a shopping cart shows various Korean food items being placed into it.
+00:04:59.763 - An overhead shot shows the shopping cart full of Korean groceries, including packages of ramen, rice cakes, and prepared dishes.
+00:05:03.046 - Two women and a man are in a kitchen. The women are preparing food, and the man is in the background. The text "our friend joowon joined to celebrate the new year" is overlaid.
+00:05:08.763 - A close-up shows Joowon cutting vegetables on a cutting board.
+00:05:11.413 - A close-up shows Sera slicing what appears to be crab stick onto a plate.
+00:05:13.979 - A dining table is set with multiple Korean dishes. A hand places a small white bowl of red pickled side dish on the table. The text "let's eat" and "잘 먹겠습니다" (jal meokgesseumnida) are overlaid.
+00:05:16.829 - More small bowls of side dishes are added to the table.
+00:05:18.913 - A pan filled with cooked bulgogi is placed on the table.
+00:05:20.913 - The three friends are seen sitting around the dining table, enjoying their meal and conversing.
+00:05:28.096 - A close-up of a bowl of tteokguk (rice cake soup). The text "떡국" and "tteokguk" are overlaid.
+00:05:29.979 - A close-up of a plate of japchae (stir-fried glass noodles). The text "잡채" and "japchae" are overlaid.
+00:05:31.796 - A close-up of a plate of jeon (savory pancakes). The text "전" and "jeon" are overlaid.
+00:05:32.896 - A close-up of a pan of bulgogi (marinated grilled beef). The text "불고기" and "bulgogi" are overlaid.
+00:05:33.729 - The three friends are eating and talking at the dining table.
+00:05:36.463 - The woman (Sera) opens a wooden cabinet in a bookshelf unit and pulls out a board game box. The text "time for game night" is overlaid.
+00:05:41.813 - The three friends are gathered around the coffee table, setting up a Rummikub-like game.
+00:05:46.063 - An overhead shot shows hands arranging tiles on the coffee table during the game.
+00:05:49.046 - The three friends are playing the game, laughing and smiling.
+00:05:51.346 - In a black and white shot, a small pot filled with cooked silkworm pupae is shown. The text "snacking on 번데기" and "silkworm pupae" are overlaid.
+00:05:54.413 - The man and woman are at the coffee table, looking into the pot of silkworm pupae. Their friend Joowon leans in to join them.
+00:05:58.113 - The woman and Joowon react with expressions of disgust to the silkworm pupae, while the man appears amused.
+00:06:03.979 - The woman and Joowon continue their disgusted reactions to the silkworm pupae. The text "the silkworm was not a fan favorite" is overlaid.
+00:06:05.113 - The friends are seen playing cards around the coffee table, smiling.
+00:06:07.979 - The friends are still playing cards, laughing and enjoying themselves.
+00:06:14.313 - A black screen appears with white text: "thank you for being here with us".
+00:06:16.296 - The black screen continues with white text: "hope to see you again soon".
+
+### Text on Screen:
+*   **00:00:00.000 - 00:00:12.629**: "married life" (white text, large, centered), "a february diary" (white text, smaller, below "married life"). This text appears over multiple scenes.
+*   **00:00:12.629 - 00:00:13.913**: "세라 + 태훈" (Sera + Taehoon in Korean).
+*   **00:01:20.046 - 00:01:25.863**: "piedmont park" (white text, centered).
+*   **00:01:32.963 - 00:01:35.296**: "we had some visitors" (white text, bottom center).
+*   **00:01:42.063 - 00:01:52.096**: "escaping the cold for a study break" (white text, bottom center).
+*   **00:01:52.096 - 00:01:54.013**: "home for our valentine's dinner" (white text, bottom center).
+*   **00:01:57.196 - 00:01:59.046**: "T + S menu ricotta cheese salad filet mignon + mushroom marsala sauce apple pie" (handwritten text on a menu card).
+*   **00:02:07.030 - 00:02:19.046**: "taehoon gifted me this bow for the occasion <3" (white text, bottom center).
+*   **00:02:19.046 - 00:02:39.996**: "we exchanged gifts" (white text, bottom center).
+*   **00:02:49.080 - 00:03:07.829**: "HUMAN ACTS" (on book cover).
+*   **00:02:49.080 - 00:03:15.263**: "소년이 온다" (Sonyeoni Onda - The Boy is Coming in Korean on book cover).
+*   **00:03:21.680 - 00:03:25.263**: "오티" (Oti in Korean on a white box).
+*   **00:03:43.080 - 00:03:46.496**: "good morning" (white text, top center).
+*   **00:03:46.496 - 00:03:50.046**: "we are hiking now" (white text, bottom center, English subtitle).
+*   **00:03:50.046 - 00:03:57.063**: "I found a bamboo forest, so we brought lunch and are going to check it out now" (white text, bottom center, English subtitle).
+*   **00:03:57.063 - 00:03:58.263**: "let's go" (white text, bottom center, English subtitle).
+*   **00:04:07.729 - 00:04:12.729**: "lunch break!!" (white text, bottom center).
+*   **00:04:12.729 - 00:04:15.729**: "taehoon packed egg toast" (white text, bottom center).
+*   **00:04:15.729 - 00:04:17.913**: "so good :)" (white text, bottom center).
+*   **00:04:27.763 - 00:04:39.129**: "chattahoochee bamboo forest" (white text, centered).
+*   **00:04:47.346 - 00:04:53.396**: "let's go shopping for our lunar new year dinner" (white text, bottom center).
+*   **00:05:03.046 - 00:05:08.763**: "our friend joowon joined to celebrate the new year" (white text, bottom center).
+*   **00:05:13.979 - 00:05:20.913**: "let's eat" (white text, centered).
+*   **00:05:13.979 - 00:05:20.913**: "잘 먹겠습니다" (jal meokgesseumnida - "I will eat well," in Korean, below "let's eat").
+*   **00:05:28.096 - 00:05:29.979**: "떡국" (tteokguk in Korean, centered), "tteokguk" (English transliteration, below Korean).
+*   **00:05:29.979 - 00:05:31.796**: "잡채" (japchae in Korean, centered), "japchae" (English transliteration, below Korean).
+*   **00:05:31.796 - 00:05:32.896**: "전" (jeon in Korean, centered), "jeon" (English transliteration, below Korean).
+*   **00:05:32.896 - 00:05:33.729**: "불고기" (bulgogi in Korean, centered), "bulgogi" (English transliteration, below Korean).
+*   **00:05:36.463 - 00:05:41.813**: "time for game night" (white text, bottom center).
+*   **00:05:51.346 - 00:05:55.563**: "snacking on 번데기" (snacking on beondegi in Korean, centered), "silkworm pupae" (English translation, below Korean).
+*   **00:06:03.979 - 00:06:05.113**: "the silkworm was not a fan favorite" (white text, bottom center).
+*   **00:06:14.313 - 00:06:16.296**: "thank you for being here with us" (white text, centered).
+*   **00:06:16.296 - 00:06:17.313**: "hope to see you again soon" (white text, centered, below previous text).
+
+### People in the Video:
+*   **Sera:** She is a young woman with dark, shoulder-length hair. She is one of the main subjects of the video and the one speaking to the camera for introductions and explanations. She is in a relationship with Taehoon and is shown engaging in romantic activities with him, like painting portraits of each other, preparing for a romantic dinner, and exchanging gifts. She is also shown participating in New Year celebrations and game night with a friend. She wears glasses at some points.
+*   **Taehoon:** He is a young man with dark hair, Sera's partner. He is featured prominently in shared activities with Sera, including their Valentine's Day celebrations (painting, dining, gift exchange), hiking, and Lunar New Year celebrations with a friend. He also speaks Korean in the video, providing brief commentary during the hike. He is described as a good cook (making egg toast and Korean dinner).
+*   **Joowon:** She is a female friend who joins Sera and Taehoon for their Lunar New Year dinner and game night. She is shown helping prepare the food and participating in the game. She visibly dislikes the silkworm pupae snack.
+
+### Summary of the Video Narrative:
+The video, titled "Married Life: A February Diary," offers a charming glimpse into the everyday life and special moments of a young couple, Sera and Taehoon, during the month of February. It begins by chronicling their Valentine's Day celebration, which they decide to enjoy on a Saturday due to work and a concert during the week. Their day includes a trip to Piedmont Park where they attempt to paint portraits of each other, followed by a romantic candlelit dinner at their apartment cooked by Taehoon and a pie baked by Sera. They exchange thoughtful gifts, including a book about Korean history and personalized playing cards featuring photos of them.
+
+The narrative then transitions to their Lunar New Year celebrations. They go shopping for ingredients at a Korean grocery store and are joined by their friend, Joowon, to prepare a traditional Korean dinner. The video concludes with the three friends enjoying their home-cooked meal and then engaging in a lively game night, where they even try a unique Korean snack, silkworm pupae, to humorous reactions. Throughout the video, the couple's affection, shared interests in art and reading, and their warm interactions with friends are highlighted, presenting a sweet and intimate portrayal of their "married life."
\ No newline at end of file
diff --git a/raw/test/visual_info/output_EpQAa9YMphs.txt b/raw/test/visual_info/output_EpQAa9YMphs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..68dc681baf15d1e7c12fdf3b3f5d35d9c7b8f5f0
--- /dev/null
+++ b/raw/test/visual_info/output_EpQAa9YMphs.txt
@@ -0,0 +1,120 @@
+Here is a detailed list of visual events from the video, along with on-screen text, information about people, and a summary of the narrative.
+
+**Important Visual Events:**
+
+00:00:00.000- A bowl containing four raw sweet potatoes is displayed on a wooden surface.
+00:01:400- A person's hands reach into the bowl and pick up one sweet potato.
+00:02:160- The person begins peeling a sweet potato with a black handheld peeler over a wooden cutting board.
+00:03:770- Close-up shot showing the peeling process, with thin orange sweet potato skins accumulating on the cutting board.
+00:07:950- The peeled sweet potato is sliced into thick, round discs on the wooden board using a large chef's knife.
+00:13:000- The camera angle shifts to show the entire sweet potato being sliced into uniform discs, which are neatly lined up on the cutting board.
+00:17:690- A green plastic kitchen scraper is used to push the sliced sweet potatoes off the wooden cutting board.
+00:19:100- The sweet potato slices are carefully transferred by hand from the cutting board into a large clear glass pot with handles.
+00:20:790- More sweet potato slices are scraped into the glass pot using the green scraper.
+00:22:980- Water is poured from a clear glass pitcher into the pot, covering the sweet potato slices.
+00:29:050- A hand sprinkles a pinch of salt over the sweet potato slices submerged in water.
+00:33:140- A clear glass lid with a round handle is placed on top of the pot.
+00:35:050- The pot is lifted and carried off-screen.
+00:38:290- The clear glass pot with sweet potatoes and water is shown simmering on a black gas stovetop, with small bubbles rising.
+00:41:960- A dark purple eggplant rests on a small, irregularly shaped wooden cutting board.
+00:43:080- A hand picks up the eggplant and slides it off the small board.
+00:44:110- The person begins slicing the eggplant lengthwise into thick, flat pieces on a larger wooden cutting board.
+00:46:170- The eggplant is further sliced lengthwise, creating several flat, oval-shaped pieces.
+00:51:750- Hands begin slicing the eggplant pieces into strips.
+00:57:040- The eggplant strips are then diced into small, uniform cubes on the wooden cutting board.
+01:01:080- The diced eggplant cubes are pushed from the cutting board into a white rectangular baking dish with green leaf borders and purple floral designs.
+01:05:070- Olive oil is poured from a blue ceramic jug over the diced eggplant in the baking dish.
+01:09:120- A hand grinds black pepper over the eggplant cubes.
+01:13:950- A hand sprinkles salt over the seasoned eggplant cubes.
+01:17:680- A wooden spoon is used to toss and mix the eggplant cubes with the oil, salt, and pepper in the baking dish.
+01:25:280- The mixed eggplant sits ready in the baking dish.
+01:29:070- A small green bowl with green and white patterns is filled with finely chopped red and white onion.
+01:30:170- A hand picks up the small bowl of chopped onion.
+01:31:020- The chopped onion is poured from the bowl into a white pan containing oil on a black stovetop.
+01:33:780- A hand sprinkles a pinch of salt over the chopped onions in the pan.
+01:36:040- A wooden spoon is used to stir and sauté the onions in the pan until they become translucent.
+01:42:040- The sautéed onions are shown, appearing soft and lightly browned in the pan.
+01:46:000- A small white bowl with blue trim holds a spoonful of red tomato paste.
+01:47:040- A hand picks up the small bowl of tomato paste.
+01:48:070- The tomato paste is added to the sautéed onions in the pan.
+01:49:950- A wooden spoon is used to mix the tomato paste thoroughly with the onions in the pan.
+01:58:650- The tomato paste is fully incorporated into the onions, giving them a reddish hue.
+01:59:050- A small white measuring cup with colorful polka dots contains pre-rinsed quinoa.
+02:00:270- A hand picks up the measuring cup of quinoa.
+02:01:350- The quinoa is poured from the measuring cup into the pan with the sautéed onions and tomato paste.
+02:05:080- A small white measuring cup with floral patterns contains a golden-brown vegetable stock.
+02:06:170- A hand picks up the measuring cup of vegetable stock.
+02:07:050- The vegetable stock is poured into the pan with the quinoa, onions, and tomato paste.
+02:11:050- A wooden spoon is used to stir all the ingredients in the pan, mixing the quinoa into the liquid.
+02:17:150- A clear glass lid is placed on the pan.
+02:20:470- A close-up shot of a striped domestic cat with bright green eyes, relaxing on a yellow textured cushion.
+02:26:150- The cooked sweet potato slices are poured from the clear glass pot into a white decorative bowl with fruit and leaf designs.
+02:28:160- A green potato masher is used to begin mashing the soft, orange sweet potato slices in the bowl.
+02:32:000- The sweet potatoes are mostly mashed, forming a textured orange paste.
+02:37:600- The mashed sweet potatoes are completely smooth and ready for the next step.
+02:39:030- A hand, wearing a blue and white floral patterned oven mitt, lifts the clear glass lid from the pan on the stovetop.
+02:40:990- The cooked quinoa and onion mixture is revealed in the pan, appearing fluffy and vibrant orange.
+02:43:240- The roasted eggplant cubes are poured from a white floral plate into the pan with the quinoa mixture.
+02:48:060- Finely chopped fresh parsley is pushed from a wooden cutting board using a green scraper into the pan.
+02:51:710- A wooden spoon is used to gently fold and mix the chopped parsley and roasted eggplant into the cooked quinoa mixture.
+03:01:970- The quinoa filling, now a harmonious mix of quinoa, eggplant, and parsley, is ready.
+03:02:270- A blue and white patterned bowl contains white potato starch.
+03:03:360- A hand picks up the bowl of potato starch.
+03:04:470- The potato starch is poured over the mashed sweet potatoes in the white decorative bowl.
+03:07:000- A blue and white patterned bowl contains red Korean chili flakes.
+03:08:060- A small yellow and white patterned spoon scoops up a portion of the chili flakes.
+03:10:060- The Korean chili flakes are added to the mashed sweet potatoes and potato starch.
+03:12:870- A hand carefully picks off green leaves from a sprig of fresh thyme and sprinkles them onto the sweet potato mixture.
+03:17:090- A yellow rubber spatula is used to thoroughly mix the potato starch, chili flakes, and thyme into the mashed sweet potatoes until uniform.
+03:22:060- The sweet potato mixture is completely mixed and has a consistent orange color.
+03:28:770- A hand uses the yellow spatula to transfer the mixed sweet potato mixture into a translucent silicone piping bag.
+03:39:920- A metal baking sheet lined with parchment paper is shown. A hand uses a spray bottle to coat the parchment paper with oil.
+03:43:080- The piping bag is used to pipe a large, intricate circular swirl of sweet potato mixture onto the parchment paper, forming a nest shape.
+03:52:840- A second, smaller sweet potato nest is piped next to the first one.
+04:01:830- Two more sweet potato nests are piped onto the baking sheet, completing a total of four.
+04:09:050- A silver spoon with a wooden handle scoops the prepared quinoa and eggplant filling into the hollow center of each sweet potato nest.
+04:24:200- A small green bowl with dots contains grated dairy-free cheese.
+04:25:290- A hand sprinkles the dairy-free cheese generously over the quinoa filling in each sweet potato nest.
+04:30:260- All four sweet potato nests are now topped with the grated cheese.
+04:39:700- The baking sheet with the prepared sweet potato nests is lifted and moved off-screen.
+04:44:020- A person's hands, covered by a blue and white floral patterned cloth, re-enter the frame, holding the baking sheet, revealing the four perfectly baked and golden-brown sweet potato nests.
+04:47:050- A grey slotted spatula slides under one of the baked sweet potato nests, lifting it from the baking sheet.
+04:51:750- The lifted sweet potato nest is gently placed onto a white plate with colorful polka dots.
+04:55:650- A fork cuts into the side of one of the sweet potato nests, revealing the quinoa and eggplant filling inside.
+05:01:000- The video transitions to a green background with white circular shapes and the text "Thanks For Watching" and "SUBSCRIBE".
+
+**Text on Screen:**
+*   00:00:00.000-00:01:770: 35oz | 1kg | 4 medium sweet potatoes
+*   00:23:430-00:28:790: water
+*   00:29:320-00:32:000: salt to taste
+*   00:36:280-00:38:160: Simmer until tender
+*   00:41:880-00:43:100: 1 eggplant
+*   01:05:440-01:08:420: olive oil (optional for oil-free recipe)
+*   01:09:470-01:13:540: black pepper
+*   01:14:140-01:16:850: season with salt
+*   01:26:380-01:28:900: Roast in the preheated oven 450F | 220C 20 minutes
+*   01:29:160-01:30:460: 1 chopped onion
+*   01:33:840-01:35:500: pinch of salt
+*   01:46:390-01:47:890: 1tbsp tomato paste
+*   01:59:150-02:04:780: 80g | 1/3 cup pre-rinsed quinoa
+*   02:05:470-02:10:460: 160ml | 2/3 cup vegetable stock
+*   02:18:270-02:20:120: Simmer for 15 minutes
+*   02:43:030-02:47:640: roasted eggplant
+*   02:48:210-02:50:580: chopped parsley
+*   03:02:400-03:04:090: 4tbsp potato starch
+*   03:07:070-03:09:880: 1tsp Korean chilli flakes
+*   03:13:000-03:16:040: 1/2tsp thyme
+*   03:29:050-03:38:000: use piping bag
+*   03:39:990-03:42:520: spray or drizzle with oil
+*   03:43:200-03:52:000: Diameter 3inch | 8cm
+*   04:09:070-04:23:080: quinoa filling
+*   04:24:280-04:25:750: dairy-free cheese
+*   04:40:020-04:42:590: Roast in the preheated oven 360F | 180C 15 minutes
+*   05:01:460-05:05:900: Thanks For Watching
+*   05:01:460-05:05:900: SUBSCRIBE
+
+**People in the Video:**
+The video features one person, whose hands are consistently visible performing all the cooking actions. The person appears to be an adult, likely female, indicated by the hands and the floral pattern of the garment (possibly an apron or dress) worn during certain steps. No other personal information is provided or discernible.
+
+**Summary of the Video Narrative:**
+The video demonstrates a recipe for sweet potato nests filled with a quinoa and roasted eggplant mixture. The process begins with preparing the sweet potatoes by peeling, slicing, and boiling them until tender, then mashing them with potato starch, Korean chili flakes, and thyme. Concurrently, an eggplant is diced, seasoned with olive oil, salt, and black pepper, and roasted in a preheated oven. For the filling, chopped onions are sautéed with tomato paste, followed by the addition of pre-rinsed quinoa and vegetable stock, which is then simmered until cooked. Once the quinoa is ready, the roasted eggplant and fresh chopped parsley are folded into the mixture. The mashed sweet potato is then piped onto a baking sheet in the shape of nests or swirls, and the prepared quinoa and eggplant filling is carefully spooned into their centers. Finally, dairy-free cheese is sprinkled over each nest, and they are baked in the oven until golden brown. The video concludes by showcasing the appealing finished dish, ready to be served.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_ErloRaq7YWE.txt b/raw/test/visual_info/output_ErloRaq7YWE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dd847839bce7b28cae55f183be163a4f596b3b68
--- /dev/null
+++ b/raw/test/visual_info/output_ErloRaq7YWE.txt
@@ -0,0 +1,79 @@
+Here is the list of important visual events, text on screen, people, and a summary of the video narrative:
+
+**Visual Events with Timestamps:**
+
+*   00:00:00.000 - A woman with long dark hair and a leopard print headband, wearing a pink t-shirt, sits behind a white table, smiling and gesturing. On the table are a bottle of honey, a bottle of distilled white vinegar, an empty glass, and a clear plastic egg carton with several brown eggs. A grey sofa is behind her, and a lamp is on the left.
+*   00:00:06.942 - The woman reacts with surprise as a blurred yellow, translucent egg bounces on the table in front of her. She holds a white piece of paper in her right hand, her left arm raised.
+*   00:00:08.009 - The woman smiles widely, looking at the yellow, translucent egg now in her left hand, still holding the paper.
+*   00:00:09.976 - The woman is back in her original pose, smiling and looking at the camera, with all the experiment items on the table.
+*   00:00:16.810 - The woman picks up the empty glass with her left hand.
+*   00:00:20.577 - The woman unscrews the cap from the bottle of distilled white vinegar.
+*   00:00:21.044 - The woman begins pouring vinegar from the bottle into the glass.
+*   00:00:23.144 - The woman puts the vinegar bottle down and picks up the glass, showing it's about one-third full of clear liquid.
+*   00:00:24.478 - The woman gestures with both hands as she explains the next step.
+*   00:00:27.712 - The woman carefully picks up a raw brown egg from the carton with both hands.
+*   00:00:28.979 - The woman gently places the raw brown egg into the glass filled with vinegar.
+*   00:00:31.780 - The woman holds up the glass with the egg submerged in vinegar, pointing her left index finger up. Small bubbles are visible on the surface of the eggshell.
+*   00:00:37.048 - The camera zooms in on the egg in the glass. Numerous tiny bubbles cover the surface of the eggshell, and some rise to the top of the liquid.
+*   00:00:59.282 - A close-up shot shows the egg in the glass, still covered in bubbles, with some foamy residue at the liquid's surface. The shot subtly zooms in.
+*   00:01:26.049 - The woman is back in her original pose, gesturing with open hands.
+*   00:01:28.750 - A close-up shot of the egg in the glass is shown from a different angle, against a white patterned blanket background. The egg is still bubbly, and the top portion of the shell appears to be dissolving, creating a brownish foam.
+*   00:01:31.817 - The camera angle changes to an overhead view, looking directly into the glass. The egg is submerged, and the vinegar is murky with white and brown foam/residue floating on top.
+*   00:01:36.085 - A finger reaches into the glass and gently touches the floating residue. The residue appears soft and easily breaks apart.
+*   00:01:38.219 - The woman is back in her original pose, gesturing with her hands.
+*   00:01:43.787 - Hands holding the glass pour out the vinegar and dissolved shell residue into a kitchen sink.
+*   00:01:46.020 - A hand carefully removes the egg from the glass. The egg appears yellowish and translucent, no longer opaque brown, and somewhat soft.
+*   00:01:47.388 - The hands hold the egg under running water from the tap. Fingers gently rub the surface of the egg, removing the remaining residue.
+*   00:01:53.022 - The hands briefly show the cleaned egg under running water before moving away from the faucet.
+*   00:01:54.456 - The woman is back at the table, holding the now translucent, yellowish, rubbery egg in her right hand. She smiles.
+*   00:01:57.657 - The woman extends her hand with the rubbery egg towards the camera, showing its translucent quality.
+*   00:02:05.158 - The woman gently squeezes the rubbery egg with her fingers, demonstrating its flexibility.
+*   00:02:12.793 - The woman places the rubbery egg on the table.
+*   00:02:13.626 - The woman gently bounces the rubbery egg on the table.
+*   00:02:18.961 - The woman picks up a new, raw brown egg from the carton with her left hand. She holds the rubbery egg in her right hand and the raw egg in her left, comparing their sizes. The rubbery egg is noticeably larger.
+*   00:03:57.294 - The woman picks up the rubbery egg with her right hand and the raw egg with her left hand again. She gestures between the two eggs.
+*   00:04:13.061 - The woman points to the honey bottle with her left hand, then holds up the rubbery egg in her right hand.
+*   00:04:16.895 - The woman picks up the glass that contained the vinegar, which is now empty, and puts the rubbery egg into it. She then pours honey into the glass, covering the egg.
+*   00:04:19.096 - The woman retrieves the egg from the honey using a spoon. The honey is visibly thicker now than when it was poured. The egg appears shrunken and wrinkled.
+*   00:04:26.598 - The woman holds the bottle of honey and pours some into a white bowl to demonstrate its original thick consistency.
+*   00:04:31.699 - The woman holds up the glass of honey with the spoon inside, showing how runny the honey has become.
+*   00:04:43.102 - The woman takes the shrunken, wrinkly egg out of the honey and holds it in her palm, pointing at its surface to show the wrinkles. It is also visibly smaller and yellower.
+*   00:05:03.006 - A close-up of a hand holding the shrunken, wrinkly egg. The egg is yellow and shriveled.
+*   00:05:05.740 - The hand gently squeezes the shrunken egg, showing its soft, rubbery texture.
+*   00:05:17.376 - The hand places the shrunken egg on the white table.
+*   00:05:20.710 - Three eggs are displayed on the white table: a raw brown egg, the shrunken, wrinkly yellow egg (which looks slightly collapsed), and the plump, rubbery yellow egg from the vinegar experiment. This visual compares their sizes and appearance.
+*   00:05:30.345 - The woman is back at the table, holding the shrunken egg in her left hand and the plump rubbery egg in her right, comparing them.
+*   00:05:44.246 - The woman playfully tosses the plump rubbery egg into the air and catches it.
+*   00:05:47.780 - The woman gives a wide, satisfied smile.
+*   00:05:48.347 - The woman looks down, then raises the plump rubbery egg to eye level, holding it carefully.
+*   00:05:50.814 - The woman drops the egg a short distance onto the table; it bounces gently.
+*   00:05:55.082 - The woman drops the egg from a slightly higher position; it bounces again.
+*   00:05:59.016 - The woman drops the egg from a noticeably higher position, perhaps 5 inches; it bounces. Her expression is surprised and excited.
+*   00:06:03.951 - The woman holds the egg about 7 inches above the table and drops it; it bounces. She expresses extreme surprise.
+*   00:06:06.918 - The woman holds the egg about 11 inches above the table, next to a white piece of paper.
+*   00:06:08.752 - The woman drops the egg from this height; it bounces very high and she catches it. She is utterly shocked and delighted.
+*   00:06:11.619 - The woman holds a measuring tape upright on the table, with the end at 1 foot (12 inches). She holds the rubbery egg over the tape.
+*   00:06:14.487 - The woman drops the egg from approximately 1 foot. It bounces. She looks surprised.
+*   00:06:16.888 - The woman positions the measuring tape at 13 inches and holds the egg above it.
+*   00:06:18.955 - The woman drops the egg from 13 inches. It bounces very high and then splatters, breaking open on the table. The yolk and clear albumen spread across the white surface.
+*   00:06:33.424 - The woman smiles and shrugs, indicating the end of the experiment.
+
+**Text on Screen:**
+
+*   00:00:10.510 - RUBBER EGG EXPERIMENT
+*   00:01:00.677 - Wait 24 Hours
+*   00:05:03.908 - Wait 24 Hours
+
+**People in the video:**
+
+*   **Emily:** The main presenter of the video. She identifies herself as Emily at the beginning of the video. She is a woman with long dark hair, wearing a leopard print headband and a pink t-shirt. She demonstrates and explains the "Rubber Egg" science experiment with clear enthusiasm and engagement.
+
+**Summary of the video narrative:**
+
+The video presents the "Rubber Egg Experiment," also known as the "Naked Egg Experiment," demonstrating the scientific principle of osmosis. Emily, the presenter, guides viewers through the steps.
+
+First, she places a raw egg into a glass of distilled white vinegar. She explains that the acetic acid in the vinegar reacts with the calcium carbonate of the eggshell, producing carbon dioxide bubbles that cause the shell to dissolve over 24 hours. After this period, the shell is gone, leaving a translucent, flexible, and noticeably larger egg due to water from the vinegar entering the egg through its semi-permeable membrane via osmosis.
+
+Next, Emily places this enlarged, rubbery egg into a glass of honey. She explains that honey has a lower water concentration than the egg. After another 24 hours, water molecules migrate out of the egg and into the honey, causing the egg to shrink and become wrinkled, while the honey becomes runnier. This illustrates osmosis in reverse.
+
+Finally, Emily conducts a bounce test with the rubbery egg, demonstrating its elasticity by dropping it from increasing heights. Initially, it bounces successfully, but when dropped from 13 inches, it breaks, splattering its contents. The video successfully illustrates how the egg's size and texture change based on the relative concentration of water in the surrounding solution, all thanks to osmosis.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Eugat-Fk2Eg.txt b/raw/test/visual_info/output_Eugat-Fk2Eg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bdeaafef2f4408da2640dc4df8dfd52172f19127
--- /dev/null
+++ b/raw/test/visual_info/output_Eugat-Fk2Eg.txt
@@ -0,0 +1,43 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps:
+
+00:00:00.000 - A wide shot shows a line of large blue trucks with stacked cages, presumably filled with pigeons, parked in a vast green field under a clear blue sky. Several people are standing around the first truck.
+00:00:01.000 - Pigeons begin to exit the first truck from the lowest level of cages, appearing in a small flurry.
+00:00:02.000 - More pigeons are seen erupting from the open compartments of the first truck, flying out in a dense swarm.
+00:00:04.000 - Hundreds of pigeons are now in the air near the first truck, creating a large, dynamic cloud of birds.
+00:00:06.000 - The camera shifts to a side view, showing the long line of blue trucks parked in the field, with the pigeon cages clearly visible on their sides.
+00:00:08.000 - The trucks slowly begin to move forward in a coordinated line.
+00:00:13.000 - A close-up shot shows two men standing next to the cabin of one of the blue trucks. One man in a black beanie points into the distance while holding a white cup, talking to another man in a blue shirt.
+00:00:16.000 - The camera returns to a wide shot from behind the first truck, showing several people gathered at its rear. They are preparing to open the cages for the pigeon release. One person climbs a ladder to access higher compartments.
+00:00:22.000 - The scene returns to the initial wide shot of the trucks from the front, with the trucks now stationary.
+00:00:28.000 - The video replays the pigeon release from the first truck in slow motion. People are seen opening the multiple cage doors on the back of the truck.
+00:00:36.000 - Thousands of pigeons start pouring out of the truck's open compartments in slow motion, initially scattering on the ground before rapidly taking flight.
+00:00:50.000 - The pigeons continue to stream out, filling the air around the truck, forming a thick cloud as they ascend into the blue sky.
+00:01:20.000 - The density of the released pigeons in the air remains high, with birds continuously exiting the truck and joining the swirling flock.
+00:01:40.000 - The release continues, with more pigeons emerging from the truck, some briefly landing on the ground before joining the flight.
+00:02:10.000 - The majority of pigeons have been released, with the last few stragglers coming out of the truck and flying off to join the larger flock in the distance.
+00:02:45.000 - People involved in the release are now walking away from the truck as the last of the birds depart.
+00:03:00.000 - The stream of pigeons from the truck has significantly reduced, with only a few individual birds visible exiting and flying.
+00:03:16.000 - The video replays the entire pigeon release from the first truck at normal speed, showcasing the rapid, explosive nature of the mass departure.
+00:03:31.000 - The video shows another normal-speed replay of the pigeon release from the first truck, emphasizing the sheer volume of birds taking flight simultaneously.
+00:03:55.000 - As the pigeons fly away, the handlers are seen walking around the empty first truck.
+
+---
+
+**Text on screen and when it appeared:**
+
+*   **00:00:00.000 - 00:04:02.000:** "HOW TO TRAIN YOUR PIGEON" (The word "PIGEON" is in large red bold letters with a white border, and a black pigeon silhouette replaces the "O". "HOW TO TRAIN YOUR" is smaller and white above it. This text is present throughout the entire video.)
+
+---
+
+**People in the video and what we know about them:**
+
+*   **Multiple unidentified men:** There are several men visible in the video, all appearing to be involved in the pigeon release.
+    *   **Main Organizer/Supervisor:** One man, often seen wearing a blue long-sleeved shirt, appears to be overseeing the operation. He is seen at the front of the line of trucks (00:00:00.000) and later walking near the release point, observing the pigeons (e.g., 00:02:49.000).
+    *   **Handler in Beanie and Shorts:** Another man, wearing a black beanie and patterned shorts, is seen in a close-up speaking to a truck driver (00:00:13.000) and is actively involved in opening the cages on the truck (e.g., 00:00:16.000, 00:00:28.000). His role is hands-on in the release process.
+    *   **Other Handlers/Workers:** Several other men are present, dressed in casual attire. They are seen actively opening the multiple levels of cages on the trucks, some even climbing on the truck's side to reach higher sections (e.g., 00:00:16.000, 00:00:28.000 onwards). Their primary role is to facilitate the efficient release of the pigeons.
+
+---
+
+**Summary of the video narrative:**
+
+The video captures a large-scale release of racing pigeons from multiple specialized transport trucks parked in a vast, open green field under a clear blue sky. The central event is the impressive moment when thousands of pigeons are simultaneously set free from the cages lining the trucks. Several men, acting as handlers or organizers, are shown actively participating in opening the various compartments of the trucks. The narrative highlights the visual spectacle of the birds bursting out and quickly forming a massive, swirling flock that ascends into the sky. The video includes both normal speed and slow-motion replays of the release, emphasizing the sheer volume and coordinated movement of the pigeons as they begin their journey, likely a training flight or a race, as indicated by the on-screen text "HOW TO TRAIN YOUR PIGEON".
\ No newline at end of file
diff --git a/raw/test/visual_info/output_EwlN0kspZFQ.txt b/raw/test/visual_info/output_EwlN0kspZFQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..486ecbd8dffaa80390bc57e6f9f981776e8e8b27
--- /dev/null
+++ b/raw/test/visual_info/output_EwlN0kspZFQ.txt
@@ -0,0 +1,128 @@
+Here's a breakdown of the visual events in the video:
+
+00:00:00.000 - A close-up shot shows a cooked, reddish-orange Dungeness crab resting on a bed of fried rice, which is nestled within a lotus leaf and placed inside a bamboo steamer.
+00:00:02.833 - An extreme close-up focuses on the white, flaky meat of the cooked crab.
+00:00:04.033 - A chef in a white uniform holds a whole cooked Dungeness crab over a large, round wooden cutting block. A small clear bowl is on the block, and other ingredients like garlic, chilis, and vegetables are blurred in the background.
+00:00:05.100 - The chef places the cooked Dungeness crab onto the wooden cutting block.
+00:00:07.133 - The chef begins to carefully pry open the underside of the crab, near the abdomen.
+00:00:08.567 - A close-up shows the chef's fingers expertly removing the small, triangular abdomen flap from the crab.
+00:00:10.067 - The chef uses both hands to pull the top shell (carapace) away from the crab's body, revealing the internal organs and gills.
+00:00:15.533 - The chef completely separates the carapace from the body, exposing the golden-yellow crab tomalley and some white meat.
+00:00:17.300 - The chef discards the carapace briefly and then holds the crab body, using his fingers to remove the feathery, grey gills from the sides.
+00:00:21.800 - The chef continues to remove the yellowish-green viscera (tomalley) from the crab's body cavity, placing it into the clear bowl on the side.
+00:00:26.967 - The chef places the cleaned crab body back onto the wooden cutting block.
+00:00:27.533 - Using a large, rectangular cleaver, the chef chops the crab body into multiple smaller sections.
+00:00:30.000 - A close-up view shows the cleaver sharply cutting through the crab sections on the wooden block.
+00:00:33.300 - The chopped crab body pieces are now spread out on the wooden block.
+00:00:34.200 - The chef picks up a crab leg and uses a pair of golden-handled kitchen scissors to cut along the length of the leg shell.
+00:00:41.833 - A close-up shot shows the scissors precisely cutting through the crab leg shell.
+00:00:44.800 - The chef continues to cut the crab leg.
+00:00:47.300 - After cutting, the chef uses his hands to easily peel open the crab leg shell, exposing the clean white crab meat inside.
+00:00:57.100 - The chef uses a thin, fork-like tool to expertly extract the white crab meat from the shell and drops it into the clear bowl.
+00:01:03.467 - The chef takes a section of the crab body and uses the cleaver to finely chop the remaining meat.
+00:01:08.767 - The chef holds a larger piece of the processed crab meat and uses the scissors to further shred it into fine, delicate strands, adding them to the clear bowl containing the extracted leg meat.
+00:01:12.167 - A close-up shows the scissors shredding the crab meat into thin strands.
+00:01:16.033 - The clear bowl is now filled with prepared crab meat and placed aside, labeled "Save For Later."
+00:01:21.233 - The chef picks up another whole cooked Dungeness crab and places it on the wooden block.
+00:01:22.567 - The chef quickly removes the abdomen flap from the second crab.
+00:01:27.067 - A close-up shows the chef separating the carapace from the second crab, revealing the internal green tomalley.
+00:01:32.400 - The chef holds the separated carapace and uses the cleaver to roughly chop the tomalley inside the shell.
+00:01:37.000 - The chef chops the second crab's body, similar to the first, and places the sections on a round, dark wooden plate alongside the carapace.
+00:01:57.100 - A hand adds a spoonful of minced garlic to a clear mixing bowl.
+00:01:58.800 - Minced green onion is added to the bowl.
+00:02:00.600 - Sliced red chili pepper is added to the bowl.
+00:02:02.167 - A pinch of salt is sprinkled into the bowl.
+00:02:03.167 - Rice wine is poured into the bowl.
+00:02:04.567 - A mixture of water and corn starch is poured into the bowl.
+00:02:06.000 - The chef uses a wooden spoon to thoroughly mix all the ingredients in the bowl, forming a sauce.
+00:02:14.667 - The mixed sauce is placed next to the prepared crab pieces on the wooden plate. The chef then uses the spoon to pour the sauce over the crab sections.
+00:02:18.900 - A close-up shows the spoonful of sauce being drizzled over the crab pieces on the plate.
+00:02:22.500 - The chef places the reserved top shell (carapace) back over the sauced crab pieces on the plate.
+00:02:26.500 - In a commercial kitchen setting, the chef pours cooking oil into a large wok preheated on a gas stove.
+00:02:32.267 - Beaten eggs are poured directly into the hot wok.
+00:02:37.033 - The chef uses a metal ladle to stir and scramble the eggs in the wok.
+00:02:42.500 - Diced ham is added to the wok with the scrambled eggs.
+00:02:46.033 - The chef stirs the ham and eggs together in the wok.
+00:02:48.333 - Cooking wine is poured into the wok, causing a dramatic flare-up of flames as it hits the hot surface and ingredients.
+00:02:51.567 - The chef continues to stir-fry the ingredients amidst the flames.
+00:02:56.867 - Corn kernels are added to the wok.
+00:02:58.067 - Diced mushrooms are added to the wok.
+00:02:59.767 - The prepared shredded crab meat is added to the wok.
+00:03:01.367 - Brown rice is poured into the wok with the other ingredients.
+00:03:03.467 - Soy sauce is drizzled into the wok.
+00:03:04.900 - Sugar is sprinkled into the wok.
+00:03:05.900 - Oyster sauce is added to the wok.
+00:03:07.167 - Salt is ground into the wok from a pink salt shaker.
+00:03:08.667 - Black pepper is ground into the wok from a wooden pepper mill.
+00:03:10.533 - The chef vigorously stirs and tosses the fried rice mixture in the wok, mixing all the ingredients thoroughly.
+00:03:14.033 - Minced green onion is added to the fried rice in the wok.
+00:03:16.033 - The chef continues to stir-fry the rice, ensuring the green onions are well incorporated.
+00:03:23.767 - A wider shot shows the chef skillfully tossing the fried rice in the wok, lifting and flipping it to ensure even cooking.
+00:03:27.767 - The chef carries the wok of fried rice over to the wooden table where a bamboo steamer basket lined with a large lotus leaf is waiting.
+00:03:29.300 - The hot fried rice is poured from the wok into the lotus leaf-lined steamer.
+00:03:32.967 - The chef carefully places the prepared crab (with its top shell back on and sauced) on top of the fried rice.
+00:03:39.900 - The chef carries the filled bamboo steamer to the stove.
+00:03:41.567 - The chef places the steamer containing the crab and rice on top of a lower, empty steamer basket, which is sitting in a wok of boiling water, generating steam.
+00:03:46.500 - The chef removes the lid from the top of the steamer, letting out a puff of steam.
+00:03:49.033 - The chef then carefully places the entire filled steamer setup, including the top lid, onto the boiling water.
+00:04:00.067 - The video transitions to a blurred shot of the steamer, with text overlay indicating a 20-minute steaming time.
+00:04:02.133 - A close-up shot shows the water vigorously boiling beneath the bamboo steamer, with steam rising.
+00:04:06.767 - The chef lifts the steamer lid, revealing the perfectly steamed crab and rice dish, with steam billowing upwards.
+00:04:10.500 - The chef uses a white towel to carefully lift the hot bamboo steamer from the stove.
+00:04:13.900 - The chef places the hot steamed crab and rice dish back onto the wooden table.
+00:04:14.633 - The chef removes the top shell of the crab, exposing the steamed crab meat and the vibrant chili-garlic mixture over the fried rice.
+00:04:17.333 - A sprinkle of minced green onion is added to the top of the dish for garnish.
+00:04:19.033 - Hot cooking oil is poured from a ladle over the minced green onion and crab, causing it to sizzle and release aromatic steam.
+00:04:25.067 - An overhead shot showcases the complete, beautifully presented dish on the wooden table, surrounded by a decorative blue and white cloth, a small teapot, flowers, and scattered red chilis.
+00:04:27.533 - A slightly lower, angled shot provides another view of the finished dish.
+00:04:31.433 - A close-up shot focuses on the detailed texture of the fried rice and crab meat.
+00:04:36.633 - An extreme close-up highlights the tender, white crab meat.
+00:04:38.200 - The overhead shot of the full dish returns.
+00:04:39.500 - A small white cup of clear green tea is shown on the wooden table.
+00:04:40.767 - The camera pans over the dish, showcasing its entirety.
+00:04:42.500 - A close-up focuses on the red chili and green onion topping on the crab and rice.
+00:04:44.200 - An extreme close-up of the crab meat is shown.
+00:04:45.967 - A hand lifts the top crab shell to reveal more of the delicious mixture underneath.
+00:04:52.267 - A wooden spoon scoops up a generous portion of the fried rice and crab meat, highlighting the combined textures and colors.
+
+---
+
+**Text on Screen:**
+*   00:00:05.100 - Cooked Dungeness Crab 2
+*   00:00:07.867 - SUBSCRIBE
+*   00:00:21.800 - Remove Crab Viscera
+*   00:01:16.033 - Save For Later
+*   00:01:57.100 - Minced Garlic 2 tbsp / 20 g
+*   00:01:58.800 - Minced Green Onion 1 tbsp / 10 g
+*   00:02:00.600 - Red Chili Pepper 2 tbsp / 20 g
+*   00:02:02.167 - Salt To Taste
+*   00:02:03.167 - Rice Wine 1 tbsp / 15 ml
+*   00:02:04.567 - Water + Corn Starch
+*   00:02:26.500 - Cooking Oil
+*   00:02:42.500 - Ham 1 oz / 30 g
+*   00:02:48.333 - Cooking Wine
+*   00:02:56.867 - Corn Kernels 1/4 cup / 20 g
+*   00:02:58.067 - Mushroom 1/3 cup / 30 g
+*   00:02:59.767 - Prepared Crab Meat 5 oz / 140 g
+*   00:03:01.367 - Brown Rice 12 oz / 340 g
+*   00:03:03.467 - Soy Sauce 1 tbsp / 15 ml
+*   00:03:04.900 - Sugar 1/2 tsp / 3 g
+*   00:03:05.900 - Oyster Sauce 1/2 tbsp / 8 ml
+*   00:03:07.167 - Salt To Taste
+*   00:03:08.667 - Black Pepper To Taste
+*   00:03:14.033 - Minced Green Onion
+*   00:03:27.767 - Lotus Leaf
+*   00:04:00.067 - Steam 20 Minutes
+*   00:04:17.333 - Minced Green Onion
+*   00:04:19.033 - Hot Cooking Oil
+
+---
+
+**People in the Video:**
+There is one person visible in the video:
+*   **The Chef:** He is a male, likely of East Asian descent, wearing a traditional white chef's coat. He demonstrates professional culinary skills, including disassembling and preparing a crab, using a cleaver and kitchen scissors with precision, and expertly stir-frying rice in a wok. He appears to be the primary demonstrator of the recipe.
+
+---
+
+**Summary of the Video Narrative:**
+The video showcases the preparation of a "Whole Steamed Crab & Fried Rice" dish, highlighting a detailed and skillful culinary process. It begins by demonstrating how to expertly disassemble a cooked Dungeness crab, separating its meat and internal organs, and cleaning it for preparation. A flavorful sauce is then meticulously prepared using minced garlic, green onion, red chili, and various seasonings, which is applied to the reassembled crab body. Concurrently, a savory fried rice is cooked in a wok, incorporating scrambled eggs, diced ham, corn, mushrooms, and the prepared crab meat, seasoned with soy sauce, sugar, oyster sauce, salt, and pepper. The freshly cooked fried rice is then transferred into a lotus leaf-lined bamboo steamer, with the sauced crab placed prominently on top. The entire assembly is then steamed for 20 minutes to meld the flavors and heat the crab through. The final presentation involves drizzling hot oil over the dish for an aromatic finish, emphasizing the fresh ingredients and the rich, combined flavors. The video effectively combines practical cooking steps with appealing close-up shots of the food and techniques.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_F0WJ107nEwg.txt b/raw/test/visual_info/output_F0WJ107nEwg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..137e52fb3fec590b6308e0c14df6d9c4d65ca4a3
--- /dev/null
+++ b/raw/test/visual_info/output_F0WJ107nEwg.txt
@@ -0,0 +1,102 @@
+Here is a detailed list of visual events, text on screen, people in the video, and a summary of the video narrative:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - The video opens with a close-up of a person's hands pouring cooked, sauced chicken pieces from a black non-stick pan into a wider stainless steel pan already containing some sauce.
+*   00:00:02.133 - The person uses a black spatula to stir the chicken pieces in the stainless steel pan, coating them thoroughly in the reddish-brown sauce.
+*   00:00:04.266 - The person sprinkles finely chopped green herbs (likely coriander) over the cooked chicken in the pan.
+*   00:00:05.900 - The stainless steel pan, now containing the finished Spicy Garlic Chicken, is gently placed onto a circular wooden trivet on a wooden table.
+*   00:00:11.800 - The scene changes to a glass bowl on a wooden table, containing raw, boneless chicken cubes.
+*   00:00:12.766 - A person's hand uses a black spatula to add a dollop of ginger garlic paste into the glass bowl with the chicken.
+*   00:00:13.933 - The person uses a metal lemon squeezer to squeeze fresh lemon juice into the bowl.
+*   00:00:16.033 - A small silver measuring spoon adds white salt to the bowl.
+*   00:00:17.300 - The same measuring spoon adds black pepper powder to the bowl.
+*   00:00:18.500 - The measuring spoon adds red chili powder to the bowl.
+*   00:00:19.433 - The person uses the black spatula to mix all the ingredients in the bowl, marinating the chicken.
+*   00:00:20.300 - An overhead shot shows the person continuing to mix the chicken, which is now coated in a reddish marinade.
+*   00:00:21.800 - A closer shot continues to show the hands mixing the marinated chicken.
+*   00:00:27.500 - The scene changes to a person pouring clear cooking oil from a bottle into a black non-stick frying pan on an induction cooktop.
+*   00:00:29.833 - The marinated chicken pieces are carefully poured and scooped from the glass bowl into the hot oil in the frying pan.
+*   00:00:33.866 - The person uses the black spatula to spread the chicken pieces evenly in the pan for cooking.
+*   00:00:37.066 - An overhead shot shows the chicken cooking and being flipped occasionally in the pan, starting to brown.
+*   00:00:41.333 - A close-up shows the chicken pieces turning golden brown and cooking in the pan.
+*   00:00:44.200 - The person stirs the chicken with the spatula, then picks up the pan and gently shakes it to move the chicken around.
+*   00:00:48.866 - The pan is lifted and swirled over an active gas burner, indicating it's a gas stove and not just an induction cooktop. The chicken pieces are well-browned.
+*   00:00:52.000 - The cooked chicken is removed from the pan, and the pan is now empty and appears clean (or replaced with a clean pan).
+*   00:00:52.800 - The person pours oil into a clean, new stainless steel pan on the cooktop.
+*   00:00:54.633 - The person adds a generous amount of finely chopped garlic into the hot oil in the pan.
+*   00:00:56.566 - The person uses the black spatula to stir-fry the chopped garlic.
+*   00:00:58.733 - An overhead shot shows the garlic turning light golden as it's sautéed.
+*   00:01:00.600 - A close-up confirms the garlic is turning golden brown.
+*   00:01:06.900 - The person pours thick red tomato ketchup into the pan with the sautéed garlic.
+*   00:01:09.600 - The person pours dark soy sauce into the pan.
+*   00:01:11.233 - The person adds red chili powder to the sauce mixture.
+*   00:01:12.633 - The person adds black pepper powder to the sauce mixture.
+*   00:01:13.900 - The person adds white salt to the sauce mixture.
+*   00:01:15.166 - The person pours clear water into the pan with the sauce ingredients.
+*   00:01:16.833 - The person uses the spatula to mix all the sauce ingredients vigorously. The sauce begins to bubble and thicken.
+*   00:01:19.066 - An overhead shot shows the sauce simmering and thickening in the pan.
+*   00:01:21.000 - A close-up shows the sauce bubbling and thickening.
+*   00:01:21.800 - The person adds the previously cooked chicken pieces back into the simmering sauce in the stainless steel pan.
+*   00:01:25.866 - The person uses the black spatula to stir and coat the chicken pieces evenly with the rich, thick sauce.
+*   00:01:29.966 - An overhead shot of the chicken being thoroughly coated in the sauce.
+*   00:01:34.000 - A close-up shows the chicken fully coated in the glistening sauce.
+*   00:01:36.700 - The person sprinkles chopped green coriander leaves over the finished dish in the pan.
+*   00:01:39.533 - The pan with the finished Spicy Garlic Chicken is lifted and placed onto the wooden circular trivet.
+*   00:01:42.200 - A person's hand uses a silver fork to pick up a single piece of the cooked, sauced chicken, showing its texture and coating.
+*   00:01:51.000 - The video transitions to a light pink end screen with three empty rectangular placeholders and the "cooked." logo.
+*   00:01:54.666 - A circular "SUBSCRIBE NOW" graphic appears in the center of the end screen.
+
+**Text on Screen:**
+
+*   00:00:06.466 - Spicy Garlic Chicken
+*   00:00:06.900 - Resting Time 10 mins
+*   00:00:07.500 - (Clock icon) 30 mins
+*   00:00:07.733 - 2 Servings
+*   00:00:11.800 - Chicken (boneless cubes)
+*   00:00:11.966 - 300 grams
+*   00:00:13.066 - Ginger Garlic Paste
+*   00:00:13.233 - 1 tbsp
+*   00:00:14.366 - Lemon Juice
+*   00:00:14.533 - ½ no
+*   00:00:16.166 - Salt
+*   00:00:16.333 - ½ tsp
+*   00:00:17.466 - Black Pepper Powder
+*   00:00:17.633 - ½ tsp
+*   00:00:18.666 - Red Chilli Powder
+*   00:01:18.833 - ½ tsp
+*   00:00:24.033 - Rest
+*   00:00:25.133 - 10mins
+*   00:00:27.700 - Oil
+*   00:00:27.900 - 2 tbsp
+*   00:00:34.200 - Cook for 5 minutes, flipping occasionally
+*   00:00:53.033 - Oil
+*   00:00:53.200 - 2 tbsp
+*   00:00:54.766 - Garlic (finely chopped)
+*   00:00:54.966 - 3 tbsp
+*   00:01:00.833 - Saute until golden brown
+*   00:01:07.033 - Tomato Ketchup
+*   00:01:07.233 - ¾ Cup
+*   00:01:09.733 - Soy Sauce
+*   00:01:09.900 - 1 tsp
+*   00:01:11.366 - Red Chilli Powder
+*   00:01:11.533 - ½ tsp
+*   00:01:12.766 - Black Pepper Powder
+*   00:01:12.933 - ½ tsp
+*   00:01:14.033 - Salt
+*   00:01:14.200 - ¼ tsp
+*   00:01:15.300 - Water
+*   00:01:15.466 - ¼ Cup
+*   00:01:25.966 - Cook until the sauce is thick and coats the chicken
+*   00:01:36.900 - Coriander Leaves (chopped)
+*   00:01:37.066 - 2 tbsp
+*   00:01:51.000 - Watch More Recipes
+*   00:01:51.000 - cooked.
+*   00:01:51.000 - Visit Cookd Shop
+*   00:01:54.666 - SUBSCRIBE NOW
+
+**People in the Video:**
+There is one person featured in the video, whose hands are visible performing all the cooking actions. They appear to have dark skin and are wearing a black apron, suggesting they are the chef or a cooking demonstrator. No further personal information is provided.
+
+**Summary of the Video Narrative:**
+This video demonstrates the preparation of "Spicy Garlic Chicken" from start to finish. It begins by showcasing the completed dish, then outlines the steps for its creation. The process starts with marinating 300 grams of boneless chicken cubes with ginger garlic paste, lemon juice, salt, black pepper, and red chili powder, followed by a 10-minute rest. The marinated chicken is then pan-fried for 5 minutes until browned. Separately, finely chopped garlic is sautéed until golden brown, after which a sauce is prepared by adding tomato ketchup, soy sauce, red chili powder, black pepper, salt, and water to the pan and simmering until thick. Finally, the cooked chicken is returned to the pan and mixed with the sauce until fully coated, and the dish is garnished with chopped coriander leaves. The video concludes by presenting the finished product and an end screen with calls to action to watch more recipes, visit the "Cookd Shop," and subscribe.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_FCy9cFmU6FE.txt b/raw/test/visual_info/output_FCy9cFmU6FE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..65455a25a9111016584c84860bb36ca27d2ccf9f
--- /dev/null
+++ b/raw/test/visual_info/output_FCy9cFmU6FE.txt
@@ -0,0 +1,158 @@
+Here's the detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+* 00:00:00.000 - Black screen with white text "LOADING MEMORIES..." in the center.
+* 00:00:00.667 - Underwater shot looking up, showing turbulent, foamy water on the surface and vague, dark shapes above. The text "LOADING MEMORIES..." is overlaid.
+* 00:00:02.833 - Black screen with white text "LOADING MEMORIES..."
+* 00:00:03.467 - Silhouette of a person with arms raised, standing in shallow ocean water on a beach at sunset, with mountains and a boat in the distance. The text "LOADING MEMORIES..." is overlaid.
+* 00:00:04.200 - Black screen.
+* 00:00:04.933 - Underwater shot of a sea turtle swimming slowly from the upper right to the lower left in clear blue water. The text "LOADING MEMORIES..." is overlaid.
+* 00:00:05.467 - High aerial shot looking down at a dense canopy of green palm trees swaying gently.
+* 00:00:09.900 - Aerial shot of powerful turquoise ocean waves crashing and creating large amounts of white foam.
+* 00:00:12.767 - Overhead aerial shot of several small, lush green islands with clear, light turquoise water between them, and a few small boats visible.
+* 00:00:15.100 - A man in a dark shirt and cap walks through dense green jungle foliage, reaching out his hand. Sunlight filters through the leaves.
+* 00:00:16.167 - Silhouette of a man in a cap, viewed in profile, with his head bowed, against a solid dark teal sky.
+* 00:00:19.467 - Close-up shot of dark teal ocean water with gentle ripples.
+* 00:00:20.667 - Silhouette of the man in a cap, similar to 00:00:16.167, but standing more upright, against the dark teal sky.
+* 00:00:35.000 - Low-angle close-up of a black suitcase on wheels being pulled across a tiled floor, with a vintage film border effect in black and white.
+* 00:00:35.800 - Selfie video of a bearded man in a cap smiling and touching his chin, appearing excited. The shot is in black and white with a vintage film border.
+* 00:00:37.000 - Overhead aerial shot of a vast expanse of dense green palm trees, some with yellowing fronds from sunlight.
+* 00:00:40.067 - Silhouette of a man walking out of a dark rock formation or cave onto a bright beach, with the ocean and distant islands visible.
+* 00:00:41.367 - A woman with long dark hair squats on a rock on a mountain peak, looking out at a panoramic view of green, rounded hills and a large body of water.
+* 00:00:42.933 - A young woman with long dark hair and a white crocheted top looks upwards, surrounded by bright green foliage.
+* 00:00:44.200 - Close-up of a young boy in an orange shirt, laughing and smiling brightly, with a basketball hoop in the blurred background.
+* 00:00:47.167 - Close-up of another young boy, wearing a blue and red shirt, with his finger on his chin, looking contemplatively at the camera with the ocean in the background.
+* 00:00:48.467 - Close-up of a young boy in a white t-shirt looking directly at the camera, with palm trees in the background.
+* 00:00:49.500 - Three young boys sit on concrete steps, laughing and smiling, with buildings and a "GCash" sign behind them.
+* 00:00:50.400 - Close-up of an elderly man with white hair and a mustache, wearing a bright green tank top, looking directly at the camera.
+* 00:00:50.933 - A man in a black shirt, viewed from a low angle, jumps to shoot a basketball towards a hoop under a corrugated metal roof.
+* 00:00:52.000 - A man with a beard and a black backpack walks through lush tropical greenery, with sunlight glowing behind him.
+* 00:00:53.933 - Aerial view of a misty, forested landscape with dense palm trees filling a valley, surrounded by rolling hills in the distance under a bright sky.
+* 00:00:56.533 - Low-angle shot of a person on a skateboard riding on a bridge during sunset, with motorbikes and other people passing by.
+* 00:00:57.667 - A man in red shorts dives headfirst from a wooden platform into crystal-clear turquoise water surrounded by lush green cliffs.
+* 00:00:58.733 - A man walks alone down the center of a winding asphalt road through a dense, tall forest with large trees.
+* 00:00:59.800 - Aerial view looking down as a man walks along a winding road surrounded by dense forest, with leaves scattered on the road.
+* 00:01:00.667 - A woman in a flowing green outfit runs excitedly with outstretched arms on a road with green hills in the background under a bright sky.
+* 00:01:01.833 - Blurred close-up of the woman from 01:00.667, running with arms raised, her face obscured by light and movement.
+* 00:01:02.933 - Wide aerial shot of a breathtaking orange and red sunset over the ocean, with the sun's reflection on the water.
+* 00:01:03.967 - Silhouette of a man standing alone, facing the vibrant sunset over the water.
+* 00:01:06.567 - Silhouettes of two people jumping with arms raised against a dark blue and orange sunset sky at the edge of the water.
+* 00:01:08.067 - Four people (two men, two women) running and jumping with arms raised through a sun-dappled green forest.
+* 00:01:09.300 - A woman in a red bikini top and black bottoms free-dives into deep blue water surrounded by a swirling school of small fish.
+* 00:01:10.533 - A woman in a dark swimsuit stands barefoot, posing elegantly on a rock inside a dimly lit cave, illuminated by a beam of light.
+* 00:01:11.233 - Close-up of bare feet running on wet, ribbed sand at sunset, with purple and orange hues reflecting on the water.
+* 00:01:11.967 - Silhouette of a person standing in very shallow water at sunset, with the vibrant purple-red sky reflecting on the calm water, and distant islands.
+* 00:01:13.067 - A man in swimming shorts with a headlamp and fins free-dives straight down into dark blue-green water, appearing as a silhouette.
+* 00:01:14.033 - A large sea turtle swims serenely through clear blue water.
+* 00:01:15.067 - Extreme close-up of a massive, swirling school of small silver fish moving together in the water.
+* 00:01:16.100 - A woman in a white full-body swimsuit and fins free-dives next to a sea turtle, moving downwards.
+* 00:01:17.633 - Aerial shot looking down at a woman in a red swimsuit walking on a pristine white sandy beach with turquoise water and swaying palm trees. A small, traditional boat is docked nearby.
+* 00:01:18.967 - Wide shot of a beautiful white sandy beach with vibrant turquoise water, a line of tall palm trees, and two traditional boats on the sand.
+* 00:01:20.100 - High aerial view of several deep blue lagoons nestled within rocky, tree-covered islands, surrounded by clear turquoise water and coral reefs, with a speed boat in the distance.
+* 00:01:21.033 - Aerial shot flying over a dense tropical forest of palm trees, with sunbeams piercing through the leaves.
+* 00:01:23.900 - High aerial shot of a lone person walking on a winding asphalt road through lush green, hilly terrain.
+* 00:01:25.000 - Wide aerial shot of a group of people standing on a grassy hill, raising their arms, with the unique, rounded "Chocolate Hills" in the background under a cloudy sky.
+* 00:01:26.300 - Silhouette of a woman dancing with exaggerated movements, illuminated by the bright orange glow of a bonfire at night.
+* 00:01:27.200 - Low-angle close-up of three smiling young children running towards the camera, with tall palm trees in the background.
+* 00:01:28.167 - A group of young children run excitedly on a white sandy beach towards the clear turquoise ocean.
+* 00:01:29.233 - A woman with long hair runs through a dense green forest, looking up and raising her arms in joy.
+* 00:01:30.167 - Close-up of a small Philippine tarsier with large, round eyes, clinging to a tree branch.
+* 00:01:31.067 - Aerial shot looking straight down at a person swimming on their back in dark green-blue water.
+* 00:01:31.867 - Aerial shot looking straight down at a person lying on their back on white sand, surrounded by the shadows of swaying palm trees.
+* 00:01:32.967 - Aerial wide shot of the "Chocolate Hills" landscape, showing numerous green, conical mounds stretching into the distance under a hazy, bright sky.
+* 00:01:34.267 - Side view silhouette of a man in sunglasses and a black t-shirt, holding a drone remote control, leaning against a wooden post, with a bright, hazy sky behind him.
+* 00:01:35.333 - Aerial view of a secluded cove with towering dark gray rock cliffs, a small white sandy beach, and incredibly clear turquoise water, with a woman walking into the water.
+* 00:01:36.700 - A woman stands with her back to the camera, arms outstretched, facing a tall, powerful waterfall cascading down a lush green hillside.
+* 00:01:38.000 - Aerial shot of large, foamy waves breaking in the deep blue ocean, with sunlight glinting on the water.
+* 00:01:39.300 - Closer aerial shot of a large wave crashing and creating a burst of white foam.
+* 00:01:40.333 - Low-angle shot looking up at tall palm trees against a clear blue sky, with a bird flying high above.
+* 00:01:40.967 - A man stands in a tall grassy field on a hillside overlooking the ocean, with scattered palm trees.
+* 00:01:42.133 - Aerial shot of a long, curving coastline with lush green hills, a small wooden hut, and vast stretches of calm blue ocean with faint waves.
+* 00:01:43.300 - Silhouettes of two people jumping with arms raised against a striking dark blue and orange sunset sky over water.
+* 00:01:44.200 - The two jumping silhouettes drop out of frame, leaving the vibrant sunset sky.
+* 00:01:45.000 - Silhouette of a man standing on a small elevated area at sunset, looking out at the ocean, framed by dense palm trees.
+* 00:01:52.767 - Aerial shot of ocean waves crashing on the water, tinged with the orange and purple hues of sunset.
+* 00:01:57.633 - Silhouette of a shirtless man, initially facing away, then turning to profile, against a warm orange sunset sky.
+* 00:02:04.700 - Two people (a man and a woman) clap hands in a playful interaction on a road lined with tall trees. Another man is in the background. Vintage film border.
+* 00:02:05.800 - Close-up selfie video of the bearded man (protagonist), shirtless, with a silver chain and nose ring, talking to the camera. People and boats are blurred in the background. Vintage film border.
+* 00:02:06.967 - Dark, blurred shot of people dancing and moving in what appears to be a nighttime gathering or party. Vintage film border.
+* 00:02:08.067 - A woman runs and jumps into a swimming pool at night, illuminated by the pool lights. Vintage film border.
+* 00:02:09.133 - Silhouettes of three people (two men and one woman) sitting by the ocean at sunset, appearing to converse. Vintage film border.
+* 00:02:10.733 - Rapidly moving blur of turquoise and dark colors, mimicking a quick transition or movement through water.
+* 00:02:11.267 - A sea turtle swims gracefully through dark blue water, seen in profile.
+* 00:02:13.933 - Rapidly moving blur of light brown and white colors, indicating another quick transition.
+* 00:02:14.667 - Silhouette of a man standing with his back to the camera, looking out a large window at a city skyline during sunset.
+* 00:02:17.433 - Silhouette of a man sitting at a desk by a large window, looking at a laptop and holding a pen to his chin, with the city skyline at sunset in the background.
+* 00:02:21.800 - A young woman in a bikini and baseball cap holds a smartphone, taking a selfie with a group of smiling children in shallow ocean water on a beach.
+* 00:02:24.767 - Close-up of a young boy leaning over a boat railing, looking up with his mouth wide open in laughter.
+* 00:02:25.967 - Extreme close-up on the expressive eyes of a young girl, looking directly at the camera.
+* 00:02:27.700 - Close-up on the smiling face of a young boy, eyes wide and bright.
+* 00:02:29.033 - Two young boys stand in shallow water; one wears snorkeling goggles and holds a small fish on a line, the other smiles and makes a peace sign.
+* 00:02:32.400 - A very young girl squats on the sand, smiling and waving at the camera, with an adult's legs next to her.
+* 00:02:34.200 - A man jumps horizontally from a cliff edge into clear blue-green water, arms and legs spread wide.
+* 00:02:35.400 - A young woman, with wet hair pulled back, looks up from a boat with a contemplative expression.
+* 00:02:36.567 - Aerial view of a winding river or narrow body of water cutting through a vast, dense, lush green forest, under a soft, hazy sky.
+* 00:02:38.867 - Close-up of a young girl with dark hair, arms raised and holding onto wooden bars, smiling broadly at the camera.
+* 00:02:42.067 - A man jumps from the edge of a swimming pool into the water with a splash, surrounded by tropical plants and palm trees.
+* 00:02:44.200 - A man and a woman, both in swimwear, are inside a building, laughing and moving excitedly.
+* 00:02:46.700 - Wide aerial shot of a tranquil body of water at sunset, with distant mountains and a vibrant red and purple sky.
+* 00:02:50.800 - Silhouettes of a group of people standing and sitting on the railing of a bridge during a vibrant purple and orange sunset.
+* 00:02:51.900 - Silhouette of a woman raising her arms in joy on the bridge at sunset, with other people in the blurred background.
+* 00:02:53.300 - Blurred silhouette of a person on a skateboard moving across the bridge at sunset.
+* 00:02:54.600 - Silhouette of a man on a skateboard, seen from behind, riding across the bridge at sunset, with many people and motorbikes lining the sides.
+* 00:02:57.667 - Silhouettes of two men facing each other on the bridge at sunset, seemingly engaged in conversation.
+* 00:02:59.700 - High aerial shot looking down at a long bridge stretching over water, filled with people and vehicles, during a vivid sunset.
+* 00:03:04.900 - Aerial shot of a woman in a red swimsuit walking alone in very shallow, clear turquoise water, with visible sand ripples and subtle waves.
+* 00:03:08.933 - Aerial shot looking down at the woman from 03:04.900, now floating peacefully on her back in the shallow, clear turquoise water.
+* 00:03:12.700 - Close-up of a bright, golden sun setting behind the dark silhouette of a treeline.
+* 00:03:13.633 - High aerial shot looking down at a wide, white sandy beach with calm turquoise ocean water, framed by tall palm trees. Three people are seen walking on the beach.
+* 00:03:20.067 - Black screen with white text "YOU COULD MISS IT" and "FERRIS BUELLER" below it.
+
+**Text on Screen:**
+* **00:00:00.000 - 00:00:05.467:** LOADING MEMORIES...
+* **00:00:06.000 - 00:00:09.900:** THE PHILIPPINES / SOLO TRIP AROUND THE PHILIPPINES
+* **00:00:18.800 - 00:00:20.500:** After staring death in the eye
+* **00:00:22.033 - 00:00:23.700:** everything changed for me
+* **00:00:24.400 - 00:00:25.700:** I needed to feel alive
+* **00:00:26.700 - 00:00:27.700:** Really alive
+* **00:00:29.300 - 00:00:32.000:** So I went on a solo trip to the Philippines.
+* **00:00:32.867 - 00:00:34.500:** Searching for new adventures in new places.
+* **00:00:36.167 - 00:00:37.000:** I'm really excited
+* **00:00:38.200 - 00:00:40.400:** Every step on this trip wasn't just about seeing new sights
+* **00:00:42.500 - 00:00:43.700:** It was about celebrating being alive
+* **00:00:47.333 - 00:00:54.000:** And the Philippines with its endless charm and spirited people was the perfect place to begin my next chapter
+* **00:00:57.667 - 00:00:59.200:** These memories
+* **00:00:59.400 - 00:01:00.900:** they're not just snapshots or stories.
+* **00:01:02.300 - 00:01:03.200:** They are lessons learned far from home.
+* **00:01:04.300 - 00:01:07.400:** AND THAT IS A STORY I'LL HOLD ONTO FOREVER
+* **00:01:58.200 - 00:02:03.800:** This solo trip to the Philippines was exactly what I needed. It brought me back to the joy of traveling solo,
+* **00:02:04.700 - 00:02:09.800:** meeting new people who shared my energy, and creating core memories with them.
+* **00:02:10.733 - 00:02:14.200:** Solo travel opens your mind and heart, helping you grow braver with each new place.
+* **00:02:17.000 - 00:02:21.800:** It makes you think about yourself more, showing you your true strengths and who you are.
+* **00:02:22.500 - 00:02:30.500:** The Philippines taught me that you don't need much to be happy, just the right mindset and appreciation for the simple joys around us.
+* **00:02:31.200 - 00:02:36.100:** From savoring delicious street food with newfound friends to sharing laughter during island-hopping adventures,
+* **00:02:37.000 - 00:02:41.500:** From the breathtaking landscapes to the warmth of the people.
+* **00:02:42.500 - 00:02:46.500:** This journey of discovery was a beautiful reminder to cherish every moment and embrace the joy of life.
+* **00:02:48.800 - 00:02:53.600:** In the past few months, I lost close friends and nearly died. It was a confusing and challenging time.
+* **00:02:55.300 - 00:03:03.900:** This trip to the Philippines doesn't make me forget those struggles, instead, it made me realize how short life could be and that I have gained my life back. I'm thankful for the opportunity to experience this journey, which filled my soul with joy and gratitude,
+* **00:03:10.967 - 00:03:12.067:** "LIFE MOVES PRETTY FAST
+* **00:03:14.233 - 00:03:16.400:** IF YOU DON'T STOP AND LOOK AROUND ONCE IN A WHILE,
+* **00:03:16.800 - 00:03:20.067:** YOU COULD MISS IT"
+* **00:03:17.067 - 00:03:20.067:** FERRIS BUELLER
+
+**People in the Video:**
+*   **The Narrator/Protagonist:** A male individual, likely the videographer, who appears frequently in the video. He is seen with a beard, often wearing a cap and casual clothing or shirtless. He engages in various activities such as exploring nature, skateboarding, diving, driving a drone, jumping into a pool, and interacting with locals and friends. The narrative reveals he embarked on this solo trip to the Philippines after experiencing significant personal losses (losing close friends) and a near-death experience, seeking to "feel alive" and rediscover himself.
+*   **Local Children:** Numerous children of varying young ages are prominently featured. They are shown smiling, laughing, running and playing on beaches, playing basketball, and interacting warmly with travelers. They symbolize the "simple joys" and "spirited people" of the Philippines, and their happiness is presented as a profound lesson for the protagonist.
+*   **Female Travelers/Friends:** Several women appear, sometimes with the protagonist, sometimes alone. They generally have long dark hair and are seen engaging in activities like posing on mountain peaks, running, free-diving, taking selfies with local children, dancing, and jumping into pools. They represent new connections and shared joyful experiences.
+*   **Elderly Local Man:** A specific elderly man with white hair and a mustache is shown in a close-up, wearing a green tank top. He embodies the "warmth of the people" mentioned in the narration.
+*   **Other Travelers/Friends (Males):** Various other male individuals are seen interacting with the protagonist and the female travelers, participating in group activities, often in silhouette during sunset scenes. They represent the new friendships and shared experiences formed during the journey.
+*   **A Philippine Tarsier:** While not a person, this small primate is featured in a close-up, highlighting the unique wildlife of the region.
+
+**Summary of the Video Narrative:**
+The video, "THE PHILIPPINES: SOLO TRIP AROUND THE PHILIPPINES," tells a deeply personal story of resilience and self-discovery through travel. The male protagonist, having recently faced profound loss, including the death of close friends and a near-death experience himself, embarked on a solo journey to the Philippines. He sought to "feel alive" again and find new adventures in unfamiliar places.
+
+Through stunning aerial and ground-level footage, the video showcases the breathtaking natural beauty of the Philippines, from its pristine turquoise waters and lush palm forests to majestic mountains and unique geological formations like the Chocolate Hills. The protagonist is seen engaging in a variety of activities, including diving with sea turtles, skateboarding across bridges, exploring caves, and simply soaking in the landscapes.
+
+Central to the narrative is the protagonist's interaction with the local Filipino people, particularly the children, whose genuine joy and warmth deeply impacted him. He reflects on how these encounters and the simple wonders of the country taught him that happiness doesn't require material possessions but rather the right mindset and appreciation for life's simple joys.
+
+The trip becomes a transformative experience, helping him realize the preciousness of life and the importance of cherishing every moment. The video ends with a poignant quote, reminding viewers to stop and "look around once in a while" to avoid missing the beauty and meaning in life, emphasizing that his journey to the Philippines helped him regain his life and fill his soul with joy and gratitude.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_FX8zGcMDUyI.txt b/raw/test/visual_info/output_FX8zGcMDUyI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1ff9a5365f84ddd234d3f0739dde6cd2616cacb4
--- /dev/null
+++ b/raw/test/visual_info/output_FX8zGcMDUyI.txt
@@ -0,0 +1,120 @@
+Here are the important visual events with timestamps:
+
+**Visual Events:**
+00:00:00.000 The video opens with a view from inside a car, looking out at a street with an orange and white ambulance driving by.
+00:00:01.071 A young woman, Ashley, is shown sitting in the driver's seat of a car, smiling and waving her hands at the camera.
+00:00:16.820 Ashley gestures towards the back seat of the car, which is filled with white plastic bags containing various items, including pillows and bedding.
+00:00:22.512 Ashley is seen in the driver's seat, looking towards the front of the car and talking, gesturing with her hands.
+00:00:26.069 Ashley, now in a blue cropped t-shirt and black leggings, is standing in an empty apartment, holding a phone, and looking around.
+00:00:28.002 The camera pans down to Ashley's feet, showing her wearing white and black checkered slip-on shoes.
+00:00:29.071 The camera pans across the empty apartment floor, showing a patterned rug, a white laundry basket with a lamp and other items, and a large cardboard box near a sliding glass door.
+00:00:32.730 Ashley is seen from the chest up, smiling and looking at the camera, then turning her head towards the left side of the frame.
+00:00:34.090 The camera pans to the left, revealing a kitchen area with wooden cabinets, a sink, and black appliances.
+00:00:37.070 Ashley walks past the camera, turning her head back towards it and smiling.
+00:00:39.260 The camera pans to show a small bathroom with a white toilet and sink.
+00:00:41.870 The camera shows another empty room with a large window and a white box for a "lull" mattress on the floor.
+00:00:44.200 Ashley's hand, holding green scissors, points towards clothes hanging in plastic bags inside an open closet.
+00:00:48.740 The camera shows a pile of bedding, pillows, and bags on the floor next to a tall, white floor lamp.
+00:00:51.680 Ashley walks into the frame towards the pile of items, holding her phone.
+00:00:55.760 The camera focuses on a large white box with an illustration of a man in a suit and sunglasses, labeled "IT'S A JUNGLE OUT THERE."
+00:00:57.140 Ashley steps into the frame, pointing at the "lull" mattress box.
+00:01:00.820 Ashley, now wearing a black hoodie and grey leggings, stands next to the mattress box, preparing to open it with scissors.
+00:01:06.660 Ashley sits on the floor next to the box and begins cutting it open.
+00:01:09.520 Ashley reaches into the opened box and pulls out a large, rolled-up white mattress wrapped in plastic.
+00:01:12.040 Ashley is seen sitting on top of the rolled-up mattress, which is still in its plastic wrapping, smiling at the camera.
+00:01:18.960 Ashley unrolls the mattress from its plastic wrapping, revealing the flat mattress.
+00:01:21.990 Ashley, on her knees, holds scissors and cuts the plastic off the rolled-up mattress.
+00:01:23.770 The camera focuses on Ashley's hands cutting the plastic, which rapidly inflates as it's exposed to air.
+00:01:28.950 Two women, Ashley and Amber, are seen pushing the unrolled mattress across the floor into its designated spot.
+00:01:31.950 Ashley lies face down on the newly unrolled mattress.
+00:01:33.740 Amber, in black leggings and a blue crop top, stands with her back to the camera, adjusting her leggings, with the mattress and Ashley in the background.
+00:01:36.000 Ashley looks into the camera and talks, with Amber and the mattress blurred in the background.
+00:01:38.210 Ashley sits up on the mattress, talking to the camera, while Amber is kneeling on the floor in the background.
+00:01:55.650 Ashley sits on the edge of the mattress, adjusting her leggings, while Amber sits down next to her on the mattress.
+00:02:09.280 Ashley lies down on the mattress, stretching out.
+00:02:10.020 Ashley and Amber are sitting on the mattress, talking to the camera. The lighting shifts to a darker, moodier tone.
+00:02:22.950 Ashley sits up straight on the mattress, striking a pose, while Amber remains seated.
+00:02:41.830 Amber lies down on the mattress and poses as if sleeping.
+00:02:45.020 Ashley makes a gesture with her hands, indicating excitement, while Amber gets up and moves around on the mattress.
+00:02:50.810 Ashley does a handstand on the mattress with her legs spread wide, demonstrating flexibility.
+00:02:53.110 Amber stands on the mattress, preparing to do a back handspring.
+00:02:55.670 Amber performs a back handspring on the mattress.
+00:02:58.750 A young man, Andrew, stands by a window, looking at the camera.
+00:03:00.990 Andrew looks out the window, then turns and walks towards the mattress.
+00:03:02.820 Andrew jumps onto the mattress and falls backward dramatically.
+00:03:08.570 Andrew is lying on his stomach on the mattress, flailing his arms and making a 'swimming' motion.
+00:03:12.780 Andrew looks at the camera and says "Hey, what's up guys!"
+00:03:14.280 Ashley stands in the apartment doorway, looking at the camera.
+00:03:16.890 Ashley and Amber engage in a synchronized dance move in the empty apartment space.
+00:03:20.070 Andrew briefly appears in front of the camera, taking a selfie-style video.
+00:03:21.840 Ashley and Amber continue their synchronized dance moves, spinning around.
+00:03:24.770 Andrew is sitting on a toilet in the bathroom, filming himself.
+00:03:25.790 Andrew is lying on the mattress, looking up at the camera.
+00:03:27.910 Ashley and Amber stand on either side of Andrew, who is still lying on the mattress, making gestures.
+00:03:29.740 Ashley and Andrew bend over on the mattress, facing each other, as if about to do a joint push-up.
+00:03:31.750 Andrew stands on the mattress, balancing on one leg.
+00:03:36.060 Ashley is seen putting clothes on hangers inside the open closet.
+00:03:39.950 Ashley stands inside the closet, holding a stack of clothes on hangers, and smiling at the camera.
+00:03:43.700 Andrew points towards Amber, who is standing in the kitchen area.
+00:03:45.470 Amber and Ashley are inside the closet, looking at clothes.
+00:03:48.330 Amber and Ashley step out of the closet.
+00:03:50.950 The camera view is completely dark for a moment.
+00:03:51.680 The camera is pointed towards the ceiling, then pans to a window.
+00:03:54.670 Andrew is lying face down on the mattress.
+00:03:57.900 Andrew is still lying on the mattress while Ashley's mother stands in the doorway looking at him.
+00:04:00.670 Andrew gestures with his hands while lying on the mattress, and Ashley's mother looks at him.
+00:04:08.830 Ashley walks away from the camera.
+00:04:10.600 Andrew is lying on top of a tall cardboard box, pretending to be exhausted.
+00:04:12.600 Ashley's mother looks at Andrew on the box.
+00:04:15.170 Amber is sitting on the floor, surrounded by packaging materials from the bar stools, with one stool assembled.
+00:04:18.570 Ashley squats down next to Amber, and they both look at the camera.
+00:04:22.950 Amber is sitting on the floor, holding a part of the bar stool, gesturing at it.
+00:04:31.300 Amber is holding a silver cylindrical part of the bar stool and making a sound like a light saber.
+00:04:43.900 Amber holds up the black seat of the bar stool, pointing out a dent.
+00:04:47.070 Ashley and Amber are sitting on the two assembled black bar stools, facing each other and holding hands.
+00:04:49.000 Ashley and Amber demonstrate how they can barely fit on the bar stools without their legs touching.
+00:04:55.900 Ashley and Amber sit on the bar stools with their backs to the camera, then turn to face forward.
+00:04:59.040 Ashley is seen sitting on the floor, assembling a small white shelving unit with a screwdriver.
+00:05:01.350 Ashley and Amber are kneeling in front of the assembled white shelving unit, admiring their work.
+00:05:02.040 Andrew walks into the frame, tearing at a large cardboard box.
+00:05:04.090 Ashley and Amber are both inside large cardboard boxes, struggling to get out or play.
+00:05:06.670 Ashley is pulling a green futon out of its black plastic wrapping.
+00:05:09.390 Ashley looks at the camera, smiling, with the futon in the background.
+00:05:15.750 Ashley and Amber lift the dark green futon to place it upright.
+00:05:19.460 The two girls adjust the futon, pulling out its legs.
+00:05:20.900 Ashley lies down on the green futon, smiling at the camera.
+00:05:25.750 Ashley kneels in front of the futon, smiling at the camera, while Amber is in the background adjusting white curtains on a large window.
+00:05:31.250 Ashley adjusts the futon, making it more comfortable.
+00:05:33.720 Ashley and Amber are sitting on the green futon, looking relaxed.
+00:05:38.860 Ashley points at a large shadow on the wall, showing Amber's silhouette.
+00:05:40.400 Amber poses and dances in her silhouette on the wall.
+00:05:44.750 Ashley kneels next to a rolled-up grey rug, preparing to unroll it.
+00:05:48.060 Ashley unrolls the grey rug across the floor.
+00:05:51.600 Ashley looks at the camera, smiling.
+00:05:53.030 Ashley, now wearing a red and black plaid shirt and jeans, stands in front of the mattress, which has white sheets and pillows.
+00:05:55.770 Ashley lies down on the mattress, spreading her arms and legs.
+00:06:03.900 Ashley sits up on the bed.
+00:06:06.600 Ashley lies back down on the bed, now with a white blanket and pillows, looking comfortable.
+00:06:15.930 A foot steps on the mattress, demonstrating its softness.
+00:06:18.570 Ashley rolls around on the mattress, smiling.
+00:06:21.360 Ashley looks into the camera, smiling, while lying on the mattress.
+00:06:24.700 Amber is lying on the mattress, pretending to sleep.
+00:06:27.130 Amber and Ashley are seen from a distance, flipping the green futon back to its upright position, accompanied by music.
+
+**On-screen Text:**
+00:00:57.140 - 00:01:00.670: "from lull !"
+00:00:55.760 - 00:01:01.070: "IT'S A JUNGLE OUT THERE" (part of the box design)
+00:06:27.130 - 00:06:47.366: Music plays over the video of the girls setting up the futon.
+
+**People in the video:**
+*   **Ashley:** The main vlogger. She is moving into her apartment, unpacking her belongings, setting up furniture, and trying out her new mattress. She has long, wavy brown hair with lighter highlights.
+*   **Amber:** Ashley's friend, helping her move into the apartment. She participates in unpacking, setting up the mattress and furniture, and provides commentary. She has long, dark hair.
+*   **Andrew:** A friend visiting Ashley's new apartment. He engages in playful antics on the new mattress and with the boxes. He is a young man with short, dark hair.
+*   **Ashley's Mom:** Her voice is heard off-screen, assisting with the move, but she is only briefly seen in person later in the video, wearing a dark coat and grey turtleneck.
+
+**Summary of the video narrative:**
+The video documents Ashley's move into her new apartment, which she describes as similar to dorming but with more independence. She begins by showing her car packed with belongings, explaining that her mother's car holds the bulk of the furniture. Upon arrival, she gives a quick tour of the empty apartment, highlighting the living space, kitchen, and bedroom.
+
+The main focus shifts to setting up her new memory foam mattress, which arrives rolled in a box. With the help of her friend Amber, they unbox and unroll the mattress, marveling at its expansion. They test its comfort and discuss future plans for the apartment, including an apartment tour once it's fully furnished.
+
+Later, Andrew, another friend, joins them and playfully interacts with the mattress and boxes. The girls then proceed to assemble more furniture, including bar stools and a green velvet futon. The video captures the challenges and humor of building the furniture, as well as their excitement over the progress. The final scenes show Ashley relaxing on her now fully expanded and made-up bed, expressing her satisfaction with its comfort despite it being a memory foam mattress, which she typically doesn't prefer. The video concludes with the friends continuing to make the new apartment feel like home.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Fbw8-LdGAcs.txt b/raw/test/visual_info/output_Fbw8-LdGAcs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..291dbda0c73925070fa08e121cfa687e682a39b8
--- /dev/null
+++ b/raw/test/visual_info/output_Fbw8-LdGAcs.txt
@@ -0,0 +1,206 @@
+Here is a detailed list of visual events from the video with timestamps:
+
+00:00:00.000 - Overhead shot of a tablet displaying a digital planner opened to a December calendar page with Christmas decorations. A person's hand holds a stylus near the bottom left of the screen. Black Beats headphones are visible on the table to the left.
+00:00:02.834 - The digital planner screen changes to a "To the Season to Sparkle" page with sections for "Focus," "Tasks, Objectives, Reminders," and a "Self-Care Menu." The page is adorned with green and gold festive graphics and images, including a woman at the bottom right.
+00:00:03.967 - The digital planner screen transitions to a "Vision Board" page filled with various motivational images and text related to "GROWTH MONEY MOTIVATION Happiness." A "SELF-CARE MENU" is at the bottom.
+00:00:05.167 - The digital planner screen changes to a blank weekly planner template with sections for "SUNDAY" through "SATURDAY," "TOP PRIORITIES," "TASKS," and "NOTES" in a grid format. Vertical month tabs (JAN, FEB, MAR...) are visible on the right sidebar.
+00:00:08.067 - A hand holding a grey stylus points towards the top toolbar of the digital planner.
+00:00:09.400 - The hand taps the "Share and Export" icon (an upward arrow from a square) in the top toolbar.
+00:00:10.967 - A "Share and Export" pop-up menu appears on the left side of the screen, listing options such as "Share Link to Collaborate," "Export This Page," "Export All," and "Print." Below that are "Presentation Mode" options. The stylus hovers over "Export This Page."
+00:00:13.934 - The stylus taps "Export This Page" within the pop-up menu.
+00:00:14.400 - An "Export Selected Page" pop-up window appears centrally on the screen. It presents format options (PDF, Image, GoodNotes) with "Image" currently selected. Additional options like "Include Page Background" and "Include Annotation" are toggled on. The stylus points to the "Export" button in the top right of this window.
+00:00:18.234 - The stylus taps the "Export" button.
+00:00:18.834 - A small, dark grey pop-up message "Exporting documents..." briefly appears.
+00:00:19.667 - An iOS share sheet appears from the bottom, titled "ALL THINGS PLANNER VOL 2 SUNDAY - 204." It displays app icons for sharing (AirDrop, Messages, Mail, Canva, Zoom) and action options like "Copy," "Save Image," "Assign to Contact," "Add to Shared Album," and "Save to Files." The stylus moves towards "Save Image."
+00:00:21.267 - The stylus taps "Save Image."
+00:00:22.200 - The share sheet disappears, and the blank weekly planner template remains on screen.
+00:00:24.900 - The hand moves the stylus to the right sidebar of the planner, specifically pointing to the "DEC" (December) tab.
+00:00:26.967 - The stylus taps the "DEC" tab on the right sidebar.
+00:00:27.800 - The digital planner switches back to the December calendar page.
+00:00:28.134 - A small contextual menu appears over the "Week 2" section of the calendar, showing "Copy," "Highlight," "Strikeout," "Define," "Speak," "Open Link," and "Add Comment." The stylus taps "Open Link."
+00:00:28.967 - The planner navigates to the blank weekly template, which was shown earlier.
+00:00:30.100 - The hand points to "Week 2" on the December calendar page.
+00:00:31.000 - The stylus taps the "Week 2" section.
+00:00:31.734 - The contextual menu "Copy, Highlight, Strikeout, Define, Speak, Open Link, Add Comment" reappears. The stylus taps "Open Link."
+00:00:33.634 - The planner navigates to a blank weekly template page.
+00:00:34.400 - The hand moves the stylus towards the top toolbar.
+00:00:35.800 - The stylus taps the "Edit" icon (a pencil) in the top toolbar, which changes the toolbar to editing mode.
+00:00:36.134 - The stylus then taps the "Photo" icon (a mountain landscape) in the top toolbar.
+00:00:38.234 - A small pop-up window titled "Photos" appears, showing recent images. The stylus taps on the image of the weekly template that was previously exported.
+00:00:39.634 - The selected weekly template image appears as an overlay on the current blank weekly page. A red selection indicator is visible. The stylus taps and holds on the image.
+00:00:40.900 - A contextual menu appears: "Cut," "Copy," "Paste," "Crop," "Share," "Add Element," "Add Comment." The stylus taps "Crop."
+00:00:41.834 - A "Rectangle Crop Tool" dialog box appears, showing the image. The stylus uses a two-finger gesture to drag and adjust the cropping boundaries, removing the redundant top toolbar and bottom line from the image.
+00:00:46.900 - The stylus taps "Done" in the "Rectangle Crop Tool."
+00:00:47.334 - The cropped weekly template image is now on the planner page. The stylus starts dragging and resizing the image to precisely cover the underlying blank template, ensuring the right-side hyperlinks remain accessible.
+00:00:54.834 - The weekly template image is fully resized and perfectly aligned, effectively changing the visual template of the page while maintaining the integrity of the planner's hyperlinks.
+00:01:07.434 - The hand moves the stylus to the right sidebar and taps the "DEC" tab.
+00:01:08.134 - The planner switches back to the December calendar page.
+00:01:10.000 - The stylus taps the "Week 2" section on the December calendar.
+00:01:10.767 - The "Open Link" contextual menu appears. The stylus taps "Open Link."
+00:01:11.467 - The planner navigates to the previously modified weekly template page, confirming that the hyperlinks still function.
+00:01:16.034 - The stylus taps the "Edit" icon (pencil) in the top toolbar.
+00:01:17.100 - The stylus taps and holds on the newly placed weekly template image.
+00:01:18.234 - A contextual menu appears: "Cut," "Copy," "Delete," "Resize," "Take Screenshot," "Add 1 element to..." The stylus taps "Add 1 element to..."
+00:01:19.934 - An "Add 1 element to..." pop-up appears, listing various element collections (e.g., "New Collection," "weekly templates," "Calendar"). The stylus taps "New Collection."
+00:01:22.067 - A "New Collection" pop-up appears with a "TITLE: Untitled" field and a virtual keyboard. The stylus taps the title field.
+00:01:23.434 - The user begins typing "weekly template" into the title field.
+00:01:26.934 - The user finishes typing. The stylus taps "Create" in the top right of the "New Collection" pop-up.
+00:01:28.400 - The "New Collection" pop-up disappears, and the weekly template page is visible again.
+00:01:36.134 - The stylus taps the "DEC" tab on the right sidebar.
+00:01:36.967 - The planner switches back to the December calendar view.
+00:01:37.934 - The stylus taps the "Edit" icon in the top toolbar.
+00:01:38.100 - The stylus taps the "Elements" icon (a star in a circle) in the top toolbar.
+00:01:38.634 - The "Elements" pop-up menu appears, showing collections like "weekly templates" (which now contains the saved sticker). The stylus taps on "weekly templates."
+00:01:40.967 - The saved weekly template appears on the current planner page. The stylus starts resizing and positioning it.
+00:01:52.900 - The weekly template image is fully resized and positioned over the page.
+00:01:54.100 - The view zooms out slightly to show the entire tablet on the desk, with headphones nearby.
+00:01:54.734 - The stylus points to the top toolbar of the planner.
+00:01:55.767 - The stylus taps the "Split View" icon (two overlapping squares) in the top toolbar.
+00:01:56.400 - A small menu appears with options: "Split View," "Slide Over," "Close." The stylus taps "Split View."
+00:01:57.434 - The tablet screen splits vertically, displaying the digital planner on the left and a "Layouts" file folder on the right. The stylus points to the right side (file folder).
+00:02:03.000 - The stylus taps and drags a different weekly template image (labeled "10" with file size) from the "Layouts" folder on the right to the active planner page on the left.
+00:02:08.900 - The dragged template image appears on the planner. The stylus begins resizing and positioning it to cover the existing layout.
+00:02:18.967 - The new weekly template image is fully resized and positioned on the planner page.
+00:02:22.234 - The stylus taps the "DEC" tab on the right sidebar.
+00:02:23.034 - The planner switches back to the December calendar page.
+00:02:24.034 - The stylus taps the "Week 2" section on the calendar.
+00:02:24.667 - The "Open Link" contextual menu appears. The stylus taps "Open Link."
+00:02:25.200 - The planner navigates to the weekly template page, now displaying the latest template. The view zooms out to show the tablet and headphones.
+00:02:25.900 - The person's hand moves away from the tablet.
+00:02:30.734 - The digital planner screen changes to a bright, colorful design with a woman, a "DO this" section, a "Habit tracker," and a "Reminder" section.
+00:02:32.000 - The digital planner screen changes to a "Winter" themed page with a stylized woman, snowflakes, trees, and blue highlights.
+00:02:33.000 - The digital planner screen changes to a plain weekly layout.
+00:02:34.000 - The video transitions to the outro screen, featuring a digital planner on the left, displaying a mixed-media design, and on the right, text "Thanks for watching" and a "SUBSCRIBE" button. Large white text "DON'T FORGET TO SUBSCRIBE" overlays the scene.
+
+---
+
+**Text on Screen:**
+
+*   00:00:00.000 - "December"
+*   00:00:00.000 - "TO THE SEASON TO SPARKLE"
+*   00:00:00.000 - "SUNDAY", "MONDAY", "TUESDAY", "WEDNESDAY", "THURSDAY", "FRIDAY", "SATURDAY"
+*   00:00:00.000 - "Christmas break"
+*   00:00:00.000 - "Christmas loading"
+*   00:00:00.000 - "MERRY CHRISTMAS"
+*   00:00:00.000 - "it's the most wonderful time of year"
+*   00:00:00.000 - "ALL THINGS PLANNER VOL 2 SUNDAY"
+*   00:00:02.834 - "TO THE SEASON TO SPARKLE"
+*   00:00:02.834 - "Focus"
+*   00:00:02.834 - "Tasks, Objectives, Reminders"
+*   00:00:02.834 - "Self-Care Menu"
+*   00:00:02.834 - "Be present in the moment"
+*   00:00:02.834 - "Work 30 mins a day"
+*   00:00:02.834 - "Complete 1 self care activity each week"
+*   00:00:02.834 - "Read 20 mins each day"
+*   00:00:02.834 - "IMPORTANTS:"
+*   00:00:02.834 - "12/19"
+*   00:00:02.834 - "Dr. Appt @ 10:45"
+*   00:00:02.834 - "PERSONAL"
+*   00:00:02.834 - "Get back on track with budget"
+*   00:00:02.834 - "Pay trip deposit"
+*   00:00:02.834 - "Start tracking meals"
+*   00:00:02.834 - "CAREER"
+*   00:00:02.834 - "Complete at least 3 education"
+*   00:00:02.834 - "Complete at least 1 audit a week"
+*   00:00:02.834 - "HOUSEHOLD"
+*   00:00:02.834 - "Decorate for Christmas"
+*   00:00:02.834 - "Plan Christmas dinner"
+*   00:00:02.834 - "Rearrange my closet"
+*   00:00:02.834 - "Santa Baby"
+*   00:00:02.834 - "You got this"
+*   00:00:02.834 - "YOU ARE BEAUTIFUL"
+*   00:00:03.967 - "Vision Board"
+*   00:00:03.967 - "ASHLEE DIGITAL STUDIO"
+*   00:00:03.967 - "GROWTH MONEY MOTIVATION Happiness"
+*   00:00:03.967 - "SELF-CARE MENU"
+*   00:00:05.167 - "WEEK OF:"
+*   00:00:05.167 - "SUNDAY", "MONDAY", "TUESDAY", "WEDNESDAY", "THURSDAY", "FRIDAY", "SATURDAY"
+*   00:00:05.167 - "TOP PRIORITIES"
+*   00:00:05.167 - "TASKS"
+*   00:00:05.167 - "NOTES"
+*   00:00:10.967 - "Share and Export"
+*   00:00:10.967 - "Share Link to Collaborate"
+*   00:00:10.967 - "Export This Page"
+*   00:00:10.967 - "Export All"
+*   00:00:10.967 - "Print"
+*   00:00:10.967 - "PRESENTATION MODE"
+*   00:00:10.967 - "Mirror Entire Screen"
+*   00:00:10.967 - "Mirror Presenter Page"
+*   00:00:10.967 - "Mirror Full Page"
+*   00:00:14.400 - "Export Selected Page"
+*   00:00:14.400 - "PDF"
+*   00:00:14.400 - "Image"
+*   00:00:14.400 - "GoodNotes"
+*   00:00:14.400 - "FILENAME: ALL THINGS PLANNER VOL 2 SUNDAY"
+*   00:00:14.400 - "OPTIONS"
+*   00:00:14.400 - "Include Page Background"
+*   00:00:14.400 - "Include Annotation"
+*   00:00:14.400 - "Export images as Zip File"
+*   00:00:18.834 - "Exporting documents..."
+*   00:00:19.667 - "ALL THINGS PLANNER VOL 2 SUNDAY - 204"
+*   00:00:19.667 - "JPEG image, 311 KB"
+*   00:00:19.667 - "AirDrop"
+*   00:00:19.667 - "Messages"
+*   00:00:19.667 - "Mail"
+*   00:00:19.667 - "Canva"
+*   00:00:19.667 - "Zoom"
+*   00:00:19.667 - "Copy"
+*   00:00:19.667 - "Save Image"
+*   00:00:19.667 - "Assign to Contact"
+*   00:00:19.667 - "Add to Shared Album"
+*   00:00:19.667 - "Save to Files"
+*   00:00:28.134 - "Copy"
+*   00:00:28.134 - "Highlight"
+*   00:00:28.134 - "Strikeout"
+*   00:00:28.134 - "Define"
+*   00:00:28.134 - "Speak"
+*   00:00:28.134 - "Open Link"
+*   00:00:28.134 - "Add Comment"
+*   00:00:41.834 - "Rectangle Crop Tool"
+*   00:00:41.834 - "Rectangle"
+*   00:00:41.834 - "Freedhand"
+*   00:01:18.234 - "Cut"
+*   00:01:18.234 - "Copy"
+*   00:01:18.234 - "Delete"
+*   00:01:18.234 - "Resize"
+*   00:01:18.234 - "Take Screenshot"
+*   00:01:18.234 - "Add 1 element to..."
+*   00:01:19.934 - "Add 1 element to..."
+*   00:01:19.934 - "New Collection"
+*   00:01:19.934 - "weekly templates"
+*   00:01:19.934 - "Calendar"
+*   01:19:934 - "weekly schedule"
+*   01:19:934 - "Daily templates"
+*   01:19:934 - "Templates"
+*   01:22:067 - "TITLE: Untitled"
+*   01:23:434 - "weekly template"
+*   01:55:767 - "Split View"
+*   01:55:767 - "Slide Over"
+*   01:55:767 - "Close"
+*   02:30:734 - "DO this"
+*   02:30:734 - "Habit tracker"
+*   02:30:734 - "Reminder"
+*   02:32:000 - "Winter"
+*   02:34:000 - "Thanks for watching"
+*   02:34:000 - "SUBSCRIBE"
+*   02:34:000 - "DON'T FORGET TO SUBSCRIBE"
+*   02:34:000 - "@ashlee_digital_studio"
+
+---
+
+**People in the video:**
+
+*   **Ashley (Ashlee Digital Studio)**: The individual providing the voice-over narration and demonstrating the steps on the tablet. She identifies herself as Ashley with Ashlee Digital Studio at the beginning of the video.
+*   **Images of women**: Static images of women are visible on several planner pages (e.g., on the "To the Season to Sparkle" page, the "Vision Board," and the outro screen design). These are part of the digital planner's aesthetic and not active participants in the video's narrative.
+
+---
+
+**Summary of the video narrative:**
+
+The video, presented by Ashley from Ashlee Digital Studio, offers a tutorial on how to customize digital planner templates while maintaining the functionality of existing hyperlinks. Ashley demonstrates two distinct methods using an iPad and a stylus.
+
+The first method involves exporting a desired blank weekly template page as an image from the planner, saving it to the device's camera roll. She then re-imports this image as an overlay onto a pre-existing weekly page within the planner. Ashley meticulously shows how to crop the image to remove unnecessary elements and resize it to precisely cover the underlying template, ensuring that the critical month tabs (hyperlinks) on the right sidebar remain fully accessible and functional. She further enhances this method by showing viewers how to save the newly applied template as a reusable "sticker" or "element" within the planner's tools for quick access in the future.
+
+The second method demonstrates a more direct approach using the iPad's split-screen feature. Ashley opens the digital planner on one half of the screen and a file folder containing various pre-designed templates on the other. She then directly drags and drops a new template from the file folder onto the active planner page. Similar to the first method, she carefully resizes and positions this dragged template to replace the original layout, once again emphasizing the importance of not covering the hyperlinks.
+
+Throughout the tutorial, Ashley consistently verifies that the hyperlinks (such as navigating from the December calendar to a specific weekly page) continue to work seamlessly after the templates have been changed using either technique. The video concludes with an outro screen, where Ashley encourages viewers to like, subscribe, and leave comments for future video suggestions.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_GGB9zLfMwCs.txt b/raw/test/visual_info/output_GGB9zLfMwCs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e24ac4cacc6991ef57ee9ab5f3be17656485475f
--- /dev/null
+++ b/raw/test/visual_info/output_GGB9zLfMwCs.txt
@@ -0,0 +1,98 @@
+Here are the important visual events, text on screen, people, and a summary of the video narrative:
+
+**Important Visual Events**
+00:00:00.000- A young man with light brown hair and blue eyes, wearing a purple "CANADIAN" sweatshirt, sits in what appears to be the cabin of a boat. He is looking up and to the side, with his arms crossed over his chest, hands resting on his shoulders.
+00:00:15.867- The man shifts his arms, briefly showing a silver-colored watch on his left wrist. He then returns his hands to his shoulders.
+00:00:23.737- The man uncrosses his arms and looks straight at the camera. He gestures with his hands as he speaks.
+00:00:30.937- The man rests his chin on his right hand, looking thoughtful, then shifts his gaze upwards and to the right.
+00:00:39.737- He briefly touches his right cheek and then looks upwards again, appearing to ponder.
+00:00:44.277- He looks directly at the camera again and gestures with his hands.
+00:00:55.777- The man stretches his arms above his head, interlocking his fingers, then pulls them down behind his neck, stretching his neck.
+00:01:10.517- The man looks slightly upwards and to the right, then looks back at the camera.
+00:01:18.997- The man gestures with both hands, palms facing upwards, as if showing a restricted space.
+00:01:31.057- He widens his eyes, looking directly at the camera, then slightly to the side.
+00:01:40.067- The man crosses his arms over his chest again, hugging himself, and looks thoughtfully to the side.
+00:01:46.067- He uncrosses his arms and spreads his hands wide, palms open, then recrosses them.
+00:01:52.927- The scene transitions to a wide shot of a woman running on a sandy beach towards the camera. The sky is bright and slightly overcast, with a coastline visible in the distance. Footprints are visible in the sand.
+00:01:56.557- The camera quickly pans downwards, showing blurry brown sand, implying a drop or impact.
+00:01:58.077- The scene cuts back to the young man in the boat cabin, with his arms crossed over his chest, smiling.
+00:02:00:077- He opens his hands wide again, looking at them.
+00:02:06.877- He holds up a vintage-looking Super 8 film camera, black and silver, showing it to the viewer.
+00:02:16.037- He holds up a modern digital camcorder in his left hand, while still holding the Super 8 camera in his right. He gestures with both cameras.
+00:02:29.697- He looks to his left, holding the Super 8 camera, then another young woman appears from behind him on his left, smiling.
+00:02:30.567- A third young woman appears behind him and the first woman, also smiling. The first woman waves and the man gives a thumbs-up.
+00:02:37.797- The first woman leans forward and speaks to the camera, smiling. The other woman smiles in the background.
+00:02:43.797- The first woman on the left laughs and shakes her head, looking at the man. The woman in the middle smiles.
+00:02:46.907- The man leans back as the woman in the middle wraps her arms around him from behind, playfully restricting his movement. The woman on the left waves.
+00:02:51.647- The two women move out of frame, leaving the man alone in the shot.
+00:02:55.337- The man smiles broadly at the camera.
+00:03:07.497- He holds up the Super 8 camera again, showing it to the camera.
+00:03:10.157- He opens the side of the Super 8 camera, revealing the film loading compartment.
+00:03:19.497- He holds up the lens cap of the Super 8 camera, then gestures with his right hand.
+00:03:26.587- He points his index finger upwards, then puts it down.
+00:03:35.347- He waves his right hand to the camera as if dismissing the previous topic.
+00:03:36.197- The scene transitions to a shot of a "Dracaena draco" (Dragon Tree) against a clear blue sky.
+00:03:37.717- A pigeon flies past a building with a red-tiled roof and balconies, with the sun flaring in the top right of the frame.
+00:03:41.347- The scene cuts back to the young man in the boat cabin. He looks down and then up, rubbing his nose.
+00:03:48.067- The scene transitions to a different young woman (likely Jaden) inside the boat, wearing a blue and white striped shirt and white pants, clapping her hands and moving around playfully in a confined space. She has bracelets on her wrists.
+00:03:52.487- She stops in the middle of a galley/kitchen area on the boat, smiling widely at the camera. The space is filled with wooden cabinets, a sink, and various kitchen items.
+00:03:55.077- She makes a surprised face.
+00:03:57.067- She laughs, head tilted back.
+00:03:59.277- The scene cuts back to the young man in the boat cabin.
+00:04:00.087- The scene transitions to a different shot of Jaden in a small storage area on the boat, wearing a plaid shirt, making a playful pose with her arms crossed over her head.
+00:04:02.597- She laughs and lowers her head.
+00:04:03.207- The scene cuts back to the young man in the boat cabin.
+00:04:18.997- The young man gestures expansively with both hands.
+00:04:20.677- He shrugs and spreads his hands.
+00:04:28.457- He smiles and gives two thumbs up to the camera.
+00:04:36.577- He holds up the Super 8 camera, gesturing with it.
+00:04:40.897- He opens the side of the Super 8 camera again.
+00:04:51.367- He points both index fingers towards his eyes, then points them at the viewer, mimicking looking through a lens. He then gestures with his right hand.
+00:04:57.947- The video transitions to a "film reel" style footage. A Norwegian flag hangs on a pole next to a wooden building near a body of water, with mountains in the background. It is a rainy or misty day.
+00:05:03.117- A young woman (likely Jaden or another family member) in a white top looks out from a dark wooden interior, glancing at the camera, then looking away and back with a slight smile. Water and rocks are visible outside.
+00:05:07.577- The screen becomes speckled grey, typical of film leader or damaged film.
+00:05:11.837- A wide shot of a boathouse or small house on the water's edge, surrounded by green hills and trees under a grey sky.
+00:05:17.067- A wide shot from a moving vehicle, showing a large, green-covered mountain under a partly cloudy blue sky. Trees pass by quickly in the foreground.
+00:05:21.847- A young woman with glasses blows on a dandelion, looking out a car window. Mountains and a small town are visible in the background.
+00:05:24.447- A close-up of a woman in sunglasses smiling broadly, then opening her mouth wide in a joyful shout. She is outdoors by water with greenery.
+00:05:27.277- A view from above of someone jumping feet-first into water, creating a splash.
+00:05:29.077- A young man walks and dances down the middle of a rural road, stretching his arms out. Green hills and trees line the road.
+00:05:31.787- A close-up of a vibrant pink flower with a yellow center, surrounded by green leaves.
+0005:34:027- A brown horse with a light mane grazes in a green field.
+00:05:36.317- A person's hand reaches out to pet a dark horse's snout.
+00:05:38.977- A wide shot of a vast green field with a cloudy sky.
+00:05:40.577- The brown horse walks across the green field.
+00:05:41.837- A man in a dark hooded jacket and glasses smiles at the camera while walking in a field.
+00:05:43.157- A young woman with glasses looks at the camera with a surprised, open-mouthed expression. A horse is visible in the background.
+00:05:44.977- A young woman lies face down in a green grassy field, with her arm outstretched. The sky is partly cloudy.
+00:05:46.427- A young man with a backpack stands on a rocky outcrop, looking out at a vast mountainous landscape with a body of water below.
+00:05:48.377- A majestic view of a large mountain covered in clouds, with a waterfall cascading down its side into a body of water.
+00:05:51.347- A close-up shot of a powerful waterfall cascading down a green, rocky cliff.
+00:05:54.607- A scenic view of mountains and lush green forests, with a single tall tree in the foreground. Sunlight reflects off a wet rock face.
+00:05:58.837- The camera pans up across a mountainside towards a bright, cloudy sky with sun flare.
+00:06:00.067- A white multi-story house with a blue roof sits on a green hillside, surrounded by trees and a stone wall in the foreground.
+00:06:03.017- A circular buoy floats in wavy water, with reflections on the surface.
+00:06:05.187- A person in blue jeans and a dark jacket walks across a crosswalk in a desolate, rocky landscape, with snow-capped mountains in the background.
+00:06:07.727- The person throws a small object (possibly a rock) into the air.
+00:06:09.307- A panoramic view of large, blue-tinged icebergs floating in clear blue water, with snow-covered land in the background.
+00:06:12.797- The screen changes to a solid light orange/pink color with the handwritten text "LESH GOO" in the center, and a film reel border effect.
+00:06:19.457- The video fades to black.
+
+**Text on Screen**
+*   00:00:00.000 - "ponder."
+*   00:06:12.797 - "LESH GOO"
+
+**People in the Video**
+*   **Main Narrator (Young Man):** A young man with light brown hair and blue eyes, wearing a purple "CANADIAN" sweatshirt. He is the main speaker and subject of the video. He decided to take a break from social media (2.5-4 weeks) and found himself more appreciative and creative. He spent the past month traveling Northern Europe with his family, taking a break from living on their sailboat. He experienced setbacks like getting sick, locking himself out of his phone, and his camera lens breaking. He loves cameras and telling stories uniquely, purchasing a vintage 8mm film camera for the trip, which his dad later broke.
+*   **Woman running on beach:** A young woman, likely a family member, seen running on a beach. No specific name or relation is provided.
+*   **Woman with glasses (appears in film footage):** An adult woman, likely the mother, seen smiling and laughing outdoors.
+*   **Jaden Morris:** A young woman who is a "boat girl" like the narrator, living on a boat with her own family. She flew out to join them about a week and a half prior and will be staying for a few months, including doing the Atlantic crossing with them in December. She is portrayed as playful.
+*   **Another Woman (appears behind narrator with Jaden):** A young woman who appears briefly with Jaden and the narrator, smiling. No specific name or relation is provided.
+*   **Man in hooded jacket/glasses (appears in film footage):** An adult man, likely the father, seen smiling and walking in a field. He is mentioned by the narrator as breaking his new film camera.
+
+**Summary of the Video Narrative**
+The video opens with a young man sitting in his boat cabin, reflecting on his decision to take a month-long break from social media. He explains that he found himself spending too much time scrolling through content and wanted to be more present, appreciate the world, and be more creative. He advocates for taking digital breaks.
+
+He then transitions to discussing his recent month-long trip through Northern Europe with his family, taken as a break from their usual sailboat life. He describes the beginning of the trip as "rough," detailing how he and his family got sick, he got locked out of his phone, and his camera lens broke on a beach. To continue documenting their journey, he bought a vintage 8mm film camera.
+
+He introduces Jaden Morris, a friend who has joined them on the boat and will be sailing with them for the next few months, including the Atlantic crossing. The video then concludes with a montage of short, grainy clips filmed with the 8mm camera, showcasing scenic landscapes of Northern Europe, including mountains, fjords, waterfalls, horses, and icebergs, as well as candid moments with his family and Jaden, providing a visual representation of their travels. He reiterates his love for cameras and storytelling, even despite the challenges faced with his equipment during the trip.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_GopgKZcpvI8.txt b/raw/test/visual_info/output_GopgKZcpvI8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a96d2654ee2857746c3f764d63f5a19a47ec3797
--- /dev/null
+++ b/raw/test/visual_info/output_GopgKZcpvI8.txt
@@ -0,0 +1,87 @@
+Here are the details from the video:
+
+**Important Visual Events**
+
+00:00:00.000 - A black, pebbled leather handbag with soft, folded handles sits centrally on a light wooden table against a plain white background. A thin black shoulder strap is visible draped to the right side of the bag.
+00:00:08.500 - A female hand with light brown skin and dark red polished fingernails reaches into the frame from the bottom right and gently touches the side of the bag, then moves to grasp one of the handles.
+00:00:13.500 - The hand lifts the bag slightly and rotates it counter-clockwise to show its side profile, revealing the shoulder strap attached and hanging down onto the table.
+00:00:15.500 - The hand places the bag back down on the table, returning it to its original front-facing position.
+00:00:17.300 - The hand gestures across the bag from left to right as if presenting it.
+00:00:21.500 - The scene transitions from the black bag on the table to a superimposed view of the bag with a white box with gold text on it, then a close-up of the white box.
+00:00:22.500 - The camera focuses on the white rectangular box with gold text "NUMÉRO neuf POLÈNE" resting on a wooden surface, with a green potted plant blurred in the background.
+00:00:24.000 - A hand reaches in and opens the lid of the box, revealing tissue paper and a postcard inside.
+00:00:27.000 - The hand removes the postcard from the box, bringing it closer to the camera. The postcard features a woman in a long white dress holding a small pink handbag, with "POLÈNE" and "Haute Maroquinerie" text.
+00:00:29.500 - The hand places the postcard down on the table next to the open box.
+00:00:30.000 - The hand reaches into the box and pulls out a large bundle of white tissue paper with repeating "POLÈNE" logos printed on it, revealing a dust bag underneath.
+00:00:33.000 - The hand places the crumpled tissue paper onto the table next to the box.
+00:00:36.000 - The hand lifts a cream-colored dust bag with a black drawstring. The word "POLÈNE" is printed in black on its side.
+00:00:41.000 - The hand opens the top of the dust bag, revealing the black handbag inside.
+00:00:45.000 - The hand lifts the black handbag out of the dust bag and places it on the table next to the dust bag.
+00:00:48.500 - The camera zooms in slightly on the black handbag.
+00:00:49.000 - A hand reaches into the bag and pulls out the shoulder strap, showing it briefly to the camera.
+00:00:54.000 - The hand holds up the black leather strap, showcasing its adjustable features and gold hardware against the blurred "POLÈNE" dust bag in the background.
+00:00:59.500 - The hand attaches the strap to the side of the bag using a small gold button fastener.
+00:01:13.500 - The hand holds the bag and rotates it to show the bottom, then the back, highlighting the stitching and textured leather.
+00:01:23.500 - The hand demonstrates how to attach the strap by looping it through a ring and securing it with a small button.
+00:01:40.000 - The hand holds the strap to demonstrate its adjustable length by showing the different holes for the fastener.
+00:01:44.000 - The hand places the bag back on the table, restoring its front-facing view.
+00:01:48.500 - The hand places a pair of dark sunglasses with a tortoise shell frame to the right of the bag on the table.
+00:01:53.000 - The hand places a black quilted wallet with a gold zipper to the right of the sunglasses on the table.
+00:01:58.500 - The hand places a black Kate Spade card holder onto the black quilted wallet.
+00:02:02.000 - The hand places a small brown leather cash holder with a round gold button closure onto the card holder.
+00:02:07.000 - The hand picks up the black quilted wallet and attempts to place it inside the bag; the opening appears somewhat tight.
+00:02:21.000 - The hand places a packet of "ultra soft" tissues into the bag.
+00:02:26.500 - The hand places a clear plastic bag containing various pills and small medical items (with "Triple Antibiotic" visible) into the bag.
+00:02:42.500 - The hand places the sunglasses into the bag.
+00:02:50.500 - The hand places a set of car keys into the bag.
+00:02:57.500 - The hand places a small purple and white floral AirPods case into the bag.
+00:03:02.500 - The hand places a white mini charger (with "gigastone" visible) into the bag.
+00:03:09.500 - The hand opens the bag to show the contents inside, which are neatly packed but the bag appears full.
+00:03:15.500 - The hand places a blue and silver pen (with "THE PLAZA" text) into the bag.
+00:03:22.500 - The hand briefly lifts the bag off the table to demonstrate its weight when filled.
+00:03:38.000 - The hand begins removing all items from the bag: car keys, charger, pen, sunglasses, EDC pouch, tissues, and quilted wallet.
+00:04:06.000 - The hand introduces a larger black "COACH" embossed pouch with a gold zipper and charm, placing it on the table.
+00:04:13.000 - The hand attempts to place the tissues, then the EDC pouch inside the "COACH" pouch.
+00:04:31.000 - The hand places the "COACH" pouch (with the tissues and EDC inside) into the main bag, noting it's a very tight fit.
+00:04:47.000 - The hand removes the "COACH" pouch from the bag, stating it's too tight. It also removes the EDC pouch and tissues from the "COACH" pouch.
+00:04:52.000 - The hand puts the EDC pouch back into the main bag.
+00:04:57.000 - The hand puts the tissues back into the main bag.
+00:05:02.000 - The hand places the black "Kate Spade NEW YORK" card holder and then the brown cash holder into the main bag.
+00:05:14.000 - The hand places the AirPods case into the main bag.
+00:05:17.000 - The hand places the car keys into the main bag.
+00:05:19.500 - The hand places the charger into the main bag.
+00:05:22.500 - The hand places the pen into the main bag.
+00:05:25.000 - The hand places a red smartphone with a clear, glittery case into the main bag.
+00:05:32.000 - The hand shows the contents of the bag again, demonstrating everything fits, though snugly.
+00:05:36.000 - The hand closes the magnetic clasp of the bag.
+00:05:36.500 - The hand lifts the bag to show its weight.
+00:05:40.000 - The hand demonstrates how the strap can be worn or removed.
+00:05:51.000 - The hand picks up the black quilted wallet (removed earlier) and attempts to place it back into the bag with all the other items, but it's a very tight squeeze.
+00:06:08.000 - The hand eventually decides to keep the quilted wallet out, suggesting it could be used as a makeup pouch separately.
+00:06:09.500 - The final shot shows the black handbag on the table with various items (sunglasses, card holder, cash holder, pen, charger, AirPods, keys, tissues, and the unused quilted wallet/makeup pouch) scattered around it.
+
+**Text on Screen**
+
+*   00:00:22.500 - NUMÉRO neuf POLÈNE
+*   00:00:27.000 - POLÈNE
+*   00:00:27.000 - Haute Maroquinerie
+*   00:00:27.000 - www.polene-paris.com
+*   00:00:40.000 - POLÈNE
+*   00:01:40.000 - I meant length
+*   00:02:21.000 - ultra soft
+*   00:02:21.000 - SOULOVE LIFE
+*   00:02:26.500 - Triple Antibiotic Ointment
+*   00:02:26.500 - EXP 05/2024
+*   00:02:26.500 - DermaC++
+*   00:03:02.500 - gigastone
+*   00:03:15.500 - THE PLAZA
+*   00:05:02.000 - kate spade NEW YORK
+*   00:04:06.000 - COACH
+
+**People in the Video**
+
+Only the hands of a female individual are visible throughout the video. Based on the narration, she is the owner of the bag and is demonstrating its features and capacity. We know she wears a ring on her left ring finger. No other personal information is revealed.
+
+**Video Narrative Summary**
+
+The video is a "What's in my bag" style review of the Polène Numéro Neuf Mini handbag in black. The narrator begins by introducing the bag, highlighting its "dumpling-like" appearance and its brand. She then inserts clips from her unboxing video, showing the bag arriving in a beautiful white box, wrapped in tissue paper, and contained within a high-quality dust bag. The narrator then demonstrates the bag's features, including its magnetic closure, the high quality of its leather, and the adjustable shoulder strap that allows it to be worn as a crossbody. The main part of the video involves the narrator attempting to fit various everyday essentials into the mini bag. She successfully fits a quilted wallet, tissues, an Everyday Carry (EDC) pouch with pills, sunglasses, car keys, AirPods, a mini charger, and a pen. She notes that the opening is a bit tight for larger items. She then experiments with a larger "COACH" pouch, but finds it makes the bag too tight and difficult to access other items, so she removes it. Finally, she shows that a smaller card holder and cash holder fit well alongside the other essentials, as does her smartphone. She concludes by reiterating the bag's suitability for running errands or for a date night, emphasizing its versatility and how it can elevate an outfit.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_HCy7A7qjXYA.txt b/raw/test/visual_info/output_HCy7A7qjXYA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..29778d64ef9d0dacd7ddacc3895d7f2fe72f6cbf
--- /dev/null
+++ b/raw/test/visual_info/output_HCy7A7qjXYA.txt
@@ -0,0 +1,181 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A wide shot of a city skyline with distant mountains at dusk, framed with an old film border and rounded corners.
+00:00:08.575 - The text "SEPTEMBER 2023" appears centered on the screen.
+00:00:11.875 - A young man (the narrator), wearing glasses, a white t-shirt, and a backpack, stands in a golden-brown field, holding a microphone and speaking to the camera.
+00:00:31.025 - The narrator lowers his gaze and the microphone slightly.
+00:00:31.900 - The screen transitions to a faded pink/orange background with the text "CHAPTER 1 A YEAR AGO".
+00:00:33.400 - The background color changes to a solid grey, still showing "CHAPTER 1 A YEAR AGO".
+00:00:37.050 - The narrator reappears in the field, now also holding a smartphone, with a brief red light flare on the right.
+00:00:38.900 - A group of young adults are gathered indoors around a table in low, warm lighting, conversing.
+00:00:41.800 - The narrator reappears in the field, gesturing with both hands as he speaks.
+00:00:43.700 - An aerial view of a university campus with large stone buildings, autumn trees, and a body of water in the background.
+00:00:46.075 - Inside a multi-level university library, students are walking through a large hall and sitting at study tables.
+00:00:48.800 - The narrator reappears in the field, speaking and gesturing with an open palm.
+00:00:50.400 - A view of a tidy bedroom with a bed, desk, and clothes rack. Posters are visible on the walls.
+00:00:51.900 - Students are sitting in a lecture hall; the narrator is visible in the foreground looking to the right.
+00:00:53.400 - Two young men, including the narrator, smile directly at the camera in a selfie-style shot.
+00:00:54.400 - The narrator is seen from behind, sitting at a wooden study carrel in a library, looking at a laptop.
+00:00:55.300 - The narrator reappears in the field, speaking and gesturing.
+00:00:56.900 - The narrator walks through library aisles filled with bookshelves, seen from behind with a backpack.
+01:00:02.100 - The narrator reappears in the field, speaking and gesturing.
+01:06:500 - The narrator is sitting in his bedroom chair, holding a water bottle, looking contemplative.
+01:11:500 - The narrator reappears in the field, speaking and gesturing.
+01:13:900 - The narrator sits in his bedroom chair, wearing headphones and glasses, looking at a screen out of frame.
+01:15:300 - A close-up of the narrator's face, looking seriously at the camera, wearing glasses.
+01:16:300 - Students in a lecture hall, with the narrator visible in the foreground.
+01:17:800 - The narrator is in his bedroom, adjusting his glasses while looking at a screen.
+01:18:700 - The narrator reappears in the field, speaking and gesturing.
+01:26:900 - The narrator is outdoors on a sunny day with autumn trees, looking down at his phone.
+01:30:400 - The narrator reappears in the field, speaking and gesturing.
+01:35:100 - A young man (the narrator) stands with his back to the camera, looking out over a large body of water at sunset, framed by a black metal fence.
+01:38:000 - The narrator reappears in the field, speaking and gesturing.
+01:43:200 - The screen transitions to black.
+01:44:200 - The screen transitions to a solid grey background with the text "CHAPTER 2 A DECISION".
+01:49:500 - The narrator reappears in the field, speaking passionately and gesturing with the microphone.
+02:18:800 - The text "CALGARY ALBERTA" appears over a view from inside a moving car, showing a city skyline at dusk reflected in the side mirror.
+02:27:700 - An aerial view of Calgary's downtown skyline with a river, autumn trees, and a bridge. The text "CALGARY ALBERTA" is centered.
+02:30:900 - A white sedan is parked in a large empty parking lot with autumn trees. The narrator is sitting on the car's trunk, looking at the camera.
+02:52:900 - The narrator reappears in the field, speaking to the camera.
+03:05:800 - The screen transitions to black.
+03:06:800 - The screen transitions to a solid grey background with the text "CHAPTER 3 I THINK I'LL WEAR SHORTS TODAY".
+03:11:100 - The background changes to a faded pink/orange, still showing the chapter title.
+03:11:800 - The narrator walks left across the field, holding the microphone and speaking.
+03:19:900 - The narrator takes a selfie video with a friend in a park, with a city skyline in the blurred background.
+03:42:800 - A close-up of the narrator wearing a cap and sunglasses, smiling.
+03:44:900 - Two young men are in a car, the narrator driving and a friend in the passenger seat.
+03:45:900 - A white car is shown at a gas station at night, with a person filling it up.
+03:47:000 - The narrator is driving the car, looking to the side and smiling.
+03:47:800 - Two young men, one shirtless (narrator) and another with red hair and sunglasses, are on a boat looking at the camera.
+03:50:800 - The narrator stands on a wooden railing, overlooking the Calgary skyline at sunset.
+03:53:000 - A young man in hiking gear stands on a rock, looking out at a large mountain.
+03:54:900 - A lively outdoor market scene with many white tents and people.
+03:57:000 - A group of hikers are gathered around a picnic table by a clear lake with mountains in the background.
+03:58:800 - A group of young people are seated on the deck of a boat, one playing a guitar.
+04:00:200 - Two young men are by a lake shore with chairs, preparing something. Mountains are in the background.
+04:02:800 - A dark, indoor shot of people dancing and enjoying themselves, lit with blue light.
+04:04:100 - The narrator, shirtless and wearing sunglasses, takes a selfie video with a friend on a sunny beach.
+04:05:400 - Four young people play spikeball on a green grassy field.
+04:06:400 - Two young men on a boat, one wearing a cowboy hat, looking out.
+04:07:600 - A dark, indoor shot of people dancing, similar to 04:02:800.
+04:09:800 - An aerial view from a bridge overlooking a river, with mountains and autumn foliage.
+04:11:400 - A white car with its door open is parked at night in a desolate area.
+04:11:900 - A young man with a camera, looking to the side and smiling.
+04:12:900 - A person standing near a large waterfall, looking up at it.
+04:14:800 - A young woman with long hair smiles at the camera.
+04:15:600 - A young man with binoculars on a boat, while another young man looks at the camera.
+04:17:000 - A wide shot of a tranquil, misty lake surrounded by mountains.
+04:17:900 - A group of hikers cross a wooden bridge over a stream in a forest.
+04:19:100 - A winding paved path leading down from a hill, overlooking a river and distant city.
+04:21:500 - People are swimming and playing in a lake with a beach and mountains.
+04:23:700 - Two people stand on a grassy hill overlooking a city skyline at sunset.
+04:26:000 - An aerial view of a city with a winding river and autumn trees at sunset.
+04:28:900 - Two young men are silhouetted against a sunset sky; one jumps from a platform into the water.
+04:30:100 - A large splash as a person hits the water.
+04:31:300 - The narrator emerges from the water, smiling.
+04:33:600 - A view from inside a car driving towards a city skyline at dusk, with streetlights visible.
+04:34:900 - The narrator, wearing hiking gear, takes a selfie video in a forest.
+04:36:200 - A serene lake is framed by tall pine trees and mountains.
+04:37:200 - A view from inside a car driving towards a city skyline, similar to 04:33:600.
+04:39:100 - A house boat cruises across a vast lake with distant mountains.
+04:40:900 - The narrator is inside the house boat, looking around and smiling.
+04:43:200 - An aerial view of a residential area with autumn trees and a distant city.
+04:45:100 - Tents are set up on a rocky ground at the base of a mountain, surrounded by pine trees, at sunrise.
+04:46:200 - A view from inside a car driving on a highway through a mountain valley at dusk.
+04:47:900 - A glimpse into a brightly lit bedroom with a bed and a large window.
+04:49:100 - Two young men are silhouetted against a sunset; one gives a thumbs up before jumping off a platform into the water.
+04:50:800 - A close-up aerial view of skyscrapers in a city at sunset.
+04:52:000 - A view from inside a car driving towards a city skyline.
+04:52:900 - A blurry, fast-paced shot of feet walking through tall grass.
+04:53:700 - A young man walks up a grassy hill towards a city skyline at sunset.
+04:58:000 - The screen transitions to black.
+04:58:900 - The screen transitions to a solid grey background with the text "CHAPTER 4 9+10".
+05:02:500 - The background transitions to faded pink/orange, still showing the chapter title.
+05:03:000 - The narrator walks towards the camera in the field, speaking into the microphone.
+05:05:400 - The narrator remains facing the camera in the field, speaking.
+05:09:900 - The narrator remains facing the camera in the field, speaking.
+05:13:900 - The narrator remains facing the camera in the field, speaking.
+05:19:000 - The narrator remains facing the camera in the field, speaking.
+05:29:000 - The screen transitions to a dark room with a TV screen displaying "CHAPTER 5 A YEAR IN REVIEW", framed with an old film border.
+05:31:000 - A hand operates a TV remote control.
+05:32:000 - The text "CHAPTER 5 A YEAR IN REVIEW" appears again with TV static.
+05:36:200 - Old film style clip of a silhouette of a person on a beach by a lake at sunset.
+05:37:600 - Old film style clip of a group of young men waiting outside a store.
+05:39:600 - Old film style clip of a close-up of a person wearing a striped poncho.
+05:40:800 - Old film style clip of a group of young men gathered around a kitchen island, looking at phones.
+05:43:000 - Old film style clip of a young woman laughing by a lake.
+05:44:000 - Old film style clip of a dog looking at a hand offering a high-five.
+05:45:600 - Old film style clip of a young man in sunglasses smiling at the camera in a store.
+05:47:000 - Old film style clip of a young woman standing by an outdoor bar, pointing and smiling.
+05:48:000 - Old film style clip of a hand reaching out.
+05:49:500 - Old film style clip of a silhouette of a person standing on a hill overlooking a city at sunset.
+05:51:300 - Old film style clip of the narrator looking up and talking, wearing a yellow hoodie.
+05:52:700 - Old film style clip of a close-up of the narrator's mouth.
+05:53:600 - Old film style clip of a close-up of the narrator's face, smiling, wearing glasses.
+05:54:900 - Old film style clip of two young women smiling at the camera.
+05:56:000 - Old film style clip of hands holding a phone, looking at a picture on its screen.
+05:57:400 - Old film style clip of the narrator and another young man, both wearing "QUEEN'S" basketball jerseys, smiling at the camera.
+06:01:000 - Old film style clip of a banner reading "MAKE ABERDEEN GREAT AGAIN" on a porch.
+06:02:800 - Old film style clip of two young men walking through a wooded area, one supporting the other.
+06:04:900 - Old film style clip of a group of students gathered in a lecture hall.
+06:07:000 - Old film style clip of students walking outside a stone university building.
+06:08:200 - Old film style clip of a young man with sunglasses, holding a drink and smiling.
+06:09:400 - Old film style clip of a close-up of a person's back wearing a blue jacket, in a snowy landscape.
+06:10:400 - Old film style clip of two people hugging in a snowy landscape.
+06:11:000 - Old film style clip of a blurry shot of people dancing indoors.
+06:11:800 - Old film style clip of people gathered on a beach with a grill.
+06:13:000 - Old film style clip of fireworks exploding over a city at night.
+06:14:800 - Old film style clip of a person pointing towards a distant mountain over a body of water.
+06:15:900 - Old film style clip of a young woman looking out over a lake, with her back to the camera.
+06:17:100 - Old film style clip of a young man standing on a hill overlooking the city skyline at sunset.
+06:18:600 - Old film style clip of the narrator in the field, holding the microphone and smiling at the camera.
+06:20:700 - The narrator in the field, seen from the back, walks away from the camera.
+06:21:900 - The text "@BYJASONZ" appears on the screen.
+
+**Text on Screen:**
+
+*   00:00:08.575 - SEPTEMBER 2023
+*   00:00:31.900 - CHAPTER 1 A YEAR AGO
+*   01:44:200 - CHAPTER 2 A DECISION
+*   02:18:800 - CALGARY ALBERTA
+*   03:06:800 - CHAPTER 3 I THINK I'LL WEAR SHORTS TODAY
+*   03:41:900 - i feel like i say this every summer
+*   03:42:800 - but this summer was definitely one of the best yet.
+*   03:47:800 - ive only lived 21 summers and can only remember like half
+*   03:50:800 - but this one was special i know it
+*   03:54:900 - maybe it was because of everything i did
+*   03:57:000 - or maybe it was the people i surrounded myself with
+*   03:58:800 - made new friends and spent time with old friends
+*   04:00:200 - went on more trips than any other summer
+*   04:02:800 - saw some pretty cool things
+*   04:04:100 - did some pretty cool things
+*   04:05:400 - explored the city and the mountains
+*   04:06:400 - and went on a perfect boat trip for my birthday
+*   04:07:600 - it wasnt always perfect
+*   04:09:800 - but thats the funny thing about memories
+*   04:11:400 - you only ever hold onto the good ones.
+*   04:58:900 - CHAPTER 4 9+10
+*   05:29:000 - CHAPTER 5 A YEAR IN REVIEW
+*   06:21:900 - @BYJASONZ
+
+**People in the Video:**
+
+*   **The Narrator/Protagonist:** A young East Asian man with dark, curly hair and glasses. He is the central figure, speaking directly to the camera in a field setting as he reflects on his past year. He turned 21 a few weeks before September 2023. He was studying engineering at Queen's University (implied by the "QUEEN'S" jersey and university campus shots), but decided to take a break from school in January 2023 to gain work experience. He moved to Calgary, Alberta, for this opportunity, a place he initially knew little about. He describes himself as an "anxious kid" who likes to plan things but learned to adapt when his plans changed.
+*   **Friends:** Various young men and women are seen throughout the video in different social contexts: gathering indoors, walking on campus, taking selfies, at a lecture, playing spikeball, hiking, on a boat, at a market, and at parties. They represent his social circle both at university (Saskatchewan/Queen's) and in Calgary, with the narrator mentioning "leaving all my friends behind" and later "made new friends and spent time with old friends." No specific names are provided for these individuals.
+*   **A Dog:** A light-colored (possibly yellow Labrador) dog is briefly shown indoors.
+
+**Summary of the Video Narrative:**
+
+The video is a reflective journey chronicling a young man's life-changing year from September 2022 to September 2023, as he turns 21.
+
+**Chapter 1: A Year Ago** begins with the narrator reflecting on his 20th birthday and the start of his third year of engineering at Queen's University. He describes having a clear plan for his life, but soon found his routine repetitive and started questioning his choices, feeling confused and lost. Despite this, he completed the semester as planned.
+
+**Chapter 2: A Decision** details a pivotal moment. In January 2023, he decided not to return to school for the second semester, choosing instead to pursue an engineering internship in Calgary, Alberta. This meant leaving his friends and moving to an unfamiliar city, deviating entirely from his original life plan. He experienced a "weird transitional period," feeling left out as his friends continued their studies.
+
+**Chapter 3: I Think I'll Wear Shorts Today** covers his summer in Calgary. Friends from school also began moving to Calgary for internships, providing him with companionship. He recounts a summer filled with new experiences: making new friends, spending quality time with old friends, exploring the city and mountains, hiking, boating, and enjoying outdoor events. He notes that despite challenges, memories tend to highlight the good times, making it a special summer.
+
+**Chapter 4: 9+10** brings the narrative to the present. The narrator reflects on being a year older with unexpected experiences and life lessons. He emphasizes that none of the significant events of the past year were part of his initial plan, including moving or leaving school early. He concludes that life is unpredictable, and perhaps the best approach is to simply "be along for the ride," acknowledging that there might not be a single "right way."
+
+**Chapter 5: A Year in Review** serves as a visual montage, summarizing his journey with clips from both his university life and his new adventures in Calgary. The old film aesthetic applied to these clips reinforces the idea of looking back on a transformative year. The video ends on a note of freedom and acceptance, concluding that despite plans changing, he found happiness and valuable experiences.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_HER9QvXa1CA.txt b/raw/test/visual_info/output_HER9QvXa1CA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3ce9b60e2c4f30a9854fd43fd643abdd37090f61
--- /dev/null
+++ b/raw/test/visual_info/output_HER9QvXa1CA.txt
@@ -0,0 +1,71 @@
+Here are the details from the video:
+
+**Important Visual Events with Timestamps:**
+00:00:00.000 - The video opens with a title card displaying "Stuck at Home SCIENCE" in black and purple text, along with the "California Science Center" logo, on a light purple background with a darker purple border.
+00:00:04.600 - The title card transitions to a live video feed of a man sitting on a beige couch in a brightly lit living room, with a "LIVE" indicator and the California Science Center logo in the corners.
+00:00:05.700 - The man, wearing a black t-shirt, red shorts, and a black cap, walks into the frame from the right and sits down on the couch.
+00:00:41.933 - The video transitions to a solid orange screen with the "LIVE" indicator and the California Science Center logo.
+00:00:43.333 - The orange screen transitions to a live video feed of an adult woman with dreadlocks (Marissa) and a young girl (Kenzie) in a white lab coat sitting at a white table.
+00:01:00.200 - Kenzie picks up a round metal lid and holds it up for the camera to see.
+00:01:03.000 - Kenzie puts down the lid and picks up three rubber bands, showing them to the camera.
+00:01:09.500 - Kenzie begins to stretch and attach the rubber bands across the metal lid.
+00:01:32.900 - Kenzie holds up the finished "mini guitar" made from the lid and three rubber bands.
+00:01:33.400 - Marissa holds up her own identical "mini guitar" made from a lid and rubber bands.
+00:01:35.400 - Kenzie strums the rubber bands on her "mini guitar," making a sound.
+00:01:37.300 - Marissa strums the rubber bands on her "mini guitar," making a sound.
+00:01:40.700 - Kenzie starts singing and strumming her instrument.
+00:01:41.500 - Marissa joins Kenzie in singing and strumming.
+00:01:47.300 - Both Marissa and Kenzie raise their hands in excitement.
+00:01:53.700 - Kenzie pulls a row of four glass jars filled with different levels of colored water into view, and Marissa helps arrange them.
+00:02:04.000 - Kenzie picks up a wooden stick and starts tapping the jars, creating different musical notes.
+00:02:14.300 - Marissa also taps one of the jars with a stick.
+00:02:18.000 - Both Marissa and Kenzie raise their hands in excitement again.
+00:02:24.000 - Marissa and Kenzie slide the jars off to the right side of the screen.
+00:02:28.000 - Kenzie holds up a tall, narrow glass jar filled with small, light-colored beans and points to its lid.
+00:02:37.000 - Kenzie shakes the jar, producing a rattling sound.
+00:02:40.500 - Marissa takes the jar and shakes it, making the same rattling sound.
+00:02:43.700 - Marissa and Kenzie put the jar down on the table.
+00:02:44.800 - A blue text box with the heading "Sound" and an explanation appears on the left side of the screen.
+00:03:00.000 - Marissa picks up a brown glass bottle and blows across its opening, creating a whistling sound.
+00:03:07.000 - Kenzie takes the bottle and blows across its opening, also producing a sound.
+00:03:10.500 - Kenzie and Marissa put the bottle down.
+00:03:11.000 - The blue text box disappears from the screen.
+00:03:39.000 - Marissa and Kenzie wave goodbye to the camera.
+00:03:40.800 - The video transitions through an orange and red split screen, then to a solid orange screen.
+00:03:43.400 - The video transitions back to Reggie on the couch in the living room, in the same shot as his introduction.
+00:03:54.600 - Facebook and Instagram logos appear on the bottom left of the screen.
+00:03:57.100 - The text "#StuckAtHomeScience" appears below the social media logos.
+00:04:10.900 - The screen transitions to a light purple background with a diagonal darker purple line, then to a black screen.
+00:04:12.600 - White text "TO DOWNLOAD THIS ACTIVITY AND MORE" appears on the black screen.
+00:04:15.500 - The text changes to "VISIT OUR WEBSITE".
+00:04:18.000 - The text changes to "WWW.CALIFORNIASCIENCECENTER.ORG /STUCKATHOME".
+00:04:24.000 - The video transitions back to the initial title card with "Stuck at Home SCIENCE" and "California Science Center" logo.
+00:04:49.000 - The video concludes on the title card.
+
+**Text on Screen:**
+*   00:00:00.000 - 00:00:04.600: Stuck at Home SCIENCE
+*   00:00:00.000 - 00:00:04.600: California Science Center
+*   00:00:04.600 - 00:00:41.933: LIVE
+*   00:00:04.600 - 00:00:41.933: California Science Center (logo)
+*   00:00:43.333 - 00:02:44.800: LIVE
+*   00:00:43.333 - 00:02:44.800: California Science Center (logo)
+*   00:02:44.800 - 00:03:11.000: Sound
+*   00:02:44.800 - 00:03:11.000: Sound is a vibration that can be heard, caused when something shakes! This vibration can travel through solids, liquids, and gases. Our ears hear sound best when it travels through air!
+*   00:03:43.400 - 00:04:10.900: LIVE
+*   00:03:43.400 - 00:04:10.900: California Science Center (logo)
+*   00:03:54.600 - 00:04:10.900: (Facebook logo)
+*   00:03:54.600 - 00:04:10.900: (Instagram logo)
+*   00:03:57.100 - 00:04:10.900: Tag us with #StuckAtHomeScience
+*   00:04:12.600 - 00:04:15.500: TO DOWNLOAD THIS ACTIVITY AND MORE
+*   00:04:15.500 - 00:04:18.000: VISIT OUR WEBSITE
+*   00:04:18.000 - 00:04:24.000: WWW.CALIFORNIASCIENCECENTER.ORG /STUCKATHOME
+*   00:04:24.000 - 00:04:49.000: Stuck at Home SCIENCE
+*   00:04:24.000 - 00:04:49.000: California Science Center
+
+**People in the Video:**
+*   **Reggie:** A male presenter from the California Science Center. He introduces the "Stuck at Home Science" segment, discusses the theme of engineering, and concludes the video by encouraging viewers to share their own activities.
+*   **Marissa:** An adult female with blonde dreadlocks, likely an educator or presenter associated with the California Science Center. She guides Kenzie through the activities, provides scientific explanations, and co-hosts the middle segment of the video. She wears a "GOT CAMP?" t-shirt, suggesting involvement with a camp program.
+*   **Kenzie:** A young girl with curly brown hair, presented as a "special guest" working with Marissa. She wears a lab coat and actively participates in demonstrating the science activities, such as building instruments and playing them. Her role is to make the science relatable and engaging for younger audiences.
+
+**Summary of the Video Narrative:**
+The video, titled "Stuck at Home SCIENCE," is presented by the California Science Center to engage viewers with science activities they can do at home. Reggie, a presenter, introduces the concept of engineering and creating new things from existing materials. He then hands it over to Marissa and Kenzie, who demonstrate how to build several musical instruments using common household items. They create a "mini guitar" from a lid and rubber bands, a "xylophone" by tapping glass jars with varying water levels, a "maraca" from a jar filled with beans, and a "whistle" by blowing across a bottle. Marissa explains that sound is a vibration that travels through different mediums. The video concludes with Reggie encouraging viewers to share their own home science projects on social media using the hashtag #StuckAtHomeScience, aiming to make people feel "a little less stuck at home" through scientific exploration.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_HLct-17036M.txt b/raw/test/visual_info/output_HLct-17036M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6b7ddaf9186630ce47eb9a59ac121625fe67e10c
--- /dev/null
+++ b/raw/test/visual_info/output_HLct-17036M.txt
@@ -0,0 +1,311 @@
+Here is a detailed breakdown of the video narrative, important visual events with timestamps, on-screen text, people in the video, and a summary.
+
+**Important Visual Events**
+
+00:00:00.000 - The video opens showing a smartphone screen displaying an Instagram feed, with various square photos and the username "haleypham" visible at the top.
+00:00:01.320 - The screen transitions to a single Instagram post of a girl in a patterned sweater, standing against a red wall, showing engagement metrics and options like "View Insights" and "Boost Post."
+00:00:02.820 - A grid of nine identical photos of the girl in the patterned sweater appears, slowly zooming out.
+00:00:03.950 - The grid of nine photos changes to show different poses of the girl adjusting her hair.
+00:00:05.180 - The grid changes again, displaying nine different poses of the girl adjusting her sweater.
+00:00:06.450 - The grid shows nine more poses of the girl, adjusting her arm or purse.
+00:00:07.490 - The final grid of nine photos shows the girl smiling with her arms crossed.
+00:00:08.060 - The scene shifts to a girl in a dark jumpsuit and white baseball cap posing in a grassy backyard with a wooden fence, while a boy in a black t-shirt and shorts takes her picture with an iPhone.
+00:00:09.130 - The girl and boy huddle together, looking at the photo on the iPhone.
+00:00:10.530 - The girl hands the iPhone back to the boy, signaling him to take more photos.
+00:00:11.830 - A small dog in a green and blue striped sweater walks into the frame from the right as the girl and boy continue to look at the phone.
+00:00:14.730 - The girl poses again, gesturing with her hands, as the boy takes more pictures.
+00:00:17.160 - A hand holds an Olympus film camera against the backdrop of a sandy beach, with the ocean and distant houses visible at sunset.
+00:00:18.160 - A hand holds a stack of yellow and blue Kodak Ultramax film boxes.
+00:00:19.060 - The girl in the dark jumpsuit from the backyard is now holding a manual film camera (Canon AE-1), smiling at the boy who stands next to her.
+00:00:23.700 - The main vlogger (Haley) is seen indoors, wearing a green jacket and brown top, looking up and talking, then smiling at the camera.
+00:00:26.500 - A blurry, dark view through a camera viewfinder shows a girl's face.
+00:00:27.770 - Close-up of hands opening an Olympus film camera.
+00:00:28.970 - A Canon AE-1 film camera with a black strap is shown lying on a green and white checkered blanket.
+00:00:30.070 - The same hand from 00:00:17.160 holds the Olympus camera on the beach, with a picnic spread blurred in the background.
+00:00:32.070 - A screen recording of a YouTube page shows a video titled "FILM PHOTOGRAPHY FOR BEGINNERS (JUST GETTING STARTED)."
+00:00:33.270 - Haley's face is shown in a close-up, smiling and sticking out her tongue.
+00:00:35.340 - Haley and another girl (Bry) are standing indoors, with Bry holding a video camera and both smiling.
+00:00:38.810 - Hands remove a yellow and black Portra 160 film roll from its clear plastic case.
+00:00:39.910 - Haley, wearing a white sweatshirt and jeans, crouches outdoors with a backpack and holds a manual film camera.
+00:00:41.210 - A hand holds a roll of Portra 160 film against a sunset beach backdrop.
+00:00:42.240 - Haley is crouching on the beach, holding a film camera and looking into it with a smile.
+00:00:43.340 - Bry is seated in a car, wearing a seatbelt, holding an Olympus film camera and unwrapping a film roll.
+00:00:46.040 - The screen splits. The left side has a solid orange background with "STEP 1: load film" text. The right side shows a hand holding Kodak Ultramax film boxes.
+00:00:48.640 - Close-up of hands opening the back of the Olympus camera and carefully inserting the film roll, with "loading.." text overlay.
+00:00:50.870 - Bry is shown in the car, struggling slightly to close the loaded film camera.
+00:00:53.600 - The camera whirs as it winds up, with "winding up" text overlay.
+00:00:58.200 - Bry holds up the loaded Olympus camera, showing it to the viewer.
+00:01:01.370 - A close-up on Bry's smiling face as she holds the camera, looking excited.
+00:01:04.040 - Bry holds the Olympus camera up to her face, aiming it.
+00:01:05.410 - A split screen appears. The left side displays a developed film photo of Haley smiling and holding a camera. The right side shows Bry taking a photo with the Olympus camera, with "FILM COUNT: 1" text overlay.
+00:01:07.740 - Bry holds the Olympus camera and demonstrates its zoom feature by extending the lens.
+00:01:18.780 - A hand holds a purple and yellow Kodak Portra 160 film box.
+00:01:19.850 - Hands hold a roll of film, highlighting its texture.
+00:01:21.050 - The screen splits into two sections, labeled "MANUAL" and "POINT + SHOOT," each showing a respective camera (Canon AE-1 and Olympus).
+00:01:23.220 - Hands load film into the Canon AE-1 camera.
+00:01:24.720 - A finger adjusts a dial on the Canon AE-1 camera, showing settings.
+00:01:27.020 - The view through the Canon AE-1 viewfinder shows a blurry image of Haley's face.
+00:01:29.050 - Bry takes a photo with the Olympus camera, holding it up to her face.
+00:01:31.950 - Hands load film into the Canon AE-1 camera.
+00:01:33.250 - Haley and Bry are sitting indoors. Haley holds the Canon AE-1 and shows it to Bry, who is holding a video camera.
+00:01:34.920 - Close-up on Haley's hands as she adjusts the Canon AE-1.
+00:01:35.850 - Haley hands the manual camera to Bry, who receives it with an excited expression.
+00:01:37.350 - Haley stands in a dimly lit library, wearing a face mask, searching through books on a wooden shelf.
+00:01:39.150 - A wide shot of the library's interior with tall bookshelves and "1st LOCATION: THE LAST BOOKSTORE" text overlay.
+00:01:42.020 - A decorative room within the bookstore is shown, with books arranged artistically on shelves and hanging from the ceiling.
+00:01:45.390 - Bry peeks through a circular hole in a bookshelf, smiling. A developed film photo of this moment is displayed on the left side of the screen.
+00:01:46.890 - Haley stands in the bookstore, holding a camera and wearing a mask, looking around. A developed film photo of this moment is displayed on the right side of the screen.
+00:01:47.790 - Bry holds the manual camera, showing its various settings and dials.
+00:01:50.060 - Bry stands in the bookstore, holding the manual camera and pointing at it.
+00:01:51.990 - A close-up of the manual camera's dial shows it is not advancing, indicating a problem.
+00:01:53.990 - Bry attempts to take a photo with the manual camera in the bookstore.
+00:01:55.220 - Haley holds a book, looking at it reflectively, while standing in front of bookshelves. A developed film photo of this moment is displayed on the right side of the screen.
+00:01:56.550 - A hand points to a sign that reads "NO FLASH PHOTOGRAPHY Thank You" in the bookstore.
+00:01:57.490 - Bry takes a photo with the manual camera in the bookstore.
+00:01:58.790 - A developed film photo shows a bookshelf labeled "Christian History & Studies."
+00:01:59.860 - The manual camera captures a shot of the bookshelf.
+00:02:00.660 - Bry, wearing a mask, looks at the camera with a slightly disappointed expression, then looks down.
+00:02:02.160 - Bry holds the Olympus camera, showing the digital display that reads "10".
+00:02:03.960 - Haley is in the driver's seat of a car, holding the manual camera and aiming it out the window.
+00:02:08.830 - A split screen appears. The left shows Haley in the car. The right shows a developed film photo of a building with a "JEWELRY TRADES BLDG" sign.
+00:02:11.800 - Haley is shown in the car.
+00:02:13.000 - Bry is in the car, talking, with "FILM COUNT: 11" text overlay.
+00:02:15.100 - Haley and Bry, both wearing masks, are standing outdoors, with "2nd LOCATION: COFFEE SHOP" text overlay.
+00:02:17.030 - Bry walks along a street with cars parked. Text "* yelling something *" appears.
+00:02:18.960 - Haley looks up, wearing a mask.
+00:02:22.060 - Bry walks, lifts her arm in a celebratory gesture, and smiles, with "FILM COUNT: 12" text overlay.
+00:02:23.730 - Bry aims the Olympus camera.
+00:02:25.260 - A close-up of the manual camera shows its counter is still at "0."
+00:02:26.500 - Bry looks into the camera with a disappointed expression.
+00:02:29.070 - A split screen. The left shows Bry sitting outside a coffee shop, looking at her phone. The right shows Haley taking a photo of her with the manual camera, with "FILM COUNT: 15" text overlay.
+00:02:32.400 - Bry and Haley are talking next to a wooden table outside the coffee shop.
+00:02:33.200 - Haley looks at her phone, smiling.
+00:02:35.330 - A split screen. The left shows Bry sitting at a table with coffee. The right shows Haley taking a photo of her with the Olympus camera, with "FILM COUNT: 17" text overlay.
+00:02:38.930 - A split screen displays two developed film photos, one with "ISO 160" and the other with "ISO 400," comparing the lighting.
+00:02:42.100 - Haley stands outside, looking up and taking a photo of a red-flowered bush with the Olympus camera. The numbers "343" are visible on a blue wall.
+00:02:43.700 - A split screen. The left shows Haley taking a photo. The right shows a close-up of the Olympus camera, with "FILM COUNT: 20" text overlay.
+00:02:45.030 - Haley holds the Olympus camera to her face, then pulls it away, smiling.
+00:02:48.070 - Haley holds the manual and point-and-shoot cameras next to each other, comparing their size and lenses.
+00:02:55.070 - Bry walks into a room where Haley is sitting on the floor. Text "Hey. update!" appears.
+00:02:56.570 - Haley and Bry are sitting on the floor, smiling and talking. Text "update! UPDATE!" appears.
+00:02:59.270 - Bry holds up the Olympus camera, showing the number "13" on its display.
+00:03:02.170 - Bry holds up the Canon AE-1 camera, showing the number "8" on its counter.
+00:03:04.300 - Haley holds up her hand, first showing five fingers, then three, seemingly calculating the total.
+00:03:06.100 - Haley and Bry are sitting, talking, with "FILM COUNT: 21" text overlay.
+00:03:08.070 - Haley is shown outdoors with a camera covering her face. Text "LET THE ADVENTURE CONTINUE" appears.
+00:03:10.500 - Haley is crouching down, smiling, and holding the camera, with a backpack on.
+00:03:10.970 - An overhead shot shows Haley's white shoes and Bry's green converse, with the cameras on the ground.
+00:03:12.170 - Bry holds the Olympus camera, showing its digital display.
+00:03:12.900 - The view is from inside a car, driving on a street with palm trees. A speed limit sign shows "35" and the current speed as "28".
+00:03:14.300 - Bry holds a green juice bottle, standing in a garden setting.
+00:03:16.800 - Bry sips from the green juice bottle.
+00:03:19.470 - Bry poses with the green juice bottle, looking serious.
+00:03:20.940 - Bry holds the green juice bottle, turning to someone off-screen.
+00:03:22.070 - Bry looks at a phone screen with someone else, with "EW" text overlay.
+00:03:27.500 - Bry stands in the garden, holding the green juice bottle up, smiling.
+00:03:28.930 - A split screen shows a developed film photo of Bry with green juice on the left, and Bry posing with the bottle on the right.
+00:03:32.400 - Another split screen. The left shows a different developed film photo of Bry with green juice. The right shows Bry posing with the bottle.
+00:03:36.430 - Bry tosses the green juice bottle.
+00:03:43.030 - Three girls are in a car, singing and looking excited as they drive.
+00:03:45.000 - Text "Next stop MALIBU" with a red location pin animation.
+00:03:45.900 - A car's GPS navigation system shows a route to Malibu.
+00:03:47.070 - A driving scene along the coastline, with the ocean visible on the right and palm trees.
+00:03:48.340 - Haley is in the driver's seat, looking focused, with the sunset light reflecting on her face.
+00:03:49.800 - Two girls walk down a sidewalk next to a road, heading towards the sunset.
+00:03:51.070 - Bry stands on the sidewalk, striking a pose.
+00:03:53.070 - Bry drops her small black handbag on the ground.
+00:03:54.040 - Bry bends down to pick up her bag.
+00:03:57.100 - Bry walks and smiles.
+00:03:58.370 - Two girls stand next to a brown "COASTAL ACCESS" sign.
+00:03:59.600 - A split screen appears. The left shows a developed film photo of two girls in an alleyway. The right shows the two girls walking towards the alley.
+00:04:01.370 - Bry looks intensely at the camera.
+00:04:04.070 - A split screen. The left shows two girls walking on the beach towards the sunset. The right displays a developed film photo of the two girls from behind.
+00:04:04.970 - Bry is running on the beach, laughing joyfully.
+00:04:07.170 - Two girls are walking on the beach towards the sunset.
+00:04:07.870 - A split screen. The left shows two girls talking on the beach. The right displays a developed film photo of them from behind.
+00:04:09.100 - Haley is crouching on the beach, setting up a picnic blanket and food.
+00:04:10.970 - A girl runs from a beachside house towards the picnic spot.
+00:04:12.740 - A close-up shot of a charcuterie board filled with cheese, crackers, and salami on a pink blanket.
+00:04:15.000 - Two girls are running on the beach towards the camera.
+00:04:17.840 - Bry screams into the camera.
+00:04:19.000 - A wide shot captures the beautiful sunset over the ocean from the beach.
+00:04:20.100 - A close-up shot of the charcuterie board.
+00:04:21.840 - A split screen. The left displays a developed film photo of a girl holding flowers. The right shows three girls posing on the beach with the sunset in the background.
+00:04:24.770 - Three girls are posing on the beach.
+00:04:25.870 - A split screen. The left shows a developed film photo of two girls posing in a "Titanic"-like embrace. The right shows the two girls posing in the same way.
+00:04:27.500 - Haley is taking a photo of two girls on the beach.
+00:04:28.170 - A split screen. The left displays a developed film photo of one girl sitting on the picnic blanket. The right shows Haley taking a photo of the girl.
+00:04:29.800 - Two girls are posing together.
+00:04:30.340 - A split screen. The left shows a developed film photo of two girls posing. The right shows the two girls posing, embracing each other.
+00:04:32.400 - Three girls are on the beach. One is taking a photo, another is posing with arms raised, and the third is setting up the picnic.
+00:04:33.000 - A split screen. The left displays a developed film photo of the beach scenery. The right shows the girls posing.
+00:04:33.870 - Two girls are posing in a "Titanic"-like embrace.
+00:04:34.600 - A split screen. The left displays a developed film photo of two girls posing in a "Titanic"-like embrace. The right shows the two girls posing.
+00:04:35.340 - Bry is crouching down, taking a photo with the camera.
+00:04:37.400 - A split screen. The left shows a developed film photo of a girl taking a photo. The right shows Bry taking a photo.
+00:04:39.800 - Bry and Haley are on the beach, looking excited. Text "1st ROLL OF FILM" with a green checkmark appears.
+00:04:42.270 - A hand holds a roll of Portra 160 film on the beach. Text "CANON AE-1 PORTRA 160" appears.
+00:04:47.070 - A hand holds the Olympus camera on the beach.
+00:04:48.370 - Three girls are sitting and talking on the beach.
+00:04:51.340 - A girl stands on the beach, silhouetted against the dark sky with a hint of sunset colors, holding a bouquet of flowers.
+00:04:52.470 - A split screen. The left displays a developed film photo of the girl holding flowers at night. The right shows the girl holding flowers.
+00:04:53.940 - Two girls are walking down a dimly lit alleyway at night.
+00:04:54.670 - A split screen. The left displays a developed film photo of the two girls in the alley. The right shows the two girls walking.
+00:04:55.800 - Haley and Bry are standing in a room. Haley holds both film cameras.
+00:05:01.030 - Haley and Bry jump excitedly in the room, with "FILM COUNT: 68" text overlay.
+00:05:07.430 - Text "6:30 p.m." appears on screen.
+00:05:08.570 - Haley holds up a film roll in her hand.
+00:05:10.970 - Haley stands in front of a mirror, holding a video camera and striking a pose with a smile.
+00:05:13.600 - A split screen. The left displays a developed film photo of Haley at night. The right shows Haley standing on a city street at night, holding a coffee cup.
+00:05:16.800 - Haley jumps and kicks on the city street at night.
+00:05:17.070 - Haley and Bry walk along a city street at night, holding coffee cups.
+00:05:18.670 - Haley poses in front of a building entrance with the number "9400" visible.
+00:05:19.400 - A split screen. The left displays a developed film photo of Haley in front of the building. The right shows Haley posing.
+00:05:20.900 - A close-up on the Olympus camera's display shows "25" as the camera begins to manually wind up.
+00:05:23.270 - Haley crouches down, holding the camera, looking relieved.
+00:05:25.070 - Haley and Bry are sitting close together, looking at the camera. Haley opens the Olympus camera.
+00:05:28.000 - Haley extracts the film roll from the Olympus camera.
+00:05:30.270 - Haley holds the yellow Kodak 400 film roll up to the camera.
+00:05:32.140 - A close-up on the Kodak 400 film roll.
+00:05:33.440 - Bry holds a purple and yellow Kodak Portra 800 film box.
+00:05:34.900 - Bry holds the Portra 800 film roll.
+00:05:37.340 - Haley loads the film into the Olympus camera.
+00:05:40.870 - Haley smiles as the camera winds up.
+00:05:46.040 - Haley and Bry are standing, talking, and looking excited.
+00:05:50.040 - Haley gestures with her fingers.
+00:05:58.070 - Haley holds up two film rolls: Portra 160 and Kodak 400.
+00:06:00.040 - A split screen. The left features a circular insert of Haley holding film. The right shows Haley and Bry smiling.
+00:06:01.870 - A screen recording shows a different YouTube video of people on a tennis court, titled "i tried taking 100 polaroids in ONE DAY".
+00:06:03.970 - A night scene on a tennis court with bright overhead lights. People are playing tennis.
+00:06:05.100 - A close-up shot of the tennis court's green surface.
+00:06:06.140 - A girl (not Haley or Bry) strikes a pose on the tennis court.
+00:06:07.440 - Two boys are on the tennis court.
+00:06:08.840 - A boy dances in a parking garage.
+00:06:09.900 - A split screen. The left shows a developed film photo of Haley, Bry, and two boys by a car trunk. The right shows the boys dancing.
+00:06:13.600 - A boy (Josh) in a purple hoodie and white baseball cap talks to the camera.
+00:06:18.040 - A split screen. The left displays a developed film photo of Josh. The right shows Josh talking, with "JOSH" text overlay.
+00:06:20.100 - A boy (Mitchell) in a purple hoodie with a smiley face talks to the camera.
+00:06:21.340 - A split screen. The left displays a developed film photo of Mitchell on a tennis court. The right shows Mitchell talking, with "MITCHELL" text overlay.
+00:06:23.770 - A girl with blonde hair (Bella) talks to the camera.
+00:06:24.770 - A split screen. The left displays a developed film photo of Bella. The right shows Bella talking, with "BELLA" text overlay.
+00:06:25.500 - Bry talks to the camera.
+00:06:26.070 - A split screen. The left displays a developed film photo of Bry. The right shows Bry talking, with "BRY" text overlay.
+00:06:26.540 - A boy with curly hair (Frankie) talks to the camera.
+00:06:27.400 - A split screen. The left displays a developed film photo of Frankie. The right shows Frankie talking, with "FRANKIE" text overlay.
+00:06:27.700 - Haley looks at the camera, with "HALEY" text overlay and an arrow pointing to her that says "ME LOL ->".
+00:06:28.970 - A black screen displays the text "HALEY".
+00:06:30.040 - A split screen. The left displays a developed film photo of a girl juggling tennis balls. The right shows a girl juggling tennis balls on the tennis court, with "FILM COUNT: 84" text overlay.
+00:06:32.400 - A girl (Bry) is happy and looking at the camera.
+00:06:33.800 - A girl (Haley) is running and playing tennis on the court.
+00:06:34.900 - A split screen. The left displays a developed film photo of a girl playing tennis. The right shows the girl playing tennis, with "FILM COUNT: 86" text overlay.
+00:06:36.570 - The girl on the tennis court is smiling.
+00:06:39.000 - Two girls are in a room at night. One is playing with a toy.
+00:06:41.270 - A hand places down a phone displaying the lock screen with "10:55 Tuesday, November 30".
+00:06:42.500 - Haley and Bry are sitting on the floor in a living room at night. Haley holds the camera.
+00:06:47.070 - Haley looks concerned, with "FILM COUNT: 97?" text overlay.
+00:06:52.540 - A montage of multiple developed film photos appears, showing Haley and Bry indoors, reading, playing records, and with a Christmas tree.
+00:06:55.070 - A girl is taking a photo of another girl reading.
+00:06:56.240 - A girl is playing a record player.
+00:06:57.070 - A split screen. The left displays a developed film photo of the girl playing a record player. The right shows the girl playing the record player.
+00:06:58.570 - Haley looks at the camera in a bathroom.
+00:06:59.840 - A brightly colored bathroom with green and pink tiles is shown.
+00:07:03.540 - Haley brushes her teeth in the bathroom mirror.
+00:07:04.300 - A split screen. The left displays a developed film photo of Haley brushing her teeth. The right shows Haley brushing her teeth.
+00:07:06.840 - Haley crouches on the floor, talking to the camera.
+00:07:08.570 - A girl sits on the bed, holding a film camera.
+00:07:09.840 - A split screen. The left displays a developed film photo of the film camera on a checkered blanket. The right shows the girl sitting on the bed.
+00:07:11.870 - The girl takes a photo of the camera on the blanket.
+00:07:12.770 - The girl sits on the bed, holding the camera, looking thoughtful.
+00:07:14.670 - The girl and another girl sit on the bed. One takes a mirror selfie with the film camera.
+00:07:17.370 - A split screen. The left displays a developed film photo of the mirror selfie. The right shows the mirror selfie.
+00:07:19.400 - The girl shows the empty film camera to the camera.
+00:07:22.040 - The girl shows her phone, displaying "11:41" and "51% Charged" with a notification.
+00:07:24.770 - The girl opens the film camera.
+00:07:27.700 - The girl holds up a film roll extracted from the camera.
+00:07:28.940 - Three film rolls are displayed on a wicker tray: Portra 800, Kodak 400, and Portra 160.
+00:07:31.400 - A wicker tray holds film cameras and film rolls.
+00:07:32.840 - Haley is on an airplane, wearing a mask, looking out the window and holding a film camera.
+00:07:39.400 - Haley looks at her phone while sitting at a desk with a laptop.
+00:07:44.270 - Haley covers her mouth with her hand, looking nervous.
+00:07:46.840 - Two girls walk outdoors, smiling.
+00:07:47.870 - Two girls are in a car, smiling and giving a thumbs up.
+00:07:49.270 - Three girls are on the beach at sunset, one posing playfully, and two watching.
+00:07:50.040 - Two girls are walking on a city street at night, smiling.
+00:07:53.300 - Three girls are sitting on the beach at sunset.
+00:07:54.400 - A girl is playing tennis on a court at night.
+00:07:56.240 - Three girls are sitting on the beach.
+00:07:58.740 - A girl stands on the beach, striking a pose.
+00:07:59.870 - Three girls are on the beach at sunset, one posing playfully, and two watching.
+00:08:05.100 - Haley is on a laptop, smiling.
+00:08:07.700 - A split screen shows multiple developed film photos from the bookstore.
+00:08:09.100 - A split screen shows multiple developed film photos from the coffee shop.
+00:08:10.500 - A developed film photo shows two girls laughing on the beach.
+00:08:11.200 - A developed film photo shows a girl holding flowers at night.
+00:08:12.770 - A developed film photo shows Haley and a boy smiling.
+00:08:13.800 - A developed film photo shows a boy.
+00:08:14.340 - A developed film photo shows three people sitting on a couch.
+00:08:15.000 - A developed film photo shows a girl in a parking garage.
+00:08:15.540 - A developed film photo shows two girls in a parking garage.
+00:08:16.470 - A developed film photo shows a girl outdoors.
+00:08:17.340 - A developed film photo shows three girls smiling.
+00:08:18.170 - A green screen displays the text: "PSALM 19:1 The heavens declare the glory of God, and the sky above proclaims his handiwork."
+
+**Text on Screen**
+
+00:00:00.000 - 00:00:01.320: haleypham
+00:00:35.340 - 00:00:39.150: BRY
+00:00:41.210 - 00:00:43.340: TAKING 100 FILM PHOTOS IN ONE DAY
+00:00:46.040 - 00:00:48.640: STEP 1: load film
+00:00:48.640 - 00:00:50.870: loading ..
+00:00:53.600 - 00:00:57.070: winding up
+00:01:05.410 - 00:01:08.210: FILM COUNT: 1
+00:01:21.050 - 00:01:23.220: MANUAL POINT + SHOOT
+00:01:39.150 - 00:01:41.950: 1st LOCATION: THE LAST BOOKSTORE
+00:02:13.000 - 00:02:14.900: FILM COUNT: 11
+00:02:15.100 - 00:02:17.030: 2nd LOCATION: COFFEE SHOP
+00:02:17.030 - 00:02:19.460: * yelling something *
+00:02:22.060 - 00:02:23.730: FILM COUNT: 12
+00:02:29.070 - 00:02:30.970: FILM COUNT: 15
+00:02:35.330 - 00:02:37.470: FILM COUNT: 17
+00:02:38.930 - 00:02:41.730: ISO 160 VS. ISO 400
+00:02:43.700 - 00:02:45.030: FILM COUNT: 20
+00:02:55.070 - 00:02:56.570: Hey. update!
+00:02:56.570 - 00:02:57.900: update! UPDATE!
+00:03:06.100 - 00:03:07.870: FILM COUNT: 21
+00:03:08.070 - 00:03:10.500: LET THE ADVENTURE CONTINUE
+00:03:22.070 - 00:03:22.970: "EW"
+00:03:45.000 - 00:03:46.000: Next stop MALIBU
+00:04:39.800 - 00:04:42.270: 1st ROLL OF FILM
+00:04:42.270 - 00:04:46.800: CANON AE-1 PORTRA 160
+00:05:01.030 - 00:05:04.100: FILM COUNT: 68
+00:05:07.430 - 00:05:08.430: 6:30 p.m.
+00:06:01.870 - 00:06:03.970: i tried taking 100 polaroids in ONE DAY
+00:06:18.040 - 00:06:20.100: JOSH
+00:06:21.340 - 00:06:23.770: MITCHELL
+00:06:24.770 - 00:06:25.500: BELLA
+00:06:26.070 - 00:06:26.540: BRY
+00:06:27.400 - 00:06:27.700: FRANKIE
+00:06:27.700 - 00:06:28.970: HALEY
+00:06:27.700 - 00:06:28.970: ME LOL ->
+00:06:30.040 - 00:06:31.900: FILM COUNT: 84
+00:06:34.900 - 00:06:36.400: FILM COUNT: 86
+00:06:47.070 - 00:06:49.070: FILM COUNT: 97?
+00:08:18.170 - 00:08:21.000: PSALM 19:1 The heavens declare the glory of God, and the sky above proclaims his handiwork.
+
+**People in the Video**
+
+*   **Haley Pham (the vlogger/narrator):** The main protagonist of the video. She is identifiable by her Instagram handle and is the one embarking on the challenge to take 100 film photos. She expresses a desire to stop instantly critiquing her appearance in photos and live more in the moment, which film photography helps her achieve. She also mentions that taking photos and videos is part of her job.
+*   **Ryan:** Introduced as the person Haley asks to take "a thousand photos" of her on her iPhone. He appears briefly in the opening sequence, helping her with phone photos.
+*   **Bry (Briana K):** Haley's best friend and self-proclaimed "film expert." She helps Haley understand the basics of film cameras, loads film for her, and accompanies her throughout the day's photo-taking adventure in LA.
+*   **Josh:** One of Haley's friends in LA. He introduces himself on the tennis court. Haley describes him as part of "the Christian Vlog Squad."
+*   **Mitchell Norton:** Another one of Haley's LA friends. He also introduces himself on the tennis court, stating his age (20) and birthplace (Philadelphia). He is also described as part of "the Christian Vlog Squad."
+*   **Bella:** One of Haley's LA friends. She introduces herself on the tennis court and is part of "the Christian Vlog Squad."
+*   **Frankie:** One of Haley's LA friends. He introduces himself on the tennis court and is part of "the Christian Vlog Squad."
+
+**Summary of the Video Narrative**
+
+The video documents Haley Pham's ambitious journey to take 100 film photos in a single day, driven by her desire to curb her habit of instantly critiquing her appearance in digital photos and to encourage herself to live more in the present moment. She starts by illustrating her struggles with iPhone photos, where she constantly finds flaws. To achieve her goal, she travels to Los Angeles to meet her best friend, Bry, who is a film photography expert.
+
+Bry guides Haley through the basics of both manual (Canon AE-1) and point-and-shoot (Olympus Stylus Zoom 140) film cameras, including loading film and understanding settings like ISO. Their photo adventure takes them to "The Last Bookstore" in LA, where they face initial challenges with the manual camera not registering shots and a "no flash" rule. They continue their quest at a coffee shop, experimenting with different ISO films, and then head to Malibu for sunset shots on the beach, where they enjoy a picnic.
+
+As evening falls, they realize they are still far from their 100-photo goal and decide to use flash photography for the remaining shots. They visit city streets, a tennis court, and a parking garage, meeting up with Haley's friends (Josh, Mitchell, Bella, and Frankie) along the way, who also pose for photos. The day concludes back at Bry's home late at night, where they successfully unload three rolls of film, triumphantly reaching their 100-photo target. Haley reflects on how film photography has positively impacted her, enabling her to appreciate moments without immediate self-criticism, and she shares a montage of the developed, nostalgic film photos from their day, concluding with a verse from Psalm 19:1.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Hnn8ytpOBGM.txt b/raw/test/visual_info/output_Hnn8ytpOBGM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b6a3a14e775b983b61920f07fb06f38c0ea58009
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+++ b/raw/test/visual_info/output_Hnn8ytpOBGM.txt
@@ -0,0 +1,239 @@
+Here is a list of important visual events with timestamps, sorted chronologically, covering the entire video:
+
+00:00:00.000 - The video opens with a blurry shot of a photoshoot set, featuring a woman (Alana) in a black dress seated on a stool in front of a pink backdrop, with a photographer adjusting equipment.
+00:00:01.373 - The view switches to a blurry, selfie-style shot of Alana excitedly speaking directly to the camera, with another person out of focus behind her.
+00:00:03.006 - The scene returns to the blurry photoshoot set, where Alana is still seated, and someone is applying makeup or adjusting her appearance.
+00:00:04.273 - A clearer side view of Alana, now wearing a sparkly gold and black dress, posing with her hand to her chin. The shot is partially obscured by a black reflector panel.
+00:00:05.106 - A close-up shot of Alana in the sparkly dress, from the chest up, posing with her hand on her jawline.
+00:00:06.130 - Alana is in a home setting, dressed in a loose black zip-up hoodie, making an exaggerated angry or frustrated face with her hands clawed.
+00:00:07.130 - In a quick cut, Alana instantly changes into a green lace dress and black coat, maintaining the exaggerated angry expression.
+00:00:08.563 - Alana's expression softens to a more neutral or slightly annoyed look while still in the green dress and black coat.
+00:00:10.963 - Alana's face is comically distorted and stretched horizontally.
+00:00:11.796 - The screen transitions to a stylized graphic background with wavy stripes in red, orange, and mint green, patterned with white stars.
+00:00:15.063 - The screen goes black, displaying white text.
+00:00:16.896 - A website interface for "Barbizon and Girls' Life Model Search" appears on screen, showing a model and contest details.
+00:00:18.096 - The website page scrolls down to display "2020-2021 Semi-Finalists" with headshots of various young women.
+00:00:19.496 - The website continues to scroll, revealing more semi-finalists, including a photo of "ALANA L NEW JERSEY" at the bottom right.
+00:00:20.896 - A mouse cursor clicks on the "VOTE NOW" button beneath Alana's photo.
+00:00:21.563 - A green pop-up window confirms "Voted Successfully" with a checkmark and options to share.
+00:00:22.630 - The screen turns black again, displaying white text.
+00:00:26.063 - The scene shifts back to the photoshoot studio; Alana, now in a green lace dress, sits smiling on a chair while a person stands beside a table in the background.
+00:00:27.796 - Alana is shown from behind, sitting on the stool, gently patting her thighs with her hands, accompanied by a meme text overlay.
+00:00:28.963 - A close-up shot of Alana's crossed legs and hands as she sits on the stool.
+00:00:30.930 - Alana turns her head to face the camera, speaking with an excited expression.
+00:00:34.096 - The camera quickly pans downwards and then up, showing a woman in a mask holding a bag of snacks, emphasizing Alana's excitement about snacks.
+00:00:36.030 - Alana's face is shown in a blurry, excited scream as she holds a snack bag.
+00:00:37.330 - A wooden drawer filled with various snack bags is pulled open.
+00:00:38.830 - A second wooden drawer below the first is pulled open, also revealing numerous snack bags.
+00:00:40.496 - The camera pans over a counter displaying bowls of fresh fruit, including strawberries, raspberries, and other fruits.
+00:00:41.830 - A close-up of Alana's lower face as she speaks, then a wider shot showing her looking upwards.
+00:00:46.063 - A close-up of Alana's mouth as she speaks.
+00:00:46.996 - A close-up on Alana's wide, staring eyes as she speaks.
+00:00:48.096 - A wide shot of the photoshoot studio. Alana is sitting on a stool in a black dress with a golden headpiece against a pink backdrop, with a photographer operating a camera and a laptop visible on a table.
+00:00:50.063 - A person is shown from behind, holding up a smartphone to record Alana during the photoshoot.
+00:00:51.696 - Alana laughs and smiles while seated, posing for the camera.
+00:00:52.963 - Alana poses with her hand delicately placed on her chin, looking contemplatively.
+00:00:54.096 - A close-up of the laptop screen, showing several captured images of Alana from the photoshoot.
+00:00:55.230 - Alana poses, looking to her right, seated in front of the pink backdrop.
+00:00:56.230 - A crew member (possibly the photographer) walks across the set, partially obscuring Alana.
+00:00:56.996 - A full view of the studio with Alana posing straightforwardly, accompanied by sound effects of repetitive hitting.
+00:00:58.330 - Alana turns her head to look to her right side.
+00:00:59.030 - Alana smiles directly at the camera.
+00:01:00.196 - A makeup artist adjusts the golden headpiece on Alana's head and sprays her hair, while Alana looks excitedly at the camera.
+00:01:02.163 - Alana asks a question, and a small, embedded video of a woman reacting to something breaking appears in the center of the screen.
+00:01:05.196 - The embedded video disappears, and Alana speaks directly to the camera, looking straight ahead.
+00:01:07.030 - Alana smiles and gently touches her cheek.
+00:01:09.196 - Alana beams a wide smile at the camera.
+00:01:10.030 - The scene shifts to Alana posing in front of a red velvet curtain as a backdrop, with the photographer actively taking photos.
+00:01:12.630 - A close-up of Alana giggling, looking back over her shoulder.
+00:01:13.930 - The photographer, wearing a mask, turns from the camera to look at the vlog camera.
+00:01:15.030 - Alana looks over her shoulder at the camera with a stern, unimpressed expression.
+00:01:17.396 - Alana is now seated in a dark green long-sleeved top and short shorts/tights, posing for the photographer against a red backdrop.
+00:01:18.030 - The screen flashes bright pink and white.
+00:01:18.963 - Alana poses by raising her hand to her neck, looking upwards.
+00:01:21.030 - Alana smiles broadly at the camera.
+00:01:22.696 - Alana leans forward and speaks directly to the camera, then stands up, briefly revealing her legs under the short shorts.
+00:01:24.030 - The camera pans across the floor and then focuses on a laptop screen displaying the photos from the current shoot, some of which show Alana with her hands to her face.
+00:01:26.563 - A close-up on the laptop screen, showing a focused image of Alana with her hands to her face.
+00:01:27.463 - A close-up of Alana's face, with a dramatic, wide-eyed, shocked expression.
+00:01:28.463 - Alana is seen laughing loudly and enthusiastically, looking upwards, with a vibrant red light casting a strong hue on her.
+00:01:29.863 - Alana looks intensely at the camera, then moves to gesture with her fingers.
+00:01:31.096 - Alana points two fingers towards the camera, suggesting an action for viewers.
+00:01:32.996 - Alana covers her mouth with her hands, looking surprised.
+00:01:34.096 - Alana laughs, looks away, then turns back to the camera, still giggling.
+00:01:36.196 - Alana makes a surprised face, again covering her mouth with her hands.
+00:01:38.163 - Alana turns away from the camera.
+00:01:39.196 - Alana quickly turns back to the camera with a shocked expression, then stands up, fully revealing her short shorts/tights.
+00:01:42.163 - Alana explains something to the camera with a serious expression.
+00:01:45.996 - Alana makes a sad or disappointed face.
+00:01:48.063 - Alana turns her back to the camera and walks away.
+00:01:49.030 - Alana sits back down on the stool, facing the camera.
+00:01:50.830 - A close-up of Alana's face, with her tongue slightly out, while someone applies makeup near her eye.
+00:01:52.263 - An extreme close-up of Alana's eye, focusing on her makeup.
+00:01:53.130 - The makeup artist applies something very close to Alana's eye, and Alana reacts verbally.
+00:01:54.496 - Alana looks directly at the camera with wide eyes and then winks.
+00:01:55.796 - A brief, distorted mirror reflection of a woman swinging her arm appears, accompanied by crashing sound effects.
+00:01:56.596 - The makeup artist carefully applies an earring to Alana's ear.
+00:01:58.063 - Alana looks straight at the camera and speaks with a confident expression.
+00:02:00.630 - Alana speaks to the camera, with a slight smirk.
+00:02:02.163 - A close-up of Alana's lips, forming a smile.
+00:02:03.096 - A close-up of Alana's eyes, looking intently at the camera.
+00:02:04.163 - Alana speaks directly to the camera with a slightly pleading expression.
+00:02:05.296 - The makeup artist and Alana are in a wider shot, talking to each other.
+00:02:07.030 - A quick shot of Alana's foot being shown.
+00:02:07.763 - A bathroom setting is revealed, with a large mirror, sink, and bathtub.
+00:02:08.830 - The person filming is seen in the mirror reflection, wearing a mask and holding the camera, waving. Sparkle effects are added to the reflection.
+00:02:11.896 - The makeup artist is seen putting an earring on Alana, who has a shocked and wide-eyed expression.
+00:02:12.796 - A wide shot of the studio, showing Alana and the makeup artist, along with various equipment and shelving.
+00:02:14.030 - A close-up of Alana's smiling face as the makeup artist continues to work on her ear.
+00:02:15.196 - Alana looks at the camera with wide eyes, posing a question.
+00:02:16.896 - Alana looks at the camera with a forced smile, indicating she didn't like the answer.
+00:02:17.796 - A close-up of Alana's smiling face.
+00:02:19.063 - Alana looks straight at the camera.
+00:02:20.530 - Alana looks at the camera with slightly widened eyes.
+00:02:22.030 - Alana speaks directly to the camera, giving mischievous instructions.
+00:02:24.463 - The makeup artist says "Perfect" off-screen.
+00:02:25.796 - The makeup artist uses a tissue or wipe to adjust Alana's eye makeup.
+00:02:26.796 - The makeup artist stands up from working on Alana.
+00:02:27.763 - A mannequin head wearing a short, sparkly silver bob wig is displayed on a table.
+00:02:29.396 - A close-up of the mannequin head's face.
+00:02:30.363 - The mannequin head is shown from a slightly different angle.
+00:02:31.063 - A split screen appears, with the left side showing a vertical video of Alana getting her makeup done, and the right side showing talk show host Wendy Williams sitting in a chair.
+00:02:35.863 - Back in the studio, Alana, now in the sparkly gold and black dress, runs joyfully towards the makeup artist who is holding a black reflector panel.
+00:02:38.263 - A close-up shot of Alana's feet in sandals.
+00:02:39.996 - A wide shot of the studio, showing Alana posing, the makeup artist holding the reflector, and the photographer taking pictures.
+00:02:41.896 - A close-up of the makeup artist maneuvering the black reflector panel.
+00:02:42.863 - Alana poses with her hand on her hip, looking to the side.
+00:02:44.296 - A close-up of Alana posing, with her long hair blowing, looking confident.
+00:02:44.896 - A full shot of the studio, with Alana posing and the makeup artist moving the reflector.
+00:02:47.030 - A close-up of Alana striking a pose, with her hair flowing due to the fan.
+00:02:48.563 - A wide shot of Alana posing in the sparkly dress, with the makeup artist holding a reflector and the photographer taking pictures.
+00:02:50.896 - A close-up of Alana posing regally, with a serious expression and her hand on her chin.
+00:02:52.563 - The black reflector panel is moved across the frame in front of Alana.
+00:02:53.796 - Alana maintains her pose with her hand on her chin.
+00:02:55.030 - The black reflector panel is moved across the frame again.
+00:02:56.096 - Alana strikes a slightly different pose with her hand on her chin.
+00:02:57.063 - A still image (screenshot) from the photoshoot shows Alana sitting and posing for the photographer, with a laptop displaying images.
+00:02:58.263 - Alana is in a hotel bathroom, wearing the sparkly gold and black dress, dancing and moving her arms energetically in front of a white-tiled shower.
+00:03:00.063 - Alana continues to dance and strike various poses in the bathroom, showing off the dress.
+00:03:01.830 - A close-up of Alana's face, making an exaggerated surprised or excited expression.
+00:03:04.896 - Alana is back in her casual black hoodie and track pants, posing playfully in the same hotel bathroom.
+00:03:06.630 - Alana poses with her hands behind her head, looking relaxed.
+00:03:08.063 - The video frame distorts into a wavy, fun-house mirror effect, with Alana still posing.
+00:03:10.030 - Alana is shown smiling and laughing in the distorted frame.
+00:03:11.763 - Alana, wearing a black hoodie and a face mask pulled down, walks outdoors at dusk, talking to the camera. Streetlights illuminate cars parked along the street.
+00:03:14.096 - Another masked person walks behind Alana, and Alana makes a peace sign gesture.
+00:03:16.396 - A close-up of Alana's face in a restaurant setting, with blurry background lights, as she expresses excitement.
+00:03:18.063 - A close-up of Alana's lower face and mouth as she speaks, with blurry background lights.
+00:03:21.830 - A blurry shot of people (including Alana and her friend) seated at a restaurant table with plates of food, emphasizing the lack of focus.
+00:03:25.796 - A close-up of Alana's mouth as she speaks, then a quick shot of her smiling.
+00:03:29.696 - A close-up of Alana's smiling face, with the restaurant lights blurred in the background.
+00:03:30.930 - Alana's face, smiling and speaking her goodbyes to the camera.
+00:03:33.000 - The screen transitions to a black background with white text, serving as an end screen.
+
+---
+
+Here is a list of all text on screen and when it appeared:
+
+*   00:00:00.000 - HELLO MY BESTFRIENDS
+*   00:00:01.373 - TODAY IM BRINGING YOU GUYS
+*   00:00:03.006 - ON SET WITH ME! xx
+*   00:00:04.273 - #dulapeep
+*   00:00:05.106 - #dulapeep
+*   00:00:09.063 - commenter of my last vid XO
+*   00:00:09.063 - babba BOI 2 weeks ago YOUR VOICE CRACKING IN THE STORM hey was the ice cream bustin janelle?? ⛈️🙏
+*   00:00:11.796 - Alana Lintao
+*   00:00:13.663 - episode 21 alana actually leaves her house
+*   00:00:15.063 - BUT WAIT....
+*   00:00:16.030 - I NEED YOUR HELP
+*   00:00:22.630 - LINK IN BIO
+*   00:00:23.730 - VOTE AS MANY TIMES AS YOU WANT <3
+*   00:00:25.063 - #TeamAlana OKAY BYE
+*   00:00:26.063 - No pressure.
+*   00:00:27.796 - "you nervous for the test?" "nah im chillin 💀" also me:
+*   00:00:30.930 - GUYS THIS IS THE COOLEST PLACE EVER
+*   00:00:32.796 - THEY LITERALLY ARE GIVING SNACKS
+*   00:00:34.096 - im screaming!
+*   00:00:41.830 - "THIS IS MY FAVORITE PHOTO SHOOT I'VE EVER DONE"
+*   00:00:45.030 - *hasn't taken a single photo yet*
+*   00:00:46.063 - Mark your cup and drink up
+*   00:00:46.996 - say less
+*   00:00:48.096 - copyrighted music playing so enjoy club penguin <3
+*   00:00:54.096 - BYEEE WHAT AM I CHEESIN FOR
+*   00:00:56.230 - bonk (sound effect)
+*   00:01:00.196 - here we are
+*   00:01:02.163 - What do you mean, no?
+*   00:01:03.530 - This is like upper, upper class
+*   00:01:05.196 - I'm just on the verge of middle class here.
+*   00:01:09.196 - Okay.
+*   00:01:12.630 - *giggles*
+*   00:01:15.030 - Um...
+*   00:01:17.396 - Anyway, so...
+*   00:01:18.030 - Go go go (sound effect)
+*   00:01:22.696 - My hands are a little rough.
+*   00:01:24.030 - No. Stop.
+*   00:01:26.563 - No.
+*   00:01:31.096 - COMMENT DOWN BELOW YOUR FAVORITE COLOR <3
+*   00:01:36.196 - Pink.
+*   00:01:42.163 - "I WASN'T INFORMED" "THAT I WOULD NEED TO BRING PANTS"
+*   00:01:45.996 - *wearing dance shorts that fit me when i was 8*
+*   00:01:48.063 - she's coming
+*   00:01:50.830 - What am I doing?
+*   00:01:53.130 - It hurt so bad
+*   00:01:54.496 - PRANKED
+*   00:01:56.596 - "I FEEL NOTHING."
+*   00:01:58.063 - "so immune to any kind of physical pain."
+*   00:02:00.630 - "and emotional for that matter."
+*   00:02:04.163 - Please don't dislike this video.
+*   00:02:06.763 - Did you show them the bathroom?
+*   00:02:07.763 - Oh!
+*   00:02:08.830 - WHO ASKED
+*   00:02:11.896 - Get this onset.
+*   00:02:12.796 - Hello.
+*   00:02:15.196 - What's prettier? The sunset or me?
+*   00:02:16.896 - Nope
+*   00:02:17.796 - Rapid fire questions.
+*   00:02:19.063 - Pick the right answer.
+*   00:02:20.530 - Rapid fire questions, go.
+*   00:02:22.030 - Comment down below what day you were born and the social security number and the credit card.
+*   00:02:24.463 - Perfect.
+*   00:02:26.796 - Who's that?
+*   00:02:27.763 - Um...
+*   00:02:29.396 - Um, okay.
+*   00:02:30.363 - I'm a queen.
+*   00:02:35.863 - back to the shoot
+*   00:02:38.263 - LITERALLY WHO LET ME
+*   00:03:01.830 - THIS WAS SO FUN
+*   00:03:11.763 - Hey guys, just wrapped the successful shoot
+*   00:03:14.096 - woo woo can I get an awa awa in the chat. Okay.
+*   00:03:16.396 - Oh my gosh, guys, we're in a
+*   00:03:18.063 - It's really loud in here. I don't know if you can hear me, but we're in a Spanish restaurant right now.
+*   00:03:21.830 - Oh, it's not even focused. It's not even focused. I'm so bad at Youtube
+*   00:03:25.796 - I'm literally so bad at Youtube. Oh this looks so good.
+*   00:03:29.696 - Okay.
+*   00:03:30.930 - I'm gonna eat. I'll see you guys in the next video. Peace.
+*   00:03:33.000 - THANK YOU FOR WATCHING
+*   00:03:33.000 - SUBSCRIBE & LIKE THIS VIDEO FOR GOOD LUCK
+*   00:03:33.000 - follow me on social media! (@alanalintao on instagram, twitter, & tiktok)
+
+---
+
+**People in the video:**
+
+*   **Alana Lintao:** The main subject and narrator of the video, identified by name on screen. She is a model participating in a photoshoot for the Barbizon and Girls' Life Model Search. She is also a YouTuber/vlogger, documenting her experience. She seems to have a humorous, self-deprecating personality, and is expressive.
+*   **Photographer (Unidentified):** A woman with long dark hair, wearing a black t-shirt with a skull graphic and plaid pants, and a black face mask. She is seen operating a professional camera and reviewing photos on a laptop. Her role is to capture the images of Alana.
+*   **Makeup Artist / Assistant (Unidentified):** A woman with long dark hair, wearing a cream-colored knit sweater, blue jeans, and a patterned face mask. She assists Alana with makeup, hair, adjusting her headpiece and earrings, and also helps with holding a reflector during the shoot. She appears to be a friend of Alana, engaging in playful banter.
+*   **Wendy Williams:** The host of a talk show, seen on a split screen, commenting positively about Alana. She is presented as an "icon" and "legend," implying a high level of achievement or recognition. (Though her comments are edited in, she is a real person and her identity is clear from the context of a talk show host).
+*   **Two Unidentified Friends/Companions:** Briefly seen with Alana at the end of the video, one is wearing a black mask and makes a peace sign, and both are at a restaurant table. They are not explicitly named or described beyond their presence.
+
+---
+
+**Summary of the video narrative:**
+
+The video, titled "episode 21 alana actually leaves her house," chronicles Alana Lintao's experience participating in a model photoshoot for the "Barbizon and Girls' Life Model Search." She enthusiastically shares her journey, starting from preparing at home (with humorous outfit changes) to arriving at the professional studio.
+
+Alana highlights the "coolness" of the studio, especially the availability of snacks, expressing her excitement despite not having taken any photos yet. She showcases various outfits and headpieces she wears during the shoot, including a black dress with a golden headpiece and a sparkly gold and black fringe dress. Throughout the process, she interacts humorously with her photographer and makeup artist, engaging in playful banter and self-deprecating jokes about her poses and appearance. The video also features a brief, comedic segment where Alana feigns pain during an earring change, then reveals it was a "prank."
+
+A moment of real vulnerability and humor occurs when Alana realizes she didn't bring suitable pants for a short dress, leading to a comical explanation of her predicament while wearing "dance shorts that fit me when I was 8." The video includes a meta-commentary on her own vlogging skills, admitting she's "so bad at YouTube" when her camera fails to focus.
+
+The video concludes with Alana having successfully wrapped the shoot, heading out to a Spanish restaurant with friends, reflecting on the fun experience before signing off. The overarching narrative is a lighthearted, personal vlog about a modeling opportunity, filled with candid moments and comedic self-awareness.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_HybhWc2_Em4.txt b/raw/test/visual_info/output_HybhWc2_Em4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..32ae480cfdf7007ba5d82fbdee77958b9c05f67c
--- /dev/null
+++ b/raw/test/visual_info/output_HybhWc2_Em4.txt
@@ -0,0 +1,74 @@
+Here is the analysis of the video as requested:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - A blurry, shaky shot of various items on a patterned surface, including a pink notebook, a black smartphone, a black speaker, and a light pink pencil case.
+*   00:00:00.999 - A pair of legs in dark pants with rolled-up cuffs and black and white Converse-style sneakers stands beside a black Adidas shoulder bag with a white logo.
+*   00:00:02.936 - Four identical, blurred frames of a person in a plaid shirt facing a potted plant against a white wall in a split-screen effect.
+*   00:00:05.183 - Four identical frames of a girl sitting at a small white outdoor table, writing in a notebook, wearing a red cardigan over a white shirt, blue jeans, and pink sneakers. A decorative house is on the table.
+*   00:00:06.183 - A single, closer shot of the girl sitting at the table, writing in her notebook.
+*   00:00:07.828 - The girl, now in a plaid shirt, jumps in the air with arms outstretched against a plain white wall.
+*   00:00:10.999 - The shot returns to the legs and Adidas bag. The person bends down to pick up the bag.
+*   00:00:13.067 - The person has picked up the bag, and their legs walk out of the frame.
+*   00:00:14.399 - The person in the plaid shirt puts on the Adidas shoulder bag, turning around.
+*   00:00:19.499 - Legs in pink sneakers walk across a wooden slatted floor, passing by a hexagonal wooden table.
+*   00:00:21.566 - The person in the plaid shirt jumps sideways on the wooden slatted floor of a patio/balcony, arms spread. Potted plants are visible to the left.
+*   00:00:26.066 - A mirrored split-screen shows two identical versions of the person in the plaid shirt, walking in place, facing the viewer.
+*   00:00:29.899 - The person in the plaid shirt performs dance moves or jumps in place on the patio. The scene is brightly lit.
+*   00:00:32.966 - The blurry, shaky shot of items from the beginning reappears, showing a pink notebook, black smartphone, black speaker, and pink pencil case.
+*   00:00:33.866 - A top-down shot of feet in black and white Converse-style sneakers walking on the wooden slatted floor.
+*   00:00:37.766 - A hand reaches into the Adidas bag and pulls out a white rectangular object (likely a book or folder).
+*   00:00:40.733 - A hand is seen putting items *into* the Adidas bag, including a white bottle/tube, a small pink object, and a black object.
+*   00:00:42.599 - The Adidas bag is on the floor with some items (notebooks, a small blue object) beside it. A hand places a stack of pink notebooks onto the pile.
+*   00:00:45.966 - The girl in the plaid shirt stands on a high-rise balcony, facing the camera with arms outstretched. A city view is visible in the background.
+*   00:00:47.333 - The girl turns to her right on the balcony, looking out at the city.
+*   00:00:48.866 - A graphic appears: a bright yellow lightbulb glowing above the Adidas bag and scattered items, with the text "School Time" below.
+*   00:00:52.099 - The girl sits on the floor indoors, facing the camera, smiling and talking. She wears a grey t-shirt with "BROOKLYN" and floral sleeves. A lantern is to her left.
+*   01:54:198 - The camera focuses on the Adidas bag sitting on the floor.
+*   01:55:031 - Hands reach into the front pocket of the Adidas bag and pull out a white smartphone.
+*   01:56:498 - The hands pick up white earphones from beside the phone and place them back into the front pocket of the Adidas bag, followed by the phone.
+*   01:58:331 - Hands pull a pink tablet from the front pocket of the Adidas bag and place it on the floor.
+*   01:59:798 - Hands pull a clear rectangular case from the front pocket and place it on top of the pink tablet.
+*   02:00:998 - Hands pull a black wallet from the front pocket and place it on top of the clear case.
+*   02:02:098 - Hands pull out a blue lanyard with an ID card attached from the front pocket and place it next to the wallet. The ID card has a blurred face.
+*   02:03:765 - Hands take a light green spherical lip balm and place it on top of the wallet.
+*   02:04:798 - The hands put the lip balm back into the front pocket of the Adidas bag, then the school ID, the wallet, the clear case, and the pink tablet, zipping up the pocket.
+*   02:08:965 - Hands open the main compartment of the Adidas bag and pull out a stack of notebooks.
+*   02:12:065 - Hands pull out a pink pencil case from the main compartment and place it on the notebooks.
+*   02:13:565 - Hands remove a white school planner from the main compartment and place it on top of the pencil case.
+*   02:15:398 - Hands place the pencil case, school planner, and notebooks back into the main compartment of the bag, zipping it up.
+*   02:34:265 - The girl, now in a white long-sleeved blouse, blue jeans, and red sneakers, jumps in the air with a plaid shirt tied around her waist.
+*   02:36:765 - The girl stands facing the camera on the patio/balcony, wearing the white blouse, blue jeans, and red sneakers.
+*   02:40:531 - The girl stands facing the camera, wearing the same outfit.
+*   02:43:865 - The girl stands facing the camera, wearing the same outfit.
+*   02:47:065 - The girl adds a red patterned cardigan to her outfit, putting her arms through the sleeves.
+*   02:49:998 - The girl stands with her arms crossed, showing the completed outfit.
+*   02:51:765 - The girl walks forward on the wooden floor, legs shown from the knees down, showcasing her red sneakers.
+*   02:57:998 - The girl jumps up and down on the balcony, looking out over the city, wearing the full outfit including the tied plaid shirt.
+*   03:00:098 - The girl walks towards the camera on the wooden floor, showing off her red sneakers.
+*   03:04:598 - The girl sits down at the white outdoor table on the patio, putting her feet up on the table, still in the red cardigan, white blouse, and blue jeans with red sneakers. The Adidas bag is on the floor beside the table.
+*   03:10:965 - A multi-panel mirrored shot of the girl's feet walking forward in red sneakers, repeating across the screen.
+*   03:15:265 - A multi-panel mirrored shot of the girl standing and dancing on the patio, arms outstretched, showing her full outfit.
+
+**Text on Screen:**
+
+*   00:49:299 - School Time
+*   02:35:198 - Outfit Time
+*   02:37:398 - Long Sleeved Blouse Zara
+*   02:41:598 - Denim Jeans H&M
+*   02:45:265 - Red & White Vans Footasylum
+*   02:48:365 - Cotton Cardigan TKmaxx
+
+**People in the Video:**
+
+*   **Tra:** She is the main person featured in the video. She is a young female content creator (Youtuber) making a "Back to School" themed video. She states she is doing a "what's in my school bag" and an "outfit idea" video. She mentions that her school starts on Monday. She is collaborating with another Youtuber, Flo Tastics (or Flov Tastics), whose channel she highly recommends for its "amazing quality" and "editing." She requests 35 thumbs up for her video.
