id stringlengths 19 33 | task stringclasses 31
values | question stringclasses 31
values | answer stringlengths 1 6.15k | audios listlengths 2 5 |
|---|---|---|---|---|
jamendomaxcaps-coreference-000000 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Cuando vuelvo" by globos is a medium-tempo piano ballad in B major, driven by a steady 129 BPM pulse. The track features sparse, resonant piano playing that establishes an introspective mood, supported by complex harmonic progressions shifting through F# major, Ab minor, and C# minor. While the draft suggests... | [
"jamendomaxcaps/masters/544761",
"jamendomaxcaps/masters/821596",
"jamendomaxcaps/masters/1033272"
] |
jamendomaxcaps-coreference-000001 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Close to Vest" by D. Scott Soriano is an instrumental industrial metal and electronic rock track with a high-energy, relentless drive at 130 BPM. Set in C minor, the piece features a dense, aggressive soundscape characterized by heavily distorted electric guitars laying down rhythmic, palm-muted riffs alongsi... | [
"jamendomaxcaps/masters/1222821",
"jamendomaxcaps/masters/388486",
"jamendomaxcaps/masters/842270",
"jamendomaxcaps/masters/1427968"
] |
jamendomaxcaps-coreference-000002 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: HunterSynth's "BUG!" is a medium-tempo electronic track rooted in the house and EDM genres, anchored by a driving bassline and layered synthesizers. Set in Bb minor with a tempo of approximately 116 BPM, the song features a dynamic structure that shifts between intense instrumental sections and atmospheric bre... | [
"jamendomaxcaps/masters/1171937",
"jamendomaxcaps/masters/1138107",
"jamendomaxcaps/masters/1400651"
] |
jamendomaxcaps-coreference-000003 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Kimiko Ishizaka performs "Variatio 7 a 1 ovvero 2 Clav.," the seventh variation from Johann Sebastian Bach’s Goldberg Variations (BWV 988), on this solo piano recording. Set in G major, the piece is characterized by a lively, triple-meter rhythm with a tempo of approximately 173 BPM, creating a buoyant and dan... | [
"jamendomaxcaps/masters/962281",
"jamendomaxcaps/masters/978592",
"jamendomaxcaps/masters/1076559",
"jamendomaxcaps/masters/1141679"
] |
jamendomaxcaps-coreference-000004 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: This instrumental rock anthem, titled "Взаимопонимание (инструментал)" by Группа "Группа" НСК from the album "Тленобезысходность," is a driving, mid-tempo piece in E minor at approximately 120 BPM. The track opens with gritty, overdriven electric guitars and a punchy, syncopated drum pattern that establishes a... | [
"jamendomaxcaps/masters/1122972",
"jamendomaxcaps/masters/248407",
"jamendomaxcaps/masters/1092497"
] |
jamendomaxcaps-coreference-000005 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: This instrumental industrial metal track, titled "Intro" by Død Beverte, drives forward at a high tempo of approximately 154 BPM with a relentless, breakneck energy. Set primarily in A minor, the piece features a dark and aggressive tonal color, transitioning through sections that hint at F minor and Bb minor ... | [
"jamendomaxcaps/masters/1574506",
"jamendomaxcaps/masters/1015392",
"jamendomaxcaps/masters/888832"
] |
jamendomaxcaps-coreference-000006 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: From Hell to Heaven by Dj Toz is an instrumental electronic track that navigates a high-energy, 142 BPM journey through the key of A minor. The production is driven primarily by synthesizers and computer-generated sounds, creating a pulsating digital frontier with a steady four-four groove. The composition unf... | [
"jamendomaxcaps/masters/1118294",
"jamendomaxcaps/masters/771887",
"jamendomaxcaps/masters/1061716"
] |
jamendomaxcaps-coreference-000007 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Falling" by Zutsuri is a melancholic triphop and electronic track from the album *Fen*, characterized by its romantic yet breakup-themed atmosphere. While the draft description suggests dream pop, the actual instrumentation and genre tags point to a synthpop-infused electronic sound with a medium tempo feel, ... | [
"jamendomaxcaps/masters/1413568",
"jamendomaxcaps/masters/775594",
"jamendomaxcaps/masters/547569"
] |
jamendomaxcaps-coreference-000008 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Harpoon (Original mix)" by Skullcap is an instrumental electro house and funky house track from the album *We Can Do Everything*. Set in E minor at a driving tempo of approximately 128 BPM, the song delivers a high-energy, dancefloor-ready groove characterized by a punchy four-on-the-floor kick, sharp electro... | [
"jamendomaxcaps/masters/535918",
"jamendomaxcaps/masters/1821951"
] |
jamendomaxcaps-coreference-000009 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Insud" by macouno is a 305-second instrumental track from the album *Lost tracks*, blending industrial techno textures with ritualistic percussion. Set at a driving tempo of approximately 160 BPM, the piece anchors itself in F major while navigating complex harmonic shifts through sections marked by F minor, ... | [
"jamendomaxcaps/masters/317339",
"jamendomaxcaps/masters/918919",
"jamendomaxcaps/masters/1316897"
] |
jamendomaxcaps-coreference-000010 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Dancing Alone (EDM Club Dance)" by Moonwalk is an instrumental electronic dance track set in D major with a driving tempo of approximately 125 BPM. The composition features synthesizer melodies and bass lines supported by a steady drum groove, creating a medium-speed club atmosphere. The song structure altern... | [
"jamendomaxcaps/masters/2037660",
"jamendomaxcaps/masters/2010578",
"jamendomaxcaps/masters/1128295"
] |