+
+**Summary of the Video Narrative:**
+
+The video is a "Back to School" special created by a young YouTuber named Tra. It begins with a dynamic montage of quick cuts, showcasing school supplies, an Adidas bag, and Tra performing various energetic jumps and poses, set to upbeat music. This segment visually introduces the back-to-school theme.
+
+Transitioning to a direct address, Tra introduces herself and explains the video's content: a "what's in my school bag" segment and a "cute outfit idea" for school. She includes a disclaimer that the Adidas bag shown is not her actual school bag, as her real one has her school logo. She also promotes a collaborative video with her friend Flo Tastics, praising her friend's channel.
+
+The video then moves into the "what's in my school bag" portion, where Tra meticulously demonstrates packing items such as a smartphone, earphones, a pink tablet, an emergency kit, a wallet, her school ID (face blurred), lip balm, notebooks, a pencil case, and a school planner into the Adidas bag.
+
+Finally, Tra presents her "cute outfit idea," consisting of a white long-sleeved blouse from Zara, denim jeans from H&M, red and white Vans sneakers from Footasylum, and a red cotton cardigan from TK Maxx. She showcases the outfit with a mix of poses, walking, and jumping on a balcony, maintaining the video's energetic and positive tone. The video concludes with a repetition of creative visual effects, reinforcing the playful and stylish aspects of her back-to-school preparations.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_IIr14w6hUuE.txt b/raw/test/visual_info/output_IIr14w6hUuE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fd4b6d2199aa6a3972844aee4d6ac3e87429f6da
--- /dev/null
+++ b/raw/test/visual_info/output_IIr14w6hUuE.txt
@@ -0,0 +1,132 @@
+Here is the breakdown of the video content as requested:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - The video opens with a static shot of a clean, white kitchen countertop featuring jars of pasta, a glass jar, and ceramic containers against a white marble-patterned backsplash.
+*   00:00:00.678 - A hand enters the frame from the top left and lifts a tall, clear jar filled with long pasta.
+*   00:00:02.100 - The hand lifts a tall, clear jar filled with cannelloni pasta.
+*   00:00:03.100 - A hand places a small, light-beige round container labeled "FOCUS" with a silver lid onto the countertop.
+*   00:00:05.100 - The hand removes the silver lid from the "FOCUS" container.
+*   00:00:05.900 - Powder is poured from a paper packet into the "FOCUS" container.
+*   00:00:07.800 - The lid is replaced on the "FOCUS" container.
+*   00:00:08.567 - A second small, reddish-brown round container labeled "CALM" is placed next to the "FOCUS" container.
+*   00:00:10.534 - A hand removes a clear glass jar with white liquid from the counter.
+*   00:00:11.767 - A hand replaces the clear glass jar with a tall, empty clear glass on the countertop.
+*   00:00:12.767 - The camera switches to an overhead view of a refrigerator drawer full of ice cubes, with a scoop resting inside.
+*   00:00:14.034 - A hand scoops ice cubes from the drawer.
+*   00:00:14.634 - Ice cubes are shown falling into the clear glass on the countertop.
+*   00:00:15.534 - A small, textured ceramic cup is placed to the left of the clear glass.
+*   00:00:16.800 - A dark liquid (coffee) is shown filling the ceramic cup, and an electric whisk is used to stir it.
+*   00:00:19.467 - The whisk is removed from the coffee, leaving a foamy top layer.
+*   00:00:20.534 - Coffee is poured from the ceramic cup into the clear glass filled with ice.
+*   00:00:22.567 - The camera returns to an overhead view of the ceramic cup as a clear liquid (water) is poured into it.
+*   00:00:24.400 - The electric whisk mixes the liquid in the ceramic cup, creating a light green, frothy matcha.
+*   00:00:26.967 - The whisk is removed from the matcha.
+*   00:00:27.767 - The frothy matcha is poured from the ceramic cup into the clear glass containing coffee and ice, creating distinct layers.
+*   00:00:30.134 - An overhead shot of the completed layered drink with light green foam on top.
+*   00:00:31.400 - A lower angle shot of the finished layered drink.
+*   00:00:33.200 - A hand opens a refrigerator drawer, revealing various containers including a purple one labeled "Jeni's".
+*   00:00:34.200 - A hand removes a clear plastic bag of white, coiled noodles from the drawer.
+*   00:00:35.400 - The plastic bag of noodles is placed on the white countertop.
+*   00:00:36.434 - The hand removes the bag of noodles.
+*   00:00:37.400 - A light brown wooden cutting board is slid onto the countertop.
+*   00:00:38.200 - A whole white onion is placed on the cutting board.
+*   00:00:39.100 - A hand uses a knife to cut the ends off the onion.
+*   00:00:41.800 - The hand cuts the onion in half.
+*   00:00:43.767 - Close-up of hands slicing the onion into thin rings on the cutting board.
+*   00:00:45.967 - Thinly sliced garlic cloves are shown on the cutting board next to the knife.
+*   00:00:47.067 - A hand drops sliced onions and garlic into a silver pot on a black stovetop, with steam rising.
+*   00:00:49.000 - A black spatula stirs the onions and garlic as they sauté in the pot.
+*   00:00:51.667 - A hand picks up a jar of "Buldak Sauce - Original Spicy Chili".
+*   00:00:52.567 - The hand unscrews the lid from the Buldak Sauce jar.
+*   00:00:53.967 - Red Buldak Sauce is squeezed into the pot with the sautéed onions and garlic.
+*   00:00:55.700 - An overhead view of a jar of red chili flakes, with a wooden spoon scooping some out.
+*   00:00:56.567 - Red chili flakes are sprinkled into the pot.
+*   00:00:58.267 - A black spatula stirs the sauce, onions, and garlic in the pot.
+*   01:00:06.034 - A brown ceramic bowl is shown on the countertop as a hand places a block of white udon noodles into it.
+*   01:00:07.767 - Water is poured over the udon noodles in the bowl.
+*   01:00:10.567 - White liquid (milk/cream) is poured into the red sauce mixture in the pot, causing it to bubble.
+*   01:00:12.767 - A black spatula stirs the sauce mixture, which turns a uniform orange-red color.
+*   01:00:15.567 - The softened udon noodles are transferred from the bowl into the pot with the sauce.
+*   01:00:17.067 - A black spatula mixes the udon noodles into the sauce until they are fully coated.
+*   01:00:19.067 - A hand reaches into a white plastic crate in a pantry and pulls out a bag of white rice noodles.
+*   01:00:20.567 - The rice noodles are added to the pot with the udon noodles and sauce.
+*   01:00:22.067 - The noodles in the pot are shown softening and absorbing the sauce.
+*   01:00:23.700 - A hand places an empty brown ceramic serving bowl on the white countertop.
+*   01:00:25.067 - The pan of cooked noodles is lifted from the stovetop using tongs.
+*   01:00:25.767 - The noodles and sauce are poured from the pan into the brown ceramic serving bowl.
+*   01:00:27.767 - Chopped green onions are sprinkled over the noodles in the serving bowl.
+*   01:00:28.934 - An overhead shot of the finished noodles dish, garnished with green onions.
+*   01:00:30.000 - A close-up of a silver pan on the stovetop filled with diced sweet potatoes and cauliflower florets, with diced onions.
+*   01:00:30.900 - A black spatula stirs the vegetables in the pan.
+*   01:00:32.400 - Red spice is sprinkled over the vegetables.
+*   01:00:33.267 - A hand holds up a glass jar of "NEW YORK SHUK ROSEY HARISSA" spice blend.
+*   01:00:34.900 - Light brown powder (more seasoning) is sprinkled over the vegetables.
+*   01:00:36.500 - The black spatula stirs the seasoned vegetables.
+*   01:00:38.000 - Yellow broth is poured into the pan with the vegetables.
+*   01:00:39.967 - A hand holds up an empty clear glass measuring cup above the pan.
+*   01:00:41.900 - A silver ladle stirs the cooking soup in the pan.
+*   01:00:44.200 - The ladle scoops vegetables and liquid from the pan and pours them into a blender.
+*   01:00:46.900 - The blended, smooth orange-yellow soup is poured back from the blender into the clean pan.
+*   01:00:48.834 - An overhead shot of a wooden cutting board with a black spatula and two small green limes. A hand picks up one lime.
+*   01:00:50.000 - The hand squeezes the lime directly into the soup in the pan.
+*   01:00:52.067 - A black spatula stirs the soup.
+*   01:00:54.000 - A small, textured white ceramic bowl is placed on the countertop.
+*   01:00:54.967 - A ladle scoops soup and pours it into the white ceramic bowl.
+*   01:00:56.667 - A gray pan with a peach handle is on the stovetop, containing small brown crumbled pieces (tempeh) being stirred with a black spatula.
+*   01:00:58.700 - The cooked tempeh is transferred from the pan into the white ceramic bowl of soup using the spatula.
+*   01:01:00.667 - An overhead shot of the finished soup topped with tempeh. A silver spoon takes a scoop of the soup.
+*   01:01:03.000 - The gray pan now contains lentils and quinoa, which are being mixed with the tempeh using a spatula.
+*   01:01:04.934 - A yellow ceramic bowl is placed on the white countertop.
+*   01:01:06.134 - The mixture of tempeh, lentils, and quinoa is poured from the pan into the yellow ceramic bowl.
+*   01:01:09.600 - A clear glass jar filled with pink pickled red onions is shown. A silver fork pulls out some pickled onions.
+*   01:01:11.200 - Pickled onions are placed on top of the food in the yellow bowl.
+*   01:01:12.700 - A hand takes a small, green sprig (fennel frond) from a small beige container.
+*   01:01:13.600 - The fennel sprig is placed on top of the food in the yellow bowl.
+*   01:01:15.067 - An overhead shot of the finished dish in the yellow bowl. A wooden-handled spoon scoops some of the food.
+*   01:01:18.600 - White, diced tofu cubes are placed into a gray pan with a peach handle.
+*   01:01:20.500 - A wooden spatula stirs the tofu in the pan, which is starting to brown and crisp.
+*   01:01:22.500 - A hand places a tall, clear glass jar with green onions and red onion pieces inside on the white countertop.
+*   01:01:23.700 - The hand lifts the jar, then pours the green onions and red onion pieces onto the counter.
+*   01:01:25.700 - A hand uses a knife to slice a green onion stem on the cutting board.
+*   01:01:27.700 - A clear glass jar is placed on the countertop, and shredded orange carrots are added to the bottom.
+*   01:01:29.000 - White vermicelli noodles are added on top of the carrots in the jar.
+*   01:01:30.000 - Diced, cooked tofu is added to the jar.
+*   01:01:31.000 - Chopped green onions are added to the jar.
+*   01:01:32.167 - A dark liquid (broth) is poured into the jar, covering the ingredients.
+*   01:01:34.000 - A close-up of the jar with its contents soaking in the broth.
+*   01:01:35.000 - A clear glass lid is placed on top of the jar.
+*   01:01:36.467 - A hand lifts the lidded jar.
+*   01:01:37.400 - An overhead view of the jar. A hand sprinkles fresh green basil leaves on top.
+*   01:01:38.967 - A pair of black chopsticks stirs the contents of the jar.
+*   01:01:40.400 - Noodles are lifted with chopsticks, showing they are softened.
+*   01:02:23.000 - A hand holds a white bowl filled with a mixture of lentils, quinoa, tofu, kimchi, and topped with green onions. A spoon scoops some of the food.
+
+**Text on Screen and Appearance Times:**
+
+*   00:00:29.633 - 00:00:36.000: "thank you to SQUARESPACE for partnering with me"
+*   00:01:47.333 - 00:01:50.000: "WHERE SEOUL MEETS NEW YORK" (on Buldak Sauce jar label)
+*   00:01:47.467 - 00:01:50.000: "Buldak Sauce" (on Buldak Sauce jar label)
+*   00:01:47.533 - 00:01:50.000: "Original Spicy Chili" (on Buldak Sauce jar label)
+*   00:01:47.700 - 00:01:50.000: "NET WT. 13.4 OZ (380 G)" (on Buldak Sauce jar label)
+*   00:03:12.000 - 00:03:14.000: "NEW YORK SHUK" (on spice jar label)
+*   00:03:12.000 - 00:03:14.000: "ROSEY HARISSA" (on spice jar label)
+*   00:03:12.000 - 00:03:14.000: "Premium Middle Eastern Spice Blend" (on spice jar label)
+*   00:03:12.000 - 00:03:14.000: "NET WT. 1.8oz / 51g" (on spice jar label)
+*   01:01:42.000 - 01:01:45.000: "www.squarespace.com/abetweene"
+*   01:01:45.000 - 01:02:17.000: Various Squarespace website UI elements and text including "SQUARESPACE", "EVERYTHING TO SELL ANYTHING", "ORDER NOW", "Make a reservation", "abetweene", "SHOP", "BLOG", "ABOUT", "SERVICES", "Add a Section", "Text", "Image", "Video", "Button", "Audio", "Form", "Newsletter", "Line", "Quote", "Embed", "Map", "Code", "Markdown", "Summary", "Calendar", "Chart", "Social Links", "CREATE A WEBSITE", "SELL ANYTHING", "BUILD YOUR BRAND", "FROM SQUARESPACE", "Website Overview", "Ecommerce Overview", "Marketing Overview", "Acuity Scheduling", "Website Templates", "Templates for Sellers", "Email Marketing", "Bio Sites", "For Portfolios", "Sell Products", "SEO Tools", "Unfold", "Analytics", "Sell Services", "Creator Tools", "Tock", "Hire an Expert", "Schedule Appointments", "Video Maker", "Enterprise Solutions", "Courses & Memberships", "Logo Maker", "GET A DOMAIN", "Store Management", "Find a Domain", "Commerce Extensions", "Transfer a Domain", "Download on the App Store", "Free with a website subscription or trial.", "Video tools, for beginners to pros", "Never made a video? Templates make it easy to get started. Seasoned pro? Save time with autofill, customization and resizing tools.", "DONE Your Brand Your brand ingredients from your Squarespace website. Changes you make here won't be applied to your Squarespace site.", "BRAND Brooklyn Terrarium LOGO Brooklyn Terrarium EDIT LOGO COLORS LIGHT DARK EDIT COLORS", "BACK HIDE SCRIPT Hi, I'm a plant lover and owner of Brooklyn Terrarium. My job is to...", "Customized for you Be on or off camera. Record your own voice or upload a script to get a smart voiceover."
+*   01:02:22.000 - 01:02:26.967: "@abetweene" (with Instagram and TikTok logos)
+
+**People in the Video:**
+
+*   **The Narrator/Cook:** The primary individual in the video is the person whose hands are shown preparing all the food. While their face is not visible, they provide the voiceover commentary, indicating they are the host. We learn that they manage ADHD, prefer natural supplements, are trying new coffee experiments, and are clearing out their pantry and freezer. They mention having had tteokbokki in a previous video. Through the Squarespace segment, it is also revealed that the narrator is a "plant lover and owner of Brooklyn Terrarium."
+
+**Summary of the Video Narrative:**
+
+The video chronicles the narrator's focused efforts on meal preparation, emphasizing the use of existing pantry and freezer items while offering personal insights. The narrative begins with the narrator making an iced mushroom tea latte, discussing their personal journey with ADHD and their preference for natural supplementation.
+
+Following this, the narrator demonstrates two main recipes: a "fire udon noodles" dish, which involves sautéing onions and garlic, adding a spicy sauce and cream, and then mixing in udon and rice noodles; and a sweet potato and cauliflower soup, seasoned with Harissa and blended to a smooth consistency for digestibility. The soup is later topped with seasoned tempeh.
+
+The video continues with the narrator showcasing their meal prepping techniques by assembling a "green bowl" using pre-cooked lentils and quinoa, hummus, tempeh, pickled red onions, and fresh fennel. They also demonstrate creating a quick, instant pho-inspired meal in a jar with vermicelli noodles, carrots, tofu, and green onions.
+
+Interspersed throughout the cooking demonstrations are the narrator's candid thoughts on their culinary experiences, including a humorous critique of a poorly designed measuring cup. The video concludes with a sponsored segment for Squarespace, where the narrator highlights how the platform aids in managing their online presence, including their blog where they share recipes and product information. The final shots display the prepared meals, underscoring the success of their meal prepping efforts.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_ILSOCxsy4bc.txt b/raw/test/visual_info/output_ILSOCxsy4bc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4f35e51ead28e5a06c70226a7906df470f03abd1
--- /dev/null
+++ b/raw/test/visual_info/output_ILSOCxsy4bc.txt
@@ -0,0 +1,172 @@
+Here's a breakdown of the video's important visual events, on-screen text, people, and a summary:
+
+**Important Visual Events:**
+
+00:00:00.000 - The screen displays a white background with abstract purple shapes that resolve into a four-square grid logo with the letters "M" and "B" in Roman text and Braille.
+00:00:03.400 - The screen fades to black with a subtle dark grid pattern.
+00:00:09.000 - Purple cursive text animates onto a gradient white background, forming "Molly Burke".
+00:00:10.800 - More purple cursive text appears below, spelling "Motivational Speaker", followed by a website address.
+00:00:13.000 - A wide shot of a large arena filled with a cheering audience, illuminated by purple stage lights. A man is on a large stage with "WE DAY" written prominently.
+00:00:15.100 - Close-up on several young women in the audience, smiling and looking towards the stage. One holds a camera.
+00:00:16.000 - A wider shot of the "WE DAY" stage area, showing many audience members standing and clapping. Several people are on stage, and a black dog walks across it.
+00:00:19.000 - A medium shot of Molly Burke speaking directly to the camera, wearing a light-colored top and a pink and white striped scarf, against a blurred background resembling a stone fireplace. A purple lower-third graphic identifies her.
+00:00:22.000 - A point-of-view shot from bed shows Molly smiling, holding her black guide dog, who is yawning. A "REC" overlay is visible, simulating a camera recording.
+00:00:24.000 - Molly Burke stands on a stage with a large screen behind her, displaying teal and orange abstract patterns. She smiles and gestures, wearing a denim vest over a black t-shirt and dark pants.
+00:00:27.000 - A high-angle wide shot of Molly on stage, looking out at a vast audience in a large auditorium, all looking towards her. The audience is illuminated by purple lights.
+00:00:29.800 - Molly Burke is back in the interview setting, speaking to the camera.
+00:00:35.400 - White text on a white background fades in, stating "Speech Day" and "7:00 a.m.".
+00:00:38.200 - Molly Burke sits up in bed, hugging her black guide dog. She smiles and talks to the camera, which appears to be held by her. Her dog yawns widely.
+00:00:50.000 - Molly stands on a dark stage, holding a microphone, and waves to an unseen audience. A black guide dog is lying next to a small wooden table with a white mug.
+00:00:51.600 - Molly is seen selecting an outfit, holding up a grey blazer and a floral top.
+00:00:52.400 - Molly is in a kitchen, pouring from a kettle into a red mug, looking at the camera.
+00:00:53.600 - A close-up of hands with polka-dot nail polish holding a mascara wand.
+00:00:54.600 - A blurry shot of what appears to be Molly's hands moving quickly.
+00:00:55.300 - A close-up of Molly's eye as she applies makeup.
+00:00:56.700 - Hands are seen selecting makeup brushes lying on a purple surface.
+00:00:57.800 - Molly opens a white front door and steps outside with her guide dog.
+00:00:59.000 - Molly and her guide dog walk down a snowy path away from the house.
+00:01:00.200 - A rectangular purple box appears on a white background with a quote in white text: ""SPEAKS FROM THE HEART"".
+00:01:02.700 - The text in the box changes to: ""IMPACTFUL AND AUTHENTIC"".
+00:01:05.000 - The text in the box changes to: ""DYNAMIC AND COMPELLING"".
+00:01:07.300 - The text in the box changes to: ""MOLLY IS MY HERO"".
+00:01:09.400 - A screenshot of a Twitter tweet from Larry King mentioning Molly Burke is displayed.
+00:01:11.700 - A square, slightly distressed photograph shows Molly Burke smiling next to Larry King, who has his arm around her.
+00:01:15.300 - Close-up of Molly Burke speaking into a microphone on a dark stage.
+00:01:16.500 - Molly Burke stands on a dark stage, facing away from the camera, addressing a seated audience in a smaller auditorium. Her dog lies on the stage next to her.
+00:01:18.200 - Molly Burke and her guide dog walk outside a modern brick and glass building. Snow is on the ground.
+00:01:19.500 - A wide, low-angle shot shows Molly and her guide dog walking towards the entrance of the building.
+00:01:20.600 - Molly Burke is on stage, speaking into a microphone, gesturing with her hands.
+00:01:21.800 - Molly and her guide dog are seen walking past bicycle racks outside the building.
+00:01:23.000 - Molly Burke is on stage, speaking into a microphone, gesturing with her hands.
+00:01:24.400 - A wide shot of Molly on stage and the audience, from a slightly elevated angle.
+00:01:25.800 - Molly is on stage, speaking into a microphone, with a serious expression.
+00:01:29.600 - A blue Twitter bird logo appears on a white background, with the words "Twitter Love".
+00:01:30.200 - A Twitter tweet from "Juliette Ferrars" is shown, praising Molly.
+00:01:32.400 - Another Twitter tweet from "Sofi" slides up, praising Molly.
+00:01:34.800 - Another Twitter tweet from "Jeremy Sananes" slides up, praising Molly.
+00:01:37.000 - Another Twitter tweet from "Noah Abecassis" slides up, praising Molly.
+00:01:39.800 - Craig Kielburger, co-founder of Free the Children, is speaking directly to the camera in an office setting. A lower-third graphic identifies him.
+00:01:53.600 - Molly Burke, wearing a white lace dress with her hair in a bun, speaks into a microphone on a stage with a black background and blue lighting on the side.
+00:02:07.400 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:09.100 - Students walk down a hallway into an auditorium.
+00:02:10.500 - Students enter the seating area of the auditorium, finding their places.
+00:02:12.100 - Molly Burke walks away from the camera, with her long hair visible, entering a building through glass doors.
+00:02:15.500 - A blurry shot from inside a doorway shows two figures entering a bright space.
+00:02:17.300 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:18.400 - Molly Burke is seated, holding a microphone, wearing a brown cardigan and a red floral scarf, speaking.
+00:02:19.800 - Molly Burke and her guide dog walk together through a school hallway, both smiling.
+00:02:21.400 - Close-up on Molly's face as she walks, looking focused.
+00:02:22.500 - Close-up on the black guide dog, looking forward, as Molly walks beside it.
+00:02:24.000 - A low-angle shot shows Molly and her dog walking, emphasizing the dog's movement.
+00:02:26.100 - Molly's face is seen as she walks with her dog.
+00:02:27.400 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:29.300 - Molly is on a stage, speaking, with a decorative sign featuring pink feathers behind her.
+00:02:30.700 - Close-up on several students in the audience, listening intently.
+00:02:32.100 - Close-up on a young boy in the audience, listening.
+00:02:34.000 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:35.700 - Molly is on a stage, speaking, with a decorative sign featuring pink feathers behind her.
+00:02:37.400 - Close-up on several students in the audience, listening intently.
+00:02:38.800 - Close-up on a young boy in the audience, listening.
+00:02:40.400 - Molly Burke is back in the interview setting, with a more somber expression.
+00:02:42.500 - A wide shot of a large concert-like stage with "WE DAY" branding, spotlights, and a massive audience. Molly Burke stands center stage.
+00:02:44.200 - Close-up on Molly Burke on the large "WE DAY" stage, speaking into a microphone and gesturing, smiling.
+00:02:46.300 - Wide shot of Molly on stage, seen from behind her, addressing the huge crowd.
+00:02:48.400 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:50.100 - Molly on stage, seen from behind her, addressing the crowd.
+00:02:51.600 - Molly Burke is back in the interview setting, speaking to the camera.
+00:02:53.600 - Wide shot of Molly on the "WE DAY" stage, illuminated by bright lights.
+00:02:55.200 - Close-up of Molly on the "WE DAY" stage, smiling and speaking.
+00:02:57.100 - Molly on stage, seen from behind, addressing the crowd.
+00:02:59.200 - Molly Burke is back in the interview setting, speaking to the camera.
+00:03:00.600 - Molly sits backstage with her guide dog lying at her feet, and another woman sitting nearby.
+00:03:02.100 - Molly gets up and starts walking, holding her dog's leash.
+00:03:03.500 - A close-up of the guide dog's face, looking up.
+00:03:04.900 - Molly and her dog walk from backstage onto the lighted stage, greeted by an event staff member. The audience is visible through the stage wings.
+00:03:07.200 - The audience is shown applauding enthusiastically.
+00:03:08.500 - Molly walks onto the stage, waving to the audience, accompanied by an event staff member.
+00:03:10.400 - Molly shakes hands with the event staff member, and her dog lies down patiently beside her.
+00:03:11.800 - Molly on stage waves to the audience, the dog lies down behind her.
+00:03:14.600 - A female student with red hair and glasses is interviewed, framed in a tilted screen effect.
+00:03:16.600 - Close-up of Molly Burke speaking into a microphone.
+00:03:18.400 - Several female students in the audience are laughing.
+00:03:20.200 - A male student with glasses is interviewed, framed in a tilted screen effect.
+00:03:22.000 - Molly Burke poses for photos with two female students on the stage. Her dog is nearby.
+00:03:24.400 - Molly Burke hugs an older woman warmly backstage.
+00:03:26.400 - The older woman with a purple scarf is interviewed.
+00:03:28.000 - Molly Burke stands on stage, facing the audience, with her guide dog lying at her feet.
+00:03:29.800 - Molly Burke stands center stage, holding a microphone.
+00:03:31.700 - Students in the audience listen intently, some with arms crossed.
+00:03:33.200 - A close-up of a student in the audience listening.
+00:03:34.900 - The older woman with a purple scarf is interviewed again.
+00:03:36.700 - Students in the audience listen intently.
+00:03:38.200 - The older woman with a purple scarf is interviewed again.
+00:03:39.900 - Molly Burke is back in the interview setting, speaking to the camera.
+00:03:41.500 - Molly Burke turns to face the audience on stage, her dog beside her.
+00:03:43.000 - Molly Burke is back in the interview setting, speaking to the camera.
+00:03:44.500 - Molly Burke turns to face the audience on stage, her dog beside her.
+00:03:46.000 - Molly Burke is back in the interview setting, speaking to the camera, smiling slightly.
+00:03:52.300 - A large rectangular purple box appears on a white background, containing white text.
+00:03:54.900 - The rectangular purple box changes its text, listing various groups Molly is an ideal speaker for.
+00:04:00.300 - The rectangular purple box changes its text again, listing sample topics for speeches.
+00:04:04.300 - The rectangular purple box changes its text one last time, displaying contact information and a tagline.
+
+---
+
+**Text on Screen:**
+
+*   00:00:09.600 - Molly Burke
+*   00:00:11.200 - Motivational Speaker
+*   00:00:12.300 - www.mollyburke.ca
+*   00:00:19.400 - Molly Burke Motivational Speaker
+*   00:00:22.000 - REC (top left corner, part of camera overlay)
+*   00:00:22.000 - Battery icon (top right corner, part of camera overlay)
+*   00:00:35.600 - Speech Day
+*   00:00:36.900 - 7:00 a.m.
+*   00:01:00.400 - "SPEAKS FROM THE HEART"
+*   00:01:01.800 - - Eric Alper (eOne)
+*   00:01:02.800 - "IMPACTFUL AND AUTHENTIC"
+*   00:01:03.900 - - Paul Polman (CEO, Unilever)
+*   00:01:05.100 - "DYNAMIC AND COMPELLING"
+*   00:01:06.300 - - Melissa Wildermuth (General Mills)
+*   00:01:07.400 - "MOLLY IS MY HERO"
+*   00:01:08.600 - - Amanda Johnson (Student)
+*   00:01:09.400 - Larry King @kingsthings - With my new hero Molly. A young blind lady with a powerful #antibullying message. #weday instagram.am/p/RL1NohkgHr/
+*   00:01:30.200 - Twitter Love (main title)
+*   00:01:30.200 - Juliette Ferrars @canadianbookwrm - Oct 15 - @MollyBOfficial Thank u so much for coming and speaking at MPC (highschool)I was touched and motivated to be a better person for the world
+*   00:01:32.400 - Sofi @eycigirl - Oct 15 - @MollyBOfficial thank u for your amazing #inspiration at Monarch Park today! U touched our lives in such a positive way!! @tdsb @PPDsoccer
+*   00:01:34.800 - Jeremy Sananes @JeremySananes - 6h - Thank you so much @MollyBOfficial for sharing your story with us today! Very moving and inspirational.
+*   00:01:37.000 - Noah Abecassis @Noah_Abecassis - 6h - @MollyBOfficial You came to my school today and what you said was AMAZING, I will never see things in the same way again! thank you so much
+*   00:01:39.800 - Craig Kielburger Co-Founder, Free the Children
+*   00:03:52.400 - Book Molly Burke FOR YOUR NEXT CORPORATE OR SCHOOL EVENT.
+*   00:03:54.900 - Molly is the ideal speaker for: School & Youth, Female Empowerment, Mental Health Groups, University & College, Parents & Educators, Family & Community, Leadership & Diversity, Activism & Accessibility, Corporate & Client Appreciation
+*   00:04:00.300 - Sample Topics: Being You: Finding Yourself & Your Way In The World, Light Up Your Life: Celebrating You, Helping Others & Finding Hope, A Light In The Dark: Realizing Potential, Encouraging Others & Finding Hope
+*   00:04:04.300 - INFO@MOLLYBURKE.CA
+*   00:04:04.300 - MOLLYBURKE.CA
+*   00:04:05.400 - EDUCATE | MOTIVATE | INSPIRE
+
+---
+
+**People in the Video:**
+
+*   **Molly Burke:** The central figure of the video. She is a motivational speaker who is completely blind. She describes herself as having been speaking since she was five years old. She shares her personal story of overcoming challenges like depression, suicidal thoughts, bullying, and vision loss. Her goal is to educate, motivate, and inspire others, particularly to end bullying, reduce mental health stigmas, and promote equality for people with disabilities.
+*   **Molly's Guide Dog (Gallop):** A black Labrador that accompanies Molly. He is shown resting in bed with her, walking by her side, and lying patiently on stage during her speeches. His presence highlights Molly's blindness and independence.
+*   **Larry King:** (Mentioned and pictured) An American television and radio host, producer, and author. He is featured in a tweet calling Molly his "new hero" and in a photo with her, implying his support or admiration for her message.
+*   **Craig Kielburger:** (Speaking role) Co-Founder of Free the Children (now WE Charity). He speaks on behalf of Molly Burke, commending her for being at every "WE Day" event and for embodying "a great heart and a great compassion to create a better community and a better world."
+*   **Audience Members:** Various individuals, primarily young people (high school students), are shown in different auditoriums and arena settings, listening attentively to Molly's speeches. Some are seen laughing or looking deeply engaged.
+*   **Juliette Ferrars, Sofi, Jeremy Sananes, Noah Abecassis:** (Text testimonials) Identified as students (Juliette, Amanda, Noah) or a general social media user (Sofi). Their tweets express gratitude and inspiration after hearing Molly speak, describing her as touching, motivating, amazing, moving, and inspirational. Amanda Johnson is credited as a "Student" who says "Molly is my hero."
+*   **Female Student (with red-tipped hair and glasses):** Appears in an interview segment, stating Molly's speaking style was "very captivating" and that "she's such a good speaker."
+*   **Male Student (with glasses):** Appears in an interview segment, describing Molly as "so confident up there" and that she "knows what she's talking about."
+*   **Older Woman (with purple scarf):** Appears in an interview segment, stating Molly's talk was "exactly what kids need to hear" and that she "gives them a message that says you can get to the bottom of the bottom, but you can get out of the bottom." She emphasizes Molly's message of "hope."
+*   **Event Staff/Presenters:** A man is briefly seen on stage with Molly at "WE Day" and another man introduces Molly at a smaller event. A cameraman is also visible at one point.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video is a compelling promotional reel for Molly Burke, a motivational speaker who shares her powerful personal story. It opens with an auditory and visual representation of living in darkness, setting the stage for Molly's experience as a completely blind individual. The narrative showcases her active life, from waking up with her guide dog, Gallop, to preparing for and delivering speeches.
+
+Molly is depicted speaking at various venues, from large "WE Day" events with thousands of attendees to more intimate school assemblies. Her message centers on overcoming adversity, finding hope, and advocating for inclusivity. She openly discusses her struggles with depression, suicidal thoughts, bullying, and vision loss, emphasizing that "nobody in this room is defined by the challenges that they face, but only by the strength that it is given them." She stresses the importance of finding inner hope and learning to stand up for oneself.
+
+The video intersperses Molly's personal reflections with impactful clips of her speaking, highlighting her engaging delivery and the positive reception from her audiences. Testimonials from students, educators, and notable figures like Larry King and Craig Kielburger (Co-Founder of Free the Children) reinforce her ability to connect with and inspire others.
+
+Ultimately, Molly shares her profound life goal: to see an end to bullying, to diminish the stigmas surrounding mental health, and for people with disabilities to be treated as equal humans. The video effectively portrays Molly Burke as a resilient, confident, and empathetic speaker dedicated to making a tangible positive impact on the world.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_IgmB9c29UKU.txt b/raw/test/visual_info/output_IgmB9c29UKU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e5981aec27c0737c997218ac815764f5438b3259
--- /dev/null
+++ b/raw/test/visual_info/output_IgmB9c29UKU.txt
@@ -0,0 +1,476 @@
+Here is a breakdown of the video content:
+
+### Visual Events with Timestamps:
+00:00:00.000 - A woman with long brown hair, wearing a black collared shirt, is shown from the chest up, smiling and laughing, covering her eyes with her left hand, revealing a ring on her finger. The background is a solid orange.
+00:00:01.000 - The scene changes to show the same woman sitting at a white desk with a vintage-style computer monitor and keyboard to her left. She has an intense, slightly angry expression, pointing one finger towards the camera. White text "WHO GOOGLED THAT?" appears above her.
+00:00:01.600 - The scene quickly transitions to a man with long, curly brown hair with blonde highlights, wearing a dark green shirt and a grey pinstriped vest, sitting at the same desk. He is smiling broadly.
+00:00:02.800 - The man bows his head down to the desk, shaking his long hair as if frustrated.
+00:00:03.900 - The man dramatically throws his head back up, hair flying, with a big smile.
+00:00:04.300 - White text "DEAF PEOPLE ANSWER COMMONLY Googled QUESTIONS" appears over the man. The word "Googled" uses the Google logo colors.
+00:00:05.100 - The text disappears, and the man returns to a seated position, still smiling.
+00:00:05.900 - White text "HEY, I'M MIXXIE." appears as the man signs.
+00:00:07.400 - The woman is back on screen, signing "HELLO!"
+00:00:08.500 - White text "HELLO!" appears over the woman.
+00:00:09.100 - White text "I'M LIA." appears as the woman signs her name.
+00:00:10.200 - The woman turns her head to the left, looking at the computer monitor, and touches her chin thoughtfully.
+00:00:10.800 - White text "AND I'M LOOKIN' AT" appears as she signs.
+00:00:11.900 - White text "GOOGLE RIGHT NOW" appears as she continues to sign.
+00:00:13.200 - White text "FOR COMMONLY SEARCHED" appears.
+00:00:14.200 - White text "QUESTIONS ABOUT DEAF PEOPLE!" appears.
+00:00:15.300 - White text "SOME ARE REALLY" appears, and the woman makes a face of disbelief or amusement.
+00:00:16.400 - White text "INTERESTING..." appears, and the camera zooms in slightly on her face.
+00:00:17.300 - The scene transitions to a white background with the Google logo and search bar.
+00:00:18.200 - The search bar animates as if someone is typing "do deaf peopl".
+00:00:18.800 - Autocomplete suggestions appear below the search bar, including "do deaf people think", "do deaf people talk", "do deaf people laugh", "do deaf people drive", and "do deaf people have an inner voice".
+00:00:20.600 - The scene returns to the man at the desk, with a thought bubble above his head containing the question: "DO DEAF PEOPLE THINK?"
+00:00:23.700 - The thought bubble disappears.
+00:00:24.400 - White text "OF COURSE!" appears as the man smiles.
+00:00:26.700 - The text disappears.
+00:00:27.200 - White text "THAT'S THE MOST" appears as the man signs.
+00:00:28.000 - White text "COMMON QUESTION," appears.
+00:00:28.900 - White text "IF WE CAN THINK," appears.
+00:00:29.800 - White text "IF WE'RE CREATIVE..." appears.
+00:00:32.000 - White text "COMMON, YEAH." appears.
+00:00:33.000 - White text "WE DO HAVE A" appears.
+00:00:34.000 - White text "DEAF MIND, THOUGH!" appears.
+00:00:35.300 - The man is shown in a closer shot, smiling.
+00:00:36.900 - The woman is back at the desk, signing "DEAF PEOPLE CAN DO"
+00:00:37.700 - White text "DEAF PEOPLE CAN DO" appears.
+00:00:38.400 - White text "EVERYTHING" appears as she makes a thumbs-up gesture and laughs.
+00:00:39.900 - White text "EXCEPT HEAR!" appears as she signs.
+00:00:41.200 - The camera zooms in on the woman's face as she points to her ear and shakes her head.
+00:00:43.000 - White text "I AM NOT JUST MY EAR." appears.
+00:00:44.200 - White text "BUT WE CAN DO" appears.
+00:00:47.300 - White text "WE CAN GET INVOLVED" appears.
+00:00:48.000 - White text "WITH MUSIC, THEATER..." appears.
+00:00:50.100 - White text "WE CAN GET INVOLVED IN-" appears.
+00:00:51.600 - The woman signs "A TO Z"
+00:00:52.400 - White text "A TO Z" appears.
+00:00:52.800 - White text "ANYTHING!" appears as she gestures expansively.
+00:00:54.000 - The woman smiles and looks off-camera.
+00:00:56.200 - The woman is back at the desk, with a thought bubble above her head asking "DO DEAF PEOPLE TALK?" Sound of a record scratch is heard.
+00:00:58.700 - The thought bubble disappears.
+00:00:59.000 - White text "YEAH!" appears, and the woman nods and signs.
+01:00:700 - White text "IN THEIR DEAF ACCENT" appears.
+01:03:000 - White text "OF COURSE, YEAH." appears.
+01:03:900 - The man is back on screen, signing.
+01:04:700 - White text "SOME DO," appears.
+01:05:800 - White text "SOME CHOOSE NOT TO." appears.
+01:06:900 - White text "IT DEPENDS ON WHAT THEIR" appears.
+01:08:000 - White text "VOICE SOUNDS LIKE." appears.
+01:09:800 - White text "SOMETIMES PEOPLE HAVE A" appears.
+01:10:900 - White text "SCARY VOICE," appears.
+01:12:000 - White text "SOMETIMES IT'S MUDDLED." appears.
+01:13:200 - White text "SOME PEOPLE HAVE" appears.
+01:14:200 - White text "REALLY FLUID VOICES, SO" appears.
+01:16:300 - The man smiles and looks at the camera.
+01:17:100 - White text "FOR ME," appears.
+01:18:200 - White text "I'LL DO A FEW WORDS," appears.
+01:19:600 - White text "BUT MY SENTENCE WILL" appears.
+01:21:000 - White text "RUN-OFF WHEN I VOICE." appears.
+01:22:000 - The man smiles.
+01:24:200 - The man is back at the desk, with a thought bubble above his head asking "DO DEAF PEOPLE LAUGH?"
+01:26:000 - The man bends his head down, giggling, then throws his head back up, laughing heartily.
+01:28:600 - White text "I'M LAUGHING RIGHT NOW!" appears.
+01:31:000 - White text "SO YES!" appears.
+01:31:800 - White text "WE DO LAUGH!" appears.
+01:33:000 - The man smiles.
+01:34:700 - The woman is back at the desk, looking thoughtful.
+01:36:000 - White text "WHO GOOGLED THAT?" appears over the woman, who now points accusingly and laughs.
+01:37:900 - The camera zooms in on her face as she continues to laugh and point.
+01:40:200 - The woman is back at the desk, looking at the screen, and signing.
+01:41:000 - White text "IT SAYS "MAYBE."" appears.
+01:42:000 - White text "BUT I THINK WE" appears.
+01:43:000 - White text "DEFINITELY CAN!" appears.
+01:44:000 - White text "I LAUGH OUT LOUD ALL" appears.
+01:45:600 - White text "THE TIME! AND I HAVE" appears.
+01:46:700 - White text "A LOUD LAUGH!" appears as she points to her ears.
+01:47:900 - The woman smiles and looks at the camera.
+01:48:000 - White text "SOMETIMES WE" appears.
+01:49:500 - White text "CAN EVEN HEAR" appears.
+01:50:500 - White text "OURSELVES LAUGH!" appears.
+01:51:500 - The woman smiles.
+01:53:900 - The man is back at the desk, with a thought bubble above his head asking "CAN DEAF PEOPLE DRIVE?"
+01:56:600 - White text "YES!" appears.
+01:57:900 - White text "WE HAVE DRIVER'S LICENSES." appears.
+01:59:700 - The woman is back on screen, signing and looking around her.
+02:01:100 - White text "WE'RE VERY VISUAL PEOPLE," appears.
+02:03:000 - White text "SO WE'RE VERY AWARE" appears.
+02:04:400 - White text "WHEN WE'RE DRIVING." appears.
+02:06:000 - White text "WE'RE SUPER CAREFUL," appears.
+02:07:900 - White text "AND WE CATCH EVERYTHING." appears.
+02:10:100 - The man smiles.
+02:11:900 - The man is back at the desk, with a thought bubble above his head asking "DO DEAF PEOPLE HAVE AN INNER VOICE?"
+02:14:100 - The thought bubble disappears.
+02:15:000 - White text "OOH," appears, and the woman makes a surprising face.
+02:16:700 - White text "YES!" appears.
+02:18:000 - White text "LIKE, OUR MIND MIGHT" appears.
+02:19:900 - White text "BE IN SIGN, BUT IT'S STILL" appears.
+02:21:500 - White text "A MENTAL VOICE EVEN" appears.
+02:23:000 - White text "IF IT'S MORE VISUAL." appears.
+02:24:000 - White text "BUT EVERYONE HAS" appears.
+02:25:700 - White text "THEIR OWN!" appears as she gestures broadly.
+02:27:100 - The man smiles.
+02:28:100 - The man is back at the desk, with a thought bubble above his head asking "DO DEAF PEOPLE THINK IN SIGN LANGUAGE?"
+02:30:800 - The thought bubble disappears.
+02:31:000 - White text "YEAH! SO WE DO THINK IN" appears.
+02:32:000 - White text "SIGN LANGUAGE, BUT" appears.
+02:33:600 - White text "SOMETIMES IT'S ABBREVIATED" appears.
+02:35:500 - White text "BECAUSE IT'S IN YOUR MIND," appears.
+02:37:300 - White text "SO IT'S A LITTLE IRONIC" appears.
+02:38:900 - White text "BECAUSE IT'S NOT, LIKE," appears.
+02:40:400 - White text "PERFECT SIGN LANGUAGE." appears.
+02:41:900 - White text "IT'S KIND OF A MUDDLED" appears.
+02:43:100 - White text "VISUAL SIGN." appears.
+02:43:900 - The woman is back on screen, signing.
+02:44:300 - White text "I DO SOMETIMES." appears.
+02:47:000 - White text "BUT SOMETIMES..." appears as she makes a confused face.
+02:49:100 - White text "IN ANOTHER LANGUAGE" appears.
+02:50:900 - White text "IN MY OWN HEAD," appears.
+02:52:600 - White text "WHAT DO I MEAN!?" appears as she gestures wildly.
+02:54:600 - The camera zooms in on her face as she continues to gesture.
+02:55:000 - White text "SO SOMETIMES YOU" appears.
+02:56:900 - White text "PLAY WITH SIGN LANGUAGE" appears.
+02:58:300 - White text "IN YOUR OWN HEAD!" appears.
+03:00:000 - The woman smiles.
+03:01:900 - The woman is back at the desk, with a thought bubble above her head asking "DO DEAF PEOPLE'S EARS RING?"
+03:04:100 - The thought bubble disappears.
+03:04:600 - White text "UGH, YES!" appears as she puckers her lips in disgust.
+03:06:200 - White text "AND IT IS SO ANNOYING!" appears as she continues to pucker and make a disgusted face.
+03:08:200 - White text "SO FOR EXAMPLE," appears.
+03:10:000 - White text "WHEN I DRINK MATCHA TEA" appears.
+03:13:000 - White text "AND I FEEL SUPER AWAKE," appears.
+03:15:000 - White text "MY EARS WILL GO OFF," appears.
+03:17:000 - The woman looks around confused.
+03:18:200 - White text "DID I HEAR THE PHONE?" appears as she puts her hand to her ear.
+03:20:000 - The sound of an old telephone ringing is heard.
+03:20:900 - The woman looks confused, rubbing her chin.
+03:22:000 - White text "MMM, NO." appears.
+03:23:500 - White text "WAS IT THE DOORBELL?" appears as she gestures to her ears.
+03:24:400 - The sound of a doorbell ringing is heard.
+03:25:000 - The woman looks at the camera, then turns away thoughtfully, touching her face.
+03:27:600 - White text "AND I JUST GO ON" appears.
+03:29:000 - White text "AND SOMETIMES THE RINGING" appears.
+03:30:500 - White text "IS PERSISTENT!" appears as she makes an angry face and points.
+03:32:000 - White text "AND IT MAKES" appears.
+03:32:800 - White text "ME CRAZY!" appears as she laughs.
+03:33:800 - White text "I JUST WANNA" appears.
+03:34:600 - White text "COVER MY" appears.
+03:35:400 - White text "EARS" appears.
+03:36:200 - White text "AND PLUG THEM." appears as she plugs her ears.
+03:36:900 - White text "SOMETIMES IT WORKS!" appears.
+03:38:200 - White text "BUT SOMETIMES SOMETHING" appears.
+03:39:800 - White text "ACTUALLY IS RINGING." appears.
+03:41:400 - The woman smiles.
+03:42:900 - The man is back on screen, signing.
+03:43:200 - White text "MAYBE A LITTLE FOR ME," appears.
+03:45:000 - White text "BUT NOT LIKE EVERY DAY." appears.
+03:46:800 - White text "IF YOU HAVE HEARING AIDS," appears.
+03:48:800 - White text "SOMETIMES YOU HEAR THIS" appears.
+03:50:000 - White text "EEEEEEEEE!" appears in large, shaky letters as the man makes a distressed face and gestures. A high-pitched ringing sound is heard.
+03:52:100 - White text "BUT IT HAPPENS" appears.
+03:53:500 - White text "KINDA RARELY." appears.
+03:54:900 - White text "ONLY SOMETIMES WHEN" appears.
+03:56:000 - White text "DOORS SLAM AND" appears. The sound of a door slamming is heard.
+03:57:900 - White text "THERE'S A POP SOUND." appears. A popping sound is heard.
+03:59:000 - White text "EVEN THE WIND CAN" appears. Sound of wind blowing.
+04:00:300 - White text "AFFECT IT." appears.
+04:01:200 - White text "BUT EVERY DAY?" appears.
+04:02:400 - White text "DO OUR EARS RING?" appears.
+04:03:500 - White text "NOT REALLY!" appears.
+04:04:800 - White text "IT DOESN'T HAPPEN." appears.
+04:06:100 - White text "BOTHER ME!" appears as he claps his hands together and smiles.
+04:08:400 - The man smiles at the camera.
+04:10:400 - The man is back at the desk, with a thought bubble above his head asking "CAN YOU READ LIPS?"
+04:13:000 - The thought bubble disappears.
+04:13:400 - White text "VERY OFTEN-" appears as he signs.
+04:15:000 - White text "SO OFTEN, ALL OVER" appears.
+04:17:000 - White text "I GET THIS:" appears.
+04:19:000 - White text ""CAN YOU READ MY LIPS?"" appears in a close-up of the man's face. He mimes talking.
+04:20:900 - White text "THAT IS THE MOST" appears.
+04:22:200 - White text "COMMON QUESTION" appears.
+04:23:800 - White text "IT'S KINDA ANNOYING." appears.
+04:25:000 - White text "I GET IT BECAUSE" appears.
+04:26:400 - White text "MAYBE THE DEAF EXPOSURE" appears.
+04:28:400 - White text "YOU HAVE IS-" appears.
+04:29:500 - White text "HAVE VOICES." appears.
+04:30:800 - White text "I GREW UP IN A" appears.
+04:32:000 - White text "VERY HEARING WORLD" appears.
+04:33:600 - White text "AND THE DEAF WORLD," appears.
+04:35:100 - White text "SO I GREW UP KIND OF IN BOTH," appears.
+04:37:300 - White text "SO I UNDERSTAND BOTH PERSPECTIVES." appears.
+04:38:800 - White text "BUT IT CAN BE TOUGH" appears.
+04:40:500 - White text "TO APPROACH HEARING PEOPLE" appears.
+04:42:700 - White text "WHO DON'T KNOW" appears.
+04:43:800 - White text "HOW TO SIGN." appears.
+04:44:800 - White text "OR THEY WON'T" appears.
+04:45:900 - White text "WRITE WITH ME." appears.
+04:47:000 - White text "THEY KIND OF" appears.
+04:48:600 - White text "DISMISS ME BECAUSE" appears.
+04:50:000 - White text "I'M DEAF." appears.
+04:50:800 - White text "AND THEY'RE NOT REALLY" appears.
+04:52:000 - White text "WILLING TO HAVE HUMAN" appears.
+04:53:000 - White text "COMMUNICATION WITH ME." appears.
+04:53:800 - The woman is back on screen, signing.
+04:54:300 - White text "WE ARE NOT" appears.
+04:55:700 - White text "OUT TO GET YOU!" appears as she screams happily.
+04:56:800 - White text "WE'RE HERE TO" appears.
+04:57:900 - White text "MAYBE WE HAVE THINGS" appears.
+04:59:400 - White text "THAT ARE IN COMMON!" appears.
+05:00:000 - White text "AND WE CAN BE BEST FRIENDS!" appears.
+05:01:400 - White text "AND SOMETIMES YOU'RE LUCKY" appears.
+05:03:700 - White text "BECAUSE WE HAVE A" appears.
+05:05:000 - White text "HUGE NETWORK." appears.
+05:06:000 - White text "AND THE DEAF COMMUNITY" appears.
+05:07:600 - White text "CAN REALLY BE A BENEFIT." appears.
+05:09:000 - White text "SIGN LANGUAGE IS A BENEFIT." appears.
+05:10:900 - White text "IT'S A VISUAL LANGUAGE," appears.
+05:12:800 - White text "IT USES FACIAL EXPRESSION," appears.
+05:14:600 - White text "AND YOU LEARN SO MUCH" appears.
+05:16:300 - White text "ABOUT THE COMMUNITY" appears.
+05:17:600 - White text "AND YOURSELF!" appears.
+05:18:700 - White text "SO PLEASE DON'T BE" appears.
+05:20:100 - White text "AFRAID OF US!" appears.
+05:20:900 - White text "WE ARE SO FRIENDLY!" appears.
+05:22:100 - White text "AND JUST BE YOURSELF!" appears.
+05:23:400 - The woman smiles shyly, covering her mouth slightly.
+05:25:600 - The video transitions to an animated globe on a red background with "WATCH MORE" in red text.
+05:35:800 - A speech bubble appears on the left with "CLICK TO SUBSCRIBE" in white text. Various small video thumbnails appear around the globe.
+05:41:800 - The "BuzzFeed VIDEO" logo appears on the left.
+05:42:500 - "Featuring Mixxie Hernandez Lia Chapman" appears.
+05:43:800 - "Technical Director Paola Trusendi" appears.
+05:45:000 - "Production Assistant Alexandrea Ortiz" appears.
+05:46:200 - "Post Production Coordinator Rachel Nakawatase" appears.
+05:47:300 - The end card with Buzzfeed Video logo, featuring information, and social media handles remains until the end of the video.
+
+### Text on Screen with Timestamps:
+* 00:00:01.000 - WHO GOOGLED THAT?
+* 00:00:04.300 - DEAF PEOPLE ANSWER COMMONLY Googled QUESTIONS
+* 00:00:05.900 - HEY, I'M MIXXIE.
+* 00:00:08.500 - HELLO!
+* 00:00:09.100 - I'M LIA.
+* 00:00:10.800 - AND I'M LOOKIN' AT
+* 00:00:11.900 - GOOGLE RIGHT NOW
+* 00:00:13.200 - FOR COMMONLY SEARCHED
+* 00:00:14.200 - QUESTIONS ABOUT DEAF PEOPLE!
+* 00:00:15.300 - SOME ARE REALLY
+* 00:00:16.400 - INTERESTING...
+* 00:00:20.600 - DO DEAF PEOPLE THINK?
+* 00:00:24.400 - OF COURSE!
+* 00:00:27.200 - THAT'S THE MOST
+* 00:00:28.000 - COMMON QUESTION,
+* 00:00:28.900 - IF WE CAN THINK,
+* 00:00:29.800 - IF WE'RE CREATIVE...
+* 00:00:32.000 - COMMON, YEAH.
+* 00:00:33.000 - WE DO HAVE A
+* 00:00:34.000 - DEAF MIND, THOUGH!
+* 00:00:37.700 - DEAF PEOPLE CAN DO
+* 00:00:38.400 - EVERYTHING
+* 00:00:39.900 - EXCEPT HEAR!
+* 00:00:43.000 - I AM NOT JUST MY EAR.
+* 00:00:44.200 - BUT WE CAN DO
+* 00:00:47.300 - WE CAN GET INVOLVED
+* 00:00:48.000 - WITH MUSIC, THEATER...
+* 00:00:50.100 - WE CAN GET INVOLVED IN-
+* 00:00:52.400 - A TO Z
+* 00:00:52.800 - ANYTHING!
+* 00:00:56.200 - DO DEAF PEOPLE TALK?
+* 00:00:59.000 - YEAH!
+* 01:00:700 - IN THEIR DEAF ACCENT
+* 01:03:000 - OF COURSE, YEAH.
+* 01:04:700 - SOME DO,
+* 01:05:800 - SOME CHOOSE NOT TO.
+* 01:06:900 - IT DEPENDS ON WHAT THEIR
+* 01:08:000 - VOICE SOUNDS LIKE.
+* 01:09:800 - SOMETIMES PEOPLE HAVE A
+* 01:10:900 - SCARY VOICE,
+* 01:12:000 - SOMETIMES IT'S MUDDLED.
+* 01:13:200 - SOME PEOPLE HAVE
+* 01:14:200 - REALLY FLUID VOICES, SO
+* 01:17:100 - FOR ME,
+* 01:18:200 - I'LL DO A FEW WORDS,
+* 01:19:600 - BUT MY SENTENCE WILL
+* 01:21:000 - RUN-OFF WHEN I VOICE.
+* 01:24:200 - DO DEAF PEOPLE LAUGH?
+* 01:28:600 - I'M LAUGHING RIGHT NOW!
+* 01:31:000 - SO YES!
+* 01:31:800 - WE DO LAUGH!
+* 01:36:000 - WHO GOOGLED THAT?
+* 01:41:000 - IT SAYS "MAYBE."
+* 01:42:000 - BUT I THINK WE
+* 01:43:000 - DEFINITELY CAN!
+* 01:44:000 - I LAUGH OUT LOUD ALL
+* 01:45:600 - THE TIME! AND I HAVE
+* 01:46:700 - A LOUD LAUGH!
+* 01:48:000 - SOMETIMES WE
+* 01:49:500 - CAN EVEN HEAR
+* 01:50:500 - OURSELVES LAUGH!
+* 01:53:900 - CAN DEAF PEOPLE DRIVE?
+* 01:56:600 - YES!
+* 01:57:900 - WE HAVE DRIVER'S LICENSES.
+* 02:01:100 - WE'RE VERY VISUAL PEOPLE,
+* 02:03:000 - SO WE'RE VERY AWARE
+* 02:04:400 - WHEN WE'RE DRIVING.
+* 02:06:000 - WE'RE SUPER CAREFUL,
+* 02:07:900 - AND WE CATCH EVERYTHING.
+* 02:11:900 - DO DEAF PEOPLE HAVE AN INNER VOICE?
+* 02:15:000 - OOH,
+* 02:16:700 - YES!
+* 02:18:000 - LIKE, OUR MIND MIGHT
+* 02:19:900 - BE IN SIGN, BUT IT'S STILL
+* 02:21:500 - A MENTAL VOICE EVEN
+* 02:23:000 - IF IT'S MORE VISUAL.
+* 02:24:000 - BUT EVERYONE HAS
+* 02:25:700 - THEIR OWN!
+* 02:28:100 - DO DEAF PEOPLE THINK IN SIGN LANGUAGE?
+* 02:31:000 - YEAH! SO WE DO THINK IN
+* 02:32:000 - SIGN LANGUAGE, BUT
+* 02:33:600 - SOMETIMES IT'S ABBREVIATED
+* 02:35:500 - BECAUSE IT'S IN YOUR MIND,
+* 02:37:300 - SO IT'S A LITTLE IRONIC
+* 02:38:900 - BECAUSE IT'S NOT, LIKE,
+* 02:40:400 - PERFECT SIGN LANGUAGE.
+* 02:41:900 - IT'S KIND OF A MUDDLED
+* 02:43:100 - VISUAL SIGN.
+* 02:44:300 - I DO SOMETIMES.
+* 02:47:000 - BUT SOMETIMES...
+* 02:49:100 - IN ANOTHER LANGUAGE
+* 02:50:900 - IN MY OWN HEAD,
+* 02:52:600 - WHAT DO I MEAN!?
+* 02:55:000 - SO SOMETIMES YOU
+* 02:56:900 - PLAY WITH SIGN LANGUAGE
+* 02:58:300 - IN YOUR OWN HEAD!
+* 03:01:900 - DO DEAF PEOPLE'S EARS RING?
+* 03:04:600 - UGH, YES!
+* 03:06:200 - AND IT IS SO ANNOYING!
+* 03:08:200 - SO FOR EXAMPLE,
+* 03:10:000 - WHEN I DRINK MATCHA TEA
+* 03:13:000 - AND I FEEL SUPER AWAKE,
+* 03:15:000 - MY EARS WILL GO OFF,
+* 03:18:200 - DID I HEAR THE PHONE?
+* 03:22:000 - MMM, NO.
+* 03:23:500 - WAS IT THE DOORBELL?
+* 03:27:600 - AND I JUST GO ON
+* 03:29:000 - AND SOMETIMES THE RINGING
+* 03:30:500 - IS PERSISTENT!
+* 03:32:000 - AND IT MAKES
+* 03:32:800 - ME CRAZY!
+* 03:33:800 - I JUST WANNA
+* 03:34:600 - COVER MY
+* 03:35:400 - EARS
+* 03:36:200 - AND PLUG THEM.
+* 03:36:900 - SOMETIMES IT WORKS!
+* 03:38:200 - BUT SOMETIMES SOMETHING
+* 03:39:800 - ACTUALLY IS RINGING.
+* 03:43:200 - MAYBE A LITTLE FOR ME,
+* 03:45:000 - BUT NOT LIKE EVERY DAY.
+* 03:46:800 - IF YOU HAVE HEARING AIDS,
+* 03:48:800 - SOMETIMES YOU HEAR THIS
+* 03:50:000 - EEEEEEEEE!
+* 03:52:100 - BUT IT HAPPENS
+* 03:53:500 - KINDA RARELY.
+* 03:54:900 - ONLY SOMETIMES WHEN
+* 03:56:000 - DOORS SLAM AND
+* 03:57:900 - THERE'S A POP SOUND.
+* 03:59:000 - EVEN THE WIND CAN
+* 04:00:300 - AFFECT IT.
+* 04:01:200 - BUT EVERY DAY?
+* 04:02:400 - DO OUR EARS RING?
+* 04:03:500 - NOT REALLY!
+* 04:04:800 - IT DOESN'T HAPPEN.
+* 04:06:100 - BOTHER ME!
+* 04:10:400 - CAN YOU READ LIPS?
+* 04:13:400 - VERY OFTEN-
+* 04:15:000 - SO OFTEN, ALL OVER
+* 04:17:000 - I GET THIS:
+* 04:19:000 - "CAN YOU READ MY LIPS?"
+* 04:20:900 - THAT IS THE MOST
+* 04:22:200 - COMMON QUESTION
+* 04:23:800 - IT'S KINDA ANNOYING.
+* 04:25:000 - I GET IT BECAUSE
+* 04:26:400 - MAYBE THE DEAF EXPOSURE
+* 04:28:400 - YOU HAVE IS-
+* 04:29:500 - HAVE VOICES.
+* 04:30:800 - I GREW UP IN A
+* 04:32:000 - VERY HEARING WORLD
+* 04:33:600 - AND THE DEAF WORLD,
+* 04:35:100 - SO I GREW UP KIND OF IN BOTH,
+* 04:37:300 - SO I UNDERSTAND BOTH PERSPECTIVES.
+* 04:38:800 - BUT IT CAN BE TOUGH
+* 04:40:500 - TO APPROACH HEARING PEOPLE
+* 04:42:700 - WHO DON'T KNOW
+* 04:43:800 - HOW TO SIGN.
+* 04:44:800 - OR THEY WON'T
+* 04:45:900 - WRITE WITH ME.
+* 04:47:000 - THEY KIND OF
+* 04:48:600 - DISMISS ME BECAUSE
+* 04:50:000 - I'M DEAF.
+* 04:50:800 - AND THEY'RE NOT REALLY
+* 04:52:000 - WILLING TO HAVE HUMAN
+* 04:53:000 - COMMUNICATION WITH ME.
+* 04:54:300 - WE ARE NOT
+* 04:55:700 - OUT TO GET YOU!
+* 04:56:800 - WE'RE HERE TO
+* 04:57:900 - MAYBE WE HAVE THINGS
+* 04:59:400 - THAT ARE IN COMMON!
+* 05:00:000 - AND WE CAN BE BEST FRIENDS!
+* 05:01:400 - AND SOMETIMES YOU'RE LUCKY
+* 05:03:700 - BECAUSE WE HAVE A
+* 05:05:000 - HUGE NETWORK.
+* 05:06:000 - AND THE DEAF COMMUNITY
+* 05:07:600 - CAN REALLY BE A BENEFIT.
+* 05:09:000 - SIGN LANGUAGE IS A BENEFIT.
+* 05:10:900 - IT'S A VISUAL LANGUAGE,
+* 05:12:800 - IT USES FACIAL EXPRESSION,
+* 05:14:600 - AND YOU LEARN SO MUCH
+* 05:16:300 - ABOUT THE COMMUNITY
+* 05:17:600 - AND YOURSELF!
+* 05:18:700 - SO PLEASE DON'T BE
+* 05:20:100 - AFRAID OF US!
+* 05:20:900 - WE ARE SO FRIENDLY!
+* 05:22:100 - AND JUST BE YOURSELF!
+* 05:25:600 - WATCH MORE
+* 05:35:800 - CLICK TO SUBSCRIBE
+* 05:41:800 - BuzzFeed VIDEO
+* 05:42:500 - Featuring Mixxie Hernandez Lia Chapman
+* 05:43:800 - Technical Director Paola Trusendi
+* 05:45:000 - Production Assistant Alexandrea Ortiz
+* 05:46:200 - Post Production Coordinator Rachel Nakawatase
+
+### People in the Video:
+There are two people featured in the video, both of whom are identified by name and are deaf:
+
+1.  **Mixxie Hernandez**:
+    *   Appears to be male (identifying as such based on the name given and appearance).
+    *   Has long, curly brown hair with blonde highlights and a nose piercing.
+    *   Wears a dark green collared shirt and a grey pinstriped vest.
+    *   Communicates through American Sign Language (ASL) throughout the video.
+    *   He responds to questions about deaf people, including whether they can think, talk, laugh, drive, or think in sign language.
+    *   He mentions his voice can sometimes sound "scary" or "muddled" when he voices, and he chooses to voice few words or have his sentence "run-off".
+    *   He also mentions growing up in both hearing and deaf worlds, giving him an understanding of both perspectives.
+
+2.  **Lia Chapman**:
+    *   Appears to be female.
+    *   Has long, straight brown hair.
+    *   Wears a black collared shirt.
+    *   Communicates through American Sign Language (ASL) throughout the video.
+    *   She also responds to the commonly Googled questions about deaf people.
+    *   She emphasizes that deaf people "can do everything except hear" and are not defined by their ears.
+    *   She shares her experience with tinnitus ("ears ringing") and how annoying it can be.
+    *   She encourages hearing people not to be afraid of deaf individuals and emphasizes the benefits of sign language and the deaf community.
+
+Both individuals are articulate in ASL and engage with the questions with humor and insight.
+
+### Summary of the Video Narrative:
+The video, titled "WHO GOOGLED THAT? DEAF PEOPLE ANSWER COMMONLY Googled QUESTIONS" by BuzzFeed Video, features two deaf individuals, Mixxie Hernandez and Lia Chapman, who directly address frequently asked questions about deaf people found on Google.
+
+The questions cover topics such as:
+*   **Do deaf people think?** They confirm that, of course, they think and are creative, noting they have a "deaf mind."
+*   **Do deaf people talk?** They explain that some do, and some choose not to, depending on what their voiced speech sounds like. Mixxie mentions his own voiced speech can be "run-off" and he prefers to sign.
+*   **Do deaf people laugh?** They humorously confirm that they definitely laugh, and sometimes can even hear themselves laughing.
+*   **Can deaf people drive?** They affirm that deaf people have driver's licenses and are very visual, making them careful drivers who "catch everything."
+*   **Do deaf people have an inner voice?** They clarify that they do, and while it might be in sign language, it's still a mental voice, often a "muddled visual sign" rather than perfect sign language.
+*   **Do deaf people's ears ring?** Lia explains that, yes, deaf people can experience tinnitus, which can be annoying and sometimes makes them unsure if a real sound is occurring or if it's just the ringing. Mixxie adds that it happens rarely for him, often triggered by loud noises like slamming doors or wind, but it doesn't bother him.
+*   **Can you read lips?** Mixxie discusses how common this question is and how annoying it can be. He acknowledges that some hearing people may not understand how to communicate with deaf individuals who don't sign, sometimes dismissing them.
+
+Throughout the video, Mixxie and Lia use American Sign Language (ASL) to answer these questions, with their responses appearing as on-screen text. They maintain a friendly, humorous, and informative tone, aiming to dispel misconceptions and encourage understanding of the deaf community. The video concludes with an encouraging message to not be afraid of deaf people, emphasizing that they are friendly, capable, and that sign language is a beneficial visual language that fosters community and self-discovery.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Ijin6J_7AAw.txt b/raw/test/visual_info/output_Ijin6J_7AAw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..61ade89810211052ce0acb74b9591ef21b8d907a
--- /dev/null
+++ b/raw/test/visual_info/output_Ijin6J_7AAw.txt
@@ -0,0 +1,162 @@
+Here is a detailed breakdown of the video:
+
+### Important Visual Events with Timestamps:
+
+00:00:00.000 - A woman with long dark hair, red lipstick, and a black top is sitting in a blue armchair against a solid blue background. A light blue lamp on a small white table is to her right. The text "DO BLIND PEOPLE BLINK?" appears at the top of the screen.
+00:00:04.933 - Close-up shot of the woman from the shoulders up, her face is visible, and she has red lipstick. She is speaking.
+00:00:07.133 - A man with a mustache and goatee, wearing a yellow polo shirt, is sitting in the blue armchair, smiling broadly. The text "BLIND PEOPLE ANSWER COMMONLY Googled QUESTIONS ABOUT BLINDNESS" appears in a grey box over him. The Google logo is used for "Google."
+00:00:09.667 - The woman is shown again, seated in the chair, smiling and making thumbs-up gestures, with the same title overlay.
+00:00:10.967 - Black screen with white text displaying a statistic about vision impairment.
+00:00:14.200 - The woman is shown again in the wide shot, and white text "BRIT" appears in the bottom right corner as she introduces herself.
+00:00:15.167 - The man is shown again in the wide shot, and white text "JULIAN" appears in the bottom right corner as he introduces himself.
+00:00:16.267 - The woman is shown in a wide shot, speaking and explaining her level of vision.
+00:00:20.933 - Close-up of Julian, speaking and explaining his role.
+00:00:23.000 - A digital representation of the Google search page appears on a white background.
+00:00:23.967 - Text starts to type in the search bar: "do blind people"
+00:00:24.367 - A dropdown list of search suggestions appears, starting with "do blind people dream."
+00:00:26.500 - Close-up of Julian, speaking about commonly Googled questions.
+00:00:28.933 - The woman is shown in the wide shot again. The text "DO BLIND PEOPLE DREAM?" appears at the top of the screen.
+00:00:30.033 - Close-up of Brit, smiling and speaking about dreams.
+00:00:31.900 - Brit in wide shot, speaking about how she dreams in full color and audio.
+00:00:38.200 - Close-up of Brit, continuing to explain her dreams.
+00:00:40.100 - Brit in wide shot, explaining how she dreams of seeing but uses a cane.
+00:00:44.933 - Close-up of Brit, explaining her dreams have become more audio-focused.
+00:00:47.467 - Close-up of Julian, speaking about whether blind people dream.
+00:00:49.033 - Julian in wide shot, explaining his dreams are based on his experiences.
+00:00:54.633 - Close-up of Julian, explaining his dreams include visual components due to his partial vision.
+00:01:06.000 - Julian in wide shot, stating the lack of vision in his dreams doesn't hinder him.
+00:01:11.000 - Close-up of Julian, continuing to speak about dreams.
+00:01:16.800 - Close-up of Brit, explaining that people in her dreams have become more like shadows.
+00:01:21.033 - Brit in wide shot, speaking about how her dreams focus on feelings, smells, and sounds.
+00:01:27.767 - Julian in wide shot, mentioning his favorite dreams are about flying.
+00:01:29.833 - Close-up of Julian, laughing as he describes flying in his dreams.
+00:01:32.400 - Brit in wide shot. The question "DO BLIND PEOPLE BLINK?" reappears at the top of the screen.
+00:01:34.000 - Close-up of Brit, speaking and then making a popping sound before asking a rhetorical question.
+00:01:35.800 - Brit in wide shot, answering her rhetorical question and confirming blind people blink.
+00:01:39.100 - Close-up of Brit, smiling and reiterating that blind people blink.
+00:01:40.767 - The text "AUTONOMIC NERVOUS SYSTEM" appears on screen, overlaying Brit in a wide shot, as she explains blinking is an autonomic function.
+00:01:42.500 - Close-up of Brit, speaking about fake eyes and blinking.
+00:01:45.733 - Brit in wide shot, confirming that people with fake eyes still blink.
+00:01:48.067 - Close-up of Brit, confidently stating that blind people blink.
+00:01:50.000 - Close-up of Julian, speaking and confirming that he blinks.
+00:01:51.867 - Julian in wide shot, explaining that even totally blind individuals blink.
+00:01:55.700 - Close-up of Julian, explaining that blinking is a biological function unrelated to light perception.
+00:02:05.167 - Brit in wide shot. The text "DO BLIND PEOPLE SEE BLACK?" appears at the top of the screen.
+00:02:08.067 - Close-up of Brit, explaining blindness is like seeing the back of your head – nothing.
+00:02:12.333 - Brit in wide shot, clarifying that it's a lack of vision, not seeing black.
+00:02:18.067 - Close-up of Brit, explaining that some blind people see black, dots, or her vision is like a broken static television.
+00:02:25.400 - Brit in wide shot, explaining her blindness changes daily, which is why she's also visually impaired.
+00:02:27.200 - Close-up of Brit, continuing her explanation about changing vision.
+00:02:29.033 - Brit in wide shot, explaining her fluctuating vision.
+00:02:34.500 - Julian in wide shot, stating he sees black due to his partial vision.
+00:02:38.200 - Close-up of Julian, describing black as being like night, total darkness.
+00:02:46.967 - Brit in wide shot. The text "DO BLIND PEOPLE CRY?" appears at the top of the screen.
+00:02:49.933 - Close-up of Brit, smiling and confirming that blind people cry.
+00:02:51.367 - Brit in wide shot, stating they are normal people who just can't see like everybody else.
+00:02:54.833 - Julian in wide shot, explaining that they are humans and experience emotions.
+00:02:58.000 - Close-up of Julian, confirming they experience sadness, loss, and pain, and therefore cry.
+00:03:00.600 - Julian in wide shot, concluding that they cry.
+00:03:06.000 - Brit in wide shot. The text "DO BLIND PEOPLE HAVE BETTER HEARING?" appears at the top of the screen.
+00:03:08.000 - Close-up of Brit, emphatically stating "No," it doesn't help your hearing.
+00:03:10.967 - Julian in wide shot, confirming they do not have better hearing.
+00:03:15.967 - Close-up of Julian, stating they are not Daredevil and don't have superhuman hearing.
+00:03:19.467 - Julian in wide shot, explaining they *rely* on hearing more, and the brain taps into other senses.
+00:03:25.000 - Close-up of Julian, emphasizing that the brain compensates by tapping into other senses for information.
+00:03:32.400 - Brit in wide shot, explaining that since she lost her vision, she's gained abilities like identifying family members by footsteps.
+00:03:36.000 - Close-up of Brit, explaining her heightened focus allows her to hear things from further away.
+00:03:40.067 - Brit in wide shot, clarifying it's about focusing and working on other senses, not better hearing.
+00:03:43.100 - Close-up of Brit, reiterating the need to focus on other senses.
+00:03:47.067 - Julian in wide shot. The text "EXTRA" appears on screen.
+00:03:48.333 - The text changes to "SUPER."
+00:03:49.200 - The text changes to "SONIC."
+00:03:50.400 - The text changes to "HEARING."
+00:03:51.767 - Close-up of Julian, stating that the idea of superior hearing is a myth.
+00:03:53.067 - Julian in wide shot, stating blindness is not a characteristic that defines them.
+00:03:57.100 - Julian in wide shot, explaining blindness isn't an identity badge.
+00:04:00.767 - Close-up of Julian, saying that if you only see blindness, you're missing out on a lot.
+00:04:12.700 - Julian in wide shot, highlighting the high unemployment rate for working-age blind people.
+00:04:20.900 - Close-up of Julian, urging viewers to look beyond the white cane or guide dog.
+00:04:30.000 - Julian in wide shot, concluding that blindness should not stand in anyone's way.
+00:04:38.267 - Brit in wide shot, speaking about a youthful feeling of invincibility.
+00:04:39.967 - Close-up of Brit, describing the youthful feeling of living forever and nothing bad happening.
+00:04:45.000 - Brit in wide shot, stating that this feeling isn't true and that blindness can happen to anyone.
+00:04:51.000 - Close-up of Brit, expressing gratitude for her perspective and appreciating every day.
+00:04:54.000 - Brit in wide shot, explaining that going blind made her happier and helps her focus on what truly matters.
+00:05:01.300 - Close-up of Brit, sharing her personal values (family, creating, career, writing) that keep her going.
+00:05:07.467 - Brit in wide shot, encouraging others, sighted or not, to adopt a similar appreciative perspective on life.
+00:05:33.867 - Red screen with white text "WATCH MORE" over a white outline of the globe with red diagonal lines.
+00:05:39.100 - The globe rotates, and small video previews appear around it. A red speech bubble with "CLICK TO SUBSCRIBE" in white text appears on the left.
+00:05:43.900 - The globe continues to rotate with more video previews. The Buzzfeed Video logo appears on the top left, followed by the text "Production Manager Joyce Louis-Jean."
+00:05:49.100 - The globe continues to rotate. White text "Art Production Assistant Lexi Lovetere" appears.
+00:05:54.400 - The globe continues to rotate. White text "Key Grip Erwin Perez" appears.
+00:05:59.667 - The globe continues to rotate. White text "Post Production Coordinator Rachel Nakawatase" appears.
+00:06:04.900 - End of video.
+
+### Text on Screen with Timestamps:
+
+*   00:00:00.000 - 00:00:07.133: DO BLIND PEOPLE BLINK?
+*   00:00:07.133 - 00:00:10.967: BLIND PEOPLE ANSWER COMMONLY Googled QUESTIONS ABOUT BLINDNESS
+*   00:00:10.967 - 00:00:14.200: Approximately 2.2 billion people worldwide live with some form of vision impairment or blindness.
+*   00:00:14.200 - 00:00:15.167: BRIT
+*   00:00:15.167 - 00:00:16.267: JULIAN
+*   00:00:23.967 - 00:00:26.500: do blind people
+*   00:00:24.367 - 00:00:26.500: do blind people dream
+    do blind people see black
+    do blind people blink
+    do blind people see in their dreams
+    do blind people dream in color
+    do blind people cry
+    do blind people drive
+    do blind dates work
+    do blind spot mirrors work
+    do blind babies smile
+*   00:00:28.933 - 00:01:32.400: DO BLIND PEOPLE DREAM?
+*   00:01:40.767 - 00:01:42.500: AUTONOMIC NERVOUS SYSTEM
+*   00:02:05.167 - 00:02:46.967: DO BLIND PEOPLE SEE BLACK?
+*   00:02:46.967 - 00:03:06.000: DO BLIND PEOPLE CRY?
+*   00:03:06.000 - 00:03:47.067: DO BLIND PEOPLE HAVE BETTER HEARING?
+*   00:03:47.067 - 00:03:48.333: EXTRA
+*   00:03:48.333 - 00:03:49.200: SUPER
+*   00:03:49.200 - 00:03:50.400: SONIC
+*   00:03:50.400 - 00:03:51.767: HEARING
+*   00:05:33.867 - 00:05:39.100: WATCH MORE
+*   00:05:39.100 - 00:06:04.900: CLICK TO SUBSCRIBE
+*   00:05:43.900 - 00:06:04.900: BuzzFeed VIDEO
+*   00:05:43.900 - 00:05:49.100: Production Manager Joyce Louis-Jean
+*   00:05:49.100 - 00:05:54.400: Art Production Assistant Lexi Lovetere
+*   00:05:54.400 - 00:05:59.667: Key Grip Erwin Perez
+*   00:05:59.667 - 00:06:04.900: Post Production Coordinator Rachel Nakawatase
+
+### People in the Video:
+
+*   **Brit:**
+    *   Appears from 00:00:00.000 to 00:00:06.767, and extensively throughout the video.
+    *   She identifies herself as "blind and visually impaired," explaining that sometimes she is "completely in the dark" and sometimes she "can see a little bit."
+    *   She states she went blind two years ago.
+    *   She confirms that she dreams in full color and audio, though the visual aspects of her dreams are becoming more like "shadows" and audio elements are increasing.
+    *   She clarifies that for her, blindness means seeing "nothing," rather than literal black, and sometimes her vision looks like "a broken static television."
+    *   She emphasizes that she still blinks and cries because these are normal human functions.
+    *   She mentions that her hearing has become more focused and she can identify family members by their footsteps.
+    *   She expresses a profound appreciation for every day since losing her vision, focusing on what truly matters to her like family, creating, career, and writing, and how this experience has made her happier.
+*   **Julian:**
+    *   Appears from 00:00:07.133 to 00:00:09.667, and extensively throughout the video.
+    *   He has "some vision" and confirms he dreams, with his dreams being based on his experiences and having some visual components.
+    *   He describes seeing "black" as total darkness, like night, because he has light perception.
+    *   He confirms that blind people blink and cry, as they are normal humans with emotions.
+    *   He emphatically states that blind people do not have "better" or "super-sonic" hearing; rather, the brain compensates by relying more on the other senses when vision is lacking.
+    *   He highlights the high unemployment rate (around 70%) for working-age blind people and encourages viewers to look beyond the disability, emphasizing that blindness should not stand in the way of opportunities.
+
+### Summary of the Video Narrative:
+
+The video features Brit and Julian, two individuals who are blind or visually impaired, answering commonly Googled questions about blindness. They aim to dispel myths and provide authentic insights into their experiences.
+
+Brit, who went blind two years prior to the video, explains that she is both blind and visually impaired, experiencing fluctuating levels of vision from complete darkness to partial sight. Julian, who has some vision, also shares his perspective.
+
+They address several questions:
+*   **Do blind people blink?** Yes, it's an autonomic nervous system function, like breathing. Even those with prosthetic eyes blink.
+*   **Do blind people dream?** Yes. Brit, having lost her sight more recently, still dreams in full color and audio, though her dreams are becoming more auditory-focused. Julian's dreams incorporate his past visual experiences.
+*   **Do blind people see black?** Brit explains that for her, it's a "lack of vision" or "seeing nothing," like trying to see the back of your head. For Julian, who has some light perception, it's "total darkness" like night. Some blind individuals might see colors, dots, or a "static television" effect.
+*   **Do blind people cry?** Yes, they are normal humans with emotions and experience sadness, loss, and pain, just like anyone else.
+*   **Do blind people have better hearing?** No, they clarify that they do not possess "super" or "bionic" hearing. Instead, the brain naturally relies more heavily on and works to process information from the remaining senses (like hearing and touch) to compensate for the lack of sight.
+
+The video concludes with Brit and Julian emphasizing that blindness does not define a person. Julian highlights the significant issue of unemployment within the blind community, urging viewers to look beyond the white cane or guide dog and give blind individuals opportunities. Brit shares how losing her vision gave her a new perspective, making her appreciate life more deeply and focus on what truly matters, encouraging all viewers to embrace this mindset, regardless of their abilities.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_InmYggBrBZM.txt b/raw/test/visual_info/output_InmYggBrBZM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e2fad0201e86d7d05b35bb219b34a1052723751a
--- /dev/null
+++ b/raw/test/visual_info/output_InmYggBrBZM.txt
@@ -0,0 +1,109 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps:
+
+00:00:00.000 - A static overhead shot of numerous finished peanut butter chocolate truffles arranged neatly on parchment paper on a light grey and white striped tablecloth, featuring white chocolate, milk chocolate, and raspberry coated varieties.
+00:01:467 - A person wearing white gloves is stirring a creamy, light brown mixture in a clear glass bowl with a light blue silicone spatula.
+00:03:708 - A gloved hand picks up two finished truffles coated in crushed peanuts from a piece of brown parchment paper, with more finished truffles visible in the background.
+0004:840 - An overhead view of a kitchen table set with various ingredients and tools: a bowl of unpeeled peanuts, a burning candle, green decorative branches, a wooden box with green plants and kitchen utensils, small bowls of peanut butter and milk, butter on parchment paper, and an empty glass mixing bowl.
+00:05:372 - A gloved hand pours white chocolate chips from a teal mug into the clear glass mixing bowl.
+00:09:907 - A gloved hand pours milk chocolate pieces from a plaid teal mug into the same mixing bowl containing the white chocolate chips.
+00:15:907 - The gloved hand places the empty mug down and gently shakes the glass bowl with both types of chocolate.
+00:16:794 - The contents of the glass bowl, now melted chocolate, are shown being stirred by a blue silicone spatula, creating a smooth, light brown liquid.
+00:20:804 - A gloved hand holds a small black bowl and pours creamy peanut butter into the melted chocolate mixture.
+00:27:823 - The gloved hand uses the blue silicone spatula to mix the peanut butter into the melted chocolate, creating a homogeneous, thick brown paste.
+00:36:201 - A gloved hand holds a small black bowl and pours white milk into the chocolate and peanut butter mixture.
+00:43:249 - The milk is gently stirred into the chocolate-peanut butter mixture with the spatula until fully incorporated.
+00:52:169 - A gloved hand unwraps a lump of butter from parchment paper and adds it to the mixture in the glass bowl.
+00:57:041 - The butter is gently stirred into the mixture with the spatula, making the mixture even smoother.
+01:08:041 - A gloved hand inserts a clear freezer bag into a clear measuring jug, preparing it to receive the mixture.
+01:14:838 - The gloved hand pours the entire peanut butter chocolate mixture from the glass bowl into the freezer bag held in the measuring jug.
+01:21:499 - The filled freezer bag is removed from the jug and placed flat on a wooden cutting board, and the gloved hand spreads the mixture evenly within the bag.
+01:39:698 - The gloved hand takes a piece of white masking tape and seals the open end of the freezer bag, securing the flattened mixture.
+01:50:880 - The taped freezer bag, presumably removed from the fridge, is placed on the cutting board. The gloved hand untapes and peels back the top layer of the plastic bag, revealing the now firm, rectangular slab of peanut butter chocolate mixture.
+02:00:810 - A gloved hand uses a knife to score the solidified peanut butter chocolate mixture through the plastic bag into six long rectangular pieces.
+02:13:905 - The gloved hand continues to score the mixture, this time perpendicularly to the previous cuts, creating smaller square pieces.
+02:24:298 - A gloved hand picks up one of the square pieces of the mixture and rolls it between the palms to form a smooth, round ball. A baking tray lined with parchment paper is visible in the background, already containing many similar balls.
+02:32:821 - Close-up on the gloved hand forming the last truffle ball, then placing it on the baking tray with the others.
+02:33:384 - A gloved hand takes a formed truffle ball and rolls it thoroughly in a brown bowl filled with white icing sugar, coating it completely.
+02:47:384 - A gloved hand uses a fork to dip an icing sugar-coated truffle ball into a small white bowl of melted white chocolate, partially covering it.
+02:59:754 - Multiple white chocolate-coated truffles are lined on parchment paper. A gloved hand uses a small knife to carefully trim excess chocolate from the base of the truffles.
+03:07:655 - A gloved hand holds a small paper cone and drizzles thin lines of melted white chocolate over the white-coated truffles, creating decorative stripes.
+03:22:747 - A gloved hand uses small silver tweezers to carefully place a small silver edible pearl on top of a decorated white truffle.
+03:27:668 - A new shot shows a clean wooden cutting board, an empty plastic bag, and a jar of freeze-dried raspberries.
+03:32:004 - The gloved hand pours the freeze-dried raspberries from the jar into the plastic bag.
+03:35:996 - The bag with raspberries is sealed with a red plastic clip, and a wooden rolling pin is used to crush the raspberries into a fine powder inside the bag.
+03:45:346 - The crushed red raspberry powder is poured from the plastic bag into a clear plastic container.
+03:48:863 - A gloved hand takes a small amount of melted white chocolate from a bowl and smears it onto the palm of the other gloved hand.
+03:53:146 - A white chocolate-coated truffle is placed in the chocolate-smeared palm and then rolled into the red raspberry powder in the container to coat it fully.
+04:07:052 - A gloved hand uses a fork to dip an icing sugar-coated truffle into a grey bowl of melted milk chocolate, covering it completely.
+04:18:787 - A gloved hand holds a small paper cone and drizzles swirls of milk chocolate onto the milk chocolate-coated truffles, adding a decorative touch.
+04:30:309 - A gloved hand picks several unpeeled peanuts from a bowl and places them on the wooden cutting board.
+04:34:044 - The gloved hands meticulously remove the shells from the peanuts, revealing the kernels.
+04:40:994 - The peeled peanuts are poured from a white plate into a small food processor for blending.
+04:45:267 - The food processor is activated, blending the peanuts into smaller pieces.
+04:47:379 - A gloved hand uses a wooden skewer to pick up an icing sugar-coated truffle, dips it into melted milk chocolate, and then moves it to a bowl of crushed peanuts.
+04:58:620 - The gloved hand carefully pushes and rolls the truffle in the crushed peanuts to ensure it's completely covered.
+05:07:022 - A shot of the completed peanut-coated truffles on parchment paper, with the gloved hand adding more to the group.
+05:09:907 - A gloved hand holds a small paper cone and drizzles thin, wavy lines of white chocolate onto the milk chocolate-coated truffles.
+05:16:923 - A close-up of a gloved hand holding up a vibrant red raspberry-coated truffle, with a larger display of various finished truffles in the background.
+05:22:201 - The gloved hand takes a bite out of the red raspberry truffle, showing the peanut butter chocolate filling inside.
+05:26:128 - A gloved hand places several small white paper candy cups on the striped tablecloth next to the tray of truffles.
+05:27:147 - The gloved hand picks up a red raspberry truffle and places it into one of the paper cups, then proceeds to place a white chocolate, a peanut-coated, and a milk chocolate truffle into separate cups.
+05:32:209 - The gloved hand places four truffles (one of each decorated type) into a small, clear plastic gift bag.
+05:33:288 - The gloved hand ties the top of the clear plastic gift bag with a small pink ribbon.
+05:40:961 - A gloved hand uses a serrated knife to cut a peanut-coated truffle in half on the wooden cutting board, revealing its interior.
+05:47:041 - A final wide shot displays the assortment of beautifully decorated peanut butter chocolate truffles on a white tray, with on-screen text overlays for "WATCH ANOTHER" and "SUBSCRIBE".
+
+---
+
+**Text on Screen:**
+
+*   **00:01:467** - Peanut Butter Chocolate Truffle
+*   **00:05:372** - 180 g White Chocolate
+*   **00:09:907** - 60 g Milk Chocolate
+*   **00:16:794** - Melt in the Microwave
+*   **00:20:804** - 180 g Peanut Butter
+*   **00:36:201** - 0.5 dl Milk
+*   **00:52:169** - 50 g Butter
+*   **01:03:041** - Stir it together gently
+*   **01:08:041** - I use a regular freezer bag
+*   **01:30:312** - Distribute it evenly in the bag
+*   **01:43:247** - In the Fridge for 2 hours
+*   **02:00:810** - Divide into 6 pieces
+*   **02:18:787** - Divide into 8 pieces
+*   **02:26:407** - Make balls out of all the pieces
+*   **02:37:384** - and turn them in icing sugar
+*   **02:49:154** - Dip half in white Chocolate
+*   **03:08:704** - Now they have to be decorated
+*   **03:30:035** - Freeze dried Raspberry
+*   **03:51:002** - Get some Chocolate in your hand
+*   **03:56:568** - Then the Raspberry dust sticks firmly to the truffle
+*   **04:07:052** - The other half is dipped in Milk Chocolate
+*   **04:30:309** - Remove the shell from the Peanuts
+*   **04:40:994** - Blend - but not too long
+*   **04:58:620** - Leave the truffle in the peanuts until the Chocolate is hard
+*   **05:17:809** - It's definitely one of my favorites
+*   **05:22:201** - They melt in my mouth
+*   **05:33:288** - You can pack some nice gift bags with truffles
+*   **05:40:961** - Thank you so much for watching see you soon
+*   **05:47:041** - WATCH ANOTHER
+*   **05:47:041** - SUBSCRIBE
+
+---
+
+**People in the Video:**
+
+The video features one person, whose hands are visible throughout the video. This person wears white gloves, indicating a focus on hygiene during food preparation. They appear to be demonstrating how to make peanut butter chocolate truffles, carefully following each step of the recipe. No personal identifying information (like name or gender) is provided.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video is a step-by-step tutorial on how to make various kinds of peanut butter chocolate truffles. It begins by showcasing the finished product, enticing the viewer with beautifully decorated truffles. The preparation process starts with melting white and milk chocolate, then incorporating peanut butter, milk, and butter into the mixture. This mixture is then spread into a freezer bag and refrigerated to solidify. Once firm, the mixture is cut into small square pieces, which are then hand-rolled into uniform balls.
+
+The video then demonstrates three different coating and decoration methods for the truffles:
+1.  **Icing Sugar:** Some truffles are rolled in icing sugar.
+2.  **White Chocolate with Pearls:** Other truffles are half-dipped in white chocolate, decorated with white chocolate drizzles, and topped with silver edible pearls.
+3.  **Raspberry Dust:** Another batch is coated in white chocolate, and then raspberry powder is used to create a vibrant red coating.
+4.  **Milk Chocolate with Peanuts:** The final variation involves dipping truffles in milk chocolate and coating them in crushed peanuts, with some of these then decorated with white chocolate drizzles.
+
+The video also briefly shows the process of shelling and blending peanuts for the peanut-coated truffles. Towards the end, the creator highlights their favorite truffle (the raspberry one) and demonstrates how soft and melty the truffles are by breaking one open. Finally, the video suggests packaging the truffles in small gift bags, presenting them as a perfect treat or gift. The overall tone is instructional and visually appealing, designed to guide viewers through making these decadent chocolate truffles.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_L8GU74Xyw8w.txt b/raw/test/visual_info/output_L8GU74Xyw8w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5a5bc6c6533d8fe362cc926c4ad4e460cc710354
--- /dev/null
+++ b/raw/test/visual_info/output_L8GU74Xyw8w.txt
@@ -0,0 +1,114 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps:
+
+00:00:00.000 - A close-up shot of a prepared meal on a light green plate, featuring a beef flank steak stuffed with parmesan and spinach, green asparagus, and small red and yellow potatoes. A golden fork is visible on the right.
+00:00:01.373 - A woman in a blue tank top and black shorts is on a balcony, bending forward from the waist in a yoga pose as a black and white cat walks around her feet. The sun is setting in the background.
+00:00:03.906 - A close-up of the woman's hands as she applies light green nail polish to her fingernails while seated on a yoga mat on the balcony.
+00:00:06.773 - A close-up of the woman's face, wearing a white sheet face mask while relaxing in a bathtub filled with bubbles. She adjusts the mask with her right hand.
+00:00:10.873 - The woman, wearing a blue tank top, is seated and talking directly to the camera. The background shows a light-colored wall with a geometric mirror and a grey bar stool.
+00:00:51.340 - A bright light yellow screen appears.
+00:00:56.573 - The woman is back, seated and talking directly to the camera, in the same setting as 00:00:10.873.
+00:01:05.140 - The camera angle changes, showing the woman seated on the floor in front of an open refrigerator. The kitchen appliances and dark cabinets are visible in the background.
+00:01:30.906 - The woman holds up a pre-packaged "H-E-B MEAL SIMPLE" for one, showing its contents: beef flank steak stuffed with parmesan and spinach, asparagus, and potatoes.
+00:01:53.306 - A close-up of the meal being placed into an oven.
+00:01:56.973 - A hand reaches into a white cutlery tray in a drawer and picks up a gold-colored fork.
+00:01:59.040 - A hand reaches into a wooden cabinet and picks up a light blue ceramic plate from a stack of various colored plates and bowls.
+00:02:00.606 - The hand opens a refrigerator door, revealing pink La Croix sparkling water cans.
+00:02:02.106 - The hand takes a pink La Croix can from the fridge.
+00:02:03.873 - A close-up of the woman opening the La Croix can next to a clear glass.
+00:02:06.940 - The woman pours the sparkling water into the glass.
+00:02:11.773 - The woman inserts a metal straw into the glass of sparkling water.
+00:02:13.906 - The woman is seated, holding her face with one hand, looking bored, and pointing to her cheeks with both index fingers.
+00:02:17.373 - The woman sips from the straw, still looking bored.
+00:02:20.000 - A close-up of an oven's digital timer display, showing "02" (minutes remaining).
+00:02:21.340 - The oven timer changes to "01".
+00:02:22.606 - The oven timer changes to "00", and the oven beeps.
+00:02:23.973 - The cooked meal is seen inside the oven, still in its gold container.
+00:02:25.773 - The cooked meal is removed from the oven.
+00:02:26.540 - A close-up of the empty light blue ceramic plate on a speckled countertop.
+00:02:29.806 - The fully plated meal (beef, asparagus, potatoes) is now on the light blue plate, with the gold fork next to it. A glass of water is also visible.
+00:02:30.906 - A close-up of the meal, focusing on the beef flank steak.
+00:02:33.806 - The woman holds up a piece of the cooked steak with the golden fork.
+00:02:35.340 - The woman wiggles her shoulders enthusiastically.
+00:02:38.206 - The woman is talking directly to the camera, standing in what appears to be a hallway.
+00:03:17.406 - A closer shot of the woman talking to the camera in her kitchen, with dark cabinets and stainless steel appliances in the background. The counter is messy with various items, including plants, cans, and dirty dishes.
+00:03:37.473 - A wide shot of the messy kitchen counter, showing the woman in the background beginning to clean. There's a tripod in the foreground.
+00:03:41.340 - The woman is picking up items and clearing the counter.
+00:03:46.306 - She continues clearing the counter, moving dishes and items.
+00:03:50.040 - She is now at the sink, washing a large pot.
+00:03:55.040 - She wipes the counter with a cloth.
+00:03:59.073 - She continues washing dishes at the sink.
+00:04:03.906 - She arranges small potted plants and candles neatly on the cleaned counter. The kitchen now looks much tidier.
+00:04:10.040 - She is cleaning the stove top.
+00:04:15.000 - She puts items back into cabinets.
+00:04:20.000 - She is wiping down the sink area.
+00:04:25.000 - She arranges more kitchen utensils.
+00:04:30.000 - She puts away the cleaning supplies.
+00:04:35.000 - She tidies up more items on the counter.
+00:04:40.000 - She moves to clean the refrigerator.
+00:04:45.000 - She uses a purple duster to clean.
+00:04:53.073 - The woman is talking to the camera again, putting on a black strap with white "adidas" lettering.
+00:05:03.073 - A wide shot of the sunset from a balcony, with trees and buildings in the distance.
+00:05:05.106 - The woman is on a yoga mat on the balcony, retrieving something from next to a potted plant. A black and white cat is visible.
+00:05:07.240 - The woman stretches on the yoga mat, and the black and white cat rubs against her.
+00:05:12.773 - The woman is in a downward dog yoga pose, and the cat walks beneath her.
+00:05:16.840 - The woman stretches bending forward again.
+00:05:17.573 - A different angle shows the woman and the cat on the balcony, with the view of the parking lot and trees below.
+00:05:25.540 - The woman is holding a small bottle of "ella + mila" mint green nail polish, showing it to the camera.
+00:05:29.873 - The woman applies the mint green nail polish to her fingernails.
+00:05:43.000 - The woman shows her freshly painted mint green nails to the camera.
+00:05:49.000 - The woman is talking to the camera in a bathroom, with beige tiles in the background.
+00:05:58.073 - The woman pulls her long hair up into a bun with a scrunchie.
+00:06:05.673 - A hand turns the faucet handle in a bathtub.
+00:06:07.073 - Water starts filling the tub.
+00:06:08.573 - Bubbles begin to form in the tub.
+00:06:09.606 - The woman is in the tub, looking at the camera and sticking out her tongue playfully.
+00:06:12.873 - The woman holds out her hand to show off her painted nails.
+00:06:13.206 - A hand reaches for a teal JBL Flip speaker on a shelf.
+00:06:15.540 - A close-up of a finger pressing the power button on the JBL speaker.
+00:06:18.840 - The JBL speaker is placed in the bathtub next to the running water.
+00:06:20.906 - The woman applies a cream/mask product to her face.
+00:06:23.706 - The woman holds up a "Yes To Cucumbers Calming Paper Mask" packet.
+00:06:25.806 - The woman unfolds and applies the sheet mask to her face.
+00:06:31.906 - The woman is relaxing in the bathtub with the sheet mask on, looking at the camera. She adjusts the mask.
+00:06:36.040 - An outro screen appears with text "LIKE AND SUBSCRIBE!" at the top and placeholders for "PREVIOUS EPISODE" and "NEXT EPISODE" videos.
+
+---
+
+Here is a list of all the text on screen and when it appeared:
+
+00:00:52.540 - Heath
+00:00:52.880 - Heather Sama
+00:00:54.673 - Heather Samado
+00:01:31.940 - H-E-B MEAL SIMPLE, BEEF FLANK STEAK STUFFED WITH PARMESAN AND SPINACH AND ASPARAGUS & POTATOES MEAL FOR ONE, SIMPLY COOK, OVEN (425F | 16-18 MIN) REMOVE PLASTIC FILM & COOK IN OVEN-SAFE CONTAINER TO INTERNAL TEMP, USE BY: 10.07.20, Total Price: $7.91, Net Wt: 0.730lb, KEEP REFRIGERATED, 350
+00:02:04.340 - oooh!
+00:02:07.340 - glug, glug glug
+00:02:13.906 - Me waiting very impatiently for 18 minutes
+00:02:27.706 - because im extra
+00:02:35.340 - Happy Dance Because It's BOMB!
+00:02:38.540 - yes?
+00:03:35.806 - yes
+00:05:10.840 - beso
+00:05:14.673 - meow
+00:06:11.140 - low key Checking out my bomb nails
+00:06:17.073 - POWER ON!
+00:06:36.040 - LIKE AND SUBSCRIBE!
+00:06:36.040 - PREVIOUS EPISODE
+00:06:36.040 - NEXT EPISODE
+
+---
+
+Here are all the people in the video and what we know about them:
+
+*   **Heather Samado:** She is the main and only human person featured in the video. She is a content creator, as suggested by her introductory segment ("welcome back to the channel") and the outro requesting likes and subscribes. She dedicates the video to her "self-care day," during which she performs yoga, paints her nails, prepares and eats a meal, cleans her kitchen, and takes a bubble bath with a face mask. Her name is displayed on screen, implying it's her channel. She mentions having free time as she's no longer streaming on Twitch. She also shares thoughts on productivity, self-reflection, and positivity.
+
+*   **Cat (Beso):** A black and white domestic cat that appears multiple times during Heather's yoga session on the balcony. Heather interacts with the cat, affectionately calling it "beso" (Spanish for "kiss") and implying it's her pet. The cat is shown rubbing against her and walking around her.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video documents a "self-care day" by Heather Samado, where she embraces leisure and personal well-being. She begins by explaining her newfound free time, which she dedicates to self-care activities. Her day starts with preparing a healthy, pre-packaged steak, asparagus, and potato meal, which she enthusiastically cooks and enjoys, highlighting the happiness that good food brings. While waiting for her meal, she discusses the importance of conscious eating.
+
+Following her meal, Heather transitions into doing household chores, admitting she's been neglecting them. She views this as a productive form of self-care, as it reduces guilt and offers a sense of accomplishment. The video features a time-lapse of her tidying and cleaning her kitchen, during which she shares reflections on self-reflection, personal growth through imperfections, and the importance of staying positive.
+
+As the sun sets, she moves to her balcony for an outdoor yoga session, accompanied by her affectionate cat, Beso. After her yoga, she enjoys painting her nails a mint green color. The self-care day culminates with a relaxing bubble bath and a sheet face mask. Throughout the video, Heather emphasizes the importance of taking time for oneself, nurturing the body and mind, and finding satisfaction in everyday activities. The video concludes with a call to action for viewers to like and subscribe, and to share their own satisfying chores.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_Ngzu1fmc3_8.txt b/raw/test/visual_info/output_Ngzu1fmc3_8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a622f23f9e719fe71c050f0cf830309755102382
--- /dev/null
+++ b/raw/test/visual_info/output_Ngzu1fmc3_8.txt
@@ -0,0 +1,125 @@
+Here are the important visual events from the video:
+
+00:00:00.000 - A young Asian woman, Rachel, is positioned low in the frame, looking up and speaking directly into the camera on an outdoor patio.
+00:00:02.000 - A title card appears with the text "rachel lee" on a pink background.
+00:00:03.000 - Rachel is back on the patio speaking to the camera, with her mom visible in the background sweeping the patio floor.
+00:00:12.723 - Rachel's mom is seen wearing yellow gloves while sweeping the patio.
+00:00:18.575 - Rachel gestures with her hands as she speaks, holding a white circular object in one hand.
+00:00:20.697 - Rachel holds her phone up to record a selfie video.
+00:00:22.569 - Rachel makes various hand gestures while talking to the camera.
+00:00:26.551 - Rachel's mom is visible in the background again, continuing to sweep the patio.
+00:00:36.216 - The camera shows a wider view of the patio, with Rachel's face blurred in the foreground. Her mom is actively sweeping debris into a white trash bag.
+00:00:37.785 - Rachel is back in a close-up, holding a white ring object in her hand, talking and gesturing.
+00:00:41.042 - A wider shot reveals Rachel and her mom both sweeping the patio. Rachel is wearing shorts and her mom is in jeans and blue gloves. A blue dustpan and a bag of green debris are visible.
+00:00:46.225 - Rachel's mom stops sweeping, turns, and smiles and waves at the camera.
+00:00:48.065 - Both Rachel and her mom continue sweeping the patio.
+00:00:49.799 - Rachel is shown actively sweeping debris with the blue dustpan.
+00:00:50.485 - The scene transitions indoors to a setup for a puppy: a dog crate with pink feeding mats and bowls on top, and a dog playpen with a puppy pad inside, all on a wooden floor.
+00:00:54.676 - The camera pans across the dog playpen setup, showing its full extent.
+00:00:56.248 - Rachel's brother is sitting on the floor indoors, looking at his phone, surrounded by shelves of shoes and other household items.
+00:01:00.672 - The camera is inside a car, looking through the front windshield. Rachel's mom is driving and her brother is in the passenger seat. A highway with dry, mountainous terrain is visible outside.
+00:01:05.106 - The camera shows the view from the car's side window, revealing a desolate, desert-like landscape with sparse vegetation and a clear blue sky.
+00:01:09.683 - Rachel is now in the car, wearing a patterned face mask pulled down, smiling and talking to the camera. Her brother's head is visible beside her.
+00:01:17.481 - The car is shown pulling up to a house, seen through the front windshield. Two white cars are parked in the driveway.
+00:01:21.050 - A small brown and white puppy is seen walking on a concrete surface outdoors. The feet of two people are visible in the foreground.
+00:01:25.850 - Rachel's mom bends down and gently touches the puppy on the concrete.
+00:01:28.980 - Rachel's brother kneels down and pets the puppy, whose face is shown in a close-up.
+00:01:34.020 - Rachel's brother is holding the small puppy in his arms, wearing a red and black face mask. Rachel's mom stands next to him, looking at some papers.
+00:01:39.140 - A close-up of the puppy being held by Rachel's brother.
+00:01:43.780 - Rachel is now holding the puppy, cradling it in her arms, wearing a blue shirt and a patterned face mask.
+00:01:52.470 - A close-up shot of the puppy in Rachel's brother's arms.
+00:01:54.620 - Rachel (vlogger) is close to the camera, smiling, with her mask pulled down, as she leans her face towards the puppy held by her brother.
+00:02:02.133 - A close-up of the puppy sitting on Rachel's lap in the car.
+00:02:05.940 - Rachel's face is close to the camera, talking, with the puppy visible in her arms.
+00:02:09.110 - Rachel talks to the camera while holding the puppy.
+00:02:16.890 - Rachel's brother pets the puppy, which is still on Rachel's lap.
+00:02:20.260 - Rachel's brother holds the puppy on his lap in the car.
+00:02:30.950 - A close-up of the puppy's face looking into the camera.
+00:02:35.340 - The puppy is seen panting lightly, with its pink tongue out, on Rachel's brother's lap.
+00:02:40.090 - The puppy is walking around inside the metal playpen on a wooden floor.
+00:02:49.000 - The puppy walks towards the puppy pad inside the pen.
+00:02:53.070 - Rachel's brother picks up the puppy.
+00:02:56.090 - Rachel's brother places the puppy near a water bowl inside the crate, encouraging it to drink.
+00:02:59.040 - The puppy takes a few sips of water from the bowl.
+00:03:01.370 - The puppy is seen next to a chew toy inside the pen.
+00:03:07.820 - The puppy walks into the open dog crate.
+00:03:14.650 - The puppy jumps out of the crate onto the wooden floor.
+00:03:17.390 - Rachel's brother offers a small treat to the puppy on his open palm, which the puppy takes gently.
+00:03:20.910 - The puppy takes another treat from Rachel's brother's hand.
+00:03:27.910 - Rachel's brother places a treat on the puppy's snout, and the puppy eats it.
+00:03:37.760 - Rachel is sitting inside the playpen, holding the puppy on her lap as the puppy licks her face.
+00:03:41.800 - Rachel is shown inside the house, holding the puppy, who licks her face again.
+00:03:43.760 - Rachel's brother is smiling and holding a box of cereal in an indoor setting at night.
+00:03:47.370 - The puppy chews on a rope toy while sitting next to Rachel's brother's legs inside the pen.
+00:03:52.020 - The puppy is inside its crate, partially covered with a blanket, with a puppy pad outside.
+00:03:59.730 - The room is dark, and the puppy can be heard whimpering from inside the crate.
+00:04:07.130 - Rachel and her brother are visible in the dark, illuminated by a phone flashlight, implying they are sleeping downstairs with the puppy.
+00:04:12.060 - Rachel is seen in the morning, looking tired, covering her mouth.
+00:04:14.930 - The puppy is crying inside the crate, looking at the camera and wagging its tail.
+00:04:20.920 - Rachel is talking to the camera, explaining the puppy's house training accidents.
+00:04:29.020 - Rachel picks up the puppy from inside the pen.
+00:04:33.270 - A light blue screen with text "here are some more random vids of her (:" appears.
+00:04:36.190 - The puppy runs across a wooden floor towards the camera (on a pink background).
+00:04:40.920 - The puppy stands on its hind legs, peering into a dishwasher (on a pink background).
+00:04:45.020 - The puppy playfully paws at a transparent hamster ball containing a hamster (on a pink background).
+00:04:50.840 - A person gently dries the wet puppy with a yellow towel after a bath (on a pink background).
+00:04:55.070 - The puppy is inside its playpen with Rachel, while a larger white dog stands outside the pen (on a pink background).
+00:05:05.100 - Rachel picks up and cuddles the puppy inside the pen while the white dog watches (on a pink background).
+00:05:09.110 - A close-up of the puppy's face, looking at the camera with its tongue out (on a pink background).
+00:05:11.750 - Rachel holds the puppy and talks to the camera, wrapping up the video.
+00:05:24.470 - The video ends with a colourful sunset background, displaying "THANKS FOR WATCHING," Rachel's Instagram handle "@RACHEEL.LEE", "SUBSCRIBE," and "WATCH MORE HERE."
+
+---
+
+All text on screen and when it appeared:
+
+*   00:00:02.000 - 00:00:03.000: rachel lee
+*   00:00:12.723 - 00:00:13.623: sorry mom
+*   00:00:17.300 - 00:00:18.200: *8 weeks old when we got her*
+*   00:00:46.225 - 00:00:47.325: mom says hi
+*   00:00:57.060 - 00:01:00.672: *my dad going over questions we need to ask the breeder*
+*   00:01:05.820 - 00:01:07.420: 📍 middle of nowhere bruh
+*   00:01:35.030 - 00:01:38.230: the breeder lady said she would probably cry the first night
+*   00:02:04.760 - 00:02:05.660: mom: "are your hands clean?"
+*   00:02:10.510 - 00:02:15.510: we chose her over her sister because we loved how playful and curious she was🥰
+*   00:02:43.760 - 00:02:45.360: mom part 2 "guys can you wash your hands?"
+*   00:02:50.890 - 00:02:52.490: part 3 "did you wash your hands, ryan?"
+*   00:02:52.790 - 00:02:53.690: "how bout rachel"
+*   00:03:15.010 - 00:03:16.710: don't worry we added a step for her
+*   00:03:32.480 - 00:03:34.080: we have to split her little treats in half lol
+*   00:03:43.760 - 00:03:46.760: in the beginning my brother and i would stay up for when she wakes up in the middle of the night
+*   00:03:54.000 - 00:03:56.000: she complained the first night for 10 minutes
+*   00:04:02.800 - 00:04:04.500: 😥😥😥
+*   00:04:07.130 - 00:04:10.530: and we slept downstairs to be with her
+*   00:04:12.060 - 00:04:13.360: me in the morning
+*   00:04:21.050 - 00:04:23.750: had a few accidents in the beginning lol
+*   00:04:33.270 - 00:04:35.870: here are some more random vids of her (:
+*   00:04:45.020 - 00:04:47.320: her playing with my hamster HAHA
+*   00:04:55.070 - 00:04:59.070: we took her to see my friend's dog and she was so scared
+*   00:05:04.280 - 00:05:06.180: 💕💕
+*   00:05:16.140 - 00:05:18.540: follow her on insta! 🐶 @theshihtzu.jojo
+*   00:05:24.470 - 00:05:29.870: THANKS FOR WATCHING
+*   00:05:24.470 - 00:05:29.870: @RACHEEL.LEE (with Instagram logo)
+*   00:05:24.470 - 00:05:29.870: SUBSCRIBE
+*   00:05:24.470 - 00:05:29.870: WATCH MORE HERE
+
+---
+
+All people in the video and what we know about them:
+
+*   **Rachel Lee (the vlogger):** A young Asian woman, the primary narrator and subject of the video. She is documenting the process of getting a new puppy. Her Instagram handle is @RACHEEL.LEE.
+*   **Rachel's Mom:** An Asian woman, identified as Rachel's mom through her comments and interaction. She helps clean the patio and drives the car to pick up the puppy.
+*   **Rachel's Brother (Ryan):** A young Asian man, identified as Rachel's brother and named "Ryan" by their mom's comment. He participates in preparing for the puppy, goes to pick her up, and helps care for her, including staying up at night.
+*   **The Puppy (Jojo):** A small brown and white Shih Tzu puppy. She is 8 weeks old when acquired and is the newest addition to the family. She is initially shy but becomes playful. She has her own Instagram handle: @theshihtzu.jojo.
+*   **The Breeder Lady:** Not shown on screen, but mentioned by Rachel and her dad as the person they are getting the puppy from, and who gives them advice about Jojo.
+*   **Rachel's Friend's Dog:** A large white fluffy dog, seen briefly in a later clip, who appears to scare the new puppy.
+
+---
+
+Summary of the video narrative:
+
+The video, titled "rachel lee," chronicles the journey of Rachel and her family as they prepare to welcome a new Shih Tzu puppy named Jojo into their home. The narrative begins with Rachel and her mom cleaning their patio, explaining that they are getting the puppy the next day and need to make the space ready for her. Rachel provides details about Jojo's age (8 weeks old when acquired) and vaccination status, which dictates that Jojo will remain primarily in their patio area for the first two months.
+
+The excitement builds as the family embarks on a car trip to pick up Jojo. Rachel's dad reviews a list of questions for the breeder, emphasizing the family's thorough preparation. After driving through a seemingly remote desert landscape, they arrive at the breeder's location. The moment they meet Jojo, a small brown and white puppy, is captured, highlighting her initial mellow demeanor which contrasts with her previously observed playful and curious nature. The breeder advises them that Jojo might cry during her first night due to separation from her siblings.
+
+Back home, the family introduces Jojo to her new crate and playpen setup. They quickly realize Jojo is too small to easily enter her crate, prompting them to add a step. The first night proves challenging as Jojo cries for about ten minutes, leading Rachel and her brother to sleep downstairs with her to provide comfort. Rachel admits to a few "accidents" (potty training mishaps) in the beginning. The video concludes with a charming montage of Jojo's early days at home, showcasing her playful interaction with a hamster in a ball, her first bath, and a cautious encounter with Rachel's friend's larger dog, which frightens Jojo. Rachel ends by inviting viewers to follow Jojo's own Instagram account.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_OIsQPPj73aE.txt b/raw/test/visual_info/output_OIsQPPj73aE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..61376f88a8e5d467ecaa0ec3f9b8d3dfd5fe1369
--- /dev/null
+++ b/raw/test/visual_info/output_OIsQPPj73aE.txt
@@ -0,0 +1,71 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events:**
+
+00:00:00.000 - A young woman with long reddish-brown hair, wearing a yellow top and a grey hoodie draped over her shoulder, looks directly at the camera, smiling and talking. A television is visible in the background to her left.
+00:00:03.000 - A black screen with white text "SABRINA QUESADA" appears.
+00:00:04.300 - The young woman is back on screen, talking to the camera, gesturing with her hands.
+00:00:20.900 - The scene shifts to a salon. The woman is seated in a salon chair, wearing a black smock, with foil packets applied to sections of her hair. A hairdresser is working on her hair, and a mirror reflects the salon environment.
+00:00:47.300 - The woman is now looking at the camera and smiling, her hair slicked back and wet from the hair treatment. Another woman is standing behind her, and a man is visible in the background.
+00:00:49.900 - The woman is seen taking a large bite of a sandwich while the person behind her dries her hair with a teal hairdryer.
+00:01:00.200 - The woman, still in the salon chair with wet hair, stretches her arms above her head. A young man with curly reddish-brown hair approaches her from the right side of the frame.
+00:01:03.300 - The young man stands behind the woman, presenting her with a small brown box containing a cupcake with a candle. The woman looks at the cupcake and smiles.
+00:01:08.000 - The man helps the woman light the candle on the cupcake.
+00:01:13.600 - The woman blows out the candle on her cupcake, then smiles and raises her arms in celebration.
+00:01:14.900 - The scene returns to an indoor setting, possibly an apartment. The woman is talking to the camera, wearing a different yellow-patterned top. Another woman is partially visible behind her.
+00:01:34.200 - A quick transition shows the woman applying makeup to her eyes using a brush and a compact mirror, with a "HARRY STYLES" poster on the wall behind her. The lighting is darker and has a purple hue.
+00:01:45.900 - The woman stands fully dressed in her apartment, posing with the young man from the salon who is hugging her from behind. She is wearing a patterned strapless dress.
+00:01:50.800 - The young man lifts the woman into the air playfully.
+00:01:51.900 - The woman is now holding up a patterned, strapless dress, showing it to the camera.
+00:02:17.300 - The woman is in a modern kitchen, now wearing the patterned strapless dress. She gestures and talks about her outfit.
+00:02:24.400 - The camera focuses on the woman's feet, showing her wearing black combat boots.
+00:02:27.000 - The woman picks up a pair of brown high heels from the floor near a stainless steel appliance.
+00:02:51.700 - The scene changes to a dimly lit room with purple ambient lighting. The woman is talking directly to the camera, her hair looking more reddish-brown and styled.
+00:02:55.900 - The woman stands with the young man and another young woman, all dancing playfully.
+00:02:59.300 - The woman and the young man are in a photo booth, posing for pictures. They make heart shapes with their hands, smile, and make funny faces.
+000:03:08.500 - Black and white photo strips from the photo booth appear on a white background, showing the woman and man posing in various ways.
+00:03:13.900 - The scene changes to a lively bar environment with red lighting. A young woman with long blonde hair is seated at a booth, smiling and covering her mouth with her hands.
+00:03:25.800 - The blonde-haired woman looks up and makes hand gestures, seemingly reacting to music or conversation.
+00:03:26.400 - The young man from earlier is now holding up a small digital camera, taking pictures of the woman and others around him.
+00:03:29.300 - A wider shot of the bar shows people standing, mingling, and playing pool.
+00:03:33.000 - Three people are at a karaoke machine, holding microphones and singing. Two men and one woman. The woman has long dark hair.
+00:03:37.600 - More photos from the bar appear on a white background, including selfies with the woman and her friends.
+00:03:45.300 - The scene shifts to a bright bathroom. The woman, wearing a black "End Overdose" t-shirt, is talking to the camera and applying makeup to her eyebrows. Her hair is pulled back in a ponytail.
+000:04:57.000 - The woman is now in the bathroom, blow-drying and styling her hair with a round brush dryer. Her hair is down and looks reddish-brown.
+00:05:20.900 - The woman is talking to the camera, showing off her styled hair and discussing her hair routine.
+00:05:48.000 - The woman holds up a can of dry shampoo and sprays it into her hair.
+00:06:29.100 - The woman holds up a light green satin slip dress, showing it to the camera.
+00:06:39.100 - The woman is now wearing the light green satin slip dress, adjusting the straps and talking to the camera.
+00:07:01.000 - The young man from earlier is at an outdoor restaurant area, smiling and holding his hands up to his face.
+00:07:03.500 - The young man is joined by another young woman, and they both smile at the camera.
+000:07:10.500 - The woman from the beginning of the video is at a restaurant table, talking to the camera and showing different small margarita tasters.
+00:07:26.300 - The woman picks up a red-colored margarita taster garnished with a watermelon slice and takes a sip, reacting with a happy expression.
+00:07:41.000 - The woman picks up a yellow-colored margarita taster garnished with pineapple slices and takes a sip, also reacting positively.
+00:07:51.900 - The woman picks up a dark red/purple margarita taster and sips it, then reacts.
+00:08:10.300 - The woman picks up a light green margarita taster garnished with a cucumber slice and sips it.
+00:08:26.000 - A close-up shot of a plate of tacos, rice, beans, guacamole, and salsa on a black platter.
+00:08:27.900 - A close-up shot of a small dessert resembling a flan or cake, with a single candle and strawberry slices, on a black plate.
+00:08:30.900 - The scene transitions to a car driving on a highway, showing snow-capped mountains and wind turbines in the distance under a partly cloudy sky.
+00:08:36.000 - A road sign is visible, indicating "WEST I-10 Los Angeles" and "EAST Indio".
+00:08:44.200 - A final shot from the car shows mountains, power lines, and a large billboard.
+00:08:50.000 - Black text on a white screen reads "thank you for hanging out with me".
+00:08:53.000 - Black text on a white screen reads "I love you."
+
+**Text on Screen:**
+
+*   00:00:03.000 - SABRINA QUESADA
+*   00:08:50.000 - thank you for hanging out with me
+*   00:08:53.000 - I love you.
+
+**People in the Video:**
+
+*   **Sabrina Quesada:** The main vlogger and subject of the video. It is her 21st birthday. She gets her hair done, does her makeup, tries on new outfits, celebrates with friends at a bar (karaoke and photo booth), has dinner, and takes a trip to Palm Springs. She started social media when she was 17. She has tape-in hair extensions. She also mentions her apartment is mostly pink.
+*   **Young Man with Curly Reddish-Brown Hair (Boyfriend/Friend):** Appears in the salon to give Sabrina a birthday cupcake, dances with her in her apartment, takes photos with her in a photo booth, appears at the bar, and at the restaurant. He seems very supportive and close to Sabrina.
+*   **Hairdresser (Woman with long dark hair):** Seen applying foils to Sabrina's hair and later blow-drying it in the salon.
+*   **Female Friend (Blonde hair, likely Fernanda):** Appears at the bar, initially shy and covering her face, then looking up. Sabrina mentions Fernanda flew in from Canada for her birthday and that they will have a good time together.
+*   **Other Friends:** Several unnamed friends are seen at the bar, singing karaoke, playing pool, and at the dinner.
+*   **Sabrina's Mom:** Mentions her mom but she is not explicitly identified or shown interacting on screen.
+
+**Summary of the Video Narrative:**
+
+The video chronicles Sabrina Quesada's 21st birthday celebrations, which she describes as chill and enjoyable rather than an extravagant party. The day begins with her getting her hair done at a salon, where she receives a birthday cupcake from a close male friend. Back at her apartment, she does her makeup and tries on outfits, including a unique patterned dress. She then goes out with friends, including Fernanda who flew in from Canada, to a lively bar where they enjoy a photo booth and karaoke. The celebration continues with a more intimate birthday dinner featuring various small margaritas for tasting. The video concludes with a scenic drive to Palm Springs, where Sabrina reflects on her age, her social media journey, and the unplanned, relaxing nature of her birthday getaway with friends. She styles her hair for a second birthday dinner, showcasing her hair extensions and routine. The overall narrative highlights friendship, personal pampering, and cherishing simple moments over grand celebrations.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_PU7YfoW6PKo.txt b/raw/test/visual_info/output_PU7YfoW6PKo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6ad6114cca7572ebfea391dfdf287d8a15f57ab0
--- /dev/null
+++ b/raw/test/visual_info/output_PU7YfoW6PKo.txt
@@ -0,0 +1,84 @@
+Here are the details from the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - PBS logo appears on a teal background with swirling particles.
+00:00:03.116 - A wide shot of a vast, golden-brown plain with a single, large tree in the center under a partly cloudy sky with bright sunlight.
+00:00:04.983 - The word "NATURE" fades in on the golden plain.
+00:00:08.316 - A wide shot of a partially frozen, winding river with a snow-covered bank on the right and dry, grassy hills on the left under a bright sky.
+00:00:12.083 - Text "ON LOCATION: Boulder Creek, Wyoming" appears over the river scene.
+00:00:17.950 - The top of a man's head, wearing a grey baseball cap with a red logo, appears at the bottom of the frame, slowly panning up to reveal his face.
+00:00:20.916 - The man (Eric Lehnert) begins speaking, his face filling the lower part of the screen, looking slightly up and to the right.
+00:00:23.083 - A shot of Eric Lehnert from the back, setting up camera equipment on a tripod near the edge of the icy river.
+00:00:28.183 - A wide landscape shot of a vast, barren plain with rolling hills and distant mountains under a dramatic cloudy sky, with some sunlight breaking through.
+00:00:31.916 - The landscape shot transitions to another view of the plain, now bathed in warm, golden sunlight, highlighting the ridges and shadows of the terrain. Snowy mountains are visible in the distance under a blue sky.
+00:00:39.516 - Eric Lehnert is seen again, sitting in front of a computer monitor displaying an image of a Sage-Grouse.
+00:00:48.083 - Black and white high-speed footage of a male Sage-Grouse performing its mating display, with timecode and camera settings overlaid. The bird's air sacs inflate and deflate.
+00:01:10.083 - Eric Lehnert is sitting in front of his computer, smiling and talking.
+00:01:12.083 - Black and white close-up slow-motion footage of the Sage-Grouse displaying its tail feathers and inflating/deflating its air sacs.
+00:01:17.383 - Color close-up slow-motion footage of the Sage-Grouse displaying its tail feathers and inflating/deflating its bright yellow air sacs.
+00:01:27.750 - A dark, twilight shot of distant snow-capped mountains under a cloudy sky.
+00:01:33.450 - A very dark shot of a sagebrush field at night, with distant mountains barely visible.
+00:01:38.016 - A view from inside a vehicle, showing the road ahead lit by headlights in the dark, with faint outlines of hills on the sides.
+00:01:43.083 - A shot of a nearly full moon in the dark sky, partially obscured by thin clouds.
+00:01:49.216 - Two figures walk away from the camera through a dark, grassy field towards a slight incline.
+00:01:53.050 - A low-angle shot, likely from a person's perspective, showing the ground with sparse vegetation and a dark figure walking past, implying movement in the dark.
+00:02:00.683 - Eric Lehnert is sitting in front of his computer, talking and gesturing.
+00:02:04.183 - A high-angle shot from inside a tent-like blind, showing a laptop and camera gear. A person reaches in to pull a green sleeping bag over the laptop.
+00:02:07.016 - A wide shot of the camouflaged tent blind in the dark field, with distant hills and a faint sky visible.
+00:02:16.850 - A dark landscape shot of distant snow-capped mountains and rolling hills.
+00:02:24.416 - A wide, dark shot of several Sage-Grouse on the lek, their shapes barely discernible as they move and display in the pre-dawn light. The sound of their booming display is prominent.
+00:02:30.983 - A closer, dark shot of a single male Sage-Grouse performing its display.
+00:02:39.183 - A wider, dark shot of several Sage-Grouse on the lek, some displaying.
+00:02:46.883 - A close-up, dark shot of a male Sage-Grouse in the foreground, displaying with others blurred in the background.
+00:03:02.150 - Sunrise over the mountains and the sagebrush field, with bright light rays emanating from the horizon.
+00:03:05.350 - A male Sage-Grouse in the foreground, displaying with its tail fanned out and air sacs inflated, illuminated by the rising sun from behind.
+00:03:10.450 - Eric Lehnert is sitting in front of his computer, talking.
+00:03:14.616 - A close-up shot of a male Sage-Grouse displaying, with the golden sunlight backlighting its fanned tail and highlighting the white feathers on its chest. Other birds are blurred in the background.
+00:03:32.950 - A wide shot of multiple Sage-Grouse on the lek in a vast, dry sagebrush field during daylight.
+00:03:38.650 - A close-up shot of a male Sage-Grouse displaying, with other birds nearby, appearing to be in an icy or frosty landscape.
+00:03:42.983 - The previous shot transitions to a split screen, with the left side showing the icy field and the right side fading to black.
+00:03:45.016 - Eric Lehnert is sitting in front of his computer, talking and smiling.
+00:03:49.883 - A male Sage-Grouse displays, inflating its white chest and fanning its tail, then walks off-screen.
+00:03:55.716 - A wide shot of the sagebrush lek with many Sage-Grouse scattered across it, some displaying.
+00:04:00.750 - A close-up of a male Sage-Grouse displaying in warm, golden light.
+00:04:25.816 - A wide shot of the sagebrush field at dawn or dusk, with the sky showing warm colors and dark silhouettes of Sage-Grouse in the foreground.
+00:04:30.283 - A male Sage-Grouse displaying, back-lit by the rising sun, showing steam or breath coming from its body.
+00:04:35.483 - Two male Sage-Grouse in the foreground, one displaying, in golden light. The displaying bird turns its back to the camera, showcasing its fanned tail.
+00:04:40.083 - White screen.
+00:04:40.516 - Text "THE SAGEBRUSH SEA" appears on a grey background, followed by "A FILM PRODUCED BY TheCornellLab" and The Cornell Lab logo.
+00:04:44.750 - The background changes to black.
+00:04:45.383 - The screen shows a still image of a large tree in a field with a play button overlaying a video thumbnail of "Sage-Grouse Mating Rituals". "NATURE®" logo, "VISIT THE NATURE WEBSITE" and "SUBSCRIBE TO NATURE" buttons are present.
+
+**Text on Screen:**
+
+*   **00:00:04.983 - 00:00:08.316**: NATURE
+*   **00:00:12.083 - 00:00:17.083**: ON LOCATION: Boulder Creek, Wyoming
+*   **00:00:48.083 - 00:00:53.083**:
+    *   02 05:44:44 ---REC---
+    *   1/1000 START 250FPS
+*   **00:00:53.983 - 00:01:09.950**:
+    *   02 05:44:54 PLAY 000032 FWD30 0000.1240sec (various timestamp and frame count changes)
+    *   1/1000 START 250FPS
+*   **00:04:40.516 - 00:04:45.383**:
+    *   THE SAGEBRUSH SEA
+    *   A FILM PRODUCED BY
+    *   TheCornellLab (with logo)
+*   **00:04:45.383 - 00:05:01.000**:
+    *   NATURE® (bottom left)
+    *   VISIT THE NATURE WEBSITE (button, bottom left)
+    *   SUBSCRIBE TO NATURE (button, bottom right)
+    *   Sage-Grouse Mating Rituals (text on video thumbnail)
+
+**People in the video:**
+
+*   **Eric Lehnert**: He is a cinematographer and producer at the Cornell Lab of Ornithology. He is featured prominently in interviews, explaining his work and experiences filming Sage-Grouse. He is shown both outdoors setting up equipment and indoors in what appears to be an editing suite or office.
+*   An unidentified person is briefly seen walking with Eric Lehnert in the dark at 00:01:49.216, presumably a colleague or assistant.
+
+**Summary of the video narrative:**
+
+The video, "The Sagebrush Sea," produced by The Cornell Lab of Ornithology, highlights the challenging yet rewarding experience of filming Greater Sage-Grouse in their natural habitat in Wyoming. Cinematographer and producer Eric Lehnert describes his passion for capturing the intricate and dynamic mating displays of these birds, which he compares to a "North American bird of paradise."
+
+He recounts how seeing older, low-resolution black and white high-speed footage of a Sage-Grouse's display inspired him to seek out a high-speed camera to bring this phenomenon to life in high definition. The video then details the process of filming these elusive birds, which involves arriving at the lek (mating ground) in the darkness of early morning (around 2 hours before sunrise in March) to avoid disturbing them. Filmmakers must navigate the terrain in the dark, quietly set up their camouflaged blinds and equipment, and then patiently wait for the sun to rise and the male Sage-Grouse to begin their booming and strutting displays.
+
+Lehnert emphasizes the incredible sounds of the displaying males surrounding the blind before light even breaks, and the excitement as the first rays of light reveal the spectacular sight. He also acknowledges the difficulties, such as positioning the blind incorrectly and missing prime opportunities. Ultimately, the video conveys the unique and captivating nature of the Sage-Grouse's display, which combines form, function, and sound into a truly special natural event.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_RO05wYkiO70.txt b/raw/test/visual_info/output_RO05wYkiO70.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d6b97443a9e5c391f6a40ce45e27efee5ed70b0b
--- /dev/null
+++ b/raw/test/visual_info/output_RO05wYkiO70.txt
@@ -0,0 +1,52 @@
+Here are the visual events, on-screen text, information about people, and a summary of the video narrative:
+
+**Visual Events with Timestamps:**
+00:00:00.000 - A woman is seen squatting on a concrete garage floor, measuring a long piece of light-colored wood with a tape measure. A brown dog with a red bandana is visible in the foreground.
+00:00:06.000 - The woman is sitting cross-legged on the garage floor, writing in a spiral-bound notebook with a pencil, while various wood pieces and tools are scattered around her.
+00:00:27.500 - The woman is back in a squatting position, measuring and marking one of the long wooden boards with a pencil.
+00:00:54.500 - The woman is sitting on a mat on the garage floor, wearing safety glasses, and operating a miter saw to cut a wooden board. Several cut pieces of wood are laid out in front of the saw.
+00:01:10.500 - An overhead shot displays three piles of cut wood boards on the concrete floor, with text labels indicating their intended quantities and lengths.
+00:01:21.500 - The woman begins assembling the console table frame, using a drill to screw smaller pieces of wood into the ends of longer pieces, forming the upright legs of the table. She uses a cardboard box as a makeshift workbench.
+00:01:46.000 - The woman continues to assemble the table frame, connecting the two pre-built leg structures with longer horizontal pieces of wood using the drill.
+00:02:05.500 - The woman stands up, revealing the main wooden frame of the console table now standing upright, appearing complete.
+00:02:06.000 - A close-up shot shows the woman looking directly at the camera, smiling, and explaining her measurement mistake while holding up her fingers. The console table frame is visible behind her.
+00:02:26.000 - A close-up view of the table top shows how the wooden board extends beyond the main frame, revealing the measurement error. A finger points to the excess length.
+00:02:30.000 - The camera pans along the side of the table, further illustrating the extended length of the table top board compared to the frame.
+00:02:46.500 - The woman is back at the miter saw, cutting pieces of wood again, with the partially disassembled table frame visible.
+00:02:56.500 - The woman re-assembles the table frame after correcting the measurements, demonstrating the same drilling process as before.
+00:03:11.500 - The woman is seen applying wood glue to several small, flat pieces of wood and attaching them horizontally to the lower frame of the table to create a slatted shelf.
+00:03:40.000 - The woman applies wood glue along the top edges of the table's frame, preparing for the top board.
+00:03:53.000 - The assembled table frame with the wooden top board in place. Several paint cans are placed on top to weigh it down while the glue dries.
+00:03:55.500 - The woman is crawling underneath the table, using a drill to secure the top board to the frame with screws.
+00:04:25.000 - The woman is standing and using an orbital sander to smooth the wooden surfaces of the console table.
+00:04:48.500 - The woman is wearing green gloves and applying wood stain to the table top and lower shelf using a cloth, transforming the light wood to a darker, richer color.
+00:05:32.000 - The woman is painting the frame of a large, white-framed mirror black with a paintbrush. Blue painter's tape covers the mirror surface.
+00:05:45.000 - A "BEFORE" text overlay appears on a shot of an empty entryway with hardwood floors and light-colored walls.
+00:05:49.000 - The camera slowly pans across the empty entryway, showing a white front door with a decorative glass insert.
+00:05:50.000 - An "AFTER" text overlay appears on a shot of the transformed entryway, now featuring the stained console table and the painted black mirror.
+00:05:53.000 - The finished console table is decorated with a white vase holding greenery, a small tray with keys, a candle, and a black lamp. A woven basket with a blanket sits on the lower shelf.
+00:06:00.000 - A closer view of the decorated console table, highlighting the items and the wooden texture of the table.
+
+**Text on Screen:**
+*   00:01:10.500 - (4) 44.75"
+*   00:01:10.500 - (4) 32"
+*   00:01:10.500 - (4) 8.25"
+*   00:02:47.000 - TAKE 2
+*   00:05:45.000 - BEFORE
+*   00:05:50.000 - AFTER
+
+**People in the Video:**
+The video features one main person, a woman. She is the DIY enthusiast or craftsperson undertaking the project.
+*   She is skilled with power tools like a miter saw and a drill.
+*   She admits to being "notoriously bad at measurements" (02:08.000), indicating a self-aware and humorous approach to her DIY learning process.
+*   She emphasizes learning from mistakes, saying, "This is how we learn" (02:46.000), after realizing her measurement error.
+*   She mentions getting wood from Home Depot and a mirror from Facebook Marketplace, showing her resourcefulness.
+
+**Summary of the Video Narrative:**
+The video documents a DIY project to build a custom console table and transform an entryway. The creator, a woman, begins by measuring and planning the cuts for various wooden boards, emphasizing the importance of precise measurements as store-labeled dimensions can be misleading. She then proceeds to cut the wood pieces using a miter saw.
+
+A humorous moment arises when she discovers a significant measurement error, requiring her to disassemble the partially built frame and re-cut all the boards. After this "Take 2," she successfully re-assembles the table frame, including adding a slatted bottom shelf using wood glue. She then reinforces the structure with screws and sands all surfaces to prepare them for staining.
+
+The table is stained with "Golden Oak" stain, which she expresses her fondness for. She notes that the wood quality (being warped) causes a slight wobble, which she plans to fix with furniture pads. In parallel, she transforms a large, previously white mirror, acquired from Facebook Marketplace, by painting its frame black.
+
+The video concludes with a compelling "before" and "after" reveal of her entryway, showcasing the newly built and stained console table and the painted black mirror. The finished setup is decorated with a vase, keys, a candle, a lamp, and a woven basket with a blanket, successfully transforming the space.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_YYE_J8l9ViE.txt b/raw/test/visual_info/output_YYE_J8l9ViE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1ab4ca3a98e956c001800fb0c6a612b21f0e3f3b
--- /dev/null
+++ b/raw/test/visual_info/output_YYE_J8l9ViE.txt
@@ -0,0 +1,237 @@
+Here are the important visual events, text on screen, and a summary of the video:
+
+**Important Visual Events**
+00:00:00.000 - A narrow white hallway with a closed white door at the end is shown.
+00:00:01.378 - The white door opens slightly, revealing light from an inner room.
+00:00:02.045 - A man wearing a gray shirt, black pants, and a backpack steps into the hallway, leaving the door ajar.
+00:00:03.012 - The man bends down to take off his shoes, revealing a cluttered floor with various pairs of shoes and stacked boxes.
+00:00:06.012 - The man stands up straight, looking around the cluttered entryway with a slight frown.
+00:00:08.012 - Close-up on the man's face as he looks directly at the camera, speaking.
+00:00:10.045 - The man gestures with both hands towards the messy entryway.
+00:00:14.378 - The man shakes his head and sighs, dropping his backpack to the floor.
+00:00:16.812 - Close-up on various shoes scattered on the floor, including a pair of pink toddler shoes.
+00:00:17.978 - A wider shot of the messy entryway, showing a mirror reflecting the man's closet and more shoes.
+00:00:20.145 - A brown paper bag sits on the floor near the mirror.
+00:00:21.078 - The man (now in a beige t-shirt) walks past the mirror, his reflection briefly visible.
+00:00:23.112 - A hand hangs a grey-blue shirt on a hanger in the open closet.
+00:00:26.478 - The hand pushes the shirt further into the crowded closet.
+00:00:28.912 - A black boot is placed on a metal shelving unit inside the closet, joining other shoes.
+00:00:33.245 - The man, in black socks, picks up a pair of white sneakers from the cluttered floor.
+00:00:35.345 - The man puts the white sneakers into the reflection of the closet, then picks up the pink toddler shoes.
+00:00:40.912 - The man places the pink toddler shoes neatly against the baseboard.
+00:00:41.878 - The man places a pair of small brown furry boots next to the pink shoes.
+00:00:44.012 - The man looks into the mirror, reflecting the messy hallway.
+00:00:47.378 - A hand lifts a large Pampers box off a white recycling bin.
+00:00:49.078 - The man carries the Pampers box and the brown paper bag down the hallway.
+00:00:51.345 - The man throws the Pampers box into the closet and the brown bag into the recycling bin.
+00:00:53.078 - The man looks directly at the camera and starts speaking, explaining the entryway situation.
+00:00:57.012 - The man stands in the hallway, demonstrating the narrowness of the entryway by spreading his arms out.
+00:01:03.045 - The man gestures to a blank wall, describing it as a "gorgeous view."
+00:01:09.612 - The man points to the bathroom door, then gestures to the overall hallway.
+00:01:14.078 - The man opens the mirrored closet door, revealing a very cluttered closet with clothes and shoes.
+00:01:17.845 - The man leans forward, looking into the cluttered closet with a frustrated expression.
+00:01:24.078 - The man kneels beside stacked black chairs and shoes, gesturing to the items.
+00:01:31.945 - The man points to the recycling bins next to the kitchen entrance.
+00:01:40.845 - The man stands up and moves to the center of the hallway, then sits down cross-legged on the floor.
+00:01:50.045 - A visual return to the messy entryway, highlighting the scattered items.
+00:01:53.078 - A wider shot of the messy entryway again.
+00:01:56.078 - The man gestures with his hands, explaining the problems.
+00:02:11.778 - The video transitions to a screen with "The Plan:" text and the man speaking.
+00:02:22.078 - The man stands up from the floor.
+00:02:23.978 - The man kneels down and then sits on the floor, pulling out a notebook.
+00:02:25.878 - Close-up of a hand drawing a diagram in a notebook.
+00:02:28.912 - Close-up of a hand holding a digital laser distance meter, pressing a button.
+00:02:30.945 - The man measures the width of the hallway using the device.
+00:02:32.412 - Close-up of the device showing "1.079 m".
+00:02:35.445 - The man measures the length of the wall with the device and writes in his notebook.
+00:02:40.045 - The camera shows the living room with a large cardboard box.
+00:02:41.878 - The man drags the large cardboard box across the rug.
+00:02:45.345 - The man sits down next to the box, appearing tired.
+00:02:49.612 - An animated graphic of a white shoe cabinet appears next to the man, then its depth is shown.
+00:03:10.512 - The man looks at the box, then gestures towards it.
+00:03:16.845 - The man begins to open the large cardboard box by unfolding its flaps.
+00:03:22.045 - The man fully opens the box, revealing the flat-packed furniture pieces and instructions.
+00:03:26.745 - A close-up of the IKEA STÄLL instruction manual.
+00:03:28.978 - The man removes the instruction manual and pieces from the box, laying them out on the rug.
+00:03:32.978 - Close-up of the IKEA assembly instructions, showing pictorial steps and warnings.
+00:03:36.078 - The man looks confused while reviewing the instructions.
+00:03:38.245 - The man vigorously shakes a plastic bag filled with small hardware pieces.
+00:03:40.012 - The hardware pieces are poured onto the instruction manual.
+00:03:41.812 - A close-up of a hand inserting a wooden dowel into a furniture piece.
+00:03:43.745 - A close-up of a hand screwing a metal cam screw into a pre-drilled hole.
+00:03:45.945 - The man assembles the main frame of the shoe cabinet.
+00:03:48.045 - The man lifts a partially assembled piece of the cabinet, turning it upright.
+00:03:50.912 - The man inserts black plastic shoe storage compartments into the cabinet frame.
+00:03:52.978 - Two stud finders are displayed side-by-side.
+00:03:53.945 - A hand uses a stud finder on the wall in the entryway.
+00:03:55.778 - The man drills holes into the wall where the cabinet will be mounted.
+00:03:58.212 - The man attaches the cabinet to the wall.
+00:04:00.678 - The man slides the wooden drawer fronts into the cabinet.
+00:04:05.112 - The fully assembled white shoe cabinet is mounted on the wall in the entryway, alongside a blue vacuum cleaner and a drill.
+00:04:09.612 - The man is sitting on the floor in front of the new cabinet, speaking to the camera.
+00:04:18.045 - The camera shows the cabinet from a low angle, highlighting its thin profile and floating appearance.
+00:04:22.778 - A hand holds one of the white leg pieces that came with the cabinet.
+00:04:26.045 - A close-up shows the bottom of the cabinet flush with the baseboard, making it appear floating.
+00:04:28.512 - The man walks past the newly installed cabinet.
+00:04:36.178 - The man sits at a table in the living room, speaking.
+00:04:53.078 - A hand peels off the protective film from a bamboo mat.
+00:04:55.845 - The bamboo mat is bent, showing its flexible structure.
+00:05:00.078 - Close-up on a miter saw blade, ready to cut.
+00:05:02.945 - The saw cuts through a piece of bamboo.
+00:05:08.578 - The saw blade stops, revealing the cut piece of bamboo.
+00:05:10.745 - A hand applies white adhesive to the back of a cut bamboo strip.
+00:05:12.778 - The bamboo strips are laid onto the cabinet drawer fronts.
+00:05:15.545 - A drill creates a pilot hole on the cabinet door.
+00:05:16.845 - A black handle is screwed onto the cabinet door.
+00:05:20.178 - Close-up on the black handle on the bamboo-covered drawer.
+00:05:21.012 - A hand drills a hole in the wall for mounting a decorative piece.
+00:05:23.778 - A hand pushes a yellow wall plug into the drilled hole.
+00:05:26.478 - A hand uses a wooden tool to tap a wooden wall hook into place.
+00:05:28.378 - A new beige and grey patterned doormat is placed in front of the main door.
+00:05:30.345 - A black framed round mirror is hung on the wall above the cabinet.
+00:05:31.912 - The man places black decorative vases and objects on top of the cabinet.
+00:05:34.978 - A hand peels off the protective film from the mirror.
+00:05:37.312 - The man places a black tray and a black alarm clock on the cabinet.
+00:05:40.045 - The camera shows the completed entryway with the new shoe cabinet and decorations.
+00:05:43.745 - The man opens one of the shoe cabinet drawers and places a shoe inside.
+00:05:48.045 - The 'before' shot of the messy entryway with boxes and shoes.
+00:05:51.378 - The 'after' shot of the tidy entryway with the new cabinet and decorations.
+00:05:54.412 - A comparison shot quickly transitioning between the 'before' and 'after' entryway.
+00:05:57.245 - The main door with the new doormat and a hung handbag.
+00:06:00.312 - The tidy entryway showing the closet and the new cabinet.
+00:06:05.778 - A close-up on the cabinet top with keys and phone in the tray.
+00:06:07.412 - A hand arranges dried flowers in one of the black vases.
+00:06:10.878 - Close-up on the alarm clock and keys on the cabinet.
+00:06:12.512 - The gray cylindrical stool in the entryway.
+00:06:14.378 - The full entryway with the mirror, cabinet, and coat hooks.
+00:06:16.412 - Close-up on the cabinet with its decorative elements.
+00:06:18.412 - The man sits on the floor in front of the cabinet, talking to the camera.
+00:06:24.045 - Close-up on the new bamboo cabinet drawers.
+00:06:25.778 - The screen shows a Nebula website interface with "DANIEL TITCHENER" at the top.
+00:06:30.045 - The screen shows a Nebula logo.
+00:06:30.778 - The screen shows various videos on the Nebula platform, featuring different creators.
+00:06:36.145 - A Nebula video player is shown with "NEBULA +" overlay.
+00:06:37.845 - The screen displays a "Not Just Bikes" channel page on Nebula.
+00:06:40.778 - The man speaks to the camera, explaining Nebula.
+00:06:45.078 - Text appears explaining "What is Nebula?", highlighting features like originals and classes.
+00:06:48.012 - More features of Nebula are listed, such as bonus material, early releases, supporting creators, no pre-roll ads, and video downloads.
+00:06:52.078 - The man continues to speak about Nebula.
+00:07:00.012 - An animated graphic for "City Beautiful presents Great Cities: Planning Ancient Rome" appears.
+00:07:03.478 - A screen shows an "Arts & Entertainment" section on Nebula with architecture classes.
+00:07:07.178 - The man continues speaking.
+00:07:11.045 - A screen shows "DANIEL TITCHENER" on Nebula with subscription options.
+00:07:14.078 - The Nebula sign-up page showing monthly and yearly pricing options.
+00:07:19.045 - The man wraps up the video.
+00:07:23.945 - The man closes a drawer on the cabinet, which slides shut smoothly.
+
+**Text on Screen**
+00:02:11.778 - The Plan:
+00:02:16.012 - 1. Create an entryway that provides a good first impression
+00:02:20.178 - 2. Find a solution that's easy to keep tidy
+00:02:29.278 - TACKLIFE Laser Distance Meter 40M
+00:02:32.412 - 1.079 m
+00:02:54.678 - (Animated graphic of white shoe cabinet with four drawers)
+00:02:57.178 - *(6 3/4")
+00:03:26.745 - STÄLL
+00:03:26.745 - IKEA
+00:03:34.012 - IKEA logo with assembly instructions illustrations.
+00:03:52.978 - CRAFTSMAN.
+00:03:52.978 - HAMMATECH SFI STUD FINDER
+00:05:49.812 - before...
+00:05:54.345 - before... (on bottom right of the screen)
+00:06:25.778 - DANIEL TITCHENER
+00:06:29.845 - NEBULA
+00:06:31.778 - Unwatched | First | +Plus | Newest
+00:06:32.078 - The Race to Control Greenland
+00:06:32.078 - Jun 7, 2023
+00:06:32.078 - The US Military is Planning for a War with China
+00:06:32.078 - May 31, 2023
+00:06:32.078 - The Conflict in Sudan Explained
+00:06:32.078 - May 24, 2023
+00:06:32.078 - How Congress Gets Rich from Insider Trading
+00:06:32.078 - May 17, 2023
+00:06:33.412 - How Greenlanders Live in the Coldest Places on Earth
+00:06:33.412 - May 10, 2023
+00:06:33.412 - Why People Are So Afraid of Nuclear Energy
+00:06:33.412 - May 3, 2023
+00:06:33.412 - How The U.S. Stole Sequoia
+00:06:33.412 - Apr 26, 2023
+00:06:33.412 - The American Who Faked Discovering the North Pole
+00:06:33.412 - Apr 19, 2023
+00:06:36.145 - NEBULA +
+00:06:36.945 - A Tale of Two Towns: Car-free vs. Not (Zermatt & St. Moritz)
+00:06:36.945 - Oct 5, 2022 | +PLUS
+00:06:38.278 - Not Just Bikes
+00:06:38.278 - Explainers
+00:06:38.278 - Unwatched | First | +Plus | Newest
+00:06:39.112 - The Dumbest Excuse for Bad Cities
+00:06:39.112 - Jun 14, 2023
+00:06:39.112 - I GOT A NEW TRUCK!! (AND A MILLION SUBSCRIBERS!)
+00:06:39.112 - May 24, 2023
+00:06:39.112 - Is THIS the Next Great Cycling City?
+00:06:39.112 - Apr 21, 2023
+00:06:39.112 - This Tiny Island Has Insane Traffic
+00:06:39.112 - Mar 26, 2023
+00:06:40.045 - These Stupid Trucks are Literally Killing Us
+00:06:40.045 - Mar 4, 2023
+00:06:40.045 - Amsterdam Just Got Awesome
+00:06:40.045 - Feb 3, 2023
+00:06:40.045 - 1950's PROPAGANDA
+00:06:40.045 - Jan 6, 2023
+00:06:40.045 - Why Amsterdam Is Removing 10,000 Parking Spaces
+00:06:40.045 - Dec 8, 2022
+00:06:45.078 - What is Nebula?
+00:06:45.078 - Nebula is the home of smart, thoughtful videos, podcasts, and classes from your favorite creators.
+00:06:46.345 - For just $2.50/month (billed annually), a Nebula subscription includes:
+00:06:47.345 - Originals
+00:06:47.345 - Classes
+00:06:47.345 - CHINA, ACTUALLY
+00:06:47.345 - THAT TIME WHEN
+00:06:47.345 - THE COLORADO PROBLEM
+00:06:47.345 - Creating Strong Melodly for Jazz Improvisation | Aimee Nolte
+00:06:47.345 - How to Make a Movie | Patrick Willems
+00:06:48.345 - Full-length documentaries, collaborative series, animated specials, and more. Only on Nebula.
+00:06:48.345 - Learn at your own pace with exclusive classes taught by your favorite creators.
+00:06:49.078 - + PLUS
+00:06:49.078 - Bonus material including extended cuts, companion videos, and interviews. Only available on Nebula.
+00:06:49.078 - ⚡️ FIRST
+00:06:49.078 - Early releases available on Nebula before anywhere else.
+00:06:50.078 - Support Creators
+00:06:50.078 - Nebula is creator-owned and operated.
+00:06:50.078 - No Pre-roll Ads
+00:06:50.078 - No need to skip what isn't there.
+00:06:50.078 - Download Videos
+00:06:50.078 - Watch offline in our mobile apps.
+00:07:00.012 - City Beautiful presents Great Cities
+00:07:00.012 - Revisiting the biggest moments of the greatest cities on earth
+00:07:00.012 - NEBULA + ORIGINAL
+00:07:02.012 - PLANNING ANCIENT ROME
+00:07:03.478 - Arts & Entertainment
+00:07:04.078 - ARCHITECTURE IN PLACES OF WORSHIP
+00:07:05.812 - EXPLAINERS The ABCs of Architecture By BrightTrip | 12 lessons
+00:07:11.045 - DANIEL TITCHENER
+00:07:11.045 - NEBULA
+00:07:11.045 - The best way to watch and support Daniel Titchener
+00:07:12.878 - Zero ads. Early video releases. Exclusive content.
+00:07:13.078 - Get started for $2.50/month
+00:07:14.078 - Billed $30 annually. This is a special discounted price for fans of Daniel Titchener.
+00:07:14.812 - Fans of Daniel Titchener enjoy a discount of $20/year
+00:07:15.345 - Sign Up Now
+00:07:15.545 - STEP 1 OF 3
+00:07:15.812 - Select your plan
+00:07:16.078 - Thank you for supporting Daniel Titchener
+00:07:16.612 - MONTHLY $5/month Cancel anytime Select Plan
+00:07:16.612 - YEARLY $2.50/month Billed $30 annually Select Plan
+00:07:17.912 - STEP 2 OF 3 Create Account Email Address your@email.com Password
+00:07:24.412 - watch another
+00:07:24.412 - subscribe
+
+**People in the Video**
+*   **Daniel Titchener:** He is the main and only visible person in the video. He is a registered architect based in London, UK, and creates videos exploring design, minimalism, and wellbeing. In this video, he is presented as the homeowner trying to improve his apartment's entryway. We see him engaging in DIY activities such as measuring, unboxing and assembling IKEA furniture, and drilling into walls. He is also the narrator and host, directly addressing the audience to explain his plans and the process.
+
+**Summary of the Video Narrative**
+The video documents Daniel Titchener's journey to transform his cluttered and uninviting apartment entryway into a functional and aesthetically pleasing space. He begins by highlighting the existing problems: a narrow hallway with a "weird notch," a blank wall, a visible toilet, and a large, chaotic closet overflowing with shoes and other items. He points out that this mess creates "friction" when organizing and leaves a poor first impression for guests.
+
+Daniel then outlines his plan to create an entryway that provides a good first impression and is easy to keep tidy. He decides to install a shallow IKEA shoe cabinet to address the storage issues without making the narrow space feel more cramped. The video shows him meticulously measuring the hallway, unboxing the flat-packed cabinet, and assembling it piece by piece. He strategically mounts the cabinet to the wall without its legs, giving it a 'floating' appearance that looks cleaner and less obtrusive.
+
+Finally, Daniel showcases the completed entryway. The new shoe cabinet, adorned with custom bamboo fronts, a round mirror, and minimalist black decorative objects, offers hidden storage for shoes and other everyday items. This transformation allows for recycling bins to be tucked away in the closet and provides a tidy, welcoming area for both residents and guests. He concludes by promoting Nebula, a creator-owned platform where he and other creators post ad-free, thoughtful content, encouraging viewers to subscribe to support his work.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_YfDQds9cBvM.txt b/raw/test/visual_info/output_YfDQds9cBvM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..02c9fc1e0c1fce23d340729ea0a49755a98103a3
--- /dev/null
+++ b/raw/test/visual_info/output_YfDQds9cBvM.txt
@@ -0,0 +1,238 @@
+Here is a detailed list of important visual events, on-screen text, and information about the people in the video, followed by a summary:
+
+**Visual Events:**
+00:00:00.000 - Video opens with a red and black gradient background, showing white outlined letters "HRS" in the center, framed by L-shaped brackets mimicking a camera viewfinder. A "REC" indicator with a red dot is visible in the top left.
+00:01:465 - A sudden cut to a night street scene where two men are engaged in conversation. The man on the left, wearing a black tank top, black durag, and sunglasses pushed up, is closer to the camera and animatedly speaking. The man on the right, wearing a light blue bucket hat, is listening.
+00:04:962 - The man in the light blue bucket hat turns his head slightly to the left.
+00:06:090 - The man in the black tank top glances briefly to his left, then returns his gaze to the man in the hat.
+00:09:882 - The man in the black tank top leans in slightly and widens his eyes, looking directly at the camera.
+00:10:970 - A sudden cut to a mobile phone screen displaying an app interface with options like "Watch," "Like," and "Watchlist." Below these, "Hush Mode" is shown with three green stars highlighted.
+00:11:806 - A transition to a glitchy, stylized title card. Red, blue, and purple hues shift across blocky, futuristic-looking text that reads "hopeless romantic society." Two glowing circular halos float above the text.
+00:15:680 - A cut to an outdoor daytime scene at a crowded festival. Two men are in the foreground: one on the left wearing a silver chainmail hood and multiple necklaces, holding a pink microphone; the other on the right with bright red hair, red tassel earrings, and a floral-patterned sheer top. A large stage with "AFROPUNK" is visible in the background.
+00:20:970 - The man in chainmail chuckles and looks down, then glances back up, still smiling.
+00:28:903 - A sudden cut to an indoor scene featuring a woman with long dark hair and white sunglasses, wearing a light blue denim jacket over a white top with an ID badge. She is dancing slightly and looking determined, with other blurred figures behind her.
+00:30:860 - Cut back to the festival scene, focusing on the man in chainmail, who is smiling and looking at the man with red hair.
+00:32:820 - The camera zooms in on the smiling man in chainmail as he continues speaking.
+00:35:860 - The camera zooms out to show both men at the festival. The man in chainmail nods.
+00:38:640 - The camera zooms in on the man in chainmail again, showing him smiling widely.
+00:46:750 - A sudden cut to a woman with blonde highlights in her hair, wearing a blue button-up shirt, seated at a table. She lifts sunglasses off her head, looking surprised or unimpressed.
+00:47:670 - Cut back to the festival scene, focusing on the man with red hair, who makes a dismissive or displeased face and looks away.
+00:48:980 - The camera focuses on the man in chainmail, who is touching his chest and smiling.
+00:50:060 - The camera zooms in on the man with red hair, who is speaking animatedly.
+00:56:060 - The camera zooms in on the man with red hair, showing him looking surprised or thoughtful.
+01:00:150 - The camera zooms in on the man with red hair, who glances away and then back at the man in chainmail.
+01:04:780 - The man with red hair looks at the man in chainmail, then smiles and gestures with his hands near his chest.
+01:10:800 - A sudden cut to a black cat sitting on a surface, looking directly at the camera with wide eyes, a microphone in front of it.
+01:11:800 - The glitchy title card for "hopeless romantic society" appears again.
+01:15:065 - A cut back to the night street scene, zoomed in on the man in the black tank top, speaking directly to the camera with wide eyes.
+01:16:859 - The camera quickly pans right to the man in the light blue bucket hat, who is also looking at the camera.
+01:17:744 - The camera quickly pans back to the man in the black tank top.
+01:24:999 - The man in the black tank top looks up and to the right, then looks back at the camera.
+01:25:395 - Text overlay "Me Too Girl" appears in white over the desaturated image of the man in the black tank top.
+01:26:123 - The screen splits horizontally, displaying the man in the black tank top on the top and the man in the bucket hat on the bottom, with "Me Too Girl" centered across both halves.
+01:28:162 - The screen reverts to showing only the man in the bucket hat, who looks thoughtful.
+01:28:903 - The camera quickly pans back to the man in the black tank top.
+01:30:723 - The camera quickly pans to the man in the light blue bucket hat.
+01:34:884 - A sudden cut to the woman in the blue shirt from 00:46, now seated at a table, lifting sunglasses off her head with a surprised expression.
+01:35:567 - Cut back to the man in the black tank top, speaking and pointing a finger.
+01:39:676 - A comic book-style speech bubble with "ohhh" appears over the man in the black tank top.
+01:41:406 - Cut to the man in the light blue bucket hat, looking upwards.
+01:42:756 - The camera moves slightly to the left, showing both men in profile, facing left.
+01:45:376 - The camera quickly pans back to the man in the light blue bucket hat.
+01:50:356 - The camera quickly pans back to the man in the black tank top.
+01:56:656 - The camera quickly pans back to the man in the light blue bucket hat.
+01:59:046 - The camera quickly pans back to the man in the black tank top.
+02:00:816 - The camera quickly pans to the man in the light blue bucket hat.
+02:02:886 - The camera quickly pans back to the man in the black tank top.
+02:08:926 - The camera quickly pans back to the man in the light blue bucket hat.
+02:09:686 - A sudden cut to an image of a dark blue and white inflatable air mattress.
+02:10:976 - Cut back to the man in the light blue bucket hat.
+02:13:386 - The camera quickly pans to the man in the black tank top.
+02:16:796 - A sudden cut to a wide shot of a "Britain's Got Talent" stage with four large "X" symbols above the judges' table and "BRITAIN'S GOT TALENT" on the screen.
+02:18:606 - The camera quickly pans right, showing the side of the stage.
+02:19:076 - Cut back to the night street scene, the man in the black tank top looking forward.
+02:20:006 - The camera quickly pans to the man in the light blue bucket hat.
+02:21:406 - The glitchy title card for "hopeless romantic society" appears again.
+02:24:260 - A cut to a new outdoor daytime scene in a park with an archway in the background. Two men are in the foreground: one on the left in a black hooded jacket holding a beer bottle, and one on the right in a blue and black jacket and grey beanie, holding a pink microphone.
+02:28:920 - The man in the blue and black jacket (interviewer) looks directly at the camera with a serious expression.
+02:30:520 - The camera slightly zooms in on the man in the black hooded jacket.
+02:30:860 - The man in the black hooded jacket lifts the beer bottle to his mouth.
+02:31:730 - The man in the black hooded jacket lowers the bottle.
+02:44:880 - The camera zooms in on the man in the blue and black jacket.
+02:45:900 - The camera zooms out to show both men in the park.
+03:04:160 - The background suddenly transforms into a fiery, stormy landscape with large, shadowy, tentacle-like figures in the sky. The two men remain in the foreground.
+03:04:950 - Text overlay "N***A THINGS" appears in a neon red, stylized font.
+03:06:560 - The man in the blue and black jacket is temporarily replaced by a woman with long dark hair, wearing a purple furry hat and dark lipstick, against the stormy background.
+03:08:920 - The woman is replaced by the man in the blue and black jacket again.
+03:10:860 - The background reverts to the original park scene.
+03:22:150 - The man in the black hooded jacket laughs heartily.
+03:27:140 - The glitchy title card for "hopeless romantic society" appears again.
+03:30:220 - A cut to an indoor event with a colorful backdrop featuring "AMERICAN EXPRESS" and "glaad" logos. Two men are in the foreground: one on the left in a black hat, large black glasses, and an elaborate black outfit; the other on the right in a green jacket with shoulder cutouts, holding a pink microphone.
+03:33:040 - The man in the black hat makes a peace sign.
+03:33:900 - The man in the black hat lowers his hand.
+03:39:070 - The man in the green jacket smiles and makes a heart gesture with his hands.
+03:41:640 - The man in the black hat makes a surprised or excited face, looking off to the side.
+03:45:840 - The man in the black hat points a finger.
+03:51:750 - The man in the green jacket looks down and laughs, covering his mouth.
+04:00:810 - A sudden cut to a woman with long dark hair, dark eye makeup, and pink lipstick, looking seductively at the camera with a slight smirk in blue/purple lighting.
+04:02:440 - Cut back to the man in the black hat looking at the man in the green jacket.
+04:05:400 - The man in the black hat chuckles and looks up.
+04:08:440 - The man in the black hat laughs loudly and shakes his head.
+04:10:760 - The man in the green jacket laughs and makes a small waving gesture.
+04:11:790 - The glitchy title card for "hopeless romantic society" appears again.
+04:15:020 - A cut back to the festival scene with the man in chainmail and the man with red hair. The man with red hair is speaking.
+04:16:900 - The camera zooms in on the man with red hair, who makes a dismissive or unimpressed face.
+04:19:070 - The camera zooms in on the man in chainmail, who has a serious expression.
+04:20:170 - The camera zooms in on the man with red hair, who touches his face and looks contemplative.
+04:22:640 - The camera zooms out slightly to show both men. The man in chainmail glances at the man with red hair.
+04:25:000 - The camera zooms in on the man with red hair, who is covering his mouth and looking away.
+04:27:000 - The camera zooms out to show both men. The man in chainmail smiles at the man with red hair.
+04:29:830 - The camera zooms in on the man in chainmail, who has a blank expression.
+04:31:690 - The camera zooms in on the man with red hair, who is touching his face.
+04:33:650 - The camera zooms out to show both men. The man in chainmail shrugs and gestures with his hand.
+04:36:060 - The camera zooms in on the man with red hair, looking thoughtful.
+04:38:640 - The camera zooms out to show both men. The man with red hair gestures with his hands.
+04:40:480 - The camera zooms in on the man in chainmail, who makes a slight face.
+04:44:810 - The camera zooms in on the man with red hair, who is covering his mouth and looking away.
+04:46:940 - The camera zooms out to show both men. The man in chainmail looks at the man with red hair.
+04:49:120 - The camera zooms in on the man in chainmail, who is speaking and looking forward.
+04:50:900 - The camera zooms in on the man with red hair, who looks thoughtful.
+04:52:840 - The camera zooms out to show both men. The man with red hair is talking animatedly.
+04:58:800 - A sudden cut to a young person (gender unclear) with braided pigtails, wearing a green hoodie, aggressively brushing their teeth and making a growling sound.
+05:01:040 - Cut back to the festival scene, showing the man in chainmail and the man with red hair, who looks serious.
+05:02:290 - The camera zooms in on the man in chainmail, who spreads his hands and looks thoughtful.
+05:03:770 - The camera zooms out to show both men. The man with red hair looks annoyed.
+05:05:040 - The glitchy title card for "hopeless romantic society" appears again.
+05:08:080 - A cut back to the park scene with the man in the black hooded jacket (Jonathan) and the man in the blue jacket (interviewer). Jonathan is holding a beer bottle.
+05:10:040 - Jonathan takes a sip from his beer bottle.
+05:12:470 - The interviewer makes a surprised face.
+05:17:660 - Jonathan laughs and shrugs, holding the beer bottle.
+05:27:260 - The camera zooms in on Jonathan.
+05:28:900 - The camera zooms out to show both men in the park.
+05:32:980 - The camera zooms in on the interviewer.
+05:34:770 - The camera zooms out to show both men. Jonathan laughs.
+05:43:970 - A sudden cut to a woman with long dark hair and sunglasses perched on her head, wearing a black leather jacket and red lipstick, looking directly at the camera with a slight smirk.
+05:45:900 - Cut back to the park scene with Jonathan and the interviewer. Jonathan looks serious.
+05:55:760 - A sudden cut to a woman with short platinum blonde hair, wearing a white sleeveless top and a corset-like garment, walking away from the camera down a long corridor of prison cells.
+06:00:080 - The glitchy title card for "hopeless romantic society" appears again.
+06:03:780 - A cut back to the night street scene with the man in the black tank top and the man in the light blue bucket hat. The man in the bucket hat is speaking.
+06:06:400 - The man in the black tank top holds a small red object (possibly lipstick) and looks at it.
+06:08:080 - The camera quickly pans to the man in the light blue bucket hat.
+06:09:000 - A sudden cut to two men in black tank tops, one wearing a black baseball cap, hugging and laughing.
+06:12:600 - Cut back to the man in the black tank top, pointing his finger.
+06:15:360 - The camera quickly pans to the man in the light blue bucket hat.
+06:18:680 - The camera quickly pans back to the man in the black tank top.
+06:22:920 - The camera quickly pans to the man in the light blue bucket hat.
+06:25:000 - The camera quickly pans back to the man in the black tank top.
+06:27:520 - The camera quickly pans to the man in the light blue bucket hat.
+06:31:000 - A cut to a night street scene outside the Apollo Theater. Two men are in the foreground: one in a grey beanie and a white hoodie, holding a pink microphone; the other in a black baseball cap and black sweatshirt. The Apollo Theater marquee is visible in the background.
+06:34:080 - The man in the black sweatshirt looks surprised.
+06:37:040 - The man in the black sweatshirt uses his finger to touch his lips.
+06:44:800 - The man in the black sweatshirt gestures with his hands.
+06:45:920 - The Apollo Theater marquee changes its display to "BLACK LIVES MATTER".
+06:47:800 - The man in the black sweatshirt gestures with his hands again.
+06:59:720 - The Apollo Theater marquee changes its display to "HALF OFF FOR HARLEM".
+07:07:920 - The Apollo Theater marquee changes its display to "MASE, CAM'RON, & JADAKISS".
+07:16:840 - The Apollo Theater marquee changes its display to "THE BLUES AND ITS PEOPLE".
+07:33:980 - A sudden cut to a green chalkboard background with various school-related doodles. A smiling man with a beard and white shirt (Tony) is on the left side of the screen.
+07:36:260 - A yellow speech bubble with a lightbulb icon appears near the man's head, and the text "Lessons With Tony!" appears in white script.
+07:38:290 - The glitchy title card for "hopeless romantic society" appears again.
+07:40:080 - A cut back to the event scene with the man in the black hat and the man in the green jacket. The man in the green jacket is speaking.
+07:43:520 - The man in the black hat touches his chin, looking thoughtful.
+07:47:940 - The man in the green jacket laughs.
+07:54:380 - The man in the green jacket is laughing and pointing.
+08:00:260 - The man in the green jacket gestures with his hand.
+08:05:140 - The glitchy title card for "hopeless romantic society" appears again, with a red "SUBSCRIBE" button and a white mouse pointer clicking it.
+08:11:000 - The red "SUBSCRIBE" button changes to a grey "SUBSCRIBED" button.
+08:11:800 - A night shot of a waterfront with city lights. A red handrail and a black bench with white graffiti "LOVE. NOTES" are in the foreground. The grey "SUBSCRIBED" button appears over the bench.
+08:20:100 - A black screen with only the "SUBSCRIBED" button.
+
+**Text on Screen:**
+*   00:00:00.000 - REC
+*   00:00:00.000 - HRS
+*   00:00:01.465 - RAW 9:16[F] HD
+*   00:00:01.465 - 30 fps
+*   00:00:10.970 - Watch
+*   00:00:10.970 - Like
+*   00:00:10.970 - Watchlist
+*   00:00:10.970 - Hush Mode
+*   00:00:10.970 - Review or log
+*   00:00:10.970 - Add to a list
+*   00:00:10.970 - Share to Instagram Stories
+*   00:00:11.806 - hopeless romantic society
+*   00:00:15.680 - AFROPUNK (on stage banner)
+*   00:00:28.903 - 3257 (on woman's ID badge)
+*   00:01:25.395 - Me Too Girl
+*   00:01:39.676 - ohhh
+*   00:02:16.796 - BRITAIN'S GOT TALENT (on stage screen)
+*   00:02:16.796 - Simon, Amanda, Alesha, David (above X buttons)
+*   00:03:04.950 - N***A THINGS
+*   00:03:30.220 - AMERICAN EXPRESS (multiple times on backdrop)
+*   00:03:30.220 - glaad (multiple times on backdrop)
+*   00:03:30.220 - A STRANGE LOOP (multiple times on backdrop)
+*   00:06:45:920 - BLACK LIVES MATTER (on Apollo marquee)
+*   00:06:59:720 - HALF OFF FOR HARLEM (on Apollo marquee)
+*   00:07:07:920 - MASE, CAM'RON, & JADAKISS (on Apollo marquee)
+*   00:07:16:840 - THE BLUES AND ITS PEOPLE (on Apollo marquee)
+*   00:07:33:980 - Welcome! (chalkboard)
+*   00:07:33:980 - H2O (chalkboard)
+*   00:07:33:980 - LEARN (chalkboard)
+*   00:07:36:260 - Lessons With Tony! (chalkboard)
+*   00:08:05:140 - SUBSCRIBE
+*   00:08:11:000 - SUBSCRIBED
+*   00:08:11:800 - LOVE. NOTES (on bench)
+*   00:08:11:800 - I love you, don't forget. XOXO (on bench)
+*   00:08:11:800 - Love is for everyone. (on bench)
+
+**People in the Video:**
+The video features several unnamed individuals, often identified by their appearance or their role in the interview segments.
+
+*   **Man in Black Tank Top/Durag:** (Appears from 00:01:465)
+    *   **Appearance:** Male, appears to be in his 20s-30s, with a beard. Wears a black tank top, black durag, and sunglasses pushed up on his head, along with multiple silver necklaces.
+    *   **Known about them:** States he is "single by choice" (01:15), is "really busy" and "on the road a lot" (01:21), and is "tired of getting my heart broken" (01:25). He identifies as a "Scorpio Leo" (01:31). He mentions preferring relationships "in delusion" (00:35) and admits to being "colorblind" to red flags, actively "running towards" them (01:55-02:00). He has dated "broke" men, believing he can "fix" them and "make them rich" (02:06-02:14), and states he only dates "Aries" (06:07) with a "pulse" and "flowing blood" (06:22-06:27).
+*   **Man in Light Blue Bucket Hat (Interviewer):** (Appears from 00:01:465, 02:24:260, 03:30:220, 06:31:000, 07:33:980)
+    *   **Appearance:** Male, appears to be in his 20s-30s. His attire changes throughout the video, including a light blue bucket hat, a grey beanie with a blue/black jacket, a black cap and black sweatshirt, and a white hoodie/black jacket with a green beanie. He consistently acts as the interviewer, holding a pink microphone and asking questions.
+    *   **Known about them:** He is the interviewer, facilitating the discussions on relationships and dating. His name is implied to be "Tony" in the "Lessons With Tony!" segment at the end (07:33:980).
+*   **Man in Silver Chainmail Hood (Festival Interviewee):** (Appears from 00:15:680)
+    *   **Appearance:** Male, appears to be in his 20s-30s, with a beard and glasses. He wears a distinctive silver chainmail hood over his head and shoulders, layered with multiple silver necklaces and a large silver collar.
+    *   **Known about them:** States he is "very single" (00:17), dislikes dating because it's "too much work" (00:23-00:26), and prefers relationships "in delusion" (00:35). He identifies as a "Pisces" (00:28). He claims to have "matched on Grindr" with the interviewer (01:04) and describes himself as "a little flirtatious" (04:43) but won't "shoot his shot" if told to (04:50).
+*   **Woman in White Sunglasses/Denim Jacket:** (Appears from 00:28:903)
+    *   **Appearance:** Female, young adult, with long dark hair, white sunglasses, and a light blue denim jacket over a white top. She has an ID badge pinned to her jacket.
+    *   **Known about them:** No specific personal information is revealed; she is shown in a reaction clip.
+*   **Woman in Blue Shirt/Blonde Highlights:** (Appears from 00:46:750)
+    *   **Appearance:** Female, adult, with blonde highlights in her hair, wearing a blue button-up shirt and large white earrings.
+    *   **Known about them:** No specific personal information is revealed; she is shown in a reaction clip.
+*   **Man in Black Hooded Jacket (Jonathan):** (Appears from 02:24:260)
+    *   **Appearance:** Male, adult, with a beard, wearing a black hooded jacket and a backpack. He holds a beer bottle throughout his interview.
+    *   **Known about them:** Identified by the interviewer as "Jonathan" (02:25). He states he is "not" single (02:29), has a "lover" and "love interests" but the one he "wants is not available" (02:41). He admits to occupying his time with women he's "not interested in that much" (02:48-02:51). He reveals his favorite is "Cherry," whose "spirits dance" but "bodies fight" (05:12-05:32). He confesses to cheating for "sexual pleasure," stating he "just wanted to bust that nut" (05:38-05:55).
+*   **Woman in Purple Furry Hat:** (Appears briefly from 03:06:560)
+    *   **Appearance:** Female, young adult, with long dark hair, wearing a purple furry hat and dark lipstick.
+    *   **Known about them:** This is a visual effect where she temporarily replaces the interviewer; no personal information is provided.
+*   **Man in Black Hat/Glasses (Event Interviewee):** (Appears from 03:30:220)
+    *   **Appearance:** Male, adult, wearing a black hat, large black glasses, and an elaborate black outfit with necklaces and rings.
+    *   **Known about them:** States he is "not single" and has a partner named "Jacob," with whom he has been for "five years" (03:32-03:35). He mentions they met on "Grindr" (03:42) and believes "anything can be a hookup app if you try hard enough" (03:55), including "Uber Eats" and "Robinhood" (03:58-04:00). He also states he is "predisposed to be a hater" (08:05) and would ignore that red flag in a partner (07:44).
+*   **Woman with Dark Hair/Makeup:** (Appears briefly from 04:00:810)
+    *   **Appearance:** Female, adult, with long dark hair, dark eye makeup, and pink lipstick.
+    *   **Known about them:** No specific personal information is revealed; she is shown in a reaction clip.
+*   **Young Person Brushing Teeth:** (Appears briefly from 04:58:800)
+    *   **Appearance:** Young person (gender ambiguous), with two braided pigtails and a green hoodie.
+    *   **Known about them:** No specific personal information is revealed; they are shown in a humorous reaction clip.
+*   **Woman Walking in Prison Corridor:** (Appears briefly from 05:55:760)
+    *   **Appearance:** Woman with short platinum blonde hair, wearing a white sleeveless top and a corset-like garment, seen walking away down a prison corridor.
+    *   **Known about them:** No specific personal information is revealed; she is used as a visual gag.
+*   **Two Men Hugging/Laughing:** (Appears briefly from 06:09:000)
+    *   **Appearance:** Two men, one with a beard and the other with a cap, both in tank tops, hugging and laughing.
+    *   **Known about them:** No specific personal information is revealed; they are used as a reaction clip.
+*   **Man in Black Sweatshirt (Apollo Interviewee):** (Appears from 06:31:000)
+    *   **Appearance:** Male, adult, with a beard, wearing a black baseball cap and a black sweatshirt that says "POSITIVELY UNDETECTABLE."
+    *   **Known about them:** States he has "talked to" DL (down-low) men (06:35) but considers the term "triggering" and "outdated" (06:50-07:06), suggesting it should be "phased out" (07:31).
+*   **Man "Tony" on Chalkboard:** (Appears from 07:33:980)
+    *   **Appearance:** Male, adult, with a beard and a white sweater, smiling.
+    *   **Known about them:** Implied to be the interviewer, presenting "Lessons With Tony!" on a chalkboard.
+
+**Summary of the Video Narrative:**
+The video, titled "hopeless romantic society," is a compilation of street interviews where an interviewer engages various individuals in candid conversations about their romantic lives, relationship statuses, and dating philosophies. The interviews are interspersed with stylized title cards and humorous reaction clips.
+
+The segments feature different interviewees: a man on a night street who is "single by choice" but "runs towards red flags" and dates "broke" men he believes he can "fix"; a man in chainmail at a festival who is "very single" and prefers "delusional" relationships due to dating being "too much work," humorously claiming to have matched with the interviewer on a dating app; and a man in a park who openly discusses having multiple "love interests" while the one he truly desires is unavailable, admitting to cheating for "sexual pleasure." Another interviewee at an event, who has been with his partner for five years, met on Grindr, and believes "anything can be a hookup app if you try hard enough." The final interviewees discuss the term "DL" (down-low) in dating, with one deeming it "triggering" and "outdated," advocating for its abolishment.
+
+The video playfully explores various facets of modern relationships, including singleness by choice, delusional dating, open relationships, and dating app experiences, often with a humorous and self-aware tone. The video concludes with a playful "Lessons With Tony!" segment, hinting at the interviewer's role, and a call to subscribe, ending with a serene visual of a waterfront at night.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_bLG0fLwpo2o.txt b/raw/test/visual_info/output_bLG0fLwpo2o.txt
new file mode 100644
index 0000000000000000000000000000000000000000..045ffffd4cf0c077be32a9a9d08a94eb2a233d4d
--- /dev/null
+++ b/raw/test/visual_info/output_bLG0fLwpo2o.txt
@@ -0,0 +1,93 @@
+Here is a detailed list of visual events, on-screen text, people, and a summary of the video narrative:
+
+**Visual Events:**
+
+00:00:00.000- A man in a brown zip-up hoodie stands behind a table in a workshop, gesturing towards a pile of light-colored wooden planks and a roll of rope. Various tools are visible on the walls and shelves behind him.
+00:00:04.646- The man picks up one of the wooden planks and holds it up, then puts it back down.
+00:00:07.030- The man picks up the roll of rope and holds it up, then places it back on the table.
+00:00:10.030- The man claps his hands together once.
+00:00:10.749- The man gestures with both hands as if presenting the items on the table.
+00:00:12.449- The screen fades to black.
+00:00:12.783- The scene changes to an outdoor setting, likely a driveway next to a brick house and garage. The man, now wearing a respirator mask, is setting up a large miter saw on a mobile stand. A wooden workbench is to his left.
+00:00:21.846- The man squats down and pulls a piece of wood from a stack next to the miter saw.
+00:00:23.283- He places the wood onto the miter saw's cutting surface and adjusts it.
+00:00:26.549- He puts on ear protection over his respirator mask.
+00:00:28.083- He positions a small piece of wood against the saw's fence.
+00:00:36.416- He powers on the miter saw, and the blade begins to spin.
+00:00:43.083- He lowers the saw blade to cut the wood.
+00:00:46.483- He lifts the saw blade, removes the cut piece, and places it on the workbench.
+00:00:48.816- He slides the wooden plank again to cut another piece.
+00:00:52.549- He lowers the saw blade to cut the wood.
+00:00:54.083- He lifts the saw blade, removes the cut piece, and places it on the workbench, forming a neat stack.
+00:00:58.383- Close-up shot of the man's hands on the miter saw as he makes a cut. The red saw blade spins quickly, producing sawdust.
+00:01:04.049- The man's hands remove the freshly cut pieces of wood from the saw.
+00:01:06.016- Overhead shot of the workbench with many cut wooden pieces arranged in rows. The man's hand places more pieces to form a larger block.
+00:01:08.516- The man's hand adds more pieces, continuing to stack them.
+00:01:10.749- The man's hand adds the last pieces to the stack.
+00:01:12.916- The camera zooms in on the miter saw. The man adjusts a stop block on the saw's fence using a tape measure.
+00:01:23.449- The man pushes the stop block into place to set the cutting length.
+00:01:28.516- Close-up on the saw as the man prepares to cut. He uses a scrap piece of wood as a hold-down clamp.
+00:01:36.149- He powers on the miter saw and makes a cut. Sawdust flies from the blade.
+00:01:42.249- Close-up of the short cut pieces of wood stacked neatly next to the saw's fence.
+00:01:44.249- The scene changes to inside the workshop. The man is holding a small wooden box-like jig and places a piece of wood into it. There's a nail gun and other tools on the table.
+00:01:51.049- He uses the nail gun to nail two pieces of the jig together.
+00:01:54.083- He lifts the completed jig.
+00:01:58.749- He places a small cut piece of wood into the jig.
+00:02:02.816- The scene changes to a drill press. The man is using the jig to hold a short piece of wood in place while drilling a hole. Sawdust is collecting around the drill bit.
+00:02:11.849- He removes the drilled piece from the jig.
+00:02:14.683- He places a longer piece of wood into the jig to drill a hole.
+00:02:26.983- He removes the long piece, flips it around, and reinserts it to drill the second hole.
+00:02:37.916- He removes the long piece with two holes, then places another one.
+00:02:47.783- The man is in the workshop, organizing the drilled pieces of wood on a table. He separates the short and long pieces.
+00:02:54.083- The scene changes back to the driveway. The man is wearing a respirator and ear protection, operating an oscillating spindle sander. He is sanding the edges of the drilled wood pieces.
+00:03:05.149- The scene changes back to the workshop, facing the camera. The man is holding a sanded piece of wood and showing the smooth edges, wearing blue gloves.
+00:03:19.816- He puts on small black Bluetooth headphones.
+00:03:23.949- The scene changes to a wider shot of the workshop. The man, wearing headphones, is staining the wooden pieces using a brush. The pieces are arranged on the table in sections, some already stained a darker brown.
+00:03:34.916- The background turns white, and the man starts to playfully sing into a stained piece of wood as if it's a microphone, doing a rock-and-roll pose.
+00:03:41.983- The background returns to normal, and he continues staining the pieces.
+00:03:47.316- He places a freshly stained piece next to the other stained pieces.
+00:03:49.216- He stands upright, hands on his hips, looking at the camera.
+00:03:52.949- He gives a thumbs up with both hands.
+00:03:55.716- He looks down at the pieces.
+00:03:57.649- He looks back at the camera.
+00:04:00.649- The scene changes to him standing in front of the table again, but the stained wood pieces are now neatly arranged into two large rectangular sections on either side of the table, ready for assembly. He holds a roll of electrical tape and a rope.
+00:04:18.049- He starts wrapping electrical tape around the end of the rope.
+00:04:29.816- He tears off the electrical tape and pulls the rope out of its plastic wrapping.
+00:04:31.983- He begins to thread the rope through the holes of the individual stained wooden pieces, alternating between short and long pieces, demonstrating the assembly pattern.
+00:04:46.349- He accidentally drops a piece of wood, looking down.
+00:04:50.049- He picks up the dropped piece.
+00:04:51.683- He continues threading the pieces onto the rope.
+00:05:16.883- He stands back, showing the partially assembled mat with two ropes threaded through it. He gestures towards the assembled section.
+00:05:43.083- He continues threading the rope through the remaining pieces.
+00:05:47.416- He stands back, showing the fully assembled wooden mat with ropes running through it.
+00:05:57.483- He ties a knot at one end of the rope.
+00:05:59.616- He uses a cutting tool to trim the excess rope.
+00:06:02.149- He pulls on the ropes to tighten the mat.
+00:06:03.049- He lifts the assembled mat to show its flexible, woven-like structure.
+00:06:08.516- He holds the mat, presenting it to the camera.
+00:06:19.416- The screen transitions to a split view. The left side shows the finished wooden doormat with rubber boots on it, placed outside a door. The right side shows two thumbnails of other video projects.
+00:06:20.083- Close-up of the doormat with rubber boots.
+00:06:23.716- The logo for "FixThisBuildThat" appears.
+
+**Text on Screen:**
+
+00:00:00.000- No text.
+00:06:19.816- "Flip Top Tool Stand" with URL "Flip Top Tool Stand - FixThisBuildThat.com"
+00:06:19.816- "French Cleat Storage" with URL "French Cleat Tool Storage - FixThisBuildThat.com"
+00:06:19.816- "► Subscribe"
+00:06:19.816- "FixThisBuildThat.com"
+00:06:26.549- "FixThisBuildThat.com" logo with text "FIX THIS BUILD THAT PROJECTS • PLANS • TOOLS"
+
+**People in the Video:**
+
+*   **Brad (last name not specified):** He is the presenter and creator of the wooden doormat project. He identifies himself as "Brad from FixThisBuildThat." He demonstrates various woodworking techniques, including cutting, drilling, sanding, staining, and assembling the wooden pieces. He is passionate about DIY projects and shares tips for others to replicate his work. He wears a brown zip-up hoodie and jeans, often with safety gear like a respirator mask and ear protection when operating machinery, and blue gloves when staining.
+
+**Video Narrative Summary:**
+
+The video is a DIY tutorial by Brad from "FixThisBuildThat" on how to build a wooden doormat using inexpensive 2x2 lumber and sisal rope. Brad begins by introducing the project and materials. He then moves to his driveway to cut the pressure-treated wood pieces to specific lengths using a miter saw on a mobile stand, emphasizing the importance of outdoor cutting for safety due to the treated wood dust. He demonstrates how to use a stop block for consistent cuts.
+
+Next, Brad transitions to drilling holes in all the cut wooden pieces. He explains how he created a simple jig from scrap plywood to ensure consistent hole placement for both the long and short pieces, using a drill press. After drilling, he takes the pieces back outside to sand their edges using an oscillating spindle sander.
+
+Following the sanding, Brad returns to his workshop to stain all 42 pieces of wood with a transparent stain to make them waterproof. He light-heartedly acknowledges the tediousness of staining, even having a brief singing moment with a wooden piece as a microphone.
+
+Finally, Brad demonstrates the assembly process, which involves threading sisal rope through the drilled holes of the stained wooden pieces in an alternating pattern of short and long pieces. He provides tips on how to properly align the holes for smooth threading and ties off the ends of the ropes to secure the mat. The video concludes with Brad showcasing the completed, flexible, and aesthetically pleasing wooden doormat, encouraging viewers to try the project as it requires only basic tools like a handsaw and a drill. He also promotes his website and invites viewers to subscribe to his channel.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_bdOFFePprJY.txt b/raw/test/visual_info/output_bdOFFePprJY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..36c549ff132d738760b5f3859776eafbf7019dab
--- /dev/null
+++ b/raw/test/visual_info/output_bdOFFePprJY.txt
@@ -0,0 +1,50 @@
+Here is the detailed analysis of the video:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - The video opens underwater, showing a large manatee resting on the seabed covered in green aquatic vegetation. The water is murky green.
+00:00:01.380 - The manatee begins to slowly lift its head and front flippers, turning to face the camera.
+00:00:02.100 - The manatee is now oriented towards the camera, hovering slightly above the seabed, and exhales a stream of bubbles from its nostrils.
+00:00:04.250 - The manatee slowly propels itself forward with its flippers, directly towards the camera, its large snout and whiskers visible.
+00:00:09.680 - The manatee gracefully ascends towards the water surface, its snout breaking the surface and then submerging slightly as it exhales loudly. The reflection of the surface and a person in a wetsuit are visible.
+00:00:13.620 - The manatee slowly descends, turning its head downwards towards the seabed.
+00:00:15.520 - The manatee is now positioned head-down, seemingly foraging or resting on the aquatic vegetation, stirring up sediment.
+00:00:26.060 - The manatee again slowly lifts its head and begins to ascend towards the surface, its snout almost breaking the water. Reflections of people wearing masks and snorkels are visible on the surface.
+00:00:31.020 - The manatee descends again, resuming its head-down position near the seabed, kicking up more sediment.
+00:00:39.120 - The manatee is almost entirely obscured by the stirred-up sediment, its head still pointed towards the seabed.
+00:00:41.970 - The manatee lifts its head and moves slightly, with a person in a black wetsuit and snorkel gear slowly approaching from the left.
+00:00:44.890 - The person in the wetsuit extends their hand towards the manatee, appearing to gently interact with its snout or face.
+00:00:48.070 - The camera shifts slightly to reveal the person holding an underwater camera rig with red handles, next to the manatee. The manatee swims past the camera.
+00:00:52.400 - The manatee descends towards the seabed again, moving its large body gracefully through the water, stirring up more sediment from the bottom.
+00:00:59.040 - The manatee begins to ascend towards the surface again, its face visible, as another person in snorkel gear with a yellow snorkel mask is visible in the upper right.
+00:01:03.960 - The manatee's snout breaks the water surface as a person's hand with a yellow-tipped snorkel is visible, seemingly interacting or observing closely.
+00:01:08.060 - The manatee has turned slightly, and a person's hand gives a "thumbs up" gesture near the manatee's back.
+00:01:10.740 - Two hands from a person in a wetsuit are spread open above the manatee, which is slowly descending.
+00:01:15.110 - A hand gently touches the back of the manatee as it continues to sink towards the seabed.
+00:01:18.060 - The manatee has settled on the seabed, obscured by sediment, with just its large form visible.
+00:01:21.050 - The manatee is again seen from a low angle, facing the camera, with its head just below the surface, exhaling bubbles. Reflections of people are overhead.
+00:01:27.080 - The manatee descends, stirring up a large cloud of sediment from the seabed, facing the camera.
+00:01:38.250 - The manatee remains stationary, hovering just above the stirred-up sediment cloud, looking towards the camera.
+00:01:49.770 - The manatee lifts its head slightly and seems to interact visually with a person who is now closer to the right side of the frame.
+00:01:53.640 - The manatee is still, floating vertically. The camera quickly moves above the water.
+00:01:54.600 - The view is now above the water, showing a wide shot of a waterway lined with houses and a boat with "AMERICAN PRO DIVING CENTER" on its side. The sky is overcast.
+00:01:56.280 - The camera submerges, and a manatee is visible again underwater, seemingly still, with bubbles around it. A hand holding a GoPro camera enters the frame on the right.
+00:02:00:000 - The manatee is seen from a low angle, stirring up a large cloud of sediment from the seabed.
+00:02:04:000 - The video ends with the manatee settled on the seabed, surrounded by the stirred-up sediment.
+
+**Text on Screen:**
+
+*   01:54:600 - "AMERICAN PRO DIVING CENTER" and what appears to be a phone number "352-563-0000" are visible on the side of a boat.
+
+**People in the video:**
+
+There are multiple people in the video, all appearing to be snorkelers or divers interacting with the manatee.
+*   They are wearing black wetsuits, masks, and snorkels (some with yellow tips).
+*   Their faces are mostly obscured by the masks, but they appear to be adults.
+*   One person is seen holding an underwater camera rig (00:00:48.070).
+*   They are observing and gently interacting with the manatee, sometimes reaching out a hand towards it or making gestures like a "thumbs up."
+*   Their reflections are frequently seen on the water surface, indicating their presence above the manatee.
+
+**Summary of the video narrative:**
+
+The video offers an intimate underwater perspective of a manatee in its natural habitat, likely a warm-water spring or shallow bay, populated with aquatic vegetation. The narrative primarily focuses on the manatee's calm and gentle behavior, showcasing it resting, slowly approaching the camera, surfacing to breathe, and grazing on the seabed. Several snorkelers or divers, equipped with wetsuits and underwater cameras, are present and observing the manatee, maintaining a respectful distance while occasionally interacting with it gently. The presence of the "AMERICAN PRO DIVING CENTER" boat suggests that this is part of an organized wildlife tour, allowing people to experience and appreciate these magnificent creatures up close. The video highlights the serene interaction between humans and the manatee, emphasizing the animal's peaceful nature and its foraging activities.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_cQez0x2CKn0.txt b/raw/test/visual_info/output_cQez0x2CKn0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3669aa3c3fb51d0941c9d684d2dc727344acae83
--- /dev/null
+++ b/raw/test/visual_info/output_cQez0x2CKn0.txt
@@ -0,0 +1,58 @@
+Here are the details from the video:
+
+### Important Visual Events with Timestamps:
+00:00:00.000 - A woman with voluminous, dark, curly hair faces the camera, her expression serious, then slightly turns her head to the side. The logo "naptural85" and "SIMPLE, NATURAL HAIR CARE" are visible in the bottom right corner.
+00:00:02.160 - The woman turns her head back to face the camera, smiling slightly and then looking away.
+00:00:04.960 - She glances back at the camera with a playful smirk.
+00:00:06.900 - She directly addresses the camera, smiling, and gestures with her hands.
+00:00:08.560 - She spreads her arms wide, presenting her voluminous hair.
+00:00:10.150 - She smiles and makes an "okay" hand gesture.
+00:00:14.360 - The woman turns to her left side, revealing her curly hair is styled in large, thick twists. She begins to untwist the first large section of hair.
+00:00:19.430 - She finishes untwisting the first section, revealing defined curls.
+00:00:27.780 - She begins untwisting a second large section of hair on her left side.
+00:00:30.930 - She finishes untwisting the second section.
+00:00:33.270 - She gently separates the unraveled curls with her fingers, fluffing them.
+00:00:46.900 - She moves to the right side of her head and begins untwisting a large section of hair.
+00:00:58.200 - She starts untwisting the last large section of hair on her right side.
+00:01:09.600 - She shakes her head to loosen her hair and continues to separate the curls with her fingers to add volume.
+00:01:21.800 - She makes a dramatic "pouty" face and shakes her head again for more volume.
+00:01:26.540 - The screen blurs briefly during a quick transition.
+00:01:27.100 - The woman brings her hands up to her head, emphasizing the volume of her hair.
+00:01:31.950 - She raises a finger to her lips as if sharing a secret, then brings a blue hair pick into view, covering part of her face with it.
+00:01:37.890 - She starts using the blue hair pick at the roots of her hair on the left side, lifting upwards to create more volume.
+00:01:45.390 - She moves to pick the roots on the right side of her hair.
+00:02:00.080 - She picks the top-back section of her hair while looking down and slightly shaking her head.
+00:02:10.050 - She lowers the pick, looks at the camera with wide eyes and an open mouth, expressing surprise and satisfaction with the increased volume.
+00:02:26.060 - She continues to use the pick, targeting various sections of her hair to maximize volume and shape.
+00:02:37.030 - She flips her head upside down to pick the hair from underneath, getting close to the roots.
+00:02:46.990 - She flips her head back up, revealing significantly more volume.
+00:02:54.670 - She uses the pick to define a natural-looking side part in her hair.
+00:03:00.080 - She continues to refine the shape and volume of her hair, focusing on the sides and front.
+00:03:19.780 - She holds her hands near her temples, showcasing the voluminous hair, and speaks to the camera.
+00:03:24.490 - She picks up a black hair brush and begins to smooth down her edges and the front part of her hair.
+00:03:36.560 - She takes out a bobby pin and uses it to pin a section of hair near her ear, then removes it, showing the position.
+00:03:42.560 - She takes another bobby pin and pins back a section of hair at the crown of her head to create a faux bang look.
+00:03:57.850 - She poses with her finished hairstyle, smiling and gently touching her hair.
+00:04:12.780 - She tosses a large section of her hair from one side to the other, demonstrating its movement and bounce.
+00:04:24.080 - She shakes her head vigorously from side to side, showing the full volume and movement of her hair.
+00:04:32.420 - She smiles broadly and laughs, looking pleased with her hair.
+00:04:41.220 - She makes a funny face, sticking out her tongue playfully, before returning to a smile.
+00:04:50.140 - The video transitions to an end screen with social media handles, an arrow pointing to a "SUBSCRIBE" button, and two Twitter comments.
+00:05:05.000 - The screen turns black, and the text "Thanks For Watching!" appears.
+00:05:09.100 - The text changes to "Naptural85" in yellow cursive font.
+00:05:12.000 - The video ends.
+
+### Text on Screen:
+*   **00:00:00.000 - 00:04:50.000**: "naptural85" (large text) and "SIMPLE, NATURAL HAIR CARE" (smaller text below) in the bottom right corner.
+*   **00:04:50.140 - 00:05:05.000**: "SUBSCRIBE" with a curved arrow pointing down.
+*   **00:04:50.140 - 00:05:05.000**: Instagram logo followed by "@NAPTURAL85" and Snapchat logo followed by "HEYWHITTY" in the top right.
+*   **00:04:50.140 - 00:04:56.500**: Twitter comment: "Evette Williams @WriterEve - Jun 8 I always enjoy @Nap85 videos. I'm gonna give these a go soon!"
+*   **00:04:56.800 - 00:05:05.000**: Twitter comment: "Melanin Milz @Melanin_Milz - Jun 5 I love how you explain everything. Just know that we also watch, love and enjoy your videos in #Suriname 🇸🇷"
+*   **00:05:05.000 - 00:05:09.100**: "Thanks For Watching!"
+*   **00:05:09.100 - 00:05:12.000**: "Naptural85"
+
+### People in the Video:
+*   **One female presenter:** She is the host and demonstrator of the hair tutorial. We know she runs the YouTube channel "Naptural85" (as indicated by the on-screen branding). She has long, naturally curly, dark hair. She is showing viewers how to achieve a voluminous hairstyle. She mentions a recent Instagram video, indicating she is active on social media platforms. Her personality appears friendly, enthusiastic, and surprised by the effectiveness of her hair pick. Her actual name is not revealed in the video itself, but she is referred to as "Nap85" by her followers in the end screen comments.
+
+### Summary of the Video Narrative:
+The video is a natural hair tutorial presented by the YouTuber Naptural85, demonstrating how to achieve a voluminous, curly, tapered hairstyle using minimal effort. She begins by showing her hair already pre-styled in four jumbo twists, which she had lazily twisted after applying leave-in conditioner and air-drying. The main part of the tutorial involves carefully unraveling these twists to release the curls and texture, gently separating them with her fingers (and advising the use of oil to prevent frizz). The significant increase in volume is achieved through the strategic use of a hair pick at the roots, lifting the hair without disturbing the curl definition at the ends. She highlights her surprise and delight at how effective the hair pick is, having not used one frequently before. She also demonstrates smoothing her edges with a brush and creating faux bangs by pinning back a section of hair. The video concludes with the presenter showcasing her finished, bouncy, and voluminous hair, emphasizing the simplicity and effectiveness of the technique.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_dvrAF2XWizo.txt b/raw/test/visual_info/output_dvrAF2XWizo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c022856fcb1a3b14b083ed95ad53a430c9f7e919
--- /dev/null
+++ b/raw/test/visual_info/output_dvrAF2XWizo.txt
@@ -0,0 +1,59 @@
+Here are the important visual events that happen in the video narrative with timestamps, sorted in ascending order:
+
+00:00:00.000 - An animated border of red, yellow, and green puzzle pieces frames a black screen.
+00:00:01.034 - Blue puzzle pieces start filling in the black gaps within the existing puzzle border.
+00:00:01.667 - More blue puzzle pieces continue to appear, filling the screen.
+00:00:02.167 - Red puzzle pieces are added to the growing mosaic.
+00:00:02.667 - Green puzzle pieces appear.
+00:00:03.200 - Blue puzzle pieces continue to fill the space.
+00:00:03.700 - Yellow puzzle pieces are added.
+000:00:04.234 - Black puzzle pieces appear.
+00:00:04.767 - Blue puzzle pieces fill more gaps.
+00:00:05.200 - Yellow puzzle pieces appear.
+00:00:05.734 - Green puzzle pieces appear.
+00:00:06.267 - Red puzzle pieces are added.
+00:00:06.767 - Yellow puzzle pieces appear.
+00:00:07.267 - Blue puzzle pieces complete the full screen, which is now entirely covered in colorful puzzle pieces.
+00:00:08.767 - The word "FreeSchool" appears in a metallic, textured font in the center of the puzzle piece background.
+00:00:11.700 - The screen blurs and transitions to a soft green background with a blurred red cardinal image.
+00:00:12.700 - A clear image of a vibrant red male cardinal appears against a soft green background, with the text "All About Cardinals" displayed to its left.
+00:00:17.900 - The screen fades to black.
+00:00:18.867 - A bright red male cardinal is seen perched on a weathered wooden surface, actively pecking at black seeds scattered in front of it.
+00:00:27.267 - The video blurs and transitions to a different scene.
+00:00:28.100 - A red cardinal flies and lands on a thin branch with emerging green leaves, then perches and looks around.
+00:00:30.334 - The video blurs and transitions.
+00:00:31.067 - A red cardinal is perched on a bare, thin branch in what appears to be a winter or early spring setting with a background of grey, leafless trees.
+00:00:38.967 - The video blurs and transitions.
+00:00:39.500 - Two cardinals are on a bird feeder, one male (brighter red, on the right) and one female (dull red-brown with orange beak, on the left), both eating seeds.
+00:00:44.200 - The video blurs and transitions.
+00:00:44.900 - A female cardinal with dull red-brown plumage and an orange beak is perched on a thick wooden beam, looking to the right.
+00:00:52.434 - The video blurs and transitions.
+00:00:53.300 - A bright red male cardinal is camouflaged among numerous branches covered in small, delicate pink blossoms.
+00:00:59.767 - The video blurs and transitions.
+00:01:00.667 - A bright red male cardinal is hopping on lush green grass, pecking at the ground for food.
+00:01:03.467 - The video blurs and transitions.
+00:01:04.200 - A bright red male cardinal is perched on a thick wooden beam, looking to the right, similar to the earlier shot of the female cardinal.
+00:01:15.300 - The video blurs and transitions.
+00:01:16.100 - A bright red male cardinal is seen closer up on a wooden surface, actively pecking at scattered black seeds, looking directly at the camera at one point.
+00:01:23.734 - The video blurs and transitions.
+00:01:24.467 - Two bright red male cardinals are shown on a snow-covered ground, one appearing to hop or take flight with wings spread, the other standing nearby.
+00:01:30.034 - The video blurs and transitions to a map of North America.
+00:01:31.067 - A map of North America is displayed, with the cardinal's range (parts of the US and Mexico) highlighted in green.
+00:01:34.200 - Seven specific US states (Illinois, Indiana, Kentucky, North Carolina, Ohio, Virginia, and West Virginia) within the green range are highlighted in red on the map.
+00:01:46.867 - The video blurs and transitions.
+00:01:47.467 - A close-up shot of a vibrant red male cardinal perched on a wooden surface with a soft green background, appearing to hold a seed in its beak.
+00:01:54.400 - The screen fades to black.
+00:01:55.667 - A female cardinal with dull brown plumage and an orange beak is perched on a white, weathered surface, looking left.
+00:02:03.300 - The video blurs and transitions.
+00:02:04.100 - A bright red male cardinal is perched on a thin, snow-dusted branch, with blurry snow falling in the background, depicting a winter scene.
+00:02:11.834 - The video fades to black.
+
+**Text on Screen:**
+*   00:00:08.767 - 00:00:12.700: FreeSchool
+*   00:00:12.700 - 00:00:17.900: All About Cardinals
+
+**People in the Video:**
+There are no people visually present in the video. The video is narrated by an unseen female voice.
+
+**Summary of the Video Narrative:**
+The video, presented by "FreeSchool," is an informative piece titled "All About Cardinals." It serves as an introductory guide to the Northern Cardinal, a familiar bird in North America. The narrative highlights the distinctive appearance of the male cardinal with its bright red plumage and black mask, contrasting it with the dull red-brown feathers and orange beak of the female, while also noting the female's red accents in her wing and tail feathers. The video discusses the cardinal's diet, which includes weed seeds, grains, fruits, bugs, berries, and corn. It offers practical advice for attracting cardinals to one's yard, recommending sunflower seeds, cracked corn, or apples on a broad, sturdy surface, as these birds prefer to feed on the ground. A key characteristic emphasized is the cardinal's non-migratory nature, allowing them to be observed year-round. The video concludes by pointing out the cardinal's popularity as a state bird, being the official avian symbol for seven US states: Illinois, Indiana, Kentucky, North Carolina, Ohio, Virginia, and West Virginia. Throughout the presentation, various clear visual examples of male and female cardinals are shown in different natural habitats and seasonal settings, illustrating their appearance and behaviors.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_eOhG0L6_XVI.txt b/raw/test/visual_info/output_eOhG0L6_XVI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f52fa17816bde5bb79f6a5bed7c2d02e85e22b5e
--- /dev/null
+++ b/raw/test/visual_info/output_eOhG0L6_XVI.txt
@@ -0,0 +1,70 @@
+Here is a list of all important visual events that happen in the video narrative with timestamps, followed by on-screen text, information about the person, and a summary.
+
+**Visual Events with Timestamps:**
+
+*   00:00:00.000 - A man in a grey t-shirt stands behind a light-colored wooden box with a black, perforated top, presenting it to the camera in a workshop setting.
+*   00:00:17.388 - The man, wearing ear protection and safety glasses, pushes a black perforated board through a table saw, cutting it to size.
+*   00:00:23.238 - The man cuts a long strip of lighter-colored MDF on the table saw, using a push stick.
+*   00:00:30.342 - The man makes a cross-cut on a shorter piece of MDF on the table saw, using a cross-cut sled.
+*   00:00:39.056 - The man makes a second cross-cut on another short piece of MDF on the table saw.
+*   00:00:45.029 - The man, back at the workbench, measures and marks a line on a short MDF piece with a pencil, preparing for a dust port hole. A black dust port is on the table next to it.
+*   00:00:50.057 - The man traces the inner circle of the dust port onto the marked MDF piece with a pencil.
+*   00:00:54.088 - The man drills a pilot hole inside the traced circle using an orange and black cordless drill.
+*   00:01:00.088 - The man uses an orange and black jigsaw to cut out the circular opening for the dust port.
+*   00:01:09.115 - The man stands in front of the partially assembled box (base with perforated top, and four MDF side pieces) and explains the assembly process.
+*   00:01:28.169 - The man applies quick-setting glue to the edge of an MDF side piece and places it against the base and perforated top for assembly.
+*   00:01:31.759 - The man uses a brad nailer to secure the first side piece of the box.
+*   00:01:37.499 - The man applies glue to a second MDF side piece and positions it on the box.
+*   00:01:39.999 - The man uses the brad nailer to secure the second side piece.
+*   00:01:42.500 - The man applies glue to the third MDF side piece and positions it.
+*   00:01:46.500 - The man uses the brad nailer to secure the third side piece.
+*   00:01:49.882 - The man, back at the table saw, rips a long piece of plywood.
+*   00:01:58.307 - The man uses a miter saw to cut smaller wooden strips from the plywood.
+*   00:02:08.777 - The man places a wooden cleat inside the constructed MDF box, preparing to secure it.
+*   00:02:11.857 - The man uses two small clamps to hold the cleat in place and then uses the brad nailer to attach it.
+*   00:02:24.717 - The man applies glue to a new, straight poplar cleat and positions it inside the box.
+*   00:02:27.767 - The man uses the brad nailer to attach the poplar cleat to the inside of the box.
+*   00:02:33.243 - The man rips a wide piece of plywood on the table saw.
+*   00:02:38.254 - The man holds up a long, wide piece of plywood, explaining it will be the dust chute, and places it inside the box to demonstrate its angled position.
+*   00:02:48.332 - The man measures the length of the dust chute plywood piece with a tape measure.
+*   00:02:55.332 - The man cuts the plywood dust chute on the table saw.
+*   00:02:59.277 - The man places the cut plywood dust chute inside the box, showing its angled position towards the dust port.
+*   00:03:28.948 - The man applies wood glue to small poplar cleats and glues one to the dust chute plywood.
+*   00:03:31.328 - The man uses the brad nailer to attach the cleat to the dust chute.
+*   00:03:38.748 - The man uses a drill to create pilot holes for securing the dust port to the outside of the box.
+*   00:03:45.398 - The man uses a screwdriver to attach the dust port with pan head screws.
+*   00:03:48.248 - The man uses a caulking gun to seal all internal seams of the dust chute and box, except for the top opening.
+*   00:03:53.078 - The man stands in front of the completed down-draft sanding table, showcasing its finished state.
+*   00:03:57.948 - The man demonstrates removing the black perforated top from the wooden box.
+*   00:04:27.561 - The man rips a wide piece of plywood on the table saw to create pieces for the side barriers.
+*   00:04:32.478 - The man cross-cuts a piece of plywood on the table saw for the side barriers.
+*   00:04:36.068 - The man uses a 6-inch sanding disc as a template to trace a curve onto one of the plywood side pieces.
+*   00:04:40.408 - The man uses a jigsaw to cut out the curved shape from the plywood side piece.
+*   00:04:45.248 - The man creates a hinge by placing two plywood panels apart and applying black duct tape across the gap. He uses a pencil as a spacer.
+*   00:04:55.778 - The man folds the duct tape over the seam of the two plywood panels, forming a hinge.
+*   00:05:07.728 - The man cuts off the excess tape from the newly created fabric hinge.
+*   00:05:14.378 - The man demonstrates how the hinged plywood sides fold out and are placed onto the sanding table to create a dust barrier.
+*   00:05:33.728 - The man shows the completed down-draft sanding table with the side barriers deployed.
+   The man connects a large, flexible dust collection hose to the dust port on the side of the table.
+*   00:05:42.508 - The man activates the dust collector by flipping a red switch on a large machine.
+*   00:05:47.018 - The man places a round red sanding disc on the perforated top, which immediately gets pulled down by suction. He then demonstrates throwing the disc onto the surface to show it sticking.
+*   00:05:58.268 - The man places a wooden cutting board on the perforated surface and uses an orbital sander on it, demonstrating dust collection.
+*   00:06:10.518 - The man addresses the camera, expressing satisfaction with the project and encouraging viewers to like and subscribe, pointing to other videos.
+*   00:06:27.998 - The video ends with the man pointing at the camera.
+
+**Text on Screen:**
+
+*   00:00:00.000 - 00:00:02.500: FIX THIS BUILD THAT (in a framed logo)
+*   00:02:42.222 - 00:02:47.222: How about 1/4" plywood
+
+**People in the Video:**
+
+*   **Brad:** The main presenter and builder, identified as "Brad from FixThisBuildThat." He guides the audience through the construction of the down-draft sanding table and demonstrates its functionality. His actions and the workshop setting suggest he is a woodworking enthusiast or professional.
+
+**Summary of the Video Narrative:**
+
+The video features Brad from "FixThisBuildThat" demonstrating how to build a down-draft sanding table designed to efficiently collect sawdust. He begins by showcasing the finished product and explaining its purpose: to provide a clean sanding surface by pulling dust downwards into a dust collection system or shop vacuum, thus protecting the user's lungs.
+
+Brad then walks through the construction process step-by-step. He starts by cutting the pegboard for the table's top and MDF pieces for the main box structure. He shows how to cut out the opening for the dust port and assembles the box using quick-setting glue and a brad nailer. Next, he constructs and installs an angled plywood dust chute inside the box, ensuring it directs dust towards the port. He also adds support cleats and seals all internal seams with caulk for maximum airflow efficiency. Finally, Brad builds foldable side barriers from plywood, hinged with duct tape, which can be deployed to further contain dust during sanding.
+
+The video concludes with Brad demonstrating the table's effectiveness. He connects it to a large dust collector and shows how a sanding disc is held firmly by the suction, and then demonstrates sanding a wooden piece, clearly illustrating how dust is drawn down through the perforated surface, leaving the workspace clean. He encourages viewers to engage with his channel by liking and subscribing.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_ggiiZTwpGCA.txt b/raw/test/visual_info/output_ggiiZTwpGCA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8c716e35c4c5833358eb634717b76b09dfdd3fbe
--- /dev/null
+++ b/raw/test/visual_info/output_ggiiZTwpGCA.txt
@@ -0,0 +1,175 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+00:00:00.000 - The video opens with a wide shot of a modern, white-walled room with a wooden floor, showing several white doors along a hallway and a glass table with a remote control on the right.
+00:00:01.200 - A young Black woman with long, straight black hair and a serious expression peeks into the frame from the right, lowering her head towards the camera.
+00:00:03.240 - The woman lifts her head, looks around, and then turns her back to the camera, walking away down the hallway. She is wearing a black long-sleeved cropped cardigan and a light blue denim mini skirt, with white sneakers.
+00:00:06.120 - A close-up shot of the woman's feet walking down the wooden floor hallway.
+00:00:07.160 - The wide shot of the hallway returns, empty for a moment.
+00:00:09.920 - The woman re-enters the frame from the far end of the hallway, walking towards the camera.
+00:00:11.720 - She pauses near the camera, with her left hand on her hip, looking at the camera with a playful expression.
+00:00:13.080 - The woman quickly turns her head to the left, then back, moving her body and flipping her hair.
+00:00:14.360 - She moves her left hand from her hip to her side and then back, adjusting her skirt as she looks at the camera.
+00:00:15.520 - The woman leans back, with her right arm extended slightly backward, then brings it forward, making a small dance move.
+00:00:17.160 - She extends her left arm straight out to the side, then pulls it back while arching her back, looking at the camera.
+00:00:19.920 - A close-up of the woman's face as she dramatically flips her hair upward and then lets it fall.
+0000:21.080 - The woman quickly turns her head to the left, looking up.
+00:00:21.960 - The woman returns to the full body shot, bringing a black hairbrush into the frame and holding it up as if to brush her hair.
+00:00:23.000 - She reaches back with the hairbrush, preparing to brush her hair.
+00:00:23.960 - She brushes her hair from the back over her left shoulder.
+00:00:25.040 - She brings the hairbrush forward and holds it out to the side.
+00:00:26.040 - She flips her hair over her right shoulder and extends the brush forward.
+00:00:27.000 - She brings the brush up to her head, brushing over her head, then her hair swings forward.
+00:00:28.000 - Her hair swings back, and she brushes it from her face, looking at the camera.
+00:00:29.800 - She sweeps her hair back with her hand, turning her head.
+00:00:30.920 - A close-up of her face as she looks down and then back up, with on-screen text.
+00:00:32.080 - She's back in the full body shot, holding the hairbrush and looking serious.
+00:00:33.040 - She moves her hands down, then up to fix her top.
+00:00:34.000 - She is now holding a spatula and swings it from her side to over her head.
+00:00:35.000 - She swings the spatula down in front of her.
+00:00:36.000 - She swings the spatula over her head again.
+00:00:37.000 - She pulls the spatula behind her back, then looks over her shoulder at the camera.
+00:00:38.720 - A close-up shot of her backside, showing her holding the spatula.
+00:00:39.800 - Back to the full body shot, she swings the spatula from side to side.
+00:00:41.000 - She sweeps her arm across, then brings her left hand to her waist.
+00:00:42.200 - She brings a roll of tape into the frame and starts to peel off pieces.
+00:00:43.920 - She is peeling off a piece of tape, then puts it on her fingernail.
+00:00:46.040 - A close-up of her hands, showing her peeling off tape and applying it to her nails, making them look longer.
+00:00:48.800 - She continues to apply tape to her nails, now with a clearer view of the elongated nails made of tape.
+00:00:50.840 - She shows off her tape-extended nails, posing her hand towards the camera.
+00:00:52.000 - She flexes her hands to show the long tape nails, then gestures with her left hand.
+00:00:53.640 - She uses her right hand to brush her hair from her face, showing the long tape nails.
+00:00:54.680 - She talks to the camera, gesturing with her hands, showing her long tape nails.
+00:00:57.080 - She turns to her right, bringing her right arm up and back, with on-screen text appearing.
+00:00:59.040 - She extends her arm and talks, then looks down at her hands.
+00:01:00.680 - She looks down at her hands, which are holding a phone, with on-screen text.
+00:01:03.440 - She holds up her phone to the camera, showing a Kpop song on the screen.
+00:01:05.880 - She attempts to use her tape-covered nails to interact with the phone screen but struggles.
+00:01:09.120 - She looks up, expressing frustration, then attempts again to use her phone with the tape nails.
+00:01:13.200 - She steps back, ready to dance, and music starts playing.
+00:01:15.000 - She starts dancing energetically, moving her arms and body.
+00:01:17.000 - She swings her hair and leans to the side, incorporating the hairbrush into her dance moves.
+00:01:19.000 - She moves her body, swinging her hair from side to side, holding the hairbrush.
+00:01:21.000 - She spins around quickly, making her hair fly.
+00:01:22.000 - She turns back to the camera, still dancing, making various hand gestures and body movements.
+00:01:24.000 - She extends her arms out and pulls them back, moving her body side to side.
+00:01:26.000 - She dramatically extends both arms straight out to the sides, looking intensely at the camera.
+00:01:27.760 - She swings the hairbrush in her hand and moves it around her head.
+00:01:29.000 - She looks at her hands, still attempting to use her phone.
+00:01:30.840 - She drops her black bag from her left arm onto the floor.
+00:01:32.000 - She bends over with her hands clasped in front of her, then widens her eyes dramatically, looking at the camera.
+00:01:34.000 - She arches her back and extends her left arm to the side, then brings it back.
+00:01:36.000 - She leans forward to pick up her bag, then quickly turns to the side and flips her hair.
+00:01:38.200 - A close-up on her face, holding a green and black disposable camera, with on-screen text.
+00:01:39.720 - She raises the camera above her head, dancing energetically.
+00:01:41.000 - She raises both arms above her head, then brings them down.
+00:01:42.000 - She points the camera directly at the viewer, then moves it to the side.
+00:01:43.000 - She stops dancing momentarily, then resumes.
+00:01:45.000 - She moves her arms up and down, then extends them upwards.
+00:01:47.000 - She poses with her arms raised above her head, then brings them down.
+00:01:48.000 - She moves her hair and arms around her head.
+00:01:49.000 - She spreads her arms wide to the sides, then moves them to her hips.
+00:01:51.000 - A close-up of her waist and legs as she moves her hands over her denim skirt.
+00:01:53.000 - She moves her hands from her hips up to her head, then back down.
+00:01:55.000 - She lowers herself to the floor in a squatting position, arms still raised.
+00:01:57.000 - She lowers her arms to her sides, then quickly gets back up.
+00:01:59.000 - She bends forward with her hands on her knees, looking at the camera.
+00:02:00.000 - She straightens up and brings her hands to her side, still dancing.
+00:02:02.000 - She bends forward and then slowly straightens up, looking upwards.
+00:02:04.000 - She pauses in a pose, then moves her arms to her hips.
+00:02:06.000 - She raises her arms above her head, then brings them down.
+00:02:08.000 - She raises her arms above her head, then brings them down, repeatedly.
+00:02:09.960 - She points her right arm to the side, then brings her left leg up.
+00:02:12.000 - She flips her hair to the side, smiling.
+00:02:13.000 - She turns and walks away from the camera, then quickly turns back.
+00:02:15.000 - She moves her hands to her hair, adjusting it, then makes a confident gesture.
+00:02:17.000 - She turns her back to the camera, then spins back around quickly.
+00:02:19.000 - She points to the camera, then waves her hand from side to side.
+00:02:21.000 - She turns and walks away again.
+00:02:22.000 - She points to the camera, then makes a "call me" hand gesture.
+00:02:24.000 - She turns to the side and points her finger, then gestures with both hands.
+00:02:26.000 - She makes two "shaka" signs with her hands.
+00:02:28.000 - She breathes heavily, covering her face with her hands.
+00:02:30.000 - She wipes her neck with her hand, looking exhausted.
+00:02:31.000 - She removes the tape from her fingernails.
+00:02:32.000 - She peels off more tape from her nails.
+00:02:33.000 - She shows her now normal-length nails.
+00:02:36.000 - She takes a deep breath and starts explaining the reason for the video, gesturing with her hands.
+00:02:40.000 - She raises her hands to her head, then pulls on her hair, showing that it's a weave.
+00:02:42.000 - She pulls the weave hair to the side, then flips it back.
+00:02:46.000 - She looks to the side, then back at the camera, explaining her hair.
+00:02:48.000 - She touches her hair, then puts her hands on her hips, talking.
+00:02:50.000 - She talks and gestures, explaining how she got her weave.
+00:02:54.000 - She puts her hands on her hips, talking about AliExpress.
+00:02:56.000 - She makes a peace sign with her fingers.
+00:02:58.000 - She fixes her shirt and adjusts her hair.
+00:03:00.000 - She turns to her right, showing the back of her head, then turns back, flipping her hair.
+00:03:02.000 - She touches her hair and poses, talking about the hair length.
+00:03:06.000 - She looks over her shoulder, then touches her hair and turns to the side.
+00:03:08.000 - She looks intently at the camera, then gestures with her arms.
+00:03:10.000 - She looks straight at the camera, then makes a sweeping gesture with her arm.
+00:03:12.000 - She puts her hands on her hips, then explains how a weave is like a "boob job for your head."
+00:03:16.000 - She turns to her left, then back, showing her hair.
+00:03:18.000 - She puts her hands on her hips, then turns her body, talking about having more hair to work with.
+00:03:22.000 - She gestures with her hands as she walks, then turns back.
+00:03:24.000 - She extends her arm and turns her body to the side.
+00:03:26.000 - She touches her nose, then talks about people asking for directions.
+00:03:28.000 - She sweeps her arm to the side, then gestures emphatically.
+00:03:30.000 - She dramatically sweeps her hair to the side, then looks at the camera.
+00:03:32.000 - She gestures with her hands, then dramatically bows forward, sweeping her hair.
+00:03:34.000 - She lifts her body and arms, then touches her hair.
+00:03:36.000 - She adjusts her hair and looks confident.
+00:03:38.000 - She puts her hands on her hips, then touches her hair again, talking about confidence.
+00:03:40.000 - She gestures with her hands and touches her hair, talking.
+00:03:42.000 - She adjusts her sleeve, then makes hand gestures.
+00:03:44.000 - She puts her hands on her hips, turns to the side, showing the back of her hair.
+00:03:46.000 - She turns back, puts her hands on her hips, looking confident.
+00:03:48.000 - She crosses her arms, then points to herself.
+00:03:50.000 - She gestures with her hand, then points to her hair, talking about its realism.
+00:03:52.000 - She touches her hair and moves it around, then looks at the camera.
+00:03:54.000 - She pulls her hair up, then lets it fall, showing the kinky straight texture.
+00:03:56.000 - A close-up of her face as she touches her hair, looking at the camera.
+00:03:58.000 - She touches and pulls her hair downwards, then looks at the camera.
+00:04:00.000 - She plays with her hair, adjusting it, then puts her hands on her hips.
+00:04:02.000 - She lifts her hair with both hands, then lets it fall, looking up.
+00:04:04.000 - She walks away from the camera.
+00:04:06.000 - She gestures with her hands, then turns and poses.
+00:04:08.000 - She turns and walks back towards the camera, sweeping her arm out.
+00:04:10.000 - She bows her head, then looks up and talks.
+00:04:12.000 - She sweeps her hair back, then poses confidently.
+00:04:14.000 - She puts her hands on her hips, then talks directly to the camera.
+00:04:16.000 - She claps her hands together, then puts her hands on her hips, talking about uploading.
+00:04:20.000 - She touches her side and talks, then adjusts her hair.
+00:04:22.000 - She puts her hands on her hips, then makes a confident facial expression.
+00:04:24.000 - She touches her hair again, moving it around.
+00:04:26.000 - She smiles and looks into the distance, then touches her hips.
+00:04:28.000 - She laughs, looks into the distance, then smiles.
+00:04:30.000 - She smiles broadly and laughs.
+00:04:32.000 - She makes a dramatic gesture with her hair and body, looking over her shoulder.
+00:04:34.000 - She poses with her hand on her hip, looking at the camera.
+00:04:36.000 - She puts her hands on her hips, looking confident.
+00:04:38.000 - She waves goodbye, and the screen fades to black.
+00:04:40.000 - The background turns black, with green text appearing on screen, accompanied by music.
+
+**Text on Screen:**
+*   00:00:30.960 - I don't know how to act
+*   00:01:01.880 - *searching for kpop*
+*   00:01:38.300 - not polaroid
+*   00:04:40.850 - I'M GOIN OUT TO MAKE A VLOG NOW
+
+**People in the Video:**
+*   **A young Black woman:** She is the sole person featured in the video.
+    *   **What we know about her:**
+        *   She seems to be creating content for a vlog or social media, as indicated by her direct address to the camera and the final on-screen text.
+        *   She is wearing a black long-sleeved cropped cardigan and a light blue denim mini skirt.
+        *   She initially appears unsure how to behave or what to do for the camera, experimenting with poses and props like a hairbrush and a spatula.
+        *   She attempts to simulate long nails using tape, then struggles to use her phone with them.
+        *   She performs a dance routine to a K-pop song ("BIRTHDAY" by SOMI).
+        *   She reveals that she got a "weave" (hair extensions), specifically "kinky straight 18-inch and 16-inch" bundles from AliExpress.
+        *   She jokes that getting a weave is like getting a "boob job for your head" and boosts her confidence, making her want to be on camera more regularly.
+        *   She was waiting to get her hair done before uploading videos.
+
+**Summary of the Video Narrative:**
+The video, presented as a short vlog or creative content piece, features a young Black woman in a bright, modern apartment. She begins by playfully experimenting with poses and props like a hairbrush and a spatula, initially appearing unsure how to "act" for the camera. She then attempts a humorous DIY project by attaching tape to her fingernails to create artificial long nails, which comically hinder her ability to use her phone.
+
+The video transitions into a lively dance sequence set to the K-pop song "BIRTHDAY" by SOMI, where she incorporates some of her props into the choreography. After the energetic dance, she removes the tape from her nails, expressing exhaustion but also a newfound confidence. She reveals that the long, straight hair she's been showcasing is a weave she purchased from AliExpress, her "second weave" ever. She jokingly compares getting a weave to getting a "boob job for your head," emphasizing how it boosts her confidence and makes her eager to create more content. The video concludes with her stating her intention to go out and make a new vlog now that her hair is done, highlighting the personal confidence boost she received from her new look.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_gtva9VviuLA.txt b/raw/test/visual_info/output_gtva9VviuLA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e4f075cbe7b8de5e0f72529d8c06bf7dae1c280d
--- /dev/null
+++ b/raw/test/visual_info/output_gtva9VviuLA.txt
@@ -0,0 +1,43 @@
+Here are the visual events, text on screen, people in the video, and a summary of the video narrative:
+
+**Important Visual Events:**
+*   00:00:00.000 - A man in a green t-shirt stands facing the camera, holding a glass jar with a metal lid and some leaves inside, possibly containing ladybugs.
+*   00:00:06.000 - A close-up shows a hand holding a red pen drawing lines on a white paper, with a ladybug positioned next to the pen's tip, seemingly following it.
+*   00:00:13.500 - The man in the green t-shirt is back on screen, talking to the camera and gesturing with his hands.
+*   00:00:41.833 - A close-up shows hands unscrewing a metal mesh lid from the glass jar, revealing green leaves inside.
+*   00:00:46.000 - A hand gently places a ladybug from the jar onto a white sheet of paper on a wooden table.
+*   00:00:47.333 - A hand holds a red marker and draws a short, curved red line on the paper near the ladybug, which then moves slightly.
+*   00:00:50.066 - The hand draws a longer vertical red line. The ladybug then crawls to the right, away from the line.
+*   00:00:53.033 - The paper is slightly adjusted. The hand draws another short, curved red line. The ladybug moves but doesn't follow the line.
+*   00:00:55.066 - The hand draws a horizontal red line directly in front of the ladybug, which stops and turns back, avoiding the line.
+*   00:01:00.033 - The hand draws a new curved red line some distance from the ladybug, which does not react.
+*   00:01:03.566 - The hand draws another horizontal red line. This time, the ladybug walks directly over the line without stopping.
+*   00:01:08.566 - The hand draws a long, curved red line, creating a large, open C-shape. The ladybug stays inside the C-shape and crawls around.
+*   00:01:21.000 - The man in the green t-shirt returns to the screen, talking about the next part of the experiment.
+*   00:01:24.000 - A close-up shows a hand holding a red pen and drawing on paper. The ladybug is positioned right at the tip of the pen, moving as the pen draws a curved line.
+*   00:01:36.566 - The hand continues drawing with the red pen, creating more lines and shapes. The ladybug consistently follows the pen's tip along the fresh ink lines.
+*   00:01:59.833 - The paper is now filled with numerous red lines, and the ladybug is still tracking the pen's movement.
+*   00:02:02.000 - The hand lifts the pen, and the ladybug stops moving.
+*   00:02:03.666 - A hand places a wooden toothpick on the paper near the ladybug and moves it around. The ladybug does not follow the toothpick.
+*   00:02:18.966 - A finger is used to gently nudge the paper near the ladybug, but the ladybug does not follow the finger.
+*   00:02:20.933 - The red pen is brought back, and as it starts drawing, the ladybug immediately begins following the pen's tip again.
+*   00:02:35.000 - The man in the green t-shirt is back on screen, explaining the findings of the experiment.
+*   00:03:40.000 - A screenshot of a YouTube video is shown, featuring an ant farm with blue gel and ants.
+*   00:03:44.000 - The man in the green t-shirt is back on screen, holding the empty glass jar, and concluding the video.
+*   00:04:01.000 - The video transitions to a black screen with an audio outro and various social media icons.
+
+**Text on Screen:**
+*   00:03:40.000 - "How I Made an Ant Think It Was Dead--The Zombie Ant Experiment" (video title in YouTube player)
+*   00:03:40.000 - "The Action Lab" (YouTube channel name)
+*   00:03:40.000 - "Graveyard with Dead Ants" (text overlay on the YouTube video thumbnail)
+*   00:04:01.000 - Social media icons (Twitter, Instagram, Facebook, Patreon), "SUBSCRIBE" button.
+
+**People in the Video:**
+*   **The Man in the Green T-shirt:** He is the host and experimenter of the video, appearing to be the creator of "The Action Lab" YouTube channel. He introduces the hypothesis, demonstrates the experiments, and provides scientific explanations for the observed phenomena.
+
+**Summary of the Video Narrative:**
+In this video, the host from "The Action Lab" investigates the viral claim that ladybugs can be trained to follow a pen. He begins by explaining his initial skepticism, suggesting that the ladybug might be seeking the shadow of the hand or simply avoiding obstacles. He first conducts an experiment using a red marker to draw lines around a ladybug, which the ladybug largely avoids.
+
+He then proceeds to test the "following the pen" claim. To his surprise, when he uses a red pen to draw lines, the ladybug actively follows the tip of the pen as it writes. He notes the ladybug's clear interest in the pen. To further investigate, he tests if the ladybug is simply attracted to the pen's physical presence by using a wooden toothpick and his finger. In these trials, the ladybug shows no interest in following the non-writing objects.
+
+The host concludes that the ladybug's attraction is specifically to the pen's ink. He explains that this phenomenon is likely due to the ink containing chemicals that resemble pheromones, which ladybugs release for communication, such as leaving trails or mating. He highlights that ladybugs are highly sensitive to these chemical signals, capable of detecting them from a quarter-mile away. The video ends by reinforcing the idea that insects communicate through chemicals, illustrating this with a brief mention of a past experiment where he made an ant appear dead by applying oleic acid. He concludes that it is plausible for insects to follow lines if those lines contain specific chemical compounds that resemble their pheromones.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_hXJlktzIC3A.txt b/raw/test/visual_info/output_hXJlktzIC3A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cc79f812e8ebd7669c0eb8081f4ce9b53e48766f
--- /dev/null
+++ b/raw/test/visual_info/output_hXJlktzIC3A.txt
@@ -0,0 +1,106 @@
+Here's the breakdown of the video as requested:
+
+**Important Visual Events:**
+
+00:00:00.000 - The video opens with a black screen.
+00:00:00.672 - A young man with curly brown hair and glasses, wearing a gray "PURDUE" t-shirt, sits in a chair, holding a video game controller with an intense and focused expression. The background shows a bedroom with an unmade bed, a nightstand with a lamp, and a white door.
+00:00:05.105 - The scene transitions to a close-up of a Samsung TV screen displaying gameplay from Fortnite, showing a Spider-Man character in action with various HUD elements. An Xbox console is visible to the left of the TV.
+00:00:09.138 - The camera cuts back to the young man, still deeply engrossed in the game, clutching his controller.
+00:00:12.788 - The Fortnite game screen is shown again, with the Spider-Man character collecting an item.
+00:00:17.070 - The young man is again seen, maintaining his focused and determined expression while playing.
+00:00:18.003 - A first-person view from the Fortnite game shows the player aiming with a red-dot scope and shooting an opponent.
+00:00:20.370 - The game screen displays the results: "YOU PLACED #17" and "ELIMINATED BY BRUNOMAURY."
+00:00:23.070 - The camera returns to the young man, who visibly deflates with disappointment, sighs, and lowers the controller.
+00:00:29.803 - The young man stands up from his chair.
+00:00:30.903 - A close-up shows the young man's hand picking up a smartphone from a dark desk, illuminated by light stripes from window blinds.
+00:00:31.903 - The young man holds the smartphone in one hand, looking at it, with the blurred background of his room.
+00:00:32.870 - The young man is back in his chair, now looking at his smartphone. The left side of the frame displays the phone screen showing the YouTube app with the "Moment" channel.
+00:00:37.003 - An overhead shot captures the young man holding the phone horizontally, watching a video of a woman in a hat speaking.
+00:00:41.970 - Text overlays the woman in the video on the phone screen.
+00:00:42.537 - A close-up of the young man's face shows him intently watching the video on his phone.
+00:00:44.270 - The overhead shot of the young man watching the phone video returns, with new text on the video.
+00:00:46.337 - The young man looks up from his phone, seemingly inspired or reacting with realization.
+00:00:47.703 - The young man stands up from his chair.
+00:00:49.503 - The camera shows an indoor view of a light green hallway, facing a white arched front door with a small vertical window. The young man walks towards it.
+00:00:51.637 - The young man peers through the door's window, then reaches to unlock the door.
+000:00:54.003 - An exterior shot of a house with a pink-ish facade and a white arched front door is shown. A small cardboard package rests on the doormat.
+00:00:54.837 - The young man opens the front door and steps out onto the porch.
+00:00:57.970 - The young man bends down to pick up the small cardboard package from the doormat.
+00:01:03.070 - From inside the house, the young man is seen holding the package, closing the front door, and walking back into the dimly lit interior.
+00:01:06.870 - A top-down shot shows the young man's hands placing the small cardboard package on a dark surface, with distinct striped shadows from blinds.
+00:01:09.170 - The young man's hands introduce a small utility knife, preparing to open the package.
+00:01:10.537 - The knife cuts through the tape on the package.
+00:01:12.003 - The young man removes the tape, revealing the word "CAMBE" printed on the package.
+00:01:13.503 - The young man lifts the lid of the cardboard box.
+00:01:14.670 - A black coffee bag with a white label is revealed inside the box.
+00:01:16.837 - The young man picks up the coffee bag, and the label with "EARLY CALL TIME" is clearly visible.
+00:01:21.070 - The young man places the coffee bag on the table and systematically arranges coffee-making tools: an electric kettle, a coffee grinder, a box of Chemex filters, and a Chemex coffee maker.
+00:01:27.237 - The young man picks up the electric kettle and plugs its cord into a white power strip.
+00:01:30.937 - The young man presses a button on the electric kettle, and its digital display lights up with "158".
+00:01:31.903 - The young man pours water from a clear bottle into the electric kettle.
+00:01:35.337 - A close-up shows the young man's smartwatch, displaying "WED 1 2:19".
+00:01:37.370 - The young man places the lid onto the electric kettle.
+00:01:38.270 - The young man adjusts the temperature setting on the kettle, and the digital display changes to "212".
+00:01:42.003 - The young man uses the utility knife to cut open the coffee bag.
+00:01:43.370 - The young man opens the coffee bag, revealing whole coffee beans inside.
+00:01:45.003 - The young man pours the coffee beans from the bag into the coffee grinder.
+00:01:48.337 - The coffee grinder is shown grinding the beans, rotating rapidly.
+00:01:50.137 - The young man pours hot water from the kettle into the Chemex coffee maker to pre-wet the filter.
+00:01:50.837 - The young man folds a Chemex filter and carefully places it into the Chemex coffee maker.
+00:01:52.470 - The young man pours the freshly ground coffee from the grinder into the filter in the Chemex.
+00:01:56.270 - The young man pours hot water from the kettle onto the coffee grounds in the Chemex, beginning the brewing process.
+00:01:59.970 - A close-up shows brewed coffee dripping steadily into the glass bottom of the Chemex, creating small bubbles.
+00:02:00.670 - Another close-up shows the coffee grounds "blooming" as hot water is poured over them, with many small bubbles forming.
+00:02:02.037 - The coffee continues to drip into the Chemex.
+00:02:04.037 - The young man removes the used coffee filter from the Chemex.
+00:02:05.103 - The young man picks up a plain white mug with "MOMENT" printed on it.
+00:02:07.037 - The young man pours the freshly brewed coffee from the Chemex into the "MOMENT" mug.
+00:02:11.870 - The young man picks up the filled mug of coffee.
+00:02:12.770 - The young man is back in his chair, holding the "MOMENT" mug. He sips the coffee.
+00:02:16.803 - Animated radial lines appear to emanate from the coffee mug.
+00:02:17.637 - A vibrant " #1 VICTORY ROYALE" graphic (from the Fortnite game) overlays the young man's face, and he pumps his fist in satisfaction, implying triumph.
+00:02:26.570 - The screen fades to black.
+00:02:27.203 - A white "MOMENT" mug is in focus on a dark table, with a blurred background showing light stripes from blinds and a person working on a laptop. Gold text "THANKS FOR WATCHING!" appears.
+00:02:30.937 - Gold text "SONG: CATCH ME BY RUSSO" appears below the previous text.
+00:02:34.903 - Gold text "SUBSCRIBE!" appears.
+00:02:37.337 - A hand reaches in and slightly shifts the "MOMENT" mug.
+00:02:38.203 - Gold text "A MATT BYRN FILM" appears.
+00:02:42.237 - The hand moves the mug back to its original position.
+00:02:44.203 - The video ends.
+
+**Text on Screen:**
+
+*   00:00:05.105 - "URGENT QUEST", "ELIMINATE OPPONENTS", "FAUSTY, SPLITS", "TACTICAL PISTOL" (Fortnite game HUD)
+*   00:00:07.038 - "AR EXPERT", "500 Assault Rifle Damage in a match", "+250 XP"
+*   00:00:08.538 - "ELIMINATED SpyderDude523"
+*   00:00:20.370 - "YOU PLACED #17"
+*   00:00:21.370 - "ELIMINATED BY BRUNOMAURY 0"
+*   00:00:21.803 - "WITH ASSAULT RIFLE (EPIC)"
+*   00:00:22.370 - "REPORT PLAYER"
+*   00:00:22.703 - "CONTINUE (HOLD A)"
+*   00:00:33.070 - "Moment" (YouTube channel name), "@moment", "542K subscribers", "574 videos", "The place for everything tech and creative...inspiration, reviews, tutorials."
+*   00:00:34.070 - "Our Other Channels", "Sunny Sixteen", "65 videos", "13.9K subscribers", "graincheck", "21 videos", "27.8K subscribers", "Cine Dailies", "127 videos", "12.7K subscribers" (YouTube app)
+*   00:00:34.070 - "Cinematic Mode vs Cinema Camera...", "Hollywood Footage for ~$1K", "We have some big news.", "Using your iPhone as an external camera monitor...", "iPhone 14 Pro Cinematic Footage 4K", "Insta360 X3 vs GoPro Hero 11 Black", "Cinematic Cuts", "A Magical Journey: Exploring the..." (YouTube video titles/descriptions)
+*   00:00:38.003 - "we have some exciting news" (on phone video)
+*   00:00:40.403 - "we have COFFEE!!!" (on phone video)
+*   00:00:44.770 - "WE HAVE OFFICIALLY CREATED EARLY CALL TIME" (on phone video)
+*   00:00:45.370 - "WHICH IS OUR OWN COFFEE BRAND." (on phone video)
+*   00:01:06.870 - "CAMBE" (on package)
+*   00:01:14.670 - "UNTIL CALL 7:00 AM", "EARLY CALL 5:45 AM", "FIRST TIME 6:00 AM", "2023", "Espresso Blend", "12oz | 340g", "MOMENT" (on coffee bag)
+*   00:01:24.470 - "CHEMEX" (on filter box)
+*   00:01:35.337 - "WED 1", "2:19" (on smartwatch)
+*   00:02:05.103 - "MOMENT" (on mug)
+*   00:02:17.637 - "#1 VICTORY ROYALE" (game graphic overlay)
+*   00:02:27.203 - "MOMENT" (on mug), "THANKS FOR WATCHING!" (gold text)
+*   00:02:30.937 - "SONG: CATCH ME BY RUSSO" (gold text)
+*   00:02:34.903 - "SUBSCRIBE!" (gold text)
+*   00:02:38.203 - "A MATT BYRN FILM" (gold text)
+
+**People in the Video:**
+
+*   **Young Man:** The central character of the video. He has curly brown hair and wears glasses. He is shown playing video games, getting frustrated by a loss, becoming inspired by a video about coffee, receiving a package, and then meticulously preparing and drinking the coffee. His attire includes a gray "PURDUE" t-shirt, black sweatpants with white stripes, and a black smartwatch. He expresses various emotions including intense focus, disappointment, inspiration, and finally, satisfaction.
+*   **Woman in Phone Video:** Appears briefly on the young man's phone screen in a video from the "Moment" channel. She is wearing a hat and is shown announcing exciting news about a new coffee brand. No further specific personal details are provided about her.
+
+**Summary of the Video Narrative:**
+
+The video begins with a young man engrossed in playing Fortnite, displaying intense focus. His gaming session culminates in a defeat, leaving him visibly frustrated and disappointed. Seeking a distraction or perhaps inspiration, he puts down his controller and turns to his smartphone. He opens the YouTube app and finds a video from the "Moment" channel announcing their new coffee brand, "Early Call Time." Intrigued by the news, he gets up to check his front door, where he finds a package containing the new coffee. The narrative then shifts to a detailed and cinematic sequence of the young man preparing his coffee using a meticulous pour-over method, involving grinding beans, heating water in a kettle, and carefully brewing. After the coffee is ready, he pours it into a "MOMENT" branded mug. Upon taking the first sip, a "VICTORY ROYALE" graphic from the video game appears over his face, humorously indicating that the coffee has provided him with a sense of triumph and renewed energy, contrasting with his earlier gaming failure. The video concludes with a "THANKS FOR WATCHING!" message and production credits.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_i1qQOGCyRbY.txt b/raw/test/visual_info/output_i1qQOGCyRbY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..25af3617524f4d04e1c8dd11be87855cd4ba10f0
--- /dev/null
+++ b/raw/test/visual_info/output_i1qQOGCyRbY.txt
@@ -0,0 +1,34 @@
+Here is a detailed list of visual events, on-screen text, people, and a summary of the video narrative:
+
+**Important Visual Events with Timestamps:**
+00:00:00.000 - The video opens with a black screen.
+00:00:00.672 - A wide shot shows a man standing in a lush, green, overgrown area, appearing to open an orange bag. Behind him, a large elephant stands among the trees and bushes.
+00:00:05.109 - The man walks towards a black upright piano and bench set up in the clearing. The elephant is now clearly visible standing calmly beside the piano, and the man reaches out to gently pat its rear.
+00:00:08.775 - A closer shot reveals the man standing beside the piano, gently caressing the side of the elephant's head and trunk. The elephant stands placidly next to him.
+00:00:13.414 - The man sits down on the piano bench, adjusting himself to face the piano, with sheet music visible on the stand. The elephant remains standing to his right, observing him.
+00:00:16.216 - The man begins to play the piano, with his back to the camera. The elephant stands attentively, its trunk gently resting on the ground near some foliage, appearing to listen to the music.
+00:00:34.218 - The elephant's trunk moves slowly, picking at some leaves on the ground near the piano while the man continues to play.
+00:00:54.605 - A close-up shot focuses on the man's hands gracefully playing the piano keys, revealing the brand "FEURICH" on the piano's nameboard and sheet music on the stand.
+00:01:07.747 - The view returns to the wider shot of the man playing the piano and the elephant standing still, seemingly mesmerized by the music. The elephant shifts its weight slightly.
+00:01:38.212 - Another close-up of the man's hands playing the piano.
+00:01:46.061 - An extreme close-up shot of the elephant's eye is shown, with the elephant slowly blinking, and the textured skin around its eye is visible.
+00:01:54.896 - A close-up shows the elephant's wrinkled trunk gently touching the ground and some green leaves, alongside its large, sturdy foot.
+00:01:58.746 - The wider shot of the man playing and the elephant listening returns. The elephant's trunk is still exploring the ground foliage.
+00:02:22.518 - A different close-up of the elephant's eye, showing its deep-set gaze and the movement of its eyelid as it blinks.
+00:02:32.969 - The wider shot of the man playing the piano and the elephant by his side is shown again. The elephant remains calm and attentive.
+00:02:46.853 - The close-up of the elephant's trunk and foot reappears, showing the trunk gently moving among the leaves.
+00:02:50.040 - The man stands up from the piano and walks closer to the elephant, gently pressing his head against the elephant's forehead and trunk, in a moment of tender interaction. The elephant stands still.
+00:03:00.009 - The man softly pats the elephant's trunk and head a few times, then steps back from the elephant, leaving it standing peacefully under a large tree.
+00:03:03.491 - The screen fades to black, and title text appears.
+
+**Text on Screen:**
+*   00:03:03.991 - "Piano for Elephants"
+*   00:03:03.991 - Vlog #11 "Clair de Lune for Ampan"
+*   00:03:03.991 - Elephants World - Thailand
+*   00:03:03.991 - 22nd July 2018
+
+**People in the Video:**
+There is one person in the video, a man, who is a pianist. We know he is playing for elephants as part of a vlog series titled "Piano for Elephants." The video title specifies that he is playing "Clair de Lune for Ampan," implying he is playing for a specific elephant named Ampan. He demonstrates a gentle and caring interaction with the elephant, suggesting a close bond.
+
+**Summary of the Video Narrative:**
+The video documents a unique and heartwarming interaction between a man and an elephant in a natural, lush environment at Elephants World in Thailand. The man, a pianist, sets up a black upright piano outdoors. After an initial gentle interaction, he sits down and plays a classical piece, "Clair de Lune." The elephant, named Ampan, stands attentively beside the piano throughout the performance, appearing calm and engaged. The video uses close-ups of the pianist's hands and the elephant's expressive eyes and trunk, highlighting the profound connection being fostered through the music. Following the performance, the man shares a tender moment with Ampan, leaning his head against the elephant's trunk and softly caressing it. The video concludes with a title card, contextualizing the event as part of a "Piano for Elephants" vlog, recorded on July 22, 2018, emphasizing the bond and the unusual setting for such a musical performance.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_iPUPmzG0-Fo.txt b/raw/test/visual_info/output_iPUPmzG0-Fo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..45a79a05a61fc053836d4fc4734367384d230ce7
--- /dev/null
+++ b/raw/test/visual_info/output_iPUPmzG0-Fo.txt
@@ -0,0 +1,90 @@
+Here is the detailed list of visual events with timestamps, text on screen, information about people, and a summary of the video narrative:
+
+---
+
+**Visual Events with Timestamps:**
+
+*   00:00:00.000 - A solid white screen fills the frame.
+*   00:00:00.864 - A wide shot of a solitary person walking from left to right across a vast, flat, white salt desert under a bright blue sky with distant mountains on the horizon.
+*   00:00:05.148 - The same person, now seen from behind holding a motorcycle helmet, continues walking across the expansive salt flat under a clear blue sky, moving into the distance.
+*   00:00:10.081 - A large, white, pyramid-like monument with a figure on top stands centrally in the salt flat. The person from earlier walks towards it and stands beside it.
+*   00:00:11.881 - The words "DAKAR BOLIVIA" are painted in colorful, bold letters on the front of the monument.
+*   00:00:15.848 - A massive, five-fingered concrete hand sculpture rises from a wide, barren desert landscape under a clear blue sky, with rolling hills in the background.
+*   00:00:20.248 - A person in motorcycle gear, holding a white helmet, walks towards the camera on a vast, flat, rocky desert terrain under a cloudy sky. The hand sculpture from the previous scene is faintly visible as a dissolve overlay.
+*   00:00:27.015 - A person walks away from the camera along a narrow, elevated dirt path with steep drops on either side, overlooking a vast, reddish-brown desert valley under a bright blue sky.
+*   00:00:32.148 - A person in a red shirt walks down a set of stairs on a narrow path carved into tall, eroded, light-colored rock formations, resembling spires and pillars, with wooden railings. An older scene is briefly overlaid.
+*   00:00:36.781 - A wide shot showcases the intricate landscape of the "Moon Valley," filled with numerous tall, eroded rock pillars and formations, with a wooden walkway winding through them under a cloudy sky.
+*   00:00:41.248 - A person walks with their jacket flapping in strong wind, on a grassy hillside with towering snow-capped mountain peaks in the background under a clear blue sky.
+*   00:00:48.081 - A person with long hair, wearing a gray motorcycle jacket and a crossbody bag, walks away from the camera through a dense field of tall purple lupine flowers towards a distant lake and snow-capped mountains under a cloudy sky.
+*   00:00:56.914 - A first-person view from a motorcycle shows a person in a red shirt and white helmet riding on a bumpy, reddish-brown dirt road, surrounded by dense green jungle on both sides.
+*   00:01:00.914 - A first-person view from a motorcycle shows a person in a white helmet riding on a smooth, paved winding road next to a lake, with snow-capped mountains in the distance under a blue sky with white clouds.
+*   00:01:04.081 - A first-person view from a motorcycle shows a person riding on a long, straight gravel road through a flat, arid, desert landscape under a wide blue sky with scattered clouds.
+*   00:01:06.948 - A first-person view from a motorcycle shows a person riding through a busy city street with tall modern and older buildings, and pedestrians on the sidewalks.
+*   00:01:10.281 - A first-person view from a motorcycle shows a person riding behind a large truck loaded with wrapped wooden panels on a busy multi-lane road in a built-up area under a cloudy sky.
+*   00:01:12.448 - A first-person view from a motorcycle shows a person riding on an empty, paved highway through a dry, hilly terrain with red soil and distant mountains under a blue sky.
+*   00:01:14.781 - A view from behind two people wearing helmets and riding a heavily loaded motorcycle up a steep, narrow, rocky dirt road winding through lush green, misty mountains. The person in the back holds a selfie stick.
+*   00:01:21.081 - A view from behind two people on a motorcycle, riding on a wide dirt road through a sunny, rocky desert landscape, kicking up dust. The person in the back holds a selfie stick.
+*   00:01:27.015 - A view from behind two people on a motorcycle, riding on a paved highway through a vast, barren, mountainous high-desert landscape under a partly cloudy sky. The person in the back holds a selfie stick.
+*   00:01:32.081 - A view from behind two people on a motorcycle, riding across a vast, flat, reflective salt flat partially covered in shallow water, under a clear blue sky. The person in the back holds a selfie stick.
+*   00:01:39.981 - A view from behind two people on a motorcycle, riding on a paved road lined with tall trees on a bright, sunny day. The person in the back holds a selfie stick.
+*   00:01:44.814 - A view from behind two people on a motorcycle, riding on a muddy, reddish-brown dirt road through a dense, tropical forest. The person in the back holds a selfie stick.
+*   00:01:49.781 - A view from behind two people on a motorcycle, riding on a wet, paved road in heavy rain and fog, with dense trees on the sides.
+*   00:01:54.048 - A motorcycle with a single rider approaches the camera on a paved road, with majestic, snow-capped mountains dominating the background under a cloudy sky.
+*   00:01:57.481 - A motorcycle with a single rider (seen from behind) rides along a paved road winding through a wide, dry, hilly landscape dotted with numerous llamas and alpacas grazing. Distant mountains are visible under a cloudy sky.
+*   00:02:04.948 - A brown and black monkey with a white face rests on a large, horizontal tree branch, surrounded by lush green foliage.
+*   00:02:07.981 - A woman sits on a wooden bench looking at a small penguin that stands in front of her on gravel, with a large blue body of water and a distant shore under a clear sky behind them.
+*   00:02:11.781 - A group of five indigenous people, mostly women in colorful traditional clothing and hats, stand and interact on a floating island made of reeds. One woman waves. Other reed structures and distant land are visible under a dramatic cloudy sky.
+*   00:02:16.848 - A geothermal hot spring or geyser forcefully sprays hot water into the air from a pool of reddish-orange water, surrounded by rocky, dry cliffs under a bright blue sky.
+*   00:02:19.048 - A wide panoramic shot of the stunning Perito Moreno Glacier, a massive wall of blue and white ice, extending into a lake. Several tourists are visible on a wooden observation platform in the foreground, with snow-capped mountains surrounding the area under a partly cloudy sky.
+*   00:02:26.348 - A breathtaking panoramic view of the iconic Torres del Paine mountain peaks with snow, rising above a bright turquoise lake and green hills under a vibrant blue sky with scattered white clouds.
+*   00:02:29.348 - A wide shot of the magnificent Iguazu Falls, with multiple cascades of water plunging into a large river surrounded by dense green jungle. A small tourist boat is visible in the river below. The sky is blue with white clouds.
+*   00:02:33.015 - A close-up view of the Devil's Throat section of Iguazu Falls, showing an enormous volume of white water cascading down, with a distinct rainbow forming in the mist below.
+*   00:02:37.848 - A man and a woman, both in motorcycle riding gear, walk hand-in-hand directly towards the camera on a wide, dusty dirt road in a vast, open desert landscape under a dramatic sky filled with large, cloudy formations. They wave as they approach.
+*   00:02:41.515 - The two people move out of frame, leaving the wide, dusty road stretching into the distance under the impressive cloudy sky.
+*   00:02:41.981 - White text "MOTORBIKE TRIP" appears centered on the screen.
+*   00:02:42.548 - White text "SOUTH AMERICA" appears centered below the previous text.
+*   00:02:43.148 - White text "WINTER 2019 TO 2020" appears centered below the previous text.
+*   00:02:48.348 - The screen fades to black.
+
+---
+
+**Text on Screen:**
+
+*   00:00:11.881 - DAKAR BOLIVIA
+*   00:02:41.981 - MOTORBIKE TRIP
+*   00:02:42.548 - SOUTH AMERICA
+*   00:02:43.148 - WINTER 2019 TO 2020
+
+---
+
+**People in the Video:**
+
+The video features several individuals, though none are explicitly named. The primary subjects appear to be a couple traveling together, supplemented by glimpses of other people.
+
+*   **A Woman (presumably one of the main travelers):**
+    *   She is frequently shown as a solo traveler, walking across diverse landscapes (salt flats, desert plains, rocky hillsides, flower fields).
+    *   She often wears practical outdoor/motorcycle gear, including a backpack and helmet (which she sometimes carries).
+    *   She is seen interacting with a penguin.
+    *   She rides as a passenger on the motorcycle in several scenes, holding a selfie stick, suggesting she is recording part of the journey.
+    *   She is seen walking hand-in-hand with a man at the end of the video, confirming they are traveling companions.
+
+*   **A Man (presumably the other main traveler and driver):**
+    *   He is seen walking down stairs in a unique rock formation.
+    *   He is consistently the driver of the motorcycle in the first-person views and the rear-view shots where two people are on the bike. He wears a helmet and motorcycle gear.
+    *   He is seen walking hand-in-hand with the woman at the end of the video.
+
+*   **Indigenous People:**
+    *   A group of five individuals, mostly women, are shown on a floating reed island. They are dressed in colorful traditional clothing, including long skirts and hats, and appear to be local inhabitants engaging with the travelers. One woman waves.
+
+*   **Other Tourists/Locals:**
+    *   Brief glimpses of people are seen in a city street and on observation decks near the Perito Moreno Glacier, indicating other visitors or residents.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video is a captivating travelogue documenting an extensive motorbike trip across various breathtaking landscapes of South America, specifically from Winter 2019 to 2020. The narrative primarily follows a couple as they embark on this adventurous journey, capturing their experiences through a mix of first-person motorcycle views, scenic wide shots, and self-recorded moments.
+
+Their expedition takes them through dramatically diverse environments, showcasing the natural wonders of the continent. Key highlights include the vast, reflective salt flats of Bolivia, featuring the "Dakar Bolivia" monument; the unique Hand of the Desert sculpture in the Atacama Desert; the otherworldly eroded rock formations of Valle de la Luna; and the majestic, snow-capped peaks and glaciers of Patagonia, such as Torres del Paine and the impressive Perito Moreno Glacier. The couple traverses a variety of terrains, from dusty desert tracks and muddy jungle paths to winding paved highways and even a flooded salt flat.
+
+Beyond the stunning scenery, the travelers encounter diverse wildlife, including llamas in the high desert and a monkey in lush green forests, and experience cultural immersion by visiting an indigenous community on a floating reed island. The video portrays their journey as an epic adventure filled with discovery, challenge, and immense natural beauty, culminating in a joyful scene of the couple together, underscoring the shared experience of their grand South American motorbike trip.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_iXLK6OoyM0E.txt b/raw/test/visual_info/output_iXLK6OoyM0E.txt
new file mode 100644
index 0000000000000000000000000000000000000000..63e760f3dd53558e32cf378058172656586c917b
--- /dev/null
+++ b/raw/test/visual_info/output_iXLK6OoyM0E.txt
@@ -0,0 +1,62 @@
+Here is a detailed breakdown of the video content:
+
+**Important Visual Events:**
+*   00:00:00.000 - The video opens with a static shot of a wooden countertop, with a blurred background showing various kitchen or café equipment.
+*   00:00:03.000 - A person's hands enter the frame from the right, placing a white carton on the wooden countertop.
+*   00:00:04.000 - The hands begin to carefully open the top of the carton using scissors, cutting along the sealed edge.
+*   00:00:09.000 - The person fully opens the carton by cutting the top flap.
+*   00:00:13.000 - A top-down shot shows a stainless steel cream dispenser. Hands enter to unscrew the cap from the top of the dispenser.
+*   00:00:23.000 - The cap of the cream dispenser is completely removed, revealing the open top of the dispenser.
+*   00:00:27.000 - The carton of soy cream is brought into view and begins to pour white liquid into the open cream dispenser.
+*   00:00:39.000 - The carton is removed, showing the soy cream now inside the dispenser.
+*   00:00:41.000 - A top-down shot shows the cream dispenser next to a glass jar labeled "BEET SUGAR". Hands unscrew the lid of the jar.
+*   00:00:47.000 - A small measuring spoon is used to scoop white granulated beet sugar from the jar and transfer it into the cream dispenser. This is repeated three times.
+*   00:01:02.000 - The spoon is removed, and the lid is screwed back onto the beet sugar jar.
+*   00:01:06.000 - Close-up shot of the cream dispenser. Hands screw the top dispensing mechanism onto the dispenser.
+*   00:01:15.000 - The cream dispenser, now fully assembled, sits on the counter.
+*   00:01:16.000 - A close-up shows a white tray holding multiple small silver gas cartridges labeled "Ultra-Pure BRUNO". A hand picks up one cartridge.
+*   00:01:20.000 - The person holds the cream dispenser and inserts the gas cartridge into a smaller attachment on the dispenser. They then screw the attachment into the dispenser, causing the gas to audibly charge the cream.
+*   00:01:36.000 - The person removes the empty gas cartridge and then shakes the cream dispenser vigorously to mix the contents.
+*   00:01:47.000 - The shaking stops, and the dispenser is placed upright on the counter. The attachment for the gas cartridge is then unscrewed and removed.
+*   00:01:56.000 - A top-down shot reveals the empty blades at the bottom of a blender pitcher.
+*   00:02:00.000 - A carton of oat milk is tilted to pour white liquid into the blender pitcher.
+*   00:02:08.000 - Maple syrup is poured from a container into the blender, creating a thin stream of amber liquid.
+*   00:02:15.000 - Small green mint leaves are added into the blender pitcher with the liquid.
+*   00:02:25.000 - A glass beaker is placed on a digital scale. Hands tear open a purple bag of chocolate chips.
+*   00:02:30.000 - The person zeros the scale and begins pouring dark chocolate chips from the bag into the glass beaker on the scale.
+*   00:02:44.000 - The chocolate chips reach the desired weight. The beaker is lifted off the scale.
+*   00:02:47.000 - A top-down view shows the chocolate chips being poured into the blender with the other ingredients.
+*   00:02:50.000 - Ice cubes are added from a container into the blender.
+*   00:02:58.000 - The blender lid is placed on top of the pitcher.
+*   00:03:00.000 - The blender pitcher is placed onto the base of the blender.
+*   00:03:07.000 - The blender is activated, and the contents are rapidly blended into a green, frothy mixture with visible chocolate specks.
+*   00:03:16.000 - The blender stops, and the smooth, light green mixture is visible inside the pitcher.
+*   00:03:17.000 - The blender lid is removed.
+*   00:03:32.000 - An empty clear glass is placed on the wooden countertop.
+*   00:03:34.000 - The blended green mixture from the blender is poured into the glass, filling it about three-quarters of the way.
+*   00:03:52.000 - The glass containing the green blended drink sits on the counter.
+*   00:03:55.000 - The person brings the cream dispenser into view and dispenses white whipped cream on top of the green drink.
+*   00:04:06.000 - The person uses a small sifter to sprinkle cacao powder over the whipped cream.
+*   00:04:14.000 - Small chocolate chips are sprinkled by hand onto the cacao powder and whipped cream, creating a garnish.
+*   00:04:27.000 - A metal straw is inserted into the finished drink.
+*   00:04:31.000 - A close-up shot of the finished drink, showing the layers of green drink, whipped cream, cacao powder, and chocolate chips.
+*   00:04:36.000 - Text "Thanks for watching! :)" appears on screen next to the drink.
+
+**Text on Screen:**
+*   00:00:01.000 - PEACEFUL CUISINE
+*   00:00:29.000 - 300g soy cream 豆乳クリーム 300g
+*   00:00:49.000 - 30g beet sugar てんさい糖 30g
+*   00:01:21.000 - N2O cream charger N2O クリームチャージャー
+*   00:02:02.000 - 100g oat milk オーツミルク 100g
+*   00:02:09.000 - 30g maple syrup メープルシロップ 30g
+*   00:02:17.000 - 3g mint leaves ミントの葉 3g
+*   00:02:35.000 - 30g chocolate chips チョコレートチップ 30g
+*   00:02:50.000 - 150g ice アイス 150g
+*   00:04:08.000 - cacao powder & chocolate chips カカオパウダーとチョコレートチップ
+*   00:04:36.000 - Thanks for watching! :)
+
+**People in the Video:**
+There is one person visible in the video, shown only by their hands and forearms. We know they are preparing a drink, seemingly in a kitchen or cafe setting, demonstrating a recipe. Their attire includes a dark-colored jacket or long-sleeved shirt over a light-colored undershirt.
+
+**Summary of the Video Narrative:**
+The video, titled "PEACEFUL CUISINE," demonstrates the step-by-step preparation of a mint chocolate chip beverage. The process begins with making whipped soy cream using a cream dispenser, involving pouring soy cream and beet sugar into the dispenser, charging it with N2O, and shaking it. Concurrently, the base of the drink is prepared in a blender by combining oat milk, maple syrup, fresh mint leaves, chocolate chips, and ice. After blending, the green, minty, chocolate-chipped mixture is poured into a glass. Finally, the prepared whipped soy cream is dispensed on top, followed by a sprinkle of cacao powder and additional chocolate chips for garnish. A metal straw is then placed into the finished drink, concluding the recipe demonstration. The video ends with a "Thanks for watching! :)" message.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_lUSgxUIDKu8.txt b/raw/test/visual_info/output_lUSgxUIDKu8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b9a636bd04f788490940cdbe433c5b6c84f20036
--- /dev/null
+++ b/raw/test/visual_info/output_lUSgxUIDKu8.txt
@@ -0,0 +1,81 @@
+Here's the breakdown of the video as requested:
+
+**Important Visual Events with Timestamps:**
+
+00:00:00.000 - A man with dark curly hair holds a young girl in light blue overalls and a striped long-sleeve shirt. The girl is laughing and bouncing slightly, as the man smiles at the camera in a room with light green walls.
+00:00:02.822 - The scene changes to the same man (appearing younger with shorter hair) holding a baby wrapped in a white onesie, standing in a room with light yellow walls and a large round clock on the wall.
+00:00:05.155 - The scene returns to the man and the young girl in the green-walled room, with the man holding the girl who continues to bounce.
+00:00:07.822 - The man holds the girl, gestures with his hands as he speaks, explaining how the girl was "this big" in the original video.
+00:00:10.722 - The scene changes back to the man holding the baby in the yellow-walled room, demonstrating the "Standard Shoulder Hold."
+00:00:12.189 - The scene returns to the man holding the young girl in the green-walled room, with the girl smiling and holding her hands in front of her.
+00:00:16.489 - The man attempts to lift the young girl onto his shoulder, but she wiggles and laughs, making it difficult.
+00:00:17.022 - The scene changes to the man holding the baby from behind, then turning it to face the camera, in the yellow-walled room.
+00:00:18.155 - The scene returns to the man struggling to hold the young girl in the green-walled room.
+00:00:19.455 - The scene changes back to the man holding the baby in the "Standard Shoulder Hold" in the yellow-walled room.
+00:00:20.922 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Standard Shoulder Hold" with her back to the camera.
+00:00:22.089 - The man loosens his grip, and the girl bends over laughing.
+00:00:23.089 - The scene changes to the man holding the baby in a "Baby Jesus" (cradle) hold in the yellow-walled room.
+00:00:24.089 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Baby Jesus" hold, with the girl lying in his arms and laughing.
+00:00:27.755 - The scene changes to the man holding the baby up and away from him, as if checking a diaper, in the yellow-walled room.
+00:00:29.089 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Stinky Nappy for Me" hold, with her held up facing away from him, laughing.
+00:00:31.622 - The scene changes to the man holding the baby up towards the camera, in the yellow-walled room.
+00:00:33.022 - The scene returns to the man holding the young girl in the green-walled room, who is held facing the camera and laughing loudly.
+00:00:35.589 - The girl slips down slightly in the man's arms, and they both laugh.
+00:00:36.989 - The scene changes to the man holding the baby tucked under his arm, like a "Box of Beers," in the yellow-walled room.
+00:00:38.089 - The scene returns to the man attempting to hold the young girl under his arm in the green-walled room, as she giggles and he adjusts.
+00:00:40.455 - The man is holding the girl by her side, who is smiling at the camera.
+00:00:41.222 - The scene changes to the man holding the baby in a dance-like pose in the yellow-walled room.
+00:00:42.922 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Dance Partner" hold, with both smiling at the camera.
+00:00:45.322 - The man holds the girl, who is laughing and looking at him.
+00:00:47.589 - The scene changes to the man holding the baby out to one side, like a "Bird on a Wire," in the yellow-walled room.
+00:00:49.255 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Bird on a Wire" hold, with the girl holding onto his arm and looking at the camera.
+00:00:51.555 - The scene changes to the man holding the baby in front of him, like a "Poor Man's Front Pack," in the yellow-walled room.
+00:00:54.022 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Poor Man's Front Pack" hold, with her on his hip with her arms around his neck, facing away from the camera.
+00:00:57.922 - The man and girl are shown from the front in the "Poor Man's Front Pack" position, with the girl's back to the camera.
+00:00:59.822 - The scene changes to the man holding the baby directly in front of his torso, covering his stomach, in the yellow-walled room.
+00:01:02.122 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Hide Ya Beer Belly" hold. She is sitting on his knees as he bends down slightly, laughing.
+00:01:09.922 - The scene changes to the man holding the baby under his arm in a "Rugby Ball Hold" in the yellow-walled room.
+00:01:11.155 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Rugby Ball Hold," with the girl bent over in his arms, laughing.
+00:01:16.222 - The scene changes to the man holding the baby in "The Other Rugby Ball Hold" in the yellow-walled room.
+00:01:17.655 - The scene returns to the man holding the young girl in the green-walled room, mimicking "The Other Rugby Ball Hold," with her cradled horizontally in his arms.
+00:01:19.955 - The scene changes to the man holding the baby outstretched like Superman in the yellow-walled room.
+00:01:23.755 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Superman" hold, with the girl outstretched and smiling, pretending to fly.
+00:01:26.789 - The scene changes to the man holding the baby outstretched, wiggling it like a fish, in the yellow-walled room.
+00:01:29.289 - The scene returns to the man holding the young girl in the green-walled room, mimicking the "Fish" hold, with her held outstretched and laughing.
+00:01:36.555 - The man puts the girl down, and she laughs while looking at him.
+00:01:37.455 - The scene changes to the man holding the baby and looking at the camera in the yellow-walled room.
+00:01:43.022 - The scene returns to the man holding the young girl. He is speaking to the camera, and she is smiling and giving a thumbs-up.
+00:01:50.822 - The man dramatically lets go of the girl and collapses to the floor, pretending to be exhausted.
+00:01:52.489 - The man slowly gets up, rubbing his back and looking comically tired, as the girl stands nearby watching him.
+00:01:55.755 - The man is bent over, still laughing and appearing exhausted.
+00:01:59.222 - The man holds the girl again, who is laughing and wiggling in his arms.
+00:02:02.055 - The man and girl smile at the camera, with the girl bouncing slightly.
+
+**Text on Screen:**
+
+*   00:00:03.189 - HOW TO HOLD A BABY
+*   00:00:11.089 - STANDARD SHOULDER HOLD
+*   00:00:17.422 - BABY
+*   00:00:19.789 - STANDARD SHOULDER HOLD
+*   00:00:23.422 - BABY JESUS
+*   00:00:28.089 - STINKY NAPPY FOR ME
+*   00:00:31.989 - STINKY NAPPY FOR YOU
+*   00:00:37.289 - BOX OF BEERS
+*   00:00:41.522 - THE DANCE PARTNER
+*   00:00:48.055 - BIRD ON A WIRE
+*   00:00:52.889 - POOR MANS FRONT PACK
+*   00:01:00.389 - HIDE YA BEER BELLY
+*   00:01:10.222 - THE RUGBY BALL HOLD
+*   00:01:16.489 - THE OTHER RUGBY BALL HOLD
+*   00:01:20.655 - THE SHOW OFF TO THE OTHER DADS SUPERMAN
+*   00:01:27.289 - THE SHOW OFF TO OTHER KIDS FISH
+
+**People in the Video:**
+
+*   **The Man:** He is the main presenter and a father. He has dark, curly hair and a beard. In the older footage, his hair is shorter, and he appears younger. He created the original "How to Hold a Baby" viral video eight years prior and is now recreating it with his much older daughter. He is expressive and comedic, demonstrating the "holds" with a mix of earnestness and playful exhaustion.
+*   **The Young Girl:** She is the man's daughter, now approximately eight years older than in the original video. She has long, wavy brown hair with a purple hair clip and wears light blue overalls over a striped long-sleeve shirt. She is a cheerful and energetic participant, laughing frequently and engaging playfully with her father's attempts to hold her like a baby.
+*   **The Baby:** This is the man's daughter when she was a baby (featured in the original viral video clips). The baby is very young, wearing a white sleeper, and is held gently by the man as he demonstrates various baby holds.
+
+**Summary of the Video Narrative:**
+
+The video humorously revisits a viral video made eight years ago by a father demonstrating "How to Hold a Baby," featuring his then-infant daughter. In this new video, the father attempts to recreate the exact same "baby holds" but with his daughter, who is now a young girl. The video skillfully intercuts footage from the original video (showing the baby) with new footage of the father struggling and comically exaggerating his effort to hold his much larger and heavier daughter in positions like the "Standard Shoulder Hold," "Baby Jesus," and "Superman." The contrasting sizes and the daughter's playful reactions to her father's comedic exhaustion provide the core humor. The video ends with the father collapsing dramatically from the physical strain, emphasizing the difference eight years of growth makes when trying to "hold a baby."
\ No newline at end of file
diff --git a/raw/test/visual_info/output_laeeAgX0RCI.txt b/raw/test/visual_info/output_laeeAgX0RCI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b3a21e468649547fe9da9ffa7964f2b980e38ac9
--- /dev/null
+++ b/raw/test/visual_info/output_laeeAgX0RCI.txt
@@ -0,0 +1,60 @@
+Here is a list of all important visual events, text on screen, and people mentioned in the video, followed by a summary of the narrative:
+
+**Visual Events with Timestamps:**
+
+00:00:00.000 - The video begins with a black screen.
+00:00:00.609 - A logo appears on a black background, featuring the text "The Blind Spot" in red and grey, accompanied by a white skull with sunglasses and two crossed white canes (often associated with visual impairment).
+00:00:03.959 - The "Blind Spot" logo fades, and fragmented black and red shapes animate onto the screen, coalescing to reveal large yellow text that reads "BLIND CHALLENGE" against a dark, textured background.
+00:00:08.579 - A bald man with a long, light brown beard, wearing a grey t-shirt, appears in a selfie-style shot. He is outdoors in front of a building with glass doors that reflect a parking lot and other buildings. A blue brushstroke graphic with the name "SAM" is overlaid at the bottom of the screen.
+00:00:12.989 - A sign for "Painting with a Twist®" is displayed on a yellow wall, showing a paint palette logo and the location "LEXINGTON, KY". Partially visible below is "THE RULES" and "1. RELAX! Your painting will".
+00:00:16.899 - Sam is shown again in the selfie shot, talking to the camera.
+00:00:38.299 - A bright lens flare effect briefly crosses the screen.
+00:00:38.999 - An interior shot of the "Painting with a Twist" studio shows a long table with stools on the left and a yellow wall filled with various completed paintings, including crosses, trees, and seasonal designs. A woman is seated at the table.
+00:00:41.000 - A wider shot of the studio reveals a vibrant space with red and yellow walls. Multiple long tables are set up with easels, stools, and painting supplies. Many people, mostly women, are seated and actively painting on canvases. A large "Painting with a Twist" sign is visible on the red wall.
+00:00:44.020 - A woman with her hair in a high ponytail and wearing an apron stands and paints on an easel, working on a wooden cabin scene with a window, wreath, and snow. A finished example of this painting is on an easel beside her. Shelves of paint bottles are in the background.
+00:00:51.520 - A close-up shot over Sam's shoulder shows him and other participants painting. Sam's hand holds a brush, dipping into a black cup labeled "Painting with a Twist". His canvas features a landscape with a mountain and trees. Other women are focused on their own canvases.
+00:00:59.030 - A closer view of Sam's hand painting a dark tree on his canvas, which depicts a blue sky, mountains, and trees. A paint palette with various colors is visible next to the black cup.
+00:01:10.510 - Extreme close-up of Sam's hand mixing a light brown/tan color on his palette.
+00:01:15.580 - Sam's hand mixes red and brown paint on the palette.
+00:01:25.750 - The woman from 00:00:44.020 is seen painting the cabin scene again, and the camera pans left to show more participants also working on the same design.
+00:01:42.170 - The camera pans across the lively studio, showing various people painting. Some are focused on the cabin design, while others, like one woman with long blonde hair, are painting a red fox.
+00:01:53.680 - Sam is back in a selfie shot, smiling, with another woman smiling next to him. Other painters are visible in the background.
+00:01:56.880 - A clear close-up of Sam's finished landscape painting, featuring a prominent mountain, several pine trees, and a cloudy blue sky.
+00:02:01.350 - Sam is in a different indoor setting, sitting in a dark chair. Behind him is a large canvas print of a rope bridge in a misty forest. He is wearing a black t-shirt.
+00:02:07.820 - Sam holds up his finished landscape painting to the camera and gestures as he talks about it.
+00:03:05.470 - Sam holds up his landscape painting again, rotating it slightly to point out details while speaking.
+00:03:26.410 - Sam puts down his landscape painting and picks up another painting, a completed cabin scene, and holds it up to the camera.
+00:03:44.400 - Sam points to different elements of the cabin painting, such as the window, wreath, and snow.
+00:03:54.000 - Sam places the cabin painting down and resumes talking directly to the camera.
+00:04:42.500 - Sam holds up the cabin painting one last time.
+00:04:52.480 - Sam uses hand gestures while talking.
+00:05:08.060 - Sam holds up the cabin painting briefly and gestures towards it.
+00:05:16.890 - Sam puts the cabin painting down.
+00:05:18.990 - Sam talks to the camera, concluding the video.
+00:06:05.000 - The video ends with a black screen.
+
+**Text on Screen:**
+
+*   00:00:00.609 - The Blind Spot
+*   00:00:03.959 - BLIND CHALLENGE
+*   00:00:08.579 - SAM
+*   00:00:12.989 - Painting with a Twist®
+*   00:00:13.919 - LEXINGTON, KY
+*   00:00:14.399 - THE RULES
+*   00:00:14.939 - 1. RELAX! Your painting will
+*   00:00:51.520 - Painting with a Twist. (on cup)
+*   00:00:59.030 - Painting with a Twist. (on cup)
+
+**People in the Video:**
+
+*   **Sam:** The host of "The Blind Spot" channel. He is a bald man with a long, light brown beard. He participated in the "Blind Challenge" by painting a landscape during the event. He states that he is more accustomed to painting landscapes with oil paints and this was his first time using acrylics, which he found difficult due to the faster drying time and his inability to see fine details.
+*   **Rachel:** Sam's wife. She is seen painting a winter cabin scene with a wreath and snow. Sam highly praises her finished painting, noting her excellent detail work and stating that her painting is "much better than mine."
+*   **Other Participants:** Numerous other individuals, predominantly women, are shown painting at the "Painting with a Twist" studio. They are attending the event as part of a local PTA fundraiser. An instructor (a woman with blonde hair in a ponytail) is seen demonstrating the painting process.
+
+**Summary of the Video Narrative:**
+
+The video documents Sam, the host of "The Blind Spot" YouTube channel, participating in a "Blind Challenge" at "Painting with a Twist," a local painting studio in Lexington, KY. The event is a fundraiser for a local PTA. Sam, who is visually impaired, undertakes the challenge of painting a landscape scene using acrylic paints, a medium he is unfamiliar with, preferring oil paints for their longer working time and blendability.
+
+Throughout the video, Sam and other participants, including his wife Rachel, are shown diligently working on their canvases. Sam highlights the difficulty of painting with acrylics, especially for someone with visual impairment, as it requires quick, decisive strokes and doesn't allow for much blending or correction. He reveals his finished landscape painting, acknowledging its imperfections, particularly the fuzzy lines on the mountain and trees, which he attributes to his difficulty seeing details and trying to overwork the painting.
+
+In contrast, Sam proudly showcases Rachel's painting of a winter cabin scene, praising her exceptional detail and neatness. He humorously points out that her painting is superior to his own, admitting he wished he had attempted the more detailed cabin painting to step out of his comfort zone, which was the original purpose of the "Blind Challenge." Sam concludes by encouraging viewers to try out such painting experiences for fun with family and friends, thanking the organizers, his wife, and his viewers for their support.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_oZc5RQBOrf0.txt b/raw/test/visual_info/output_oZc5RQBOrf0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7cf81a60a7a4b4f59062e0485da27effc5070e60
--- /dev/null
+++ b/raw/test/visual_info/output_oZc5RQBOrf0.txt
@@ -0,0 +1,94 @@
+Here are the details about the video:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - A young woman, the video host, is sitting on a white bed in a bedroom, facing the camera. She has long, dark hair and is wearing a blue and white patterned top. A cork board with photos is on the wall behind her, and a bedside table with a lamp and flowers is to her right. A "RUBI" logo is visible in the bottom right corner.
+*   00:00:46.999 - A still image of Kourtney Kardashian in a white t-shirt, light blue jeans, black boots, and a black crossbody bag appears on the left side of the screen, overlaid on the video of the host.
+*   00:01:20.916 - The screen cuts to black with the "RUBI" logo.
+*   00:01:21.800 - The host, now dressed in a white t-shirt, light blue jeans, black ankle boots, and a tan furry crossbody bag, stands posing against a textured grey wall with white and black paint streaks. The text "one" appears in the top right.
+*   00:01:24.400 - A close-up shot focuses on her light blue jeans and the tan furry bag, with her right hand resting in her pocket, revealing a gold watch and a green bracelet. On-screen text: "[ jeans ] topshop".
+*   00:01:29.800 - She is sitting on the curb of a street next to the grey wall, looking directly at the camera with her arms crossed.
+*   00:01:31.066 - She walks away from the camera, her back visible, alongside a building with large windows reflecting the street. Her long dark hair sways.
+*   00:01:32.433 - She is again sitting on the curb, looking at the camera.
+*   00:01:33.400 - A close-up shot of her hand resting in her jeans pocket, showcasing the tan furry bag. On-screen text: "[ bag ] flames of dreamers".
+*   00:01:36.700 - A close-up shot focuses on her black ankle boots with fringed light blue jeans. On-screen text: "[ boots ] na-kd".
+*   00:01:38.933 - A full body shot shows her standing against the grey wall, striking a pose.
+*   00:01:40.800 - She is sitting on the ground, leaning back, looking up towards the camera.
+*   00:01:42.500 - She stands, adjusting her hair, then smiles at the camera.
+*   00:01:45.333 - A full body shot shows her posing against the wall. On-screen text: "[ Tee ] kmart".
+*   00:01:52.033 - A close-up focuses on her hands on her jeans, showing rings and a gold watch.
+*   00:01:53.666 - An extreme close-up of her right hand and wrist, highlighting the watch and rings.
+*   00:01:56.266 - She poses while sitting on the curb, smiling at the camera.
+*   00:01:59.933 - She walks away from the camera, her back visible, next to the wall.
+*   00:02:03.200 - The screen cuts to black with the "RUBI" logo.
+*   00:02:04.166 - The host is back in her bedroom, sitting on the bed and talking to the camera.
+*   00:02:05.800 - A still image of Kourtney Kardashian in a black ripped sweater, grey tank top, navy striped pants, black boots, and sunglasses, holding a Starbucks drink, appears on the left side of the screen.
+*   00:02:34.033 - The screen cuts to black with the "RUBI" logo.
+*   00:02:35.033 - The host, now in a black ripped cropped sweater, grey tank top, navy and white striped pants with distressed knees, black boots, black shoulder bag, and black oval sunglasses, stands on a sunny street holding a green Starbucks drink. The text "two" appears in the top left.
+*   00:02:37.433 - She walks confidently towards the camera on the pavement, smiling.
+*   00:02:40.933 - She sits down on steps outside a building, holding the Starbucks drink, striking a pose for the camera.
+*   00:02:42.333 - She walks away from the camera, her back visible, showcasing the striped pants.
+*   00:02:43.766 - A low-angle close-up shows her legs and feet as she walks, highlighting the striped pants and black boots. On-screen text: "[ pants ] zara".
+*   00:02:46.333 - She stops and poses, looking at the camera, holding the Starbucks drink.
+*   00:02:48.866 - A close-up of her mid-section shows the distressed black sweater and striped pants. On-screen text: "[ jumper ] glassons".
+*   00:02:51.300 - She walks towards the camera on the street, smiling.
+*   00:02:56.033 - A close-up shot focuses on her black Dr. Martens boots. On-screen text: "[ boots ] dr. martens".
+*   00:03:00.066 - A close-up shot of her torso, with one hand on her hip, holding the Starbucks drink.
+*   00:03:02.366 - She is sitting on the steps, looking at the camera and smiling.
+*   00:03:07.166 - A top-down close-up shows her hands resting on her legs, holding the Starbucks drink, with a focus on her sunglasses. On-screen text: "[ sunglasses ] forever 21".
+*   00:03:10.533 - An extreme close-up of her face, with sunglasses on, as she sticks out her tongue playfully.
+*   00:03:11.966 - She makes a peace sign with her hand and smiles at the camera.
+*   00:03:16.800 - The screen cuts to black with the "RUBI" logo.
+*   00:03:18.066 - The host is back in her bedroom, sitting on the bed and talking to the camera.
+*   00:03:20.066 - A still image of Kourtney Kardashian in a purple striped cropped button-up shirt, black bra, grey skinny jeans, and black pointed-toe heeled boots appears on the left side of the screen.
+*   00:04:01.333 - The screen cuts to black with the "RUBI" logo.
+*   00:04:02.400 - The host, now in a light purple checkered cropped shirt, dark grey skinny jeans, and black pointed-toe heeled boots, is in an underground parking garage, initially seen from behind. The text "three" appears in the top right.
+*   00:04:04.033 - She spins around and poses confidently, looking at the camera.
+*   00:04:06.000 - A close-up of her torso shows the cropped shirt and her exposed midriff, as she runs her hand through her hair.
+*   00:04:08.500 - A close-up shot focuses on her grey skinny jeans. On-screen text: "[ jeans ] topshop".
+*   00:04:11.733 - A full body shot shows her standing and posing in the parking garage.
+*   00:04:18.100 - A close-up of her mid-section, with her hand on her hip.
+*   00:04:19.466 - A close-up shot focuses on her shiny black pointed-toe heeled boots. On-screen text: "[ boots ] public desire".
+*   00:04:24.066 - She walks forward in the parking garage, following a large white arrow painted on the concrete floor.
+*   00:04:27.766 - A close-up of her torso shows the cropped shirt. On-screen text: "[ shirt ] calvin klein (thrifted)".
+*   00:04:30.866 - She walks towards the camera in the parking garage.
+*   00:04:33.400 - An extreme close-up of her face as she smiles at the camera.
+*   00:04:35.800 - She walks towards the camera on a rooftop parking lot, smiling.
+*   00:04:38.266 - A close-up of her feet in the heeled boots as she subtly shifts her weight.
+*   00:04:41.333 - A close-up of her mid-section shows the cropped shirt.
+*   00:04:46.666 - She looks at the camera and smiles, then adjusts her collar.
+*   00:04:48.333 - She blows a kiss towards the camera.
+*   00:04:50.000 - The screen cuts to black with the "RUBI" logo.
+*   00:04:50.966 - The host is back in her bedroom, sitting on the bed and talking to the camera.
+*   00:05:08.933 - The video transitions to a pink watercolor end screen with a circular "RUBI" logo at the top. On the left is "LAST VIDEO", and on the right is "WATCH MORE!". A central square features a video thumbnail of the host in a yellow crop top and jeans. Below the thumbnail are social media icons (Twitter, Instagram, Pinterest) and the handle "@poseandrepeat".
+
+**Text on Screen:**
+
+*   00:00:00.000 - RUBI (bottom right corner, present during intro and outro segments)
+*   00:01:21.800 - one (top right)
+*   00:01:24.400 - [ jeans ] topshop (left side)
+*   00:01:33.400 - [ bag ] flames of dreamers (left side)
+*   00:01:36.700 - [ boots ] na-kd (left side)
+*   00:01:45.333 - [ Tee ] kmart (left side)
+*   00:02:35.033 - two (top left)
+*   00:02:43.766 - [ pants ] zara (left side)
+*   00:02:48.866 - [ jumper ] glassons (left side)
+*   00:02:56.033 - [ boots ] dr. martens (left side)
+*   00:03:07.166 - [ sunglasses ] forever 21 (left side)
+*   00:04:02.400 - three (top right)
+*   00:04:08.500 - [ jeans ] topshop (left side)
+*   00:04:19.466 - [ boots ] public desire (left side)
+*   00:04:27.766 - [ shirt ] calvin klein (thrifted) (left side)
+*   00:05:08.933 - RUBI (top center in circle logo)
+*   00:05:08.933 - LAST VIDEO (left)
+*   00:05:08.933 - WATCH MORE! (right)
+*   00:05:08.933 - @poseandrepeat (bottom center)
+
+**People in the Video:**
+
+*   **Rubi:** The host of the video, a young woman with long, dark hair. She introduces the video's concept and showcases her recreated outfits. She also mentions her Instagram handle is "@poseandrepeat".
+*   **Kourtney Kardashian:** A famous personality whose outfits Rubi chose to recreate. She is only shown in three still photographs that serve as inspiration for the fashion looks.
+
+**Summary of the Video Narrative:**
+
+The video is a fashion-focused content piece where the host, Rubi, recreates three outfits worn by Kourtney Kardashian. Rubi begins in her bedroom, explaining her choice of Kourtney Kardashian due to her "laid-back, cool, and casual" style, which she feels is relatable and suitable for everyday wear. She then transitions to showcasing each of the three recreated looks through a series of outdoor modeling shots. For each outfit, Rubi presents the original image of Kourtney, followed by herself modeling her version of the ensemble. She provides details on the individual clothing items, accessories, and their brands or origins (e.g., Topshop, Kmart, Zara, Dr. Martens, Forever 21, Public Desire, and thrifted Calvin Klein). After presenting all three recreations, Rubi concludes the video back in her bedroom, expressing her hope that viewers enjoyed the video and her chosen outfits. She encourages viewers to engage by liking the video, commenting on their favorite look, and subscribing to her channel for more content. The video concludes with a promotional end screen for her social media.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_p0O-UzFStdw.txt b/raw/test/visual_info/output_p0O-UzFStdw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..25e56235056f6d5254fe3f10b772e97a1c33b75c
--- /dev/null
+++ b/raw/test/visual_info/output_p0O-UzFStdw.txt
@@ -0,0 +1,69 @@
+Here is the breakdown of the video as requested:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - The video opens with a view from an airplane window onto an airport tarmac. A white tractor-like vehicle is visible, attached to three large, rectangular white cargo containers (ULDs) on wheeled dollies. Another cargo container is partially visible to the left, likely already near the aircraft's loading position.
+*   00:00:01.076 - The white tractor, pulling the three containers, begins to move forward (away from the aircraft, towards the right of the frame).
+*   00:00:07.876 - A ground crew worker, wearing an orange reflective vest and a dark face mask, walks into the frame from the lower left, moving towards the right.
+*   00:00:08.876 - The worker stops and looks towards the moving tractor and containers.
+*   00:00:10.043 - The worker takes a few more steps forward, then gestures with their right arm raised, seemingly acknowledging or directing the tractor as it passes them.
+*   00:00:13.433 - The tractor completes its initial forward movement, positioning the containers further away from the aircraft's loading area.
+*   00:00:14.933 - The tractor begins to reverse, pulling the string of three containers back towards the aircraft's cargo hold, where a large cargo loader vehicle is already positioned underneath the wing.
+*   00:00:15.533 - A second ground crew worker, also in an orange reflective vest and mask, walks into the frame from the right, approaching the rear of the containers.
+*   00:00:16.833 - The first worker walks away towards the left of the frame.
+*   00:00:18.000 - The tractor continues to reverse the containers towards the cargo loader.
+*   00:00:19.466 - The second worker positions themselves between the tractor and the first container in line, preparing to unhook it.
+*   00:00:20.933 - A third ground crew worker walks into view from the right, approaching the second container.
+*   00:00:22.033 - The second worker fully detaches the first container from the tractor's hitch.
+*   00:00:23.200 - The tractor pulls forward briefly, separating from the now detached first container, which remains stationary on its dolly.
+*   00:00:24.033 - The second and third workers begin pushing the first detached container from its dolly onto the cargo loader's platform.
+*   00:00:25.700 - The tractor reverses slightly again, positioning the remaining two containers closer to the cargo loader.
+*   00:00:27.066 - The first worker returns to the frame, walking towards the left side of the cargo loader.
+*   00:00:28.000 - The second and third workers continue pushing the first container further onto the loader platform.
+*   00:00:30.000 - The first container is fully on the cargo loader's platform.
+*   00:00:31.066 - The tractor begins to pull forward to facilitate the detachment of the second container.
+*   00:00:32.066 - The second worker detaches the second container from the tractor.
+*   00:00:33.033 - The second and third workers begin pushing the second container from its dolly onto the cargo loader's platform, positioning it behind the first container.
+*   00:00:36.000 - The second container is fully on the cargo loader's platform.
+*   00:00:37.033 - The tractor unhooks from the third container (which remains on its dolly) and moves further to the far left of the frame.
+*   00:00:40.066 - The three workers stand near the cargo loader, with the third container still on its dolly awaiting its turn.
+*   00:00:42.000 - The cargo loader's platform, now holding both the first and second containers, begins to ascend towards the aircraft's cargo hold opening.
+*   00:00:47.000 - A worker on the elevated loader platform starts pushing the first container from the loader into the aircraft's cargo bay.
+*   00:00:51.000 - The first container is fully loaded into the aircraft.
+*   00:00:52.000 - The loader platform momentarily stops its upward movement and shifts forward slightly to align the second container with the aircraft's opening.
+*   00:00:53.000 - The worker on the loader platform adjusts their position to push the second container.
+*   00:00:56.000 - The worker on the loader begins pushing the second container from the platform into the aircraft's cargo bay.
+*   00:00:58.000 - The second container is fully loaded into the aircraft.
+*   01:00:00.000 - The loader platform begins to lower, now empty of the first two containers.
+*   01:04:00.000 - The empty loader platform continues its descent towards the tarmac.
+*   01:05:00.000 - A worker on the ground positions the third container closer to the front of the cargo loader.
+*   01:07:00.000 - The empty loader platform reaches its fully lowered position at ground level.
+*   01:08:00.000 - Two workers push the third container from its dolly onto the cargo loader platform.
+*   01:10:00.000 - The third container is fully on the cargo loader platform.
+*   01:11:00.000 - The loader platform, with the third container, begins to ascend towards the aircraft's cargo hold.
+*   01:14:00.000 - A worker on the elevated loader platform starts pushing the third container into the aircraft's cargo bay.
+*   01:17:00.000 - The third container is fully loaded into the aircraft.
+*   01:18:00.000 - The loader platform begins to lower, now empty.
+*   01:20:00.000 - The empty loader platform continues its descent.
+*   01:22:00.000 - The loader platform reaches its fully lowered position.
+*   01:23:00.000 - The video ends with the ground crew workers standing near the loader, having completed the cargo loading operation.
+
+**Text on Screen:**
+
+*   **00:00:00.000 - 01:23:733:** "Oman Mallu" (watermark, slightly transparent, located centrally on the right side of the screen).
+*   **00:00:02.000 - 01:23:733:** "jettainer AKE 467204 WY" (visible on the side of the white cargo containers). This text remains visible throughout the segments where the containers are in view.
+
+**People in the Video:**
+
+The video features **multiple ground crew workers** (at least three clearly visible and active, possibly more in the background).
+*   **What we know about them:**
+    *   **Appearance:** They are uniformly dressed in orange reflective vests and dark face masks, indicating they are working on an airport tarmac and adhering to safety and possibly health protocols.
+    *   **Roles:** They are involved in the manual and machine-assisted loading of cargo onto an airplane.
+        *   Some workers are seen directing the tractor and manually detaching cargo containers from the tractor's hitch.
+        *   Other workers are responsible for pushing the large cargo containers from their dollies onto the cargo loader platform.
+        *   At least one worker operates the controls of the cargo loader vehicle and physically pushes the containers from the elevated platform into the aircraft's cargo bay.
+    *   No specific personal information (names, specific job titles beyond "ground crew") is provided or discernible from the video.
+
+**Summary of the Video Narrative:**
+
+The video, filmed from the perspective of an airplane window, provides a detailed look at the ground operations involved in loading cargo onto an aircraft. It begins by showing a tractor towing three large, white cargo containers (ULDs) across the tarmac. A team of ground crew workers, all wearing safety vests and masks, coordinates the process. They guide the tractor as it positions the containers near a cargo loader vehicle stationed beneath the aircraft's wing. The workers then sequentially detach each container from the tractor's dolly and manually push them onto the cargo loader's platform. The cargo loader, capable of holding two containers at a time, then elevates them to the aircraft's cargo hold level. A worker on the loader platform efficiently pushes each container into the plane's belly. The loader descends after each pair (or single container in the final sequence) is loaded, ready to receive the next, showcasing the coordinated and precise steps taken by the ground crew to prepare an aircraft for departure.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_sKz1zV5NOAY.txt b/raw/test/visual_info/output_sKz1zV5NOAY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..89fed9b231a5f69b789eb63f87b4570ae932c70e
--- /dev/null
+++ b/raw/test/visual_info/output_sKz1zV5NOAY.txt
@@ -0,0 +1,87 @@
+Here are the important visual events from the video with timestamps:
+
+00:00:00.000 - A close-up shot of an Instant Pot cooking, emitting steam, with "On" displayed on its screen, sitting on a kitchen counter with various utensils and a pair of scissors.
+00:00:02.833 - A young man in a black beanie and hoodie is in a kitchen, using a ladle to serve steaming green soup (Miyeokguk) from a large pot into a teal bowl. Another person (his mother) is partially visible and blurred in the background near the sink.
+00:00:21.366 - The young man is seated at a dining table, holding chopsticks and a spoon over a bowl of soup, while a golden retriever dog sits attentively on a chair next to him, looking at the food. A large window shows a snowy outdoor scene.
+00:00:25.066 - A low-angle close-up shot of the young man eating soup with a spoon, illuminated by the bright light from the window behind him.
+00:00:40.000 - The screen turns black, and a polaroid-style photo appears on the left, showing a young man with shorter hair holding and kissing a golden retriever dog. The text "marubee" in white cursive font is displayed to the right of the photo.
+00:00:43.766 - An exterior shot of a house window at dusk, with the golden retriever dog's head peering out from behind the blinds. A "PROTECTED BY GRAND ALARMS" sticker is visible on the window.
+00:00:49.733 - An interior shot from inside a car, showing the young man (narrator) in the driver's seat looking back towards the passenger side as the sky darkens outside.
+00:00:52.833 - An exterior shot of a GO Transit station at dusk, featuring a large white sign with the green GO logo and "Aurora" written on it. Streetlights are on, and a few cars are seen on the road.
+00:00:58.000 - The narrator is sitting on a wooden bench at the train station platform at night, looking directly at the camera. He wears a black varsity jacket with a "CHRYSLER WOODSTOCK CHRYSLER" logo, and a blue "PurOlator" truck is parked behind him.
+00:01:01.300 - A full shot of the Aurora train station building at night, with the "AURORA" sign illuminated above its entrance and train tracks in the foreground.
+00:01:04.933 - An overhead shot looking down at the narrator's right wrist, where he checks his watch. The ground is lit with a reddish-purple hue, and the feet of other people are visible.
+00:01:07.133 - The narrator stands at the train platform, wearing white wireless earbuds, as a green and white GO train passes by on the tracks behind him. Other commuters are visible through the glass shelter.
+00:01:14.600 - The narrator is seated inside a GO bus, wearing his black varsity jacket and white earbuds, looking directly at the camera. Other passengers are scattered behind him.
+00:01:23.900 - An interior shot of a wide, modern train station concourse with high ceilings. People are walking away from the camera, and digital display boards are visible in the distance.
+00:01:34.033 - A night view of downtown Toronto, with the illuminated CN Tower prominent in the background and bright city buildings lining the streets.
+00:01:37.333 - An overhead shot of the narrator's feet standing on a grey floor marked with red and blue lines, and a circular social distancing sticker. He lifts his gloved hand to reveal his watch.
+00:01:43.900 - The narrator walks along a city sidewalk at night, looking upwards, with bright streetlights and building facades visible.
+00:01:49.566 - The narrator continues walking down a city street at night. A "BARBERSHOP" sign with a red and white barber pole is visible on the right.
+00:01:56.800 - The narrator walks down a dimly lit street at night, with tall buildings and minimal light sources in the background.
+00:02:01.866 - A wide exterior shot of a busy downtown intersection at night, featuring a large building with illuminated "Scotiabank Theatre" and "Michaels" signs. Cars are driving through the intersection.
+0002:07.033 - The narrator stands on an escalator inside a modern building at night, facing the camera, with a wall featuring vertical blue and green neon lights behind him.
+00:02:11.766 - A shot from behind the narrator as he ascends the escalator, showing the bright neon light strips on the wall and the view upwards.
+00:02:18.066 - The narrator films a selfie video with a friend on a city street at night. The friend makes a peace sign, and the distant CN Tower is visible in the background.
+00:02:19.433 - The friend speaks to the camera, with the narrator's face partially visible on the left side of the frame.
+00:02:26.066 - The narrator speaks to the camera, smiling, while his friend stands beside him, smiling as well.
+00:02:30.900 - The camera focuses on the friend again as he speaks.
+00:02:36.566 - The camera focuses on the narrator looking up at the sky.
+00:02:40.233 - A low-angle shot of the narrator standing outside a building with a large, yellow "RUDY" sign, looking upwards at the dark sky and a visible moon.
+00:03:02.066 - A rapid, blurry movement shot of the narrator's face, indicating quick camera motion.
+00:03:03.133 - The narrator speaks to the camera, standing next to his friend on the street at night.
+00:03:10.533 - The narrator looks up at the sky, with the CN Tower visible in the background, a short distance away.
+00:03:24.766 - The narrator and his friend are talking to each other, illuminated by streetlights on a dark city street.
+00:03:31.933 - The narrator looks down, then glances back up, continuing a conversation with his friend.
+00:03:49.566 - The narrator approaches a take-out window of a small building at night, with a person inside visible through the window.
+00:04:00.600 - The narrator receives a burger in a white wrapper through the take-out window. His friend stands nearby.
+00:04:02.833 - The narrator holds up his burger to the camera, showing it off, while his friend in the background begins to unwrap his own food.
+00:04:06.633 - Both the narrator and his friend are seen eating their burgers on the dark city street at night, looking up.
+00:04:39.166 - The narrator is standing in a brightly lit subway station, in front of a colorful mural depicting a red and yellow building. He looks directly at the camera.
+00:04:43.766 - The narrator turns his head to the right, looking at someone off-camera, his expression serious.
+00:04:47.466 - The narrator looks upwards and slightly to the left, still in the subway station, with exposed pipes and the ceiling visible above him.
+00:05:20.533 - A wide shot of a modern, spacious train station concourse with numerous digital display boards showing train schedules.
+00:05:24.033 - A Dutch tilt shot captures the wide interior of the train station, showing the overhead display boards and architectural details.
+00:05:25.033 - The narrator is standing in the train station concourse, facing the camera, with people walking in the background.
+00:05:29.066 - A double-decker bus is parked at a bus bay within the station. Its front display reads "SORRY... NOT IN SERVICE", and a person walks past with a bicycle.
+00:05:30.966 - A low-angle shot from inside the bus shows the narrator looking up, with the bus's interior ceiling and lights visible.
+00:05:39.800 - The narrator is seated inside the bus, looking to the right. Other passengers are visible in their seats.
+00:05:43.066 - The narrator is seated in the bus, looking to the side. The bus is in motion, and blurred streetlights are visible outside the windows.
+00:05:47.300 - The narrator walks on the train station platform at night, with streetlights illuminating the area. A "3" bus stop sign is visible in the background.
+00:05:53.033 - The narrator is in the driver's seat of a car at night, looking straight ahead, with the outside environment dark and illuminated by distant lights.
+00:05:55.733 - The narrator, still in the car, turns his head to the right to check his surroundings before turning the steering wheel and driving off.
+
+---
+
+**Text on Screen:**
+*   00:00:00.000 - "On" (on the Instant Pot display)
+*   00:00:40.000 - "marubee"
+*   00:00:44.200 - "PROTECTED BY GRAND ALARMS 416-522-8389" (on window sticker)
+*   00:00:54.000 - "GO" logo, "Aurora" (on GO Transit sign)
+*   00:01:01.300 - "AURORA" (on train station building)
+*   00:01:13.000 - "GO" logo (on passing train)
+*   00:01:15.000 - "CHRYSLER WOODSTOCK CHRYSLER" (on narrator's jacket)
+*   00:02:02.000 - "Scotiabank Theatre", "Michaels", "Mich's" (on building signs)
+*   00:02:40.233 - "RUDY" (partially visible on building sign)
+*   00:03:54.000 - "RUDY" (partially visible on building sign), and various menu items like "BURGERS", "FRIES", "SHAKES"
+*   00:05:29.066 - "SORRY... NOT IN SERVICE" (on bus destination sign)
+*   00:05:47.300 - "3" (on bus stop sign)
+
+---
+
+**People in the Video:**
+*   **Narrator (Tommy):** The main character of the video. He is a young Asian man who is celebrating his birthday. He lives in Aurora and travels to Toronto for a movie. He faces public transit delays and shares a burger with a friend. His first name is revealed to be Tommy.
+*   **Narrator's Mom:** An older Asian woman who prepares "Miyeokguk" (seaweed soup) for the narrator's birthday, explaining its cultural significance for mothers. She is only briefly seen in the kitchen.
+*   **Tristan:** The narrator's friend with glasses. He meets the narrator in Toronto to watch a movie and shares a burger with him afterward.
+*   **Marubee (Dog):** A golden retriever dog, presumably the narrator's pet, who is seen at home with him and features on a title card.
+*   **Fellow Commuter:** An unidentified person, likely a woman, whom the narrator converses with briefly at the subway station. She also expresses frustration about missed trains and delayed transit.
+*   **Other Passengers/Pedestrians:** Various unidentified people seen in the background on the bus, at the train stations, and on the city streets.
+*   **Burger Shop Worker:** An unidentified person seen inside the Rudy's burger shop, handing food to the narrator.
+*   **Man in Polaroid (00:00:40.000):** A different young man with shorter hair is shown kissing the dog in a framed photo. His relationship to the narrator or Marubee is not explicitly stated but could be a previous owner or another family member.
+
+---
+
+**Summary of the Video Narrative:**
+The video documents a day in the life of the narrator, Tommy, on his birthday. The day begins with a Korean tradition: his mother prepares Miyeokguk (seaweed soup) for him, a dish eaten to honor mothers and ensure health. After breakfast with his golden retriever, Marubee, Tommy embarks on a journey from Aurora to downtown Toronto to watch a movie with his friend, Tristan. He chooses public transit (GO Train/Bus) to allow for a walk to the theatre, but encounters significant delays, highlighting frustrations with Toronto's transportation services, including a "free if 15 minutes late" policy that still requires initial payment and online refunds.
+
+Despite the delays, Tommy arrives at the Scotiabank Theatre just in time for the movie, "Killers of the Flower Moon," which he and Tristan describe as "very long." After the movie, they grab quick Rudy's burgers, which they find "tasty." On the way back, Tommy again experiences transit issues, missing his intended train and sharing a moment of mutual disdain for the unreliable public transit with a fellow commuter. The video concludes with Tommy finally arriving back home, tired from a long day marked by both personal celebration and the common challenges of urban commuting.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_uIvataSQj5Q.txt b/raw/test/visual_info/output_uIvataSQj5Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e0ce56a2a2a30176b20f95385b651cea6e18664d
--- /dev/null
+++ b/raw/test/visual_info/output_uIvataSQj5Q.txt
@@ -0,0 +1,61 @@
+Here are the visual events, text on screen, information about people, and a summary of the video narrative:
+
+---
+
+**Visual Events with Timestamps:**
+
+00:00:00.000 - A bright sunny street scene with bare trees in the foreground, older brick buildings with boarded-up windows and graffiti on the right, and cars driving on the street. A "No Parking Anytime" sign and "Right Lane Must Turn Right" sign are visible.
+00:00:04.981 - A young woman with long brown hair, wearing a gray shirt and a plaid scarf, walks down a sunny city sidewalk, speaking directly to the camera in a selfie-style shot. Cars are parked and driving on the street beside her.
+00:00:31.912 - The woman continues walking, passing a bright pink building with a large golden 'O' shape on its facade.
+00:00:48.067 - A low-angle shot of a city skyline at midday, with the sun brightly shining behind a tall skyscraper, creating a sunburst effect. A "Minor Ave" street sign and "One Way" arrow sign are visible in the foreground, with a busy highway below.
+00:00:54.673 - A street view between two tall city buildings, one with dark glass and the other brick, with a clear blue sky overhead. A red traffic light is visible on the left.
+00:00:59.073 - A wide shot of a city street intersection with tall buildings lining both sides. Green traffic lights are visible, and people are crossing the street and walking on sidewalks.
+00:01:04.225 - Two small brown sparrows peck and flit around on a glossy concrete floor, with white metal chair legs partially obscuring the view.
+00:01:10.198 - The young woman is back on the sidewalk, wearing a dark jacket over her shirt and scarf, walking past a construction site with orange traffic cones, caution tape, and a chain-link fence. Buildings and cars are in the background.
+00:02:03.208 - A city street scene at dusk, looking towards a skyline with various buildings, some under construction with cranes. Traffic lights are red, and cars are moving along the road.
+00:02:08.069 - The young woman is now indoors, in what appears to be a kitchen or apartment, wearing a dark jacket and scarf, looking directly at the camera. White appliances and framed pictures are visible in the background.
+00:04:15.549 - A night scene showing trees heavily decorated with twinkling white string lights, creating an ethereal canopy. White, ornate arched structures are visible beneath the trees.
+00:04:21.847 - A wider view of the outdoor area at night, with multiple trees adorned with white string lights forming a glowing pathway. People are walking along the illuminated path, and distant buildings are visible.
+00:04:29.851 - A detailed miniature winter village scene, covered in artificial snow, featuring various small houses, a church, miniature figures, and train tracks with a train. The setting appears to be indoors, possibly a public display.
+00:04:39.544 - Three large yellow and teal posters are displayed on a wall, surrounded by numerous pink sticky notes with handwritten messages. People are standing nearby, adding more notes.
+00:04:44.921 - A low-angle shot of the Seattle Space Needle at night, illuminated against a dark sky. A tree adorned with white string lights is on the left side of the frame.
+00:04:52.378 - A dimly lit room at night, with warm white fairy lights strung around a large window. A bed with blankets and pillows is on the left, and a desk with items on it is on the right.
+00:05:07.828 - The young woman's silhouette is visible in the dimly lit room as she walks towards the window, then stands facing it, illuminated by the fairy lights. The room remains dark.
+
+---
+
+**Text on Screen:**
+
+*   00:00:02.133 - december 7, 2017
+*   00:01:04.758 - some little birbs were flitting about in whole foods! so tiny! so cute!
+*   00:04:53.000 - this was 3 days ago — it has been a rough weekend
+*   00:04:57.767 - the stress from the past two months is proving its toxicity throughout my body
+*   00:05:03.667 - which is very melodramatic of me to say, but i feel a bit miserable to be honest
+*   00:05:07.800 - I'm sorry i've fallen behind on these — i wanna get caught up, cause i wanna show y'all my home bacsk in texas
+*   00:05:15.600 - i leave on tuesday and i'll be home for 2 weeks and i'm so excited to hold my mom and dad and sister and cats and friends
+*   00:05:20.500 - but i can't rest quite yet — still need to get through this week. and then i can chill out all i want.
+*   00:05:26.500 - i'll be okay; everything is temporary, and all that. it's all good <3
+*   00:05:29.500 - love you lots and lots and lots — see you soon xx
+
+---
+
+**People in the Video:**
+
+*   **Cheyenne (vlogger):** A young woman with long brown hair, who records her daily activities and thoughts in a vlog style.
+    *   She is represented by an agent and is trying to get into "fit modeling," which involves being a "live mannequin" for clothing companies to ensure proper fit. She received feedback that her "butt is too big" and her "torso is too long," but she has made peace with these unchangeable aspects of her body.
+    *   She is a fan of Pokémon and played it during her day.
+    *   She is involved in a show, having received the cast list, and is excited about her castmates.
+    *   She is attending "Howl's Moving Castle: The Musical" tonight.
+    *   She mentions being stressed, anxious, and overwhelmed due to needing to fill many orders for her business before an international shipping deadline on Saturday. She's also having issues with supplies.
+    *   She plans to go home to Texas for two weeks on Tuesday and is very excited to see her mom, dad, sister, cats, and friends.
+    *   She is a fan of the "McElroy brothers," "John Green," and "Hank Green," and "the guys from Welcome to Night Vale," suggesting an interest in podcasts or online content creators, and expresses regret about missing "PodCon."
+
+*   **Other people:** Various unidentified individuals are seen walking on city streets and in public indoor spaces (like what appears to be a food court or common area) throughout the video. None are identified or play a significant role in the narrative.
+
+---
+
+**Summary of the Video Narrative:**
+
+The video, titled "A Week in My Life (Part I)," chronicles a day in the life of Cheyenne, a vlogger, on December 7, 2017. Her day begins with a "fit modeling go-see" at Nordstrom, an experience she recounts with candidness, sharing that she was deemed unsuitable due to her body measurements, a fact she's learned to accept. Following this, she engages in various personal activities like visiting Whole Foods, playing Pokémon, and receiving a cast list for a show she's excited about. She also expresses anticipation for attending "Howl's Moving Castle: The Musical" that evening.
+
+As the day transitions into evening, the cityscape around her becomes illuminated with festive lights, including a detailed miniature winter village display and the iconic Seattle Space Needle. The narrative shifts to a more personal reflection as Cheyenne is seen in her dimly lit room, framed by warm fairy lights. She acknowledges feeling stressed, anxious, and overwhelmed, primarily due to her business commitments (needing to fulfill many orders before an international deadline) and supply chain issues. Despite the pressure, she attempts to give herself a "stern talk," encouraging herself to "get on top of [her] shit" and be productive, drawing inspiration from figures like the McElroy brothers, John Green, and Hank Green. The video concludes with Cheyenne expressing her longing for rest and her excitement about an upcoming two-week trip home to Texas to visit her family and friends, reaffirming her belief that "everything is temporary, and it's all good."
\ No newline at end of file
diff --git a/raw/test/visual_info/output_wJ-Tp8bQC4M.txt b/raw/test/visual_info/output_wJ-Tp8bQC4M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c4c5bc31f800d6f7378e2262e47d3fa052353cee
--- /dev/null
+++ b/raw/test/visual_info/output_wJ-Tp8bQC4M.txt
@@ -0,0 +1,115 @@
+Here is a detailed breakdown of the video:
+
+**Important Visual Events with Timestamps:**
+
+*   00:00:00.000 - A person's hand holds an empty clear plastic Dasani water bottle vertically on a dark grey surface, with a small green plant to the left.
+*   00:00:02.167 - The person peels the label off the Dasani water bottle.
+*   00:00:05.933 - The label is fully removed from the bottle.
+*   00:00:07.833 - The person picks up the empty plastic bottle and attempts to compress it with both hands, but it resists.
+*   00:00:19.000 - The person squeezes the bottle forcefully, and a puff of white mist/smoke is released from the top opening.
+*   00:00:23.067 - The person squeezes the bottle again, releasing another large puff of white mist/smoke.
+*   00:00:27.233 - The person squeezes the bottle a third time, releasing more white mist/smoke.
+*   00:00:32.067 - The scene changes to a top-down view of a white square paper and a silver fork on a light grey surface, with a green plant in the top left.
+*   00:00:33.000 - A person's hands appear, holding a yellow pencil against the bottom edge of the white paper.
+*   00:00:34.200 - The hands roll the paper tightly around the pencil, creating a paper tube.
+*   00:00:37.433 - The pencil is removed from the paper tube.
+*   00:00:38.933 - The paper tube is passed through the tines of the fork.
+*   00:00:43.900 - The fork, with the paper tube balanced on its tines, is placed horizontally over the rim of an empty clear glass, balancing in mid-air.
+*   00:00:46.033 - A long lighter is used to light one end of the paper tube.
+*   00:00:49.033 - The paper tube is burning slowly, and a solid-looking stream of ash begins to form and fall from the burning end.
+*   00:00:52.400 - The stream of ash lengthens, appearing almost like a solid white string, falling towards the table surface.
+*   00:00:58.200 - The ash stream continues to fall, creating a small pile of ash below it.
+*   01:00:00.000 - A close-up shot focuses on the ash stream, showing it twisting and curling slightly as it falls, and the small pile of ash growing.
+*   01:05:00.000 - The original shot returns, showing the burning paper tube and the continuously falling ash stream.
+*   01:06:500 - The burning end of the paper tube finally detaches and falls.
+*   01:07:333 - The scene shifts to a person wearing a blue and grey striped glove, with a water bottle containing water, a white bowl of dry ice, and a glass of yellow bubble soap on a blue patterned cloth.
+*   01:08:967 - The person, wearing a glove, uses tongs to place a piece of dry ice into the water bottle.
+*   01:10:000 - White fog/mist begins to rapidly emanate from the bottle's opening as the dry ice reacts with the water.
+*   01:10:800 - A flexible clear tube is inserted into the bottle's opening, diverting the fog into the glass of bubble soap.
+*   01:12:833 - As the fog enters the bubble soap, large bubbles filled with fog begin to form and emerge from the glass.
+*   01:16:367 - The person gently pushes the fog bubbles from the glass, and they bounce and roll across the blue cloth.
+*   01:18:700 - Several fog bubbles are now resting on the cloth, some bursting and releasing the white fog.
+*   01:25:200 - More fog bubbles are created and released, spreading across the table.
+*   01:34:000 - The scene changes to a person's hands holding a piece of crinkled aluminum foil on a light grey surface.
+*   01:35:000 - The person holds a matchbox, then opens it to reveal several matchsticks with purple heads.
+*   01:38:900 - A single matchstick is placed on the aluminum foil.
+*   01:40:000 - A yellow pencil is placed next to the matchstick on the foil.
+*   01:41:000 - The person carefully rolls the aluminum foil around the matchstick and pencil, creating a compact cylinder.
+*   01:45:000 - The pencil is removed from the foil cylinder, leaving a hollow foil tube with the matchstick inside. The end of the foil tube is crimped.
+*   01:49:000 - A person wearing a grey glove holds the foil tube and inserts it into the opening of a clear glass bottle.
+*   01:51:733 - A long lighter is used to light the matchstick inside the foil tube at the bottle's opening.
+*   01:54:333 - White smoke fills the inside of the bottle.
+*   01:55:700 - The burning foil tube is removed from the bottle, which remains filled with white smoke.
+*   02:00:867 - The person pours a clear liquid (rubbing alcohol) from a small glass into the smoke-filled bottle.
+*   02:08:000 - The person covers the bottle opening with their gloved hand and shakes the bottle vigorously to mix the alcohol and smoke.
+*   02:15:000 - The bottle is placed on the table, still filled with smoke.
+*   02:16:300 - A long lighter is held to the bottle's opening, and a tall, bright orange flame shoots out from the bottle.
+*   02:18:833 - The screen splits, showing the flaming bottle on the left and a hand using the long lighter to create a regular flame on the right, comparing their sizes.
+*   02:24:900 - The scene changes to a person's hand placing a full plastic Coca-Cola bottle on the table.
+*   02:26:000 - The person removes the cap and empties the contents of the Coca-Cola bottle.
+*   02:28:000 - The empty Coca-Cola bottle is now ready for modification.
+*   02:29:433 - A person's hands are seen holding the bottle and using a black marker to draw two lines around the lower part of the bottle.
+*   02:30:867 - A utility knife is used to cut the bottle along the marked lines, separating the bottom portion.
+*   02:33:000 - The person uses scissors to trim and smooth the cut edge of the plastic bottle.
+*   02:37:700 - The person picks up a long, deflated purple balloon.
+*   02:39:767 - The person stretches the balloon open with both hands.
+*   02:42:000 - The cut end of the plastic bottle is inserted into the stretched opening of the balloon.
+*   02:44:833 - The balloon is pulled over the bottom of the plastic bottle, securing it tightly to create a "smoke ring cannon."
+*   02:46:267 - The smoke-filled bottle from the previous experiment is used with the newly made smoke ring cannon. The person holds the cannon and taps the balloon-covered end, ejecting smoke rings into the dark background.
+*   02:51:000 - Close-up of smoke rings being shot into the air from the cannon, twisting and expanding.
+*   03:03:700 - The scene changes to a clear glass on a dark background, and a person's hand uses a spoon to add white powder (baking soda) into the glass.
+*   03:07:000 - An empty clear glass bottle is placed next to the glass of baking soda.
+*   03:09:200 - A person's hand, wearing a grey glove, inserts a pre-prepared aluminum foil tube with a lit matchstick into the bottle opening, similar to a previous experiment.
+*   03:13:000 - The bottle fills with white smoke as the matchstick burns.
+*   03:14:833 - The burning foil tube is removed, leaving the bottle full of smoke.
+*   03:16:867 - The person carefully pours the smoke from the bottle into the glass with baking soda.
+*   03:20:000 - As the smoke enters the baking soda, a white bubbling reaction occurs, creating more smoke that billows out of the glass.
+*   03:27:000 - The bubbling and smoking continues.
+*   03:32:833 - The person touches the surface of the bubbling mixture in the glass with their finger.
+*   03:36:700 - The scene changes to a yellow candle on a dark surface. A long lighter lights the candlewick.
+*   03:40:000 - The lighter is removed, and the candle flame burns steadily.
+*   03:43:000 - The person extinguishes the candle, and a stream of smoke rises from the wick.
+*   03:44:800 - The person quickly brings the long lighter to the rising smoke trail.
+*   03:46:000 - The flame from the lighter travels down the smoke trail, reigniting the candle wick.
+*   03:49:500 - A close-up of the candle and the smoke trail re-igniting the candle.
+
+**Text on Screen and Appearance Times:**
+
+*   00:00:00.000 - "FUN SCIENCE" (bottom left corner, persistent throughout the video)
+*   00:00:00.000 - Purple logo with "Fun Science" text (top right corner, persistent throughout the video)
+*   01:07:333 - "dry ice" (left side of screen)
+*   01:07:333 - "water bottle" (center of screen)
+*   01:07:333 - "bubble soap" (right side of screen)
+*   01:54:400 - Safety icons: Mask, Glove, Droplet (bottom left, indicating caution with hot elements and protection)
+*   01:57:000 - "be careful it's HOT" (top right, above the bottle)
+*   02:02:000 - "rubbing alcohol" (right side of screen, next to the glass being poured)
+*   02:18:900 - "bottle flame" (left side of split screen)
+*   02:18:900 - "lighter flame" (right side of split screen)
+*   02:29:433 - "Coca-Cola bottle" (center of screen, above the bottle)
+*   03:03:700 - "baking soda" (right side of screen, next to the glass)
+*   03:13:900 - Safety icons: Mask, Glove, Droplet (bottom left, indicating caution with hot elements and protection)
+*   03:14:900 - "be careful it's HOT" (top right, above the bottle)
+*   04:03:000 - "SUBSCRIBE" (bottom left)
+*   04:03:000 - "Fun Science" (bottom right, logo with text)
+
+**People in the Video:**
+
+The video features one person, whose hands are visible performing the experiments. We can infer that this person is the demonstrator or experimenter. They wear a ring on their right hand in some shots and a protective glove in others, suggesting they are handling substances that might be hot or cold. No personal identity information is provided.
+
+**Summary of the Video Narrative:**
+
+The video showcases a series of distinct science experiments, demonstrating various physical and chemical phenomena.
+
+The first experiment involves an empty plastic water bottle. The demonstrator attempts to crush it, highlighting its rigidity. After removing the label, they squeeze the bottle, causing a visible puff of mist to be expelled, illustrating principles of air pressure and possibly vapor condensation.
+
+Next, a fascinating experiment with combustion is shown. A small paper tube, secured by a fork and balanced on a glass, is lit. As it burns, it produces a continuous, solid-looking stream of ash that defies gravity for a period before falling. This demonstrates the unique property of cellulosic ash to maintain its structural integrity as it burns.
+
+The third segment explores the properties of dry ice and bubbles. Dry ice is added to water in a bottle, producing a voluminous fog. This fog is then channeled through a tube into a glass of bubble soap, creating large, ethereal bubbles filled with the dense white fog. These "fog bubbles" are then released, bouncing and rolling, before bursting and releasing their smoky contents.
+
+The fourth experiment demonstrates a combustion reaction with alcohol vapor. A small aluminum foil cylinder, containing a matchstick, is placed into a glass bottle and ignited, filling the bottle with smoke. Rubbing alcohol is then poured into the smoke-filled bottle and shaken. When a flame is introduced to the bottle's opening, a dramatic, tall orange flame erupts, illustrating the flammability of alcohol vapor mixed with air. A split screen comparison highlights the size of this flame compared to a standard lighter flame.
+
+The penultimate experiment involves creating a "smoke ring cannon" from a plastic bottle by cutting its bottom and attaching a balloon. The smoke-filled bottle from the previous experiment is used with this device to launch clear, perfectly formed smoke rings into the air, showcasing vortex rings.
+
+Finally, the video concludes with an experiment involving a candle. After lighting a yellow candle, the demonstrator extinguishes it. As a stream of smoke rises from the wick, the demonstrator brings a lighter to the smoke trail, and the flame travels down the smoke, miraculously reigniting the candle wick. This illustrates the presence of combustible wax vapor in the smoke, which can be reignited.
+
+Throughout the video, various safety icons appear, advising caution, particularly when dealing with hot materials. The video overall provides engaging visual demonstrations of scientific principles.
\ No newline at end of file
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index 0000000000000000000000000000000000000000..fe0e2c265190e4b2dce2403d6a3dedbb69e4ace6
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@@ -0,0 +1,223 @@
+Here is a detailed breakdown of the video's important visual events and on-screen text, along with information about the people in the video and a narrative summary.
+
+### Visual Events
+
+*   00:00:00.000- Opens with a view from a moving car, showing bare trees and buildings on a sunny day.
+*   00:00:00.999- A hand writes "Steph Ran" on a "Hello my name is" nametag.
+*   00:00:01.833- A panel of four women sits on a stage, viewed from behind an audience.
+*   00:00:03.500- Several people are seated on the floor behind a metal grid barrier, engaged in conversation.
+*   00:00:05.133- A group of young women sits on wide wooden stairs, some eating, others looking at devices.
+*   00:00:06.866- Close-up of a hand touching a "THIS IS WHY we code" sticker on a laptop.
+*   00:00:08.066- The vlogger lies on wooden stairs with a backpack, smiling and making peace signs.
+*   00:00:09.133- A wide shot captures a crowded conference hall with people on stairs and around tables.
+*   00:00:10.599- People stand in lines in a bright, modern hallway.
+*   00:00:11.833- A group of young women in black "WE CODE" shirts sit on stairs, smiling for a photograph taken by a person with a camera.
+*   00:00:13.233- Three young women look at the camera, smiling and gesturing, one giving a thumbs-up, another waving.
+*   00:00:17.333- A circular overlay of a city skyline with bare trees appears over the vlogger's smiling face.
+*   00:00:18.966- Driving view from a car, showing a city skyline with tall buildings and bare trees under a clear blue sky.
+*   00:00:19.866- Another driving view, showcasing modern glass skyscrapers from the car.
+*   00:00:20.999- Driving view across a bridge, revealing a wide city skyline in the distance.
+*   00:00:21.999- Driving view through a car window, showing a busy highway with other vehicles.
+*   00:00:23.799- Driving towards sunset on a highway, with streetlights visible.
+*   00:00:25.199- Walking through automatic glass doors into an airport terminal.
+*   00:00:25.799- Wide shot of a bustling airport terminal with check-in counters and numerous travelers.
+*   00:00:26.966- The vlogger adjusts her hair, then smiles and makes a peace sign in the airport.
+*   00:00:29.833- View from an airplane window at night, showing the wing and bright runway lights as the plane prepares for takeoff.
+*   00:00:30.933- View from airplane window as city lights appear smaller while the plane ascends.
+*   00:00:32.499- View from airplane window showing sprawling city lights below.
+*   00:00:37.766- View from airplane window, city lights below, appearing slightly blurry, indicating landing.
+*   00:00:40.766- Dark car interior at night, with a "SPEED LIMIT 15" sign visible.
+*   00:00:41.899- Walking through a hallway with a wooden counter and a beverage cooler.
+*   00:00:43.099- A cozy room furnished with traditional pieces, curtains, and a television.
+*   00:00:44.299- View of a carpeted staircase in a house, leading upwards.
+*   00:00:45.399- Close-up of the vlogger's face, looking around with a slightly scared expression.
+*   00:00:47.966- The vlogger talks to the camera, smiling and gesturing excitedly in a room.
+*   00:00:50.966- The vlogger continues talking, looking around the room before returning her gaze to the camera.
+*   00:01:10.199- The vlogger's hand covers the camera, revealing a circular cutout showing a building and bare trees.
+*   00:01:11.066- Driving view from a car, showing a highway with concrete barriers and bare trees on a sunny day.
+*   00:01:13.299- Driving past a modern building with large glass windows and numerous bike racks outside.
+*   00:01:14.699- A young woman smiles at the camera, raising her hand in a wave, with bright sunlight behind her.
+*   00:01:16.099- A person walks towards glass entrance doors, with reflections of the outdoor scene visible.
+*   00:01:16.999- A hand pushes open a glass door.
+*   00:01:18.999- Entering a large, modern building filled with many people; a large white wall features projected text.
+*   00:01:21.199- Close-up of a hand holding a phone displaying a QR code, being scanned by another person's phone.
+*   00:01:22.799- A hand writes "Steph Ran" on a "Hello my name is" nametag.
+*   00:01:24.499- Close-up of a nametag being placed on a grey sweater.
+*   00:01:26.566- Two cardboard boxes are on the floor, one labeled "Small" and the other marked with a large "M".
+*   00:01:27.299- A person pulls a white t-shirt out of a cardboard box.
+*   00:01:30.599- Close-up of the white t-shirt, revealing a small red whale logo.
+*   00:01:32.999- Wide shot of a spacious, bright conference hall with multiple levels, featuring people sitting at tables and on stairs.
+*   00:01:36.099- Close-up of a wall installation made of many small, reflective circles that create an image of green trees.
+*   00:01:39.199- The installation changes its appearance to blue/silver as a person walks past it.
+*   00:01:40.099- A young woman (vlogger's friend) walks past the interactive wall installation.
+*   00:01:44.899- Wide shot of a very crowded section of the conference hall.
+*   00:01:45.899- A hand holds a muffin in a paper wrapper.
+*   00:01:47.099- Another hand holds a different muffin/pastry.
+*   00:01:47.899- A young woman smiles and waves at the camera.
+*   00:01:48.866- Another young woman holds her phone, smiling at the camera.
+*   00:01:50.066- A young woman with a backpack turns and smiles towards the camera.
+*   00:01:51.399- Wide shot of the large conference hall, featuring a screen displaying "WELCOME TO WE CODE". Many attendees are seated on various levels.
+*   00:01:53.099- Overhead shot of people sitting at round tables in the conference hall, conversing.
+*   00:01:54.099- Large screen displaying "WELCOME TO WE CODE WOMEN ENGINEERS CODE."
+*   00:01:55.399- People sit on the floor behind a metal net barrier, talking amongst themselves.
+*   00:01:57.999- Large screen displaying "OPENING REMARKS SHERYL SANDBERG Founder and Chair of Sheryl Sandberg & Dave Goldberg Family Foundation".
+*   00:02:00.199- Several young women sit on stairs, looking towards the screen. One turns to the camera and smiles.
+*   00:02:02.899- A speaker is on stage in front of a large screen displaying a presentation.
+*   00:02:04.199- A young woman (vlogger's friend) looks at the camera, startled but smiling, then raises her hands.
+*   00:02:06.099- The vlogger and her friend pose for a selfie video, smiling and talking, with other people in the background.
+*   00:02:11.266- Large screen displaying "EVENT: Fireside Chat with Neo" and images of Emily Cohen and Jan Crisostomo.
+*   00:02:13.999- A young woman (vlogger's friend) holds a red square microphone.
+*   00:02:15.099- Close-up of the vlogger smiling, with the red microphone in the foreground.
+*   00:02:16.899- A hand points at the microphone's top speaker.
+*   00:02:17.699- A person walks by carrying a large brown purse.
+*   00:02:18.999- The vlogger smiles and holds the microphone.
+*   00:02:20.399- A group of young women sit on wide wooden stairs, eating and looking at devices, signifying the lunch break event.
+*   00:02:24.099- Large screen showing a woman speaking (Maria Klawe, President of Harvey Mudd College).
+*   00:02:26.099- The vlogger and a friend take a selfie video, smiling.
+*   00:02:28.499- The vlogger smiles and talks to the camera.
+*   00:02:30.999- The vlogger and a friend look at the camera; the friend playfully pats the vlogger's head.
+*   00:02:32.499- The vlogger smiles broadly and talks.
+*   00:02:37.999- The vlogger and a friend smile at the camera, with the friend patting the vlogger's head.
+*   00:02:40.899- A glass door opens into a hallway adorned with yellow curtains.
+*   00:02:42.599- A classroom setup with a large screen displaying "D.E. Shaw Research" and a speaker.
+*   00:02:44.999- A woman speaks on stage, with a large screen behind her showing a presentation slide about "Overview of Anton" (a supercomputer).
+*   00:02:48.099- Close-up of a conference schedule poster.
+*   00:02:49.099- A hand opens a white door.
+*   00:02:50.199- A woman in patterned pants walks through a doorway with lime green curtains.
+*   00:02:51.999- A group of people sit in a classroom, with "WELCOME to the SOCIAL MEDIA PANEL" written on a chalkboard.
+*   00:02:54.399- Four women are on stage for the social media panel, one speaking into a microphone.
+*   00:02:59.399- The four women on stage, three posing for a photo being taken by the woman on the far left.
+*   00:03:03.099- The four women on stage continue to pose for a photo. An Instagram Reels video plays in an overlay on the right, showing them taking the photo.
+*   00:03:07.999- The four women on stage laugh and smile for the photo. The Instagram Reels video overlay changes.
+*   00:03:12.799- The vlogger talks excitedly to the camera, covering her mouth and smiling.
+*   00:03:17.099- The vlogger points to a person walking away in the hallway, then smiles excitedly.
+*   00:03:24.099- A hand opens a glass door to a room with yellow panels.
+*   00:03:26.099- Four women sit on a stage for a "Biotech Entrepreneurship Talk".
+*   00:03:28.799- Four women speak on stage.
+*   00:03:31.099- The vlogger lies on wooden stairs, smiling and making peace signs (reused shot).
+*   00:03:36.099- A young woman (vlogger's friend) smiles and waves at the camera.
+*   00:03:37.199- Overhead shot of a table laden with various food containers, drinks, and phones.
+*   00:03:38.999- Three young women sit at a table, eating.
+*   00:03:40.799- Many people gather in a brightly lit room with white tables, representing the "Citadel Trading Game" event.
+*   00:03:42.699- A speaker stands at the front of a room, where people are seated at tables looking at laptops.
+*   00:03:45.099- Close-up of a food plate with rice, meat, and vegetables.
+*   00:03:47.099- A young woman eats from a food plate.
+*   00:03:48.999- Students in a classroom look at a large screen displaying a "RETRADER HOW TO PLAY" presentation.
+*   00:03:51.099- Four young women stand on stage, clapping and smiling.
+*   00:03:52.499- A young woman smiles and covers her mouth.
+*   00:03:53.999- A hand holds up a white jacket with a black logo.
+*   00:03:55.799- A young woman smiles and holds a black beanie and the white jacket.
+*   00:03:57.699- A young woman holds a black beanie and the white jacket, then looks at another person.
+*   00:03:59.699- A hand holds the white jacket, showing its logo.
+*   00:04:00.899- Three young women smile at the camera, one holding a water bottle and another waving.
+*   00:04:04.399- Two young women smile and wave at the camera, with the text "CONFERENCE DAY 2" on screen.
+*   00:04:08.599- Three young women smile and wave at the camera.
+*   00:04:10.999- Stacks of pizza boxes filled with pepperoni pizzas are shown.
+*   00:04:13.199- Three young women walk down a hallway, one with a laptop, smiling at the camera.
+*   00:04:15.599- The vlogger smiles at the camera.
+*   00:04:16.499- A person wearing a light blue shirt and jeans opens a door.
+*   00:04:17.399- A large room is filled with many young women sitting at tables, some looking at a large screen displaying "WELCOME TO WECODE".
+*   00:04:19.099- Young women sit on the floor, working on laptops and looking at phones.
+*   00:04:20.599- A young woman smiles and waves at the camera.
+*   00:04:21.899- Wide shot of a crowded conference hall with people on stairs and around tables, now designated as the "Career Fair" event.
+*   00:04:24.999- The vlogger smiles and covers her eye, then looks towards the crowd.
+*   00:04:26.599- Wide shot of a very crowded conference hall, with many people mingling and networking.
+*   00:04:32.499- A young woman smiles and holds up a paper.
+*   00:04:35.999- Many people are in a crowded room, some taking photos.
+*   00:04:38.299- A large tote bag is filled with various merch items, including hats and t-shirts.
+*   00:04:40.099- Close-up of the merch bag on the floor, showing a yellow jacket.
+*   00:04:41.799- A young woman smiles and gives a thumbs-up.
+*   00:04:43.099- A young woman smiles and waves, while another laughs.
+*   00:04:44.199- Three young women look at the camera, smiling and gesturing (a reused shot).
+*   00:04:48.899- Person's legs walk on stairs.
+*   00:04:50.099- The vlogger smiles, waves, and holds a camera.
+*   00:04:51.699- The vlogger crouches down to take a photo of a group of people.
+*   00:04:53.699- A group of young women in black "WE CODE" shirts sit on stairs, smiling for a photo, with the vlogger taking their picture.
+*   00:04:58.099- View from an airplane window at night, city lights visible below, with a wing in the foreground.
+*   00:05:05.099- Night view from an airplane window, showing sprawling city lights below.
+*   00:05:12.199- A young man in a grey t-shirt talks to the camera in a gym setting.
+*   00:05:21.099- The young man bounces a volleyball and talks.
+*   00:05:28.099- The young man makes a face and gestures.
+
+### Text On Screen
+
+*   00:00:00.000 MY FIRST TECH CONFERENCE
+*   00:00:02.833 @harvard's wecode
+*   00:00:04.233 @harvard's wecode 2023
+*   00:00:15.199 but we got a LOT of (free) merch!!
+*   00:00:19.433 CHICAGO -> BOSTON
+*   00:00:25.466 we finally made it to the airport!
+*   00:00:30.366 i slept for the entire flight lol
+*   00:00:33.433 it's so pretty ~
+*   00:00:38.566 just landed in Boston!
+*   00:00:41.899 this is where we're staying for the weekend :D
+*   00:00:44.299 it was super late and no one was there so i got a bit scared
+*   00:01:11.066 CONFERENCE DAY 1
+*   00:01:21.199 Scan
+*   00:01:26.566 i got so excited because we get a free shirt!
+*   00:01:30.599 the little whale is so cute omg
+*   00:01:51.399 EVENT: Keynote Speaker's Opening Remarks
+*   00:01:57.999 OPENING REMARKS SHERYL SANDBERG Founder and Chair of Sheryl Sandberg & Dave Goldberg Family Foundation
+*   00:02:11.266 EVENT: Fireside Chat with Neo
+*   00:02:11.266 EMILY COHEN Investor & Head of Accelerator emily@neo.com
+*   00:02:11.266 JAN CRISOSTOMO Head of Recruiting & People Ops jan@neo.com
+*   00:02:14.399 "helloooo"
+*   00:02:20.399 EVENT: Lunch Break & Keynote Speaker
+*   00:02:24.099 Maria Klawe, President of Harvey Mudd College
+*   00:02:42.599 EVENT: D.E. Shaw Research Talk
+*   00:02:44.999 Introduction to DE Shaw Research MD Simulations and Drug Discovery Elina Thadhani D.E. Shaw Research
+*   00:02:44.999 Overview of Anton - Usually composed of 512 interconnected nodes connected by a 3D torus network Each node is a fully custom application-specific integrated circuit (ASIC) Half of the ASIC is devoted to special-purpose datapath for computing non-bonded forces First 512-node Anton became operational in October, 2008 Anton 2 around 2013 Now running production chemistry on Anton 3 Anton works by mapping chemical space, to logical space
+*   00:02:48.099 CONFERENCE SCHEDULE Saturday Feb 18 SWE Panel 11-12pm Social Justice/Advocacy Panel 2-3pm Social Media Panel 3-4pm AR/VR Panel 4-5pm Sunday Feb 19 Solo Talk: Rati Thanawala 11-12pm Schmidt Futures Panel 1-2pm <WECODE>
+*   00:02:51.999 EVENT: Social Media Panel
+*   00:02:55.399 Sofia Ongele IG: @sofiaongele Fernanda Sulantay IG: @fernsulantay Khris IG: @acodingnomad Sarah Adewumi IG: @adewumissarah
+*   00:02:59.399 we got to be in one of their tiktoks!!!
+*   00:03:03.099 Behind the Scenes:
+*   00:03:03.099 girls come on
+*   00:03:04.099 leave STEM to the men?
+*   00:03:05.499 I don't think so
+*   00:03:08.599 we don't think so 🙌
+*   00:03:13.299 *active fangirling*
+*   00:03:24.099 EVENT: Biotech Entrepreneurship Talk
+*   00:03:28.799 Oriana Papin-Zoghbi, CEO of AOA DX
+*   00:03:32.499 So tired
+*   00:03:37.199 wecode gave everyone $25 off Postmates!
+*   00:03:40.799 EVENT: Citadel Trading Game
+*   00:03:44.999 Retrader How to Play
+*   00:03:45.099 i love these events because they feed us so well!
+*   00:03:48.999 we're about to play a trading game, and the winners get iPads!!!
+*   00:03:59.699 NORTHFACE!?
+*   00:04:04.399 CONFERENCE DAY 2
+*   00:04:21.899 EVENT: Career Fair
+*   00:04:29.899 Ellen spotted!!!
+*   00:04:33.499 networking 😎
+*   00:04:44.199 but we got a LOT of (free) merch!!
+*   00:04:53.699 they're so cute omg
+*   00:04:58.099 thanks harvard wecode for an amazing educational experience...
+*   00:05:01.099 i'm feeling more inspired than ever!
+*   00:05:05.099 young women in tech, you're amazing :)
+
+### People in the Video
+
+*   **Stephanie "Steph" Ran (The Vlogger):** The central figure of the video, attending her first professional tech conference. She is seen traveling from Chicago to Boston, checking into the conference, participating in various talks and panels, collecting free merchandise, and expressing excitement and inspiration throughout her experience.
+*   **Shamali:** A friend of the vlogger who is seen attending the conference with her. She is shown interacting with the interactive art installation and also participates in some of the conference activities.
+*   **Ellen:** Another friend of the vlogger, identifiable by her name tag and later spotted by the vlogger. She accompanies the vlogger to various conference events.
+*   **Emily Cohen:** An individual identified as an "Investor & Head of Accelerator" for Neo, participating in the Fireside Chat.
+*   **Jan Crisostomo:** Identified as "Head of Recruiting & People Ops" for Neo, participating in the Fireside Chat.
+*   **Maria Klawe:** Identified as the "President of Harvey Mudd College," she delivers a keynote speech virtually via a large screen.
+*   **Elina Thadhani:** Identified as a "D.E. Shaw Research Scientific Associate," she gives a talk on "MD Simulations and Drug Discovery."
+*   **Sofia Ongele:** A participant in the Social Media Panel, identified by her Instagram handle @sofiaongele.
+*   **Fernanda Sulantay:** A participant in the Social Media Panel, identified by her Instagram handle @fernsulantay.
+*   **Khris:** A participant in the Social Media Panel, identified by her Instagram handle @acodingnomad. The vlogger expresses excitement about having spoken to her.
+*   **Sarah Adewumi:** A participant in the Social Media Panel, identified by her Instagram handle @adewumissarah.
+*   **Oriana Papin-Zoghbi:** Identified as the "CEO of AOA DX," she speaks at the Biotech Entrepreneurship Talk.
+*   **Unidentified young man at the end:** Appears briefly in a gym setting to promote the vlogger's YouTube channel.
+
+### Summary of the Video Narrative
+
+This video is a personal vlog documenting the vlogger, Steph Ran's, first professional tech conference experience at Harvard's WeCode 2023 in Boston. The journey begins with her traveling from Chicago, including a flight and arrival at her accommodation in Boston.
+
+The core of the video focuses on her two days at the conference. On Day 1, Steph registers, receives free merchandise including a t-shirt with a cute whale logo, and explores the modern Harvard campus venue. She attends various sessions, including opening remarks by Sheryl Sandberg (displayed on a large screen), a fireside chat with Neo representatives, a D.E. Shaw Research talk, and a social media panel where she gets to see and interact with prominent figures like "acodingnomad."
+
+Day 2 continues with more events, including a Citadel Trading Game offering iPads as prizes, and a Creative Coding Panel. Steph highlights the ample and delicious food provided at the conference. The experience culminates in a busy career fair, where she and her friends network and collect more free merchandise.
+
+The video concludes with Steph reflecting on the highly educational and inspiring nature of the conference, expressing that she feels more motivated than ever. A lighthearted moment at the very end features a friend humorously encouraging viewers to engage with Steph's YouTube channel. Overall, it portrays a positive and enriching experience for a young woman entering the tech field.
\ No newline at end of file
diff --git a/raw/test/visual_info/output_xtA741ReayA.txt b/raw/test/visual_info/output_xtA741ReayA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a6d1e5b15c49a152e02cf40ce305af7fc6f527c2
--- /dev/null
+++ b/raw/test/visual_info/output_xtA741ReayA.txt
@@ -0,0 +1,129 @@
+Here are the important visual events in the video narrative with timestamps:
+
+00:00:00.000 - A wide shot of a snow-capped mountain range, likely a ski resort, seen through bare trees.
+00:00:03.967 - A young man in a black hoodie, seen from behind, walks into the frame, stops, and looks out at the distant snow-covered mountains through the bare trees.
+00:00:07.767 - A wide shot of a modern kitchen with a group of approximately 7-8 family members preparing Thanksgiving dinner, bustling around a large central island.
+00:00:13.867 - Close-up of a person's hands seasoning and preparing a raw turkey in an aluminum roasting pan.
+00:00:16.800 - Two women are seen in the kitchen, one in a green shirt actively preparing food at the counter, and another in a pink shirt moving in the background.
+00:00:19.433 - A close-up of a woman in a pink shirt, wearing a gold bracelet and clear plastic gloves, taking greens out of a plastic bag and placing them into a blue bowl on the countertop.
+00:00:21.033 - A woman with braided hair and glasses, seen from behind, is in the kitchen.
+00:00:21.900 - A young man in a blue hoodie enthusiastically runs down a grassy hill in front of a modern grey and beige house, surrounded by bare trees in the woods. Other people are visible on the house's deck.
+00:00:25.767 - Close-up of hands washing red berries under a modern kitchen faucet. A silver chain bracelet is visible on one wrist.
+00:00:29.067 - Close-up of hands opening a small black container, possibly an ingredient for baking.
+00:00:30.133 - A blue mixing bowl containing white ingredients, likely butter or cream, sits on a speckled countertop.
+00:00:31.067 - A steaming black pot is on a stovetop, with hands reaching to adjust controls.
+00:00:33.367 - An electric hand mixer blends the white ingredients in the blue bowl, creating a creamy texture.
+00:00:35.800 - A wide shot of the kitchen showing multiple family members, including the young man from earlier in a white t-shirt, continuing to prepare food on the countertop.
+00:00:37.400 - Close-up of hands slicing fresh strawberries on a dark cutting board.
+00:00:39.100 - A close-up of hands carefully placing a clear glass lid on a large glass jar filled with layers of white cream, dark cake pieces, and colorful fresh berries.
+00:00:43.000 - A woman in a green "BROKEN CLOCKS" t-shirt laughs heartily while standing in the kitchen, hands on her hips.
+00:00:44.733 - The woman in the green shirt continues to laugh, with other family members visible in the background of the kitchen.
+00:00:45.367 - Three men are in a wooded area with bare trees and fallen brown leaves. One is standing on a rock, another is climbing up, and a third is seen from behind.
+00:00:46.333 - A young man in a cream and green patterned jacket looks down at his phone and smiles.
+00:00:47.167 - A woman with blonde hair, wearing glasses and a fur-lined jacket, smiles directly at the camera.
+00:00:48.333 - A wide street view of a charming small town with brick and white buildings, cars driving and parked along the road. Distant mountains are visible.
+00:00:50.800 - Close-up of a car's dashboard screen displaying a split view: Google Maps navigation on the left and a music player on the right.
+00:00:52.733 - A black SUV drives away down a rural road, lined with bare trees and some evergreens, with patches of snow on the ground.
+00:00:53.933 - A grand, multi-story white building with columns (likely a courthouse or government building) stands prominently in a town square, with cars passing by.
+00:00:59.833 - The narrator, a young man in a black fuzzy hoodie, stands in the town square, looking at the camera and smiling.
+00:01:00.600 - More family members join the narrator in the town square, some wearing festive red or green reindeer antler headbands, smiling and laughing.
+00:01:03.000 - The family continues to gather, smiling and laughing, with several wearing reindeer antler headbands.
+00:01:04.900 - A man in sunglasses and a green beanie with red antlers smiles broadly into the camera, others are blurred in the background.
+00:01:06.633 - A woman in sunglasses and a black beanie with green antlers laughs into the camera, with a building blurred in the background.
+00:01:08.200 - A group of people are gathered on a pedestrian street lined with brick buildings, some holding a red banner that reads "50 YEARS".
+00:01:10.033 - The narrator interacts with several family members gathered outside a storefront with "VON BARGEN'S" and "CELEBRATE THE SEASON WITH FEWER BETTER THINGS" signs.
+00:01:12.767 - A man in a green puffer coat and a beige beanie with red antlers walks along a city street, looking down.
+00:01:15.533 - A long shot from inside a building, looking up at a mezzanine level, showing silhouettes of people and red pendant lights against bright windows.
+00:01:21.800 - Close-up of a young man, presumably the narrator's sibling, looking intently at the screen of a small digital camera.
+00:01:26.500 - The digital camera's screen shows a live video feed of the room and people within.
+00:01:28.967 - A shot from inside a cafe or shop, looking out through a large window onto a pedestrian street where a young man walks by. String lights are visible inside.
+00:01:30.933 - The narrator, in a black fuzzy hoodie, browses through vinyl records in a store.
+00:01:32.400 - A wide shot inside a record store filled with shelves of CDs and bins of vinyl records. The narrator and another young man are browsing records.
+00:01:37.033 - Various customers, including a blonde woman in the foreground, are browsing records in the store.
+00:01:39.633 - Close-up of hands holding a Michael Jackson "Thriller" vinyl record album.
+00:01:42.000 - The scene continues with various customers browsing records in the store.
+00:01:47.367 - The narrator, seen from behind with "THOSE WHO RISK" on his hoodie, walks down a pedestrian street with another man.
+00:01:49.733 - A group of family members stands inside what appears to be an ice cream shop.
+00:01:50.833 - A woman in glasses and a colorful headwrap eats ice cream and speaks to the camera, with another woman eating beside her.
+00:01:52.700 - A woman in a beige coat and black beanie stands against a wall with a height measurement chart on it.
+00:01:53.633 - A young man and an older man stand next to the height measurement chart, which asks "How many pints tall are you?", with the young man pointing at it.
+00:01:55.333 - A roasted turkey is prominently displayed on a table surrounded by other Thanksgiving dishes and beverages.
+00:01:56.800 - A hand in a patterned sleeve places the layered berry dessert in the glass jar onto the Thanksgiving table.
+00:01:58.000 - Close-up of a hand lifting the glass lid off the layered berry dessert.
+00:01:59.000 - A hand uses tongs to serve food from a white serving dish.
+00:02:00.600 - A hand cuts into a golden-brown casserole or mac and cheese in a foil pan.
+00:02:02.100 - A woman in a patterned blouse and glasses smiles as she looks down at the food.
+00:02:02.933 - Close-up of a small chalkboard sign with "Steve" written on it, placed in a cup with cutlery.
+00:02:04.033 - A woman holds up a smartphone with a colorful case, appearing to take a photo of the Thanksgiving spread.
+00:02:05.133 - A man in glasses and a two-toned shirt sits at the Thanksgiving table, looking at the food.
+00:02:06.133 - A hand stirs a large bowl of a white, chunky dish, possibly potato salad.
+00:02:07.133 - A hand serves food from a platter onto a plate.
+00:02:08.133 - A young woman in a green shirt takes a bite of food.
+00:02:09.133 - A young man takes a bite of food.
+00:02:10.067 - A wide shot of the family sitting around the kitchen island, enjoying their Thanksgiving meal.
+00:02:13.800 - The screen goes black.
+00:02:15.933 - The modern grey and beige house, where the family stayed, is shown from the outside, surrounded by bare trees. A person is visible on the upper balcony.
+00:02:18.067 - The shadow of a person sitting on a wooden deck railing is cast on the light-colored side of the house.
+00:02:20.100 - The narrator is seen sitting on the wooden railing of the deck, looking out at the trees.
+00:02:21.833 - The shadow on the house wall changes shape as the person on the railing stands up.
+00:02:23.000 - The narrator stands on the deck, looking out.
+00:02:24.467 - The narrator walks down the deck stairs and onto the grassy area in front of the house, then walks towards and away from the camera.
+00:02:27.767 - The screen goes black.
+00:02:29.133 - A view of the distant snow-capped mountains and bare trees, framed by a dark window.
+00:02:31.233 - Two young men are in a living room. One is seated at a desk, typing on a laptop, while the other walks past. A TV is mounted on the wall.
+00:02:33.200 - Close-up of hands typing on a laptop keyboard. The laptop screen displays video editing software with a video clip playing.
+00:02:34.900 - A side profile of the young man in plaid pants, looking intently at the laptop screen.
+00:02:36.733 - Two young men are seated in the living room, one at the desk, the other in a lounge chair, both looking at a small electronic device.
+00:02:39.933 - The two young men continue to sit, and one points at the screen of the device they are looking at.
+00:02:41.367 - An upward shot of a bright interior staircase and a tall white wall, illuminated by strong sunlight creating distinct rectangular shadows.
+00:02:43.933 - The video quality changes to a vintage VHS style. A woman in a purple sweater and black beanie, wearing glasses, sits and speaks, looking into the camera.
+00:02:47.333 - A man in a beige t-shirt and glasses sits on a couch, smiling, with a woman in the background on her phone. The footage is VHS-style.
+00:02:49.033 - A TV screen displays song lyrics "This is my story, oh, this is my song, 'Cause I'm praising my Savior all the day long" over an image of a church. The footage is VHS-style.
+00:02:51.933 - A young man in a white t-shirt and plaid pants laughs while sitting on a couch, looking at a laptop. Another man is seated behind him. The footage is VHS-style.
+00:02:54.600 - Two men are sitting on a couch, both looking in the same direction. The footage is VHS-style.
+00:02:55.700 - A young man in a blue long-sleeve shirt and black shorts walks up a modern staircase. The footage is VHS-style.
+00:02:57.633 - A woman with blonde hair, seen in profile, smiles and looks around, while others are blurred in the foreground and background. The footage is VHS-style.
+00:02:59.200 - The woman from 00:02:43.933 is shown again, sitting and holding a phone. The footage is VHS-style.
+00:03:00.667 - The man from 00:02:47.333 is shown reading a book while sitting on the couch, with a woman sitting behind him. The footage is VHS-style.
+00:03:03.967 - The screen goes dark, with faint VHS-style static.
+00:03:04.933 - The narrator, in a beige t-shirt and cargo pants, is packing a black duffel bag on a glass table in a well-lit living room. The video quality returns to modern, clear resolution.
+00:03:08.800 - Close-up of the narrator's hands organizing clothes and items into the duffel bag.
+00:03:10.933 - The narrator finishes packing his bag, zips it up, and looks around the room.
+00:03:13.933 - A person, seen from behind with a black beanie and a beige coat, looks out at the distant snow-capped mountains and bare trees.
+00:03:16.833 - The shot holds on the view of the mountains and trees, with the person's silhouette in the foreground, indicating a moment of reflection.
+00:03:19.067 - The narrator, in his black hoodie, is seen from behind, looking out at the snow-capped mountains. He turns and walks away towards the right side of the frame.
+00:03:27.767 - The screen goes black and orange text "thanks for watching" appears.
+00:03:30.900 - The video returns to VHS-style footage. The narrator jumps off the deck railing of the house and onto the grass. Another person in red patterned pajamas runs up to him, and they engage in playful wrestling.
+00:03:54.600 - The screen goes black.
+
+**Text on Screen:**
+*   00:00:04.833 - 00:00:07.767: "trust risk are free" (on hoodie)
+*   00:00:51.100 - 00:00:52.733: "TWITCH BAMBII" (on car's screen)
+*   00:01:08.767 - 00:01:10.033: "50 YEARS" (on red banner)
+*   00:01:10.033 - 00:01:12.767: "VON BARGEN'S" (store sign)
+*   00:01:10.033 - 00:01:12.767: "RICA CENTER" (store sign, partially visible)
+*   00:01:10.033 - 00:01:12.767: "CELEBRATE THE SEASON WITH FEWER BETTER THINGS" (sandwich board)
+*   00:01:29.800 - 00:01:30.933: "NOW HIRING" (on window)
+*   00:01:31.233 - 00:01:32.400: "those who risk" (on hoodie)
+*   00:01:39.633 - 00:01:42.000: "Michael Jackson Thriller" (album cover)
+*   00:01:47.367 - 00:01:49.733: "THOSE WHO RISK" (on hoodie)
+*   00:01:53.633 - 00:01:55.333: "How many pints tall are you?" (on height chart)
+*   00:02:02.933 - 00:02:04.033: "Steve" (on chalkboard sign)
+*   00:02:49.033 - 00:02:51.933: "This is my story, oh, this is my song 'Cause I'm praising my Savior all the day long" (song lyrics on TV)
+*   00:03:27.767 - 00:03:30.900: "thanks for watching" (text overlay)
+
+**People in the Video:**
+*   **The Narrator/Main Character:** A young Black man with short curly hair, often seen in a black hoodie. He is thoughtful and reflective, expressing appreciation for his family. He mentions moving soon, making this Thanksgiving gathering particularly special. He is also involved in creative pursuits, as evidenced by him using a camera and editing software.
+*   **Various Family Members:**
+    *   **Several adult women:** Seen cooking, laughing, shopping, and dining. One woman with braided hair and glasses appears prominently in kitchen scenes and later in the VHS footage, seemingly a maternal figure or close elder. Another blonde woman with glasses is also visible.
+    *   **Several adult men:** Seen assisting in the kitchen, walking in town, browsing records, and dining. One man with glasses is seen reading a book and sitting at the dinner table. "Steve" is a name on a place setting, likely referring to one of the men.
+    *   **Younger men/siblings/cousins:** Seen participating in cooking, outdoor activities (like playful wrestling), and relaxing together. One young man is seen using a camera, potentially a sibling or cousin of the narrator who shares his creative interests.
+
+The video portrays a close-knit, supportive African American family.
+
+**Summary of the Video Narrative:**
+The video, narrated by a young man, centers on a heartwarming family Thanksgiving gathering held at a rented Airbnb in Vermont. The narrator reflects on the tradition of his family switching off hosting duties for Thanksgiving and how this year, they opted for a change of scenery in a Vermont Airbnb. He expresses profound gratitude for his family, highlighting their unity, humor, and support for his creative endeavors.
+
+The narrative shifts between lively scenes of the family preparing the Thanksgiving meal, exploring a small town (where some family members wear festive reindeer antlers), browsing a record store, and enjoying ice cream. The narrator notes that two of his cousins couldn't make it, emphasizing the challenges of maintaining such gatherings as everyone gets older and busier.
+
+The video transitions to nostalgic, VHS-style footage of the same trip, symbolizing how quickly cherished moments become distant memories. The narrator reflects on the bittersweet nature of time passing and acknowledges that the present moments, though fleeting, are invaluable. He expresses his thankfulness for the positive environment his family provides and hopes that viewers can also appreciate what they have in their lives. The video concludes with the narrator packing his bags, signifying his upcoming move, and a final thought about appreciating the present while looking towards the future, hoping to revisit these memories in five years.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_-VH2dcfqpKI.txt b/raw/validation/gt_ad/output_-VH2dcfqpKI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0124b15fbcb2dd0687d090f33f899538b16b08aa
--- /dev/null
+++ b/raw/validation/gt_ad/output_-VH2dcfqpKI.txt
@@ -0,0 +1,7 @@
+00:00:31.863-STANDARD
The man shows his tattoos.
+00:03:21.039-STANDARD
Later, the woman fidgets in a tattoo parlor.
+00:03:28.960-STANDARD
The tattoo artist preps her forearm.
+00:03:38.628-STANDARD
She lies on a padded table.
+00:03:56.313-STANDARD
The tattoo artist, a bearded man, carefully works the ink into her arm.
+00:04:06.970-STANDARD
Her tattoo reads: "Oh, Goody!"
+00:04:32.595-STANDARD
They walk down a sidewalk at night. Words appear: "If you could get a tattoo, what would you get?"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_-ZiX3DKJx0Q.txt b/raw/validation/gt_ad/output_-ZiX3DKJx0Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4e5c6712247bba0dad662cbbe9c03a823704eda6
--- /dev/null
+++ b/raw/validation/gt_ad/output_-ZiX3DKJx0Q.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
Two male presenting builders, one in light blue shorts and one in dark blue shorts, both shirtless, emerge from an opening in a small mud hut. They walk past a straw hut.
+00:00:17.459-STANDARD
They walk through a dense jungle.
+00:00:22.920-STANDARD
They return carrying bundles of long wood sticks.
+00:00:33.286-STANDARD
They lay the sticks down. A small hand axe is used to chop and break the sticks into even pieces.
+00:00:51.546-STANDARD
The builder in dark blue shorts arranges the cut sticks one by one in a crisscross pattern across two long parallel beams.
+00:01:08.275-STANDARD
He uses the axe to shape the ends of the sticks into Y-shapes.
+00:01:15.486-STANDARD
He throws the Y-sticks into a bundle on the ground.
+00:01:20.604-STANDARD
He picks up the bundle of Y-sticks and carries the bundle back to the hut.
+00:01:31.603-STANDARD
Inside the hut, the builder in light blue shorts digs holes in the ground using the axe while his partner watches.
+00:01:49.257-STANDARD
The Y-shaped sticks are placed into the holes to form supports.
+00:01:54.477-STANDARD
The builders carry three more long sticks into the hut.
+00:02:03.800-STANDARD
Inside the hut, they arrange the sticks over the Y-shaped supports to form the bed’s frame.
+00:02:16.432-STANDARD
The builder in dark blue shorts uses a stick to hammer the supports deeper into the ground.
+00:02:32.614-STANDARD
With the support secured, the builder ties the long sticks to the Y-shaped supports with vines.
+00:02:44.170-STANDARD
He lays the shorter sticks parallel one by one to create a mat-like structure.
+00:03:04.726-STANDARD
Both builders continue tying the sticks in place with vines, making sure everything is secure. They crouch over the structure to tighten the ropes.
+00:03:45.371-STANDARD
They continue tightening the ropes along the bed.
+00:04:09.000-STANDARD
A close-up shows the vines holding the sticks tightly together.
+00:04:19.693-STANDARD
The builders tap the completed bed to settle it, then they both lie down.
+00:04:32.314-STANDARD
The builders sleep on the bed. On screen text: Thank you for watching my video. Please Subscribe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_0PbM4jgBSU0.txt b/raw/validation/gt_ad/output_0PbM4jgBSU0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..227f66069e7651901191235e0b636ca09af14fe3
--- /dev/null
+++ b/raw/validation/gt_ad/output_0PbM4jgBSU0.txt
@@ -0,0 +1,27 @@
+00:00:01.033-STANDARD
A young brunette points a camera at herself.
+00:00:30.634-STANDARD
She searches a fridge.
+00:00:57.266-STANDARD
She pulls a bag out of her fridge.
+00:01:10.066-STANDARD
Words appear: "By Olive. Jersey Two; Ninth of January to the Fourteenth of February."
+00:01:17.934-STANDARD
Olive spreads hummus inside of a cut open bread roll, then places olives and spinach inside before closing it.
+00:01:27.033-STANDARD
Later, her roll sits on a wooden table by a bowl of apples and tangerines.
+00:01:33.800-STANDARD
She uses a machine to make herself a cup of hot chocolate.
+00:01:39.233-STANDARD
Olive sits on a green couch in a living room and holds her hot chocolate cup while talking to the camera.
+00:01:48.033-STANDARD
She turns the camera to a small, white and black dog stretching by a dog bed.
+00:01:55.400-STANDARD
Later, Olive stands in a bedroom and puts on a scarf and a black and white waterproof coat over her sweater.
+00:02:03.934-STANDARD
She points the camera at her face and pouts before cocking her head.
+00:02:09.700-STANDARD
Later, Olive walks down a grassy path in her neighborhood.
+00:02:35.367-STANDARD
Olive walks down an asphalt path curving through a graveyard, the sky sunny and blue overhead.
+00:02:43.400-STANDARD
Later, she passes a fenced-off field where two horses wearing jackets graze.
+00:02:50.667-STANDARD
Olive stands in front of the Belfast City Hall. Words appear: "Belfast for the night... picking up Hamish on the fifteenth."
+00:03:01.133-STANDARD
Inside a house, playing cards sit in several stacks on a chair.
+00:03:09.033-STANDARD
"Newcastle from the fifteenth to the twenty fifth."
+00:03:19.300-STANDARD
Olive walks alongside colorfully painted buildings.
+00:03:23.934-STANDARD
Later, Hamish walks unsteadily on a row of withered hedges alongside a road.
+00:03:30.000-STANDARD
Hamish loses his balance and stumbles back.
+00:03:37.867-STANDARD
A black cat sits in a field of tall grass.
+00:03:45.066-STANDARD
She points the camera at Hamish, young and with long, parted hair. He makes a silly face.
+00:03:53.367-STANDARD
As the sun begins to set, Olive walks across a bridge with Hamish toward a small town nestled at the foot of rounded, foggy mountains.
+00:04:02.634-STANDARD
The next day, they ride a bus. Words appear: "Then to Dublin for the day; twenty fourth of January."
+00:04:10.700-STANDARD
Time passes and they look around at various bars in Dublin. One building reads: "Traditional Irish Music."
+00:04:24.400-STANDARD
She looks at a pamphlet reading "Dubhlinn Gardens." She and Hamish walk through the city.
+00:04:33.900-STANDARD
Dusk settles over the Dublin Castle and the gardens stretching by it. Words appear: "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_0Qke4YhAnPI.txt b/raw/validation/gt_ad/output_0Qke4YhAnPI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..18a87e90313a18a24ee9c0005dbd07d544a05093
--- /dev/null
+++ b/raw/validation/gt_ad/output_0Qke4YhAnPI.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
A green suitcase. A map on an airplane TV. A female-presenting vlogger walks down the street on different days.
+00:00:18.986-STANDARD
On-screen text: "Paris."
+00:01:15.186-STANDARD
Two female-presenting people wave at the camera. A montage: getting off a tram at the airport. An airplane safety video on the back of the seat.
+00:01:24.014-STANDARD
People waiting at the gate. A sign reads "Paris Vois Aime."
+00:01:28.257-STANDARD
On-screen text: "Montmartre."
+00:01:46.171-STANDARD
Boxes of strawberries and other fruits at a street fruit stand.
+00:02:21.943-STANDARD
She makes a model-like expression.
+00:03:11.600-STANDARD
On-screen text: "Louvre."
+00:03:14.833-STANDARD
Two subway cars zoom in opposite directions.
+00:04:08.814-STANDARD
The vlogger and her two friends wear poncho hoods over their heads.
+00:04:43.786-STANDARD
People walk toward an archway in front of the Louvre.
+00:04:50.443-STANDARD
They walk towards the arch, with the Louvre's pyramid visible in the distance.
+00:05:06.300-STANDARD
They walk through the gateway, and the pyramid becomes clearer.
+00:05:13.700-STANDARD
On the other side of the archway, people walk around the Louvre. We get closer.
+00:05:22.400-STANDARD
A collage of pictures shows the vlogger posing in front of the Louvre. On-screen text: "Stay tuned for more!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_0cJVyzaI9Zw.txt b/raw/validation/gt_ad/output_0cJVyzaI9Zw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..082e2e429381b4affbacdac5e5ca50198677cc99
--- /dev/null
+++ b/raw/validation/gt_ad/output_0cJVyzaI9Zw.txt
@@ -0,0 +1,16 @@
+00:01:10.114-STANDARD
A mop brush, with a rounded tip and dense bristles, is used to paint a lavender color on the inside walls of a narrow mug.
+00:01:40.657-STANDARD
Two strokes of thick red glaze are painted across a small canvas, first with a natural hake brush, followed by a synthetic hake brush. Both brushes are flat and wide with soft bristles.
+00:01:49.386-STANDARD
Close-up on the brushstroke from the synthetic brush, which appears streaky.
+00:01:55.571-STANDARD
Next to it, the natural brush’s stroke, which appears solid.
+00:02:14.729-STANDARD
Painting the outside of a pottery mug with a thick natural hake brush, using a tan color.
+00:02:28.329-STANDARD
Painting the inside of a mug, a hake brush's bristles bend sideways.
+00:03:06.457-STANDARD
Painting with a natural fan brush under the handle of a mug, the brush appears thin from the side, and its fan-shaped bristles hold their form as they create delicate strokes.
+00:03:32.171-STANDARD
Turning the brush slowly in a Tupperware filled with water, a few tiny bubbles appear on the surface of the water.
+00:03:40.029-STANDARD
Squeezing the bristles between fingers with one hand, and rotating the brush with the other, the bristles start to form a teardrop shape.
+00:04:01.714-STANDARD
On the inside a ceramic bowl, a butterfly has been painted with thin brushstrokes.
+00:04:29.629-STANDARD
Using a tiny makeup brush to dot yellow details onto a butterfly design.
+00:04:41.186-STANDARD
Using a rigger brush, long and thin with a pointed tip, several lines are painted on the canvas from top to bottom. The lines are sometimes incomplete or very thin, creating wispy, delicate strokes.
+00:04:51.743-STANDARD
A small rigger brush is used to paint a delicate detail around a bird design on a ceramic.
+00:05:23.886-STANDARD
Using a small, thin fine art brush to paint red swirls and dots on a small canvas.
+00:05:31.829-STANDARD
The brush paints two very thin, side-by-side lines on the canvas.
+00:05:57.114-STANDARD
On-screen text: Uruly Productions. Copyright 2021.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_17QsXQrqcp8.txt b/raw/validation/gt_ad/output_17QsXQrqcp8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..51efb2fb83e6f54b4450ef4533e6d3bd36378a2c
--- /dev/null
+++ b/raw/validation/gt_ad/output_17QsXQrqcp8.txt
@@ -0,0 +1,5 @@
+00:00:20.384-STANDARD
Words appear: "Tiahra Nelson." Two women sit on a living room couch.
+00:01:13.645-STANDARD
Riley holds a cell phone.
+00:01:27.622-STANDARD
Tiahra leans a little closer to the phone.
+00:03:48.579-STANDARD
Tiahra and Riley suppress laughter.
+00:05:54.422-STANDARD
Words appear: "Thanks for watching! Hit the subscribe button for more!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1Q4rC5NXeXc.txt b/raw/validation/gt_ad/output_1Q4rC5NXeXc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d8cb1427c48c83aae1b41539dee853b4a76cbc01
--- /dev/null
+++ b/raw/validation/gt_ad/output_1Q4rC5NXeXc.txt
@@ -0,0 +1,11 @@
+00:04:48.100-STANDARD
Andrew uses an electric hand saw to slice the excess from nailed-together planks making the coffin's lid.
+00:05:04.816-STANDARD
Andrew lays a plank on the lid's center.
+00:05:18.290-STANDARD
A time lapse shows a dog lounge near the coffin on their driveway while Sabrina uses a nailgun to nail the middle plank to the lid. Another dog comes to Sabrina and Andrew with a frisbee as Andrew fixes smaller planks to the lid's underside with the nailgun.
+00:05:38.229-STANDARD
Sabrina throws the dog's frisbee and it dashes after it. The dog returns while Sabrina and Andrew lift the lid from their driveway and set it on top of the coffin.
+00:06:03.818-STANDARD
Andrew sticks a glove in a gap in the coffin lid so it looks like it's reaching out. He drapes a chain over the lid.
+00:06:24.495-STANDARD
Andrew brings a rusty chain.
+00:06:34.552-STANDARD
Sabrina lifts the first chain and Andrew swaps it with the rusty chain.
+00:06:51.540-STANDARD
A decorative, black, metal gate sits on the front lawn of a house at night. Andrew places green light strings inside of the coffin, now filled with straw.
+00:07:03.112-STANDARD
Green light glows from the gaps of the coffin, now shut. Red lights shine along the decorative gate, and beyond it tombstone decorations rise from the lawn.
+00:07:14.703-STANDARD
Tail wagging, one of the dogs sniffs Andrew while he lies inside the coffin, eyes shut, and arms crossed over his chest.
+00:07:23.867-STANDARD
Words appear: "Thanks for Watching!" The words "At aspenackley" and "At sabrinapougnet" lie between social media icons.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1WnitgYFnE0.txt b/raw/validation/gt_ad/output_1WnitgYFnE0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..994ba8b331940e5edf1c4be018fdd81e89be8406
--- /dev/null
+++ b/raw/validation/gt_ad/output_1WnitgYFnE0.txt
@@ -0,0 +1,13 @@
+00:00:00.002-STANDARD
Chris picks his nose, then jumps at the camera.
+00:00:08.794-STANDARD
Words appear: "Chris Notap."
+00:01:14.687-STANDARD
He uses a clipper to cut away the large bucket's handles.
+00:01:34.121-STANDARD
A video link appears on the screen. Chris uses an oscillating saw to slice around the top rim of the bucket. Chris uses a utility knife to scrape the edges of the bucket's new top rim.
+00:02:02.195-STANDARD
He carves away the burr.
+00:03:21.018-STANDARD
He uses tin snips to cut two holes into the bucket's bottom.
+00:04:02.099-STANDARD
He pushes the two fittings together.
+00:04:49.393-STANDARD
A hose links a small vacuum to one of the bucket's holes. Another hose is inserted in the second hole.
+00:05:14.884-STANDARD
Chris holds the end of a hose to a mound of saw dust on his garage floor and gradually vacuums it up. A camera inside the joined buckets shows the dust rapidly swirl around the sides.
+00:05:29.891-STANDARD
A time lapse shows Chris suck up the saw dust until none remains on the floor.
+00:05:39.540-STANDARD
Chris pulls the hoses from the buckets' holes and lifts the buckets.
+00:05:52.703-STANDARD
He pulls the buckets apart.
+00:06:24.563-STANDARD
Chris's new cyclose dust collector sits on his garage floor against a large piece of plywood.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1cfKC-UvMt4.txt b/raw/validation/gt_ad/output_1cfKC-UvMt4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a101ae690e47385d1f1397cb6072f9ac4879feb7
--- /dev/null
+++ b/raw/validation/gt_ad/output_1cfKC-UvMt4.txt
@@ -0,0 +1,23 @@
+00:00:00.443-STANDARD
A logo appears: DIY Stitching. Color Your Life.
+00:00:05.814-STANDARD
On-screen text: Title card: Beaded Smocking Sleeve (DIY) displayed over an image of black fabric with red beads.
+00:00:13.986-STANDARD
On-screen text: Things You Will Need for Beaded Smocking: Dot Fabric, Pearl Cotton Balls/Embroidery Floss, Beads, Scissors, Pins, Hand Sewing Needle, Tape Measure.
+00:00:21.500-STANDARD
A piece of black fabric. On-screen text: Sleeve.
+00:00:27.138-STANDARD
The fabric appears sheer with black dots. A tape measure, marked at 24 inches, is held up. On-screen text: WIDTH: Fabric should be 3 times the final width (e.g., 8 inches x 3 = 24 inches).
+00:00:40.619-STANDARD
The raw edge of the fabric is folded over and secured with red pins.
+00:00:46.642-STANDARD
A printed guide featuring a zigzag pattern is shown. The person’s fingers point to where the pattern will be placed on the fabric.
+00:00:54.329-STANDARD
The pattern is traced onto the fabric with a yellow colored pencil, covering the dots along the folded edge.
+00:01:08.564-STANDARD
A needle is threaded and inserted through the first dot in the pattern.
+00:01:17.814-STANDARD
Three tiny red beads are strung on to the needle together as a trio.
+00:01:29.186-STANDARD
The thread is sewed into the fabric.
+00:01:43.086-STANDARD
Three more red beads are strung on to the needle and then sewn in.
+00:02:09.329-STANDARD
These steps are repeated a third time.
+00:02:17.014-STANDARD
More beads are strung onto the needle, and the zigzag pattern is repeated across the fabric.
+00:02:33.747-STANDARD
A time jump and the first zigzag pattern is now complete with a dozen trios of red beads across the fabric.
+00:02:57.142-STANDARD
The yellow pencil is reintroduced to mark a new row of dots beneath the first completed row of red beads. The needle is inserted through each dot, beads are added, and the process repeats.
+00:03:31.929-STANDARD
A time jump and there are now two full rows of beads in the zigzag pattern, with half of the fabric still untouched.
+00:03:39.622-STANDARD
The third row of beads is started, then completed in a time jump.
+00:03:45.090-STANDARD
The pins are removed, and the excess thread is pulled to gather the fabric. This creates a gathered effect, making the fabric appear ruffled.
+00:04:01.400-STANDARD
The gathered fabric is pinched and smoothed, with fingers running over the folds to adjust the gathering.
+00:04:26.829-STANDARD
The completed fabric is turned to the side, showing that the gathering is at the shoulder area, while the rest of the fabric lays flat, forming the short sleeve.
+00:04:39.660-STANDARD
A final view of the completed, gathered, beaded, smocked sleeve.
+00:04:50.371-STANDARD
On-screen text: www.youtube.com/diystitching. Watch More Videos.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1d-9kxTKGls.txt b/raw/validation/gt_ad/output_1d-9kxTKGls.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ad3eea440122c307f4dd4baffacabe9e9f6fc7b7
--- /dev/null
+++ b/raw/validation/gt_ad/output_1d-9kxTKGls.txt
@@ -0,0 +1,33 @@
+00:00:00.934-STANDARD
A young, blond woman runs through a grassy meadow under a cloudy sky.
+00:00:06.533-STANDARD
Words appear: "Cozy Summer Days. Vlog One."
+00:00:11.433-STANDARD
The blond stands by a kitchen counter and stirs coffee grounds in a mug with the words: "Talk Darcy to Me" over a silhouette of a man in a suit.
+00:00:21.800-STANDARD
"No matter the season, I start my day with a hot cup of coffee. This is currently my favorite mug. A gift from my fiancee."
+00:00:31.266-STANDARD
She sits at a small dining table with a laptop open on it. Words appear: "It's the weekend, but I'm checking on my online shop anyway. If you own your own business, you never stop."
+00:00:44.166-STANDARD
She lights a candle on a tray near her laptop with a label reading: "Quiet Moments."
+00:00:52.700-STANDARD
A time lapse shows the blond work on her laptop while sipping her coffee.
+00:01:01.467-STANDARD
She uploads a photo on Instagram of her lighting her "Quiet Moments" candle.
+00:01:15.667-STANDARD
Time passes. Words appear: "So far, we have a wet and moody summer in Somerset."
+00:01:25.934-STANDARD
A time lapse shows the blond driving down a narrow road hedged in by tall, verdant trees and thick shrubs.
+00:01:34.467-STANDARD
A sign reads: "Broomfield. Please drive with care. Quantock Hills." Words appear: "I don't mind. I love the rain. Nature is so abundant. Everything feels alive."
+00:01:48.667-STANDARD
The blond steps onto a small, wooden bridge spanning a gap in the forest filled with dense clusters of green shrubs.
+00:01:57.233-STANDARD
She gazes out at a shallow stream flowing under the bridge.
+00:02:04.066-STANDARD
She grips the bridge's railing and leans back so she faces the sky.
+00:02:11.500-STANDARD
She tilts the camera up from the bottom of the bridge, tracking the stream as it meanders through the forest.
+00:02:21.033-STANDARD
Later, she stands on a deck and records wind combing through trees over and around her.
+00:02:29.500-STANDARD
She walks up a grassy hill covered with patches of dark, green trees. Thick, grey clouds hang overhead.
+00:02:39.533-STANDARD
A breeze makes flowers in the field lightly shake. The blond dashes up the hill and her long hair sways from side to side.
+00:02:51.433-STANDARD
Far from the camera, she holds her arms out and twirls.
+00:02:57.800-STANDARD
Bell-shaped, purple flowers rise in front of a row of trees. A fence of barbed wire stretches in front of them. Words appear: "The natural world is blooming with colors."
+00:03:10.734-STANDARD
She focuses the camera on a bumblebee crawling into one of the flowers.
+00:03:17.233-STANDARD
The blond sits on the field and stares out, sunlight now filtering through the clouds and soaking the grass and trees. Words appear: "The green meadow is buzzing with life."
+00:03:31.300-STANDARD
Two grassy hills converge in front of the entrance to a forest.
+00:03:38.533-STANDARD
The blond turns toward the camera as she continues to sit on the grass and beams.
+00:03:46.767-STANDARD
"I will never have enough of this view."
+00:03:52.033-STANDARD
She strides down the hill.
+00:03:56.667-STANDARD
The meadow grass reaches her ankles in some spots and her calves in others while she continues on.
+00:04:04.900-STANDARD
"It heals me and brings me peace."
+00:04:09.767-STANDARD
The blond moves further down the hill toward the forest.
+00:04:16.433-STANDARD
The blond moves down a dirt trail wandering under the low branches of a tree with vivid green leaves.
+00:04:25.400-STANDARD
She pans the camera to the left, showing a small transition tower and electrical cables stretching out from its top.
+00:04:34.700-STANDARD
The blond opens a gate with a sign reading: "Please close the gate; thank you." She shuts it, then continues down the dirt trail, blanketed with leaves, while it winds under the canopy of tightly packed trees.
+00:04:51.800-STANDARD
"Thank you for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1pOGEqW2gNs.txt b/raw/validation/gt_ad/output_1pOGEqW2gNs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0d19510ba7b460e0f42e8c532a201e6744bbf45d
--- /dev/null
+++ b/raw/validation/gt_ad/output_1pOGEqW2gNs.txt
@@ -0,0 +1,4 @@
+00:00:00.092-STANDARD
In a kitchen.
+00:00:09.460-STANDARD
A woman pets Thumbelina's belly.
+00:00:18.783-STANDARD
They feed a baby squirrel.
+00:02:22.856-STANDARD
Words appear: "Geobeats."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_1yoYgZycm0Q.txt b/raw/validation/gt_ad/output_1yoYgZycm0Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fce2c53033574bea8fac5bd8268b867313a1edf1
--- /dev/null
+++ b/raw/validation/gt_ad/output_1yoYgZycm0Q.txt
@@ -0,0 +1,15 @@
+00:00:25.160-STANDARD
A small dog sits by her.
+00:01:06.560-STANDARD
The woman gets behind the wheel of a black sedan wearing a green dress, her hair and makeup now done. She sets a black, leather tote bag on her passenger seat, then drives off.
+00:01:19.280-STANDARD
She drives down a highway through the city. She rolls into a parking lot, stops in a spot, then gets out and heads up concrete steps to a large, white building's entrance.
+00:01:30.760-STANDARD
The woman strides down a corridor lined with a variety of clothes on racks, then hugs a woman.
+00:02:04.080-STANDARD
She uses a stylus to write on her pixelbook while sitting at a desk with several women near a large vanity mirror.
+00:02:12.640-STANDARD
Later, she stands with a man by a huge cork board with dozens of outfits pinned to it broken up by labels reading: "Romantic, Jet Setter, and Boss."
+00:02:28.600-STANDARD
She smiles with her team.
+00:02:38.320-STANDARD
She hugs her team.
+00:02:50.480-STANDARD
She returns to her home. A man stands in the kitchen.
+00:03:03.480-STANDARD
They open a large fridge and he holds her from behind while they stare at its contents.
+00:03:15.920-STANDARD
The woman's open laptop Googles "healthy pescatarian recipes." They scroll through links.
+00:03:23.880-STANDARD
She chops and washes a bundle of asparagus in a sink, then slices potatoes. She places them all on a foil-lined baking tray with salmon and slides that in an oven.
+00:03:38.840-STANDARD
Cheeki cocks its head nearby. Later, she withdraws the baking tray and sets it on her stove, the food steaming. She and Gage kiss, their food now plated.
+00:04:02.240-STANDARD
Cheeki cuddles with her on her bed by her open pixelbook.
+00:04:32.000-STANDARD
Smiling, she settles under her covers and shuts her eyes.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_26skipx8kXk.txt b/raw/validation/gt_ad/output_26skipx8kXk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d161e4aff6248b6ae4349b6a44b698998ac4f807
--- /dev/null
+++ b/raw/validation/gt_ad/output_26skipx8kXk.txt
@@ -0,0 +1,7 @@
+00:00:01.597-STANDARD
A streamer controls a green-haired man in GTA Roleplay.
+00:00:25.127-STANDARD
Later, his character stands by another character.
+00:01:42.794-STANDARD
Two characters fight.
+00:02:05.717-STANDARD
In a mansion.
+00:03:29.037-STANDARD
The streamer accidentally falls over a rail in the backyard and into the ocean.
+00:04:35.215-STANDARD
Outside.
+00:04:39.851-STANDARD
He gets gunned down.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_3hV9Eb2HQo8.txt b/raw/validation/gt_ad/output_3hV9Eb2HQo8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dfe1f36f91171bc6858830b0de969624da884983
--- /dev/null
+++ b/raw/validation/gt_ad/output_3hV9Eb2HQo8.txt
@@ -0,0 +1,22 @@
+00:00:00.000-STANDARD
The closed eyes of a female-presenting model with shiny white eyeshadow, thick false eyelashes, and drawn-in eyebrows, with defined hairs.
+00:00:07.571-STANDARD
Brown gel eyeliner in a circular container beside an eyeliner brush, with the words on screen: I used ADS gel liner (dark brown colour).
+00:00:13.643-STANDARD
The model uses an eyebrow brush to brush her thin, sparse eyebrows outwards towards her ears.
+00:00:23.546-STANDARD
The model makes a thin line under the brow with the eyeliner brush, starting from the inner corner and moving outwards.
+00:00:32.429-STANDARD
The line reaches to the end of the brow.
+00:00:43.786-STANDARD
More eyeliner is added to darken the line, then the eyebrow brush is used to gather the brow.
+00:00:56.443-STANDARD
The eyeliner brush is used to add a line above the brow, starting inwards and going out, creating the shape of an arch in the middle, which meets at a point at the end closest to her ear.
+00:01:14.567-STANDARD
The eyebrow brush is used to brush the brow hairs gently upwards.
+00:01:25.193-STANDARD
Using the eyeliner brush again, the top line is darkened.
+00:01:32.571-STANDARD
At the inner corner, the eyeliner brush is used to draw small lines going upward like hairs, to extend the eyebrow.
+00:01:46.293-STANDARD
More lines are added, going across the whole brow, one line at a time, to look like hairs.
+00:02:01.057-STANDARD
Even more brow lines are added.
+00:02:11.443-STANDARD
Small lines are filled in in between, to fill it out.
+00:02:27.530-STANDARD
Starting on the other eye, the eyeliner brush is used, brushing outwards towards the ear, repeating the same steps.
+00:02:35.793-STANDARD
The eyeliner brush is used to draw a straight line under the brow, from the corner, outwards.
+00:02:51.218-STANDARD
The line continues outwards.
+00:03:28.000-STANDARD
A line is drawn on the top of the brow, from the inner corner, outwards, creating an arch in the middle, and meeting at a point at the end closest to her ear.
+00:03:52.186-STANDARD
The eyebrow brush is used to brush the brow hairs gently upwards.
+00:03:59.739-STANDARD
The eyeliner brush creates little lines going upwards to replicate eyebrow hairs.
+00:04:19.518-STANDARD
More lines are drawn to fill it out, going all the way across the brow, filling spaces in.
+00:05:02.447-STANDARD
Text on screen: "No concealer highlight and still beautiful" with a smiling emoji with hearts around it.
+00:05:13.271-STANDARD
Text on screen: Ivonmelda. Make-up / Hair / SFX and a Youtube Subscribe button.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_3qEnUEi10H0.txt b/raw/validation/gt_ad/output_3qEnUEi10H0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d401609efb1c23df4766f2977814c4f62fc6dcb4
--- /dev/null
+++ b/raw/validation/gt_ad/output_3qEnUEi10H0.txt
@@ -0,0 +1,21 @@
+00:00:06.700-STANDARD
Walking into a dark coffee shop, the vlogger waves at the barista counter, goes behind the counter, and turns on the lights.
+00:00:19.471-STANDARD
She turns on a small oven, throws a muffin tin onto the counter, and places raw croissants onto a pan. She lines glass bottles of syrup against the wall, then places plastic bottles of syrup on the counter.
+00:00:29.557-STANDARD
She opens a carton of half and half and pours it into a jug, which is then placed on the counter.
+00:01:01.757-STANDARD
She pours about an inch of chocolate syrup into a glass, followed by caramel syrup.
+00:01:09.057-STANDARD
She turns on a coffee grinder.
+00:01:11.357-STANDARD
She cleans off an espresso portafilterwith a rag.
+00:01:15.414-STANDARD
She attaches the portafilter to the machine, and coffee grounds pour into it.
+00:01:19.286-STANDARD
She puts a lid on the espresso presser.
+00:01:27.714-STANDARD
She places a glass under the espresso machine, and espresso slowly pours into it.
+00:01:31.600-STANDARD
She pours the espresso into a tall glass, adds cinnamon powder, and stirs with a straw.
+00:01:35.500-STANDARD
She grabs a small carton of oat milk from the fridge and pours it into the glass, followed by ice cubes.
+00:02:59.943-STANDARD
She measures espresso in the portafilter on a scale, takes a spoonful out, and then measures again. She taps the sides of the portafilter and puts the espresso into the press.
+00:03:09.300-STANDARD
She places a glass measuring cup under the spout of the espresso machine, and espresso pours into it.
+00:04:24.186-STANDARD
She dumps the coffee grounds from the espresso holder, then places it back under the espresso machine and screws the top on.
+00:04:46.486-STANDARD
She pours espresso into a mug.
+00:05:04.429-STANDARD
She ties an apron on, then stacks plastic cup lids on the counter.
+00:05:14.099-STANDARD
She grinds coffee and places the ground coffee into a filter. She presses buttons on a machine, and drip coffee pours into two large jugs.
+00:05:23.071-STANDARD
She brushes coffee grounds off the counter. A shot of baked croissants on a tray follows. Then, she pours whole coffee beans into a glass receptacle on the grinder.
+00:06:01.143-STANDARD
She wipes down the counter, steams milk, pours coffee, froths milk, and reveals latte art in the shape of a flower.
+00:06:08.543-STANDARD
She puts dishes in the dishwasher, pours coffee beans into a tin on a scale, and sips a coffee.
+00:06:14.643-STANDARD
On-screen text: "6.5 hours later. She's in her car."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_3vJePBf4Or8.txt b/raw/validation/gt_ad/output_3vJePBf4Or8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..14b7eeddc6084449f3a4c143999a7bf1200d6f7d
--- /dev/null
+++ b/raw/validation/gt_ad/output_3vJePBf4Or8.txt
@@ -0,0 +1,16 @@
+00:00:06.657-STANDARD
Drone footage shows clear blue waters off an island coast.
+00:01:15.457-STANDARD
On-screen text: I made this film to remember her first moments in the world.
+00:01:20.614-STANDARD
On-screen text: "DREAM" appears over drone footage of a small, green island off the coast of a larger island, with crystal-clear, calm blue water surrounding it.
+00:01:30.800-STANDARD
A small, black, baby horse lies in the sand inside an enclosure surrounded by a wooden fence. A large white horse stands beside the baby.
+00:01:37.230-STANDARD
The white horse, now standing, is brushed with a hairbrush.
+00:01:43.320-STANDARD
The black baby horse remains laying in the sand with its eyes closed.
+00:01:48.271-STANDARD
Three people approach: one places their hands over their mouth, another’s mouth falls open, and the third smiles widely.
+00:01:54.271-STANDARD
A wider view reveals the white horse standing with the baby horse lying beneath it on the sand.
+00:02:00.512-STANDARD
The onlookers smile. One of them crouches to pet the baby horse, who still lies on the ground. Another pets the adult horse.
+00:02:05.614-STANDARD
While being petted, the baby horse pushes itself up to a wobbly, unsteady standing position. The person removes their hand as the baby horse stands. One of the baby horse's wobbly legs is further back than the others.
+00:02:17.086-STANDARD
The baby horse shakes a few times like a dog shaking water off its fur.
+00:02:22.943-STANDARD
The baby horse walks closer to the adult.
+00:02:30.257-STANDARD
In a new moment, the baby horse attempts to run around, still wobbly and unsteady on its feet.
+00:02:36.871-STANDARD
In a montage, the baby horse licks the adult horse's chest, sniffs the ground near a picnic table, and looks under the adult horse's belly, likely seeking milk. One of the onlookers kneels in the sand, smiling and observing the horses.
+00:02:51.600-STANDARD
Still kneeling, she pets the horses, smiling.
+00:03:06.629-STANDARD
A wider shot shows the baby horse looking for milk under the adult horse.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_4MNmHUz3rak.txt b/raw/validation/gt_ad/output_4MNmHUz3rak.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a3cb10393276bb98df666440da36c14dafaf8576
--- /dev/null
+++ b/raw/validation/gt_ad/output_4MNmHUz3rak.txt
@@ -0,0 +1,13 @@
+00:00:00.038-STANDARD
Jed, a young man with black hair parted down the middle, sits at an office desk by a window. He points a camera out the window; hundreds of skyscrapers sprawl outward.
+00:00:12.085-STANDARD
He finishes a shower and dries off. He puts on a necklace in an apartment living room before adjusting his hair. He sits at a computer desk, then opens "Final Cut Pro." A time lapse shows the sun set. Later.
+00:02:09.979-STANDARD
A camera's point of view hangs behind Jed while he skateboards down a road stretching through New York City.
+00:02:21.767-STANDARD
He quickly skates past cars moving down the one way road.
+00:02:44.281-STANDARD
The hanging point of view follows Jed while he weaves through cars, vans, and trucks sitting in a narrow street hedged in by massive buildings.
+00:02:58.415-STANDARD
He passes through an intersection, then skates through dozens of people crossing.
+00:03:06.282-STANDARD
He moves down a more wide, empty road lined with taxi SUV's.
+00:03:19.230-STANDARD
Jed leaves his apartment.
+00:04:23.962-STANDARD
A time lapse shows Jed type on his laptop in a conference room. Two young men join him and work on their laptops.
+00:06:37.739-STANDARD
Later, Jed enters a cafe and pays at the counter.
+00:06:44.155-STANDARD
He enters an apartment.
+00:06:48.663-STANDARD
He hands a man a food bag, then fist bumps another.
+00:06:55.761-STANDARD
Words appear: "Thanks for watching. See you next week. Check out Insta Three Sixty in my description."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_4c6DWhrf8q0.txt b/raw/validation/gt_ad/output_4c6DWhrf8q0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..81e353030f193cb25d2df32e17f30fa6e098db72
--- /dev/null
+++ b/raw/validation/gt_ad/output_4c6DWhrf8q0.txt
@@ -0,0 +1,21 @@
+00:00:00.000-STANDARD
From high up in stadium bleachers, we see a wide shot of a hard-surfaced tennis court.
+00:00:04.786-STANDARD
On-screen text reads: "Welcome to Alisa S Chang," followed by a Subscribe button. A woman with long black hair stands in a spacious, modern bathroom.
+00:01:02.600-STANDARD
Views from outside a bus terminal, followed by shots from inside a moving car. Through the front windshield, suburban streets give way to city scenes with strip malls and office buildings.
+00:01:21.143-STANDARD
The vlogger is shown driving on a highway. The camera, held by her boyfriend, captures the vlogger behind the wheel, as well as the view out the front windshield.
+00:01:30.514-STANDARD
They arrive at a large parking lot. On-screen text reads: "York University."
+00:01:38.543-STANDARD
With the vlogger walking behind her boyfriend, who wears a polo shirt, they join a crowd heading down the street from the parking lot toward the stadium.
+00:01:53.014-STANDARD
They approach a hot dog stand under a small tent. The vlogger eats a hot dog wrapped in a napkin.
+00:02:00.414-STANDARD
They wait at the stadium's main entrance, surrounded by a large crowd.
+00:02:06.271-STANDARD
People mill about the stadium grounds.
+00:02:13.186-STANDARD
They sit high in the packed bleachers. A tennis match plays out on the tennis court below. The vlogger and her boyfriend smile into the camera.
+00:02:22.021-STANDARD
One tennis player serves the ball; the opponent volleys it back. The first player lets the ball pass without returning it. On-screen text reads: "Go Hubes!" A large scorecard is slightly visible in the distance.
+00:02:29.771-STANDARD
In the stadium's concessions area, two small ice cream stands are shown. The vlogger's boyfriend smiles at the camera. The vlogger buys two Háagen-Dazs bars with a credit card. The couple walks back into the stadium holding the bars.
+00:02:42.243-STANDARD
Back in their seats, they eat their chocolate-covered ice cream bars.
+00:02:50.729-STANDARD
A view of the court as players volley the ball back and forth.
+00:02:58.643-STANDARD
A plane flies over the stadium in the dusky sky.
+00:03:03.314-STANDARD
A wide view of the stadium filled with spectators.
+00:03:09.287-STANDARD
A view of the sky filled with fluffy white clouds.
+00:03:13.029-STANDARD
Inside a stadium tent: plastic curtains, a wall-mounted TV, and a folded wheelchair are visible.
+00:03:17.143-STANDARD
Now nighttime, the vlogger walks ahead, down the same street.
+00:05:23.529-STANDARD
On-screen text reads: "Thanks for watching!"
+00:05:26.929-STANDARD
A thumbnail appears with a photo of the vlogger, the words "Alisa S Chang," and a Subscribe button.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_4nHCYYJ6_JU.txt b/raw/validation/gt_ad/output_4nHCYYJ6_JU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e8c06680d908558c90147298e955ae33bf920e94
--- /dev/null
+++ b/raw/validation/gt_ad/output_4nHCYYJ6_JU.txt
@@ -0,0 +1,7 @@
+00:00:00.292-STANDARD
Adorable, cartoonish mushroom people figurines sit on a floral display.
+00:00:06.174-STANDARD
A woman with black hair in a black bow sits in a home office.
+00:01:51.862-STANDARD
She packs two clay figurines in a gift box. Later, she packs multiple cute animal character stickers.
+00:02:55.425-STANDARD
She holds a packed box's flaps down while another person seals it with packing tape.
+00:03:01.556-STANDARD
A printer makes a shipping label. She rips one out, and carefully places it on the taped side of the packed box.
+00:03:09.481-STANDARD
Later, eleven large boxes sit stacked near a neat pile of cardboard envelopes.
+00:04:49.330-STANDARD
Words appear: "At yep penny doodles. Yep penny doodles dot com." "Sleep deprived rambles that didn't make the final cut."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_4yY7MbT_F0s.txt b/raw/validation/gt_ad/output_4yY7MbT_F0s.txt
new file mode 100644
index 0000000000000000000000000000000000000000..59c19ce4ad06c2eaccbca2bdf191cee628bd789f
--- /dev/null
+++ b/raw/validation/gt_ad/output_4yY7MbT_F0s.txt
@@ -0,0 +1,14 @@
+00:00:00.665-STANDARD
Words appear in cursive over a baby in a crib: "Our Morning Routine." A young, curly-haired woman swaddles the baby.
+00:00:38.715-STANDARD
She tickles Amari.
+00:00:54.295-STANDARD
She carries Amari away.
+00:01:21.446-STANDARD
She gently washes Amari.
+00:01:35.415-STANDARD
The woman carefully rubs cream on Amari's face.
+00:02:13.733-STANDARD
She breast feeds Amari on a couch.
+00:02:44.231-STANDARD
She sets Amari, now swaddled, in a large basket with a cushion in it. Later, she enters a shower as steaming water pours.
+00:02:54.401-STANDARD
She gets out, then rubs cream onto her face in front of a mirror.
+00:03:44.326-STANDARD
In her kitchen, the woman spreads peanut butter over bread, then walks away.
+00:03:52.523-STANDARD
Later, she lounges on her couch and scrolls through her phone.
+00:04:26.584-STANDARD
She breastfeeds Amari by his crib. Later, she holds him to her chest.
+00:05:34.602-STANDARD
Words appear: "Subscribe." Amari approaches a white SUV in a parking garage. She buckles Amari in a baby seat in the back, then gets behind the wheel.
+00:05:47.045-STANDARD
Amari drives down a curving road with clustered trees and shrubs running alongside it.
+00:05:54.111-STANDARD
She pushes Amari in a stroller outside.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_4yzgdNGyoHo.txt b/raw/validation/gt_ad/output_4yzgdNGyoHo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8a22a926adcea9caa3998e6dfbfadec6090f2062
--- /dev/null
+++ b/raw/validation/gt_ad/output_4yzgdNGyoHo.txt
@@ -0,0 +1,9 @@
+00:00:03.743-STANDARD
A baby squirrel is fed by a dropper.
+00:00:55.900-STANDARD
The squirrel pulls tissues out of a box, runs across the couch, and eats a chunk of cheese.
+00:01:11.571-STANDARD
Winston jumps from the top of a shelf onto a dresser.
+00:01:56.086-STANDARD
Winston jumps on top of the rabbit.
+00:02:13.800-STANDARD
Winston sits on a blanket on the windowsill.
+00:02:33.729-STANDARD
On-screen text: Artemis, meanwhile, over a video of the rabbit biting the side of the plastic treat puzzle.
+00:02:43.414-STANDARD
Winston eating a nut. On-screen text: He even heals his almonds.
+00:02:58.743-STANDARD
Winston unrolling a toilet paper roll.
+00:03:06.886-STANDARD
On-screen text: Geobeats.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_5EyHvPx7JY8.txt b/raw/validation/gt_ad/output_5EyHvPx7JY8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..178773a33da5c67aa3d45c0faf1758fdd181feb2
--- /dev/null
+++ b/raw/validation/gt_ad/output_5EyHvPx7JY8.txt
@@ -0,0 +1,5 @@
+00:00:06.204-STANDARD
A young man with wavy, blond hair plays a mandolin on a bed in the cabin of a boat.
+00:00:28.755-STANDARD
An image flashes of a white sailboat in open ocean.
+00:02:06.047-STANDARD
A yellow hue colors the video as it goes slow motion.
+00:02:32.359-STANDARD
He plays by the helm.
+00:08:31.538-STANDARD
He lifts his mandolin.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_5HwrJFOTovM.txt b/raw/validation/gt_ad/output_5HwrJFOTovM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8dc9ce9eea7faf8a51e5b38100a59d02de177b2c
--- /dev/null
+++ b/raw/validation/gt_ad/output_5HwrJFOTovM.txt
@@ -0,0 +1,10 @@
+00:00:34.271-STANDARD
A view from a high window shows a city skyline with tall buildings. On-screen text: moving vlog...Austin.
+00:03:07.671-STANDARD
She loads three upholstered bar stools into the back of a U-Haul truck, then closes the doors.
+00:03:11.714-STANDARD
Now in the passenger seat, she rides while a friend drives.
+00:03:29.457-STANDARD
She loads four mesh-seated chairs into the U-Haul.
+00:03:35.471-STANDARD
They load the couch.
+00:03:40.557-STANDARD
Driving at night, the Austin skyline glows outside the window.
+00:03:46.843-STANDARD
She and her friend sit on the stacked furniture inside a freight elevator.
+00:03:52.686-STANDARD
They carry a couch down an apartment hallway and into her unit.
+00:04:03.400-STANDARD
They bring a chair and stool into the living room. A stool already in the kitchen tips over.
+00:04:42.329-STANDARD
The vlogger poses and smiles in front of the U-Haul truck.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_5sUMJ7DDOBk.txt b/raw/validation/gt_ad/output_5sUMJ7DDOBk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..16f36d75cba0423c51609a25a4fb8cce689f99c4
--- /dev/null
+++ b/raw/validation/gt_ad/output_5sUMJ7DDOBk.txt
@@ -0,0 +1,11 @@
+00:00:24.357-STANDARD
Three apples sit on a metal frame with a powerful, moving hydraulic arm. The top arm lowers slowly towards the apples, with a trash bag surrounding it.
+00:00:36.114-STANDARD
The arm touches the apples, causing them to split open and get crushed.
+00:00:51.214-STANDARD
Some crushed apple pieces fall into the trash bag around the press.
+00:01:00.900-STANDARD
Using a screwdriver, he turns a bolt on the screw of the arm, and the press' arm rises upwards.
+00:01:19.557-STANDARD
The arm lowers slowly onto the squished apple pieces.
+00:01:26.114-STANDARD
The arm reaches the apple pieces and crushes them further, with some juice visibly squeezing out.
+00:02:00.143-STANDARD
He pours apple juice from the trash bag directly into a mason jar on the floor.
+00:02:12.057-STANDARD
He continues squeezing the bag, with the mason jar now filled about halfway.
+00:02:24.757-STANDARD
He picks up the mason jar, half-filled with apple juice, and shows it.
+00:02:35.643-STANDARD
He drinks from the jar.
+00:02:46.171-STANDARD
He takes another sip.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_5xpneZ6d1Rs.txt b/raw/validation/gt_ad/output_5xpneZ6d1Rs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..14a26c904409c2b37fddf94904cfc4439972c1cc
--- /dev/null
+++ b/raw/validation/gt_ad/output_5xpneZ6d1Rs.txt
@@ -0,0 +1,17 @@
+00:00:55.522-STANDARD
A young woman, Jasmine, stuffs paper towels into compartments made of cardboard pieces arranged in a plastic bin. Later, she pets a cat and puts on a coat.
+00:01:16.414-STANDARD
Later, Jasmine sits in the back of a sedan as it drives down a highway, her ceramics filled bin beside her.
+00:01:24.495-STANDARD
Fluffy clouds float over a city.
+00:01:27.867-STANDARD
In a ceramics studio, a variety of cups, plates, and bowls sit on a shelf. Words appear: "Ready for bisque firing.”
+00:01:37.661-STANDARD
In a home, she crouches by a door.
+00:01:53.138-STANDARD
An orange cat pads over.
+00:01:58.339-STANDARD
Words appear over the cat's large eyes: "Gamja the Potato.”
+00:02:05.883-STANDARD
They feed Gamja a treat, then a small machine on a stand spins with a laser on the ground.
+00:02:15.613-STANDARD
Gamja chases the laser.
+00:02:16.751-STANDARD
Jasmine and her friend sit at a table in a restaurant, Myrtle Thai. Two bowls of stew sit by a pair of bowls holding noodles, meat, and veggies. Later, they walk outside with leftovers in bags.
+00:02:49.080-STANDARD
At night, she moulds a lump of clay at a dining table.
+00:03:06.681-STANDARD
Jasmine details the candle holder with a scouring tool. Time passes and she details a small vase with a ridge curving from is opening to its bottom and a handle on its back.
+00:03:25.723-STANDARD
Jasmine uses her finger to brush the sides of the opening, smoothing them over.
+00:03:34.712-STANDARD
Later, Jasmine leans on her dining table near the more completed vase and two small bowls.
+00:05:03.871-STANDARD
Words appear: "A few weeks ago: A Glazing Crash Course with Scarlett.”
+00:05:19.541-STANDARD
Jasmine and a young woman, Scarlett, glaze clay pieces in a pottery studio. In her home, Jasmine shows different pieces.
+00:05:42.463-STANDARD
Jasmine uses a wet paper towel to clean clay residue from her dining table. Words appear: "See you soon! Love, at jaschann."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6Fupbk14Atk.txt b/raw/validation/gt_ad/output_6Fupbk14Atk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..41876c021eacf9a3cc47d7ef68bcbf1343265d13
--- /dev/null
+++ b/raw/validation/gt_ad/output_6Fupbk14Atk.txt
@@ -0,0 +1,28 @@
+00:00:00.259-STANDARD
"Four thirty AM."
+00:00:15.843-STANDARD
The sun rises over a forest surrounding the highway Kelly drives down in the car's passenger seat.
+00:00:25.045-STANDARD
"Cale swerved because traction control was off."
+00:01:04.373-STANDARD
Later, Cale shuts his eyes and grins while he and Kelly sit in a parking lot.
+00:01:43.913-STANDARD
Later.
+00:01:45.809-STANDARD
A man on their lift eyes Kelly.
+00:02:26.620-STANDARD
Jacob grins.
+00:02:28.663-STANDARD
Later.
+00:02:32.655-STANDARD
Later, Kelly points his camera at himself at the top of a lift.
+00:02:53.053-STANDARD
Kelly boards forward.
+00:02:59.572-STANDARD
Cale falls back onto the snow.
+00:03:02.676-STANDARD
Later, a montage shows Kelly snowboard. He boards up a snow ramp, then jumps before landing and speeding down the other side.
+00:03:12.140-STANDARD
Kelly slides across a rail with his arms held out.
+00:03:17.127-STANDARD
Later, Kelly stands with Cale among other snowboarders.
+00:03:40.046-STANDARD
Cale finds his bag.
+00:03:56.582-STANDARD
Kelly leaps off of a ramp, then slams onto his chest and face. He grins.
+00:04:15.895-STANDARD
Video edited to look like VHS footage shows Kelly board across a field of snow. He bends over and moves in a tight crescent. Later, Kelly slides across a rail, jumps, then slips and falls.
+00:04:31.080-STANDARD
Kelly speeds up a ramp, jumps, then spins in the air before landing. He and Cale ride a lift down.
+00:04:46.232-STANDARD
Later, Kelly grins while putting on his coat and tightening his boots.
+00:05:09.988-STANDARD
Cale raises a shirt reading: "Lebron is a bitch."
+00:05:22.839-STANDARD
He throws a snowball at Cale.
+00:05:33.204-STANDARD
Cale flexes his biceps in the Lebron shirt, briefs, boots, and a beanie.
+00:05:40.051-STANDARD
Cale jumps off the top of a ramp and flies.
+00:05:53.651-STANDARD
Cale flexes again in his outfit, the mountains and forest sprawling behind him. A montage shows him snowboarding around a field of snow.
+00:06:17.616-STANDARD
Later, they arrive at a village. They walk to an employee in a rental store.
+00:06:36.641-STANDARD
In the parking lot, Kelly ollies on a skateboard.
+00:06:48.326-STANDARD
At night, they get fast food from a drive through.
+00:06:57.317-STANDARD
Words appear: "Subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6LX9WTEX0Cg.txt b/raw/validation/gt_ad/output_6LX9WTEX0Cg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f9b7e96e2e2dbcee4ba5b109b291e3398a595cd3
--- /dev/null
+++ b/raw/validation/gt_ad/output_6LX9WTEX0Cg.txt
@@ -0,0 +1,36 @@
+00:00:00.298-STANDARD
Two shirtless, barefoot men, kneel in a jungle and use hand-carved, wooden shovels to dig a broad, square hole several feet deep.
+00:00:11.523-STANDARD
The men, one short-haired and the other black-haired, use long-handled tools to carve an archway in the wall of a deeper section of the hole, now rectangular with a trough running through its center.
+00:00:25.023-STANDARD
The men dig and chisel two rectangular basins on either side of the hole across from the archway, now dug out into a tunnel. A stairway runs from the center trough's end to the surface.
+00:00:38.246-STANDARD
On the surface, to the side of the hole, the men use their shovels to deftly mark a large section in leaf-blanketed earth. They kneel and rapidly dig.
+00:00:49.700-STANDARD
They shovel away chunks of dirt, then use their hands to scoop it away from their work site.
+00:00:59.555-STANDARD
One uses their shovel to carefully scoop up two scorpions wandering across the dirt.
+00:01:07.139-STANDARD
The men throw the dirt into a mound of dirt.
+00:01:11.323-STANDARD
The short-haired man uses an axe to hack at a thick root jutting from the newly excavated hole, also broad and square.
+00:01:20.450-STANDARD
They use their shovels to chisel the sides of the hole and their hands to throw out more dirt.
+00:01:26.857-STANDARD
The short-haired man uses his axe to cut at another massive root protruding from the center of the second hole.
+00:01:34.614-STANDARD
The men lift the root and haul it out.
+00:01:38.776-STANDARD
They carve columns into one side of the hole by using their chisels to dig into the earth by the wall.
+00:01:47.704-STANDARD
The black-haired man uses his hands to throw more dirt out of the hole, now several feet deep and rectangular.
+00:01:57.698-STANDARD
The short-haired man continues to carve a cylinder, now one of four evenly spaced on a narrow side of the hole.
+00:02:07.352-STANDARD
The black-haired man rapidly shovels more dirt.
+00:02:13.889-STANDARD
The men carve a trough leading through the center of the hole to the wall with the columns.
+00:02:22.377-STANDARD
They use ther hands to shovel dirt from the trough into their baskets, then they carry them up stairs leading from the trough to the surface.
+00:02:32.336-STANDARD
The black-haired man kneels back in the trough and uses their hands to scoop more dirt into their basket.
+00:02:39.886-STANDARD
The black-haired man carries it up the stairs while the short-haired man shovels dirt into his basket.
+00:02:47.036-STANDARD
The short-haired man uses his chisel to smooth out a space between the columns on the wall.
+00:02:53.921-STANDARD
The black-haired man steps down the stairs with his basket, sets it down, then helps the short-haired man carve an archway between the columns.
+00:03:10.772-STANDARD
They finish the perimeter of the archway, then roughly dig into it to form a tunnel.
+00:03:17.808-STANDARD
The black-haired man steps back with his chisel. He uses it to mark an outline on one of two rectangles carved on either side of the trough.
+00:03:28.223-STANDARD
The black-haired man digs into the rectangle, forming a basin identical to the one in the first hole.
+00:03:36.654-STANDARD
The short-haired man uses his basket to haul dirt away from the archway. Time lapses and the short-haired man continues on the archway while the black-haired man finishes up with the first basin.
+00:03:50.350-STANDARD
They use their baskets to carry dirt away from their projects.
+00:03:55.600-STANDARD
The black-haired man digs deeper into the first basin while the short-haired man progresses with the archway, now a few feet deep.
+00:04:10.796-STANDARD
The short-haired man breaks through to the tunnel of the first archway.
+00:04:17.780-STANDARD
The short-haired man waves the black-haired man over, then crawls through the hole he made.
+00:04:25.874-STANDARD
Both men clear dirt away from the tunnel, flinging it to the entrance of one archway.
+00:04:33.906-STANDARD
The black-haired man throws dirt out of the first basin, now about four feet deep, with his hands.
+00:04:41.860-STANDARD
The black-haired man marks the second basin's outline with his shovel, then starts digging.
+00:04:49.835-STANDARD
Words appear: "To be continued."
+00:04:54.282-STANDARD
The short-haired man walks into the tunnel, sits, then smooths out one side with his chisel.
+00:05:01.861-STANDARD
The short-haired man stands and carves a wide groove into the archway's wall.
+00:05:07.733-STANDARD
Carved into the jungle floor lies two identical, deep, rectangular holes connected by a tunnel. Smaller rectangular basins sit within the hole on its left and right. Leading from the tunnel, a pathway runs between the basins and transitions into the stairway.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6OUGNgTZATw.txt b/raw/validation/gt_ad/output_6OUGNgTZATw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ebb838f50139034a6fc6ac7782c75bc1f64cc533
--- /dev/null
+++ b/raw/validation/gt_ad/output_6OUGNgTZATw.txt
@@ -0,0 +1,6 @@
+00:00:00.000-STANDARD
On-screen text: How to talk to a baby by How to DAD. A dad sits with a baby on a couch.
+00:00:28.629-STANDARD
The baby bounces.
+00:00:41.586-STANDARD
The baby shakes its head, as if saying "no." Dad looks to the camera in response.
+00:00:49.643-STANDARD
The baby brings its hand to dad's.
+00:00:52.414-STANDARD
On all fours, the baby rocks.
+00:00:55.743-STANDARD
On-screen text: How to dad. Bringing you an expert "how to" every week! Subscribe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6XMNnwTuAm0.txt b/raw/validation/gt_ad/output_6XMNnwTuAm0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..493052c975a30e27ec957600c986047a45601f20
--- /dev/null
+++ b/raw/validation/gt_ad/output_6XMNnwTuAm0.txt
@@ -0,0 +1,13 @@
+00:00:09.913-STANDARD
The host, a blond woman, stands on a sunny beach. Later, she stands on a sidewalk.
+00:00:21.069-STANDARD
People recline on lounge chairs on a beach. The sun soaks palm trees.
+00:00:30.519-STANDARD
A map shows Nice on the French coast.
+00:00:38.738-STANDARD
The host stands close to the bright, blue ocean. She sips wine on a bench. Later.
+00:01:37.754-STANDARD
Two men ride horses.
+00:01:52.427-STANDARD
"Have drink or lunch on the beach!"
+00:02:18.965-STANDARD
Take pictures.
+00:02:38.337-STANDARD
Words appear: "Soak up the sun on a blue chair!" People lounge on blue chairs positioned by the ocean.
+00:03:00.655-STANDARD
"Rent a bike!"
+00:03:31.463-STANDARD
"Exercise!"
+00:03:52.005-STANDARD
"Take a dip in the sea!"
+00:04:08.886-STANDARD
"Read and relax!"
+00:05:06.667-STANDARD
"Thanks for watching our video!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6efEHcwNMZw.txt b/raw/validation/gt_ad/output_6efEHcwNMZw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..114613f21e889ee97a15592bc03b6fc39097f8c3
--- /dev/null
+++ b/raw/validation/gt_ad/output_6efEHcwNMZw.txt
@@ -0,0 +1,27 @@
+00:00:00.734-STANDARD
A young woman with straight and black shoulder-length hair stands in a corridor lined with doors. Words appear: "His blazer."
+00:00:10.400-STANDARD
She poses in a large, black blazer that reaches to her mid thigh. She wears silver sandals, a gold and black Gucci belt, and two gold rings with silver-white nail polish.
+00:00:23.233-STANDARD
Words appear: "Aritzia plus Gucci plus Manolo Blahnik."
+00:00:29.400-STANDARD
She pulls back her hair a little and displays two gold hoop earrings. A tiny silver necklace hangs over a gold one on her chest.
+00:00:40.300-STANDARD
The woman sits on concrete stairs in a stairwell, her legs out. She tosses back her hair.
+00:00:48.166-STANDARD
Later, the woman stands in a small apartment terrace, walled off by a tall, concrete planter filled with greenery.
+00:00:57.166-STANDARD
Words appear: "His t-shirt."
+00:01:01.200-STANDARD
She turns around, showing off black high heel boots and a black graphic tee that reaches slightly below her waist, nearly covering cut-off denim shorts that reach her upper thigh.
+00:01:13.333-STANDARD
Words appear: "Thrift plus Aritzia plus Kendall plus Kylie." She shows off three gold rings, a silver necklace, and a gold necklace. Words appear: "Plus Meijuri."
+00:01:27.200-STANDARD
She turns and whips her hair around, then squats and rests her chin on her fist while the polished leather-like material of her boots shine.
+00:01:37.634-STANDARD
Later, the woman stands by the windows of a high-rise apartment wearing a pale blue dress shirt that reaches her upper thighs. She lies back and lifts her legs before placing one foot on the window.
+00:01:52.433-STANDARD
Words appear while she reads a book on a bed pressed against a window: "His dress shirt."
+00:02:00.900-STANDARD
Words appear: "Plus Thrift." The woman stands by the windows, the dress shirt pulled down from one shoulder, revealing a black-ink, floral tattoo.
+00:02:13.200-STANDARD
She adjusts one of three gold rings on her fingers.
+00:02:18.467-STANDARD
She kneels on her bed and adjusts her hair. A pink, neon sign hanging above her bed reads: "It was all a dream."
+00:02:27.767-STANDARD
She holds her hand by a window and sunlight pouring in reflects on two gold rings. Words appear: "Plus Mejuri."
+00:02:38.166-STANDARD
The woman leans against a white pillar near a corner window and stares out at a sprawling city.
+00:02:46.400-STANDARD
Elsewhere, the woman stands near three blue dumpsters pressed against a chainlink fence, shipping containers stacked on a train behind it. Words appear: "His shirt."
+00:02:58.500-STANDARD
The woman lowers a large, olive green jacket down her shoulders that she wears over a white sweatshirt tucked into a cut-off, denim mini skirt.
+00:03:10.166-STANDARD
Later, she steps toward the camera with the jacket off. She holds her hands close to the camera, showing off four gold rings. She lifts her gold necklace and rubs it.
+00:03:23.333-STANDARD
Words appear: "Plus tokyo ox society plus oak and fort plus Levis." She puts back on the green jacket and adjusts her hair.
+00:03:34.467-STANDARD
She turns with the jacket off again and a black and white graphic spells out: "Tokyo Society" vertically down the sweat-shirt's back.
+00:03:45.333-STANDARD
The woman watches the train roll past.
+00:03:49.834-STANDARD
She fiddles with her gold rings. Words appear: "Plus Mejuri."
+00:03:56.500-STANDARD
She poses in a hallway with tiled floors. It shifts to black and white and words appear: "Fin."
+00:04:04.967-STANDARD
A photo of her grinning in front of a colorful balloon display appears beside other videos from her channel. Words appear by an arrow pointing to the video: "Watch me."
+00:04:20.467-STANDARD
Back in the apartment terrace.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_6jroQWVJLMY.txt b/raw/validation/gt_ad/output_6jroQWVJLMY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..da24c62d2c7013b883821ae2c556ebab61a2922b
--- /dev/null
+++ b/raw/validation/gt_ad/output_6jroQWVJLMY.txt
@@ -0,0 +1,21 @@
+00:00:04.500-STANDARD
Two giant trucks roll through a massive, open mine.
+00:00:25.700-STANDARD
A truck uses seven hundred kilogram wheels to crush cars.
+00:00:38.500-STANDARD
Yuki drives his truck over clustered cars.
+00:01:16.233-STANDARD
Yuki stalls.
+00:01:39.766-STANDARD
Yuki speeds down the path. He dents cars he drives over, then trails dust while making a curve. He speeds through mud and it splashes up at him in his seat.
+00:01:58.366-STANDARD
The other driver, Max, clutches his headset. Yuki makes a hard right.
+00:02:08.366-STANDARD
Yuki gets intensely jostled as he zooms down the bumpy path.
+00:02:17.366-STANDARD
Yuki hits the finish.
+00:02:43.633-STANDARD
Max descends a stairwell leading from a watchtower in the mine, then gets into his truck.
+00:02:51.600-STANDARD
He peels out and half bounces half drives over a pile of cars in front of a dirt ramp.
+00:03:01.200-STANDARD
Yuki watches with a headset.
+00:03:07.366-STANDARD
Mud sprays through Max's truck's open bottom and onto his helmet as he races down the path.
+00:03:31.100-STANDARD
Max finishes.
+00:04:26.300-STANDARD
Max and Yuki race side by side. Their huge tires smash the cars in front of the dirt ramp.
+00:04:36.566-STANDARD
Yuki takes the lead while they turn a corner.
+00:04:45.666-STANDARD
Max stalls and Yuki speeds off, leaving Max in a trail of dust.
+00:04:52.766-STANDARD
Max's truck slowly rolls through a muddy puddle as Yuki tears down the path and makes the hard right.
+00:05:00.366-STANDARD
Max stalls.
+00:05:07.033-STANDARD
Yuki bounces up and down as he races on, deftly controlling his steering wheel and getting sprayed with dirt.
+00:05:16.066-STANDARD
A man waves a checker pattern flag as Yuki finishes.
+00:05:47.300-STANDARD
Yuki lifts a trophy.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_8H4ftYLEcpU.txt b/raw/validation/gt_ad/output_8H4ftYLEcpU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..555e2858f1fac1a014da8612b298a212336d8b7c
--- /dev/null
+++ b/raw/validation/gt_ad/output_8H4ftYLEcpU.txt
@@ -0,0 +1,13 @@
+00:00:00.280-STANDARD
A man holds a large stone on a white house's grassy front lawn.
+00:00:44.467-STANDARD
He marks a roughly five foot wide circle using a can tied to a stake in the lawn.
+00:01:07.935-STANDARD
Ricky uses a shovel to begin digging up the area in the circle. Words appear: "Dig three inches deep inside of your circle. Use a tamper to compact your base. Pour one to two inches of paver base. Apply light water to your paver base. Tamp the wet base."
+00:01:25.967-STANDARD
Later, he kneels with a two by four.
+00:01:36.726-STANDARD
Ricky presses the two by four onto the circle of dirt and rotates it, smoothing it over. He checks the dirt circle with a level.
+00:01:58.183-STANDARD
He positions large stones around the dirt circle.
+00:02:08.376-STANDARD
He sets a metal ring within the stone circle.
+00:02:22.903-STANDARD
Ricky adds a second row of stones.
+00:02:39.523-STANDARD
Ricky adds a third row of stones.
+00:02:51.169-STANDARD
He sets the metal ring back in.
+00:02:59.397-STANDARD
Ricky pours red and grey rocks on the dirt within the metal ring, filling it to nearly the top.
+00:03:06.750-STANDARD
He places a lawn chair in front of the firepit. At night, flames curl over wood inside of it. Ricky roasts a marshmallow over it.
+00:03:36.029-STANDARD
Words appear: "Subscribe to Lowe's for more 'How to Anything.'" Two more videos from the channel appear under the words: "Continue watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_8JJ642uoWJk.txt b/raw/validation/gt_ad/output_8JJ642uoWJk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cdaff5e92d7ab562091744478e1e7640df4ecc9e
--- /dev/null
+++ b/raw/validation/gt_ad/output_8JJ642uoWJk.txt
@@ -0,0 +1,19 @@
+00:00:00.000-STANDARD
Cinematic footage around a lacrosse field: players walking, putting on jerseys--some in red, some in white--adjusting helmets, sitting on the bench, and practicing by passing balls with their sticks.
+00:00:17.300-STANDARD
A player shoots toward the goal; the goalie makes a save. A red team player takes a shot. Another player fastens his helmet. Game action continues, including a face-off, where two players crouch with sticks on either side of the ball. The white team gathers in a team huddle.
+00:00:37.486-STANDARD
In gameplay, a red team player scores a goal.
+00:00:42.229-STANDARD
A white team player scores a goal.
+00:00:45.514-STANDARD
Two white team players high-five.
+00:00:48.014-STANDARD
A white team player scores with a behind-the-back shot, then celebrates with his arms raised.
+00:00:52.986-STANDARD
Another goal by the white team. Two white team players leap and chest bump mid-air.
+00:01:02.071-STANDARD
Players from both teams scramble for the ball during a face-off, battling for possession on the ground.
+00:01:06.414-STANDARD
A white team player gains control, drives toward the goal, and scores.
+00:01:11.071-STANDARD
Another face-off followed by sprinting gameplay. A white team player scores again.
+00:01:17.214-STANDARD
White team players celebrate, including another jumping chest bump.
+00:01:22.457-STANDARD
A white team player cradles the ball--rocking it in the net of the stick--while a red team defender challenges him. He shoots and scores.
+00:01:30.243-STANDARD
Another white team player runs upfield, shoots, and scores. A teammate does a playful bowing celebration with arms extended.
+00:01:38.857-STANDARD
A red team player drives toward the goal, takes a shot, and scores.
+00:01:43.886-STANDARD
Another red team player rushes in, shoots, and scores.
+00:01:55.129-STANDARD
A white team player scores and celebrates.
+00:01:59.156-STANDARD
More active gameplay, with goal attempts from both teams.
+00:02:07.114-STANDARD
Two consecutive goals scored by white team players.
+00:02:10.029-STANDARD
A shot of the red team gathered in a huddle.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_8UojuERYMJ4.txt b/raw/validation/gt_ad/output_8UojuERYMJ4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7b989b2af85dbcc76ad4339e304098ae229c9d5a
--- /dev/null
+++ b/raw/validation/gt_ad/output_8UojuERYMJ4.txt
@@ -0,0 +1,27 @@
+00:00:00.000-STANDARD
A romantic and magically-decorated garden. Beneath trees with hanging lights and flowers, a male-presenting person walks in slow-motion. He wears a traditional, peach-colored Indian wedding outfit: a delicately-embroidered tunic, a matching shawl, and a head covering. As he walks, he makes dance-like pointing gestures and smiles.
+00:00:07.143-STANDARD
A shot of two older people and a peer of the first person, possibly his parents and brother. They watch and smile, all in cream-colored outfits.
+00:00:09.843-STANDARD
A long veil in the same peach color as the groom's trails behind the bride.
+00:00:13.457-STANDARD
As the bride walks, we see her smiling, wearing an orange gown with silver embroidery and a silver jewel on her forehead.
+00:00:20.486-STANDARD
An older, female-presenting person, presumably the bride's mother, wears a cream-colored embroidered dress and gold earrings. She hugs the bride.
+00:00:24.757-STANDARD
The two walk arm in arm down the aisle.
+00:00:27.971-STANDARD
The groom wipes a tear from his eye.
+00:00:32.106-STANDARD
The groom takes the bride’s hand and gently pulls back her veil.
+00:00:37.129-STANDARD
The presumed mother wipes tears from her own eyes.
+00:00:41.314-STANDARD
The groom kisses the bride on her forehead.
+00:00:45.271-STANDARD
The immediate family gathers. The older, male-presenting person, presumably the father of the bride, claps, smiles, and raises his arms in a "gather around" gesture.
+00:00:53.986-STANDARD
A male-presenting person in a white blazer wearing sunglasses and holding a microphone stands between the bride and groom as the groom pours white sand into a glass bottle.
+00:00:58.771-STANDARD
The bride and groom are surrounded by guests in peach and cream colored outfits sitting in chairs. The groom holds the microphone and a piece of paper.
+00:01:10.657-STANDARD
The bride places a white flowered wreath around the groom’s neck.
+00:01:16.286-STANDARD
The groom places the same flower wreath around the bride’s neck.
+00:01:21.043-STANDARD
The bride laughs and smiles with joy, looking into the groom’s eyes.
+00:01:24.357-STANDARD
A wedding guest in a cream colored outfit wearing sunglasses, a green and gold necklace, and forehead jewels takes a photo.
+00:01:27.429-STANDARD
The groom kisses the bride on the forehead and embraces her. They kiss and hug again.
+00:01:37.786-STANDARD
Guests throw white flower petals at the bride and groom, who hold hands.
+00:01:45.171-STANDARD
They embrace and smile, then dance with their hands held in the air.
+00:01:54.155-STANDARD
The bride’s mother throws white flowers at the couple.
+00:01:58.387-STANDARD
A friend in sunglasses kisses and hugs the groom.
+00:02:02.224-STANDARD
The bride’s father and the bride share a hug.
+00:02:04.786-STANDARD
The bride, groom, and six family members, all wearing peach or cream-colored outfits, pose for a photo, smiling.
+00:02:08.900-STANDARD
The bride and groom hold hands up to the sky and walk down the aisle, passing between cheering guests.
+00:02:12.057-STANDARD
A close-up of their hands, adorned with bracelets and rings.
+00:02:15.944-STANDARD
A close-up of their smiling faces.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_8dayofDFbqQ.txt b/raw/validation/gt_ad/output_8dayofDFbqQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..347b6b2c976b1a7865ee2efa719656be89ec6c5c
--- /dev/null
+++ b/raw/validation/gt_ad/output_8dayofDFbqQ.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
On the dirt ground in a lush forest surrounded by trees, a white wolf lies on its side. A gray wolf lies behind it.
+00:00:05.314-STANDARD
The white wolf lifts its head off the ground, but its body stays relaxed. It stretches its head back.
+00:00:09.571-STANDARD
The gray wolf beside it remains lying down but lifts its head to the sky and howls.
+00:00:16.943-STANDARD
Both wolves stay lying down, relaxed, but their heads continue howling to the sky.
+00:01:36.671-STANDARD
They both stop howling and look straight ahead.
+00:01:41.114-STANDARD
The white wolf lowers its head back down to the ground, looking out and listening to howling in the distance.
+00:01:45.286-STANDARD
The gray wolf keeps its head raised, looking around.
+00:01:48.814-STANDARD
The gray wolf tucks its head in and then lowers it back down.
+00:01:53.014-STANDARD
Howling can be heard off-screen in the distance.
+00:01:56.786-STANDARD
The white wolf starts howling again, head raised to the sky.
+00:01:59.057-STANDARD
The gray wolf joins in.
+00:02:04.686-STANDARD
They both continue howling, but the white wolf lowers its head to the ground, eventually howling with its head down.
+00:02:11.843-STANDARD
The gray wolf lays its head down as well.
+00:02:20.295-STANDARD
They both stop howling, ears perked up, listening to howling in the distance.
+00:02:28.414-STANDARD
On-screen text: nywolf.org. Stand for Wolves. Wolf Conservation Center. www.nywolf.org.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_90Vvx_dXopQ.txt b/raw/validation/gt_ad/output_90Vvx_dXopQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..eb177a3651453a6ec005d2d2d0becb1998e8be85
--- /dev/null
+++ b/raw/validation/gt_ad/output_90Vvx_dXopQ.txt
@@ -0,0 +1,5 @@
+00:00:02.814-STANDARD
On-screen text: Day 2. How would you define hate?
+00:00:04.943-STANDARD
A series of on-the-street interviews.
+00:01:30.157-STANDARD
An interviewee hands a toddler a balloon shaped like a sword. The toddler runs happily toward his mother, holding it.
+00:05:18.414-STANDARD
On-screen text: Tomorrow… What’s your biggest regret?
+00:05:34.105-STANDARD
On-screen text: Watch more. Subscribe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_9F1DNk3Xyjs.txt b/raw/validation/gt_ad/output_9F1DNk3Xyjs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2eda03a64b7899c2c8671fa49c4bd6dba6590aa1
--- /dev/null
+++ b/raw/validation/gt_ad/output_9F1DNk3Xyjs.txt
@@ -0,0 +1,8 @@
+00:00:00.000-STANDARD
On-screen text: Project Vaccine: Immunity 101. A female-presenting host appears in front of a virtual background with colorful germ-themed graphics.
+00:00:24.843-STANDARD
A co-host appears beside the host.
+00:03:23.357-STANDARD
Drone footage over the Museum of Science, a building next to a city bridge spanning a river. Then, a statue of an otter appears with a bubble graphic: “I otter thank you for washing your hands!” Text below reads: River Otter model, Charles River Gallery.
+00:03:32.029-STANDARD
A translucent amphibian labeled "Axolotl, The Hall of Human Life" appears. A speech bubble reads: “Thanks a-lotl for socially distancing!”
+00:03:38.262-STANDARD
Hands hold a live ferret labeled “Ferret, Live Animal Care Center.” A bubble reads: “We can get COVID-19 too. Thanks for helping protect us!”
+00:03:44.242-STANDARD
A large T-Rex sculpture outside the Museum of Science with a bubble that reads: “Great job wearing your masks! I’d clap for you... if I could reach.”
+00:03:50.586-STANDARD
The side of a gold-colored machine labeled “Giant Van de Graaff, Theater of Electricity.” A bubble reads: “Thanks for getting vaccinated. You’re Sparktacular!”
+00:03:56.871-STANDARD
On-screen logo: Museum of Science. Tagline: Inspiring a lifelong love of science in everyone.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_9PDcAaWvfv8.txt b/raw/validation/gt_ad/output_9PDcAaWvfv8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..989750037d4bdd9688b402c37b2342744b1dd137
--- /dev/null
+++ b/raw/validation/gt_ad/output_9PDcAaWvfv8.txt
@@ -0,0 +1,13 @@
+00:00:58.106-STANDARD
Their dad kicks a milk jug placed in the door of a dishwasher.
+00:01:20.750-STANDARD
He pours milk into a toilet's tank.
+00:01:46.805-STANDARD
Colby places milk jugs under a couch's cushions.
+00:01:57.040-STANDARD
He jumps onto the cushions, spurting milk everywhere.
+00:02:15.925-STANDARD
They slam milk jugs onto the floor of their kitchen.
+00:02:31.523-STANDARD
They smash milk jugs into a wall.
+00:02:43.805-STANDARD
They pop the caps off of eight jugs.
+00:03:32.923-STANDARD
They pour cereal from boxes into the knee high milk filling the small house.
+00:04:19.415-STANDARD
They all stand in the milk.
+00:04:42.950-STANDARD
Their dad plunges into the milk with a small camera.
+00:05:21.572-STANDARD
He lies in it.
+00:05:39.772-STANDARD
He lifts a fan.
+00:06:00.925-STANDARD
A subscribe graphic appears beside a video link beneath the words: "Watch Another."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_9gNE4NDY9hw.txt b/raw/validation/gt_ad/output_9gNE4NDY9hw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c1b0c8f330a2c6d564db8a6fe97242cbe559c6e0
--- /dev/null
+++ b/raw/validation/gt_ad/output_9gNE4NDY9hw.txt
@@ -0,0 +1,30 @@
+00:00:00.276-STANDARD
Fog rolls over a tree-blanketed mountain. The setting sun washes a castle nestled in a forest with rose-colored light. A road winds through the mountains.
+00:00:11.388-STANDARD
A turquoise lake reflects the trees surrounding it. A waterfall cascades down a mountain's side.
+00:00:25.604-STANDARD
A woman with a backpack stands in a field of verdant grass and wildflowers at the foot of the mountains.
+00:00:33.654-STANDARD
A large red boat cruises through a lake surrounded by the mountains.
+00:00:40.140-STANDARD
Snow streaks a craggy mountain viewed by helicopter.
+00:00:45.921-STANDARD
Cables stretch to a metal-frame tower positioned in the forest, the mountains looming behind it.
+00:00:53.693-STANDARD
A vast blue sky hangs over the expansive mountain range.
+00:00:59.376-STANDARD
A cable car moves up a cable ascending a snowy mountain.
+00:01:04.996-STANDARD
Fluffy, white clouds streak through the sky.
+00:01:10.317-STANDARD
A person kayaks through an emerald and sapphire colored lake and toward a dock.
+00:01:18.123-STANDARD
Kayaks moored by the lake's shore bob in the water as wind combs over it.
+00:01:25.227-STANDARD
The large red boat slices through the water.
+00:01:29.775-STANDARD
A waterfall surges down a mountain face into the lake. A wooden building sits partially submerged in a small, calmer section of the lake.
+00:01:41.491-STANDARD
The woman steps through an arch of trees to the rocky shore of the lake.
+00:01:49.735-STANDARD
Numerous cable cars ride their cables through dense fog hanging over the forest.
+00:01:58.432-STANDARD
A colossal mountain covered with a dense forest towers over a town of red-roofed buildings.
+00:02:07.802-STANDARD
Crystal-clear water flows through a river, a beach of white stone on one side and trees on the other.
+00:02:19.981-STANDARD
The woman stands in a clearing and watches the sun set, throwing rose-colored light over the mountains and castle.
+00:02:28.484-STANDARD
The woman strides across a narrow bridge made of metal beams and netting running across the sides.
+00:02:35.848-STANDARD
Sunlight washes over the town, mountains, forest, and lake.
+00:02:45.425-STANDARD
The woman sits on the narrow bridge, her backpack and a brown hat on.
+00:02:55.209-STANDARD
The ruins of a large castle sit on top of a hill, covered by the shadow of a mountain.
+00:03:07.116-STANDARD
The wind blows through yellow, purple, and white wildflowers.
+00:03:16.046-STANDARD
The woman sits on the shore of white stones by the river, her boots off and a small dog beside her.
+00:03:25.765-STANDARD
The woman stands at the bottom of the ruined castle's hill and takes a photo of it with a camera.
+00:03:33.893-STANDARD
The woman sits with her dog on a grassy section of the lake's shore. She stares across the lake and takes in buildings running along its edge.
+00:03:44.726-STANDARD
Cars and trucks drive down a highway. A rainbow curves below a waterfall.
+00:03:51.818-STANDARD
Snow-capped mountains tower over a field of light green grass dotted with houses.
+00:04:00.114-STANDARD
A narrow river winds through the forest. Sunlight bathes half of the river while deep shadows drape the other side.
+00:04:11.593-STANDARD
The woman walks across the field across from the castle and glances over her shoulder. On the large red boat, a man sticks a trumpet out of a window and plays.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_AWVtdHqZ_8c.txt b/raw/validation/gt_ad/output_AWVtdHqZ_8c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1d22cde97353749b925934675f3e49b91fad1e47
--- /dev/null
+++ b/raw/validation/gt_ad/output_AWVtdHqZ_8c.txt
@@ -0,0 +1,27 @@
+00:00:00.773-STANDARD
The host shakes around dozens of potato chips in a glass bowl, then dumps them into a frying basket. They take one chip and crumbles it.
+00:00:11.001-STANDARD
They eat the broken chip.
+00:00:15.013-STANDARD
The host places a plastic tray with two, six hundred gram potatoes on them.
+00:00:22.123-STANDARD
The host deftly removes the potatoes' skin with a peeler.
+00:00:35.247-STANDARD
The host uses the potatoes on a grater leaning in a large, glass bowl to make dozens of chip-shaped slices of potatoes.
+00:00:50.132-STANDARD
The host pours water over the glass bowl, thoroughly covering them.
+00:00:58.131-STANDARD
The host reaches into the bowl and stirs the chips in the water.
+00:01:11.496-STANDARD
The host dumps the potato slices into a colander on a counter.
+00:01:20.436-STANDARD
They use a mesh spoon to place the potato slices in water boiling in a pot on a stove.
+00:01:30.471-STANDARD
The host prods the slices in the boiling water.
+00:01:39.289-STANDARD
Words appear. "Boil one minute."
+00:01:46.287-STANDARD
The host uses the mesh spoon to place the potato slices into a larger mesh spoon. They drop the slices into a bowl of cold water.
+00:01:58.194-STANDARD
They stir the potato slices in the cold water. They use the mesh spoons to pull the potato slices from the cold water and into the mesh frying basket.
+00:02:09.334-STANDARD
The host carefully places each potato slice onto paper towels draped over a cutting board.
+00:02:16.478-STANDARD
They pad the potato slices with another paper towel before collecting and stacking each slice in their hand.
+00:02:24.736-STANDARD
They drop the potato slices into the frying basket.
+00:02:30.336-STANDARD
They turn a stove burner on, then place a large pan on it.
+00:02:36.411-STANDARD
The host pours cooking oil into the pan.
+00:02:43.219-STANDARD
The host carefully places each potato slice into the boiling cooking oil.
+00:02:55.933-STANDARD
The host uses chop sticks to poke at the chip slices.
+00:03:06.650-STANDARD
Later, the chips float in the oil, now crisp and golden brown. Words appear: "Fry five minutes."
+00:03:24.394-STANDARD
The host collects the potato chips with the large mesh spoon and chopsticks.
+00:03:36.567-STANDARD
They drop the chips into the frying basket, then pour them into a glass bowl.
+00:03:46.702-STANDARD
They sprinkle one tablespoon of cheese powder over the chips. They shake and flip the chips around in the bowl.
+00:03:59.729-STANDARD
The host pours them back into the frying basket.
+00:04:07.397-STANDARD
The host takes a chip and breaks it in their hand.
+00:04:17.454-STANDARD
They eat.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_A_hX3t87Olo.txt b/raw/validation/gt_ad/output_A_hX3t87Olo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f30d3db5c0c375df022ea7d5cd3904c6297c59ee
--- /dev/null
+++ b/raw/validation/gt_ad/output_A_hX3t87Olo.txt
@@ -0,0 +1,8 @@
+00:00:10.445-STANDARD
A man plays a prosecutor, judge, jury, and a bloody John Cena.
+00:01:18.333-STANDARD
The prosecutor slowly nods.
+00:01:35.237-STANDARD
The prosecutor takes a picture of John.
+00:02:42.517-STANDARD
John Cena glances at his white, blood-spattered shirt.
+00:03:20.881-STANDARD
John Cena claps and stands.
+00:04:09.704-STANDARD
John opens a door leading outside.
+00:04:27.850-STANDARD
The prosecutor slowly nods and shuts his eyes with the others.
+00:04:36.199-STANDARD
A photo appears of the prosecutor posing with John Cena. Words appear: "Last known selfie of Alex. RIP."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Afn1eUkxC58.txt b/raw/validation/gt_ad/output_Afn1eUkxC58.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ed51294c7f095c2391d16b452cc52505d1e8d8c0
--- /dev/null
+++ b/raw/validation/gt_ad/output_Afn1eUkxC58.txt
@@ -0,0 +1,43 @@
+00:00:00.000-STANDARD
In a backyard with grass and dirt, a large, thick log rests in the basket of an excavator. The excavator sits in front of the track of a log-cutting machine.
+00:00:08.900-STANDARD
A male-presenting person in cargo pants, seen from behind, carefully rolls the log onto the track of the machine.
+00:00:13.757-STANDARD
In slightly sped-up footage, the person works to secure the log onto the track.
+00:00:20.314-STANDARD
Finally, it's secured, and the person walks away.
+00:00:39.214-STANDARD
A medium-sized black and white dog approaches the log, panting.
+00:00:41.829-STANDARD
The male-presenting person rides on the back of the log-cutting machine as it moves forward. A blade on the machine splits the log.
+00:00:54.500-STANDARD
The blade cuts all the way through the log.
+00:00:59.829-STANDARD
Standing at the back of the machine, the person removes the first thin slab of wood from the pile, sliding it the stack. A cleanly-cut edge is revealed.
+00:01:09.943-STANDARD
The person works to secure a metal pole to a part of the track. The dog and a toddler eating an apple watch.
+00:01:19.286-STANDARD
The person secures it with a wrench.
+00:01:29.200-STANDARD
The toddler walks off-screen holding the apple.
+00:01:36.912-STANDARD
The dog looks on while the person manually pushes the now pared-down version of the machine--just the saw part--through the log.
+00:01:43.657-STANDARD
He removes another wood slab from the top by hand and throws it into a pile of other wood slabs.
+00:01:49.971-STANDARD
A close-up view of the blade as it cuts through the top part of the wood, slicing off another thin slab.
+00:02:06.143-STANDARD
The wood is now a rectangle with no more bark.
+00:02:08.757-STANDARD
The person pushes the saw machine through the barkless rectangle of wood, cutting another slab from the top.
+00:02:17.229-STANDARD
A close-up of the wood being cut by the blade.
+00:02:33.513-STANDARD
A side view of the block of wood as the blade comes from behind, traveling forward.
+00:03:03.114-STANDARD
This time, the person removes the top portion of the wood block. Exactly half of the block has now been cut.
+00:03:10.690-STANDARD
A wider view of the machine. The person pushes it slowly forward as it cuts through the now thinner block of wood.
+00:03:16.300-STANDARD
In the distance, the toddler walks behind the machine.
+00:03:21.386-STANDARD
The person removes a thin wood slab from the top by hand and tosses it down onto the ground into a pile of a few more slabs.
+00:03:29.826-STANDARD
A closer view as the machine cuts another thin slab from the now smaller block of wood.
+00:03:35.429-STANDARD
A female-presenting person, who was operating the machine, throws the slab to the side.
+00:03:43.091-STANDARD
She crouches down and, using a ruler, measures something on the machine's track, near the remaining wood. Then she stands and checks something else.
+00:03:51.371-STANDARD
She crouches back down and uses the ruler to check something again.
+00:03:55.543-STANDARD
She walks around to the other side of the machine, checking some things there.
+00:04:01.814-STANDARD
She gently pushes the machine forward on the tracks, cutting through the small log.
+00:04:15.357-STANDARD
She removes the top slab and tosses it aside onto the ground.
+00:04:22.457-STANDARD
She adjusts a lever, then pulls the machine back to its starting point.
+00:04:28.029-STANDARD
She crouches down to the wood.
+00:04:30.824-STANDARD
In another shot, she pushes the machine forward again, slicing the now even thinner piece of wood.
+00:04:43.555-STANDARD
Again, she pushes the machine through.
+00:04:49.357-STANDARD
She removes two slivers from the top of the now very thin wood, tossing them aside.
+00:04:54.947-STANDARD
She takes the ruler to the wood slab, checking it.
+00:04:58.186-STANDARD
A pile of wood slabs.
+00:05:00.186-STANDARD
On-screen text: We got 22 pieces of 2 by 1 by 4 lumber.
+00:05:05.871-STANDARD
With the dog beside her, she stacks the wood slabs from the pile.
+00:05:09.171-STANDARD
On a platform, she stacks smaller pieces of wood on larger ones.
+00:05:13.343-STANDARD
Crouching on the ground, she stacks pieces of wood from a large pile.
+00:05:19.186-STANDARD
On a platform, she stacks smaller pieces of wood on top of larger ones.
+00:05:37.806-STANDARD
She continues stacking. On-screen text: The little one starts to cry.
+00:05:43.671-STANDARD
An angle down to a baby's head strapped to her body in a swaddle. On-screen text: We are done for today. Thank you for watching!
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Al5DXRLxB84.txt b/raw/validation/gt_ad/output_Al5DXRLxB84.txt
new file mode 100644
index 0000000000000000000000000000000000000000..06c89779b63c3ca39c64dcacb3a1a9f548a43619
--- /dev/null
+++ b/raw/validation/gt_ad/output_Al5DXRLxB84.txt
@@ -0,0 +1,2 @@
+00:00:11.706-STANDARD
She eyes her phone.
+00:02:17.869-STANDARD
Logo: "H TV."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Ay3oHsgFgdE.txt b/raw/validation/gt_ad/output_Ay3oHsgFgdE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1e10f3ad8e34619dab1450aaa1e58a01f40d58b6
--- /dev/null
+++ b/raw/validation/gt_ad/output_Ay3oHsgFgdE.txt
@@ -0,0 +1,32 @@
+00:00:00.000-STANDARD
Title Card: Instagram: amii.ceramics and Online Shop: amiiceramics.com.
+00:00:03.146-STANDARD
On a windowsill, four small colorful ceramic bear pots hold succulents.
+00:00:07.600-STANDARD
Title card: Amii handmade ceramics.
+00:00:12.569-STANDARD
Amii's hands place a clay ball on a pottery wheel.
+00:00:17.802-STANDARD
She adds water to the clay.
+00:00:24.329-STANDARD
And begins shaping the clay into a dome.
+00:00:29.300-STANDARD
She continues shaping the clay, adding water.
+00:00:34.591-STANDARD
She pokes a hole in the center of the clay with her thumb.
+00:00:38.852-STANDARD
As the wheel spins, she widens the hole and thins the sides with her hands in a cupping motion.
+00:00:52.675-STANDARD
Ridges form, and the shape of a pot emerges.
+00:01:16.229-STANDARD
She refines the pot's shape, creating three distinct curves in the walls of the pot, adding water periodically as she works the clay.
+00:01:38.686-STANDARD
Using a small sponge, she smooths the pot while the wheel spins.
+00:01:53.019-STANDARD
A sharp tool then defines the ridges.
+00:02:00.671-STANDARD
A string is used to detach the finished pot from the wheel.
+00:02:05.471-STANDARD
The pot is lifted off the wheel, gently by hand.
+00:02:08.943-STANDARD
A large sponge is used to clean the wheel.
+00:02:12.983-STANDARD
From behind, we see Amii arranging several finished gray pots on two shelves to dry.
+00:02:24.445-STANDARD
A finished pot is placed face-down on a wheel. A sharp tool is used to carve a spiral on the bottom of the pot.
+00:02:44.117-STANDARD
The potter uses a wooden tool to smooth the clay around a nose-like protrusion added to the pot, defining it further.
+00:02:58.829-STANDARD
A sponge is used to clean around the protrusion.
+00:03:03.229-STANDARD
Three balls of clay are rolled and attached with glue as three more protrusions to the pot.
+00:03:20.371-STANDARD
The wood tool is used to smooth around the protrusions.
+00:03:33.314-STANDARD
Then a sponge is used to smooth the areas.
+00:03:46.186-STANDARD
The potter draws a circle around the protrusion, revealing it as the nose on a bear's face.
+00:03:52.684-STANDARD
The potter adds fur-like indentations with the wooden tool around the bear's face.
+00:04:02.329-STANDARD
The potter continues spinning the mug, adding more fur-like indentations to the face and ears of the mug, and then behind the ears.
+00:04:18.043-STANDARD
On another bear mug, the potter makes straight line indentations using the same wooden tool.
+00:04:51.843-STANDARD
The mug is turned to face us and a bear's face is revealed, complete with nose, eyes, and ears.
+00:05:00.730-STANDARD
The colorful bear planters from the opening scene, holding succulents, are showcased on a windowsill.
+00:05:11.029-STANDARD
Revealed closer, they are various colors: purple, orange, black, pink, brown and polkadot.
+00:05:31.943-STANDARD
Title Card: "thanks for watching."
+00:05:36.257-STANDARD
Title Card: Instagram: amii.ceramics and Online Shop: amiiceramics.com.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_B-laA922H8Y.txt b/raw/validation/gt_ad/output_B-laA922H8Y.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bfe9ec81f7d7821c069390917728d6d247f238f7
--- /dev/null
+++ b/raw/validation/gt_ad/output_B-laA922H8Y.txt
@@ -0,0 +1,23 @@
+00:00:00.000-STANDARD
An incoming FaceTime call appears on a computer screen. The vlogger clicks accept.
+00:00:21.786-STANDARD
The YouTuber PewDiePie appears on FaceTime on the screen. A male-presenting vlogger sits at a desk. His eyes widen, and a lightbulb turns on behind him.
+00:00:50.843-STANDARD
He gets up. On-screen text: "Gather your tools."
+00:00:53.771-STANDARD
He begins picking up white-colored power tools scattered around his house, such as drills found in the closet and even under his covers in bed.
+00:01:00.929-STANDARD
He places several white-colored tools on a table.
+00:01:05.086-STANDARD
He grabs a wall charger from the wall and places it on the table.
+00:01:38.257-STANDARD
He presses a remote control button, and a receiver with wires lights up.
+00:01:52.714-STANDARD
He opens an Amazon package and unboxes a box labeled "Key Finders." He pushes it aside, then lays out four multicolored plastic ovals.
+00:02:07.743-STANDARD
He spray paints a rectangular remote and the four multicolored ovals white with a can of white spray paint.
+00:02:16.957-STANDARD
He places clear labels with numbers 1 to 4 on the buttons of the remote and peels them off.
+00:02:25.829-STANDARD
He then places a clear label with the numbers: 01: drill, 02: driver, 03: glue gun, 04: BITS on the corresponding tools.
+00:02:41.714-STANDARD
He uses a zip tie to attach the oval tracker to the back of the drill by looping it around an opening at the base of the drill and pulling the tie tight. He cuts off the excess.
+00:02:48.686-STANDARD
He does the same to the driver, then picks up the glue gun.
+00:02:57.414-STANDARD
He picks up the drill and drills a hole into the base of the glue gun, then blows on it.
+00:03:05.843-STANDARD
He threads the zip tie through the hole and pulls it tight, securing the tag.
+00:03:11.429-STANDARD
He does a chef's kiss motion with his hand to his lips.
+00:03:13.971-STANDARD
He opens the white kit box, picks up his drill, and drills a hole in the top of the kit.
+00:03:20.671-STANDARD
He strings the zip tie through it and secures the tag.
+00:03:51.600-STANDARD
He tapes a small magnet to the side of the charger.
+00:03:56.814-STANDARD
He places the remote with the numbered labels on the side of the charger, and it holds in place with the magnet.
+00:04:04.100-STANDARD
He presses the number one on the remote, and the drill beeps. He presses number two, and the tag on the driver beeps. He presses number three, and the glue gun beeps. Finally, he presses number four, and the kit beeps. He then talks into his phone on FaceTime.
+00:05:48.814-STANDARD
On-screen text: "All music by Cameron Luck, Project by Scott Yu-Jan."
+00:05:52.214-STANDARD
The charger with the remote on its side is on a desk. In an editing trick, it transforms into the drill and driver.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_B3Ug28RiCe8.txt b/raw/validation/gt_ad/output_B3Ug28RiCe8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1e9c51a1047ce3d296d85a4c049cfdb240aa5969
--- /dev/null
+++ b/raw/validation/gt_ad/output_B3Ug28RiCe8.txt
@@ -0,0 +1,52 @@
+00:00:00.000-STANDARD
Fog rolls across a dense wooded hillside.
+00:00:06.143-STANDARD
Rain falls on the forest ground.
+00:00:09.386-STANDARD
A female presenting person stands in front of a wood-paneled wall inside a cabin. She has her hand on the handle of a pot, which sits on a stovetop. A large window shows the dense woods outside.
+00:00:14.200-STANDARD
A close-up shows her turning hot coals in the pot with tongs.
+00:00:22.014-STANDARD
We see trees outside the window as rain pours.
+00:00:25.800-STANDARD
She uses tongs to place hot coals, one by one, into a wooden box sunken in the floor.
+00:00:38.886-STANDARD
A close-up of the glowing red hot coals.
+00:00:43.014-STANDARD
She slides open a wooden-paneled sliding door, revealing the woods outside.
+00:00:51.086-STANDARD
Fog rolls over the dense wooded hill.
+00:00:54.571-STANDARD
Another view of the foggy woods with evergreens in the foreground.
+00:00:58.229-STANDARD
Inside, the vlogger reads at a desk made of natural wood. A brown and white cat sits, looking at the camera. The golden walls are bathed soft golden light.
+00:01:03.771-STANDARD
From a side angle, we see the vlogger is sitting in front of a large window, which frames the dense forrest outside. The cat looks out the window, and we see another cat by the vlogger's feet.
+00:01:08.286-STANDARD
She warms her hands over the indented box of coals on the floor.
+00:01:12.243-STANDARD
A close-up of the hot coals.
+00:01:16.514-STANDARD
A close-up of white flowers with yellow centers, growing in a field.
+00:01:21.139-STANDARD
Close-up of water in a creek, followed by the flowers again.
+00:01:27.271-STANDARD
The vlogger holds a bowl upside down, and dough falls onto a tray.
+00:01:33.786-STANDARD
Flour is sprinkled on top.
+00:01:36.786-STANDARD
The dough is scored down the center and then across to form a cross.
+00:01:43.100-STANDARD
Outside, leaves rustle in the trees beside the cabin roof.
+00:01:47.471-STANDARD
Inside, two round loaves of freshly baked bread are removed from the oven and placed on the wooden kitchen counter. Olive oil is poured into a plate.
+00:01:54.314-STANDARD
Another person's hands flip food in a pan while the vlogger mixes sliced carrots in a bowl with chopsticks.
+00:01:59.114-STANDARD
Both people sit at a wooden table with various food toppings in front of them. The second person, with only their arms visible, sits with a cat in their lap. The vlogger's hands use chopsticks to place carrots into the cut-open bun. The second person spoons mayonnaise from a jar into their bun.
+00:02:11.786-STANDARD
The second person places sliced carrots into their bun.
+00:02:15.514-STANDARD
Outside, leaves rustle on the trees next to the side of the cabin.
+00:02:21.513-STANDARD
A grasshopper sits on a log.
+00:02:24.186-STANDARD
Close-up of leaves.
+00:02:27.029-STANDARD
The vlogger's hands turn pages in a book next to the box of coals in the floor.
+00:02:31.686-STANDARD
A close-up of the cat next to the window.
+00:02:35.329-STANDARD
A close-up of the coals.
+00:02:38.257-STANDARD
Close-up of the vlogger’s fingers turning pages of a book on the floor.
+00:02:45.657-STANDARD
Close-up of the hot coals.
+00:02:48.343-STANDARD
Outside, two pans sit on a burner. Coffee beans are poured from a paper bag into a pan.
+00:02:53.671-STANDARD
The pan is shaken, and the coffee beans rustle.
+00:02:55.929-STANDARD
The pan continues to be jiggled as the coffee beans turn brown.
+00:03:01.043-STANDARD
The pan is jiggled further, and the coffee beans now look black.
+00:03:06.800-STANDARD
Close-up of coffee beans being poured into a glass jar.
+00:03:10.943-STANDARD
Two cats sit on the wooden desk in the room with the golden walls and the large window.
+00:03:18.800-STANDARD
The woman sits at the desk, takes a sip from a small red mug, and places it back down.
+00:03:25.234-STANDARD
Water drips from the roof, looking out toward the rainy forest.
+00:03:30.100-STANDARD
Close-up of a lit lantern by a stack of wood outside.
+00:03:35.400-STANDARD
Outside the cabin, through the trees, we see the window.
+00:03:42.086-STANDARD
A full view of the front of the cabin: it has a sloped roof and a chimney. A small path leads up to it, with light shining from a small front window.
+00:03:52.685-STANDARD
It’s dark. A match is lit, and we see a lantern. The match struggles to light the lantern, taking some time.
+00:04:05.000-STANDARD
Finally, the lantern is lit, and the glass is placed on top.
+00:04:17.357-STANDARD
The lantern is lifted by hand.
+00:04:20.500-STANDARD
The vlogger and the other male-presenting person, who’s face is now visible, sit in front of a bonfire in the pitch dark.
+00:04:26.543-STANDARD
A close-up of the fire as it crackles.
+00:04:36.800-STANDARD
The shadows of the two people move around the fire.
+00:04:43.129-STANDARD
A vague profile of the male presenting person sitting next to the fire.
+00:04:47.729-STANDARD
Both of the people, their faces barely lit by the fire, poke at the flames with long sticks.
+00:04:58.727-STANDARD
A close-up of the bonfire burning bright.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_BSmpaucRm4Q.txt b/raw/validation/gt_ad/output_BSmpaucRm4Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f01454dd7ebd1b775c3b1d35078fc03e1e002b91
--- /dev/null
+++ b/raw/validation/gt_ad/output_BSmpaucRm4Q.txt
@@ -0,0 +1,26 @@
+00:00:07.657-STANDARD
From the front window of a car, driving down a highway past a sign that reads "Exit 56, Orange, 1/4 mile," and trees with orange and red fall foliage. The vlogger sits in the passenger seat while a female-presenting companion drives.
+00:00:39.800-STANDARD
Outside a basement bar called the Lower Depths Taproom, a mural of various human figures decorates the wall. The vlogger and his companion cheers beers at the bar top. The vlogger drinks a beer, then puts mustard on a hotdog and eats it. They leave the bar.
+00:00:54.043-STANDARD
Heading up an escalator, a sign reading Barnes & Noble University is visible. The vlogger's companion reads a book while standing in a row of bookshelves. She points to a book titled "Danny Gregory: Art Before Breakfast".
+00:01:04.857-STANDARD
Driving across a bridge, then a tall building with mirrored windows comes into view. Outside a door labeled "PEM" (Peabody Essex Museum), inside, a large sculpture with a skeletal, mechanical frame is visible.
+00:01:25.986-STANDARD
At the exhibit, a video shows a person walking with one of the sculptures down a beach, which appears to "walk" behind the person. Outside, the vlogger stands inside a wiry wooden branch sculpture, looking through a hole.
+00:01:42.014-STANDARD
In front of an organ.
+00:01:50.786-STANDARD
Outside a restaurant called Island Creek Oyster Bar. Inside, the companion takes a seat at the bar. He has a beer, and they share oysters.
+00:01:58.629-STANDARD
In a hotel room, the vlogger holds up an electronic film slate.
+00:02:05.814-STANDARD
A pancake machine on a countertop reads "Pancakes in a minute flat."
+00:02:12.529-STANDARD
A pancake falls out of the machine, onto a plate.
+00:02:16.629-STANDARD
Back in the hotel room.
+00:02:38.929-STANDARD
At a table in a basic hotel breakfast room, the vlogger cuts a pancake with a plastic fork and knife on a paper plate, then puts a bite in his mouth, smiling slightly and giving a thumbs up.
+00:02:48.443-STANDARD
Back in the car, driving.
+00:02:58.443-STANDARD
Driving down a quiet residential road, passing trees with red and orange foliage.
+00:03:13.786-STANDARD
Turning off a rural road into a driveway of a traditional-looking red two-story farmhouse with a yard and trees all around. A sign on a stone wall reads "Frajil Farms Incorporated." A German Shepherd lies in the grass.
+00:03:29.214-STANDARD
Jill, with curly short gray hair, wears a long gray skirt. She greets the vlogger with two German Shepherds by her side.
+00:03:34.114-STANDARD
Various images: pumpkins and gourds in a wooden tray; a bush of yellow flowers; a sign on a stone wall reading "Weber"; and a table, chairs, and umbrella arranged in a backyard, surrounded by woods.
+00:03:42.397-STANDARD
Jill, behind a wooden garden fence, passes treats to her two dogs, who are on the other side of the fence. More pumpkins, followed by purple flowers, and a view of the multicolored trees around the property; then, the tall, red house.
+00:04:06.543-STANDARD
Outside, Jill's companion sits in a car. She greets them with a kiss.
+00:04:09.271-STANDARD
Jill holds the slate card.
+00:04:12.414-STANDARD
In a farm-chic bedroom, a black cat lies down on the bed.
+00:04:36.243-STANDARD
The vlogger films Jill at her art desk. Then, outside the house, the black cat approaches the camera.>
00:04:40.429 -- 00:04:42.057 <A fold-out book is shown.
+00:04:47.429-STANDARD
The cat jumps into Jill's lap as she sits, holding a book.
+00:04:52.614-STANDARD
Outside, the dusky sky has a purple glow. Inside, Jill is in the kitchen.
+00:05:02.543-STANDARD
Driving on the highway with a pink sunset.
+00:05:07.257-STANDARD
A logo of paint dripping with the words "Sketch Book Skool."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_BqME3kaIviM.txt b/raw/validation/gt_ad/output_BqME3kaIviM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9d6d1c58e6aa7e8dc86e423962d44da09103a3f4
--- /dev/null
+++ b/raw/validation/gt_ad/output_BqME3kaIviM.txt
@@ -0,0 +1,35 @@
+00:00:00.154-STANDARD
A woman places a flower arrangement of white roses, baby's breath, and pink flowers in a vase.
+00:00:08.335-STANDARD
People grill in a back yard. They toast drinks at a picnic table holding the food.
+00:00:16.161-STANDARD
A man lifts a child in the yard as dusk settles.
+00:00:21.614-STANDARD
The woman makes a flower arrangement on the granite counter top.
+00:00:29.700-STANDARD
She carefully cuts the stems in half with her scissors.
+00:00:39.476-STANDARD
The woman gathers pink flowers with white roses and baby's breath. She places it in a vase, then sets the vase on a white and gold coffee table.
+00:00:52.065-STANDARD
Outside, the sun shines over a field of yellow and pink wildflowers the child walks through.
+00:00:59.771-STANDARD
The man and woman step toward the edge of a cliff side overlooking an ocean, two dogs at their side and a town sprawling behind them.
+00:01:09.581-STANDARD
The woman crouches and holds the child at the cliff's edge, the man standing by them. The ocean glitters with sunlight.
+00:01:18.486-STANDARD
The child hugs the woman from the side as she takes a picture of a flying seagull with her phone. Later, the woman walks through the wildflower field with the child.
+00:01:29.402-STANDARD
The man, wearing a face mask, crouches by a wooden fence running along the cliffside and adjusts a facemask the child wears.
+00:01:38.470-STANDARD
The child emphatically thrusts his finger at the ocean.
+00:01:43.147-STANDARD
The ocean waves curl, then crash against the cliff side.
+00:01:47.927-STANDARD
The man and child walk along the cliff side, hand in hand.
+00:01:53.234-STANDARD
They stop by a row of yellow wildflower bushes near the cliff's edge and look out at the sea. Later, the woman places diced vegetables on skewers.
+00:02:03.373-STANDARD
The child sits in an open tent nearby. The woman sets two trays by the vegetable kebabs, one with large meat pieces and the other with skewered shrimp.
+00:02:14.167-STANDARD
The woman uses tongs to place the meat on a circular grill.
+00:02:24.643-STANDARD
She flips the meat on the grill, the overturned sides now crispy and brown.
+00:02:33.297-STANDARD
She places thick strips of bacon on a square grill.
+00:02:38.561-STANDARD
The woman sets vegetable kebabs on the circular grill, then a couple pieces of asparagus next to them.
+00:02:46.611-STANDARD
The man flips the bacon on the square grill with tongs.
+00:02:51.409-STANDARD
He places meat kebabs near the bacon. Time lapses and he flips them. They flip the vegetables, now roasted.
+00:03:05.310-STANDARD
They place the shrimp kebabs near the vegetables.
+00:03:09.210-STANDARD
They turn over the shrimp.
+00:03:13.956-STANDARD
The man kneels and sets a plate of food on a small table in the child's tent.
+00:03:20.393-STANDARD
The woman uses scissors to cut the large meat pieces on a white plate.
+00:03:28.961-STANDARD
The man and woman use chopsticks to dip meat and vegetables in the sauce.
+00:03:37.555-STANDARD
They toast drink cans.
+00:03:41.395-STANDARD
The man uses chopsticks to place vegetables and meat into large lettuce leafs.
+00:03:47.979-STANDARD
He rolls up the lettuce leaf and takes a bite. Later, they boil oyesters in a pot on a hotplate on their backyard table.
+00:03:57.073-STANDARD
The man lifts a spoonful of the boiling water.
+00:04:01.103-STANDARD
Night settles and an electric ground lamp glows orange.
+00:04:20.086-STANDARD
The man scoops out water from the pot with a ladel and sips it.
+00:04:26.299-STANDARD
Later, the child sits in his tent and draws on an etch-a-sketch.
+00:04:35.264-STANDARD
A little chalk sign on the tent reads: "Kim's." Light strings drooping over the tent's entrance shine yellow.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_CBbhbuPb6ZA.txt b/raw/validation/gt_ad/output_CBbhbuPb6ZA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..81f9d35213c00bb6043515109f4219ec74a1e5ad
--- /dev/null
+++ b/raw/validation/gt_ad/output_CBbhbuPb6ZA.txt
@@ -0,0 +1,11 @@
+00:01:31.168-STANDARD
The host uses a spray can on a metal sieve lying on a strip of parchment paper.
+00:01:45.110-STANDARD
He drips water through the sieve into a cup.
+00:02:08.104-STANDARD
The sieve fills.
+00:02:28.256-STANDARD
He pours water from a raised bottle and it gushes through the sieve.
+00:02:51.055-STANDARD
The host quickly lifts the sieve and water falls.
+00:03:10.809-STANDARD
The host pours a cup of blue water into the sieve and it quickly pools at the bottom.
+00:03:18.430-STANDARD
The camera points at the sieve from the bottom.
+00:03:29.222-STANDARD
He presses the paper towel to the sieve's bottom and the water soaks into it.
+00:03:37.650-STANDARD
Slow motion shows the host rapidly raise the sieve and the water cascades out the sieve's bottom.
+00:04:15.347-STANDARD
He scoops up a doll.
+00:06:17.556-STANDARD
Links to the channel's store, YouTube shorts channel, subscription button, and other videos appear.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_CUF3onU96-M.txt b/raw/validation/gt_ad/output_CUF3onU96-M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..72e4724454648cd18827291e0ebd489303f48daa
--- /dev/null
+++ b/raw/validation/gt_ad/output_CUF3onU96-M.txt
@@ -0,0 +1,33 @@
+00:00:04.486-STANDARD
Black-and-white montage begins, styled like a tribute video, centered on a male-presenting person named Cooper.
+00:00:08.424-STANDARD
Handheld selfie footage of Cooper and a female-presenting partner smiling into the camera, then sharing a kiss.
+00:00:12.586-STANDARD
Outside, a series of short clips shows the couple dancing.
+00:00:16.914-STANDARD
Cooper smiles at the camera while drinking from a plastic straw, then lounges on a chair at the beach.
+00:00:24.500-STANDARD
Indoors, Cooper laughs and roughhouses with a friend.
+00:00:31.614-STANDARD
Cooper sits up in bed.
+00:00:35.757-STANDARD
In an elevator with friends, Cooper gives a playful middle finger to the camera.
+00:00:39.386-STANDARD
Backstage, in dim footage, a silhouetted figure performs on stage with lights and a crowd. Someone is seen shaving their head.
+00:00:45.171-STANDARD
Cooper hugs a friend. Then rides a rollercoaster.
+00:00:54.329-STANDARD
Cooper tosses his hair and smiles directly at the camera.
+00:00:58.900-STANDARD
The couple kisses in bed, then while standing. Then out with friends, Cooper again gives a middle finger to the camera while his partner smiles.
+00:01:07.229-STANDARD
From a box in the audience, we see a band performing on stage. Cooper smiles at the camera while watching.
+00:01:12.171-STANDARD
Cooper and his partner kiss.
+00:01:15.314-STANDARD
At a pizza place, Cooper and a friend eat slices and smile at each other.
+00:01:23.286-STANDARD
On a street, Cooper performs a skateboard trick.
+00:01:26.002-STANDARD
On a couch, Cooper kisses a dog and plays with it.
+00:01:32.343-STANDARD
Cooper and friends dance and mouth the words to a song.
+00:01:36.400-STANDARD
The couple shares another kiss.
+00:01:39.174-STANDARD
Cooper smokes a cigarette. In another shot, he sips coffee and playfully spits it in his partner's face. In another shot, they kiss with their heads on a pillow.
+00:01:55.543-STANDARD
Cooper dances while sitting, shirtless and smiling.
+00:02:03.163-STANDARD
A continued montage of Cooper kissing, dancing, and enjoying time with friends.
+00:02:25.014-STANDARD
On the beach, Cooper strikes a pose.
+00:02:27.614-STANDARD
More clips of Cooper playing around with friends. He twirls his girlfriend while dancing, followed by another sequence of kissing in different locations.
+00:02:37.700-STANDARD
Cooper, wearing a white suit jacket with no shirt, playfully poses with his hands on his face.
+00:02:44.000-STANDARD
The couple kisses, followed by a selfie.
+00:02:46.257-STANDARD
They laugh and smile together on a couch.
+00:02:51.271-STANDARD
More clips of kissing and taking selfies.
+00:02:54.886-STANDARD
Short clips of Cooper joking around and having fun with friends.
+00:03:04.029-STANDARD
Now in color for the first time: three people, arms around each other, face the ocean from the beach.
+00:03:10.657-STANDARD
From behind, a person in a white dress stands facing the ocean, followed by shots of others also dressed in white. One person walks into the ocean holding a pink flower.
+00:03:22.014-STANDARD
"Cooper" is written in the sand.
+00:03:25.429-STANDARD
Cooper and his partner sit together inside a restaurant.
+00:04:14.286-STANDARD
On-screen text: "In loving memory of Cooper Noriega. June 28, 2002 – June 9, 2022."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Cen4e4carqI.txt b/raw/validation/gt_ad/output_Cen4e4carqI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1e0dc177d1f29b4966dd4c0c3fa16e52d514fe6a
--- /dev/null
+++ b/raw/validation/gt_ad/output_Cen4e4carqI.txt
@@ -0,0 +1,30 @@
+00:00:00.833-STANDARD
Words appear: "Copyright: Lost Forest." Leafless trees dot a grassy hill. The sun shines diffused through mist blanketing the air.
+00:00:11.600-STANDARD
The camera person paces to a stone birdbath. Words appear: "A misty Easter morning on the farm. A stroll around the garden before farm jobs."
+00:00:22.785-STANDARD
Words appear: "A magic veil of mist covers the landscape."
+00:00:28.366-STANDARD
Pink and yellow flowers stand by the base of a tree. Words appear: "The flower beds are coming into bloom."
+00:00:36.566-STANDARD
Dew covers pink and white flowers, freshly blooming. Words appear: "Wallflowers and primrose peak their heads out despite the dewdrops."
+00:00:47.433-STANDARD
"To dream amongst the flowers."
+00:00:51.333-STANDARD
A breeze combs through the flowers.
+00:00:55.333-STANDARD
Purple flowers stand in a patch of tall grass. Words appear: "Purple muscari soar into the crisp air."
+00:01:03.833-STANDARD
Words appear: "Good morning, Biddy!" A tabby cat walks across the grass.
+00:01:10.766-STANDARD
The camera person feeds several calves in a pen milk from a bottle. Words appear: "Time to start feeding the calves. All bottle fed with nutritious milk from mama cow."
+00:01:23.833-STANDARD
"Time to play in the morning sunshine." A calf scampers across the grass. Words appear: "Oh, a Tom visits but is camera shy!" Another tabby cat scurries across a wall of stones.
+00:01:37.700-STANDARD
A handful of calves hop and dash around. Words appear: "Jumping for joy! So lovely to see them happy and playing together. Always makes me smile! Now a well earned coffee and easter treat in the garden."
+00:01:52.866-STANDARD
"Pickle joins me in the sun for our dose of Vitamin D... and punching of flowers. I think he likes this one." Pickle, a cat, swats at a purple muscari the camera person holds.
+00:02:06.200-STANDARD
A black cat lounges in a patch of grass. "Spotted Pumpkin hiding in the daffs. Oh, what a handsome boy he is! That funny downturned mouth has my heart."
+00:02:17.766-STANDARD
"Off for a walk down the farm lanes to pick some spring blooms." The camera person walks down a dirt road winding through verdant farmland.
+00:02:28.033-STANDARD
"Primrose and dandelions sprinkled like confetti in the hedgerows."
+00:02:33.466-STANDARD
"Yellow and purple are certainly the colors of spring."
+00:02:37.900-STANDARD
"Hello, Moo! Lovely day for the grass."
+00:02:42.700-STANDARD
A larger cow grazes under fluffy, white clouds.
+00:02:47.866-STANDARD
"Gorse blooms with their sweet cocount fragrance drifting on the cool breeze." A bush of vivid, yellow flowers with thorny stems tremble in the wind.
+00:02:59.333-STANDARD
The sun shines brightly high in the sky. Words appear: "The sun burst fully through the morning mist to reveal a spectacular spring day."
+00:03:11.333-STANDARD
A pheasant stands on the side of the dirt road and looks out at a grassy field. Words appear: "Here's one of our resident pheasants - Clive! Such a handsome devil."
+00:03:24.333-STANDARD
"Strutting around the fields in his finest, feathery suit."
+00:03:32.533-STANDARD
Clive the pheasant struts across the grass while glancing low and turning his head.
+00:03:42.400-STANDARD
"He led me to a crop of beautiful anemone fluttering in the wind."
+00:03:51.766-STANDARD
The camera focuses on a smattering of delicate looking white flowers with yellow centers.
+00:04:01.566-STANDARD
Words appear: "Like little, white stars strewn on the grass."
+00:04:09.600-STANDARD
The camera person takes the dirt road up a hill. Words appear: "Onwards back to the farmhouse after a pleasant and productive spring day."
+00:04:21.333-STANDARD
"Remember to subscribe to my channel and click the like button, thank you!"
+00:04:29.466-STANDARD
Sunlight streams radiantly through woolly white clouds hanging in patches across the blue sky.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_CrUQKHaib7U.txt b/raw/validation/gt_ad/output_CrUQKHaib7U.txt
new file mode 100644
index 0000000000000000000000000000000000000000..763610f33358bafe588b1fe696e4d1db48b43ea2
--- /dev/null
+++ b/raw/validation/gt_ad/output_CrUQKHaib7U.txt
@@ -0,0 +1,11 @@
+00:01:24.443-STANDARD
He talks to a stuffed turkey, then uses a kitchen scale to weigh a bag of ground meat.
+00:01:45.886-STANDARD
He uses a spatula to mix the meat in a pan, then taps the spatula on the side of the pan.
+00:01:58.686-STANDARD
The camera zooms in on the vlogger "in character," wearing a sombrero. It cuts to a fake turkey being moved across a forest background. Cut to the vlogger in a sombrero and camouflage neck gait covering his nose and mouth. A series of quick cuts show the vlogger in the kitchen, the turkey, the forest, and back to the turkey.
+00:02:14.600-STANDARD
The vlogger in camouflage in the forest raises a gun. The scene cuts back to the kitchen with the sombrero character.
+00:03:48.171-STANDARD
He brings tortillas to a wooden cutting board.
+00:04:29.329-STANDARD
He opens a new jar of salsa.
+00:05:09.614-STANDARD
He adds red pickled onions by hand to three tacos.
+00:05:15.800-STANDARD
Using a split screen effect, the main version of the vlogger hands the Mexican character version a plate of tacos over the kitchen counter.
+00:05:22.086-STANDARD
The character version pours red sauce over the tacos while the regular version of the vlogger takes a bite.
+00:05:38.029-STANDARD
Both versions of the vlogger eat tacos together.
+00:05:59.029-STANDARD
On-screen text: Blacktiekitchen.com @blacktiekitchen. Credits scroll: Many thanks to channel supporters on Patreon!
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Crt4aJWIxRY.txt b/raw/validation/gt_ad/output_Crt4aJWIxRY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d63a4afeb4d1037f410890bb449efceccec024ac
--- /dev/null
+++ b/raw/validation/gt_ad/output_Crt4aJWIxRY.txt
@@ -0,0 +1,12 @@
+00:00:00.013-STANDARD
Sunlight pours through Istanbul. Lexie grins on a balcony in the city. She and another woman grin on a rug-covered terrace with two men. Later, she stands in a hotel room.
+00:00:35.285-STANDARD
The city sprawls toward the horizon. Bridges span the Bosphorus Strait. Lexie stands on a bustling street hedged in by tall buildings.
+00:01:23.825-STANDARD
Golden Arabic script adorns a stone wall with arabesques engraved into it.
+00:01:34.102-STANDARD
In a restaurant.
+00:01:59.195-STANDARD
The camera pans over numerous plates and bowls of meats, vegetables, breads, and sauces covering their table at the restaurant.
+00:02:08.870-STANDARD
Lexie walks down a sidewalk.
+00:03:38.776-STANDARD
A machine dispenses a boarding pass. Lexie gets on a ferry.
+00:03:50.369-STANDARD
They find seats. The ferry takes off.
+00:04:36.824-STANDARD
Lexie and her friends move with an enormous crowd away from the ferry. Various food carts display oyesters and pastries on plates and trays.
+00:06:17.323-STANDARD
A man prepares bowls of oysters in a restaurant. Lexie pans her camera over huge containers filled with fresh vegetables in a market.
+00:06:26.774-STANDARD
The sun dips over the strait. Lexie sits on a stone beach among other people.
+00:06:52.273-STANDARD
Words appear: "Lexie Limitless. Subscribe for weekly videos."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_D8IoHD-NtWM.txt b/raw/validation/gt_ad/output_D8IoHD-NtWM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1c810f7f2f43214adfa9fb4b484e53ceced1ab56
--- /dev/null
+++ b/raw/validation/gt_ad/output_D8IoHD-NtWM.txt
@@ -0,0 +1,12 @@
+00:00:08.429-STANDARD
A headshot appears with on-screen text: “Ronke Raji, beauty and lifestyle.” She has light brown skin and short, bright red hair. She then sits in front of a white background. On-screen text: “Attempt number one.”
+00:01:13.586-STANDARD
The audio cuts out. Ronke continues talking silently and rolls her eyes.
+00:01:20.443-STANDARD
She squeezes Elmer’s Glue through a nozzle into a clear plastic bottle.
+00:01:29.314-STANDARD
Still talking, she shrugs, plays with her hair briefly, then keeps talking.
+00:01:52.429-STANDARD
She raises the back of her hand to the camera, showing its glossy texture, and continues talking.
+00:02:05.471-STANDARD
Now wearing a terry cloth headband, she holds a small paintbrush, shows it to the camera, then picks up the glue bottle, holding both as she talks.
+00:02:15.300-STANDARD
She squeezes glue into something offscreen, still speaking throughout.
+00:02:37.514-STANDARD
Using a compact mirror, she brushes glue onto her forehead with the paintbrush. It goes on glossy, leaving shiny streaks on her skin.
+00:02:48.957-STANDARD
Her face, from forehead to jaw, is now fully coated in thick, shiny glue. She spritzes it with water. On-screen text: “Attempt number two.” With a clean face, she applies cream foundation, then concealer and blue eyeshadow while continuing to talk.
+00:06:23.786-STANDARD
The audio cuts out again. She models her final look: thick makeup with glossy skin, blue eyeshadow, and pink lipstick, framing her face with her hands.
+00:06:29.229-STANDARD
She peels the glue off in small sheets, which is tinted by the light brown foundation color.
+00:06:35.743-STANDARD
On-screen text: “Thanks for watching,” followed by her logo and website: www.ronkeraji.com.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_D_Eh2YOXep4.txt b/raw/validation/gt_ad/output_D_Eh2YOXep4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9faded18de9c3a12e9c5bee7b5f48db6a5e5092d
--- /dev/null
+++ b/raw/validation/gt_ad/output_D_Eh2YOXep4.txt
@@ -0,0 +1,22 @@
+00:00:03.366-STANDARD
Subtitles: "With tears in my eyes, I grabbed his hand and asked: 'What is your biggest regret?'"
+00:00:13.300-STANDARD
Super eight footage shows the sun flare over Paris as it hangs just over the horizon. Title: "Parisian Sunset. By Ben Mikha."
+00:00:24.200-STANDARD
Young men and women gracefully roller skate on a bustling, concrete plaza in front of the Louvre. Five dance in a row.
+00:00:33.700-STANDARD
The cameraperson rides a train by a large apartment complex, sunshine bathing it. They pass over a bridge spanning a vast river.
+00:00:45.100-STANDARD
A man rides a bicycle through a busy intersection hedged in by shops with apartments over them. A young man skateboarding jumps onto a low wall.
+00:00:56.200-STANDARD
From a high place, the camera pans over the vast city. On the Eiffel Tower, a young man hugs a young woman from behind and kisses her shoulder as she softly smiles, the sun highlighting her brown hair orange.
+00:01:13.233-STANDARD
In a park, an artist draws a profile of a young boy. In a cathedral, sunlight makes the colors of large stained glass windows glow. Men play basketball in an enclosed court near the street. A man takes a deep drag from a cigarette while watching the players.
+00:01:33.766-STANDARD
A muscular man hangs from a pole with one arm and does tricks with a soccer ball using his feet.
+00:01:44.133-STANDARD
Dusk settles over Paris. A young, shirtless man roller skates backwards among the others in the plaza. Yellow coronas stretch from lamp posts standing all around.
+00:01:58.433-STANDARD
The moon begins rising. Glittering lights flash along the length of the Eiffel Tower.
+00:02:07.700-STANDARD
Cars, bicyclists, and pedestrians throng through a street illuminated by bright neon signs hanging on shops and bars.
+00:02:19.733-STANDARD
Purple-pink sunlight paints clouds reaching over the darkened city.
+00:02:26.333-STANDARD
A man with dark, curly hair washes his stubbled face in an apartment sink. Later, he sits by a bay window and reads a book under lamplight.
+00:02:38.366-STANDARD
The next morning, the curly-haired sits at a table in a cafe's outdoor dining area. He stirs a cup of coffee near a glass of orange juice and a croissant.
+00:02:51.333-STANDARD
In another outdoor dining area, a young brunette with red nail polish inhales a cigarette and puffs out smoke while eyeing the camera.
+00:03:02.533-STANDARD
Dozens of people sit together on large, concrete steps leading to the street. The sun sets over Paris, partially silhouetting the Eiffel Tower.
+00:03:15.433-STANDARD
Two young men dance by a third man in a courtyard, mirroring each other's moves.
+00:03:23.733-STANDARD
People sit and stand in a subway car as it lightly jostles them.
+00:03:30.400-STANDARD
Men and women roam the Louvre's plaza, taking in the glass pyramids or snapping pictures.
+00:03:38.700-STANDARD
The artist in the park draws a young man's quarter profile as others crowd behind him. Atop the Eiffel Tower, the young man hugging the woman from behind nuzzles her cheek and she shuts her eyes and smiles warmly.
+00:03:54.266-STANDARD
At night, the lights flash over the Eiffel Tower. The curly-haired man sits on a bed in a small room, lamplight throwing shadows over parts of his face.
+00:04:07.400-STANDARD
Images flash of the previous scenes. The man stands in a dark room. He holds his hand by a lit candelabra sitting in front of a mirror, reflecting its triple flames. Subtitles: "As the sun was setting, on his final moments, he looked at me and he said: 'I wish I never worked so fucking hard.'"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_EAwv058d65M.txt b/raw/validation/gt_ad/output_EAwv058d65M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4ca3ba8c2ef09aa426a6033ab1348d2fccd6577d
--- /dev/null
+++ b/raw/validation/gt_ad/output_EAwv058d65M.txt
@@ -0,0 +1,41 @@
+00:00:01.016-STANDARD
Words appear in cursive: Bayoona. In a brightly lit living room, a woman adjusts white roses in a vase on a coffee table.
+00:00:10.750-STANDARD
White roses and utensils sit on plates lying on a table. A large bowl of chicken and spaghetti lies in the center by a rectangular tray of vegetables.
+00:00:21.882-STANDARD
The woman unfolds a hidden section of a white table, extending it.
+00:00:29.725-STANDARD
The woman opens a white cupboard, revealing neatly stacked plates. She lays cloth towels on the extended table, then places four plates and utensils from the cupboard on them.
+00:00:44.174-STANDARD
The woman arranges the four plates on either side of the table.
+00:00:52.159-STANDARD
The woman finishes arranging the plates, then places grey cloth napkins on them.
+00:01:01.697-STANDARD
She places the utensils, forks, and butter knives on each plate.
+00:01:11.327-STANDARD
The woman takes four white flowers and sets them on the table near a pair of pruning scissors.
+00:01:20.265-STANDARD
She lifts the scissors.
+00:01:24.955-STANDARD
She clips the stem of a flower, then carefully places it on one plate.
+00:01:33.703-STANDARD
She clips another flower stem and pulls some of its leaves off. She uses the scissors to cut thorns off of it.
+00:01:44.942-STANDARD
The woman places the flower on the second plate.
+00:01:50.754-STANDARD
She sets a third and fourth flower on the last two plates.
+00:01:58.844-STANDARD
The woman places empty drinking glasses on the right side of each plate.
+00:02:06.258-STANDARD
The woman places more of the roses in a white vase with a handle and the word "love" written on it.
+00:02:17.041-STANDARD
The woman puts the vase into a sink, then uses the faucet to partially fill it. She places it on the coffee table.
+00:02:27.135-STANDARD
The woman cuts apart a large brocolli on a wooden cutting board near two bell peppers.
+00:02:35.942-STANDARD
She slices through the smaller brocolli chunks, making even smaller pieces.
+00:02:45.380-STANDARD
She drops the brocolli into a bin filled with water.
+00:02:52.495-STANDARD
The woman cuts one of the bell peppers in half.
+00:02:57.821-STANDARD
Time lapses and she places the brocolli and slices of bell pepper on a baking tray with parchment paper on it.
+00:03:06.958-STANDARD
She drops a handful of cherry tomatoes between the brocolli and bell pepper slices. She drizzles olive oil over the vegetables, then covers them with salt, pepper, and paprika.
+00:03:20.111-STANDARD
The woman lifts the baking tray. Time passes. She places a large amount of spaghetti in a pot on an induction stove.
+00:03:30.444-STANDARD
The woman sprinkles and grinds spices onto three chicken breasts on a baking tray.
+00:03:38.288-STANDARD
She slides the tray into an oven.
+00:03:43.765-STANDARD
She shuts the oven, then places leafy greens into a salad bowl.
+00:03:50.065-STANDARD
The woman rips apart some of the greens, mixes them by hand, then drops apple chunks into it. She places cucumber slices, sliced cherry tomatoes, and olives into the bowl.
+00:04:03.482-STANDARD
She adds lemon juice, salt, and oil into the salad and mixes it up with two large spoons.
+00:04:12.384-STANDARD
The woman places two lemon slices on the salad, then carries it away.
+00:04:19.798-STANDARD
The woman places a large pan on the stove, removes its lid, and turns on a burner. Time passes and she adds white liquid over sliced mushrooms in the pan.
+00:04:32.374-STANDARD
She adds grated cheese to the mix, stirs it, then drops a bundle of spaghetti into the pan.
+00:04:40.922-STANDARD
The woman carefully mixes the spaghetti with everything else.
+00:04:49.319-STANDARD
She rolls some of the spaghetti onto a fork and lifts it away.
+00:04:57.046-STANDARD
The woman uses a fork and chef's knife to cut the cooked chicken on a cutting board, its skin now golden brown and crispy.
+00:05:07.470-STANDARD
The woman places three cut up chicken breasts on the spaghetti in the pan before sprinkling a green spice onto it.
+00:05:16.542-STANDARD
The woman places the spaghetti pan on the table, then a tray holding the brocolli, tomatoes, and bell peppers near it.
+00:05:26.328-STANDARD
She uses a candle lighter to ignite two candles on either side of the table.
+00:05:32.763-STANDARD
A bowl of cheesy bread slices sits in a bowl on the table.
+00:05:38.837-STANDARD
The woman removes the lid of the spaghetti pan.
+00:05:44.252-STANDARD
Daylight filters in through nearby windows over the food and plates elegantly arranged on the table.
+00:05:53.946-STANDARD
Cursive lettering appears over the rose-filled vase on the coffee table: By Bayoona.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_EeKx5urmDz0.txt b/raw/validation/gt_ad/output_EeKx5urmDz0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ffe9bd47a03a5a92a7a770860c920a77d920b38f
--- /dev/null
+++ b/raw/validation/gt_ad/output_EeKx5urmDz0.txt
@@ -0,0 +1,11 @@
+00:00:00.019-STANDARD
A woman stands in a grassy backyard near a tablesaw and stack of wood boards.
+00:00:44.478-STANDARD
She stands on a ladder in a living room and scans the ceiling with a stud finder.
+00:01:06.475-STANDARD
Amanda slices the two by six boards on her table saw. She and a man drill the boards onto the living room ceiling.
+00:01:24.530-STANDARD
Words appear: "Tip: Use a laser level to help keep your boards straight when installing."
+00:01:47.109-STANDARD
Amanda puts on a dust mask and goggles before using a power sander on her boards outside, carefully going over each side in gentle circular motions.
+00:02:08.892-STANDARD
Amanda squeezes glue along the narrow side of a side board. She places it flat on the front board so half of it hangs over the front board. She uses a nail gun to fix it in place. She does the same with a second side board on the front board's other side.
+00:02:25.802-STANDARD
Words appear: "Tip: Apply wood filler to help blend all three sides of your beam."
+00:02:33.529-STANDARD
Amanda uses a scraper to apply the wood filler on the completed beam. She examines the beam.
+00:02:59.059-STANDARD
She goes over the beam with her power sander, then brushes the stainer over it, making it dark brown. After, she and Chris stand on their ladders in the living room and fixes it to a wood beam.
+00:03:20.570-STANDARD
Amanda uses her nail gun to secure the boards over the ceiling beam. Words appear: "Use DIY brackets to  hide any seams between each beam." Later, the stained boards cover each beam on the ceiling.
+00:04:00.778-STANDARD
Words appear: "Subscribe to Lowe's for more 'How to Anything.'" The words "Continue watching" hang over another video from the channel.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ElgoBqm7wFk.txt b/raw/validation/gt_ad/output_ElgoBqm7wFk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..230d164c6166d6093100267c334076c65db68714
--- /dev/null
+++ b/raw/validation/gt_ad/output_ElgoBqm7wFk.txt
@@ -0,0 +1,39 @@
+00:00:00.000-STANDARD
A white cat rides in a plastic box on top of a robot vacuum.
+00:00:03.886-STANDARD
On-screen text: Try not to laugh: Funny Pets.
+00:00:07.200-STANDARD
The foam of a couch is spread across a carpet, and the edge of the couch is torn.
+00:00:10.457-STANDARD
The camera moves to reveal a large dog in a cage, its mouth wide open and pressed against the bars.
+00:00:15.200-STANDARD
Several golden retrievers run in the water at the beach; one leaps into the ocean like a bunny.
+00:00:19.914-STANDARD
A woman with short gold hair and glasses blow-dries her hair with a hairdryer and brush. A dog jumps onto her shoulder and begins biting the end of the hairdryer. As she attempts to dry her hair, the dog continues to bite at the hot air from the hairdryer.
+00:00:34.529-STANDARD
A black-and-white cat jumps on top of an elevated cat house with an orange cat inside. It immediately slips and falls to the ground. The orange cat looks over the edge.
+00:00:42.957-STANDARD
The bottom of a couch is completely tattered. The camera pans to reveal a large black-and-white dog’s face peeking out from under the couch.
+00:00:51.200-STANDARD
A medium-sized brown dog stands in a doorway, wagging its tail while a white cat watches.
+00:00:58.429-STANDARD
The cat stands on its hind legs, paws at the dog's face, then jumps at the door to close the dog out.
+00:01:02.929-STANDARD
A cat curiously looks inside a large white bowl on a bed.
+00:01:11.129-STANDARD
The cat lifts its paw, then slowly sticks its whole head into the bowl.
+00:01:21.771-STANDARD
The cat begins pawing at the inside of the bowl.
+00:01:50.700-STANDARD
The cat crawls all the way into the bowl, squeezing its body to fit inside with just its tail sticking out.
+00:01:54.871-STANDARD
The bowl and the cat fall over onto their side, forcing the cat out. The cat then sticks its head back inside the bowl.
+00:02:01.629-STANDARD
A gray dog smells a yellow ball.
+00:02:05.329-STANDARD
A black dog jumps in with its own ball and presses its belly onto the gray dog’s face, knocking it over.
+00:02:20.871-STANDARD
Two white puppies stand at the top of a short wooden staircase leading off a deck. They nervously begin walking down, while another puppy starts walking up.
+00:02:26.943-STANDARD
All three puppies collide and tumble down the stairs one by one.
+00:02:31.743-STANDARD
A large white dog with a brown striped cat on its head stares up at something out of view.
+00:02:44.571-STANDARD
A wiry brown dog with a stick in its mouth frantically moves between two wooden posts. The stick in the dog's mouth repeatedly hits the posts, preventing the dog from passing through.
+00:02:53.714-STANDARD
The dog runs to the side, bypassing the posts and entering a grassy area, where it meets another dog and begins running joyfully.
+00:03:01.886-STANDARD
A tiny golden puppy sleeps on its back on a table. A finger taps its belly.
+00:03:06.100-STANDARD
A finger touches the puppy's paw.
+00:03:09.314-STANDARD
Fingers jiggle the puppy's leg.
+00:03:16.700-STANDARD
Fingers tap the puppy’s chest.
+00:03:19.457-STANDARD
Fingers touch inside the puppy’s mouth.
+00:03:24.438-STANDARD
The puppy stretches, rolling onto its side.
+00:03:30.057-STANDARD
A black-and-white dog digs a hole in the sand, spinning in circles and throwing its head into the sand, wagging its tail.
+00:03:51.386-STANDARD
A brown, white, and black cat sits on a chair in the sunshine.
+00:03:57.929-STANDARD
The cat lies down, then falls to its side, grabbing the chair with its claws to pull itself back upright.
+00:04:10.500-STANDARD
A black puppy with a leash is placed onto the sand and immediately starts making jerky, fast movements, jumping around frantically.
+00:04:31.314-STANDARD
A camera follows an orange cat from behind. The cat is carrying an object in its mouth.
+00:04:39.700-STANDARD
The cat freezes in place, cornered.
+00:04:43.181-STANDARD
A hand reaches to grab the object, revealing it to be a wrapped loaf of bread. The hands try to pull it out of the cat's mouth, but the cat holds on tightly.
+00:04:50.757-STANDARD
The hands pull the bread, dragging the cat across the floor.
+00:05:07.886-STANDARD
Tug-of-war continues as the hands try to get the bread, and the cat stubbornly holds on.
+00:05:13.557-STANDARD
A close-up of the cat’s face, still biting the bread, staring directly into the camera.
+00:05:19.071-STANDARD
On-screen logo: The Pet Collective. Where Pets Rule, with a subscribe logo next to an image of a pug and a gray cat, while animated paw prints walk up the screen.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ErvCuqdSiS0.txt b/raw/validation/gt_ad/output_ErvCuqdSiS0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..db797684a215b9c08f6edbeed7d44b6bc0bd7b77
--- /dev/null
+++ b/raw/validation/gt_ad/output_ErvCuqdSiS0.txt
@@ -0,0 +1,7 @@
+00:00:00.031-STANDARD
On a stage.
+00:00:21.867-STANDARD
The host loads the candy into a long tube.
+00:00:52.035-STANDARD
She connects a hose to the tube.
+00:00:59.555-STANDARD
The host taps a button at the back of the accelerator and it zooms through the tube into a plastic box where the candy cane explodes into dust.
+00:01:15.972-STANDARD
She lifts a hatch on the box.
+00:01:20.332-STANDARD
A candy dust cloud wafts out.
+00:01:44.472-STANDARD
Words appear: "Museum of Science."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_EzGKtgcpcjo.txt b/raw/validation/gt_ad/output_EzGKtgcpcjo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bb180560edc6d7b39182ea82619c435bf2a21397
--- /dev/null
+++ b/raw/validation/gt_ad/output_EzGKtgcpcjo.txt
@@ -0,0 +1,14 @@
+00:00:00.000-STANDARD
Six mound-shaped, golden brown cookies piled on a plate. On-screen text: Coconut Cookies - 4 ingredients.
+00:00:04.643-STANDARD
One is lifted off by hand, then placed back down with a bite out of it.
+00:00:10.586-STANDARD
A small white bowl of egg whites is poured into a large glass mixing bowl. On-screen text: Egg White 3.
+00:00:15.300-STANDARD
A large blue measuring cup of coconut shavings is poured in. On-screen text: Dessicated coconut 100 g.
+00:00:18.714-STANDARD
Butter is poured in. On-screen text: Butter 1 dessert spoon.
+00:00:21.514-STANDARD
On-screen text: Powdered sugar 100 g. A large purple measuring spoon of sugar is poured in.
+00:00:25.100-STANDARD
All of the ingredients, white powders with an egg, are gently folded with a turquoise-colored spatula.
+00:00:40.029-STANDARD
The mixture has become sticky. The spatula folds and pushes it a few times to show texture, then the bowl is removed by hand off-screen.
+00:00:48.043-STANDARD
A kitchen spoon full of the mixture is shown, then the spatula pushes it onto a baking sheet. This is repeated three times.
+00:00:57.486-STANDARD
Cut to 11 spoonfuls of mixture on the baking sheet. The sheet is lifted off-screen.
+00:01:00.929-STANDARD
On-screen text: 20 Minutes, 175 degrees (preheated with fan).
+00:01:04.543-STANDARD
The now baked golden brown mound-shaped cookies on the baking sheet. One cookie is lifted by hand off the sheet.
+00:01:09.857-STANDARD
Four cookies are placed down beside and on top of one another, forming a pile.
+00:01:14.814-STANDARD
Finally, six finished cookies piled on a plate. One is lifted off by hand, then placed back down with a bite out of it.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_FJibG4fxdQQ.txt b/raw/validation/gt_ad/output_FJibG4fxdQQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3f2eb70c01c1de79612b4d26f7729a9ac7d8266f
--- /dev/null
+++ b/raw/validation/gt_ad/output_FJibG4fxdQQ.txt
@@ -0,0 +1,12 @@
+00:00:06.083-STANDARD
"Lesbians Versus Bisexuals Learn Golf."
+00:01:12.606-STANDARD
Later.
+00:01:44.001-STANDARD
Amanda hits a ball.
+00:02:09.721-STANDARD
Jordan twerks, then swings hard and misses her ball.
+00:02:15.992-STANDARD
Later.
+00:02:27.155-STANDARD
Alyssa swings and misses. Jordan smacks hers.
+00:02:43.313-STANDARD
Jordan putts her ball toward a hole.
+00:02:47.222-STANDARD
Jordan putts her ball closer to the hole.
+00:02:57.814-STANDARD
Jordan gently taps her ball into the hole.
+00:03:06.330-STANDARD
Jordan does a dramatic bow. Alyssa putts her ball just past the hole. She does so two more times before getting it in.
+00:03:15.774-STANDARD
Later.
+00:05:24.118-STANDARD
"Intomore dot com."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_FRJLnd1cRE8.txt b/raw/validation/gt_ad/output_FRJLnd1cRE8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d376eabaefa07928c0910d2539ddcd4bbfe599d4
--- /dev/null
+++ b/raw/validation/gt_ad/output_FRJLnd1cRE8.txt
@@ -0,0 +1,36 @@
+00:00:00.000-STANDARD
Hands type on a computer keyboard.
+00:00:42.286-STANDARD
On-screen text: Simple evening routine. From inside an apartment, a male-presenting person opens sliding glass doors and steps out onto a balcony with a view of the city skyline in the distance.
+00:01:38.914-STANDARD
A view from outside a grocery store called Woolworths.
+00:01:46.900-STANDARD
He sets a canvas grocery bag down on a kitchen island and removes groceries, including almond milk and sleepytime tea. On-screen text: Finally bought this tea after reading all the good reviews.
+00:01:57.286-STANDARD
He opens a closet door in the apartment hallway, takes off his brown leather jacket, and hangs it on a coat hanger.
+00:02:06.000-STANDARD
Back in the kitchen.
+00:02:26.843-STANDARD
A piece of raw salmon is placed on a cooking pan.
+00:02:30.143-STANDARD
Green beans are placed in a rectangular colander that hangs across the sink. The water is turned on to rinse them. On-screen text: This colander from Ikea makes rinsing vegetables a breeze.
+00:02:52.100-STANDARD
He places green beans on a tin-foil-lined baking sheet.
+00:02:55.820-STANDARD
He transfers onions on top of the green beans using a knife, then seasons with salt. On-screen text: Season generously with salt, some pepper, and chili flakes.
+00:03:04.629-STANDARD
He drizzles olive oil from a glass bottle over the vegetables.
+00:03:09.571-STANDARD
Opening the oven door, he slides the pan with salmon onto the top rack, and the pan with vegetables onto the bottom rack before closing the oven door.
+00:03:19.643-STANDARD
A digital timer is set. On-screen text: Bake salmon for 6 minutes, then flip.
+00:03:24.500-STANDARD
He turns on the TV using a remote and sits down to watch it. On-screen text: The great thing about using an oven, I can do other things while waiting.
+00:03:31.057-STANDARD
On-screen text: The great thing about using an oven, I can do other things while waiting.
+00:03:34.126-STANDARD
The TV show "Kim's Convenience" plays on the TV.
+00:03:38.171-STANDARD
Back in the kitchen, he opens the oven door.
+00:03:41.100-STANDARD
With the pan now on the table, he flips the salmon over. On-screen text: I always do skin down first, then flip to get a nice crispy skin. Back in the oven for another 6 minutes. He places it back in the oven.
+00:03:49.357-STANDARD
He opens a rice cooker and scoops out rice.
+00:03:54.129-STANDARD
He transfers the salmon from the pan to a plate with white rice on it. Then, using a fork, he scrapes along the crispy skin. On-screen text: Skin is nice and crispy.
+00:04:03.214-STANDARD
He drizzles sauce on top. On-screen text: Morita Kabayaki sauce. The bottle of dark sauce is displayed on the table.
+00:04:09.529-STANDARD
He sprinkles sesame seeds over the finished plate, which holds salmon, white rice, and green beans.
+00:04:15.586-STANDARD
Sitting at the table, he cuts the salmon and takes a bite. The scene cuts to him at the sink.
+00:04:34.186-STANDARD
He drops essential oil into a glowing diffuser. On-screen text: This way, I get out of the shower with the room smelling like a bakery.
+00:04:48.914-STANDARD
He uses a handle to turn on the shower.
+00:05:13.900-STANDARD
He places a tea bag in a clear glass, then fills it with hot water from a kettle.
+00:05:20.671-STANDARD
He takes the tea over to his desk, where he sits at his desktop monitor.
+00:05:49.929-STANDARD
On-screen text: Sometimes, it can take hours to find the perfect music for a video. I'll keep listening until I find something that resonates with the video. Sitting at the monitor, he scrolls through a music list and sips his tea.
+00:05:59.629-STANDARD
He opens a small journal.
+00:06:05.957-STANDARD
He starts writing in the journal with a pen. On-screen text: Quick journal to plan for the next day.
+00:06:20.700-STANDARD
He fills a glass water bottle at the sink.
+00:06:24.800-STANDARD
He pours water from the bottle into a glass.
+00:06:37.100-STANDARD
He puts toothpaste on a toothbrush at the bathroom sink, then washes his hands under running water to prepare to wash his face.
+00:06:56.614-STANDARD
He takes the book titled "Hey Gents" from his bedside table and, sitting up in bed under the covers, opens the book. On-screen text: Been reading this lifestyle magazine from Hey Gents. Now rebranded and called Softer Volumes.
+00:07:06.386-STANDARD
They feature spaces, destinations, and objects for design-minded individuals. He flips through the pages, which have artsy design photos of objects and spaces.
+00:07:33.000-STANDARD
He pulls the covers over him. Fade to black.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_FYjNz4xmLAk.txt b/raw/validation/gt_ad/output_FYjNz4xmLAk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..83f92880b83357cac669b26e58ab3d769ddcfdbd
--- /dev/null
+++ b/raw/validation/gt_ad/output_FYjNz4xmLAk.txt
@@ -0,0 +1,22 @@
+00:00:00.292-STANDARD
A host wearing well-worn oven mitts places a sponge cake in a circular cake tin on a table.
+00:00:07.591-STANDARD
Later, the cake sits flipped over on a bakery paddle. The host peels off parchment paper from its bottom.
+00:00:15.182-STANDARD
They push the cake down with their hand, then watch it slowly rise back up.
+00:00:21.271-STANDARD
A graphic shows a cartoon man and woman in chef's outfits and reads: "Siblings Food Hunter."
+00:00:31.115-STANDARD
The host cracks four eggs into a large, white porcelain bowl.
+00:00:39.623-STANDARD
They dump in eighty grams of white sugar.
+00:00:46.087-STANDARD
The host uses an electric hand mixer to whisk the eggs and sugar until they're foamy and colored a creamy white.
+00:01:06.108-STANDARD
As an optional choice, the host adds one teaspoon of vanilla extract.
+00:01:16.410-STANDARD
They whisk the mix for a few seconds on the electric mixer's low speed.
+00:01:26.962-STANDARD
Words appear: "Eighty grams of cake flour or all purpose flour." They pour the flour into a sieve held over the mix, then shake the sieve so the powder falls through.
+00:01:43.271-STANDARD
Once the flour has been completely incorporated into the mix, they use a whisk to thoroughly stir it all.
+00:02:05.251-STANDARD
Later, the host uses a silicone baking spatula to stir the mixture further.
+00:02:15.803-STANDARD
They pour the mixture into a one hundred by fifty millimeter cake tin.
+00:02:27.106-STANDARD
Words appear: "Remove bubbles using a stick or toothpick." They poke the mixture, the batter, with a toothpick and stir in small, then broad circles to remove any bubbles.
+00:02:42.579-STANDARD
Words appear by a laughing emoji: "Or you can smack on the table twice."
+00:02:51.505-STANDARD
They lift, then drop the tin on the table twice.
+00:02:59.847-STANDARD
Words appear: "Bake at one hundred and sixty degrees celsius for twenty five to thirty minutes."
+00:03:09.398-STANDARD
They place the baked cake on the table, then use a cake cutter to cut around the space between the cake's rim and the tin.
+00:03:20.284-STANDARD
The host places a bakery paddle on the top of the cake, then flips it.
+00:03:27.333-STANDARD
They remove the cake tin, then they remove a circular piece of parchment paper from its bottom.
+00:03:35.966-STANDARD
They push down on the sponge cake with their hand, then watch it slowly rise, now golden brown.
+00:03:45.434-STANDARD
Words appear by a heart and love face emoji: "Don't forget to subscribe, guys. And click the notification bell so you can notified for every video uploaded. Thank you."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_GIm8uY6W50k.txt b/raw/validation/gt_ad/output_GIm8uY6W50k.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f49673e3f1e7894d57c980c8a9eef2fcb28e323d
--- /dev/null
+++ b/raw/validation/gt_ad/output_GIm8uY6W50k.txt
@@ -0,0 +1,19 @@
+00:00:06.567-STANDARD
A young, black-haired woman records herself.
+00:00:43.533-STANDARD
Words appear: Paradise Garden; Summerville, Georgia."
+00:00:48.834-STANDARD
The young woman passes a small building while holding hands with a young man, his hair black and parted down the middle.
+00:01:01.533-STANDARD
A box TV in the corner of the small building plays a video of an old man. Paintings, drawings, and long quotes ocver the walls.
+00:01:11.767-STANDARD
Words appear: "Berry College. Mount Berry, Georgia." The woman and black-haired man walk with another young man wearing a beanie toward a group of massive cobblestone buildings.
+00:01:24.266-STANDARD
They have a picnic on a lawn near the buildings.
+00:01:28.066-STANDARD
They toast with drink cans, then eat charcuterie. The man in the beanie plays a guitar. Words appear; "Then we explored the college. In a wood-floored room, the black-haired man plays a piano.
+00:01:41.900-STANDARD
The woman and man in the beanie dance and spin by the piano, then the man stares out from a low, wooden wall that looks out to a second floor below. Black, wood, arch buttresses stretch over them to the building's other side.
+00:01:57.100-STANDARD
The woman and black-haired man hold hands and dance while grinning. He spins her. Later, they drive in a sedan.
+00:02:44.200-STANDARD
They go to a record store in Rome, Georgia. Later, the black-haired man leaves with a record album.
+00:03:02.600-STANDARD
"We made it back home. Time to jam out until the new year."
+00:03:14.266-STANDARD
"They're singing about nearly becoming thirty."
+00:03:32.600-STANDARD
"Art challenge. We're drawing each other within a time limit." After drawing around a dining table, they show each other their portraits.
+00:04:04.367-STANDARD
Words appear: "Then suddenly it was twenty twenty four. Happy new year." They walk down a street together at night.
+00:04:16.200-STANDARD
"We decided to go for a sunrise hike. Stone mountain, Georgia. Traditional Korean drums greeted us at the summit."
+00:04:25.834-STANDARD
Men and women play drums on a mountain's summit among dozens of people watching the sunrise.
+00:04:32.500-STANDARD
The woman rests her head on the black-haired man's shoulder, then points upward. Later, they sit with the man in the beanie on the summit. Words appear: "We shared our New Year's resolutions."
+00:04:46.000-STANDARD
They stand at the summit's edge.
+00:04:53.100-STANDARD
They move down a path leading down the mountain with the crowd. Words appear: "And then it was time to truly enter into the new year." Later, at the airport.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_GImfQ1N44EY.txt b/raw/validation/gt_ad/output_GImfQ1N44EY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..57e352b7488885e787467a8db58d52b212b43750
--- /dev/null
+++ b/raw/validation/gt_ad/output_GImfQ1N44EY.txt
@@ -0,0 +1,70 @@
+00:00:00.000-STANDARD
On a trail in a lush forest, a deer walks with a spotted baby deer running behind. They both stop and look around.
+00:00:04.543-STANDARD
The two deer run off.
+00:00:06.900-STANDARD
The two deer reappear, running across the camera's view and out of sight.
+00:00:10.443-STANDARD
A baby deer appears, running in from the distance.
+00:00:14.871-STANDARD
The baby deer runs across the camera's view.
+00:00:18.700-STANDARD
At night, two deer run energetically towards the camera.
+00:00:24.329-STANDARD
At night, in pouring rain, a deer walks slowly across the camera's view.
+00:00:27.700-STANDARD
A deer walks crosses closely in front of the camera. In the distance, another deer licks its own belly.
+00:00:32.957-STANDARD
From behind, a coyote, carrying something in its mouth, runs from a clearing into the forest. It returns, running out of the tree-lined area.
+00:00:43.074-STANDARD
A tractor drives in the distance.
+00:00:45.757-STANDARD
On the forest floor, birds and chicks cross the camera's view.
+00:00:51.029-STANDARD
Two black birds fly low to the ground.
+00:00:52.900-STANDARD
The footage of low-flying birds repeats in slow-motion.
+00:01:00.575-STANDARD
A deer sniffs the camera; we see just its nose, then its eyes, and pointy ears.
+00:01:05.429-STANDARD
A large bird perches on a tree branch and spreads its wings.
+00:01:09.571-STANDARD
At night, two deer run toward, then across, the camera's view.
+00:01:15.371-STANDARD
From behind, an adult and baby deer walk together on a dirt path, then pause.
+00:01:20.357-STANDARD
In a tree-lined area beside a lake, a deer grazes.
+00:01:27.271-STANDARD
In slow motion, a bird flies across the lake.
+00:01:29.700-STANDARD
At night, a coyote pauses, then runs off.
+00:01:31.771-STANDARD
An adult and baby deer cross in front of the camera. Another baby deer catches up to them.
+00:01:36.743-STANDARD
At night, in pouring rain, a black bear appears briefly in the corner of the frame.
+00:01:39.314-STANDARD
A slow-motion version of the black bear footage.
+00:01:42.071-STANDARD
Blurry footage at night shows a nondescript animal trotting towards the camera.
+00:01:44.614-STANDARD
In the distance, a deer grazes, then walks slowly across a dirt path. A group of birds stands on the path in the distance.
+00:01:49.929-STANDARD
A deer very close to the camera wags its tail back and forth, then smells the air.
+00:01:53.700-STANDARD
At night, a distant coyote runs quickly across our view.
+00:01:56.800-STANDARD
On the bank of a lake, the camera zooms in on a deer walking towards the water.
+00:02:02.986-STANDARD
By the lake, two deer run across the camera's view. Another deer grazes on the bank behind them.
+00:02:10.300-STANDARD
Three large birds and several baby birds walk across a clearing.
+00:02:14.129-STANDARD
A turkey walks close to the camera along a path.
+00:02:16.343-STANDARD
The same turkey walks with three baby turkeys beside it.
+00:02:21.329-STANDARD
In the distance, a turkey buries its head beneath its wing.
+00:02:23.814-STANDARD
A deer walks along a grassy area by the lake.
+00:02:29.929-STANDARD
The deer reaches its head up to graze on leaves in a tree.
+00:02:34.546-STANDARD
From behind, we see a black bear run into the woods out of sight.
+00:02:43.129-STANDARD
At night, a deer and baby deer walk together.
+00:02:45.943-STANDARD
At night, two deer stand on the bank of the lake.
+00:02:51.024-STANDARD
A coyote trots along a trail past the camera.
+00:02:55.586-STANDARD
At night, a small deer follows a larger one.
+00:02:57.771-STANDARD
A coyote trots across the forest floor.
+00:02:59.871-STANDARD
At night, the view of the lake is interrupted by falling rain.
+00:03:03.929-STANDARD
At night, a deer runs quickly across the camera's view. Another deer follows.
+00:03:07.843-STANDARD
A deer walks across the camera's view. A baby deer trails behind.
+00:03:12.857-STANDARD
The baby deer stops and looks around, then grazes on a bush's leaves before trotting toward the adult.
+00:03:24.029-STANDARD
A deer grazes near the camera.
+00:03:27.314-STANDARD
A coyote walks down a dirt path in the direction of the camera.
+00:03:41.661-STANDARD
A turkey and several baby turkeys walk across the camera's view.
+00:03:50.940-STANDARD
In the distance, a coyote walks through trees, then back onto the path.
+00:03:54.771-STANDARD
At night, in the rain, a deer walks through trees.
+00:03:58.786-STANDARD
A turkey and several baby turkeys walk. Another adult turkey and more babies follow.
+00:04:07.186-STANDARD
At night, a nondescript animal runs across the background.
+00:04:10.469-STANDARD
A deer close to the camera, with grass, trees, and the lake behind it.
+00:04:14.130-STANDARD
A large-necked bird in the distance stands on the grass near the lake. The bird flutters its wings slightly.
+00:04:21.529-STANDARD
At night, a coyote smells the ground, searching.
+00:04:28.657-STANDARD
The tail-end of a dog crosses the camera's view. Then a deer enters the frame and crosses.
+00:04:33.543-STANDARD
A dog runs in from the distance.
+00:04:37.079-STANDARD
A deer close to the camera passes by.
+00:04:41.094-STANDARD
A deer in the distance crosses the path.
+00:04:44.529-STANDARD
The spotted head of a baby deer with black eyes looks around as it checks out the camera.
+00:04:49.429-STANDARD
Birds fly onto a tree.
+00:04:53.386-STANDARD
At night, a coyote trots in, then sniffs the ground until it walks off camera.
+00:05:01.029-STANDARD
At night, two deer amble across the camera's view, one after the other.
+00:05:09.119-STANDARD
In fast motion, four deer walk on the dirt path towards the camera.
+00:05:14.778-STANDARD
From behind, we see a deer walking away.
+00:05:17.477-STANDARD
A deer enters the frame, walking slowly.
+00:05:20.429-STANDARD
Wind rustles a tree's leaves and foliage by the lake's grassy bank.
+00:05:26.359-STANDARD
At night, a coyote trots in the corner of the frame.
+00:05:29.700-STANDARD
A coyote trots across, then up a small hill, before walking out into the forest out of sight.
+00:05:39.657-STANDARD
At night, a coyote walks slowly across the clearing.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_GM_OV3wP3Yo.txt b/raw/validation/gt_ad/output_GM_OV3wP3Yo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..658a601958bb5b3ec61e0ef83687241b61d6ef91
--- /dev/null
+++ b/raw/validation/gt_ad/output_GM_OV3wP3Yo.txt
@@ -0,0 +1,13 @@
+00:00:02.333-STANDARD
Words appear: "Jenelle's RV Build." A time lapse shows a young, curly-haired woman in overalls gut the inside of a white RV.
+00:00:35.766-STANDARD
She front kicks a wall.
+00:01:54.200-STANDARD
Quick cuts show Janelle dismantle the door and walls of a small bathroom using a power saw and hard kicks to break them down.
+00:02:02.666-STANDARD
She rips out exposed wood panels and metal frames on a wall near the toilet, then hurls them out the open door to a heap of other parts of the RV.
+00:02:15.333-STANDARD
Jenelle yanks out the stove from a tiny kitchen, then hauls a mini fridge out from under it. She rolls it out of the door.
+00:02:40.033-STANDARD
She pulls out a sink and counter from the kitchen, then stomps and rips out the sink's frame.
+00:02:47.733-STANDARD
She breaks down and throws out the majority of the kitchen's frame on the wall.
+00:02:55.233-STANDARD
Jenelle pulls out two ceiling mounted cabinets above what was the kitchen, then chucks them outside.
+00:03:04.466-STANDARD
Jenelle points her camera at a haphazard assortment of power tools, chunks of wood, screws, nails, and other detritus blanketing the RV floor.
+00:03:24.466-STANDARD
Red fluid gushes from a pipe.
+00:03:35.900-STANDARD
She spins, covered with filth.
+00:04:30.266-STANDARD
Jenelle grins at the camera through the open pop top. She removes the screws from the pop top door, then lowers it inside.
+00:05:21.433-STANDARD
Jenelle holds a white ball python to the camera, its tongue flickering. An animation shows her race off in her RV with her snake.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_GxhfPLRNHLY.txt b/raw/validation/gt_ad/output_GxhfPLRNHLY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c72701a9617d3ca892f0972d6fb153e6ec15a222
--- /dev/null
+++ b/raw/validation/gt_ad/output_GxhfPLRNHLY.txt
@@ -0,0 +1,11 @@
+00:00:11.943-STANDARD
The young woman, Symone, stands in a bedroom.
+00:00:45.022-STANDARD
She raises a diagram.
+00:01:32.229-STANDARD
Symone weaves one of her locks through itself in a loop using a hair needle.
+00:02:29.219-STANDARD
She pulls one of her locks down in a loop.
+00:03:04.621-STANDARD
Symone clamps another hair clip onto the back of her locks.
+00:03:20.294-STANDARD
Symone twists one of her locks together into a tighter formation.
+00:03:57.162-STANDARD
She lifts one of her locks.
+00:04:05.468-STANDARD
She holds the needle to her lock.
+00:04:23.323-STANDARD
She threads her lock through the needle's eye.
+00:05:14.375-STANDARD
She weaves her lock through itself.
+00:05:59.174-STANDARD
Words appear: "Number Purple. Like, comment, and share." A video appears linking to a playlist and another video link from her channel appears next to it.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_HZjreJWkSjA.txt b/raw/validation/gt_ad/output_HZjreJWkSjA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d21c11624d53bb43d25c191ed0475c72106a5273
--- /dev/null
+++ b/raw/validation/gt_ad/output_HZjreJWkSjA.txt
@@ -0,0 +1,26 @@
+00:00:00.000-STANDARD
On-screen text: "Aisha Ba." Four female-presenting people in dresses dance in front of a table of snacks, with pink balloons behind them spelling "Bridal Shower."
+00:00:05.514-STANDARD
A montage of the party: three people group hug, then the bride in an orange dress laughs, holding a pink balloon in front of the bridal shower balloon wall. The five party guests, hands on their hips, turn back and forth to the camera. On-screen text: "Wedding Blog #2."
+00:00:16.043-STANDARD
A female-presenting person sits with a towel tied around her head.
+00:01:00.498-STANDARD
In a sped-up montage, she puts on makeup. First, she pumps foundation onto her brush and rubs it into her skin. Then, she dots cream-colored concealer under her eyes and nose with a small wand. She draws dark brown contour lines around her jawline, cheeks, and forehead.
+00:01:09.700-STANDARD
She blends everything with a beauty blender sponge, then blends further with a brush.
+00:01:15.486-STANDARD
She uses a larger brush to blend all over her face, then brushes her eyebrows with a wand. She applies black eyeliner to her eyelid, creating winged lines, and finishes by applying mascara to her lashes.
+00:02:21.227-STANDARD
In a sped-up montage, she puts her very curly black hair into a bun on top of her head. She sprays the hair that's down with a spray bottle, smoothing it out. Then she releases the bun and sprays all her hair with the spray bottle.
+00:02:30.229-STANDARD
She applies a cream to her palms and runs it through her curls, making them appear more defined and less frizzy. She flips her head over, then back, and starts blow-drying her hair with a hairdryer.
+00:02:40.500-STANDARD
She separates the curls and fluffs them a little. The result is a voluminous curly hairstyle that sits just above her shoulders. She gives a peace sign to the camera and smiles.
+00:02:46.271-STANDARD
She pulls a group of pink streamers to the side to reveal, in a living room, four female-presenting friends in front of a table of snacks, all dancing. Two hold balloons. Behind them, a balloon sign reads "Bridal Shower."
+00:02:57.423-STANDARD
They continue freestyle dancing, smiling and laughing.
+00:03:05.657-STANDARD
Three friends hug the bride in a group hug, smiling and laughing.
+00:03:15.796-STANDARD
They all dance, make peace sign symbols with their fingers to the camera, and smile.
+00:03:18.914-STANDARD
The snacks on the table: a salad, a plate of vegetables, pita bread, dips, and fruit on skewers.
+00:03:26.429-STANDARD
The camera pans up to show the "Bridal Shower" balloon sign.
+00:03:30.486-STANDARD
In an edit, an iPhone appears in the center of the frame, showing the partygoers posing for photos in front of the bridal shower balloons, behind the snack table.
+00:03:45.837-STANDARD
A photo of the whole group is snapped and displayed on screen. Five female-presenting people in dresses pose, holding up peace signs, smiling.
+00:03:52.986-STANDARD
An image of the partygoers posing, then the photo replays in a looping effect, switching back and forth.
+00:04:04.242-STANDARD
They strike their pose again. Another photo snaps and appears onscreen, followed by more pose shots, which cycle quickly.
+00:04:16.061-STANDARD
The five friends pose again, this time with four pointing at the bride, who is in the middle, posing.
+00:04:25.557-STANDARD
Another shot of the group pointing at the bride, this time closer together, while she strikes her pose in the middle.
+00:04:32.207-STANDARD
The four partygoers, without the bride, face the balloon sign, hands on their hips. They turn to face the camera, and the looping effect repeats this shot multiple times.
+00:04:43.571-STANDARD
They strike the same pose again, now with the bride in the middle, repeating the looping effect once more.
+00:04:52.157-STANDARD
The four friends sit at the snack table. The bride stands, then joins them. They lift their glasses, some filled with clear liquid, others with red, and cheers in the middle of the table.
+00:05:02.529-STANDARD
They talk and laugh animatedly, drinking their drinks.
+00:05:12.267-STANDARD
A photo of the friends behind the table with the bride in the middle. On-screen text: "Thanks for watching. Watch next" with arrows. Instagram symbol: @aishaba.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_J8O9_ugpDjE.txt b/raw/validation/gt_ad/output_J8O9_ugpDjE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..850a3f0684645db3ef77cd6500ec56443661c750
--- /dev/null
+++ b/raw/validation/gt_ad/output_J8O9_ugpDjE.txt
@@ -0,0 +1,20 @@
+00:00:00.375-STANDARD
In a large park, a baby elephant with an inflatable ring around its head playfully splashes in a kiddy pool. Two grown elephants stand by it.
+00:00:10.469-STANDARD
Words appear: "Top Ten Baby Elephants at Play."
+00:00:15.141-STANDARD
"Ten": A baby elephant rolls languidly around in a huge pile of fruit on the grass as two adult elephants eat.
+00:00:23.482-STANDARD
"Nine": A baby elephant drenched in mud rolls a mud-covered inflatible ball through the park.
+00:00:31.198-STANDARD
"Eight": A baby elephant trots around in a big plastic bin filled with water, splashing itself.
+00:00:40.041-STANDARD
"Seven": A baby elephant charges through a pool in the park after another rolling an inflatible ball. The first baby shoves the second away and snatches the ball.
+00:00:53.888-STANDARD
"Six": A baby elephant on top of a massive pile of dirt scrambles its legs to push itself down inch by inch.
+00:01:05.482-STANDARD
"Five": A baby elephant wrestles with another baby in a muddy puddle. An adult elephant flicks its trunk around while overseeing them.
+00:01:16.117-STANDARD
The second baby elephant blasts water from its trunk as the first gets off of it.
+00:01:23.250-STANDARD
"Four": A baby elephant dashes across the park with a small rubber ball. It trips, rolls onto its back, then slowly gets up.
+00:01:34.136-STANDARD
It grabs the ball with its trunk and runs past a small dog. It knocks the ball past an adult elephant and chases after it; the dog rushes over after the ball.
+00:01:49.860-STANDARD
"Three": A baby elephant lies on its side in a pool of water and splashes around.
+00:01:56.909-STANDARD
An adult elephant stands close and watches the baby repeatedly dunk its head in the water, then sit up.
+00:02:04.750-STANDARD
"Two": A baby elephant near a kiddy pool tries grabbing a slippery inflatible ring floating in it.
+00:02:12.674-STANDARD
Unsuccessful, the baby hauls itself into the pool and pushes the ring out. Using its trunk and mouth, the baby lifts the ring while frolicking in the water.
+00:02:26.146-STANDARD
The baby pushes the ring out again, then clumsily crawls out of the pool after it.
+00:02:33.070-STANDARD
"One": A baby elephant races across a muddy area of the park to a water geyser. It rushes back and forth through the geyser.
+00:02:42.454-STANDARD
The baby stands on the geyser and briefly tries biting it before trotting away.
+00:02:48.585-STANDARD
"Special": A baby elephant tries climbing a low, muddy hill. It trips and awkwardly falls back into water.
+00:02:58.887-STANDARD
"W w w dot save elephant dot org."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_J8ZHrHyN5Uc.txt b/raw/validation/gt_ad/output_J8ZHrHyN5Uc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4a063a1832960d3558120cc306b881a344792fec
--- /dev/null
+++ b/raw/validation/gt_ad/output_J8ZHrHyN5Uc.txt
@@ -0,0 +1,24 @@
+00:00:00.371-STANDARD
Sabrina stands in a hotel room.
+00:00:46.020-STANDARD
The Italian flag flutters by the Galleria Doria Pamphilj. Sabrina zooms in on the statues in the base of the statue of Vittorio Emanuele the Second, then the statue itself.
+00:01:00.382-STANDARD
Later.
+00:01:34.768-STANDARD
She zooms in on the back of the Vittorio Emanuele II statue while people look out from a stone railing near it at the city.
+00:01:47.474-STANDARD
Sabrina looks at various framed paintings of historic scenes on a museum wall.
+00:01:55.210-STANDARD
Nearby, she points her camera at five painted portraits of men in suits or military uniforms.
+00:02:03.494-STANDARD
Sabrina takes in three metal busts of uniformed men on pedestals.
+00:02:10.356-STANDARD
Sabrina sits in a cafe.
+00:02:53.302-STANDARD
She sips from a mug.
+00:03:20.794-STANDARD
Sabrina twists the cap off of a glass bottle, then pours it into a glass cup.
+00:03:29.034-STANDARD
She takes a long drink from her cup, then sips  from her mug.
+00:03:36.784-STANDARD
She points her camera at a man in a collared shirt, tie, and sunglasses at a table across from her
+00:03:46.522-STANDARD
Over a dozen motorcycles and mopeds sit in a neat row against a building.
+00:03:54.393-STANDARD
The sun shines over the statues of the Trevi Fountain.
+00:04:02.248-STANDARD
Later, Sabrina sits in her hotel room.
+00:05:39.134-STANDARD
She scratches her nose.
+00:06:35.109-STANDARD
She hangs up a landline.
+00:07:16.810-STANDARD
The camera records Sabrina from the side of her room while she eats on her bed by her open laptop.
+00:07:26.850-STANDARD
Sabrina rolls up her sleeves, then eats another bite of her chicken salad before typing on her laptop.
+00:07:38.039-STANDARD
Chewing, Sabrina continues typing on her laptop.
+00:07:45.036-STANDARD
She cuts into her chicken with a fork and knife, then eats a forkful.
+00:07:52.651-STANDARD
Sabrina reaches to her nightstand, takes a glass of white wine, then drinks.
+00:08:00.505-STANDARD
Later, Sabrina reclines on her bed with the hood of her hoodie raised.
+00:08:27.018-STANDARD
She kisses the lens. "Thank you for hanging out with me. I love you."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_JSXJkSynKQk.txt b/raw/validation/gt_ad/output_JSXJkSynKQk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..20085e2ac0b3f323868b946197982f5e51e4daff
--- /dev/null
+++ b/raw/validation/gt_ad/output_JSXJkSynKQk.txt
@@ -0,0 +1,13 @@
+00:00:06.071-STANDARD
"Aplins in the Alps. Episode thirteen: Piedmont, Italy."
+00:00:42.377-STANDARD
Thousands of hazelnuts fill a vast container. Words appear: "Cascina Barroero Hazelnut Farm Tour and Tasting. Ten euro or eleven seventy five USD per person." Plated hazlenut-based pastries and jarred spreads cover a wooden table.
+00:02:19.769-STANDARD
Words appear: "Osteria Delle Aie Eight Course Meal. Fifty Euro or Fifty nine USD per person."
+00:02:27.509-STANDARD
Brett and Jana sit in an elegant outdoor dining area and eat through their courses as day turns to night.
+00:02:33.732-STANDARD
Later, Brett drinks from a person-sized wine glass.
+00:03:41.031-STANDARD
A screen inside of a large coffee store and museum shows the steps of planting coffee plants.
+00:03:48.953-STANDARD
Brett touches fine coffee grounds in a display tray. Jana reads through informative signs on a wall. Various esspresso machines gleam in the room's lighting.
+00:04:00.672-STANDARD
Later, Brett sits at a long, oval counter where a man serves people coffee.
+00:04:48.339-STANDARD
Brett and Jana toast wine glasses at a table in Cantina Marsaglia. Inside, aged bottles of wine with light coatings of dust sit on a shelf.
+00:04:58.819-STANDARD
Rows of massive fermentation tanks gleam. Later, Jana drinks beer on a swing in an outdoor dining area.
+00:05:15.038-STANDARD
Dozens of people drink and eat at tables under glowing light strings in a beer garden as dusk settles.
+00:05:25.561-STANDARD
Words appear: "Please subscribe! Come and see where we go next!"
+00:05:52.601-STANDARD
"Aplins in the Alps. Jana and Brett. Thanks for subscribing!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_JYBPfBGvY6M.txt b/raw/validation/gt_ad/output_JYBPfBGvY6M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..61e87e8878681fc7b9127f3dd072262afb61f2f0
--- /dev/null
+++ b/raw/validation/gt_ad/output_JYBPfBGvY6M.txt
@@ -0,0 +1,7 @@
+00:00:00.474-STANDARD
Words appear: "Applying to Software Positions." A young woman, Sarah, sits at a desk and types on a laptop. She opens Linkedin, then searches: "Software engineer." She hits "apply" on a "Full Stack Engineer" position. She rapidly applies to more positions.
+00:00:20.268-STANDARD
"One week later." Sarah opens her laptop and looks through her email. One reads partly: "Unfortunately, at this time, we won't be moving forward with your candidacy." She rapidly looks through others reading similarly.
+00:00:35.018-STANDARD
She shuts her laptop and rests her head on it. Words appear: "First day of work. Based on a true story." Sarah wears a blouse and slacks and does her hair and makeup in front of a bathroom mirror. Later, Sarah plays herself and a co-worker with her living room as the office.
+00:00:53.212-STANDARD
Sarah pretends to enter her office and look over her co-worker's sweat pants and sweater.
+00:01:15.551-STANDARD
"Office small talk."
+00:01:34.503-STANDARD
Sarah as a co-worker sips from a mug.
+00:02:15.461-STANDARD
Later, Sarah points her camera at herself.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_JjypCDNSavw.txt b/raw/validation/gt_ad/output_JjypCDNSavw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fd5075fdb9bc7a416aa16f6af2856496082e5e86
--- /dev/null
+++ b/raw/validation/gt_ad/output_JjypCDNSavw.txt
@@ -0,0 +1,12 @@
+00:01:01.786-STANDARD
The host walks over to a wooden ramp, taller than he is, where a person is standing beside it.
+00:01:11.229-STANDARD
 He walks up the ramp, arms extended for balance.
+00:01:18.343-STANDARD
He slides down on his rear.
+00:01:46.114-STANDARD
 He climbs a few steps, then slips back down on his shoe soles.
+00:01:55.200-STANDARD
She climbs up but slips back down as well.
+00:02:09.457-STANDARD
 He holds a drill in his hands, pressing the button down.
+00:02:13.329-STANDARD
Black carpet now covers the wooden slide.
+00:02:24.143-STANDARD
He runs up the slide, his shoes gripping its surface. Pausing at the top, he rests his hands on the slide.
+00:02:33.286-STANDARD
 He climbs down. 
+00:02:48.629-STANDARD
The slide is now almost vertical. He runs up, but slips back down on his shoe soles.
+00:03:19.800-STANDARD
He dances, holding his Velcro pads up to the sky.
+00:03:36.957-STANDARD
Pulling his Velcro pads off intentionally, he falls to the ground.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Jm-v1iiwI7I.txt b/raw/validation/gt_ad/output_Jm-v1iiwI7I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cc9a83d424a1d619047c70ef06cbb36318771fc9
--- /dev/null
+++ b/raw/validation/gt_ad/output_Jm-v1iiwI7I.txt
@@ -0,0 +1,26 @@
+00:00:00.000-STANDARD
Scrambled eggs labeled "tomato omelette."
+00:00:01.386-STANDARD
A pan.
+00:00:02.143-STANDARD
Subtitles: "Before making the omelette, you need to pour the eggs into the pan once the oil is hot to make the omelette look pretty.
+00:00:16.700-STANDARD
Two ladlefuls of raw eggs are placed in a pan of hot oil.
+00:00:23.271-STANDARD
The pan is placed on a burner, and the egg simmers.
+00:00:29.157-STANDARD
Subtitles: The key to the omelette is to avoid overcooking it, which makes it stiff, or undercooking it, which ruins the shape.
+00:00:38.486-STANDARD
It should be cooked just right to stay soft and delicious.
+00:00:46.900-STANDARD
Two wooden chopsticks are rotated in opposite directions, gently swirling the egg to create soft, rippling waves.
+00:01:03.814-STANDARD
As the chopsticks turn the eggs, bubbles form and disappear as the egg continues to harden.
+00:01:09.543-STANDARD
The pan is lifted, and the omelette is transferred to a plastic tupperware container.
+00:01:19.714-STANDARD
A small amount of yellow liquid is added to a pan on the burner.
+00:01:27.257-STANDARD
Yellow rice is taken from a large rice cooker and placed into a small circular tin mold with ridges.
+00:01:36.471-STANDARD
The rice cooker is closed, and the plate with the tin mold is moved to the counter.
+00:01:42.000-STANDARD
Tomato sauce is ladled into a deep, red pan.
+00:01:47.071-STANDARD
The sauce is stirred in a circular motion with the ladle. A small amount of water is added and stirred further.
+00:01:55.286-STANDARD
The yellow rice is released from the mold, forming a ball on the plate.
+00:02:00.443-STANDARD
Oil is swirled in a pan.
+00:02:03.757-STANDARD
Raw egg is ladled into the oiled pan.
+00:02:15.523-STANDARD
Two wooden chopsticks are rotated in opposite directions, gently swirling the egg to create soft, rippling waves.
+00:02:38.405-STANDARD
The egg is placed on top of the yellow rice mound to cover it.
+00:02:49.686-STANDARD
The tomato sauce is now steaming. It is ladled and poured around the edge of the egg mound, filling the rest of the plate.
+00:03:06.914-STANDARD
Something is shaken onto the top of the egg mound. There are now two white stripes of cream around the tomato mound on the plate, with a side salad on a tray.
+00:03:14.614-STANDARD
A close-up shows the egg mound, now topped with green shavings, followed by a close-up of the tomato sauce around it.
+00:03:23.031-STANDARD
A spoon cuts into the middle of the egg mound, separating the mound into two parts.
+00:03:30.471-STANDARD
The spoon picks up some tomato sauce and pours it over the top of the egg mound.
+00:03:35.500-STANDARD
The spoon picks up a complete bite of the egg and sauce combination.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Jw5pWOoepbs.txt b/raw/validation/gt_ad/output_Jw5pWOoepbs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9eab28a03ea4e4e8b3aff3b5ec5a87b6314d8549
--- /dev/null
+++ b/raw/validation/gt_ad/output_Jw5pWOoepbs.txt
@@ -0,0 +1,30 @@
+00:00:00.000-STANDARD
In a home art studio, a female-presenting person in ripped jeans tears a large piece of brown paper from a large roll..
+00:00:09.129-STANDARD
On-screen text: Let's paint something big!!
+00:00:12.471-STANDARD
In a fast-motion edit, she clears a unit of drawers and a printer away from the corner of the room next to a large window. On-screen text: Making space.
+00:00:18.622-STANDARD
She removes a long, narrow brown paper with colorful abstract painting on it from the wall and tapes a new sheet of brown paper up, followed by a white sheet beside it.
+00:00:29.100-STANDARD
In fast motion, she places paintbrushes, paints, and various supplies on a table beside her. On-screen text: Using all of my supplies.
+00:00:36.657-STANDARD
She mixes paints on a tray, starting with four globs of white paint, then adding orange to two globs and red to the other two.
+00:00:47.229-STANDARD
Referencing a paper on the table beside her, off-screen, she begins drawing shapes with yellow chalk on the brown paper on the wall. On-screen text: Music by Anna Stine, pointing to the back of her shirt, which also reads Anna Stine.
+00:01:00.014-STANDARD
She begins adding white paint to the brown paper canvas in various places with her paintbrush.
+00:01:14.814-STANDARD
She starts adding dark blue paint to various areas.
+00:01:21.786-STANDARD
She adds yellow around the canvas.
+00:01:25.714-STANDARD
Now, she adds lime green paint to the canvas in several areas.
+00:01:31.486-STANDARD
She moves to the small white paper on the wall beside the brown paper. Periodically looking down at her reference on the table beside her, she begins drawing and then fills in with lime green paint.
+00:01:49.129-STANDARD
She starts adding darker colors as details inside the lime green blob on the white paper.
+00:01:57.186-STANDARD
As she adds details, the image starts to resemble some sort of animal.
+00:02:03.011-STANDARD
Returning to the brown paper canvas to add more details with various paints, the navy blue blobs begin to form mountains, and the green, yellow, and now pink shapes start to look like the ground below.
+00:02:19.871-STANDARD
On a larger new white canvas, which is beside the small white paper taped to a closed door, she starts painting large strokes of light purple, then large strokes of lime green beneath.
+00:02:29.004-STANDARD
She adds navy blue paint and then red paint around the green areas, which are starting to look like abstract hills or mountains, similar to the brown paper.
+00:02:35.800-STANDARD
She adds pink and red details with various strokes of paint, some small and some larger, to fill out the hilly abstract landscape.
+00:02:49.771-STANDARD
Back to the small white canvas, she adds details with dark blue paint and pencil to the lime green animal, which is now looking like a tiger. She adds whiskers and defines the eyes, nose, ears, and paws.
+00:03:08.114-STANDARD
Back to the landscape on the brown paper, she adds details to what now appears as an abstract colorful field in front of mountains.
+00:03:22.757-STANDARD
She continues painting details on the landscape, occasionally looking at the reference beside her.
+00:04:01.986-STANDARD
The white paper, now removed from the wall and lying on the floor, she paints details on the green leopard drawing.
+00:04:22.329-STANDARD
On-screen text: Feat. by Anna Stine.
+00:04:26.314-STANDARD
Back to the large white paper, we see a landscape similar to the one on the brown paper. She adds details in various colors.
+00:05:13.029-STANDARD
Standing on tiptoes, she takes the large white paper with the landscape from the door and tapes it to the wall beside the brown paper, taping it higher than the brown paper.
+00:05:20.640-STANDARD
On-screen text: A lil' too short.
+00:05:28.271-STANDARD
She tapes the small white paper with the green tiger underneath it, so now we see all three canvases in a group on the wall.
+00:05:52.043-STANDARD
Close-ups of all the finished art: the tiger and the two colorful abstract landscapes.
+00:05:59.329-STANDARD
On-screen text: Thank you for watching.
+00:06:09.457-STANDARD
A photo of a female-presenting person in front of a background of evergreen tree leaves. On-screen text: @annastine. Find her on Instagram, Spotify, and SoundCloud.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_JyrbqiCokdw.txt b/raw/validation/gt_ad/output_JyrbqiCokdw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..60db9725ad6376d13497ded5e3f1f8120af58c6f
--- /dev/null
+++ b/raw/validation/gt_ad/output_JyrbqiCokdw.txt
@@ -0,0 +1,42 @@
+00:00:06.143-STANDARD
A log stretches across a river, acting as a bridge for various wildlife. A raccoon walks the length of the log towards the camera.
+00:00:11.100-STANDARD
A small bird walks along the log and then leaps into the water.
+00:00:16.257-STANDARD
A black bear crosses the log, walking from the far side, its back to the camera as it crosses the river.
+00:00:27.571-STANDARD
A tall bird with skinny legs walks slowly along the log away from the camera.
+00:00:44.071-STANDARD
At night, a porcupine approaches, walking toward the camera.
+00:00:48.314-STANDARD
A kingfisher bird eats a fish on the log.
+00:01:00.929-STANDARD
A grouse walks along the log toward the camera.
+00:01:14.129-STANDARD
A bird flies from a branch behind the log and heads toward the camera.
+00:01:18.914-STANDARD
At night, a muskrat with a long tail scurries toward the camera.
+00:01:22.986-STANDARD
A bobcat walks the length of the log from the camera side to the far side.
+00:01:31.400-STANDARD
At night, we see the rear end of a coyote walking away from the camera.
+00:01:41.289-STANDARD
A crow walks on the log, moving away from the camera.
+00:01:49.043-STANDARD
Two blue jays stand together on the log.
+00:01:58.129-STANDARD
A black bear walks toward the camera along the log.
+00:02:02.543-STANDARD
A deer wading in the river approaches the log and smells it..
+00:02:12.400-STANDARD
A gray squirrel jumps from the log.
+00:02:15.857-STANDARD
At night, a bobcat stretches before walking toward the camera.
+00:02:24.500-STANDARD
A black bear walks away from the camera along the log, continuing across the grass to the left.
+00:02:37.757-STANDARD
Two ducks sit side by side on the log.
+00:02:46.314-STANDARD
At night, a nondescript animal slithers underwater past the log.
+00:02:52.987-STANDARD
A raccoon walks away from the camera along the log.
+00:02:54.743-STANDARD
A brief shot of water rushing past the log.
+00:03:00.166-STANDARD
At night, a large cat walks along the log.
+00:03:05.814-STANDARD
Two birds jump onto the log.
+00:03:11.144-STANDARD
A bobcat walks toward the camera along the log.
+00:03:21.414-STANDARD
The bobcat's face comes into view, staring into the camera with its mouth slightly open.
+00:03:27.100-STANDARD
A deer with antlers walks behind the log.
+00:03:35.100-STANDARD
Several birds gather on the log.
+00:03:39.881-STANDARD
At night, a black bear walks toward the camera.
+00:03:43.071-STANDARD
Birds fly past the camera.
+00:03:50.143-STANDARD
A bobcat walks toward the camera, then leaps forward.
+00:03:59.314-STANDARD
In an edited sequence. a small bird, then a raccoon, then a tall bird walk quickly down the log.
+00:04:11.986-STANDARD
-- At night, a fox walks toward the camera.
+00:04:17.100-STANDARD
A turkey and an owl fight in the air before the turkey lands on the log.
+00:04:22.871-STANDARD
A black bear walks along the log, then onto the grass and out of frame to the left.
+00:04:35.000-STANDARD
A black bear's paw brushes the camera lens.
+00:04:38.500-STANDARD
The bear continues walking along the log away from camera.
+00:04:50.500-STANDARD
A male-presenting person's face leans into the camera's view.
+00:04:53.924-STANDARD
On-screen text: Directed, edited, and owned by Robert Bush Sr.
+00:04:58.843-STANDARD
Starring: Raccoon, Black bear, Chipmunk, Porcupine, Kingfisher, Grouse, Muskrat, Bobcat, Coyote, Crow, Whitetail deer, Gray squirrel, Bullfrog, Mallard duck, Beaver, Sandpiper, Blue jay, Gray fox, Turkey vs. Great horned owl, Bob.
+00:05:07.757-STANDARD
Filmed on location at "The Log" over a creek in the mountains of Pennsylvania.
+00:05:14.557-STANDARD
Soundtrack by Mother Nature.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_KMOerON0kdE.txt b/raw/validation/gt_ad/output_KMOerON0kdE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..432fe74eaa45da0c539d7e2aced593f6cb9c3100
--- /dev/null
+++ b/raw/validation/gt_ad/output_KMOerON0kdE.txt
@@ -0,0 +1,34 @@
+00:00:00.000-STANDARD
A sleeveless gray knit vest with a colorful pattern lies on a table, along with a piece of gray fabric, scissors, a roll of burgundy and gray ribbon, and two spools of yarn in the same color. Purple, green, orange and red button are thrown down. red button are thrown down.
+00:00:10.300-STANDARD
The vest is flipped to show a plain gray side. White chalkmarks a straight line across the back, just below the armholes.
+00:00:17.157-STANDARD
Scissors cut along the line which separates the top half of the vest from the bottom.
+00:00:22.071-STANDARD
Black fabric is placed over the square-shaped bottom half and ironed.
+00:00:40.329-STANDARD
White chalk marks a dotted line across the bottom of the black fabric.
+00:00:45.229-STANDARD
The fabrics are placed under a sewing machine and stitched together along the dotted line.
+00:00:50.400-STANDARD
Chalk marks the corner edge.
+00:00:55.400-STANDARD
The machine sews, closing the corner.
+00:01:00.129-STANDARD
Hands sew the corner, forming a bag shape.
+00:01:10.743-STANDARD
The bag is turned inside out, revealing the patterned side.
+00:01:19.498-STANDARD
Burgundy ribbon is pinned and hand-sewn to the front of the vest, creating a shoulder strap.
+00:01:37.557-STANDARD
A white chalk line is drawn on the bottom of each strap,
+00:01:41.979-STANDARD
The strap is machine-sewn on to the bag.
+00:01:52.062-STANDARD
Multicolored buttons are hand-sewn onto on each strap, with two on each side.
+00:02:01.843-STANDARD
A burgundy ribbon bow is hand-sewn to the front.
+00:02:08.814-STANDARD
The ribbon is fluffed on the front of the bag,
+00:02:12.159-STANDARD
The bag is placed on shiny gray fabric. White chalk marks a square around it.
+00:02:28.529-STANDARD
 Scissors cut out the square.
+00:02:31.659-STANDARD
A smaller rectangle is drawn with chalk and cut from the gray fabric.
+00:02:49.263-STANDARD
It's machine-sewn into a pocket shape and turned inside out.
+00:02:59.671-STANDARD
The pocket is ironed>.
+00:03:08.555-STANDARD
The pocket is pinned to the shiny gray fabric, then a chalk line is marked down the center.
+00:03:17.329-STANDARD
The pocket is sewed on under the sewing machine, first around the edges, and then down the center chalk line.
+00:03:27.086-STANDARD
The gray fabric is folded in half horizontally and the bag is placed back on top. Its shape is marked with chalk.
+00:03:40.271-STANDARD
The bag is stitched along the chalk line.
+00:03:48.075-STANDARD
 The gray fabric is hand-sewn to the bottom of the bag, then brought up to cover it and turned inside out, creating a lining.
+00:03:57.543-STANDARD
An iPhone is shown being placed in the inside pocket of the bag, while the bag is shown inside out, revealing the lining.
+00:04:02.386-STANDARD
The bag is turned right-side out. The top of the lining is brought out.
+00:04:07.386-STANDARD
A gray zipper is placed across the top.
+00:04:14.414-STANDARD
The zipper is hand-sewn in place,all the way across the bag.
+00:04:53.212-STANDARD
The zipper area is machine-sewn.
+00:04:58.971-STANDARD
The finished bag is displayed. It's opened, and an iPhone and other small items are placed inside. The zipper is then closed.
+00:05:09.710-STANDARD
The finished bag is displayed alongisde a small fabric toy bunny.
+00:05:18.586-STANDARD
On-screen text (in animated green letters): DOSKONATY.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_KMc627HFymU.txt b/raw/validation/gt_ad/output_KMc627HFymU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1b46659af37f13756171bba71ebd92871b83fefc
--- /dev/null
+++ b/raw/validation/gt_ad/output_KMc627HFymU.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
On a dark concert stage, a screen displays a timer counting down from 60.
+00:00:06.724-STANDARD
A montage of a female-presenting person with short brown hair styled in tight, curly ringlets. She wears a fuzzy white sweater. Short clips show her applying eyeliner, lipstick, and hair product.
+00:00:12.643-STANDARD
She dances and poses from various angles.
+00:00:18.171-STANDARD
Clips from the Ariana Grande concert. A stadium crowd cheers. On-stage, the singer performs, dancing with backup dancers.
+00:00:28.043-STANDARD
On-screen text: Get Ready with Me: Ariana Grande Concert.
+00:01:37.271-STANDARD
She brushes a large makeup brush all over her face.
+00:02:03.857-STANDARD
She uses a thinner brush to apply light pink eyeshadow to her eyelids.
+00:02:13.800-STANDARD
She uses a thin eyeliner applicator to draw a line that extends past her eye, creating a small wing.
+00:02:25.357-STANDARD
Using a mascara wand, she applies mascara to her eyelashes.
+00:02:37.029-STANDARD
She applies a berry-colored lip gloss to her lips using a wand.
+00:02:43.557-STANDARD
Standing now, she takes her hair out of a bun.
+00:02:55.557-STANDARD
In a split screen, she applies product to the back portion of her hair. The front part is styled in two buns. The other side of the screen shows a bottle of Camille Rose curl maker.
+00:03:08.714-STANDARD
Another split screen. On one side, she opens a tub of gel. On the other side, she applies it to her hair.
+00:03:43.057-STANDARD
Looking in the mirror, she scrunches her hair.
+00:04:12.743-STANDARD
She dances around in a white fuzzy sweater, high-waisted jeans with buttons, and black lace-up combat boots. She shakes her hair and poses for the camera.
+00:04:26.814-STANDARD
At the concert, a view of the stage with pink and purple lighting. A band plays, and a jumbotron behind the stage shows the screaming crowd.
+00:04:39.786-STANDARD
Ariana sings into the mic while standing on a fake cloud held up by wires, floating toward the crowd away from the stage.
+00:05:01.000-STANDARD
A selfie video of the vlogger singing along.
+00:05:21.786-STANDARD
Ariana dances at the end of a stage peninsula that extends into the crowd, with a row of backup dancers behind her.
+00:05:44.014-STANDARD
A montage of the vlogger displayed inside a small screen within the main screen, like a picture-in-picture effect, getting ready, putting on makeup, wearing a towel, then smiling at the camera, with on-screen text: My Last Video. @luhhsettyxo
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_KMcK6FZsmWA.txt b/raw/validation/gt_ad/output_KMcK6FZsmWA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..969cca9183f8e082e9d4e1c5ec7b162156d350eb
--- /dev/null
+++ b/raw/validation/gt_ad/output_KMcK6FZsmWA.txt
@@ -0,0 +1,26 @@
+00:00:00.000-STANDARD
A spool of yellow yarn on a wood table.
+00:00:03.300-STANDARD
Hands present two strips of white paper. A ruler measures the strips, each 10 inches long and 2.5 inches wide.
+00:00:17.508-STANDARD
The two strips of paper are crossed to form an "X." A length of yellow yarn is wrapped 17 times around the center of the "X."
+00:00:44.427-STANDARD
The paper is then rotated to create a "T" shape, and the yarn is wrapped 17 times around the new opening, forming a bulky yellow "X" in the center of the "T" shape.
+00:01:17.925-STANDARD
The excess yellow yarn is cut, leaving a long tail.
+00:01:24.001-STANDARD
The long tail of yarn is threaded through a needle. The needle is then placed under the "X" shape of yarn and pulled through to the other side.
+00:01:39.600-STANDARD
This is repeated three times..
+00:01:59.457-STANDARD
The "X" is turned, and the process is repeated on the opposite side.
+00:02:13.151-STANDARD
The yarn project moves out of view, but we can see the top of the hands still moving.
+00:02:21.486-STANDARD
The yarn project reappears on screen. The needle is no longer visible, and the yarn is tied in a knot at the center of the "X."
+00:02:32.568-STANDARD
A white pearl bead is threaded onto the needle and placed in the center of the yellow "X." The needle is then threaded through the bead twice, creating a loop, and pulled through to secure the bead in place in the center.
+00:03:06.593-STANDARD
The excess yarn is cut.
+00:03:12.876-STANDARD
 The yarn project is flipped over and the previous steps are repeated: the needle is threaded under the X and pulled through to the other side three times. The project is turned again, and the same process is done on the other side. The needle is removed, and a knot is tied in the center of the X.
+00:04:11.243-STANDARD
The excess yarn is cut.
+00:04:15.003-STANDARD
The project is oriented with the pearl-beaded side facing up again.
+00:04:24.717-STANDARD
A new piece of yarn is separated into two strands, which are then unraveled, making the yarn appear loose.
+00:04:37.892-STANDARD
The unraveled yarn is threaded through a needle.
+00:04:43.229-STANDARD
The yarn is tied in a knot, then cut with scissors.
+00:05:03.284-STANDARD
The needle and yarn are threaded through the top right corner of the "X" and tied in a knot.
+00:05:15.784-STANDARD
Another pearl bead is threaded onto the yarn and placed in the top right corner. A loop knot secures it in place, and the excess is snipped.
+00:05:46.613-STANDARD
The yarn "X" is shown, now with a bead in the center and one bead in the top right corner.
+00:05:54.729-STANDARD
The process is repeated for another corner, starting with a loop knot.
+00:06:06.086-STANDARD
A bead is threaded onto the yarn and secured with a loop knot.
+00:06:50.229-STANDARD
 Time jump and there are now five beads: one in each corner of the “X” and one in the center.
+00:06:57.914-STANDARD
The yarn is carefully slid off the white strips, revealing what looks like a yarn star.
+00:07:04.171-STANDARD
The yarn star is fluffed and finally shaped into four petals, completing the flower.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Klml6fUm_fY.txt b/raw/validation/gt_ad/output_Klml6fUm_fY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0d6f515b2bd74232f1432e05682be56006ab54a6
--- /dev/null
+++ b/raw/validation/gt_ad/output_Klml6fUm_fY.txt
@@ -0,0 +1,20 @@
+00:00:06.199-STANDARD
Grainy, heavily desaturated footage shows white clouds passing over buildings in a Japanese city while cars roll down a road.
+00:00:17.440-STANDARD
Words appear: "Wakasa Productions Presents Skateboarding In Japan." Skyscrapers rise toward the clear, blue sky as Kelly rides in a car going down a road.
+00:00:32.035-STANDARD
Kelly, now at a high vantage point, zooms in on the hundreds of buildings composing the sprawling city.
+00:00:43.761-STANDARD
Kelly skateboads down a street hedged in by different restaurants and shops. Kelly rides a bus with his family. One by one, they grin and wave at the camera.
+00:00:55.514-STANDARD
A young, black-haired girl, Sadie, skateboards down a small brick ramp wearing a white helmet.
+00:01:05.805-STANDARD
Sadie races through a skate part dotted with leafy trees and surrounded by clustered, tall buildings.
+00:01:14.951-STANDARD
Shea, a teenage girl with long, black hair, skateboards down a short ramp in the skate park with her arms held out.
+00:01:25.224-STANDARD
Marc Kenji, a teenage boy, tries circling a small bowl in the skate park before falling off and rolling across the concrete. He tries again and successfully circles it.
+00:01:39.162-STANDARD
Marc ollies onto the broad rim of a tree's planter in the park.
+00:01:46.825-STANDARD
Marc skates back, then smoothly hops down the planter.
+00:01:53.611-STANDARD
Kelly ollies onto the bottom step of a staircase and slides across its edge before landing and rolling off.
+00:02:02.422-STANDARD
Kelly skateboards back, then ollies back onto the step before losing his balance and quickly sliding his board back to the ground.
+00:02:12.166-STANDARD
Kelly hops down the step, then tumbles and rolls. He tries to slide across the step again, but loses his balance, then hop off his board. Kelly finally smoothly slides across the step.
+00:02:27.871-STANDARD
Later, Kelly walks down a gravel pathway surrounded by overgrown foliage. Marc walks ahead of him with a backpack and his board. He taps a sign on a chainlink fence's opening, then walks towad a path running alongside a building covered by an awning.
+00:02:47.653-STANDARD
Through the path, they approach a skate park's entrance. Marc, shirtless and with his black helmet, skates down a ramp leading into the skateboarding area.
+00:02:59.342-STANDARD
Sadie skateboads down the ramp, then smoothly rolls up and down concrete slopes. Kelly, shirtless and with no helmet, races down a slope. He builds speed, then ollies once he reaches the top of the next slope. He sails through the air, then lands and continues on.
+00:03:20.853-STANDARD
Words appear over a bush of white flowers: "Filmed and Edited by Kelly. Additional filming by Marc."
+00:03:32.668-STANDARD
Kelly and his family look through a skateboard shop. Kelly pans his camera over racks and racks of decks with a variety of colors, patterns, and logos.
+00:03:45.799-STANDARD
Later, Kelly moves through a market and pans over boxes of packaged fish on stands.
+00:03:55.506-STANDARD
One by one stop motion video shows Kelly, Marc, a boy, a young girl, Shea, and Sadie, sliding down a ramp with their feet next to a staircase leading to a temple.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_KwbS9xlmBSw.txt b/raw/validation/gt_ad/output_KwbS9xlmBSw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2fb7a914471e9631465780453862b418fce8c347
--- /dev/null
+++ b/raw/validation/gt_ad/output_KwbS9xlmBSw.txt
@@ -0,0 +1,36 @@
+00:00:00.000-STANDARD
A line of hikers use ice picks to climb up a steep, snowcapped mountain, with a range of snow-capped mountains stretching behind them.
+00:00:06.000-STANDARD
A view from a steep section of the mountain, several hikers ice-pick upwards. Yellow ropes are attached around each hiker's hip.
+00:00:16.771-STANDARD
The hikers take a break, sitting on the steep, snowy slope, wearing helmets, with their ropes draped around them.
+00:00:22.343-STANDARD
The hikers ascend at night, in the dark, with only the glow of their headlamps lighting the snow at their feet.
+00:00:27.700-STANDARD
A view of the sun rising over the mountain range.
+00:00:31.543-STANDARD
The hikers walk uphill, holding hiking poles and wearing snowshoes on their feet.
+00:00:37.914-STANDARD
The view of a steep mountain in front of them.
+00:00:41.871-STANDARD
Now, the hikers have replaced their poles with ice picks and are using them to climb up the steepest part of the mountain.
+00:00:46.343-STANDARD
The hikers walk up a steep section in a line.
+00:00:53.671-STANDARD
On-screen text: Joffre Peak.
+00:00:57.768-STANDARD
Two hikers high five on the mountain, then raise their hands in celebration.
+00:01:01.643-STANDARD
On-screen text: BC Mountaineering Club. Joffre Peak - Aussie Couloir, 30-31 March 2019.
+00:01:04.986-STANDARD
Several hikers stand in a parking lot.
+00:01:07.429-STANDARD
From a car's front window, driving down a paved road lined with evergreen trees, we see snow-covered mountain peaks rising in the distance.
+00:01:14.129-STANDARD
Two hikers tie the laces of their hiking boots in a parking lot.
+00:01:17.843-STANDARD
A line of several hikers with large, overstuffed backpacks and trekking poles crosses a snow-covered log, which spans a small river.
+00:01:23.546-STANDARD
Several hikers trek gently uphill, all with backpacks and trekking poles, smiling slightly at the camera as they pass.
+00:01:36.943-STANDARD
From behind, we see the line of hikers walking on a snowy path through evergreen trees, with towering, snow-capped mountains in front of them.
+00:01:45.686-STANDARD
A close-up of a hiker's walking feet, strapped into snowshoes. Snowshoes are wider than the foot, helping distribute weight on snow.
+00:01:49.714-STANDARD
The line of hikers continues upwards, passing small evergreen trees.
+00:02:20.429-STANDARD
A line of hikers treks with poles.
+00:02:23.686-STANDARD
The line of hikers approaches a wooden A-frame cabin surrounded by evergreen trees. A few people are already sitting outside, having arrived.
+00:02:34.285-STANDARD
Inside the basic cabin, a fire burns in a small stove next to a wooden chair.
+00:02:39.571-STANDARD
A person places a large hunk of snow into one of two pots sitting on top of the stove.
+00:02:45.114-STANDARD
Four hikers sit around the fire stove.
+00:02:48.457-STANDARD
A person helps another hiker strap ropes through the harness on their waist. Another person standing slightly above holds the ropes.
+00:02:57.629-STANDARD
From inside the cabin, a hiker climbs a wooden ladder to a loft in the A-frame.
+00:03:03.686-STANDARD
A shot of several sleeping bags lined up on the loft's wooden floor.
+00:03:12.100-STANDARD
In the dark, some hikers pack their bags at the cabin.
+00:03:16.257-STANDARD
At night, the hikers walk in a line. It is pitch black, and all we see are the spotlights under each hiker’s headlamp. Their snowshoes crunch as they walk through the snow.
+00:03:25.157-STANDARD
The sun is up.
+00:03:40.854-STANDARD
In daylight, with ropes around their harnesses, the hikers ice-pick up the steep, snowy mountainside. They use their ice picks to assist them as they ascend the steepest parts.
+00:04:31.986-STANDARD
At the top of the mountain, the person holding the camera, who has already arrived, high-fives each hiker as they also reach the top. The group starts high-fiving each other, smiling, in celebration.
+00:04:49.186-STANDARD
A photo of eight smiling hikers posing with the mountain range behind them. Some raise their hands in the air, one gives a thumbs-up.
+00:04:56.186-STANDARD
On-screen text: Credits begin. Lead and organized by: Mohammad Parhbod.
+00:04:59.650-STANDARD
BC Mountaineering Club. Joffre Peak - Aussie Couloir, 30-31 May 2019. On-screen are thumbnail-sized headshots of nine hikers with their names.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_LGACtNxS-Gw.txt b/raw/validation/gt_ad/output_LGACtNxS-Gw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9ebed0563ca8fcd3d1ee349bf2c11e73b14488fb
--- /dev/null
+++ b/raw/validation/gt_ad/output_LGACtNxS-Gw.txt
@@ -0,0 +1,17 @@
+00:00:00.006-STANDARD
Words appear with a little santa hat over it. "Vlogmas twenty twenty two."
+00:00:06.842-STANDARD
A culy-haired woman carries a little girl to the camera outside a cafe.
+00:00:15.987-STANDARD
The woman waves at the camera and the girl waves past it. Later, a young boy smiles near the girl. The woman does a little dance in front of the cafe's entrance.
+00:00:29.393-STANDARD
A photo appears of the woman and around it the words "Ronke Raji. Beauty, makeup, and lifestyle."
+00:00:39.361-STANDARD
The woman, Ronke, drives down a highway at night. The lights of skyscrapers and other tall buildings glitter in the distance.
+00:00:52.224-STANDARD
Later, Ronke grins while pushing the boy and girl on a cart through a mall. She watches them as they run around in a kid's play area filled with large, climbable animal sculptures.
+00:01:15.368-STANDARD
Ronke walks into a beauty salon with the boy and girl. They rush away.
+00:01:36.646-STANDARD
Ronke points at nail polish colors in a tray by the girl. A nail technician paints the girl's fingers.
+00:02:07.290-STANDARD
Ronke rests her hand on a towel laid out on a table. The nail technician paints her nails with a clear fluid.
+00:02:31.507-STANDARD
Later, Ronke examines her nails, then turns to the boy and girl while they inspect and touch a hair drier chair.
+00:02:58.940-STANDARD
Ronke attempts to hold the boy and girl on a chair near the nail table.
+00:03:16.062-STANDARD
She lets the boy go, then lifts the girl as she cries. The boy, face tight, wanders to another nail technician.
+00:03:29.986-STANDARD
The boy backs away. Ronke turns back to the chair she sat at.
+00:03:39.009-STANDARD
She lifts her ring.
+00:03:58.976-STANDARD
The boy, barefoot, spins a small rolling chair.
+00:04:09.250-STANDARD
Ronke carries the boy to a chair.
+00:04:20.000-STANDARD
Words appear: "Till next time."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_LbYal7LSaA0.txt b/raw/validation/gt_ad/output_LbYal7LSaA0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dee244af7694777b6d83d88ab25beeec984a7b1e
--- /dev/null
+++ b/raw/validation/gt_ad/output_LbYal7LSaA0.txt
@@ -0,0 +1,27 @@
+00:00:00.000-STANDARD
On-screen text: "Otena Vlog" over clips of the hands and legs of a female presenting vlogger doing activities - walking on pavement in heels, cutting pie, sipping tea, unboxing jam jars, a bowl of rice and salmon.
+00:00:10.129-STANDARD
On-screen text: Otena Vlog.
+00:00:13.950-STANDARD
A plate containing a slice of bread, four chunks of pineapple and four strawberries, beside a jar of honey and a bag of hot chocolate powder. On another plate, butter and chocolate shavings.
+00:00:22.171-STANDARD
The vlogger's hands chop strawberries.
+00:00:27.125-STANDARD
The hands flip the toast on a griddle.
+00:00:34.416-STANDARD
The hands butter the toast.
+00:00:43.486-STANDARD
The vlogger pours foam into hot chocolate in a teacup.
+00:00:53.129-STANDARD
 She sprinkles chocolate shavings on top.
+00:00:56.886-STANDARD
Honey toast, fruits, and hot chocolate are laid out on a table in front of a vintage transistor radio, a small Degas painting, and a legal pad and pen.
+00:01:03.757-STANDARD
From the side, we see the vlogger’s arms and hands. She sits at the table and sips the hot chocolate, then takes a bite of strawberry.
+00:01:29.086-STANDARD
The vlogger shows a closed jar of honey to the camera and then opens it: it has Japanese writing on the label.
+00:01:40.114-STANDARD
The vlogger shows the organic-looking honey in the jar.
+00:01:46.835-STANDARD
She scoops it out with a spoon and spreads it on the toast.
+00:02:02.814-STANDARD
The vlogger takes a bite.
+00:02:15.071-STANDARD
A time jump. The vlogger takes the last bite of toast and a final sip of hot chocolate before standing, carrying all the plates.
+00:02:31.315-STANDARD
A small white rectangular cardboard box with writing on the lid reading CERFEUIL with Japanese writing.
+00:02:37.676-STANDARD
The vlogger unboxes it, revealing three jars of jam in colors orange, then yellow and red, and finally reddish pink.
+00:02:52.803-STANDARD
The vlogger opens a paper pamphlet inside and shows us the brand name CERFEUIL again. Japanese writing appears as a subtitle on screen.
+00:03:09.714-STANDARD
She closes the lid of the box.
+00:03:13.086-STANDARD
The vlogger's legs, with light blue trousers and pointy brown heels, walk on pavement.
+00:03:19.723-STANDARD
A bowl of rice with salmon on top.
+00:03:25.374-STANDARD
Hands dish the rice into a smaller bowl.
+00:03:40.255-STANDARD
Walking up a staircase with purple under-lighting.
+00:03:50.223-STANDARD
A tray with dessert items - a latte in a paper cup that says Dean and Deluca, a fruit pie, a chocolate chip cookie wrapped in plastic, and a black coffee in a mug.
+00:03:58.704-STANDARD
Closeup on the latte as the vlogger's hand takes it out of frame.
+00:04:04.743-STANDARD
The vlogger takes a bite of the fruit pie slice.
+00:04:15.272-STANDARD
The same clip of the vlogger walking on the pavement with the on-screen text: Thank you for Watching! See you my next vlog.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Lx78TqH0HIE.txt b/raw/validation/gt_ad/output_Lx78TqH0HIE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..93cb7dc84506d3098b60ed495233940f43915df1
--- /dev/null
+++ b/raw/validation/gt_ad/output_Lx78TqH0HIE.txt
@@ -0,0 +1,7 @@
+00:00:00.142-STANDARD
In a backyard.
+00:00:08.270-STANDARD
A cockatoo nips a kangaroo.
+00:00:17.226-STANDARD
A kangaroo whirls to a cockatoo.
+00:00:39.047-STANDARD
Words appear: "Cockatoo versus Kangaroo."
+00:01:41.779-STANDARD
A kangaroo in the sanctuary, a large, grassy field near a large body of water, stares down a cockatoo.
+00:02:04.350-STANDARD
A muscular kangaroo tenses.
+00:03:38.403-STANDARD
Words appear: "geobeats."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_LxyOm6Ivh9w.txt b/raw/validation/gt_ad/output_LxyOm6Ivh9w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..93062ebbd6d08660705d95a59cd52452e3c6f55b
--- /dev/null
+++ b/raw/validation/gt_ad/output_LxyOm6Ivh9w.txt
@@ -0,0 +1,17 @@
+00:00:00.008-STANDARD
Words appear: "Monochrome Outfit Ideas." A woman poses in a living room wearing different outfits that have similar colors. Later she points her camera at herself.
+00:00:38.342-STANDARD
The woman poses between a full length mirror leaned against a wall and a lounge chair. She wears a vibrant pink top with long sleeves and a center connected with thin straps that exposes her belly. She wears a lavender skirt and chunky, black boots and holds a lavendar purse over her shoulder.
+00:00:58.105-STANDARD
She puts on a lavender, leather-like jacket, and black shades. Two golden necklaces and several golden rings glimmer on her.
+00:01:07.298-STANDARD
Later, she poses wearing light green pants, a dark green, leather-like coat, and a pale green and pink bralette. She holds one hand on her hip while holding a pale green purse patterned with darker green, curving stripes in her other hand.
+00:01:23.838-STANDARD
She lifts one foot and shows off her chunky, black boots.
+00:01:29.031-STANDARD
The woman poses in another outfit. She wears a tan coat over a sheer, white crop top patterened with lip stick marks and a cream mini skirt.
+00:01:39.340-STANDARD
The woman lifts one foot, showing off a tan, high heel boot.
+00:01:45.174-STANDARD
Later, she twirls, now wearing a bright red skirt that hangs just over her tan, high-heeled boots. The collar of a white button-up peeks over the collar of her red sweater. She angles her body in different ways, letting a dark red purse she holds swing around.
+00:02:03.287-STANDARD
The video transitions and the woman steps into frame wearing high top, black leather boots with thick heels, a blue mini skirt, and a loose, teal sweater.
+00:02:14.237-STANDARD
She adjusts a dark-blue purse she has slung over her shoulder, then crouches and looks into the camera.
+00:02:21.643-STANDARD
She holds golden bracelets she wears to the camera and smiles while cocking her head.
+00:02:28.060-STANDARD
Later, the woman wears a pale pink corsette with pale pink, bell-bottom pants that hang just over black high heels. A dark pink, sleeved top covers her arms and shoulders while hanging over the corsette's top.
+00:02:44.018-STANDARD
The woman now wears mustard colored pants, shiny, black boots, and a short-sleeved, mustard crop top button up shirt. She strolls out of frame, then returns with a black, leather jacket and a mustard colored purse hanging over her shoulder.
+00:03:01.403-STANDARD
Later, she wears a long, lavender gown with a pale purple, knitted cardigan, and her shiny, black boots. She lifts her toes and leans back while letting a purple purse she holds hang at her side.
+00:03:15.895-STANDARD
The video transitions and she wears a green, cut-off mini skirt and pale green collared shirt tucked into it with an oversized, dark-green, checker-patterened coat on. She shows off a green, triangular purse with "Prada" written on the side.
+00:03:34.452-STANDARD
Later, the woman points her camera at herself.
+00:04:08.753-STANDARD
Words appear: "at pose and repeat." "Follow me on I G, tiktok, and pinterest!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_M-QLBDKHsg0.txt b/raw/validation/gt_ad/output_M-QLBDKHsg0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a2ea3e9257743e1d75cb20f84285482baab26ed1
--- /dev/null
+++ b/raw/validation/gt_ad/output_M-QLBDKHsg0.txt
@@ -0,0 +1,7 @@
+00:00:00.783-STANDARD
Breanna, a young, black-haired woman with glasses, stands in a bedroom.
+00:01:06.419-STANDARD
A time lapse shows Breanna sew the hole in her dark green sweater shut.
+00:04:02.814-STANDARD
She uses a sewing machine on it.
+00:04:36.549-STANDARD
A time lapse shows Breanna cut sections of the tank top away with fabric scissors. Later, she poses in it with a matching purse.
+00:05:24.805-STANDARD
Breanna poses in her newely altered white skirt. Its hem hangs just above the middle of her thighs.
+00:06:03.472-STANDARD
A time lapse shows Breanna carefully alter the black shirt with her scissors, following along measuring tape stretching across it.
+00:06:35.351-STANDARD
Breanna kisses her hand and touches the camera. Words appear: "Thank you for watching. i g at breanna quan dot x o."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_M-XtYjMwyA4.txt b/raw/validation/gt_ad/output_M-XtYjMwyA4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..606533c6d67c6b0a17fc3da1fea3da7d9d67ea26
--- /dev/null
+++ b/raw/validation/gt_ad/output_M-XtYjMwyA4.txt
@@ -0,0 +1,21 @@
+00:00:26.967-STANDARD
Ryan rolls his dice on a kitchen counter.
+00:00:58.865-STANDARD
Ryan grinds beans in a blender.
+00:01:24.862-STANDARD
He pours water in.
+00:03:05.606-STANDARD
He makes a face.
+00:03:56.104-STANDARD
A white and black dog hops on Ryan while he lounges on his couch.
+00:04:04.277-STANDARD
Ryan puts on blue and pink sneakers. Later, he shoots a basketball into a hoop in a court among several other young men. A time lapse shows Ryan run to the hoop's other side, throw the ball, then score.
+00:04:22.287-STANDARD
Time passes. Ryan holds the ball and weaves around a young man blocking him, then shoots and sinks the ball through the net.
+00:04:36.150-STANDARD
Later, Ryan drives his car through the city, the sky sunny and blue.
+00:04:55.247-STANDARD
Ryan walks to a sign on a black pole near a building reading "Coffee".
+00:05:01.397-STANDARD
He passes shelves pressed against a brick wall holding coffee products. Ryan pours coffee from a pitcher into a glass cup, then sips it.
+00:05:11.903-STANDARD
He sits at a table and turns the page of a book. Ryan walks into a bar with large TV's showing a basketball game.
+00:05:21.222-STANDARD
Ryan stirs onion slices in a pan in his kitchen.
+00:06:05.004-STANDARD
Ryan scrapes the onions into a tall cup.
+00:06:08.836-STANDARD
He places five pork shoulder slabs in his pan.
+00:06:13.065-STANDARD
After some time, Ryan flips the slabs over with metal tongs, then uses a hand blender on the onion mix, now sitting in brown liquid inside the cup.
+00:06:23.605-STANDARD
Ryan inserts a plastic bag containing a pork shoulder slab into a vacuum sealer, then places it in the fridge.
+00:06:31.760-STANDARD
Ryan walks down a city sidewalk.
+00:06:44.341-STANDARD
Ryan tries different coffee blends in a roasterie.
+00:07:17.649-STANDARD
Ryan cuts veggies on a plastic cutting board in his kitchen while water steams in a pot on his stove. He uses a blow torch on the pork shoulder slabs, now placed on a baking tray.
+00:07:30.660-STANDARD
He dices bell peppers, onions, then grates peeled limes into a mixing bowl. He pulls apart the pork and drops it into the mixing bowl. He places it all on a baking tray before sprinkling shredded cheese and diced bell peppers over it.
+00:07:47.159-STANDARD
Words appear neat a smiley face : "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MLErNXIYjMg.txt b/raw/validation/gt_ad/output_MLErNXIYjMg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bb4a4f1fbf212f3f2aef0592e21479b60e8eeae2
--- /dev/null
+++ b/raw/validation/gt_ad/output_MLErNXIYjMg.txt
@@ -0,0 +1,19 @@
+00:00:01.043-STANDARD
A baby girl stands in her crib.
+00:00:11.137-STANDARD
The father approaches, then picks her up and tries to lay her down.
+00:00:20.562-STANDARD
His daughter scrambles to her feet and grips the crib's side.
+00:00:32.158-STANDARD
The father gets into the crib with his daughter and lies on his back. She instantly jumps on his chest and wraps her arms around him. He hugs her and rubs her back.
+00:00:49.049-STANDARD
His daughter rests her head on her father's belly and he shuts his eyes.
+00:00:57.391-STANDARD
He inspects her, then his eyes dart around. A time lapse shows them together.
+00:01:09.820-STANDARD
He bites his lip and she turns her face away and sucks her thumb.
+00:01:19.288-STANDARD
The father rubs her back again, then cups her head.
+00:01:28.547-STANDARD
The father carefully places his hand on the crib and prepares to try and get up, his daughter's head still resting on his belly.
+00:01:41.936-STANDARD
He hesitates, then scratches his nose before eying the crib's bars.
+00:01:52.780-STANDARD
The father glances at his daughter, presses his lips flat, then gradually tries to pull himself up without waking her.
+00:02:06.710-STANDARD
His daughter lifts her head, then quickly lays back on his chest. Defeated, he lays his head back down.
+00:02:20.181-STANDARD
His daughter quickly shifts around. The father presses his lips into a flat line, then awkwardly tries to move her off of him. She doesn't budge.
+00:02:41.536-STANDARD
The father scoots up and she crawls further onto his torso and wraps herself around him before going limp.
+00:02:59.096-STANDARD
The father sits up again and winces. She crawls onto his lap, then lays still.
+00:03:12.234-STANDARD
The father starts to sit up again and she scrambles onto him.
+00:03:22.119-STANDARD
The father picks up his daughter, then lays on his side.
+00:03:37.843-STANDARD
She stands and stares at him.
+00:03:44.392-STANDARD
He hugs her again, then shakes his head.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MPzeZclnU5A.txt b/raw/validation/gt_ad/output_MPzeZclnU5A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9d9b12d415c1aceecf21a89c58199a5ad43e8fac
--- /dev/null
+++ b/raw/validation/gt_ad/output_MPzeZclnU5A.txt
@@ -0,0 +1,16 @@
+00:00:01.200-STANDARD
A white, porcelain plate holds chilaquiles and a fried, sunny-side up egg on a wooden kitchen island.
+00:00:08.700-STANDARD
Words appear: "Silently Cooking."
+00:00:12.400-STANDARD
A goateed man stands in the kitchen and watches a video on his phone of an alternate version of himself making chilaquiles.
+00:00:21.100-STANDARD
The man frowns at old tortillas on a towel on the island. Later, he places a well-worn, cast iron pan on a stove.
+00:00:30.500-STANDARD
He seasons his pan with oil, then begins to fry an egg on it. He places a lid on the pan, then uses a chef's knife to slice the tortillas on a cutting board.
+00:00:41.300-STANDARD
The man places the cut up tortillas into a glass mixing bowl, then drizzles oil over them before mixing them by hand.
+00:00:50.133-STANDARD
The man moves his fried egg from the pan to the porcelain plate. He drops the tortilla bits into his pan.
+00:00:57.734-STANDARD
A second version of the man pops up from behind the island, glances at himself at the stove, then sprinkles salt onto his egg before dipping back down.
+00:01:08.266-STANDARD
The man moves around the tortilla bits in the pan with a whisk. Finished, he dumps them from the pan back into the glass mixing bowl.
+00:01:17.400-STANDARD
The man pours tomato sauce from a can into a plastic container. He dices several green onions, then a little less than half a yellow onion on the cutting board. He drops them into the plastic container.
+00:01:31.100-STANDARD
He adds five garlic cloves into the mix, then some salt and red paste from a glass jar. He uses an electric hand mixer to blend them.
+00:01:41.634-STANDARD
The pan heats up on the stove. The man lifts it, holds it over his sink, then pours his tomato sauce mix into it. Steam erupts from the pan as he shakes it.
+00:01:53.300-STANDARD
He sets the pan back on his stove, then stirs it around with a metal spatula.
+00:02:00.133-STANDARD
He drops the tortilla bits into the pan and stirs them around in the tomato sauce mix.
+00:02:08.667-STANDARD
Later, the chilaquiles sit beside the egg on the plate, fresh cheese on them. He takes a spoonful, then eats it.
+00:02:21.100-STANDARD
He mixes the yolk with the chilaquiles, then takes a second bite.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MT18Ux76nJo.txt b/raw/validation/gt_ad/output_MT18Ux76nJo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bbe078fb5fb38858b0d230d26c02d8412048a059
--- /dev/null
+++ b/raw/validation/gt_ad/output_MT18Ux76nJo.txt
@@ -0,0 +1,8 @@
+00:00:02.894-STANDARD
Words appear: "Today we decided to hit the streets and interview people in traffic." Three women pile into a grey sedan parked on the side of a sunny street. The one in the passenger seat holds a mic and the one in the back holds a camera.
+00:03:30.048-STANDARD
A man rolls down the street.
+00:03:43.576-STANDARD
The man walks off with a skateboard.
+00:03:54.787-STANDARD
She heads off.
+00:04:19.011-STANDARD
She waves while leaving.
+00:04:30.100-STANDARD
The boy gives a thumbs up before walking away.
+00:04:33.918-STANDARD
Words appear: "Thank you all for watching." The three women in the sedan high five.
+00:05:10.049-STANDARD
They turn the camera to a police SUV in a parking spot beside them.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MT3uY2Jkg4M.txt b/raw/validation/gt_ad/output_MT3uY2Jkg4M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..40bc2fd03154843d2e897fd168c9a00cbed76466
--- /dev/null
+++ b/raw/validation/gt_ad/output_MT3uY2Jkg4M.txt
@@ -0,0 +1,9 @@
+00:00:00.000-STANDARD
A cartoon dolphin winks. Title card: Smile and Learn. A playful animation begins.
+00:00:28.486-STANDARD
Two children stand beside a colorful, spaceship-like machine with a front window.
+00:00:59.357-STANDARD
A blue spotlight shines from the machine they’re sitting in.
+00:01:37.886-STANDARD
A labeled headshot of Steve Jobs pops up.
+00:02:29.814-STANDARD
A labeled headshot of Steve Wozniak pops up.
+00:02:56.629-STANDARD
The two young characters transform into Jobs and Wozniak.
+00:03:00.357-STANDARD
Behind them, a photo of young Jobs and Wozniak prints from an instant camera.
+00:03:14.471-STANDARD
The children and a cat stand beside the machine.
+00:03:16.600-STANDARD
Title card: Smile and Learn. www.smileandlearn.net.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_M_rQamgfgos.txt b/raw/validation/gt_ad/output_M_rQamgfgos.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b958d85f923de296d9eff58e71f8c8c1314c69a9
--- /dev/null
+++ b/raw/validation/gt_ad/output_M_rQamgfgos.txt
@@ -0,0 +1,23 @@
+00:00:00.000-STANDARD
A male-presenting person gets out of a hotel bed. On-screen text: 7 AM wake up! (early edition).
+00:00:04.171-STANDARD
He turns on the bedside lamp, gets out of bed, and opens the curtains on a large window. On-screen text: I'm staying in a hotel for a team event and visiting our new campus. The company covered all travel accommodations.
+00:00:11.529-STANDARD
On-screen text: 7:15 AM: Check email and teammate DMs. He sits down at a desk in his hotel room in front of his laptop. On-screen text: I usually get messages overnight and need to respond since some of my coworkers work during China hours.
+00:00:22.114-STANDARD
He puts on his sneakers and heads to a small hotel gym. On-screen text: 7:30 AM gym time (hotel edition). He rides a stationary bike, then does pull-ups on a pull-up bar.
+00:00:34.034-STANDARD
Back in his hotel room, he grabs a flannel overshirt from the closet, puts on white sneakers, and walks down the hotel hallway. On-screen text: 8:45 AM, leaving for campus.
+00:00:42.514-STANDARD
Outside the hotel, he gets into an Uber. On-screen text: Uber to the office from the hotel in downtown San Jose. The company covers our Ubers for work travel.
+00:00:48.456-STANDARD
On-screen text: 9 AM, arriving at campus (Bay Area edition). A large, modern, open-plan workspace with floor-to-ceiling windows is shown.
+00:00:55.424-STANDARD
On-screen text: First time badging into a new campus. He opens the door and enters the large, bright workspace with various seating areas.
+00:01:05.500-STANDARD
He walks to the elevators. On-screen text: Going to the fifth floor where my team's engineering org is assigned. He enters the elevator; then we see a new floor, which is large, with cubicle desks holding computers.
+00:01:17.443-STANDARD
He sits at a desk with a desktop monitor, beside a large window. On-screen text: 9:30 AM, checking into desk. We use a desk booking system where you can reserve a seat and sit anywhere. I reserved one with the best view of the mountains in the background. Today, I work as a backend software engineer on TikTok Shop. I spend about 50% of my time coding, and the rest is meetings or reading and writing documentation.
+00:01:36.786-STANDARD
In a new work area with sleek modern furniture, he sits on a gray couch with his laptop. On-screen text: 10:30 AM, review PR comments (working block). My recent code change got a ton of feedback from my tech lead. I need to update the API schema. My code was using an outdated version. Tech is a very collaborative field, and you get tons of support from your teammates. 
+00:01:58.929-STANDARD
 A view of ping-pong tables in a hangout area. On-screen text: Trying to play ping-pong, but no engineers come before lunch. LMAO. 
+00:02:06.057-STANDARD
 He now stands at a standing desk with his laptop. On-screen text: Back to my desk to work on a bug related to a code deployment. A lot of problems you face as a software engineer aren't related to code.
+00:02:12.343-STANDARD
In a new location, he uses his laptop while sitting in a booth with rust-colored, upholstered walls. On-screen text: 11:30 AM, team standup meeting (weekly edition). In stand-up, you talk about what you did yesterday, what you're doing today, and if you have any blockers.
+00:02:22.200-STANDARD
Different foods in takeaway containers are lined up on a long table, labeled by numbers 1-15. On-screen text: Our cafeteria has 15+ food options for lunch/dinner (free for employees). You can get multiple meals, and we have healthy offerings, including vegan, vegetarian, and Halal options.
+00:02:32.143-STANDARD
A wide shot of a sleek, industrial-style cafeteria with tables, chairs, and large TVs hanging from the ceiling. The space is empty except for the vlogger.
+00:02:37.000-STANDARD
He sits at a different workspace table, typing on his laptop. On-screen text: 1 PM, coding block number one (reading documentation / existing code). I am reading documentation for an external team's API. I am also reading existing code written by my teammates. 
+00:02:50.000-STANDARD
 In an area labeled "pantry" with side-by-side espresso machines and a sign reading: milk, password: tech. On-screen text: It's time for a quick coffee and a snack break, but first I need the milk password.
+00:02:56.586-STANDARD
Outside the work area, on a large deck with chairs, long tables, and various seating options, the vlogger sits at a table with his laptop. On-screen text: 2 PM, new teammate 1-1 (virtual edition). I needed to move outside for some fresh air and sunlight. I am helping a new teammate with onboarding to our team. We are debugging some environment setup issues.
+00:03:09.857-STANDARD
Inside again, at a standing desk with a desktop monitor, he works. On-screen text: 3 PM, coding block number two (testing my code). I moved to a different standing desk for a change of scenery. I am writing a small test function based on my previous work block. Coding can be challenging, but I try to break it up into small digestible problems.
+00:03:24.357-STANDARD
In a large office, he sits on a gray couch with his feet up, laptop on his lap. On-screen text: 4:30 PM, meeting with PM (product requirement). I needed to clarify a requirement with another team.
+00:03:30.343-STANDARD
On-screen text: 7:30 PM, leaving office. At a cubicle, he puts his laptop into his backpack and walks off camera. On-screen text: A tiring but eventful day at the office. Looking forward to many more here.
+00:03:38.000-STANDARD
Outside, at night, we see his view from outside the large building, with its floor-to-ceiling windows. On-screen text: A day in the life of a software engineer at TikTok.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Mb7hMWPO_PE.txt b/raw/validation/gt_ad/output_Mb7hMWPO_PE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..04474fc08d1567e01c793211705dfd234f4bfcb2
--- /dev/null
+++ b/raw/validation/gt_ad/output_Mb7hMWPO_PE.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
On-screen text: Wednesday, May 31.
+00:01:04.543-STANDARD
Walking through a crowded Tokyo subway station.
+00:01:25.986-STANDARD
Inserting a Japanese yen bill into a ticket machine.
+00:01:30.086-STANDARD
Scanning a ticket at the turnstile.
+00:01:42.457-STANDARD
A montage begins: feet climbing stairs, then the couple takes a selfie on an escalator.
+00:01:46.214-STANDARD
Exiting a train, the couple walks past a "Welcome to Tokyo Disneyland Resort" sign. They each hold Mickey and Minnie-themed tickets. She scans one, then high-fives a staff member wearing a giant white glove. They stroll through a covered walkway, pass a towering castle, display another ticket, spot a giant Winnie the Pooh book, and smile at a happy young child.
+00:02:38.643-STANDARD
A montage: a sleeping baby in someone’s arms, the couple seated on a slow-moving ride through Winnie the Pooh scenes with big trees and storybook-style scenery.
+00:03:05.271-STANDARD
She eats a hamburger. Later, outside a ride called Star Tours, a robot greets them. They enter through futuristic automatic doors, then put on 3D glasses inside a theater-style ride.
+00:03:17.557-STANDARD
They order two ice cream desserts from a place called Hackney’s Salon.
+00:03:23.057-STANDARD
Walking through the park with their sundaes, she bites into a giant churro sticking out of sundae.
+00:03:28.657-STANDARD
Inside a dome-shaped blue space with a Monsters Inc. sign.
+00:03:32.014-STANDARD
They get a frothy yellow drink; he sips it, then she does.
+00:03:44.100-STANDARD
On a boat ride with others, passing a waterfall and tree canopy. A guide in a wide-brimmed hat speaks into a mic. An animatronic hippo opens its mouth in the water, and animal statues sit on nearby rocks.
+00:03:54.571-STANDARD
A rollercoaster zooms past large rocks, enters a tunnel, climbs upward, then drops as the couple throws their hands up, laughing.
+00:04:04.943-STANDARD
Ascending a rollercoaster track.
+00:04:31.643-STANDARD
They toast green character mochi balls, then she takes a bite.
+00:04:37.000-STANDARD
She shows hers to the camera--yellow filling inside. He shows his with a purple center.
+00:06:44.743-STANDARD
From the street, looking up at a tall, glass-windowed multistory building.
+00:07:13.086-STANDARD
She gives an “okay” hand gesture to the camera. At a checkout counter, clothes are folded and placed into a plastic Uniqlo bag.
+00:07:40.343-STANDARD
A sparkling city skyline at night. On-screen text: Thanks for watching! Stay tuned for more vlogs!
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MeVOSo7Jv1M.txt b/raw/validation/gt_ad/output_MeVOSo7Jv1M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2e695256dfa8e54d5668eb77e01544654f6a5a67
--- /dev/null
+++ b/raw/validation/gt_ad/output_MeVOSo7Jv1M.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
A wineglass is filled three-quarters full with water. Hands press two large Panasonic brand batteries on either side of the glass, and a swirling, tornado-like shape forms from the top of the water down.
+00:00:05.257-STANDARD
On-screen text: Let's try to see if it's fake or real.
+00:00:07.314-STANDARD
Water is poured into a standard drinking glass, filling it three-quarters full. On-screen text: Water.
+00:00:10.757-STANDARD
Two AA Eveready brand batteries are shown to the camera. On-screen text: Battery.
+00:00:14.957-STANDARD
Salt is shown on a tablespoon to the camera. On-screen text: Salt. The salt is poured into the glass of water, followed by another tablespoon of salt.
+00:00:21.186-STANDARD
A spoon stirs the saltwater, making it look cloudy.
+00:00:29.800-STANDARD
Hands hold the two batteries horizontally and press them gently against the glass, just at the water's surface.
+00:00:34.243-STANDARD
A clock graphic appears and ticks clockwise from 1 to 60.
+00:00:44.671-STANDARD
Nothing changes in the glass.
+00:00:49.586-STANDARD
The clock graphic reaches 60 seconds and then disappears. On-screen text: No result found.
+00:00:53.386-STANDARD
The hands flip the batteries so that the positive side is on the left and the negative side is on the right. They press the batteries against the glass again. The clock graphic reappears and ticks to 60.
+00:01:05.929-STANDARD
Nothing changes in the glass.
+00:01:11.814-STANDARD
The clock graphic reaches 60 seconds again and disappears.
+00:01:14.429-STANDARD
The glass stands alone. One battery is shown to the camera and then thrown into the water. On-screen text: This is fake.
+00:01:29.700-STANDARD
Against a black screen, the hand gives a thumbs-up.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_MrSATrlfaME.txt b/raw/validation/gt_ad/output_MrSATrlfaME.txt
new file mode 100644
index 0000000000000000000000000000000000000000..def2be4a005aff58260c8e8c582cbef9264eb97d
--- /dev/null
+++ b/raw/validation/gt_ad/output_MrSATrlfaME.txt
@@ -0,0 +1,41 @@
+00:00:00.000-STANDARD
On-screen text: marinlog. In a living room with a gray couch and many houseplants, a mini golden doodle walks behind a female-presenting vlogger, who has long brown hair and wears shorts and a sweatshirt.
+00:00:04.500-STANDARD
The vlogger picks up a cardboard package from the front door and walks back to the camera. On-screen text: Muji haul.
+00:00:09.300-STANDARD
A shot of the box from above, wrapped in MUJI-labeled tape.
+00:00:13.089-STANDARD
The vlogger cuts the tape with scissors and opens the flaps. On-screen text: I ordered some necessities at the MUJI shop.
+00:00:20.900-STANDARD
She removes the brown paper from the top, revealing a plastic box, a folded navy blue canvas item, and another nondescript brown rectangular box.
+00:00:27.814-STANDARD
The golden doodle nudges a tennis ball on the floor beside her.
+00:00:31.286-STANDARD
The blogger pulls the navy blue item from the box. On-screen text: 1. tote bag, my old one is torn.
+00:00:35.543-STANDARD
She unfolds the tote bag. On-screen text: It's water-repellant. The dog sniffs around the box as she opens the navy tote.
+00:00:40.871-STANDARD
She touches the navy tote bag, which has a black handle. The dog sniffs it. She sets it beside the box off-screen.
+00:00:50.900-STANDARD
She takes the next item from the box, a small plastic rectangular container filled with brown paper. She removes the brown paper and sets it aside.
+00:00:59.457-STANDARD
From the plastic container, she pulls out hairbands. On-screen text: 2. brown hairbands.
+00:01:07.114-STANDARD
On-screen text: 2. container I will use for cosmetics.
+00:01:16.430-STANDARD
She unwraps an item from MUJI-branded paper and shows two small rectangular brown cardboard boxes to the camera. On-screen text: 4. essential oils: pomelo and eucalyptus.
+00:01:24.371-STANDARD
She shows a white item, its long handle wrapped in brown paper. On-screen text: 5. microfiber mini handy mop.
+00:01:33.629-STANDARD
Another wrapped item. The dog sniffs it. On-screen text: Tokyo wants to try.
+00:01:37.886-STANDARD
On-screen text: room spray. She shows an auburn-colored spray bottle to the camera, then puts it aside.
+00:01:45.700-STANDARD
She puts the brown paper back in the box and closes the lid.
+00:01:52.443-STANDARD
She picks up the box and gets up off the floor, walking off.
+00:01:57.143-STANDARD
All of the unboxed items laid out on the light wood floor.
+00:02:00.500-STANDARD
The new plastic container sits on a bathroom sink. On-screen text: First, I want to reorganize my cosmetics.
+00:02:04.314-STANDARD
She opens a cabinet drawer and removes an eyelash curler, two compact mirrors, and a cylindrical plastic organizer. On-screen text: That's all that I have now. I think that's a comfortable quantity for me.
+00:02:11.729-STANDARD
She puts the cylindrical plastic organizer full of makeup brushes inside the new plastic container, which rests on the counter. The two compact mirrors and the eyelash curler are also placed in the new container.
+00:02:21.486-STANDARD
On-screen text: Soooo satisfied, I can take it with me to every place and apartment.
+00:02:27.343-STANDARD
She places the plastic container in a cabinet under the sink and closes its door.
+00:02:32.600-STANDARD
We see the whole sink now, with a mirror above. On the sink is a soap dispenser and a small plant. A toothbrush is mounted on the wall between the sink and mirror.
+00:02:35.871-STANDARD
A shot of a green houseplant.
+00:02:37.971-STANDARD
The amber room spray and two small aromatherapy bottles sit on a countertop. On-screen text: This room spray has amber and sandalwood aroma.
+00:02:44.814-STANDARD
Her hands hold the room spray bottle on its side, then she sprays it in the air toward a cat tower in the background. On-screen text: I chose it by description and guessed right. It smells wonderful. I highly recommend it if you like woody scents.
+00:02:53.100-STANDARD
A shot of the houseplant. She takes a large microfiber duster from its holder and cleans the leaves of the plant with it. On-screen text: I thought about buying this microfiber mop for a long time.
+00:03:02.457-STANDARD
She uses the duster to clean the top of a flatscreen TV beside the plant. On-screen text: It's useful and machine washable. Finally, I won't waste paper towels for cleaning the dust.
+00:03:11.314-STANDARD
She dusts the TV screen with the duster.
+00:03:17.257-STANDARD
The video fades to black and then transitions to a top view of a sidewalk outside. We see the doodle's head. On-screen text: Time to walk with Tokyo.
+00:03:24.500-STANDARD
A view of the sidewalk with a tall mesh fence and tall trees behind it.
+00:03:29.500-STANDARD
Another view of the trees behind the fence.
+00:03:32.086-STANDARD
The doodle on the sidewalk, with the vlogger's shadow beside it.
+00:03:34.429-STANDARD
White-sneakered feet walk down cobblestones, with the leashed doodle walking alongside.
+00:03:40.286-STANDARD
On-screen text: Last warm days of autumn. We are enjoying walks as much as possible.
+00:03:45.729-STANDARD
A shot of the sidewalk and, beyond it, some green-covered cliffs and the blue ocean.
+00:03:50.600-STANDARD
The doodle runs on an open, grassy path with the ocean on the horizon in the distance.
+00:03:58.000-STANDARD
The doodle continues to run and hop through tall grass.
+00:04:04.200-STANDARD
The doodle runs and chases birds over the grass, then runs toward the camera. On-screen text: Thank you for watching.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_NLJqjaIvP4A.txt b/raw/validation/gt_ad/output_NLJqjaIvP4A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d57a42cc3fd4fb2034534c3204d273935ae723a4
--- /dev/null
+++ b/raw/validation/gt_ad/output_NLJqjaIvP4A.txt
@@ -0,0 +1,3 @@
+00:00:05.029-STANDARD
A panoramic image of desert mountains. Clouds drift across a blue sky. On-screen text: becomingminimalist.
+00:00:08.600-STANDARD
A male-presenting person stands in a minimalist apartment. A blank wall with a window, a countertop, and a couple of white chairs are visible behind him.
+00:01:50.071-STANDARD
Footage from a drone as it glides over a sandy beach. On-screen text: read thousands of articles at becomingminimalist.com. Facebook: becomingminimalist, Instagram: @joshua_becker, Twitter: @joshua_becker.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_NV2QxLuyY9s.txt b/raw/validation/gt_ad/output_NV2QxLuyY9s.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7064201eef09be5fe91856c3a021df28678df77a
--- /dev/null
+++ b/raw/validation/gt_ad/output_NV2QxLuyY9s.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
On-screen text: Welcome back. A mug is lifted off a tea maker and placed on a countertop.
+00:00:07.786-STANDARD
On-screen text: Time to prepare for 2023.
+00:00:49.386-STANDARD
On-screen text: 3 words for 2023.
+00:01:09.900-STANDARD
On an iPad, a digital pen highlights three different lines of letters on a word search grid.
+00:01:43.429-STANDARD
On-screen text: Setting goals for 2023.
+00:02:23.529-STANDARD
On-screen text: Custom dividers.
+00:03:34.186-STANDARD
On-screen text: At a glance calendar.
+00:04:09.500-STANDARD
On the iPad screen, a digital calendar is shown. Using the digital pen, she swipes through various dates, clicks on different sections, and takes notes on certain calendar entries.
+00:04:16.214-STANDARD
On-screen text: Vision board.
+00:04:37.871-STANDARD
On the iPad, using the digital pen, she arranges several photos, including a woman working at a computer, the words "black business owner," two women outside a plane, and the words "mindset is everything." She positions these images on the vision board and adds the text: "Vision Board 2023" over the collage.
+00:04:44.757-STANDARD
On-screen text: Dating the calendar.
+00:05:12.657-STANDARD
On a blank monthly calendar for March, she drags a grid of numbers into place, adjusting it to fit. She then drags in more numbers to complete the month, adjusting their size and placement.
+00:05:34.200-STANDARD
On-screen text: iPad update.
+00:06:15.600-STANDARD
On the iPad, using the digital pen, she selects several photos in one program and places them into another program.
+00:06:39.000-STANDARD
On-screen text: Don't forget to subscribe. Thanks for watching! @ashlee_digital_studio.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_NmemOdsMtcg.txt b/raw/validation/gt_ad/output_NmemOdsMtcg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a9b705e688b1316d153deb8d9a7d4745781c2408
--- /dev/null
+++ b/raw/validation/gt_ad/output_NmemOdsMtcg.txt
@@ -0,0 +1,13 @@
+00:00:10.300-STANDARD
Simone sits by a mannequin.
+00:00:57.567-STANDARD
She sits by a toilet.
+00:01:13.100-STANDARD
A power drill stuck to the toilet seat's underside spins toilet paper on it rapidly.
+00:01:27.934-STANDARD
The power drill swivels smoothly down, then up.
+00:01:47.867-STANDARD
The drill mangles the toilet paper as it spins. She holds the toilet paper.
+00:02:13.066-STANDARD
She seats the mannequin on the toilet.
+00:02:30.300-STANDARD
The mannequin falls.
+00:02:42.133-STANDARD
Its legs detatch.
+00:02:45.367-STANDARD
She duct tapes it together.
+00:03:08.033-STANDARD
Simone sticks a toilet paper roll onto the power drill's end. She activates it and the drill swivels to the mannequin's butt, then rapidly spins the toilet paper on it.
+00:03:23.333-STANDARD
She clears the mangled toilet paper and replaces the roll. She activates it again and the drill repeats the action in the mannequin's butt.
+00:03:34.634-STANDARD
The drill activates again and vibrates the toilet back, making the mannequin drop.
+00:04:42.433-STANDARD
A social media handle appears: "At simone girtrz."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_NsSTbWO7ywY.txt b/raw/validation/gt_ad/output_NsSTbWO7ywY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fde9f2940ed93c66c69b64986ee2cb442d9c143e
--- /dev/null
+++ b/raw/validation/gt_ad/output_NsSTbWO7ywY.txt
@@ -0,0 +1,21 @@
+00:00:00.418-STANDARD
A host tugs a string connected to a colorful fan made of popsicle sticks, making it rapidly spin.
+00:00:09.604-STANDARD
The host takes two popsicle sticks and cuts holes in their centers with small scissors.
+00:00:18.681-STANDARD
The host takes a brush and paint variety set. They paint a striped pattern on each side with orange, yellow, pink, and black.
+00:00:30.684-STANDARD
The host sets the painted popsicle sticks down, then lifts a kebab stick.
+00:00:37.768-STANDARD
They use their scissors to cut the kebab stick in half.
+00:00:43.144-STANDARD
A like, subscribe, and get notifications graphic appears.
+00:00:48.900-STANDARD
The host carefully squeezes white glue around one of the sticks' holes. They press the other stick onto it so it makes an X shape.
+00:00:59.323-STANDARD
The host places the tip of the kebab stick through the overlapping holes, then playfully spins it.
+00:01:06.994-STANDARD
The host takes a plastic bottle cap, then uses the scissors to carve a tiny hole in its center.
+00:01:14.769-STANDARD
They show a second, identical cap.
+00:01:20.939-STANDARD
The host uses a box cutter to carve a small notch in the rim of one cap.
+00:01:30.491-STANDARD
The host takes the first cap and slides the kebab stick through its hole.
+00:01:38.783-STANDARD
The host ties a string around the stick, just under the cap, then makes a knot.
+00:01:47.507-STANDARD
The host slides the second cap down the kebab stick so its rim with the notch touches the first cap's rim.
+00:01:58.147-STANDARD
The host feeds the string through the second cap's small notch.
+00:02:06.663-STANDARD
The host glues the rim of the first cap, then presses the second cap to it, making sure to keep the string running through the gap.
+00:02:16.863-STANDARD
The host lifts another popsicle stick, then smears a fingernail sized amount of glue onto one of the flat ends of it. They press the glued end to the back of the second cap.
+00:02:29.746-STANDARD
A graphic appears reading: "Please share, like, and comment."
+00:02:37.598-STANDARD
The host ties the string's other end to a plastic ring.
+00:02:44.398-STANDARD
The host turns the fan so the string wraps around the kebab stick.
+00:02:51.991-STANDARD
The host pulls the string back and forth, making the popsicle stick fan spin and appear as a blur of pink and green.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_NtUjRbnMziM.txt b/raw/validation/gt_ad/output_NtUjRbnMziM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..06f60658f0f309f0aa0735ba4a21e49336548d58
--- /dev/null
+++ b/raw/validation/gt_ad/output_NtUjRbnMziM.txt
@@ -0,0 +1,26 @@
+00:00:00.300-STANDARD
Kelly, a young, dark-haired woman, figure skates on an outdoor ice rink. She spins rapidly on one foot and a man skating by eyes her.
+00:00:11.166-STANDARD
Words appear by the man: "This is the finest black woman I've ever seen."
+00:00:17.800-STANDARD
Later, words appear over Kelly while she puts on white figure skates in an indoor ice rink: "Kechelle Kwan."
+00:00:27.734-STANDARD
Kelly finishes tying her figure skates, then easily does a full front split on a bench. She presses her head to her stretched out leg with a grin, then stretches the other leg.
+00:00:42.300-STANDARD
Kelly holds the rim of the ice rink's wall, then lifts one leg vertically above her head.
+00:00:50.600-STANDARD
She wriggles her leg and hips, then turns her torso.
+00:00:55.433-STANDARD
A montage shows Kelly skate on the ice among other people: Kelly lifts one leg above her head. She quickly spins.
+00:01:04.767-STANDARD
She lifts her other leg above her head as she skates, easily balancing.
+00:01:10.934-STANDARD
Kelly rapidly spins while leaning forward and holding her arms out. She brings her hands to her chest as she straightens her back, then spins even faster. She abruptly stops and words appear: "Defeat."
+00:01:26.300-STANDARD
Words appear: "Now it's time for some fun! Group skate with friends." A record icon appears on the screen's top left corner. Her figure skates sit in a partially open bag in a car's back seat.
+00:01:40.533-STANDARD
Kelly records herself in the back seat and winks. A wavy-haired man drives them down a highway with a blond woman next to him.
+00:01:51.400-STANDARD
Words appear over three men ice skating on the indoor ice rink: "The boys have arrived."
+00:01:58.066-STANDARD
Kelly follows the wavy-haired man and blond woman into the ice rink.
+00:02:04.066-STANDARD
Kelly grins with a black-haired woman on the ice, then slowly spins on her skates before grinning and throwing her arms out.
+00:02:12.567-STANDARD
The blond woman spins and lifts her leg straight up with both hands.
+00:02:18.100-STANDARD
Kelly waves her arms around to the black-haired woman. She grins and holds her arms out before cocking a brow. Kelly bends her knees and holds her hands out between her legs.
+00:02:29.967-STANDARD
The black-haired woman skates to her, crouches, then takes Kelly's hands as she glides between her legs. Kelly lifts her up.
+00:02:39.100-STANDARD
They dance and skate while holding hands. They crouch and spin, then stand. The black-haired woman lets Kelly go. Kelly spins back to her and they raise their arms with big grins.
+00:02:52.233-STANDARD
One of their friends, a curly-haired man, hops as he skates to them. A graphic with Olympic rings on it appears reading: "Tessa Virtue and Scott Moir." It displays their scores.
+00:03:05.634-STANDARD
Elsewhere, a colossal crowd fills a stadium around an ice rink, many wave Russian flags. Vladimir Putin speaks with a grey-haired man.
+00:03:16.233-STANDARD
In Kelly's ice rink, Kelly bends forward and holds her arms out while spinning. She brings her hands to her chest while straightening her back and accelerating.
+00:03:27.066-STANDARD
Words appear as she stops and sways: "Recovering from dizziness."
+00:03:32.867-STANDARD
One of her friends, a blond man, holds Kelly's hands and spins her around him.
+00:03:40.266-STANDARD
He lets go and Kelly crouches and spins in tight circles.
+00:03:45.700-STANDARD
Kelly skates away from her friends with a teenage boy as he leans against her shoulder. Later, she stands outside the ice rink with the blond man and talks. He smiles and shakes his head. At night, they all eat at In n Out. They group up at a table and grin while Kelly records. The curly-haired man covers her lens with his hand.
+00:04:07.734-STANDARD
Words appear: "Thanks for watching. Subscribe to see my skating progress. Join the road to beijing in twenty twenty Olympics. Hashtag Team Wakanda."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_O-3RoyeApOo.txt b/raw/validation/gt_ad/output_O-3RoyeApOo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8a0964162c1c17ad9499b99c04b273e7877ec45f
--- /dev/null
+++ b/raw/validation/gt_ad/output_O-3RoyeApOo.txt
@@ -0,0 +1,16 @@
+00:00:00.906-STANDARD
Words appear: "Materials and instructions in description." A bearded man in jeans and a black beanie and jacket, Andrew, stands in a brick-walled room by a wheeled tablesaw and large, thick sheet of plywood.
+00:00:15.750-STANDARD
He carefully pushes the sheet of plywood along the tablesaw several times, making several planks of long wood.
+00:00:24.542-STANDARD
Andrew rolls his tablesaw to the side of the room, then rolls over another tablesaw. He extends four legs on the tablesaw, sits it up, then slices the planks in half.
+00:00:39.711-STANDARD
Andrew stacks the cut planks on a long sheet of plywood lying on several stands. He measures one cut plank with measuring tape, then marks a spot in its center with a pencil.
+00:00:53.248-STANDARD
Andrew holds a set square at one end of the plank, then marks it. He presses the set square to a place slightly below the plank's center and marks it.
+00:01:04.923-STANDARD
Using a Kreg pocket hole jig, Andrew measures the thickness of one plank's end.
+00:01:16.365-STANDARD
He clamps the pocket hole jig to the plank's end, then pushes a power drill through two holes in it. Andrew shows two long holes on the plank's end that lead out of its side.
+00:01:32.261-STANDARD
Andrew places the plank he drilled holes into against the side of the first, larger plank he marked, toward its right side.
+00:01:43.615-STANDARD
He sticks a powerscrew's end through the two holes, drilling screws through them into the large plank's side, fixing them in place.
+00:01:54.795-STANDARD
Andrew does the same with a plank toward the large plank's right side and another just below the right side plank.
+00:02:03.471-STANDARD
Andrew takes what he made off of the plywood on the stands, now a large, wooden frame with two planks stretching on its right and left sides.
+00:02:16.251-STANDARD
Andrew cuts a large pegboard sheet with his tablesaw. He sands the frame, then puts it back on the plywood on the stands and applies glue to the edges of the side planks.
+00:02:28.159-STANDARD
Andrew carefully affixes the strips of pegboard he made to the side planks. He inserts nails around the pegboard strip's sides with a nailgun.
+00:02:39.251-STANDARD
Andrew drills the frame and pegboard combination onto a wall a room filled with exercise equipment. He lays a mirror into the empty center of the frame, then drills hooks around it, keeping it in place.
+00:02:53.895-STANDARD
He sticks pegboard hooks onto the pegboard strips, then hangs a jumprope and two barbell clamps on them.
+00:03:03.124-STANDARD
Later, more exercise equipment hangs on various hooks on the pegboard strips. He pans through the home gym and the squat rack, bench, and elliptical machine inside.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_O8bf9gul1yQ.txt b/raw/validation/gt_ad/output_O8bf9gul1yQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..35e9043e353c1d20ad53eeb885ad943df6521daa
--- /dev/null
+++ b/raw/validation/gt_ad/output_O8bf9gul1yQ.txt
@@ -0,0 +1,5 @@
+00:00:53.343-STANDARD
Two square stools on wheels, each topped with a pillow, are rolled toward a modern, glossy white adjustable dining table. The table is simply set with beige placemats, forks, and knives. A candle burns at the center next to a small succulent. A wall-mounted projector is visible.
+00:01:18.314-STANDARD
A desert landscape is projected onto a large rectangular white roller blind, which functions as a screen on the wall.
+00:01:44.257-STANDARD
A monitor mounted on an adjustable arm is pulled away from the wall. A view of a plain and outdated bathroom follows.
+00:02:08.243-STANDARD
The homeowner walks from the kitchen into the bedroom area, though their head is cropped out of the frame.
+00:03:16.429-STANDARD
A wide view of the small space reveals the edge of a couch in the living room. Ahead is a wall with a full-length mirror. To one side of the mirror, a slightly open door leads to the kitchen, where part of a stove is visible. On the other side, an archway opens into the bedroom, where a portion of a simple white bed can be seen.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_OIDLDKAeNS4.txt b/raw/validation/gt_ad/output_OIDLDKAeNS4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7881de525a0e5aec289de9f53aec195475fdde7d
--- /dev/null
+++ b/raw/validation/gt_ad/output_OIDLDKAeNS4.txt
@@ -0,0 +1,9 @@
+00:00:01.876-STANDARD
On a sunny day in New York City, a woman and man sit on chairs on a sidewalk across from The Jefferson Market Library. They balance a large sketchbook on their left and right knee.
+00:00:30.035-STANDARD
They use fountain pens to start drawing the library.
+00:00:50.296-STANDARD
The woman draws the clock tower while the man draws the roof of the library itself.
+00:01:04.906-STANDARD
They switch back and forth to add new details to each other's drawings.
+00:01:19.721-STANDARD
The man gestures up to the library.
+00:01:45.624-STANDARD
They continuously glance up at the library while they draw.
+00:02:23.367-STANDARD
They draw from the top down, adding statues adorning the library's roof, archways, facades, the clock on the tower, windows in the tower's base, and doors.
+00:02:40.053-STANDARD
The man adds trees standing outside the library's entrance as the woman details a circular railing around the top of the tower.
+00:03:10.210-STANDARD
The woman adds a street light while the man adds finishing touches to the trees. They sign at the bottom right corner.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_OI_eShyg2fo.txt b/raw/validation/gt_ad/output_OI_eShyg2fo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9a65279c7277640c42ea026b2d5b4f45da0359d8
--- /dev/null
+++ b/raw/validation/gt_ad/output_OI_eShyg2fo.txt
@@ -0,0 +1,20 @@
+00:00:03.737-STANDARD
He sits by a sailboat in a harbor.
+00:00:50.688-STANDARD
"Two days later."
+00:01:12.224-STANDARD
Finn slips on white pants and a beige shirt in a bedroom. Later, he walks down stairs into a control room.
+00:01:25.062-STANDARD
The Egyptian flag flaps on a nearby boat's mast. Pastel-colored apartment complexes line a street near the harbor. Two men help a young man on Finn's boat unmoor from the dock.
+00:01:37.671-STANDARD
Later, the boat cruises through the sea.
+00:01:50.197-STANDARD
The hook deploys by a metal chain. Words appear: "The Anchorage."
+00:02:06.953-STANDARD
The young man, Jack, stands on the edge of their boat and readies a kite on a board.
+00:02:14.203-STANDARD
Finn puts on a wet suit, then grabs a kite's handle. The kite flies high above Finn and rapidly pulls him through the bright blue water.
+00:02:24.913-STANDARD
Jack pops his board off the water, slips it off his feet middair, then lands on a sand bank with a grin.
+00:02:34.317-STANDARD
Finn dances while kitesurfing, then leaps high and traces the ocean with his fingers while his kite flies him over it.
+00:02:44.318-STANDARD
Words appear: "Two days later..." Finn points his camera at himself by his bed.
+00:03:02.870-STANDARD
He opens a cabinet.
+00:03:46.837-STANDARD
Later, Finn walks onto the deck with a tote bag holding his laundry. He hangs his laundry along the metal cord railing of the boat and uses clothes pins to anchor them in place.
+00:04:24.455-STANDARD
Finn plays guitar in his bedroom.
+00:06:03.586-STANDARD
Finn leaves through a sliding glass door, then walks onto a dock. Later, he walks through the city.
+00:06:18.551-STANDARD
Finn gets into the back of a grey sedan.
+00:06:31.492-STANDARD
They drive past a park with a large Egyptian flag atop a tall, concrete sculpture.
+00:06:37.676-STANDARD
They pass a huge sign on a sprawling building reading: "Senzo Mall."
+00:06:56.789-STANDARD
He puts on kid's sunglasses from a market.
+00:07:33.845-STANDARD
Later, on Finn's deck as the sun sets.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_OTE4pS5I-Is.txt b/raw/validation/gt_ad/output_OTE4pS5I-Is.txt
new file mode 100644
index 0000000000000000000000000000000000000000..026691ec524b0f0eff3c7bb4feba519cf256d650
--- /dev/null
+++ b/raw/validation/gt_ad/output_OTE4pS5I-Is.txt
@@ -0,0 +1,22 @@
+00:00:01.500-STANDARD
Words appear: "Everyone warned him not to meet the gorilla he raised..."
+00:00:10.066-STANDARD
"Five years later, their meeting in the jungle left everyone in tears."
+00:00:15.433-STANDARD
"Damian Aspinall raised a baby gorilla named Kwibi. They had a special bond, but Damian knew that one day he had to let Kwibi roam free."
+00:00:25.400-STANDARD
"So when Kwibi was old enough to take care of himself, he was released into the wild."
+00:00:31.633-STANDARD
"Five years have passed since they last saw each other. And Damian has decided to try to find him in the dense jungle. People warned him that Kwibi had become a wild gorilla now and it could be very dangeous."
+00:00:45.766-STANDARD
"The last two people that had encountered him in the jungle had been attacked. But Damian was determined to see him. He got in a boat and started his journey to find his old friend."
+00:00:57.633-STANDARD
Damian rides a boat down a river.
+00:01:06.066-STANDARD
"Up the river, from the boat, he called for him in hope that Kwibi would recognize his voice."
+00:01:13.133-STANDARD
"He searched for hours, but with no luck. Suddenly, out of nowhere, a dark figure appeared. It was Kwibi. The gorilla hadn't seen him for five years. But when he heard Damian's voice, he came to the river."
+00:01:28.400-STANDARD
"Damian jumped ashore, not knowing how Kwibi would react."
+00:01:33.800-STANDARD
Damian approaches Kwibi.
+00:01:37.633-STANDARD
"Damian approached and sat next to him. He was still unaware if Kwibi could be hostile. The two old friends started communicating in their own way. And almost immediately Kwibi looked into Damian's eyes with so much love and intensity, that Damian knew then he was ok."
+00:01:57.133-STANDARD
Damian crouches by Kwibi and they push their faces close together.
+00:02:04.600-STANDARD
"He embraced Damian and did something extraordinary."
+00:02:11.066-STANDARD
Damian grins while Kwibi hugs him from behind.
+00:02:18.433-STANDARD
"He introduced Damian to his wives. He kept hugging Damian and refused to let him go. They sat there for a long time in each other's presence until the sun began to set and Damian needed to go back to camp."
+00:02:32.766-STANDARD
Several other gorillas approach Damian.
+00:02:39.033-STANDARD
"Then something amazing happened. Kwibi decided to follow the boat. He walked along the riverside, never letting the boat out of his sight, all the way back to their camp. And on the other side of the river, he stopped with his family directly opposite where Damien slept."
+00:02:56.333-STANDARD
Damian beams and points at Kwibi as he walks alongside the river.
+00:03:02.733-STANDARD
"The next morning, Damian went to take a bath in the river. Kwibi had stayed all night and sat by the river. As if to say a final goodbye to his friend who took care of him as a baby. This shows the incredible love and care animals share with humans. Even though it had been so many years, Kwibi never stopped loving Damian, his human father."
+00:03:27.366-STANDARD
Damian floats in the river and meets Kwibi's eye as he stands on the shore in a bush.
+00:03:35.566-STANDARD
A graphic of an animal paw appears by the words: "The Animal Bible. For more engaging videos... subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_OrD9lJWgStU.txt b/raw/validation/gt_ad/output_OrD9lJWgStU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6fca929c0878dac46d81618990cd31beaee9d177
--- /dev/null
+++ b/raw/validation/gt_ad/output_OrD9lJWgStU.txt
@@ -0,0 +1,15 @@
+00:00:24.605-STANDARD
One kid slaps the host's mic he holds outside of a shop, then takes it.
+00:00:31.334-STANDARD
The kid drops the mic.
+00:00:44.696-STANDARD
The host sits with three kids outside a sandwich shop.
+00:01:09.059-STANDARD
One kid pulls the mic's wind muff off.
+00:02:22.693-STANDARD
The youngest kid jogs over.
+00:02:29.738-STANDARD
She dashes away, then runs back.
+00:02:44.518-STANDARD
Matthew, Nicki, and Sammy stand by the host.
+00:03:19.142-STANDARD
At a table with food.
+00:03:58.581-STANDARD
Nicky rests her bare feet on the table. The host holds his legs over it.
+00:04:19.692-STANDARD
The kids hold hands and spin in a circle. Words appear: "The moment things really went 'off the rails.'"
+00:04:32.409-STANDARD
Matthew and Nicky run off.
+00:05:07.268-STANDARD
Nicki holds the host's back.
+00:05:21.038-STANDARD
They sit outside with four donuts.
+00:05:35.899-STANDARD
The host and Sammy take bites from their donuts.
+00:06:06.502-STANDARD
An adult man tries to guide Nicky to the host, but she rigidly steps away.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_P9gKUvBDyB4.txt b/raw/validation/gt_ad/output_P9gKUvBDyB4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..38c07366d3d25bc12f695961d8aac6d43e5ea45c
--- /dev/null
+++ b/raw/validation/gt_ad/output_P9gKUvBDyB4.txt
@@ -0,0 +1,23 @@
+00:00:00.375-STANDARD
A host uses a long knife to cut lines in a large square of caramel candy, causing forty-two smaller squares.
+00:00:09.468-STANDARD
They take one and pull it apart, making threads of caramel dangle from between the sides.
+00:00:16.600-STANDARD
The host pours two hundred grams of sugar into a pan on a stove. They turn it on and use a wooden spoon to mix up the sugar as it melts.
+00:00:30.489-STANDARD
A time lapse shows the sugar melt into a thick, brown syrup.
+00:00:39.707-STANDARD
They turn off their stove.
+00:00:44.336-STANDARD
The host pours one hundred milliliters of whipping cream into the pan.
+00:00:53.054-STANDARD
They stir the syrup and cream. Words appear: "Turn it on again on medium heat."
+00:01:01.562-STANDARD
They continue stirring the mixture until it's blended and caramel-colored.
+00:01:08.069-STANDARD
Words appear: "Test with cold water." They pour a spoonful of the mixture into a bowl of water, then reach in and roll it into a ball. "If it can be shaped and chewy, add butter."
+00:01:22.332-STANDARD
They add twenty grams of butter to the pan, then stir for two minutes on low heat.
+00:01:30.507-STANDARD
They pour the mixture into a square tin lined with parchment paper. Words appear: "Wait until it cools. Keep it in the fridge for thirty to forty minutes."
+00:01:45.064-STANDARD
Later, they pull the caramel out of its tin with the parchment paper it sits in. They place it on a cutting board, then peel the paper off.
+00:01:59.120-STANDARD
They use a long knife to make a grid-shaped series of lines on the caramel square.
+00:02:17.178-STANDARD
They finish with the grid of cuts, making forty-two total caramel squares.
+00:02:34.363-STANDARD
They take one caramel square away, then pull it apart, showing off the gooey center.
+00:02:47.876-STANDARD
They pull a second one apart and gooey threads of caramel stretch from between its sides.
+00:02:59.554-STANDARD
Words appear: "Wrap the candy in baking paper for storage." The host wraps each individual square in a small piece of baking paper.
+00:03:12.609-STANDARD
They fold the paper around the caramel squares, then twist the ends.
+00:03:21.493-STANDARD
Words appear: "Making caramel milk ice."
+00:03:29.209-STANDARD
The host uses a cake cutter to place three caramel squares in the pan on the stove.
+00:03:39.344-STANDARD
They add a little water and it instantly begins boiling. They use a wooden spoon to push around the squares in the water until it all melts together.
+00:03:58.280-STANDARD
They pour milk into a glass, add ice cubes, then pour in the liquified caramel squares. It sinks to the bottom. The host stirs it with a tea spoon, then places a straw in it.
+00:04:20.010-STANDARD
Words appear: "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_PMzR3PT6dp8.txt b/raw/validation/gt_ad/output_PMzR3PT6dp8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1850fe0358c3ae0be3311a1501f672e5f49d7dbb
--- /dev/null
+++ b/raw/validation/gt_ad/output_PMzR3PT6dp8.txt
@@ -0,0 +1,10 @@
+00:00:00.003-STANDARD
A bearded man, Charlie, stands near a small table with a coffee machine on it.
+00:00:12.438-STANDARD
Images flash of different cups, some ceramic and others glass.
+00:00:35.309-STANDARD
Charlie sits at a small, wooden table with two glass coffee cups and two two ceramic ones on it.
+00:00:50.232-STANDARD
He makes a latte in a cube-shaped, wooden cup.
+00:01:27.289-STANDARD
Words appear: "Imagine Glass; by Kruve."
+00:02:09.717-STANDARD
Words appear: "Not Neautral; Lino." Charlie catches a white cup thrown to him from off screen.
+00:02:46.308-STANDARD
He makes a latte in it.
+00:02:55.420-STANDARD
Words appear: "Loveramics Egg."
+00:03:26.030-STANDARD
He spills.
+00:04:13.843-STANDARD
Coffee drips into a glass cup.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_PUHMf5mw0Zc.txt b/raw/validation/gt_ad/output_PUHMf5mw0Zc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ce5e64fbb83a03931ec355ef78588283e9761fe5
--- /dev/null
+++ b/raw/validation/gt_ad/output_PUHMf5mw0Zc.txt
@@ -0,0 +1,9 @@
+00:00:11.220-STANDARD
Subtitles: "My father was the first generation and I'm the second generation. So I've been familiar with tempura since I was born."
+00:00:40.126-STANDARD
Subtitles: "The brand that Chef Arai recommends. What we use now is a light powder called Hakurikiko as it's called in Japan."
+00:01:05.712-STANDARD
Subtitles: "One egg yolk. Using only egg yolks will make the batter a more beautiful yellow. One hundred eighty miligrams cold water." Chef Arai mixes these in a bowl.
+00:01:29.415-STANDARD
Doug cuts shrimp with the chef.
+00:01:50.944-STANDARD
Subtitles: "I use a mix of cottonseed oil and sesame oil. Canaola or vegetable oil is also okay."
+00:02:38.156-STANDARD
The chef cuts the finished shrimp tempura.
+00:03:10.575-STANDARD
Doug cooks in a kitchen. Going through the process that Chef Arai showed him, Doug prepares the batter and the shrimp. He covers four shrimps in the batter before placing them in a bowl of boiling oil.
+00:03:28.571-STANDARD
Doug takes a bite of a finished tempura.
+00:04:33.404-STANDARD
Subtitles: "Cook with your heart! The passion to make something delicious!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_PfE4Q6TGZhA.txt b/raw/validation/gt_ad/output_PfE4Q6TGZhA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4b886ef4370cbe96444fd3beff6b77568e57ec3c
--- /dev/null
+++ b/raw/validation/gt_ad/output_PfE4Q6TGZhA.txt
@@ -0,0 +1,10 @@
+00:00:00.216-STANDARD
A graphic of a coffee cup with wings appears above the words: "Paddy and Scott's; Fueling Ambition."
+00:00:07.957-STANDARD
Words appear: "Latte art breakdown. Heart."
+00:00:12.726-STANDARD
A red-haired man wearing a brown apron rises from behind a kitchen counter.
+00:00:21.697-STANDARD
Another take.
+00:01:18.173-STANDARD
The man places a pitcher of milk and a mug of coffee on the counter.
+00:02:44.929-STANDARD
A slow motion replay shows the man deftly pour a steady stream of milk from the pitcher around the coffee in a circular pattern. He pours a circle of milk in the drink's center before pouring through the circle's middle, cutting it in half and forming a heart.
+00:03:06.029-STANDARD
The video returns to normal speed.
+00:03:49.519-STANDARD
He lifts his mug and sips it.
+00:03:55.209-STANDARD
He sets his mug down.
+00:04:01.991-STANDARD
The man winks, then walks away. He steps down a hall and into a room where a man sits by a laptop.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Ppw731qWHNY.txt b/raw/validation/gt_ad/output_Ppw731qWHNY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7127f4c4e3c742be0b30e20c8041ecd42772f700
--- /dev/null
+++ b/raw/validation/gt_ad/output_Ppw731qWHNY.txt
@@ -0,0 +1,14 @@
+00:00:00.011-STANDARD
Words appear: "DIY Firepit." A firepit burns in a grassy backyard.
+00:00:37.805-STANDARD
Katherine dances in the yard.
+00:00:55.511-STANDARD
She moves grey bricks from an SUV.
+00:01:20.788-STANDARD
She stacks the bricks in a ring in her dirt circle's center.
+00:01:45.561-STANDARD
Katherine covers the pathway and dirt circle with landscape fabric, then lines it, and the dirt circle with plastic edging.
+00:01:54.919-STANDARD
Katherine carefully adjusts the landscape fabric so it's tucked in at the base of the brick ring.
+00:02:02.192-STANDARD
Later, she adds another layer of bricks to the ring.
+00:02:33.203-STANDARD
Katherine shovels gravel from a giant heap in her driveway into a red wheelbarrow. She dumps the gravel around the firepit ring and insert on it, a black, metal saucer. She smooths the gravel over with a shovel.
+00:03:36.558-STANDARD
Katherine stands on a ladder and constructs a large, wooden frame standing near her firepit with a power screw driver.
+00:03:46.770-STANDARD
She cuts two by fours with a power saw in her backyard.
+00:04:12.138-STANDARD
Katherine uses a brush to thoroughly coat her new frame with a dark-brown stainer.
+00:04:19.386-STANDARD
She attatches metal fixtures onto two large, wooden blocks.
+00:04:32.148-STANDARD
She attatches hanging lounge chairs to the frame.
+00:04:51.549-STANDARD
The flames twist in the firepit saucer as dusk settles over Katherine's backyard.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Q0AOecUPqaE.txt b/raw/validation/gt_ad/output_Q0AOecUPqaE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..142b913c40e634a025634e8798b54e45982d800c
--- /dev/null
+++ b/raw/validation/gt_ad/output_Q0AOecUPqaE.txt
@@ -0,0 +1,25 @@
+00:00:00.668-STANDARD
Hand drawn images flash over a beige background. Some include: Three potted plants. A blue couch. A stack of folded blankets. An oil lamp next to its glass shade. A filled tea cup on a plate. Words appear: "Sunshine on my face."
+00:00:18.644-STANDARD
A woman with wavy, brown hair and a floral dress smooths over a bed's sheets. Words appear: "Making the bed is often seen as a mundane task, but it can also be a form of mindulness practice."
+00:00:33.116-STANDARD
"When you take the time out to smooth out the sheets and fluff the pillows, it can have therapeutic benefits for your wellbeing."
+00:00:41.208-STANDARD
"The act of keeping your living space tidy and organized can provide a sense of accomplishment and can create a sense of order and calm in your environment."
+00:00:51.552-STANDARD
She uses a brush on a green sofa in a tidy living room.
+00:00:57.558-STANDARD
She removes the covers from the two pillows on the sofa. She swaps the covers out with new ones, onf solid orange and the other purple with lemons on it.
+00:01:24.334-STANDARD
The wavy-haired woman smooths out the pillow covers, then positions them on the sofa.
+00:01:34.845-STANDARD
The wavy-haired woman sets down a small, glass vase on a circular, wooden coffee table near the sofa. She fills it with water from a pail, then places pink and lavender flowers in it.
+00:01:50.235-STANDARD
"Having fresh flowers at home is a simple pleasure that can add a touch of color and beauty to any room."
+00:02:00.913-STANDARD
"For me, it's a form of self-care. I find the process pretty meditative and relaxing."
+00:02:08.796-STANDARD
The wavy-haired woman turns on a standing lamp near a wooden dining table with a white table cloth draped over it.
+00:02:18.680-STANDARD
That night, the woman sits at a desk with a desktop computer on it, a lamp shining to her left. She puts on glasses, turns the computer on, and starts typing.
+00:02:53.173-STANDARD
She scrolls through professional-looking wedding photos.
+00:02:58.553-STANDARD
Words appear: "Taking a moment to cherish some of our old shoots."
+00:03:07.270-STANDARD
The woman scrolls through several photos showing a young man and woman posing together in traditional, Indian wedding clothes.
+00:03:17.364-STANDARD
In one photo, the man wears sunglasses and waves with the woman as they hold hands and grin.
+00:03:25.580-STANDARD
The wavy-haired woman readjusts the size of a photo of two women at a wedding party in Photoshop.
+00:03:38.385-STANDARD
The next morning, the woman opens a small notebook on her computer desk and begins to write in it.
+00:03:47.602-STANDARD
Words appear: "Planning the look of my Instagram feed and how I'd like to introduce my vlogs. This is my new found joy - making these little videos around home and sharing them with the world."
+00:04:04.119-STANDARD
The wavy-haired woman draws three squares on a paper. She labels each square with a number one through three.
+00:04:17.091-STANDARD
The woman writes notes in each square.
+00:04:23.638-STANDARD
She writes more notes under each square.
+00:04:29.477-STANDARD
Time passes. The woman slices cucumber on a cutting board in her kitchen. Tomato slices and green onion sit near it.
+00:04:39.780-STANDARD
A floral teapot sits on an ignited, gas stove burner.
+00:04:55.587-STANDARD
The wavy-haired woman lifts the kettle by its handle with a cloth, then pours creamy-brown liquid from it through a strainer into a dark green, ceramic cup.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_QB864t4Q5fU.txt b/raw/validation/gt_ad/output_QB864t4Q5fU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b1895fb72e60eaf202c79942973bf6bdf5a91d25
--- /dev/null
+++ b/raw/validation/gt_ad/output_QB864t4Q5fU.txt
@@ -0,0 +1,12 @@
+00:01:10.671-STANDARD
A black obsidian ball rests on a circular wooden base, which stands inside a large, metal frame with a powerful, moving hydraulic arm. The top arm lowers slowly onto the ball.
+00:01:15.886-STANDARD
The top arm reaches the ball and begins crushing the wooden base beneath it, then the ball flies off to the left.
+00:01:33.143-STANDARD
The ball is placed directly on the metal frame without the base. The top arm lowers slowly.
+00:01:45.871-STANDARD
Metal and glass shatter.
+00:02:05.857-STANDARD
In slow motion, we see the top and bottom plates break off the arm, and a spring falls off the top of the press.
+00:02:47.443-STANDARD
He holds shards of black metal.
+00:02:56.014-STANDARD
A circular piece of black obsidian.
+00:03:12.071-STANDARD
A cut on the knuckle of his index finger.
+00:03:41.457-STANDARD
He scrapes the edge of the obsidian circle across a sheet of paper. It cuts through the paper like a razor, and he tears it in half.
+00:03:47.300-STANDARD
He drags the edge in another straight line and tears the paper.
+00:03:52.986-STANDARD
Another cut and tear.
+00:04:02.371-STANDARD
He holds the obsidian between his fingers, then tosses it back down onto the table.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_QEj6urn3ZOs.txt b/raw/validation/gt_ad/output_QEj6urn3ZOs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0f5835a4db99300e90ec14b90bddd9713d1d6dee
--- /dev/null
+++ b/raw/validation/gt_ad/output_QEj6urn3ZOs.txt
@@ -0,0 +1,25 @@
+00:00:00.459-STANDARD
A host uses a wire spoon and chopsticks to gather over a dozen crispy potato balls from a pot of boiling oil on a stove.
+00:00:09.176-STANDARD
They place the balls in a bowl, then dip one in red sauce before eating it.
+00:00:16.809-STANDARD
The words: "Cooking Beo's" appear in the top left corner. The host uses a peeler to scrape the skin off of three potatos that total six hundred grams.
+00:00:28.278-STANDARD
They place a skinless potato on a cutting board, then use a chef's knife to cut it into numerous chunks.
+00:00:39.207-STANDARD
Later, the host places the chunks made from three cut up, skinless potatos into a large pot. They pour five hundred milliliters of water into it.
+00:00:52.845-STANDARD
They set the pot down on a stove burner, then ignite it.
+00:00:59.393-STANDARD
They boil the potato chunks for fifteen minutes.
+00:01:05.816-STANDARD
They drain the pot, then dump the potato chunks into a glass bowl.
+00:01:12.114-STANDARD
They begin mashing them with a fork.
+00:01:19.496-STANDARD
The host drops half a teaspoon of salt onto the potatoes.
+00:01:26.879-STANDARD
They mix in a half teaspoon of chili powder, followed by three tablespoons of corn flour.
+00:01:36.931-STANDARD
They use a large, rubber spoon to lightly mix everything. The host pours forty milliliters of cooking oil into the glass bowl.
+00:01:48.817-STANDARD
They use their red spoon to stir up the mixture.
+00:01:56.408-STANDARD
Later, the host finishes stirring the mix, mashed potatos colored a light orange.
+00:02:05.667-STANDARD
The host takes a small chunk from the mix, then kneads it into a ball.
+00:02:15.177-STANDARD
Time passes. The host places a potato ball on the cutting board by thirty four others.
+00:02:25.104-STANDARD
The host fills a wok a quarter way with cooking oil, puts it on the stove, then ignites the burner.
+00:02:35.155-STANDARD
The host carefully drops each potato ball into the wok as the oil begins to boil.
+00:02:45.540-STANDARD
The host moves the potato balls around with chopsticks.
+00:02:51.339-STANDARD
Words appear: "Fry seven minutes."
+00:02:56.385-STANDARD
The host stirs the potato balls one last time, then collects them in a wire spoon.
+00:03:04.935-STANDARD
The host drops the potato balls, now golden and crispy, into a bowl covered with papers.
+00:03:13.193-STANDARD
Later, the potato balls sit piled in a white bowl. The host takes two and rubs them together.
+00:03:25.622-STANDARD
They squeeze some.
+00:03:31.003-STANDARD
The host dips a potato ball in a bowl of red sauce, then lifts it out of frame.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_QRZPw-9sJtQ.txt b/raw/validation/gt_ad/output_QRZPw-9sJtQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..70e390c67ee16248e0a1db9641b311b147fa3648
--- /dev/null
+++ b/raw/validation/gt_ad/output_QRZPw-9sJtQ.txt
@@ -0,0 +1 @@
+00:00:01.829-STANDARD
On-screen text: The "Doll Test" is a psychological experiment designed in the 1940s in the USA to test the degree of marginalization felt by African American children caused by prejudice, discrimination, and racial segregation.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Qf_ZgR6If5g.txt b/raw/validation/gt_ad/output_Qf_ZgR6If5g.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7e87dfad374e87dbaf31ee728592fdad85cce73f
--- /dev/null
+++ b/raw/validation/gt_ad/output_Qf_ZgR6If5g.txt
@@ -0,0 +1,10 @@
+00:00:00.000-STANDARD
A female-presenting vlogger with short brown hair models various outfits in outdoor urban locations.
+00:00:10.973-STANDARD
On-screen text: My style lookbook.
+00:01:13.343-STANDARD
Outside, she stands in front of a light pink wall, wearing a brown cropped top with short puffy sleeves, short jean shorts, and red high heels. She poses, sways, and then walks.
+00:01:54.771-STANDARD
On-screen text: An arrow pointing to the heels with the text: Missguided. She poses, smiling at the camera, then the camera follows her from behind as she walks down an alleyway.
+00:02:05.343-STANDARD
The vlogger walks into frame, posing against a blank, white wall in a new outfit. She wears blue jeans with rips at the knees, a pinkish-purple, high-necked, backless cropped top with long, flowy sleeves, and strappy black heels.
+00:02:54.771-STANDARD
The model is now in a cropped black square-neck long sleeve tee, paired with high-waisted pinstripe pants.
+00:03:41.557-STANDARD
She wears a new outfit, including a khaki-green top and jeans.
+00:04:20.557-STANDARD
On a quiet city street, she takes a couple skip-steps away from the camera, then poses.
+00:04:23.971-STANDARD
A close-up on her black sneakers as she walks. On-screen text: Nike.
+00:04:51.671-STANDARD
On-screen text: Rubi. @poseandrepeat.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_QsJ34WTt0B0.txt b/raw/validation/gt_ad/output_QsJ34WTt0B0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..47ed63b4e914c4e6137566ce7c3737a284f6d9f3
--- /dev/null
+++ b/raw/validation/gt_ad/output_QsJ34WTt0B0.txt
@@ -0,0 +1,35 @@
+00:00:00.433-STANDARD
Words appear over fresh, glistening lasagna on a white, porcelain plate: Words appear: "Silently Cooking."
+00:00:10.066-STANDARD
A cook places a large amount of sausage into a dutch oven on a stove. They spread it out with a wooden spatula, then sprinkle salt over it.
+00:00:21.533-STANDARD
The cook lifts the sausage with the spatula, revealing its browning underside and boiling cooking oil.
+00:00:30.366-STANDARD
The cook breaks apart and stirs the sausage, then leaves it cooking.
+00:00:37.766-STANDARD
The cook uses their hands to crush garlic bulbs on a wooden cutting board. They sort the cloves from the peel, then they chop it all up into fine slices with a chef's knife.
+00:00:50.600-STANDARD
The cook piles the sliced garlic, then minces it.
+00:01:01.066-STANDARD
The cook drops a handful of the minced garlic into the cooking sausage and stirs it in.
+00:01:11.366-STANDARD
The cook pours a bottle of Marsala wine into the mix, then stirs it up.
+00:01:19.433-STANDARD
The cook uses a can opener on a can of whole tomatoes, then pours it into the dutch oven before stirring it.
+00:01:30.500-STANDARD
They fill the tomato can with water from their sink, then lower the stove to a simmer. They stir the mix over and over before lidding the dutch oven.
+00:01:44.266-STANDARD
The cook cracks one egg into a glass mixing bowl, beats it with a whisk, then incorporates a container of ricotta, and grated parmigiano-reggiano.
+00:01:56.433-STANDARD
They mince parsley on the cutting board, then scrape it into the glass mixing bowl.
+00:02:04.566-STANDARD
They add fresh, chopped up mozzarella and stir everything.
+00:02:11.533-STANDARD
The cook, a man with short brown hair and a goatee, pauses, then lifts a finger. He returns to the dutch oven, opens it, and adds rosemary before lidding it again.
+00:02:25.366-STANDARD
Three hundred forty grams of flour mixed with one teaspoon of kosher salt sits piled on his kitchen island. He forms a small hole in the flour mound, then cracks in four eggs. He beats the yolks with a fork. The egg spills out.
+00:02:41.633-STANDARD
The cook gathers the yolk back into the flour mound.
+00:02:50.100-STANDARD
He beats the yolk with the fork more, then kneads the flour into dough.
+00:02:59.400-STANDARD
Words appear: "Knead for ten minutes."
+00:03:06.133-STANDARD
The cook wraps the dough in plastic wrap, then sets a timer next to it for thirty minutes.
+00:03:15.400-STANDARD
The cook lifts the dutch oven lid, then turns up the heat. He stirs the mixture inside while it begins boiling.
+00:03:25.533-STANDARD
Later, he stirs it more with the heat off, most of the liquid reduced.
+00:03:34.200-STANDARD
The cook clamps a dough flattener machine onto the island, then pulls the two dough squares from their plastic wrap. He cuts the dough squares in half with a dough scraper, then covers three while feeding one into the flattener.
+00:03:51.433-STANDARD
He feeds the dough through the flattener again, folds it, then flattens it again.
+00:04:03.666-STANDARD
He sprinkles flour on the dough, then continues flattening it on increasingly higher settings on the machine. He repeats the process for the other dough squares.
+00:04:17.266-STANDARD
The cook lays the dough, now a long, paper thin rectangle of dough, on his island.
+00:04:25.333-STANDARD
The cook rubs flour onto the dough rectangles, then cuts them into equal sized rectangles before stacking them.
+00:04:37.366-STANDARD
The cook smears some of the meat onto the baking tray's bottom, then drizzles olive oil all over it. He covers the bottom with two dough rectangles, then cakes it with a layer of cheese and meat.
+00:04:52.133-STANDARD
He covers the meat and cheese with more dough rectangles, followed by meat and olive oil. He blankets that layer with dough rectangles, cheese, dough, then meat and cheese.
+00:05:11.733-STANDARD
He bumps his camera as he grates cheese onto the meat and cheese.
+00:05:19.566-STANDARD
He readjusts the camera, then grates more cheese before covering the baking tray with foil.
+00:05:31.733-STANDARD
Words appear over him putting the baking tray in an oven on top of a baking sheet: "Three seventy five degrees fahrenheit for thirty minutes."
+00:05:44.500-STANDARD
Later, the cook pulls out the baking tray on the baking sheet and sets it on his stove. He peels off the foil, then puts the lasagna back in the oven. Words appear: "Three hundred fifty degrees fahrenheit for thirty minutes."
+00:06:01.500-STANDARD
Time passes and the cook pulls the lasagna out and sets it on the stove.
+00:06:09.400-STANDARD
He displays the lasagna to the camera. Steam rises from the dish, its top a glistening blend of dough, cheese, and meat. He cuts out a piece and shows off the many dense layers of dough, cheese, and meat.
+00:06:25.266-STANDARD
He cuts into the piece with a fork, then lifts it out of frame.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_QsXK4peekhU.txt b/raw/validation/gt_ad/output_QsXK4peekhU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..af0a916763a47dd9973bd2e19bd86022c24297ba
--- /dev/null
+++ b/raw/validation/gt_ad/output_QsXK4peekhU.txt
@@ -0,0 +1,9 @@
+00:00:00.000-STANDARD
In a fast-motion edit at an outdoor skatepark, a young male-presenting person sits in a chair with a skateboard on his lap, applying grip tape to the top of the board. He’s joined by two male-presenting people. One of them, Kelly, faces the camera and gives an introduction.
+00:00:18.400-STANDARD
Kelly sits next to Gabe, who continues applying the grip tape in a fast-motion edit, as various people come and go around them, doing different activities.
+00:00:32.271-STANDARD
Gabe keeps working on the skateboard, pressing down the grip tape, while people move in and out of the background.
+00:01:16.200-STANDARD
Still working, Gabe trims the edges of the grip tape to fit the board, as more people walk around the skatepark.
+00:01:26.243-STANDARD
He attaches bolts to the top of the skateboard, then flips the board over and uses a drill to attach the wheels.
+00:01:34.814-STANDARD
Now finished with the board, Gabe rides it up a small half-pipe. Another skater grinds down a nearby ramp.
+00:01:57.143-STANDARD
Gabe and Kelly play rock-paper-scissors. Kelly loses. Gabe skates off and lands a 360 heel flip.
+00:02:06.614-STANDARD
Kelly attempts a heel flip but doesn't land it. The two continue taking turns attempting heel flips with mixed results.
+00:05:30.571-STANDARD
On-screen text: Thanks to Lance for the fresh Deck!!! Subscribe @KellyWakasa @KekoaKlothing. On-screen text: Check this out. A thumbnail appears showing someone skateboarding on a large half-pipe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Qt4LRcQXFU4.txt b/raw/validation/gt_ad/output_Qt4LRcQXFU4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7e8367cce75163d49a818ada4362364939c8dd59
--- /dev/null
+++ b/raw/validation/gt_ad/output_Qt4LRcQXFU4.txt
@@ -0,0 +1,7 @@
+00:00:39.327-STANDARD
A man on a bed stares off.
+00:00:47.966-STANDARD
The awoken man staggers up.
+00:00:52.663-STANDARD
The awoken man walks to a window.
+00:02:23.898-STANDARD
The awoken man speaks to the other man with a firm stare. The other man's face drops. Eyes bulging, the awoken man suggestively pushes his pointer fingers together.
+00:02:38.107-STANDARD
The other man gapes and his gaze wanders down. The awoken man nods emphatically, then the other man nods with him and a grin breaks across his face.
+00:02:51.443-STANDARD
They both turn to a third man walking into the room with a blanket placed over the back of his head. He gives a thumbs up, then the other two men share a grin and laugh. The third man glares and leaves while the other clasp hands.
+00:03:08.418-STANDARD
Sunlight flares through the window past the awoken man while he looks resolutely into the camera. A timer reading: "One hundred twenty one colon twenty two colon fifty three colon twenty eight" ticks down.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_R0JfzwSdIB8.txt b/raw/validation/gt_ad/output_R0JfzwSdIB8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..967e9f107c9e9bdb4de8c67a54bd67bdaefadf9b
--- /dev/null
+++ b/raw/validation/gt_ad/output_R0JfzwSdIB8.txt
@@ -0,0 +1,35 @@
+00:00:00.166-STANDARD
Thousands of terns fly over a beach.
+00:00:11.367-STANDARD
Terns blanket a broad section of shrub and sand covered ground.
+00:00:22.567-STANDARD
A tern tests its wings among the others.
+00:00:28.767-STANDARD
A tern shakes its tail feathers before flying off. The thousands of adults take off.
+00:00:40.700-STANDARD
The tern chicks remain on the sandy ground, grouped up while the adults swarm over them.
+00:00:50.600-STANDARD
A juvenile tern tries and fails to fly.
+00:00:56.600-STANDARD
A chick watches an adult soar away.
+00:01:03.700-STANDARD
The chick looks down at dry shrub roots at its feet, then steps forward.
+00:01:25.333-STANDARD
Some terns land in the lagoon. Fish dart up and snap their jaws around the terns before dragging them under.
+00:01:39.200-STANDARD
A large, silver fish speeds just under the surface, then swallows a tern whole.
+00:01:50.767-STANDARD
The trevallys quickly devour more terns bobbing in the bright blue water.
+00:01:58.634-STANDARD
Feathers float through the water.
+00:02:15.100-STANDARD
A trevally opens its wide maw and scoops a tern into it from behind.
+00:02:29.734-STANDARD
A tern flies low over the lagoon, then quickly rises. Trevallys swarm under the waves.
+00:02:39.133-STANDARD
A tern darts away from the water as a trevally surges under the surface.
+00:02:53.200-STANDARD
A trevally bursts from the lagoon and lunges at a tern, its maw wide open.
+00:02:59.600-STANDARD
The tern races away.
+00:03:13.667-STANDARD
A tern leaps from the water and bites down on a low flying tern.
+00:03:21.033-STANDARD
Another tern explodes from the ocean, then snatches a tern midair.
+00:03:28.200-STANDARD
Water trails behind the trevally as it arcs through the air and dives back into the lagoon with its prey.
+00:03:37.133-STANDARD
The trevally releases the tern and refracted sunlight shimmers over the bird's mangled body.
+00:03:50.600-STANDARD
A juvenile tern stomps its foot on the sand. It takes a couple measured steps, then flaps its wings and hops.
+00:04:00.066-STANDARD
The tern hovers for a second, then lands. It jumps and slowly takes off through the air.
+00:04:08.166-STANDARD
More juveniles clumsily fly and join the flock.
+00:04:19.533-STANDARD
Hundreds of terns fly over the glittering sea.
+00:04:26.634-STANDARD
The waves lap at the shore.
+00:04:37.066-STANDARD
A tern flies low, then lands in the water and floats.
+00:04:50.066-STANDARD
A trevally moves toward the floating tern.
+00:04:55.300-STANDARD
Another tern swoops just over the floating tern.
+00:05:03.133-STANDARD
The trevally's dorsal fin pokes from the surface as it speeds to the tern.
+00:05:11.467-STANDARD
The tern awkwardly flaps its wings and starts to take off.
+00:05:20.233-STANDARD
The trevally flies out of the water and nips at the tern's legs, narrowly missing it.
+00:05:32.367-STANDARD
The tern flies higher as the trevally spins through the air, then lands back in the lagoon.
+00:05:46.300-STANDARD
The tern shakes itself as it stabilizes in the air.
+00:06:16.200-STANDARD
Two other "BBC Earth" videos and a "BBC Earth" graphic appear over an image of two seals barking at each other near a craggy cliff side as it pours rain.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_RN_iFl3GyBU.txt b/raw/validation/gt_ad/output_RN_iFl3GyBU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5e1a67b67fa993ac71c23e006fd77b104e85a729
--- /dev/null
+++ b/raw/validation/gt_ad/output_RN_iFl3GyBU.txt
@@ -0,0 +1,25 @@
+00:02:37.240-STANDARD
A plane flies over a city and toward the ocean. Later, the plane lands on a runway surrounded by water.
+00:02:45.080-STANDARD
Words appear: "I made it to Venice!" A sign hanging between two large buildings reads: "Venice."
+00:02:53.240-STANDARD
A young black man drives through an intersection on a dirt bike. Words appear over him: "I didn't expect to see so many brothers!"
+00:03:04.040-STANDARD
A variety of bongs sit in a shop's window display.
+00:03:09.320-STANDARD
Words appear: "I had a Gucci photoshoot. And now I'm going for a gondola ride!" On a narrow street, a man rides a moped with a woman behind him.
+00:03:26.680-STANDARD
Light from the setting sun reflects on a winding canal hedged in by trees and white buildings. A curving, metal bridge connects both sides.
+00:03:40.440-STANDARD
Palm trees gently sway near a tall, red building with green awnings over a black balcony.
+00:03:48.720-STANDARD
Kelly walks down a concrete pathway winding between a blue apartment complex and a canal.
+00:03:56.360-STANDARD
Kelly grins as she sits on a bridge.
+00:04:00.480-STANDARD
Kelly points her camera at herself while standing near a house. A woman emerges from her garage and casts Kelly a look.
+00:04:09.760-STANDARD
Kelly adjusts her hair on a bridge. A man approaches, typing on his phone.
+00:04:38.400-STANDARD
The camera pans to Kelly.
+00:05:22.240-STANDARD
Words appear: "Time to check into my five star hotel." She approaches the entrance to a massive, upscale hotel. Words appear: "Deadass sneaking into a random hotel pool for footage."
+00:05:38.320-STANDARD
Wearing a black dress, Kelly opens the gate to a pool area.
+00:05:50.320-STANDARD
Kelly reclines on a lounge chair near a rectangular firepit filled with blue, crystalline rocks.
+00:06:00.120-STANDARD
Kelly looks over a menu inserted in a leather holder. Words appear: "Rich energy".
+00:06:12.640-STANDARD
Kelly plays cornhole by herself in the lounge area, a courtyard filled with greenery and surrounded by high rises.
+00:06:29.160-STANDARD
She leaves through the gate.
+00:06:41.920-STANDARD
Words appear: "I'm here three times a week, lol."
+00:06:48.120-STANDARD
Kelly sits at a counter in a restaurant and fills a glass with water from a glass bottle.
+00:06:56.680-STANDARD
A chef fills a porcelain bowl with sauce-covered pasta, then sprinkles shaved cheese over it all.
+00:07:06.880-STANDARD
Kelly turns her bowl of pasta and displays it to the camera.
+00:07:16.960-STANDARD
Time passes. She twirls her fork in the remnants of the pasta. Words appear: "Thanks for watching. This was a tough week with anxiety. I considred quitting youtube."
+00:07:38.200-STANDARD
"I'm scared of becoming famous. But love creating videos and storytelling." A sad face emoticon appears.
+00:07:52.000-STANDARD
"I don't want anxiety to rob me of my dream. So I'll try to keep uploading."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_RPB9yMqpMt8.txt b/raw/validation/gt_ad/output_RPB9yMqpMt8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..281bb366652a16287a9f41867c151adff043173a
--- /dev/null
+++ b/raw/validation/gt_ad/output_RPB9yMqpMt8.txt
@@ -0,0 +1,5 @@
+00:00:38.137-STANDARD
Chris marks a measurement on a square, wooden panel.
+00:01:12.101-STANDARD
A drawing shows his current setup.
+00:02:18.973-STANDARD
A simple animation shows the wooden legs clamped onto the square panel get cut with a table saw.
+00:02:32.980-STANDARD
Chris slices the legs clamped on his square panel with his table saw.
+00:02:46.194-STANDARD
He stands in front of his camera, positioned by a work table in his workshop.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_RvePoahS-wg.txt b/raw/validation/gt_ad/output_RvePoahS-wg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6611d9c919aed5d800664cb1b087c25468f2712b
--- /dev/null
+++ b/raw/validation/gt_ad/output_RvePoahS-wg.txt
@@ -0,0 +1,39 @@
+00:00:00.000-STANDARD
A circular and hexagonal ceramic pot sit on a counter. A person's hand picks up the hexagonal one, moving it around to show various angles, then places it down. On-screen text: Part 1: Smooth finish concrete pots.
+00:00:08.214-STANDARD
The hand picks up the circular pot and moves it around to show various angles.
+00:00:13.671-STANDARD
In a new shot, the hands show a bag labeled "Ciment Blanc" with on-screen text: White cement. Then the hands show a box with on-screen text: Sand. She shows two silicone molds, a small black bucket and stick for mixing, two plastic measuring cups, and a glass measuring cup of water, all labeled on-screen as such.
+00:00:25.386-STANDARD
On-screen text: ~40% cement, 60% sand. I used 60 ml of cement. She pours the contents of a plastic cup into the black bucket.
+00:00:32.261-STANDARD
On-screen text: And 90 ml of sand.
+00:00:37.801-STANDARD
The hands pour the sand into the black bucket. On-screen text: Mix it together.
+00:00:43.671-STANDARD
The hands pour water from a glass into the bucket. On-screen text: Add a little bit of water. The hands mix it with the stick and keep adding small amounts of water, stirring in between.
+00:00:56.571-STANDARD
The hands stir the mixture, then show it to the camera. The mixture appears smooth. On-screen text: This is the right consistency.
+00:01:07.876-STANDARD
The hands pour the smooth mixture from the bucket into the circular mold. On-screen text: Slowly fill the molds. Tap the molds in between. With the mixture now at the top of the mold, she taps it down with the stick. Then she taps the mold on the table until the mixture appears totally flat.
+00:01:18.371-STANDARD
The hands add more mixture before evening it out with the stick. She then raps it down on the table to smooth it before tapping the sides with her fingers. On-screen text: Tap again to release the bubbles.
+00:01:30.929-STANDARD
The hands pour the mixture from the black bucket into the hexagonal mold, encouraging and smoothing it with the stick. The hands tap the mold on the table a few times to smooth the top, then add more mixture with the stick.
+00:01:43.775-STANDARD
The hands tap the mixture on the table again, then tap the sides of the container, which makes the mixture jiggle before settling.
+00:01:50.129-STANDARD
The hands bring the filled hexagonal mold next to the filled circular mold, tapping the sides of both molds.
+00:01:55.714-STANDARD
On-screen text: 24 hours later. The hands hold the circular mold, leaving the hexagonal mold on the table. With the circular mold in hand, the fingers press along the edges before pulling up the sides of the mold, squeezing the sides together, and pulling in an upward motion.
+00:02:14.401-STANDARD
The hands break the mold free and lift it out, revealing the circular-shaped pot. The hands bring the pot closer to the camera and rotate it, showing all angles.
+00:02:26.193-STANDARD
With the circular pot resting on the table, the hands now start to peel the mold off of the hexagonal pot. The fingers squeeze the mold together, finally lifting the mold up and out of the pot and placing it on the table.
+00:02:37.971-STANDARD
The hexagonal pot is held close to the camera. The hands rotate the pot in all directions.
+00:02:44.271-STANDARD
The hands hold both pots, one in each hand.
+00:02:48.200-STANDARD
On-screen text: Part 2, Rough structure pots. Two gray, rough-textured pots, one hexagonal, one circular, sit on a table. The hexagonal pot is lifted closer to the camera and rotated in all directions, then placed back down.
+00:02:58.443-STANDARD
The circular pot is lifted and rotated in all directions, then placed back down.
+00:03:06.658-STANDARD
A bag of cement is shown. On-screen text: Sand cement. Followed by a black bucket and stick for mixing, a hexagonal and circular mold, a scale, and water in a glass measuring cup, and two plastic cups, all labeled on-screen as they are shown.
+00:03:15.286-STANDARD
On-screen text: Measure the amount of sand cement you need. Follow the instructions on the package. I use 250 g of sand cement.
+00:03:21.943-STANDARD
The hands place spoonfuls of the mixture into the black bucket, which now sits on a small food scale. Then a white cup is placed on the scale and water is poured in. On-screen text: And 25 ml of water. The water is then poured into the black bucket from the white cup. On-screen text: Mix it together. The mixture is stirred.
+00:03:32.957-STANDARD
More water is added from the white cup into the bucket, and mixed again.
+00:03:37.629-STANDARD
The gray mixture appears chunky. On-screen text: This is the consistency I got.
+00:03:42.914-STANDARD
On-screen text: Slowly fill the molds. The chunky mixture is spread across the circular mold with the mixing stick.
+00:03:50.871-STANDARD
More mixture is added and smoothed with the stick.
+00:03:54.357-STANDARD
The hands pat the mixture down.
+00:03:58.229-STANDARD
A finger moves around the edge, smoothing it. Then it is smoothed again with the mixing stick.
+00:04:04.843-STANDARD
The fingers press behind the mold, lifting some mixture up. Then the mixing stick cuts across the top, removing the excess and placing it back into the bucket so the top appears smooth.
+00:04:15.299-STANDARD
The mixture is added to the hexagonal mold and pressed down with fingers.
+00:04:29.185-STANDARD
More mixture is added and placed next to the other mold.
+00:04:33.983-STANDARD
On-screen text: 24 hours later. The mold is peeled off the circular pot, and the pot is released.
+00:04:45.134-STANDARD
The mold is squeezed by hand out of the circular pot and placed aside.
+00:04:52.334-STANDARD
The gray, rough-surfaced circular pot is revealed. The hand rotates the pot, showing it from all angles.
+00:04:57.749-STANDARD
The hands work on removing the mold from the hexagonal pot.
+00:05:07.010-STANDARD
The mold is removed and placed aside to reveal the gray, rough-surfaced hexagonal pot.
+00:05:11.704-STANDARD
Both pots are shown to the camera.
+00:05:15.129-STANDARD
Now all four pots, both the two white smooth pots and two gray rough-surfaced pots, sit on the table. On-screen text: Final result.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_RyFmkGbwNpA.txt b/raw/validation/gt_ad/output_RyFmkGbwNpA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2cb224e85c2509fd681dba32cf7345d5c2b00ca9
--- /dev/null
+++ b/raw/validation/gt_ad/output_RyFmkGbwNpA.txt
@@ -0,0 +1,29 @@
+00:00:00.214-STANDARD
The words: "Hands Touch" appears on the screen's bottom right corner.
+00:00:06.133-STANDARD
The host uses a spoon to scoop out chunks of a caramel pudding slice on a plate.
+00:00:12.212-STANDARD
The host pours three tablespoons of sugar into a pot on a stove followed by one point five tablespoons of water.
+00:00:20.317-STANDARD
Words appear: "Use medium flame. Do not use low or high flame. If you use low flame, crystals will form." The host stirs the mixture with a wooden spoon while it bubbles.
+00:00:33.760-STANDARD
"If you use high flame, it will burn." The host stirs until the mixture becomes golden-brown and syrupy.
+00:00:41.549-STANDARD
"At this stage, remove the pan from the burner. Transfer it to a bowl immediately." The host pours the liquid into a mixing bowl.
+00:00:50.500-STANDARD
The host rotates the bowl to spread the liquid across its bottom evenly. Words appear: "Let it cool completely."
+00:00:58.749-STANDARD
The host pours two cups of milk into another pot on the stove, followed by one third cup of sugar.
+00:01:06.038-STANDARD
They stir it with a cooking brush as it bubbles. "Boil on medium flame."
+00:01:11.882-STANDARD
"To make it more delicious and creamy reduce milk by half."
+00:01:17.813-STANDARD
They continue to stir with the brush. "Let it cool completely."
+00:01:23.312-STANDARD
The host cracks two room temperature eggs into a glass mixing bowl.
+00:01:29.824-STANDARD
They use a whisk to gently break apart, then thoroughly beat the eggs.
+00:01:45.752-STANDARD
The host adds the milk to the egg.
+00:01:52.313-STANDARD
They pour a teaspoon of vanilla essence into it.
+00:01:59.341-STANDARD
They mix it well with their whisk.
+00:02:06.705-STANDARD
The host holds a strainer over the bowl with the syrup. They pour the milk and egg through the strainer into the syrup.
+00:02:17.240-STANDARD
Words appear: "Strain it for smooth texture."
+00:02:24.786-STANDARD
The host uses a spoon to stir the milk and egg in the strainer and teases out more into the bowl below.
+00:02:36.032-STANDARD
The host covers the bowl with foil.
+00:02:42.348-STANDARD
The host places a paper towel in a large pan on the stove and soaks it with water.
+00:02:49.389-STANDARD
They place the foil covered bowl on the paper towel. They cover the pan with a glass lid.
+00:02:56.352-STANDARD
"Steam for thirty minutes."
+00:03:00.519-STANDARD
They remove the lid. "Let it cool completely, then keep in fridge for two hours."
+00:03:07.987-STANDARD
Later, the host removes the foil from the bowl, revealing pale yellow caramel pudding.
+00:03:15.131-STANDARD
The host pushes a chef's knife into the side of the pudding and cuts around it.
+00:03:22.055-STANDARD
The host covers the bowl with a plate, then shakes it hard before flipping it.
+00:03:28.397-STANDARD
The host removes the bowl, revealing the full, large lump of caramel pudding. A caramel brown color covers the dessert's top and syrupy liquid surrounds its yellow bottom.
+00:03:41.275-STANDARD
The host cuts a slice out. "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_S8dDBKVn5y0.txt b/raw/validation/gt_ad/output_S8dDBKVn5y0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d376e9ea72f1697a9395d5e2212b92846b33d031
--- /dev/null
+++ b/raw/validation/gt_ad/output_S8dDBKVn5y0.txt
@@ -0,0 +1,42 @@
+00:00:00.300-STANDARD
A white seal with black spots lounges with its eyes shut on the sea floor, comfortably wedged between algae and sea weed covered rock formations.
+00:00:11.066-STANDARD
The seal opens its eyes and examines the camera.
+00:00:16.133-STANDARD
The seal's eyes droop shut and it leans back.
+00:00:21.766-STANDARD
A little later, the seal sways gently in the ocean current, its eyes still shut.
+00:00:30.700-STANDARD
The camera now points at the seal's side, its eyes open.
+00:00:36.966-STANDARD
The seal swims away from the rock formations and the camera.
+00:00:43.833-STANDARD
Sunlight shining through the ocean's surface refracts over the seal while it rises through the water.
+00:00:52.666-STANDARD
Bubbles stream from the seal's snout as it pirouettes.
+00:00:59.033-STANDARD
The seal spins around, its snout almost touching its tail.
+00:01:05.600-STANDARD
The seal darts away.
+00:01:09.266-STANDARD
The seal pokes its head out of the water briefly, then dives back down.
+00:01:16.000-STANDARD
Later, the seal rapidly swims out from the bottom of a large rock formation.
+00:01:24.600-STANDARD
The seal scratches its side against a large rock, then spins and cruises away.
+00:01:32.666-STANDARD
The seal steadily rises toward the surface.
+00:01:40.266-STANDARD
The seal swims past another seal resting between a large, algae caked rock and bush of red sea weed.
+00:01:54.700-STANDARD
The camera focuses on the resting seal, its eyes now shut.
+00:02:06.266-STANDARD
Two seals swim past the camera.
+00:02:12.366-STANDARD
The first seal quickly moves to a diver with a camera held out. The seal stretches its neck to press its snout to the camera, then darts away to the other seal.
+00:02:25.600-STANDARD
The two seals press their snouts to each other.
+00:02:31.100-STANDARD
Bubbles rise from two divers masks as they point cameras at a seal floating between them.
+00:02:39.400-STANDARD
Later, a seal gnaws at a diver's leg. The diver yanks their leg back and swims back a little.
+00:02:47.666-STANDARD
The seal rolls over to expose its belly to the diver.
+00:02:55.733-STANDARD
The seal dances around the diver, playfully bites their glove, then swims around them. The seal spins in front of the diver.
+00:03:09.400-STANDARD
The seal opens its mouth and tries to gnaw at the diver's glove as they hold their hand out.
+00:03:19.633-STANDARD
The diver moves their hand around and the seal tries to nip their fingers.
+00:03:30.366-STANDARD
The seal clumsily swims back from the diver, then swims over the seaweed covered rocks toward another diver.
+00:03:42.900-STANDARD
The seal flaps its flippers and wriggles its body toward the surface.
+00:03:54.200-STANDARD
The seal pokes its head out of the water and looks up toward the sunny, blue sky.
+00:04:05.166-STANDARD
The seal swims along the ocean's surface.
+00:04:12.666-STANDARD
The seal dives and swoops through the water.
+00:04:19.866-STANDARD
The seal turns upside down, then curves through the water while it swims toward the camera.
+00:04:31.966-STANDARD
The seal dives deeper through the ocean.
+00:04:40.300-STANDARD
The seal turns and swims back toward the surface.
+00:04:48.133-STANDARD
Seaweed sprouting from rock formations sways in the current while the seal moves toward the camera.
+00:04:59.333-STANDARD
The seal turns and moves through a broad gap in the rock formations.
+00:05:09.466-STANDARD
The seal flaps its tail and speeds forward.
+00:05:18.400-STANDARD
The seal banks to the right toward the camera.
+00:05:27.433-STANDARD
Another seal drifts past the playful seal as it turns around, then lies beside an large, algae-covered rock.
+00:05:37.966-STANDARD
The seal lies still and shuts its eyes.
+00:05:46.800-STANDARD
Later, the seal swims around the camera, eying it intently.
+00:05:59.066-STANDARD
The seal swims off. Time passes and the seal lounges against another seaweed and algae blanketed rock, its eyes firmly shut.
+00:06:13.233-STANDARD
Its eyes snap open, then gradually droop back shut.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_SNg_i7zvtB8.txt b/raw/validation/gt_ad/output_SNg_i7zvtB8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0751d1300f4b69ce510799b5bcebfcffb63a51ff
--- /dev/null
+++ b/raw/validation/gt_ad/output_SNg_i7zvtB8.txt
@@ -0,0 +1,9 @@
+00:00:00.000-STANDARD
Green and purple grass-like plants sit in small black plastic planters attached to a hanging iron mesh frame above an opening in a wall. A female-presenting vlogger stands on a balcony surrounded by plants, speaking to the camera.
+00:00:44.300-STANDARD
The vlogger moves a few potted plants on the ground aside, then lifts the mesh frame.
+00:01:03.329-STANDARD
Hands clear potted plants from a bench. Two people assist in mounting the frame onto the wall.
+00:01:58.900-STANDARD
She paints the frame with gray paint.
+00:02:14.500-STANDARD
Sitting on the floor, she unpacks black plastic planters from a box and lays them out.
+00:03:19.257-STANDARD
All the planters are now filled with soil and arranged on the floor. She begins planting the plants into them.
+00:04:43.714-STANDARD
Plants are now potted inside several planters.
+00:04:55.243-STANDARD
She hangs the black planters, filled with green and purple plants, onto the mesh grid--five planters per row, in five rows--completing the vertical garden.
+00:05:45.259-STANDARD
Shots of the finished vertical garden, zooming in and out.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_SuB-6YKnxkU.txt b/raw/validation/gt_ad/output_SuB-6YKnxkU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d82eb89eeba03657d5bb32b951c762d1700dd0ea
--- /dev/null
+++ b/raw/validation/gt_ad/output_SuB-6YKnxkU.txt
@@ -0,0 +1,8 @@
+00:00:13.382-STANDARD
Words appear: "Ashlee Digital Studio." Ashlee holds her hands out over a tablet resting beside a candle on a black table.
+00:00:49.932-STANDARD
She taps an icon on her tablet.
+00:01:49.168-STANDARD
Ashlee taps different icons on her tablet, then opens the "documents" page. She gestures to the files on it with a green stylus.
+00:03:46.054-STANDARD
She opens a folder.
+00:05:24.216-STANDARD
She types in a name.
+00:05:38.048-STANDARD
She opens a list with some sections reading: "Calendars," "Faith," and "Fitness."
+00:06:05.653-STANDARD
She opens stickers on a white page.
+00:06:26.764-STANDARD
Words appear by an Instagram icon: "ashlee underscore digital underscore studio."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_T2eEc0oif0Q.txt b/raw/validation/gt_ad/output_T2eEc0oif0Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5ced0771cd60446a19ff70348eee666aad9a03ce
--- /dev/null
+++ b/raw/validation/gt_ad/output_T2eEc0oif0Q.txt
@@ -0,0 +1,16 @@
+00:00:00.534-STANDARD
Alisa adjusts her long, wavy, black hair in front of a white and beige bathroom mirror, numerous beauty products on the sink counter beneath it.
+00:00:10.886-STANDARD
A montage plays: She brushes her teeth, then pulls her bangs back with a cheetah print hair band. She lifts a white kitten from the floor and places it on the counter.
+00:00:22.411-STANDARD
Alisa begins applying oil to her forehead.
+00:00:26.460-STANDARD
Words appear: "Welcome to Alisa Chang. Subscribe." Alisa stands in front of a glass shower panel in the bathroom.
+00:03:17.674-STANDARD
Alisa fills an electric kettle with water from a kitchen sink. The kettle's heater sits on a counter. Alissa inserts its plug into an outlet.
+00:03:28.479-STANDARD
Lights blink around the buttons on the heater's top. She sets the pitcher on the heater, then taps a button; it glows red.
+00:03:38.300-STANDARD
Alisa sets a bowl and mug onto a counter. She pours cereal into the bowl, then adds ice cubes into the mug with a scooper.
+00:03:50.900-STANDARD
Alisa opens a honey jar, then pours a spoonful of it into the mug before adding a spoonful of apple cider vinegar.
+00:04:02.329-STANDARD
She stirs the mixture in the mug with a spoon.
+00:04:08.219-STANDARD
Alisa adds a scoop of creatine into the mug.
+00:04:14.007-STANDARD
Alisa types at on a tablet keyboard while eating her cereal and drinking from her mug and water flask.
+00:04:23.613-STANDARD
Later, Alisa sits on her kitchen floor near the kitten with a box of cat food.
+00:05:01.544-STANDARD
Darius sniffs her hands.
+00:05:22.041-STANDARD
He sniffs her hands.
+00:05:45.409-STANDARD
He paws her.
+00:06:54.139-STANDARD
The words "Thanks for watching!" appear over a beige and beige-pink background with white flowers in the corners. A subscribe button graphic appears.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_TJLAgcJvUkA.txt b/raw/validation/gt_ad/output_TJLAgcJvUkA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..69844125044286e992ea5968a03720fc306782be
--- /dev/null
+++ b/raw/validation/gt_ad/output_TJLAgcJvUkA.txt
@@ -0,0 +1,21 @@
+00:00:31.129-STANDARD
The vlogger stands in a backyard with a fenced-in grass area behind him.
+00:00:34.015-STANDARD
He sits at a desk with a laptop, a professional microphone setup, and a large monitor. He takes notes on a small piece of paper.
+00:00:40.390-STANDARD
He shows a magnet to the camera that says "Intrepid."
+00:00:43.257-STANDARD
He shows multiple small wrapped packages to the camera.
+00:01:06.286-STANDARD
On-screen text: On the way to the airport.
+00:01:23.186-STANDARD
Airport montage: Trucks drive on the tarmac with a JetBlue plane on it. The vlogger sits at the gate wearing a beanie and sweatsuit, on his phone. In line to board the plane. On the plane, the vlogger lifts up the window shade. Through the plane window, we see takeoff, followed by a view of the ocean and two shots of grassy lands.
+00:02:01.529-STANDARD
Going down the airport escalator, a sign reads "Welcome to Philadelphia." Then, at baggage claim, the vlogger lifts a rolling suitcase off the belt. Outside, a friend stands next to a red car.
+00:02:15.314-STANDARD
In the passenger seat, looking out the front dash, driving. On-screen text: "We just got food and went to sleep."
+00:02:37.843-STANDARD
On-screen text: To the church.
+00:02:55.314-STANDARD
Hands playing a keyboard with a laptop and a mixing deck system attached to it.
+00:03:02.986-STANDARD
On-screen text: "I kid you not, we were here for like 4 hours setting up."
+00:04:04.557-STANDARD
A band on stage.
+00:04:07.493-STANDARD
Dancers in front of the stage open their arms, revealing angel wings.
+00:04:16.157-STANDARD
On-screen text: "I had to put paper towels in my ears so I could actually hear."
+00:04:21.312-STANDARD
Switching to the video he made: The crosses on the brick exterior of the church. Slow-motion b-roll of people’s hands in the air swaying to the service, a person singing into the mic with a band behind them on stage, people swaying. The dancers spreading their angel wings costumes.
+00:04:39.643-STANDARD
Another band performing on stage. The congregation swaying and putting their hands up. Fingers playing keyboard keys.
+00:04:47.668-STANDARD
The vlogger’s friend at the piano playing. Close-up shots of the instruments in the band. More people in the pews enjoying.
+00:04:53.414-STANDARD
On-screen text: Post event. Then, outside a place called Wawa.
+00:05:10.343-STANDARD
Inside the Wawa.
+00:05:19.114-STANDARD
On-screen text: The next day.
+00:05:31.743-STANDARD
Airport montage: Looking out at the airport tarmac, an American Airlines plane in the distance. Then the vlogger on the train, watching his iPad, taking off, the skyline out the window at night.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_TXqq8fzEJqU.txt b/raw/validation/gt_ad/output_TXqq8fzEJqU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b771fcfeab8df86f29866b117be0f769d49b189f
--- /dev/null
+++ b/raw/validation/gt_ad/output_TXqq8fzEJqU.txt
@@ -0,0 +1,21 @@
+00:00:00.500-STANDARD
Words appear: "Spicy Pork Ramyun."
+00:00:04.333-STANDARD
A host stands at a wooden table. They uses a chef's knife to dice a green onion on a wooden cutting board.
+00:00:12.700-STANDARD
They cut the white section of the green onion into large, diagonal pieces.
+00:00:19.367-STANDARD
The host drops a yellow onion onto the cutting board, slices it in half, then chops each side into thin layers.
+00:00:28.133-STANDARD
They cut seven cloves of garlic into thin slices.
+00:00:32.467-STANDARD
Words appear: "I will tell you how to make really delicious pork belly."
+00:00:38.300-STANDARD
A large pan sits on a burner. They ignite it, then use chopsticks to place three pork belly strips onto the pan. Words appear: "Place leftover pork belly from yesterday in a pan heated over medium heat."
+00:00:53.333-STANDARD
The host sprinkles a little salt over the pork belly strips. Later, when the strips get crispy, the host flips them over.
+00:01:02.567-STANDARD
The host sprinkles a little pepper over the strips. Words appear: "If you eat pork belly as is, you can sprinkle oregano." They add the slices garlic onto the strips.
+00:01:14.734-STANDARD
"The pork belly is infused with garlic flavor and is really delicious. When the other side is also baked crispy, cut it."
+00:01:25.567-STANDARD
They use their chopsticks to stir up the pork belly, now cut into chunks, with the garlic. "When you taste it, wow! It's crispy, but soft. I can not stop eating it... I should have made it more."
+00:01:40.500-STANDARD
The host places the pork belly chunks on a small grate sitting on a plate. They use a folded cloth to wipe off oil and debris from the pan, leaving only about one tablespoon of oil.
+00:01:53.533-STANDARD
They drop the white part of the sliced green onion onto the pan. "If you use leftover pork belly cooked before, you can add one tablespoon of cooking oil."
+00:02:05.233-STANDARD
"Stir-fry the garlic and white part of green onion. The garlic turns golden brown and you can smell garlic and green onion flavor."
+00:02:15.033-STANDARD
"Add one half table spoon of red pepper powder, then half a tablespoon of oyester sauce, though you can omit them and add only ramyun soup powder."
+00:02:25.066-STANDARD
The host mixes in half a bag's worth of Ramyun soup powder. Words appear: "Adjust to taste. Shin Ramyun is spicy. If you use Samyang Ramyun, it will be more mild." They add dried vegetable flakes from a little bag, then stir everything.
+00:02:43.000-STANDARD
The host adds the sliced yellow onion. Words appear: "It's yummy if you add other vegetables such as cabbage or mung bean sprouts. Pour water and boil the ramyun noodles."
+00:02:55.333-STANDARD
The host boils water in a pot on their burner. They open a noodle pack. "Put the noodles in the pot and put the remaining crumbs in your mouth."
+00:03:06.300-STANDARD
"Don't boil it for too long. Turn it off when it is not soft yet. Add the ramyun noodles and five tablespoons of broth to the pan. Adjust the amount of broth if needed. Add the pork belly. You can use canned tuna instead of pork belly."
+00:03:14.100-STANDARD
They add a little of the green onion, then move it from the pan to a plate before sprinkling more green onion. "Wow! It is very delicious spicy pork belly stir-fried ramyun."
+00:03:27.133-STANDARD
"You can enjoy it with a mild flavor by topping it with a half-boiled egg. Instead of soup ramyun, try stir-fried ramen. It's really delicious."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_TpzATXGBIqQ.txt b/raw/validation/gt_ad/output_TpzATXGBIqQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..154c3824d3a2ad606c8c4fb67efff7664431dd79
--- /dev/null
+++ b/raw/validation/gt_ad/output_TpzATXGBIqQ.txt
@@ -0,0 +1,14 @@
+00:00:00.000-STANDARD
On-screen text: Be more. PBS.
+00:00:03.043-STANDARD
Wheat-colored grassy terrain with a blue sky and white clouds, and a single tree with widespread branches. On-screen text: nature.
+00:00:06.729-STANDARD
A turtle is lifted by hand out of a water tank.
+00:00:11.057-STANDARD
A person in scrubs places the large turtle on a table. On-screen text: Jeff George, director, Sea Turtle Inc.
+00:00:55.683-STANDARD
The turtle's throat expands in and out like a bubble. It has one flipper-like arm. The turtle is lifted by Jeff, and begins flapping its right arm up and down as it is carried.
+00:01:04.257-STANDARD
Jeff gently places the turtle back into the water tub, and it floats.
+00:01:09.486-STANDARD
The turtle flaps its arm, creating ripples in the water. It lifts its head above the surface and begins swimming in a circle.
+00:01:41.557-STANDARD
The turtle swims in a circle, flapping its arm, then lifts its head just above the surface.
+00:02:58.857-STANDARD
On-screen text: Today, Allison is using the fifth version of her prosthesis.
+00:03:51.543-STANDARD
Allison the turtle, with her prosthetic rudder strapped on, is placed in a large, deep plastic pool filled with water. She swims off camera immediately.
+00:04:00.843-STANDARD
With the rudder behind her on the left side, her right arm swings to swim, and she glides through the water.
+00:04:08.800-STANDARD
From a closer view, the prosthetic is strapped to her shell on her back, with the rudder gliding behind, resembling a shark fin.
+00:04:19.243-STANDARD
On-screen text: My Bionic Pet. Wednesday, April 9. 8/7c on PBS.
+00:04:23.900-STANDARD
On-screen text: PBS.org/nature.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_U6_FBVyKJaU.txt b/raw/validation/gt_ad/output_U6_FBVyKJaU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..80ede0389299fd1e9d93f00de5b89ae42238c8ae
--- /dev/null
+++ b/raw/validation/gt_ad/output_U6_FBVyKJaU.txt
@@ -0,0 +1,25 @@
+00:00:00.387-STANDARD
A vignette opens on a shelving unit pressed against a wall in a house. It holds a jar of paint brushes, markers, journals, drawing pads, paints, and palettes.
+00:00:13.614-STANDARD
Words appear: "Let's Loosen Up!" A young, red-haired woman, Leigh, gathers a palette and the jar of brushes from the shelves. She takes a jar of white paint from a rack beside it.
+00:00:27.798-STANDARD
Leigh hangs large papers on a wall with masking tape. She sits on the floor and squeezes paint tubes onto her palette.
+00:00:37.004-STANDARD
Leigh brushes swaths of paint onto the paper on the wall. Later, she sits in front of many paintings hanging on the wall.
+00:01:06.191-STANDARD
Leigh smirks.
+00:03:46.066-STANDARD
Words appear: "Let's paint!" A time lapse shows Leigh paint. Leigh brushes orange-pink paint onto the paper taped to her wall. It takes the form of a bird perched on a branch.
+00:03:59.871-STANDARD
Leigh paints blue onto another paper taped beside the first, gradually forming a feline head.
+00:04:07.715-STANDARD
Leigh returns to her bird painting and details it. She places little dots on its chest, forms its beak, wings, and tail feathers, making it into a falcon.
+00:04:19.284-STANDARD
Leigh tapes a large piece of brown paper on a door beside the wall and brushes swaths of different paint colors on it.
+00:04:27.682-STANDARD
Leigh intently paints dark blue stripes onto the feline head, making a tiger.
+00:04:34.403-STANDARD
Leigh adds pinkish orange to the tiger head. She bounces back to the falcon and adds a few more details to it, then begins to paint on the large, brown paper. Hazy images of cows take shape.
+00:04:48.227-STANDARD
Leigh looks from a tablet she holds to her falcon painting as she adds blue highlights onto its orange-pink body.
+00:04:57.051-STANDARD
Leigh paints pink-orange highlights on the tiger's teal and dark blue face.
+00:05:04.289-STANDARD
Leigh adds more dark blue to the tiger, detailing the fur on its neck.
+00:05:11.080-STANDARD
Leigh returns to the drawing of the falcon and colors blue into its beak and around its eye.
+00:05:18.650-STANDARD
She mixes tan, orange, and yellow paints on her palette.
+00:05:25.732-STANDARD
Leigh continues going back and forth between the tiger and falcon. She steps to the third painting on the door and outlines its orange body in dark blue.
+00:05:37.766-STANDARD
She bends over and paints orange, then cream highlights on the second cow's pink body, filling it out.
+00:05:46.679-STANDARD
Leigh begins painting on a fourth paper below the tiger and falcon. She adds a large streak of teal, then moves that painting lower on the wall. She places a fifth paper above the fourth and adds swaths of different colors onto it.
+00:06:03.962-STANDARD
Leigh paints teal over the fifth paper, then adds rectangles and squares of a darker blue. An abstract building exterior takes shape, including several stairways, doors, and windows.
+00:06:18.824-STANDARD
Leigh paints a road below the building's exterior and cars moving acros it with blue and orange paints.
+00:06:27.727-STANDARD
Leigh steps back from her paintings: one of two cows in tall grass, a tiger, a falcon, a city, and a smaller bird.
+00:06:39.414-STANDARD
She pans across the paintings up close, showing off the combination of warm and cool colors composing them.
+00:08:09.387-STANDARD
Leigh grins and waves. A drawing of a cartoon cat appears with a heart and speech bubble above it reading: “Bye."
+00:08:17.512-STANDARD
An animated, sparkly-eyed heart appears by another video from her channel.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_U7XqZTaZaQ8.txt b/raw/validation/gt_ad/output_U7XqZTaZaQ8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f8d9076c3851e21b16daf51661e001e5da271cad
--- /dev/null
+++ b/raw/validation/gt_ad/output_U7XqZTaZaQ8.txt
@@ -0,0 +1,8 @@
+00:00:00.411-STANDARD
Words appear: "Japan's First true zero waste supermarket."
+00:00:31.183-STANDARD
People shop in a small market.
+00:00:47.197-STANDARD
A shopper fills a small bag with food.
+00:01:34.307-STANDARD
Two women stand by a check out counter with food. One taps at a payment machine.
+00:02:03.103-STANDARD
A shopper taps a number on a wall-mounted tablet.
+00:02:59.088-STANDARD
"Tsugumi Seki; Store Manager."
+00:03:41.166-STANDARD
The manager, a young woman, sits in front of the camera.
+00:05:09.825-STANDARD
A graphic of an upside-down, green triangle appears beside the words: "Digi."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_U8F9ewlroRk.txt b/raw/validation/gt_ad/output_U8F9ewlroRk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..de4f066e98673718f10516f57779101aa9b1ea08
--- /dev/null
+++ b/raw/validation/gt_ad/output_U8F9ewlroRk.txt
@@ -0,0 +1,25 @@
+00:00:37.186-STANDARD
 A shot of a yellow marker. 
+00:00:45.229-STANDARD
 He brings the tip of the yellow marker to his nose.
+00:00:50.186-STANDARD
 He brings the marker to his nose again.
+00:00:56.343-STANDARD
 He smells the marker again.
+00:01:20.829-STANDARD
 An orange marker.
+00:01:23.471-STANDARD
 He brings the marker up to his nose.
+00:01:53.229-STANDARD
 A red marker.
+00:02:02.186-STANDARD
 He holds it up to his nose.
+00:02:26.557-STANDARD
 A black marker.
+00:02:29.486-STANDARD
 He holds the marker up to his nose.
+00:02:34.793-STANDARD
 He puts the marker to his left nostril, then right, alternating twice.
+00:02:48.957-STANDARD
 A green marker.
+00:02:51.471-STANDARD
 He puts the marker up to his nose.
+00:02:58.086-STANDARD
 He brings the marker to his nose again.
+00:03:17.586-STANDARD
 A pink marker.
+00:03:34.414-STANDARD
 He alternates nostrils with the marker.
+00:04:00.757-STANDARD
 A blue marker.
+00:04:04.014-STANDARD
 He brings the marker to his nose.
+00:04:32.514-STANDARD
 A purple marker.
+00:04:34.171-STANDARD
 He brings the marker to his nose.
+00:05:09.086-STANDARD
 A brown marker.
+00:05:14.657-STANDARD
 He brings the marker to his nose.
+00:05:31.700-STANDARD
 He brings it back to his nose and alternates nostrils.
+00:06:03.071-STANDARD
 On-screen text: Directed and edited by Ben Churchill.
+00:06:12.443-STANDARD
 The Tommy Edison Experience, tommyedison.com
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_UNroEwFxh6I.txt b/raw/validation/gt_ad/output_UNroEwFxh6I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..35bebde3ab2f83e110fde6bceeab38cd487d43d3
--- /dev/null
+++ b/raw/validation/gt_ad/output_UNroEwFxh6I.txt
@@ -0,0 +1,24 @@
+00:00:04.486-STANDARD
In ultra-close footage, several bees buzz around the opening of a hive.
+00:00:07.557-STANDARD
Visible through the clear cells of the honeycomb, we see a close-up view of bee larvae on top of the honeycomb.
+00:00:18.643-STANDARD
A bee larvae pushes through a hole in the honeycomb.
+00:00:21.700-STANDARD
A flat piece of wood is used to pry open a wooden box.
+00:00:32.243-STANDARD
Outside, a wooden box filled with bees. A monk, kneeling, removes a sheet of honeycomb with a wooden top.
+00:00:54.200-STANDARD
The monk dips his finger into the honey on the comb and tastes it.
+00:01:04.186-STANDARD
Close-up of a spoon scraping along the side of the honeycomb, causing honey to drip down.
+00:01:18.086-STANDARD
Hornets swarm around rocks.
+00:01:30.929-STANDARD
A large nest made from dirt.
+00:01:33.943-STANDARD
Hornets walk around a waxy comb structure inside the nest.
+00:02:13.514-STANDARD
The monk walks across rocks, crossing a stream in the forest.
+00:02:49.686-STANDARD
A large hornet flies near and lands on an opening in a wooden box, where several bees can be seen. The bees walk, their wings vibrating.
+00:03:03.685-STANDARD
Several bee larvae hang in the honeycomb.
+00:03:13.714-STANDARD
A giant hornet stands next to a bee, which is a fraction of its size. The bee flies off, but the hornet stays, moving its limbs and tail to release its scent.
+00:03:30.814-STANDARD
The hornet follows the bees into the opening of the structure and crawls inside. The bees are clinging to the honeycomb, creating a wall with their bodies.
+00:03:42.571-STANDARD
A few bees approach the hornet.
+00:03:50.287-STANDARD
As the hornet eats a bee, the others start swarming him. Several bees, then more, quickly cover the hornet.
+00:03:58.043-STANDARD
The hornet struggles to escape, fighting against the swarm, but more bees keep piling on.
+00:04:06.328-STANDARD
More and more bees join in, forming a large mound of bees crawling, until we can no longer see the hornet.
+00:04:14.900-STANDARD
A close-up of the mound of bees, frantically crawling over one another.
+00:04:43.214-STANDARD
The bee swarm disperses, thinning out, and we can see the head of the hornet.
+00:04:49.603-STANDARD
One dead bee is visible, while the other bees continue to disperse. The large, dead hornet is revealed.
+00:05:05.252-STANDARD
The footage of bees fades out as drone footage pulls away from a mountainside with an orange, hazy sky, slowly revealing a large, rocky mountain.
+00:05:19.443-STANDARD
Finally, a deer is seen standing atop the cliff.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Uf5IQiLOQK0.txt b/raw/validation/gt_ad/output_Uf5IQiLOQK0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..31a51817bc7076c5134d5a322fa88f49e2ddb709
--- /dev/null
+++ b/raw/validation/gt_ad/output_Uf5IQiLOQK0.txt
@@ -0,0 +1,11 @@
+00:00:09.343-STANDARD
A vole bounds across the snow.
+00:00:14.055-STANDARD
The vole burrows into the snow.
+00:00:21.147-STANDARD
Nose twitching, it pushes its chubby body through the snow.
+00:00:34.368-STANDARD
It squeezes through a tunnel and stops in a little cave filled with a nest of dry grass and flowers.
+00:00:44.670-STANDARD
The vole chews on grass.
+00:00:53.220-STANDARD
A white owl perches on a tree.
+00:01:02.604-STANDARD
The owl flies over the tundra.
+00:01:12.240-STANDARD
The owl glides low over the snow.
+00:01:26.003-STANDARD
The owl searches the snow as it turns right.
+00:01:35.136-STANDARD
The owl swoops low and snatches the vole from its nest.
+00:01:47.275-STANDARD
Words appear by the National Geographic logo: "Nat Geo Wild. Subscribe." Images of wildlife footage flash.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_UknbASrjclo.txt b/raw/validation/gt_ad/output_UknbASrjclo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f5344bea05c2594dd36fba85d85eec0d6558bf20
--- /dev/null
+++ b/raw/validation/gt_ad/output_UknbASrjclo.txt
@@ -0,0 +1,11 @@
+00:00:00.000-STANDARD
Timelapse drone footage of the New York City skyline. Clouds glide past city buildings, then different buildings along the river. A wide drone shot of the city appears with the words "New York City.”
+00:00:15.357-STANDARD
On-screen text: jedcal. A desk and desktop computer in a bedroom. A silver YouTube plaque leans against the wall. A male-presenting person holds a hard drive labeled "YouTube," which he plugs into the computer. Footage of him and two friends cheering plays on the screen.
+00:00:47.557-STANDARD
Footage of a bonfire on the beach. The downtown LA skyline glows at night. A large beach with a long pier and Ferris wheel. Friends gather on the sand. Shooting stars streak across the sky.
+00:01:47.971-STANDARD
The vlogger, shirtless and in black shorts, walks along a beach with white sand, lined with lush trees. Drone footage shows a green, tropical island surrounded by ocean. The vlogger, still shirtless, wears a backpack. Lit-up buildings glow on the shoreline. A female-presenting silhouette with long hair walks into the water at sunset. The vlogger admires the trees, then sits in a hammock. Crystal-clear water, crashing waves, a waterfall, and drone footage of the island are shown. The vlogger swings on a swing in the ocean.
+00:02:47.257-STANDARD
The vlogger and two friends, lookIng serious, sit at a restaurant table. One friend tries to make the others laugh by bursting into laughter.
+00:03:03.843-STANDARD
The vlogger and a friend play guitars inside a music store.
+00:03:21.357-STANDARD
The vlogger is strapped to an instructor inside a plane preparing for skydiving. Other pairs are also harnessed together. One duo jumps out, with only blue sky visible through the open door.
+00:03:30.986-STANDARD
Footage of the vlogger and his skydiving partner jumping from the plane. The parachute deploys.
+00:03:39.171-STANDARD
Montage of NYC: yellow taxi cabs, the Radio City Music Hall sign, subway entrances, and the lights of Times Square. The vlogger skateboards through city streets, rides the subway, and marvels at the skyline from a rooftop viewpoint.
+00:04:41.857-STANDARD
Inside an apartment decorated with glittering Christmas trees. Christmas snacks are laid out on a table. On-screen text: Merry Christmas. Subscribe.
+00:04:48.810-STANDARD
The vlogger and friends play a drinking game with red plastic cups, flipping them over. They drink and laugh together.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_V2qtib3CiYw.txt b/raw/validation/gt_ad/output_V2qtib3CiYw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..121119f704094e48fa9b071a3c1cfb4d25d960ad
--- /dev/null
+++ b/raw/validation/gt_ad/output_V2qtib3CiYw.txt
@@ -0,0 +1,27 @@
+00:00:09.360-STANDARD
Two lacrosse teams play on an indoor field.
+00:00:13.800-STANDARD
A player with a go-pro on their helmet smacks the ball into a net.
+00:00:23.600-STANDARD
One team gathers.
+00:00:29.840-STANDARD
The players crowd around a coach.
+00:01:12.680-STANDARD
A montage shows plays from the game: Two players fight for the ball. The defense keeps the go-pro player back.
+00:01:25.080-STANDARD
The go-pro player darts past the defense, catches the ball, then scores.
+00:01:33.320-STANDARD
A replay shows the goal.
+00:01:43.400-STANDARD
They gather up.
+00:01:47.280-STANDARD
The go-pro player chases after an opposing player and swats his stick.
+00:01:55.040-STANDARD
Another camera angle shows the go-pro player dash across the field toward the opposing net as one of his team mates scores.
+00:02:16.360-STANDARD
The go-pro player weaves around opposing players near their net.
+00:02:22.560-STANDARD
He flings the ball at the net, but the goalie blocks it with his stick.
+00:02:28.800-STANDARD
Later, the go-pro player catches the ball, then hurls it into the opposing net.
+00:02:37.040-STANDARD
The go-pro player thumps chests with a team mate.
+00:02:51.520-STANDARD
The players break away from their coach.
+00:02:56.040-STANDARD
Later, the opposing defense stab at the go-pro player with their sticks and keep him back. A team mate catches the ball and scores.
+00:03:07.760-STANDARD
A team mate sprints to the opposing net with the ball and throws it in.
+00:03:17.040-STANDARD
They score again.
+00:03:25.680-STANDARD
The go-pro player breaks through the opposing defense, then trips as one of them smacks him with their stick. He and the defending player both fall.
+00:03:37.600-STANDARD
The go-pro player fights an opposing player for the ball.
+00:03:42.680-STANDARD
They go out of bounds.
+00:03:50.440-STANDARD
The go-pro player's team weaves around the opposing team, then narrowly scores.
+00:03:58.200-STANDARD
Later, they fight for the ball.
+00:04:03.240-STANDARD
A team mate tries taking the ball and trips. Later, the go-pro player catches the ball.
+00:04:10.920-STANDARD
He charges toward the opposing net.
+00:04:14.200-STANDARD
He throws the ball, but the goalie blocks it. An opposing player dives on the ball.
+00:04:24.600-STANDARD
The game ends.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_VAFlDXwXJG4.txt b/raw/validation/gt_ad/output_VAFlDXwXJG4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5aad7e42881f93f287fd14e419037d814e38a5d4
--- /dev/null
+++ b/raw/validation/gt_ad/output_VAFlDXwXJG4.txt
@@ -0,0 +1,22 @@
+00:00:00.166-STANDARD
A graphic reading: "Taste" appears in the screen's top right corner. Three plump spring roll wrappers sit on a floral, ceramic plate.
+00:00:10.634-STANDARD
A chef pours one pound and two ounces of flour into a mixing bowl, then adds one teaspoon of salt before mixing it with a wooden spoon.
+00:00:20.867-STANDARD
The chef adds one pound of water into the mix and stirs it before covering the bowl with plastic wrap. Words appear: "Put aside for sixty to ninety minutes."
+00:00:31.600-STANDARD
Words appear by a plate of shredded veggies: "Carrot, five ounces. Celtuce, five ounces. Daikon Radish, five ounces. Bean sprouts, two ounces. Glass noodles, three ounces."
+00:00:46.066-STANDARD
The chef hand mixes one teaspoon of salt into a glass bowl filled with water and the shredded carrot, celtuce, and daikon radish. Words appear: "Marinate fifteen minutes."
+00:00:58.233-STANDARD
The chef wrings water from the veggies, then puts them in a larger glass bowl with three ounces of soaked glass noodles and two ounces of bean sprouts.
+00:01:08.033-STANDARD
They add one and a half tablespoons of chili oil to the mix, followed by two tablespoons of soy sauce, and one tablespoon of sweet black rice vinegar.
+00:01:18.533-STANDARD
They pour in a half tablespoon of peppercorn oil, one teaspoon of sugar, and a half tablespoon of sesame oil before mixing it up with chopsticks.
+00:01:29.000-STANDARD
Words appear by a plate of shredded ingredients: "One pound cooked pork belly, nine ounces celtuce, two ounces green onion, and a half ounce of minced garlic."
+00:01:40.300-STANDARD
They hand mix a half teaspoon of salt into a bowl of the cettuce and water. Words appear: "Marinate fifteen minutes."
+00:01:49.266-STANDARD
The chef wrings water from the cettuce, then adds it to a bowl of the cooked pork belly and green onion.
+00:01:56.166-STANDARD
The chef pours in three tablespoons of soy sauce, one tablespoon of sweet black rice vinegar, and a half tablespoon of sugar.
+00:02:05.233-STANDARD
They add a half ounce of minced garlic, a third cup of chili oil, then they stir it with chopsticks.
+00:02:12.900-STANDARD
They chef takes the bowl of mixed flour, now dough, and thoroughly stirs it with their hand. The chef flips a thick wad of the dough in their hand.
+00:02:23.300-STANDARD
The chef smears a thin layer of the dough in a circle over a metal plate on a hot plate. The dough quickly hardens and the chef flips it.
+00:02:32.734-STANDARD
The chef moves the dough layer, a wrapper, onto a folded cloth on a bamboo basket lid. They make a second dough wrapper and drop it on the first.
+00:02:46.300-STANDARD
Later, the chef places a wrapper on a wooden plate near the other ingredients.
+00:02:55.000-STANDARD
The chef uses chopsticks to place some of the veggie mix into the first wrapper, then rolls them inside of it. They place the spring roll wrapper on another, smaller wooden plate.
+00:03:08.867-STANDARD
The chef uses their chopsticks to move some of the porkbelly mix into the second wrapper, then rolls it up.
+00:03:18.066-STANDARD
The chef places the second spring roll wrapper with the first.
+00:03:24.934-STANDARD
A subscribe graphic and click the notification bell graphic appear on the screen's bottom right corner.
+00:03:36.600-STANDARD
Time passes and a ceramic, floral plate holds three fresh, glistening spring roll wrappers on a table. A ceramic, floral bowl holds red sauce by it.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_VCMfI8lCfF0.txt b/raw/validation/gt_ad/output_VCMfI8lCfF0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f85ddefd001751f69ad67d8b3429a4da4f5e1f0a
--- /dev/null
+++ b/raw/validation/gt_ad/output_VCMfI8lCfF0.txt
@@ -0,0 +1,13 @@
+00:00:17.608-STANDARD
The young man grins in front of a desk covered with leather working tools. A stylized drawing of his face appears over the words: "Ryan Lee, Kuala Lumpur. Leather Craftsman."
+00:00:39.868-STANDARD
A loading wheel appears over his face.
+00:00:50.061-STANDARD
Images flash of Ryan starting a project at his work table. Words appear: "How do you know Megan?" Photos appear showing Ryan and Megan as teenagers in a school.
+00:01:18.346-STANDARD
Words appear: "What do you make?"
+00:01:35.305-STANDARD
Words appear: "Results at the end!" Ryan continues to work on his project. A box-shaped item made of latticed wood sits near his hands as he cuts a strip of leather. Words appear: "Where are you?"
+00:01:56.935-STANDARD
Words appear: "Kuala Lumpur, Malaysia. Where Ryan and I grew up. Yes... it's next to Singapore."
+00:02:08.336-STANDARD
"What challenges do you face?"
+00:02:54.253-STANDARD
"What do you think makes you different?"
+00:03:05.665-STANDARD
"What message would you tell Gen-Z?"
+00:03:23.486-STANDARD
Ryan removes gold foil from a rectangle of leather, leaving behind his name in embossed gold.
+00:04:15.287-STANDARD
A purse sits between two bonsai trees in a dark room and a light flashes over it. The purse's light tan, leather flap curves over its body, made of latticed wood.
+00:04:27.366-STANDARD
Ryan turns one of two golden buckles on the flap, then lifts it from the body and opens it, revealing the spacious interior. The light flashes over his name embossed on the purse's bottom in gold.
+00:04:41.262-STANDARD
Ryan and Megan wave good bye.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_VTpwWZXdl6Q.txt b/raw/validation/gt_ad/output_VTpwWZXdl6Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b77c5a3203dd0df15bf387902b2f817de19f4815
--- /dev/null
+++ b/raw/validation/gt_ad/output_VTpwWZXdl6Q.txt
@@ -0,0 +1,17 @@
+00:00:00.292-STANDARD
A deflated, white balloon sits on a white table by a coin and rubberband.
+00:00:07.216-STANDARD
A host takes the balloon and pushes the coin into the balloon's opening.
+00:00:15.140-STANDARD
The host continues pushing the coin through the balloon until it's all the way into its body.
+00:00:25.526-STANDARD
The host maneuvers the balloon around the coin so its bottom stretches tightly around the coin's face.
+00:00:35.369-STANDARD
The host takes the rubberband, then wraps it tightly around the section of the balloon stretched around the coin, keeping the stretch in place.
+00:00:47.256-STANDARD
The host pulls open the balloon's neck, then carefully stretches it open while pushing the banded coin out, inverting the balloon.
+00:00:59.894-STANDARD
The host tugs and pulls at the body of the balloon so its uniformly wrapped around the coin.
+00:01:11.864-STANDARD
The host takes an air compressor hose and sticks it inside of the balloon's neck. They pinch the neck around the hose, then air slowly fills the balloon's body.
+00:01:25.293-STANDARD
The balloon expands into a potato-like, oblong shape.
+00:01:32.718-STANDARD
The host withdraws the hose while keeping the air in.
+00:01:38.306-STANDARD
The host ties the neck into a knot.
+00:01:43.353-STANDARD
The host turns the balloon so the top of its body gets displayed to the camera. They tap a small black dot on the top's center.
+00:01:53.113-STANDARD
They place the balloon on the table and the coin keeps it weighed down and upright.
+00:02:00.120-STANDARD
The host uses a blue marker to draw a smile face on the front of the balloon.
+00:02:10.172-STANDARD
They color in pupils in the face's eyes.
+00:02:19.681-STANDARD
They let the balloon go and it shifts side to side.
+00:02:30.359-STANDARD
The balloon continues to bob around, the host's studio lights shining over its big grinning face.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_VVYxbJRODjs.txt b/raw/validation/gt_ad/output_VVYxbJRODjs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..902feac76edffa94cad3bde18476a3a42a821d26
--- /dev/null
+++ b/raw/validation/gt_ad/output_VVYxbJRODjs.txt
@@ -0,0 +1,20 @@
+00:00:00.003-STANDARD
A young woman sits on a low cobblestone wall near a canal hedged in by rows of buildings at sunset. She writes in a diary.
+00:00:09.010-STANDARD
Words appear: "Dear diary, I'm in Italy. Ah, family vacations are so fun. It's beginning to be a mandatory field trip. We are heading to Florence. I wish I took my morning poop before I got on the train.”
+00:00:30.029-STANDARD
She moves through a living room to a bedroom cluttered with clothes.
+00:00:42.004-STANDARD
Her mother lies halfway on a bed in another room.
+00:01:15.502-STANDARD
People walk down a street.
+00:01:40.351-STANDARD
Words appear: "Behind the scenes of a Lindsiann production. There is no I in team. Teamwork makes the dream work. This is why they hate me.”
+00:01:50.496-STANDARD
Her family helps her get a shot of her emerging from their air bnb's front door.
+00:01:56.524-STANDARD
Words appear: "Florence." A crowd bustles in front of the Basilica of Santa Croce on a sunny day.
+00:02:17.313-STANDARD
Images flash of her and her family getting sausages.
+00:02:50.827-STANDARD
The woman's face flushes red.
+00:02:59.631-STANDARD
She walks down a street.
+00:03:26.930-STANDARD
She sits in a cafe.
+00:03:35.138-STANDARD
A timelapse shows the woman eat her muffin.
+00:03:50.774-STANDARD
Words appear as she wolfs down her muffin: "This was THE best muffin I havae ever eaten, omfg." Later, she and her mom and sister walk down a street. Words appear: "The squad fr. Today was shopping day. We went to a few vintage shops around the area. I wasn't really in a spending money mood though so I just looked around."
+00:04:16.002-STANDARD
The woman tries on different clothes in a store including a long, white coat, a salmon-colored sweater, and a grey sweater. Words appear: "Eh, didn't buy anything." Later, they sit in a restaurant. "My mom wanted Chinese food."
+00:04:32.186-STANDARD
Later, she wears a grey beanie in a clothing store. Words appear by a frowny face emoticon: "This fluffy hat was sixty dollars."
+00:04:39.745-STANDARD
She tries on different black, leather shoes. Words appear: "Prada boots - cute but too expensive for a pair of old black boots. The viral Prada loafers... I feel like John Adams."
+00:04:53.221-STANDARD
She drinks a a cappuccino and gets a foam mustache. She licks brown ice cream on a cone. The next morning, she does her makeup in the air bnb bathroom.
+00:06:00.538-STANDARD
Words appear: "I'm not sure how to articulate my thoughts during this time. I think I have just been feeling a lot of stress about my future. And feeling inadequate in every possible way. It's so easy to feel like you are falling behind. Comparison really is the thief of joy. I just kept wondering when I will finally be happy. But what does it even mean to be happy anymore?"
+00:07:42.099-STANDARD
At night, the woman wears a black dress and poses with the Eiffel Tower glittering in the background.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_VYqoOiQsV0A.txt b/raw/validation/gt_ad/output_VYqoOiQsV0A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d39038079d17dfe40e05493c044d0713432b642b
--- /dev/null
+++ b/raw/validation/gt_ad/output_VYqoOiQsV0A.txt
@@ -0,0 +1,26 @@
+00:00:00.000-STANDARD
A plate of several churros and a small bowl of melted chocolate. One churro is dipped in the chocolate.
+00:00:08.175-STANDARD
Water is poured into a black pot from a measuring cup. Then several cubes of butter from a small dish, sugar from a glass bowl, and salt from a wooden spoon are added.
+00:00:20.214-STANDARD
The flame from the stove ignites. Butter melts in the pot, then begins to boil.
+00:00:25.143-STANDARD
The flame is turned down slightly. White flour is added and mixed with a plastic spatula.
+00:00:33.414-STANDARD
It forms a thick, cream-colored mixture, which is stirred until it looks like dough.
+00:00:46.286-STANDARD
The pot with dough is removed from the stove and placed on a tea towel on the table.
+00:00:51.532-STANDARD
The dough is gently pressed with the spatula until it's flat on the bottom of the pot.
+00:00:57.614-STANDARD
One egg sits in a pocket of a six-egg carton. It is cracked, its contents added to the dough..
+00:01:02.683-STANDARD
The egg’s contents falls from the shell into the dough. A spoon adds brown liquid to the mixture, which is then folded and mixed with the spatula.
+00:01:27.000-STANDARD
The mixture is now smooth and creamy, and the dough is patted with the spatula.
+00:01:34.618-STANDARD
A sheet of wax paper is folded into a triangle shape. A small metal piping tip is placed beside it. The tip of the wax paper triangle is cut with scissors.; then, one piece of the wax-paper is nested inside another, doubling it.  The metal piping tip is then dropped inside and nestled into the tip of the wax paper.
+00:01:44.257-STANDARD
The metal piping tip is pushed through the paper to create a small opening, forming a piping bag. The dough is piped in a straight line onto a baking sheet, forming small cylinders.
+00:01:54.457-STANDARD
The dough is snipped with scissors, and more cylinders are piped beside it, eventually making six cylinders.
+00:02:03.114-STANDARD
Oil is poured into a large white bowl-like pan, filling it halfway. The burner flame ignites.
+00:02:13.515-STANDARD
The raw dough cylinders are placed into the hot oil, one by one, as the oil starts to bubble and fry.
+00:02:25.500-STANDARD
The cylinders fry in the oil, then are turned with chopsticks to cook evenly.
+00:02:33.400-STANDARD
The fried dough cylinders, now golden brown, are removed from the oil with tongs, one at a time, and shaken to remove excess oil.
+00:02:46.386-STANDARD
The finished cylinders are placed on a white napkin in a white, deep plate. They're now churros.
+00:02:55.500-STANDARD
White sugar is poured into a rectangular container. Then, chocolate powder is sprinkled on top. The container is shaken gently side to side to combine the ingredients.
+00:03:05.733-STANDARD
A churro is placed in the sugar mixture and coated evenly by hand.
+00:03:12.971-STANDARD
Chocolate chips are poured from a plastic bag into a small glass bowl, filling it halfway.
+00:03:16.900-STANDARD
Milk is poured into a pot, and the burner is turned on.
+00:03:21.286-STANDARD
The pot with milk, now simmering, is removed from the burner and poured over the chocolate chips in the bowl.
+00:03:27.514-STANDARD
The mixture is stirred with a small spatula until it combines into a smooth, dark brown chocolate sauce.
+00:03:37.914-STANDARD
The finished plate of churros sits beside a small bowl of chocolate sauce.
+00:03:45.043-STANDARD
One churro is dipped into the chocolate sauce.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Vnm7FrGS2NI.txt b/raw/validation/gt_ad/output_Vnm7FrGS2NI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..937a9903f4ce0dfdc845d23607a4f531bef17159
--- /dev/null
+++ b/raw/validation/gt_ad/output_Vnm7FrGS2NI.txt
@@ -0,0 +1,19 @@
+00:01:03.786-STANDARD
Our view points downward, focusing on a male-presenting vlogger's sneakered feet walking on sand toward a beach fire pit. A sign reads: "Caution: Hot Coals." He begins lighting a fire using wood, starter, and lighter fluid.
+00:01:28.929-STANDARD
He used a stick lighter on the coals; a small flame appears.
+00:01:34.100-STANDARD
He lights it again, and this time the fire ignites.
+00:01:45.757-STANDARD
A large bonfire blazes on the beach. The vlogger adds more lighter fluid to the fire. Shooting stars pass overhead.
+00:01:57.671-STANDARD
Friends smile around the fire. Fast-motion footage of roasting marshmallows.
+00:02:36.657-STANDARD
Morning inside an apartment. The vlogger carries small wood pieces downstairs.
+00:03:24.871-STANDARD
The vlogger splits the wood in half with an elbow strike.
+00:03:35.971-STANDARD
The friend splits the wood in half with an elbow strike.
+00:03:50.957-STANDARD
Driving on the freeway. At a public gym, the vlogger lifts heavy weights, then bench-presses.
+00:04:02.543-STANDARD
The vlogger does shoulder presses on a cable machine. In the locker room, he puts on a T-shirt.
+00:04:08.237-STANDARD
Outside in a campus plaza. He picks up an iced coffee and greets a woman outside a café.
+00:04:26.671-STANDARD
Sitting at a table with Luke. He opens a plastic bag, removes food containers, and eats with chopsticks.
+00:04:56.871-STANDARD
The vlogger does a martial arts kick, then a no-handed cartwheel on a soccer field.
+00:05:09.580-STANDARD
He does a cartwheel, delaying his hands touching down.
+00:05:15.957-STANDARD
A student tries the cartwheel.
+00:05:19.886-STANDARD
She tries again, this time running into it and landing on her feet.
+00:05:25.457-STANDARD
The vlogger drives, palm trees visible through the window.
+00:05:47.771-STANDARD
Montage: hiking with friends on a desert trail. The Hollywood sign is visible nearby.
+00:06:15.871-STANDARD
Two friends slide playfully down a dirt hill. Over a sunset view, text reads: Thanks for watching. Instagram @jedcal
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Vpkmk3t6XLA.txt b/raw/validation/gt_ad/output_Vpkmk3t6XLA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..708c90a24c56f8ac340b0604217ec42b375c0549
--- /dev/null
+++ b/raw/validation/gt_ad/output_Vpkmk3t6XLA.txt
@@ -0,0 +1 @@
+00:00:00.000-STANDARD
On-screen text: Ceramic Review. Master Class with Aneta Regel. A female-presenting person sits in an art studio surrounded by large colorful sculptures with rough, rocky surfaces.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Vz6dL66YFiA.txt b/raw/validation/gt_ad/output_Vz6dL66YFiA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9ab7e878aee0155faa405c25ce84fdb59cfb1c87
--- /dev/null
+++ b/raw/validation/gt_ad/output_Vz6dL66YFiA.txt
@@ -0,0 +1,8 @@
+00:00:00.000-STANDARD
In a montage, a woman dances playfully in her bedroom, striking silly poses. She wears various colorful long-sleeve shirts, sweatshirts, and sweaters paired with jeans.
+00:00:08.057-STANDARD
On-screen text: Ur Mom Ashley.
+00:00:21.100-STANDARD
On-screen text: I'm going to include try-on clips on top of this video (sorry about the noisy bag).
+00:01:21.029-STANDARD
On-screen text: We're getting our brother from baseball practice.
+00:01:52.000-STANDARD
In her bedroom, the vlogger poses in a light gray sweatshirt. She pulls wired earphones from the pocket of her jeans.
+00:04:40.800-STANDARD
Their younger brother dances playfully outside the car.
+00:04:44.500-STANDARD
On-screen text: Thank you for watching.
In a quick bedroom montage, she dances while wearing all the different shirts from the haul.
+00:04:54.314-STANDARD
Their younger brother smiles at the camera. She keeps dancing.
On-screen text: Ur Mom Ashley.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_W4LHJaEWPWs.txt b/raw/validation/gt_ad/output_W4LHJaEWPWs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..28cceb083eca55f5bdd3a691dcb206527ef7baa2
--- /dev/null
+++ b/raw/validation/gt_ad/output_W4LHJaEWPWs.txt
@@ -0,0 +1,19 @@
+00:00:00.000-STANDARD
In a vast open field, a truck with large vents on it, featuring drawings of elephants and the words "Elephant Rescue."
+00:00:04.314-STANDARD
A herd of several elephants starts walking toward the truck.
+00:00:09.714-STANDARD
A closer view of four elephants walking.
+00:00:14.471-STANDARD
The elephants continue walking toward the truck, their long trunks swinging up and down. A male-presenting person in a T-shirt and shorts approaches the herd.
+00:00:31.914-STANDARD
The person talks to the elephants as they walk closer to the truck.
+00:00:40.814-STANDARD
One of the elephants lifts its leg, and the person moves under the elephant’s chest.
+00:00:49.314-STANDARD
More elephants approach, joining the herd as it slowly presses closer to the truck. The elephants keep swinging their trunks.
+00:01:03.829-STANDARD
One elephant kicks its leg into the dirt.
+00:01:06.686-STANDARD
A front view of the elephants pacing, their trunks swinging.
+00:01:11.229-STANDARD
A view of the truck with the elephants waiting impatiently, pacing around and waving their trunks at it.
+00:01:20.271-STANDARD
Close-up on the truck's side. An elephant's trunk pushes through one of the open vents.
+00:01:26.552-STANDARD
A person stands beside an elephant, hand on its back. The elephant and two others move very close to the truck.
+00:01:32.671-STANDARD
The person touches an elephant's trunk. The trunk reaches up to the vents on the side of the truck, as if reaching out to the elephant inside..
+00:01:42.229-STANDARD
A few elephants turn around and walk a short distance away. A couple start backing up, while others walk in a circle.
+00:01:55.029-STANDARD
The front door of the truck opens, and two elephants stick their trunks inside.
+00:02:05.597-STANDARD
We see the backsides and tails of the elephants, with their trunks against the truck.
+00:02:10.600-STANDARD
A close-up of an elephant with its trunk against the truck. Wrinkles are visible around its eyes, on its face, and along its long trunk.
+00:02:14.257-STANDARD
The back of the truck is now open, and a large ramp leads down. We can only see the elephant’s rear, while the person and another elephant stand by the side of the ramp, waiting. A few more people emerge and walk up the ramp to the elephant inside the truck.
+00:02:20.229-STANDARD
On-screen text: www.saveelephant.org
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_W8Zjoz6m7gc.txt b/raw/validation/gt_ad/output_W8Zjoz6m7gc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e46797eef6e68d871658684f7df4908eb3a0c594
--- /dev/null
+++ b/raw/validation/gt_ad/output_W8Zjoz6m7gc.txt
@@ -0,0 +1,14 @@
+00:01:18.814-STANDARD
On-screen text: Track club. Close-up of various sneakers on feet. A foot struggles to slide into a sneaker. On-screen text: You good Ryan? Cut to the female-presenting vlogger's white sneakers on her feet. On-screen text: Wearing the good ole Brooks.
+00:01:25.784-STANDARD
Looking down at the vlogger's sneakers as she walks on a path. On-screen text: Did a little 2 mile stroll. Trees appear, their leaves changing color. She forces a smile. On-screen text: How to smile at strangers.
+00:01:33.457-STANDARD
She runs up a staircase into a messy bedroom.
+00:01:42.486-STANDARD
Quick shots of a shower being turned on. Then, cut to a messy closet with clothes everywhere. On-screen text: Laundry time for sure. She carries a laundry basket to the laundry room, then puts a detergent pod and clothes in a machine before closing its lid.
+00:02:27.514-STANDARD
Sitting at a table in front of a laptop, she puts on headphones. On her screen, we see editing software. A dropdown menu shows editing specs.
+00:03:35.057-STANDARD
In a fast-motion edit, she folds laundry in her bedroom, wearing headphones.
+00:03:41.600-STANDARD
She makes the bed.
+00:03:43.543-STANDARD
A small dog lies at the edge of the bed while she continues making it. Once the bed is made, the dog circles around in the blankets, tossing them around. On-screen text: Thanks for making the bed so I can mess it up, Mudder.
+00:04:31.471-STANDARD
On-screen text: He has started his meeting. It's go time. She looks into the camera, opening her mouth wide. Then she goes upstairs, gathers clothes, loads them into the washer, and starts the laundry. On-screen text: Ryan does so much for me all the time. It's so rewarding to see your partner loved.
+00:04:42.971-STANDARD
She puts clean clothes away in a closet. Then she sits on a couch, holding over-ear headphones.
+00:05:40.943-STANDARD
Sitting on the couch, she pets her small dog, then looks at her phone. On-screen text: Playing a 10-minute chess game.
+00:06:22.857-STANDARD
Her sneakered feet walk outside. Then a shot of her walking while looking into the camera. Cut to her phone screen showing a chess game.
+00:06:43.214-STANDARD
Back at home, she takes medicine from a bag and drinks water. Her dog stands on the coffee table in front of her. On-screen text: I felt really weird when I got home so I decided to slow down and read the Word. We see a Bible page with Jeremiah at the top. Her dog moves closer. On-screen text: Spock liked this decision.
+00:06:56.705-STANDARD
She vacuums. On-screen text: Decided to use the new vacuum
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WDt24qzK2Ig.txt b/raw/validation/gt_ad/output_WDt24qzK2Ig.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f2f2c8a210c18cafffcf1f7e1dda212c3b3cbc9d
--- /dev/null
+++ b/raw/validation/gt_ad/output_WDt24qzK2Ig.txt
@@ -0,0 +1,33 @@
+00:00:00.484-STANDARD
A person shifts their camera around on an icy, snowy plain.
+00:00:05.894-STANDARD
The sun shines through a clear, blue sky marked with thin, grey clouds. The camera's shadow stretches out by the person on its stand.
+00:00:18.033-STANDARD
A large group of Adelie penguins frolic around far across from the camera person.
+00:00:26.256-STANDARD
The person lifts the camera stand and points it at the penguins as they mill about.
+00:00:38.172-STANDARD
One penguin plops onto the ice and slides forward while the others waddle around.
+00:00:47.646-STANDARD
The sliding penguin pops up to its feet.
+00:00:54.484-STANDARD
Careful to stick together, the penguin group waddles toward the camera person.
+00:01:05.249-STANDARD
The penguins spread out into a clunky row.
+00:01:13.282-STANDARD
The person lifts their camera higher while the penguins move closer.
+00:01:23.369-STANDARD
One penguin shifts their head from side to side to eye the camera.
+00:01:33.987-STANDARD
The person pans the camera to the left while the inquisitive penguin continues to inspect them.
+00:01:46.727-STANDARD
The person places their camera stand on the ground.
+00:01:54.971-STANDARD
The person lifts the camera stand and the inquisitive penguin inches forward.
+00:02:04.303-STANDARD
The inquisitive penguin flaps its wings. Many of the others behind it cock their heads and keep an eye on the camera person.
+00:02:14.295-STANDARD
The person puts the camera back down.
+00:02:21.802-STANDARD
The inquisitive penguin turns around to the others.
+00:02:27.109-STANDARD
One penguin in the back of the group awkwardly runs off, wings stretched out.
+00:02:38.485-STANDARD
The inquisitive penguin nips its wing.
+00:02:46.730-STANDARD
The inquisitive penguin shakes its head from side to side.
+00:02:55.971-STANDARD
The person picks up their camera.
+00:03:05.135-STANDARD
The inquisitive penguin waddles back to another penguin and flaps its wings.
+00:03:22.116-STANDARD
The penguin in the back of the group stares off toward the horizon.
+00:03:33.389-STANDARD
The penguin in the back turns and hurries back to the group. It dives and slides on its belly before getting up and waddling on.
+00:03:47.963-STANDARD
The inquisitive penguin hunches low and moves closer to another penguin. They press their beaks together repeatedly.
+00:04:06.665-STANDARD
One penguin to the left of the group presses its beak onto its back and cleans itself.
+00:04:23.957-STANDARD
The penguins begin to march away.
+00:04:35.230-STANDARD
The penguins pause.
+00:04:45.157-STANDARD
The inquisitive penguin darts through the group toward one in the back.
+00:05:00.767-STANDARD
The person positions their camera on the ground.
+00:05:11.354-STANDARD
Some of the penguins stand and look out across the icy plain in different directions while others waddle off.
+00:05:21.838-STANDARD
The penguins all turn and hurry away together.
+00:05:33.551-STANDARD
Several penguins leap to the ice and slide on their bellies away.
+00:05:43.841-STANDARD
The camera person sits and watches the penguins shrink in the distance.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WPsQTXPus0M.txt b/raw/validation/gt_ad/output_WPsQTXPus0M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0c2de6b36310a654f8990bf6892e26fd92ffee7d
--- /dev/null
+++ b/raw/validation/gt_ad/output_WPsQTXPus0M.txt
@@ -0,0 +1,10 @@
+00:00:05.686-STANDARD
A male-presenting ballet dancer performs ballet movements in pink platform heels.
+00:00:42.143-STANDARD
An animation of male and female cartoon characters, representing the dance students, appears with the title "learning to stand".
+00:01:50.200-STANDARD
The students open shoeboxes containing heels. On-screen text: "learning to walk".
+00:02:25.686-STANDARD
Now wearing the heels, the dance teacher spins across the floor with both feet close together. The students watch in shock.
+00:02:52.157-STANDARD
The female presenting student bends her knees and drops low, shaking her butt.
+00:03:07.743-STANDARD
The students attempt to extend one leg to the side.
+00:04:18.886-STANDARD
The students open shoeboxes containing even higher heels.
+00:05:01.686-STANDARD
An animation shows the cartoon students sitting on the floor. On-screen text: "nap time".
+00:05:09.057-STANDARD
The students join the teacher on the floor and attempt splits.
+00:06:30.700-STANDARD
On-screen text: into. intomore.com. The teacher and students, all in heels, catwalk toward the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WVQ2sWFI7b0.txt b/raw/validation/gt_ad/output_WVQ2sWFI7b0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..096b1b668b2c5420e312239fd1f0e731d93d0b9e
--- /dev/null
+++ b/raw/validation/gt_ad/output_WVQ2sWFI7b0.txt
@@ -0,0 +1,18 @@
+00:00:00.000-STANDARD
Entering a library. On-screen text: It's 4pm, and we have 8 hours to cram our physics homework...yikes. But come along with us, it'll be fun.
+00:00:05.200-STANDARD
A hand places a badge to scan into a busy, modern library and into a room where a male-presenting person wearing a mask sits at a desk in front of a whiteboard filled with equations.
+00:00:38.471-STANDARD
In a fast-motion edit, the three-person study group, all wearing masks, type on laptops, write on the whiteboard, and draw shapes on an iPad. On-screen text: We're studying circuits right now in physics. It's actually really fun when we're not out here cramming all the time...
+00:00:50.271-STANDARD
Jorge is on the phone while Julien laughs. On-screen text: Julien being a goof.
+00:01:14.143-STANDARD
Jorge gestures with his hands at his throat, signaling "no."
+00:01:45.171-STANDARD
Gloved hands prepare a mixed salad at a salad bar.
+00:01:52.371-STANDARD
Hands receive the salad in a plastic bowl.
+00:01:57.171-STANDARD
The salad sits on a table. The camera pans out to reveal a large food hall, which looks historic, with tall ceilings, dark wood arched beams, framed portraits lining the walls, large windows, and long wooden tables where groups of students sit.
+00:02:27.314-STANDARD
They walk through an archway and into a large, historic hallway with high ceilings and archways throughout.
+00:02:39.114-STANDARD
Inside an elevator, the doors open, and we re-enter the library.
+00:02:44.757-STANDARD
Within a section of wooden study cubicles, she walks into a cubicle with a desk and chair, takes off her jacket, and sits down. She takes out her laptop and iPad.
+00:02:59.660-STANDARD
On her laptop screen, she sees quiz results: 3.5 out of 7 on attempt two and 7 out of 7 on the second attempt. She checks a box for the quiz and gives a thumbs-up to the camera.
+00:03:09.771-STANDARD
She continues working on her laptop and writing on papers in a montage.
+00:03:19.214-STANDARD
She gives a thumbs-up, then puts her laptop in her backpack and gets up. She walks out of the cubicle, heads to the stairs, and passes through a door into the main library area.
+00:03:52.714-STANDARD
A timelapse of the study group at a round table in the library, then Jorge appears in a Zoom square on her laptop screen.
+00:04:06.614-STANDARD
Another timelapse of studying at the table, then Jorge on Zoom.
+00:05:33.900-STANDARD
On-screen text: Thanks for hanging out with us! We'll see you again soon!
+00:05:39.114-STANDARD
A male-presenting person in a basketball court talks to the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WZ5f_cw9lUY.txt b/raw/validation/gt_ad/output_WZ5f_cw9lUY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..13e6f4feba9d0820632499b351761dcc962cf99d
--- /dev/null
+++ b/raw/validation/gt_ad/output_WZ5f_cw9lUY.txt
@@ -0,0 +1,11 @@
+00:00:05.433-STANDARD
A man eats sixteen Reese's Peanut Butter Cups near stacks of them on a dining table in an apartment.
+00:00:22.033-STANDARD
A time lapse shows him wolf down another large stack.
+00:00:29.733-STANDARD
He cleans drool on his chin, then sips from a cup.
+00:00:38.600-STANDARD
He devours even more of the candies.
+00:00:51.766-STANDARD
The man scarfs down more, then stands and rubs his belly.
+00:01:08.766-STANDARD
He shoves another handful down his mouth.
+00:01:22.466-STANDARD
He consumes half of a stack.
+00:01:28.633-STANDARD
A time lapse shows the man rapidly consume dozens of the candies. His face strains while continuing to eat.
+00:01:38.833-STANDARD
Words appear: "Enjoying the video? Hit that thumbs up button!"
+00:01:46.766-STANDARD
The man burns through the rest of the candies, then lifts the final one.
+00:01:53.600-STANDARD
He downs it and sips almond milk.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Wlize3iUIec.txt b/raw/validation/gt_ad/output_Wlize3iUIec.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f2626ca9fe9f5a68a1c95696450e39f3ecc5b5a5
--- /dev/null
+++ b/raw/validation/gt_ad/output_Wlize3iUIec.txt
@@ -0,0 +1,3 @@
+00:00:14.936-STANDARD
Chris holds his camera to a fan on a table.
+00:00:32.173-STANDARD
He holds the camera beside the fan again.
+00:01:53.406-STANDARD
He slides a furry ring over the camera lens.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WnS4y84ht8I.txt b/raw/validation/gt_ad/output_WnS4y84ht8I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..47f56ce4e15d8e5d7872cbb893b4413ed83c2a02
--- /dev/null
+++ b/raw/validation/gt_ad/output_WnS4y84ht8I.txt
@@ -0,0 +1,19 @@
+00:00:00.000-STANDARD
Hands break a gooey chocolate chip cookie in half, with a tray of finished cookies in the background.
+00:00:10.443-STANDARD
Another cookie is picked up and shown to the camera.
+00:00:16.700-STANDARD
A stick of butter begins sizzling in a large pot. On-screen text: Brown 1 / 2 cup of butter (115 g).
+00:00:26.657-STANDARD
The butter is now fully melted in the pot.
+00:00:34.631-STANDARD
On-screen text: 1/2 cup granulated sugar (100g), 3/4 cup brown sugar. The granulated sugar is added to a metal bowl, followed by the brown sugar and then the melted butter.
+00:00:42.071-STANDARD
The mixture is whisked slowly until combined.
+00:01:03.243-STANDARD
On-screen text: 1 teaspoon vanilla extract, 1 egg. The vanilla extract is poured in, followed by the entire contents of an egg, which is cracked directly into the bowl. The mixture is whisked in a circular motion to combine.
+00:01:21.229-STANDARD
On-screen text: Whisk until the mixture has turned slightly pale.
+00:01:27.400-STANDARD
The whisk is tapped against the side of the bowl.
+00:01:31.843-STANDARD
On-screen text: 1 1/2 cups flour (185g), 1/2 teaspoon baking soda. The dry ingredients are added to the bowl. The mixture is stirred together.
+00:01:58.157-STANDARD
The dough now looks rough as chocolate chips are poured in.
+00:02:04.300-STANDARD
The dough is stirred to combine. On-screen text: Add chocolate chips. Refrigerate for 30 minutes.
+00:02:28.586-STANDARD
The bowl is placed next to a baking sheet. On-screen text: Scoop out small balls of dough using an ice cream scoop or spoon.
+00:02:34.243-STANDARD
An ice cream scooper is used to scoop dough out of the bowl. The dough is placed onto the cookie sheet one scoop at a time.
+00:03:11.043-STANDARD
On-screen text: Roll them into balls and add extra chocolate chips on top. The scoops of dough are rolled by hand into neat balls. Once placed on the sheet, additional chocolate chips are added on top.
+00:03:21.557-STANDARD
More chocolate chips are added to the balls of dough. On-screen text: Bake at 350°F for 12-14 minutes.
+00:03:30.929-STANDARD
The tray is slid off-screen. Then, two trays are shown, each holding six freshly baked cookies, arranged in two rows of three.
+00:03:36.843-STANDARD
A cookie is picked up and shown to the camera. It is then broken in half to reveal the gooey center.
+00:03:58.216-STANDARD
The broken cookie pieces are placed back on the tray.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WuF_dR7bUWA.txt b/raw/validation/gt_ad/output_WuF_dR7bUWA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c08fb41f99a8cd9decb1df89304b37103a0dd3f6
--- /dev/null
+++ b/raw/validation/gt_ad/output_WuF_dR7bUWA.txt
@@ -0,0 +1,20 @@
+00:00:15.471-STANDARD
A male-presenting person enters a wood shop, then uses a power tool. Sparks fly everywhere. A logo appears reading: John the Builder. John Malecki.
+00:01:04.471-STANDARD
A large, flat slab of wood is placed onto a large table saw by an overhead arm saw. Then two thin, long wood strips are shown.
+00:01:11.390-STANDARD
Another wood slab is placed under the saw and cut in half, then halved again.
+00:01:24.086-STANDARD
One of the slabs is cut again into several smaller strips.
+00:01:32.614-STANDARD
Several thin wooden strips are lined up on the work table, forming a neat bundle.
+00:01:37.551-STANDARD
More slabs are cut into thin strips, all uniform in size. The strips are added to the bundle.
+00:02:31.714-STANDARD
One strip is clamped upright into a jig. A drill press drills holes into the top of the strip. This process is repeated on wood pieces of various sizes.
+00:02:46.571-STANDARD
A slab of wood lies flat on the table. A drill arm carves text into the surface--we can't read it yet.
+00:03:00.114-STANDARD
Black spray paint is applied over the carved letters. The text is revealed: Cart Simpson.
+00:03:03.614-STANDARD
Blue painter's tape is wrapped around the ends of a stacked bundle of wood strips. A saw cuts a curved edge through the bundled strips; then, a round carving tool punches a circular hole through the stack of strips.
+00:03:14.743-STANDARD
An electric sander smoothes the black-painted wood, removing excess paint from the surface. Paint remains inside the carved letters. A saw cuts a wooden dowel. Glue is applied to the edge of one slab, joined to another slab, then clamped. Screws are added. The form begins to resemble a three-sided frame.
+00:03:38.957-STANDARD
A fourth slab is inserted as the base of the frame. It's flipped over, and screws are drilled in from the underside to secure it.
+00:03:50.354-STANDARD
A fast-motion sequence shows more work being done on the full cart. Glue, clamps, and drills are used.
+00:03:58.914-STANDARD
Metal rails are clamped onto the sides of the cart and fastened using a screwdriver.
+00:04:12.029-STANDARD
More gluing and clamping. The side rails are screwed onto the cart's upright frame. The full box shape is forming.
+00:04:22.683-STANDARD
The base slab is drilled and screwed in to form the top of the cart. At this point, the cart has four legs and rails on each sided.
+00:04:45.229-STANDARD
A top-down fast-motion montage shows the full assembly process: attaching legs, rails, and panels. The vlogger and assistant build the rolling cart together.
+00:05:03.500-STANDARD
The completed cart is taken off the worktable. Final touches are added once the cart is on the floor--wheels are screwed into the base, and side panels are stapled on.
+00:05:16.371-STANDARD
“Cart 2D2" is pushed around the shop.
+00:06:00.300-STANDARD
The assistant rides on top of Cart2D2 as the vlogger pushes it through the woodshop.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_WvGi3ycCxPo.txt b/raw/validation/gt_ad/output_WvGi3ycCxPo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e16d0335220a555afdc940ef16961ab7dd7d098b
--- /dev/null
+++ b/raw/validation/gt_ad/output_WvGi3ycCxPo.txt
@@ -0,0 +1,8 @@
+00:00:00.000-STANDARD
A male-presenting person pulls back a curtain on a large window, revealing a house across the street and some trees outside.
+00:00:21.614-STANDARD
He opens a freezer beneath a refrigerator and pulls out a pack of frozen waffles. The top of a dog's head can be seen in the corner of the frame.
+00:00:44.343-STANDARD
He places a frozen waffle into the toaster oven on the kitchen counter, adds another waffle, and presses the lever down.
+00:00:57.829-STANDARD
On a small plate, he breaks the waffles into pieces by hand.
+00:01:22.043-STANDARD
In silhouette, with large windows behind him showing a view of a brick apartment building, he pulls out a chair and sits at the table.
+00:01:48.186-STANDARD
He turns on the tap and begins doing dishes in the kitchen sink.
+00:01:56.471-STANDARD
He uses a sponge to clean a plate, rinses a pan with water from the tap, and then washes the pan with the sponge. He rinses the pan again.
+00:02:25.271-STANDARD
Using a lightweight vacuum, he vacuums the wood floors in the hallway of his apartment.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_XBMKqyEl6Ik.txt b/raw/validation/gt_ad/output_XBMKqyEl6Ik.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e8d5979024680b46aa363f51cba61a596077c6d5
--- /dev/null
+++ b/raw/validation/gt_ad/output_XBMKqyEl6Ik.txt
@@ -0,0 +1,9 @@
+00:00:00.000-STANDARD
At a theme park, a yellow house sits on a small mound of fake grass. On-screen text: Peppa Pig's House. Peppa Pig World.
+00:00:08.943-STANDARD
The camera walks along the side of the house, past a green fence surrounding the lawn, finally reaching the green front steps.
+00:00:19.857-STANDARD
A child's head, wearing a hat, bobs slightly in front of the camera as they climb the stairs to the yellow house. On-screen text: Follow Our Adventures.
+00:00:29.686-STANDARD
The camera enters the open yellow door, revealing four life-sized animatronic pigs: two Peppa Pig parents and two Peppa Pig children. They are positioned in a colorful, toy-like kitchen with a blue kitchen table, four plates, and silverware. Kitchen cabinets are visible behind them, with Peppa Pig audio playing.
+00:00:39.843-STANDARD
The animatronic Peppas' arms and heads move randomly in different directions as the audio plays.
+00:00:45.114-STANDARD
The top of a child's head is visible as they stand in front of the Peppa Pig kitchen set.
+00:04:54.457-STANDARD
The camera exits through the door and moves back onto the green stairs.
+00:04:59.913-STANDARD
A child with long brown hair appears, walking down the stairs.
+00:05:07.876-STANDARD
The camera walks toward the green gate, then turns around to show the yellow house in the background.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_XSldlQnbpiI.txt b/raw/validation/gt_ad/output_XSldlQnbpiI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..36abf4d313cb486124ee66fde003f520ffbc9b66
--- /dev/null
+++ b/raw/validation/gt_ad/output_XSldlQnbpiI.txt
@@ -0,0 +1,13 @@
+00:00:00.003-STANDARD
In animation, six humanoid color jars stand by the words "Primary" and “Secondary."
+00:00:22.314-STANDARD
Red and Yellow stand by a jar.
+00:00:46.394-STANDARD
They combine colors and Orange appears.
+00:01:00.516-STANDARD
Green and Yellow mix.
+00:01:05.913-STANDARD
Light Green appears with a smile.
+00:01:22.876-STANDARD
Green and Cyan combine and make Turqoise-Green. The new color smiles and waves.
+00:01:43.191-STANDARD
Magenta and Red blend.
+00:01:48.400-STANDARD
Fuchsia appears with a smile.
+00:02:02.318-STANDARD
Magenta and Cobalt mix.
+00:02:07.991-STANDARD
Violet appears and hops up.
+00:02:16.311-STANDARD
The colors stand together again.
+00:02:52.627-STANDARD
Yellow appears by a subscribe button.
+00:03:05.993-STANDARD
A link appears: "w w w dot smile and learn dot com."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_XdaGslJ6vgQ.txt b/raw/validation/gt_ad/output_XdaGslJ6vgQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c4c6b193d457961e250cbf8c2bb16cfa076bbef5
--- /dev/null
+++ b/raw/validation/gt_ad/output_XdaGslJ6vgQ.txt
@@ -0,0 +1,6 @@
+00:00:35.071-STANDARD
A graphic of a tube shows sugar levels rising by percentage.
+00:01:56.157-STANDARD
The child slaps his hand against his forehead.
+00:02:03.129-STANDARD
He slaps his forehead again.
+00:03:35.943-STANDARD
The child and the interviewer do a handshake, with a high and a low fist-bump.
+00:05:09.271-STANDARD
The interviewer dribbles a basketball in the park. The child steals it mid-dribble, then begins dribbling while the interviewer tries and fails to steal it back.
+00:05:28.143-STANDARD
On-screen text: Like & Subscribe.
Icons appear for Instagram: recess_therapy, Twitter: recess_therapy, and Facebook: recesstherapy.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_XkueS09XEFE.txt b/raw/validation/gt_ad/output_XkueS09XEFE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9a2714097e20a6380d34a9d08d222bc998a24c74
--- /dev/null
+++ b/raw/validation/gt_ad/output_XkueS09XEFE.txt
@@ -0,0 +1,40 @@
+00:00:00.250-STANDARD
A man with a white mustache in a workshop hammers a lump of clay on a worktable with his fist.
+00:00:06.799-STANDARD
The mustached man rolls the clay so it's long and cylindrical, then carefully affixes one end to a small clay disc.
+00:00:15.641-STANDARD
A time lapse shows the mustached man carefully add more clay to the cylindrical piece and sculpt it with a variety of small, pointed tools.
+00:00:25.317-STANDARD
It takes the form of a nude woman, her shoulders hunched while she covers one of her breasts with a cloth that flows down her torso to her feet.
+00:00:34.535-STANDARD
The mustached man rotates the sculpture and displays its rough features.
+00:00:39.915-STANDARD
The mustached man moves to another worktable where a wood and metal frame about the size of his torso sits.
+00:00:48.799-STANDARD
A time lapse shows the mustached man adhering lumps of clay to the frame until it takes the shape of the woman.
+00:00:57.599-STANDARD
The mustached man uses different handheld tools to deftly polish the details on her face, hair, and hand holding the cloth to her breast.
+00:01:08.610-STANDARD
The mustached man uses his finger to smooth over the woman's lips.
+00:01:14.533-STANDARD
Another man, grey-haired and bespectacled, fixes a long band of clay to the back of the woman's head and makes it run across her right cheek, then down her left shoulder.
+00:01:31.341-STANDARD
A time lapse shows the bespectacled man cover the woman with copious amounts of liquid plaster from a bowl.
+00:01:40.434-STANDARD
The mustached man helps the bespectacled man fix two metal bars onto the sides of the woman after she's covered with thick layers of plaster.
+00:01:52.195-STANDARD
The mustached man uses different tools to smooth out the plaster mold.
+00:02:00.746-STANDARD
The mustached man uses a hammer and chisel on the top and sides of the plaster mold, making a slight crack form neatly along its middle.
+00:02:12.091-STANDARD
He uses the hammer and a wooden wedge to broaden the crack.
+00:02:19.098-STANDARD
He carefully pulls apart the mold from the body of the bust in two large sections, then pulls off a section from her face.
+00:02:28.690-STANDARD
Later, one half of the body mold lies on a work table. The mustached man uses a brush to apply layers of liquid plaster to its interior, then does the same with the other half and face.
+00:02:42.454-STANDARD
The mustached man reassembles the mold. He uses the metal bars on the mold's exterior to manuever it to the floor, upside down.
+00:02:52.172-STANDARD
The mustached man fills the mold with more plaster from a hole in its bottom.
+00:02:58.595-STANDARD
The mustached man, now wearing a hat made from a folded newspaper, sets the mold back on his work table.
+00:03:06.728-STANDARD
He uses the hammer and chisel along with other smaller tools to sculpt the woman's details.
+00:03:14.444-STANDARD
The mustached man uses a wooden frame with a pulley system to to position a large chunk of marble with a vague drawing of the woman over a work table beside the plaster bust.
+00:03:26.874-STANDARD
The mustached man moves another wooden frame over the plaster bust. He hangs a plumb bob from the frame and marks where it touches the top of the woman's head.
+00:03:37.843-STANDARD
He does the same with the chunk of marble, then stands to its side and takes it in.
+00:03:45.100-STANDARD
The mustached man uses his hammer and chisel to work at the marble, cleaving a section off its side.
+00:03:53.441-STANDARD
The mustached man uses large callipers to measure the plaster bust, then applies the measurement to the marble before working it over with his hammer and chisel.
+00:04:05.204-STANDARD
The mustached man repeats the process with progressively smaller callipers.
+00:04:12.293-STANDARD
The mustached man uses a large measuring tool made with a wooden post to take measurements from the plaster bust. He applies them to the marble chunk.
+00:04:24.431-STANDARD
A time lapse shows the mustached man work at the marble with his hammer and chisel and several smaller, pointed tools.
+00:04:34.149-STANDARD
The features present in the plaster bust begin to form on the marble.
+00:04:43.366-STANDARD
The woman's face and hair takes shape.
+00:04:52.167-STANDARD
The woman's arms, shoulders, and the cloth take rough form.
+00:05:01.718-STANDARD
The mustached man adds more precise detailing to the woman's face, hair, exposed breast, hands, and cloth.
+00:05:13.647-STANDARD
The mustached man turns the marble sculpture to continue working on her hair, her back still rough and misshapen.
+00:05:25.159-STANDARD
The mustached man uses a brush on dust on the woman's face.
+00:05:35.252-STANDARD
The mustached man steps away from the marble bust, the likeness of the woman now complete and rendered in precise detail.
+00:05:47.055-STANDARD
Words appear: "In loving memory of David Henry Hammer. Producer, Director, Videographer: Chelsea Knight. Artist: Fred X. Bownstein. Executive Producer Scott Keiner."
+00:06:00.610-STANDARD
"Supervising line producer: Karla Carnewal. Senior Producer David Hammer. Director of Photography Terrence Hayes."
+00:06:09.786-STANDARD
"Editor: Adam Enatsky. Sound Mixer: John Conway. Mold Maker Glenn Campbell."
+00:06:16.918-STANDARD
"National Gallery of Art. N G A dot gov. Copyright twenty twenty three Board of Trustees, National Gallery of Art."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_XqlRk4gmYC4.txt b/raw/validation/gt_ad/output_XqlRk4gmYC4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f4ce9375de2fec18f85ae16c16a995f950eebfb1
--- /dev/null
+++ b/raw/validation/gt_ad/output_XqlRk4gmYC4.txt
@@ -0,0 +1,11 @@
+00:00:00.000-STANDARD
In a gym.
+00:00:49.402-STANDARD
Footage shows Steph, bearded and muscular, do pull ups with a pull up bar placed in a doorway.
+00:01:03.723-STANDARD
Now, Steph eyes the camera.
+00:01:15.353-STANDARD
Steph does t-bar rows with seventy five pounds.
+00:01:22.681-STANDARD
A row of heavy bags sway to his side while other people at the gym move to and fro across from him near machines.
+00:01:35.541-STANDARD
Steph does lat pull downs. He brings the handles down, then slowly allows the handles to go up.
+00:01:50.696-STANDARD
Steph brings the handles down and up in short bursts as he does lengthened partials.
+00:02:02.178-STANDARD
Now, Steph looks into the camera.
+00:02:55.419-STANDARD
Lexi sits at a rowing cable machine and pulls the handle to her chest with her elbows flared out before letting it return toward the weight.
+00:03:05.034-STANDARD
Two people walk past her, one with a black gym bag. A man in a ball cap does the elliptical across from her among other cardio machines.
+00:03:16.223-STANDARD
Now, Steph mimes doing rows.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Y6SJ5Bzj7DA.txt b/raw/validation/gt_ad/output_Y6SJ5Bzj7DA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fd47a05ff5eb3d9ef494ea05d57007589516ea5d
--- /dev/null
+++ b/raw/validation/gt_ad/output_Y6SJ5Bzj7DA.txt
@@ -0,0 +1,20 @@
+00:00:00.366-STANDARD
A host drops two plastic bottle caps onto a baby blue table.
+00:00:06.866-STANDARD
The host takes one cap, then pokes a hole through its center with a metal poker tool.
+00:00:14.933-STANDARD
The host shows the modified cap to the camera.
+00:00:20.500-STANDARD
The host places two pink cuetips on the table. They lift one, then pull the fuzz off of one of its sides. They point at the other side, then the second cutetip.
+00:00:33.266-STANDARD
Time passes and the host sets the two cuetips back on the table, the fuzzy ends removed.
+00:00:41.166-STANDARD
The host uses a hot glue gun on a small spot on the interior of the cap's rim. They press the end of one cutetup into the glue, then squeeze more glue on the opposite side of the cap's rim.
+00:00:55.300-STANDARD
The host affixes the second cuetip to the glue by its end.
+00:01:01.000-STANDARD
The host takes the second cap and places it on the other side of the cutetips.
+00:01:08.066-STANDARD
Time passes and the host displays the toy, the second cap now fixed to the other side of the cuetips with the glue, mirroring the first cap.
+00:01:19.012-STANDARD
The host sticks a shortened section of a pink straw into the first cap's center hole so it pokes out.
+00:01:27.200-STANDARD
The host takes a staple, uncurled and shaped like a hook, and places the flat side of it into the middle of the second cap's interior.
+00:01:38.000-STANDARD
The host removes the staple, then uses the hot glue gun on the middle of the cap's interior before affixing the staple to it so the hook part points up to the other cap.
+00:01:50.066-STANDARD
The host lifts a needle with one end curled like a hook. They push the straight side through the straw so its tip pokes out and the hook rests flush with the underside of the cap.
+00:02:02.000-STANDARD
The host displays a small, green bead with a hole in its center. They run it through the needle poking out of the straw.
+00:02:11.200-STANDARD
The host takes a pink propeller and pushes its center onto the needle.
+00:02:19.133-STANDARD
The host gently pushes the propeller and it smoothly rotates.
+00:02:29.333-STANDARD
The host takes a rubber band and wraps each side around the hook parts of the staple and needle.
+00:02:44.366-STANDARD
The host rotates the propeller, twisting the rubber band tightly as they go.
+00:02:54.966-STANDARD
A like and subscribe graphic appears.
+00:03:04.966-STANDARD
The host releases the propeller and the toy flies away.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_YGQEIk5_pKQ.txt b/raw/validation/gt_ad/output_YGQEIk5_pKQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4c74ab9c25308593a741dae2877316ad5a82e192
--- /dev/null
+++ b/raw/validation/gt_ad/output_YGQEIk5_pKQ.txt
@@ -0,0 +1,5 @@
+00:00:22.966-STANDARD
Young boys leap into the ocean from a dock.
+00:00:54.511-STANDARD
Images flash: A baby turtle crawls along a beach to the ocean. Three people canoe into a vast cave surrounded by jungle. A vibrant orange and yellow fish swims by coral. The islanders play instruments and dance on the beach.
+00:01:15.965-STANDARD
A teenage boy, Jawi, swims beside a whale shark, then feeds it.
+00:01:22.932-STANDARD
A sea turtle cruises toward the camera.
+00:01:41.483-STANDARD
The whale shark passes close to the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_YcWh7Sljrs8.txt b/raw/validation/gt_ad/output_YcWh7Sljrs8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..491b8ad74800edbbb0880b22673c2b1fbd709cd3
--- /dev/null
+++ b/raw/validation/gt_ad/output_YcWh7Sljrs8.txt
@@ -0,0 +1,13 @@
+00:00:00.000-STANDARD
Two adult donkeys and one baby donkey walk across a rocky terrain scattered with green bushes.
+00:00:09.686-STANDARD
A group of elephants, including males with tusks, females without tusks, and babies, walk slowly across dry, wheat-colored grass, with flat-topped canopy trees in the distance behind them.
+00:00:19.463-STANDARD
A single donkey walks slowly across the rocky terrain. Another donkey stands still, staring. A donkey walks slowly towards the standing donkey, and they both stand side by side, staring ahead.
+00:00:33.900-STANDARD
The group of elephants continues to walk slowly across the dry terrain.
+00:00:42.627-STANDARD
An elephant with tusks picks up wheat-colored grass with its trunk and eats it. The elephant then uses its tusks to pull more dry grass from the ground, lifts it to its mouth, and chews.
+00:00:58.242-STANDARD
A lone donkey stares directly towards the camera.
+00:01:07.454-STANDARD
Another lone donkey stares at the camera, then turns around and starts walking away, only to turn back towards the camera.
+00:01:16.964-STANDARD
A large elephant with tusks stands on the dry grassy terrain, eating grass, with scattered bushes behind it and a mountain in the distance.
+00:01:25.043-STANDARD
The large elephant walks slowly through the grass.
+00:01:39.100-STANDARD
A donkey emerges from behind some dry green bushes, mouth open, making noise.
+00:01:48.806-STANDARD
Three donkeys make their way through the rocky terrain, walking uphill on a moderate slope.
+00:01:58.457-STANDARD
An elephant with tusks, standing behind the trunk of a tree, lifts its head towards the sky, bobbing it up and down a few times.
+00:02:06.427-STANDARD
The elephant moves forward slightly, revealing more of its head, then places its ear against the tree trunk, moving its head up and down as it uses the trunk as a scratching post.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_YvcgK0sW_fg.txt b/raw/validation/gt_ad/output_YvcgK0sW_fg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fc1e7e762e9e1ea8d0fc4b84c8a723fc3359b295
--- /dev/null
+++ b/raw/validation/gt_ad/output_YvcgK0sW_fg.txt
@@ -0,0 +1,11 @@
+00:00:00.000-STANDARD
Blue-striped pajama pants and bare feet walk down carpeted stairs. One foot steps on a dog's squeaky toy; then the feet keep walking.
+00:00:06.786-STANDARD
A male-presenting vlogger, bald with a long brown beard, turns on a light switch and enters the kitchen, approaching a coffee maker.
+00:00:16.500-STANDARD
He opens the cabinet above the coffee maker and removes a mug from the shelf.
+00:00:22.624-STANDARD
He places the mug on the counter and pours coffee into it, leaning over the mug and looking very closely as he pours.
+00:00:31.814-STANDARD
Looking tired, he leans on the counter for support, takes a sip from the mug, and walks off.
+00:00:39.700-STANDARD
A montage of the vlogger talking directly to the camera in various rooms of the house. An effect slowly blurs the sides of the lens into a small pinhole, until the screen goes completely black.
+00:00:50.343-STANDARD
The show's logo appears on screen: "The Blind Spot" with a skull logo and two red-tipped canes crossed behind it.
+00:00:58.486-STANDARD
The vlogger stands in his kitchen.
+00:02:18.500-STANDARD
He holds a packet close to his face.
+00:02:36.571-STANDARD
Yellow writing on brown paper.
+00:05:07.200-STANDARD
He sips his coffee.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_YvflN4OKRVU.txt b/raw/validation/gt_ad/output_YvflN4OKRVU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..46e147ef79a04d97567c177190beeddaab7622a2
--- /dev/null
+++ b/raw/validation/gt_ad/output_YvflN4OKRVU.txt
@@ -0,0 +1,33 @@
+00:00:00.000-STANDARD
On-screen text: Math is Visual. Let’s teach it that way.
+00:00:10.400-STANDARD
An animation shows dozens of candies in multicolored wrappers.
+00:00:15.078-STANDARD
An animation of 4 shopping bags side by side.
+00:00:21.714-STANDARD
On-screen text: 48 candies are to be shared among 4 children. How many candies would each child receive?
+00:00:28.229-STANDARD
On-screen text: Pause video.
+00:00:40.626-STANDARD
The animation starts moving, and the candies are separated into the 4 bags.
+00:00:45.971-STANDARD
The first bunch of candies is placed in the first bag. On-screen text above the bag: 10. The rest are divided among the other 3 bags. On-screen text above each bag: 10, 10, and 10.
+00:00:51.586-STANDARD
2 more candies are shown above each bag. On-screen text: 10 plus 2. The 2 candies are added to each bag.
+00:00:58.353-STANDARD
On-screen text: 12 candies per child.
+00:01:02.014-STANDARD
On-screen text: 48 divided by 4 equals 12.
+00:01:05.743-STANDARD
On-screen text: r equals 12 candies per child.
+00:01:09.957-STANDARD
On-screen text: 4 times parenthesis r equals 48.
+00:01:14.457-STANDARD
4 times 12 equals 48.
+00:01:18.300-STANDARD
0 times 12 equals 0.
+00:01:23.357-STANDARD
1 times 12 equals 12. A bag filled with candies is shown.
+00:01:27.771-STANDARD
2 times 12 equals 24. A second bag of candies is shown.
+00:01:31.786-STANDARD
3 times 12 equals 36. A third bag of candies is shown.
+00:01:35.749-STANDARD
4 times 12 equals 48. A fourth bag of candies is shown.
+00:01:39.729-STANDARD
The graphic of candies separates, and the 4 bags are empty again.
+00:01:45.534-STANDARD
The bags are shown vertically. 1 candy appears beside each bag labeled with the number 4.
+00:01:49.471-STANDARD
4 more candies are shown beside them, labeled with the number 8.
+00:01:54.357-STANDARD
4 more candies appear, labeled with the number 12.
+00:01:59.429-STANDARD
3 more rows of 4 candies are shown, labeled 16, 20, and 24.
+00:02:03.804-STANDARD
6 more rows of 4 candies are shown, labeled 28, 32, 36, 40, 44, and 48.
+00:02:08.890-STANDARD
A yellow rectangle. On the short side, the words: 4 children.
+00:02:15.157-STANDARD
On the top side, the words: 10 candies.
+00:02:18.386-STANDARD
In the middle of the rectangle, the number 40 appears.
+00:02:22.543-STANDARD
A green portion is added to the end of the rectangle, above it is labeled: 2 candies, and in the center appears the number 8.
+00:02:26.986-STANDARD
On-screen text: 40 plus 8 equals 48 candies.
+00:02:34.075-STANDARD
On-screen text: 48 divided by 4 equals r.
+00:02:37.586-STANDARD
4 times parenthesis r equals 48.
+00:02:41.586-STANDARD
10 plus 2 equals 12 candies per child.
+00:02:47.986-STANDARD
On-screen graphic: Subscribe. Teacher and parent supports. Math is Visual. Let’s teach it that way.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ZBj9ejasCiI.txt b/raw/validation/gt_ad/output_ZBj9ejasCiI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..bb3ed2c787ed5b5b219873bc8206bbd17cce0c45
--- /dev/null
+++ b/raw/validation/gt_ad/output_ZBj9ejasCiI.txt
@@ -0,0 +1,6 @@
+00:00:14.243-STANDARD
An at-home espresso machine. On screen, the text "Home Café by Charlie" appears.
+00:01:38.543-STANDARD
The steamer tip on the machine is used to froth milk in a metal jug. On screen, numbers count from zero to three, every second, followed by "stop."
+00:02:09.643-STANDARD
The nozzle is inserted into the jug, stirring the milk. On screen, numbers count from zero to three, every second, followed by "stop."
+00:02:15.514-STANDARD
The nozzle continues frothing the milk in the metal jug, vibrating and creating ripples in the milk.
+00:02:26.014-STANDARD
The dial is turned, and the jug is removed from the nozzle. The mug is gently swirled by hand.
+00:02:57.471-STANDARD
The nozzle is placed in the jug at an angle, swirling the milk around.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ZGbYE_12ca4.txt b/raw/validation/gt_ad/output_ZGbYE_12ca4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6ffe245a42d55acf17c6f51766a8d31646da85fc
--- /dev/null
+++ b/raw/validation/gt_ad/output_ZGbYE_12ca4.txt
@@ -0,0 +1,11 @@
+00:00:13.040-STANDARD
A teen girl raises her hand.
+00:00:42.040-STANDARD
Caprice cries. The other four girls tense up.
+00:00:51.920-STANDARD
One girl removes her glasses and wipes away tears.
+00:01:05.320-STANDARD
One girl stares blankly.
+00:01:17.440-STANDARD
Caprice wipes away tears.
+00:02:11.600-STANDARD
Caprice blows her nose while she turns to the girl wearing glasses.
+00:02:21.360-STANDARD
The first girl to get talked to stands and hugs Caprice.
+00:02:29.640-STANDARD
Miss Bland, a white-haired, bespectacled woman, watches intently while another girl stands and hugs Caprice.
+00:02:41.000-STANDARD
"Caprice is now in Year Eight. She's happily settled with a new group of friends."
+00:02:55.960-STANDARD
Caprice smiles beside another girl in a classroom.
+00:03:01.440-STANDARD
More videos from the channel appear.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ZIsVmPoqj48.txt b/raw/validation/gt_ad/output_ZIsVmPoqj48.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dc71a7f40ac301c2fdf74578539eac7f525f8e60
--- /dev/null
+++ b/raw/validation/gt_ad/output_ZIsVmPoqj48.txt
@@ -0,0 +1,14 @@
+00:00:00.096-STANDARD
Words appear: "Two days before audition." In vividly colored animation, people carry luggage past a lobby's front desk. One person stops by the desk.
+00:00:15.149-STANDARD
The person, lanky and brown-haired, puts on ballet slippers.
+00:00:31.327-STANDARD
The lanky person performs a dance with several others in a studio.
+00:00:38.458-STANDARD
Later, they eye pills in their hand. They sit in a shower. Words appear: "One day until audition." They lie in bed.
+00:00:49.274-STANDARD
They down pills. They sit in the shower. They sit in their bed and down liquid from a cup.
+00:00:55.837-STANDARD
The lanky person steps to a man smoking a cigarette on a terrace.
+00:01:17.653-STANDARD
The man, blue-haired, passes the lanky person a cigarette before leaving. The person takes a drag and exhales as they lean against a railing.
+00:01:27.993-STANDARD
They slide down the railing and fall onto a sedan.
+00:01:33.255-STANDARD
Sweating, they walk while colors flash around them. They down pills, sit in the shower, then flip a light switch. Words appear: "Day of audition."
+00:01:43.944-STANDARD
The lanky person walks through a vast, orange-walled building with multi-colored tiles and black vases on tables.
+00:01:52.030-STANDARD
They enter a huge, white room with three people at a table.
+00:01:58.393-STANDARD
The lanky person stares blankly. Appearing in white lines against black, the lanky person pumps their arms out, twists their torso while leaping back, then lands and throws down their hands.
+00:02:12.117-STANDARD
They sit and spread their legs across the floor, then arch their back while tossing their hair. They cycle through different poses on the floor, then push off their hands while keeping their body rigid.
+00:02:25.203-STANDARD
Later, they lie in a hospital bed hooked up to an IV. Words appear: "Art plus music by Lewis Tarver. Calarts twenty twenty three."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Zci9LD-Ay1I.txt b/raw/validation/gt_ad/output_Zci9LD-Ay1I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5dea2f467dc6c64564ba7179e576ea02c6fff7dc
--- /dev/null
+++ b/raw/validation/gt_ad/output_Zci9LD-Ay1I.txt
@@ -0,0 +1,9 @@
+00:00:40.330-STANDARD
An older man enters a lavish house.
+00:01:19.379-STANDARD
In a factory.
+00:02:05.392-STANDARD
Men work machinery.
+00:02:18.529-STANDARD
At the lavish house.
+00:02:24.884-STANDARD
A lake shimmers.
+00:02:49.501-STANDARD
The older man walks on a deck.
+00:04:00.755-STANDARD
Cut to black. Words appear: "'Unnatural Causes: Is Inequality Making Us Sick?' Premieres Thursday, March Twenty Seventh on PBS (check local listings). Produced by California Newsreel, with Vital Pictures. A presentation of the National Minority Consortia."
+00:04:20.538-STANDARD
"For Station Relations, please contact Robyn Deshields: deshields at earthlink dot net."
+00:04:28.573-STANDARD
"For Press Relations, please contact Gwen McKinney: gwen at m c k p r dot com." This screener is not for broadcast. Unauthorized duplication is a violation of applicable laws."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ZgYyTgXsM-A.txt b/raw/validation/gt_ad/output_ZgYyTgXsM-A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7e04a24fc20c6ed7eaf951edc06578047e63f53c
--- /dev/null
+++ b/raw/validation/gt_ad/output_ZgYyTgXsM-A.txt
@@ -0,0 +1,13 @@
+00:00:05.329-STANDARD
Looking out from a camper toward a wooded campsite under a cloudy sky.
+00:02:22.000-STANDARD
High in the mountains whose peaks stretch into the distance, the vlogger and a friend walk down a path along a cliffside.
+00:02:40.086-STANDARD
A large dirt clearing used as a campsite, surrounded by trees.
+00:03:38.200-STANDARD
From a mountainside, a view of a distant mountain range.
+00:05:15.414-STANDARD
Driving down a tree-lined dirt road, the vlogger drives behind two pickup trucks.
+00:05:19.929-STANDARD
Arriving at a grassy campsite, a friend near one of the parked pickups runs toward the vlogger’s van.
+00:06:00.729-STANDARD
Next to the parked pickup, a friend jumps onto a dirt bike.
+00:06:14.057-STANDARD
From across a pond, we see the van and trucks parked along the far bank.
+00:06:19.586-STANDARD
One friend uses a shovel to build up a small dirt ramp.
+00:06:27.743-STANDARD
The same friend rides the dirt bike up the ramp.
+00:06:33.143-STANDARD
A campfire glows beside a tent.
+00:07:55.543-STANDARD
The vlogger steps out of his van.
+00:07:58.057-STANDARD
He walks into the campsite.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ZiPoqQn63L0.txt b/raw/validation/gt_ad/output_ZiPoqQn63L0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..02cf055f1eda88a305a80b81311ebf013a6f1143
--- /dev/null
+++ b/raw/validation/gt_ad/output_ZiPoqQn63L0.txt
@@ -0,0 +1,24 @@
+00:00:08.029-STANDARD
A snowy woods.
+00:00:14.700-STANDARD
A squirrel hides in a hole in a tree, then emerges and shakes itself off.
+00:00:19.614-STANDARD
It climbs up the tree trunk vertically and perches.
+00:00:29.386-STANDARD
In slow motion, the squirrel leaps from the trunk, its wings out, tail down, soaring through the woods.
+00:00:47.986-STANDARD
It lands vertically on a nearby tree trunk.
+00:00:51.386-STANDARD
We see it fly again.
+00:00:58.971-STANDARD
It floats through the air towards a tree trunk.
+00:01:07.457-STANDARD
It lands.
+00:01:10.714-STANDARD
It chews on moss.
+00:01:18.814-STANDARD
It leaps from the tip of a dead branch.
+00:01:21.743-STANDARD
It flies through the air.
+00:01:25.143-STANDARD
It lands on a tree and scurries upwards.
+00:01:31.171-STANDARD
Two squirrel babies nurse in a tree hole.
+00:01:49.414-STANDARD
Cherry blossoms on trees.
+00:01:57.129-STANDARD
A white flower blooms.
+00:02:07.514-STANDARD
A squirrel emerges from a tree hole. Then three squirrels are shown perched on the trunk.
+00:02:20.300-STANDARD
A baby and mother squirrel run up the tree.
+00:02:25.757-STANDARD
The head of a baby squirrel pokes out.
+00:02:37.471-STANDARD
A baby squirrel walks carefully down a thin branch.
+00:02:41.343-STANDARD
It leaps into the air, its wingspan wide.
+00:02:44.914-STANDARD
It lands on a nearby tree.
+00:02:52.962-STANDARD
This baby squirrel returns to the hole, his legs and tail squeezing in last.
+00:03:03.489-STANDARD
Its head pokes out slightly.
+00:03:06.886-STANDARD
On-screen: The BBC Earth icon.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Zsl39MRNGCk.txt b/raw/validation/gt_ad/output_Zsl39MRNGCk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..61c0f6a6766260060b406e8281f89a7c5d135c6f
--- /dev/null
+++ b/raw/validation/gt_ad/output_Zsl39MRNGCk.txt
@@ -0,0 +1,13 @@
+00:01:58.157-STANDARD
A black cat rubs its face against a metal tube being held above its head.
+00:02:09.514-STANDARD
On a couch, with a lit Christmas tree in the background, the same cat lies on a fuzzy blanket while being petted behind the ear.
+00:02:27.486-STANDARD
The cat, perched on a TV stand near the Christmas tree, reaches toward a string light, then jumps down.
+00:02:32.671-STANDARD
Photo montage of the black cat: the cat sits on a person who bends over in a black sweatshirt; same cat hiding under covers, and chasing its tail in circles on the floor.
+00:02:45.343-STANDARD
The cat jumps atop someone's feet at the bottom of a blanket on a bed, then appears on the couch, tucked under sheets and a fuzzy blanket.
+00:02:54.314-STANDARD
On the couch, the cat looks up. A finger comes into frame and gently boops its nose.
+00:03:01.500-STANDARD
The cat kneads a person's belly with its paws as the two lie on the couch. The person strokes the cat gently.
+00:03:07.343-STANDARD
Lying on the floor, the cat plays with a toy cheese, biting and cradling it between its front and back paws.
+00:03:24.057-STANDARD
The cat stands up and continues wrestling with the toy cheese, eventually falling over with the toy still in its paws.
+00:03:33.700-STANDARD
Photo montage begins: the cat under covers, on a desk chair, and perched atop a rolling suitcase.
+00:03:44.657-STANDARD
A video of the cat grooming itself, licking its fur.
+00:03:52.671-STANDARD
The cat lies on a desk chair, looking up and around.
+00:04:04.300-STANDARD
Still on the desk chair, the cat plays with a fluffy toy as it's moved around on a pole like a fishing rod. The cat paws at the toy as it's moved in circles.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_Zyk7kM82nN0.txt b/raw/validation/gt_ad/output_Zyk7kM82nN0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c4eaa3a18d416f99f9b5db41df87d99e04024020
--- /dev/null
+++ b/raw/validation/gt_ad/output_Zyk7kM82nN0.txt
@@ -0,0 +1,34 @@
+00:00:02.148-STANDARD
A logo of a rooster sits on the screen's bottom right corner.
+00:00:07.552-STANDARD
A boy wearing a green vest, boots, and a sunhat walks down a dirt road winding through a green field surrounded by winter trees.
+00:00:18.339-STANDARD
In the far distance stand snowy mountains.
+00:00:23.569-STANDARD
The boy, now without his vest, follows a woman in red carrying a shovel with a packed bag hanging from it up a grassy hill.
+00:00:34.493-STANDARD
The boy and the woman reach a fence made of thick branches and wood posts.
+00:00:42.349-STANDARD
The woman moves across a vast field of tilled earth with a man in a sun hat.
+00:00:50.284-STANDARD
The woman dumps potatoes from a sack into a metal bucket.
+00:00:56.639-STANDARD
The woman stoops over and places the potatoes in a row in the tilled earth.
+00:01:04.819-STANDARD
She uses a hoe to cover the potatoes.
+00:01:11.847-STANDARD
Elsewhere, the boy now wears a blue coat while using a swing hanging from the branch of a tree in a large field.
+00:01:21.477-STANDARD
The boy carefully uses a hammer on a nail placed in a broken branch as it sits on a brick.
+00:01:30.420-STANDARD
The woman bends over by a garden bed and inserts plants into the dirt.
+00:01:37.086-STANDARD
The boy walks across the field and away from the wooden fence surrounding the farm.
+00:01:44.088-STANDARD
He walks up a hill dotted with pink, blue, and white wildflowers. The boy steps across a puddle in a muddy section of the field.
+00:01:55.530-STANDARD
He hurries to a pair of trees. Kneeling, the boy picks yellow, white, and blue wildflowers from the ground.
+00:02:07.010-STANDARD
Now sitting cross-legged, the boy picks more flowers and adds them to his bouquet.
+00:02:17.857-STANDARD
The boy moves around the field and carefully takes more and more wildflowers.
+00:02:28.030-STANDARD
Flames rise from a stack of dead wood far behind the boy. A man in a hoodie holding a chainsaw casually passes by him.
+00:02:44.921-STANDARD
The boy steps to a patch of pink wildflowers.
+00:02:57.812-STANDARD
He takes the pink wildflowers and adds them to his bouquet.
+00:03:11.843-STANDARD
The boy hikes up a small hill covered with gnarled trees and flowers.
+00:03:25.096-STANDARD
He stoops over and grabs more flowers.
+00:03:41.379-STANDARD
The boy trudges further up the hill.
+00:03:50.413-STANDARD
He stops, bends over, and plucks more pink flowers from the ground.
+00:04:06.035-STANDARD
The boy crouches by a patch of white flowers and picks them.
+00:04:15.846-STANDARD
The boy adds more pink wildflowers to his bouquet.
+00:04:24.104-STANDARD
The boy hunches over the field and incorporates large blades of grass to his bouquet.
+00:04:33.993-STANDARD
The boy walks back uphill.
+00:04:38.872-STANDARD
He briefly stops to smell his fistfull of flowers, then continues on.
+00:04:46.845-STANDARD
He hides the flowers behind his back as he approaches a small house made of wood and packed earth.
+00:04:56.436-STANDARD
He knocks on the house's front door.
+00:05:01.090-STANDARD
The woman emerges from the house and he hands her the flowers. She beams while taking them, then kisses his cheek.
+00:05:13.184-STANDARD
The woman presents the bouquet to the camera. Later, she pours water from a plastic jug into a cup on a table outside, then places the bouquet inside.
+00:05:32.159-STANDARD
Later, a breeze ruffles the pink, yellow, blue, and white flowers in their new vase.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output__za-3RUeQsU.txt b/raw/validation/gt_ad/output__za-3RUeQsU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..de7b944384ac30d4c01a4eb936f5b4de8f5d8b4a
--- /dev/null
+++ b/raw/validation/gt_ad/output__za-3RUeQsU.txt
@@ -0,0 +1,11 @@
+00:01:06.457-STANDARD
She holds the Nintendo Switch handheld game console in her hands. It has a light sage green cover on it. On-screen text: Sage green. She flips it over.
+00:01:11.643-STANDARD
Using her thumbnail at the edge of the console, she pulls a tab across and then starts peeling off the sticky cover, continuing to peel.
+00:01:20.029-STANDARD
As she peels, the following on-screen text appears: "Cozy time playlist. Moon River, Frank Ocean. Love is stronger than pride, Amber Mark, Matt Corby, Better."
+00:01:32.543-STANDARD
She rips the whole back piece off, with just a few pieces on the back still stuck on. She continues peeling the remainder. On-screen text: "Bible Belt (Field Recording) Dry the River."
+00:01:45.129-STANDARD
She peels the final rogue bits off the back and sides. On-screen text: "Warm (feat. Mia) Dre'es, Mia.
+00:01:51.471-STANDARD
She continues peeling off the small bits on the side. On-screen text: "Plastic (Mid-City Island Version) Moses Sumney. Norwegian Wood, Miten."
+00:02:01.600-STANDARD
She turns the Switch around to the screen side and peels off the front part around the screen. On-screen text: "From the Dining Table, Harry Styles. Superposition, Daniel Caesar, John Mayer, Nakamarra, Hiatus Kaiyote."
+00:02:22.971-STANDARD
She wipes all around the gray-colored Switch, now with no cover.
+00:02:37.671-STANDARD
She peels the sticky cover off paper.
+00:04:46.271-STANDARD
The light chocolate-colored cover on the Nintendo Switch.
+00:05:14.671-STANDARD
On-screen text: "Cozy. Insta and Tiktok: @cozy.games."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_a0U_YC6wAvU.txt b/raw/validation/gt_ad/output_a0U_YC6wAvU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..17888aafdbddcbe64719048aa09fe03fc92c7fc3
--- /dev/null
+++ b/raw/validation/gt_ad/output_a0U_YC6wAvU.txt
@@ -0,0 +1,28 @@
+00:00:11.057-STANDARD
On-screen text: "December Diaries." It was a gloomy and rainy day. A tea bag is put in a mug and water from a tea kettle is poured in. On-screen text: "I spent the day at home."
+00:00:17.882-STANDARD
White paint is spread with a flat plastic paint scraper onto a small rectangular canvas, which already has an abstract light green and blue painting on it.
+00:00:27.614-STANDARD
White paint continues to cover the painting, being spread evenly all around.
+00:00:40.930-STANDARD
The canvas is now almost fully covered in white.
+00:01:17.557-STANDARD
Sitting in front of a small canvas, with dim showing outside the sheer-curtained, closed window beside her, she brushes a corner of black on top of the already red-painted corner on the white, textured canvas.
+00:01:22.914-STANDARD
She paints red all around the right side of the canvas in long brush strokes, working toward the center of the canvas.
+00:01:31.286-STANDARD
She adds swirls of orange to the center of the canvas and paints in random spots around the red areas as well.
+00:02:03.371-STANDARD
The canvas is now painted white and beige.
+00:02:16.614-STANDARD
She paints a brown line, then another, forming a triangle shape on its side.
+00:02:24.971-STANDARD
She adds a black stroke along the edge of the canvas.
+00:02:28.900-STANDARD
She adds gray paint strokes toward the top.
+00:02:42.766-STANDARD
She fills in the shape she made in gray, and it begins to appear like a pot on a table.
+00:02:48.971-STANDARD
She paints strokes across the white table she’s creating on the canvas to add definition.
+00:03:03.929-STANDARD
She starts adding details to the pot, which now appears gray but with colorful highlights, and a clear handle and top, forming a teapot.
+00:03:15.486-STANDARD
She defines the bottom of the teapot with more brush strokes.
+00:03:22.171-STANDARD
She dips a brush into more dark paint and uses it to define the teapot further.
+00:03:42.400-STANDARD
Close-up of the painting, which is now a teapot on a table with another jar beside it.
+00:03:48.953-STANDARD
A view from inside a washing machine as she puts in clothes.
+00:03:53.614-STANDARD
On-screen text: "Spent the afternoon cleaning!"
+00:04:08.386-STANDARD
Fried rice cooking in a pan with green veggies.
+00:04:31.971-STANDARD
A dozen beige clay ceramics sit on a table in front of her, including pots and mugs. She holds a mug in her hands, brushing it with slip (liquid clay) using a paintbrush, dipping, then brushing.
+00:04:44.429-STANDARD
A view of the ceramics from above.
+00:04:46.850-STANDARD
A view of a burning candle from above.
+00:04:58.500-STANDARD
She makes her bed, fluffing her duvet to spread it across her bed. Then, a cat sits on the couch.
+00:05:11.743-STANDARD
She tries to hold the cat's paw, but it slips out. She pets the cat.
+00:05:17.211-STANDARD
Lying under the covers in bed, she uses a stylus to draw on an iPad.
+00:05:34.771-STANDARD
A cat claws inside a litter box. On-screen text: "Miumiu presents: still not sure how to cover poo."
+00:05:44.071-STANDARD
On-screen text: "See you soon! Love @jashann."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_a5hbfv7Rrms.txt b/raw/validation/gt_ad/output_a5hbfv7Rrms.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d9eefa292a523ac2f7c0609d9180b0a068baf7ac
--- /dev/null
+++ b/raw/validation/gt_ad/output_a5hbfv7Rrms.txt
@@ -0,0 +1,14 @@
+00:00:44.743-STANDARD
At a table saw station, a male-presenting person adjusts a metal guide using a ruler, then locks it in place with a lever.
+00:00:49.086-STANDARD
Using a safety tool, he pushes a piece of wood through the saw, cutting it into smaller sections.
+00:01:10.400-STANDARD
At a drill press, he uses a clamp to secure a piece of wood on the table, then drills holes in the wood using a guide.
+00:01:17.600-STANDARD
Two pieces of wood form a T-shape. He drills angled holes from the side to join them. He spins the wood around, then adds an identical piece of wood, repeating the process, to complete the joint.
+00:01:42.457-STANDARD
Wearing a dust mask and using a belt sander, he sands the edges of the T-shaped, wooden base.
+00:02:16.557-STANDARD
He uses a ruler and pencil to draw first a vertical, then a horizontal line, on the wood.
+00:02:25.643-STANDARD
He places a larger wood piece on top, measures again, and draws intersecting lines to mark the center.
+00:02:51.957-STANDARD
He drills holes in a metal turntable bearing, which already has holes along its edge and in the center.
+00:03:35.114-STANDARD
He drills four holes in the wood base around the metal center.
+00:03:57.086-STANDARD
He spins the metal ring with his finger to test its movement.
+00:04:28.357-STANDARD
Using a drill, he screws the top X-shaped wood piece onto the square base. The top piece spins while the base stays still.
+00:04:39.843-STANDARD
He flips the assembly over so the square base is on top, and the X-piece spins beneath it.
+00:04:47.243-STANDARD
He spray paints small wooden boxes on the turntable.
+00:05:17.871-STANDARD
He continues spray painting the boxes, rotating the turntable between sprays for even coverage.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_aLD2HM_YIAg.txt b/raw/validation/gt_ad/output_aLD2HM_YIAg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ac3800a5c26d10530e29f6c8866c300ad55bfb66
--- /dev/null
+++ b/raw/validation/gt_ad/output_aLD2HM_YIAg.txt
@@ -0,0 +1,16 @@
+00:00:07.463-STANDARD
Josh, a muscular man with short, curly hair, sweats profusely with his shirt off on a tennis court.
+00:00:17.533-STANDARD
Josh clasps his hands and grins at the camera.
+00:00:46.554-STANDARD
Words appear: "Squat to cross crunch. Warm up... twenty seconds.”
+00:00:52.528-STANDARD
Josh holds his hands by his head with his elbows flared out. He squats, then stands straight while bringing his left knee to his right elbow. He squats, stands straight, then brings his right knee to his left elbow. He repeats this.
+00:01:09.312-STANDARD
"Walkouts. Warm up... twenty seconds." Josh plants his palms on the ground while keeping his glutes raised, then walks his hands out so his body becomes horizontal. He walks his hands back to his feet, stands straight, then repeats the exercise.
+00:01:26.750-STANDARD
"Heal sweep to reach back. Warm up... twenty seconds." Josh stands tall and reaches up with his left hand while keeping his left heel far back. He bends over, scoops through the air with his hands, then does the same with his other side before repeating the process.
+00:01:50.937-STANDARD
"One. Lateral bear crawl to breakdancer; thirty seconds." Josh quickly crawls to his right on his hands and the balls of his feet before twisting and kicking to the left and right. He crawls to his left, then twists and kicks before repeating the exercise.
+00:02:11.202-STANDARD
"Two. Broad jump to lateral shuffle and half burpee; thirty seconds." Josh leaps forward, quickly shuffles back, then does a burpee before repeating the exercise.
+00:02:29.765-STANDARD
Body shiny with sweat, Josh bounces on the balls of his feet.
+00:02:42.649-STANDARD
"Three. Forward and reverse lunges with jump switch; thirty seconds." Josh holds his hands behind his head, lunges forward twice, then quickly jumps and switches his legs before lunging back twice and repeating the exercise.
+00:03:14.839-STANDARD
Josh bounces on the balls of his feet.
+00:03:25.452-STANDARD
"Four. Lateral high knees to tuck jumps; thirty seconds." He quickly moves to the side while keeping his knees up, jumps high, then repeats the exercise.
+00:03:49.212-STANDARD
"Five. Walkouts to push up and squat jump; Thirty seconds." Josh bends over, walks his hands forward until he's horizontal, does a push up, then walks his hands back before jumping and landing into a squat. He repeats the exercise.
+00:04:14.194-STANDARD
"Six." Squat jump to curtsy lunge. Thirty seconds." Josh takes a half step to the side, lowers his right knee into a lunge, then touches his front foot. He stands straight before jumping and landing into a squat. He does the exercise over again.
+00:04:48.524-STANDARD
Later, Josh stands in front of the camera and gestures to the sweat on his body and face.
+00:05:14.511-STANDARD
Grinning, he flexes both of his biceps. Words appear: "Like, share, and subscribe for more videos!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_aQLRbwbiCVE.txt b/raw/validation/gt_ad/output_aQLRbwbiCVE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cfade0743af478cec5c5a4ead78db9bc1e00d959
--- /dev/null
+++ b/raw/validation/gt_ad/output_aQLRbwbiCVE.txt
@@ -0,0 +1,18 @@
+00:00:00.375-STANDARD
A host shows two glasses of chickpeas on a kitchen counter.
+00:00:08.843-STANDARD
The host pours the chickpeas into a large, ceramic bowl, then pours water  over them. Words appear: "Put in the water for at least four hours."
+00:00:27.569-STANDARD
Later, the host pours the chickpeas, now drained of water, from the ceramic bowl into a glass bowl.
+00:00:41.166-STANDARD
They add two egg yolks onto the soaked chickpeas.
+00:00:51.092-STANDARD
Words apear: "Grind it all very well." They use a meat tenderizer to grind the chickpeas and eggs together into a paste.
+00:01:06.734-STANDARD
They use a silicone spatula to press down on the paste and smooth its top over.
+00:01:19.038-STANDARD
The host adds spoonfuls of black pepper, salt, paprika, and cumin.
+00:01:33.886-STANDARD
They incorporate small bowls of mashed onion and parsley.
+00:01:46.774-STANDARD
The host drops in one teaspoon of baking powder, followed by three tablespoons of flour, and four tablespoons of bread crumbs.
+00:02:05.709-STANDARD
They use the silicone spatula to mix everything in the glass bowl well.
+00:02:22.309-STANDARD
They hold up a small bowl of water. Words appear: "Use water to stop mixture sticking on hands."
+00:02:37.407-STANDARD
The host takes chunks of the chickpea mixture and rolls them into small balls before placing them on a cutting board in neat rows.
+00:02:59.805-STANDARD
The host pours oil over the bottom of a broad pan on a stove.
+00:03:16.113-STANDARD
They place each of the twelve chickpea balls into the pan while the oil begins boiling.
+00:03:31.753-STANDARD
Time passes and the host uses a fork and spatula to flip the chickpea balls, now patty-shaped and golden brown.
+00:03:51.272-STANDARD
Later, the chickpea patties sit on a pale green, ceramic plate. The host lifts one and displays it to the camera, golden brown and embedded with the spices.
+00:04:09.791-STANDARD
The host breaks it apart, showing off its fluffy, golden inside. Words appear: "Enjoy."
+00:04:22.263-STANDARD
They return the patty to the plate.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_aWlPM4AcBBo.txt b/raw/validation/gt_ad/output_aWlPM4AcBBo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..57fba2a0f9d6a7cabb4d4b11bc2f02a99191ef93
--- /dev/null
+++ b/raw/validation/gt_ad/output_aWlPM4AcBBo.txt
@@ -0,0 +1,26 @@
+00:00:00.163-STANDARD
A sunny blue sky stretches over a river. It lazily winds past a park bench on a field of grass and wildflowers covered in parts by trees.
+00:00:10.673-STANDARD
Words appear: "Much needed day out in nature. I decided to take a trip to the closest park and just enjoy the outdoors becuase it finally stopped raining."
+00:00:21.688-STANDARD
A young, curly-haired woman wearing glasses, sandals, a black shirt, and overall shorts, sits on the bench and stares out at the river.
+00:00:31.547-STANDARD
She pulls a journal and pen from a backpack, then leafs through the pages.
+00:00:37.403-STANDARD
Words appear: "Journaling always helps me to clear my constantly filled head."
+00:00:43.840-STANDARD
The curly-haired woman begins to write in the journal.
+00:00:48.965-STANDARD
She leans back on the bench while shutting her journal.
+00:00:55.376-STANDARD
Time lapses, then she opens her journal again and writes, her brow scrunched. Words appear followed by a laughing emoji: "Not sure why I look so upset."
+00:01:09.293-STANDARD
The curly-haired woman caps her pen, then angles her face back toward the river. Words appear: "Sun feels so good."
+00:01:20.182-STANDARD
She takes a deep breath, then cranes her head back so the sunshine can wash over her face.
+00:01:28.250-STANDARD
The curly-haired woman sits in the shade of a tree by the river and sips from a water bottle. Words appear: "Stay hydrated!!"
+00:01:38.147-STANDARD
She unpeels a banana and eats. The words "nom, nom" appear around her. She finishes and scans the area. Words appear: "Me trying to locate the nearest trash can lmao. Found it."
+00:01:53.514-STANDARD
The camera tilts to the blue sky, then pans to the left and tilts back to the bench.
+00:02:00.873-STANDARD
The camera focuses on a small, red bridge across from the park, then up at the tops of tall trees near the river.
+00:02:10.158-STANDARD
The woman brings the camera over the bridge, then pauses and focuses the camera down the river. Streaks of clouds and trees reflect in the still water.
+00:02:22.539-STANDARD
The curly-haired woman walks down a dirt path, then stops and moves up it. Later, she stands in the woods and removes her backpack.
+00:02:33.290-STANDARD
She tilts the camera up at the canopy while sun bathes the leaves in bright light.
+00:02:41.547-STANDARD
The woman drives down a road curving through the woods.
+00:02:47.225-STANDARD
"Time for lunch and a good book. This is a re-read." She focuses the camera on a bowl of food near a book titled "Cinder: The Lunar Chronicles."
+00:02:58.968-STANDARD
She sits at a glass table in a backyard with her food bowl balanced on one knee and her open book held up.
+00:03:07.760-STANDARD
Elsewhere, the woman focuses the camera on white wildflowers growing out by a weathered road that stretches through a town.
+00:03:17.562-STANDARD
Words appear with a cloud emoji by it: "Finishing up my day with a walk around my neighborhood."
+00:03:26.095-STANDARD
She walks down a sidewalk hedged in by tall, brick buildings lined with windows.
+00:03:34.137-STANDARD
The woman focuses the camera on orange flowers in a small garden in front of a house's front porch.
+00:03:43.766-STANDARD
Wind combs through the orange flower bushes. Words appear: "This house is so cute!!" A small, well-kept white house sits on a street corner.
+00:03:55.647-STANDARD
She focuses on a pink rose in a bush by a building, then turns to a road. Later, she stands in the shade of a tree by the road.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_aqCT1Zy1x7A.txt b/raw/validation/gt_ad/output_aqCT1Zy1x7A.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7b6cc9f5c3d7a570286de12ef363a6330dbaf385
--- /dev/null
+++ b/raw/validation/gt_ad/output_aqCT1Zy1x7A.txt
@@ -0,0 +1,11 @@
+00:00:37.966-STANDARD
Ann peels a broad square of clay off of the mat.
+00:01:17.806-STANDARD
The sculptor, Ann, uses a cutitcle stick to sculpt the nostrils and pupils of a face in a disc-shaped sculpture.
+00:01:39.690-STANDARD
Ann makes eyebrows for the face, then blends them into the rest of the clay with the stick.
+00:02:10.389-STANDARD
Ann uses the needle to carefully sculpt lines in the wings of a bird decorating a tumbler.
+00:02:16.811-STANDARD
Ann throws clay in front of a mirror placed on a chair in front of her.
+00:03:05.662-STANDARD
A hand taps her from behind.
+00:03:31.430-STANDARD
Janice holds a spatula to the inside of a vase she makes while it spins on a potter's wheel.
+00:03:37.537-STANDARD
Ann uses a spatula to scrape the bottom of a large, glaze-filled plastic bucket.
+00:03:54.636-STANDARD
Ann pours the liquid in the bucket into a large bowl resting on another bucket.
+00:04:07.675-STANDARD
A small, white dog sits by Ann while she uses a larger spatula to smooth the top of the hardening liquid.
+00:04:27.299-STANDARD
Words appear: "Unruely Productions. Copyright twenty twenty."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_b2usAd3V3cI.txt b/raw/validation/gt_ad/output_b2usAd3V3cI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..20e84bc1a2c4257fd2220ba6dcafdbbc50d80263
--- /dev/null
+++ b/raw/validation/gt_ad/output_b2usAd3V3cI.txt
@@ -0,0 +1,7 @@
+00:00:47.285-STANDARD
The man shifts his cell.
+00:01:27.522-STANDARD
He hangs up.
+00:01:34.054-STANDARD
The man, young and bearded, eats a bowl of cereal in a white room. Chewing, he gazes at a nearby window.
+00:01:45.664-STANDARD
He looks upward.
+00:04:39.887-STANDARD
The man turns and rests his head against a wall.
+00:04:44.780-STANDARD
The video shifts to black and white. The man stands outside of a house wearing a chain, black durag, black headphones, and a black shirt that reads: "Love thy neighbor."
+00:05:44.679-STANDARD
"God got you."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_b72Pvtcqu-E.txt b/raw/validation/gt_ad/output_b72Pvtcqu-E.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ad641840ee0f28bb826f63c0e5b1407816f24769
--- /dev/null
+++ b/raw/validation/gt_ad/output_b72Pvtcqu-E.txt
@@ -0,0 +1,65 @@
+00:00:00.000-STANDARD
Candles light a dark room, and we see a vlogger with long brown hair from behind as she opens a sheer curtain.
+00:00:03.957-STANDARD
On-screen text: Some days and weeks can feel like they are slipping away from us, rushing to their end before we even have a chance to notice.
+00:00:10.343-STANDARD
The female-presenting vlogger sits at a table in the candlelit room, removes her glasses, and rubs her eyes, resting her elbows on the table.
+00:00:16.286-STANDARD
On-screen text: Life has been feeling a little like that lately.
+00:00:20.914-STANDARD
From inside an apartment foyer, the door opens, and the vlogger enters with a purple suitcase.
+00:00:25.200-STANDARD
On-screen text: A few things have been happening recently.
+00:00:29.300-STANDARD
She closes the door, locks it, and tosses the keys onto a console table. Then, she takes her shoes off and places them into a shoe cubby.
+00:00:36.657-STANDARD
On-screen text: I just came back from a work trip, and work has become more demanding lately.
+00:00:42.629-STANDARD
Between daily tasks, making time for friends, and, of course, staying healthy. She takes off her coat and hangs it on a wall hook.
+00:00:49.986-STANDARD
She walks down the hallway of her apartment into the kitchen. On-screen text: Quiet tales haven’t been told in a while.
+00:00:55.543-STANDARD
She opens a cabinet and takes something out.
+00:01:00.900-STANDARD
From inside the cabinet, we see her reach in and grab a jar.
+00:01:04.000-STANDARD
She inspects the jar of tea leaves and places it down on the counter.
+00:01:07.100-STANDARD
She holds a few mint leaves in her hands, running water over them in the sink.
+00:01:11.671-STANDARD
She places the mint leaves and tea into a mesh tea diffuser. On-screen text: Socrates once said: “Beware the barrenness of a busy life.”
+00:01:21.214-STANDARD
She puts the lid back on the tea jar and pours hot water from a kettle over the mesh tea diffuser into a mug.
+00:01:27.100-STANDARD
On-screen text: When life accelerates, and I feel overwhelmed, the things that truly matter can get lost in sight.
+00:01:35.957-STANDARD
A close-up of the tea kettle. Then, she places the jar of tea leaves back into the cabinet.
+00:01:42.371-STANDARD
On-screen text: What matters more is getting through the list of things we have to do.
+00:01:48.943-STANDARD
She walks across the dark room we saw earlier and opens the curtains. She sits at the candle-lit table with her tea, then opens a book. On-screen text: Rarely prioritizing the things that make us feel full.
+00:02:02.029-STANDARD
She holds her book higher in front of her face and reads.
+00:02:06.243-STANDARD
On-screen text: Or simply stepping out of it for a moment to take a break.
+00:02:10.900-STANDARD
It’s easy to lose sight and jump from one task to the next.
+00:02:15.429-STANDARD
She takes a slow, deliberate sip from her mug.
+00:02:21.600-STANDARD
She sets her mug down, removes her glasses, and rubs her eyes.
+00:02:26.700-STANDARD
On-screen text: And one day, wonder how we even got where we are.
+00:02:30.529-STANDARD
She blows out the candle in front of her.
+00:02:34.643-STANDARD
The light comes up on a new day, a couch, and a plant. From a view under the bed, we can see the ears of a cat.
+00:02:39.886-STANDARD
A full view of a striped brown cat with a white belly and chest lying under the bed.
+00:02:43.100-STANDARD
The vlogger walks into the kitchen in a leopard-print dress and opens the dishwasher.
+00:02:47.729-STANDARD
She pulls out the bottom dishwasher drawer and removes a glass vase.
+00:02:54.543-STANDARD
From a view inside the cabinet, she removes items. On-screen text: Sometimes, the moments start to blur into one another.
+00:03:00.861-STANDARD
She pours coffee beans into a coffee grinder and grinds them.
+00:03:04.714-STANDARD
From behind, we see her pour liquid from a kettle. On-screen text: Feeling as if life has hit the repeat button.
+00:03:10.000-STANDARD
She pours coffee grounds into a filter, then pours water over it from a kettle. On-screen text: Wake up, make a batch of coffee, and here it goes again.
+00:03:17.700-STANDARD
A close-up of the finished coffee in a glass carafe.
+00:03:22.686-STANDARD
The cat licks its paws. On-screen text: There are signs that my routine has turned into a mindless hustle instead of habits that rejuvenate me.
+00:03:30.529-STANDARD
The vlogger stands at her kitchen island and brushes her hair back with her hand.
+00:03:33.571-STANDARD
She pours the coffee into a mug.
+00:03:37.514-STANDARD
From behind, we see her walk down her apartment hallway and into her at-home office. She sets her coffee mug on a wooden desk beside a laptop, which she opens.
+00:03:46.929-STANDARD
The laptop screen reads: "Planner. To-do today, with checkboxes: Do laundry, clean flat, edit video."
+00:03:53.200-STANDARD
On-screen text: There’s always an endless list of things to do. She brushes her hair back, looking worried.
+00:03:59.900-STANDARD
She presses the back of her pen on the desk so it clicks.
+00:04:02.686-STANDARD
On-screen text: Keeping us too busy to even remember what filled the day. She taps her pen on the table.
+00:04:09.157-STANDARD
A black and white cat yawns under the desk.
+00:04:13.071-STANDARD
In a split-screen edit, on the left side, she types on her laptop, sipping coffee periodically. On the right side, she zips open her purple suitcase, takes colorful clothing out, and loads laundry into a machine.
+00:04:21.343-STANDARD
On-screen text: In the moment, it may feel like we’re focused on the right thing.
+00:04:26.071-STANDARD
The black and white cat looks at her from under the desk. On-screen text: Eventually, I realize I just miss out on the small things in life.
+00:04:30.157-STANDARD
She holds the black and white cat in her arms and kisses the cat on the head.
+00:04:34.629-STANDARD
On-screen text: Those silly moments, imperfect instances, and joyful details that add color to my life every day.
+00:04:39.971-STANDARD
A view of the top of her suitcase, then the black cat jumps out.
+00:04:46.571-STANDARD
After all, I need to let go of the chase and slow down.
+00:04:53.186-STANDARD
Kneeling on her shins in a bright room surrounded by plants, she slowly and deliberately folds clothes and places them on a small couch in front of her.
+00:05:00.786-STANDARD
On-screen text: Learn to be kinder with myself and stop believing that because I’m overwhelmed, it means I’m not doing enough. She continues folding clothes.
+00:05:11.043-STANDARD
On-screen text: Even though I sometimes aspire to push myself, the right thing to do is slow down.
+00:05:16.643-STANDARD
She turns on a circular white fan, then continues folding clothes. A small pile of clothes has formed on the couch in front of her.
+00:05:23.029-STANDARD
On-screen text: The irony is that once we take a reflective step, a wave of inspiration and motivation usually rushes in.
+00:05:30.571-STANDARD
From behind, we see her sitting on her bed with orange sheets, her black cat stretched out beside her. She pets her cat, then falls back and lays down.
+00:05:37.971-STANDARD
On-screen text: It’s like checking your compass every now and then, making sure you're confident in the direction you're taking, and recharging for the road ahead.
+00:05:45.814-STANDARD
A close-up of her petting the black and white cat. Then, a close-up of the cat sleeping on its side, its white whiskers clearly visible.
+00:05:52.243-STANDARD
On-screen text: Enjoying small life moments with love and furry ones.
+00:05:56.029-STANDARD
A view from above, we see the vlogger’s face as she lies on the bed, looking up, cuddling her cat on her chest.
+00:06:01.400-STANDARD
In another moment, she lies down, and her cat snuggles up to her side. She pets her cat as the video fades out.
+00:06:07.100-STANDARD
Over black, on-screen text: Quiet Tales. There will be more quiet tales to come.
+00:06:19.786-STANDARD
On-screen text: Thank you for watching and take care.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_b9UzdS5mq5c.txt b/raw/validation/gt_ad/output_b9UzdS5mq5c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..39f30d99269e36548cae3fb53d3ebf262b0d1e2d
--- /dev/null
+++ b/raw/validation/gt_ad/output_b9UzdS5mq5c.txt
@@ -0,0 +1,9 @@
+00:00:21.457-STANDARD
On-screen text: Celebrity LinkedIn Ghostwriting
+00:00:28.971-STANDARD
At a desk inside a studio, two male-presenting people sit behind laptops, typing. One laptop faces the camera to represent the GPT competitor.
+00:00:35.600-STANDARD
On the laptop screen, ChatGPT types sentences in real time.
+00:01:31.871-STANDARD
The judge, Julie, stares at the contestants.
+00:02:36.971-STANDARD
On-screen text: Celebrity LinkedIn Ghostwriting
+00:02:46.271-STANDARD
The two contestants continue typing. Julie checks a timer on her phone.
+00:02:52.371-STANDARD
Sentences continue appearing on the ChatGPT screen.
+00:03:09.043-STANDARD
On-screen text: Our apologies for Gwyneth Paltrow.
+00:05:05.971-STANDARD
On-screen text: Celebrity LinkedIn Ghostwriting. Good Work.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_bA6C7QvTqZQ.txt b/raw/validation/gt_ad/output_bA6C7QvTqZQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..086abdd570c3862e81ef88ee8810cead8577753f
--- /dev/null
+++ b/raw/validation/gt_ad/output_bA6C7QvTqZQ.txt
@@ -0,0 +1,6 @@
+00:00:00.013-STANDARD
Words appear: "Episode thirty three. Two hundred fourty seven square foot micro apartment. The Cairo Flat. Melbourne, Australia. A man sits in a small apartment. "Michael Roper. Architect.”
+00:02:02.007-STANDARD
A massive shelving unit runs along a wall.
+00:03:40.398-STANDARD
A short-haired woman draws a curtain over the shelves.
+00:03:56.708-STANDARD
The woman sets a dining table in the central room by the shelves.
+00:04:53.366-STANDARD
The woman opens a back door to a green space.
+00:05:06.103-STANDARD
Credits appear: "Director Colin Chee. Producer Lindsay Barnard. Camera Operator Colin Chee. Editor Colin Chee."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_bEGvrz1WqVg.txt b/raw/validation/gt_ad/output_bEGvrz1WqVg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..008999944fd6695af6d284b11bc98a244293e7d8
--- /dev/null
+++ b/raw/validation/gt_ad/output_bEGvrz1WqVg.txt
@@ -0,0 +1,18 @@
+00:00:00.000-STANDARD
On-screen text: Logan International Airport. A male-presenting person sits at a phone charging station at an airport gate.
+00:00:44.686-STANDARD
The front nose of an airplane on the tarmac. The vlogger takes his iPad out of his duffle bag and places it on the phone charging desk. He scrolls through Netflix on his iPad, then scrolls on his phone while sitting in a seat at the gate.
+00:00:55.486-STANDARD
On-screen text: Charlotte, Douglas International Airport.
+00:00:58.486-STANDARD
The vlogger rolls a floral-patterned suitcase away from the baggage claim area.
+00:01:17.414-STANDARD
He takes a bite of the sandwich.
+00:01:21.743-STANDARD
The scene changes to black and white. On-screen text: Wasted.
+00:01:43.400-STANDARD
A custodian cleans up a spill behind him.
+00:02:09.214-STANDARD
We see his phone screen facetiming a male-presenting friend.
+00:02:12.829-STANDARD
He paces around an airport eating area on the phone.
+00:02:20.786-STANDARD
The friend he was facetiming with arrives at baggage claim.
+00:02:24.777-STANDARD
On-screen text: Home. For the week anyways. A living room with a couch and flatscreen TV. A kitchen, a desk. A shot of him brushing his teeth in the bathroom, then washing his hands in the sink.
+00:02:33.729-STANDARD
He opens a carton of eggs. The same friend walks around the kitchen. They're both shirtless.
+00:02:37.829-STANDARD
Outside, a train passes as cars wait at the gate. Then, from inside a coffee shop, we see the train outside the window.
+00:03:28.100-STANDARD
A shot of him with his bag, leaving the coffee shop.
+00:03:31.943-STANDARD
He shops, looking through racks of clothes.
+00:03:40.771-STANDARD
He walks into a fitting cubicle with khaki pants over his shoulder. The curtain opens, and we see him wearing them. In the next shot, he walks out of the fitting cubicle with the pants over his shoulder.
+00:03:47.729-STANDARD
Outside, at a corner restaurant. His same friend sits at an outdoor table, and parmesan cheese is poured over the pizza in front of him.
+00:03:53.171-STANDARD
The vlogger, on the other side of the pizza with an additional friend, eats his own pizza.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_bEmNx8GSuEg.txt b/raw/validation/gt_ad/output_bEmNx8GSuEg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9b99a8882f5214a9bcfc31105c7583c0d1d861a1
--- /dev/null
+++ b/raw/validation/gt_ad/output_bEmNx8GSuEg.txt
@@ -0,0 +1,34 @@
+00:00:00.000-STANDARD
A small log cabin in the woods, snow falling. A female-presenting person in a red colonial dress, scarf, and head covering opens the front door of a small log cabin. She looks outside at the woods, then returns inside.
+00:00:09.657-STANDARD
On screen text: Colonial Williamsburg Gingerbread Recipe.
+00:00:13.771-STANDARD
She closes the door, retreating inside.
+00:00:16.914-STANDARD
A metal cookie cutter shaped like a gingerbread man is held over a large brown bowl.
+00:00:21.771-STANDARD
She stands in the kitchen of her colonial home, with old-timey decor and candlelight. She pours sugar into a bowl. On-screen text: sugar.
+00:00:27.743-STANDARD
On-screen text: Pearl Ash (or baking soda). She fills two tablespoons with pearl ash, then pours each spoonful into the bowl.
+00:00:38.100-STANDARD
She puts down the jar of pearl ash and closes the lid.
+00:00:42.300-STANDARD
On-screen text: Ginger, cinnamon, and nutmeg. These powders, already divided on a plate, are emptied into the bowl.
+00:00:48.800-STANDARD
She grabs a wooden spoon and starts mixing.
+00:00:51.300-STANDARD
On-screen text: These are what measuring cups used to look like (18th-19th centuries). Four dark silver cups in small, medium, and large sizes, lined up in order, with mug-like side handles.
+00:00:59.643-STANDARD
She shows the large one close up, it has bell-shaped curves, a ridged surface, sturdy stand, and flared lip.
+00:01:07.357-STANDARD
On-screen text: The measurement was stamped on the rim. These were used for wet ingredients. Dry ingredients were measured by weight.
+00:01:16.314-STANDARD
White powder in the mixing bowl. The small size cup of milk is added. On-screen text: Evaporated milk.
+00:01:24.529-STANDARD
On-screen text: molasses. The medium size cup of molasses is added. It takes a while to drip entirely in.
+00:01:44.203-STANDARD
On screen text: vanilla extract. A tiny bowl of vanilla extract is poured in.
+00:01:49.451-STANDARD
A tiny bowl of lemon extract is poured in. On-screen text: lemon extract.
+00:01:54.671-STANDARD
It's slowly mixed with a large wooden spoon.
+00:02:07.300-STANDARD
On-screen text: salted butter. She pours a mug of melted butter into the bowl as she mixes.
+00:02:16.114-STANDARD
While mixing, she adds in white flour. On-screen text: flour. She continues mixing.
+00:02:28.978-STANDARD
She adds more flour,  while mixing.
+00:02:35.100-STANDARD
She starts mixing more vigorously.
+00:02:41.884-STANDARD
The mixture is an amber colored wet dough now. She mixes it gently.
+00:02:49.500-STANDARD
She uses a rolling pin to roll the dough flat. Then puts the pin away in a ceramic utensil holder.
+00:02:58.729-STANDARD
She picks up the metal gingerbread man cutter and presses it into the dough.
+00:03:05.429-STANDARD
In the dough, two gingerbread man shapes, plus two hearts, and a dog-shape are indented.
+00:03:12.557-STANDARD
the raw cookies are placed on a metal baking sheet.
+00:03:29.157-STANDARD
The filled cookie sheet is lifted off the counter.
+00:03:32.359-STANDARD
A cracking fire. On-screen text: Bake for 10 minutes.
+00:03:39.257-STANDARD
White liquid is painted with a brush onto the cookies. On-screen text: When done, glaze with powdered sugar and water.
+00:04:01.185-STANDARD
A close up of the cookies being painted with white icing.
+00:04:05.200-STANDARD
The finished cookies on a baking sheet, golden brown with white icing.
+00:04:11.971-STANDARD
She raises a cookie in a cheers motion with a male-presenting person, who's holding his own cookie. He's dressed in Colonial garb - riding pants, high boots, a jacket, scarf, and a knit cap. They take bites and chew happily.
+00:04:19.543-STANDARD
On-screen text: These are very good. Now I know what I'm giving everyone for Christmas...
+00:04:30.364-STANDARD
On-screen text: Now head on over to our 2nd channel. Frontier Patriot to watch us eat and review these dishes.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_bNYXweQ81vI.txt b/raw/validation/gt_ad/output_bNYXweQ81vI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5a8daf830197960e94a1ed17aa157427bd4c14b8
--- /dev/null
+++ b/raw/validation/gt_ad/output_bNYXweQ81vI.txt
@@ -0,0 +1,7 @@
+00:00:00.000-STANDARD
An animation shows colorful puzzle pieces filling the screen one by one until the puzzle is complete. On-screen text: “Free School.”
+00:00:12.286-STANDARD
A montage of video clips of giraffes in the wild.
+00:00:28.757-STANDARD
A giraffe grazes.
+00:00:37.100-STANDARD
The African continent highlighted on a map.
+00:02:03.100-STANDARD
Two giraffes swing their long necks, striking each other’s necks powerfully.
+00:02:34.700-STANDARD
Close-up of a typical giraffe’s coat with brown patches edged in white.
+00:02:42.243-STANDARD
Seen from behind, two adult giraffes and two baby giraffes, cross a dusty plain
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_c4QeWWDevRE.txt b/raw/validation/gt_ad/output_c4QeWWDevRE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c3be90bf3d22baf352982d6c1a2c05e66388688a
--- /dev/null
+++ b/raw/validation/gt_ad/output_c4QeWWDevRE.txt
@@ -0,0 +1,16 @@
+00:00:01.601-STANDARD
Words appear: "Late Night Prep. Five PM to Eight PM."
+00:00:18.753-STANDARD
The man, Brandon, fills different jars with the teas.
+00:00:37.041-STANDARD
Words appear: "Sea Moss Prep." He adds water to a measuring pitcher with moss inside of it.
+00:00:55.911-STANDARD
Brandon agitates the moss in the water with his hand, then pours the water into his sink before adding new water.
+00:01:13.209-STANDARD
Brandon places the sea moss clumps into a blender cup, adds steaming water, lime juice, then caps the cup and blends it.
+00:01:36.301-STANDARD
He pours thick, purple-brown liquid from the blender cup into a jar.
+00:01:52.172-STANDARD
Words appear: "Hours later..." He scoops a bit of the moss liquid with a wooden spoon, now hardened into a paste. Words appear: "Grand Rising; five thirty AM to ten AM."
+00:02:24.612-STANDARD
Brandon sips his drink from a large mug.
+00:02:37.542-STANDARD
Brandon sits at a computer desk in a small room and moves his mouse around.
+00:02:58.334-STANDARD
Brandon sips a dark red drink from a large jar as he looks at his computer monitor.
+00:03:08.264-STANDARD
In his kitchen, Brandon pours steaming water from a pot into a large jar.
+00:03:24.397-STANDARD
He squeezes lime juice into the water.
+00:03:28.881-STANDARD
Later, he sits outside on his home's front porch.
+00:03:54.449-STANDARD
Brandon leans against a brick wall near his front door and sips his water.
+00:04:06.010-STANDARD
He sets a cutting board on his kitchen counter, then cuts a zucchini and half an onion into thin slices.
+00:05:09.056-STANDARD
He prepares a new cup of tea, then drinks from it while flashing an OK gesture to the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_cBi2Mb-lnK8.txt b/raw/validation/gt_ad/output_cBi2Mb-lnK8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..78702a05ee517f03419d79b9bcab8a478124d004
--- /dev/null
+++ b/raw/validation/gt_ad/output_cBi2Mb-lnK8.txt
@@ -0,0 +1,14 @@
+00:00:00.000-STANDARD
A shot of a dozen Tupperware containers filled with colorful meals, arranged in rows. Each row features a different dish, with about five or so of each, showcasing a meal prep setup.
+00:00:34.971-STANDARD
Footage of a muscular male-presenting vlogger picking up various fruits and ingredients at the supermarket: apple, sweet potato, lettuce, rigatoni, cucumber, tomato sauce, chicken breast, oats, ground beef, peanut butter, Caribbean BBQ sauce.
+00:00:49.386-STANDARD
He cracks a dozen eggs into a metal bowl, seasons them with salt and pepper, and whisks them together.
+00:00:56.814-STANDARD
He sprays oil into a pan on the stove, pours the whisked eggs into the pan, and cooks them. Next, he measures oats. Then, we see finished oatmeal in a pot. He peels and chops sweet potatoes into smaller pieces.
+00:01:08.060-STANDARD
He spreads the sweet potato pieces onto a paper-lined baking sheet, drizzles them with olive oil, cinnamon, and brown sugar, and mixes it by hand.
+00:01:17.714-STANDARD
He tears off a piece of tin foil and places it over the sweet potatoes. He then pounds raw chicken breast under plastic using a mallet, slices the chicken, and places the slices into a bowl. He sprinkles bell pepper seasoning and pours Caribbean BBQ sauce over the chicken.
+00:01:31.343-STANDARD
Using food scissors, he cuts the flowering heads off a stalk of broccoli, pours the pieces into a baking sheet, drizzles oil over them, and sprinkles salt, pepper, and garlic powder. He mixes the broccoli by hand and places a piece of tin foil over it.
+00:01:41.714-STANDARD
He pours oil onto a baking sheet lined with paper, adds the raw chicken mixture, and places the sheet into the oven.
+00:01:48.686-STANDARD
He dices a zucchini on a cutting board, then adds salt to a pot of boiling water before adding pasta. He also cuts and dices an onion.
+00:01:58.334-STANDARD
He shows raw ground beef, diced zucchini, and a pot with oil. He adds the onions and zucchini to the pan, then removes a ladleful of pasta from the boiling water and tastes it. He mixes the zucchini, and the tin foil is peeled back to reveal cooked butternut squash. He seasons the cooked broccoli with salt and shows the zucchini and onion mixture in a Tupperware container.
+00:02:10.114-STANDARD
Ground turkey is added to a pan, seasoned with cumin, paprika, garlic powder, sea salt, and all-purpose seasoning. Everything is mixed together. On-screen text: Wish you could smell this!>
On-screen text: Wish you could smell this!
+00:02:22.143-STANDARD
Cooked chicken is placed in a bowl. Rice is scooped into individual black food containers with dividers. In each divided container, one section holds rice, the other eggs. Another container holds butternut squash, broccoli, and chicken.
+00:02:36.743-STANDARD
Pasta is added to a glass Tupperware, followed by ground turkey, the zucchini and onion mixture, and tomato sauce.
+00:02:50.100-STANDARD
The completed meal prep Tupperware containers are shown side by side, with a few apples and bananas placed beside them.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_cQn1x-gE-O0.txt b/raw/validation/gt_ad/output_cQn1x-gE-O0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..59b64f17e507da765dad48d699a8fa0a8ea1556f
--- /dev/null
+++ b/raw/validation/gt_ad/output_cQn1x-gE-O0.txt
@@ -0,0 +1,25 @@
+00:00:00.000-STANDARD
On-screen text: Rachel Lee goes to Hawaii
+00:00:03.723-STANDARD
In a montage, we see the view from an airplane window, with the plane's wing visible and deep blue ocean below. Another view shows a hotel pool surrounded by palm trees and foliage, with the ocean in the distance. People swim on a sandy beach. A female-presenting vlogger, likely an older teen, wearing jean shorts and a black shirt, walks up the beach toward the camera.
+00:00:14.057-STANDARD
She and a male-presenting person, also likely in late teens, laugh into the camera. He is later identified as her brother. In a montage, they shop and walk around the hotel grounds.
+00:00:25.600-STANDARD
An underwater shot reveals a large sea turtle swimming. The siblings swim behind it.
+00:00:34.343-STANDARD
From the hotel balcony, the vlogger speaks to the camera. The pool is visible.
+00:00:54.771-STANDARD
She takes photos of her brother leaning on the balcony railing. A montage of photos shows her smiling, then him posing from different angles.
+00:00:59.486-STANDARD
A montage: A close-up of a black and white bird with a red face. Entering a cafe called 808 Grindz Cafe. Close-ups of breakfast food. She sits beside a middle-aged man, presumably her dad. On-screen text: macadamia nut pancakes. 10/10 would recommend.
+00:01:10.186-STANDARD
We see her brother from behind as he stands on the edge of a vast beach, gazing at the ocean.
+00:01:15.129-STANDARD
The vlogger walks down the beach.
+00:01:20.100-STANDARD
A series of photos of the vlogger posing on the beach in shorts and a tank, then in a blue bikini.
+00:01:23.971-STANDARD
Outside a house surrounded by palm trees, she and her brother put on wetsuits. She looks into the camera. Their dad is visible in the background.
+00:01:38.457-STANDARD
On-screen text: Manta ray snorkeling. The vlogger, her brother, and her dad and mom are on a boat with snorkeling gear arranged nearby. Then, a guide gives instructions to their group as the boat moves. Ahead of her, someone descends the boat's ladder and jumps into the water holding a pool noodle. She jumps in next, holding the camera.
+00:01:52.271-STANDARD
Underwater, two manta rays swim close to the camera--one above and one heading toward her. A montage shows the rays gliding through the ocean.
+00:02:31.671-STANDARD
At night, she and her family float in wetsuits in the water.
+00:02:49.457-STANDARD
In the morning, the family sits on a restaurant's sunny outdoor deck. Shots of colorful breakfast food on plates.
+00:02:55.900-STANDARD
Outside, ocean waves crash against a rocky shore lined with palm trees.
+00:03:00.000-STANDARD
A sign reads: Panalu'u Black Sand Beach Park. People walk along the beach with charcoal-colored sand.
+00:03:16.886-STANDARD
Her brother sits on the black sand, facing the camera. She runs into frame and poses beside him, smiling.
+00:03:24.900-STANDARD
The vlogger walks along the shore of the beach with black sand.
+00:03:33.214-STANDARD
In a new location, a narrow waterfall cascades off a cliff surrounded by lush greenery. A path leads toward it. A montage shows her hiking up stairs through dense jungle foliage, then swimming in the ocean with her brother. Someone throws a ball at him, and he dives into the water.
+00:03:46.443-STANDARD
Underwater, she wears a snorkel and swims down. A sea turtle swims nearby.
+00:03:57.247-STANDARD
The family orders colorful shaved ices from a food truck. She twirls through green foliage, then looks out at crashing waves below a cliff. A view from the back seat shows her dad driving. The family hikes through a misty, rainy forest.
+00:04:08.786-STANDARD
A series of photos in a jungle: her, her brother, and their parents exploring a rocky volcanic area.
+00:04:23.314-STANDARD
Back at the beach, she runs along the shore beside the calm ocean.
+00:04:28.762-STANDARD
The sunset glows outside the car window. On-screen text: thanks for watching. @rachel.lee
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_cTUzFvYe178.txt b/raw/validation/gt_ad/output_cTUzFvYe178.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a32ae1b0f68960c7f59b9eb6097742a8b42e0e62
--- /dev/null
+++ b/raw/validation/gt_ad/output_cTUzFvYe178.txt
@@ -0,0 +1,12 @@
+00:00:09.290-STANDARD
She grins.
+00:00:29.263-STANDARD
The host and two women duck as pigeons fly just over their heads in a park.
+00:00:39.785-STANDARD
The host adjusts his fuzzy bucket hat.
+00:00:45.093-STANDARD
Later, the host interviews a man.
+00:01:44.288-STANDARD
Later.
+00:02:41.398-STANDARD
Back with one of the first women.
+00:04:13.719-STANDARD
Memes flash of one person shaking their head and another staring at someone with a flat face.
+00:05:34.466-STANDARD
She covers her mouth.
+00:06:38.435-STANDARD
Pigeons crowd around a man.
+00:07:00.916-STANDARD
The man points and many pigeons fly in that direction.
+00:07:07.857-STANDARD
A pink and red graphic appears reading: "Hopeless Romantic Society." The end letters elongate into horns and a red halo floats over it.
+00:07:18.050-STANDARD
A mouse cursor drifts over a subscribe button, then clicks it. A graphic appears reading: "Cap Cut."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_cl-g0-oKplo.txt b/raw/validation/gt_ad/output_cl-g0-oKplo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8d1632d7f44e9085c37e0c4bfa06bcf021fc7139
--- /dev/null
+++ b/raw/validation/gt_ad/output_cl-g0-oKplo.txt
@@ -0,0 +1,9 @@
+00:00:00.000-STANDARD
On-screen text: “All that the sun shines on is beautiful, so long as it is wild.” – John Muir, Poet.
+00:00:05.947-STANDARD
In a timelapse, the sky shifts as the sun rises, sets, and rises again over a landscape of towering, jagged orange rock pillars reaching toward the sky.
+00:00:14.143-STANDARD
Fog rolls over treetops on gently sloping green hills. More panoramic and drone footage of national parks follows as narration begins.
+00:00:36.086-STANDARD
A timelapse of the starry night sky passes overhead, with a glowing arched rock formation in the foreground.
+00:00:48.643-STANDARD
A geyser erupts, shooting water high into the air.
+00:00:55.386-STANDARD
Two hikers walk through a glowing blue ice cave.
+00:01:04.871-STANDARD
Fog drifts through a forest. A glassy alpine lake reflects the mountains. Drone footage glides over snow-dusted peaks. Hikers walk through snow past a small lighthouse. Two people walk beneath soaring hang gliders. A climber uses ice picks to scale an icy cliff. Three mountain climbers embrace atop a sandstone peak.
+00:01:29.057-STANDARD
A mother and daughter walk along a lake beneath a blooming cherry blossom tree. Two groundhogs peek from a burrow, then graze. A massive flat-topped rock formation stands in a forest. A climber ascends a cliff. Two bears touch noses in a river while standing on rocks. Cross-country skiers glide past. Water rushes over a towering waterfall. A drone soars over a vivid blue lake surrounded by hills. Four mountain bikers ride across a vast desert plain.
+00:01:55.957-STANDARD
On-screen text: Narrated by Robert Redford.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_coGOr5-6hj8.txt b/raw/validation/gt_ad/output_coGOr5-6hj8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1bfacb7cd4613642a91f70ea70067bd1e68bbf35
--- /dev/null
+++ b/raw/validation/gt_ad/output_coGOr5-6hj8.txt
@@ -0,0 +1,30 @@
+00:00:00.000-STANDARD
Two large elephants and their attendants stand together behind a railing.
+00:00:06.257-STANDARD
A hand offers a pineapple to an elephant's trunk.
+00:00:12.229-STANDARD
A male-presenting vlogger stands outside a tent in the jungle.
+00:00:23.857-STANDARD
Close-up of an elephant's gray, yellow-spotted trunk.
+00:00:28.135-STANDARD
A female-presenting person gently touches the side of the elephant's face.
+00:00:33.043-STANDARD
A hand offers a small banana to the elephant's trunk.
+00:00:38.757-STANDARD
The trunk picks up small bananas from the ground, one at a time.
+00:00:54.071-STANDARD
A child stands nearby, closely watching the elephant's trunk.
+00:00:58.643-STANDARD
The vlogger's hand pats the elephant's trunk.
+00:01:09.214-STANDARD
A bucket of bananas sits in front of the elephant. The vlogger picks one up and hands it to the elephant's trunk, which curls around it and takes it.
+00:01:25.600-STANDARD
The elephant lowers its trunk straight into the bucket.
+00:01:33.671-STANDARD
A wider shot shows elephants standing under different umbrellas.
+00:01:43.469-STANDARD
Close-up of a smaller elephant using its trunk to pick up green pineapple stems from the ground and eat them. An attendant stands nearby, and a couple of people surround the elephant, taking pictures.
+00:01:53.760-STANDARD
The vlogger holds out a banana as the elephant finishes eating the pineapple.
+00:02:03.986-STANDARD
The elephant's trunk doesn't take the banana but instead grabs a pineapple offered by a female-presenting onlooker.
+00:02:13.686-STANDARD
A baby elephant and a larger elephant stand side by side behind a railing. The baby elephant's trunk stretches toward the camera, searching..
+00:02:28.786-STANDARD
The vlogger hands the baby elephant a banana, which it takes eagerly.
+00:02:35.914-STANDARD
A pineapple is handed to the baby elephant's trunk, which takes it.
+00:02:49.800-STANDARD
On-screen text: The baby one is actually 3 today. Happy birthday!
+00:02:53.014-STANDARD
An elephant with a gray, yellow-spotted trunk is shown in full, including its large feet with visible nails.
+00:03:02.771-STANDARD
A wide view of the park.
+00:03:11.500-STANDARD
An elephant surrounded by several people.
+00:03:13.971-STANDARD
A person removes a collar from a pitbull.
+00:03:26.271-STANDARD
Hands pet the pitbull's head as it pants.
+00:03:29.386-STANDARD
A baby elephant and two adult elephants stand behind a railing.
+00:03:36.343-STANDARD
Six elephants, their ears flapping like fans, stand in a shallow pond, each with an attendant beside them.
+00:03:45.200-STANDARD
The vlogger stands in the pond with the elephants.
+00:03:57.586-STANDARD
Several people scrub a wet elephant with sponges.
+00:04:03.134-STANDARD
Close-up of the face of a wet elephant.
+00:04:07.286-STANDARD
A plate of noodles, vegetables, and an egg roll.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_csZF5SKePsA.txt b/raw/validation/gt_ad/output_csZF5SKePsA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..16f3b65b2d5d17d12b27183feb59a3457173c958
--- /dev/null
+++ b/raw/validation/gt_ad/output_csZF5SKePsA.txt
@@ -0,0 +1,15 @@
+00:00:37.411-STANDARD
Ariane uses a foot rasp to remove dead skin from her foot. She steadily rubs it back and forth over her heel. After, she uses a spray bottle on her foot, then wipes it clean with a white cloth.
+00:00:53.158-STANDARD
Ariane uses a cuticle pusher on her toe nails. A time lapse shows her rapidly moving from toe to toe, then wiping each clean with a cloth.
+00:01:12.560-STANDARD
She carefully cleans away dead skin and shaved cuticles with the cloth, then uses a nail trimmer on the nails.
+00:01:28.590-STANDARD
She squeezes a serum from a dropper onto her toe nail beds before pushing back her cuticles again.
+00:01:42.553-STANDARD
Ariane trims the nail, then repeats the process of using the serum, cuticle pusher, and nail trimmer on her other toes.
+00:01:58.674-STANDARD
She buffs each nail with the cleaning cloth.
+00:02:12.182-STANDARD
Ariane uses the cuticle pusher to gently push and scrape away her cuticles, cleaning up her nails and beds.
+00:02:32.975-STANDARD
She scrolls through a web page showing different cooking and dining products. Words below the page read "Squarespace."
+00:03:36.421-STANDARD
Ariane holds a nail polish bottle. She opens it, then pulls the brush out.
+00:03:47.939-STANDARD
She uses the thin end of the brush to paint white nail polish over the very edge of her big toe.
+00:03:57.369-STANDARD
Later, she presents her toe nails to the camera, the edges of each painted white.
+00:04:07.928-STANDARD
Ariane brushes under her big toe nail with a q-tip, then wraps a porous, white cloth around her thumb. She uses it to wipe along the edges of her big toe nail.
+00:04:24.143-STANDARD
She uses a brush to apply clear nail polish to her toe nails.
+00:04:32.850-STANDARD
Ariane squeezes liquid from a dropper onto each nail.
+00:04:43.749-STANDARD
She presents her nails to the camera again, now glossy and partially reflecting the light of her room.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ctEksNz7tqg.txt b/raw/validation/gt_ad/output_ctEksNz7tqg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..818644d6c7c6ed15dbec215829e4f49fb40cc065
--- /dev/null
+++ b/raw/validation/gt_ad/output_ctEksNz7tqg.txt
@@ -0,0 +1,17 @@
+00:00:04.266-STANDARD
A man rides a mountain bike down a steep, dirt path winding down a grassy, mountainous hill. An arrow points to him and words appear: "Kade Edwards."
+00:00:14.733-STANDARD
A FPV drone keeps pace with Kade as he races into a wooded area. The screen fills with static.
+00:01:57.433-STANDARD
The drone takes off.
+00:02:07.033-STANDARD
Kade lowers his helmet visor.
+00:02:14.733-STANDARD
The drone trails just behind Kade as he pushes off a ramp at the hill's top, then speeds down a steep, curving dirt path.
+00:02:24.000-STANDARD
Kade hops down a low hill, then slows as he moves across an expanse of rock.
+00:02:30.566-STANDARD
Kade makes a hard right turn into an area of tightly packed trees. He races down tight turns that wind through the trees.
+00:02:39.800-STANDARD
Kade races down a dirt bank tightly flanked by narrow trees. He drops down several feet, makes a sharp right turn, then a sharp left turn.
+00:02:50.700-STANDARD
Kade speeds off of a ramp and flies over ten feet to another path out of the woods.
+00:02:57.300-STANDARD
He races up high ramp, sails over a huge gap, then lands on another dirt path.
+00:03:04.366-STANDARD
Kade leaps off a third ramp, zooms through the air, then lands and rapidly bikes down the path.
+00:03:19.366-STANDARD
Kade enters an area surrounded by short trees. He moves down a path curving from side to side, then flies off a smaller ramp. He bikes around a curving dirt bank, picks up speed, then leaps off of four back to back ramps.
+00:03:48.433-STANDARD
Kade speeds around a large rock formation, then through an area surrounded by tall grass. He zigzags through a third wooded area before moving down a part of the path covered with rocks.
+00:04:07.166-STANDARD
He rolls across the rocky path's end, then quickly bikes up a tall ramp that sends him flying over a dirt road and down the next part of the path.
+00:04:21.400-STANDARD
He races through a fourth wooded area, slips between two large, jagged rocks, then bikes up and down rising and falling hills.
+00:04:34.666-STANDARD
Kade speeds off another ramp at the end of the woods, lands, pops off a small ramp, then launches himself off a big ramp.
+00:04:46.300-STANDARD
He sails thorugh the air, angles his tires to the side, then straightens out middair before landing and reaching the end, a big inflated archway with "Red Bull" written on it. The drone operators highfive.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_czKhnxH6X1I.txt b/raw/validation/gt_ad/output_czKhnxH6X1I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2e1a3e8c728ae0caf3ec1eebf4a40394939a7f88
--- /dev/null
+++ b/raw/validation/gt_ad/output_czKhnxH6X1I.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
Two moms, a teenage girl, and her two tween-aged siblings pose and smile into the camera.
+00:00:06.314-STANDARD
On-screen text reads: “shop with me & my family! Shopping for the LA trip + my headshots. Enjoy! Clips show the family browsing in a shopping mall.
+00:00:15.943-STANDARD
The teen looks knowingly at the camera. On-screen text: me knowing good and well I left the list at home.
+00:00:47.414-STANDARD
The teen dances beside a clothing rack while holding two tank tops. On-screen text: Happy Feet 4: 2021. colorized.
+00:01:09.657-STANDARD
A playful edit shows the teen posing with her body enlarged like a balloon, overlaid with a Donald Duck image.
+00:01:17.314-STANDARD
Her mom's hand touches a V-neck sweater on a rack. A circle graphic highlights her hand.
+00:01:52.029-STANDARD
On-screen text: my mom trying to find a shirt that will cover my bub. Her mom flips through shirts.
+00:01:59.671-STANDARD
Her younger brother Elijah walks by carrying clothes, wearing a deadpan expression. On-screen text: POV you deserve better.
+00:03:32.557-STANDARD
Their mom looks closely at a shirt. On-screen text: her doing the exact opposite of what I said. Elijah sighs.
+00:03:38.100-STANDARD
The siblings dance as their mom flips through shirts, eventually holding one up and smiling at the camera. On-screen text: she never found the XS. But she did it with a smile.
+00:03:49.943-STANDARD
In a dressing room, the teen poses in a tank top, then opens the door to reveal her two siblings standing right outside.
+00:03:54.200-STANDARD
She closes the door and dances. Her siblings enter. On-screen text: POV you’re in the Forever 21 dressing room & your mom is trying to find you an XS but your siblings walk in and start spilling tea. She keeps dancing as they leave.
+00:04:05.757-STANDARD
The teen and her siblings pose for a mirror selfie. On-screen text: This wasn’t the thumbnail. Cut to their mom waiting in the Starbucks line.
+00:04:42.471-STANDARD
On-screen text: we all put them on after. The family is shown smiling together in matching clothes.
+00:05:04.971-STANDARD
The teen sips her iced Starbucks drink in the backseat. On-screen text: nobody ever answered the question.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_d8tCAbJSERk.txt b/raw/validation/gt_ad/output_d8tCAbJSERk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d635a630edc0b503ec66bc9c42d24960e4c647eb
--- /dev/null
+++ b/raw/validation/gt_ad/output_d8tCAbJSERk.txt
@@ -0,0 +1,25 @@
+00:00:00.521-STANDARD
Six large, strawberry cream cheese danishes sit on a white plate on a wooden table. Their strawberry filling glistens.
+00:00:09.668-STANDARD
The host lifts one of the danishes and holds it up to the camera.
+00:00:14.852-STANDARD
Different ingredients appear on a cutting board engraved with: "Magical Cooking. Healthy, quick, and easy!"
+00:00:22.909-STANDARD
Words appear: "Puff pastry. Cream cheese, softened. Two tablespoons sugar. Two tablespoons maple syrup."
+00:00:32.092-STANDARD
"One teaspoon vanilla extract. Strawberry preserves. One egg for egg wash."
+00:00:38.926-STANDARD
"Thaw puff pastry according to the instructions on a package."
+00:00:43.857-STANDARD
The host withdraws the puff pastry rectangle from the package, then lays it on a baking sheet covered with parchment paper.
+00:00:52.982-STANDARD
A block of softened cream cheese sits in a bowl.
+00:00:57.408-STANDARD
The host pours the two tablespoons of sugar into the cheese bowl, followed by the two tablespoons of maple syrup.
+00:01:06.262-STANDARD
The host adds one teaspoon of vanilla extract.
+00:01:15.153-STANDARD
The host mixes the ingredients thoroughly with a spoon.
+00:01:27.268-STANDARD
They use a pizza cutter to slice the unfolded pastry rectangle on the baking sheet into six equal sized rectangles.
+00:01:45.615-STANDARD
The host pulls the rectangles apart and evenly spaces them on the baking sheet.
+00:01:59.477-STANDARD
The host uses a fork to poke holes in each pastry rectangle.
+00:02:12.795-STANDARD
They scoop a spoonful of cream cheese onto the middle of each pastry rectangle.
+00:02:27.822-STANDARD
Time passes. The host shows each of the six rectangles, their centers covered with a thick spoonful of cream cheese.
+00:02:42.694-STANDARD
The host places a spoonful of strawberry preserves on top of the cream cheese.
+00:03:04.341-STANDARD
The host uses a plastic cooking brush to beat one egg in a bowl.
+00:03:17.970-STANDARD
They use the brush to carefully smear the beaten egg onto the parts of the pastry rectangles not covered by cream cheese and preserves.
+00:03:42.995-STANDARD
Later, egg, cream cheese, and strawberry preserves glisten on each of the pastry rectangles.
+00:03:58.508-STANDARD
The host slides the baking tray into their oven. Words appear: "Bake in preheated oven at four hundred degrees fahrenheit for fifteen minutes."
+00:04:15.903-STANDARD
After the baking, the host displays the danishes to the camera, the pastry squares now risen about an inch and golden brown.
+00:04:29.940-STANDARD
The six strawberry cream cheese danishes sit on the white plate.
+00:04:38.385-STANDARD
Sunlight filters in through a nearby window and reflects in the lumps of strawberry preserves resting on the cream cheese in the pastry's centers.
+00:04:52.100-STANDARD
The host lifts one and brings it close to the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_dAj0md9wC8k.txt b/raw/validation/gt_ad/output_dAj0md9wC8k.txt
new file mode 100644
index 0000000000000000000000000000000000000000..70c968766a0ce4bb656e88a1d3a4bcd96f77589f
--- /dev/null
+++ b/raw/validation/gt_ad/output_dAj0md9wC8k.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
A female-presenting person in graduation robes stands in a bedroom, followed by a montage of college graduation clips. On-screen text: UChicago graduation 2023.
+00:00:10.786-STANDARD
She brushes her teeth in the bathroom. On-screen text: A quick graduation GRWM.
+00:00:44.129-STANDARD
She goes to her closet and pulls out a black graduation robe with a red graduation sash. She puts on a white slip dress, then the graduation robe over it.
+00:01:09.714-STANDARD
She slips on sandals and walks out of her apartment. Then she’s sitting in the back of a car, checking texts on her phone.
+00:01:18.200-STANDARD
Close-up on her phone, showing texts from friends saying they’re there or on their way.
+00:01:26.229-STANDARD
She films herself with her hand over her mouth. On-screen text: I also just realized...
+00:01:47.429-STANDARD
A montage of greeting various friends, all in graduation robes, in a large tent.
+00:01:54.829-STANDARD
She takes white heels out of a purse.
+00:02:00.243-STANDARD
She poses with friends and waves at the camera, followed by more montage of students at graduation.
+00:03:44.286-STANDARD
Holding flowers, she poses for pictures with family members.
+00:03:57.143-STANDARD
On-screen text: My brother and I re-creating our old graduation photos. She poses with her brother, and a picture appears on-screen with the same pose in different clothes.
+00:04:05.986-STANDARD
He picks her up, and another photo appears with the same pose.
+00:04:11.514-STANDARD
He gives her a piggyback, and another old photo appears with the same pose.
+00:04:18.086-STANDARD
Her mom holds flowers, and they pose for a picture.
+00:04:32.486-STANDARD
A slip of paper reads “Stephanie ran.” Then a horde of gown-clad students walk through campus.
+00:04:42.343-STANDARD
She takes her shoes off, sits down, and watches students walk across the stage.
+00:05:02.986-STANDARD
She approaches the stage, then walks across the stage and is handed her diploma.
+00:05:13.386-STANDARD
She poses with a series of friends and waves at the camera.
+00:05:55.914-STANDARD
She collects her diploma papers from a table and gives a thumbs-up.
+00:06:00.743-STANDARD
On-screen text: We did it. Then a male-presenting person in a graduation cap talks to the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_dIvXnqQaSwM.txt b/raw/validation/gt_ad/output_dIvXnqQaSwM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..579b2f0da6ac3788ed327ba8d7053508e8c151d9
--- /dev/null
+++ b/raw/validation/gt_ad/output_dIvXnqQaSwM.txt
@@ -0,0 +1,27 @@
+00:00:00.233-STANDARD
Words appear in bright red, green, and blue: "The Dad Lab."
+00:00:06.300-STANDARD
A man places a baking tray on a white table. He sets a large, empty water bottle on the tray, then places two ripped cardboard squares on either side of it before binding them with duct tape.
+00:00:20.700-STANDARD
He lifts the taped cardboard, pulls out the bottle, then duct tapes an additional cardboard square to the base of the first two, making a mountain shape.
+00:00:32.033-STANDARD
Words appear: "One part PVA craft glue; five parts water."
+00:00:39.400-STANDARD
The man pours the glue from a bottle into a glass mixing bowl, then adds water.
+00:00:46.800-STANDARD
Later, the man stirs the mixture with a metal spoon.
+00:00:54.166-STANDARD
The man rips a large, white paper in half.
+00:01:01.733-STANDARD
He tears the half he ripped apart into a long rectangle.
+00:01:08.400-STANDARD
The rips the rest of the paper into small squares and rectangles.
+00:01:15.033-STANDARD
The man pulls the long, rectangular paper strip through the bowl of glue and water. He wraps it around the cardboard sculpture and pats it down.
+00:01:27.200-STANDARD
The man soaks more of the paper in the mixture and layers them over the cardboard. It now appears like a white volcano with sloping sides and a crater at its top.
+00:01:39.600-STANDARD
The man lays a large, plastic sheet over his table. Later, the volcano sits on it and the man brushes gray paint over it.
+00:01:52.133-STANDARD
The man uses a roller brush to apply streaks of black paint to the volcano.
+00:02:01.266-STANDARD
The man removes a cap from a glass bottle. He squirts washing-up liquid into it, then adds a few drops of red food coloring.
+00:02:16.133-STANDARD
The man places a large funnel in the glass bottle, then pours in vinegar.
+00:02:25.566-STANDARD
He fills the glass bottle a little less than halfway and recaps it.
+00:02:33.666-STANDARD
The man spins and shakes the glass bottle's contents.
+00:02:42.233-STANDARD
Slow motion shows the crimson liquid spin around in the bottle, then slosh up and down while he shakes it.
+00:02:52.033-STANDARD
The man places the funnel in the empty water bottle, then adds a spoonful of baking soda through it.
+00:02:59.533-STANDARD
He taps the funnel to get the baking soda out.
+00:03:05.300-STANDARD
The volcano sits in the baking tray, now dark grey and covered with subtle streaks of red.
+00:03:13.666-STANDARD
He lifts the volcano and shows the bottom, plain cardboard and tape. He places the baking soda filled water bottle under the volcano.
+00:03:25.233-STANDARD
He pours the glass bottle's mixture into the water bottle. Bubbly, red-white foam rises from the crater and spills over the sides of the volcano.
+00:03:38.000-STANDARD
The man plants his hands on the table and watches more of the foamy liquid gush up from the volcano's crater and down the slopes.
+00:03:49.133-STANDARD
The red, bubbly liquid puddles around the volcano in the baking tray.
+00:03:57.266-STANDARD
Words appear over the man as he poses with two young boys by children's science experiments: "The Dad Lab."
+00:04:05.666-STANDARD
An arrow points from the word "Subscribe" to a graphic reading: "The Dad Lab." Two other arrows stretch from the words: "Did you watch these?" to other videos.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_dMugENc-6mg.txt b/raw/validation/gt_ad/output_dMugENc-6mg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..51ad0f760d18e8c6743205afe056daccce4b32e5
--- /dev/null
+++ b/raw/validation/gt_ad/output_dMugENc-6mg.txt
@@ -0,0 +1,28 @@
+00:00:00.533-STANDARD
A host in a kitchen takes a bowl of two hundred and eighty five grams of dried red lentils and dumps them into a glass mixing bowl.
+00:00:10.185-STANDARD
They fill the bowl with water until it covers the lentils. Words appear: "Soak lentils for two hours."
+00:00:18.973-STANDARD
Later, the host pours the soaked lentils into a strainer positioned over a glass bowl.
+00:00:27.528-STANDARD
The host scoops the soaked lentils into a food processor.
+00:00:33.313-STANDARD
The host uses a chef's knife to dice one large shallot on a cutting board.
+00:00:40.056-STANDARD
A graphic reading "We cook vegan" appears by a "subscribe" and "click the bell" graphic.
+00:00:48.507-STANDARD
They drop the diced shallots into the food processor.
+00:00:53.373-STANDARD
The host presses down on two garlic cloves with their chef's knife.
+00:01:00.168-STANDARD
They cut the cloves into very fine slices.
+00:01:08.412-STANDARD
The host collects the sliced cloves with their knife, then drops them into the food processor.
+00:01:17.316-STANDARD
The host uses a grater on one small whole carrot.
+00:01:23.489-STANDARD
They drop the carrot shavings into the food processor.
+00:01:28.718-STANDARD
The host cuts fifteen grams of fresh parsley into small pieces on the cutting board.
+00:01:37.351-STANDARD
They drop the parsley into the food processor, then add one tablespoon of tomato puree.
+00:01:47.031-STANDARD
The host mixes in one teaspoon of salt, then one half teaspoon of black pepper.
+00:01:56.518-STANDARD
They place the lid on the food processor, then turn it on.
+00:02:03.727-STANDARD
The ingredients blend into a fine mush.
+00:02:09.835-STANDARD
The host places a large pan on a hot plate. They drizzle olive oil into the pan, then use a cooking brush to spread it evenly across its surface.
+00:02:24.434-STANDARD
The host uses a wooden spoon to scoop some of the mush into their hand. They mold it into a patty and display it to the camera.
+00:02:36.017-STANDARD
The host places the patty on the pan.
+00:02:42.126-STANDARD
They mold three more vegetable patties, then place them on the pan.
+00:02:50.668-STANDARD
The olive oil bubbles as the patties cook.
+00:02:58.679-STANDARD
Time passes. The host flips the vegetable patties, the overturned sides now crispy and golden-brown.
+00:03:09.913-STANDARD
The host lifts one patty with a spatula and sets it down on a cooling rack covered with parchment paper.
+00:03:18.740-STANDARD
The host picks up another patty with the spatula, then dislays it to the camera, now fully cooked, crispy, and thick.
+00:03:29.223-STANDARD
The host places the last three patties on the cooling rack.
+00:03:35.318-STANDARD
The patties sit in a large plate with fried potatoes and a small bowl of white dip in the middle.
+00:03:43.304-STANDARD
They dunk a patty into the dip, then take a big bite.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_d_xyD3nNQuo.txt b/raw/validation/gt_ad/output_d_xyD3nNQuo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..037835e0c9c69800a4f2daab4ae9ea106bcfbb29
--- /dev/null
+++ b/raw/validation/gt_ad/output_d_xyD3nNQuo.txt
@@ -0,0 +1,63 @@
+00:00:00.000-STANDARD
Drone footage. We travel down a forest road lined with tall trees.
+00:00:04.886-STANDARD
Looking up at towering redwood trees reaching high into the sky.
+00:00:11.186-STANDARD
Close-up of dew drops falling from the edge of a blade of grass.
+00:00:16.243-STANDARD
Drone footage of a house on a small rocky island, surrounded by water.
+00:00:19.971-STANDARD
Drone following a river as it winds through the landscape.
+00:00:23.243-STANDARD
An adult deer and two fawns walk through the brush.
+00:00:28.229-STANDARD
Drone footage of a bridge spanning a river between two mountains topped with trees.
+00:00:32.543-STANDARD
The forest floor, looking up at towering redwood trees.
+00:00:36.300-STANDARD
Rocks in the ocean, with the sun setting over the water in the distance.
+00:00:40.886-STANDARD
Waves crash onto the shore, and frothy foam gathers on the wet sand.
+00:00:45.200-STANDARD
The mossy forest floor, surrounded by towering trees.
+00:00:49.171-STANDARD
Drone footage follows a person in a red jacket who walks along a forest path.
+00:00:55.257-STANDARD
Drone footage from high above, showing a river winding through two tree-lined mountains.
+00:00:58.857-STANDARD
On the forest floor, sunlight filters through the trunks of numerous trees.
+00:01:01.843-STANDARD
An ocean visible off a rocky shoreline.
+00:01:06.400-STANDARD
A dense forest edges a sandy beach.
+00:01:11.357-STANDARD
Looking up at a giant redwood tree, with its towering treetop against the blue sky.
+00:01:15.643-STANDARD
Close-up of two pinecones growing on a branch.
+00:01:20.557-STANDARD
An even closer shot of a pinecone with dew on the rigid pine needles surrounding it.
+00:01:23.714-STANDARD
A deer grazing in the grass pauses and looks towards the camera.
+00:01:26.829-STANDARD
Close-up of wheat swaying gently in the breeze.
+00:01:31.642-STANDARD
Two seagulls standing on the beach, with the ocean behind them.
+00:01:36.386-STANDARD
Drone footage from high above, passing over the treetops of a dense forest.
+00:01:42.514-STANDARD
The forest floor, dense with green vegetation, surrounded by towering trees.
+00:01:49.643-STANDARD
Close-up of a dandelion, its delicate seeds blowing in the wind.
+00:01:53.700-STANDARD
Drone footage from high above, looking down at a river next to a cliff, with trees growing along it.
+00:01:57.886-STANDARD
The forest floor, with several towering trees surrounding it.
+00:02:00.657-STANDARD
Close-up of the top of a pinecone, showing its textured surface.
+00:02:05.798-STANDARD
Drone footage of a green island, rich with vegetation, surrounded by water.
+00:02:08.771-STANDARD
A downed log lying across the forest floor, covered in moss.
+00:02:13.100-STANDARD
Drone footage of a river flowing between two mountains.
+00:02:15.829-STANDARD
Drone footage of a paved road with trees lining both sides.
+00:02:18.929-STANDARD
Drone footage of a high bridge above a river. A motorcycle with two riders crosses the bridge.
+00:02:23.114-STANDARD
On the forest floor, looking up at a massive redwood tree, surrounded by other treetops.
+00:02:26.186-STANDARD
A person in a red sweatshirt stands on a tree stump, surrounded by towering trees. Sunlight pours through the canopy made by the trees.
+00:02:32.071-STANDARD
Close-up of green, three-leaf clovers floating gently on water.
+00:02:34.786-STANDARD
A three-leaf clover held in the palms of someone's hands.
+00:02:38.243-STANDARD
A person in an orange jacket and backpack stands among tall grass and towering trees, shielding his eyes from the sun.
+00:02:42.143-STANDARD
Two shots of tree stumps in the forest.
+00:02:46.829-STANDARD
A close-up of two red ladybugs crawling on a tree stump.
+00:02:50.829-STANDARD
Drone footage from high above, showing a river with rocks scattered along its banks and trees beyond.
+00:02:54.629-STANDARD
A dirt path winding through a forest, with tall trees lining the way.
+00:02:57.686-STANDARD
A person in a red shirt stands surrounded by hundreds of tall trees.
+00:03:02.571-STANDARD
The person pushes through dense greenery, then stops to examine the root structure of a fallen tree.
+00:03:08.057-STANDARD
We look up at the treetops; then, a person walks past a fallen tree stump, surrounded by giant trees.
+00:03:14.371-STANDARD
A fallen tree forms a natural log bridge across a dirt path, followed by a close-up of ferns growing nearby.
+00:03:18.714-STANDARD
Passing through thick green brush on the forest floor.
+00:03:22.800-STANDARD
Close-up of a deer with large antlers, then another deer without antlers.
+00:03:28.200-STANDARD
A person in a red jacket stands among towering trees.
+00:03:32.429-STANDARD
Looking up at the trees and treetops, with a small patch of blue sky visible.
+00:03:35.072-STANDARD
Traveling down a paved road, flanked by trees on both sides.
+00:03:37.700-STANDARD
Drone footage from high above, looking down at a river with rocks and white water as it flows.
+00:03:40.933-STANDARD
The sun sets over the ocean, with rocks in the water and a tree-lined hill visible on the shore.
+00:03:43.457-STANDARD
Close-up of waves crashing onto a rock on the shore.
+00:03:45.829-STANDARD
Drone footage of waves crashing onto the beach, with large rocks in the water, as the sun sets.
+00:03:48.557-STANDARD
Waves crash over rocks as the sun sets in the background.
+00:03:50.571-STANDARD
Moss and foliage grow around a large fallen tree trunk.
+00:03:55.457-STANDARD
Drone footage from above the treetops, then a shot from below, looking up at the giant trunk of a tree.
+00:03:58.914-STANDARD
The forest floor, surrounded by trees, with small spruce growing nearby.
+00:04:02.886-STANDARD
Tall, thin trees stand in a row, then drone footage of tree-lined mountains, bathed in sunlight under a blue sky.
+00:04:10.600-STANDARD
The sun sets behind rocks in the ocean.
+00:04:17.014-STANDARD
Drone footage from above, looking down at the ocean with rocks scattered across it.
+00:04:27.986-STANDARD
Looking up at the treetops with light streaming through the leaves. On-screen text: A Jacob + Katie Schwartz film, music by Yakezkel Raz, "Deep Ocean Blue".
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_drbWuxEAafc.txt b/raw/validation/gt_ad/output_drbWuxEAafc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2d5bc46598c8254d4fb4403df339366d666d1b47
--- /dev/null
+++ b/raw/validation/gt_ad/output_drbWuxEAafc.txt
@@ -0,0 +1,29 @@
+00:00:00.000-STANDARD
Honey is poured over a bowl of fruit.
+00:00:06.371-STANDARD
A montage of a female-presenting vlogger with long brown hair sitting at a desk, writing on an iPad, and periodically looking up at her laptop screen. She then facetimes with two friends.
+00:00:19.343-STANDARD
She's outside in a running outfit by a pile of dry brush; then she lays back in a bubble bath. A small dog on a leash is outside. Then she facetimes with another friend.
+00:00:29.814-STANDARD
Folding laundry on a bed, she edits a video of herself on her laptop while laying in bed.
+00:00:35.866-STANDARD
On-screen text: "Day in the life of an online college student."
+00:00:42.200-STANDARD
A clock reads 7:04.
+00:00:50.700-STANDARD
She brushes her teeth in a bathroom mirror.
+00:00:53.443-STANDARD
She adds strawberries to a bowl of oatmeal that already has bananas in it, then pours in blueberries.
+00:01:01.714-STANDARD
She pours honey over the oatmeal.
+00:01:10.443-STANDARD
In a pan, too much oil. On-screen text: "Translations: Too much oil. Don't worry, just wipe it off." She wipes it off with a paper towel. Then she cracks an egg into the pan, which begins to cook.
+00:01:22.757-STANDARD
She sits at a table eating oatmeal, with eggs on a plate in front of her.
+00:01:30.371-STANDARD
She makes her bed.
+00:01:36.571-STANDARD
She sits at her desk.
+00:01:53.429-STANDARD
A shower is running.
+00:01:55.543-STANDARD
She sits at her desk again, with straightened hair and makeup on.
+00:02:32.157-STANDARD
On-screen text: "Dumplings and congee :)" A plate of dumplings and beige rice porridge.
+00:02:41.343-STANDARD
She opens an iPad, then writes on it while referencing an open laptop in front of her.
+00:03:03.300-STANDARD
On-screen text: "Like and subscribe :) Thank you."
+00:03:10.429-STANDARD
She types on her computer.
+00:03:47.057-STANDARD
An outdoor path lined with trees. She walks with a friend.
+00:04:02.529-STANDARD
Sneakered feet walking on the sidewalk. The vlogger and her friend then stretch at the park.
+00:04:24.514-STANDARD
Bath water running.
+00:04:27.629-STANDARD
She lays back into a bubble bath.
+00:05:09.171-STANDARD
Videos and shots of her playing field hockey. On-screen text: "I miss field hockey."
+00:06:03.814-STANDARD
Outside, a small, fluffy, leashed dog wearing a shirt walks down the street.
+00:07:21.529-STANDARD
She folds laundry on her bed.
+00:07:35.086-STANDARD
She lays in bed with her laptop on her lap, editing a video. The video on her screen shows her in the bath. On-screen text: "Editing this video."
+00:07:54.386-STANDARD
She turns off a lamp and looks up from under the covers.
+00:08:01.625-STANDARD
A shot of the sky with clouds.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_drzq1x0mqjo.txt b/raw/validation/gt_ad/output_drzq1x0mqjo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..730b07ecf0a08a7abadb8d056bf817a331ee8768
--- /dev/null
+++ b/raw/validation/gt_ad/output_drzq1x0mqjo.txt
@@ -0,0 +1,6 @@
+00:00:00.320-STANDARD
Dozens of meerkats cluster on a plain.
+00:00:19.000-STANDARD
A meerkat stands on him.
+00:00:22.000-STANDARD
The man lies on his belly and records meerkats with a camera.
+00:00:31.560-STANDARD
A meerkat climbs up his arm to his head and looks out.
+00:01:15.280-STANDARD
A meerkat gobbles up a lizard.
+00:01:31.240-STANDARD
A meerkat stands on the man's head and scans the savannah. Words appear; "Planet Earth Live. BBC One HD."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_dxvFck5LBkU.txt b/raw/validation/gt_ad/output_dxvFck5LBkU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fad5db0ed664def38d1cd88f2cd5268b6b4a524d
--- /dev/null
+++ b/raw/validation/gt_ad/output_dxvFck5LBkU.txt
@@ -0,0 +1,9 @@
+00:01:37.300-STANDARD
She adds ingredients into a mixing bowl.
+00:02:26.200-STANDARD
She soaks the dishes in a bucket in a sink.
+00:02:47.100-STANDARD
She opens an oven with oven mitts on.
+00:02:51.266-STANDARD
She pulls a baking tray out.
+00:03:33.233-STANDARD
The baby, Grayson, feels the banana and oat bite, then mouths it before taking little bites.
+00:03:42.467-STANDARD
The woman places the banana and oat bites into a glass jar. She holds Grayson and the jar.
+00:04:22.767-STANDARD
She rubs her nose against Grayson's and he he grins.
+00:04:27.233-STANDARD
Colorful lettering spells out "Hanna Maggs" over graphics for "Facebook, Twitter, Instagram, Wantfeed, Pinterest, and Google Plus."
+00:04:38.400-STANDARD
A picture of patterned makeup bags appears below the words "My Shop." A photo of a blog with her picture on it appears below "My blog."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_e0C7Bqz6H8w.txt b/raw/validation/gt_ad/output_e0C7Bqz6H8w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b3158fd97b6d937bac011ee4671f66d7972cba0b
--- /dev/null
+++ b/raw/validation/gt_ad/output_e0C7Bqz6H8w.txt
@@ -0,0 +1,31 @@
+00:00:00.266-STANDARD
The words "Hands Touch" appear in the screen's top right corner.
+00:00:08.633-STANDARD
A pan sits on a stove. A host pours one point five cups of milk into it followed by half a cup of sugar, one pinch of salt, one teaspoon of vanilla essence, then one tablespoon of unsalted butter.
+00:00:26.233-STANDARD
The host gently stirs the mixture as the pan heats up. Words appear: "Turn off the flame. Let it cool completely. During cooling, stir it continuously."
+00:00:41.066-STANDARD
The host uses a brush to thoroughly apply a thin layer of melted butter to the bottom and sides of an eighteen by twelve centimeter glass baking dish.
+00:00:54.600-STANDARD
The host pours two egg yolks into a glass mixing bowl, then beats them with a whisk.
+00:01:05.000-STANDARD
After letting it cool, the host pours the milk mixture into the eggs.
+00:01:11.666-STANDARD
Words appear: "Do not use hot milk in the egg mixture. In that case, the eggs will be scrambled."
+00:01:20.233-STANDARD
The host mixes it well with their whisk, then slices a stack of five pieces of bread into three sections.
+00:01:29.466-STANDARD
The host turns the bread stack, then makes another three cuts, turning the bread stack into little squares.
+00:01:37.733-STANDARD
The host places the chunks into the glass mixing bowl with the milk and egg mixture.
+00:01:44.700-STANDARD
The host uses a silicon spatula to thoroughly mix everything.
+00:01:50.700-STANDARD
Over time, the milk and egg mix soaks into the bread.
+00:01:56.566-STANDARD
The host pours the bread-soaked chunks into the glass baking dish.
+00:02:02.433-STANDARD
They use their silicon spatula to spread out the mushy bread chunks and remaining liquid.
+00:02:09.566-STANDARD
Words appear: "Bake it at one hundred sixty degrees celsius or three hundred twenty degrees fahrenheit for twenty to twenty five minutes or until baked properly."
+00:02:20.266-STANDARD
The host spreads one tablespoon of unsalted butter over the pan; it quickly melts. They add one tablespoon of all purpose flour onto the pan and stir it.
+00:02:32.033-STANDARD
The host gradually pours milk into the pan while continuing to stir. "Continuously stir, otherwise lumps will create."
+00:02:42.333-STANDARD
"Here I have used a total of one cup of milk."
+00:02:49.800-STANDARD
They pour in two tablespoons of sugar, half a teaspoon of vanilla essence. Words appear: "Boil it for three to four minutes. Or until it is slightly thick in consistency."
+00:03:03.033-STANDARD
The mixture boils as the host stirs it.
+00:03:06.766-STANDARD
"Turn off the flame."
+00:03:09.766-STANDARD
The host returns to stirring. "Let it cool completely. During cooling, stir it continuously."
+00:03:18.000-STANDARD
Words appear: "After cooling, the consistency will be like this." The host stirs the mixture, now creamy and white.
+00:03:27.233-STANDARD
The host dips their silicon spatula into the cream and lets it drip off into the pan.
+00:03:34.233-STANDARD
The host ladles the cream onto the bread, now finished baking and golden brown and fluffy.
+00:03:43.200-STANDARD
The host ladles more of the cream onto the bread and it spreads along its top.
+00:03:51.333-STANDARD
The host uses their ladle to evenly spread the cream on the baked bread's top.
+00:03:58.066-STANDARD
Words appear: "Keep it in the refrigerator for two hours."
+00:04:04.066-STANDARD
Time passes. The host uses a knife to cut a thick, square chunk from the now completed bread pudding.
+00:04:13.100-STANDARD
They use a spatula to lift the chunk from the bread loaf. They display it to the camera, a thick layer of cream now glistening over the golden brown top of the bread.
+00:04:25.100-STANDARD
Words appear: "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_e2l5tyMgNyY.txt b/raw/validation/gt_ad/output_e2l5tyMgNyY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5bea0abaf4fae15b5b066518b31ac0609381220a
--- /dev/null
+++ b/raw/validation/gt_ad/output_e2l5tyMgNyY.txt
@@ -0,0 +1,30 @@
+00:00:00.345-STANDARD
Words appear: "Postcards From Brussels."
+00:00:05.358-STANDARD
A montage plays. Bridgette and her friend, Amalia, drink wine at a dining table. They look at photo booth reels of them making silly faces. They dance among hundreds of people in a dark theater while Hozier plays on a blue-lit stage. Now, they get on a train headed for Brussels.
+00:00:31.125-STANDARD
Bridgette holds a key by Amalia.
+00:00:35.512-STANDARD
In a hotel room.
+00:00:50.368-STANDARD
She pulls a light string and it turns off.
+00:00:59.481-STANDARD
Later, they trek down a road hedged in by tall grey, cream, and grey buildings lined with windows.
+00:01:12.955-STANDARD
Later, they walk through a vast park lined with leafless trees and light posts.
+00:01:56.554-STANDARD
They approach a colossal cathedral with two towers flanking its entrance. Inside, statues of robed men hang on stone pillars that line a vast hall with vaulted ceilings. They slip a coin into a donation box, then light one of many candles on a shelf.
+00:02:15.310-STANDARD
Brigette and Amalia approach a shop in a sprawling market. Brigette points at a decorative plant near the door.
+00:02:34.486-STANDARD
They walk through a plaza and words appear: "Christmas Market Time!" Brigette and Amalia look through a prism in a necklace hanging in a wooden stall that makes them look kaleidoscopic.
+00:02:54.359-STANDARD
They get food.
+00:03:14.742-STANDARD
Brigette eats one of her fries, covered in sauce. Words appear: "It doesn't look appetizing, but they were amazing, I swear."
+00:03:24.861-STANDARD
They look over huge trays in a stall filled with hundreds of candies. Words appear: "This was all for the Menneken Pis; AKA the peeing boy statue. Way too many people for us; we left instantly."
+00:03:43.325-STANDARD
They lie on a bed in their room and words appear: "Mandatory rest and get ready time." Later, Brigette applies makeup.
+00:04:23.103-STANDARD
They stand in front of a mirror and mime shooting guns. After, they walk down a cobblestone street at night, then enter a restaurant with a wine bar. They sit at a table and drink red wine while eating bread. Outside.
+00:04:47.817-STANDARD
Words appear: "Hozier Concert." Brigette and Amalia stand with hundreds of other people in a theater, its stage lit by blue light.
+00:04:58.742-STANDARD
Grinning, Amalia hops up and down while Hozier plays.
+00:05:05.125-STANDARD
Thousands of people in the theater raise their phones with the flashlights on as the band plays.
+00:05:14.472-STANDARD
Words appear: "The next morning." They place their backpacks in a train station locker.
+00:05:21.050-STANDARD
They sit in a train and words appear: "En route to Bruges."
+00:05:26.602-STANDARD
Rain covers their window while green hills and trees flash by.
+00:05:31.844-STANDARD
They walk down a rainy street.
+00:05:43.369-STANDARD
They walk alongside the Lake of Love, then trek through a busy cobblestone road hedged in by tall, old buildings.
+00:05:51.968-STANDARD
In a restaurant, Brigette and Amalia hold paper trays with large waffles covered with powdered sugar.
+00:05:59.771-STANDARD
Brigette gets a cup of mulled wine in a bustling Christmas market.
+00:06:09.181-STANDARD
They enter a beer museum. They look over different old signs for different beers covering a wall.
+00:06:16.434-STANDARD
They hold tablets and wear earphones in another room filled with booths that look like massive, wooden barrels. They scan QR codes on them with their tablets.
+00:06:28.121-STANDARD
They sit at a table in a restaurant with six different beer glasses between them.
+00:06:34.146-STANDARD
They stand by a canal and Brigette waves at people passing by on a boat.
+00:06:44.821-STANDARD
Words appear: "It was raining so much I didn't film the rest of the day. But we didn't get up to much, so you're not missing out. Thank you Brussels for an amazing weekend!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_eOF7SVdJyzM.txt b/raw/validation/gt_ad/output_eOF7SVdJyzM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ffbcc290460d190b4b35d68713676d795b93a196
--- /dev/null
+++ b/raw/validation/gt_ad/output_eOF7SVdJyzM.txt
@@ -0,0 +1,39 @@
+00:00:00.000-STANDARD
An animated intro video featuring a table with various sewing tools, like scissors and spools of thread. Title card: PooiM Craft Studio.
+00:00:04.815-STANDARD
Text on screen: DIY Tote Bag. A still photo of a young female-presenting person wearing a light blue tote bag.
+00:00:15.926-STANDARD
The tote bag is hanging on a hook on a brown outdoor wall.
+00:00:19.422-STANDARD
A piece of white paper is placed over a sewing mat. Text on screen: Plain paper size A3.
+00:00:25.100-STANDARD
The paper is folded in half horizontally. Then, the top corner is folded down to form a triangle shape, before being unfolded.
+00:00:32.866-STANDARD
Scissors are used to cut along the folded crease.
+00:00:37.563-STANDARD
A French curve ruler with rounded edges is used to draw a curved line in the top right corner of the paper, which is then cut with scissors.
+00:00:49.864-STANDARD
The paper is turned sideways, with the pointed edge facing down like an arrow, then unfolded.
+00:00:55.091-STANDARD
The paper is placed over a light blue piece of fabric and traced with a pencil.
+00:01:05.200-STANDARD
The fabric is then cut with scissors along the traced line. On screen, 7 mm is indicated as the measurement on the right side of the fabric.
+00:01:09.671-STANDARD
The paper is removed.
+00:01:11.307-STANDARD
The fabric is folded in half, then stacked in layers: one light blue layer followed by two polka dot layers.
+00:01:16.607-STANDARD
One light blue and one polka dot fabric cut-out are laid side by side. The polka dot fabric is placed face-down on top of the light blue fabric, lined up, and pinned with three sewing pins.
+00:01:25.171-STANDARD
A virtual dotted red line is drawn about an inch in from the right edge.
+00:01:29.086-STANDARD
The fabric is sewn under the sewing machine along the line indicated by the virtual red dotted line.
+00:01:36.039-STANDARD
The sewn-together light blue and polka dot fabric is opened and spread out on the table. Another set of light blue and polka dot fabric, still unsewn, is placed beside it.
+00:01:46.686-STANDARD
The fabrics are stacked on top of each other, and the hands point along the left edge of the fabric, then to the sewn fabric beside it.
+00:01:54.771-STANDARD
The fabrics now look the same, both sewn and spread out, with one side of each light blue and the other side polka dot. The fingers point back and forth to show they are identical.
+00:02:02.638-STANDARD
The sewn fabric on the right is placed on top of the one on the left. The hands point to show how the seams are lined up.
+00:02:12.838-STANDARD
Every few inches along the edge, the two fabrics are pinned together. This continues all the way around.
+00:02:23.800-STANDARD
A virtual dotted red line is drawn about an inch in from the edge all the way around. The fabric is then placed under the sewing machine and sewn along the line.
+00:02:33.314-STANDARD
The bag is shown from the bottom, with a pattern resembling a grid, alternating between light blue polka dots and solid light blue sections.
+00:02:38.814-STANDARD
A green fabric is placed beside the bag on the table, and the same white arrow-shaped paper is placed on top. Four fingers are held up over it. The fabric is then folded in half, followed by two more layers stacked on top.
+00:02:50.649-STANDARD
A finger points to the fabric, then to the bag.
+00:02:58.667-STANDARD
The green fabric is folded in half.
+00:03:04.550-STANDARD
A green strap is introduced. On screen text: 50 cm, with an arrow pointing to the strap.
+00:03:14.338-STANDARD
Each side of the strap is pinned to the bag like a shoulder strap.
+00:03:23.714-STANDARD
The bag is placed under the sewing machine, and the strap is sewn on.
+00:03:29.598-STANDARD
The finished bag is displayed with straps on both sides.
+00:03:34.486-STANDARD
The sewn green fabric is introduced and opened to reveal a bag shape.
+00:03:47.705-STANDARD
The green fabric is placed over the light blue polka dot bag, carefully matching the edges.
+00:04:02.257-STANDARD
The fabrics are pinned together.
+00:04:24.900-STANDARD
The fingers indicate an area of a few inches, and a virtual red dotted line is drawn around the bag, everywhere except the indicated section.
+00:04:30.400-STANDARD
The fingers move along the top edge of the bag, feeling the fabric all the way around in a circular motion.
+00:04:39.571-STANDARD
The fingers show where there is a small opening, then the bag is pulled through the opening and reversed inside out.
+00:04:58.001-STANDARD
Now the green fabric is on the inside, and the light blue polka dot fabric is on the outside. The bag is picked up by its handles to show it.
+00:05:15.957-STANDARD
The open top edge of the bag is shown. The bag is placed under the sewing machine and sewn shut.
+00:05:29.780-STANDARD
The bag is displayed with a small brown leather name tag placed towards the top of the side and hand-sewn.
+00:05:44.648-STANDARD
The finished bag is shown hanging on a hook on a brown outdoor wall, with a young female-presenting person wearing it.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_f66nfhwfI6E.txt b/raw/validation/gt_ad/output_f66nfhwfI6E.txt
new file mode 100644
index 0000000000000000000000000000000000000000..28d8d60b4fe8d8f36c4aa58b9ff768d6de7423c0
--- /dev/null
+++ b/raw/validation/gt_ad/output_f66nfhwfI6E.txt
@@ -0,0 +1,23 @@
+00:00:00.167-STANDARD
Words appear: "The Renuka Kitchen. Simple and Easy Recipes."
+00:00:05.840-STANDARD
"Chilli Garlic Potato Noodles by The Renuka Kitchen."
+00:00:10.302-STANDARD
A cook takes two diced up potatos and moves them from a bowl into a pot. They add water so it covers the potatos.
+00:00:19.812-STANDARD
They place the pot on a stove burner. Later, they stir the potatos with a spoon as the water boils.
+00:00:28.069-STANDARD
They place one on a floral plate and cut it in half with the spoon to check it.
+00:00:35.119-STANDARD
All the boiled potato slices now on the plate, the cook adds spoonfuls of corn starch onto them. They use their hands to mash the potatos to make dough.
+00:00:47.089-STANDARD
They roll the dough into a long, thick, cylinder.
+00:00:51.844-STANDARD
They tear off a fist sized amount and make a ball. They place the ball on the plate and make a second one before pressing a bottle cap on it to make it into a mushroom shape.
+00:01:02.938-STANDARD
Time passes and thirteen mushroom shaped potato balls sit on the plate.
+00:01:08.527-STANDARD
The cook carefully places each potato ball into a wok on the stove filled with boiling water.
+00:01:15.784-STANDARD
After two minutes, they use a ladle to move the potato balls from the wok onto the floral plate.
+00:01:22.917-STANDARD
Words appear: "Drain the potato and rinse them in cold water."
+00:01:29.506-STANDARD
They start the burner again, then place the wok on it. The cook covers the wok with oil, then pours in diced garlic.
+00:01:40.142-STANDARD
The garlic boils in the oil and turns golden brown. The cook adds a spoonful of chilli flakes, followed by a spoonful of red chilli powder.
+00:01:52.280-STANDARD
The cook adds a spoonful of salt into the mix.
+00:01:57.868-STANDARD
They stir the mixture with the spoon, then pour in a a tablespoon of vinegar.
+00:02:05.709-STANDARD
They add a tablespoon of soya sauce.
+00:02:10.130-STANDARD
The cook stirs around the mixture with their ladle.
+00:02:15.344-STANDARD
The cook places the potato balls into the wok and thoroughly stirs them around with the ladle so they soak up the spice mixture.
+00:02:24.979-STANDARD
They add a dash of green coriander and stir the potatoes more.
+00:02:31.777-STANDARD
Later, the potato balls sit in a glass bowl. The cook sprinkles sesame seeds onto them.
+00:02:39.534-STANDARD
Words appear: "Ready." The cook lifts one with a fork and displays it to the camera.
+00:02:46.917-STANDARD
Words appear by a red heart: "Thanks for watching. Please like, comment, and subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_f8A-_xW5yZ8.txt b/raw/validation/gt_ad/output_f8A-_xW5yZ8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..91c80edf0560f5807435e677bd3c2ee916eb5218
--- /dev/null
+++ b/raw/validation/gt_ad/output_f8A-_xW5yZ8.txt
@@ -0,0 +1,14 @@
+00:00:00.000-STANDARD
On-screen text: Sept 1, 2016. A young woman walks down a school hallway, vlogging.
+00:00:18.271-STANDARD
She exits a room holding a toothbrush and toothpaste.
+00:00:30.786-STANDARD
She passed her door. She turns back.
+00:00:33.486-STANDARD
Montage: In a dorm room with two twin beds, she packs notebooks into her backpack, puts on sneakers, and leaves.
+00:00:41.829-STANDARD
Outside: we see her sneakered feet walking, then a brick building marked “James F. Boccardo Business Education Center.” Inside, she passes students and enters a classroom where someone writes on the board.
+00:00:51.958-STANDARD
Close-up of her hands pulling out notebooks, then writing.
+00:00:58.292-STANDARD
Outside “The Commons,” a hand swipes a card and hands it to her. Inside, she walks to a Jamba Juice counter.
+00:01:06.682-STANDARD
A worker scoops oatmeal into a cup. She adds coconut shavings at a toppings bar with raisins, nuts, and sugar, then mixes it.
+00:01:17.329-STANDARD
She walks outside. An arrow on screen points left with the text: “my dorm.” Then, she’s back in her room.
+00:02:56.857-STANDARD
She films herself lying on her bed.
+00:03:44.900-STANDARD
At a concert: fairly close to the stage, we see a singer with long, curly blonde hair perform with a handheld mic. On-screen text: Niykee Heaton.
+00:04:21.214-STANDARD
On-screen text: <After waiting over an hour for YG. Hell yeah we’re ready.
+00:05:34.814-STANDARD
Leaving the concert, she walks through a hallway with two friends ahead of her. Outside, as streetlights glow, the friends walk among a crowd.
+00:05:52.000-STANDARD
On-screen text: thanks for watching! subscribe for more videos!
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_f9V4vROQWYc.txt b/raw/validation/gt_ad/output_f9V4vROQWYc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..150af739a56afad906538082f36d5cd9f9b319db
--- /dev/null
+++ b/raw/validation/gt_ad/output_f9V4vROQWYc.txt
@@ -0,0 +1,36 @@
+00:00:00.000-STANDARD
Three candles in glass jars. Their wax resembles marble. On-screen text: We will need: a glass jar, a wick, fragrance, dye, stickers for the wick, and wax.
+00:00:09.657-STANDARD
The items are shown on a table from above. Fingers lift the wick and place it down. The fragrance bottles are brought closer to the camera and placed down.
+00:00:17.914-STANDARD
On-screen text: We will measure 140 grams of wax. Wax is taken from a large tub with a stick and placed into a glass measuring cup on top of a food scale.
+00:00:24.014-STANDARD
On-screen text: Melt in a water bath. A large metal pot with a small amount of water sits on the scale. The measuring cup full of wax is placed inside the pot.
+00:00:31.071-STANDARD
On-screen text: Attach the wick to a sticker and place it in the center of the glass jar. The fingers place a circular sticker on the bottom of a long wick and position it in the middle of a glass jar.
+00:00:39.500-STANDARD
The fingers use a tube to secure the sticker to the bottom of the jar.
+00:00:43.914-STANDARD
The hands stir the melting wax in the measuring cup, which sits inside the water bath in the metal pot on the scale.
+00:00:49.200-STANDARD
On-screen text: Once melted, add fragrance. The fingers add the contents of a small fragrance bottle to the measuring cup on the table. The wax and fragrance are stirred together. On-screen text: Stir for at least one minute.
+00:01:03.223-STANDARD
The liquid wax is carefully poured into the glass jar to join the wick. The jar is filled about an inch from the top, leaving space.
+00:01:15.714-STANDARD
On-screen text: First method.
+00:01:21.114-STANDARD
On-screen text: Apply one drop of liquid dye to the surface of the wax. Using a dropper, the hands add one drop of dye to the top of the wax.
+00:01:31.014-STANDARD
The dye tints the wax slightly amber. The stirrer is used to slowly and gently stir, swirling the color through the wax.
+00:01:38.357-STANDARD
On-screen text: Stir gently to avoid dissolving the dye, creating beautiful streaks.
+00:01:45.971-STANDARD
The stirrer is slowly poked into the wax, creating streaks.
+00:01:50.414-STANDARD
A metal guide with a hole is placed on top of the candle. On-screen text: Fix the wick in place and let the candle set for two hours.
+00:01:56.586-STANDARD
On-screen text: Second method.
+00:01:58.743-STANDARD
On-screen text: Apply a little dye directly to the stirrer. Dye from the dropper is placed on the bottom of the stirrer.
+00:02:04.114-STANDARD
The stirrer is dipped into the slightly firmer wax mixture. On-screen text: Dip the stirrer with dye into the cooling wax and create beautiful patterns. Touch the sides of the jar to make it stick better.
+00:02:15.871-STANDARD
The stirrer drags along the outside of the glass jar, creating designs in the wax.
+00:02:20.257-STANDARD
On-screen text: Fix the wick in place and let the wax harden. The metal guide is placed on top of the candle with the wick poking through the hole.
+00:02:29.064-STANDARD
On-screen text: Third method.
+00:02:30.500-STANDARD
On-screen text: For this method, use a ready-made candle. A white wax candle in a jar with a label is shown.
+00:02:36.157-STANDARD
On-screen text: Make holes in the candle using a stick or sharp object. The stirrer is pressed along the side of the candle, poking holes in the wax.
+00:02:46.314-STANDARD
The stirrer continues to press along the side of the candle, creating several holes in the wax.
+00:02:56.214-STANDARD
The top of the candle is shown, revealing the holes.
+00:02:59.718-STANDARD
On-screen text: Now fill the holes with dye.
+00:03:03.829-STANDARD
Little pieces of purple dye are placed into the holes in the candle. The stirrer pushes the pieces into the holes.
+00:03:14.050-STANDARD
The stirrer pushes the dye pieces further into the holes.
+00:03:22.323-STANDARD
Additional pieces of dye are placed into the candle and pushed down with the stirrer.
+00:03:27.729-STANDARD
The top of the candle is shown with the pieces of dye stuck in place.
+00:03:32.229-STANDARD
A hairdryer is used to melt the wax around the dye. The dryer is aimed at the outside of the candle, which is continuously rotated. The heat from the dryer also dries the top of the candle.
+00:03:41.871-STANDARD
On-screen text: The heat from the dryer melts the wax and blends the dye, creating beautiful patterns.
+00:03:50.014-STANDARD
The purple dye starts to spread through the white candle as it melts down the sides. The candle is rotated to even out the coloring.
+00:04:02.471-STANDARD
The candle now appears marbled with purple.
+00:04:08.929-STANDARD
On-screen text: Let the candle harden for two hours. The candle is rotated to show its mostly purple appearance.
+00:04:16.786-STANDARD
Three candles are shown: two with orange marbling and one with purple marbling. On-screen text: Which version do you like better? Write in the comments!
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_fA4ghk0vDqM.txt b/raw/validation/gt_ad/output_fA4ghk0vDqM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4f35c7d63965f4f1e3e2958ffe87dcaf14e516f9
--- /dev/null
+++ b/raw/validation/gt_ad/output_fA4ghk0vDqM.txt
@@ -0,0 +1,34 @@
+00:00:00.000-STANDARD
A black box is shown from above. A metal mesh screen covering the left half.
+00:00:05.171-STANDARD
A strainer holds dirt. A small amount of the dirt is sifted into the box on the open right side. The rest of the dirt is poured out of the strainer onto the mesh screen on the left half of the box. On-screen text: Or.
+00:00:15.229-STANDARD
Fingers spread the dirt evenly across the screen, adding more dirt as they continue to spread.
+00:00:21.300-STANDARD
The unfiltered dirt is pushed off the mesh onto a piece of white paper.
+00:00:25.987-STANDARD
More dirt is poured.  On-screen text: Do this many times.
+00:00:30.600-STANDARD
The mesh screen is lifted.
+00:00:34.557-STANDARD
The fine dirt remains on the left side of the box, and the unfiltered dirt rests on a paper to the right.
+00:00:42.586-STANDARD
The fine dirt is scooped with a spoon into a tall glass cylindrical vase from above.
+00:00:54.286-STANDARD
On-screen text: De-chlorinated water.
+00:00:56.429-STANDARD
A pitcher of water is emptied into the vase.
+00:00:59.961-STANDARD
A long plastic stirrer moves the dirt around in the vase.
+00:01:04.914-STANDARD
On-screen text: get all the bubbles out.
+00:01:12.143-STANDARD
A wooden spoon cleans the edges of the now gelatinous dirt mixture.
+00:01:22.814-STANDARD
The plastic stirrer, now with cotton on the end, is used to clean the dirt from the sides of the glass.
+00:01:40.136-STANDARD
A coarse, rocky substrate is layered on top of the dirt, followed by more handfuls of substrate.
+00:02:00.404-STANDARD
A plastic cup with holes in it is placed over the vase. More dechlorinated water is poured from a pitcher into the mixture.
+00:02:10.600-STANDARD
On-screen text: dechlorinated water.
+00:02:16.286-STANDARD
Another pitcher of the water is poured in, filling the vase to the top.
+00:02:27.779-STANDARD
The perforated plastic cup is removed.
+00:02:35.327-STANDARD
On-screen text: 1 1/2 inch cap. 1 inch soil.
+00:02:38.600-STANDARD
On-screen text: Get all the bubbles out. A straw pokes around the water in the vase.
+00:02:48.771-STANDARD
We see the filled vase, with soil on the bottom, rocky mixture in the middle, and water on top.
+00:02:54.471-STANDARD
On-screen text: Wait 24 hours.
+00:02:57.257-STANDARD
A small amount of water is extracted from the first vase using a pipette and transferred to a green bucket.
+00:03:11.214-STANDARD
Through stop-motion, the pipette extracts water, gradually emptying the container halfway.
+00:03:17.960-STANDARD
A tall blade of green grass is placed into the rocky substrate with a pair of long tweezers, which ensure it stands upright.
+00:03:40.888-STANDARD
The vase now contains several grasses, and is topped off with dechlorinated water using the perforated plastic cup.
+00:04:17.986-STANDARD
The vase is now filled, and we see several grasses planted, being brushed by the tweezers.
+00:04:24.770-STANDARD
On-screen text: Hairgrass (Eleocharis parvula).
+00:04:28.714-STANDARD
On-screen text: Baby Tears (Hemianthus callitrichoides). Reveal a tiny carpet plant with round leaves in a second vase.
+00:04:33.443-STANDARD
On-screen text: Pearl Grass (Hemianthus micranthemoides). Reveal a taller carpet plant with round leaves in the third vase.
+00:04:38.186-STANDARD
All three containers now hold the planted species: Hairgrass, Baby Tears, and Pearl Grass.
+00:04:49.871-STANDARD
The three vases are displayed in a windowsill in the daytime.
+00:04:53.814-STANDARD
On screen text: It is the same method I used for this tank. Reveal a large tank with various mature plants, tall as the tank.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_fHTkMDSvno4.txt b/raw/validation/gt_ad/output_fHTkMDSvno4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..263c86aef490454fc58995bbd298085e08cfef28
--- /dev/null
+++ b/raw/validation/gt_ad/output_fHTkMDSvno4.txt
@@ -0,0 +1,35 @@
+00:00:00.960-STANDARD
Rain beads a window in a train. Words appear: "Hello! It's a lovely, rainy day."
+00:00:08.801-STANDARD
Words appear over a train riding a rail through a dense city: "Daikanayama."
+00:00:15.140-STANDARD
A young woman in a white dress and black coat carries an umbrella down a street hedged in with buildings.
+00:00:22.648-STANDARD
"I am excited because I haven't been to this area in a while."
+00:00:27.528-STANDARD
"I plan to just hang out and enjoy the rain." The camera focuses on a map on a sign for "Tsutaya Books."
+00:00:36.328-STANDARD
A sign by an open doorway reads: "Garden Gallery."
+00:00:41.124-STANDARD
A large, abstract sculpture of an animal stands by a row of trees.
+00:00:47.548-STANDARD
A sign on the ground reads: "Try Denchari" above a logo of a bicycle made out of a long electrical plug.
+00:00:56.557-STANDARD
A metal sign on a large, glass building reads: "Tsutaya Books."
+00:01:02.730-STANDARD
A sign inside reads: "Two F: Lounge. One F: Books, Art, Design, Architecture, Cars."
+00:01:13.156-STANDARD
The woman stands between tall shelves packed with books and leafs through one.
+00:01:19.830-STANDARD
Several glass bowls with stylized, curved rims sit on a table near other glass sculptures.
+00:01:27.713-STANDARD
Cute animal toys line a shelf.
+00:01:31.299-STANDARD
Words appear: "Cafe and Lounge; Anjin." A light fixture hanging from the lounge ceiling gently illuminates several leather couches under them as well as a massive, colorful painting on a wall.
+00:01:44.271-STANDARD
"Full of books and art, Anjin has a unique and cosy atmosphere."
+00:01:49.068-STANDARD
The woman sits at a cafe table and sips from a glass of creamy, tan liquid. Words appear by the drink: "Pistachio. Soy."
+00:02:00.454-STANDARD
Words appear: "It's really good..."
+00:02:05.876-STANDARD
A sign on a glass door reads: "Share Lounge." Beyond it, a man walks around a table covered with books.
+00:02:15.343-STANDARD
Words appear: "Two F; Share Lounge."
+00:02:21.266-STANDARD
"The share lounge is a great place. I stayed for an hour and read on my kindle."
+00:02:28.523-STANDARD
The woman sits at a long table in front of a broad window looking out at a rainy road. She sips a brown drink.
+00:02:37.365-STANDARD
"Lastly, I will browse the shops a bit more before going home."
+00:02:43.163-STANDARD
The woman stands in a store and looks at different cans and packages of snacks on shelves.
+00:02:50.420-STANDARD
She focuses her camera through a window onto a man and woman entering the book store across from the store she stands in.
+00:02:58.386-STANDARD
She looks over rows of brownies on a shelf. She places her hand on a drawing of a hand on a book's cover, stacked among others on a table.
+00:03:10.024-STANDARD
She types on one of several typewriters sitting on display on an end table.
+00:03:18.573-STANDARD
Words appear: "Food and Company."
+00:03:32.504-STANDARD
Now inside of a grocery store, the woman pans her camera across shelves of brightly colored food packages.
+00:03:42.056-STANDARD
She takes a jar reading: "Cocono" from a shelf and looks it over.
+00:03:49.396-STANDARD
"The options for vegetarian and vegan foods have really skyrocketed in recent years." She shows a shelf of different soy meats in plastic packages.
+00:04:01.075-STANDARD
She shows a food box reading: "Organic burger mix" and another reading "Organic falafel mix."
+00:04:09.624-STANDARD
She zooms in on packages of gyoza in a fridge. She places bags of chips in a shopping cart among other bags of food.
+00:04:19.093-STANDARD
Question marks appear by words on a food bag reading: "Made with soil and locals."
+00:04:26.391-STANDARD
Outside, the clouds shift, revealing blue sky beneath. Words appear: "The rain didn't last long. That's all for today's video."
+00:04:37.360-STANDARD
She stands at a train station and a train rushes past her. Words appear before a smiley face: "Thanks for watchign and see you again soon."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_fJzjmBcFyNQ.txt b/raw/validation/gt_ad/output_fJzjmBcFyNQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..b305b272c8c654bb9df2d2ebb098406946c26c91
--- /dev/null
+++ b/raw/validation/gt_ad/output_fJzjmBcFyNQ.txt
@@ -0,0 +1,17 @@
+00:00:55.643-STANDARD
In a forest clearing surrounded by dead trees, several people approach a massive fallen log lying on the ground. The log is chest-high and very long.
+00:01:27.343-STANDARD
A pickup truck drives into the clearing.
+00:01:59.900-STANDARD
Several male-presenting people gather around the large log. One of them begins cutting into it with a chainsaw.
+00:02:07.843-STANDARD
Thick chains are tied around the log in two places. The chains are attached to the arm of an excavator, which lifts the log into the air. As it lifts, the log splits cleanly into two halves.
+00:02:16.800-STANDARD
One half of the log, still hanging from the excavator, is placed onto a flatbed trailer attached to the back of a pickup truck. We see the truck driving on a road, hauling the log.
+00:02:39.629-STANDARD
The log, secured to the trailer, travels down a highway behind the truck.
+00:03:13.029-STANDARD
Blue paint is poured from a container into a pail. A paint roller is used to evenly paint over the flat, cut surface of the log, fully coating it.
+00:03:50.200-STANDARD
Entering a warehouse.
+00:04:21.043-STANDARD
A level is placed along a rail positioned on the log.
+00:05:33.443-STANDARD
The vlogger faces the camera, wearing earplugs, headphones, a helmet with a visor, and safety glasses. A large, rail-mounted cutting machine is placed on top of the log. Holding the handles, the vlogger guides the cutter across the top surface, slicing off a thin layer to flatten it.
+00:06:02.714-STANDARD
They slide the cut wood slab off the top of the log, holding it from either side.
+00:06:08.017-STANDARD
They gently place the slab on the ground.
+00:06:35.514-STANDARD
The same rail-mounted cutting tool is once again pushed along the top of the log by the vlogger, cutting off another even slice.
+00:07:20.643-STANDARD
Another slice is cut from the top of the log. The people then prepare to lift the log together and place it on the ground.
+00:07:59.171-STANDARD
They flip the log over onto its other side on the ground.
+00:08:21.657-STANDARD
The flat wood slab is placed onto the front loader of a small forklift and driven into the warehouse.
+00:08:37.943-STANDARD
The vlogger scoops up sawdust with a shovel and pours it into a bucket.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_fwbeAR85SUs.txt b/raw/validation/gt_ad/output_fwbeAR85SUs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c003175f48351d785d21c508d7e6063f4077dff2
--- /dev/null
+++ b/raw/validation/gt_ad/output_fwbeAR85SUs.txt
@@ -0,0 +1,27 @@
+00:00:00.166-STANDARD
Words appear: "RR Techs."  A host places a large cardboard disc onto a crafts cutting mat.
+00:00:08.100-STANDARD
The host drizzles superglue onto the disc's center, then affixes the bottom of  a waterbottle onto it.
+00:00:15.566-STANDARD
The host rips long strips from a newspaper, then crumples them into tight balls.
+00:00:22.233-STANDARD
The host places a plastic bin onto a white table, then pours water inside, followed by a large amount of white glue.
+00:00:31.266-STANDARD
The host thoroughly stirs the water and glue mixture.
+00:00:35.800-STANDARD
The host dips a crumpled newspaper ball into the mixture, then presses it onto the cardboard disc by the waterbottle's base.
+00:00:44.866-STANDARD
A time lapse shows the host dip more newspaper balls into the glue and water mixture and press them onto the disc, stacking them so they cover the water bottle in a conical shape.
+00:00:57.533-STANDARD
The host squirts the white glue over the water bottle, then adds more newspaper balls around it.
+00:01:06.733-STANDARD
The host uses scissors to cut a newspaper into small rectangles.
+00:01:13.266-STANDARD
They squirt white glue over the newspaper covering the water bottle, only its opening exposed.
+00:01:22.600-STANDARD
The host thoroughly covers the newspaper with more and more glue.
+00:01:29.200-STANDARD
The host carefully presses a newspaper rectangle soaked in the water and glue mixture vertically over the newspaper cone smooshed around the botte.
+00:01:40.533-STANDARD
The host layers more and more newspaper rectangles vertically over the other newspapers.
+00:01:48.766-STANDARD
The host completely covers the crumpled newspapers with the newspaper rectangles soaked in the water and glue mixture.
+00:02:24.966-STANDARD
The host uses a brush to cover the newspapers with black paint.
+00:02:35.033-STANDARD
A "subscribe" graphic briefly appears.
+00:02:50.566-STANDARD
The host thoroughly paints the entire exterior of the newspaper water bottle cone.
+00:03:09.533-STANDARD
The host uses a brush to paint streaks of orange down the sides of the black paint as if it were leaking from the bottle's exposed opening.
+00:03:30.233-STANDARD
The host dabs red paint on the rim of the bottle's opening, then adds red highlights to the orange streaks.
+00:03:41.933-STANDARD
The host fills a measuring glass with water, then squirts in shampoo before adding orange dye and stirring it.
+00:03:54.966-STANDARD
The host shows two packets of "orange Eno fruit salts".
+00:04:03.466-STANDARD
They use scissors to clip the packets' corners off, then pours the powder into a test tube.
+00:04:13.533-STANDARD
Later, the now fully painted newspaper covered waterbottle sits on a tray and appears like a craggy, black volcano with red and orange lava pouring out from its top.
+00:04:27.700-STANDARD
The host fills the volcano with the soapy water mixture.
+00:04:36.633-STANDARD
They pour in the test tube's powder mix. The liquid erupts from the volcano and spills down its sides, frothy and orange.
+00:04:53.133-STANDARD
The orange liquid pools around the volcano's base, then the host adds in more of the powder mix. More liquid surges out and down the sides.
+00:05:14.900-STANDARD
Words appear: "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_gdwHgHPEDNs.txt b/raw/validation/gt_ad/output_gdwHgHPEDNs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9ffe2fddc1be3431a583206593111a602c9b6b1d
--- /dev/null
+++ b/raw/validation/gt_ad/output_gdwHgHPEDNs.txt
@@ -0,0 +1,8 @@
+00:00:08.300-STANDARD
Mike enters a large building in LA. He sits in a radio studio.
+00:00:56.667-STANDARD
A pitbull wags its tail.
+00:01:00.467-STANDARD
Mike walks through the Paramount Studio lot with a man. They enter a sound stage.
+00:02:05.133-STANDARD
Later, he poses in a red carpet event.
+00:03:21.500-STANDARD
Mike sits with several people in a studio.
+00:03:52.500-STANDARD
Words appear: "Top Secret Meeting One."
+00:04:51.000-STANDARD
Mike bear hugs the camera.
+00:04:54.367-STANDARD
Two more videos from his channel appear by a photo of him grinning in scrubs, a stethoscope around his neck.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_gtfNb_7R-OM.txt b/raw/validation/gt_ad/output_gtfNb_7R-OM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8920069c49cefe1887c7c22c25c5d31d93cb9eca
--- /dev/null
+++ b/raw/validation/gt_ad/output_gtfNb_7R-OM.txt
@@ -0,0 +1,31 @@
+00:00:00.000-STANDARD
A female-presenting person wearing a smock, seen from the neck down, arranges several white tulips on a table. On-screen text: Fleur by Sora.
+00:00:06.643-STANDARD
She wraps a bouquet of the white flowers in paper.
+00:00:10.443-STANDARD
She puts a handful of ice cubes in a short glass vase.
+00:00:13.614-STANDARD
She unwraps the paper around a bundle of white tulips. Several bouquets in various colors are on the table beside her. On-screen text: Hi, it's been a while since my last video. How are you guys doing? 
+00:00:23.900-STANDARD
She finishes unwrapping the top layer of paper around the bouquet, leaving one layer still intact before showing the tulips to the camera and setting them down. On-screen text: I just got back from the flower market and brought home some fresh flowers.
+00:00:33.900-STANDARD
On-screen text: But today, I'm gonna show you some tips for tulips. I hope this video can help you keep your tulips fresh longer.
+00:00:41.371-STANDARD
She unwraps the final layer of paper. On-screen text: The best for tulips is a cool area, so they’ll live longer in cooler conditions.
+00:00:49.343-STANDARD
She shows the petals of the bundle of white tulips to the camera. On-screen text: This is Tulip double the edge.
+00:00:54.214-STANDARD
She lays the tulips down on the paper. On-screen text: First, let’s clean the yellowish leaves from the stem. 
+00:00:59.800-STANDARD
She picks up one of the tulips, removes a large but thin yellowish leaf from its long stem, and puts it aside. Then another, shows it to the camera, and puts it aside also.
+00:01:09.757-STANDARD
In slightly sped-up editing, she repeats this action with more flower stems, removing yellowish leaves and setting them aside. She goes through the whole bundle.
+00:01:31.643-STANDARD
All of the stems are clean now, no leaves. She picks up a tulip and shows the petals to the camera. The flower looks full as there are many layers of petals. On-screen text: The difference between Tulip single and Tulip double is the number of layers of petals. 
+00:01:40.671-STANDARD
From a paper bag on the table beside her, she removes a small mesh elastic net and shows it to the camera. On-screen text: I’m gonna keep the flower's head inside a net to prevent it from blooming too early. 
+00:01:51.343-STANDARD
She puts the little elastic net around the petals of one tulip, like a hairnet, and sets it delicately back down.
+00:01:57.471-STANDARD
She takes another net and repeats this action on another tulip. On-screen text: So, if you buy tulips for your own decoration at home, you can skip this step.
+00:02:04.329-STANDARD
She continues putting nets on petals.
+00:02:35.614-STANDARD
All of the flowers have nets now, and she picks up the bundle.
+00:02:38.571-STANDARD
A small knife is now on the table. With the bundle in her hands, she shows the bottom of the stems facing the camera. On-screen text: Next step is cutting the bottom edge of the stems. But we're going to use a sharp knife instead of scissors. 
+00:02:46.643-STANDARD
She puts the bundle of flowers flat and gestures with her fingers where to cut the stems, just at the bottom, to make them all even.
+00:02:52.429-STANDARD
She picks up the knife and cuts the stems an inch from the end on a diagonal. On-screen text: Please cut it diagonally to make it easier to absorb water.
+00:03:00.157-STANDARD
After cutting, she picks up the stems to look at their bottoms.
+00:03:03.329-STANDARD
In a new moment, the flowers are laid on the paper, petals facing the camera and stems facing her. She rolls them in the paper, like a burrito. On-screen text: I'm gonna wrap the stems to keep them straight.
+00:03:12.243-STANDARD
She continues rolling. On-screen text: You don’t need to do this if you directly use the tulips.
+00:03:19.843-STANDARD
She picks up the now-wrapped bundle of tulips, observes it, then replaces the bouquet.
+00:03:25.543-STANDARD
She grabs the short vase full of water. On-screen text: Last, put the tulips in the vase with clean water.
+00:03:30.614-STANDARD
She grabs a handful of ice from a plastic container on the table beside her and puts three handfuls into the vase. On-screen text: Please use cold water.
+00:03:39.829-STANDARD
On-screen text: I'm adding some ice cubes to make it colder.
+00:03:45.314-STANDARD
She picks up the bundle of flowers and places them in the vase, stems-down. On-screen text: Even though they don't have roots, they'll grow 3-4 cm in the next few days. Don't be shocked!
+00:03:54.657-STANDARD
On-screen text: Don’t forget to change the water every day and cut the bottom of the stems once every two days. She pats the vase.
+00:04:02.957-STANDARD
She turns the vase slightly side to side. Then waves to the camera.
+00:04:06.286-STANDARD
On-screen text: Thank you for watching. I’ll see you in the next video :) Instagram: @fleur_bysora
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_gtokIlGylHQ.txt b/raw/validation/gt_ad/output_gtokIlGylHQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cf4b1dfadaa20fea936708f2bf57befbf73cc7a3
--- /dev/null
+++ b/raw/validation/gt_ad/output_gtokIlGylHQ.txt
@@ -0,0 +1,21 @@
+00:00:00.433-STANDARD
Words appear: "Expedia and N F F T Y Present." A pair of hands make a picture frame over different scenic locations.
+00:00:10.200-STANDARD
Words appear over ocean waves lapping at a shore crusted with dark stone. "Cape Town."
+00:00:17.266-STANDARD
The low-hanging sun paints the cloudy sky purple, orange, and gold while a blanket of clouds roll over a sprawling city surrounded by mountains.
+00:00:33.500-STANDARD
Three men hike through a desert.
+00:00:46.300-STANDARD
The men rock climb Table Mountain.
+00:00:50.200-STANDARD
A sailboat cuts through the ocean toward Cape Town's shores. Two of the men rappell from a section of Table Mountain.
+00:00:58.100-STANDARD
A boogie boarder rides up a curling wave, then spins in the air. Words appear: "Llandudno."
+00:01:05.500-STANDARD
A woman at "Truth Coffee" grinds coffee beans using a large machine made of numerous gears, belts, tubes, and metal rods.
+00:01:28.467-STANDARD
Images flash of different dishes at restaurants.
+00:01:43.033-STANDARD
Words appear: "Koel Bay." A surfer rides inside the barrel of wave.
+00:01:49.367-STANDARD
Words appear: "Sea Point." A woman stands on a massive sculpture of sunglasses on a fenced off field near the ocean. People move to and fro across a walkway in front of it.
+00:02:03.467-STANDARD
At the V and A Waterfront, a crowd watches a man balance bottles and balls on his chin.
+00:02:37.734-STANDARD
A man speeds down a street hedged in by tall buildings on his bicycle.
+00:02:43.734-STANDARD
A woman on a beach fastens her surfboard's leash on her ankle.
+00:02:49.333-STANDARD
One of the rockclimbers scales a craggy cliffside.
+00:02:53.634-STANDARD
Four women play volleyball at a beach.
+00:02:57.367-STANDARD
At "Camp's Bay", a dog leaps on a shore and catches a flying frisbee.
+00:03:11.400-STANDARD
The men rock climb Lion's Head.
+00:03:22.567-STANDARD
One of them rappells down a cliffside on Lion's Head as the sun sets.
+00:03:54.500-STANDARD
Credits appear: "A N F F T Y Creative Production. Directed, shot, and edited by Vaughan Coetzee. This film brought to you by Expedia."
+00:04:06.000-STANDARD
Words appear over different photos reading: "Explore Beijing. Explore Bucharest. Explore Cairo. Explore All Hometowns."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_h3LUbj8xKTs.txt b/raw/validation/gt_ad/output_h3LUbj8xKTs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..633156f18d8f1d03a2651478fac6dc24a2586dce
--- /dev/null
+++ b/raw/validation/gt_ad/output_h3LUbj8xKTs.txt
@@ -0,0 +1,19 @@
+00:00:04.720-STANDARD
A young man gets into a sedan.
+00:00:19.040-STANDARD
Later, he enters a store.
+00:00:35.000-STANDARD
He stands at a counter.
+00:00:40.200-STANDARD
He sits in a living room with a jeweled, New Years tiara on.
+00:00:47.080-STANDARD
Subtitles: "Yeah, I don't know one though, I was just looking at it, but it looks they're there."
+00:00:54.560-STANDARD
He taps a button on it and lights flash. He puts it on.
+00:02:52.040-STANDARD
He waves a dog's paw at the camera.
+00:02:55.240-STANDARD
Different clips of him play.
+00:03:06.720-STANDARD
He reads from a paper.
+00:03:17.480-STANDARD
Words appear: "I watch Christmas Parade with my mum." He sits with her in a cafe.
+00:03:25.640-STANDARD
"Party Baguette Roll Cake Review." He cuts slices of a baguette cake on a dining table, then plates them.
+00:03:34.720-STANDARD
"The one where I spill my smoothie." He reverses in his sedan.
+00:03:40.280-STANDARD
He looks down as he drives forward.
+00:03:45.240-STANDARD
He parks.
+00:03:50.000-STANDARD
"Alfsen's Book Store." He helps the older man move cardboard boxes of books in a dimly lit room. The young man passes a large, framed painting to the older man.
+00:04:02.520-STANDARD
"Maru's Bathtime." The young man sits in a tub with his dog and washes their golden fur.
+00:04:10.800-STANDARD
"The one where I grab a beer with Andrew." The young man sits by another young man in a restaurant and pretends to kiss his cheek; Andrew recoils.
+00:04:32.440-STANDARD
They toast beers.
+00:04:46.080-STANDARD
"I visit my Uncle Earl." The young man sits beside a middle aged man in an ALS wheelchair in a living room. They watch TV and talk.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_hEWwm9sJjjU.txt b/raw/validation/gt_ad/output_hEWwm9sJjjU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..85eb132f22add32a73fda08a0ee43ce9c83cd2fa
--- /dev/null
+++ b/raw/validation/gt_ad/output_hEWwm9sJjjU.txt
@@ -0,0 +1,12 @@
+00:00:00.000-STANDARD
An animated astronaut appears on screen. The helmet visor lifts to reveal the words: “The Science Haven.”
+00:00:06.529-STANDARD
Drone footage shows a wide view of a large, gray modern building with many windows. It sits in a grassy area, surrounded by other buildings. The drone gradually moves closer to the building.
+00:00:13.386-STANDARD
Inside, a woman dances in front of a balloon arch that spells the word “Stellar.” On-screen text identifies her as Dr. Raven Baxter, Molecular Biologist.
+00:00:17.929-STANDARD
Children and parents walk into the building. On-screen text reads: "30 Stellar Dreams students receive new telescopes through the Science Haven initiative." Dr. Raven speaks to a cameraperson. Stickers, wristbands, and other NASA-themed items sit on a table.
+00:00:28.286-STANDARD
Dr. Raven greets students.
+00:00:35.329-STANDARD
On-screen text: “Students walk the red carpet at Buffalo State University and are presented with telescopes at the Science and Mathematics Complex.” Another friendly person greets guests. On-screen text identifies: Dr. Ronald Gamble, Theoretical Astrophysicist and Director of Programs at The Science Haven.
+00:00:46.043-STANDARD
Outside, the students stand near a planetarium dome. On-screen text: “Students received training from the Buffalo Astronomical Association and explored the night sky at the Whitworth Ferguson Planetarium.” Dr. Raven welcomes attendees.
+00:02:12.500-STANDARD
A child opens a telescope package. Another peers through a telescope. Inside a lecture hall, a lecturer presents to a group of parents and students.
+00:04:24.971-STANDARD
Outside at night, several children look through telescopes while parents stand nearby. A professional videographer captures the scene.
+00:05:12.100-STANDARD
The same astronaut animation appears. The visor lifts, revealing the words: “The Science Haven.”
+00:05:19.057-STANDARD
On-screen text: “Thank you to our partners: CuriosityStream, Buffalo State, Beam, Celestron, BAA Buffalo, Dr. Lola Eniola-Adefeso, and hundreds of individual donors who believe the sky is for everyone!”
+00:05:28.314-STANDARD
On-screen text: “The Science Haven: making science accessible, engaging, and meaningful for all.” The Science Haven. www.thesciencehaven.org.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_hJZeLZp-bGQ.txt b/raw/validation/gt_ad/output_hJZeLZp-bGQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8e9b3fe0c96591aba515324c9de7696c8beb61e6
--- /dev/null
+++ b/raw/validation/gt_ad/output_hJZeLZp-bGQ.txt
@@ -0,0 +1,16 @@
+00:00:19.643-STANDARD
Our view shows the inside of a dishwasher, from the vantage point of the lower rack. Dishes sit in front of our view on the rack. Jets of water spray down from above.
+00:00:34.886-STANDARD
Above our view, spray arms spin in circles, blasting water in all directions. The streams hit the dishes with force.
+00:01:03.943-STANDARD
In front of our view, the detergent door clicks open. Moments later, the dishwasher door swings open, revealing the vlogger.
+00:01:39.757-STANDARD
Our viewpoint, now from the edge of a fan blade, spins fast. The vlogger's hand reaches up and stops the rotation.
+00:01:46.657-STANDARD
Our view plunges down a kitchen sink drain and into a garbage disposal. Bits of food are visible at its bottom.
+00:01:55.514-STANDARD
A spinning blade whirs, grinding the scraps into smaller pieces. Water rushes in, washing everything clean. Our view rises back up through the drain into the now-spotless sink.
+00:02:07.177-STANDARD
Our view slips past the strings and through the sound hole of a guitar. Inside, the guitar is hollow--wooden slats and supports line the curved interior.
+00:02:29.114-STANDARD
Our viewpoint is at the bottom of a narrow hole, looking straight up at the vlogger's face above. Water pours down, distorting our view of their face.
+00:02:40.486-STANDARD
The face moves in and out of the opening, sometimes blocking the light, sometimes visible through the water. As the water stops flowing, the vlogger grimaces at the taste.
+00:03:13.129-STANDARD
Inside a washing machine drum, our view spins. Foamy soap spreads across the surface, eventually covering our view.
+00:03:26.643-STANDARD
Our view shows only white foam.
+00:03:34.900-STANDARD
Water and clothes swirl rapidly around our view in a circular, sloshing motion.
+00:03:51.629-STANDARD
Our viewpoint is the inside a fish tank, underwater. Orange and white fish swim around.
+00:03:58.686-STANDARD
Our view is from the inside of a cup with bits of floating paint flakes.
+00:04:07.486-STANDARD
Back in the washing machine, the door closes in front of our view. Jets of water activate and spin, washing clothes around.
+00:04:27.416-STANDARD
On-screen text: "please subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_hVvEISFw9w0.txt b/raw/validation/gt_ad/output_hVvEISFw9w0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1a3ecc6ba99e0589573b8632d5456bf4f095141f
--- /dev/null
+++ b/raw/validation/gt_ad/output_hVvEISFw9w0.txt
@@ -0,0 +1,35 @@
+00:00:00.200-STANDARD
The sun rises over the dunes of the Arfoud desert.
+00:00:04.280-STANDARD
Wind combs through tall grasses blanketing rolling hills.
+00:00:08.760-STANDARD
Pale light seeps through an archway in an ancient, stone building.
+00:00:13.840-STANDARD
Numerous goats stand or lie on the twisting branches of a tree in a field.
+00:00:19.440-STANDARD
A man in brown robes strides through the Arfoud desert.
+00:00:24.000-STANDARD
Birds flock over Ouarzazate while grey clouds blanket the blue sky.
+00:00:29.400-STANDARD
Potted plants line a narrow, staired alley in Chefchaouen, its walls worn and blue.
+00:00:36.240-STANDARD
A man sits at a booth in a market, its walls covered with shoes and sandals.
+00:00:42.440-STANDARD
Sunlight washes over crumbling, ancient buildings in Ouarzazate.
+00:00:47.920-STANDARD
The octagonal Grand Mosque of Chefchaouen rises toward the sky.
+00:00:53.000-STANDARD
A decreipt, wooden awning hangs over a pathway on the high wall of an old, stone building in Ouarzazate.
+00:01:01.080-STANDARD
A man gathers boats in a canal running under a cobblestone bridge that leads to a broad, square tower.
+00:01:08.880-STANDARD
A monkey reclines on a tree branch outside of Ouarzazate.
+00:01:13.800-STANDARD
The hundreds of flocking birds over Ouarzazate weave through the sky as the sun begins setting. Waves lap at a craggy shore.
+00:01:22.880-STANDARD
A blue robed man leads a camel across the spine of a dune in the Arfoud desert.
+00:01:29.120-STANDARD
An ewe grazes with two lambs on a field of yellow grass covered with patches of palm trees.
+00:01:36.000-STANDARD
Inside a dimly lit, old building sits an archway made of intricately carved, white stone and red, green, and blue tiles. Inside of the archway rests a large, red, wooden doorway.
+00:01:50.000-STANDARD
A cloudless, blue sky stretches over the Kasbah Amridil.
+00:01:55.360-STANDARD
Vividly colored rugs hang on the walls of an alley inside of Kasbah Amridil.
+00:02:01.840-STANDARD
Light from the setting sun beams through a massive gap in dark clouds, deep and orange, silhouetting palm trees.
+00:02:10.240-STANDARD
The man leading the camel in the Arfoud desert moves down the slope of a dune.
+00:02:16.960-STANDARD
Pillars ring a dried fountain in a crumbling building, its octagonal roof open to the sky.
+00:02:24.680-STANDARD
Decrepit wooden beams twist over a jagged hole where a vaulted ceiling once was.
+00:02:32.480-STANDARD
Dozens of lamps with flickering candles in them hang or sit in a small, rectangular room, filling it with firelight.
+00:02:36.640-STANDARD
A lone tree stands in a vast, empty plain of flat dirt. A shadow puddles beneath its branches.
+00:02:45.280-STANDARD
An alley winds through a moss filled, blue cobblestone wall in Chefchaouen and planters filled with large, leafy plants run along its bottom. The blue side of a building stretches across the alley's other side.
+00:03:00.840-STANDARD
The thousands of towers and smaller buildings comprising Fez sprawls over the hills and toward a mountain range.
+00:03:10.000-STANDARD
Sunlight shines through a window over the a wall in a mosque. Ornate and vividly colored geometric patterns adorn the wall and the light reflects on green glass behind a grill of curling and grid-shaped patterns.
+00:03:28.040-STANDARD
The sun hangs low over the Arfoud desert, painting the sky orange and gold while wind blows sand across its sloping dunes.
+00:03:38.600-STANDARD
Charms, cups, vases, lanterns, and metal baubles cramp the sides of a narrow alley in a market.
+00:03:49.600-STANDARD
An ancient well rests in a courtyard of a citadel while the sun bleaches the old, stone ramparts that surround it.
+00:04:00.680-STANDARD
The sun flares over the pitted, crumbling ruins of a stone wall, its edges rounded from erosion.
+00:04:10.120-STANDARD
A time lapse shows the sun rapidly sink over Fez, throwing darkness over the immense city.
+00:04:20.120-STANDARD
On another day, the sun bathes a blue door in a faded, white and blue building in Chefchaouen. A wheelbarrow leans against a wall nearby.
+00:04:33.120-STANDARD
Words appear: "A Jacob and Katie Schwarz Film. Music by By the way may; 'Latent'. Copyright two thousand eighteen mustery boxx, LLC, all rights reserved."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_heEfneFm-MU.txt b/raw/validation/gt_ad/output_heEfneFm-MU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dcafe1ec673f9e8381ad50a2109ddd72d768c28c
--- /dev/null
+++ b/raw/validation/gt_ad/output_heEfneFm-MU.txt
@@ -0,0 +1,35 @@
+00:00:02.666-STANDARD
Words appear: "Apronful of Stones. At apron full of stones."
+00:00:09.724-STANDARD
Vibrant red berries dangle from a bush with red-green leaves.
+00:00:16.619-STANDARD
A bee perches atop a flower and rubs it.
+00:00:23.479-STANDARD
Sunlight shines through the top of a verdant forest canopy.
+00:00:30.010-STANDARD
A worn British flag flaps in the wind from a pole, a grey sky stretching above it.
+00:00:39.597-STANDARD
Rolling green hills blanketed with swathes of trees sprawls to the horizon. A pillar of white smoke gently rises from one area by a patch of trees.
+00:00:54.706-STANDARD
A small, brown house sits by the patch of trees.
+00:01:03.061-STANDARD
A worn, cobblestone building stands nestled among the forest. Sunlight washes over a clock face decorating its spired tower.
+00:01:15.544-STANDARD
The front doorway rests in an old archway mottled with moss and rain damage.
+00:01:23.349-STANDARD
Rusted door knockers hang on the doorway.
+00:01:30.280-STANDARD
Tombstones stand clustered together in a small field.
+00:01:38.454-STANDARD
Some tombstones rest in the shadow of a tall tree.
+00:01:48.919-STANDARD
Bright red apples hang from a tree.
+00:01:54.627-STANDARD
A light post stands near a two story, cobblestone building lined with moss.
+00:02:02.936-STANDARD
A red mail slot sits in a cobblestone wall.
+00:02:08.683-STANDARD
Sunlight reflects on the red berries of a tree. A ladybug rests on a wall. A sign hanging on the wall reads: "Jane Street." A cobblestone pathway runs past it and through a town.
+00:02:22.662-STANDARD
Inside a cozy kitchen, a woman in an apron decorated with tiny trees places three ceramic bowls on a rustic wooden table.
+00:02:32.040-STANDARD
Later, the woman places an aged colander next to the bowls, one now filled with banana slices and the other with plump blueberries. They put cherries from the colander into the third bowl.
+00:02:45.844-STANDARD
The woman fills a white tea kettle with water from a sink, then sets it on a stove.
+00:02:54.153-STANDARD
The woman places a towel on the table's center, then smooths it over. She places the bowls and two jars of jam on it.
+00:03:04.638-STANDARD
She sets two smaller jars of jelly and a honey stick by the larger ones.
+00:03:13.666-STANDARD
The woman places a bread paddle with bread slices on it near the jars and bowls.
+00:03:22.325-STANDARD
The woman sets plates on the table. Steam rises from the kettle and she removes it from the stove.
+00:03:31.489-STANDARD
She lifts the lid from a red and white striped ceramic kettle and drops several tea bags into it. She pours steaming water from the white kettle into the ceramic one.
+00:03:45.468-STANDARD
She puts the striped kettle's lid back on.
+00:03:52.418-STANDARD
She places the paddle back on the table with four thick slices of now toasted bread.
+00:04:00.417-STANDARD
The woman pours amber colored tea from the striped kettle into a matching cup.
+00:04:07.873-STANDARD
Her shadow passes over a vase of yellow and orange flowers now on the table.
+00:04:15.425-STANDARD
She pours milk from a glass bottle into a bowl of cereal.
+00:04:22.337-STANDARD
She shakes seeds from two mason jars onto the cereal. She drops blueberries onto the seeds, then uses the honey stick to drizzle honey from a jar over it all.
+00:04:37.034-STANDARD
The woman sits at the table and eats her cereal.
+00:04:43.733-STANDARD
She pours the milk into her tea cup.
+00:04:49.421-STANDARD
The woman uses a spoon to stir her tea.
+00:04:54.741-STANDARD
The woman, and a guest at her table, each take a bread slice from the paddle.
+00:05:01.769-STANDARD
"Apronful of Stones. At apron full of stones. Please do subscribe, we'd love to invite you for tea!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_hfDEacgb9ro.txt b/raw/validation/gt_ad/output_hfDEacgb9ro.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dc2cdff6487b7ac1bd316551ca24fd5126fc64b4
--- /dev/null
+++ b/raw/validation/gt_ad/output_hfDEacgb9ro.txt
@@ -0,0 +1,15 @@
+00:00:08.471-STANDARD
A female-presenting vlogger sits in the passenger seat of a parked car, eating ice cream. Her boyfriend is in the driver's seat. On-screen text: rachel lee.
+00:00:20.143-STANDARD
On-screen text: May 2020.
+00:00:35.943-STANDARD
View from inside a car, waiting in a long line of vehicles. On-screen text: you can't even see all of it here.
+00:00:48.986-STANDARD
Still in the parked car, she bites into a chicken wing. On-screen text: we were really eating wings at 9am hahaha. Then after waiting two hours we got our donuts but they only let us get one free box per car.. and I was mad lmao.
+00:02:19.043-STANDARD
She dances joyfully in the car, holding a donut. On-screen text: happy eating dance.
+00:03:01.457-STANDARD
She holds a box of macarons up to the camera. Her boyfriend grabs the back of a shopping cart, takes a running start, then jumps on and rides it down an aisle.
+00:03:30.771-STANDARD
Sitting on a picnic blanket, she places two macarons on a wooden serving board, then looks at the camera, embarrassed..
+00:03:49.200-STANDARD
Still on the picnic blanket, she poses, smiling, in front of a spread of food. Her boyfriend pours a pink, fizzy drink into a cup.
+00:03:56.257-STANDARD
She shakes out the blanket a couple times to clear away crumbs.
+00:04:02.157-STANDARD
Back in the passenger seat, in the present, she eats ice cream--mirroring the vlog's opening shot.
+00:04:11.314-STANDARD
On-screen text: A different day.
+00:06:20.457-STANDARD
A photo of a totaled sedan, its front end crushed.
+00:06:50.986-STANDARD
Her boyfriend takes another bite of his Icee. On-screen text: continues to eat.
+00:07:30.371-STANDARD
They clink their Icees together in a cheers gesture toward the camera.
+00:07:35.600-STANDARD
On-screen text: Thanks for Watching @racheel.lee. Subscribe. Watch more here.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_huqnEZ7PEW4.txt b/raw/validation/gt_ad/output_huqnEZ7PEW4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..62367479559c50411a75627cd58cc4e0e89c9d51
--- /dev/null
+++ b/raw/validation/gt_ad/output_huqnEZ7PEW4.txt
@@ -0,0 +1,4 @@
+00:00:00.284-STANDARD
Doug stands in his kitchen.
+00:00:13.329-STANDARD
Doug sets a package reading: "Pinkglow; Pineapple slash Ananas" on a cutting board on his kitchen island.
+00:00:59.464-STANDARD
Doug cuts the pink pineapple into large chunks.
+00:01:25.069-STANDARD
He places some chunks in tupperware and others in a plastic bag.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_hw9NZ48ULCU.txt b/raw/validation/gt_ad/output_hw9NZ48ULCU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..63631e44ec24922c04ea393fbe85c46109264c34
--- /dev/null
+++ b/raw/validation/gt_ad/output_hw9NZ48ULCU.txt
@@ -0,0 +1,13 @@
+00:01:17.200-STANDARD
The vlogger and his filmmaker friend Alex get into a red car parked on a town street.
+00:01:23.129-STANDARD
They ride in the backseat as the car drives. The vlogger nods along to the music, looking into the camera.
+00:02:06.643-STANDARD
In a playful skit, the vlogger kneels as Alex pretends to chop his head off with a sword motion. The vlogger falls dramatically. On-screen text: You were sacrificed to the gods...
+00:03:00.286-STANDARD
Still dark out in the early morning. On-screen text: San Ignacio Town, El Cayo District.
+00:03:28.886-STANDARD
Inside a border crossing station, the vlogger stands at a window.
+00:03:56.471-STANDARD
Back in the car, the vlogger dances while Alex sits beside him. The driver briefly mimes playing drums, taking both hands off the steering wheel. He then shows them a music video on his phone, which is plugged into the car.
+00:04:20.500-STANDARD
A hotel attendant opens the door to their room.
+00:05:17.271-STANDARD
The vlogger and Alex run up the stairs of an ancient stone structure.
+00:05:23.800-STANDARD
From a platform above, they look out at a triangular stone pyramid, then bump fists.
+00:06:17.429-STANDARD
Walking along a dirt path through the jungle, the vlogger reacts with a shocked expression to monkey sounds in the distance.
+00:07:03.000-STANDARD
A howler monkey sits in a tree, surrounded by dense vegetation.
+00:07:09.214-STANDARD
A howler monkey hangs from a branch, grabbing and eating leaves.
+00:07:15.214-STANDARD
A howler monkey walks along a thin branch, then climbs through the treetops. Another monkey walks ahead of it as they ascend into the canopy.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_iA5T8R2jthQ.txt b/raw/validation/gt_ad/output_iA5T8R2jthQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d59314d05a16553d2969b0432c9f2ecf31c3fa48
--- /dev/null
+++ b/raw/validation/gt_ad/output_iA5T8R2jthQ.txt
@@ -0,0 +1,23 @@
+00:00:00.581-STANDARD
A tablet, pink notebook, pink water bottle, and phone with a pink case and wireless earbuds on it rest on a light brown, wooden table.
+00:00:10.936-STANDARD
Words appear in a bold pink font: "Get organized with me. Half term edition."
+00:00:18.176-STANDARD
Words appear in cursive: "Phedra D. Talks."
+00:00:23.126-STANDARD
A young, black-haired woman sits at the wooden desk, a large, fluffy, and pink unicorn stuffed animal behind her.
+00:01:04.407-STANDARD
Phedra makes events on a calendar app on a laptop.
+00:01:58.739-STANDARD
A timelapse shows Phedra create, label, and color code new events across a week on her calendar app.
+00:02:09.442-STANDARD
Phedra leans her tablet against her laptop screen, then scrolls through different files before returning her attention to her laptop.
+00:02:21.850-STANDARD
She labels one event "Electrochemistry."
+00:02:26.825-STANDARD
Phedra makes the time for "Electrochemistry" nine fifteen to eleven fifteen AM. She labels another event "Relationship Between Iago And Emilia." She selects "English Literature" for the category, then makes a third event.
+00:02:45.138-STANDARD
Images rapidly flash of Phedra creating and organizing many events on her calendar.
+00:02:53.649-STANDARD
Later, she scrolls through her carefully color coded and labeled calendar on her tablet.
+00:03:24.796-STANDARD
Words appear: "You do not need an Ipad to do this. You can edit the pages on a laptop or phone, and then print it out and use it the same."
+00:03:59.872-STANDARD
She edits a pink and blue template.
+00:04:12.456-STANDARD
She opens the template in another app, then zooms in on different sections of it before tapping an icon reading, "Edit"
+00:04:31.966-STANDARD
Phedra uses a stylus to write in the multiple empty slots in the template, its title reading: "Half term plan for Biology."
+00:04:44.986-STANDARD
She finishes writing a fourth thing in a section labeled: "Things to do." She begins writing in a large section labeled: "Exam procedures."
+00:05:08.945-STANDARD
Phedra highlights certain events with pink.
+00:05:13.102-STANDARD
Phedra holds her phone by her tablet, then opens the photo app on her tablet.
+00:05:28.270-STANDARD
She selects "accept" from the airdrop menu on her phone.
+00:05:37.123-STANDARD
Phedra looks over her event template on her Ipad, then scrolls to her calendar app before carefully scrolling through the events.
+00:05:49.568-STANDARD
She clicks on one event and edits it.
+00:05:56.832-STANDARD
Phedra types on her Ipad's keyboard, then scrolls through a page filled with information for one of her classes.
+00:06:09.859-STANDARD
Phedra types in new events on a section of her notes app labeled: "Important."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_iDcekQeBGOY.txt b/raw/validation/gt_ad/output_iDcekQeBGOY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2373580078e2b925e46531076030d8ba068dc2d3
--- /dev/null
+++ b/raw/validation/gt_ad/output_iDcekQeBGOY.txt
@@ -0,0 +1,28 @@
+00:00:00.100-STANDARD
A logo in the top right corner reads: "Windy's Home; Delicious Taste."
+00:00:07.400-STANDARD
A cook sprinkles copious amounts of cocoa powder onto over a dozen sweet milk balls arrayed on a large, white plate.
+00:00:17.533-STANDARD
The cook removes a couple from the plate with chopsticks.
+00:00:24.000-STANDARD
The cook, wearing black, latex gloves, places a glass mixing bowl on a marble counter.
+00:00:32.166-STANDARD
They position a sieve over the bowl.
+00:00:37.066-STANDARD
The cook places one hundred grams of cornstarch into the sieve.
+00:00:43.934-STANDARD
The cook firmly taps at the side of the sieve so the cornstarch falls through it into the mixing bowl.
+00:00:52.834-STANDARD
They use a rubber spatula to scrape the interior of the sieve and push out the last of the cornstarch.
+00:01:01.767-STANDARD
The host places thirty grams of sugar into the mix, followed by a pinch of salt.
+00:01:10.300-STANDARD
They use a whisk to carefully stir the ingredients.
+00:01:17.934-STANDARD
The host pours two hundred milliliters of milk into the mixing bowl.
+00:01:26.000-STANDARD
They use a spoon to pour in two milliliters of vanilla extract. They thoroughly mix it all with the whisk.
+00:01:38.600-STANDARD
The host sets down a pan on a hot plate on the marble counter. They leisurely pour the mixture into it.
+00:01:50.000-STANDARD
The host activates the hot plate's "low heat" setting.
+00:01:57.800-STANDARD
The host uses a red rubber spatula to slowly stir the mixture in the pan.
+00:02:09.066-STANDARD
Gradually, the mixture congeals and lumps form.
+00:02:17.467-STANDARD
The host pours in twenty grams of unsalted butter, then stirs it in.
+00:02:37.233-STANDARD
Time passes. The host uses the spatula to fold the mixture up and press down on it.
+00:02:47.367-STANDARD
The host continues until they have folded the mixture, now a creamy dough, into a dense square.
+00:02:58.118-STANDARD
They place the dough square onto a white, porcelain plate, then cut it on a light brown, wooden cutting board.
+00:03:05.900-STANDARD
The host uses a chef's knife to make five long, vertical strips from the square.
+00:03:13.166-STANDARD
They use the knife to make two horizontal cuts across the square, producing fifteen total smaller squares.
+00:03:21.900-STANDARD
The host takes one square, then kneads and rolls it into a small ball.
+00:03:31.433-STANDARD
Later, they place the last of of the fifteen sweet milk balls onto the cutting board.
+00:03:41.033-STANDARD
The host sprinkles a generous amount of cocoa powder all over the sweet milk balls.
+00:03:50.066-STANDARD
The host places each sweet milk ball, their tops now covered with cocoa powder, onto a large, white plate.
+00:04:01.567-STANDARD
They remove two with chopsticks.
+00:04:06.800-STANDARD
Words appear: "Thank you for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_iRjiwR8J5W0.txt b/raw/validation/gt_ad/output_iRjiwR8J5W0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..366eaa2cf8a0c363db200135e0e66f869af0056b
--- /dev/null
+++ b/raw/validation/gt_ad/output_iRjiwR8J5W0.txt
@@ -0,0 +1,41 @@
+00:00:00.000-STANDARD
On-screen text: introvert and dog. A white dog walks on a leash in front of the camera in snow.
+00:00:03.957-STANDARD
Outside a window, from some stories up, we see gray skies. Snow falls over several modern apartment buildings stretching out into the distance.
+00:00:06.786-STANDARD
In the courtyard of an apartment complex, we see snow falling from a whitish-gray sky. Deep snow already covers the ground.
+00:00:11.529-STANDARD
On-screen text: the day before. The action takes place at night, looking out the window of a moving bus. We see a city street, snow on the ground, white lights in trees, and groups of people in winter outerwear walking by.
+00:00:20.943-STANDARD
The bus makes a right down the street.
+00:00:25.471-STANDARD
We stop at a bus stop, with a few people waiting.
+00:00:29.800-STANDARD
We jump ahead to continue driving. Out the window, we are on a street lined with stores. People walk down the sidewalk continuously as we drive past them.
+00:00:50.786-STANDARD
The bus makes a right, still passing clothing shops with clothes displayed in the windows, other stores, and people walking.
+00:01:13.000-STANDARD
In the falling snow, a wide view of a large red city bus parked outside a large, modern building. All we can see is the facade of the lone building and the bus. In the distance, a train passes on a bridge behind the bus.
+00:01:24.171-STANDARD
In the same area, we see another red bus parked.
+00:01:28.529-STANDARD
Snow falls in front of the windows of a house.
+00:01:31.971-STANDARD
Snow falls atop already-high piles of snow. A modern standing light illuminates the path. In the distance, we see an apartment complex with rows of buildings.
+00:01:37.514-STANDARD
Snow falls sideways past the modern light illuminating the path. The light illuminates the falling snow.
+00:01:41.514-STANDARD
On-screen text: The next morning.
+00:01:44.946-STANDARD
Outside a window, some stories up, we see gray skies. Snow falls over several modern apartment buildings stretching out into the distance.
+00:01:54.500-STANDARD
Shoes walk on a snow-heaped path. The camera then tilts up, showing a dog on a leash, walking.
+00:02:02.214-STANDARD
The dog continues walking in front, on the snowy path, past the apartment buildings in the complex.
+00:02:14.057-STANDARD
The dog still walking ahead on the path.
+00:02:23.714-STANDARD
Looking up under the canopy of a tree, a white sky above, snow falls down.
+00:02:30.210-STANDARD
Wind blows falling snow past a building with a steep pitched roof and two chimneys.
+00:02:37.000-STANDARD
Snow blusters in the courtyard of the apartment complex. In the distance, a person walks through the snow.
+00:02:44.271-STANDARD
A large mound of snow covers a bicycle, almost entirely burying its wheels.
+00:02:48.596-STANDARD
High mounds of snow outside a building with the entry staircase covered.
+00:02:53.143-STANDARD
Looking up the facade of a brick building, snow falls from the white sky.
+00:02:59.529-STANDARD
Under an overhang tunnel with pillars outside and lanterns hanging, snow falls, as a car passes on the road.
+00:03:09.800-STANDARD
Looking out from the overhang, we see more cars driving on the snowy road.
+00:03:19.543-STANDARD
We look down at snow on the ground, then pan up to see falling snow thickly covering bushes.
+00:03:27.871-STANDARD
Snow on the windowsill of a building.
+00:03:30.314-STANDARD
A path with a railing and a long staircase next to apartment buildings, all covered in snow. Three people walk on various parts of the path.
+00:03:36.314-STANDARD
From above, we see people walking below on the snow-covered stairs.
+00:03:54.500-STANDARD
We see snow piled on half of a wooden park bench. On the snowy side of the bench, a large pile of snow has piled up.
+00:03:58.057-STANDARD
Snow atop a bush.
+00:04:01.971-STANDARD
A close-up of snow on a single leaf.
+00:04:05.429-STANDARD
From a window, we see a road, with apartment buildings, and people walking outside.
+00:04:14.771-STANDARD
From another window, we see only grayness, with an outline of falling snow. On-screen text: Let's just stay inside.
+00:04:20.429-STANDARD
The white dog, now on a blanket, lies in a person's lap and yawns. Hands gently rub the dog's chest and ears.
+00:04:36.471-STANDARD
The hands stop rubbing for a moment and the dog sniffs its own arm.
+00:04:44.300-STANDARD
A finger is lifted above the dog and the dog looks up, the finger touches the dog's nose and the dog licks the finger.
+00:04:54.957-STANDARD
The person sits up a little and rubs the dog's head, the dog blinks a few times, then yawns.
+00:05:04.729-STANDARD
The dog is curled in a ball comfortably on the lap and chest of a person with a white robe. A hand pets the dog.
+00:05:18.886-STANDARD
The dog's eyes start to blink closed. Then they open. The hand keeps petting. The dog rests. Nothing changes.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_iVP6o-cyzM8.txt b/raw/validation/gt_ad/output_iVP6o-cyzM8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2851426ff850558e85f2fe7f00909696e7255153
--- /dev/null
+++ b/raw/validation/gt_ad/output_iVP6o-cyzM8.txt
@@ -0,0 +1,15 @@
+00:00:00.000-STANDARD
A shirtless, male-presenting person smiles into the lens.
+00:01:04.814-STANDARD
He turns to face the wall behind him and puts his hands flat against it. As he bends his elbows and leans his body toward the wall, his shoulder blades retract, moving almost close enough together to touch. He presses his hands flat to the wall again. Despite his straight arms, the shoulder blades barely protract, moving ever so slightly apart.
+00:01:12.157-STANDARD
He continues with consecutive wall push-ups. With each descent, his shoulder blades retract, causing the shoulder blades to almost touch. When he straightens his arms, his shoulder blades barely protract, staying fairly close together.
+00:01:25.843-STANDARD
He adjusts the position of his hands, turning them inward slightly. His elbows flare out, and he continues consecutive wall push-ups. We can still see his shoulder blades retract and barely protract as his arms bend and straighten.
+00:01:35.271-STANDARD
He switches to a floor push-up position, placing his hands on the ground. His elbows flare out to the sides as he continues with consecutive push-ups. As he bends and straightens his arms, his shoulder blades stay mostly retracted the whole time.
+00:01:46.043-STANDARD
He continues with consecutive floor push-ups, and we see his shoulder blades staying retracted, pulled closer together on his back.
+00:02:11.000-STANDARD
From above him, we see a full-body angle now as he continues with push-ups.
+00:02:20.829-STANDARD
He stands up from the floor and faces the wall, still with his back to the camera. He lifts his arms in a circle, first out to the side, then stretching up to the ceiling, and back down to his sides. When his arms move out to the side, his shoulder blades retract, coming close together to almost touch. When his arms lift to the sky, his shoulder blades protract, separating. As his arms come down to his sides, his shoulder blades retract again, and as his arms return to a neutral position, his shoulder blades protract. He continues circling his arms.
+00:02:46.971-STANDARD
He changes his motion pattern, now bringing his arms straight out in front of him and up to the ceiling, then back down. As he lifts his arms up, his shoulder blades protract slightly. When his arms return to his sides, his shoulder blades come back to a neutral position. We no longer see the same retraction and protraction as in the previous motions.
+00:03:05.586-STANDARD
He bends his elbows, keeping them by his sides, then opens his bent arms outwards, palms facing the wall. As he opens his arms, his shoulder blades retract, moving closer together. As he returns his arms back inwards, his shoulder blades protract slightly, but they stay mostly close together, as we saw in the push-ups. He continues this motion consecutively.
+00:03:15.800-STANDARD
As he continues, we see an inconsistency: his shoulder blades still come close together when he opens his arms, but we can see more separation between the shoulder blades when his arms return to center.
+00:03:31.486-STANDARD
He changes his motion pattern, extending his arms out to the side in a T-shape, with his elbows bent. He actively retracts his shoulder blades, bringing them closer together. Then, keeping his arms in the T-shape, he lowers his forearms, so his hands hang down with his palms facing forward. His shoulder blades stay retracted the whole time as he continues this motion consecutively.
+00:03:52.571-STANDARD
He changes his motion pattern again, keeping his arms out in a T-shape, then bringing them in front of his chest and back out again. As he brings his elbows toward each other in front of his chest, his shoulder blades protract, separating almost fully on his back. When he separates his arms back out into the T-shape, his shoulder blades retract. He continues this motion consecutively.
+00:04:12.543-STANDARD
He changes his motion pattern once more, bringing his arms from the bent-elbow T-shape, straight up to the ceiling, and back down to the T-shape. As he presses up to the ceiling, his shoulder blades protract. When he brings them back to a T-shape, they retract. He repeats this motion consecutively.
+00:04:31.457-STANDARD
Twice, he brings his arms back to a T-shape, then lowers just his forearms, arms hanging down and palms facing forward, as before. Then, with his arms in a T-shape, he brings his elbows together in front of his chest, as before, once. Finally, he turns around to face the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_iiZ5qpHvHSw.txt b/raw/validation/gt_ad/output_iiZ5qpHvHSw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a01f0307c8affb398fbc44e009f9569f94ca4081
--- /dev/null
+++ b/raw/validation/gt_ad/output_iiZ5qpHvHSw.txt
@@ -0,0 +1,29 @@
+00:00:00.000-STANDARD
A female-presenting model, with a finished green head wrap (gele) sits in a chair, smiling. The wrap is made of shiny green fabric, is as tall as the length of her face, and comes to a point like a crown.
+00:00:08.795-STANDARD
On-screen text: Divide gele into two parts using measurement 50:50. This is demonstrated as the long green fabric is folded in half.
+00:00:16.743-STANDARD
A female-presenting stylist places the green fabric over the model's head.
+00:00:23.214-STANDARD
On-screen text: Place Gile on the head and create pleats.
+00:00:28.953-STANDARD
The stylist places the pleated green fabric over the model's hairline.
+00:00:42.670-STANDARD
Holding the pleated fabric in place over the model's forehead, the stylist places the fabric over the model's ears.
+00:00:56.814-STANDARD
Turning the model gently to the side, the stylist neatly pleats the fabric over the model's right ear.
+00:01:15.528-STANDARD
The stylist spins the model in the chair, crossing the excess fabric from the model's right side all the way over to her left shoulder.
+00:01:26.100-STANDARD
On-screen text: Cross both ends of the gele.
+00:01:33.486-STANDARD
With both sides of the fabric now together on the model's left shoulder, the stylist spins the model back around.
+00:01:50.029-STANDARD
The stylist creates defined pleats on the upper piece of fabric over the model's left ear.
+00:02:04.171-STANDARD
Spinning the model to the side, the stylist then crosses the upper piece of the fabric to the model's right shoulder, so the gele fabric is completely crossed behind the model's neck.
+00:02:14.886-STANDARD
With the model now facing forward, the stylist twists the fabric that is over the model's right shoulder.
+00:02:24.071-STANDARD
On-screen text: Twist both ends to the top and style.
+00:02:29.183-STANDARD
The stylist continues twisting the fabric, then bringing it upward, and twisting it across the crown of her head.
+00:02:42.471-STANDARD
The stylist releases the twisted fabric, and the model holds it in place with her own hand.
+00:02:47.538-STANDARD
The stylist then twists the other side of the fabric upward and repeats the action, twisting and lifting the fabric to the top of the model's head.
+00:03:00.130-STANDARD
The two portions of fabric meet atop the model's head, where they are twisted into a knot and secured with a pin.
+00:03:11.585-STANDARD
The gele now resembles a large, bow-like shape at the top of the model's head.
+00:03:22.281-STANDARD
The stylist secures the bow-like shape with more pins.
+00:03:29.431-STANDARD
The stylist takes the excess pleated fabric of the bow-like shape and fans it out like a seashell, then secures it again with a pin, twisting the excess around the model's head.
+00:03:58.338-STANDARD
The stylist fans out the top of the fabric even more into what now resembles a rose-like shape. It forms a triangular point at the top of the style.
+00:04:17.732-STANDARD
The stylist continues to pin on the sides and refine the shape, twisting any excess fabric and pinning it down, to more clearly define the triangular rose shape of the gele.
+00:05:05.686-STANDARD
The stylist continues pinning the twists down and refining the shape.
+00:05:14.278-STANDARD
The stylist spins the model to reveal the back of her head, where we see an opening in the fabric, revealing the model's hair. The stylist pins the fabric closed.
+00:05:42.200-STANDARD
The stylist spins the model back to the front, revealing the finished gele, now fastened tightly to the model's head. The section closest to the forehead is pleated, the circumference is twisted, and the main part of the gele resembles a tall rose which comes to a triangular point at the top.
+00:05:59.079-STANDARD
The model smiles and moves her head from side to side, swaying happily as she displays her finished gele.
+00:06:08.214-STANDARD
On-screen: A youtube subscribe button.
+00:06:22.273-STANDARD
On-screen: Title card: Ivonmelda makeup / hair / sfx and a subscribe button.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_j-jcuKT0P0o.txt b/raw/validation/gt_ad/output_j-jcuKT0P0o.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7f5af6b708de63f6ec29180aaf93e60cc1c543e5
--- /dev/null
+++ b/raw/validation/gt_ad/output_j-jcuKT0P0o.txt
@@ -0,0 +1,17 @@
+00:00:00.000-STANDARD
A lush, dense forest. On-screen text: Forest Group 2.
+00:00:11.450-STANDARD
A group of several orangutans roll around and play on the forest floor.
+00:00:21.871-STANDARD
A larger orangutan named Cinta and two smaller ones walk through ferns to a clearing where a cloth covers a wiggling object.
+00:00:30.114-STANDARD
Cinta stops and turns around at the sight of the cloth. A group of orangutans throws sticks at the cloth.
+00:00:35.900-STANDARD
Two orangutans hug each other, peeking at the cloth suspiciously, then hiding behind a fern. Two other orangutans see the cloth, hug each other tightly, and turn away, terrified.
+00:00:45.271-STANDARD
A large orangutan places his hand on the back of a small one crouched on the ground. Cinta, with several orangutans behind her, throws a stick to the ground.
+00:00:57.057-STANDARD
Cinta throws a large stick at the cloth. Then she crouches down low, staring at it.
+00:01:05.871-STANDARD
Cinta changes her mind and runs away. With the cloth in sight, four baby orangutans clutch each other tightly, hugging in fear.
+00:01:15.729-STANDARD
A mid-sized orangutan looks at the cloth, while others crouch behind him.
+00:01:22.757-STANDARD
Otan somersaults to the cloth and pulls it off, revealing a rubber snake.
+00:01:27.174-STANDARD
He turns away frantically, finding the group of orangutans still hugging and grabs onto two of them. They all huddle together, still holding on to each other.
+00:01:33.900-STANDARD
A male-presenting, uniformed attendant walks up.
+00:01:43.071-STANDARD
The attendant uses a long stick to strike the rubber snake repeatedly, while the group of orangutans watches, holding tight to each other.
+00:01:54.414-STANDARD
The little ones hug, their faces filled with fear.
+00:02:13.071-STANDARD
One orangutan throws a stick to the ground and runs away. Two others hug each other, frightened. Another runs off.
+00:02:23.757-STANDARD
On-screen text: Subscribe now, watch the series, watch clips. The Smithsonian Channel. Over a video clip of several baby orangutans in plastic baskets being fed bottles of milk by attendants.
+00:02:34.014-STANDARD
One attendant boops a baby orangutan's nose. The baby opens its mouth wide, appearing to laugh.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_j6uyfBjYjEM.txt b/raw/validation/gt_ad/output_j6uyfBjYjEM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..aba1785ad6f94517a5adc145919a13372b160449
--- /dev/null
+++ b/raw/validation/gt_ad/output_j6uyfBjYjEM.txt
@@ -0,0 +1,8 @@
+00:00:06.057-STANDARD
 A fluffy white substance on plate.
+00:02:22.271-STANDARD
Through the microwave door, we see a rotating black plate with a bar of black soap. As it spins, it begins to expand, growing more and more, resembling a lumpy, fluffy cloud. As the plate continues rotating, the soap increases in width and height.
+00:02:31.114-STANDARD
 She opens the microwave door, revealing the fluffy cloud that now occupies the entire plate.
+00:02:39.957-STANDARD
 With the microwave door open, the camera zooms in on the soap mound in the microwave. On-screen text: some of the air pockets are already cooling, condensing, and falling down.
+00:02:48.357-STANDARD
 The close-up of the cloud-like, fluffy white substance continues. It now resembles dense whipped cream.
+00:04:05.857-STANDARD
 She places a chunk of the substance inside a water-filled container, which already has an intact bar of ivory soap floating just below the water's surface. The chunk floats slightly above the bar, resting at the very surface of the water.
+00:04:33.343-STANDARD
 In sped-up footage, she places a bar of gray soap in the microwave. It spins and expands slightly.
+00:04:38.886-STANDARD
 She opens the door, and the substance has formed into a circular fluffy mound.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_jIn49h9X3QM.txt b/raw/validation/gt_ad/output_jIn49h9X3QM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..76c5eaae8d0f1bd2909eb097f9064899855ab7c9
--- /dev/null
+++ b/raw/validation/gt_ad/output_jIn49h9X3QM.txt
@@ -0,0 +1,8 @@
+00:02:38.177-STANDARD
Ariane vacuum seals stacks of clothes in plastic bags, then organizes them in a storage space beneath the cushion of a couch.
+00:02:49.740-STANDARD
She carefully vacuums the inside of another couch storage space. She folds golden bed sheets into compact squares and arranges them side by side in a rack.
+00:03:03.704-STANDARD
She places the rack inside of the storage space, then positions a second rack filled with rolled up sheets beside it.
+00:03:15.409-STANDARD
Later, Ariane vacuums her light brown, hardwood floors.
+00:04:23.568-STANDARD
After placing a coffee table by her couch shaped like a huge Lego brick, Ariane plants large, partially sprouted seeds in damp soil held in a plastic container.
+00:04:38.303-STANDARD
Later, she looks over her couch and coffee table.
+00:05:12.445-STANDARD
She uses scissors to cut open, then pull out, a large, light grey rug from a cardboard shipping roll.
+00:06:40.113-STANDARD
A long, oval mirror hangs on a wall by an open doorway.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_jM5yZuFiWA8.txt b/raw/validation/gt_ad/output_jM5yZuFiWA8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..acad25f7669509bd8d5ad3523cf18bf7486a06ea
--- /dev/null
+++ b/raw/validation/gt_ad/output_jM5yZuFiWA8.txt
@@ -0,0 +1,17 @@
+00:00:00.000-STANDARD
A female-presenting person with long brown hair, wearing a white shirt and a colorful necklace, begins by braiding a small section of hair near her hairline.
+00:00:16.298-STANDARD
Starting with a traditional braid, she gradually incorporates more hair from the side of her head, creating a French braid.
+00:00:32.631-STANDARD
This braid sweeps along her head all the way to the right side, passing right ear to fall past her shoulder.
+00:00:43.053-STANDARD
As she braids, she gently pulls the strands apart, adding volume and creating space within the braid.
+00:01:00.857-STANDARD
She finishes the small braid to the end of the hair.
+00:01:05.545-STANDARD
She sections off a small amount of hair behind the completed side-braid.
+00:01:17.743-STANDARD
Using a comb, she then creates a straight part across the entire crown of her head, gathering hair to create two sections: a front and back.
+00:01:32.057-STANDARD
The remaining hair is then gathered into a ponytail at the back of her head and secured with a hair elastic.
+00:01:42.841-STANDARD
Focusing on the loose hair in front, she begins a second small braid, this time starting near the back of the first braid and moving in the opposite direction – from right to left across her head.
+00:02:17.734-STANDARD
She continues french braiding across her head.
+00:03:01.463-STANDARD
She finishes the braid to the end of the hair, fluffing the braid as she goes.
+00:03:39.572-STANDARD
She secures this braid with a hair elastic.
+00:03:46.243-STANDARD
At this point, she has two prominent braids extending outwards from either side of her head, resembling pigtail braids.
+00:03:54.571-STANDARD
The hair previously gathered in the ponytail is now released.
+00:04:02.832-STANDARD
The two completed side braids are then brought together and secured with a hair elastic at the back of her head.
+00:04:51.504-STANDARD
 The final look is revealed: a hair braid crown is formed by the two intersecting braids, encircling the crown of her head. The remaining hair cascades loosely down her shoulders.
+00:05:17.714-STANDARD
On-screen text: Subscribe for more videos. https://www.facebook.com/its.style.time, https://twitter.com/itsstyletime, https://instagram.com/its_style_time,https://www.pinterest.com/itsstyletime/, www.itsstyletime.com.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_jnKyYwrhook.txt b/raw/validation/gt_ad/output_jnKyYwrhook.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9581cbafbd2d838e3dff02ffc248cec537e2aa45
--- /dev/null
+++ b/raw/validation/gt_ad/output_jnKyYwrhook.txt
@@ -0,0 +1,11 @@
+00:01:14.714-STANDARD
The butternut squash and zucchini are mixed with a wooden spoon.
+00:01:25.571-STANDARD
Chopped pieces of all the vegetables are transferred by hand from a wooden chopping board into the pot.
+00:01:39.271-STANDARD
Once all the vegetables are in, they are mixed with a wooden spoon.
+00:02:20.057-STANDARD
The ingredients are mixed with a wooden spoon as it sizzles, sending smoke up.
+00:02:29.943-STANDARD
Crushed tomato sauce is poured into the pot and mixed into the ingredients with the spoon.
+00:02:58.857-STANDARD
Spiral pasta is added to the mixture with the spoon.
+00:03:07.814-STANDARD
The soup is ladled into a small wooden bowl.
+00:03:19.543-STANDARD
With a small wooden spoon, the vlogger shows a spoonful of the chunky soup.
+00:03:32.757-STANDARD
He takes a bite.
+00:04:13.157-STANDARD
He takes another bite.
+00:05:23.086-STANDARD
On-screen text: visit my channel for more! Subscribe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_joi37fctG0U.txt b/raw/validation/gt_ad/output_joi37fctG0U.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ead9ad50289b6459d19fceb109ac75715ce1dd33
--- /dev/null
+++ b/raw/validation/gt_ad/output_joi37fctG0U.txt
@@ -0,0 +1,9 @@
+00:01:06.257-STANDARD
The male-presenting vlogger kneels in wet sand, surrounded by small pools of water. He digs a screwdriver into the sand. On-screen text: "You gotta be more gentle." The screwdriver is stuck inside a spiny, purple sea urchin.
+00:01:25.843-STANDARD
Close-up of a punctured sea urchin, with the words "uni" appearing on-screen.
+00:02:04.743-STANDARD
On a wooden cutting board, he gently presses a large cleaver into the middle of a sea urchin, then taps the urchin a few times with the knife to ease the urchin open. The sea urchin splits in two, revealing its gooey yellow center.
+00:02:20.243-STANDARD
He shows a glass bowl containing just a small dollop of yellow uni goo.
+00:03:12.971-STANDARD
He pours the whisked uni liquid from the bowl into a pan of spaghetti.
+00:03:18.071-STANDARD
He stirs the spaghetti in the pan with a spatula, rotating the spaghetti a few times.
+00:03:22.343-STANDARD
He places a small plate on the table before using a spoon and tongs to transfer the spaghetti, which now appears plain.
+00:03:28.386-STANDARD
Using a grater, he grates parmesan from a block of cheese onto the spaghetti, then shows the finished dish to the camera.
+00:04:11.971-STANDARD
On-screen text: "Comment if you want a part 2 with more uni."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_jyTMQMxWSFo.txt b/raw/validation/gt_ad/output_jyTMQMxWSFo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..55b2df2df7af88953444baa6bb53769b3d01877e
--- /dev/null
+++ b/raw/validation/gt_ad/output_jyTMQMxWSFo.txt
@@ -0,0 +1,43 @@
+00:00:00.417-STANDARD
White cursive script appears over a small work table warmly lit by a lamp: "Amii Handmade Ceramics." On it sits a variety of paint bottles and an unglazed clay pot.
+00:00:14.431-STANDARD
The host uses a metal tool to carve grooves onto the surface of the sculpture. Words appear: "Carving the pot. This will be the body of a bear."
+00:00:26.109-STANDARD
"I really like carving, it is really healing for me."
+00:00:32.240-STANDARD
"Carving does not only provide texture, it also makes the pot lighter."
+00:00:39.832-STANDARD
The host carefully spins the pot on a turntable as they continue to carve grooves. Clay shavings fall in a neat ring around the pot.
+00:00:51.343-STANDARD
The host finishes and spins the pot on its wheel.
+00:00:58.183-STANDARD
"Finished carving."
+00:01:02.730-STANDARD
They lift the pot off of its wheel.
+00:01:07.526-STANDARD
"The clay is still wet. I can reuse it."
+00:01:12.364-STANDARD
They gather all the clay shavings and press them together into a ball.
+00:01:18.871-STANDARD
"Smoothing the bottom of the pot."
+00:01:23.000-STANDARD
The pot lies upside down on its wheel. The host uses a sponge to carefully smooth the pot's bottom.
+00:01:31.592-STANDARD
"The body of the bear is done. I will let it dry for a while first. Meanwhile, I will work on another pot."
+00:01:40.851-STANDARD
The host sets the carved pot on a newspaper on a shelf, then uses a tool to smooth the bottom of another overturned pot on the wheel.
+00:01:51.445-STANDARD
"I will be turning this pot into a platypus." They show a picture of a platypus on their phone to the camera.
+00:02:00.871-STANDARD
"Moisturizing the pot so it will be easier to stick things on." They rub the second pot with a sponge.
+00:02:10.047-STANDARD
They use a scoring tool on a small lump of clay.
+00:02:15.510-STANDARD
"The beak." The host adheres the lump onto the front of the second pot.
+00:02:22.768-STANDARD
They carve a crescent into the front of the beak. "Making a smile on its face."
+00:02:31.026-STANDARD
The host scores the top of the beak. "Adding details." They add a tiny lump of clay to the top of the beak and smooth it over with their fingers.
+00:02:42.934-STANDARD
The host uses a scoring tool to apply clay to small arms now on the second pot's sides.
+00:02:51.797-STANDARD
They use their brush to smooth over the arms and areas around it.
+00:02:58.428-STANDARD
"Making fingernails."
+00:03:03.017-STANDARD
They slice a tube of rolled clay with a tool.
+00:03:08.856-STANDARD
The host applies the clay slices to the arms, now appearing like claws.
+00:03:16.822-STANDARD
They apply the platypus's feet to the bottom of the sculpture.
+00:03:24.788-STANDARD
The host brushes the feet and sides of the platypus.
+00:03:32.880-STANDARD
They use their carving tool to create little eyes above the beak.
+00:03:41.555-STANDARD
The host broadens and refines the eyes.
+00:03:48.520-STANDARD
"Last but not least, the tail."
+00:03:54.985-STANDARD
They use their sculpting tool to carve grooves on the platypus's back.
+00:04:05.037-STANDARD
While they continue to carve grooves, clay shavings fall onto the turntable.
+00:04:14.088-STANDARD
"Airbrushing."
+00:04:18.550-STANDARD
They use a brush on the grooves, smoothing them out.
+00:04:25.766-STANDARD
They brush over the platypus, then carve nostrils onto the beak.
+00:04:33.774-STANDARD
The host presents the platypus to the camera. "And platypus is done."
+00:04:41.406-STANDARD
"Added on all the features for the bear."
+00:04:46.661-STANDARD
The first pot now sits on the turntable, now complete with a face, ears, and limbs. They carve little details onto it.
+00:04:56.880-STANDARD
"I am carving on the features so that they unite with the body."
+00:05:02.552-STANDARD
They stop working and show off the bear pot. "Bear finished."
+00:05:09.059-STANDARD
"Here's a little footage of me making blobfishes. Just so you know, the real name of a blobfish is Psychrolutes Marcidus."
+00:05:19.236-STANDARD
As the host finishes with a blobfish sculpture, cursive appears reading: "Thanks for watching."
+00:05:27.535-STANDARD
A screen reads: "Amii Handmade Ceramics."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_k2kiyWu_XNc.txt b/raw/validation/gt_ad/output_k2kiyWu_XNc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2ad5e5953bb4811dc2d869f72b869d386a433a01
--- /dev/null
+++ b/raw/validation/gt_ad/output_k2kiyWu_XNc.txt
@@ -0,0 +1,31 @@
+00:00:00.000-STANDARD
A white-furred fox runs out from behind a mound of snow, in a barren, snowy landscape.
+00:00:03.914-STANDARD
Close-up of the fox's face, showcasing its golden eyes.
+00:00:06.343-STANDARD
The fox begins to run.
+00:00:08.257-STANDARD
The fox trots across the barren snowy plain.
+00:00:18.300-STANDARD
The fox continues trotting through the snow.
+00:00:32.706-STANDARD
Drone footage from above shows the fox running across a vast, barren snow-covered landscape.
+00:00:42.129-STANDARD
A wide shot shows a few birds walking in the snow, then a close-up of a seagull.
+00:00:45.100-STANDARD
The fox crouches low on a snow mound and steps backward.
+00:00:53.200-STANDARD
The fox quietly stalks, walking slowly towards an unremarkable snow mound.
+00:00:57.257-STANDARD
It chews on a large, unidentifiable furry dead animal.
+00:01:07.500-STANDARD
The fox peers into the distance.
+00:01:09.700-STANDARD
From a distance, the fox runs across the snowy plain.
+00:01:14.386-STANDARD
Drone footage from above shows the fox running across the snow.
+00:01:24.529-STANDARD
A side view shows the fox trotting, sniffing the ground.
+00:01:28.971-STANDARD
A close-up from behind shows the fox looking into the distance.
+00:01:32.043-STANDARD
We see the vast barren landscape.
+00:01:38.700-STANDARD
The fox looks out over the empty snowy plain.
+00:01:48.900-STANDARD
Close-up of the fox as it continues trotting.
+00:01:52.586-STANDARD
Close-up of the fox's feet as they press into the snow.
+00:01:55.043-STANDARD
The fox looks in the direction of the camera, then looks left and right.
+00:02:02.714-STANDARD
Close-up of the fox's face, then it turns right and walks off.
+00:02:08.000-STANDARD
The fox climbs up a snow mound and looks around.
+00:02:12.529-STANDARD
A different white fox's face emerges from a snow mound. Our fox notices her.
+00:02:19.157-STANDARD
Our fox takes off toward her.
+00:02:21.400-STANDARD
Drone footage looks down as the foxes run towards each other, then meet nose to nose.
+00:02:27.586-STANDARD
One fox pulls away slightly as the other moves closer.
+00:02:31.733-STANDARD
From a closer angle, we see them chase each other playfully.
+00:02:43.251-STANDARD
Drone footage shows the two foxes running close to each other.
+00:02:48.043-STANDARD
Drone footage shows the empty snowy plain with the sun setting on the horizon.
+00:02:54.457-STANDARD
Fade to black, then fade up to a yellow rectangle logo next to the words "National Geographic." The screen also displays: "Watch more. Subscribe." Over a montage of adventure clips: two people ducking through a cave-like area with a flashlight, boots stepping onto a motorcycle's pedals, stone carvings on a wall, and shadows of people as clouds roll past.
+00:03:04.514-STANDARD
A yellow flower opens in slow motion, followed by a nebula in space. Then, black.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_kEkSwIN6Yns.txt b/raw/validation/gt_ad/output_kEkSwIN6Yns.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5c18d1d8d7872f6873a18e1b7b5625ab3a06d4ce
--- /dev/null
+++ b/raw/validation/gt_ad/output_kEkSwIN6Yns.txt
@@ -0,0 +1,6 @@
+00:00:01.001-STANDARD
A cameraman sits on a moss-covered rock. A young arctic fox inches toward him.
+00:00:09.760-STANDARD
The fox sniffs his boot, then darts back.
+00:00:28.821-STANDARD
It steps back.
+00:00:43.335-STANDARD
The fox sniffs his boot again, then scampers away a little.
+00:00:50.801-STANDARD
Cautiously, the fox moves to a camera on the man's legs. It sniffs it, then bites at the lens.
+00:01:01.812-STANDARD
The fox hops back, then moves closer.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_l5FJ41FJrlU.txt b/raw/validation/gt_ad/output_l5FJ41FJrlU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..71e5de627688981b451306569c90838d192003e6
--- /dev/null
+++ b/raw/validation/gt_ad/output_l5FJ41FJrlU.txt
@@ -0,0 +1,27 @@
+00:00:02.440-STANDARD
Words appear: "Online college night routine. March first twenty twenty one. Six thirty PM: Dinner plus walk dog." A young woman sits at a computer desk, a laptop open in front of her.
+00:00:28.960-STANDARD
White rice, a half eaten salmon, and bean sprouts sit in a bowl. The woman stands with two other young women in a bedroom, all wearing heavy coats. They walk a small dog on a snowy road.
+00:00:47.400-STANDARD
Words appear: "Seven fifteen PM: Workout plus stretch." The woman stands in her bedroom.
+00:01:13.760-STANDARD
A time lapse shows her exercise on a yoga mat rolled out near her bed. She does burpees, then planks, followed by jumps into body weight squats.
+00:01:25.040-STANDARD
Her laptop plays a YouTube video while she does core exercises.
+00:01:31.280-STANDARD
Later, she lies on her yoga mat.
+00:02:01.400-STANDARD
The woman goes through yoga poses on her mat. Words appear: "Seven forty five PM: shower."
+00:02:09.160-STANDARD
She shows a three in one facial cleanser bottle and a body wash bottle to her camera. Later, she winks and grins at her reflection in a mirror, a towel around her.
+00:02:20.600-STANDARD
"Eight oh clock PM: Study." She stands in her bedroom, lit by soft, purple lights.
+00:02:51.360-STANDARD
She lights a tea candle and places it in a lantern on her computer desk. A time lapse shows her work at her laptop.
+00:03:01.080-STANDARD
An animation of a mouse cursor clicking a pause button appears, pausing her video. Words appear: "Like and subscribe. Thank you, hehe." The video continues.
+00:03:23.120-STANDARD
A picture of her Instagram profile appears. Words appear beneath it: "Insta: at underscore rebeccajayy."
+00:03:37.600-STANDARD
A picture of her TikTok page appears. Words appear: "Tiktok: At wheres my chinchilla."
+00:03:50.120-STANDARD
Words appear by a smiley face emoticon: "Done." She scrolls through a page, then a spreadsheet showing her schoolwork.
+00:04:06.120-STANDARD
The woman looks into the camera and claps her hands.
+00:04:23.480-STANDARD
"Ten thirty PM: Night Time routine." In her bathroom, she rubs cream over her face, then brushes her teeth. "Ten forty PM: Laundry and tidy room."
+00:04:40.160-STANDARD
She folds clothes on her bed, then places them in a dresser filled with other tightly folded, neatly organized clothes.
+00:05:10.120-STANDARD
She hangs a sweatshirt in her closet with a hanger.
+00:05:35.800-STANDARD
"Ten fifty PM: Chill and journal." The woman sits on her bed, a large, stuffed bear beside her.
+00:06:05.000-STANDARD
The woman lies under her covers, head propped up on a pillow leaning against her headboard, and scrolls through her phone.
+00:06:16.280-STANDARD
She lifts her knees, presses a light blue bullet journal against them, and writes.
+00:06:27.520-STANDARD
She shows a page. It reads: "March journalling. Day One: What is your Zodiac sign? Does it fit your personality?"
+00:06:42.760-STANDARD
A page reads: "March journaling; Self-discovery." Under this sits a list of questions, some read: "Where you see yourself in six months? Three bad habits you used to have last year? You have three wishes, what would they be? Beach or mountain?"
+00:07:05.360-STANDARD
She scrolls through a podcast app on her phone. She chooses one named "The Happiness Lab." She chooses an episode titled: "Demonic Possessions."
+00:07:21.120-STANDARD
"Eleven twenty PM: Podcast and sleep." Words appear by a smiley face emoticon: "Goodnight, thank you for watching."
+00:07:35.920-STANDARD
She turns off a nightstand lamp. An alarm clock reads: "Eleven nineteen."
+00:07:44.680-STANDARD
Elsewhere, she pans her camera over a blue sky filled with hazy, white clouds.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_lNdUIQSekJw.txt b/raw/validation/gt_ad/output_lNdUIQSekJw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ca192f92c165706b273885c66d7e0f6a56d30ed2
--- /dev/null
+++ b/raw/validation/gt_ad/output_lNdUIQSekJw.txt
@@ -0,0 +1,5 @@
+00:00:21.354-STANDARD
She withdraws items.
+00:01:49.465-STANDARD
She opens a smaller bag.
+00:02:59.387-STANDARD
She rummages through her overnight bag.
+00:03:36.988-STANDARD
She returns her items to her overnight bag, black with brown handles.
+00:04:36.584-STANDARD
Her bag sits fully packed on a grey couch.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_lURKXw4Yo_c.txt b/raw/validation/gt_ad/output_lURKXw4Yo_c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..37c81af7887858e494a78b8fbf322a5d6cf813ff
--- /dev/null
+++ b/raw/validation/gt_ad/output_lURKXw4Yo_c.txt
@@ -0,0 +1,10 @@
+00:00:07.086-STANDARD
Clips from a child’s self-recorded videos.
+00:00:28.729-STANDARD
Boxes labeled Sony Alpha 6400 and Tamron. The vlogger adjusts the zoom on a pro digital camera.
+00:00:56.686-STANDARD
Montage: the now-adult vlogger at the airport, sitting on a rock in nature with friends, and at a skyline lookout.
+00:01:09.057-STANDARD
On-screen text: Part 1, The Problem.
+00:01:11.824-STANDARD
Footage of cars passing on a city street.
+00:01:15.357-STANDARD
The vlogger writes in a notebook at a café.
+00:01:35.857-STANDARD
On a computer, the vlogger types into ChatGPT: “Why do I struggle with consistency?” A fast response appears. The screen zooms in on the phrase “fear of failure.”
+00:01:57.986-STANDARD
On-screen text: Part 2: The Action.
+00:02:45.943-STANDARD
On-screen text: Part 3: The Solution. As he speaks, the vlogger clears snow from a parked car.
+00:03:26.886-STANDARD
On-screen text: The Archive Project -- a curated collection of media to capture life through creative storytelling. Thanks for watching.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_lXqrvHPSO-Q.txt b/raw/validation/gt_ad/output_lXqrvHPSO-Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fc9f17e75fd3772eba0f63c777069b1665211c01
--- /dev/null
+++ b/raw/validation/gt_ad/output_lXqrvHPSO-Q.txt
@@ -0,0 +1,5 @@
+00:00:10.280-STANDARD
Words appear: "Bye, bye winter!" The host slides down a snowy hill on a sled to a boy.
+00:00:18.636-STANDARD
The host interviews children one at a time in a snowy park.
+00:04:07.084-STANDARD
They teeter side to side.
+00:04:23.284-STANDARD
The host and a boy throw snowballs at each other.
+00:05:30.696-STANDARD
Words appear: "Recess Therapy. Like and subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_lY1NNy2wrXs.txt b/raw/validation/gt_ad/output_lY1NNy2wrXs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f1588f92c53f2db2c4b54a53e13fac4e016c31b7
--- /dev/null
+++ b/raw/validation/gt_ad/output_lY1NNy2wrXs.txt
@@ -0,0 +1,22 @@
+00:00:09.214-STANDARD
On-screen text: Haley Estrada, followed by a subscribe button.
+00:01:33.014-STANDARD
On-screen text: Look 1. Haley, holding a black handbag, wears camel-colored, high-waisted, wide-leg trousers; nude, open-toe sandals; a black tank top; and an open, white, button-down shirt. She stands in front of a white curtain with a wall behind it, with a rack of clothes visible beside her. She continuously moves, striking subtle poses.
+00:01:41.214-STANDARD
Now in split screen, one side shows a close-up, the other shows a full-body view. Haley strikes various poses, placing her hand on her hip, twirling, shifting her weight. The split screen switches to just the closer angle for one final pose.
+00:01:49.186-STANDARD
On-screen text: Look 2. Haley, again holding a black handbag, wears black, high-waisted, wide-leg trousers; a white tank top, tucked in; and brown leather sandals..
+00:01:55.086-STANDARD
In split screen, one side shows a closer angle, and the other shows a full-body shot. Haley continues posing. The split screen switches to just the closer angle for one final pose.
+00:01:59.786-STANDARD
On-screen text: Look 3. Haley, again holding a black handbag and wearing camel-colored trousers, strikes poses. This time, the trousers are paired with a square-necked, long-sleeved black shirt; a cream-colored, brimmed hat; and black, strappy sandals.
+00:02:09.071-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:02:16.186-STANDARD
On-screen text: Look 4. Haley, again with a black handbag, wears black trousers with a gray tank, tucked in and a long, tan trenchcoat.
+00:02:21.335-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:02:27.391-STANDARD
On-screen text: Look 5. Haley, this time with a black cross-body bag, wears camel trousers; white sneakers; a white t-shirt, tucked in; and a black baseball cap. She poses, turning to show various angles.
+00:02:34.414-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:02:39.914-STANDARD
On-screen text: Look 6. Haley, holding a small, black handbag, wears black trousers; white sneakers; and a long, white, button-down shirt, buttoned, with just the front tucked into the pants.
+00:02:47.559-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:02:52.423-STANDARD
On-screen text: Look 7. Haley wears camel-colored trousers; white sneakers; a white, tucked-in t-shirt; and an unbuttoned denim jacket with pockets and rolled-up sleeves. She holds a small black handbag.
+00:02:58.888-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:03:04.171-STANDARD
On-screen text: Look 8. Haley, with a gray handbag this time, wears black trousers; a black tube top which reveals a sliver of her belly; and a long, white button-down (unbuttoned).
+00:03:09.214-STANDARD
In split screen, one side shows a closer shot, and the other shows a wider view. Then, the shot switches to a final close-up angle.
+00:03:15.557-STANDARD
On-screen text: Look 9. Haley wears camel trousers; black-and-white sneakers; a black tube top revealing some belly; and a black blazer falling midway down her thigh. She holds a black bucket hat.
+00:03:21.329-STANDARD
In split screen, one side shows Haley posing while taking the blazer on and off her shoulders. The closer angle shows her putting on the hat. The full-body shot also shows her putting on the hat..
+00:03:28.671-STANDARD
On-screen text: Look 10. Haley wears black trousers; a white, tucked-in shirt; an unbuttoned denim jacket; brown leather sandals; and a small black handbag.
+00:03:34.914-STANDARD
In the split screen, one side shows a close-up, and the other shows a full-body angle. She takes the jacket on and off her shoulder, then the shot switches to just the close-up for one final look.
+00:04:26.871-STANDARD
On-screen text: New video every Monday and Thursday. Watch these. Subscribe. Instagram icon: @haleyestradaa Pinterest icon: pinterest/haleyestradaa Website icon: www.thisishaley.com
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_luTOT02r4gw.txt b/raw/validation/gt_ad/output_luTOT02r4gw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..64d1454d2c3b633a1ec258130095917e0167405e
--- /dev/null
+++ b/raw/validation/gt_ad/output_luTOT02r4gw.txt
@@ -0,0 +1,7 @@
+00:00:35.767-STANDARD
A time lapse shows the man pull out a collection of mechanical keyboard tools, then remove the screws from his new keyboard, sitting on a computer desk.
+00:00:45.567-STANDARD
He pulls it apart, then inserts new, black switches into the plate before adding black and white keycaps. Words appear: "Build O One."
+00:02:13.600-STANDARD
The man places a green mechanical keyboard on a yellow computer mat. He adds black, grey, and yellow keycaps to it. Words appear: "Build O Two."
+00:02:26.133-STANDARD
He pulls the keycaps off, then replaces them with ivory white ones. "Build O Three." He types.
+00:04:01.467-STANDARD
He uses a keycap removal tool to take off the keycaps, then pulls out all of the switches before replacing them and readding the caps. Words appear: "Build O Four."
+00:04:14.533-STANDARD
He types.
+00:05:11.033-STANDARD
Two more videos from his channel appear on either side of a circular photo of him smiling, a young, clean-shaven man with glasses and longer black hair parted down the middle.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_m0XgSrdYQRY.txt b/raw/validation/gt_ad/output_m0XgSrdYQRY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c42d92add416eadb0254b694ddb6008185c31f9d
--- /dev/null
+++ b/raw/validation/gt_ad/output_m0XgSrdYQRY.txt
@@ -0,0 +1,7 @@
+00:00:00.125-STANDARD
Red, blue, yellow, and green puzzle pieces fill the screen. Words appear: "Free School."
+00:00:10.839-STANDARD
Words appear by a full moon: "All About Owls."
+00:01:21.368-STANDARD
An owl ruffles its feathers.
+00:02:27.885-STANDARD
An owl feeds chicks.
+00:02:57.056-STANDARD
"Oriental Scops Owl."
+00:03:05.700-STANDARD
"Barred Owl."
+00:03:14.862-STANDARD
"Eastern Screech Owl."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_m1pNjyJ_Ids.txt b/raw/validation/gt_ad/output_m1pNjyJ_Ids.txt
new file mode 100644
index 0000000000000000000000000000000000000000..86e573ed75838316f01828d337e78b0da4de2624
--- /dev/null
+++ b/raw/validation/gt_ad/output_m1pNjyJ_Ids.txt
@@ -0,0 +1,9 @@
+00:00:06.800-STANDARD
Lucia, a young, blonde woman wearing pajamas, opens blinds in a bedroom. She does a skincare routine. Her shower runs. She points her camera at herself, now in a fluffy robe.
+00:01:46.266-STANDARD
Words appear: "En route". Lucia holds her camera over her as she strides across a bridge spanning a river. She picks up her Dunkin Donuts order, then sits in her office.
+00:02:09.666-STANDARD
She enters a bakery.
+00:02:24.266-STANDARD
Words appear over her sandwich: "Soooo good."
+00:02:29.600-STANDARD
Lucia rides a train through Chicago with a young man. She and the man walk down a road.
+00:03:49.400-STANDARD
The sun sets. Words appear over a bar's interior: "At Beatrix in River North! Espresso martini review on my tiktok, lol." Her drink sits on the bar counter.
+00:04:02.166-STANDARD
Later, in her apartment.
+00:06:04.400-STANDARD
Words appear with a smiley face: "Remember to vote! Love you guys! Thanks for watching."
+00:06:11.766-STANDARD
An Instagram graphic reads: "At lucia dot cordaroo." A Tiktok graphic reads: "at lucia underscore in underscore Chicago."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_m9PiJ4OwU9Q.txt b/raw/validation/gt_ad/output_m9PiJ4OwU9Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d8e4a1f1938bc9a6d880cad9bb5cec9c900070d5
--- /dev/null
+++ b/raw/validation/gt_ad/output_m9PiJ4OwU9Q.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
Inside a grassy, fenced area, a lion cub rolls and wrestles with a large crochet toy. The cub puts its open mouth on a bare foot.
+00:00:15.043-STANDARD
The cub's paw hits the camera, which falls over.
+00:00:28.715-STANDARD
A llama standing just outside the fence peeks its nose through an opening in the fence.
+00:00:38.757-STANDARD
Two lion cubs emerge from under a children's play slide.
+00:00:49.043-STANDARD
The male presenting vlogger holding the camera sits down, stretching his legs out in front of him, wearing shorts. One of the cubs approaches his legs, climbing all over him.
+00:01:01.929-STANDARD
He pats the cub's side hard. The cub sits on his foot, then walks away, taking a few steps closer to the fence in front of them. The cub passes the llama, which is still standing just on the other side of the fence.
+00:01:39.229-STANDARD
One cub bites the other on the thigh.
+00:02:01.071-STANDARD
The cubs wrestle in the grass.
+00:02:25.314-STANDARD
One cub runs up to the fence, behind which the llama still stands. We see a huge, green area stretching behind the fence.
+00:03:03.114-STANDARD
The llama puts its nose through the fence.
+00:03:37.800-STANDARD
The vlogger crouches near the cub, then pets the cub's back as it walks away.
+00:03:46.357-STANDARD
The vlogger shakes his head and rolls his eyes into the camera.
+00:04:06.971-STANDARD
The cub has its head buried in a tree trunk. The vlogger throws a blue plastic ball away from the tree, and the cubs walk towards the ball.
+00:04:23.900-STANDARD
The cub walks towards the vlogger, who pats it.
+00:04:41.329-STANDARD
One cub climbs up the play slide.
+00:04:51.157-STANDARD
The cub lies down at the top of the slide.
+00:04:59.014-STANDARD
The cub hits the camera with its paw.
+00:05:05.029-STANDARD
The cub reaches for the camera.
+00:05:23.614-STANDARD
The cub jumps down off the slide.
+00:05:35.729-STANDARD
The vlogger waves into the camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_mBPURBO1kD8.txt b/raw/validation/gt_ad/output_mBPURBO1kD8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1e0315cfa52b4de0464294429f89f54f0ef87eae
--- /dev/null
+++ b/raw/validation/gt_ad/output_mBPURBO1kD8.txt
@@ -0,0 +1,5 @@
+00:01:12.101-STANDARD
The host writes multiple lines of code.
+00:04:08.315-STANDARD
The host alters the lines of code before opening a new template and begins writing new code.
+00:04:29.802-STANDARD
The host mouses over the lines of code, now colored green, orange, red, or grey.
+00:05:09.979-STANDARD
The host clicks on an up arrow and down arrow on a website, making a number increase and decrease.
+00:05:37.820-STANDARD
A graphic of a cube with a flame in it appears between the words: "Angular Firebase."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_mUrzCZx4040.txt b/raw/validation/gt_ad/output_mUrzCZx4040.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3e955652a2e11119b2b115e17bf6281810f7a271
--- /dev/null
+++ b/raw/validation/gt_ad/output_mUrzCZx4040.txt
@@ -0,0 +1,24 @@
+00:00:01.240-STANDARD
Words appear: "Morning routine. Six thirty AM." A young woman with long, black hair turns on a nightstand lamp.
+00:00:11.840-STANDARD
She lies on her bed's white covers on her belly and types on her phone. Words appear by her phone: "Work, work, work, work."
+00:00:22.760-STANDARD
She pulls out an ipad from under her sheets. Words appear: "Working on a story."
+00:00:30.440-STANDARD
She lies down and shuts her eyes. Words appear: "Slept for more..." Later, she makes her bed.
+00:00:40.000-STANDARD
Words appear over clothes hanging in a closet: "Choosing an outfit."
+00:00:47.560-STANDARD
The woman drops a white sweatshirt, grey cloth pants, and a lacy, white bra on her bed. She points her camera at a full body mirror, the outfit now on. Letters appear: "O O T A."
+00:01:03.520-STANDARD
The woman opens her bedroom door. A shaft of sunlight stretches across tan carpet. She enters a bathroom and turns the sink on. Words appear: "Washing my bangs and doing self hygiene!"
+00:01:18.320-STANDARD
She washes her bangs in the water, then brushes her teeth.
+00:01:25.120-STANDARD
She washes her face in the sink. A tiny picture of her head appears with a speech bubble that reads: "I have a video on my skincare, make sure to check that if you're curious on my skincare routine!"
+00:01:39.480-STANDARD
A variety of bottles sit on her sink counter. She rubs cream from one onto her face, then moisturizer.
+00:02:17.360-STANDARD
Letters appear: "G R W M." She uses a curler on her bangs, then rubs cream into her face before applying makeup.
+00:02:29.720-STANDARD
Later, she sits by her bed with a black guitar.
+00:03:08.720-STANDARD
"Brunch."
+00:03:24.920-STANDARD
She microwaves a bowl of white rice, then adds four fried shrimps.
+00:03:50.880-STANDARD
The woman eats at a table in a living room.
+00:03:57.320-STANDARD
Words appear: "Enjoying the weather." The woman stands at the shore of a lake surrounded by tall trees, the sunny blue sky streching overhead.
+00:04:14.760-STANDARD
"A clip from this morning. My camera didn't catch the lightning, lol."
+00:04:25.360-STANDARD
She records dead leaves blanketing the shore.
+00:04:38.160-STANDARD
A duck rushes over the lake's surface while flapping its wings.
+00:04:46.360-STANDARD
A goose swims near her.
+00:04:58.120-STANDARD
Time passes. She plays a piano in her home.
+00:05:04.320-STANDARD
A time lapse shows her play rapidly. "Practicing more piano. I'm speeding part of this up because I take too long, lol."
+00:05:15.240-STANDARD
In her bedroom.
+00:05:32.640-STANDARD
Words appear over a pianting of hazy white clouds in a blue sky: "Instagram: Flowerbeear." The letters "A B" appear over a black background.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_mVEFlvNJH4M.txt b/raw/validation/gt_ad/output_mVEFlvNJH4M.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ac3776949a383f3c363237f3cc14da83c2e0cbbd
--- /dev/null
+++ b/raw/validation/gt_ad/output_mVEFlvNJH4M.txt
@@ -0,0 +1,8 @@
+00:00:54.127-STANDARD
A toy chicken watching the video turns to a pair of men.
+00:01:14.221-STANDARD
The chicken and the man stand face to face.
+00:01:21.113-STANDARD
The chicken headbutts the man.
+00:03:38.625-STANDARD
The man cooking plates his fresh pasta.
+00:03:52.565-STANDARD
The toy chicken appears in the kitchen and stares down the cook. The cook cocks a brow at it, then turns to a second toy chicken on a counter. The cook raises his fists.
+00:04:06.834-STANDARD
The two chickens move closer and face each other. Red and purple mood lighting washes over them while a figure plays a guitar. The cook holds a mic as the chickens press their beaks together.
+00:04:27.880-STANDARD
The cook reappears with a sax.
+00:04:41.703-STANDARD
Back in the kitchen, the cook eats his pasta and walks off. A toy pig appears and looks from the meat in the pasta to the cook.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_marOhskYtAE.txt b/raw/validation/gt_ad/output_marOhskYtAE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..56b7f5b11b2b2d51d32dc6521d91c6f558132957
--- /dev/null
+++ b/raw/validation/gt_ad/output_marOhskYtAE.txt
@@ -0,0 +1,13 @@
+00:00:11.029-STANDARD
On-screen graphics: Four Eyes logo, followed by Rockler logo with tagline: Woodworking and Hardware. Create with Confidence.
+00:00:16.600-STANDARD
Measuring tape is used to measure the edge of a plywood sheet. Two male-presenting people in matching blue hoodies are working at a woodworking table.
+00:01:50.429-STANDARD
A wood plank is guided through a table-saw, which is embedded into the surface. A montage follows: a rectangular wooden frame being assembled, then passed through a jointer, then sanded with a handheld sander.
+00:02:15.271-STANDARD
Montage continues with additional flat boards being added to the frame.
+00:04:40.143-STANDARD
A wooden block guide pushes a narrow strip of wood through a small benchtop table-saw, slicing the strip in half.
+00:04:49.143-STANDARD
A small paintbrush spreads glue on the edges of the wood.
+00:04:56.057-STANDARD
Glue is squeezed onto a rubber glue mat, which has raised logo text.
+00:05:03.343-STANDARD
A blimp flying in a clear blue sky.
+00:05:08.071-STANDARD
The dried glue is peeled from the mat, revealing a raised, hardened yellow glue strip that reads: Rockler.
+00:05:34.171-STANDARD
Wooden legs are attached to the coffee table using drilled holes and screws.
+00:05:52.971-STANDARD
Outside on a lawn, the vlogger stands on top of the newly built coffee table.
+00:05:59.914-STANDARD
An electric hand sander is used to sand the tabletop and edges.
+00:06:05.571-STANDARD
A golden stain is brushed onto the wood. The finished coffee table is shown. The plywood edges forming the legs are visibly layered.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_n-d_-o9hMqY.txt b/raw/validation/gt_ad/output_n-d_-o9hMqY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7230866b5a8e4b965b15fb8005b30a58e1c65d2f
--- /dev/null
+++ b/raw/validation/gt_ad/output_n-d_-o9hMqY.txt
@@ -0,0 +1,5 @@
+00:00:40.536-STANDARD
She parts her hair with a comb.
+00:01:13.409-STANDARD
A time lapse shows the woman use scissors to cut nearly a third of a pony tail hanging in front of her face.
+00:01:21.760-STANDARD
A time lapse shows her grin with the chunk of cut hair held up. She undoes the parts of her hair, then adjusts it back to normal.
+00:01:39.602-STANDARD
Later, She poses in a bedroom, her long, wavy, brown hair now cut into a butterfly haircut.
+00:01:47.125-STANDARD
Her gaze lingers on the camera while she turns around, then runs her fingers through the back of her hair. She spins, smiling warmly.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nCboau0AenQ.txt b/raw/validation/gt_ad/output_nCboau0AenQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7d3270f86d75dc8b6de852e32a03f399bc9082c7
--- /dev/null
+++ b/raw/validation/gt_ad/output_nCboau0AenQ.txt
@@ -0,0 +1,11 @@
+00:00:06.033-STANDARD
A photo shows a man and woman grinning on a beach with a little, smiling red-haired girl in their arms. The man points a camera at himself in a living room.
+00:04:43.800-STANDARD
Words appear: "A little bit about us..." A photo slideshow shows the man grinning with the woman on a beach, both younger. She holds a bouquet and wears a white dress while he wears a white collared shirt.
+00:04:57.600-STANDARD
The woman smiles in a hall, now pregnant.
+00:05:01.467-STANDARD
The woman lies on a couch with a baby.
+00:05:05.200-STANDARD
The woman kisses the baby, now older, on a beach.
+00:05:10.066-STANDARD
Their child, now a toddler, wears dark shades and a lifejacket on a boat.
+00:05:16.166-STANDARD
Their child, now older, holds a chalk sign near a driveway reading: "My first day of kindergarten! Two thousand fifteen to two thousand sixteen."
+00:05:26.300-STANDARD
The man and woman make silly faces.
+00:05:30.233-STANDARD
All three of them make goofy faces.
+00:05:34.000-STANDARD
The man gives a thumbs up on a sailboat while the woman grins.
+00:05:39.166-STANDARD
"Thanks for watching our introduction video. Please find us on Facebook, Twitter, and our website w w w dot Sail boat story dot com."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nE-JoYGyq3Q.txt b/raw/validation/gt_ad/output_nE-JoYGyq3Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9cc5dbd6d0b552a8703f8dbb175ed8cd136d48c1
--- /dev/null
+++ b/raw/validation/gt_ad/output_nE-JoYGyq3Q.txt
@@ -0,0 +1,37 @@
+00:00:00.500-STANDARD
DIY Crafts TV appears on the bottom left of the screen
+00:00:06.300-STANDARD
A woman holds a phone in a black and white floral case on a purple and pink table.
+00:00:12.433-STANDARD
She pulls a tab on the case and opens it, revealing the phone and a pink fabric pocket on the case's other side.
+00:00:19.867-STANDARD
The woman pulls a credit card from the pocket, then shows off three charms atatched to a looped string on the case. One charm looks like a small crystal, the second a gold sphere, and the third a gold heart.
+00:00:33.500-STANDARD
The woman places two cardboard squares with two segmented parts the size of her phone on the table.
+00:00:40.767-STANDARD
She positions her phone on one of the segments, then turns it on its side so it rests on the middle of the segments.
+00:00:48.433-STANDARD
The woman sets two cotton squares with the black-and-white floral pattern on the table. Each is slightly larger than the cardboard squares.
+00:00:57.433-STANDARD
She slips them over and places the cardboard squares on them. Words appear: "Thin Carton."
+00:01:04.266-STANDARD
She squeezes glue onto the back of the cardboard square. Words appear: "PVC Glue." She presses the glued side of the cardboard onto the back of the cloth.
+00:01:15.600-STANDARD
The woman uses scissors to cut small strips on the cloth's edges.
+00:01:21.767-STANDARD
The woman uses a brush to dab glue onto the rim of the cardboard square. She curls the cloth strips back and adheres them to the glue.
+00:01:32.200-STANDARD
The woman glues the corners of the cloth onto the cardboard, then flips it over and displays the pattern.
+00:01:40.166-STANDARD
She shows the second cardboard square, now decorated with its own floral cloth square.
+00:01:47.967-STANDARD
The woman uses a hot glue gun to drizzle glue onto a small cardboard tab. She presses it onto a pink fabric square's bottom.
+00:01:58.967-STANDARD
The woman uses her scissors to cut strips along the fabric to the left of the tab.
+00:02:05.783-STANDARD
She glues the strips and edges of the tabs, then presses the outer edges of the pink fabric onto the tab.
+00:02:14.433-STANDARD
Using the hot glue gun, she fully wraps the fabric around the tab.
+00:02:21.000-STANDARD
The woman uses the hotglue gun to affix the pink tab onto the side of one side of the cloth-and-cardboard square.
+00:02:29.567-STANDARD
The woman brushes a thick layer of glue onto the cardboard-exposed side of the square.
+00:02:36.967-STANDARD
She uses the hot glue gun to spread glue around its edges. She presses the other cloth-and-cardboard square onto it, the floral patterned side out.
+00:02:49.066-STANDARD
The woman adds more glue from the hot glue gun to the area where the tab sticks out from between the squares, then presses down.
+00:02:58.700-STANDARD
The woman folds the phone case in half along its segmented lines.
+00:03:04.700-STANDARD
The woman opens the case and smooths it out a little.
+00:03:10.233-STANDARD
The woman presses another cardboard square onto a similarly shaped square of pink fabric.
+00:03:17.934-STANDARD
The woman glues one side of the square, flips it, and presses it onto the fabric square.
+00:03:25.400-STANDARD
She uses the scissors to cut strips along the edges of the fabric square. She glues them onto the square with the hot glue gun.
+00:03:34.934-STANDARD
She presses the edges of the fabric onto the cardboard, then layers the edges with the hot glue gun. The woman presses another identically shaped cardboard square onto the back.
+00:03:47.133-STANDARD
The woman pushes the new square, the pocket, onto the bottom left of the fully opened case. She slips a shopping card into it.
+00:03:56.834-STANDARD
The woman glues a tiny velcro patch onto the end of the tab, then presses it onto the case. She pulls the tab off, leaving the other side of the velcro tab fixed to the case.
+00:04:10.233-STANDARD
Words appear: "Double Sided Tape." She hot glue guns the side of a yellow double sided tape square. The woman pulls it off, revealing the tape.
+00:04:22.200-STANDARD
The woman adheres the back of her phone to the tape on the case.
+00:04:27.400-STANDARD
She neatly folds the case around her phone and latches the tab to its velcro.
+00:04:33.767-STANDARD
The woman glues the bottom of a string with three charms on its other end to the top middle area of the phone's interior.
+00:04:42.800-STANDARD
She folds the case around her phone before lifting the trio of charms and showing them to the camera.
+00:04:50.500-STANDARD
The woman opens her case, revealing her phone, the charm string's end, and the pocket from which she draws a credit card.
+00:05:00.400-STANDARD
Outside, the woman holds her phone in its case toward a tree brightly lit by the sun.
+00:05:08.300-STANDARD
She opens the case and sunlight reflects on her phone's screen. She turns it over and shows off the case's floral pattern.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nK-bgv1mqzg.txt b/raw/validation/gt_ad/output_nK-bgv1mqzg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..39279c483eb37c831947bc46a8a322dfb3291991
--- /dev/null
+++ b/raw/validation/gt_ad/output_nK-bgv1mqzg.txt
@@ -0,0 +1,6 @@
+00:00:16.357-STANDARD
A giant yacht sails on the water. On-screen text: Riviero Go! A row of large yachts is docked along a harbor.
+00:00:52.986-STANDARD
A glamorous three-level mega yacht named “Victorious,” with a small boat secured alongside it.
+00:02:39.529-STANDARD
Walking along a dock lined with yachts and luxury tents. Monaco apartment buildings rise in the background.
+00:03:02.571-STANDARD
The vlogger and her friend sip coffee from mugs at a terrace restaurant.
+00:03:26.057-STANDARD
People stroll down a blue carpet on the dock, flanked by tented luxury booths.
+00:05:00.100-STANDARD
View from a small speedboat heading away from the dock. The Victorious mega yacht remains visible in the distance.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nKGDOKAsR04.txt b/raw/validation/gt_ad/output_nKGDOKAsR04.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f671a941c0df3cc2921974a3f55d00063e8556d2
--- /dev/null
+++ b/raw/validation/gt_ad/output_nKGDOKAsR04.txt
@@ -0,0 +1,5 @@
+00:00:01.800-STANDARD
A woman with a shaved head points her camera out a window in her apartment. She looks down at other apartment complexes with grassy lawns on a sunny street below.
+00:01:06.400-STANDARD
Words appear: "Number Three: Light Sweet Grass." She holds a lighter to a bundle of sweetgrass poking out of a glass jar on a shelf.
+00:01:16.680-STANDARD
The woman sits on a couch. "Number Four: Meditate." She crosses her legs, places her palms on her knees, then shuts her eyes.
+00:01:26.920-STANDARD
"Number Five. Daily devotion plus journal."
+00:04:23.360-STANDARD
The woman sits at a small dining table with a bowl of yogurt, blueberries, and cut strawberries on it. She sips from an orange mug, then eats her meal. Words appear: "Seven. Check Day's Schedule." She looks in a planner.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nmYRhyryZew.txt b/raw/validation/gt_ad/output_nmYRhyryZew.txt
new file mode 100644
index 0000000000000000000000000000000000000000..12a7d9df79a5275fb476ccb3f96fc79db6cb6949
--- /dev/null
+++ b/raw/validation/gt_ad/output_nmYRhyryZew.txt
@@ -0,0 +1,9 @@
+00:00:00.038-STANDARD
A video.
+00:00:25.393-STANDARD
"Ingredients."
+00:01:39.963-STANDARD
Brandon fills a juicer.
+00:02:08.773-STANDARD
A time lapse shows it grind up the ingredients, then pour juice out from a nozzle into a glass measuring pitcher. The ground up vegetables slide out of another nozzle into a compost bag.
+00:02:57.503-STANDARD
The time lapse continues and the juicer works through the last heap of vegetables, adding more to the measuring pitcher and compost bag.
+00:03:51.221-STANDARD
The juicer reaches the last of the vegetables. Bright green juice now nearly completely fills the measuring pitcher.
+00:04:16.440-STANDARD
Brandon pours some of the juice from the pitcher into a pair of jars, then a glass cup.
+00:04:27.254-STANDARD
He covers the jars with lids, then stands in front of the camera and raises his glass cup.
+00:04:39.058-STANDARD
Brandon sips the juice, then quickly finishes the rest.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nsrJpqJOTqA.txt b/raw/validation/gt_ad/output_nsrJpqJOTqA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7ebd8fa6af8bc7dd788fb2b69775a1a5d8a8175d
--- /dev/null
+++ b/raw/validation/gt_ad/output_nsrJpqJOTqA.txt
@@ -0,0 +1,26 @@
+00:00:00.000-STANDARD
From a view inside a refrigerator drawer, a male-presenting person's muscular, tank-top-clad arm opens the drawer, removes a bundle of beets with leaves, and places them on the kitchen island.
+00:00:08.043-STANDARD
He adds more beets, a fresh ginger root, three red apples, and a watermelon, then pushes everything to the side.
+00:00:29.571-STANDARD
He places the juicer base on the countertop, then stacks the blending components until it is fully assembled.
+00:00:40.757-STANDARD
He places a large blender cup on top and secures the lid as the final component. Then, he plugs it in.
+00:00:50.057-STANDARD
He spins a wooden chopping board in his hands, then places it on the countertop.
+00:00:55.857-STANDARD
Using a large knife, he begins chopping the beets off their leaves over the cutting board.
+00:01:03.086-STANDARD
He tosses the beets into a glass bowl filled with water.
+00:01:09.786-STANDARD
He shows a bottle of white vinegar to the camera, then pours it into the water bowl for about five seconds.
+00:01:16.814-STANDARD
The bowl now contains the beets and apples. He sets it aside.
+00:01:21.543-STANDARD
He places a large watermelon on the cutting board. Using a large knife, he cuts off both ends, then starts slicing off the rind from top to bottom.
+00:01:41.229-STANDARD
He slices off the last bits of rind, then cuts the watermelon straight down the middle, revealing the red center.
+00:01:45.777-STANDARD
He slices both halves into several smaller pieces.
+00:01:56.457-STANDARD
He places the watermelon slices into the juicer and closes the lid.
+00:02:07.700-STANDARD
He positions two large plastic cups beneath the juicer spouts. As the juicer's wheel spins, the mushy substance of the rind comes out of one spout.
+00:02:14.429-STANDARD
He opens the other spout, and red juice pours out of it into one of the cups.
+00:02:18.071-STANDARD
He tosses more watermelon into the juicer, and closes the lid. The film cuts to him opening the juicer spout, where more red juice pours into the cup.
+00:02:25.529-STANDARD
He pushes the full cup aside and places an empty one under the spout to catch the rest of the juice.
+00:02:30.700-STANDARD
At the sink, he rinses the apples in the glass bowl, then places the bowl back on the counter.
+00:02:35.558-STANDARD
He starts chopping more beets, then adds those, along with two whole apples, into the juicer.
+00:02:47.400-STANDARD
Mushy rind substance comes out of one spout.
+00:02:54.714-STANDARD
He lifts the spout on the other side, and red juice pours out of it into the large cup.
+00:02:59.644-STANDARD
Some fruit remains in the juicer, so he adds ginger and watermelon slices, then closes the lid.
+00:03:11.157-STANDARD
He moves the full red juice cup out of the way and places a half-empty cup under the juicer spout. He opens the spout, and more juice pours into the cup.
+00:03:19.057-STANDARD
He puts a large glass bowl under the spout now, and the juice pours into the bowl. On the counter, he shows the bowl and two large glasses filled with red juice.
+00:03:50.486-STANDARD
He pours the juice into seven tall glasses.
+00:04:00.857-STANDARD
He puts lids on all the glasses, slides them aside, and holds one glass to the close camera.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nt7Pw9fE_yU.txt b/raw/validation/gt_ad/output_nt7Pw9fE_yU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..475be864fe6ae782a6b28260305d4b9d80169ef2
--- /dev/null
+++ b/raw/validation/gt_ad/output_nt7Pw9fE_yU.txt
@@ -0,0 +1,17 @@
+00:00:03.600-STANDARD
In a bedroom, the female-presenting vlogger with long brown hair and Andrew, a male-presenting person in a graphic T-shirt, perform a complex handshake.
+00:00:12.686-STANDARD
Now in a bathroom.
+00:01:16.686-STANDARD
They sit on the bed.
+00:01:43.429-STANDARD
They both fan their faces with open hands, then closed fingers.
+00:01:52.729-STANDARD
Silence or extended unspoken content; no additional visual details described.
+00:05:05.843-STANDARD
On-screen text: bloopas!
+00:05:07.043-STANDARD
Andrew bends over with his hands on his thighs, then shakes his head rapidly, flipping his hair around. He stands up smiling.
+00:05:28.700-STANDARD
They perform their handshake again.
+00:05:53.143-STANDARD
A black screen. Then a thumbnail of the vlogger from her YouTube channel appears, along with two other clickable video thumbnails.
+00:00:03.600-STANDARD
In a bedroom, the female-presenting vlogger with long brown hair and Andrew, a male-presenting person in a graphic T-shirt, perform a complex handshake.
+00:00:12.686-STANDARD
Now in a bathroom.
+00:01:16.686-STANDARD
They sit on the bed.
+00:01:43.429-STANDARD
They both fan their faces with open hands, then transition the gesture to closed fingers.
+00:05:05.843-STANDARD
On-screen text: bloopas!
+00:05:07.043-STANDARD
Andrew bends over with his hands on his thighs, then shakes his head rapidly, flipping his hair around. He stands up smiling.
+00:05:28.700-STANDARD
They perform their handshake again.
+00:05:53.143-STANDARD
A black screen. Then a thumbnail of the vlogger from her YouTube channel appears, along with two other clickable video thumbnails.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_nwkWWjmNtak.txt b/raw/validation/gt_ad/output_nwkWWjmNtak.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0068cd648532338f34c09426ed8c468c58c859b9
--- /dev/null
+++ b/raw/validation/gt_ad/output_nwkWWjmNtak.txt
@@ -0,0 +1,8 @@
+00:00:48.929-STANDARD
A Prius with four wooden wheels drives down a paved road.
+00:01:31.443-STANDARD
The car drives forward slowly, the wooden wheels rattling.
+00:01:54.429-STANDARD
The car inches forward as an on-screen counter displays: "0:00 Miles."
+00:02:42.300-STANDARD
The front right wooden wheel falls off.
+00:03:29.543-STANDARD
The Prius, now with the two back wooden wheels, veers off the road into the grass.
+00:03:46.800-STANDARD
The car tries to accelerate but stalls in place. The front left wooden wheel pops off.
+00:04:13.486-STANDARD
The vlogger tosses the wooden wheel into the air. It falls to the ground.
+00:04:18.986-STANDARD
On-screen text: "Subscribe. Watch Another." Two clickable video thumbnails from the channel appear.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_oHHBLSSctoc.txt b/raw/validation/gt_ad/output_oHHBLSSctoc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4e45db4722dab2eae1e1a13caf3040e120c1c7ca
--- /dev/null
+++ b/raw/validation/gt_ad/output_oHHBLSSctoc.txt
@@ -0,0 +1,13 @@
+00:00:00.000-STANDARD
An animation shows a metal sign being soldered onto posts that says "How it's made."
+00:00:06.514-STANDARD
Nine multicolored candy canes are arranged in a fan shape.
+00:00:20.443-STANDARD
A large amber-colored, gel-like syrupy mixture is poured by hand out of a large bowl onto a table.
+00:00:28.916-STANDARD
An amber-colored liquid flavoring is ladled into a pot of starch.
+00:00:50.451-STANDARD
A shovel and plungers crush and lift the large gel-like slab, mixing it, making it appear smoother and shinier.
+00:01:34.314-STANDARD
The now dense, white mixture is folded by hand and spun, then fed into a machine.
+00:01:47.514-STANDARD
A log is removed from the roller by two workers and placed on a table.
+00:01:55.857-STANDARD
A worker places a red gel log onto a table.
+00:02:53.047-STANDARD
The rope appears to slither as it’s fed through the spinning wheels.
+00:03:46.386-STANDARD
As the canes travel through the machine, their tips are bent into hooks.
+00:04:12.520-STANDARD
The robotic arm drops candy canes, two at a time, into a green cardboard box.
+00:04:34.700-STANDARD
The green boxes, now filled with multicolored candy canes, ride the conveyor belt.
+00:04:37.714-STANDARD
Multicolored candy canes are arranged in a fan shape. Mini candy canes, candy cane wreaths, and a thick candy cane are all displayed on a table.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_oMxYJ8YQr30.txt b/raw/validation/gt_ad/output_oMxYJ8YQr30.txt
new file mode 100644
index 0000000000000000000000000000000000000000..70d5209eef13ee27bf1564fe361e177bc475ad54
--- /dev/null
+++ b/raw/validation/gt_ad/output_oMxYJ8YQr30.txt
@@ -0,0 +1,25 @@
+00:00:00.000-STANDARD
An animated film: three characters with plant-like heads--yellow, pink, and green--drive in a car.
+00:00:06.029-STANDARD
Title card: Flora Party
+00:00:17.729-STANDARD
A tall, round tower stands in a colorful, blocky landscape.
+00:00:33.786-STANDARD
A crowd gathers around the tower for a party.
+00:00:51.400-STANDARD
Interlude: root-like creatures connect their branches.
+00:01:13.257-STANDARD
Interlude: Four root creatures, one opens its branches.
+00:01:18.800-STANDARD
The green and pink characters leave the bar.
+00:01:26.257-STANDARD
The green character drops the bottle on the pink character.
+00:01:31.200-STANDARD
Interlude: a figure walks downward beside roots that touch at a star point.
+00:01:48.186-STANDARD
Interlude: root creatures link at star points. A figure builds a fire.
+00:01:51.557-STANDARD
Inside the tower, a crowd jumps together. The three main characters dance.
+00:01:59.200-STANDARD
Interlude: The fire burns with a figure and roots around it.
+00:02:01.443-STANDARD
People jump in front of a DJ.
+00:02:08.643-STANDARD
The crowd dances. The green character reappears.
+00:02:17.657-STANDARD
The green and pink characters dance together.
+00:02:22.943-STANDARD
Two big speakers bounce beside the DJ. They expand and spark.
+00:02:27.626-STANDARD
The tower shakes as if in an earthquake.
+00:02:30.614-STANDARD
Interlude: a human-like figure, fire, and ferns
+00:02:34.971-STANDARD
The figure fires a machine gun. The tower explodes and collapses.
+00:02:40.300-STANDARD
Roots and plants break apart and vanish.
+00:02:43.129-STANDARD
Seen from below, the tower crumbles. Debris hits the crowd.
+00:02:48.900-STANDARD
Characters flee but are struck and fall.
+00:02:55.129-STANDARD
Only smoke and rubble remain.
+00:02:59.071-STANDARD
Roots grow translucent flowers--yellow, green, pink. The three characters lie on the ground.
+00:03:22.029-STANDARD
Credits Roll: A film by Lewis Taruer. Art and music by Lewis Taruer. Voices: Lewis Taruer, Amy Hewett, Syd Agans. Additional voices: Thomas Spruill, Asia Miller, Emy Galustyan, Pauit Panag, Hasel Hamilton. CalArts 2024.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_oPJXL0yVLz4.txt b/raw/validation/gt_ad/output_oPJXL0yVLz4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fcc097654bd42d07575656d142eebba876ea062f
--- /dev/null
+++ b/raw/validation/gt_ad/output_oPJXL0yVLz4.txt
@@ -0,0 +1,12 @@
+00:02:57.243-STANDARD
The vlogger takes off her coat next to a van in a parking lot.
+00:03:08.771-STANDARD
She begins putting on the base layers of a dry suit.
+00:03:34.871-STANDARD
On-screen text: “I was wrong about that.”
+00:04:16.314-STANDARD
She stands on a wide, moss-covered landscape. Then, a view of the rocky terrain dotted with waterways. A staircase descends into a clear pool where several divers swim away from the steps.
+00:04:27.671-STANDARD
An instructor places a hood on her head.
+00:04:35.757-STANDARD
The instructor helps her put on flippers. She smiles and gives a thumbs-up to the camera.
+00:04:40.529-STANDARD
The instructor places a hood over her dad’s head.
+00:04:51.114-STANDARD
A shot of the vlogger and her dad in the water, followed by an underwater view of a rocky canyon.
+00:06:08.714-STANDARD
The vlogger climbs a ladder in her dry suit, stepping out of the water.
+00:06:15.514-STANDARD
Her dad smiles and waves at the camera.
+00:06:17.886-STANDARD
<Together with the instructor, the two walk up a grassy path toward a rest area with a wooden deck near the parking lot
+00:07:25.871-STANDARD
She floats in a natural pool of water.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_obc-aQfo9f4.txt b/raw/validation/gt_ad/output_obc-aQfo9f4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..394e61525a73b48c5597f3d7e7f9b8443696f0ce
--- /dev/null
+++ b/raw/validation/gt_ad/output_obc-aQfo9f4.txt
@@ -0,0 +1,14 @@
+00:00:03.333-STANDARD
A bird perches on a leafless tree branch at dawn.
+00:00:09.133-STANDARD
A young man drives a car down a road lined with tree silhouetted by the rising sun.
+00:00:17.700-STANDARD
The young man, lanky and wearing a grey hoodie and an orange beanie over his long, black hair, leaves a donut shop with a small bag of them.
+00:00:30.000-STANDARD
He sits parked in front of a red light.
+00:00:35.333-STANDARD
He looks at a tall tree near an intersection, the rising sun shining through its green leaves.
+00:00:45.300-STANDARD
Similar looking, red-roofed, two-story houses sit in a row along a road.
+00:00:54.066-STANDARD
A road winds through a city sprawling through sloping, green hills. Dark, grey clouds hang over the horizon.
+00:01:04.066-STANDARD
An open journal sits on a desk in a dimly lit bedroom. The young man lifts a guitar from a bed, then sits with it. Words appear: "Self love and the fear of relationships."
+00:02:40.466-STANDARD
At night, the young man sits on his bed. A laptop sits on his desk and displays a video of a smiling woman with a toddler near a pool.
+00:02:50.700-STANDARD
The video shows a young man and woman kiss.
+00:02:56.700-STANDARD
A lamp, polaroid camera, several cologne bottles, and a digital clock sit neatly arranged on an end table by leafy branches in a vase.
+00:03:12.533-STANDARD
An espresso machine's dim, blue lights glow in a dark kitchen. The young man enters, then begins to make an espresso.
+00:05:16.000-STANDARD
He sets an espresso cup on a dining table. He sits by it and reads a book.
+00:06:48.000-STANDARD
He stops journaling at his desk, then looks at his phone before setting it down, standing, and heading out.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_oii_b9S5ysk.txt b/raw/validation/gt_ad/output_oii_b9S5ysk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fb3c9d26edcea0f1da159cf4e9bd5e82ac608ad5
--- /dev/null
+++ b/raw/validation/gt_ad/output_oii_b9S5ysk.txt
@@ -0,0 +1,6 @@
+00:01:34.386-STANDARD
A date appears: "Six, seven, twenty twenty four." Charlie puts on glasses and types at a laptop at a desk.
+00:01:58.460-STANDARD
His eyes dart around, then land on the cover of a manga, "Vinland Saga", displayed on a glass shelving unit.
+00:02:10.017-STANDARD
Charlie smiles, then types a sentence that in part reads: "are signs of true strength." Later, he speaks into a microphone connected to his computer. He slips an SD card into his laptop, then works on editing software.
+00:02:44.404-STANDARD
He deletes a file.
+00:03:16.410-STANDARD
An outstretched hand recedes into a void.
+00:03:20.935-STANDARD
Charlie lights a match in the void.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_pMJQmkaFgQk.txt b/raw/validation/gt_ad/output_pMJQmkaFgQk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..590de67909e888436ff926916eb6b67afbe7b725
--- /dev/null
+++ b/raw/validation/gt_ad/output_pMJQmkaFgQk.txt
@@ -0,0 +1,9 @@
+00:00:00.015-STANDARD
A montage flashes: Kris, a young woman with long, black hair, beams while snow falls around her; Kris holds her hand to a dazzlingly lit Christmas tree in the corner of her home; She points her camera at herself while wearing a red and white sweater, Santa hat, and gold glasses. Words appear: "Krismas Day Five. Wednesday, December Fifth."
+00:00:24.305-STANDARD
Kris fills a tumbler with coffee from a machine. Later, she gets behind the wheel of her car.
+00:01:05.926-STANDARD
Kris purses her lips and puffs her cheeks from side to side while holding her phone to her ear.
+00:01:25.621-STANDARD
Later, she drives down a highway flanked by tall trees. Grey clouds blanket the sky.
+00:01:32.325-STANDARD
Kris parks in a lot near a tan and brick building. She walks through a glass doorway with signs on it reading: “SCVBC."
+00:03:16.590-STANDARD
Kris does a little dance to the music.
+00:03:57.023-STANDARD
She bops her head to the rhythm.
+00:04:09.681-STANDARD
She walks through a parking lot to a gym wearing athletic clothes. Later, she gets back in her car.
+00:06:04.343-STANDARD
Words appear: "Then I literally knocked out and forgot to end the vlog. Sorry for such a short vid; a frowny face emoticon appears. Stay tuned for an exciting vlog tomorrow!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_pQOWcNTJyoI.txt b/raw/validation/gt_ad/output_pQOWcNTJyoI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1340fad38dc6db877fb191576dbb7c86778d92ab
--- /dev/null
+++ b/raw/validation/gt_ad/output_pQOWcNTJyoI.txt
@@ -0,0 +1,7 @@
+00:00:00.000-STANDARD
Logos on screen for DIGI and contactless. Baskets of fruit are positioned between a food scale and a computer screen.
+00:00:12.257-STANDARD
Using a phone to scan a barcode on a basket of apples. The phone screen displays "Weigh item."
+00:00:15.800-STANDARD
A shopper places several apples into a plastic bag, carrying a basket on her forearm, and then places the bag of apples in the basket.
+00:00:23.343-STANDARD
Using her phone to scan lemons, she places a few lemons into a plastic bag and puts them in her basket.
+00:00:36.971-STANDARD
Using her phone to scan oranges, she places the oranges in a plastic bag and then into her basket.
+00:00:52.200-STANDARD
A computer screen beside the fruit, reads "Scan QR Code." On screen-text: "Pair mobile device with scale."
+00:01:45.829-STANDARD
On-screen text: "Contactless. Benefits: Touchless operation, minimize cross-contamination, reduce shrinking and transaction time, less reliance on operator assistance. DIGI..”
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_pTMuE6rGTqU.txt b/raw/validation/gt_ad/output_pTMuE6rGTqU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dc3f9f340d01e731d9e910fd04a9f64cd8344777
--- /dev/null
+++ b/raw/validation/gt_ad/output_pTMuE6rGTqU.txt
@@ -0,0 +1,26 @@
+00:00:31.100-STANDARD
In a large open garden, green plants and colorful wildflowers grow together in a free-flowing, natural layout. A small sign in the soil reads: "Beware of the Agapanthus."
+00:00:37.314-STANDARD
A brick tower is visible behind the garden, surrounded by trees. On the opposite side of the tower, a reflecting pool is bordered by potted pink flowers.
+00:00:59.743-STANDARD
Three cone-shaped evergreen trees, spin slowly in a circle, likely on a rotating platform.
+00:01:05.429-STANDARD
As the trees spin, flower beds filled with pink blooms begin rising into the air on mechanical lifts in front of the brick tower. The cone-shaped roof of the tower lifts above the structure, held by an arm-like support.
+00:01:15.886-STANDARD
The plants and trees in the garden sway gently in the breeze.
+00:01:20.100-STANDARD
More shots of the rotating trees and flower beds lifting and lowering beside the tower. Bushes are also seen slowly rotating around the tower.
+00:01:28.014-STANDARD
Additional evergreen trees rotate in place.
+00:01:32.043-STANDARD
Near the reflecting pool, several large flower beds overflowing with pink blossoms are visible.
+00:02:01.971-STANDARD
Two plastic flamingos stand among the garden greenery.
+00:02:05.371-STANDARD
On a grass-covered table, a display features a caged bottle of Hendrick's gin, a small potted tree with yellow fruits, festive drinks served in flower pots with straws and mint leaves, and a bouquet of pink and purple flowers.
+00:02:15.814-STANDARD
A wooden case is labeled "Hendrick’s."
+00:02:18.557-STANDARD
Beneath an awning, an old-fashioned van is parked with its serving window open.
+00:02:24.229-STANDARD
A person’s legs pass by, walking a dog on a leash near potted flowers on the grass. The scene shifts to various potted plants on the ground and on low shelves, including clusters of colorful hydrangeas.
+00:03:01.086-STANDARD
A large crowd mills about outdoors. A fast-motion time-lapse on a projector screen shows the garden being constructed using machinery.
+00:03:09.485-STANDARD
Three people in matching blue suits pose for a photo in front of the garden’s tower.
+00:03:11.596-STANDARD
Various colorful flowers and plants in pots are displayed on the ground and a slightly raised shelf.
+00:03:26.771-STANDARD
A vibrant mix of greenery, trees, and flowers is spread throughout the garden.
+00:03:34.929-STANDARD
A large fountain stands in front of a mall-type building.
+00:03:38.286-STANDARD
Inside, shelves display bottles, lotions, and candles.
+00:03:52.800-STANDARD
Hands are being washed in a large silver sink basin.
+00:03:57.271-STANDARD
A pink-colored bottle labeled "Molton Brown London" is shown.
+00:04:00.434-STANDARD
A hand swirls through soapy water in the sink basin.
+00:04:46.043-STANDARD
Two more Molton Brown bottles are visible--one amber-colored and one cream-colored. Nearby shelves display more multicolored bottles of washes and lotion.
+00:04:50.771-STANDARD
Shelves are lined with Molton Brown candles in various colors.
+00:04:53.055-STANDARD
A small decorative rock display holds blue bottles and a small ornamental tree.
+00:05:34.686-STANDARD
On-screen text reads: “Thanks for Watching.”
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_pm9hoXVaNqk.txt b/raw/validation/gt_ad/output_pm9hoXVaNqk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..fed994ff34bf489020e8c5ee67dfd6df559ad0ab
--- /dev/null
+++ b/raw/validation/gt_ad/output_pm9hoXVaNqk.txt
@@ -0,0 +1,4 @@
+00:00:00.000-STANDARD
On a beach.
+00:01:22.049-STANDARD
The man, a bearded man with black, curly hair, plays rugby with three young girls on the beach.
+00:01:31.810-STANDARD
The man dashes away with the ball. Later, one girl tackles another that has the ball.
+00:01:48.973-STANDARD
The man weaves around the girls with the ball and stops past a line dug into the sand. He flexes.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_qCuFjXGSVB4.txt b/raw/validation/gt_ad/output_qCuFjXGSVB4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..3f1dfc0eff1813863d22821811eaa423d621130d
--- /dev/null
+++ b/raw/validation/gt_ad/output_qCuFjXGSVB4.txt
@@ -0,0 +1,14 @@
+00:00:00.000-STANDARD
A glass mason jar filled with green lava lamp liquid, its bubbles rising and falling.
+00:00:09.114-STANDARD
On-screen logo: Creative SL. Ideas, Vision, Innovation. A YouTube subscribe button and bell appear.
+00:00:19.614-STANDARD
Plastic jugs are placed on a table, labeled "vinegar" and "vegetable oil," each containing their respective contents. A small jar of baking soda, labeled accordingly, and a small bottle of green dye are also shown.
+00:00:27.800-STANDARD
All items are removed, leaving only the baking soda. A glass mason jar is placed next to it, and a heaping tablespoon of baking soda is added to the jar.
+00:00:47.300-STANDARD
The jug of vegetable oil is placed beside the jar and poured in, filling it to the top.
+00:01:01.071-STANDARD
A glass is set in front of the jar. A small amount of vinegar is splashed from the vinegar jug into the glass.
+00:01:10.329-STANDARD
A dropper extracts green liquid from the bottle and releases several drops into the glass.
+00:01:21.786-STANDARD
The liquid is swirled by hand.
+00:01:27.814-STANDARD
A circular base with a small round button-like control in its center. A hand presses the button, lighting up the base; then the mason jar is placed on top.
+00:01:37.457-STANDARD
The green liquid is poured into the jar. As it pours, the liquid coagulates, forming flat bubbles that settle at the bottom.
+00:01:46.071-STANDARD
A subscribe icon appears on screen.
+00:01:52.586-STANDARD
Bubbles begin rising and falling within the glass as the lava lamp effect starts, with green bubbles continuously traveling up and down.
+00:02:10.246-STANDARD
A close-up of the lava lamp liquid as it moves.
+00:02:18.515-STANDARD
On-screen logo: Creative SL. Ideas. Vision. Innovation.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_qSA2_2BNFXc.txt b/raw/validation/gt_ad/output_qSA2_2BNFXc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1cbd472e60a93123bba52c7ebeb8718124fdf8f1
--- /dev/null
+++ b/raw/validation/gt_ad/output_qSA2_2BNFXc.txt
@@ -0,0 +1,23 @@
+00:00:22.000-STANDARD
Elle, a young Asian woman with long, wavy hair, steps to a large moving truck parked in an alley between town homes.
+00:00:32.680-STANDARD
The truck driver gets out with a tiny dog.
+00:01:09.280-STANDARD
The driver lifts the truck's back, revealing an orange Mclaren.
+00:01:22.480-STANDARD
Elle covers her mouth and glances at the camera while a platform the Mclaren sits on extends out the truck's back.
+00:01:33.280-STANDARD
The platform angles downward, making a ramp.
+00:01:42.960-STANDARD
The driver connects mini ramps to the platform's edge.
+00:02:10.880-STANDARD
The driver gets behind the Mclaren's wheel, a huge ribbon on its hood.
+00:02:19.640-STANDARD
Elle claps.
+00:02:26.640-STANDARD
The driver reverses the Mclaren down the ramp.
+00:02:41.120-STANDARD
Later, Elle holds a sticker up to the camera reading: "Dainty Baby Elle" next to the Instagram logo.
+00:02:55.520-STANDARD
Elle carefully places the sticker on the bottom of the car's right side, just behind the window.
+00:03:06.160-STANDARD
A cartoon bird stuffed animal sits in the Mclaren's passenger seat. Elle buckles it in.
+00:03:14.160-STANDARD
Elle drives down a road curving around a mountain. Later, her Mclaren sits on a road's shoulder. Elle stands by the hood.
+00:03:37.080-STANDARD
A mountainous vista sprawls behind her.
+00:03:46.760-STANDARD
A montage plays: Her Mclaren sits on the road's shoulder, both of the scissor doors open.
+00:03:55.480-STANDARD
The camera zooms in on Elle's sticker.
+00:04:01.720-STANDARD
Elle sits on the Mclaren's hood and clasps her hands between her thighs while cocking her head and smiling.
+00:04:09.880-STANDARD
A grey drone descends toward the Mclaren.
+00:04:14.680-STANDARD
Elle sashays to the passenger side door and looks over her shoulder as she caresses it.
+00:04:22.000-STANDARD
She bends over the hood and raises her butt as she extends her arms to the windshield.
+00:04:30.080-STANDARD
Elle lounges in the Mclaren's open front trunk. She kicks up her leg and lifts her arm before grinning.
+00:04:39.280-STANDARD
Later, Elle sits in the passenger seat as it drives down the road. She wears her coat's hood and sunlight glares through the windows.
+00:05:24.480-STANDARD
She shields her eyes from the sun.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_qWhom5ZNH0s.txt b/raw/validation/gt_ad/output_qWhom5ZNH0s.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8773fa03af74fd866b06a4a2536c061e22c3cb91
--- /dev/null
+++ b/raw/validation/gt_ad/output_qWhom5ZNH0s.txt
@@ -0,0 +1,57 @@
+00:00:00.000-STANDARD
A montage of various items inside a brown leather purse.
+00:00:04.343-STANDARD
On-screen text: What's in my bag?
+00:00:07.314-STANDARD
An iPhone in a brown case, perfume, an Oyster card, cash, a hair clip, nail polish, blush, AirPods, sunglasses in a case.
+00:00:15.800-STANDARD
On-screen text: startagainstudio.
+00:00:17.686-STANDARD
A brown leather bag is placed on a desk. On-screen text: Hello friends, in today's video I share what I carry as my daily essentials.
+00:00:26.871-STANDARD
> <On-screen text: cos bag. It has this buttery smooth leather when you touch it.
+00:00:33.300-STANDARD
Adjustable strap for shoulder bag or crossbody bag option. The strap is wiggled.
+00:00:39.371-STANDARD
On-screen text: Let's see what's inside. You can fit a lot more in this bag. The bag is opened.
+00:00:43.943-STANDARD
An iPhone with a brown cover is removed. On-screen text: iPhone 13 Pro Max. Neutral aesthetic wallpaper pack available on my Etsy page. Various neutral-colored backgrounds are shown.
+00:00:50.614-STANDARD
Link in description box.
+00:00:53.489-STANDARD
The back of the iPhone case, with the engraving "5andmarc." On-screen text: Sandmarc Pro Leather Case. Sandmarc kindly sent me this iPhone case.
+00:00:58.486-STANDARD
It looks and feels premium.
+00:01:01.829-STANDARD
The inside of the case, without the phone, is shown. A finger traces a circle design in the center. On-screen text: It also supports MagSafe wireless charging.
+00:01:06.186-STANDARD
The back of the case with the iPhone inside it is shown. On-screen text: I highly recommend this beautiful brown color.
+00:01:11.157-STANDARD
A thumb taps the screen, which turns on, showing a background of brown and tan geometric shapes. On-screen text: iPhone case linked below.
+00:01:15.671-STANDARD
The hands reach into the bag and remove a light brown leather sunglasses case. On-screen text: Ray-Ban sunglasses.
+00:01:19.943-STANDARD
The case is snapped open, and the hands remove sunglasses with circular black lenses and thin gold sides, along with a lens cloth.
+00:01:24.157-STANDARD
On-screen text: These sunglasses are super lightweight and comfortable to wear.
+00:01:27.443-STANDARD
The glasses are shown from the side, then placed back in the case, which is snapped shut.
+00:01:33.271-STANDARD
The closed leather case is shown to the camera, rotated side to side by the fingers, then moved off-camera.
+00:01:37.571-STANDARD
On-screen text: LV Victorine Wallet. A small black leather wallet with LV and four-petaled flower symbols. The wallet is turned sideways, and fingers swipe through the layered card holder pockets.
+00:01:45.271-STANDARD
On-screen text: I've had this wallet for over a year, and it still looks brand new.
+00:01:48.357-STANDARD
A blue Oyster card is pulled out from the side of the wallet, with the wallet still closed. On-screen text: You can pull your cards out without opening the wallet. The card is placed back in the pocket.
+00:01:55.329-STANDARD
The wallet is opened like a book. On-screen text: Plenty of card compartments.
+00:01:58.514-STANDARD
Inside, a blurred photo on the left side, and three cards in pockets on the right side. On-screen text: A Polaroid of me and the love of my life.
+00:02:02.986-STANDARD
The large main pocket of the wallet is spread open by fingers, with bills inside. The hand reaches in and pulls out a receipt. On-screen text: Old receipt from our Portugal trip.
+00:02:09.157-STANDARD
Colorful bills are taken out and sifted through. On-screen text: These are all from my most recent trips.
+00:02:20.014-STANDARD
The empty compartment is spread open, and the cash is placed back in. On-screen text: The cash compartment is huge.
+00:02:24.386-STANDARD
A coin is shown between thumb and pointer finger. On-screen text: 1 euro coin for the supermarket trolley.
+00:02:27.671-STANDARD
The coin is placed inside a small zipper compartment on the side of the wallet, which is then zipped..
+00:02:31.829-STANDARD
The LV wallet is folded up and closed with a snap, then swiped off-screen.
+00:02:36.086-STANDARD
A small white bottle with a blue label is removed from the bag. On-screen text: Hand sanitizer. Picked this up on our Portugal trip.
+00:02:39.986-STANDARD
The cap is opened. On-screen text: Smells amazing.
+00:02:45.814-STANDARD
A plastic auburn-colored hair clip with teeth is shown to the camera. On-screen text: Hair claw.
+00:02:50.757-STANDARD
A small bottle of auburn-colored perfume is removed from the bag. On-screen text: YSL Libre Intense perfume. This is the sexiest perfume.
+00:02:57.057-STANDARD
The gold cap is removed. The perfume is sprayed into the air, then the bottle is moved in a circular motion. On-screen text: Spray this, and your man will be on your neck! From beginning to dry down, omg, it's so sexy.
+00:03:07.300-STANDARD
A small pink tube is removed. On-screen text: Peripera Lip Tint. The top is removed, and a wand spreads the pink color onto the hand below the thumb and shown to the camera.
+00:03:13.014-STANDARD
On-screen text: K-beauty honestly makes the most amazing lip tints.
+00:03:18.157-STANDARD
A small circular compact tin with the face of a female-presenting model with black hair is removed. On-screen text: #CC Take A Later Multipot.
+00:03:23.171-STANDARD
The back of the compact is shown, then opened to reveal a peachy pink-colored powder on the bottom and a mirror on top. On-screen text: I mainly use this as a blush. It's quite pigmented.
+00:03:31.186-STANDARD
The index finger is placed in the blush and rubbed, then rubbed on the inner hand next to where the slightly darker pink lip tint was smeared. On-screen text: You can achieve a very natural finish once you blend the product in.
+00:03:39.557-STANDARD
The compact is closed and swiped off-camera.
+00:03:42.971-STANDARD
A silver tube is removed and shown to the camera. On-screen text: Bare Minerals Lip Balm.
+00:03:46.300-STANDARD
The top is removed, fingers rotate the bottom, and white-colored lipstick rises. On-screen text: This has retinol and hyaluronic acid.
+00:03:51.329-STANDARD
The lip balm is rubbed onto the top of the same hand with the other makeup. On-screen text: It's hydrating and locks in moisture quite well.
+00:04:01.157-STANDARD
The lip balm stick is rolled back down, and the top is placed back on. The lip balm is removed from the screen.
+00:04:06.871-STANDARD
A white AirPods case is removed from the purse, then flipped open to reveal two earphones. On-screen text: AirPods Pro. Hands down, one of the best purchases I’ve ever made!
+00:04:15.200-STANDARD
The AirPod case is turned side to side. On-screen text: These AirPods stay put even during intense cardio! The size is just perfect. The case is squeezed by fingers, then taken off-camera.
+00:04:27.486-STANDARD
A wrapped snack bar with the words "Nakd" on it. On-screen text: Snack. A snack is always a must in my bag because I’m always hungry. The snack is taken off-camera.
+00:04:41.200-STANDARD
A car key and three keys on a keychain are removed from the bag. The car key is shown. On-screen text: Keys. I drive a small, cute Suzuki car.
+00:04:47.329-STANDARD
The regular keys are shown. On-screen text: House and room keys.
+00:04:55.057-STANDARD
The bag is opened, and nothing is inside. On-screen text: It's all emptied out.
+00:04:59.000-STANDARD
The bag is turned upside down and shaken. On-screen text: Me, really trying to convince you guys it’s empty!
+00:05:03.314-STANDARD
The bag is placed down on the table. A subscribe button: startagainstudios. The bag is lifted and rotated side to side.
+00:05:11.286-STANDARD
The bag is placed down again. On-screen text: That’s all for today. The hands wave.
+00:05:15.671-STANDARD
The fingers form a heart symbol by pressing the tips of their thumb and index fingers together on both hands. Then both hands wave. On-screen text: Thank you for joining me. See you in my next one.
+00:05:23.029-STANDARD
On-screen text: Thank you for watching till the end! Like, comment, and subscribe for more aesthetic content. Come say hi on Instagram @startagainstudio.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_q_EAcj-WgcA.txt b/raw/validation/gt_ad/output_q_EAcj-WgcA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..906b4ab67e1e95d3214b722c70e24ade3165b747
--- /dev/null
+++ b/raw/validation/gt_ad/output_q_EAcj-WgcA.txt
@@ -0,0 +1,19 @@
+00:00:15.158-STANDARD
John opens a doorway in his workshop using a door handle made from a tomahawk that hangs from the door with the blade embedded in it. Later, he stands by the doorway, made of light brown wood.
+00:01:18.158-STANDARD
John wraps a measuring tape around the narrow cutoff and marks it with a pencil.
+00:01:54.950-STANDARD
John uses a palm router on the cutout before hammering a tomahawk into a cut he made.
+00:02:24.594-STANDARD
John uses his palm router on another cutout. He measures the width of the tomahawk's blade with a right angle ruler, then marks the ruler and the edge of the blade.
+00:02:54.004-STANDARD
John pulls a long strip of metal from a rack of metal strips hanging from a wall.
+00:03:11.057-STANDARD
John uses a table saw to cut the end of the strip. He inserts strip's end into the incision on his cutout. He uses a circle drill bit on the cutout's side to make a hole near the incision.
+00:03:32.013-STANDARD
John positions the end of a welding tool in the cutout's hole before using a machine grinder on the edge of a tomahawk.
+00:03:44.259-STANDARD
John wears a welding mask while using his welding tool on the edge of a tomahawk's blade, sending up sparks.
+00:03:55.702-STANDARD
John uses a grinder tool on the tomahawk's blade's edge before using the welding tool on it again. Later, John inspects the tomahawk, the metal strip's end now fused to it.
+00:04:11.282-STANDARD
A time-lapse shows John using his welding tool on a tomahawk before holding it on the machine grinder.
+00:04:29.995-STANDARD
Later, John stands by his workshop doorway.
+00:05:06.122-STANDARD
John sits on a stool by his doorway and uses the palm router on the places where the door handle will go.
+00:05:23.562-STANDARD
John uses a power drill to widen the incision in a door made by the palm reader, opening it to the door's other side.
+00:05:35.169-STANDARD
John uses a circle drill bit on the edge of a door so it connects to the incision made. He sweeps wood shavings away before holding his tomahawk's blade to the incision of a cutout.
+00:05:49.419-STANDARD
John welds the tomahawk's blade to the doorway.
+00:06:02.130-STANDARD
A subscribe and notification bell graphic appears, then a cursor clicks on each.
+00:06:11.871-STANDARD
John finishes installing the tomahawk door handles.
+00:06:36.594-STANDARD
John drills long screws through the ends of the tomahawk handles and into the doors, fixing them in place. He cuts out small pegs from a wood block with a circle drill bit.
+00:07:01.010-STANDARD
He uses a mallet to tap the pegs into the holes made by the screws. He saws off the excess of the pegs with a bladed tool, then uses a smaller bladed tool to scrape more excess off, making the peg's tops sit flush with the handles.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_qdzP20GAYic.txt b/raw/validation/gt_ad/output_qdzP20GAYic.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7082fb4348b64d1832bd06830c62db91d702e1a9
--- /dev/null
+++ b/raw/validation/gt_ad/output_qdzP20GAYic.txt
@@ -0,0 +1,29 @@
+00:00:11.946-STANDARD
Words appear: "Part One: Material Haul." Jeff takes two bottles of quick drying caulk from a shelf in a store.
+00:00:20.877-STANDARD
He places them in a shopping cart, then grabs a roll of masking tape and a package of drop clothes, wood filler, and two inch eighteen gauge brad nails.
+00:00:31.400-STANDARD
Jeff takes twenty eight foot, one by two primed MDF boards, then brings everything to a black sedan in a parking lot.
+00:00:46.673-STANDARD
Jeff drives down a largely empty road through a desert. He holds the boards in place with one hand.
+00:00:57.895-STANDARD
Later, he stands in a small bedroom with markings for accents on a wall with a window.
+00:01:17.996-STANDARD
Jeff paints an outline around the wall with "Behr's black paint in an eggshell sheen." After, he holds one of his boards by the wall.
+00:01:40.699-STANDARD
"Part Two: Construction." Jeff connects an air tube to an air compressor and brad nailer. He measures a part of a board, then cuts it at an angle with a miter saw sitting on a folding table.
+00:01:54.057-STANDARD
Jeff holds a level to the side of the window, then inserts nails along its side with the brad nailer. He measures the bottom of the window, then inserts nails on its sides and center.
+00:02:06.845-STANDARD
Jeff holds his level to the wall's right side, then inserts the nails along it before repeating the process with the wall's left side.
+00:02:16.436-STANDARD
Jeff holds a stud finder to different places on the wall and marks them.
+00:02:22.856-STANDARD
Jeff carefully aligns boards to where the accent marks show on the wall's bottom and nails them into place.
+00:02:31.864-STANDARD
Jeff slices another board with his saw. A time lapse shows Jeff measure different accent marks with a tape measurer, then cut boards with the saw at various lengths and angles.
+00:02:45.325-STANDARD
Jeff continues to nail in the boards to their places along the accent markings on the wall, steadily moving up from the bottom ones.
+00:02:57.233-STANDARD
Jeff slices more boards and positions them along the uppermost accent marks before nailing them into place.
+00:03:06.345-STANDARD
Words appear over him adding more nails to the accents: "Just adding a few extra nails."
+00:03:14.085-STANDARD
He holds a bottle of wood filler. Words read: "Time to fill all the nail holes. I like using this stuff because you can wipe it smooth and there is no need to sand later."
+00:03:26.446-STANDARD
A time lapse shows Jeff move around the wall and add the wood filler to dozens of spots.
+00:03:33.436-STANDARD
Words appear: "Time to caulk." Jeff places a bottle of caulk into a metal caulk gun and squeezes the trigger lightly, forcing a little caulk from the bottle.
+00:03:45.033-STANDARD
Words appear: "Caulking the edges makes the final product look a lot better." He carefully traces the caulk bottle's tip along the edges of the accent boards on the wall and wipes it smooth with his finger.
+00:04:00.203-STANDARD
Later, Jeff holds a package with an LED light strip. Words appear: "Lighting. I used the govee M one light strips."
+00:04:10.493-STANDARD
Jeff unrolls one of two light strip packages, then adheres them to the sides and top of the wall. He presses a button on a control pad connecting the light to an outlet and multi-colored lights flash around the wall.
+00:04:29.118-STANDARD
Jeff gives two thumbs up to the camera. Jeff slices a board with his saw, then nails it into place along half of the wall's top.
+00:04:41.783-STANDARD
Jeff places the second board over the gap in the wall's top, marks where it should join with the first board, then glues the second borad into place before nailing it in.
+00:04:56.584-STANDARD
Jeff slices more boards, some with their ends at right angles. He kneels on the floor, adds glue to the boards' ends, then affixes them to the sides of the wall before nailing them into place.
+00:05:18.251-STANDARD
Jeff unrolls a long sheet of brown paper below the wall, then uses masking tape to hold it in place. He presses masking tape around the outline of the window before laying a large, canvas sheet below the wall. He pours black paint from a bucket into a container, then begins brushing the black over the accents.
+00:05:44.248-STANDARD
Jeff pours black paint into a rolling tray, then begins rolling the paint on the spaces on the wall between the accent boards. Words appear: "I came back and put a second coat on later."
+00:06:01.353-STANDARD
"Part Three: The Reveal."
+00:06:04.890-STANDARD
Jeff pans his camera over the wall, it and the accents running horizontally and in chevron patterns all black. He taps an icon on his phone and the light strips running around the entirety of the wall's top and side edges shifts from different colors to purple, framing a desk holding a laptop and tablet now in front of the window.
+00:06:25.777-STANDARD
Words appear: "Subscribe." "Full loft makeover coming next."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_qs_-emj1qR4.txt b/raw/validation/gt_ad/output_qs_-emj1qR4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d4daa23913a08d80256855921b3193a431571ea3
--- /dev/null
+++ b/raw/validation/gt_ad/output_qs_-emj1qR4.txt
@@ -0,0 +1,10 @@
+00:00:00.292-STANDARD
A clean-shaven, middle-aged man in a white button up and white cowboy hat holds a trombone on a vast, grassy plain. He eyes the camera and holds a finger to his lips.
+00:00:13.555-STANDARD
He sits on a folding chair, then begins playing.
+00:00:46.714-STANDARD
Several cows appear far away where the horizon meets the top of the plain.
+00:01:09.277-STANDARD
A handful of other cows appear.
+00:01:24.960-STANDARD
Over a dozen more cows join the others in moving a little closer to the man.
+00:01:54.406-STANDARD
One cow moves ahead of the others and cocks its head at the man.
+00:02:22.268-STANDARD
Another dozen cows appear at the horizon and group up with the others.
+00:02:50.129-STANDARD
The massive herd walk closer to the man, their tails swishing around.
+00:03:05.394-STANDARD
The herd stand in a tight group right in front of the man and watch him intently.
+00:03:38.927-STANDARD
Even more cows hurry down the plain the others.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_r6sjXrDo7H0.txt b/raw/validation/gt_ad/output_r6sjXrDo7H0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ccdf145b402d45228e2e7c4ab14d562d2d3859a4
--- /dev/null
+++ b/raw/validation/gt_ad/output_r6sjXrDo7H0.txt
@@ -0,0 +1,37 @@
+00:00:00.626-STANDARD
Words appear over flashing, yellow and teal diamond shaped graphics: "Welcome to Chico Patisserie."
+00:00:08.175-STANDARD
In a kitchen, a cook shows a bowl on a counter holding three cups of flower.
+00:00:14.097-STANDARD
They add three teaspoons of baking powder and one half teaspoon of baking soda to the flower.
+00:00:21.063-STANDARD
The cook adds one half teaspoon of salt to the mix, then spoons it all into a sieve placed over a mixing bowl.
+00:00:29.947-STANDARD
They use a wooden spoon to make a dent in the mix, then they shake and tap the sieve so the mix falls through it into the mixing bowl.
+00:00:39.832-STANDARD
The cook scrambles the mix in the sieve with the wooden spoon, making more fall through into the bowl.
+00:00:48.089-STANDARD
As an optional choice, the cook adds one fourth cup of powdered milk into the remainder of the mixture.
+00:00:57.391-STANDARD
They use the wooden spoon to push the powdered milk enhanced mixture from its bowl into the sieve.
+00:01:08.109-STANDARD
After moving all the remaining mixture into sieve, the cook rapidly shakes it to get the mix into the mixing bowl below.
+00:01:22.250-STANDARD
The cook adds one hundred and twenty grams of butter from a porcelain bowl into the mixing bowl.
+00:01:33.261-STANDARD
They use their hands to rub the flour and butter together until the mixture resembles breadcrumbs.
+00:01:43.896-STANDARD
After finishing, words appear by a thumbs up emoji: "Looks good now."
+00:01:52.905-STANDARD
The cook sets the mixing bowl to the side of their counter.
+00:02:02.164-STANDARD
The cook carefully cracks two large eggs into a blue bowl.
+00:02:09.922-STANDARD
They use a whisk on the eggs.
+00:02:17.721-STANDARD
The cook adds half a cup of white sugar to the eggs.
+00:02:26.063-STANDARD
They use the whisk to stir the sugar into the beat eggs.
+00:02:33.070-STANDARD
The cook pours half a cup of fresh milk into the egg mix, followed by two teaspoons of vanilla essence.
+00:02:44.206-STANDARD
As an optional choice, they incorporate a few drops of yellow coloring.
+00:02:53.173-STANDARD
The cook whisks the egg mix, then slides it to the side of the counter.
+00:03:01.807-STANDARD
They grab the mixing bowl with the flower mix, then use a fork to dig a large hole in its center.
+00:03:10.273-STANDARD
The cook pours the egg mix into the hole in the flour mixture.
+00:03:17.280-STANDARD
They use their wooden spoon to mix until everything is combined, being careful to not overmix.
+00:03:26.540-STANDARD
Once the mixture has become a dough, they put it aside.
+00:03:33.380-STANDARD
The cook places a large, plastic plate on the counter. They sprinkle a thick layer of flour onto the plastic plate, then scoop the egg and flour mixture onto it.
+00:03:50.772-STANDARD
They sprinkle more flour onto the mixture before flattening it with their hands.
+00:04:00.449-STANDARD
The cook uses a rolling pin to further flatten the dough.
+00:04:09.875-STANDARD
The cook stops when the dough is a flat sheet. They press a glass cup to the dough to cut out circles.
+00:04:22.888-STANDARD
The cook places the dough circles onto a greased up baking tray.
+00:04:32.064-STANDARD
They reroll the remaining dough.
+00:04:38.403-STANDARD
Later, twelve dough circles sit in neat rows in the baking tray.
+00:04:45.577-STANDARD
The cook uses a brush to apply an egg was to the tops of the scones.
+00:04:55.296-STANDARD
Words appear: "Great!!! bake in pre-heated oven at one hundred and eighty degrees celsius for twenty minutes."
+00:05:05.513-STANDARD
Time passes. The cook puts down the baking tray on a towel on the counter. The scones inside are now a golden brown.
+00:05:15.565-STANDARD
The cook moves each scone into a blue, porcelain bowl.
+00:05:22.572-STANDARD
The cook shows a scone broken in two; the insides now fluffy and moist.
+00:05:31.915-STANDARD
Words appear: "Thank you for watching." Graphics for subscribe, like, and share pop up below.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rFVpSwgCkCo.txt b/raw/validation/gt_ad/output_rFVpSwgCkCo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..68c5c1aa4025ba778e0d65e86eeb7b933463b04f
--- /dev/null
+++ b/raw/validation/gt_ad/output_rFVpSwgCkCo.txt
@@ -0,0 +1,27 @@
+00:00:00.617-STANDARD
White clouds wreathe immense mountains blanketed with verdant trees. A crystalline, blue ocean glitters with sunlight near them.
+00:00:09.638-STANDARD
A man with a surfboard stands silhouetted by the sun as it hangs just above the ocean.
+00:00:17.205-STANDARD
A parrot perches on a branch in the rain forest. A red-eyed gecko clings to a broad leaf. A light house stands atop a craggy cliff.
+00:00:29.061-STANDARD
Cars cruise up and down the lanes of a highway winding above the rain forest.
+00:00:36.197-STANDARD
A chameleon's eyes dart around while it moves across a branch.
+00:00:41.737-STANDARD
Sunlight flares through the top of a palm tree.
+00:00:46.060-STANDARD
Sunlight washes over the skyscrapers in a city sprawling by the ocean.
+00:00:52.678-STANDARD
People kite surf over perfectly clear water. A man leaps, spins, and deftly lands.
+00:01:01.764-STANDARD
Cars drive up and down a highway running along the edge of the island. The shadow of a mountain eclipses them and fluffy white clouds hang overhead.
+00:01:13.145-STANDARD
The ocean laps at a shore of stone covered with dense clumps of moss.
+00:01:19.936-STANDARD
The setting sun colors the sky and clouds stretching over the mountains pink.
+00:01:26.969-STANDARD
A waterfall cascades down a mountain side covered with tree-veiled folds.
+00:01:34.070-STANDARD
The petals of a bright red flower stand out from the green foliage.
+00:01:40.317-STANDARD
A blue and yellow macaw perches on a branch by a bush of blue flowers.
+00:01:47.962-STANDARD
The wind combs through the leaves of a palm tree.
+00:01:53.157-STANDARD
A speedboat leaves a trail of frothy, white water as it slices through the ocean.
+00:02:00.724-STANDARD
A massive cloud reaching over the city gets painted pink by the low-hanging sun.
+00:02:08.024-STANDARD
A small, white booth stands near picnic tables on a shore. Words on the booth read: "No lifeguard on duty; call nine one one."
+00:02:19.958-STANDARD
The rising sun floods the sky with deep, orange light and silhouettes people on a dock taking pictures of the scenery.
+00:02:29.320-STANDARD
A white macaw looks around while perched on a tree branch. The wind rustles white and yellow flowers around it.
+00:02:37.448-STANDARD
A man with a surfboard walks across a beach while sunlight breaks through clouds and spears the ocean.
+00:02:46.016-STANDARD
A palm tree curves from a shore over the ocean.
+00:02:51.772-STANDARD
Three kite surfers cut through the ocean.
+00:02:56.405-STANDARD
A highway curves around a colossal mountain range, the section between two peaks narrow and ridged with sharp points.
+00:03:05.569-STANDARD
Dusk settles over the city, shrouding the mountains and skyscrapers in darkness.
+00:03:12.205-STANDARD
The sun rises, distant and molten just above the ocean. Golden light spreads from it, shifting into orange and pink as it bleeds through the sky.
+00:03:23.603-STANDARD
Words appear: "A Jacob and Katie Schwarz film. Music by Dear Gravity; 'Reconditioning has to start somewhere.' Copyright twenty twenty two Mystery Box, LLC. All rights reserved."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rJ8MAe8UrwE.txt b/raw/validation/gt_ad/output_rJ8MAe8UrwE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..2e58ef67c902260d2a0a6776488c9a4eb2c34a6c
--- /dev/null
+++ b/raw/validation/gt_ad/output_rJ8MAe8UrwE.txt
@@ -0,0 +1,6 @@
+00:00:00.000-STANDARD
On-screen text: Things that are said to mixed people (things that have been said to me)
+00:00:03.214-STANDARD
A male-presenting person with medium brown skin sits in a chair looking at the camera.
+00:00:09.557-STANDARD
He mimes touching his hair.
+00:03:37.786-STANDARD
On his kitchen counter, he mimes checking out a carton of eggs in a scanner at a supermarket checkout and puts the carton in a tote bag. He looks up and makes a confused face.
+00:04:06.886-STANDARD
On-screen text: Thanks for watching.
+00:04:10.329-STANDARD
A subscribe button.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rV93gM0aEpk.txt b/raw/validation/gt_ad/output_rV93gM0aEpk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..190b680995b1355d6860cf34ec6982c608817fc5
--- /dev/null
+++ b/raw/validation/gt_ad/output_rV93gM0aEpk.txt
@@ -0,0 +1,37 @@
+00:00:00.115-STANDARD
A multicolored square shrinks and glitching lines run through it. Logo: "RR Techs."
+00:00:07.309-STANDARD
The number "one" appears.
+00:00:10.822-STANDARD
The host places a tall candle in a tiny, plastic bowl on a table. They light the wick.
+00:00:18.413-STANDARD
They blow out the candle, then hold the lighter flame to the curling smoke; the wick reignites.
+00:00:26.179-STANDARD
A slow motion replay shows the flame travel from the lighter through the smoke to the wick.
+00:00:34.031-STANDARD
The number "two" appears.
+00:00:38.440-STANDARD
The host positions the candle in its bowl on a green plastic plate.
+00:00:45.968-STANDARD
They pour a measuring cup of water in the plate so it surrounds the candle.
+00:00:53.391-STANDARD
The host places a glass cup over the candle. The water on the plate ripples around the cup.
+00:01:00.290-STANDARD
The flame goes out. The water rises up the glass's interior while the smoke from the wick descends.
+00:01:09.209-STANDARD
A number "three" appears.
+00:01:13.480-STANDARD
The host places two wet, plastic cups on the table. They pour water from a large cup into each plastic one, filling them a little more than halfway.
+00:01:24.403-STANDARD
The host holds a small packet reading: "Fast relief from acidity. Eno. Fruit salt; orange flavor."
+00:01:34.340-STANDARD
They pour powder from the packet into one cup. Words appear over the mixture: "Eno plus water. C O two."
+00:01:44.553-STANDARD
The host holds a lit match over the cup of pure water and the flame continues burning. They hold it over the cup with the mixture and the flame goes out.
+00:01:57.695-STANDARD
The number "four" appears.
+00:02:03.968-STANDARD
The host pours pepper powder from  one metal bowl into another, making a small mound.
+00:02:13.382-STANDARD
The host pours water into the green, plastic plate.
+00:02:19.957-STANDARD
They shake the pepper powder onto the plate. It floats in the water.
+00:02:26.894-STANDARD
Later, the host rubs their finger over a bar of soap. They press their finger into the powdery water and it recedes from them.
+00:02:36.671-STANDARD
The number "five" appears.
+00:02:40.554-STANDARD
The host shows a small, cardboard square, then an empty glass on the table.
+00:02:48.708-STANDARD
Outside, the host pours water into the glass. They press the cardboard square to the opening and turn the glass over. The square stays in place as water soaks into it.
+00:03:01.004-STANDARD
They pull the cardboard away and the water falls out.
+00:03:05.870-STANDARD
The number "six appears."
+00:03:10.651-STANDARD
The host shows the camera a lemon. The lemon sits on the table, now cut in half.
+00:03:19.331-STANDARD
They take a toothpick and dip it into one of the lemon slices before writing on a piece of paper.
+00:03:28.279-STANDARD
The host holds the paper over a lit candle, careful to not let it burn. Letters appear on the appear.
+00:03:38.487-STANDARD
The number "seven" appears.
+00:03:44.214-STANDARD
The host removes the cap from an empty water bottle.
+00:03:50.698-STANDARD
They use a lighter to ignite an incense stick.
+00:03:58.134-STANDARD
The host places the lit end of the incense stick into the water bottle.
+00:04:06.870-STANDARD
Smoke fills the water bottle.
+00:04:12.287-STANDARD
The host withdraws the incense stick, then squeezes the water bottle repeatedly, making smoke rings puff out.
+00:04:23.450-STANDARD
The host squeezes the bottle rapidly and tiny smoke rings fire out.
+00:04:30.847-STANDARD
A rainbow graphic with angel wings behind the word: "Thanks" appears. The word changes to "Like", then to "Comment", before finally "Subscribe."
+00:04:42.748-STANDARD
A graphic of a soldier in dark armor appears beside the words: "Thanks for watching."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rcSFO_FivRI.txt b/raw/validation/gt_ad/output_rcSFO_FivRI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7aefb98d13a4ff60141c6b3a57b086d65947f329
--- /dev/null
+++ b/raw/validation/gt_ad/output_rcSFO_FivRI.txt
@@ -0,0 +1,28 @@
+00:00:00.000-STANDARD
On-screen text: "Welcome to my first vlog." In a montage: a male-presenting vlogger with black hair brushes his teeth, puts on a sweatshirt, then pulls a bike out from the side of a house.
+00:00:10.057-STANDARD
The vlogger gets on the bike. From a shot in front of him, we see him riding along a street lined with palm trees.
+00:00:36.171-STANDARD
At a gym, wearing a mask, the vlogger sits on a weight bench and does a bicep curl with 5-pound weights, pretending to struggle.
+00:00:42.829-STANDARD
He and a friend pose in front of the gym mirror. He then wipes down the bench with a disinfecting wipe.
+00:00:51.671-STANDARD
He and the same gym friend stand by their bikes, and the vlogger gives a thumbs up.
+00:00:54.364-STANDARD
In the home kitchen, he blends a pink-colored smoothie.
+00:00:57.857-STANDARD
He cooks chicken in a pan. On-screen text: "Mm, raw chicken."
+00:01:02.371-STANDARD
My friend wanted to show off his lights. A male-presenting person pulls two rectangular light bricks apart, then starts dancing with them.
+00:01:09.786-STANDARD
The vlogger rolls into his kitchen on a desk chair, showing three different takes.
+00:01:35.214-STANDARD
He smacks himself, and then two more hands come in and smack him.
+00:01:57.171-STANDARD
Driving in the car, looking out the window down a city street, then on the freeway with downtown LA highrises in the distance.
+00:02:15.957-STANDARD
An industrial-looking area under a bridge, looking up at skyscrapers.
+00:02:22.357-STANDARD
Driving in the car again. On-screen text: "Back to the museum." A close-up shot of the vlogger's friend.
+00:02:28.143-STANDARD
On a phone screen, images of sculptures from the Broad museum. On-screen text: "Searching up the art."
+00:02:47.729-STANDARD
A group of young people in t-shirts walk in front of the vlogger's camera, heading towards the front of the museum.
+00:03:03.043-STANDARD
The vlogger and friend go up the escalator inside the museum.
+00:03:05.839-STANDARD
Inside the museum, a modern painting hangs on the wall across from the entrance.
+00:03:09.100-STANDARD
His friend rubs his palm down the painting on the wall.
+00:03:26.371-STANDARD
A pop art painting of a woman with the words "I'm sorry" written underneath.
+00:03:29.857-STANDARD
Walking through the museum, with colorful pop art displayed on the walls.
+00:03:36.105-STANDARD
Andy Warhol's "Single Elvis" painting, showing Elvis holding a gun.
+00:03:39.414-STANDARD
Andy Warhol's "Mao Tse Tung" painting.
+00:03:44.771-STANDARD
More modern art exhibits displayed on the walls.
+00:04:10.314-STANDARD
On-screen text: "He's calling me short."
+00:04:23.314-STANDARD
The vlogger stands in front of a large gray and black abstract painting on the wall. He then stands next to a painting that repeats the word "Please."
+00:04:49.129-STANDARD
They walk through an indoor market with food stalls on either side and neon signs indicating the food options.
+00:05:12.271-STANDARD
On a rooftop with metal tables and chairs, surrounded by skyscrapers.
+00:06:10.871-STANDARD
He waves, then covers the camera lens with his hand. A shot of him eating a giant slice of watermelon on the roof, with towering skyscrapers behind him. On-screen text: "Bye again."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rf_JAeHuh7w.txt b/raw/validation/gt_ad/output_rf_JAeHuh7w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..08b46af233b722e7415c00ca6292d3655ad4e818
--- /dev/null
+++ b/raw/validation/gt_ad/output_rf_JAeHuh7w.txt
@@ -0,0 +1,8 @@
+00:01:16.371-STANDARD
Using a table saw and a ruler, he cuts two long, narrow pieces of wood.
+00:02:13.243-STANDARD
He puts alcohol on a red rag.
+00:02:27.757-STANDARD
He squeezes silicone in a snaking pattern onto one side of a piece of wood.
+00:02:31.971-STANDARD
He places the piece of wood on the bottom edge of a metal tray and presses down.
+00:02:48.671-STANDARD
Using a drill, he drills holes into the wood: two on one side, one on the other.
+00:03:13.286-STANDARD
He uses a larger drill bit to make the holes slightly bigger.
+00:03:59.471-STANDARD
He drills one plank of wood into the wall, placing one hole on each side.
+00:04:20.500-STANDARD
He hangs the tray on top of the wood plank on the wall, and it fits into the divot perfectly, revealing the metal tray hanging.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rjp464tUX1g.txt b/raw/validation/gt_ad/output_rjp464tUX1g.txt
new file mode 100644
index 0000000000000000000000000000000000000000..53ba01263599602862e4f65c917431440ddb2bea
--- /dev/null
+++ b/raw/validation/gt_ad/output_rjp464tUX1g.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
Over a view of water. On-screen text: "Simple. by Jasmine."
+00:00:09.143-STANDARD
A box with the words "Ana Luisa." Then a view of a tree-lined, planked path.
+00:00:40.671-STANDARD
In a park, a female-presenting vlogger with bangs and black and blue hair, wearing gold hoop earrings and a nose ring, rubs moisturizer on her face with her hands.
+00:01:14.543-STANDARD
A close-up of her gold earrings and blue hair in a ponytail.
+00:01:17.842-STANDARD
Holding an eyeliner pencil, she looks at her face in a compact mirror.
+00:01:28.414-STANDARD
A close-up of her face as she looks into the camera.
+00:01:31.057-STANDARD
Lying stomach-down, propped up on her forearms, and looking in her compact mirror, she applies eyeshadow with a brush.
+00:01:36.171-STANDARD
A close-up of her eyelids as she dusts them with brown color.
+00:01:39.357-STANDARD
She uses an eyelash curler.
+00:01:46.929-STANDARD
A close-up of her hands as she takes the mascara wand from the tube and applies it to her lashes.
+00:02:04.700-STANDARD
She brushes bronzer onto her cheeks, then her nose.
+00:02:48.571-STANDARD
She presses her lips together quickly, as if saying "ma ma ma."
+00:02:57.429-STANDARD
She poses in a white tank top, small tattoos visible on her arms.
+00:03:30.114-STANDARD
A shot of white flowering trees blowing in the wind.
+00:04:10.257-STANDARD
She poses with fairly large, thick, triangular gold earrings, which have a bumpy metal texture.
+00:04:15.571-STANDARD
A close-up of the beige zip-up sweater she wears over her tank top.
+00:04:20.286-STANDARD
A shot of the water, then green leaves with small yellow flowers. Then back to her ears as she takes out her earrings.
+00:04:49.500-STANDARD
Sitting on a bench, she writes in a red journal, then models the small gold earrings, which are small circular plates with a scorpion symbol on each. She then lets her blue hair down from its ponytail and poses.
+00:05:05.886-STANDARD
Writing in her journal, simple makeup featuring Ana Luisa.
+00:05:14.000-STANDARD
Over the water, on-screen text: "The End."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rlg5n9UWBG0.txt b/raw/validation/gt_ad/output_rlg5n9UWBG0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..32e003133e1dea2fff5a60946d6757904566a556
--- /dev/null
+++ b/raw/validation/gt_ad/output_rlg5n9UWBG0.txt
@@ -0,0 +1,12 @@
+00:00:02.579-STANDARD
Cristina, a young, black-haired woman sits at the edge of her bed.
+00:00:55.831-STANDARD
Cristina sits in a salon. Her stylist gathers the majority of her hair above her scalp, then uses a clip to keep it in place, leaving a small section dropping from above the base of Cristina's neck. Her stylist uses a flat iron on it.
+00:01:13.179-STANDARD
Cristina's stylist clips the first section of the extension to above the straightened hair.
+00:01:39.860-STANDARD
The stylist segments more of Cristina's hair on the back of her head, then inserts hair extensions into various spots before adhering it with the flat iron.
+00:01:50.834-STANDARD
The stylist removes the clip and the rest of Cristina's hair tumbles down.
+00:01:56.967-STANDARD
The stylist carefully uses her fingers to straighten Cristina's hair and tease knots out.
+00:02:05.119-STANDARD
The stylist gathers a large amount of Cristina's hair and clips it to the right side of her head.
+00:02:13.104-STANDARD
The stylist uses her flat iron to adhere sections of the extensions to the left side of her hair. Cristina stands, then stylist combs her fingers through Cristina's hair.
+00:02:34.864-STANDARD
Words appear: "After." Cristina stands at the foot of her bed with her back to the camera. She shakes her newely lengthened hair.
+00:04:00.023-STANDARD
She turns.
+00:04:05.371-STANDARD
Cristina runs her fingers through her dark, glossy hair, the extensions blended in seamlessly.
+00:05:15.336-STANDARD
Words appear: "Thanks for watching." A youtube graphic sits next to the words: "Cristina Villegas." An Instagram graphic sits next to the words: "Cristina dot villegas." A link to "w w w dot tinavinc dot com" appears.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rltakRYnCLs.txt b/raw/validation/gt_ad/output_rltakRYnCLs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..61fd257ff0388d4609cdada9bb41103e8682e6a7
--- /dev/null
+++ b/raw/validation/gt_ad/output_rltakRYnCLs.txt
@@ -0,0 +1,6 @@
+00:01:14.100-STANDARD
Images flash: The camera rotates while following a white truck driving through a desert covered with craggy rock formations. A red subway races past. The camera swoops low over a narrow, tree blanketed isle.
+00:01:29.133-STANDARD
A man races down a road on a skateboard. Manta rays glide through an ocean. Three people dash across rolling, grassy hills sprawling before looming mountains.
+00:01:40.600-STANDARD
The videos begin glitching.
+00:01:49.400-STANDARD
Words flash: "October seventh. Nova party. The biggest lesson." The man sinks back through water. Images flash of him sprinting through a forest.
+00:02:04.033-STANDARD
He hides in a dense bush.
+00:02:10.566-STANDARD
The man stands on a gloomy beach and stares downward.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rpwklKEv38w.txt b/raw/validation/gt_ad/output_rpwklKEv38w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..4f1933f5a89a88f35545c24fe43acb0b3b818cfa
--- /dev/null
+++ b/raw/validation/gt_ad/output_rpwklKEv38w.txt
@@ -0,0 +1,21 @@
+00:00:02.367-STANDARD
They stand on a boat in a bay in Miami.
+00:00:45.367-STANDARD
Daniel races off.
+00:00:54.600-STANDARD
Yuki watches from a boat as Daniel races around poles and buoys in the bay on his jet boat.
+00:01:03.834-STANDARD
Daniel trails white water as he turns sharply around a pole.
+00:01:14.500-STANDARD
A time appears: "Forty nine seconds."
+00:01:40.700-STANDARD
Yuki zooms through the water on his jet boat.
+00:01:46.800-STANDARD
Yuki grins and pumps his arm while his boat cuts through the ocean.
+00:02:01.000-STANDARD
Yuki accelerates.
+00:02:07.133-STANDARD
Water splashes Yuki.
+00:02:15.400-STANDARD
A time appears: "Forty seconds."
+00:02:24.500-STANDARD
On the boat.
+00:02:46.700-STANDARD
Yuki stands.
+00:02:49.667-STANDARD
Daniel grabs Yuki and jumps into the ocean with him.
+00:02:58.100-STANDARD
Words appear: "The race." Yuki and Daniel race in their jet boats.
+00:03:07.567-STANDARD
Their boats partly skip across the water while they speed around the race course.
+00:03:16.467-STANDARD
White water trails behind both boats while they pick up speed, Yuki taking a narrow lead.
+00:03:27.000-STANDARD
Daniel zooms past Yuki with a huge grin.
+00:03:33.834-STANDARD
They zip around a buoy on the course.
+00:03:39.133-STANDARD
The jet boats jerk them around while Yuki catches up. They race neck and neck.
+00:03:48.333-STANDARD
They speed through the finish line with Yuki inches ahead of Daniel.
+00:04:00.066-STANDARD
Yuki lifts a trophy.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rt-E4QOfvRs.txt b/raw/validation/gt_ad/output_rt-E4QOfvRs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e9825609f04a9128ed84f75377240304d086310d
--- /dev/null
+++ b/raw/validation/gt_ad/output_rt-E4QOfvRs.txt
@@ -0,0 +1,7 @@
+00:01:15.972-STANDARD
Amber shakes a jar in a kitchen.
+00:01:55.765-STANDARD
Amber sits at a table.
+00:04:36.190-STANDARD
Amber lies flat on her bedroom floor.
+00:05:34.095-STANDARD
Amber punches dough in a bowl in the kitchen.
+00:05:45.706-STANDARD
Amber cuts sections of the dough apart on a wooden cutting board. She molds them into spheres, rolls them over breadcrumbs, then bakes two trays of them in an oven.
+00:06:24.385-STANDARD
Amber does a little dance.
+00:06:33.575-STANDARD
Ashley pets a dog.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rvc0CFco2Wg.txt b/raw/validation/gt_ad/output_rvc0CFco2Wg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9f110e04b5d1235457755b61655d674e306a9e8b
--- /dev/null
+++ b/raw/validation/gt_ad/output_rvc0CFco2Wg.txt
@@ -0,0 +1,11 @@
+00:00:00.118-STANDARD
Words appear: "Unruely Productions Presents: Ann Ruel Little Street Pottery. Making and using a textured roller.”
+00:00:12.444-STANDARD
A host holds a ceramic tumbler with two doves painted on it among curling, floral patterns and tall grass.
+00:01:05.581-STANDARD
The host wraps a long string around the ink brayer's roller.
+00:01:20.347-STANDARD
The host snaps the brayer back in place.
+00:01:43.459-STANDARD
They roll the tumbler.
+00:02:07.269-STANDARD
The host uses a needle tool to slice away excess clay of the new tumbler's end.
+00:02:24.651-STANDARD
Later.
+00:02:58.804-STANDARD
The host displays the tumbler.
+00:03:18.908-STANDARD
Words appear: "Check out the Ann Ruel Workship Series at the links below.”
+00:03:27.978-STANDARD
"Awesome music by Bensound. Visit bensound dot com.”
+00:03:34.610-STANDARD
"Copyright twenty twenty; unruely productions."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_rwvpxs_sepI.txt b/raw/validation/gt_ad/output_rwvpxs_sepI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a279d5142c08a006f633b3222b205d1d8160f546
--- /dev/null
+++ b/raw/validation/gt_ad/output_rwvpxs_sepI.txt
@@ -0,0 +1,30 @@
+00:00:10.879-STANDARD
Words appear: "Aplins in the Alps. Episode ten."
+00:01:25.832-STANDARD
"Five minutes later..."
+00:01:48.947-STANDARD
Sunlight flares over the rolling, grassy hills Jana and Brett hike up.
+00:01:54.475-STANDARD
The hills, forests, and mountains sprawl behind Brett.
+00:02:11.422-STANDARD
Jana grins at the camera. Brett pans over a vista of trees covering the hills in patches and craggy, grey mountains reaching toward the blue sky.
+00:02:21.742-STANDARD
They ascend a trail of wooden steps leading up a steep hill.
+00:02:34.497-STANDARD
She stumbles.
+00:02:40.582-STANDARD
Brett pauses and drinks from a hydro flask.
+00:02:44.530-STANDARD
A timelapse shows Brett quickly move up the pale grey stones encrusting a  nearly vertical, grassy hill.
+00:02:52.378-STANDARD
Jana points the camera at herself.
+00:03:00.929-STANDARD
The trail gets steeper and steeper.
+00:03:13.778-STANDARD
They crest a grassy hill, then look out at a massive lake of blue, crystalline water surrounded by colossal mountains.
+00:03:23.186-STANDARD
Jana grins as they crest another hill where several people sit and look out at the vista.
+00:03:38.141-STANDARD
A vast, grassy ridge curves away from them. White clouds hang over its sharp peaks.
+00:03:45.429-STANDARD
Wildflowers sway gently in the breeze at the top of the hill. Light snow covers tightly clustered mountains beyond.
+00:03:54.446-STANDARD
Jana and Brett sit beside each other and take in the view. Later, they descend the trail.
+00:04:21.414-STANDARD
A time lapse shows Brett and Jana rapidly stride up a steep hill ending in a rounded point. Brett appears by the camera.
+00:04:35.338-STANDARD
A tall cairn stands at the top, its edges highlighted by the sun. A Swiss flag flaps on a pole. Clouds wreathe the peaks of the mountains across from them and a city blankets a valley far, far away.
+00:04:49.966-STANDARD
Jana and Brett climb down a ridge.
+00:05:02.610-STANDARD
Later, she ducks under a fallen tree leaning over the side of a slope.
+00:05:10.009-STANDARD
Brett moves under the tree.
+00:05:14.964-STANDARD
They move through a wooden gate and down a narrow, winding path. Later, they pause and look up at the ridges.
+00:05:34.293-STANDARD
They approach an older, well-preserved building made of white and brown wood with a steeple.
+00:05:46.059-STANDARD
The camera pans over the city blanketing the valley and the rivers running through it to nearby lakes. A paraglider sails overhead.
+00:05:55.337-STANDARD
They sit in an outdoor dining area to the side of the steepeled building.
+00:06:04.631-STANDARD
They toast drinks.
+00:06:24.609-STANDARD
"Here's a sneak peek of our next episode!" Janna walks alongside a train.
+00:06:39.877-STANDARD
They grin in their train cabin.
+00:06:44.285-STANDARD
They both toast bottles on their train seats, then drink.
+00:06:49.287-STANDARD
"Thanks for subscribing!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_sc9LVxAZv0k.txt b/raw/validation/gt_ad/output_sc9LVxAZv0k.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ef29acc9ddeba90074a03c78cb2f6f026d8c9b56
--- /dev/null
+++ b/raw/validation/gt_ad/output_sc9LVxAZv0k.txt
@@ -0,0 +1,15 @@
+00:00:39.144-STANDARD
Megan lies on her bed, eyes shut, and swipes her phone.
+00:01:01.107-STANDARD
The photo shows a woman running with a bouquet.
+00:01:51.879-STANDARD
Photos show a gloomy, wooded area.
+00:01:59.633-STANDARD
Megan sets up a camera on a tripod in a wooded area.
+00:02:30.010-STANDARD
Megan holds a bouquet in front of the camera.
+00:03:12.412-STANDARD
Words appear: "Lol." Megan's camera records her running past a tall tree under a gloomy sky with a bouquet of colorful flowers.
+00:03:22.889-STANDARD
Words appear: "Brownie break!" Megan and her photographer smile while eating brownies. Words appear: "Going to our last spot. Exhausted!”
+00:03:34.586-STANDARD
Megan sets up her camera on a dirt road flanked by tall, leafless trees. She runs back and forth in front of her camera with her photographer.
+00:03:47.494-STANDARD
Words appear: "Thank you so much for watching! Here are the results!" Megan waves to the camera while walking through a parking lot stretching toward an apartment complex.
+00:04:00.244-STANDARD
Megan's footage plays: She crouches with the bouquet on a field blanketed with dead leaves and covered with patches of trees.
+00:04:09.470-STANDARD
A stream flows in front of Megan while she smells the flowers. Words appear as she stands: "Blooming Love.”
+00:04:18.323-STANDARD
Megan hurries off toward the tall tree and spins around it with the bouquet.
+00:04:24.312-STANDARD
The camera stays close to Megan's back while she dashes through the wooded area.
+00:04:30.781-STANDARD
Megan runs down a thin, dirt road surrounded by yellow grass and trees. Later, a vignette circles the bouquet while she holds it out in front of her.
+00:04:42.559-STANDARD
Words appear: <"Thank you! Love, Megan. Part two?"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_sgcM0pLgMW4.txt b/raw/validation/gt_ad/output_sgcM0pLgMW4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..33ba2cbcbb727eb0b1b18838e177d9d91c3e0efc
--- /dev/null
+++ b/raw/validation/gt_ad/output_sgcM0pLgMW4.txt
@@ -0,0 +1,32 @@
+00:00:00.166-STANDARD
A host overturns a glass of water, making a little water spill out. He covers the top with a napkin, then flips it over.
+00:00:09.466-STANDARD
Bubbles surge in the water, then the host pulls the napkin away. The water stays in place.
+00:00:16.566-STANDARD
They shake the cup and the water falls out.
+00:00:20.100-STANDARD
Words appear: "But how? Wait a moment!"
+00:00:24.033-STANDARD
The host bundles seven sparklers, then tapes them together.
+00:00:28.600-STANDARD
They pour water into a glass cup on a white table.
+00:00:32.600-STANDARD
The host ignites the sparklers with a candle lighter, making them flare up and sparkle.
+00:00:39.200-STANDARD
The host submerges the burning side in the glass cup. Bubbles churn through the water.
+00:00:45.333-STANDARD
The flames under the water burn up the sparklers.
+00:00:49.466-STANDARD
Words appear: "Walking water." The host fills three glass cups sitting side by side with water.
+00:00:57.566-STANDARD
The host squirts liquid orange dye into one cup, blue dye into another, then red into the third.
+00:01:06.200-STANDARD
Later, an empty glass cup sits between the red and blue dyed cups and another rests between the blue and orange dyed cups.
+00:01:15.266-STANDARD
The host stirs each of the cups with a spoon.
+00:01:19.500-STANDARD
The host holds four paper towels folded into V shapes. They position the first napkin so one has a side in the red dye and its other sits in the empty cup next to it.
+00:01:31.166-STANDARD
The host places the second napkin so one side sits in the empty cup to the left of the blue dyed cup and its other side rests in the blue water.
+00:01:40.566-STANDARD
The host positions the third napkin so one side sits in the blue water and its other side in the empty cup to its right.
+00:01:48.700-STANDARD
The host places the fourth napkin so one side hangs in the empty cup to the right of the blue dyed cup and the other side sits in the yellow water of the other cup.
+00:01:59.300-STANDARD
Over time, the different dyed waters filter through the napkins and into the empty cups. One empty cup fills with purple water and the other fills with green water.
+00:02:11.066-STANDARD
Words appear: "Dancing Grapes." Two tall, glass cups sit side by side. The host fills one with water and the second with soda.
+00:02:21.033-STANDARD
They drop three grapes into each glass. The ones in the water sink while the ones in the soda float and bob up and down.
+00:02:29.433-STANDARD
Words appear: "How many drops fit on a coin?" The host drips water from a needle poked into the cap of a bottle onto a quarter.
+00:02:38.700-STANDARD
Water gradually spreads across the quarter.
+00:02:42.666-STANDARD
The host squeezes out more water drops and the water rises without spilling off the quarter.
+00:02:49.566-STANDARD
After dozens and dozens of drops, the water spills off the quarter. Words appear: "Here is the trick!" The host holds a glass of water upside down and the water remains inside.
+00:03:02.400-STANDARD
The host removes a circle of translucent plastic from the cup's opening and the water spills out.
+00:03:12.300-STANDARD
The host folds the plastic circle into the napkin, then gives a thumbs up. The host rubs a PVC pipe in a microfiber cloth.
+00:03:25.433-STANDARD
They hold the pipe's end to water streaming from a bottle; the water pulls close to the pipe.
+00:03:33.433-STANDARD
The host lifts and lowers the pipe; the water rises and falls with it.
+00:03:42.500-STANDARD
The host holds a large water bottle upside down and unscrews it. A timer ticks up as the water gushes out, reaching fifteen seconds when it empties.
+00:04:04.133-STANDARD
Words appear: "But, if..." The host holds the water bottle upside down and quickly moves it in tight circles.
+00:04:13.266-STANDARD
The host removes the cap and a timer ticks up as the water funnels out. The timer reaches six seconds as it empties.
+00:04:33.533-STANDARD
A graphic reads: "Subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_sjoepLlVL6o.txt b/raw/validation/gt_ad/output_sjoepLlVL6o.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a133a3627f3d86476f7d30e0e460bfe6181f1cce
--- /dev/null
+++ b/raw/validation/gt_ad/output_sjoepLlVL6o.txt
@@ -0,0 +1,16 @@
+00:00:00.000-STANDARD
We see two feet in black shoes. A person sits on the ground. In front of us, a seal inches toward us on its belly. Behind the seal is a clearing, where over 30 penguins walk in shallow water.
+00:00:09.888-STANDARD
The seal continues inching forward, using its arms to press down, lift its body, then plop it back down.
+00:00:18.029-STANDARD
The seal reaches the right shoe, sniffing the sole up and down.
+00:00:28.714-STANDARD
It moves over to smell the sole of the other shoe.
+00:00:34.843-STANDARD
Then, it returns to the first shoe.
+00:00:39.086-STANDARD
It moves to the other shoe.
+00:00:41.186-STANDARD
The seal presses its body down, inching even closer in between the person’s feet, smelling the heels.
+00:00:46.529-STANDARD
It stretches between the shoes to smell the person’s ankles.
+00:00:59.293-STANDARD
The seal pushes itself forward slightly more, then lifts its chest and head.
+00:01:03.643-STANDARD
It rests its chin on top of the toe of the right shoe.
+00:01:09.043-STANDARD
The seal sniffs the left shoe, then places its chin back on the toe of the right shoe.
+00:01:17.986-STANDARD
It smells the left shoe again, then returns its chin to the right shoe’s toe.
+00:01:26.671-STANDARD
The seal lifts its head, then drops it back onto the right shoe's toe, hard. The force turns the person's foot outward.
+00:01:33.343-STANDARD
The seal begins to collapse lower, lying on the toe until its head slips off the shoe.
+00:01:42.934-STANDARD
The seal places its mouth around the toe of the shoe.
+00:01:47.943-STANDARD
The seal releases its mouth from around the shoe and lays on its side.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_tGqVMbAQhBs.txt b/raw/validation/gt_ad/output_tGqVMbAQhBs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a42d5acb6c8405f6b50bf009f67f9a18f8803471
--- /dev/null
+++ b/raw/validation/gt_ad/output_tGqVMbAQhBs.txt
@@ -0,0 +1,7 @@
+00:00:05.867-STANDARD
A beaker shatters.
+00:00:37.066-STANDARD
It breaks and liquid seeps out.
+00:03:23.767-STANDARD
The man wears black, latex gloves as he smashes over a dozen glass beakers on a grey table with a small hammer.
+00:03:48.800-STANDARD
He takes eight beakers from a heap of glass shards. Later, he pours a plastic bucket of shards into a cardboard box filled with more shattered glass.
+00:04:05.634-STANDARD
From across a lab, the man throws the remaining beakers at the open cardboard box. One hits the ground right below it A second bounces off a flap. The third and fourth land inside. The fifth breaks against a drawer behind the box.
+00:04:25.900-STANDARD
The six and seventh fly inside the box and break. The last three land inside or break on the floor. The man flings his hammer at one beaker still mostly whole, obliterating it.
+00:04:42.066-STANDARD
A slow motion replay shows the hammer sail through the room and strike the beaker. Later, the man uses a vacuum on the shards covering the floor.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_tUVaC0jvL40.txt b/raw/validation/gt_ad/output_tUVaC0jvL40.txt
new file mode 100644
index 0000000000000000000000000000000000000000..42b6f2a893247947b3748e4ae6289e7d280a628a
--- /dev/null
+++ b/raw/validation/gt_ad/output_tUVaC0jvL40.txt
@@ -0,0 +1,24 @@
+00:00:00.000-STANDARD
A plastic, sealed package of red meat is removed from a refrigerator shelf and placed on the kitchen island. On-screen text: boneless chuck roast.
+00:00:06.429-STANDARD
One onion, a stalk of celery, and two carrots are placed on the counter. A male-presenting person chops a celery stalk into several small pieces. On-screen text: I like to cut off the ends. The pieces are placed into a small glass bowl.
+00:00:20.029-STANDARD
Another small glass bowl is placed beside it. On-screen text: give the carrots a quick peel. One carrot is peeled with a peeler. On-screen text: then give them a good chop. The other carrot is chopped into several small rounds.
+00:00:35.986-STANDARD
The carrot rounds are placed into the glass bowl.
+00:00:40.339-STANDARD
An onion is shown to the camera. On-screen text: same with the onion. The onion’s ends are cut off, and it is chopped into small pieces, which are placed into another small glass bowl.
+00:00:55.400-STANDARD
A baking sheet is placed on the counter, and the chuck roast is put on it. Salt and various powders are sprinkled on it. On-screen text: be generous with the seasoning.
+00:01:07.567-STANDARD
A red pot is placed on a stove burner. On-screen text: pot roast meal prep. The oven is turned on.
+00:01:14.543-STANDARD
Several small potatoes are poured from a bag into a large glass bowl, then washed by hand in the sink.
+00:01:23.414-STANDARD
The potatoes are chopped into quarters on the wooden cutting board.
+00:01:28.557-STANDARD
He continues chopping more potatoes into quarters.
+00:01:35.643-STANDARD
He places the potatoes into a glass bowl.
+00:01:38.500-STANDARD
He adds oil to the pot on the stove. On-screen text: add some high-heat oil and get a good crust on the roast, both sides. He places the meat in the pot, and the meat sizzles. He flips the meat, then places the browned roast on the countertop. On-screen text: set it aside after that.
+00:01:52.257-STANDARD
In the pan, with the browned bits on the bottom, he adds a little butter, stirs it around, and then adds the onion, carrot rounds, and celery pieces from the glass bowls. He mixes everything together with a wooden spatula.
+00:02:04.614-STANDARD
He crushes a piece of garlic by pressing down on it with his palms, peels it, and uses a garlic press to add it to the pot. On-screen text: give it a nice squeeze with a garlic press.
+00:02:12.486-STANDARD
On-screen text: let that cook for a few minutes. He mixes it all together with the spatula.
+00:02:18.386-STANDARD
He shows a tube of tomato paste to the camera, then squeezes it into the sizzling mixture in the pot.
+00:02:25.585-STANDARD
He mixes it with the spatula as the veggies begin to soften.
+00:02:31.411-STANDARD
He sets the oven. On-screen text: preheat the oven to 350 degrees. On-screen text: I use bone broth because it has more protein. He shakes the carton, then pours bone broth into the pot.
+00:04:07.414-STANDARD
On-screen text: 2 hours later. With the pot on the stovetop, he removes the lid to reveal the pot roast. He adds apple slices, then flips a piece of the meat on top of the apples and pours seasoning called Prep over it. On-screen text: link in description. Use code JEFE for 20% off.
+00:04:20.329-STANDARD
He pours in beef broth, adds more carrots, and closes the lid.
+00:04:26.300-STANDARD
With oven mitts on, he places the pot into the oven. On-screen text: back in the oven for another hour.
+00:04:31.529-STANDARD
He lines up four rectangular glass tupperwares. On-screen text: one hour later. He places the pot on a stand on the table and begins ladling the pot roast into the individual tupperwares.
+00:04:47.243-STANDARD
All of the tupperware containers are now full.
+00:04:51.871-STANDARD
He flips a lid in the air, places lids on all the containers, snaps them shut, then stacks them one on top of the other. He takes a bite from one, raises it to the camera with his fork, and cheers. On-screen text: thanks for watching. Subscribe.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_tY6OHJxFZ2s.txt b/raw/validation/gt_ad/output_tY6OHJxFZ2s.txt
new file mode 100644
index 0000000000000000000000000000000000000000..59da2aa1570577f86be2845ec5b2ab5bbe1245f0
--- /dev/null
+++ b/raw/validation/gt_ad/output_tY6OHJxFZ2s.txt
@@ -0,0 +1,21 @@
+00:00:04.800-STANDARD
In an amusement park, a little girl gets behind the wheel of a red cart on a track. The cart's side reads: "Royal Mail."
+00:00:13.533-STANDARD
The camera person sits behind her. The girl smiles as the cart takes off.
+00:00:28.700-STANDARD
Six buttons glow near the steering wheel. They near a cartoonish statue of a boy playing with a toy train.
+00:00:45.766-STANDARD
The cart continues, passing cameras on a metal stand, then sheep statues grazing on a grassy lawn.
+00:00:54.000-STANDARD
Tall hedges flank the track while the cart progresses.
+00:00:58.266-STANDARD
They approach a statue of an old man with a cane near several sheep.
+00:01:12.800-STANDARD
The girl looks around through the cart's windows while they move down the winding track. They begin to pass a cop raising his hand near two traffic cones.
+00:01:37.300-STANDARD
An arrow points to the left on a sign near the cop reading: "Diversion." The cart moves to the left, then curves to the right.
+00:01:48.300-STANDARD
The cart brings the girl to a man standing by a red helicopter.
+00:02:02.800-STANDARD
The girl look at gears and tools on a table near the helicopter.
+00:02:08.333-STANDARD
The cart lightly jostles the girl and camera person as they progress down the winding track. Other colorful buildings and rides stand to their left just past a white picket fence.
+00:02:20.600-STANDARD
They pass under another track.
+00:02:30.300-STANDARD
They pass by statues of people with painting supplies near a house.
+00:02:37.000-STANDARD
The girl sits up and looks at a sheep the cart moves beyond.
+00:02:43.233-STANDARD
The girl flashes the camera a grin.
+00:02:54.066-STANDARD
The girl waves to a young boy using a phone to record her from the other side of the white picket fence.
+00:03:02.766-STANDARD
The girl passes through a green and yellow mail sorting office.
+00:03:09.100-STANDARD
They start to move past a cop holding two balloons.
+00:03:20.733-STANDARD
The cart slows to a stop behind another cart in the place where they began.
+00:03:27.400-STANDARD
The cart doors open and the girl and camera person get out.
+00:03:43.466-STANDARD
Words appear: "Thank you for watching. Subscribe for more videos." Graphics for Instagram, Facebook, and Twitter read: "Travelshorts." A website URL reads: "w w w dot travelshorts dot com."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_tg_BWkx20hE.txt b/raw/validation/gt_ad/output_tg_BWkx20hE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1cec22f4325ac0ae824387600ea17b5a96e67f15
--- /dev/null
+++ b/raw/validation/gt_ad/output_tg_BWkx20hE.txt
@@ -0,0 +1,5 @@
+00:00:00.757-STANDARD
A young woman with short, brown hair, Morgan, stands by coffee equipment.
+00:04:42.103-STANDARD
Morgan holds a metal pitcher of milk with one hand and a teal, ceramic coffee mug in her other.
+00:04:51.575-STANDARD
Morgan deftly pours the milk into her latte, making twelve rows of curving lines below which she forms a heart-shaped pattern.
+00:05:03.277-STANDARD
She sets the latte on a wooden counter.
+00:08:00.538-STANDARD
Words appear: "See you next week! More videos every day on tiktok."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_uYF40Xzh0XA.txt b/raw/validation/gt_ad/output_uYF40Xzh0XA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..d35d754a54e3388d767e2f171ea33d3cd81f4ba6
--- /dev/null
+++ b/raw/validation/gt_ad/output_uYF40Xzh0XA.txt
@@ -0,0 +1,19 @@
+00:00:00.002-STANDARD
In a car.
+00:00:07.572-STANDARD
Heather points her camera at herself in the back of a moving car.
+00:00:42.804-STANDARD
At the airport.
+00:00:45.977-STANDARD
Heather, a young woman with wavy black hair, and Jay, a young man with black stubble and a beanie, get their boarding passes inside. Later, they sit at a table in a waiting area.
+00:00:58.823-STANDARD
They look at the camera in their airplane seats. Words appear: "Almost missed our flight!!”
+00:01:05.776-STANDARD
Later, she points her camera out of her window as their plane soars over a blanket of white clouds.
+00:01:12.432-STANDARD
Later, in another airport.
+00:02:04.271-STANDARD
A building's sign reads: "Publix Food and Pharmacy." Heather pans the camera over the market's shelves. An employee makes a sandwich at a stand. Later, she sits at a table with a sandwich.
+00:02:47.809-STANDARD
Words appear: "Christmas Eve; Thursday, December Twenty Fourth." Heather and Jay sit in the booth of a restaurant.
+00:03:10.791-STANDARD
"For Christmas Eve we went to church! A Church unlike one I have ever been to; laughing emoji.”
+00:03:21.786-STANDARD
People sing on a red-lit stage in front of a huge crowd. Words appear: "The indoor snow was so cute!" Heather looks up at snow drifting around her and Jay. A group of people dance in unison on the stage.
+00:03:37.218-STANDARD
Heather stands outside in a residential area.
+00:03:49.211-STANDARD
Later, Heather walks a narrow, asphalt path curving through clusters of trees and shrubs.
+00:03:59.313-STANDARD
She zooms in on pink berries on a bush.
+00:04:05.456-STANDARD
Two puppies play in a living room. A teenage boy shows off a large soft dart gun.
+00:04:17.316-STANDARD
The boy shoots at plastic cups.
+00:04:23.834-STANDARD
He blasts the cups down.
+00:04:31.411-STANDARD
Slow motion shows the boy shoot. Later, Heather sits in the backyard with the puppies.
+00:04:53.878-STANDARD
She pets a puppy. Words appear: "Like and Subscribe!”
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_u_a2piuL9Hk.txt b/raw/validation/gt_ad/output_u_a2piuL9Hk.txt
new file mode 100644
index 0000000000000000000000000000000000000000..be2eb7bdb18fe184e060453b4369b6b34b600389
--- /dev/null
+++ b/raw/validation/gt_ad/output_u_a2piuL9Hk.txt
@@ -0,0 +1,55 @@
+00:00:00.000-STANDARD
A door is opened from the outside. Overhead lights flick on, revealing a professional restaurant kitchen. On-screen text: Day in the life of a prep cook (who quit cooking but is now back).
+00:00:06.129-STANDARD
A male-presenting vlogger turns on a coffee machine in the kitchen. On-screen text: Washed Costa Rican roasted by Elysian.
+00:00:10.578-STANDARD
He hangs up his jacket and ties on a green apron. Cauliflower is placed into a pan, then slid into a large oven. A blowtorch is used to ignite a grill pan, which is also placed in the oven. The oven door closes. On-screen text: Getting the time-consuming tasks started.
+00:00:26.171-STANDARD
Coffee is poured into a mug.
+00:00:28.757-STANDARD
Corn and olive oil are added to a large metal bowl on a wooden countertop.
+00:00:34.743-STANDARD
A stick of butter is cut into four pieces and placed into the bowl.
+00:00:39.314-STANDARD
The bowl is placed on the stove. As the butter melts, the corn is stirred with a spatula.
+00:00:46.143-STANDARD
The bowl of corn is set over another metal bowl filled with ice. On-screen text: corn for cornbread.
+00:00:49.900-STANDARD
Milk is poured into a cup on a food scale. A spoonful of baking soda is gently tapped into a yellow and white mixture in a large cup.
+00:00:56.157-STANDARD
A metal kitchen appliance is adjusted.
+00:01:01.000-STANDARD
We see three open cartons of eggs. An egg is cracked into a metal bowl. On-screen text: sous-vide egg yolks.
+00:01:07.110-STANDARD
A runny dough mixture is poured from a small container into a larger container, which already contains dough. The runny substance is mixed by hand into the thicker batch. On-screen text: getting the daily sourdough started.
+00:01:12.514-STANDARD
We see hands peeling, slicing, and finely chopping two onions on a cutting board.
+00:01:18.414-STANDARD
A tray of cauliflower is removed from the oven. On-screen text: After smoking the cauliflower we roast it then cool.
+00:01:23.443-STANDARD
Olives are poured onto a tray.
+00:01:27.586-STANDARD
A blowtorch is used to heat a handheld cast iron grill. On-screen text: My favourite kind of chain smoking.
+00:01:31.729-STANDARD
The smoker grill is placed inside the oven, and the door is closed.
+00:01:34.609-STANDARD
Dough is kneaded inside a large clear container.
+00:01:40.371-STANDARD
Chopped garlic and sliced onions are poured into a pot on the stove.
+00:01:45.495-STANDARD
A blowtorch heats a cast iron pan, which rests on a chopping board. On-screen text: Charred coconut for Pyongyang sauce paired with smoked cauli.
+00:01:52.729-STANDARD
The flame goes out as the contents of the pan are stirred with a fork, then swirled, producing smoke.
+00:01:56.236-STANDARD
A bowl's contents are poured into a pot on the stove. Kneaded dough is folded into a container. The corn mixture is blended in a blender.
+00:02:04.443-STANDARD
Dough is taken from the container and shaped into four round loaves on a wooden chopping block.
+00:02:15.714-STANDARD
Eggs are poured into a metal bowl, followed by flour. The mixture is whisked, then poured into a deep rectangular pan. On-screen text: oven is free so we can finally bake the cornbread.
+00:02:25.243-STANDARD
The pan is placed in the oven, the door is closed, and the oven dial is set.
+00:02:29.671-STANDARD
On-screen text: staff meal. The vlogger eats a spoonful of unseen food.
+00:02:34.771-STANDARD
A creamy liquid is ladled into a blender container. On-screen text: Blending the Pyongyang.
+00:02:43.343-STANDARD
On-screen text: testing gluten-free squash gnocchi. Dough is rolled into long tubes, then chopped into small pieces.
+00:02:51.043-STANDARD
On-screen text: End of Day 1.
+00:02:53.900-STANDARD
In daylight, the vlogger unlocks a door from outside and walks into the restaurant kitchen.
+00:03:01.043-STANDARD
He turns on the oven light and another light in the kitchen.
+00:03:07.373-STANDARD
He removes his sweater in a back prep area.
+00:03:12.271-STANDARD
He places a tray of cauliflower into the oven, lights a fire in the smoker pan, places it on a tray, and closes the oven door.
+00:03:19.729-STANDARD
On-screen text: Baking Sourdough. Two round loaves are placed into deep pans and scored down the center with a knife. The pans, now with lids, are placed into a lower oven.
+00:03:28.857-STANDARD
Powder is added to a large plastic container of clear liquid and mixed.
+00:03:32.543-STANDARD
Dough is transferred into a small bowl and a plastic container.
+00:03:35.307-STANDARD
On-screen text: First with the lid on. The bread, baked in a cast iron skillet with a lid, is uncovered to reveal a risen loaf.
+00:03:41.829-STANDARD
Four golden-brown loaves of bread are transferred onto a tray.
+00:03:50.814-STANDARD
On-screen text: unmolding rosi and vac sealing. Two large stacked trays are pulled apart. A hard substance is scraped from the edges, and a large loaf-like piece is removed.
+00:04:04.757-STANDARD
A long piece is sliced off. A small chunk is vacuum-sealed in plastic and labeled with a marker.
+00:04:14.057-STANDARD
On-screen text: Deseeding chilis and steeping in hot water. Wearing gloves, he chops a chili and removes the seeds, placing them in a bowl.
+00:04:22.471-STANDARD
On-screen text: Yesterday's cornbread. A loaf of cornbread is sliced on a small chopping board.
+00:04:27.229-STANDARD
On-screen text: putting away orders. Mixed greens and heads of lettuce are packed into a large plastic container.
+00:04:33.400-STANDARD
Seeds are poured into a metal bowl, then cooked in boiling water and stirred with a spatula.
+00:04:40.371-STANDARD
The seeds are poured into a large metal baking tin, spread out evenly with a spoon, and sprinkled with salt.
+00:04:46.669-STANDARD
Chilis and seeds are added to a food processor. On-screen text: blending chilis and pumpkin seeds.
+00:04:53.914-STANDARD
A gloved hand mixes an amber, sticky mixture in a large metal bowl, then transfers the mixture into a plastic bag. On-screen text: pumpkin seed asiento.
+00:05:02.661-STANDARD
Garlic is grated into a small plastic bowl.
+00:05:06.700-STANDARD
On-screen text: picking fresh rosemary. Hands pick rosemary from a planter box outside on a windowsill.
+00:05:09.986-STANDARD
Cream-colored cubes and melted butter are added to a food processor. A creamy paste is scooped into four plastic containers using a spatula.
+00:05:20.257-STANDARD
The vlogger labels the containers with a marker, then holds one up to the camera. The label reads: pesto modenese 10/26.
+00:05:26.309-STANDARD
A tray filled with amber-colored, crunchy pieces. He scrapes some off with his fingers. On-screen text: savoury walnut praline.
+00:05:32.843-STANDARD
In a large metal bowl, he breaks up the praline with a small mallet, seasons with salt, and portions it into four small plastic containers lined with paper towels.
+00:05:41.557-STANDARD
He puts lids on the containers and labels them with a marker.
+00:05:46.000-STANDARD
On-screen text: Thanks for Watching. Sneakered feet walk outside.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_uhlEYbGm7fQ.txt b/raw/validation/gt_ad/output_uhlEYbGm7fQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..81446b6868ff327d0d2c3033b55c8f0655635ab8
--- /dev/null
+++ b/raw/validation/gt_ad/output_uhlEYbGm7fQ.txt
@@ -0,0 +1,19 @@
+00:00:06.600-STANDARD
On-screen text: The Things I edit out.
+00:00:11.529-STANDARD
Our female-presenting vlogger sits in a chair and presses a key on a half-open laptop on a table next to her. She presses it again.
+00:00:20.986-STANDARD
She holds nail polish remover in one hand and cotton pads in the other.
+00:00:25.143-STANDARD
She holds up a bottle of nail polish.
+00:00:26.386-STANDARD
She holds a donut.
+00:00:59.500-STANDARD
Sitting in a chair, she laughs.
+00:01:05.586-STANDARD
She looks to the side, wiggling a red marker between her fingers.
+00:01:12.143-STANDARD
She smells a yellow marker.
+00:01:19.071-STANDARD
She looks at something off-screen.
+00:01:29.657-STANDARD
A hand enters the frame with a brush to smooth her bangs.
+00:01:41.143-STANDARD
She sits next to a male-presenting person wearing sunglasses.
+00:01:50.157-STANDARD
A piece of cheese is visible in her open mouth.
+00:02:10.786-STANDARD
With a mud mask on her face, she pats her black lab, encouraging it to jump up.
+00:02:55.029-STANDARD
Sitting at a desk, she feels a piece of paper with her fingers.
+00:03:11.571-STANDARD
She sits with another person.
+00:04:25.500-STANDARD
She takes a sip from a plastic water bottle.
+00:04:35.029-STANDARD
She smells a bar of soap, then hands it to someone off-camera.
+00:04:41.457-STANDARD
She sits with a new person.
+00:04:53.129-STANDARD
On-screen text: @mollyburkeofficial, @mollybofficial
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_ujgwwqfAXvw.txt b/raw/validation/gt_ad/output_ujgwwqfAXvw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e8286e727a966c23463118e239eefcf03bac7d83
--- /dev/null
+++ b/raw/validation/gt_ad/output_ujgwwqfAXvw.txt
@@ -0,0 +1,25 @@
+00:00:00.200-STANDARD
Words appear: "Preview." A large group of young women wear costumes in a living room.
+00:00:08.080-STANDARD
"Bran plus Brit's Bday: Trolls Edition."
+00:00:12.760-STANDARD
A pot on a hotplate sits on a dining table. Inside the pot are noodles, veggies, and meat in broth. The women use chopsticks to plate the noodles.
+00:00:24.400-STANDARD
Words appear: "Welcome! Please Consider Subscribing."
+00:00:29.680-STANDARD
A young woman with tortoise shell glasses sits in a bedroom.
+00:01:25.960-STANDARD
Sarah dresses in a silver body suit.
+00:01:47.000-STANDARD
Rachel poses in her costume, an oversized, red dress with a puffball on the chest.
+00:02:15.640-STANDARD
They enter an apartment.
+00:02:32.160-STANDARD
They sit by a couch.
+00:02:36.280-STANDARD
Words appear: "Meet the Trolls." They all pose in their different costumes: "Branwen as Chenille. Britney as Satin."
+00:02:47.120-STANDARD
"Ami as Cloud Guy." "Fiona as Branch." "Sydney as Biggie and Esther as Mister Dinkles." "Rachel as Smidge. Kimmy as Queen Barb. Carolyn as King Peppy. Sarah as Tiny Diamond. Alvina as King Gristle."
+00:03:04.440-STANDARD
"Cloud Guy gear shift." Sarah and Ami clasp hands and move their arms.
+00:03:13.440-STANDARD
Sydney holds Esther.
+00:03:21.440-STANDARD
They each act out movie quotes.
+00:03:51.480-STANDARD
Alvina dances looking down at the camera.
+00:04:00.760-STANDARD
"Time to recreate this iconic scene."
+00:04:12.520-STANDARD
Rachel hugs her knees.
+00:04:21.600-STANDARD
Rachel kneels.
+00:04:26.600-STANDARD
Rachel suppresses a smile as the others kneel behind her.
+00:04:43.960-STANDARD
Rachel solemnly kneels. Fiona steps behind her, then drops and grins.
+00:05:05.120-STANDARD
Rachel kneels, face heavy. The others drop to their knees or lie on the floor.
+00:05:13.920-STANDARD
Fiona cups Rachel's face.
+00:05:20.360-STANDARD
Words appear before a heart emoticon: "Happy birthday to our lovelies. We love u, Branwen and Britney."
+00:05:28.920-STANDARD
Words appear between a thumbs up graphic and a bell icon: "Subscribe."
+00:05:34.640-STANDARD
An animated ball-shaped cat flies over, bounces on the bell, then 'subscribe', and the thumbs up icon. "Subscribe" turns to "Subscribed."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_utha5bsRFes.txt b/raw/validation/gt_ad/output_utha5bsRFes.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f9e70b6c5050484fef4524d63d3d275168a8eecf
--- /dev/null
+++ b/raw/validation/gt_ad/output_utha5bsRFes.txt
@@ -0,0 +1,15 @@
+00:00:00.588-STANDARD
In a gym.
+00:00:20.031-STANDARD
Later.
+00:01:32.098-STANDARD
Later, Steph, curly-haired and muscular, lies with his chest on a bench raised to a slight incline, then does lateral raises with fifteen pound dumbbells.
+00:01:50.514-STANDARD
Steph grimaces while he does more reps.
+00:02:14.261-STANDARD
Later, Steph records his friend, a young woman with a long beanie, as she sits on the bench and does overhead press with a forty pound barbell.
+00:02:26.490-STANDARD
Steph's friend records him standing in front of a mirror behind a dumbbell rack and doing barbell curls.
+00:02:42.718-STANDARD
Steph moves to a bench, sits at its end, then does overhead press.
+00:02:59.303-STANDARD
Steph's friend walks around him as he does his last reps.
+00:03:17.056-STANDARD
Steph's friend does one arm rows with a bench and dumbbell.
+00:03:25.790-STANDARD
Steph does the rows.
+00:03:30.841-STANDARD
Later, Steph flexes shirtless in front of the gym's bathroom mirror.
+00:03:43.991-STANDARD
In a mall.
+00:04:24.654-STANDARD
A shoe store employee smiles.
+00:04:32.459-STANDARD
Steph and his friend eat pizza at a restaurant.
+00:04:41.707-STANDARD
Later, Steph drives.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_v1zeIrO50mY.txt b/raw/validation/gt_ad/output_v1zeIrO50mY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5921c133f99a8c683bc2da47b2ef8c2f06be8784
--- /dev/null
+++ b/raw/validation/gt_ad/output_v1zeIrO50mY.txt
@@ -0,0 +1,13 @@
+00:00:00.448-STANDARD
Words appear: "Smile and Learn.”
+00:00:10.645-STANDARD
A boy, girl, and cat appear in animation.
+00:00:27.249-STANDARD
Emily and Jay step to a machine.
+00:01:13.101-STANDARD
A time period map appears.
+00:01:25.669-STANDARD
The kids walk through an art studio to a grey-bearded painter.
+00:01:54.043-STANDARD
A picture of the Sistine Chapel appears in a book.
+00:02:08.747-STANDARD
The picture changes to a portrait of Michelangelo.
+00:02:27.953-STANDARD
Another grey-bearded man wearing a black robe appears.
+00:02:42.109-STANDARD
They look at a painting of the Mona Lisa with a mustache.
+00:02:53.571-STANDARD
The book reopens and a picture of the Mona Lisa appears in it.
+00:03:14.217-STANDARD
The picture shifts to Da Vinci.
+00:03:44.444-STANDARD
They walk to Timezor.
+00:03:55.784-STANDARD
Words appear below a winking, cartoon seal: "Smile and Learn." Two graphics read: "Download on the Apple App Store", and "Get it on Google Play."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_v3kNT4QOsMo.txt b/raw/validation/gt_ad/output_v3kNT4QOsMo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..df534ebd78c67c6546a17d10daf6b18e248d908b
--- /dev/null
+++ b/raw/validation/gt_ad/output_v3kNT4QOsMo.txt
@@ -0,0 +1,28 @@
+00:00:00.483-STANDARD
Words appear over a bowl of fresh made pasta mixed with meats and veggies: "Silently Cooking."
+00:00:09.638-STANDARD
The host dumps beans into a bowl of water. A time lapse shows the beans absorb the water.
+00:00:17.411-STANDARD
He blends peeled garlic cloves in a food processor on a kitchen island.
+00:00:23.552-STANDARD
The host washes his hands in a sink, then cuts carrots on a cutting board with a chef's knife.
+00:00:30.928-STANDARD
He dumps the carrot chunks in the food processor, then  dices leek.
+00:00:36.568-STANDARD
He washes them in a bowl of water in the sink, then places the leek on the carrots and garlic and blends.
+00:00:44.980-STANDARD
He scoops the vegetable blend into a large pot on a stove with simmering oil in it.
+00:00:51.687-STANDARD
The host sprinkles salt over the vegetable blend before lowering the heat on the stove.
+00:00:58.718-STANDARD
He pours a moderate amount of olive oil into the mix.
+00:01:04.151-STANDARD
The heat now off, he stirs the vegetable mix with a wooden spoon.
+00:01:10.003-STANDARD
The host takes the bowl of beans and water and pours it into the pot, nearly dumping a small camera in the bowl with it.
+00:01:21.138-STANDARD
He turns the stove temperature up slightly before placing a hunk of red meat in the pot.
+00:01:28.567-STANDARD
He dumps red liquid from a can into a glass bowl, then mixes it by hand before pouring it into the pot.
+00:01:37.748-STANDARD
He lowers the temperature to a simmer and covers the pot with a lid.
+00:01:44.952-STANDARD
Later, the host removes the lid. He pours steaming water from a kettle into the pot. He eats a spoonful of the broth, then covers the lid with a pot again.
+00:01:56.876-STANDARD
The host, a brown-haired, bearded man waves at the camera from the reflection of the pot.
+00:02:04.521-STANDARD
Later, the host lifts a spoonful of the broth with beans in it and shows it to the camera.
+00:02:11.846-STANDARD
He tastes the broth then nods emphatically before covering the pot with the lid.
+00:02:18.360-STANDARD
The host removes the meat chunk with tongs. He pours more water from the kettle into the pot. He cuts up a large amount of kale on the cutting board.
+00:02:30.888-STANDARD
The host places the kale in the pot, covers it with its lid, then slides it to the other side of the stove.
+00:02:39.775-STANDARD
The host places a smaller pot on the burner, then pours water and pasta into it. He sprinkles salt into the water before grating cheese onto the cutting board.
+00:02:51.328-STANDARD
He stirs the pasta, then lets it simmer. He places the large pot on his island and removes the lid.
+00:02:59.430-STANDARD
He pours the pasta and water into a strainer, then drizzles olive oil over it.
+00:03:06.790-STANDARD
The host places a serving of pasta into a bowl, then covers it with ladels of the broth, beans, and kale.
+00:03:16.022-STANDARD
The host covers the food with some of the cheese, then pours more olive oil into it.
+00:03:24.296-STANDARD
The host displays the meal to the camera. Cheese covered orecchiette pasta, beans, and kale float in golden broth.
+00:03:36.514-STANDARD
The host takes a spoonful of his meal and eats.
+00:03:42.985-STANDARD
He takes another spoonful of the pasta and kale, then lifts it to his mouth.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_vH0z6SSxDiA.txt b/raw/validation/gt_ad/output_vH0z6SSxDiA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..10dce60b0a682a47e676ee8944483db9ddb8b504
--- /dev/null
+++ b/raw/validation/gt_ad/output_vH0z6SSxDiA.txt
@@ -0,0 +1,9 @@
+00:00:02.156-STANDARD
Words appear: "How I do my nails." Breanna stands in her bedroom.
+00:01:19.271-STANDARD
Breanna uses the toothpick to carefully push back her cuticles.
+00:01:42.588-STANDARD
She files her long nails.
+00:02:09.167-STANDARD
She carefully brushes the brown polish over the edge of her nail.
+00:03:28.984-STANDARD
Breanna paints the edges of some nails and makes curving stripes on others.
+00:03:41.712-STANDARD
Breanna finishes adding curving stripes across her nails.
+00:04:00.125-STANDARD
She holds a small, clear bottle with a label reading: "Xtreme wear."
+00:04:17.423-STANDARD
Breanna brushes a clear top coat over her nails, making sure to completely cover the brown patterns with an even layer.
+00:04:28.957-STANDARD
Later, Breanna holds out her hand and displays the brown, curving designs on her nails.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_vLkViwZ2IIM.txt b/raw/validation/gt_ad/output_vLkViwZ2IIM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..6c4511e34b6c51cc2f8b253cf1eb0287db9262a5
--- /dev/null
+++ b/raw/validation/gt_ad/output_vLkViwZ2IIM.txt
@@ -0,0 +1,39 @@
+00:00:00.202-STANDARD
A variety of multi-colored, chocolate cake pops stand on a tray, some drizzled with chocolate and some covered with sprinkles.
+00:00:08.815-STANDARD
A host wearing latex gloves cracks two eggs into a glass bowl on a counter. They add sixty five grams of sugar into the bowl.
+00:00:18.003-STANDARD
They use an electric hand mixer to stir the eggs for three minutes.
+00:00:24.190-STANDARD
The host lays a strainer over the glass bowl. They pour sixty five grams of flour and one teaspoon of baking powder into the strainer.
+00:00:34.298-STANDARD
Finally, they add a pinch of salt into the mix, then shake it into the glass bowl.
+00:00:42.154-STANDARD
They use a stirring stick to mix the mixture starting from the center.
+00:00:48.302-STANDARD
The mixture, creamy white dough, thickens. They fold the dough, then add one teaspoon of vanilla and thirty grams of melted margarine.
+00:00:59.674-STANDARD
They pour the dough into a thirty one by twenty three centimeter baking pan covered with parchment paper.
+00:01:08.637-STANDARD
The host spreads the dough evenly in the tray.
+00:01:12.960-STANDARD
The host places the tray in an oven. Words appear: "One hundred seventy celsius for fifteen minutes."
+00:01:22.350-STANDARD
A time lapse shows the dough bake. The host withdraws the tray, then puts it on the counter.
+00:01:30.102-STANDARD
They pull the dough out with the parchment paper its on and sets it on a mesh tray. Words appear: "Cool down for fifteen minutes, then in the fridge for thirty minutes."
+00:01:44.226-STANDARD
They stir the mixture thoroughly.
+00:01:48.735-STANDARD
Later, they crumble the cooled dough into very fine pieces. Words appear: "If you have a mixer you can also use this." They use a standing mixer on the pieces.
+00:02:01.086-STANDARD
"Thirty grams of powdered sugar or icing sugar." They hand mix the crumbled pieces with the sugar in a large bowl.
+00:02:10.565-STANDARD
They place thirty grams of melted white chocolate into the mixture, then mix it again.
+00:02:18.122-STANDARD
The host drops fifty grams of butter onto the mixture, then hand mixes it into the crumbs and chocolate.
+00:02:26.771-STANDARD
Words appear: "The dough needs to be kneaded a lot now."
+00:02:33.498-STANDARD
They knead the dough. Words appear: "The dough is perfect now. It must not be too soft."
+00:02:42.889-STANDARD
They spread a clump of dough and show its texture.
+00:02:50.621-STANDARD
The host rolls the dough on a cutting board into a long  tube. "Roll out the dough to forty centimeters."
+00:02:59.445-STANDARD
The host places a yard stick by the rolled dough, then cuts it into two centimeter pieces with a knife.
+00:03:08.138-STANDARD
They roll each piece into balls.
+00:03:13.379-STANDARD
They dip a stick into a bowl of melted white chocolate, then attatch it to a dough ball.
+00:03:20.849-STANDARD
"Wait fifteen minutes before dipping them to make sure the chocolate has hardened on the stick."
+00:03:28.188-STANDARD
The host dips each dough ball into different bowls of melted chocolate colored pink, white, green, or blue. "Chocolate should be hand warm."
+00:03:38.992-STANDARD
"You can dip in any colors you like."
+00:03:43.069-STANDARD
They stick the cake pop sticks into a large styrofoam block.
+00:03:49.213-STANDARD
Now the cake pops will be decorated.
+00:03:53.582-STANDARD
"Put melted chocolate in a bag and cut a very small hole. You need to spray the lines a little quickly."
+00:04:01.823-STANDARD
The host drizzles white, pink, or brown chocolate from a plastic bag onto some cake pops.
+00:04:09.394-STANDARD
"You can decorate with sprinkles too."
+00:04:13.268-STANDARD
The host dips a cake ball into a bowl of melted chocolate, then drops rainbow sprinkles onto it.
+00:04:20.868-STANDARD
"Let the chocolate dry a bit before you sprinkle on."
+00:04:25.499-STANDARD
"You can also decorate with glitter."
+00:04:29.401-STANDARD
They brush pink sprinkles onto two pink cake pops.
+00:04:34.992-STANDARD
"I hope you've got the urge to make Cake Pops. They taste amazing." The host takes a bite out of a cake pop and displays it to the camera.
+00:04:44.835-STANDARD
"Thank you so much for watching. See you soon."
+00:04:49.728-STANDARD
A graphic reads: "Watch another. Subscribe."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_vTonjR3zDGI.txt b/raw/validation/gt_ad/output_vTonjR3zDGI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..46ac163d063013200395e650debee9079fa7da93
--- /dev/null
+++ b/raw/validation/gt_ad/output_vTonjR3zDGI.txt
@@ -0,0 +1,11 @@
+00:00:40.833-STANDARD
Kennedy poses in brown pants, a cream corsette top, and a floral purse.
+00:01:17.411-STANDARD
She poses in black pants, an olive green sweater vest, and black converse.
+00:01:46.065-STANDARD
She shows off a cream and grey purse.
+00:01:53.197-STANDARD
She poses in orange pants, a white top, and white high top sneakers.
+00:02:16.845-STANDARD
She quickly eats from a bowl.
+00:02:23.018-STANDARD
She mimes catching butterflies.
+00:02:28.857-STANDARD
Kennedy poses in light washed blue jeans, a white tank top, and a green sweater tied around her back.
+00:02:55.259-STANDARD
She shows off white running shoes, yellow purse, and dark sunglasses.
+00:03:04.601-STANDARD
She poses in black boots, a black dress, and a fuzzy, puffy brown coat.
+00:03:45.517-STANDARD
She swings a black purse, then flashes a peace sign.
+00:04:02.743-STANDARD
Words appear by a photo of Kennedy: "Cozy K. Insta and Tiktok is at cozy dot games."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_vWjZt-S3B54.txt b/raw/validation/gt_ad/output_vWjZt-S3B54.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c00746380af866788072c5abc1877d9885d4c604
--- /dev/null
+++ b/raw/validation/gt_ad/output_vWjZt-S3B54.txt
@@ -0,0 +1,11 @@
+00:00:00.000-STANDARD
A diver stands on the beach in a thong and rashguard, holding diving fins and a towel that says “Corona.” She drops the towel and walks toward the ocean. On-screen text reads: “Dive Reflex: a reflex in humans, triggered by immersion in water, that slows the heart rate. Serves to conserve oxygen until breathing resumes.” She swims underwater among a school of fish.
+00:01:20.114-STANDARD
From below, a diver in a wetsuit and goggles swims downward with one arm extended, framed by a circle of light above. He's soon surrounded by jellyfish.
+00:01:28.314-STANDARD
The same diver reaches toward a jellyfish. The scene shifts to a female-presenting diver swimming.
+00:01:44.029-STANDARD
She ascends quickly toward the light at the ocean’s surface. Then she swims beside a massive whale shark, with a school of tiny fish swirling around them.
+00:01:53.371-STANDARD
A montage shows the two divers swimming with the whale shark. Another shark appears nearby, and fish dart all around. The female-presenting diver floats among dozens of jellyfish. Close-ups show a single jellyfish, then many jellyfish moving together.
+00:02:09.543-STANDARD
She swims through large coral formations. Then, from below, we see two divers heading upward, each surrounded by their own shaft of light as they rise toward the surface.
+00:02:20.043-STANDARD
Near the surface, the female-presenting diver swims upward through a school of small fish, then breaks through the water into open air.
+00:02:28.214-STANDARD
She floats on the surface, removing her goggles as rain begins to fall. Another female-presenting diver, and a male-presenting diver, join her. The three float together, faces to the sky, laughing and smiling.
+00:02:37.114-STANDARD
A fourth male-presenting diver joins. The group walks out of the shallow water and onto the beach, later gathering around a campfire with beers.
+00:02:49.386-STANDARD
The divers sit around the campfire. The Corona logo appears above their heads.
+00:02:52.696-STANDARD
On-screen credits: Chelsea Yamase, Josiah Gordon, Lexie Alford, Emmett Sparling.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_voEcLBSk5oQ.txt b/raw/validation/gt_ad/output_voEcLBSk5oQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0d7acb030ccb858299d4e6550466e654e5e15556
--- /dev/null
+++ b/raw/validation/gt_ad/output_voEcLBSk5oQ.txt
@@ -0,0 +1,13 @@
+00:00:12.068-STANDARD
A map shows Saint-Tropez on the coast of France. Vibrantly painted vases sit in a display room.
+00:00:40.794-STANDARD
Stefan stands by one of his sculptures. Subtitles appear from the interviewer and Stefan: "Is it special to spread your art over an entire village?"
+00:00:55.971-STANDARD
"Absolutely! My art comes to where there is life, where is nature, where there are people. It makes its way into everyday life. It can be seen again and again."
+00:01:07.500-STANDARD
"You don't have to go to the elite environment of a museum to experience the art. And you can always have new encounters at different times of the day with different lighting conditions."
+00:01:20.687-STANDARD
The sun reflects on sculptures set up through the village.
+00:02:17.729-STANDARD
"What are your future plans, Mister Szczesny?"
+00:02:25.062-STANDARD
"Well, I have created a foundation - the Szczensy Art Fountation - whose main objective is to build a museum in Saint-Tropez."
+00:02:36.924-STANDARD
"For my own art, but also for the dialogue with other art.. My model is the Fondation Maeght (in Saint-Paul-de-Vence), which is a museum with a library, with concerts, with music."
+00:02:51.212-STANDARD
"In other words, more of a cultural space where my work is also at home. We are in very good spirits about it."
+00:03:00.457-STANDARD
"The city of Saint-Tropez is fully behind me and the new mayor, Sylvie Siri, is very committed and likes the project very much."
+00:03:10.014-STANDARD
A sign reads: "Szczesny Art Project - Grimaud." Another sign reads: "Open Tuesday to Sunday, ten AM to 1PM and four to seven PM. Entry free. Seven men and women stand in the display room filled with the vibrantly painted vases.
+00:03:49.999-STANDARD
The host walks across a ruined, stone chateau.
+00:04:09.066-STANDARD
A blue floral sculpture stands outside the ruins. Later, the host holds her phone out at the top of a cobblestone balcony from which the entire village can be viewed in a sprawling vista.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_vydAnIq4FqE.txt b/raw/validation/gt_ad/output_vydAnIq4FqE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..356ce692cb604db90255ac3c5b89317f118a04f0
--- /dev/null
+++ b/raw/validation/gt_ad/output_vydAnIq4FqE.txt
@@ -0,0 +1,29 @@
+00:00:00.000-STANDARD
A table in a lush green space. A montage begins.
+00:00:02.443-STANDARD
We see hairy forearms and hands opening a can of Sprite..
+00:00:04.786-STANDARD
The Sprite is poured into a blender, which sits on a table and already contains chunks of watermelon. Splashes from two soda bottles, one red and one clear, are added next.
+00:00:17.071-STANDARD
On a tree stump by the river, the finished red mixed drink is added by ladle into a champagne flute next to a mason jar of the same juice.
+00:00:28.928-STANDARD
A Subscribe button with a graphic of a mouse clicking it then a puff of smoke.
+00:00:35.194-STANDARD
On-screen text: Qarpız Kokteyli.
+00:00:39.444-STANDARD
Back on the prep table, the hands use a cleaver to cut across the top of a large watermelon.
+00:00:47.186-STANDARD
The top is pulled off and the hand lightly tosses the cleaver so it sticks in the wood table.
+00:00:56.726-STANDARD
The vlogger scoops out pieces of watermelon with a spoon and place the scoops into the blender.
+00:01:10.069-STANDARD
In a new location by the side of a stream, the vlogger continues to fill the blender with scoops of melon, scraping the empty husk with the spoon.
+00:01:30.018-STANDARD
A full can of Sprite is opened and poured into the blender full of watermelon.
+00:01:40.300-STANDARD
Half a bottle of clear soda is opened and poured into the blender. On-screen text: Sari Kiz.
+00:01:50.324-STANDARD
Then a spritz of a red soda is poured. On-screen text: Qarpiz siropu.
+00:02:08.024-STANDARD
The vlogger cuts a lime with the cleaver, then sticks the cleaver into the wood again and squeezes juice from the half-lime into the blender. On-screen text: Yasil limon (lime).
+00:02:29.640-STANDARD
He vlogger the lid on top of the blender and holds the button to begin blending.
+00:02:42.014-STANDARD
The lid is removed, and he rubs a mint leaf between his fingers and tosses it into the mix. The blender's lid is replaced, and the mix is blended once more.
+00:02:56.082-STANDARD
The vlogger pours a cup of Ice into the Watermelon. On-screen text: "buz".
+00:03:01.326-STANDARD
He places a strainer over the opening of the watermelon then pours the mixture from the blender into the strainer.
+00:03:09.399-STANDARD
At the location by the stream, the vlogger pours the finished mixture into the watermelon and adds a straw.
+00:03:19.545-STANDARD
He adds the removed top of the watermelon and a large leaf on the side for garnish.
+00:03:31.743-STANDARD
He adds a pink straw. Now there is a blue and a pink straw in the finished watermelon drink.
+00:03:36.746-STANDARD
A Subscribe button with a graphic of a mouse clicking to ring the bell then a puff of smoke.
+00:03:48.371-STANDARD
A glass mason jar, a glass champagne flute, and a small cylindrical drinking glass, are placed on a tree stump by the stream and filled with ice.
+00:04:17.943-STANDARD
The watermelon juice is ladled into the mason jar until the jar is full.
+00:04:29.429-STANDARD
The juice is ladeled into the champagne flute and finally the small glass until it's full.
+00:04:43.314-STANDARD
A lime is cut into four wedges, prepped in front of all three full glasses.
+00:04:56.502-STANDARD
The vlogger sticks the cleaver into the stump. One lime wedge is placed on the rim of each glass, with one lime left over.
+00:05:10.129-STANDARD
 He taps a mint leaf in his palm, then ads one to each glass as a garnish.
+00:05:20.043-STANDARD
From the wood stump, the vlogger grabs the champagne flute, taking it with him as he sits by the stream. We see him in full-body view now: male-presenting, wearing a blue collared shirt. He takes a sip of the watermelon drink.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_w5ZXH1VkILY.txt b/raw/validation/gt_ad/output_w5ZXH1VkILY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1c49f9c366b73ab52feb3eb3599d4a404c02214b
--- /dev/null
+++ b/raw/validation/gt_ad/output_w5ZXH1VkILY.txt
@@ -0,0 +1,17 @@
+00:00:07.591-STANDARD
A large, male silverback gorilla lounges in a jungle with other gorillas.
+00:00:17.059-STANDARD
He chews bamboo.
+00:00:25.234-STANDARD
A child gorilla swings from a low-hanging branch and smacks the father gorilla repeatedly as he stoically sits.
+00:00:36.411-STANDARD
The father firmly pushes the child off of him. The child swings away, then swings back to the father and lightly rams his head.
+00:00:52.220-STANDARD
The child drops to the ground. He climbs bamboo, then swings to the father and slaps his face.
+00:01:02.521-STANDARD
The father pushes the child back and the child falls and clumsily rolls through a shrub.
+00:01:13.866-STANDARD
The father moves on, the child in a tree over him.
+00:01:24.167-STANDARD
The child bites the father's back, then playfully rushes off.
+00:01:45.230-STANDARD
The child hops on the father, climbs over him, then slides down his back.
+00:01:52.780-STANDARD
The father calmly sits while the child rapidly spins from a vine near him.
+00:02:03.164-STANDARD
The father leads two children away.
+00:02:15.385-STANDARD
The father cuddles with the children.
+00:02:21.433-STANDARD
The child playfully rolls around.
+00:02:35.781-STANDARD
The child rolls over the father's chest.
+00:02:43.204-STANDARD
The father plays with the children as he lies back.
+00:02:53.214-STANDARD
A female gorilla watches the father and children play.
+00:03:03.309-STANDARD
A graphic by the PBS logo reads: "Subscribe." Images flash of a leopard lounging, then climbing down a tree.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wMTP5O_KZdM.txt b/raw/validation/gt_ad/output_wMTP5O_KZdM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5962409c36951e451221dbcf0a529025cf59b00d
--- /dev/null
+++ b/raw/validation/gt_ad/output_wMTP5O_KZdM.txt
@@ -0,0 +1,8 @@
+00:00:02.771-STANDARD
A male presenting vlogger in a kitchen checks his watch, then looks at the camera with a panicked expression.
+00:00:10.700-STANDARD
He straightens his tie, ties on an apron, and opens the fridge. On-screen text: broccoli salad.
+00:01:45.100-STANDARD
He snaps his fingers and looks around the countertop. The footage loops to create a dance sequence, with added colored lighting effects.
+00:02:02.600-STANDARD
He lifts a bunch of scallions in the air.
+00:03:28.843-STANDARD
He retrieves a fallen spoon from the yogurt mixture.
+00:03:42.229-STANDARD
Using a spoon, he tastes the mixture and nods in approval.
+00:04:14.657-STANDARD
A view from above shows a plastic-wrapped bowl of broccoli salad being carried out the door. At his car, he struggles to open the door, clicks the keys, and tries again. He gets in and places the bowl in the passenger seat, strapping it in with a seatbelt.
+00:04:25.786-STANDARD
He turns on the car. Another shot shows the broccoli salad in the passenger seat. He checks his watch. On-screen text: 16:00 minutes remaining. Then, on-screen text: some time later. He parks, exits the car, and rings a doorbell.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wS-xZPD8hw8.txt b/raw/validation/gt_ad/output_wS-xZPD8hw8.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f2540a8455746636441e3098f30e30a71268a9f9
--- /dev/null
+++ b/raw/validation/gt_ad/output_wS-xZPD8hw8.txt
@@ -0,0 +1,46 @@
+00:00:00.253-STANDARD
Cursive script curved into a circle reads: "Eren Armitage" in the screen's center.
+00:00:07.415-STANDARD
A montage shows the host, Eren, knead clay. They mold the clay into a plate using a pottery wheel.
+00:00:15.996-STANDARD
They show off different freshly finished plates, two beige and one blue. Words appear: "Hello, this is Eren Armitage. I'm a Japanese ceramicist based in Harrogate, UK."
+00:00:29.877-STANDARD
"Today I'm making a flat plate with a standing rim."
+00:00:34.536-STANDARD
"It will be approximately eighteen centimeters in diamater after firing. Using approximately six hundred grams of clay."
+00:00:43.524-STANDARD
Eren kneads clay into a large clump, then molds it on the wheel. "I'm going to show you the throwing and trimming process."
+00:00:53.658-STANDARD
"First, I'm centering the clay by pulling it up and pushing it down."
+00:01:00.666-STANDARD
"Then compressing it with a fist again and again."
+00:01:06.626-STANDARD
Eren uses their fist to push down on the clay lump, turning it into a disc.
+00:01:14.081-STANDARD
"To create an even disc shape."
+00:01:18.934-STANDARD
"Both arms are on knees to stabilize hands."
+00:01:24.292-STANDARD
"By repeatedly compressing the clay I can avoid cracks on the bottom (like S cracks) at the drying stage."
+00:01:35.047-STANDARD
Eren gently and precisely presses down on the spinning disc-shaped clay, making a rim appear around it.
+00:01:44.812-STANDARD
"Considering shrinkage, I'm throwing approximately twenty centimeters diameter."
+00:01:53.004-STANDARD
Eren gently presses on the plate with a rib tool, making small, concentric circle-shaped ribs appear on the plate.
+00:02:04.555-STANDARD
"Opening up to the desired width. Using a rib to flatten the surface."
+00:02:13.097-STANDARD
"Making a wall slowly."
+00:02:18.358-STANDARD
Eren pinches the rim of the plate, making the shape more pronounced.
+00:02:25.988-STANDARD
"Neatening up the standing rim with a rib."
+00:02:31.093-STANDARD
Eren presses the rib on the outside of the rim while the plate rapidly spins.
+00:02:38.626-STANDARD
Eren presses the rib to the plate's center, smoothing it out.
+00:02:44.877-STANDARD
"Removing excess water with a sponge."
+00:02:49.342-STANDARD
Eren lightly presses a sponge to the plate as it spins.
+00:02:54.642-STANDARD
Eren uses a pointy metal tool on the plate's bottom to carve out a strip all around it. Eren measures the plate with a ruler, showing it to be about twenty centimeters.
+00:03:06.989-STANDARD
"Neatening up the edge with fingers." Eren pinches the plate's rim as it spins.
+00:03:13.473-STANDARD
Eren lifts the plate from the wheel. The following day, they pull a plastic sheet off of six plates on a wooden table.
+00:03:22.053-STANDARD
"Once the plate is leather hard. I take it off from the batt like this. There is a tip at the drying stage by the way. Cracks could appear if I don't dry it slowly."
+00:03:33.468-STANDARD
"After throwing these plates yesterday, I left them to dry for four to five hours as it is then put a cover. It depends on the season and weather."
+00:03:43.583-STANDARD
"Keeping an eye on it while drying."
+00:03:47.388-STANDARD
Eren places a plate in the middle of three clamps positioned on a circular, wooden table.
+00:03:54.939-STANDARD
The table spins the plate and Eren uses a handheld scraping tool to shave the rim. "Neatening up the lip first."
+00:04:04.355-STANDARD
Eren stops the spinner, then turns the plate over and positions it in the middle of the clamps.
+00:04:12.023-STANDARD
Eren sets a small pad on the plate's center. They press on the pad and spin the plate again, then use the tool to shave the outer rim of the plate's back.
+00:04:23.943-STANDARD
"Trimming the bottom."
+00:04:27.166-STANDARD
Clay shavings fly off the plate as Eren trims its rim.
+00:04:34.523-STANDARD
Eren pulls off the pad, then rubs the plate with their finger.
+00:04:42.677-STANDARD
Eren gently drags the trimmer tool from the plate's center to its edge. Concentric circle-shaped ridges appear on the plate.
+00:04:55.237-STANDARD
Eren does the same motion two more times.
+00:05:02.731-STANDARD
"Applying the ripple design to the bottom."
+00:05:08.768-STANDARD
"It appears on almost all of my work."
+00:05:15.213-STANDARD
Eren gently rubs the plate as it stops spinning, a pattern like rippling water now carved into it.
+00:05:24.765-STANDARD
Eren uses a bladed tool to carve their name into the center of the plate's back in the shape of a circle. "Adding maker's mark."
+00:05:34.899-STANDARD
Eren brushes shavings from the plate, then lifts it off the spinner. "Trimming is done."
+00:05:46.605-STANDARD
Eren shows off the completed plates. One is speckled white, and another sand colored. Eren displays one colored with streaks of different shades of ocean blue.
+00:05:58.505-STANDARD
Eren stacks four more ocean blue plates onto the first.
+00:06:03.708-STANDARD
"Thank you for watching. Erenarmitage dot com. Instagram: at e r e n underscore a r t e."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wXx8S1las8E.txt b/raw/validation/gt_ad/output_wXx8S1las8E.txt
new file mode 100644
index 0000000000000000000000000000000000000000..8cab4d7c7bca577572a45adebd5d520135d5d5c7
--- /dev/null
+++ b/raw/validation/gt_ad/output_wXx8S1las8E.txt
@@ -0,0 +1,22 @@
+00:00:00.000-STANDARD
A plastic Starbucks cup. A sticker with a drawing of a face is placed on top of the Starbucks logo.
+00:00:17.786-STANDARD
Honey pours down from a spoon over a tin of honey. A blender cup is then placed on a blender. On screen, the text "Home Café by Charlie" appears.
+00:00:24.785-STANDARD
On screen, the text "Meanwhile at Starbucks" appears. A barista pumps three pumps of simple syrup into a blender jug, then places the jug inside the blender. The caramel-colored, icy mixture is poured into a plastic cup.
+00:00:35.657-STANDARD
Whipped cream has been added to the top of the drink, and hands squeeze caramel drizzle over the whipped cream. The drink is placed in a paper bag and pushed through a delivery window.
+00:00:43.714-STANDARD
A close-up of the caramel drink, with a little bit of the drink missing.
+00:01:15.686-STANDARD
A montage begins. Coffee drips from the top of an espresso machine. The vlogger sits, laughing with two friends. The Starbucks and homemade drinks sit side by side on the table, both mostly drunk, a metal straw in each.
+00:02:13.214-STANDARD
Through a pipette, he tries squeezing thick caramel through and onto the sides of his plastic cup, but it barely comes out, leaving just a little bit of caramel around the inside of the cup.
+00:02:23.371-STANDARD
He drizzles thinner caramel onto whipped cream.
+00:03:09.000-STANDARD
He pours a milk-like, caramel-colored, textured mixture into a plastic cup with an animation of a face. Using a pipette, he adds whipped cream to the top.
+00:03:26.829-STANDARD
He drizzles caramel on top of the whipped cream.
+00:03:35.414-STANDARD
A side-by-side comparison of the Starbucks cup next to the homemade Frappuccino.
+00:03:41.057-STANDARD
A male-presenting friend sits behind both cups, with labels facing away from him. He takes a sip of the Starbucks drink, closing his eyes.
+00:03:51.129-STANDARD
He takes the homemade one and sips it.
+00:04:14.214-STANDARD
The words "Winner" appear next to the homemade Frappuccino.
+00:04:37.171-STANDARD
He sips the Starbucks drink.
+00:04:47.614-STANDARD
He sips the homemade one.
+00:05:15.629-STANDARD
On-screen text: "Thanks for watching. patreon.com/homecafe." He puts a lid on his Frappuccino.
+00:05:20.986-STANDARD
He holds up an espresso.
+00:05:26.686-STANDARD
He uses a pipette bag like a sock puppet on his hand.
+00:05:31.414-STANDARD
Sitting silently at the table.
+00:05:37.657-STANDARD
The sticker of the face ink is running.
+00:05:49.243-STANDARD
He points to the cup.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wfA8Q7vmGag.txt b/raw/validation/gt_ad/output_wfA8Q7vmGag.txt
new file mode 100644
index 0000000000000000000000000000000000000000..c3e18d67e3f6343d9c1d54d2ce5cb8877d259e1c
--- /dev/null
+++ b/raw/validation/gt_ad/output_wfA8Q7vmGag.txt
@@ -0,0 +1,6 @@
+00:00:20.009-STANDARD
She shows a small, gift-wrapped package.
+00:00:40.122-STANDARD
The woman carefully pulls off a red ribbon on the package, revealing "Louis Vuitton" written on its side in gold.
+00:00:52.759-STANDARD
She opens it.
+00:01:01.268-STANDARD
She withdraws a small pouch patterned with brown and tan checkers.
+00:03:05.946-STANDARD
She slips everything into her pouch.
+00:04:23.067-STANDARD
The woman drops in several coins into her new pouch. She tucks in a golden carabiner clip attachment inside the pouch, then zips its golden zipper.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wjLNqlMtbzc.txt b/raw/validation/gt_ad/output_wjLNqlMtbzc.txt
new file mode 100644
index 0000000000000000000000000000000000000000..9be4e023b727652b92c4c02e1d61eb339a759780
--- /dev/null
+++ b/raw/validation/gt_ad/output_wjLNqlMtbzc.txt
@@ -0,0 +1,9 @@
+00:00:00.453-STANDARD
"A new study has discovered that fifty three species previously considered non-vocal do in fact use vocal communication."
+00:00:10.532-STANDARD
"This includes the South American lungfish."
+00:00:15.061-STANDARD
"A reptile endemic to New Zealand, the tuatara."
+00:00:20.210-STANDARD
"A limbless amphibian called a 'Cayenne caecilian.'"
+00:00:25.192-STANDARD
"And fifty species of turtles including the spot-legged wood turtle."
+00:00:30.976-STANDARD
"All fifty three studied species had acoustic capabilities that range from chirps and clicks to more advanced sounds."
+00:00:40.654-STANDARD
"Findings were combined with data on eighteen hundred species of choanates vertberates - lung posessing vertebrates."
+00:00:48.883-STANDARD
"Researchers concluded that acoustic communication began in nose-breathing vertebrates about four hundred and seven M Y A."
+00:01:03.090-STANDARD
Credits appear.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_wseH_gYONV4.txt b/raw/validation/gt_ad/output_wseH_gYONV4.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7e27734a4240f9a991f5d355fe938f8dd0b3b790
--- /dev/null
+++ b/raw/validation/gt_ad/output_wseH_gYONV4.txt
@@ -0,0 +1,20 @@
+00:00:01.120-STANDARD
Words appear: "My very simple every day autumn makeup routine."
+00:00:08.640-STANDARD
A young, white woman sits at a table in a white room. On the table sits a small vase of orange roses leaning on a thick book, an empty glass bottle beside it.
+00:00:21.560-STANDARD
She gathers her long, brown hair on top of her head and clips it into place. She grins at the camera.
+00:00:34.280-STANDARD
A small vial sits on her table. Words appear beside it: "HD Studio concealer in O three N Y X."
+00:00:44.160-STANDARD
She uses the vial's brush to apply the concealer to her face. She uses a brush to smooth it over her skin.
+00:00:52.520-STANDARD
A white vial sits on her desk. Words appear: "Haloscope Highlighter in Moonstone. Glossier." She applies it to her face.
+00:01:02.160-STANDARD
A powder container sits on her desk. Words appear: "One heck of a blot" pressed powder. Soap and Glory." She brushes it onto her cheeks under her eyes.
+00:01:14.120-STANDARD
An eyeshadow tube sits on her desk. Words appear: "Lock it eyeshadow primer in light. Kat Von D." She brushes it onto her eyelids.
+00:01:25.200-STANDARD
A brown tube sits on her desk. Words appear: "Brow mascara in O four chocolate. N Y X." She applies it to her eyebrows, making them a darker brown.
+00:01:38.160-STANDARD
Words appear: "Chocolate bar eyeshadow palette. Too faced." The pallete sits on her desk and she applies the orange color to her eyelids with a brush, then two reddish brown colors over that. She uses a brown color just below her eyes.
+00:01:55.000-STANDARD
She uses a dark color from the palette as an eyeliner.
+00:02:00.320-STANDARD
A black tube sits on her desk. "Endless silky eye pen in black cocoa. Pixi by Petra."
+00:02:09.320-STANDARD
She applies the eye pen to her lashes.
+00:02:14.360-STANDARD
Words appear: "Amazonian clay blush in exposed. Tarte." A circular blush container sits on her table. She uses a large brush to apply it to her cheeks, giving them a soft red color.
+00:02:29.680-STANDARD
A white tube and black tube lie on her desk. Words appear by the white: "Stellar gaze waterproof in stardust. Pacifica." "Volume plumping mascara in black. Elf." Appears by the black tube.
+00:02:46.400-STANDARD
She carefully applies the makeup to her eyelashes, darkening them.
+00:02:53.720-STANDARD
She removes her hairclip, letting her hair tumble to her shoulders before adjusting it and grinning.
+00:03:08.040-STANDARD
The young woman looks into the camera and flashes another grin. She lifts a white coffee mug with a bicycle on it it and drinks.
+00:03:25.120-STANDARD
Words appear: "Thank you for watching. X X. Music: "Cynicism, by Bella Porter."
+00:03:37.520-STANDARD
"Stay Brilliant."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_x3VlKYxihVM.txt b/raw/validation/gt_ad/output_x3VlKYxihVM.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e23a9dc57776fd8f1d53609a0a02df2c89d5ad66
--- /dev/null
+++ b/raw/validation/gt_ad/output_x3VlKYxihVM.txt
@@ -0,0 +1,34 @@
+00:00:00.125-STANDARD
Words appear over a home office decorated with potted plants: "Uncomfy Studio Vlog: Found Footage Edition."
+00:00:08.425-STANDARD
A date appears over a young woman with large, red glasses: "November fifteen, twenty twenty three."
+00:00:35.452-STANDARD
The woman, Tammy, shows cute animal character keychains.
+00:01:14.033-STANDARD
Words appear while she works on her magnets: "As the title of this video suggests, I found this footage on my hard drive from months ago. I originally wasn't going to post this, but I look at past Tammy and how hard she worked."
+00:01:29.798-STANDARD
"And even though nowadays I'm striving to have a less toxic relationship with productivity, I can still be proud of myself, and that this footage deserves the light of day."
+00:01:40.601-STANDARD
She works on a PC at a standing desk.
+00:01:57.576-STANDARD
Words appear: "I probably spend thousands on shipping labels each month."
+00:02:04.292-STANDARD
A small, fluffy, brown puppy scampers to her. A very long line of shipping labels leave a printer."
+00:02:13.174-STANDARD
Tammy gathers the labels, then points to her printer.
+00:02:24.185-STANDARD
Later, Tammy plays with her puppy by throwing a squeaky toy past a dining table in her kitchen.
+00:02:31.235-STANDARD
She chases her puppy around her apartment while sunlight streams through large windows in her office.
+00:02:56.677-STANDARD
A time lapse shows Tammy at her standing desk stamping the flaps of numerous large, cardboard envelopes; the stamp reads: "Love. Uncomfy."
+00:03:07.355-STANDARD
She organizes some envelopes, then stamps more and more.
+00:03:14.362-STANDARD
Tammy shows three little keychains of cute, cartoonish animals.
+00:03:19.240-STANDARD
She shows an art print with a cartoon plant character that has flowers sprouting from its head. Her signature covers the print's bottom right corner.
+00:03:29.043-STANDARD
Later, Tammy lifts a small, floating display case.
+00:04:08.082-STANDARD
She displays her keycap, blue with a tiny blushing frog on its top, in its case.
+00:04:14.922-STANDARD
Tammy drops a cardboard envelope onto her floor among over two dozen others.
+00:04:20.886-STANDARD
A time lapse shows Tammy pack the envelopes into paper shopping bags.
+00:04:26.516-STANDARD
Later, she enters her apartment through a front door and tension leaves her body as she smiles. Her puppy hops over to her.
+00:04:39.071-STANDARD
Her puppy jumps up and down by the office.
+00:04:42.950-STANDARD
Tammy lies on a bed in another room.
+00:05:00.300-STANDARD
Tammy draws black curtains over two windows in her bedroom as her puppy leaps onto the bed.
+00:05:07.391-STANDARD
Tammy gets under her covers and puts on an eye mask. She lies inert while her puppy licks its paw.
+00:05:14.648-STANDARD
"After my nap. Breakfast at two PM." Tammy prepares a bowl of cereal at her kitchen counter. She eats at her dining table while watching a TV.
+00:05:26.326-STANDARD
Later.
+00:05:44.553-STANDARD
Her puppy, Winnie, lounges by a table she sits at on a sunny balcony. She dips a tea bag into a mug, then writes in a journal by several books on her table.
+00:05:57.107-STANDARD
"I remember feeling so grateful at this time because the sun was out."
+00:06:10.662-STANDARD
Wearing headphones, Tammy sinks into a hot tub in her apartment's outdoor lounge. Later.
+00:06:40.775-STANDARD
"For the rest of the night, I read my romantasy." Tammy turns on lamps around her office and living room, then light strings over a couch.
+00:06:50.451-STANDARD
She reads a book under a blanket on the couch by a man on his phone, Winnie on their legs. "Thank you for giving me the chance to post this vlog."
+00:07:00.921-STANDARD
She shows the book's cover, its title reads: "Kingdom of the Wicked."
+00:07:07.052-STANDARD
Words appear by a smiley face emoticon: "I'll see you soon."
+00:07:13.308-STANDARD
The words: "Love, Uncomfy." appear over a black background.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_x4BPv-DwELg.txt b/raw/validation/gt_ad/output_x4BPv-DwELg.txt
new file mode 100644
index 0000000000000000000000000000000000000000..54b4005192ad39c9e6a9f625d1c1b8bf88430830
--- /dev/null
+++ b/raw/validation/gt_ad/output_x4BPv-DwELg.txt
@@ -0,0 +1,4 @@
+00:00:00.163-STANDARD
A time lapse shows hundreds bustle through Grand Central Terminal. Jason Das, Fakulty, Stretching, walks through with a woman.
+00:00:47.116-STANDARD
Frane Belleville van Stone, Fakulty, Stretching, ascends a staircase with Jason.
+00:00:54.049-STANDARD
They enter an electronics store with an apple logo and sketch on display tablets. Later, they sit against a wall in the terminal and sketch parts of the terminal on tablets.
+00:03:26.957-STANDARD
Their final sketches appear, Jason's abstract and colorful, and France's crisp with few colors. "Jason and France teach at Sketchbook Skool."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_x6jNC4L0eeo.txt b/raw/validation/gt_ad/output_x6jNC4L0eeo.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1f99df2d13aa0b781756ade5188ca1eb15463913
--- /dev/null
+++ b/raw/validation/gt_ad/output_x6jNC4L0eeo.txt
@@ -0,0 +1,15 @@
+00:00:01.327-STANDARD
Images flash of Alana in Los Angeles.
+00:00:14.561-STANDARD
A Nicki Minaj meme flashes.
+00:00:17.986-STANDARD
A photo of saltines flashes.
+00:00:42.904-STANDARD
Later, Alana sits in the middle seat of an airplane aisle.
+00:00:59.631-STANDARD
Outside LAX.
+00:01:14.234-STANDARD
She removes her facemask.
+00:01:17.669-STANDARD
In their room.
+00:01:50.873-STANDARD
Words appear: "Pulling a prank on sis."
+00:02:22.996-STANDARD
She dances.
+00:02:31.113-STANDARD
A photo flashes of her with a stitch in her cheek.
+00:02:47.272-STANDARD
They eye a plastic dog sculpture.
+00:02:56.977-STANDARD
At the Pink Taco.
+00:03:00.353-STANDARD
She bites a big taco.
+00:03:10.121-STANDARD
In their room.
+00:04:45.465-STANDARD
Alana dances wildly on her hotel bed. Words appear: "Here's an interpretive dance. Thank you guys sm for watching. Love you all."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_xRc4tvnyMyE.txt b/raw/validation/gt_ad/output_xRc4tvnyMyE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f57e3afc8761f2d8f275595f321e926f8a1cb292
--- /dev/null
+++ b/raw/validation/gt_ad/output_xRc4tvnyMyE.txt
@@ -0,0 +1,20 @@
+00:00:00.000-STANDARD
A snowy woodland.
+00:00:04.143-STANDARD
A small tan and black bird perches on a snow-covered tree trunk, then takes flight.
+00:00:08.529-STANDARD
A deer scratches its ear with its hind leg.
+00:00:12.100-STANDARD
A bird with a red head, tan body, and blue-striped feathers pecks the bark of a tree with its beak.
+00:00:20.414-STANDARD
A red bird with black feathers around its beak hops from one thin branch to another.
+00:00:28.771-STANDARD
The red bird's beak twitches, then stills as the bird looks around.
+00:00:33.314-STANDARD
The red bird and a yellow bird perch on separate branches.
+00:00:36.775-STANDARD
A white bird with gray feathers perches on a different branch and shakes its head.
+00:00:41.814-STANDARD
The white bird on the branch chirps and looks around quickly.
+00:00:49.271-STANDARD
A black and tan bird on a red branch turns around before flying off.
+00:00:54.286-STANDARD
A black and white bird takes flight from a branch.
+00:00:57.800-STANDARD
A red bird with black feathers around its beak looks around quickly.
+00:01:06.543-STANDARD
A gray bird hops from one branch to another.
+00:01:10.486-STANDARD
A squirrel nibbles on the snow.
+00:01:21.543-STANDARD
A gray and brown striped bird pecks at the snow, foraging.
+00:01:35.507-STANDARD
The same bird hops through the snow.
+00:01:40.643-STANDARD
A red bird and a gray bird look around them before flying up from the snowy ground.
+00:01:47.257-STANDARD
A white bird with a black head and gray feathers pecks at a branch.
+00:01:56.114-STANDARD
A red bird with black feathers around its beak looks around from a branch.
+00:02:06.886-STANDARD
A deer turns to the camera and stares as the video fades to black.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_xdgeTX4ipjw.txt b/raw/validation/gt_ad/output_xdgeTX4ipjw.txt
new file mode 100644
index 0000000000000000000000000000000000000000..5d7ebd63a9001658ac3b7814fe989179e418a183
--- /dev/null
+++ b/raw/validation/gt_ad/output_xdgeTX4ipjw.txt
@@ -0,0 +1,16 @@
+00:00:02.133-STANDARD
In a dark room, a man in a bed takes a phone from a nightstand. The screen light shines over his clean-shaven face.
+00:00:10.906-STANDARD
A title appears: "Married Life."
+00:00:14.254-STANDARD
The husband turns on his nightstand lamp, then gently wakes his wife, beside him under the covers.
+00:00:21.365-STANDARD
The couple makes their bed.
+00:00:24.160-STANDARD
In a kitchen, the man pours two cups of coffee, then brings them to his wife, reading a book on a couch in their living room.
+00:00:32.608-STANDARD
In a home office, the couple work on laptops. They tape papers onto a wall before high-fiving.
+00:00:41.599-STANDARD
The wife leaves as he takes a call. The wife stares at a pile of clothes on their bedroom floor. The husband stares at numerous beauty products covering a bathroom sink.
+00:00:53.257-STANDARD
The husband pedals on a stationary bike as his wife writes on a paper on a dining table.
+00:01:00.410-STANDARD
Montage: they put on different shoes and head out of their apartment.
+00:01:18.910-STANDARD
Later, the wife slices potatos, onions, and carrots on a cutting board in the kitchen.
+00:01:25.977-STANDARD
She stirs the veggies into a stew in a pot.
+00:01:31.258-STANDARD
The husband steps into the kitchen and they kiss. The couple pray at the dining table before eating.
+00:01:37.816-STANDARD
Later, they watch a basketball game.
+00:01:42.968-STANDARD
The husband shoots to his feet and pumps his arm while his wife claps. He sits back down and she leans against him and shuts her eyes.
+00:01:52.692-STANDARD
He rests his head on hers and smiles softly.
+00:01:58.215-STANDARD
Words appear: "A Matt Byrn Film."
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_y73onU_6AyA.txt b/raw/validation/gt_ad/output_y73onU_6AyA.txt
new file mode 100644
index 0000000000000000000000000000000000000000..ff35c2c7603b2f6d5d3f80f9b9d7c9a9855cf8e0
--- /dev/null
+++ b/raw/validation/gt_ad/output_y73onU_6AyA.txt
@@ -0,0 +1,8 @@
+00:00:59.692-STANDARD
At a dining table.
+00:01:52.258-STANDARD
Catherine spreads glue over two square wood pieces, then presses them against the divide between two pushed together planks.
+00:02:59.630-STANDARD
Nails in the outline of a shamrock stick out from the board's center.
+00:03:30.278-STANDARD
A timelapse shows Catherine tie the green yarn around the shamrock nail outline. She ties the yarn's ends into a knot at the shamrock stem.
+00:03:41.621-STANDARD
A time lapse shows her weave the spool of yarn through the nail outline in criss-crossing patterns.
+00:03:53.054-STANDARD
Gradually, the yarn fills the space between the shamrock outline.
+00:04:14.270-STANDARD
Later, the white-painted wooden board leans against a wall between a picnic basket with "F and M" painted on it, a porcelain cat kettle, and a vase of pink flowers.
+00:04:26.257-STANDARD
Catherine focuses her camera on the shamrock pattern in the board's center, made from criss-crossing, dark green yarn.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_yQSeNzaa96c.txt b/raw/validation/gt_ad/output_yQSeNzaa96c.txt
new file mode 100644
index 0000000000000000000000000000000000000000..92b942c1dc63d49c3013df9f32ee9a61903b6a89
--- /dev/null
+++ b/raw/validation/gt_ad/output_yQSeNzaa96c.txt
@@ -0,0 +1,10 @@
+00:00:00.000-STANDARD
On screen, the text "Miter Saw Basics" appears. A person stands in front of an electric saw with several tools stored and hanging on the wall behind him.
+00:00:10.286-STANDARD
Four wooden boards.
+00:00:58.086-STANDARD
On screen, the text "Cross Cuts" appears.
+00:01:40.329-STANDARD
The person puts on safety glasses and lowers the saw. He brings it close to the edge of a wooden plank, about six inches from the end. The saw cuts straight through the wood.
+00:01:58.229-STANDARD
On screen, the text "Miter Cuts" appears.
+00:02:26.843-STANDARD
Putting on his safety glasses, he brings the saw down onto a thin plank of wood. This time, instead of cutting straight, the saw is positioned at an angle.
+00:02:42.457-STANDARD
On screen, the text "Bevel Cuts" appears.
+00:03:19.543-STANDARD
He puts on his safety glasses and lowers the saw onto the wood. This time, the saw is angled, cutting into the side of the plank at a sharp angle, rather than just cutting straight down from above.
+00:03:38.043-STANDARD
On screen, the text "Compound Cuts" appears.
+00:04:15.171-STANDARD
He places his safety glasses on and lowers the blade into the wood. This time, the blade enters at an angle, cutting both across and into the wood at an angled approach.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_yRe-7t3JTIY.txt b/raw/validation/gt_ad/output_yRe-7t3JTIY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f76580b6a26f93931f1bf5ed784e8c6ca76eb629
--- /dev/null
+++ b/raw/validation/gt_ad/output_yRe-7t3JTIY.txt
@@ -0,0 +1,6 @@
+00:00:00.346-STANDARD
The words "Paddy and Scott's" appear below a graphic of a coffee cup with wings.
+00:00:07.447-STANDARD
A male host lifts coffee beans from some piled on a desk. He pours the ground beans into a press. Fesh coffee fills a mug. It vanishes.
+00:02:11.989-STANDARD
A time lapse shows Scott and Max take turns preparing cups of coffee with the oracle, placed on a kitchen island.
+00:02:21.611-STANDARD
They begin sipping from their mugs.
+00:03:12.010-STANDARD
Words appear: "Directed by Henry Russell. Music by Safakash. Produced by H Russell Media. Subscribe."
+00:03:22.381-STANDARD
A graphic reading: "H Russell Media Productions" appears over a black and white photo of a misty mountain range.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_z0l0ABfyhwY.txt b/raw/validation/gt_ad/output_z0l0ABfyhwY.txt
new file mode 100644
index 0000000000000000000000000000000000000000..1bfad16d5bea10ff620f69c840268448498c18e8
--- /dev/null
+++ b/raw/validation/gt_ad/output_z0l0ABfyhwY.txt
@@ -0,0 +1,7 @@
+00:00:18.810-STANDARD
The host plays a video. In it, a woman sighs in an office cubicle as a man reads a newspaper headline: "Taylor Swift Breaks Revenue Records with Eras Tour."
+00:02:04.840-STANDARD
A psychedelic-themed bus parks outside the Blackstone office building. Employees emerge from it wearing vivid, groovy clothes.
+00:03:02.048-STANDARD
The host wipes vomit from his mouth.
+00:03:14.355-STANDARD
He vomits again.
+00:04:10.243-STANDARD
The other man vomits by the host.
+00:04:16.746-STANDARD
Words appear above and below a picture of the host: "Good Work. Subscribe.”
+00:04:23.152-STANDARD
"Please send all defamation-related emails to goodwork at morning brew dot com. Happy holidays!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_z1TrISgwKmQ.txt b/raw/validation/gt_ad/output_z1TrISgwKmQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..83008fb985126a06b496b44569ff74cf29564332
--- /dev/null
+++ b/raw/validation/gt_ad/output_z1TrISgwKmQ.txt
@@ -0,0 +1,8 @@
+00:01:32.271-STANDARD
Liquid trickles out of the spout.
+00:01:47.786-STANDARD
A black cylindrical object is shown.
+00:02:52.614-STANDARD
A hand removes a mug of coffee and a notepad from a wooden surface. A logo appears: a coffee cup with wings.
+00:03:12.800-STANDARD
Seen from above on a table: a cylindrical coffee press, a cup of coffee, a bottle of vodka, a notepad, coffee pods, and scattered coffee beans. The words: "Happy Drinking. A movie by Henry Russell. Produced by HRussellMedia. Music by Safakash. Music by Gareth Donkin. Made for Paddy and Scott's.
+00:03:30.571-STANDARD
Hands remove the items from the table--starting with the coffee cup, then the notebook, pen, coffee pods, and the coffee press packaging--leaving several coffee beans behind.
+00:03:50.629-STANDARD
A handheld vacuum arm moves in to clean up the coffee beans until the surface is clear.
+00:04:24.791-STANDARD
The camera is picked up. Our view moves back gradually as the camera is carried. We see the full desk--a large table surrounded by chairs, with a coffee machine and assorted coffee-related items on it.
+00:04:35.414-STANDARD
A logo appears: HRussellMedia Productions.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_zWJXx3Kqq9I.txt b/raw/validation/gt_ad/output_zWJXx3Kqq9I.txt
new file mode 100644
index 0000000000000000000000000000000000000000..dde3d60a81215b71ae5ea207a2dd2bb0e3f58f24
--- /dev/null
+++ b/raw/validation/gt_ad/output_zWJXx3Kqq9I.txt
@@ -0,0 +1,22 @@
+00:01:01.831-STANDARD
Katherine pans her camera across the entrance of the house. A broad, brick archway curves around the front doorway, red with frosted windows. The house, enormous, two-storied, and made partly of cobblestone, has two wings that stretch from the entrance.
+00:01:20.021-STANDARD
Opposite of the front doors sits a doorway that leads to a brick patio and courtyard. A brass chandelier hangs over the foyer.
+00:01:29.242-STANDARD
Sunlight streams through several huge windows that line a broad room with a torn-up floor and empty fireplace flanked with two recessed bookcases.
+00:01:40.696-STANDARD
Katherine passes windows that peer at an empty, stone fountain in the back patio.
+00:01:47.762-STANDARD
A bay window sits at the end of a large, wood-panelled room with a torn up floor.
+00:01:54.674-STANDARD
A fireplace sits in another huge room with a bare floor and windowed doorway.
+00:02:01.274-STANDARD
Down a hall covered with floral wallpaper lies a massive bathroom. A vanity mirror stretches over a long counter near a big bathtub sitting below a bay window.
+00:02:13.504-STANDARD
A counter with a sink in it lines a wall opposite to the vanity mirror.
+00:02:20.435-STANDARD
Past a small walkway near the sink counter, light shines through a small window in a large, walk-in shower.
+00:02:29.151-STANDARD
An unfurled house plan sits on the wooden floor of a broad room with white moulding, three large windows, and pale blue walls.
+00:02:39.246-STANDARD
She points to a quarter bathroom beside a wooden staircase on the bottom floor.
+00:02:46.216-STANDARD
Sunlight shines through large windows and a windowed doorway running along the wall of a vast room with a cobblestone fireplace and wooden mantle.
+00:02:56.369-STANDARD
In a broad kitchen, an induction stove and small sink sit on the top of a wooden kitchen island.
+00:03:03.532-STANDARD
White-tiled counters with a larger sink stretches around the kitchen under wooden cupboards.
+00:03:10.346-STANDARD
Several windows hang in the wall of a room with a combination writing desk and bookcase and walk-in closet.
+00:03:18.752-STANDARD
A washer and drier sit pressed against the wall of a narrow room with a small sink and numerous wooden cabinets.
+00:03:27.974-STANDARD
Katherine points her camera up the staircase, its center stripped of carpeting.
+00:03:35.525-STANDARD
She moves upstairs and into a lavender room with a large closet partitioned by a sliding, wooden door and adjoining full bathroom.
+00:03:45.892-STANDARD
Katherine moves through another, similar room and into its adjoining, Jack-and-Jill bathroom. A big bathtub sits in the large space across from a counter with a sink and long mirror behind it.
+00:04:00.161-STANDARD
She moves through another doorway in the Jack-and-Jill bathroom to a second room adjoining it with a corner window and white walls.
+00:04:09.848-STANDARD
Katherine moves to the brick patio and pans over it and the parts of the house surrounding it. She moves through a gap in a stone balustrade across from the fountain and into a sprawling backyard with concrete covering the ground, lounge chairs, well-maintained shrubs, and small trees.
+00:04:29.319-STANDARD
She pans to the left over the lounge chairs and to a doorway leading back into the house.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_zX4Jnm4Rx9g.txt b/raw/validation/gt_ad/output_zX4Jnm4Rx9g.txt
new file mode 100644
index 0000000000000000000000000000000000000000..584f4df5494f24a77c70f731ac9433fa553b79cd
--- /dev/null
+++ b/raw/validation/gt_ad/output_zX4Jnm4Rx9g.txt
@@ -0,0 +1,27 @@
+00:00:00.668-STANDARD
A small, empty aquarium tank sits on a wooden desk in a room. Words appear by the tank: "Ten by ten by ten inches or sixteen pint thirty nine liters."
+00:00:14.348-STANDARD
A person pours three large pitchers of coarse sand into the tank.
+00:00:23.732-STANDARD
They use a handheld, wooden tool with a flat edge to smooth out the sand so it evenly covers the tank's bottom.
+00:00:37.204-STANDARD
The person sets down a seiryu stone in the tank, it reaches about halfway the wall it rests against.
+00:00:53.804-STANDARD
They position another slightly smaller seiryu stone beside the first so together they make a diagonal wall.
+00:01:09.695-STANDARD
The person adds two more pitchers of coarse sand to one side of the stones, then smooths it over with the wooden tool so it makes a slight hill.
+00:01:29.214-STANDARD
The person squeezes a tube of instant gel glue onto the side of the larger stone.
+00:01:43.604-STANDARD
They place a grown "coin leaf" or "Anubias barteri" onto the glue so it decorates the rock.
+00:01:56.491-STANDARD
The person squirts glue onto the side of the second rock and affixes "petite", or "Anubias nana" onto it.
+00:02:11.673-STANDARD
The person uses their pitcher to fill the tank with water. They use their wooden tool to minutely smooth out more of the sand on the hill's bottom.
+00:02:26.688-STANDARD
Later, the person holds a cluster of "lucky bamboo", or "Dracaena sanderiana" over a crafts cutting mat. They use scissors to cut at red plastic bands holding the bamboo together.
+00:02:42.997-STANDARD
They pull apart the bamboo stalks, nearly two dozen of them, then divides them into three piles.
+00:02:51.588-STANDARD
The person holds up one stalk. Words appear: "Select healthy stalks, and trim the roots a bit." They use their scissors to lightly trim reddish-brown roots spreading out from the stalk's bottom.
+00:03:07.354-STANDARD
"This will encourage new root growth and help the plants get established in the tank."
+00:03:19.366-STANDARD
The person places each bamboo stalk along the tank's back wall.
+00:03:32.713-STANDARD
Words appear over the tank while they place smaller plant stalks near the bamboo: "Hygrophila difformis."
+00:03:45.475-STANDARD
They use tweezers to carefully adjust some of the smaller plants.
+00:03:52.774-STANDARD
Words appear by a large lamp positioned over the tank: "Nine watt (or eight hundred and ten lumin), six thousand five hundred K LED bulb."
+00:04:04.578-STANDARD
The lamp shines down over the tank, illuminating the bright green leaves of the bamboo stalks as they protrude from the water.
+00:04:14.963-STANDARD
Words appear: "Water change: one thousand milliliters daily." The person removes a pitcher's worth of the water, then pours in water from a water bottle.
+00:04:26.349-STANDARD
"DIY Aquarium fertilizer: Macro is four drops daily, micro is one drop daily." They squeeze four drops of liquid into the water from a dropper.
+00:04:38.528-STANDARD
Time passes and words read: "Day fourteen." The plants grow considerably.
+00:04:45.660-STANDARD
An arrow points at a brown patch on one leaf of the coin leaves. "Brown algae, or Diatoms."
+00:04:54.295-STANDARD
On day twenty one, the person uses tweezers to gingerly place two yellow and black horned nerite snails onto the first rock.
+00:05:06.140-STANDARD
They dip a water-filled cup into the tank with a male halfmoon butterfly betta fish inside. The violet and white fish swims into the tank, passing the snails as it moves around its new aquarium.
+00:05:20.862-STANDARD
On day twenty eight, the betta fish swims around the tank with flowy, fluttering fins, the plants now a little more grown and the snails moved around on the rock.
+00:05:32.624-STANDARD
Words appear: "Thank you for watching!"
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_zdpxBdtBL4w.txt b/raw/validation/gt_ad/output_zdpxBdtBL4w.txt
new file mode 100644
index 0000000000000000000000000000000000000000..7d4405428da0631386392ab18f39d6563ffe8a05
--- /dev/null
+++ b/raw/validation/gt_ad/output_zdpxBdtBL4w.txt
@@ -0,0 +1,29 @@
+00:00:00.400-STANDARD
A host pours three egg yolks from a small bowl into a large bowl.
+00:00:08.033-STANDARD
They add a pinch of salt, one hundred fifty grams of sugar, then use an electric hand mixer to whisk it until its creamy.
+00:00:22.333-STANDARD
The host pours in one hundred fifty grams of plain yogurt, then whisks it with the electric hand mixer.
+00:00:34.934-STANDARD
The host pours in one tablespoon of oil.
+00:00:48.367-STANDARD
The host uses the electric hand mixer to blend the ingredients in the bowl.
+00:00:59.900-STANDARD
The host holds a sieve over the bowl, then pours two hundred grams of plain flour into it.
+00:01:09.634-STANDARD
They shake the sieve so the flour pours through it into the liquid mixture below.
+00:01:17.767-STANDARD
The host adds six grams of baking powder.
+00:01:23.767-STANDARD
They incorporate one teaspoon of vanilla extract.
+00:01:30.533-STANDARD
They use a whisk to thoroughly mix the ingredients.
+00:01:37.734-STANDARD
The host uses their electric hand mixer to further blend everything by moving the whisks in slow circles around the bowl.
+00:01:50.266-STANDARD
The host dumps ten grams of cocoa powder into a small, glass bowl.
+00:01:58.567-STANDARD
They place one teaspoon of instant coffee into the bowl.
+00:02:04.967-STANDARD
They add in two tablespoons of warm water.
+00:02:11.767-STANDARD
The host uses a spoon to mix the cocoa, coffee, and water. They stop when the mixture is a creamy, brown liquid. They let some drip from the spoon into the bowl.
+00:02:25.266-STANDARD
The host pours one third of the first mixture, the batter, into a black bowl.
+00:02:33.500-STANDARD
They add in the cocoa mixture.
+00:02:38.634-STANDARD
Using a spoon, the host stirs the mixture. The brown of the cocoa mixture swirls into the creamy white of the batter.
+00:02:49.600-STANDARD
The host finishes stirring the cocoa mixture into the batter, making it light brown.
+00:02:56.600-STANDARD
The host pours the batter into a twenty one by eleven by six centimeter baking tray with a parchment paper liner inside.
+00:03:06.000-STANDARD
They pour the remainder of the white batter onto the brown.
+00:03:13.100-STANDARD
They sprinkle dozens of white chocolate chips onto the top layer of white batter.
+00:03:21.033-STANDARD
The host bakes the batter at one hundred seventy degrees celsius, or three hundred and thirty eight degrees fahrenheit, for thirty five to forty minutes.
+00:03:32.100-STANDARD
Words appear over the finished product: "So soft and nice cake!"
+00:03:40.600-STANDARD
The host uses a knife to cut a slice off of the cake, its top golden brown and embedded with the white chocolate chips.
+00:03:52.300-STANDARD
The host displays the slice to the camera, its top and middle fluffy and white while its bottom layer is moist and brown.
+00:04:04.400-STANDARD
The host breaks off a chunk, then eats it.
+00:04:09.467-STANDARD
The host cuts apart another slice on a plate, eating the chunks as they go. Words appear over the cake, now cut up into slices: "Thank you for watching!"
+00:04:22.567-STANDARD
The word "Subscribe" appears by a smiley face.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_zjSDhkFWKj0.txt b/raw/validation/gt_ad/output_zjSDhkFWKj0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..cb6604e382817ba4b60ab89ab52af6b1bb2cad70
--- /dev/null
+++ b/raw/validation/gt_ad/output_zjSDhkFWKj0.txt
@@ -0,0 +1,27 @@
+00:00:00.300-STANDARD
Words appear: "Back Surfing With Cali and Garrett. Week Two hundred twenty four. Home in Hawaii." A shirtless man in trunks carries a green longboard across a lawn with a young boy in tow holding the board's leash.
+00:00:15.866-STANDARD
Later, they sit cross-legged in a home gym.
+00:00:23.066-STANDARD
The man, Garrett, inhales deeply.
+00:00:29.366-STANDARD
Garrett clasps his hands and the boy, Cali, copies him. Garrett lies on his belly and Cali clings to the his back.
+00:00:48.766-STANDARD
Cali holds on as Garrett does quick push ups. He shows Cali how to do push ups.
+00:01:05.766-STANDARD
Cali lies on a practice board.
+00:01:20.466-STANDARD
Cali pops up on the board, then stumbles. He tries again.
+00:01:44.966-STANDARD
The video shows them surfing on different days. Cali holds onto Garrett's back as he paddles through the ocean on his board.
+00:01:54.966-STANDARD
Cali says: "Dad, remember I was a cute baby?"
+00:02:21.533-STANDARD
The early morning sun hangs low over the horizon as Garrett paddles out with Cali holding onto his neck.
+00:02:32.100-STANDARD
Garrett pushes up off the board and kicks forward.
+00:02:37.866-STANDARD
Other surfers coast around them as Garrett sits up and surveys the ocean with a big grin.
+00:02:45.566-STANDARD
Garrett gives another surfer a thumbs up. Garrett says "You ready? Hold on tight, buddy!"
+00:02:55.766-STANDARD
Garrett pops up on his board while he catches a wave, Cali holding tight. He says: "Are you feeling okay?" Cali grins and says: "Yeah!"
+00:03:08.366-STANDARD
Fluffy white clouds hang in the blue sky as Garrett grabs another wave. Cali's legs dangle as he clings to him.
+00:03:19.033-STANDARD
Beaming, Garrett hops up on his board and speeds along the wave, hand tracing the barrel.
+00:03:27.833-STANDARD
Garrett crouches low on the board with Cali on his back. Water surges over the board and splashes his face.
+00:03:38.133-STANDARD
Garrett balances on his board while riding a curling wave. Water streams from them and he puffs his cheeks as he gapes.
+00:03:48.400-STANDARD
Garrett rides away from the wave and grins while sticking his tongue out. They drop off the board.
+00:03:56.500-STANDARD
Garrett casually swims back to the board, Cali still holding on to him. Garrett says: "I got you safe! Are you okay?" Cali says: "We went inside the barrel."
+00:04:13.433-STANDARD
Garrett paddles through the ocean on the board.
+00:04:22.466-STANDARD
The sun shines bright as Garrett rapidly paddles with Cali clinging to him. A wave rises over them and Garrett pops up, then slices along it.
+00:04:36.300-STANDARD
Grinning, Garrett surfs clear of the wave, then sits and straddles the board. Cali grins broadly while the wind blows through their hair.
+00:04:49.566-STANDARD
Garrett squats low on his board and speeds along a wave. It curls away and Garrett lowers himself back down. Cali says: "That was the best we've had."
+00:05:09.866-STANDARD
Words appear: "Reminder: The ocean can be very unpredictable. Please be mindful as you surf and adventure together with the people you love. Take care. From Garrett."
+00:05:27.066-STANDARD
The flares over waves lapping at a stony shore near the side of a house lined with thin palm trees.
+00:05:37.033-STANDARD
Words appear in rainbow colors: "The Bucket List Family." Garrett walks across the lawn with his board held over his head and Cali holding onto his back.
\ No newline at end of file
diff --git a/raw/validation/gt_ad/output_zokw_sMeVqQ.txt b/raw/validation/gt_ad/output_zokw_sMeVqQ.txt
new file mode 100644
index 0000000000000000000000000000000000000000..a84996de4c95680488dbab868cfe8d9ba19f95b3
--- /dev/null
+++ b/raw/validation/gt_ad/output_zokw_sMeVqQ.txt
@@ -0,0 +1,36 @@
+00:00:00.000-STANDARD
A sheer window curtain in a dark room. On-screen text: VLOG: A Quiet Odyssey."
+00:00:02.200-STANDARD
We see the back of a female-presenting vlogger as she opens the curtains to bring in the light. Then slides open the window.
+00:00:10.900-STANDARD
A sheer floor lantern light. On-screen text: Please turn on captions in video settings for English subtitles. On screen is Portuguese writing.
+00:00:16.857-STANDARD
We see the vlogger's torso and legs as she lounges on a bench with books behind her. She's wearing light jeans, a brown belt, and a black and white striped tee, reading a book. Subtitles: I'm Maria. Im from a small town close to Lisbon, Portugal.
+00:00:27.157-STANDARD
Close up of a row of books, page-side facing out. Subtitles: I like the smell of books. And I've always wanted to be a writer.
+00:00:36.486-STANDARD
Close up of shrimp being grilled. Subtitles: I love to cook.
+00:00:41.343-STANDARD
Close up of butter melting in a pan. Subtitles: Especially when it's for friends.
+00:00:47.954-STANDARD
Two black and white photos of a smiling baby. Subtitles: My niece is the love of my life.
+00:00:54.429-STANDARD
A child's colorful stick-figure drawings. Subtitles: I love her drawings. And I keep them all.
+00:01:02.771-STANDARD
She cleans up a child's colorful play tent from the floor. Shots of a toy school bus and toy baguette. Subtitles: Because of her, I have the messiest living room in Portugal. But whenever I look at it, I can't help but smile.
+00:01:14.557-STANDARD
An espresso machine pours espresso into a white coffee mug. Subtitles: I love the smell of coffee.
+00:01:20.871-STANDARD
A green and yellow parakeet in a cage. Subtitles: I love Paulie, my parakeet.
+00:01:25.171-STANDARD
A framed photo of a camel with the words "Sahara Morocco". Subtitles: I love photography. And to travel.
+00:01:31.543-STANDARD
The Netflix logo on a TV screen. Subtitles: Yup, I love Netflix.
+00:01:35.471-STANDARD
The face on a small pickle toy. Subtitles: I adore this pickle rick a friend made me.
+00:01:41.261-STANDARD
Macrame hanging on a white wall. Subtitles: And occasionally I made macrame, but it hurts my hands.
+00:01:46.300-STANDARD
Close up on piano keys. Subtitles: I love playing the piano.
+00:01:50.086-STANDARD
Close up of sheet music. Subtitles: But I'm very rusty.
+00:01:53.443-STANDARD
The cover of The Fellowship of the Ring book. Subtitles: I love everything about the Lord of the Rings. I've watched the three movies over 100 times since 2001.
+00:02:00.629-STANDARD
The vlogger's hands paint a large clay vase. Subtitles: I have a crush for ceramics.
+00:02:06.740-STANDARD
A bowl of orange clay earrings in the shape of U's. Subtitles: I'm even making 100% eco friendly earrings with clay.
+00:02:11.597-STANDARD
A black screen. Subtitles: But why am I here?
+00:02:16.457-STANDARD
Her hand cracks an egg in a pan. She peels the hardboiled egg. Subtitles: I started this vlog because in part I wanted to explore videography. 
+00:02:23.600-STANDARD
Subtitles: Even though I love to write. I didn't want to feel bored with too much of a good thing.
+00:02:29.414-STANDARD
She pours salt on the egg and takes a bite. Subtitles: So i decided that this vlog would be the way to communicate whatever I wanted.
+00:02:43.414-STANDARD
Subtitles: To whomever wants to listen. She takes another bite. 
+00:02:49.957-STANDARD
A swan on a lake. Subtitles: It'll be like episodes of my life. Of the stories I've encountered. And that found me as well. A pier over the ocean. A man stands beside long fishing rods, then turns the reel on one.  
+00:03:02.500-STANDARD
Close up of a hand writing in a book. Subtitles: It's called silent vlog because my introversion / shyness. And search for a more serene life define me.
+00:03:10.743-STANDARD
In a mirror, we see the shoulder, lips, chin, and short brown hair of the vlogger. Subtitles: And I love it that way. Even with photography, I've always felt more at ease behind the camera. I wouldn't be able to do this otherwise.
+00:03:20.600-STANDARD
The back of a macbook, the vlogger peeks out and we see her face briefly.
+00:03:27.021-STANDARD
With a fork, she takes a watermelon piece from a bowl of watermelon. Subtitles: I'm very vocal and passionate about my principles. but I have a quieter side, unknown to most people.
+00:03:36.371-STANDARD
Her hands hang a poster. Subtitles: I want to bring together the best of both worlds here by sharing ideas, moments, and ways of life that I cherish and believe in.
+00:03:47.200-STANDARD
Hands in the pockets of brown trousers. Subtitles: But with a tranquility that doesn't take away their strength.
+00:03:55.071-STANDARD
 Subtitles: And maybe that way, they can speak for themselves. Lush green tree tops sway in the wind.
+00:04:10.362-STANDARD
A black screen. Subtitles: I hope you join me on this odyssey for a simpler and kinder life.
+00:04:17.871-STANDARD
Subtitles: And that you like it as much as I'm liking it. A black screen until the end of the video.
\ No newline at end of file
diff --git a/raw/validation/transcript/output_-VH2dcfqpKI.txt b/raw/validation/transcript/output_-VH2dcfqpKI.txt
new file mode 100644
index 0000000000000000000000000000000000000000..094063823d6976aa6861b5c15c0fa4683a55fa15
--- /dev/null
+++ b/raw/validation/transcript/output_-VH2dcfqpKI.txt
@@ -0,0 +1,14 @@
+00:00:00.299--00:00:48.300 with Americans spending over 1.6 billion dollars a year on the industry and over 45 million Americans having tattoos it's become a pretty common thing to Get Inked Up and today we're becoming another one of those people oh my gosh I'm getting my first tattoo when most people think about tattoos they think about big strong men who ride motorcycles and that is exactly why I have tattoos yeah I can't really make that joke but I do have an anchor on my wrist and a piece on my thigh the anchor was a tribute to my love for the ocean and the peace on my thigh was a spur of the moment decision in Costa Rica I was traveling there with my siblings and I wanted a piece to remember the trip but that leads us to an important question why do people get tattoos
+00:00:54.960--00:01:31.140 forever and that permanence regardless of whether there's meaning behind it or not tattoos have been around for centuries the first documented tattoo actually belonged to otsi the Iceman and he died around 3300 BC this practice spins across many different cultures many countries in the Middle East and surrounding areas will use henna tattoos as a form of Celebration while places like the Samoan Islands will use it to symbolize their heritage there's one thing that all of these tattoos have in common though pain and I push it off for
+00:01:35.340--00:01:40.320 really bad so we decided to call in someone who could give us just a little bit of reassurance
+00:01:49.340--00:01:52.680 someone told me it feels like a thousand bee stings
+00:01:55.399--00:01:56.399 Google
+00:01:59.100--00:02:19.020 my grandma I think like many grandmothers is just getting a lot colder and her health is not where it used to be so we don't know how many more experiences we will get to have with her and so this is something I want to make sure that I do so I've like literally been fumbling around Nashville to find someone to tattoo me hi
+00:02:26.040--00:02:28.500 I just oh awesome what time uh
+00:02:30.959--00:02:50.160 I'm scared she calls me her goody goody but I wanted instead for it to say oh goody because she says that a lot like she'll be like oh goody like whenever something happens and that feels like just a cute saying she says and with that we were off are you ready yes let's go my arm is easily removable
+00:02:56.400--00:03:20.220 I think I'm gonna get it right here here's the thing is three minutes we live right next door to the tattoo place my heart I'm scared but I'm doing this for my Grandma I love Peggy Jean I love that woman more than life itself let's do this oh goody how long do you think it's gonna take 45 minutes
+00:03:26.220--00:03:28.140 um is this gonna work
+00:03:31.819--00:03:38.459 oh yeah it looks way smaller yeah I'm so nervous
+00:03:42.239--00:03:42.840 you okay
+00:03:49.159--00:03:53.040 oh I can do this oh
+00:04:11.480--00:04:32.100 oh that looks so good oh that was really awesome it made me really happy because it made me feel like no matter what I'll always have like my grandma with me and I like that people ask meaning behind it yeah and it's an excuse to talk about some of my life so that's what matters yeah
\ No newline at end of file
diff --git a/raw/validation/transcript/output_-ZiX3DKJx0Q.txt b/raw/validation/transcript/output_-ZiX3DKJx0Q.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/validation/transcript/output_0PbM4jgBSU0.txt b/raw/validation/transcript/output_0PbM4jgBSU0.txt
new file mode 100644
index 0000000000000000000000000000000000000000..0140a66cb625c2c13425df3ca4812f7a9c8d72e1
--- /dev/null
+++ b/raw/validation/transcript/output_0PbM4jgBSU0.txt
@@ -0,0 +1,17 @@
+00:00:05.359--00:00:29.960 I honestly feel like having a hot chocolate even though it is I'm I'm so distracted by the blue sky right now I'm like so shocked let me just isn't that just beautiful look how windy it is though that is literally all I dream for blose Sky I feel like having a hot chocolate even though it's literally 9:30 in the morning and I haven't even had any breakfast yet but it's never too early for a hot chocolate I don't know what I'm going on about what do I want
+00:00:32.000--00:00:56.680 want every single morning I've had like fruit and yogurt and stuff but we actively have know y you left so we're going to go for more of something that's like lunch even I need I need something breakfasty but I don't want to have cereal because drinking that much milk just makes me kind of feel sick so I think I might make a roll some pomus some olives and what else do we
+00:00:58.920--00:01:08.960 got and we've got some spinach I just saw Jam in there do I opt for a toast and jam no I feel like this
+00:01:28.840--00:01:29.840 okay
+00:01:58.840--00:01:59.840 a
+00:02:14.319--00:02:34.519 it's not as cold or as windy as I thought it was going to be so that's a major W um it's so stunning I am so excited to go for a little walk I like pin my hair back because I hate when it's super windy and then like my hair is ruined by the end of the day and it's just not look anyways that's my little input for the
+00:02:55.440--00:02:59.760 day I love to camera
+00:03:02.120--00:03:09.280 just no don't do that what do you want on your sandwich
+00:03:13.319--00:03:17.840 oh different things why the
+00:03:28.680--00:03:29.680 show
+00:03:34.200--00:03:36.040 oh my God darn
+00:03:42.920--00:03:44.360 die so
+00:03:49.640--00:03:52.400 cute oh what's going
+00:03:58.680--00:03:59.680 on
+00:04:18.279--00:04:20.880 you sure you're not yeah I'm
+00:04:22.919--00:04:33.120 sure yeah you want me to take a photo of you no um documentary film um yeah
+00:04:44.320--00:04:45.320 how
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+00:00:04.610--00:01:11.250 loke dough just might just be a look girl I'm over here speaking French I don't learn French on the plane there are few times in life when I am appropriately dressed so we are leaving for petit today and I off to blown out off to run errands I have got to I've got to pick up my shoes I took two pairs to get revealed I want to go and get my lashes redone and I have to pick up my aunt and my mom from the airport very very soon so I know how I'm gonna fit all of this in it's already 11:00 a.m. and as usual I am late AAF so I will check back in with you all soon to find out if I accomplish those things and if we in fact made it to the airport on time alright mates to the airport ladies
+00:01:29.030--00:01:45.840 so we don't speak a lick of French but finding if we say Bonjour and smile people will then be nice to us yeah I think I want to get some of these strawberries y'all look at these strawberry
+00:02:07.830--00:02:21.300 so this is gonna be our first time on the Paris Metro so let's see how that goes it's kind of raining here and of course I don't have a damn umbrella but that glow is soo girl
+00:02:25.100--00:02:53.700 on every corner is some sort of skincare shop plus you have the pharmacies so just being here is like a skincare person's dream to be honest with you it's just skincare skincare skincare speakers everywhere evidently Parisians really take care of themselves maybe it's the carbs
+00:03:19.430--00:04:08.780 so who here currently getting rained on on our way to the Louvre evidently we got off the train too early so you got about a 20-minute walk my mom wants to stop and get coffee I could use the tea low-key feeling a little sick so I took some vitamin C before I left gotta take the rest of my vitamins but yeah it's just dreary and rainy still have a lot to show y'all unfortunately but we are happy to be here I'm very happy to be here good morning my neighbor's yes yes yes fuck you too human all right this is what it's come to people
+00:04:10.840--00:04:14.870 low Kido just might just be a look
+00:04:17.820--00:04:43.290 I haven't seen it here to tell I'm just saying at Burberry trench is $1,000 so or Burberry trench is $1,000 so she would like to jump out here with this on and call it fashion because fashion is what you say it is you can hide out for free
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+00:00:02.560--00:01:08.080 today is all about brushes the choice of what brushes we use can be just as important as the clay and glaze that we choose once again we turn to the 5000 members of the pottery studio facebook group and they told us there are two main areas where they use brushes in the pottery making process glaze application where they preferred mops hake brushes and fans and surface decoration where they preferred using sumi brushes makeup and fine art brushes let's talk about each of these brushes first are the mop brushes just like a mop that you use for cleaning these brushes are designed to cover large areas with each swipe they come in a variety of sizes both bristle and handle the bristles will be either natural or animal hair or synthetic or it can be a blend of both here you can see one difference between the two the animal hairs are very soft and not as springy extremely absorbent they can hold an enormous amount of liquid without dripping mops are great choices for strategic glazing like you see here in the video and the glazing of the insides of slender pieces where it's difficult to access with a fan or a hack
+00:01:10.840--00:01:11.840 brush
+00:01:14.560--00:01:40.079 next are the h a k e brushes i've heard them pronounced hockey or hate cake hockey cake hockey hockey cake their natural hair brushes usually goat hair or sheep making them very soft and absorbent yet when compared to synthetic bristles they don't hold their shapes very well but they're really known for leaving a very smooth coat of glaze as you can see here in this demonstration of underglaze application
+00:01:45.520--00:01:48.399 the synthetic bristles leave delineated brush strokes
+00:01:52.320--00:01:55.360 where the natural bristles blend together for a solid coat
+00:01:57.680--00:02:13.840 one other thing to watch out for with any natural bristled brushes they'll tend to shed when you first use them leaving unwanted hairs in your glaze these are great for glazing the outsides of your pottery you can see how absorbent they are and they have wonderful coverage with little streaking
+00:02:20.239--00:02:28.239 as opposed to other brushes like the mop brushes i wouldn't use them for glazing insides of pottery they're so soft it's difficult to coat the bottoms
+00:02:30.480--00:03:05.840 next are the fan brushes like the name suggests they're designed to hold a fan shape and they come in different sizes the bristles come in both natural minus hog hair and a synthetic nylon called white tachlon which is made specifically to act like a natural sable if we put both the hog hair and the white tackle on in water you can see that actually the natural hogs hair keeps its fan shape without clumping better than the synthetic white taclone the fans are very absorbent and the shape makes application predictable to where you can control where the glaze is to be applied even getting into tight slim areas like under a mug handle
+00:03:12.720--00:03:31.840 next we'll get into brushes used for surface decoration let's start with the sumi brushes these have a mixture of soft and stiff natural bristles in this case soft goat and stiffer horse hair these brushes need specific care before you use them soak them in water and get rid of all the air pockets you see the bubbles
+00:03:35.920--00:03:39.360 then spin from the brush head to the brush end for a nice taper
+00:03:44.480--00:04:01.519 many brushes come with a loop on the end manufacturers recommend that you hang the brushes while not in use these brushes can be used for calligraphy and other decorative marks here you can see the gorgeous works of bobby oliver who uses decorative marks to give her work movement and rhythm
+00:04:05.360--00:04:29.120 next are the makeup brushes members of the pottery studio group like the versatility of makeup brushes from the wider kabuki powder brushes to the very slim fingernail brushes i have fingernail detailing brushes which i love they come in different shapes and sizes and are available in both natural and synthetic i prefer the synthetic brushes they hold their points well they don't break as easily and they don't shed
+00:04:31.520--00:04:41.840 i use them for tight areas where i'm painting and also for fine lines i use short haired brushes for consistent thin lines and rigger brushes for wispy lines
+00:04:47.280--00:04:49.680 i even use these brushes for glazing in very small
+00:04:54.840--00:05:10.320 areas finally the members used brushes made specifically for fine art painting before i became a potter i was a painter and you can see my mixture of new and worn out brushes they come in various shapes and sizes they can be natural haired or synthetic
+00:05:13.120--00:05:23.840 the different sizes and shapes lend themselves to various surface marks and decorations for example i would use a natural hair number 4 round to paint these simple polka dots or swirls
+00:05:27.919--00:05:30.880 i would use a synthetic zero brush to make these thin lines
+00:05:36.479--00:05:52.880 it may take a few brushes for you to find just the right ones to give you the look and success that you're after do a little research and a little experimenting it can make all the difference in the world thank you for watching if you liked our video please like share and subscribe see you next time in the
+00:06:00.759--00:06:01.759 studio
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+00:00:00.000--00:00:18.720 hi this is Karissa white I'm I was assistant manager here at Wingstop high um last month we had a friends-and-family giveaway contest and the winner receives free wings for the rest of the year and we did go through our nominees and you have been selected as our lucky winner so I wanted to reach out and say congratulations
+00:00:29.060--00:01:11.880 and for those who are new welcome we're gonna have special guests my best friend right today we are gonna do prank oh we used to prank on everybody like anyone friends restaurant so we have a list of people at we are gonna be prank calling so the whole thing is just gonna be a little fun experience to bring back some old memories that we used to do when we were younger the first person we're gonna call when my friends and we're basically going to act as if we're an officer and pretend that she violated a stay at home order and say basically that she's in trouble so hopefully she gets scared
+00:01:17.090--00:01:18.990 hi is this Latonya
+00:01:31.760--00:01:37.229 hi I think we lost connection is this for diet
+00:01:39.650--00:01:40.650 Lydia
+00:01:43.700--00:01:59.190 this is officer Brooks I have reports fading that you violated the stay-at-home Order on May 17th which I believe was yesterday at somebody's house witnesses have informed me that it was a birthday party
+00:02:01.580--00:02:11.850 so we do have video footage but I just wanted to talk to you to ensure that it was the correct match so I have a few questions for you okay so do you
+00:02:14.750--00:02:16.980 sorry do you have long braids
+00:02:19.010--00:02:21.780 is your last name Burke hey
+00:02:28.820--00:02:40.380 I'm sorry even if I were to call you why would I say madaya so she calls my phone cuz she thought it was mean wait what are they saying in
+00:02:47.090--00:02:49.140 conclusion she was scared
+00:02:59.540--00:03:39.209 hi this'll Barlow hi this is Carissa white I'm a assistant manager here at Wingstop hi um last month we had a friends-and-family giveaway contest and the winner receives free wings for the rest of the year yeah and your contact information was submitted by one of your friends or family members and we did go through our nominees and you have been selected as our lucky winner so I wanted to reach out and say congratulations no problem so our general manager is gonna send a follow-up email to verify your information so I'm gonna ask you to call his number to verify that okay all right do you have something to write it down with
+00:03:56.500--00:03:57.800 okay you ready
+00:04:01.450--00:04:08.000 hold on just a second let me grab it okay it's one eight hundred it's a prick
+00:04:13.239--00:04:55.760 so we're gonna call another one of my friendships from college so we're just gonna pretend that she won a big prize even though she did even though she did it it's so let's get excited for no reason some fake excitement hi is this Halle Webster yeah hi my name is Stephanie Smith and I'm an assistant manager at byebye baby um last month we did have a family and friends giveaway contest and I was going through the nominees and your name did appear to be the winner yeah so much sure if you're aware um maybe either winning your friends or your family entered you into the contest but the winner does receive a free baby shower hosted by our company
+00:05:00.789--00:05:10.940 you know congratulations thank you absolutely so we will definitely be following you up with an email from the general manager okay
+00:05:14.560--00:05:21.260 I'm sorry I said a verify on one thing I just wanted to let you know that you know this is the Brit
+00:05:29.710--00:05:53.720 alright guys that's all for today's video and just a side note I felt pretty bad about the baby shower once so I called her back and let her know that I'm actually gonna get her again because she is actually having a baby I want to thank each and every one of you guys for watching my video and I hope you enjoyed this comedic content and you guys have a little look of what me and my best friend's to do when we were younger okay love you guys tea is out you
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+00:00:00.080--00:04:47.479 what's up guys welcome back to our channel today we're tackling a halloween project for you we've got more renovation content in the works so that's going to be coming up soon but in the meantime we're going to be doing some halloween projects if you follow us on tik tok or you watch us on shorts you might have already noticed that we've got some videos coming out and every week in october we're going to be sharing a couple halloween projects and things we've got on the go to create the best halloween display that we can so here catch your finger i missed it oh that's what we've got stop throwing fingers at me we were doing a craft and we're it involves making little fingers they all broke anyways today's video we're going to show you guys how we make or how you can make we don't do this on a regular basis we're making a coffin if you're new to our page or if you need a little reminder this is our pile of extra lumber so andrew is a carpenter so we just always have wood laying around and because we're always doing projects and this is our job we collect a lot of material so we've got old deck boards in here we've got beams from building the treehouse uh old stair treads a little bit of everything so yes we're going to be making a casket or a coffin we're going to be reusing um more of our cedar deck boards if you've been following us for a while it's the cedar deck boards that were up on top the deck up here and um pallets i called them skids in the last video it's the same thing pallet skids all the same and uh reusing that material to create a casket so stay tuned you can keep watching and i hope you enjoy so we got the plans for this coffin from wikihow so this is the exact layout that we used for it and all the measurements are there so you can save this video or screenshot it i'll put the link for it in the description of the video but andrew's cutting down our deck boards to size just like in the picture there and then we're using the extra pieces of pallet to fasten it all together and we left gaps in between the coffin because we wanted the light to be able to shine through which you'll see later on that was the plan all along um so that's exactly how we did it we used 2 and 1/2 in deck screws just because it was what we had on hand um but again we were trying to minimize cost and reuse what we had available so we kept it pretty straightforward and simple after laying all the pieces out we could see the design so we went around and fastened all of the pieces together again using the same deck screws to hold it in place and then we added additional bracing which you're going to see shortly to help hold it because obviously we're going to be moving this coffin to another location andrew's cutting pieces for corner bracing like a little bit of extra stability on the sides cuz obviously this wood is rotted and in rough shape so he's cutting them at 11 in and they're going to be fastened in the corners here this entire coffin only took about an hour and a half to complete and it didn't cost us anything because we reused everything we already had at the house and we actually don't get trick-or-treaters at our house um we had some questions about that on tiktok when i said how we don't get trick-or-treaters but we live in the country so it's just not safe for kids to be out trick-or-treating where we live um with people driving past on the country roads and uh that's okay because all of the things we're building for this halloween display are actually going to be taken and moved elsewhere to my dad's house where he gets a lot of trick-or-treaters so the kids will be able to see it and enjoy it and we love doing these kind of projects as much as we love doing the home renovation thing building these props and seasonal decor is so much fun and we really look forward to doing it every year clearly andrew is moving very quick it's like he's done this before quick intermission to show you what he built last halloween this is a man in an electric chair and uh it's missing its head missing his head currently but he rocks back and forth and i'm scared to reuse the content on tiktok this year because it had a very mixed it has it had some mixed opinions last year either people loved it because it was homemade and it was really cool he had hands at one point too or they absolutely hated it so like i said earlier every week on our social media accounts we're going to be sharing some halloween projects we have home renovation projects coming up as well so that's going to be thrown in the mix too but if you guys want to see specifically the halloween content you can check out our tik tok and youtube shorts um where the short versions of everything will be and then we'll just do longer video content of the projects that are most popular or most wellreceived and if there's anything that you guys want to see us build you can comment it below we're always looking for halloween ideas or just projects in general if you guys have things you want to see at the house or room makeovers you want to see always feel free to leave them in the comments and we will look forward to reading what you guys have in mind
+00:04:57.120--00:05:04.840 one you think it needs one near the top maybe not it might not so we're going to fill in now behind it
+00:05:09.280--00:05:18.440 that's kind of cool on an angle sure that's kind of fun all right so we'll screw that one on i guess okay
+00:05:37.680--00:05:38.919 all about
+00:05:50.400--00:06:03.880 spooky so we're going to add in green christmas lights inside of it to give it like a green glow and we have a few more accessories andrew's working on something else
+00:06:06.400--00:06:08.120 i just wanted to see
+00:06:11.759--00:06:31.800 ah i see the vision okay love the chain love the chain that's a great touch babe i have an old rusty one too if you do that'd be even better or you think you bold no i think that the rusty one is amazing
+00:06:39.919--00:06:51.479 green christmas lights are on the inside i think we're going to attach them around the inside of it so they're not just sitting on the ground but the next time you see it it will be in the
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+00:00:02.990--00:00:08.130 today I'm going to show you how to make a very simple dust collector for your shop vac
+00:00:12.259--00:01:13.670 so I decided to use the easiest to find pail out there The Home Depot bucket and my vacuum source was gonna be my little shop vac I experimented with a whole bunch of different baffle shapes inside of the bucket I tried all kinds of different shapes but with many of the shapes it just didn't separate the sawdust it kept on going right into the vacuum doesn't matter what I tried nothing seemed to work I found that using just one bucket wasn't very good as soon as the bucket got about 1/3 full it would suck it right up into the vacuum so I decided to go twice as high using another bucket and I found a real easy way to attach the two buckets together with no additional parts so to start you'll need two buckets three inch and a half straight couplers one 90-degree inch and a half fitting one 45 degree fitting three short lengths of inch and a half pipe and they need to be an inch and 3/8 long to two inch flexible pipe caps and one small sheet metal screw and as always any of the parts or tools I use in the video will be linked in the description below so take the first bucket and remove the handle
+00:01:19.000--00:01:33.560 now you want to cut off this piece this piece and this piece just underneath that first ring it'll cut quite nicely with a jigsaw or you can use an oscillating saw it with a do-it-yourself blade in it like this if you haven't seen the video yet where I show you how to do this it's right here
+00:01:45.799--00:02:01.289 now get your utility knife and make sure you have a nice fresh sharp blade in it then go around the inside of the bucket and remove the burr for the outside edge take the utility knife and hold it 90 degrees to the surface of the bucket as a guide you can let the utility knife rub up against the ring
+00:02:04.310--00:03:20.130 the first time around the bucket may be a little rough just because of the burr but go around the bucket at least four to five times it gets easier as you go when you're done gently clean up any of the burrs left over when you're finished it should look something like this now that we've created this nice angled surface it'll fit right into that rounded surface on the top of the other bucket just put it on top and give it a good push downwards and because both buckets are tapered we've pretty well created a perfect seal without using anything else if it won't go together go around with the knife a few more times now take the bucket that you just cut and flip it over you'll notice on the bottom of these buckets that the bottom is wavy with high spots and low spots pick one of the low spots now take one of the short inch and 1/2 pieces of pipe a half an inch from the side and mark it and if you want to make a scriber just cut a piece of coat hanger put it in your drill hold it against the grinder with the drill going and that's it now mark the center of the bucket the same now take a drill and make a starter hole these stepper drills are great for cutting plastic I'll have it linked in the description now take 10 snips and cut them out when you're finished you want the pipe to have it resistance fit use the tip of the tin snips and take little nibbles it seems to work really well that way
+00:03:25.160--00:04:01.290 we're not going to use any glue a resistance fit works perfectly so take two of the Straight couplers and two of the short pieces of pipe and push them in as far as they'll go then push them into the holes that we cut now from the inside of the bucket take the last straight coupling and bang-on now take your 90 degree fitting and your 45-degree fitting and just hold them up to each other like this and you'll notice that on the side there's these little Mark's right from the factory what you want to do is move the marks a quarter of an inch away from each other and that's where you'll push it together moving it that small quarter of an inch helps to direct the sadhus downwards into the bucket
+00:04:04.730--00:04:08.790 now take the end with a 90 degree fitting on it and push it onto the pipe
+00:04:11.510--00:04:48.690 then rotate it so the 45-degree fitting is up against the side of the bucket and with them angled like this the sadhus is able to come in and swirl around the bucket and go right into the bottom if you put a light in the bucket you can now see where the end of the 45 degree fitting is now take your one little screw and put it through the side of the bucket right into the end of it and you know something don't use the light use a tape measure and now to get your vacuum hose to fit get your rubber end caps put your hose end against it and mark it make a hole in the center then take a dremel type tool and cut it out until you get to a nice resistence fit and because they're rubber they make a nice tight seal now just use the gear clamp to tighten them both down
+00:04:55.610--00:05:12.930 so here's my little shop vac we've got the vacuum hose going into the center of our dust extractor sucking from the middle and I've got my central vac hose which I use for everything in the workshop and here's what the filter looks like before so we're gonna suck up this pile of sawdust it's the equivalent of a five-gallon pail
+00:05:43.860--00:05:51.220 and even when the lower bucket is completely full of sawdust it won't pull itself apart because of that nice friction fit
+00:05:54.900--00:06:06.850 and now it's easy to pick the bucket up and dispose of the sawdust now let's have a look in the shop back there's only a bit of dust on the filter and there's practically nothing in the container
+00:06:09.270--00:06:22.180 no baffles needed just a simple practical design that works great well I hope you enjoyed this video if you did like subscribe and hit the dinger to get notifications and we'll see you next time
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+00:00:01.520--00:00:08.960 thumbelina what did you steal meet thumbelina a rescued squirrel like no other
+00:00:12.639--00:00:18.240 well spa day i like your style thumbelina did you steal mommy's cracker
+00:00:20.960--00:00:59.280 thumbelina was rescued by wildlife rehabbers when she was just a couple of hours old her mom's nest was destroyed by a construction crew and afterwards the mother refused to take her back into the wild she's been living with the couple since morning the things for us to share thumbelina thumbelina what are you doing babe from the beginning thumbelina was slow to exhibit typical squirrel-like behaviors she's always preferred to walk instead of run to sit and wait rather than climb or leap very focused good morning
+00:01:02.399--00:02:09.919 while she's been on a strict diet she's had some medical conditions linked to weight gain they cause significant discomfort and on the vet's recommendation she has had a full hysterectomy however her rough start and limitations have not impacted her ability to lead a life that's full of fun drama can i help you little creeper tell everybody what you did be honest did you steal a nut can i guess her mom and dad make sure she knows she's loved you just wanted to make sure you knew that i loved you although her parents do question her food hiding skills oh yeah she's smart over time she's learned how to make salads put that one in there you go awesome she helps her parents with chores can you put that tomato back in the curtain yeah there you go covered up kitchen and she's justifiably rewarded if you can put both in your mouth and you can keep both but if you can't then you can't keep it but the ultimate reward is the massage you're getting repeated by mommy and daddy thumbelina doesn't hesitate to return the favor by offering her own special squirrel massage thumbelina can be opinionated particularly when it comes to bath and sleep
+00:02:13.599--00:02:16.879 she looks forward to christmas because of all the gifts she gets
+00:02:19.599--00:02:21.840 best christmas ever say thank you sienna
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+00:00:05.270--00:00:30.150 good morning welcome back to my channel I have partnered with Google pixel book for this video I thought I would show you guys a little slice of my life my mornings are always really precious to me I prefer morning showers because they just invigorate me but in case I need some extra help I'll make myself a cup of tea and of course I got a feed cheeky too
+00:00:32.238--00:00:58.590 now it's time to crack on with some work before I head out these days I've been trying out the Google pixel book and it's been incredible it's lightweight versatile and it's their thinnest laptop I have always been edgy sweet gal so I love that everything is already synced for my Chrome browser for my emails Google Docs spreadsheets the whole shebang I always feel the most productive in the morning so I like to whack out everything then and there
+00:01:00.930--00:01:05.309 so now that might work for my channel is done I am gonna head out to an edgy meeting
+00:01:39.530--00:01:51.390 we are currently finishing up some last details for the summer drops and for upcoming collections the future I love seeing my team and I love that we've built this trust over the span of nearly two years
+00:01:53.780--00:02:03.360 instead of printing everything else it's been awesome using the pixel book it turns from a laptop straight into a tablet and I can write on it directly using the people book pen
+00:02:23.209--00:02:27.660 working on three collections right now free fall fall holidays
+00:02:31.519--00:02:37.799 I'm all about keeping things open clear and communicative because I just like to have everybody on the same page
+00:02:45.739--00:02:48.989 your girl's gotta keep so it's time to head home and
+00:03:10.609--00:03:14.849 hey Google what some healthy pescetarian recipes
+00:03:35.360--00:03:38.510 Google timer for 15 minutes
+00:03:54.670--00:04:02.120 so I'm getting ready for bed and I'm pretty beat my favorite weight online is to watch some little YouTube videos I
+00:04:05.860--00:04:29.690 love that I can just have a good laugh and also catch up with my friends online a lot of my friends are on YouTube so it does help that I could just catch up on their vlogs that way on a weekday I'll usually pass out at 11:00 or so and I'll call it a night but I hope you guys enjoyed this video please make sure to open the description box to check out all the info about the Google pixel book and I will see you guys in the next one
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+00:00:07.040--00:00:13.360 ako that's paco paco what up what up big dog taco you know i'm just making mine
+00:00:31.439--00:01:25.439 my clothing man it's not working uh jackets clothes i'm on clothes man it ain't going there stupid bitch you're on the accessories oh okay then go to a jacket here yep i got it i got it good boy good boy where'd you go boy you're a good boy paco but he's fire i'm wearing it this hoodie so far oh we just we're all sagging that's how this is yeah i'm really about that gang shit you know big ssb in this bitch all right let me get you set up full on everything i know i know big dog let me see my girl text me on twitter uh of course she did me leave her on bread hey yo watch your mouth i'm down pussy yeah pussy i got it on me you should be careful what's good motherfucker what's good bitch i need to go back to the other way in the tpu i'm going to tp curry gang
+00:01:39.119--00:01:50.799 bust holy shitballs yeah why is karina invisible oh shit shit shit wrong muscle wrong muscle right fuck oh i sound man right here invisible i have these bitches in real life
+00:01:52.960--00:01:58.960 yeah i'm fucking hard paco fucking me big dog hey kenny that's my handshake come in the house come in the house
+00:02:01.200--00:03:03.840 is it is this is this hq everybody else outside hey eric what up big dog what's up my nigga this this snaggy hoes ssb you in the ssb house right hell yeah you know what it is that's gang shit baby now hold on hey first off first off to the right you know what i'm saying we got i want to tell you one thing i want to come in this house and get my meat sucked off rip son press x press x press x okay no hands no i'm not careful with those snaggy hoes oh yeah watch out with the thighs quick all right we're good that's that that's how i want to be initiated that's how you just got it initiated i just fucked you all right air cool we got a nice indoor in this motherfucker you feel me with the louis vuitton with the louis vuitton v on the uh on the wall of shit that shit lit oh no i'm taking a dip real quick okay i'm good hold this shit fly go baby bitch hey we got a nice little bar over here and shit you know a nice little sitting area uh-huh got that got that don julio nice little dining area dining room got our own mcdonald's in there okay okay give me that travis scott menu you know you got a bathroom in there we got a nice kitchen over here and shitless
+00:03:17.120--00:03:44.879 i know she's not oh my god we're in the miami vibes big dog you know you go on the edge you know we got a nice view of the ocean what this shit now come here get close to it and i'll press space bar for me are you going to oh shit yeah i'm back big dog i had to get soaked real quick that shit i lit bitch i'm all wet now how many bars we got in this bitch oh no we got our own built-in studio here talk to me
+00:03:57.360--00:04:39.520 come on come on his name is he drive very nice car he got these bars he takes you to the stars yeah bloody shit never touched this yeah bloody shit we getting lit got a bad bitch sitting on my dick why nobody say nothing i mean that shit was kind of fucked up what's your name man we didn't get to properly meet oh shit all right that's a thick act oh it's a thick ass woman right that's a thick ass fucking bowl of oatmeal right there yo yo hey gang what's your name in the supreme hoodie ac big dog ac big ac in this motherfucking man they ain't seeing his motherfucker come on now let's go fuck shit up shit look at my girl right now are you trying to go yeah i'm trying to go what the fuck what the fuck
+00:04:41.759--00:04:43.120 and that kid what
+00:04:45.520--00:04:53.440 what the fuck what the fuck's really happening somebody got laid out my fucking fucking minigun bro
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+00:00:00.000--00:00:03.899 it's like 5:15 in the morning and time we go open the coffee shop so
+00:00:33.890--00:00:59.820 okay I think I'm gonna make coffee I'm still very tired not awake yet but I don't know what I want to make I've been doing a lot of like sweet drinks lately cuz I like the combination of sugar and caffeine because college student life over here but I don't know let's go to the SERPs usually as cheesy as it sounds like to do a combination have the vanilla spice and some cinnamon that's think I'm gonna do chocolate
+00:01:05.360--00:01:07.350 that's a healthy amount right
+00:01:47.290--00:02:40.760 I'm waiting for the pastries bake right there the rest are pastries delivered so an expert I have to do is dial in espresso so overnight over time as the characters cool off and warm up they can change these principles we've really set essentially it's a recipe you call parameters about but essentially it's a recipe with how many seconds two years for us to pull for your input so the dry ground beans how much you want in the 190 grams for example and then the output which is the actual liquid espresso again and we're looking for like ratio but that can shift overnight so all the openers have to come in and basically dial it and dial it back into parameters which involves adjusting grain size
+00:02:43.510--00:02:50.180 so I'm gonna do that next and I'm gonna pull what looks like a lot of espresso but really it's just making sure the recipe is correct
+00:03:13.780--00:03:14.780 okay
+00:03:17.920--00:04:22.610 which is a little bit long we want to loosen it up and see if we can bring that number down to about 27 and I just need to be a little bit more careful and make sure I stop it at 38 okay so essentially what I'm gonna do is right here on this grinder this is a dial that I can then use to adjust the grind size essentially what that means is adjust the size of the granules of coffee that it grounds up you want it to be super fine for espresso and then you want it to be able to our course for like drip coffee or French press or cold brew or anything like that however in terms of the scale you have for espresso you still have a range of course which is the ten over here and fine which is like zero to one over here so we're going to continue to coarsen it up the larger the grinds are the faster the water can move through the espresso puck and since we had thirty three seconds and we want 27 seconds we want it to be just like a second teensy bit the teensy bit coarser to knock off those like five to four seconds
+00:04:35.010--00:04:54.280 yeah also sorry if I keep looking elsewhere there's a ton of people outside 5:30 in the morning there's just like traffic in front of my shop I'm not really sure what's going on now that I've done that and the pastries I'm gonna set up all the rest like
+00:05:40.470--00:05:42.480 pick some music and went down
+00:05:44.820--00:05:50.500 it's pretty easy we don't waste a lot of but just a very very early morning so I'm still not awake
+00:06:15.440--00:06:19.860 okay now I'm gonna go take a very very very long nap
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+00:00:01.040--00:00:06.299 I just got back from the British Virgin Islands and I got to see something pretty special
+00:00:08.580--00:01:13.740 when most people think of the Caribbean they don't think of horses or zebras but they are definitely there you see I do a lot of work for a private island called the aerial and they focus a lot on healing one way they do that is through Equine Therapy with horses and zebras all of their animals have been rescued from racing kill pens hunting and they just provide a safe place for them to live and heal among the horses that they have is a pony named Hope has been pregnant for a while now and we've been anxiously waiting the day for her to give birth I've gone to the island a few times in the last few months and every time I go I'm always praying that she'll give birth while I'm there in this last event I was just at the dream Summit it was the last day and I got a really really special test in the morning all right so it's departure day and I leave today in in like 30 minutes but they don't wake up and the uh they were saying I hope the pony is give birth so we ran to
+00:01:20.640--00:01:21.000 Randy
+00:01:56.600--00:01:57.600 foreign
+00:02:39.860--00:02:40.860 foreign
+00:03:20.540--00:03:21.540 foreign
+00:03:28.860--00:04:11.040 something that I've struggled with in the past is fully filling my emotions and getting to witness this moment was special for me because there was a very distinct time where dream the baby pony stood up and walked away with its mother hope and my eye started with water and thinking about that moment it was very special for me because not only did I get to witness a beautiful moment but I'm able to look back at it now and realize that I'm feeling my emotions again and I'm slowly working towards something that I've been going after for a long time so in a lot of ways it was a sign that I was healing and yeah it was a special time
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+00:00:07.280--00:00:08.280 foreign
+00:00:26.599--00:02:08.580 something that I'm really happy about is everyone's interest in my startup right my dorm and like my job hunt so I decided I was gonna get back into full-time work maybe like a month ago and that was before two things the first one was going all in on Ray my dorm and second that was before the realization of how difficult it actually would be I don't have any more outgoing job applications I got rejected from all of them this comment on my video is a good example you're joining at the wrong time I'm a senior engineer that got laid off on one of the top four companies and it's rough out there I've been interviewing for the past two weeks and still getting rejected definitely been eye-opening and I kind of shifted my focus a bit because you know interviewing is such an intensive process you kind of have to really be preparing especially for stuff like algorithm questions I've been using this time to grow my website instead with the addition of ambassadors certain schools have been really excelling on the site so bu has like 400 reviews now which is so cool stuff like USC is growing too I'm not at the stage where it makes money but I think that the farthest you are from your goal the more motivated you are in that Journey I've definitely felt that way in a lot of things one being YouTube when you're starting out on YouTube there's like a different sense of motivation that's why I feel so motivated right now with right my dorm because you know one day I see myself selling it or making money from it but right now I'm just building it getting one review at a time getting one photo at a time all right I'm gonna head out to get some lunch I'm meeting up with some friends later it's a pretty cloudy day and a rainy day but I'm gonna cut to a clip to when it wasn't cloudy I waited for the perfect day to film this segment it's finally a warm day here in New York and insta360 sent me their 360 camera and I'm really excited to try it out you can take the craziest angles with this camera angles that I could never really get with this one I'm gonna be bringing out this really long selfie stick and try their invisible selfie stick mode and this will be the first time I'm trying this camera out so we're gonna see what it's like together
+00:02:15.379--00:02:16.440 thank you
+00:02:26.879--00:02:45.720 this is definitely going to be a go-to in my camera bag the insta360 has 5.7 K 360 Capture and reframing it has impossible third person views which is my favorite it has a powerful editing suite and I can edit the shots I took on my phone in the mobile app it has Flow State stabilization and 360 horizontal lock so all the shots taken with this camera are super stable
+00:02:53.959--00:02:55.959 thank you
+00:03:13.500--00:03:18.120 I'm always trying to add cool shots to my video so thank you it's the 360 for sending the X3 camera
+00:03:21.860--00:04:23.340 whether New York has been great 50 60 degree weather I love taking my Boosie board definitely one of my favorite things about living the city but when it's raining I take my City Bike membership it's like 15 a month and you get unlimited bikes I would say it's the second best way to get around the city my parents were happy that I'm moving back to New York from La they're always worried about me driving in LA and just the risk associated and you might say that boosted boarding in the streets like in my insta360 video is super dangerous but something about here in this city there's a street light every block so cars are never going fast enough where it would be fatal not to sound dark or anything but every block there's a light so at most you'd probably get bumped by a car which I never have by the way yeah it's not too bad I honestly never go to coffee shops or work remotely anymore I love my desk I make my own coffee so like during the day I have no reason to step out but right now I want to get a task done for Ray my dorm it's related to forums and I want to see if I can get it done in like 15 minutes shouldn't be too hard
+00:04:31.400--00:06:38.160 so right now Forum sections are set up like if you go to USC there is a form section here it's like kind of going after reddit's audience but it's not like Reddit in that a student can ask a question because I don't think Ramadan will have traffic like that I pretty much went on school subreddits and checked out the most commonly asked questions related to dorms so these two questions are just the default questions and if a student goes on here they could answer it and I think a huge benefit of adding this forms is SEO but let's see how it is right now best dorms at USC yeah so like one two right now it's the fourth result so that's honestly that's pretty good I just got my homework out in and I'm here in my common area before I head off of the day I'm gonna answer Instagram story questions uh question number one will you work on another startup I definitely see myself doing something after my dorm and I do look forward to working on something that's not like two consumers and instead B2B business to business how do I survive University I'm gonna speak about my major specifically and what I did in college I definitely wasn't a overachiever when it came to my studies my average was B to B plus I had a 3.2 GPA computer science I definitely could have had a higher GPA if I wanted to I only see that because I never went to office hours I guess I don't know why it's like that you know they say C's to get degrees but I just think it's good to have a good balance in college because I honestly don't know if jobs care about your GPA I never put my GPA in my resume and none of my previous employers asked for my GPA either I feel like I was really preoccupied with other things I was doing a lot of freelance wedding video like photography I was in the Taekwondo sparring team and I was also in like my Filipino Club I didn't have as much time as I probably could have for studying I would just say have a good balance with friends join a lot of clubs all right I just clocked out for my dorm work for the day it's like eight o'clock honestly I can't imagine working a job and doing great my dorm at the intensity that I'm doing right now that was my realization today having this side project it really does make me feel like I have a nine to five which is a nice feeling to have what would make my situation more perfect is if I was making money from rate my dorm and it's an actual job but uh that's what I'm working towards all right
+00:06:46.940--00:06:47.940 cameo
+00:07:01.740--00:07:02.100 foreign
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+00:00:00.420--00:00:00.659 foreign
+00:00:11.599--00:01:00.719 welcome to my YouTube channel today's video is going to be more of a vlog self video I'm going to watch a tennis game with my boyfriend and I think it's called The National Bank open and it's just held annually I believe in Toronto or Montreal to watch professional tennis players play so I'm going to be vlogging that today and I'm going to try to make it more of like um like an aesthetic Vlog so a lot of like music overlap and having um just like really aesthetic shots so that's kind of my goal for this video and then I will see you guys in the outro just to chat about the experience and what had happened who won who played that kind of stuff so I will see you guys after the video in the outro
+00:01:20.720--00:01:24.240 thank you foreign
+00:01:58.340--00:01:59.340 foreign
+00:02:30.260--00:02:31.260 foreign
+00:02:46.340--00:02:48.340 thank you
+00:03:14.720--00:03:16.720 thank you
+00:03:20.159--00:05:22.440 okay so that was the National Bank open it was actually super fun which I not that I wasn't expecting but I just wasn't expecting it to be um as thrilling or as exciting as it was so that was a lot of fun so who the two people that played were Hubert and Carlos I can't remember last names but Carlos ended up winning and he was rank one and Hubert was ranked 17. so um overall pretty good Game it ended up being a really close game so definitely got our money's worth because they went to the third set and they tied in that third set so it was definitely a longer night than I was expecting we got there at around six I think and or maybe just a bit after that and then we ended up leaving I think at around closer to 10. so it was a pretty long night but definitely a lot of fun our seats were actually pretty good and we got a really nice view so a really really great experience and just to talk a little bit about like the clips that were in there so we did get hot dog um as our dinner and then we also got some ice cream and then we just watched the entire game and honestly I had a really good time just chatting with Adam and like watching the sport that I actually didn't know too much about and now I know a little bit more overall a really really fun night and if anyone has the opportunity to go or even next year I would really recommend it it was a lot of fun and definitely really glad that Adam pushed me for this experience because originally I wasn't gonna go and then um but he had the tickets anyway so really glad it went but yeah that's about everything this vlog's gonna be a little bit shorter but I'm trying a new style where it's a bit more aesthetic and then if you want to see the outfit that I was wearing and the makeup look that will be on my Tick Tock or like YouTube shorts um probably when this is uploaded or maybe just shortly after but thank you guys so much for watching and it would mean a lot if you subscribed and like this video and I'll see you in the next vlog
+00:05:32.840--00:05:34.840 thank you
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+00:00:03.620--00:00:04.620 foreign
+00:00:11.960--00:01:37.500 ly reopened my small shop where I'm finding homes for my tiny clay pieces art prints stickers and more I know that most people like to show the most successful parts of their business to inspire others but I'm going to be fully transparent and show you the less glamorous Parts because realistically most artists are like me and don't get hundreds of orders or even a hundred orders and I want to encourage those people rather than a booming Biz which is something that not everyone gets I hope what inspires you today is my vulnerability which is something that everyone can have and can encourage each other in so I don't look my best because I've been staying up until 4 or 5 a.m this week just trying to set up my shop I also have a day job so sometimes you just have to burn the Midnight Oil I'm three minutes until shop opening time I'm very nervous and hopefully everyone who wants to adopt one of these clay pieces will get to get what everything that they want okay I'm gonna take it off of maintenance mode it's time okay it's live yeah it's live yay I'm so excited here's a bit of packing ASMR as I prepare this order for my friends Michelle and Brian
+00:01:39.960--00:01:50.880 the clay pieces are very unique so each one comes with an adoption certificate a package each piece quite snug so there's no room for them to shake around in transit
+00:01:53.939--00:01:54.420 oh
+00:01:59.040--00:02:28.080 here I'm packing a sticker order which I love to pack because at least the way I do it right now it feels like I'm preparing a confetti of cute things I also write a thank you note to everyone who supports my small shop and here I am preparing some art prints which are also some of my favorite things to pack because art prints illustrations they're my pride and joy and the foundation of Japanese doodles
+00:02:30.140--00:02:54.720 every package will come with slightly different packing material because I sometimes recycle and reuse the peanuts as long as they're clean because I want to be good to the environment one day if my small Biz grows I hope to have more customized packaging I also package the shipping box quite snug and do a shake test to absolutely ensure there's no room for the items to shake around
+00:03:09.180--00:03:09.780 thank you
+00:03:15.540--00:04:48.600 this is it these are all the orders from my first weekend usually I get the most orders when I first launch so after this I probably will get a lot less but thank you so much to anybody who made an order a few new pieces I'd like to highlight because they have a little bit of a back story first is this magic sea cave print it is kind of like a sister piece to one of my most popular Prince magic Greenhouse then we have this print called we're not alone which is derived from a comic that I drew it says I know it can be scary to explore the unknown but it helps to know we're not alone I do this at the beginning of the year because I knew some personal tough things were up ahead and I had a lot of anxiety about it the core message is although the future can be daunting it helps to know we're not alone because everyone who has loved you into being who you are both past and present are with you we also have a sticker that says grow good thoughts and another one that says nurture good thoughts and they're both important messages so they come together as a set there are even more things that I haven't shown here but you can discover them in my small shop if I'm honest I'm going to miss these little clay friends a bit but I'm happy that they're going to good homes I'm also proud of my other new products especially the ones with positive messages such as celebrate your wins which is what this video is all about thanks for spending time with me as I pack orders remember to celebrate your wins both big and small till next time
+00:04:57.800--00:04:58.979 a few more
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+00:00:10.250--00:00:32.119 oh hi hey guys welcome back to my channel first thing I do when I wake up is check on Amari because I just want to make sure he's good we used this time to just bond with him laugh with him I usually play with him for longer cuz Bungie has a good word I feel like it's really important for me to bond with him and for him to know my voice
+00:00:56.110--00:01:20.120 so I can prepare for his bath I usually just leave him in the crib with a youtube video his YouTube videos are from hello Aurora it's just singing and he seems to like them too I love sex and color is so most of his clothes are those colors as you can see there's a lot of tan blues greens and now that I've picked out what I wanting to where it is now bath time
+00:01:23.500--00:01:34.850 for bath this is just time for me to clean him up while just bonding with him he loves baths and the only time he cries is when you got a point water on him
+00:01:45.950--00:02:13.350 after a bath I just took him to his changing basket he has pretty dry skin so I always tried to use her in on it banjee is on his way to work so he's just coming to bond with the baby also he loves his dad oh my goodness him and his dad are best friends so I'm just gonna change him or some clothes on him today I just wanted him to wear something simple since we're going out I don't really like to overdress him I don't want him to be hot
+00:02:16.840--00:02:43.180 after I finished changing ham I usually just breastfeed him talk to Benji chill usually after he's done feeding he will sleep now this is the crucial part of the day which is now time for me time swaddle him because I feel like swaddling always helps him sleep better so he doesn't startle himself to wake up and after I'm done swaddling him I just put him inside his Moses baskets and then I go about my day
+00:02:59.640--00:03:43.440 first half of the morning was all about him so this pop the day's about me I do my skincare routine I make sure like my skin is clean my perm and moisturizer on and everything and I use my shea butter on my skin which has really helped with my hormonal acne on my chest on hey making sure he's okay he's not you know waking up to eat because sometimes in my cluster feed and that is not time for me to get breakfast as a breastfeeding mom I try my best to make sure I remember to eat and take care of myself because I noticed that that is very important and it's important from a milk production also I love eating mostly whole wheat in the morning that's how I get my whole grain
+00:03:56.560--00:04:23.090 the time with myself going through Instagram going through my email eat sometimes I watched some YouTube videos I loved watching YouTube videos especially anything that has to do babies I like to educate myself he has to do editing or things I'm interested in after I'm done eating I try to do my makeup on this day I was actually doing a makeup tutorial so that's a little different middle of this tutorial he decides to wake up which now I have to feed him again
+00:04:32.650--00:05:32.060 logically so I just good good lash later I have to go I usually go for like a breastfeeding class every Monday so that's what I'm going that's why I didn't need to make up for that I was actually just testing out my new lens my is just racking my own shit you know finally when he wants to sleep he gets really really agitated so I just knew like that was what was going on my key my papi I have to make sure I have everything just really like dressing pretty casual so denim-on-denim which is mostly what I wear nowadays in different capacities then I have him strapped to me of his diaper bag on there is actually not the diaper bag that I would have preferred to carry but I don't have time to start transferring these stuff in this diaper bag to another one so very leaving out the house thank you guys so much for watching subscribe to my channel for more videos let me know down below what other videos you'd like to see from me
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+00:00:00.000--00:00:47.600 i can't even have a squirrel what am i doing with a squirrel okay winston came to me in may of 2020. tickle stop it my friend was visiting the ranch with her dog who caught winston and brought him back to her are you gonna make it baby he was so tiny we didn't expect him to live but we put him in a box with a blanket to rest you're very cold when i went to check on him an hour later he was alive unfortunately he had an injured leg and his face was starting to swell with the local rehabber not accepting animals i turned to the internet for advice i discovered he was about four weeks old which means it's more likely his one was moving him to a safer location when the dog found them as he wasn't old enough to be out of the burrow just yet it wasn't until the next day that i was able to get a hold of some formula i was so happy to see he made it through the night he immediately gobbled up his formula and really just came to life
+00:00:50.320--00:00:54.239 within a few days he really started to show us who he was which was a really confident little
+00:00:56.840--00:01:11.840 monster i try to take him to where he was caught in hopes of reuniting with his family but i didn't know exactly which burrow and he didn't want to leave my side so i figured we'd continue to take this day by day and when he was older we would try again
+00:01:14.159--00:01:55.520 good job when he got older he started wanting out and he gave it a really good go as a wild squirrel but he never burrowed and each morning i'd find him farther and farther away from my home and closer to my neighbor's traps california ground squirrels are not protected and considered agricultural pests so most ranchers and farmers trap and kill them when i finally find him each morning he was always eager to see me and he was always thirsty and hungry i finally decided i've had enough and brought him home where he's been living inside sets mama grew that just for you when he was out i did notice that he'd shown a big interest in rabbits so i decided to rescue a young rabbit that was being raised for me as a companion for winston winston it's artemis's treat
+00:01:58.000--00:02:13.440 artemis was an instant hit and they have been friends since they both live cage-free and yes they are both litter trained winston is not much for the snuggles but every now and then i am blessed with a wonderful cuddle session mostly winston prefers to share space next to me grooming or looking out the window
+00:02:15.760--00:02:26.400 he always loves to play and beat up different toys leave you alone for two seconds look what you did here take your little walnut and go he's convinced he's the toughest squirrel that has ever lived
+00:02:30.080--00:02:32.560 he also has been showing a lot of interest in solving treat
+00:02:34.840--00:02:35.840 puzzles
+00:02:38.400--00:02:42.239 he's a big nut hoarder and actually organizes his dashes by types of nuts
+00:02:45.680--00:02:57.599 that was my birthday roses winston winston isn't even a year old yet and i'm excited to spend many more years with him yes your face is very dirty he truly has become such an integral part in making sure i get my daily dose of laughter
+00:03:00.159--00:03:03.840 it's a very nice bench of me oh you're so cute
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+00:00:24.199--00:00:24.720 I got a new
+00:00:28.960--00:00:29.960 instrument
+00:00:34.000--00:02:05.759 my name is Finn and I've been living on a cot with my family for the last seven years and in this video I'm going to do a q& a and a very brief catch up of what we've been getting up to these last few weeks because I haven't been posting so uh yeah but hey I I got a new instrument this is a 1906 Gibson mandolin it's 117 years old that's crazy I don't know I bought it it was it was an impulsive dude I can't speak it was an impulsive purchase uh I've wanted to learn mandolin for a long time now so finally got my hands on one so I'm stoked it's a beautiful instrument though I mean just look at it oh yeah so recently we have just been sitting in this Marina here in Fort Lauderdale getting boat work done it's been a long 4 weeks but we did get new engines in our boat and we got a new dinghy so it's been pretty productive I'd say um so we haven't been doing too much but pretty soon Jack and Kate are flying out to Tonga to be whale guides this summer work in the whale season over there which is going to be great I'm super excited for them but that does mean I have to say goodbye to my siblings which kind of sucks this is going to be the first time we've been apart for a long time it's going to be 6 months until I see them again I'm not looking forward to it but you know I'm excited that they've got new prospects in other parts of the world um as for me I'm starting van life next month I'm so excited and the reason I'm starting next month and not now is because I don't have my driver's license
+00:02:15.680--00:02:31.239 yet goodness I just choked on something I don't know my driver's license yet because I've been out of the USA for the last two years so I'm finally getting it and then I can move into my van next month when I get it yeah dude I don't I know why I coughed so much just
+00:02:37.840--00:03:25.400 then all right now for the q& a I did a little Instagram asking you guys to ask me questions and so I've got a list of questions I'm going to answer right now and the first question is how am I doing I'm doing I'm I'm I'm doing fine you know I'm bored just because we've been doing pretty much nothing I mean hiking the Everglade with Luke was a lot of fun but other than that we really haven't been getting up to much here cuz to tell you the truth there's just not much around here in the area we are at so it's been kind of kind of boring kind of lame but you know I am sailing down to the Caribbean with my mom and dad before van life we got to get the boat down to Grenada for cyclone season that way the boat doesn't get wrecked up here in Florida from the Cyclones that come through here this is
+00:03:28.480--00:03:38.959 insane oh so I'm going to help them sail down there and I think Luke and his girlfriend might be helping us as well so that'll be fun another month of sailing and then van
+00:03:42.120--00:04:14.439 life the next question I have on my list is are you Christian the short answer is no I'm not a Christian I'm on a journey with the whole thing I'm you know over the last two years I've been getting into that whole area of life and just sort of studying it a lot more and I'm still trying to find Clarity and what I think is truth so right now I would say I'm agnostic I believe in God I'm just you know when it comes down to the exact ideology I'm not particularly sure yet um religion is pretty pretty whack go ahead let that Holy Ghost language come up out of you go
+00:04:18.358--00:07:08.319 ahead there are some bizarre things man has created so that's that's just my opinion um the follow-up question after this one is are you single I am single I am single and many of you guys who've been following me for a while now would know that I was in a relationship with a woman named meline but basically we're not together anymore because of some differences and it's unfortunate but you know you can't win them all so it's just it's it's a bummer you know um cuz I really liked her but that's all right anyways all right I I got another question all right another question how old are you and have you graduated high school I have graduated high school I was homeschooled by my mother I'm not the smartest but um I have World smarts you know cuz I've been all around the world so it counts for something I think uh and I'm 17 years old next question nervous for Van life I am a little nervous for van lifee just because it'll be the first time I've really been away from my family I I love my family so much they're my best friends so it's really going to suck to to be away from them for so long but I am so excited for the adventures that are to come so stay tuned stay tuned keep watching I bought a little van and I'm going to go live in it I came up with this question because I thought it was pretty intriguing how do I make friends living these unconventional Lifestyles how do I make friends besides my family it is pretty tricky to make friends when you're constantly moving around social media has been awesome to connect with people but it only goes so far I mean you can't go and hang out with somebody online it's not that easy so making friends out here is definitely one of the biggest cons I would say to sailing and just any sort of travel lifestyle but you sort of you sort of learn to deal with it and it kind of makes you a tougher person or it doesn't but I'm tough I I want to be tough I don't want to be a snowflake all right all right you hear me there's too many snowflakes in this world this generation is soft we need stronger people you know so I don't really have any friends I have a couple friends that I made along the way and I've sort of kept in contact with them but uh it's pretty rough out here in the the socializing aspect of it yeah so you know if you want to be my friend um I've got a super cool opportunity right now that you guys can jump on you want to come travel with me do you want to come travel with all this well you can this year in December I am doing a trip to Costa Rica so you guys can uh you can come travel with me there's going to be volcanoes there's going to be waterfalls it's going to be really neat and I'm looking forward to it a lot so go check it out the link is in the description so you can uh you know come travel with me pick my brain learn about my life a little bit more with conversations with me you know it's going to be a good time we're going to have a lot of laughs there's going to be a lot of young like-minded people on this trip so yeah okay
+00:07:10.360--00:07:49.919 okay and the last question I think for today is what camera do I use so many people ask this question and I haven't done a video on it yet but um this is the camera I use it's a Sony a74 my dad bought it for me about two years ago and uh I have two lenses for it a 10 to 18 mm Sony lens and then I have another 24 to 70 G Master Sony lens so that's what I Ed to film all of my videos on and it's so far worked out great okay guys that's all of I that's all I have to say today I I've been rambling on forever now it feels like um I'm sorry it wasn't a longer
+00:07:58.440--00:08:31.080 video ah you should check out my patreon if you want to support me I've got some cool stuff on there I upload a lot of my uh camera roll on patreon so you can go check that out there's a lot of behind the scenes bloopers and whatnot I appreciate anything guys most of all I appreciate you guys watching my videos and I hope you enjoyed this one and stay tuned for next week's video because I'm definitely going to post next week it's a joke I want to but I don't know if I'll be able to we'll have to see I'm saying goodbye to my siblings next week so it's pretty pretty
+00:08:36.799--00:08:37.799 sad
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+00:00:00.120--00:00:33.420 hey it's Heather and I'm so glad that you're here I hope that you'll join me today on this adrenaline pack Adventure through the streets of downtown Austin for those of you that don't know I just moved downtown and I'm on a mission to turn my boring empty living room into a cozy and stylish crib and what better way to do that than scouring Facebook Marketplace and making offers that sellers can't resist but that's just the beginning we have a ticking clock today and we have to go through the unforgiving traffic of Austin during rush hour can we really pull off the impossible and furnish this living room in under four hours get ready for a chaotic ride as we navigate this afternoon to furnish my new apartment
+00:00:38.960--00:03:07.860 so if you're like me you want stylish Furniture but on a budget well look no further than Facebook Marketplace here's my method for finding amazing deals on furniture that matches my style of modern slash mid-century first off let's talk about style it can kind of be difficult to find modern furniture on used furniture websites like Facebook Marketplace but it's definitely not impossible if you're patient and persistent I kept my style in mind while browsing and found some amazing pieces that I absolutely fell in love with now let's get to the good stuff here on my Facebook Marketplace finds first up is the couch this is a beautiful West Elm couch that was originally priced at two thousand dollars listed for 500 but I got the price down to 450. how did I do it my go-to is to negotiate with the seller and offer to pay in cash the next day trust me this strategy really works next we need some diving chairs I currently have a glass table that I also found from Facebook Marketplace I got so lucky and found four west elm chairs priced at only one hundred dollars and what's really cool about these is not only this like web mesh design but also that is a limited collaboration that was done with the South African artist his name is John Vogel or maybe Jean Vogel they were so limited that the listing has now been taken down but they were originally sold at 250 each they were all priced at 100 but I negotiated them down to 75 for all four and last but not least I found some Style kitchen stools that were brand new I thought the top part would match our couch perfectly with this gray scheme and the black matches pretty much everything else they're super stylish and comfortable the only thing is they are metallic instead of a wood frame but they are going beneath the bar so I think that's totally fine I would have preferred an even number like four but I think three actually works and it'll also provide more Elbow Room at the bar overall I'm so thrilled with the furniture I found on Facebook Marketplace so do not sleep on Facebook Marketplace you never know what amazing deals you might find okay problem number one is I don't have a real vehicle but I have these big plans to pick up so much Furniture so first order of business was to pick up this U-Haul one I've never rented a U-Haul by myself and two I've never driven a U-Haul by myself but I have big plans we're picking up so much stuff today and I needed a U-Haul to do so but for this rental I only have a four hour time limit now our route for this trip involves going all over Austin you need to go to the hilly Northwest to pick up the stools then we need to go to Dripping Springs to pick up the chairs and finally to South Austin to pick up the couch oh and you think it stops there we have to also drive back downtown so that we can drop off everything and then also return the U-Haul so that's what we got on the agenda let's go
+00:03:11.819--00:03:12.360 foreign
+00:03:16.159--00:03:29.400 Jacob's eating thank God he's here to help me drive because I felt like a newborn freaking baby yeah I'm sorry I really could not drive every bump I was like second stop now picking up the chairs okay that's it I'm gonna go in and get him
+00:03:42.060--00:03:46.140 look at how we are currently sitting in the free elevator
+00:03:50.220--00:03:52.440 it just barely fits
+00:03:56.120--00:04:02.519 we have to take the legs off or to get it through the door and there was like four of these
+00:04:11.340--00:04:41.759 finished returning the U-Haul now returning the U-Haul was the worst process in the entire world do not recommend well guys looks like I did end up returning the U-Haul in time and we got all the new furniture but I'm not going to show you the living room just yet you're gonna have to subscribe and wait to see the next few videos when I get the entire room refurnished I'm going to do a transformation video and I'll show you what it looks like when it all comes together don't forget to subscribe to see more videos of the apartment transformation and I'll see you in the next one
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+00:00:00.320--00:00:22.960 okay today I'm going to be making apple juice from apples okay so my plan here is to squish the apples collect everything that comes off of it all the juice and stuff that comes off of it and then drink it pure organic apple juice okay making apple juice with a hydraulic press can I do it 3 2
+00:00:28.400--00:00:30.400 1 see those juice is
+00:00:33.480--00:00:35.040 Flowing oh here it
+00:00:43.120--00:00:50.600 comes seeing a good amount of juice coming out look at that just pouring out right in the middle
+00:00:58.920--00:00:59.920 there
+00:01:04.559--00:01:18.560 okay a lot of our apples squished out some big chunks squished out here well look at that just squished all the Apple out of the peel okay one
+00:01:28.920--00:01:29.920 more
+00:01:40.560--00:01:41.000 all that
+00:01:48.719--00:01:59.840 do okay here's my bag of apples that I just crushed poed a little hole in the corner
+00:02:10.160--00:02:10.720 that's a lot of
+00:02:21.319--00:02:24.480 juice look at that that went better than I
+00:02:27.080--00:02:34.400 thought all right here's the final product nothing nothing's better than fresh squeezed apple juice fresh from the hydraulic press in a mason
+00:02:41.040--00:02:42.879 jar that's really good
+00:02:47.800--00:03:13.360 actually I really do need to clean my hydraulic press though cuz I end up eating stuff out of it a lot hey everyone thanks for watching another episode of hydraulic press action if you like this video remember to hit subscribe if you haven't yet and you can comment in the comment section with what you'd like to see get crushed next and I have a PO Box now so you can send me anything cool or interesting that you'd like to see get crushed and I'll see you next time
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+00:00:00.000--00:00:39.300 good morning I didn't Vlog the past weekend because I was just spending time with my boyfriend I am feeling a little bit bloated because I had Hot Pot yesterday I'm getting ready to drop off my ceramics at the studio after that I was gonna go to Vicky's to go cook with her but uh she might have covered so maybe not anyways I got this giant box to transfer my ceramic safely it's actually one big box what okay one smaller box to allow for maximum capacity I'm gonna cook some cardboard to make some um sections for the pieces
+00:00:42.960--00:00:53.700 this is what we are going for I feel like I'm wasting a lot of paper towels but I'm going to use all of these I'm just very paranoid of things breaking
+00:00:59.760--00:01:00.420 oh man
+00:01:06.659--00:01:08.820 oh my God I cannot
+00:01:13.020--00:01:15.900 this is quite heavy so I'm gonna call an Uber
+00:01:41.880--00:01:46.259 thank you how do you pronounce this thing yeah
+00:01:50.840--00:01:53.460 it looks hella fucking sauce man
+00:02:12.120--00:02:13.260 so confused
+00:02:22.340--00:02:25.200 thank you oh shit
+00:02:30.500--00:02:37.440 I feel like I'm back in college welcome back hi leftover food
+00:02:39.800--00:02:48.180 there's like a somewhere here it's dead like baby rash that's like that it was like just dead
+00:02:50.480--00:02:51.480 foreign
+00:03:19.140--00:03:24.780 it is already 12 in the morning so I'm gonna finish this up
+00:03:35.420--00:03:36.420 foreign
+00:03:42.799--00:05:03.419 in the morning I got a bit carried away I've been at this for like the past four hours three hours four hours yeah my sleeping schedule is still very fucked I fixed it for one day I went out with friends and now I am back at sleeping at like three four in the morning it's just so hard for me to fall asleep for some reason I've been taking magnesium gummies and I feel like they've been helping with my with the amount of time I've been sleeping because I've been sleeping like eight to nine hours a day ever since taking it or it could also be a placebo effect I made this little this but it has some wrinkles on it honestly I kind of fucked up but I just went along with my mistake and this is what happened uh that's what I love about handling I am putting this cup here to hold the handle a little candle holder a bowl with a chopstick holder with the last of the red clay I made this little cup I also picked up the ceramics that I did would throw it like back in July we finally glazed it three weeks ago I couldn't find them within the shelves because I totally forgot what they looked like and what color we did
+00:05:13.639--00:05:14.639 foreign
+00:05:31.340--00:05:41.520 this glaze is my favorite this is a cigarette holder that I made for my friend that's it for now I'm gonna clean up the mess that I have made
+00:05:49.400--00:05:51.400 thank you
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+00:00:03.080--00:00:14.940 Starbucks it's 6:40 now Sun finally out I was almost falling asleep at the wheel I was low-key going on and we were like blasting music - the entire time so we're switching right now all right like a parking right
+00:00:23.510--00:00:24.900 think about it
+00:00:28.400--00:01:45.750 pulled over to the sign had our emergency lights on and a cop stopped and checked on us and we're like totally tripping caleb made opal like had to lie we didn't have to lie we're just good yeah you know what we just called our parents all right good times good times my heart's racing I swear I'm on the other Lane I like being on Soho the best part two is kill kinda woke me up and I woke up in panic I'm expecting the worst so I will come like what situation we go 0-2 on a nigga real quick maybe you own a trap to pay the bill shoot how was that drive fun full it's one to tell the grandkids last time I went snowboarding I was hitting this rail see right here this like pocket I put my phone right there there's a brand new phone I try to do a 50/50 on the rail slip out planned all my chest my phone was bent into a 90-degree angle also another that happened I forgot my goggles I had like a hundred pairs at home I completely forgot it so the other place over there where I was getting my rentals they're like a hundred dollars for cousin was like no I was totally efficient when I totally look like a gay per frickin caper I just spent 60 bucks on these goggles that I'm never gonna use again you guys Gapers a
+00:01:49.280--00:01:52.800 gaper no like a poser no
+00:01:56.180--00:01:58.979 we don't mess the capers what's up guys
+00:02:06.229--00:02:26.410 Jay Paul his name's Jake it'll sound Jake actually yeah suck named after Jake ball sir the legend no no about the goat kills always reppin me they sputter on come on yeah they get your social security number what
+00:02:29.340--00:02:33.520 if you guys don't see a back 3 in this video unsub
+00:02:36.870--00:02:46.180 it's ridiculously hot and I want skittles there's nothing like a I want to scale the
+00:02:49.890--00:02:52.510 man the myth the legend the vegetable
+00:03:18.660--00:03:23.710 shows the jagged in the rose painted so bad it's so fucking bad
+00:03:25.880--00:03:36.090 let's oh my god I know where how where how are you joking oh my god
+00:03:41.090--00:03:46.050 this kid is the luckiest kid all the time his luck is insane
+00:03:48.950--00:03:56.160 you lucky moron that footage we looked at the old footage to see if I had a strap-on or not
+00:04:02.090--00:04:11.780 did you get the snap yeah goes to the man gets the snap you know I had to do it like that I had to get that hot I dipped on the helmet it's so hot today
+00:04:38.260--00:04:45.560 whoa skills were seven hands the winds pick up dude if there was a full pipe here I totally go Chloe came on that
+00:04:53.519--00:05:09.509 Kayle came with one mission today that is to get this dope Instagram he's wearing a LeBron is a shirt he's gonna go full commando and it's gonna be dope every single day you guys have some fun bro it's so fun to just have fun hit that smash but
+00:05:13.039--00:05:23.399 show me the T let's see it oh my god we wanted to get the last run that's how we do it you know first one here last one to leave Oh
+00:05:25.619--00:05:26.549 tell me that's not
+00:05:29.179--00:05:31.289 this is a Yolo moment
+00:05:42.640--00:05:52.870 well so how does it feel I'm freezing my butt is freezing its my hands and my my but I feel like my hands have hypothermia
+00:05:57.040--00:06:03.610 let's test but my fire used to dream boy
+00:06:08.199--00:06:13.990 from the terrain partner then we'll try to bust us they can't do it never lost
+00:06:22.919--00:06:26.129 what do you think about it shirt what do you think about
+00:06:39.439--00:06:40.439 yeah
+00:06:43.370--00:06:44.370 Kelly
+00:06:47.060--00:06:48.060 oh
+00:06:51.949--00:06:56.580 thank you Wow okay doctor great
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@@ -0,0 +1,3 @@
+00:00:01.920--00:00:39.960 can you say hi uh yeah good day and welcome to this instructional video on um how to talk to a baby uh now a lot of people think when you talk to a baby that you need to go like oh hello how are you did you have a good sleep yeah we're we're in reality you know they're just a human like like us so you can just talk like this hey um you're cool if we like just keep making these videos till you're like 20 yeah that's a yes and you think hey you think these videos are funny yeah you think like me dad making these videos is pretty funny
+00:00:44.280--00:00:54.680 yeah uh that was how to talk to a b baby high five that's it no no twerking no twerking
+00:00:58.920--00:00:59.920 on
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+00:00:00.480--00:00:09.840 are you fed up with a gray and nasty winter weather you might be going through in more Northern places honestly when was the last time you could enjoy the Sun
+00:00:16.199--00:00:20.760 you've clicked on our video so it looks like you might be up for a little Sunny break
+00:00:26.160--00:00:30.240 well nice is the perfect destination for a weekend getaway
+00:00:33.480--00:00:38.700 for Europeans that is if you live farther away make sure to take at least a week
+00:00:44.879--00:01:37.560 Anya and I are going to show you lots of awesome things to do in these to recharge your batteries and take in some vitamin D come along and if you stick around there's some great ideas for your evenings too in nice you'll get almost 300 days of great weather every year that's why more than 200 years ago the city became an important winter Resort town for the European aristocracy to Anya and me winter is still one of our favorite Seasons because it's a lot less touristy and well very sunny we've picked seven things for you not to miss out on when you get here in the off season there is no way you could get around the Promenade the boardwalk that stretches from the airport to the Old Town
+00:01:40.079--00:01:48.900 you'll find more info on all the locations we're presenting in the description below the film and now here are seven reasons why you should visit nice in winter
+00:01:51.079--00:01:52.380 number one
+00:01:55.740--00:02:18.420 if you've watched some of her other videos you know that Anya and I can't go without a coffee break and that's our all-time favorite about the French Riviera and winter sitting outside on a lovely Terrace and enjoying a drink or a branch or an aperitif with friends you might even want to put on sunscreen number two
+00:02:23.040--00:02:38.040 people from call their Hometown affectionately is full of Epic subjects that want to be captured plus the air is much clearer this time of year and the light just brilliant so take out your cameras and get started
+00:02:45.720--00:03:00.480 number three the blue chairs they are so much a part of nice that they've even been immortalized with a sculpture take a seed and soak up the sun number four
+00:03:02.640--00:03:30.959 for being the fifth largest city in France nice is really kind of small and it's easy to find your way around there's always the sea that will guide you still if you want to explore the city without too much walking you can hire a Velo blue a blue bike you'll find them all over the place and you can hire them for a small subscription fee and as little as one Euro for the first hour number five
+00:03:33.540--00:03:51.659 again on the problem you will always always find people exercising they joggers Walkers people trying to impress with their sense of balance and others that once again know how to chill number six
+00:03:54.239--00:04:08.340 after a nice run along the Promenade why not jump into the sea the water is around 14 degrees Celsius in the winter so many locals actually take a dip on the regular number seven
+00:04:10.920--00:04:39.900 isn't it just awesome to find a spot at the long wall sheltered from the wind and enjoy a good read or take a nap we could have stayed for hours Unfortunately The Sun Also sets on the codazoo but that leaves you with nights that are even longer and trust us you will get bored you could start with a nice Mediterranean meal for instance in one of the restaurants at plastupa
+00:04:42.680--00:04:56.460 foreign then how about a show at the beautiful Opera and to round up the day we suggest you grab a drink at one of the coolest new locations the bar at hotel Amour
+00:04:59.400--00:05:06.360 as always we're grateful for a thumbs up or a comment below the video happy to see you again next time
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+00:00:04.819--00:00:44.280 hi I'm Ricky and you're watching Lowe's how to anything probably wondering what I'm doing with this big Stone where we are going to make a fire pit fire pits are a great way to socialize stay warm and yes they are an affordable easy DIY project so let's go prep our area location for your fire pit is very important I made sure I was at least 10 feet from any building I don't have any overhanging trees and we're not putting this thing in a roof structure so I took my hammer marked the center of my fire pit and now I measured out 23 inches which for this fire pit is the right distance to make a circle and place our bricks let's do some marking paint and then we'll dig
+00:00:50.640--00:01:07.680 and there you go a beautiful circle now what we need to do is dig two to three inches tap that down apply our paver base a little bit of water tap that down another layer of paver base and then we'll tap that down our last final one and that'll give us a nice smooth level surface for our blocks
+00:01:29.299--00:01:36.119 now that I'm at the surface I'm going to take this 2x4 and use it to smooth this whole area out before I check to make sure everything is level
+00:01:45.780--00:01:56.880 now that we have our base completed it's time to set our blocks we'll take these one at a time place them in the inside Perimeter and get it set in there with a mallet I'm tapping these on the sides to get them nice and close together
+00:02:01.759--00:02:07.799 now that we have our first row let's place the fire ring in the center see if we need to make any adjustments
+00:02:11.580--00:02:22.500 huh looks good let's keep going now when we do the second row we want to make sure we stagger the joints they have a nice beautiful look
+00:02:27.060--00:02:39.060 so now we've completed our second row but what we have to do now is remove two blocks at a time from that second row and apply our construction adhesive this is to ensure that the blocks don't go anywhere
+00:02:42.959--00:02:50.940 our third row is now finally complete we did the same as the second row we put the construction adhesive staggered the seams and we're ready to try the fire ring
+00:02:54.420--00:02:58.560 Perfect Fit we've got a fire pit well almost
+00:03:16.040--00:03:35.280 and there you go fire Pit's complete it's giving off some great warmth anything you need to build your own fire pit you can find at Lowes or lowes.com and don't forget please like And subscribe and if you can comment and let us know what you want us to do our next video on in the meantime we'll see you next time and I'm gonna enjoy this marshmallow
+00:03:45.080--00:03:46.140 thank you
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+00:00:00.000--00:00:01.120 thank you
+00:00:22.560--00:00:30.180 chewing on a cigarette looking at me funny what the fuck you smoking Papa's trying to be white baby
+00:00:44.040--00:00:44.820 oh my God
+00:01:06.740--00:01:15.180 companies really trying to clone me got these motherfuckers singing karaoke around my ponies
+00:01:25.580--00:01:26.820 in bed
+00:02:15.080--00:02:18.180 play your game foreign
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+00:00:01.520--00:00:02.480 define hate
+00:00:06.400--00:00:08.559 hey it's hard to explain
+00:00:13.679--00:00:16.960 to the right person the bitterness of uh
+00:00:19.320--00:00:21.680 expectation not met
+00:00:23.760--00:00:50.559 an ignorant fear of things that you don't know i hate actually something you almost feel it more it's more than just an intense dislike hate yep i hate it raw disgusting hurtful destructive any more words i've got more anger i think hatred is sort of um
+00:00:53.440--00:01:29.759 i think hatred is not having any sympathy or empathy for any particular thing's existence whether that be a person or an object or really anything something you dislike really strongly someone or something or some concept or anything you dislike really strongly it comes within self it's the person they wake up with hatred they go to hate right there didn't make the other person might want to hate then but if you don't participate you ain't got to hey what's up little man you want a sword
+00:01:38.799--00:01:56.399 there's always gonna be hate in the world it's just how you how you react to it how you control it it means that they're just being mean defining hate it's a lack of jesus in your life hate is just something made up honestly hatred is just
+00:01:59.680--00:02:11.840 a product of belief i guess i believe you know without separate beliefs no one would hate each other okay could just all be the same i would define it as
+00:02:14.239--00:02:42.400 intolerance a lack of understanding and a lack of desire to be understanding i define hate as a donald trump what's been going on this past weekend the charleston uh drama define a stupid in one word or a sentence what do you want stupid and donald trump hate right there misconceptions uh
+00:02:44.560--00:02:45.120 good question
+00:02:48.160--00:02:59.440 someone who thinks that something else is different from what they are i would define it as like something ugly i don't know what else to say hate yeah
+00:03:01.680--00:03:51.599 discriminating someone is something that people feel towards anything pretty much or someone a bad feeling it's just bad bad energy i know um i don't know it's a tough question because like you can hate towards people you can hate towards like different things so it's not really something that's easy to be answered something evil it's more like um something that like i i hate seeing arguments i hate contention and to be hate would be when you have more contention and it's your everything's unsettled it's not just happy and joyful and cheerful it's the opposite of that i
+00:03:54.640--00:03:55.599 i hate bullying
+00:03:57.680--00:04:08.080 that's a really good answer i don't know like a really strong emotion i guess the unbridled dislike for others that has no
+00:04:10.239--00:05:18.000 reason other than emotion anything that's negative towards others i guess i'm assuming now but i think that you're you're trying to put something together yeah nice job it will give us an answer thank you for what we're seeing in the world right now because i don't like the passionate distortion of my spirit based on something that's going on in the world and i have no problem answering a question to you or having an interaction with somebody i have no clue who you are what you're about but you're still a person you deserve that respect and i think that's more of a definition of love for my fellow human beings and what whatever we're experiencing in the world today it's it's disappointing but we'll get we'll get better i think we'll get better just in little interactions like this i think so too yeah what's your name zeraya thoriah i'm dave yeah you too really i hope i hope you have some good responses with
+00:05:22.840--00:05:23.840 this
+00:05:43.680--00:05:43.759 you
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+00:00:04.080--00:03:22.560 hey everybody and welcome to our museum of science series immunity 101 in this series we're exploring our immune system vaccines and the role they can play in protecting us and our whole community from getting sick today we're focusing on immunity in our community and how vaccines can be a valuable tool in fighting diseases across the whole world making good decisions is so important when it comes to keeping others safe one of the ways that we can do that is by getting vaccinated have you ever had a shot sarah oh yeah i've definitely gotten shot to the doctor's office before yeah so even though shots may hurt a little they're really important for keeping both you and those you interact with safe there are some people who can't get vaccinated due to either a severe allergy in the vaccine a medical condition or age restrictions those that can't get vaccinated are way more vulnerable to any invaders so when i get a vaccine i'm protecting not only myself but also other people that's right an important way that we can protect everyone is by getting vaccinated when the majority of people in a community are vaccinated against a particular invader it helps to protect the people who can't or who aren't vaccinated yet we call this herd immunity yeah you can think of it kind of like a herd of zebras a baby zebra might not be able to protect itself from a hungry lion but if the adults surround the baby it can stay protected and safe an unvaccinated individual can be protected among a full herd of vaccinated people so i can protect other people just by getting vaccinated lauren what are some other things i can do to help keep other people safe that's a great question sarah we live in a community where we want to be kind and considerate to all we actually do this every day without even thinking about it for example if you were eating in the cafeteria and just left your dishes and food everywhere would it be easy for someone else to use that space no they'd have to clean it up first yeah exactly it's much more helpful in a shared space when you make sure you clean up after yourself even though that was just one example i bet you can think of dozens of daily instances where you're kind and considerate without even really thinking about it so it's easy to see how our individual actions can impact the people we cross paths with every day but did you know that your actions can also impact the global worldwide community too the whole world that's amazing yeah it's a really exciting thought that's why it's so important to consider others when making decisions and to be kind and considerate when we are in shared spaces because our whole planet and all the people in it are really just one big shared space thank you so much for joining us here today at the museum of science as we learned about herd immunity and how our individual choices can affect the world around us this concludes our series immunity 101 for more information on vaccines check out these cool resources and if you've gotten a vaccine we've got some special friends around the museum who would like to say thanks from all of us here at the museum of
+00:03:30.840--00:03:31.840 science
+00:04:04.000--00:04:04.080 you
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+00:00:00.520--00:00:09.240 stupid motherfucker just had to go and be the hero didn't you well look at you now look what being the hero gets you I was perfectly fine killing J see your lady but now I have to deal with two
+00:00:17.920--00:01:17.080 corpses all right um thank you Council I think I've seen all I need to see in the case of people versus John scen in conjunction with the irrefutable CCTV cam footage it it's clear that the death of Edward Johnson however tragic was no accident it must have been an act of God wait what now I'm going to choose to ignore the fact that Miss CA refused to show up to court today although if I was in his position I probably wouldn't show up either if this is all the evidence you had against all I have this is all I need all anyone would ever need and that's for the whole going after the celebrity thing I got to say I've never really understood cancel this is not you just watch John Cena commit murder in Cold Blood take $13 out of the victim's wallet for the of it even though he's a millionaire I mean if you continue the video my name is John Felix Anthony Cena I just killed this motherfucker stupid motherfucker dumb motherfucker circumstantial circumstan it's right there what about the fact he hasn't cleaned his fucking shirt since the day of the killing there's still the victim's blood on his shirt who are you pointing to what do you mean
+00:01:24.759--00:01:34.399 there's okay I see what this is so just to be clear you can't see him see
+00:01:40.240--00:02:15.360 who hey look who I ran into in the courtroom John Cena damn that's awesome man but why didn't you get a picture with him come on you can do this think if you crack this case maybe you can simultaneously find the Source responsible for The Disappearance of My Wife and Kids and maybe you can help me too discovering the entity that beat my grandmother to death for crossing a street too slow Jesus Christ and maybe you can find the being responsible for not paying my taxes all those
+00:02:19.319--00:02:24.040 years it was worth a shot come on think think about what you've already said
+00:02:26.239--00:02:40.440 today oh come on come on how do you people even have licenses go back to your car I don't know babe let's just talk about it when you get home okay sweetheart okay I I got to go Court's about to start all right bye sis it hasn't cleaned his fucking shirt since the day of the killing steill the victim's blood on his shirt on his
+00:02:46.519--00:03:18.239 shirt DNA hi yes you have DNA evidence yes your honor I would like to submit into evidence this area approximately 3T wide by 5' 11 tall 6t I think I'm going to allow that Council I don't see what your goal going for but if the victim's DNA is found in that region then you will have in one Fell Swoop solved 13 has anyone seen my cat 14 and my daughter should have with that cases and put an end to all this madness good job good job uh bayth if you would
+00:03:23.920--00:04:06.799 please well done well done I am impressed you see in the beginning this start out as a meme oh where am I where's John Cena why didn't you take a picture with him and I went along with it cuz it was funny and it made me Rich who said that but pretty soon I couldn't hug my mother I couldn't hug my own mother without her saying who's there pretty soon people would sit on me on trains and buses cuz they thought the seat was empty and not to mention I haven't been able to have sex for the last 23 years what kind of person do you think that creates that guy who plays League of Legends a guy who's had enough it's about time I'm the one who gets to laugh oh shit Jesus it's a bomb there's a fucking bomb in his
+00:04:13.760--00:04:18.440 backpack who's backpack yeah I we have to
+00:04:20.839--00:04:25.759 no I have a family and make them proud do it for the
+00:04:28.720--00:04:29.720 meme
+00:04:49.160--00:04:50.160 for
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+00:00:00.000--00:00:53.160 are y'all both single ah what's up babe complicated uh it's complicated how complicated as complicated as they come baby I'm a female and I tell my man this is what I want that's what I want and what you'd be wanting money is that him right now you already know no you come back no he he got money he got me he got money because he got a job but one thing I do want it's comprehension comprehension of what ah well you don't be comprehending my mentality sometimes because I'm because I'm a femme Queen and you know he's a trans man that lives the real world so I don't get it be white we what do we what they can though the film queens and film queens and transplants
+00:01:02.120--00:01:03.359 the party
+00:01:05.820--00:01:07.080 oh I love them
+00:01:09.240--00:01:14.100 how long y'all been together we even on and off for two years okay all right we don't mean we're gonna meet
+00:01:20.400--00:01:41.880 one of my brother favorite friends okay that I live for a while wait did your brother know of course why are they not friends no more because you know I have a twin brother he's an aquarius just like me so you know one thing about Aquarius baby we keep our friends to our style right right but and my brother gave if you're fucking him that is not my friend
+00:01:43.939--00:01:55.860 damn and that's my man my man yeah you're gonna still fuck the friends I was definitely so fucked around that's cute wait was like the friend no I'm okay are you sure I'm good
+00:01:59.280--00:02:08.098 ow I thought you meant your man yeah I thought you made your man I'm good you look like you look like you fight I don't know hold on can you find I don't fight alphabet
+00:02:17.239--00:02:18.239 Instagram
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+00:00:03.280--00:00:21.359 felix dude i have a problem man i keep on losing my toes around my apartment that's so annoying i know it's so annoying seriously when i built my closet i thought for sure on the charger there needs to be a button to find your drill because you always put it somewhere and you always forget where the fuck you put it
+00:00:25.199--00:00:49.840 okay some context so this is actually a problem a lot of people struggle with some even go as far as spending a lot of money on apple air tech trackers just to keep track of where their tools are but felix or pewdiepie's idea is basically because your tool charger is always in one place plugged to the wall if there was a button here that you can press to find your tools well then my problems are solved but first
+00:00:53.039--00:01:05.840 back in the booth again same dude spitting that truth again while i'm like hooligans do it all with no pseudonyms they'll go that dude in them same team ain't much change but we got a whole bunch more loose change and we about to run it up like you saying
+00:01:08.400--00:01:50.399 so a lot of you guys keep commenting that i must be obsessed with the color white or that white must be my favorite color but no there's actually a very practical reason why i choose to use white for all my tools if you have a guest leave a comment below but if not i'll get into it in a future video now these four tools are the tools i use the most around my apartment that i'm constantly losing so i'll be trying to put a tracker in these there are two ways to go about doing this at first i tried to make my own circuit using one of these cheap project remote controllers it kind of works but it's just too complicated and that's when i discovered key finders people use these to track all sorts of stuff and they're only 18 so this is the way to
+00:01:52.840--00:01:53.840 go
+00:01:58.560--00:02:07.840 the trackers come with all the needed batteries a remote and a lot of unnecessary packaging and i wasn't a fan of the color coding system so
+00:02:13.520--00:02:14.959 instead i'll be using a numbering
+00:02:20.840--00:02:21.840 system
+00:02:32.560--00:02:38.879 and now let's add the trackers this can be done easily with just some zip
+00:02:48.840--00:02:49.840 ties
+00:02:52.160--00:02:54.959 the hot glue gun didn't have anything i can tie a zip tie to
+00:03:02.840--00:03:03.840 so
+00:03:14.560--00:03:17.840 and then i had to do the same for the screwdriver kit
+00:03:26.080--00:03:41.360 now to attach the remote to the charger at first i was going to design and 3d print a holder on the side of the charger for the remote but then saner heads prevailed because all i really need is a binder clip and some magnets
+00:03:44.239--00:03:50.799 the binder clip goes onto the remote and then the magnet can be taped to the side of the
+00:03:58.840--00:04:02.959 charger so now when i lose my tools
+00:04:12.319--00:05:47.520 so what do you think of this man no that's what i'm talking about that's what i want yeah bye-bye these are so fake um thank you to pewdiepie for the awesome idea and i know i haven't posted a video in a long time but here's the thing a lot of you guys might not know this but i don't actually work on this youtube channel full time i do actually have a day job and recently i switched from one day job to another job and throughout this process things got so busy i didn't even have a chance to work on any youtube videos things got so stressful i even considered quitting this whole youtube channel thing but then i was reminded of all the amazing comments that you guys always leave for me supporting me people who started 3d printing because of the nd3 videos people who share their ideas with me people who even make this stuff actually design and share photos of it with me and i just feel so lucky to get to be in the position where i get to inspire and also be inspired by other makers so i guess if you guys keep enjoying my videos i'll keep making them oh and i'm sure you can tell i'm no longer just making these youtube videos from my iphone i'm using way better camera gear and i'm having so much fun with it and it's hugely thanks to the awesome people supporting my channel through donations i want to thank brandon adams atheria vera de rajan danny from modern remade nice youtube channel man keep it up tian dowd hiago adevira james cow yori iliyan harry kongrong parkhorn merch garass justin wang from st louis missouri danny shaw baker cedar ghani from london uk leontopping thank you for the kind words and noburg laws my apologies if i messed up any of the pronunciations there some of those were hard and with that thanks for watching
+00:05:50.840--00:05:51.840 guys
+00:06:00.800--00:06:00.880 you
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+00:00:00.160--00:00:06.680 we're driving in our car from New York City up to New Hampshire to visit Jill
+00:00:12.960--00:00:38.680 Weber here in Cambridge after many arduous hours of travel so we're here at our super groovy Hotel it's called the verb that is Fenway Park which is the home of the uh Boston Red Sox former Howard Johnson's is and turned into a groovy Rock and Roll Hotel time to Chow Down and see what Boston has to offer foodwise
+00:00:58.920--00:00:59.920 bye
+00:01:14.880--00:01:24.439 this is the strong Beast exhibit at the P ess6 Museum these incredible sculptures that are moved by wind and walk around on the the
+00:01:28.920--00:01:29.920 beaches
+00:01:31.960--00:01:49.560 one of my favorite things in a museum is no people it's such a treat to be able to walk around and see no one but really cool beautiful things I love that I'm also an organ donor and one day I hope to be able to donate my organ to a museum of this
+00:01:58.840--00:01:59.840 ilk
+00:02:02.880--00:02:04.200 well it's shoot
+00:02:10.120--00:02:11.680 day sounds like it's
+00:02:17.040--00:02:40.920 printing oh we had a disaster last night cuz we found out that this which is U one of our hard drives that stores all of um our footage after we shoot it was kaput so last night we had to quickly go to a Best Buy and buy a replacement one which is this one I hope you're
+00:02:45.040--00:02:46.400 selling one of the
+00:02:49.920--00:02:56.120 ways heading from miramac to Joe Weber's fragile
+00:02:58.840--00:02:59.840 Farms
+00:03:10.319--00:03:12.599 you as you can see I'm wearing my cashmere
+00:03:22.680--00:03:32.080 turtleneck well we're here hi morning good job good
+00:03:56.079--00:04:05.400 job so public speaking drawing in front of people blank page might be the worst fear of all but I think everybody experiences
+00:04:07.480--00:04:11.799 that perfect testing testing one two
+00:04:14.760--00:04:36.800 three me when I was very young and I put that up there to remind myself that I'm ready to shoot camera camera Talent on the set oh I'm laughing because T is here my other okay so what I have written here is since so it's better just to do pretend that he's walking behind
+00:04:41.400--00:04:46.240 this a little description of my garden here's a Seed
+00:04:49.199--00:04:51.680 Catalog okay so
+00:04:54.320--00:05:06.680 loud oh you know what the cheese has its own level of authenticity right most people like these I think they do in 2 miles take the Massachusetts 16
+00:05:10.600--00:05:11.600 East
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+00:00:00.040--00:01:29.920 have you ever tried to carry water in a siiv it doesn't work very well but I'm going to make it work in the 3dr century BC the Vestal Virgin Tua was accused of breaking her valve Chastity she was about to be buried alive as punishment but to prove her innocence she just had to prove she still had her magic Vestal Virgin Powers so to prove this she famously carried water in a Sie from the river to the temple without spilling any water through the net and I think I know how she did it the surface of water kind of acts like it has a skin on it there's this elasticity to it the elasticity comes from the fact that water molecules have a strong attraction to each other when they're surrounded with each other the molecules pull on each other the same in all directions but for the ones on the surface there isn't anything pulling from the top this lack of upward neighbors results in a net inward Force as a result the surface area of the liquid is reduced creating a skin-like layer but if that's the case then why does water get squished through the tiny holes of the CV so easily well it's not because of the water surface tension but it's because the water's attracted to the C material itself the water sticks to the surface and the surface is what sucks it through the hole so all we have to do to stop this is to make it so that the water isn't attracted to the material anymore then the surface tension the water will stop it from being squished through the holes instead of sucking it through the holes so let's try it I'm going to spray it with a hydrophobic coating called Never
+00:01:37.840--00:01:44.320 W first let's look at the non-hydrophobic version see what happens when we just put a few drops of water on
+00:01:47.680--00:02:07.039 it pretty much just goes right through it okay now let's see the hydrophobic version wo look how much water I can put in it no way look at that it doesn't go through at all wonder how much I can pour in
+00:02:09.878--00:02:29.840 here what it's not going through it look this is so weird if you think that I'm able to pour the water in here because it's kind of blocked at the bottom or something watch what happens when I pour the water in really hard it just goes right through it
+00:02:34.120--00:02:49.120 but it's carrying water still so if I don't force it through it won't go through okay look how much water I can hold in here it's pretty much the entire water bottle here watch if I just pull up really hard at once it'll go
+00:02:53.720--00:03:09.480 through once I get only a little bit in it it's like I can't even get it to go through at all it doesn't have enough pressure even pulling up really fast it's like I can SOS it all around and it doesn't go through I'm going to use some colored water so you can see this a little bit
+00:03:20.879--00:03:29.760 better look at the bottom of it so watch I can actually get the water to come through by getting it attracted to this paper towel
+00:03:34.799--00:03:36.599 or if I move it up really fast
+00:03:46.000--00:04:14.360 watch okay this just gave me the coolest idea ever a hydrophobic fish net so the reason we use a net when you fish fish out of your fish tank is because you want to be able to catch the fish in it so the water needs to be able to go through it it so if I just make this hydrophobic if I push really hard the water will go through it just fine but then once I pick it out of the water with the fish in it it will leave a little bit of water for the fish okay I don't actually have a fish to try this on so we'll catch a troll
+00:04:16.798--00:06:16.080 instead now there's obviously a limit to how much water we can carry to calculate how much water we can hold we just need to see how much pressure a drop of this diameter can hold before the skin breaks this is called the llas pressure in this case with a spherical drop of water then we get that the llas pressure is four times the surface tension divided by the diameter of the hole so this pressure will be equal to the hydrostatic pressure which is density time gravity time height so this basically tells us how much pressure is contained within a drop of water the smaller the hole the more pressure it can hold so if I have tiny holes then I can hold a lot of water this also means that anytime you have a bubble of something there's actually a pressure inside the bubble due to this elastic skin of the water the pressure is proportional to the size of the bubble the smaller the bubble the higher the pressure you can see that the pressure is higher in smaller bubbles if I connect a small bubble to a larger bubble the smaller one will deflate and push the gas into the bigger bubble so I can prove this to you by using this little Contraption here so I can blow in this end of it it'll come in here and it'll blow bubbles on both ends of here but inevitably one of them's going to be smaller and then I can stop blowing and you'll see that the one that has the smaller bubble will blow up the one with the bigger bubble a 1 mm bubble has almost negligible pressure inside of it but for small bubbles the pressure gets extremely large for a 0.3 micrometer bubble the pressure inside is nine atmospheres because small bubbles have higher pressure that means that Nano droplets will react differently than bigger droplets because they're at a higher pressure inside so the chemistry and physics of small drops or bubbles becomes much more complicated because of this higher pressure inside it's amazing to remember how strong these forces on a drop of water really can be so strong that you can even carry water in a Sie and thanks for watching another episode of the action lab I hope you enjoyed it and we'll see you next
+00:06:26.360--00:06:27.360 time
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+00:00:01.199--00:00:04.200 oh oh that's awesome later
+00:00:48.920--00:00:52.860 and that was the day that I promised
+00:00:58.039--00:01:20.100 but darling You Are The Only Exception where you are the only exception for you are the only exception where you are the only exception
+00:01:24.360--00:01:24.540 foreign
+00:01:54.680--00:02:01.380 distance and up until now I had sworn to myself
+00:02:23.099--00:02:30.660 the only exception you are the only exceptions
+00:02:39.140--00:02:40.140 foreign
+00:04:09.200--00:04:11.459 that's a good that's a good amount of time
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+00:00:00.320--00:00:04.480 we have tacos turkeys and tuca but only 15 minutes to make dinner let's go
+00:00:06.720--00:01:06.880 ttt a3 although dennis can't read good he begins the tacos with a pan over medium heat and some olive oil then an all-important pepper now poblanos are one of my favorite peppers they're great flavored mild in terms of spiciness somewhere between 1 000 and 2 000 scrolls whereas a jalapeno is somewhere between 2 500 and 6 000 the redder the spicier we're going to slice and dice this and put it into the pan you could also use other peppers like serranos or jalapenos but i find poblanos work really really well in this recipe he dices the dark yet vibe and green chili from puebla mexico into small pieces then with the aid of a shovel he whips away the ancho to the hot pan which apparently is not that hot yet but that's okay he sprinkles a little sodium chloride and cleans because that's after it's time to prepare the spices to a container he adds a vampire repellent some dry tear inducer leaves from a twig hot dog condiment and of course some optional yet highly recommended ready cayenne pepper
+00:01:09.360--00:01:15.200 dennis to go i have 15 minutes before i must leave quickly let's eat
+00:01:18.000--00:01:19.360 nice to meet as always
+00:01:23.360--00:01:25.840 no supreme
+00:01:29.759--00:01:45.439 now that the peppers are seasoning it's a perfect time to add the turkey he pushes the meat around a bit add some salt some pepper the black variety and of course our special spice mixture the meat is then mixed to ensure the spices experience a decent amount of dispersion and the meat is allowed to cook
+00:01:50.000--00:01:56.880 so why turkey because beef is too expensive and turkey turkey i can get for free do you uh hunt that
+00:02:06.840--00:02:07.840 turkey
+00:02:18.239--00:03:47.120 yes oh awesome well if you get your turkey from the store like most people i recommend you get 93 lean this will give you a little more fat a little more flavor and cook a little nicer rather than just burn next it's time to prep the tortillas now i'll be using these small street style pre-made flour tortillas these are low-carb and work really well usually i use my tortilla recipe but i'm out because i ate them all and they take a little bit longer to make you can also use the great 90 second tortilla recipe from steve over at serious keto but i don't currently have a microwave i'm going to place these tortillas in the skillet over medium heat which will give them that little extra je ne sais quoi helps keep the tacos a little sturdy and resistant to sauces i've also found that the optimum amount of meat per taco is one and a half to two ounces depending on the size of the tortilla for these small ones i'm gonna go with an ounce and a half so i'll need about five tortillas we check on the tack tack to make sure it's cooking well and then it's time to prepare the toppings first he tackles the cheese for which he is using a mexican crumbling cheese a fitting name as it crumbles untouched however you can also haphazardly cut the cheese into tiny cubes if that's easier it's best to use a mild cheese and not something like a strong cheddar next he picks a very polarizing ab cilantro however cilantro tastes like soapy you simply avoid this garnish no need to complain in the comments once set aside we again check on our meaty goodness it's about the right level of crispy brown bits so it's time to fetch our tortillas having simply warmed them up they're still soft and pliable you can however flip in one from the other side
+00:03:50.080--00:05:09.840 back at the board it's time to plate you can use a fancy taco holder but he doesn't have one so he simply lines them up side by side the meters are never so carefully placed inside each taco with the predetermined amount of one and a half ounces the optimal amount of meat for each bite and not so much that the taco would fall apart the best salsa for these tacos is actually sauce that i'm not particularly a big fan of salsa but with turkey this salsa is absolutely delicious and since we're on a time cut you're going to be using a pre-made salsa video and one of my favorites let's hit this except this one's kind of empty because i've been eating these tacos quite a bit amigo you worry too much i've got you covered awesome medium salsa works great you could also use pico de gallo but against its rendered time crunch we're gonna use these a little salsa has the base on top of the meat some cheese to follow crumble between the fingers of course some soap of a garnish and then some special onions pickled onions are an absolute staple in my fridge i love the flavor the crunch and just the brightness they bring to a dish for literally no calories they also work really well in a pinch when you don't have any lines and they add that little bit of citrus and acidity to a dish which is just unbelievable especially tacos you can add as little or as much pickled onions as you'd like or even pickle jalapenos or just plain old diced onions
+00:05:14.000--00:05:15.360 then it's time to eat
+00:05:20.080--00:05:20.639 a little more
+00:05:22.840--00:05:23.840 sauce
+00:05:31.199--00:05:37.840 just the right of meatiness not too too greasy like carnitas it just feels fresh really oh so good
+00:05:40.880--00:05:56.720 now that is a good taco why do you call it ttt-3a tuko's turkey taco recipe iii version a what's version two time to go wait wait wait make sure to check out one of these other videos how to make great chocolate and
+00:06:04.840--00:06:07.520 tortillas you
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+00:00:11.519--00:00:34.239 good morning guys from istanbul turkey we woke up on the european side of the city today we're staying at this beautiful hotel called the romance hotel we're going to be diving into the different influences from both the european and asian continents throughout the city but for now we're gonna go head out and hit the
+00:00:42.840--00:01:22.720 streets so our goal for today is to explore two sides of istanbul this city is placed right on the continental divide between europe and asia so it's our goal to discover exactly what it means when this place connects the east and the west you cannot deny the european influence on istanbul everything from the small cafes and balconies to the cobblestone streets resemble europe my favorite part is all the well-preserved pieces of history scattered throughout the city that are uniquely
+00:01:24.840--00:01:25.840 turkish
+00:01:36.240--00:01:57.600 we are halfway through our day of exploring and we've just found the most beautiful restaurant to have lunch at i think we ordered a lot of food so this is gonna be a meal worth remembering and it's gonna be very well captured eating with a group of content creators means that you'll never ever forget your
+00:02:06.840--00:02:07.840 meals
+00:02:12.319--00:03:28.480 so right now before we take the ferry to head to the asian side of the city we are on the hunt for the best baklava in istanbul which i think after quite a bit of searching we've finally arrived here i'm very excited to taste this authentic baklava here you go lexi baklava for you best ball club i've ever had in my life it's like a 9 out of 10. i'm about to slip deeply into a sugar coma this is insane as you can see there's quite an impressive spread here baklava is made of layers of filo filled with chopped nuts and held together with honey which creates a buttery texture classic recipes of baklava use pistachios walnuts and hazelnuts for a delicious nutty taste so after exploring the whole european side of istanbul today we are officially going to be getting on a ferry right now and heading across this river that acts as the continental divide between europe and asia so right now we're going to be going to two continents in one
+00:03:30.840--00:03:31.840 day
+00:03:36.239--00:03:36.560 thank
+00:03:44.840--00:03:49.760 you we made it this is going to be such a beautiful ride
+00:03:54.000--00:04:35.040 in a city of over 15 million people there's much more than you could possibly explore in just one day across the bosphorus river the asia side of istanbul is a lot less visited by foreigners so naturally it's home to more hidden gems so that was about a 20-minute ferry ride and getting off into this stampede of people and that's it we're officially in a different continent this is the second continent of today's adventure we're officially here and you know it's got a little bit of a different energy
+00:04:40.840--00:04:41.840 already
+00:04:46.800--00:06:16.000 definitely our first impression of the asian continent side of istanbul is that it is way way busier than the european side it feels kind of hectic there's so many people around right now it's probably because it's getting close to dinner time so everyone's coming down to these shops but it's uh it's pretty crowded down here on this side of the city there are the biggest street dogs i have ever seen anywhere these guys are eating really well these are some big boys so as we are walking around this part of the city you can definitely tell that there is still some european influence a lot of outdoor cafes people eating on the street but with the architecture it's not quite as decorative as the european side of the city that could be just this area i think some of the differences between the european and the asian side are going to be something that you notice when you're a local they're more subtle differences than anything but it's still really fun to explore this side we are now heading to an area called moda and i'm realizing that this place is starting to feel a lot more relaxed more casual there's also a ton of antique shops i'm noticing so many hidden gems i'm sure going antique shopping on this side of the river would be
+00:06:18.840--00:06:19.840 crazy
+00:06:32.800--00:06:51.919 this is a beautiful place to end the day this was such a unique experience and we got to see so many different parts of this city i hope you guys enjoyed this video if so don't forget to hit the subscribe button there's going to be a lot more videos to come so i will catch you next
+00:06:57.080--00:06:58.080 week
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+00:00:00.000--00:00:10.360 I not read the packaging and it says literally hydrating cream mask I thought I grabbed the freaking peel off one oh
+00:00:14.280--00:01:12.200 hi there are a bunch of different ways to do this but I'm going to try the face mask way so let me I'm going to put my hair up on everything but I have a spray bottle I actually got this spray bottle specifically for this use I have a spray bottle that I'm going to use um it's supposed to be airbrush but I think this will work because I'm going to act like a setting spray and apparently you have to go in very thin layers and you also have to um dilute this with water not exactly the mask that I saw everybody use but it's the same brand and it's a peel hydrating cream mask this not peel off thank God I didn't even use it thank God what I read this okay anyway well that means I'm going to go to Method number two the glue and this is the method I did not want to do I wanted to do this
+00:01:28.840--00:01:29.840 method
+00:02:58.760--00:06:23.039 w after the mishap that just happened I actually had to go and wipe my whole face off including the glue this is the same day guys that this was literally yesterday and I had to start the look all the way over because I'm telling you something when I have my mind predetermined to do a look seldomly do I try to do it again but I just felt like hm why don't you take your time actually listen to the instructions of the people who told you that you should go lay L by layer instead of trying to do it yourself and putting glue on your face there's a reason why nobody just slapped glue on their face so took off all my makeup did the look over it to be honest I even put a little bit more makeup on in the sense that like the first look I just put foundation I didn't really do concealer this look I was like okay bring it all together you know do Contour do a little highlight kind of how I would normally do my look but I set my whole face with the Fenty Beauty translucent powder um the invisa matte because I felt like I did not want any heavy powder I did not bake or anything especially because I'm putting something on top which is like the spray so same look I used orange and yellow for this whole look I used eyeshadow all these colors you're seeing they're all eyeshadow and I also used a palette I'm going to link the palette that I used it's on Amazon it's a color palette I saw Beats by Deb use it first and I got it from her Amazon so definitely check out like the color palette it's actually really great for a lot of colors I also decided to kind of shape up my lip line a little bit more I feel like for the first look I kind of just went in with a peach and I was like hey why don't you just make it a little more pink so it's not so you know uh blending into your skin tone so I made it a little more pink if you notice in the beginning it was more Peach which matched exactly the look but this one I made it a little more pink and I like this one a lot more honestly I'm glad that I went in with a second look so for the part you guys are all waiting for which is the glue part I did it in layers now this is what I ended up doing I ended up taking one of my old spray bottles that had nothing in it which was the um Too Faced makeup setting spray bottle so any setting spray bottle that you have and I put water and a little bit of glue in it so I may may like equal parts of the water and glue but less glue more water so I sprayed the first layer I waited for it to dry complet completely before spraying another layer so I went in for at least five layers before I achieved this look and each time I sprayed on more and more after I finished doing the glue and everything was when I put on mascara but I noticed by using a blow dryer it dried a lot quicker and also the blow dryer actually helped smooth it out because with the spray bottle to be honest if you have a airbrush machine it would be way better because the airbrush would be very very smooth and silky the way it'll go on but because the blow dryer kind of smoothed everything out I'm so glad it turned out well so hope you guys have enjoyed this trial and error tutorial but I had to bring this to YouTube because Pat McGrath absolutely killed this look and revived the beauty community and gave us some hope and some some something to play around with and that's what we need for 2024 so if you haven't already
+00:06:28.400--00:06:29.400 subscribed
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+00:00:05.680--00:00:44.079 hi I'm Amanda and you're watching Lowe's how to anything I'm really excited because today we're going to be building and installing faux beams on a living room ceiling now if you have really bare and boring looking ceilings this is a great way to Jazz it up with some color Dimension and texture with the faux beams all right we're here in the space that we're going to be putting the faux beams in and I've marked out roughly where I want to put my beams but first we got to do some prep work for the ceiling so let let's get to work so first I'm going to Mark where all my joists are because that's where we're going to be anchoring these beams and we want to make sure they are as secure as possible because they are wood beams hanging over your head so let's use a stud finder to find each
+00:00:49.120--00:01:05.720 one I'm going to measure the length of the room and that's super important so that we know exactly how much wood we're going to need now that everything has been measured and we have all of the wood that we need we're going to take some 2x6 board boards and secure them to our joists but first we're going to need to make some Cuts because then we can make sure everything is going to
+00:01:13.880--00:01:24.079 fit we're securing our 2x6 boards to our joists with 3-in screws and I have my friend Chris here helping me out because these boards can get really heavy so make sure to get a friend if you need
+00:01:28.840--00:01:45.880 help all right we finished securing our 2x6 boards and now I'm going to take two 1x4 boards for the sides and one 1x6 board for the front I've got my two side pieces and my front piece and before we assemble the beam we're going to go ahead and sand it so don't forget Safety
+00:01:58.840--00:02:07.719 First all right so now that everything is sanded and smooth I'm going to use wood glue and my nail gun in order to attach the sideboards to the front
+00:02:28.760--00:02:29.760 board
+00:02:41.879--00:02:59.760 our wood glue and wood filler all dry we're going to take our sander and go over it once more just to make everything smooth and then stain it and what I've chosen is this Minwax espresso color but what's great is Lowe's has so many different options for colors and stains that you can customize it to the way you want it to look in your home
+00:03:12.080--00:03:19.599 we finished staining and now we're going to install the beams and you might have to wiggle it back and forth a little bit because this will be a snug fit but it's going to look
+00:03:28.680--00:03:29.680 great
+00:03:35.439--00:03:59.680 the faux beams are up inside and the ceiling looks amazing and remember you can buy everything that you need to build and install your own faux beams at Lowe's or l.com and remember if you're shopping at Lowe's and you can't find something just download the Lowe's app and the map search will tell you exactly where that item is in the store thank you so much for watching and remember to like And subscribe and comment down below to let me know what you want to see in our next howto anything video
+00:04:10.920--00:04:11.920 go
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+00:00:01.360--00:00:21.520 what happens when we accelerate a candy cane to over 300 miles an hour we're going to find out in just a moment now you might be wondering how we're going to do it well we're going to do it with this thing behind me this thing we call the pencil accelerator right now i'm going to load the candy cane in the end
+00:00:24.640--00:00:51.039 it's traveling at zero miles per hour not moving in a moment we're going to use compressed gas in this tank here to push on it it's going to travel along the 10-foot tube until it gets to the end at the end we've got a piece of wood a piece of wood well it's not moving either but at the end of the tube our candy cane's gonna be traveling at 300 miles an hour it's going to run in the piece of wood let's see what happens
+00:00:55.760--00:00:58.320 okay three two
+00:01:10.840--00:01:11.840 one
+00:01:15.040--00:01:15.439 awesome
+00:01:19.439--00:01:19.759 wow
+00:01:23.119--00:01:43.520 look at that what we've just witnessed is force equals mass times acceleration the candy cane was a small mass but we accelerated to a huge amount and got a big force out of it wow now you can look for force equals mass times acceleration in your everyday life what small objects do you see moving quickly around
+00:01:48.920--00:01:49.920 you
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+00:00:00.030--00:00:05.819 yeah we didn't get that on camera but Amanda definitely is it a man and anything that's what this whole video is about
+00:00:08.510--00:01:10.470 hi I'm Amanda Alyssa and we're lesbians indeed become Yessica I'm Jordan and we're bisexuals so today we're gonna be playing golf game people play all the sports all the sports are gay softball for sure is a gay a sport I didn't know that queer women were associated with oh it's like a daddy spirit maybe that has something to do with it Golf stands for gentlemen only ladies ladies gentlemen only ladies forbidden Oh Dinah Shore I've never been have you been I have never been the party that the drinking the women the first thing I think about is a dinosaur t-rex is I think our way clay in Palm Springs there is a history behind it is that Dinah Shore actually started as a women's golf tournament and it turned into a big old queer lady party how competitive in sports and since I'm not good at them I just get pissed off I have played golf I've never played 18 holes of golf in my life on our fair share of sticks and balls yeah they haven't that's our advantage you got a good grip on the shaft yeah they're going down
+00:01:17.560--00:01:21.920 first things first don't we have to go get the course
+00:01:24.400--00:01:36.440 no we don't hang all of your plants here your balls how you feelin well they can I just told us that he tried to make a joke that we were not on a bowling alley so clearly we're not welcome here I was gonna keep drinking my beer
+00:01:41.530--00:01:43.750 don't see any other lesbians here what the heck oh
+00:01:45.899--00:01:50.200 nice oh shit you probably just pissed him off those guys
+00:01:57.270--00:02:09.310 for their bisexuals yes my favorite part is driving the golf cart and drinking the beer everybody go Jordan go
+00:02:23.910--00:02:25.900 I don't know what that means but
+00:02:33.510--00:02:39.430 now Jordan less people standing by sexual singular lesbian singular
+00:02:54.650--00:02:57.209 take it home Jordan take it home
+00:02:59.930--00:03:03.959 yeah show moves good with the golf in
+00:03:18.379--00:05:23.530 it was a day I got a beer that was cool we got our clubs we got our cart I had a lot of fun today there was just a lot of like anxiety at least I felt really anxious super anxious being on the course with all of those dudes like as soon as we pulled up it was automatically kind of all eyes on us the comments were like very passive-aggressive to first hole totally a warm-up hole they the first of all is rough but the second one was pretty good people kept passing us all day long they're like weird is gonna go ahead which we were lately down for I mean we were all noobs as the internet calls us and we were ready to learn I think if we didn't feel that pressure from all of the dudes than we would have played it killed it we would have played like at least five or six holes for sure it's a boys club and we really felt like it was a boys club what did the one guy say to you at the end he was like how many holes did you do it was like two or three he says oh so you just got your Instagram photos and that's it and I was like we wanted to keep playing but everyone was being an asshole to us Jordan kicked it out of the park and my kick I mean swing and by swing I mean in the hole I don't think that my sexuality had anything to do with how bad or good I was at the sport you know our sexuality has nothing to do that as well being a white lady I've never felt so unwelcome in a location before then when we first walked in and even as we were kind of playing there's such a classism that comes with this sport specifically like pretty pretentious yeah cuz it's usually associated with a country club which you have to pay to be a part of I completely understand why they would be like can we start a ladies pro golf Association absolutely cuz I would love to play without a bunch of dudes around to be a female ass is tough and you really have to love the sport you play and have a passion for it which sucks because there's so many like amazing and impressive and strong and powerful women out there who are totally dominating their sports and just not getting the attention they deserve all of that aside it was super fun and if you want to try to sport just try to go for it fuck the patriarchy support everyone and love each other
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+00:00:01.599--00:00:40.719 while most of our days are filled with work and responsibilities taking the time at the end of each day to look after ourselves will not only make us happier but can also lead to increased productivity as a result of a healthy mind and body like many others there are often busy periods where i have a 60 hour work week however i enjoy spending my night peacefully whenever i get the chance today i was able to wrap up my day job by 4 30 pm once i finish working i like to head over to the balcony to get some fresh air and watch the
+00:00:42.840--00:00:43.840 sunset
+00:00:49.680--00:00:54.640 i like to use this time to reflect on my day or let some random thoughts take over my mind
+00:00:57.680--00:01:07.600 usually about 10 to 15 minutes while many of us don't have time to waste allowing ourselves some downtime is not the same as wasting time
+00:01:10.080--00:01:39.840 instead of scrolling mindlessly on social media downtime can be spent on doing any activities that brings us joy with the goal of rejuvenating our mind and body in short it should help us feel more refreshed then i'll head outside to grab some groceries there are a few grocery stores in the neighborhood so i usually go twice a week to minimize waste and avoid carrying heavy groceries home
+00:01:42.640--00:01:45.520 once i got back home it's time to unpack and cook
+00:01:52.840--00:01:53.840 dinner
+00:02:07.759--00:02:12.480 while takeaways can be great i prefer homemade food as they are cheaper and healthier
+00:02:14.879--00:02:25.520 cooking is also a great way for me to relax especially with good music in the background it is also extremely rewarding as you get to enjoy the fruits of your own
+00:02:34.840--00:02:49.840 labor some days i like to experiment but today i'm keeping it simple bake salmon with rice and green beans it is easy to make as all you need is to prep the food and put it in the oven
+00:03:17.040--00:03:18.959 six minutes and we're starting
+00:03:30.840--00:03:31.840 now
+00:03:44.840--00:03:45.840 hmm
+00:03:58.840--00:03:59.840 so
+00:04:20.000--00:04:32.880 after dinner i always make sure to wash my dishes right away it is a good habit to have and avoid piles of dirty dishes then i'll turn on my diffuser to let it work the room before heading to
+00:04:40.840--00:04:46.000 shower a hot shower accompanied by good music is a great way to relax my mind
+00:04:54.720--00:04:58.000 once i'm clean i'll head outside to make a cup of hot tea
+00:05:00.400--00:05:11.919 preparing and having a cup of tea at night is one of my simple luxuries sometimes we're too busy in life that we often forget the little things can also bring us joy and
+00:05:22.840--00:05:23.840 happiness
+00:05:28.320--00:05:37.840 i like to enjoy my cup of tea while catching up on some edits or work on other parts of my youtube video such as finding music and replying to comments
+00:05:40.240--00:05:48.800 i enjoyed this process so it doesn't feel like work at all in fact there are times where this became something i look forward to in my
+00:05:50.840--00:05:51.840 day
+00:06:12.479--00:06:16.240 i'll usually wrap up around 11 and fill a water bottle before heading
+00:06:18.840--00:06:19.840 inside
+00:06:31.280--00:06:36.319 before i go to bed i always make sure to brush my teeth no matter their circumstances
+00:06:44.000--00:06:48.160 then i'll play some peaceful music and put my phone away to avoid distraction
+00:06:52.160--00:06:55.199 i'll also dim the lights and grab a book or kindle to
+00:07:00.840--00:07:01.840 read
+00:07:14.240--00:07:32.400 sometimes i'll head directly to sleep if i'm feeling tired a good night's stress is important and will set the tone for the rest of the day so i always make sure to get seven to eight hours of sleep and a minimum of six now it's time to go to bed
+00:07:36.000--00:07:44.319 if you have any questions please let me know in the comment section below and i'll try my best to answer them thanks for watching and i'll see you in the next
+00:07:47.400--00:07:48.400 one
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+00:00:10.480--00:00:39.520 good morning today is December 31st and it's the last day of the year and 2023 happy happy 233 yay yeah and today we're going to the paradise Garden it's um we found it from the High Museum this artist named Howard I think Finster and he's a reverend and he has like thousands of art pieces so we're going to go check it out so yeah let's go to rural
+00:00:58.120--00:01:02.680 Georgia Hallelujah H to be in the
+00:01:28.840--00:01:29.840 Pres
+00:01:58.840--00:01:59.840 oh
+00:02:06.719--00:02:41.720 we went to the Barry College and it was wonderful and beautiful we went to the Garden of paradise yeah we went to Garden of paradise Barry College lots of unique atmospheres and now we're going to Rome in the end of the 2023 yay yay end of 2023 are you ready for the New Year yeah ready for that why are you not ready suay turning 30 yeah no don't think about it no age is just number age is just
+00:02:50.720--00:02:53.720 number we got Simon and Garfunkle greatest
+00:02:55.760--00:03:01.159 H there's the boxer yeah America one more
+00:03:16.200--00:03:17.200 bounds
+00:03:28.680--00:03:29.680 let
+00:03:38.239--00:03:41.760 both pretend to be this
+00:03:45.200--00:03:52.120 woman right Wonder look at the the whisker look like
+00:03:54.720--00:03:55.720 that
+00:03:58.680--00:04:00.799 like this one I really
+00:04:04.079--00:04:05.280 like oh
+00:04:11.840--00:04:13.159 no happy
+00:04:16.519--00:04:20.160 2024 one day we'll
+00:04:28.600--00:04:29.600 anywhere
+00:04:39.800--00:04:45.520 miles will we ever see home
+00:04:54.080--00:04:59.560 again all I need is your hand
+00:05:03.000--00:05:16.840 in we just dropped off sunjay at the airport and now we're going to be heading home as we have to start packing for our move in the next few weeks so wishing you all a lovely New Year and we'll see you soon bye
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+00:00:12.559--00:00:34.320 hello and welcome to episode one of janelle's rv build today we break ground first thing that i did was remove one of the panels from my tri-fold bed to save space which is fine because i'm going to be sleeping alone for the foreseeable future next i decided to take out this table futon set i was pleasantly surprised as to how easy it was to remove this futon set once i removed the seat then i used karate to break down this wall
+00:00:38.719--00:01:53.840 then i proceeded to take out the second seat this one was a little bit more challenging to remove the framing to it so i just did i just did that then i ripped out this cabinet unit but look at what was behind it well first of all there was this daunting electrical situation but look at all that mold ew now it's time to remove this elevated floor so i peeled off this vinyl and then once all the vinyl was gone i was left with the subfloor and i had like a million tiny little screws in it so once i unscrewed everything i removed that subfloor and all that was left is this steel frame but i decided to call it a day day one den and we're back day two baby i didn't really get a lot done on day two so here's me taking out some of the steel frame here's me using the wrong kind of grinder and day three we're on day three so i had to unbolt this um water tank why am i talking so fast but then i stabbed that okay so this is day four my dumb butt forgot to drain the water tank before i take it out so it was really heavy and got everywhere but then i took out this battery now we're on day five i ate a banana and i had to take out this like heating air system thing that was under the lifted floor removing the rest of the steel frame and dealing with this electrical mess and then i took a break because my brain hurt and i didn't want to deal with it so i moved on and decided that i wanted to take down the bathroom
+00:02:12.560--00:02:14.319 and then i proceeded to take out the
+00:02:20.840--00:02:21.840 kitchen
+00:02:25.280--00:02:38.959 okay now we're on day six and i continue to strip out the kitchen almost all of the screws throughout the rv were rusted so whenever i would try to remove something properly the screws would just snap in half so i had to resort to using my big girl muscles to tear out most of the
+00:02:48.840--00:02:49.840 interior
+00:03:02.840--00:03:03.840 uh
+00:03:16.840--00:03:24.159 ah okay so this is where i freaking fricked up so i cut that ac heating unit out when i knew i wasn't supposed to but i did it anyway and then this is what happened
+00:03:27.200--00:03:35.760 why did i do that i almost threw the whole rv away but i didn't and i waited till night to get under the rv and try to fix the problem this is me about two hours later
+00:03:38.080--00:04:29.759 okay so this is day seven i am nearing the finish line but before i got started with my day i had to clean up my mistake from yesterday so all of this rv blood aka radiator fluid and then i proceeded to cut out the rest of the electrical wires and tear out this rotting floor so after removing the first layer of the bathroom and kitchen floor i decided to go ahead and start removing the upholstery and the ceiling and the insulation which is what i was looking forward to the most especially the upholstery it was disgusting it was absolutely disgusting but this is a monumental moment right here guys because we hit fiberglass i had to change because those pink coveralls were giving me a mad wedgie but here's me pulling out the rest of the upholstery woohoo day eight so initially i was gonna keep the original bed but it was rotting so i had to remove the bed and the control panel that was in the cab and then i had to remove the light in the ceiling panel that was on the pop top
+00:04:38.720--00:05:19.280 day nine the last day of destruction so i cleaned up the rest of the rv guts did a little sweeping and once i had access to the floor i peeled back the vinyl peeled back these fiberglass panels until we finally hit the metal floor this last panel was a little bit more difficult but eventually i got it out and that's a wrap folks this rv is gutted like a fish yeah girl has a blank canvas to work with baby this definitely could have been done in a day or two but i was only able to work on it a couple hours a day but nonetheless success here is my giant pile of health hazards anyways stay rad dweeb see you next episode
+00:05:22.840--00:05:23.840 toodles
+00:05:31.520--00:05:31.600 you
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+00:00:00.000--00:00:44.100 everybody Welcome to My Channel today I just want to do a quick video showing you guys how I'm doing a three point rotation on my micro locks so if that sounds good just keep watching the video and I'll show you how everything is so I can speak the language all right firstly I was doing a two point rotation before and I decided to switch over to a three point rotation because I just think it might be better for my lock so I just want to try something different I struggle trying to figure out how to do the three-point rotation the two point rotation is fairly simple but the three point a little different so I actually have a diagram here I don't know if y'all can see in this light is in my face so
+00:00:47.700--00:01:36.720 so this diagram kind of explains how to do the rotation and it gives you the directions of which you need to go in order to do the rotations appropriately well because I'm not really good with stuff like that I had to ask my husband what it meant and he kind of broke it down for me and it makes a lot more sense now so I'm more of a visual learner and I thought that I would just show you guys how I'm doing it I think it would make more sense this is the lot that I'm going to be doing a three-point rotation on so first I secured the hair the extra hairs that I had just hanging around I'm going to start from going right to left so this is one so
+00:01:41.280--00:01:54.299 oh I just went right to left that was the direction now I'm going to go upward so starting at the bottom going to the top to the ceiling
+00:01:56.460--00:02:07.320 two boom there's my split now I'm gonna go back right to left again
+00:02:10.520--00:02:28.980 stuck on my clips boom now I'm going to go up to down this is the way I want my locks to lay so I'm entering from the ceiling heading to the ground
+00:02:31.980--00:03:04.019 or and that's that so that is the three point rotation that's the pattern and that is the pattern so I'm gonna go I'm gonna do one more so y'all can see it again and then when I'm done I take the lock separate it take another piece as you can see I'm gonna have to separate a little something something here oh it actually counts I had another clip
+00:03:09.480--00:03:14.760 all right so I'm gonna take this lock secure my hair real quick
+00:03:16.860--00:03:19.200 that's just hanging out around it
+00:03:28.560--00:03:43.319 you doing there all right now I'm securing the loose hairs into the lock so they don't go nowhere else because I want this all this hair to stay in this lock so securing all that extra hair
+00:03:45.480--00:03:56.099 so it don't merge with the locks next to it which it probably will later but this helps all right take my needle again
+00:04:00.480--00:04:04.500 all right wait I didn't see that oh it's just me putting the needle in just running back
+00:04:09.000--00:04:24.540 all right so now how do you put it through that ain't what the video is but okay so just put the needle in I bend my hair because it's long straight into the hole boom
+00:04:26.820--00:04:52.020 pull it take the lock and we're gonna do the three point rotation one more time so because my last rotation ended downward this way because I always in my rotations down I'm going to start it again going from right to left so this is right to left
+00:04:54.720--00:05:03.120 boom so then we're gonna go down up to the sky
+00:05:06.419--00:05:13.380 I'm gonna go back to where we just came from and we're gonna go right to left
+00:05:17.880--00:05:37.440 and then this is going to be the last one going up to down oops oops going up to down that's how I like my hair to lay oh and that is that
+00:05:39.900--00:05:57.840 and as you can see my hair um I could do one full rotation in this that's all I need I don't want it too tight but yeah this is perfect for me good enough and that's how you do the three-point rotation when you have Micro locks
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+00:00:17.960--00:00:39.930 pfai hai să văd că merită nostru atât de zic astia Malone hahaha alt ritm Into the video here It needs To Be unpinned on another
+00:00:42.410--00:00:43.469 way to
+00:00:46.010--00:01:14.290 Me and my Tom doarme diafragma in jurul meu cand ma vezi albumul gurion tocmai la noi ca prieteni vă pup si te iubesc mult pfai weekend mare vommit o întrebi Bine atunci Stai omit tăiței revansa mergem la un mic și cel mai kit montaj panou solar a te ucide
+00:01:59.009--00:02:07.429 paroh de alalalt Friday e client pereti ingrosati Sper să fie him
+00:02:11.739--00:02:13.310 How to get
+00:02:16.390--00:02:17.900 ready for our
+00:02:20.019--00:02:22.670 midst of social
+00:02:25.480--00:02:31.400 alt șterge șterge șterge
+00:02:41.200--00:02:42.200 ieri
+00:02:46.510--00:02:59.780 a așa sunt mult mai mult poșta ceață hotărât să ne bariu
+00:03:07.550--00:03:14.310 psihanaliză hannut proaspăt nu știu dacă o Măsurați prezintă
+00:03:19.910--00:03:22.950 urme Quick Fighter Ă
+00:03:41.269--00:04:06.370 nu mă bate Ai terminat în de te simți un meu suflet fost eu vă Mitsubishi incendiu și la Antena gris Hei hei eu ceva bun ăsta
+00:04:08.700--00:04:10.269 chatham la
+00:04:12.900--00:04:15.010 vorbești lume Quick
+00:04:35.669--00:04:36.669 hotărâm
+00:05:17.110--00:05:23.120 psalmi și nu e colțul îți îi somnolență
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@@ -0,0 +1,6 @@
+00:00:03.319--00:00:04.319 foreign
+00:00:33.380--00:00:34.380 foreign
+00:00:38.719--00:00:39.719 foreign
+00:01:19.640--00:01:20.640 foreign
+00:02:09.979--00:02:11.979 thank you
+00:02:25.099--00:02:26.099 foreign
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@@ -0,0 +1,18 @@
+00:00:03.480--00:00:44.920 I got to Rome with Emma yesterday and I took a nap while she was doing some work stuff when I woke up I was like hit with this sickness honestly I think it's just a cold from traveling and being dehydrated and not sleeping at all first order of business is I need some coffee and I need some medicine so if you watched my last Vlog I think I don't know in what order I'm going to post these but if you watched the Vlog for Emma's birthday you know that we went to Positano a girls trip from there we came to Rome because Emma had to work and I came with her because I have to work in Greece in a couple of days so we came here she's working then we're going to MOS I'm working and then we're going
+00:00:58.920--00:00:59.920 home
+00:01:02.320--00:01:33.880 I just walked all the steps and I'm a little winded cuz I'm also a little sick but I did I did go to the store and I got some medicine day and night I'm assuming and then I got some ibuprofen awesome hoping those kick in soon I think this is the most beautiful place I've ever been to In My Life uh my waiter from breakfast this morning asked if he could take take me to see the sunset today I'm not going to do that but he was very
+00:01:58.840--00:01:59.840 sweet
+00:02:13.800--00:02:42.920 I'm sitting down to get my psych coffee of the day by my lonesome I'm such a people pleaser cuz I just wanted to get one to go and then they were like no relax sit down and I was like okay whatever you want so now I'm sitting here I'm my bump drinking my know I've been walking for a couple hours people are staring at me because I'm filming myself that's okay I just want a cappuccino we landed in Rome yesterday around
+00:02:45.040--00:02:52.040 like 2: and then we got to the hotel at like 4:00 and I passed out cuz obviously I'm not feeling too
+00:02:55.800--00:03:20.040 hot it's 3:00 I'm probably going to take myself to dinner tonight this is the first time I've ever like gone out on my own traveling and it's been really cool like I'm like learning things about myself and just spending time with myself which I never do especially when I travel cuz I'm a very nervous and anxious traveler so this has been a lot of character development for
+00:03:28.760--00:03:29.760 me
+00:03:58.720--00:03:59.720 so
+00:04:07.239--00:05:44.560 so I was going to go walk around and find somewhere to eat dinner but I'm not going to lie I am sick so I don't think I have that in me and the problem is that I have asthma and I didn't bring my inhaler so all the walking combined with the um cold that I have it's not a good combo I've literally been hanging out with myself all day and I usually do do that but I don't do that in R so that's cool it sucks that I'm sick but I have 5 days before I have to be on a work trip so I need to get it together while I was walking around I stopped at two different jewelry stores I got all three of these Rings these right here this is a little cat this is what this hand looks like I just spent like 45 minutes assembling my photo dump it's like fucking five pictures spent 45 minutes assembling it like what the what so unnecessary like all these like effortless photo dumps are fake nothing about it is effortless and all these candid pictures are not candid they are fully planned that doesn't just go for me that goes for everybody on social media just letting y'all know don't be Bamboozled I was so excited to do like my 2 4 hours alone in Rome Vlog and then I got sick like I'm still going to do it I'm still going to post it I hope it's still fun for you guys to watch but I'm fighting demons over here I'm not picking my nose I'm itching my nose because it
+00:05:48.840--00:06:07.520 hurts I know myself well enough at this point to know that every time I travel no matter what without fail I get sick why didn't I bring medicine and prepare myself for this I don't know No rookie mistake hi I was wondering if I could just order a couple of things yes of course okay thank
+00:06:12.680--00:06:34.160 you I am on hold and my immune system so weak could I get the chicken salad and then could I get a glass of white wine and then could I do a tea oh do English breakfast yes please yes perfect okay awesome thank
+00:06:37.120--00:07:14.440 you I got a chicken salad a glass of white wine and I know I shouldn't be drinking wine cuz I'm sick but the wine here is so good and then I got some tea with milk and honey I still managed to walk 6 miles and like see Rome which I honestly pat on the back to me because I felt like shit and I was still being a trooper I'm going to wait until the food gets here and edit in the meantime so that you guys don't kill me and I can get a vlog to you okay the food just got here I'm about to go in chicken salad and then I ordered some
+00:07:28.520--00:07:29.520 tea
+00:07:58.440--00:07:59.440 a
+00:08:06.919--00:08:25.680 I'm literally turning into this guy the mucus Goblin from the commercials that's how ill I feel so I'm going to bed I love you guys thank you for hanging out with me and I will see you next time it will also be a travel blog and it's going to be really fun
+00:08:28.440--00:08:29.440 bye
+00:08:31.839--00:08:32.839 ah
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@@ -0,0 +1,13 @@
+00:00:00.080--00:00:05.920 if you like chocolate wine and italian food then you're gonna love what we have to share with you today in piedmont italy
+00:00:10.800--00:00:43.840 we're jana and brett since our honeymoon nine years ago we've spent more than 24 months living and traveling in europe so far we've entered to 25 countries but our goal is to visit every country in europe and to explore every nook and cranny of the alps we are nuts about food which is why we're starting this piedmont food tour with hazelnuts you really can't drive anywhere in this region without seeing acres upon acres of hazelnut trees and as you'll soon find out hazelnuts are kind of a big deal here in piedmont
+00:00:59.199--00:01:53.840 what happens when you confine hazelnuts with chocolate you get bocce de carasco bachi which means kisses in italian are bite-sized pieces of chocolate mixed with hazelnuts we took a delicious tour to taste six chocolates including bocce and a local amaro if you're looking for things to do in carrasco don't skip the chocolate at pasticharia barbaro speaking of hazelnuts ferrero rocher the company that makes nutella is headquartered here in alba but unfortunately the recipe is a giant secret and they won't even let you tour their production however you can taste all kinds of different hazelnut spreads from hazelnut farms in the area and trust me they're way better i may eat through an entire jar of nutella in one afternoon and i might eat a whole chocolate bar in one sitting but this region of italy would encourage us to slow down no really it would tell us
+00:01:57.600--00:02:17.760 and that's because piedmont is the birthplace of the slow food movement the slow food movement was launched right here in 1989 to keep local culture and traditions alive to enhance gastronomic pleasures and to encourage a slower pace of life and we got to experience this for real over a four and a half hour meal with eight
+00:02:20.840--00:02:21.840 courses
+00:02:34.840--00:02:35.840 do
+00:02:38.480--00:03:39.120 are you drooling yet why not hit that subscribe button piedmont isn't only known for the slow food movement it's also the home of the famous chain called italy eataly stands for eating italy because in one mega store you can't eat shop and learn all about high quality italian food and although it was first planned dreamed and launched here in piedmont there are 35 italy locations across the world if you know anything about italians then you understand their love of pasta and pizza which you should definitely sample at italy but italians also love their coffee which brings us to our next destination in piedmont lavazza i really didn't develop a taste for coffee until we lived in rome italy for about six months in 2017 but since then i have really come to enjoy a creamy cappuccino or even a straight espresso now in my opinion seeing the lavazza symbol on a building does not mean you're going to find the best coffee you'll ever see in italy but it is a signal that you're going to have good quality at great
+00:03:44.840--00:03:45.840 prices
+00:04:06.879--00:04:47.199 if you're a coffee enthusiast like me i definitely recommend that you visit the lavazza museum it's fun it's informative it's interactive and of course you get a tasting at the end but coffee isn't the only drink italians enjoy pumante is one of the most famous italian wine regions the most popular piedmont wines are barolo barbera nebiolo barbaresco and herrera arnes but we prefer to taste at family vineyards like marsalia because you have a wonderful experience with an amazing family who just is passionate about their wine however if you just want to taste the local wines of course there are cooperatives but we're always going to encourage you to go to a family
+00:04:54.840--00:04:55.840 vineyard
+00:05:06.479--00:05:13.039 beer in the middle of wine country yep we stumbled upon this beer garden and couldn't
+00:05:22.840--00:05:23.840 resist
+00:05:31.520--00:05:51.840 welcome to our 30th european country all right i've got to say is nothing like what i expected i was excited about this but i had no idea they would not let us pay this is just the reality of travel lame for real i really like it's simply delightful
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@@ -0,0 +1,7 @@
+00:00:02.940--00:00:03.179 foreign
+00:00:57.739--00:00:58.739 foreign
+00:01:10.040--00:01:13.140 oh I like your outfit thanks
+00:01:18.979--00:01:33.720 hey Sarah hey how's it going good good the weather's been really nice lately yeah it's been really stunning lately I'm like super excited about it no more raincover uh totally that's a good one
+00:01:39.299--00:02:05.460 oh so are you coming to the pizza night the company pizza night on Friday yeah definitely I I really like pizza um I think my favorite pizza topping is like Hawaiian I really I really like Hawaiian yeah Hawaiian is definitely one of my favorite pizzas toppings as well yeah but I I get it without like the pineapples I think that um yeah I just normally like pineapples but I like Hawaiian
+00:02:07.759--00:02:12.900 isn't that just ham Pizza yeah I guess so yeah that's cool
+00:02:20.160--00:04:47.280 thanks for watching my video I hope you enjoyed it I know it's a little bit different from the other videos that I make but I had a lot of fun making it and acting in it acting in it and being silly I just loved it it just made me think about my first internship experience and the expectation versus the reality of it I actually bought a lot of clothes that were like business women and I think I wore them for like a day or two and then the rest of the time I just wore sweatshirts and jeans because everybody else was so comfy so I was like I just want to be comfy too which is awesome I think that's probably you work more productively when you're a little bit more comfortable I want to know any of your internship or first job experience expectations and realities and maybe some funny stories that you have leave it in the comments below I'd love to hear it and read um yeah I start my internship in a week and a half and I don't know what to expect I hope it's not very stressful I hope it's not too stressful a little bit stressed is okay but not like like so stressful and I really hope my manager and my team are nice and they like me and I like them yes that's very important because I loved my previous co-workers and my boss they were so nice I would love if my new job has nice people as well I'm very nervous about that but I'm excited I'm gonna be starting a cute little summer chapter in downtown and that's my little place right there if you can just if you can see out the window I have a really nice view I'm really excited to show everybody show you guys my apartment I'm excited to be living downtown I think that summertime downtown can be actually kind of fun there's a lot of people it's not even summer yet but there's a lot of people outside because the weather's getting a little nicer and yes yes I am excited and thanks for watching to the end of this video I hope it made you laugh or smile and yes like And subscribe and I'll see you in the next one
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diff --git a/raw/validation/transcript/output_JjypCDNSavw.txt b/raw/validation/transcript/output_JjypCDNSavw.txt
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index 0000000000000000000000000000000000000000..bbbc85adfd371bd95f03b1714a270fa82bb486a0
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@@ -0,0 +1,12 @@
+00:00:05.279--00:00:19.520 here is an experiment you can do at home with friction this is a toy boat yes you guessed that right and this is a wooden plant correct that's two for two i put the boat on the ramp and watch what happens
+00:00:22.320--00:00:47.440 nothing the reason why is because the friction between the boat and the ramp is enough to counteract the force of gravity trying to pull it down but watch what happens if i raise the ramp to the right height the boat slides down because the friction isn't enough and gravity pulls it down but when we change surfaces to this carpet let's see what happens same angle i can raise it higher higher higher because
+00:00:50.079--00:01:01.600 there's more friction between the carpet and the boat than there was between the wood and the boat now if you're thinking that we're just gonna do it with a small ramp you're wrong because of course we're gonna max it out
+00:01:03.920--00:01:11.840 hey helena this is amazing thanks i made it myself wow ready to climb it absolutely here we go
+00:01:15.439--00:01:45.439 huh huh no problem so that was very easy well that's probably because the friction from your shoes is high enough so you don't slip right and the friction from my clothes is much lower which is why i could slide down right so how do we make it more difficult we probably have to make it higher all right let's make it higher with the ramp at a steeper angle i'll need more friction to climb up all right ready i'm totally ready here i go
+00:01:50.720--00:01:54.720 all right you try okay hold ranger here we go
+00:01:57.600--00:02:12.879 oh so clearly we are not getting enough friction between our shoes and the ramp at this angle we should add some carpet because carpet would add some more friction between our shoes and the ramp all right let's add carpet sorry here's your drill thanks
+00:02:15.040--00:02:23.520 all right carpet yeah same angle yes and why have we done this more friction more friction let's give it a try
+00:02:28.160--00:02:49.840 hey way to go totally able to climb the ramp so what do we do now to make it harder make it higher make it higher wow it's really steep i don't think you're gonna make it sure if i take a really good run at it i think i can do it i don't think so well there's one way to find out
+00:02:52.640--00:03:22.800 no no okay so i can't do it is that it well how about velcro wow right it'll give you more friction so you can try climbing with this we'll give you velcro knee pads velcro shoes velcro velcro hand holds velcro knee pad velcro on my shoes helmet for safety velcro fill velcro dance okay you ready ready all right here we go
+00:03:25.200--00:03:36.560 ha ha i did it creating friction between me and this ramp means i can stay up here for as long as they no no velcro no no
+00:03:40.640--00:03:45.840 phil you okay velcro friction your turn
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index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/validation/transcript/output_Jw5pWOoepbs.txt b/raw/validation/transcript/output_Jw5pWOoepbs.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e12c3255b4ccc0177ec655ea0039f704c101218a
--- /dev/null
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@@ -0,0 +1,33 @@
+00:00:09.420--00:00:15.639 look back you'll be okay well you've been well you've been here before
+00:00:18.330--00:00:24.470 sipping on some packing boxes on the floor
+00:00:26.990--00:00:33.420 hatred straight to the bone some days aside River Run
+00:00:36.190--00:00:41.750 this fiction it change it's right it's right
+00:00:46.480--00:00:51.830 straight brushes beetles growing baby
+00:00:57.320--00:00:59.900 nauseous pills groaning
+00:01:06.250--00:01:06.280 Oh
+00:01:16.049--00:01:17.110 my day
+00:01:27.250--00:01:48.860 look okay what you run far go to the month was to pray like the why is you so feel it straight to the phone some days soccer
+00:01:55.040--00:01:59.670 especially change it's alright it's alright
+00:02:07.320--00:02:08.530 let's go
+00:02:14.970--00:02:15.000 Oh
+00:02:24.420--00:02:26.069 on that Sunday
+00:02:33.700--00:02:35.050 on a summer day
+00:02:59.280--00:03:01.020 on a summer day
+00:03:07.670--00:03:09.690 on a Sunday
+00:03:16.400--00:03:17.400 Oh
+00:04:04.280--00:04:14.630 the flowers my spoon had midnight I would wait up to the
+00:04:17.779--00:04:24.100 that's too when I see the moon oh
+00:04:26.250--00:04:27.250 boy
+00:04:29.260--00:04:30.400 but no matter
+00:04:33.240--00:04:36.099 feather can't date affair
+00:04:41.470--00:04:42.470 feather
+00:04:56.480--00:04:57.050 No
+00:05:03.750--00:05:04.990 changing now
+00:05:13.060--00:05:13.090 Oh
+00:05:20.470--00:05:25.750 why can't your father can teach a fair
+00:05:31.100--00:05:32.100 feather
+00:05:40.220--00:05:42.000 but I know
+00:05:59.000--00:06:00.000 ha
+00:06:14.220--00:06:15.090 to
+00:06:24.100--00:06:24.910 well
+00:06:31.260--00:06:31.320 you
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diff --git a/raw/validation/transcript/output_JyrbqiCokdw.txt b/raw/validation/transcript/output_JyrbqiCokdw.txt
new file mode 100644
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diff --git a/raw/validation/transcript/output_KMOerON0kdE.txt b/raw/validation/transcript/output_KMOerON0kdE.txt
new file mode 100644
index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/validation/transcript/output_KMc627HFymU.txt b/raw/validation/transcript/output_KMc627HFymU.txt
new file mode 100644
index 0000000000000000000000000000000000000000..84b45f996bb3796f54dc4b7b4a34cc11bb9eff7a
--- /dev/null
+++ b/raw/validation/transcript/output_KMc627HFymU.txt
@@ -0,0 +1,18 @@
+00:00:09.559--00:00:20.199 for me just you we don't go away ton it's you and I will be I can't resist
+00:00:28.960--00:00:29.960 no
+00:00:32.238--00:01:35.960 hey guys it's lat here lat who's lasette hey guys it's LTE here and yesterday me and my sister went to the Ariana Grande concert and I decided to show you guys a get ready with me to show you what I wore it was super fun me and my sister had to kick two people out of our seats so that was pretty crazy but we got there and we were super close and I just felt like I could just I hope that you guys enjoyed this video and please let me know if you like these type of get ready with videos I tried to do something a little bit different by showing you like the process of me getting ready I don't know never mind okay let's go to the video starting with my makeup I'm just applying my favorite Foundation onto my face using my beauty blender and I'm also using some concealer to conceal some redness and some acne on my face to highlight underneath my eyes I'm taking a concealer that is about two shades L than my skin tone and just applying this underneath my eyes and blending it out with my beauty blender and setting all of my face makeup with some translucent
+00:01:38.960--00:02:01.719 powder to add some color back into my face I'm just applying a little bit of bronzer on my cheeks and also my forehead and then I'm just going in with a pretty blush to keep my eyebrows looking really natural I just use a brown eyeshadow and the same for my eye makeup I just applied a light shimmery color onto my lid and just a light brown into my
+00:02:06.799--00:02:11.879 crease highlighting my inner corners and now it's just time for me to do my favorite Wing tipped
+00:02:19.760--00:02:24.319 eyeliner curling my lashes and applying some mascara into my top and bottom
+00:02:28.840--00:02:35.239 lashes and for my lips I'm just lining them with a lip pencil and filling it in with a liquid
+00:02:45.680--00:02:59.840 lipstick for my hair I'm starting by parting it in the middle I'm just wetting the back because it's obviously very dry and I'm putting a styling product in just to really get my curls looking nice
+00:03:04.480--00:03:08.480 working on one front section at a time I'm just smoothing down the edges of my
+00:03:10.920--00:03:18.599 hair I'm gathering all of my hair into my hands and twisting it within the same direction so that I can create a little banto
+00:03:22.840--00:03:42.000 knot after I have my two little space buns I'm just taking an old t-shirt to scrunch out some of the water because my hair is pretty wet and whenever my hair is mostly dry I wanted the back of my hair to look really volumized and really big so I'm just taking my blow dryer and blowing it throughout my hair just so I can create more
+00:03:47.239--00:03:59.720 volume for my outfit I knew that the concert was going to be at the Amway Center and I have been there before and it's always freezing so I decided to go for a sweater
+00:04:02.799--00:04:09.159 I have my pink fuzzy sweater my high-waisted jeans and also some combat boots just so I can be
+00:04:19.880--00:04:23.520 comfy I can't hear you outside are you having a good
+00:04:28.720--00:04:39.160 time just a little bit thank you guys so so much for coming tonight this is my first honeymoon sh in my home
+00:04:58.639--00:04:59.639 state
+00:05:28.440--00:05:43.160 of I had so much fun at this concert I'm so happy that I went and this was actually my first concert ever of course if you like this video please make sure to thumb me and subscribe to my channel if you haven't already I'll see you guys next time
+00:05:54.120--00:05:55.120 bye
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diff --git a/raw/validation/transcript/output_KMcK6FZsmWA.txt b/raw/validation/transcript/output_KMcK6FZsmWA.txt
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index 0000000000000000000000000000000000000000..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391
diff --git a/raw/validation/transcript/output_Klml6fUm_fY.txt b/raw/validation/transcript/output_Klml6fUm_fY.txt
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index 0000000000000000000000000000000000000000..3de6bc5bef30950020e4f94ed2a7bab531818ad8
--- /dev/null
+++ b/raw/validation/transcript/output_Klml6fUm_fY.txt
@@ -0,0 +1,9 @@
+00:00:45.079--00:00:47.719 made that
+00:00:58.920--00:00:59.920 he
+00:01:08.880--00:02:06.399 exress I'm in the and I feel blessed now in effect un if I connect Love The Innovation that accept and we let it run weing it now sing it I'm in when I kill it feel free to real fast when I feel it when I my stress stress too blessed to be stressed stress to bless to be stressed stress too bless to be stressed when I stay at I'll stay put put them back in their place now look I got them locked with the sound just dropped and bringing it sck with a rock Top Notch oh yeah that's how we living Express the distress when I'm in it I'm might never Cur trying to get it so Express the distress when I feel it oh yeah that's how we living Express to in it I might Cur trying to get it so ready for the action bring on
+00:02:12.319--00:02:13.319 the
+00:02:16.400--00:03:17.519 yeah oh yeah tell me how you living deess come on let me get a sitting when I'm going up SP on my Bri suddenly tonight good thing I got my voice on M in the zone trying to reach higher Heights when I might stress yes I might stress too bless to be stressed yes I might stress too bless to be stressed yes I might stress too bless to be stressed when I st it I'll stay put put them back in their place now look I got them locked with the sound just Ro and bringing it sick with a RH Top Notch oh yeah that's how we living the distress when I'm in it a m bless never Cur trying to get it so Express the distress when it yeah that's how we living Express the heess when I'm in it a m bless Cur trying to get a storm ready for the action bring on
+00:03:27.280--00:03:29.760 the w
+00:03:34.680--00:03:36.920 oh wo oh wo oh wo
+00:03:58.720--00:03:59.720 oh
+00:04:21.880--00:04:22.880 oh
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index 0000000000000000000000000000000000000000..db0e53821570a13ce5406fb476167fcef2f62e10
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@@ -0,0 +1,4 @@
+00:01:53.460--00:02:19.600 the plan is to get to that call did you see traversing the east of these flanks of Joffrey that's your free peak and here on your right is the hot tomorrow morning both traders to get to that call and then go behind it and get the flu are back this side is the south east side that you see
+00:03:07.290--00:03:11.530 20:30 oh yeah that's almost four we were just hanging out
+00:03:24.910--00:03:31.070 good morning such a beautiful day it's a clear sky best condition
+00:05:09.680--00:05:09.740 you
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@@ -0,0 +1,18 @@
+00:00:05.839--00:00:07.919 jingle with me baby
+00:00:11.179--00:00:14.099 jingle with me baby say hi
+00:00:16.580--00:00:18.660 jingle with me baby
+00:00:30.119--00:00:30.660 oh
+00:00:42.620--00:00:44.620 thank you
+00:01:23.479--00:01:35.159 I'm all right come back it's just like I'm so comfortable everywhere what color do you want buddy you want yellow green or orange
+00:01:39.299--00:01:40.560 one and two
+00:01:42.600--00:01:45.659 yeah yeah this one too
+00:01:56.040--00:02:00.840 yeah don't go okay look yeah
+00:02:17.580--00:02:18.239 foreign
+00:02:45.360--00:02:50.040 a million million the nails are getting baby
+00:02:54.660--00:02:57.959 Amari come on we're not going to stress these nice people out okay
+00:03:25.220--00:03:29.340 hey no no come on We're Not Gonna stress these nice people out okay
+00:03:34.140--00:03:46.080 my earring my earrings is on the chair great let's just put that no it's when we were about to eat it's a Maria and Havana that's here in three months
+00:03:48.360--00:03:58.620 I said we we came into the nail store with two shoes where is your other shoe where is your other shoe sir Monsieur okay
+00:04:07.200--00:04:08.760 don't don't go anywhere
+00:04:12.120--00:04:13.319 just come and sit with Mommy
+00:04:17.459--00:04:18.418 almost done okay
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+00:00:00.160--00:00:00.399 okay
+00:00:02.639--00:00:07.839 the biting of the kangaroo tails is something that happens almost every day
+00:00:10.719--00:00:11.519 i hate you
+00:00:13.599--00:00:16.720 there's a wild group of cockatoos that live around this property
+00:00:20.240--00:00:38.559 and they are troublemakers so they'll bite a kangaroo tail to get to the kangaroo feed they definitely think they're the boss of everything like he's chasing after her they will buy any tails i've seen them bite sales of little joey's and big kangaroos whoever's kind of in their way they have no fear you're a nasty bird
+00:00:42.559--00:01:39.840 world free is essentially a kangaroo sanctuary we care for kinds of animals that predominantly we focus on kangaroos because there's not a lot of places that are safe to release them if they've been orphaned got about 40 also cockatoos that live here and they visit the house because they want to get to the kangaroo feed when their tails get bit kangaroos just jump away and then the cockatoo is happy because it can steal the food cockatoo one kangaroo zero it's a daily occurrence that we try and manage but you know they're wild birds what can we do about it there's a video of a kangaroo called boris who's eating his snacks at the front and she could actually see four cockatoos planning sort of deciding which one of them was going to go around and bite and it's like they had this little conversation and then one cockatoo went around and bit the tail the kangaroo took off and of course they all went in got the food all congratulating themselves for a job well done and a well executed plan
+00:01:48.960--00:02:03.920 they're naughty birds i love planning the attack and it being challenging for them to eat it if there's no food out because it's earlier in the day then they'll just start picking up things around the house and throwing them down and making noises and getting all destructive until you give them something
+00:02:06.799--00:03:34.560 it was a coffee too see even big ones like this get scared of weird noises we inherited the problem from the old owners of the property we didn't know this until after we bought but we discovered a large tub of bird seed that was left behind for us not really a good idea to be feeding wild birds but then the kangaroos came along and we were stuck with it i don't think this would happen in the wild i think this is happening because the cockatoos are being opportunistic because there's additional food being provided that wouldn't be provided in the wild but is available here because we're providing it for the released kangaroos cockatoo's favorite food is sunflower seeds and we used to have sunflower seeds in the kangaroo feed but that's been changed now to remove the sunflower seeds not because of the kangaroos but because of the cockatoos because they just became too aggressive wanting all those sunflower seeds the reason i don't think i can choose spear kangaroos is because kangaroos are prey animals they're not aggressive despite everything that you see in the media about kangaroos especially males males are especially gentle more gentle than females i don't know why they play with the tail the only thing i can figure out is that they're not stupid they know a kangaroo is like 50 times bigger than they are so if they bite the tip of the tail the kangaroo can't exactly turn around very easily to kick it back can it you'll win every time don't
+00:03:41.720--00:03:42.720 you
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+00:00:00.079--00:00:01.560 yeah yeah
+00:00:11.400--00:00:37.440 hey it's been a while since I've done a monochromatic outfit video so I thought it was time you know it's a great time to do that I love monochrome outfits it's just like one of my favorite ways to dress so here are a bunch of monochrome outfits for your outfit inspo I hope this video inspires you to dress monochromatically in colorful colors and um you know let's get this video to five likes if you got that reference then you're an OG let's get into it
+00:00:45.540--00:00:47.700 you have friends and that's fine
+00:00:50.100--00:00:52.020 but you could be here tonight
+00:01:09.260--00:01:10.260 baby
+00:01:25.700--00:01:26.700 tonight
+00:01:39.180--00:01:41.280 driving foreign
+00:01:46.079--00:01:52.079 there but you don't want someone to hold it right
+00:02:24.440--00:02:26.819 okay tonight
+00:03:17.720--00:03:18.720 foreign
+00:03:39.319--00:04:06.780 so that is all for today's video thank you so much for watching make sure to like And subscribe you can find me on Instagram depop Tick Tock and Pinterest and stay tuned for some more exciting news just kidding I don't really have any news I just felt like saying that but um thank you so much for watching I really appreciate you guys I really hope that you're doing well and that you're having an amazing day so far I hope your day continues to get better and I'll see you in my next video bye
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+00:00:09.120--00:01:05.519 hey guys welcome back and welcome to my channel it's brianna and in today's video we are doing a thrift flip and upcycling session so essentially i'm going to be like fixing a bunch of things in my closet whether they're like brand new and they don't fit right or have like old clothes that i want to upcycle so i'll wear them more often or just want like thrifted items that i thought were cute that just needed a little fixing i didn't have time to do all the sewing in one sitting so if some of the clips are different then just like disregard that so without further ado let's get into the video so the first thing that i'm doing is just sewing a little hole in the armpit of the sweater that i was actually just wearing and i'm using a really similar colored thread just so it'll be less noticeable to others and just another tip for you guys when you're thrifting online such as like on instagram or depop i wouldn't completely turn away from items that are like slightly defective whether they have holes in the cuffs or like this one in the armpit just because you can bargain for a lower price because of the imperfection but you can take it home like me and just fix it up really
+00:01:10.840--00:04:02.560 easily so this outfit is actually quite fitting for the rest of the video but i'm just wearing this thrifted crew neck it's from ci thrifts on instagram i'll leave all the shops that i bought stuff from down below if you guys are interested and this is just a collared shirt of my old high school uniform so i kept a bunch of the shirts to wear underneath my crewnecks and i just paired it with some anna louisa jewelry they're a really sustainable brand thank you annalisa for sponsoring this video and just a little bit more about analisa they're actually having a huge black friday deal right now it's buy one get one fifty percent off their entire website so make sure to click the link in my description box where i tell you more about their brand so annalisa is a sustainable ethical carbon neutral jewelry brand based in new york city and besides their various styles metals and pieces um which i'll get into annalisa is so transparent about their mission you can see all about their goals and commitments on the website essentially they are partnered with cool effect which is an initiative that protects around 7 000 acres of forest which offsets their carbon emissions and obviously benefits the environment and the cities around the area so all their packaging is also super eco-friendly it just says smaller packaging less waste more love so this really goes to show how serious they are about their sustainability mission which is really nice and consistent for a brand the quality is amazing i've been wearing their pieces non-stop since i got them for the past month or so and with the buy one get one 50 off deal it's a great time to check out i mean check them out but also check out so make sure to click the link in my description box to take you right there so guys this is the before of the brown tank top i'm thinking that i'm going to crop it like this and then just take it in like that obviously and cut off all the other fabric but that is the plan i am going to be using the uh safety pins to pin the brown tank top to the size that i want of another tank top that i like so what i'm gonna do is i'm going to put this tank top this beige one that i really like on top of the brown for the width wise i'm just going to pin the shirt tighter and this material is a lot stretchier than this one so i'm actually just going to pin it in a little bit on either side and also shorten the straps here and of course cut off all this length and sew a new hem so that's what i'm going to do now so first i'm just pinning the shoulders of the brown tank top just to a similar length of the beige tank top just because i found that it hung a little bit too low on my chest i'm also just making sure that they're even on both sides and then again i'm placing the beige tank top on top of the brown and pinning how much i want to take in on the sides of the brown tank top and this is just because i wanted a tighter fit i found that it was a little bit too loose and then i got to sewing
+00:04:05.599--00:04:34.479 i actually went over the shoulder straps a few times but for the size of a tank top i ended up just doing one single stitch that was really close together following the bobby pins all the way down so it's nice and straight if you have like fabric chalk then you can obviously make a line and you don't have to do the pins but i don't have any so i just did that this is what the stitch looks like on the outside and then when i'm done i'm just going to cut off all the excess fabric and take off the pins of course but not
+00:04:40.840--00:04:41.840 bad
+00:04:46.560--00:05:23.840 and this is the final product i think it turned out really well i'm definitely going to get a lot of use out of this tank top and i actually wore this exact outfit for an instagram pic so make sure to follow me on insta next i'm just sewing this white skirt that i got from chen and i actually sewed a double hem on this and used the grid lines on my sewing machine that's also like 60 years old so just like disregard that i did a double seam on this because that is what the original hem had and i just want to follow suit with that and then i also just cut off the excess fabric on the inside of the skirt so it would lay flat on my legs
+00:05:34.880--00:06:00.880 and last but not least i just thrifted this polo t-shirt that i thought would be cute if i just cropped it i have a similar one in navy blue with a white logo i think you guys would have seen it in a lot of my what i eat in a week videos because it's one of my favorite crop tops so when i saw it for like two dollars in store i just had to get it again like the brown tank top i just took another shirt that i liked the length of and laid it on top then i just laid out with a measuring tape and i just cut along that whole
+00:06:04.840--00:06:05.840 line
+00:06:13.440--00:06:34.240 and this is the final product so guys that is the end of the thrift haul i hope you enjoyed it and if you did make sure to like and subscribe and leave a comment down below and make sure to check out the description box if you want to learn more about anna louisa and all of their jewelry and especially their buy one get one 50 off black friday deal so without all being said i'll see you guys in the next
+00:06:43.800--00:06:44.800 video
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+00:00:00.120--00:00:26.400 what's up folks I got something cool to show you a friend recently gave me this set of dice and it's not like a regular set of dice it's like for Aeropress which is really cool so we're gonna roll it we're gonna brew a coffee and see how it is there's one for grind size and how long you're gonna be Brewing the coffee one for temperature one for upright or inverted including Bloom one for your coffee to water ratio as well as stirring method
+00:00:30.300--00:00:34.860 24 grams of coffee to 200 grams of water
+00:00:36.899--00:00:58.199 75 degrees Celsius inverted with a 30 second Bloom no stirring with a medium coarseness wow okay let's get started we're going to use the peachy keen by Proud Mary roasted in Portland this one's a honey process so it has a little bit of funk to it but in general it's pretty fruity and not overwhelming
+00:01:02.940--00:01:24.720 so for the inverted Aeropress method you take this pop it on here we have our wet coffee filter here this is going to go on after like this so next we're just going to bloom it with 30 grams we're going to add in the 170 grams after the 30 seconds has elapsed hopefully we'll have that all pressed and done by 120 seconds and see how it tastes
+00:01:27.000--00:03:05.099 it's pretty much one gram of coffee to one gram of water right now which is very low and because I'm not able to stir it I'm going to pour from really high just to get as much incorporation as possible inverted method is always kind of scary because now you have to take your carafe and flip it and the idea is that all the coffee that was sitting here gets plunged and Cycles through the water we gotta start pressing quick because we only got what two minutes for this and two minutes and five seconds they say to dilute it to share but I kind of just want to try it as is and then see how I want to take it from there I probably will have to dilute it I noticed like a bit of the coffee didn't mix as we flipped it that's likely due to the small amount of Bloom it gets a little bit saturated and then it sticks to the top of the plunger which definitely needed a stir but the recipe said don't stir so you know hopefully we're gonna learn something today with that it's very cloudy in this fast Brew I have to push really really hard and then I'm forcing those particles through the filter paper probably gonna have a thicker mouth feel it's a little bit more like syrupy because the ratio of coffee to water was really high like a lot of coffee just a little bit of water so probably a bit more concentrated also the temperature was really low so the extraction is probably going to be less because of that so let's just let's just try it let's just see how it is yeah it's like very viscous it's I actually don't think I've brewed coffee this thick before it kind of has like the consistency of like a thicker juice which is wild
+00:03:07.519--00:03:55.680 whoa it has like a nice fruit characteristic to it but the mouth feels like way too heavy just throws you off it's like I feel like I'm drinking warm juice yeah we're gonna die with this and if you're gonna dilute coffee like this it's also called a bypass method um so you can like brew a really really concentrated coffee add in a bit of like Kettle water to it and hopefully you'll get like a lot more pleasant of a flavor from that and immediately it's way better like it produced something so cool it was like a cold extracted juice yeah it was a cool experience and being able to like roll these Dice and Brew something completely different every day um it was really cool but now it's time for some exercise oh fine just relax
+00:04:27.320--00:04:28.320 foreign
+00:04:42.860--00:04:54.600 I don't think I played very well today but it's good to just have fun sometimes and run around and just shoot saw a lot of people that I knew there or just people that I recognized but now I think it's time for a little post basketball coffee
+00:04:57.840--00:04:58.500 thank you
+00:05:21.080--00:05:22.080 foreign
+00:05:25.320--00:06:04.020 so the basketball games are over so now we're just going to do a little bit of preparation I'm having some people over tomorrow so we're just cooking up a little bit of a marinade for some pork that we're gonna sous vide tomorrow so right now we're rendering out some onions just getting them nice and caramelized I'm doing this pretty quickly it's just going into a marinade and getting blended so I'm not taking it too too seriously got some pork shoulder we have my uncle's signature southwest seasoning on these so we're going to sear those up in a second and then in the jar we've got a bunch of garlic we've got some limes I zested them de-skinned them and we're just going to blend them whole like that
+00:06:29.000--00:06:30.720 thank you
+00:06:33.060--00:06:42.840 foreign y so right now we're on our way to a Coffee Roastery we're gonna cup some coffee maybe roast a little bit and just hang out um say I'll dry smoke
+00:06:51.180--00:07:17.160 yeah the difference between those two rows is like I thought it was so crunchy to a level of like almost unpleasantness yeah I found that like it was like it's a lot of flavor but I wasn't a fan of like the finish on it right alrighty so that was pretty fun we didn't get to actually roast today I definitely learned a lot when it comes to cupping and how that translates to roasting it was a very like informative experience so yeah on to the next thing
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+00:00:00.080--00:00:08.200 come on and stand a little closer talk a little louder tell me what you thinking
+00:00:19.279--00:02:16.640 what's up guys so for today's episode we're going to be what this is weird why is it weird cuz you're never in the beginning of videos that's true yeah you can't just switch it up like that honest just cuz it's Thanksgiving you think you change up your Thursday routine no yena here is going to try to catch all the red lights so we could pull up next to cars and I'm going to somehow get their attention and once I get their attention I'm going to tell them if you can say anything to 100,000 people what would it be the 100,000 people are you guys he looks like a nice guy who would do it yeah the guy in the white yeah okay he that's right here stop stop stop hey you think I can interview you real quick um if you could say anything to 100,000 people what would it be to 100,000 people yeah that's a lot of pressure I don't know what what I don't know maybe surfing just chill out rock on God bless you YOLO I love the world I love a 100,000 people I love the whole world and I hope they do be empathetic to each other understand empathy be kind to each other and diversity makes us stronger Maybe those can stop teaching kids for two generations we would be okay be safe in the street just keep swimming why are all you guys here I'm not just Asian I'm Chinese Puerto Rican don't get murdered be sexy but I would never say anything in front of 100,000 people hello anything else bye twist it up don't get it twisted there's more meaning I tell him I would tell them there was more meaning I'll tell them that we're not as smart as we think we are we need to Humble ourselves and we need to get over the simple shit there's a million differences that we have so we need to focus on what we have in common
+00:02:21.360--00:03:06.959 watch out when you're trying to drive your car through the fire because your car will choke too and you will burn that's not funny that's what happens to a lot of people the the new people don't tell you that your car is going to choke out too when you drive through the fire where's the love you are l i love you I love you love each other to love everyone love each other love each other people learn how to love one another not very unique but it's probably like Lov to fellow human beings it's probably a good idea in general I don't know I'm Hi how are you be cool be happy life is just the beginning find a way to get rid of trump go Trump the lady before you said find a way to get rid of trump
+00:03:09.720--00:03:29.599 he's polarizing ay Trump 2020 get rid of trump I love United States where you from Jordan how's your day going leave it down in the comments Below have a nice day live your life to the fullest are you having a good day yeah he's came back from Sal
+00:03:34.519--00:03:42.239 let's go to the next L don't do to others but you would not you know do like to do it for yourself
+00:03:46.519--00:04:19.399 do your best to make changes and affect the world in positive ways um be the best you can be and um don't let anybody stop you or tell you what you should or should not do you should remember that a lot of what people say has to to do with themselves and not necessarily you so I guess keep that in mind when dealing with other people and taking things personal that it's not always people out to get you that you should just try to be empathetic and put yourself in other people's shoes and try to learn lessons from other people that way
+00:04:21.519--00:04:29.720 well enjoy life because life is very short and Eno little things and big things thank you
+00:04:40.280--00:04:49.800 what are you waiting for is recording right now mhm excuse me can I ask you a quick question on camera no okay
+00:04:52.199--00:05:10.320 I'm just hoping I don't get carsi back here B boys what you what you what you going to do you did that really good not that one B boys what you want what you want what you want to do cops filmed on location with the men and women of law enforcement
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+00:00:04.839--00:00:11.040 welcome to a trip through time are you ready to travel to the Past today we're going to learn about the digital
+00:00:14.759--00:00:37.280 error Emily and Jay were bored their dad was a famous scientist he worked in his lab he never let them in but one day the children ignored him and snuck in there was a strange machine with a million buttons on it in the room they were surprised when they saw
+00:00:39.800--00:00:46.239 it their dad had told them about a new invention a machine they could use to travel back in
+00:00:49.039--00:00:59.920 time Emily and Jay walked into the time machine without thinking Jay accidentally hit a lever and the Machine started to talk
+00:01:02.000--00:01:37.040 hello children I'm time zor why did you turn me on now you must travel with me through time we're traveling to California we're going to meet Steve Jobs and his friend Steve wak the creators of the first personal computer fasten your seat belts hi kids Welcome to our offices we just created the first personal computer the apple
+00:01:40.280--00:01:52.799 one he founded Apple in 1976 with his friend Steve wnc thanks to the success of the Apple 2 computer he became very famous and widely
+00:01:54.840--00:02:29.840 respected the Apple 1 was the first personal computer created by the Apple company in 1976 designed by Steve wnac and Steve Jobs a few years later they invented Apple 2 the first computer in the world to sell successfully that heap of junk and cables my dad has a computer at home with that apple drawing but yours is really old are you sure it works of course it's an amazing machine till now nobody could have a computer at home
+00:02:32.200--00:02:41.440 his inventions and machines were fundamental to the evolution of personal computers he founded Apple with Steve Jobs and created the Apple 1 and Apple 2
+00:02:43.480--00:02:55.840 computers Mr wnc it doesn't look to me like it will work but if you say so I do know that in the future you guys are going to be very famous right little
+00:02:58.840--00:02:59.840 brother
+00:03:05.519--00:03:10.040 an instant camera is a kind of camera that takes a picture and prints it off the
+00:03:12.200--00:03:13.560 camera All
+00:03:18.400--00:03:25.879 Aboard well children are you ready to discover more periods from the past click on the box to keep traveling through
+00:03:28.760--00:03:29.760 time
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+00:00:19.039--00:02:15.760 I've been running around in circles for so long I never really understood what I did wrong was trying hard to find a place where I belong the it didn't in the middle of then it all came back when I thought that everything was L for a cold November night when I met my misses right my feelings come to life again when I thought I didn't care I just saw was standing here and my feelings come to life again now I wake W up every morning next to her I got to pinch myself to prove girl girl there's no place I rather be here in this world cuz I have no doubt and I know she ising up and I tried to block those feelings off did I do in the M of and it all came when I thought that everything was L want a go November night I my Miss right my feelings come to life again my feelings come to life I didn't care I just saw was standing near and my feelings come to life again my miss my one and only one my one and only one my one day one and only one I one be one and only one guess it really was giving up on love and I tried to block those feelings up and it all came back when I thought that everything was
+00:02:20.959--00:02:36.000 L catching on fire you knew yeah you kept it to yourself to yourself two moovs I get lost on my way searching for liar this ain't good for my he no this ain't good for my
+00:02:58.840--00:02:59.840 Heth
+00:03:09.159--00:03:43.720 to clean and I don't want to be the one to make you cry I'll play inside I'll start a fire I'll tell your friends that I lost my mind it'll take a while but I start to smile broken windows broken to froing Willows go for miles hope will let go that's a star and you see trust I must be disgusting rust God I hate myself I just want to unplug fuck no I'll go where I want to but I'm stuck in my bedroom I'm telling to keep myself from hurting those around you
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+00:00:01.280--00:01:03.760 good morning yay I'm so excited for today you can't see by the title all right quick little battery Switcheroo cuz my other one was dead but anyways where are we going Tokyo Disneyland woo so we're going to Disneyland and this was actually not really planned until like a couple days ago we actually don't even have tickets we to go buy at the park because we weren't allowed to buy them online don't know but yeah we're spending the day it's just going to be me and it's just going to be me and Justin I think his parents are going to be doing their own thing and trying to figure out where we're going cuz we got a bus there so yeah we're going to be spending all day in Tokyo Disneyland and I'm so excited we're especially excited for all the food because the desserts are going to be so bomb we already know we saw videos pictures online did a research so right now it's about I would say 7:50 pretty early we're going to try to get there when the park opens which I'm sure we
+00:01:08.280--00:01:23.799 will my God obviously everyone's going to work today we have to fill our bus cards because it costs about $8 to get to and from Disneyland and we don't have enough in our bus cards right now so we're doing
+00:01:27.920--00:01:29.920 that okay
+00:01:32.360--00:01:40.759 it's so hard to walk through cuz everyone's just stampeding taking up the entire staircase when there's obviously two sides come on
+00:01:44.759--00:01:59.840 y'all you got a friend in me when the road rough ahead in your miles and miles from your nice warm bit you just remember what
+00:02:04.880--00:02:35.160 so we are waiting in line now for Winnie the Poo's honey hunt we did our research last night and we're following some person's advice we just got fast passes from um mon in the Monsters Inc ride and then we come straight here cuz it's only like a 30 minute wait and then that's pretty much how we're going to start our day because those are like the two must ride rides here in Tokyo Disney so check and check oh there's a cute baby looking at
+00:02:51.360--00:03:03.519 me so we're about to have our first meal in Disneyland and we are having it's Mickey mous shaped oh so cute wow so cute we got
+00:03:07.560--00:03:29.760 fries you got a friend in me when the road R ahead in your miles and miles from your nice warm bed you just remember what your passing boy you got a in me yeah you got
+00:03:35.799--00:03:43.200 so we got a Tapioca mango drink from squeezers tropical squeezers which is in like Adventure Land we're supposed to apparently be super good
+00:03:58.720--00:03:59.720 so
+00:04:06.599--00:04:29.720 Okay so we've been walking around for a really long time and we're actually so tired we pretty much got through the whole park already and it's only like 2:00 um and we're planning on staying like all the way till the end cuz we want to see Firework and stuff but anyways we stopped for lunch and we got Curry yum and we found these these little dumpling things or mochi balls I don't know and they're so cute
+00:04:41.520--00:05:29.639 Stitch SM banana I think this one I don't like that one double knot please thank you kind sir my hair has been in a bun all day so my hair is looking super crazy right now so after sitting at the curry place for like an hour we decided that we're actually going to leave Disneyland and we're going to go to Ginza it's a shopping area in Japan or in Tokyo and actually a lot of you subscribers mentioned that I should go to Ginza so I want to check it out plus we could get some shopping done I don't mind I did want to stay in Disneyland to see like the electric parade and the fireworks but um it's not really a big deal w
+00:05:31.919--00:06:43.759 bro I was more scared of you than the pigeon that was a freaking bird that just flew right by us that happen that happened twice today I got super scared by a bird that was like right by my feet earlier we just took some really cute pictures in front of the castle um so I think we're set we're probably just going to head out now we might come back yeah we can come back we'll see we might come back for the shows cuz they're not till later tonight and ginsa is not that far from here so we can just get back on the bus and stuff I'll keep you guys posted hey so after a lot of walking and searching for this Plaza we found Tokyo Plaza and Ginza honestly I don't need to buy anything but I just want to like walk around it's kind of cool to thing this area cuz it's so Lively and there are a lot of shops so far Ginza is way out of our price budget and it's just full of a bunch of designer high-end stores that I would never be able to like a Gucci Gucci Lou Lou fny fny product but anyways we discovered that there is a Unico here and it is the biggest location like ever in this whole entire world so we're going to check it out here we
+00:06:46.199--00:07:12.000 are that's all Unico oh my God this store is 12 stories high it is insane I am so in shock right now I'm in the uniclo dressing room and I have so much stuff to try on and they gave me this so that I don't get foundation on any of the clothes it's a freaking face mask and then they had me take off my shoes they also Swiffer the floor before I got in here so it's like they're super hygienic in
+00:07:18.560--00:07:39.560 Japan thank you so I forgot to end the Vlog that day but pretty much we were too tired to go back to Disneyland so we just came back to our hotel enjoyed really fancy like four course dinner um and it was just really good but yeah that was our last full day in Japan which is really sad but there's one more Vlog from this
+00:07:46.199--00:07:47.199 trip
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+00:00:28.960--00:00:29.960 ‏k
+00:00:59.480--00:00:59.920 ت
+00:01:28.840--00:01:32.840 ه ‏oh
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+00:00:28.960--00:00:29.960 let
+00:02:58.760--00:02:59.760 for
+00:03:29.159--00:03:29.680 go
+00:03:59.280--00:03:59.680 he
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+00:00:00.060--00:00:05.130 minimalism is a means to a bigger life not a smaller one I
+00:00:10.940--00:01:47.939 think there are these misconceptions about minimalism both from people on the outside and maybe from some people who are just beginning to pursue the lifestyle that minimalism is somehow a means to check out of life check out of society they picture the goal of minimalism is sitting on a beach somewhere for the rest of their days but this is not the best way to view minimalism minimalism frees up our finite resources so we can pursue more important things in life than physical possessions it frees up our money and our time our energy our focus it brings intentionality into our life it frees us up to pursue our greatest passions it frees us up to pursue those things in life that bring real joy and real meaning and real significance and real fulfillment and happiness and the place that we're going to find the most meaning and fulfilment is in helping others in serving others in giving to others in being the best member of society that we can possibly be if you are just getting started on your journey to minimalism please don't see it as a way to check out of life see it as a way to live a bigger life focused on the things that actually matter
+00:02:05.689--00:02:11.090 and hey if you're enjoying these videos be sure to subscribe share them with your friends
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@@ -0,0 +1,12 @@
+00:00:14.879--00:00:46.440 new year new me no wait new year new goals new vision and a new plan hey friend hey it's Ashley and today I'm going to set up my planner and update my iPhone for the new year and I thought I should film this for two reasons one so y'all could see how I set things up and two for my own personal accountability so grab your iPad get you something to drink I'm drinking green tea and let's get into
+00:00:51.760--00:01:05.720 it I still can't believe it's time for us to set up our planner for 2023 I'm using volume two of the all things planner and I'm going to start on the planet page I'm going to use this goal setting word search to find my three words for the
+00:01:15.119--00:01:40.640 year so my words for 2023 are abundance connect and accomplish and I really like those um those are some good words for the year I'm hoping for no I'm not hoping for I'm expecting an abundance of Positive Vibes I'm going to connect and spend more time with the people who matter most to me in my life this year and I plan on accomplishing every goal that I set for
+00:01:46.439--00:02:19.959 myself now let's set some goals for 2023 first take a moment and reflect on 2022 think about what went well what didn't and what do you want to change from last year it doesn't always have to be new year new me this year for me personally is going to be same me new vision and new goals these are a few of my goals or intentions that I'm going to set for the New Year I'll definitely do a deeper dive into my goals in a planning session by myself and get more detail but these are the highlights of the areas that I want to focus on this
+00:02:26.280--00:03:31.879 year now let's set up your custom dividers this is the part of the planner that makes digital planning completely customizable you get to decide what areas you want to plan for 2023 or whenever you're using the planner your custom divider section is where you're going to build up your planner however you want it by adding the templates that you want to use in that section there are no templates um behind the custom dividers this year I'm going to use my custom dividers for household Faith work Health Fitness meal planning journaling so social media content and I'm going to create one for Ashley digital Studio that's only nine so I'll have one more that I can use later on now I plan on decorating my custom dividers a little later on and if you would like to see a video for that please leave a comment below I'm going to quickly show you how to add labels to your dividers so the quickest way to access your hyperlinks is to be in edit mode once you select like household like I just selected it'll bring you to that first divider and you can type in the label for that divider position it where you want resize it and now you've labeled your
+00:03:36.959--00:04:07.959 divider for the add a glance calendar I'm going to copy the color code that I used in my current planner and I'm going to switch it to the new calendar I'm also going to remove the main I can't talk I'm also going to move the remainder of the events that I have on the calendar to my new calendar I like using this at a glance calendar cuz it really helps me keep track of the school closings release days and remote learning that my daughter has for school also I can quickly see when holidays or when I'm scheduled to be off from
+00:04:19.160--00:04:36.840 work now I'm going to create a vision board for the year I'm going to use the split screen option and the website for Pinterest by using the website I'm able to drag and drop all my photos that I want to use for my vision board instead of saving them to my iPad transferring my pictures like this has been a time saer and a space
+00:04:47.639--00:05:11.560 saer the last part of the setup would be dating the planner now I'm not going to go through the whole process of dating the planner because I have a detailed video to help you make this process quicker that video will help you create this calendar sticker that I'm using now to date my planner I'll link the video here so I'm just going to quickly date a few calendars so you can see how quick the process
+00:05:28.639--00:05:29.639 is
+00:05:37.240--00:06:13.599 so now that we have our planner set up let's update the iPad really quickly the first thing I want to do is export my vision board as an image and save it as my lock screen before I save the vision board I want to make sure that I edited and remove the taskar off of the side of the screen because I only want the vision board on my lock screen for the fin iPad update I'm going to change out the photos I'm using in widget Smith for my home screen I save the pictures that I want from Pinterest and add them to widget Smith I'll get you a step-by-step video on using widget Smith if you've never used the app
+00:06:24.039--00:06:36.599 before all right that's all I have for you today I hope that you found some of this useful while setting up your plan for the new year if there's anything you would like me to go over leave it in the comments below all right y'all I'll see you soon till next
+00:06:43.680--00:06:44.680 time
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+00:00:00.080--00:00:08.559 microphone's on camera's on weird Plastic Man is on I put a unicorn mask on him and I kind of thought it made it better I'm not
+00:00:11.719--00:01:12.280 sure I've built something potentially horrible I don't know why even try to do it as a reveal you've seen the title you know what I built you still click the video I don't know what that says about you but I like your style seriously though this project threw me into like an existential crisis cuz I had a bunch of friends who were at Standing Rock and protesting and doing really good stuff and I was like I'm home building an ass wiping robot yeah but maybe an ass wiping robot is exactly what this world needs because a lot of people are full of shit and maybe they just need help wiping their buttcks better I've been dwelling on that joke for a long time anyway let's try it out I don't know what this feels like but it feels weird oh yeah so basically how this works is I have an nardino Nano and it controls a Servo motor whenever I what that was not supposed to happen this is terrifying technology you need to obey my
+00:01:17.759--00:01:22.880 command let's reprogram this thing take
+00:01:28.920--00:01:29.920 two
+00:01:32.600--00:01:47.240 yeah I told you I built something horrible do you understand that I can't use my own butt for this I completely understand that use some duct tape it's a slogan of my life perfect take three or
+00:01:52.000--00:02:11.038 whatever if this is an art I don't know what is I'll auction it out not this is the flattest ass I've ever SE seen no keep your legs in place how hard can it be this might be the weirdest thing I've done today easy
+00:02:13.080--00:03:07.200 boy yeah surprisingly hard how do people do this should I have a t-shirt as well I'm not sure if I have anything his size well I do have this one that I got from a IMDb yach party stop you're having a rough day stop no why try this again stop seriously mannequin go fuck yourself actually that doesn't make sense cuz fucking yourself would be masturbating and masturbating is healthy and good for you so go fuck yourself as more like hey you've done great you deserve a break go fuck yourself I'm going to start saying that to my friends I think we're finally ready let's try this
+00:03:17.760--00:03:21.879 out oh wow look at this this is a hot freaking
+00:03:28.760--00:03:29.760 mess
+00:03:45.840--00:04:40.000 no what just happened so that's enough F ass swiping for a lifetime I really hope you like this project I had a ton of fun making it also there's a link in the description for my friend Marcus's GoFundMe to go to Standing Rock again he's brought a bunch of supplies and and winter gear and tools to the people there and he's doing really great work he's the guy who helped me make spool so if you like spool show him some spoolie love and consider donating to his GoFundMe I feel like I'm getting political recently but it's political times and I think it's really important to show your support to the the the causes that you care for so yeah shitty robot Nation unite for a better world and ass wiping robots uh yeah I'll talk to you later you go fuck yourself you've deserved it bye bye bye bye bye bye bye
+00:04:47.840--00:04:48.840 bye
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+00:00:28.960--00:00:29.960 oh
+00:00:59.239--00:00:59.920 oh
+00:01:28.840--00:01:29.840 oh
+00:01:58.840--00:01:59.840 oh
+00:02:29.239--00:02:29.760 oh
+00:02:58.760--00:02:59.760 oh
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+00:00:00.640--00:00:52.480 living in smaller spaces is becoming increasingly common in our big cities as they often offer a cheaper and more sustainable option than larger homes my name is daniel titchener and i'm an architect and photographer living in london and this is my 300 square foot minimalist apartment i live here with my wife nisha and the challenge of sharing such a small space is fitting in all of our possessions while still enjoying all of the luxuries of a bigger space there are a few things we did in order to make this work in the living area the table we chose uses a hinge system that adjusts between coffee table and dining table height once raised the table can be pulled apart and extended using a hidden panel allowing us to comfortably seat up to six people our console then doubles as both storage and individual seating using cushions that we store underneath our
+00:00:56.840--00:00:57.840 sofa
+00:01:05.519--00:01:17.840 instead of choosing to have a bulky tv we use a wall mounted projector that's pointed towards our living room window i can then pull down our white roller blind which gives us a large empty white surface to project onto
+00:01:22.080--00:01:44.000 i paired this with a high quality sound bar to complete our cinema experience for my work area i've mounted my desk on folding hinges so they can be folded up or away as needed this works because i use a wireless mouse and keyboard and my monitor is attached to the wall using an adjustable arm this frees up valuable desk space and gives me the most comfortable viewing angle
+00:01:48.479--00:02:07.840 the kitchen and bathroom are in a sorry state because they're dated and frequently used it's easy to neglect these spaces but we find that keeping them clean and clutter free makes a huge difference this temporarily puts off any itch to remodel saving us both time and money and saving the planet another small heap of construction waste
+00:02:11.360--00:02:45.280 our bedroom barely has enough size for a bed let alone any storage for all of our clothes gear and shoes to get around this the bed frame is made of two dresses with custom built framing and the cavity behind the dresses comfortably store most of our clothing and gear and the cavity serves as a space to store our bulky and frequently used items such as suitcases and tools on the wall we've added a picture ledge mirror and hooks to serve as a dressing area and somewhere to drop our everyday carry this maximizes the use of the space at the foot of the bed and keeps the closet easily accessible
+00:02:47.680--00:03:04.560 without all of these small tricks we'd never be able to live in such a small space and we'd be forced to live in a bigger more expensive apartment but we find that living in a smaller space with less stuff allows us to save time and money which allows us to live a little more happily and sustainably in the process
+00:03:06.800--00:03:17.840 if you like this video please like share and subscribe to my channel and get in touch by leaving a comment in the section below thanks for watching
+00:03:31.120--00:03:31.200 you
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+00:00:16.600--00:00:24.359 instead of me starting here and you starting there why don't we both start that's a good idea okay so that's where the big tower meets that room
+00:00:28.960--00:00:29.960 ready
+00:00:40.000--00:00:42.280 over here what this is over
+00:00:57.640--00:00:59.920 here yep you never know
+00:01:25.280--00:01:25.600 that
+00:01:28.920--00:01:32.680 window can thr the
+00:01:54.520--00:01:55.840 Tre so
+00:01:58.840--00:02:04.079 messy so what's going on here these are
+00:02:07.800--00:02:19.800 TOS get in this bit it's just a tree here yeah oh I see oh see I draw the bit that I think is underneath it I on top oh you
+00:02:28.840--00:02:29.840 do
+00:02:54.440--00:03:07.360 a little bit more of the darker shapes here this no you do it it needs to balance want you draw this land
+00:03:22.720--00:03:23.879 yeah all
+00:03:28.560--00:03:31.080 right y he
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@@ -0,0 +1,19 @@
+00:00:00.079--00:00:03.480 this is my first first video
+00:00:06.420--00:00:49.440 so a little bit about myself my name is Finn I'm 16 and I've been sailing the world with my family for about seven years we started in 2016 and yeah we've just been circumnavigating the low ever since I do a heap of stuff like playing the guitar kite surfing make videos I love photography and filmography and yeah I want to share my lifestyle with you guys on on YouTube so that's what I'm gonna do right now I'm in Hurghada Egypt and this beautiful little neat town I don't know what I'm gonna do tomorrow that's the beauty of this lifestyle you wake up every morning and you really don't know what you're gonna do I mean sometimes you do but yeah I'm a little nervous on starting this YouTube channel but here I am this camera is really close this is a weird angle but yeah let's go
+00:00:52.320--00:01:11.880 I just woke up and it is January 1st 2023 new year new me right no I feel the same anyways so I think today we're gonna go out to an Anchorage get out of this Marina which I'm stoked about I don't like the marina there's not much you can do here so let's get a move on
+00:01:20.180--00:01:24.540 so what we're going to the Anchorage we're going to the Anchorage
+00:01:41.840--00:01:49.439 we are motoring motoring to the Anchorage on this nice day I tell you what this place is so pretty
+00:01:56.399--00:02:08.880 all right we just dropped the hook and the wind is blowing so me and Jack are gonna go out for a kite sir and it's going to be a real good time cue the kite edit in three two one wow bring me back to you
+00:02:51.300--00:03:02.700 hello I have to do laundry so um yeah this is how we do laundry on our sailboat so we'll leave my room and we'll come right over here and we open this
+00:03:04.739--00:03:42.180 I bet a lot of y'all didn't think we had a laundry machine on this sailboat yeah we have a laundry machine I'm almost like a little housewife I like I like my laundry machine funny thing is our washing machine is actually in Greek because we never bothered to change the washing machine when we bought this boat so if you can read Greek here you go I don't know what any of that says but all I know is to click this button I mean it's just a normal washing machine I just I just think a lot of y'all probably didn't think we had a washing machine so I wanted to tell y'all the laundry is done and it is beeping like an annoying ringtone let's hang it out got another short HD and nothing like me
+00:03:44.239--00:03:46.440 I just want to have a good time
+00:03:52.040--00:03:53.040 foreign
+00:04:02.640--00:04:24.240 so I'm about to be done hanging out this laundry and I want to take a moment to appreciate how freaking clear this water is like look at how blue it is look at that it is so pretty here this place is gorgeous ah wow and but yeah that's how we do laundry on our sailboat hey cool
+00:04:38.660--00:06:04.680 something like that anyways we're back in the marina after lots of kite surfing at that Anchorage that was a whole lot of fun but yeah we need to get some groceries we need to top up on data and yeah we just need to relax a little bit so that's what we're doing but right now at this very moment we're fixing to go get groceries because uh ciao we're out so uh this is how we get groceries while living on a sailboat and it's quite straightforward but a lot of you ask and uh I will answer let's go I Gotta Wear My Shoes which I hardly ever wear but that was the best transition you've ever seen in your whole entire life and nobody can tell you otherwise I have no friends but let's go get some groceries we bring our own grocery bags because it saves a lot of plastic um we're big on the whole no plastic We Believe drill baby drill throw might we believe in microplastics we think mitral Plastics help the Earth they help fish they help the corals we love micro plastic anytime we get Plastics we all need to shut up I'm gonna get canceled no but we actually like using our own bags because um it does save plastic and it's easier and they're bigger and and sometimes they charge you to put groceries in bags exactly exactly foreign
+00:06:10.580--00:06:18.300 so the way we're getting to the mall which has the grocery store in it is Uber Uber Java Uber Java
+00:06:22.139--00:06:22.979 salaam alaikum
+00:06:25.919--00:06:31.139 how are you fine good good you very good professional Arabic
+00:06:41.520--00:06:41.699 foreign
+00:06:46.199--00:06:53.759 so it is just a typical mall but it has a big grocery store in it so yeah that's where we're going so this is a typical mall but yeah
+00:07:06.080--00:07:32.460 we hardly know what anything is because it's all in Arabic so we're like kind of confused about a week ago I got some of these drinks in there just they're the bomb some product in Thailand I guess I don't know but if you see these at your grocery store you should definitely get some because they're the bomb okay so we got the bare necessities basically what we need I have to do one more one more trip before we go back out to that Anchorage yeah cool I got Twinkies so I'm happy
+00:07:37.440--00:08:03.000 well you've made it to the end of the video thank you so much for watching thank you thank you anyways guys I'm super stoked to see how far I can go with this whole YouTube thing and uh even more excited to share my experiences and my lifestyle like I really feel like I can Inspire and motivate people to go see the world see the world dude thank you so much for watching again and yeah tune back in every Sunday let's go
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+00:00:00.160--00:00:21.760 what's your favorite food you've ever eaten what'd you say pizza you pizza you pizza so i'm pretty interested i mean when i was a kid it would have been a dream of mine to get to go around and just eat the best food in the city is it how is it good i love it and you pizza
+00:00:28.840--00:00:29.840 pizza
+00:00:33.200--00:00:44.160 my gosh hey folks we're here at essex market where we're getting an exclusive food review with the legends themselves food baby and why let's do it
+00:00:48.480--00:01:08.159 i would love if you could tell me what food baby nyc is and who y'all are so foodbaby nyc is some kids going around town trying new food with their dad and they're seeing what they like and what they don't like but but what matters is what they try new
+00:01:10.840--00:02:21.840 foods matthew what's it like to be matthew from food baby ny um it's very fun because my mom usually lets me let me choose what we what sometimes what we do so as the oldest you have the most power yes are you power hungry yes nothing will stop you from being in charge yes introduce yourself my name is sammy and i like to go around and eat new food so uh what's it you're the middle child of food baby and why yes what's that like i'm actually the only good child hey mommy and daddy always say sammy's the better the best child ever would you say food baby ny would be nothing without you it would be nothing without me people come to food baby and see me so what's like a secret of the show of your your channel that you need to tell people sometimes sammy sammy's doing something she's not supposed to and daddy mommy don't know daddy and mommy don't know sometimes hitting stuff around like with a rocket okay whoa this is call tmz this is getting a little crazy
+00:02:25.520--00:02:29.120 hi nikki i like chocolate front
+00:02:33.760--00:02:38.080 hey nikki come back here so uh what are we doing today
+00:02:48.560--00:02:51.360 let's go eat something let's go eat something good all right
+00:02:53.440--00:02:56.480 so we're gonna go eat something can you tell us where we are right
+00:03:02.840--00:03:11.440 now we are we're gonna get we're gonna get um burgers for lunch and we're at mighty's sounds good to me
+00:03:13.519--00:03:17.840 so uh are we excited to eat yeah
+00:03:21.200--00:03:56.400 should we dive right in no no all right so what are we taking off everything what are you taking off everything with the meat and cheese so the majority so they're taking off the majority of the toppings on the hamburger i don't like it what you don't like all right take a first bite i just did can you show it to the camera why do you want us to show our food to the camera i don't know i'm trying to do like a buzzfeed style like eating food video but it's gone a little off the
+00:03:58.840--00:03:59.840 rails
+00:04:04.959--00:04:05.920 restaurant things
+00:04:08.959--00:04:17.199 hey this is just what happens when you have a lunch with food baby ny feet get put on the table so they want to show me their friendship circle
+00:04:26.840--00:04:27.840 now
+00:04:35.600--00:05:05.600 i told you i was the only good one here i don't know my mom and dad just think i'm the best baby oh are you the best baby yes do you identify as a baby i think so how old are you five so why are you a baby um because my mom gave birth to me am i a baby no what am i you're a grown-up you must tell me i like i like chocolate sauce me too don't
+00:05:08.840--00:05:33.680 know so what are we getting we're getting a donut for some dessert yeah what kind are you getting um i'm getting the simpsons classic sprinkles of sprinkles stop touching them that's right so i got trace lay chase what'd you get um i got classic sprinkles you want to take it out ooh should we take a
+00:05:36.840--00:06:05.840 bite hmm what makes a donut good sprinkles what would you rate the burger we had 10 10 10 out of 10. that's amazing 10 what's 10 and 10 dogs so that burger was 10 out of 10 dogs what would you rate this donut i would rate the simpsons donuts like 11 out of 11. 11 out of 11 what um the donuts were 11 out of 11 cats
+00:06:13.039--00:06:29.120 nikki didn't didn't want to do a final interview that's fine you don't always have to could we could the three of us just say goodbye and then we'll go thank you for watching us and thank you for taking us around the world i'm a food girl and it's a food world and i'm living
+00:06:32.840--00:06:37.039 bye bye-bye see you later
+00:06:40.520--00:06:41.520 guys
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+00:00:00.359--00:00:01.359 으
+00:00:34.370--00:00:35.370 으
+00:00:39.560--00:00:44.820 too too 으
+00:00:50.450--00:00:52.350 으 으
+00:00:55.700--00:00:57.660 er 5 으
+00:01:09.500--00:01:10.500 으
+00:01:13.040--00:01:16.530 아 으 으
+00:01:19.130--00:01:25.680 으 음 으 으
+00:01:29.710--00:01:30.710 으
+00:01:41.280--00:01:42.280 으
+00:01:47.270--00:01:49.770 으 으
+00:02:15.830--00:02:16.830 으
+00:02:20.810--00:02:21.810 oo-oooo-oooo
+00:02:24.320--00:02:25.320 으
+00:02:31.040--00:02:32.040 으
+00:02:36.900--00:02:38.290 er 으
+00:02:46.050--00:02:54.250 으 으 으 으 으
+00:03:00.420--00:03:03.220 으 으
+00:03:06.000--00:03:07.960 으 으
+00:03:14.700--00:03:16.270 outer 아 으
+00:03:28.110--00:03:29.110 으
+00:04:01.830--00:04:02.830 oo-oooo-oooo
+00:04:05.130--00:04:06.130 으
+00:04:10.860--00:04:14.410 으 으
+00:04:17.200--00:04:20.029 poler 으
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+00:00:04.960--00:00:11.519 as a coffee enthusiast it's easy to go way overboard on how many coffee cups you have at home i live alone and i have 26 coffee
+00:00:14.920--00:00:15.920 cups
+00:00:18.320--00:00:34.079 but honestly the cup you pick is super important for how well your latte will come out and what kinds of designs you can do that's why in this video i'm going to show you the best cups to use for latte art oh and stick around to the end to see how you can enter my global giveaway of a set of these beautiful cups from kruve
+00:00:43.200--00:00:49.440 can't you just use any cup you like well of course you can i've even done latte art in this wooden cup i got from a local shrine here in japan
+00:00:54.399--00:01:26.479 but if you want to get nice consistent latte designs there are a few important features one is that the cup should have a wide brim so there's more space to pour the design this one's pretty obvious if you want to do designs like this you're going to need the space the curve at the bottom of the cup is also super important if you have a really tall cup then the milk is going to travel a lot further so you can't start your designs early the milk is also going to blend like blurrg at the bottom and you're going to end up with more white marbling lines having a cup with a circular curve like this one is really going to help you to pour better designs the rest is personal preference on what you prefer the look of
+00:01:31.600--00:02:09.119 so that's why i always use cups specifically designed for latte art like the first one on my list the new imagined double world cups from kruv this one's the 250 ml version and it's become my favorite cup to use for my morning latte it has a continuous curve so when you're pouring into the middle it's always going into the deepest point this gives you some predictability in how the milk moves under the surface and helps to prevent those lighter marbling white lines now there's no handle which for some might be a drawback but it's a double wall glass anyway so it's not going to get hot to the touch and for circular designs this makes it a little bit easier when you need to rotate the cut i love cruise cup design and i've been using their espresso cups for a long time but this is my new favorite in their collection these are the ones i'm giving away so more on that later in the video
+00:02:16.800--00:02:45.280 why am i doing this this is the not neutral lino nice i love this one because it has a really distinctive design with this long handle where your thumb can sit really nicely on top of it's also incredibly large this is the largest one 12 ounces or 355 milliliters this gives me plenty of space so i can use it to do extra complicated designs that require a lot of room i've seen some latte artists pull two double shots into one of these before doing their pour so they can have a nice base and a darker color man that is a lot of espresso
+00:02:49.040--00:02:54.400 this is the one you're going to use if you're doing world champion level latte outpours unfortunately i'm not quite at that level yet
+00:02:59.599--00:03:25.680 the last one i'll talk about is the love ramek's egg which was the official cup of the world latte art championship in 2018. it's also probably one of the cheapest latte out cups and i've seen them for around 10 pounds i'll leave a link in the description for those of you want to check that out honestly i like this one mostly for the color it looks really beautiful in photos and videos and it has a really nice thick edge to it you'll need to be careful when pouring latte out designs though because it is very easy to spill your latte over the edge it doesn't hold surface tension that well
+00:03:28.879--00:04:13.840 okay i know what you're waiting for so here's how you enter the giveaway jump over to my instagram at home cafe charlie and check the post about the imagine cups and then follow both me and crew who i will tag in that post there are a few other things you can do to raise your chances of winning and you can check that out in the post itself a massive thanks to crew for sponsoring this giveaway i've loved their glassware for a long time and i'm excited to see some in the hands of some of you lovely viewers good luck and if you want to learn more about how to do latter you should check this playlist of videos out here from my channel it covers everything from milk steaming all the way up to improving specific designs if you enjoyed this video please hit the like button and tell me in the comments below what cups you use for latte are there some really nice ones i might not have heard about or seen in cafes i'd love to know which ones are your favorites thank you so much for watching this video and i'll see you on the next one
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+00:00:00.399--00:00:10.280 okay I'm here now let's go meet the chef here are the most important things I learned about making Japanese style tempora a lifelong temporo Chef I'm very excited how long have you been making
+00:00:18.720--00:00:39.399 tempora Chef Rai spent a whole afternoon teaching me the most important aspects of making light and crispy Tempur and there are two very critical things but but this these two might be most most I see the first is the batter a lot of recipes online use allpurpose flour but wheat flour is actually what's used in Japan to make
+00:00:50.120--00:01:02.039 temp ah before you use it you need to shift it shft it when you're starting to prepare the batter try to make sure the ingredients are as cold as possible so play place an ice pack or ice water beneath your
+00:01:18.000--00:01:29.840 bowl and when you're mixing the batter don't over mix because your tempera gets heavier as more glue develops chef's special technique is gently tapping the batter until it reaches the right consistency
+00:01:34.840--00:01:50.040 one specific tip Chef Ry gave me for making beautiful shrimp tempora is to make small cuts under the shrimp and then press down on The Cutting Board until you can feel these small pops this will keep your shrimp from curling up while frying so you get the iconic straight tempora like you see in the
+00:01:57.520--00:03:06.680 restaurants ConEd oil gives you a lighter tasting tempora but because it's difficult to find at home vegetable oil is completely fine and to give the tempora a delicious nutty flavor Chef adds 20 to 30% sesame oil the second critical thing is oil temperature you want to keep the oil temperature as close to 170° as you can while frying too low and your tempor will come out oily too hot and your tempor will burn because Chef Ry has Decades of experience he can tell when the oil temperature is just right but to get the best results at home definitely try using a thermometer and lastly it takes about 1 to 2 minutes for the shrimp to cook but Chef Ry says you can also tell that it's done when the bubbl starts slowing down or disappearing especially around the tail yes this is you can take out that one the results were seriously unlike any tempora I tried back home in the states super light crispy and delicious shrimp without the heavy feeling of oil of course I took all of the notes from class and tried recreating it at home and although it was not as good as when I made it with Chef arah supervision it was still incredibly delicious and about maybe 80 to 90% as good as I remembered so I hope these takeaways will help you make delicious tempora at home
+00:03:28.680--00:03:29.680 too
+00:03:36.480--00:04:32.520 there's a saying in Japanese that goes Ichigo ich and it roughly translates to once in a lifetime I think this saying really captures how I feel about the entire experience from getting to chat with Chef Rai about his life as a temper Chef to the Hands-On master class in the kitchen and to the special lunch course we enjoyed afterwards prepared by Chef himself it was incredibly special to hear the stories from his life as a chef such as his adventure to acquire the freshest ingredients in Paris to serve at a dinner between the French President and the Japanese prime minister or how he would love to one day spread Tempur to the World by opening a restaurant in Los Angeles or San Francisco we even heard about his thoughts on how Japanese culture has changed over the years it's one thing to visit a different country and see the sites but it's an entirely different thing to really get to know the people who live in that country what they hope to achieve and what they're proud of learning about Japanese food and culture from a Master Chef while tasting the best Tempur I've ever had is such a unique and extraordinary experience and it's something that I'll remember for the rest of my life do you have any tips for firsttime tempora
+00:04:37.880--00:04:38.880 makers
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+00:00:22.939--00:00:25.769 are you ready for some bad boy town
+00:00:28.130--00:01:16.530 I'm going to show you how to pour the perfect not that not the most simplest and easiest thing to pull but the perfect way to start your laptop journey you don't want to a lot of people always go and try and start pouring ferns and that's the wrong way to go ferns are easy anyone can do them you just wiggle the jug and you create some sort of further looking thing and then you call it a Rosetta it's just not really Rosetta the best way to go start off easy pour perfect heart and then go from there and progress your way through so this is what we're going to be doing is we're going to be taking you on a journey and we're gonna start off and keep it nice and straight
+00:01:23.380--00:02:36.470 so it is beautifully poured espresso and some really nicely textured milk if you're not quite sure on how to test your milk correctly and you're looking at my milk thinking all crikey mine definitely doesn't look like that then please look at the link down below in the description and that will then take you to our video on how to pour and how to text your milk correctly so go to that first and then come back to this video and then go from there it's really important that your texture is bang-on if it's slightly too thick or slightly too thin it's not gonna work it's all she's got to be this lovely like one consistent texture all the way through that's really crucial for pouring right out okay so we're gonna polish both of these keep in polishing until you you pour really important otherwise the milk one let the milk will separate okay so I'm going to tip the cup onto a slight angle start off by slowly pouring around the espresso
+00:02:39.430--00:02:43.069 drop to the middle push and pour three
+00:03:10.810--00:03:48.080 just like so and then serve it to the customer give him a small and a tricky wink I'm sure they wouldn't mind doing just it that was fairly straightforward I hope you guys found it straightforward as well I mean to start off with it won't be but just keep going practice practice practice sleight anything you will get there eventually anything is possible with a lot of practice and determination so keep going guys before you know it it'll become a pretty badass barista yeah just keep at it keep drinking and enjoy Cheers
+00:04:05.709--00:04:08.269 then accorded rise you're gonna be
+00:04:29.770--00:04:30.770 not
+00:04:33.810--00:04:34.810 these
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+00:00:06.960--00:00:37.440 all right you guys i started by sitting in this chair in so many different locations around my yard to find the perfect spot for this fire pit once i did i measured out a circle with a diameter of about 15 feet tied a string to the middle of the circle and used spray paint to mark it out i then started digging out the circle by removing the top layer of sod and weeds out this was tough work i don't know why i decided to start this in the middle of august you can see how sweaty i am but i was so happy to get it all finished and all dug out
+00:00:40.320--00:01:20.240 i then somehow decided to dig more so my friend natalie came over and we actually dug a pathway from my patio to the fire pit this was so much harder because the grass more near my house had very deep roots so it's definitely a two-person job i then went to home depot and picked out the bricks that i would use for the actual fire pit these bricks were about two dollars a piece i think just a little less so i got about 30 of them here i'm only doing two layers but i added a third layer later on so that was a lot cheaper than buying a fire pit that's already put together that run over two hundred dollars
+00:01:25.200--00:01:31.520 i then covered the entire area with landscape fabric to prevent weeds from growing up to lay our gravel on
+00:01:34.960--00:01:43.920 i used black plastic no dig edging to put around the entire area to keep the grass out and keep the gravel in and just add a decorative
+00:01:52.840--00:01:53.840 piece
+00:02:06.880--00:02:32.319 i'm just putting on the third layer of bricks for the fire pit and putting in the insert that i got from amazon for about 40 i then found a guy on facebook marketplace that delivered me two tons of gravel instead of buying 50 pound individual bags this saved so much trouble and money but having to haul it from the front to the back was not easy but it was a great way to let out some
+00:02:34.840--00:02:35.840 steam
+00:02:47.040--00:03:27.360 i then measured where i wanted the pergola to go using the fire pit as the middle of the pergola and started digging those post holes i quickly realized i had the wrong tool for the job so i went and rented a post hole digger but this was very difficult getting through clay i swore to myself i am never doing another project where i have to dig post holes i cut the ten foot long four by four posts into nine feet and then put them into the post hole um using the seca foam post hole fill they say it's just as good as concrete it ended up being very sturdy but i'll let you guys know what i think long term i then put up two by sixes on the front and the back to create a
+00:03:30.840--00:03:34.959 frame i then used four by fours to create the corner
+00:03:44.840--00:03:45.840 braces
+00:03:51.440--00:03:55.599 i then cut two by fours at an angle to create a pergola top
+00:03:59.040--00:04:03.840 i put the pieces in place with wood glue and we'll go back with l brackets to secure them in place
+00:04:06.959--00:04:10.560 i then used my favorite stain color early american that i got from home
+00:04:12.840--00:04:13.840 depot
+00:04:24.240--00:04:31.120 next i attached the hanging hardware for the chairs to four by four blocks to put in between the two by sixes
+00:04:36.320--00:04:50.560 i then hung the chairs and added some final touches and i was done i love this project so much i'm so excited for fall and to have some s'more nights i really hope you guys like it like comment subscribe all the things and i will see you guys next
+00:04:54.840--00:04:55.840 time
+00:04:59.360--00:04:59.440 you
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+00:00:11.599--00:00:12.660 thank you
+00:00:32.098--00:00:32.820 foreign
+00:01:10.220--00:01:12.220 thank you
+00:01:14.360--00:01:15.360 foreign
+00:01:50.220--00:01:51.340 thank you
+00:02:24.680--00:02:25.680 foreign
+00:02:34.760--00:02:35.760 photographer
+00:02:37.879--00:02:52.260 often pink takes over everything else in our lives the passion to succeed professionally can set aside our own well-being and that is why I'm in a work-life balance Journey these days
+00:03:05.120--00:03:06.360 thank you
+00:03:41.239--00:03:42.239 foreign
+00:04:16.880--00:04:17.880 foreign
+00:04:45.680--00:04:54.600 I plan to share some kitchen stories some self-care stories and a lot of jazz stories
+00:05:13.880--00:05:14.880 foreign
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+00:00:01.120--00:01:00.280 okay today I'm going to be crushing a black obsidian crystal ball I'm actually a little nervous to crush this because I've crushed marbles before and they really explode like crazy so a sphere is a very very stable structure to crush so it can build up a lot of pressure before it actually explodes and this is just like a really big marble so I'm afraid for myself um we'll see what happens um I think it's going to explode though so obsidian is really cool if you haven't heard of it before the earliest some of the earliest tools that we know of are made from obsidian because it's kind of glass light so you can chip it and it gets really sharp so you can make Arro heads and weapons out of it so some of the earliest weapons and tools were made from obsidian then after I crush it we'll see what kind of shards come off of this see if I can make myself a little weapon out of it
+00:01:02.719--00:01:09.600 after okay black obsidian crystal ball crushed by a hydraulic press 3 2
+00:01:18.439--00:01:30.880 1 oh okay the wood broke okay let's keep going on the crystal ball three two
+00:01:42.920--00:01:47.439 1 oh oh holy
+00:01:50.000--00:02:02.960 cow who that broke my press holy cow that just shattered wow wow that was
+00:02:18.000--00:03:40.519 amazing okay now that was amazing wow that was one of the most powerful explosions I've had in my press I'd say the most powerful so that just shattered look it just turned into dust black dust that is so amazing it actually knocked the head off of my press I need to put that back on so look at these pieces look at that piece that came off just sharp sharp as a knife look at that let's see what I can make out of this okay so I am completely ridiculous I was just about to show you how sharp this was and I was trying to put it onto a stick and this is what happened so you can't really see it but my whole finger is just filleted right there I'm not quite sure if I need stitches but this flap of skin has closed back down now but ow so obsidian is sharp as a razor blade okay look how sharp this obsidian is if this isn't believable and look at
+00:03:50.159--00:03:52.120 this just like a razor
+00:03:56.159--00:04:01.840 blade I see now why they have made we out of this pretty
+00:04:04.920--00:05:06.280 cool nowadays what does one use a what does one use an obsidian crystal ball for well from the sell's website this is what it says crystal ball can enhance a person's Faith confidence and determination and enables a person to let go of striding towards the highest goal will give people the courage and help us others to conquer and complete the so-called Impossible Dream bring Fortune for entrepreneurs to enhance self-confidence decoration firm faith has absorbed the surrounding magnetic field that's nice and reduced the effect of radiation huh so if you haven't got yourself a black obsidian crystal ball what doesn't it do hey everybody thanks for watching I hope that was as much fun for you to watch as it was for me to get cut and and if you haven't subscribed yet remember to subscribe and like this video comment in the comment section and I'll see you next time
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+00:00:17.840--00:01:12.000 hey guys what's up it's Ruby and welcome back to my channel so in today's video we're going to be doing a my style lookbook and basically I'm going to give you four outfits that really encapsulate what my style is right now so I would say I keep things pretty relaxed and Casual most of the time in terms of my fashion choices so I love to wear jeans I love to wear lots of denim and sneakers if I do wear heels which I don't wear very often but if I do I'm going to wear like a really really high heel very uncomfortable but I just love the way that it looks and yeah so obviously my style is always evolving and adapting and you know um at the moment I'm actually really loving like cute little tops that are like pretty feminine tops like the with the puff sleeve or like with um like a pretty tight back and stuff like that so I'm really loving that kind of look right now yeah I hope you guys enjoy it and make sure to subscribe and let's get started
+00:01:22.079--00:01:51.000 so the first outfit is one that I would wear when I have a bit of a fancy event to go to I'm really loving this style of top right now especially since I like to weave in feminine p pieces with more edgy tomboyish Styles the puff sleeves and the tie back details of this top make it really easy to dress up or down depending on the bottoms that you choose I've chosen cut off Lei shorts to balance the look and then these spicy red stilos which not going to lie I don't last very long in but they are perfect for the 5 minutes that I can walk in them
+00:01:59.200--00:01:59.840 like
+00:02:12.080--00:02:52.680 so here is the jeans and nice top combo I actually don't have many items with clothing in this purple fuchia color but I think it's such a pretty summer color and I really like the longer sleeves and the high neckline of this top since it's not as revealing I mean until I turn around at least but yeah if you're not too keen on the back exposure you can easily throw on a jacket over this and no one would ever know so yeah I think the skinny jeans and the heels are always a great look plus rip knees of these je can add a bit of edge there always needs to be a little sprinkle of edge in my outfit so yeah overall this is a perfect look for a date night or a party or you can even switch out the heels for some dock Marts or heeled boots for a more casual option
+00:02:58.120--00:03:38.879 next we're changing it up with this black and white look this outf just screams casual and comfort to me the top is such a super soft cotton and I think that the square neckline is super flattering my pants are also perfect for when I'm not really in the mood for jeans and I'm craving more of like a comfortable but I still want to be stylish kind of option they are super high waist so they're perfect for pairing with crop tops these could also look awesome with an oversized jumper and some Jad and Doc Martens I added some color with my bag but nothing too crazy and I'm wearing one of my favorite Nike Air Force One sneakers and these are the and these exact ones are sold out unfortunately but I will leave a link for a few similar varieties in the description box
+00:03:44.640--00:04:19.680 now moving back into some color with this next look I think that the khi bodysuit goes really nicely with the light wash distress of the redone jeans these jeans are so expensive my bank account is crying but I did buy them on sale and I wear them a lot at least that's what I tell myself to justify the purchase but I decided to mix things up a bit and add some black Nike Air Force Ones because I think it makes the AIT a little bit more interesting this is a really easy after choice for when you're having one of those days when you just don't know what to wear you'll probably see me rocking this outfit on a Saturday when I'm out doing some errands and meeting a friend for branch
+00:04:28.320--00:04:29.720 you feel
+00:04:36.280--00:04:51.919 so guys that is it for today's video I hope you all enjoyed it make sure to hit the like button to let me know that you liked it and subscribe for more videos don't forget to follow along on Instagram my Instagram handle is @ post and repeat so yeah I'll see you on there and I'll see you next time bye
+00:04:59.840--00:05:02.039 oh yeah
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+00:00:08.280--00:00:17.199 hey guys my name is Kelly Waka welcome to my YouTube channel today I'm here with Gabe Cruz and uh he's going to set up my
+00:00:24.800--00:00:31.720 skateboard Lance you want to get a shout out on my video sure all right guys you guys can go follow L on Instagram shout out Kelly
+00:00:40.200--00:01:00.519 W oh uh wait wait uh uh straw sour strawberry BS for movie Twix that's second on half favorite trick downstairs Ollie like uh
+00:01:04.400--00:01:08.600 firecracker 5 front sh maybe C
+00:01:11.560--00:01:14.560 grind you guys this is an 8
+00:01:28.920--00:01:29.920 9342
+00:01:41.040--00:01:55.759 all right what's up guys I'm here with Gabe Cruz if you don't know him then I don't know what you've been doing he's uh always on the drill Channel and uh we're going to play Game of Skate today he played one on his channel already that you can check out I'll put a card in the corner and uh this is round two and we got Justin behind the
+00:01:58.840--00:01:59.840 camera
+00:02:04.119--00:02:05.880 if you start out with a heel flip again I'm
+00:02:12.160--00:02:15.640 quitting so far my debut on Kelly's channel is
+00:02:18.239--00:02:31.680 zero what that everyone wants to get in the way today oh my God literally everyone literally everyone oh my God if it happens again oh my
+00:02:38.000--00:02:40.000 mother come on Kelly or
+00:02:58.840--00:03:02.000 Gabe today just that kind of day where everyone gets in the
+00:03:05.280--00:03:11.040 way yes thank you oh my
+00:03:15.879--00:03:24.799 god thank you thank you that was pure beauty that was gorgeous wow
+00:03:28.760--00:03:30.840 go that's pretty close
+00:03:58.159--00:04:00.159 wow you do all right
+00:04:14.959--00:04:17.399 15 dude I wanted to see you land that so
+00:04:20.918--00:04:25.840 bad I don't like you dang Kelly with the
+00:04:28.720--00:04:29.720 revive
+00:04:32.000--00:05:29.639 a all right so I totally took him out with all heel withp variations but my ankle is just so like I couldn't really do kick FPS but I knew he could land any kickflip trick I did so I was Prett grateful for that so what does that mean I won one and you won one what does that mean it's time we have to play on Justin's Channel okay but you guys should check out the game escape me and gay played it's on his channel and he absolutely destroyed it and uh check out Channel too well yeah you're kind of watching and uh comment something about Justin but don't be very nice about it be like try to roast him just roast him in the comments a little bit Yeah but like a nice roast like a roast is kind of going to make him think about he last in a good way maybe trip on a pebble but like not too hard yeah and like not actually hit the ground just kind of like trip and stumble but not actually fall a little cut but not too much blood yeah all right this we talking a little bit too much hi Justin thanks bye guys
+00:05:42.080--00:05:47.759 wo right flip that's always a test oh man
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+00:00:00.080--00:00:38.480 we gave them what sir you're gonna have to calm down your body's still trying so they're on our property anymore no they can vote yes you just walk past one down the street and just another person pull the plug what pull the plug there's no plug you're not on life support what did i just do you just unplugged the vibrator up your ass why is there a vibrator at my ass we had to experiment for ways to wake you up nothing seemed to work except that we'll keep with a smile on your face too look sir you should just be happy to be alive black people are great they're valuable wait wait did you just say black people yeah this whole time you were talking about black people yes oh thank god wait who did you think i was talking about
+00:00:43.200--00:00:47.280 women what we can't let women be happy why
+00:00:51.199--00:00:51.840 come with me
+00:00:56.879--00:01:55.040 my son men have been planning this for centuries what are you talking about inequality the feminist movement the wnba all these things were started by men to intentionally get women pissed off but that doesn't make any sense doesn't it why would we want to do that think what's happening right now what are women saying they hate men it's all our fault they don't need us and in a matter of time it'll be true we'd have pushed them so far to hating men that they'll figure out how to procreate without us and then they'll take over the europe wait why would we plan for them to take over the earth because mars what the prophecy spoke of a great man perfecting intercellular travel in order to reject to trust your life when a reality it was a front for our plan to evacuate all men to mars so we could live without women i feel like i would have known about this i don't know if any guy who's perfected space travel that's because he walks amongst an ordinary man but he is no ordinary man he is great and his name is adolf hitler
+00:01:58.640--00:01:59.200 or was it
+00:02:01.680--00:02:14.720 what i don't think it was adolf hitler you sure certain and who's a space guy elon musk oh yes elon musk that's right i wonder why adolf healer came to mind was he great to a certain audience
+00:02:18.319--00:02:21.840 where was it mars ah yes
+00:03:23.519--00:03:23.599 you
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+00:00:03.240--00:00:10.920 during the dry season over half a million turns crowd onto this remote atoll in the Indian Ocean
+00:00:18.140--00:00:22.020 yeah chicks are still in their dark juvenile plumage
+00:00:26.720--00:00:28.680 they vary in age
+00:00:36.920--00:00:40.379 whilst the more advanced chicks take to the air
+00:00:47.840--00:00:50.100 others aren't quite ready yet
+00:01:08.119--00:01:18.540 thank you this is just starting to learn to fly use the shallow Lagoon that occupies the center of the atoll as their training ground
+00:01:20.960--00:01:25.020 it's difficult for some of them to stay aloft for long
+00:01:48.600--00:01:50.399 Giant trevalis
+00:02:03.079--00:02:14.340 usually they are solitary Hunters but about 50 of them have come here from neighboring reefs attract by this abundance of potential prey
+00:02:22.500--00:02:25.500 the fledglings stay out of the water if they can
+00:02:27.540--00:02:29.580 they even drink on the wing
+00:02:33.360--00:02:34.959 thank you
+00:02:47.280--00:02:52.500 if the two Valley had to catch one now they have to up their game
+00:03:02.400--00:03:12.959 so there is a fish here that amazingly has a brain capable of calculating the airspeed altitude and trajectory of a bird
+00:03:23.360--00:03:25.360 thank you
+00:03:44.280--00:03:50.220 the time comes when every fledgling has to take to the air and collect food for itself
+00:03:59.360--00:04:00.360 foreign
+00:04:14.420--00:04:17.579 s Lead them to the training grounds
+00:04:55.820--00:04:56.880 all right
+00:05:16.520--00:05:17.520 foreign
+00:05:54.900--00:05:56.520 they must learn quickly
+00:06:04.919--00:06:13.320 after a month of practicing over the Lagoon the youngsters start to leave and take their chances out over the Open Sea
+00:06:19.020--00:06:19.680 yes
+00:06:26.280--00:06:26.580 foreign
+00:06:32.400--00:06:32.759 foreign
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+00:00:00.030--00:02:36.330 hello everybody this is Kelly stamps I did not upload last Tuesday and that's because something major but good happened I kept it to myself because sometimes those closest to us can be rooting for our failure and it's important to make some moves in silence but now that it's over I can tell you what happened so as you know I am a very wealthy and rich youtube star now a brand you might know of by the name of Gucci reached out to me they said hey we're really sorry about the whole blackface scandal and Yerba influencer we love watching we want to send you on an all-expense-paid trip to Venice Italy I never left this country before and this is my first brand deal so of course I accepted I'm just so happy that I'm finally getting the recognition that I deserve and all these opportunities are coming my way so without further ado here is my Italy vlog hey guys what's going on it is Tuesday January 28th at 8:03 a.m. and my plane is about to leave and a couple of hours I know this is my first international trip so I probably should be at the airport earlier but whatever Gucci's paying for it so maybe they'll just buy me another flight if I miss it I think I'm flying on that Italian airline Alitalia whatever out oh okay here's my carry-on bag so excited it's this cute bag Gucci sent it to me inside I have some comfortable clothes because it's gonna be a long flight and of course I have my personal item I have this purse which you know I've had since the beginning of time I have my disposable camera planner passport oh there's not a single stamp in it it's so excited that is my photo I had a closure in oh my goodness it looks rough oh I need to get my Sudoku book because it is going to be a long flight and my wallet inside of here and some facial spray and some pepper spray because I hear that Italian man loves black women so I got it you know be careful out there I'm so excited my hands are shaking right now I just am so glad that talent is recognized me being the talent as a small youtuber who's now a big-time youtuber with millions of subscribers really means a lot I'm sorry I'm crying right now I just got really emotional because one of my teachers my seventh grade teacher made fun of me because I did know the Pythagorean theorem so fuck you I gotta go now because my drivers here stay humble goodbye
+00:03:21.050--00:03:25.440 an Italian man taking his lady on a Vespa how romantic
+00:04:15.150--00:04:36.310 can I ask you for your help could you hold this camera I'm making a video I'm pretending like I'm in Italy all right I live exam this is me going to Venice anyway what do you want to do I'm just going to report myself acting like a tourist
+00:04:41.340--00:05:20.510 oh hello or should I say ciao this is Kelly stamps or should I say Kelly stamp II know I am in Italy the little men in the gondolas how cute is this guys this is just incredible I just I'm so blessed they're so wealthy now but I get to travel this mine I found a nice Italian man here thank you for recording I'm Italian man you're so cute my god because I might get married and move here honestly it's just such a breath of fresh air it's nothing like laughing in here are some other tourists coming wait they might recognize me let me just move along
+00:05:47.050--00:05:49.130 GTA mission unlocked
+00:06:09.810--00:06:11.199 this is hilarious
+00:06:25.040--00:06:27.770 just gonna go I don't feel like pressing my luck right now
+00:06:33.900--00:06:40.930 hi guys so I'm about to have some authentic pasta from Italy I've never been to this place before
+00:07:13.610--00:07:13.669 you
+00:07:23.090--00:07:23.150 you
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+00:00:00.800--00:00:38.120 to cut the miters for the joint faces of our leg sub assemblies we're going to use the same sled that we used in the last chapter that said again you could use a miter gauge or a miter saw or anything that lets you safely cut a miter so if you are using a sled and you happen to touch your fence since you used it last reset your fence to just like a 16th of an inch in from 16 and reestablish a new cutting edge on your sled with that done I'm going to mark out a 16° angle somewhere towards the back of my sled like you see in this drawing and by the way all of these 16s are just coincidental don't read too much into that
+00:00:42.719--00:01:12.200 all right then we can attach one of our positioning fences to the line that we just marked and then position our vertical leg pieces so that the outside edge is on the fence that we just attached and so that the obtuse corner of the top side of the workpiece is just barely hanging off of the sled and then we can clamp it down right there then to finish setting up the sled get another positioning fence and butt it up against the bottom foot of the piece so at this point your sled should look like this
+00:01:16.159--00:01:49.079 and with that all set up we can go ahead and make this cut on all four vertical leg pieces and you can see here that I'm just using a clamp to hold my piece while I make the cut and also don't worry if you get a little tear out at this point as we're going to be removing the area where you might get tear out later on with an edge profile after you've made all four cuts go ahead and remove the positioning fence closest to the cut edge of your sled but don't remove the other positioning fence then reposition your table saw fence to 8 in and rip the sled in half
+00:01:51.360--00:02:16.599 now we're going to place one of our horizontal leg sub assembly pieces on the fence so that the front corner is just hanging off of the cut edge of your sled then clamp it in position and reattach your other positioning fence on the opposite end of the workpiece to act as a stop and actually here's a quick animation that kind of goes through that entire process from a fixed view that might help you visualize everything more easily
+00:02:53.680--00:04:56.520 now the reason that this works is kind of hard to explain but let me try to do my best that said you don't really need to know why it works just know that it does but basically you could cut any two random miters and when you put them together they're going to be flat against one another because they're both just flat faces but what would happen is you wouldn't know the resulting angle that they'd form it could be a straight line or a super acute pointy angle or anything in between now we know that we want this angle to be 120 degrees and using math I could have told you that this angle should be 74° and this one should be 46° but the chances of us doing two perfect setups and making two perfect cuts are pretty low and you'd probably end up with a joint where the horizontal portion ends up slightly out of parallel with the ground and really that's the most important thing so when we initially set up the first cut where the fence was at 16° it didn't matter if we were off because we set up a second fence referencing the foot which we know for certain will be flat against the ground and then when we used that foot fence to make our second cut we ensured that the horizontal piece was also going to be parallel to the ground and even if we were off a bit when we set up the first fence it doesn't matter all of these edges will be parallel actually now I think I'm confused anyway so if we had been off with that first setup the result would be a horizontal piece that isn't quite the right width now if we did nail everything perfectly we should be able to rip it to 2 in wide but you'll remember that we left them about an eighth of an inch wide in the last chapter so now we would just need to hold them up to one another mark where we should rip it and make the cut okay all of that confusion aside our pieces are looking nice so I'm going to label which will become pairs and then we can move on
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+00:00:00.000--00:00:01.000 z
+00:00:59.000--00:01:01.010 o.o z
+00:01:59.009--00:02:02.060 o.o mów funbike
+00:02:58.989--00:03:01.030 w z
+00:03:10.819--00:03:14.820 o.o Cześć witam
+00:03:57.410--00:03:59.490 was bardzo serdecznie
+00:04:11.690--00:04:13.700 z z
+00:05:08.400--00:05:10.169 o.o wp.pl
+00:05:21.780--00:05:23.100 z o.o
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