jamendomaxcaps-coreference-000011 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Unlighter" by unworking mind is an instrumental downtempo electronic track from the album *flying in down tempo*, characterized by a deliberate, hypnotic groove at approximately 120 BPM. Rooted in the key of Bb minor, the piece builds its harmonic foundation on a repeating, melancholic progression featuring D... | [
"jamendomaxcaps/masters/177411",
"jamendomaxcaps/masters/951014"
] |
jamendomaxcaps-coreference-000012 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Morning Mood Interlude (Grieg)" by Daniel Bautista is an instrumental piece that reimagines classical themes through a rock and heavy metal lens. Recorded for the album *Weirdos And Classics*, the track is set in E major with a driving tempo of approximately 143 BPM, creating a medium-speed, energetic pulse d... | [
"jamendomaxcaps/masters/514484",
"jamendomaxcaps/masters/1435959"
] |
jamendomaxcaps-coreference-000013 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: This solo piano piece, titled "Ave Maria (Prélude de Bach, Réinterprétation)" by Guillaume Robbe, is a sentimental classical interpretation of the famous prelude. While the draft description suggests a slow, introspective mood, the track actually maintains a medium tempo of approximately 126 BPM, lending it a ... | [
"jamendomaxcaps/masters/1003082",
"jamendomaxcaps/masters/669028",
"jamendomaxcaps/masters/327449"
] |
jamendomaxcaps-coreference-000014 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Quant les indiens attaquent" by Christian Michard is a medium-tempo smooth jazz fusion track in G major, clocking in at approximately 103 BPM. The piece opens with an atmospheric introduction featuring clean electric guitar and piano, establishing a relaxed, mid-tempo groove. As the arrangement progresses, th... | [
"jamendomaxcaps/masters/141435",
"jamendomaxcaps/masters/959569",
"jamendomaxcaps/masters/978669",
"jamendomaxcaps/masters/1189196"
] |
jamendomaxcaps-coreference-000015 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Edward Schaffer’s "Along the Shore, Op 212" is an instrumental cinematic orchestral piece that blends classical grandeur with modern electronic textures. Set primarily in E minor with a moderate tempo of approximately 86 BPM and a distinctive 3/4 time signature, the track navigates through complex harmonic shi... | [
"jamendomaxcaps/masters/904094",
"jamendomaxcaps/masters/921137",
"jamendomaxcaps/masters/668440",
"jamendomaxcaps/masters/796539"
] |
jamendomaxcaps-coreference-000016 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Suspended" by Microcitrus is an instrumental psytrance track set in A minor at a medium tempo of approximately 108 BPM. The piece opens with a meditative, psychedelic atmosphere driven by warm, evolving synthesizer pads and gentle arpeggios that establish a mystical mood. As the composition progresses, the ar... | [
"jamendomaxcaps/masters/1185859",
"jamendomaxcaps/masters/1140796"
] |
jamendomaxcaps-coreference-000017 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Move For Energy" by DJ Mar.S. Aka One Milk is a high-energy techno track from the album *Hard Traxx*, clocking in at approximately 146 BPM. The piece is primarily rooted in C major, with tonal shifts into C minor and Ab major that add dynamic contrast to the driving rhythm. The production relies heavily on sy... | [
"jamendomaxcaps/masters/761659",
"jamendomaxcaps/masters/1473538",
"jamendomaxcaps/masters/1246358",
"jamendomaxcaps/masters/788513"
] |
jamendomaxcaps-coreference-000018 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Chriss ONAC’s "Comme à la maison" is an instrumental house track set at a medium tempo of approximately 125 BPM, anchored in the key of G major. The production features a crisp four-on-the-floor kick drum driving a syncopated bassline, complemented by shimmering analog synth pads, funky wah-drenched electric g... | [
"jamendomaxcaps/masters/147269",
"jamendomaxcaps/masters/1096869"
] |
jamendomaxcaps-coreference-000019 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Siberia" by DJ Mircomix is a melancholic disco and dance track in D major, driven by a medium tempo of approximately 114 BPM. The production centers on synthesizers that establish an atmospheric foundation, complemented by clean electric piano melodies that enter during the mid-sections to add warmth and soph... | [
"jamendomaxcaps/masters/1208464",
"jamendomaxcaps/masters/566837"
] |
jamendomaxcaps-coreference-000020 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Eude 1" by Behrang Shegarfkar is a minimalist, atmospheric instrumental piece from the album *Etudes for String orchestra and piano*, blending classical sensibilities with film score aesthetics. Set in C major with a medium tempo of approximately 120 BPM, the track features a sparse piano melody that establis... | [
"jamendomaxcaps/masters/1243075",
"jamendomaxcaps/masters/646508",
"jamendomaxcaps/masters/1142894"
] |
jamendomaxcaps-coreference-000021 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "AGAIN" by Mikel Hormaza is a medium-tempo instrumental piece rooted in a romantic-era orchestral style, set primarily in C major with a flowing 103.5 BPM. The track unfolds as an emotionally charged journey, opening with a sweeping, lyrical theme carried by the cello in G major, establishing a majestic and so... | [
"jamendomaxcaps/masters/1046652",
"jamendomaxcaps/masters/990938",
"jamendomaxcaps/masters/1538469"
] |
jamendomaxcaps-coreference-000022 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Que pasa eeh" by Letristas Liricos y DjKeel is a dark, aggressive Spanish-language hardcore hip-hop track from the album *The Mixtape BOOM*. Set in C# minor at a driving 154 BPM, the song features a gritty, lo-fi production aesthetic with heavy, distorted basslines and punchy, straightforward drum patterns. T... | [
"jamendomaxcaps/masters/460424",
"jamendomaxcaps/masters/1486431"
] |
jamendomaxcaps-coreference-000023 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Edward Schaffer’s "Symphony #15, Winter Solstice, Op 227, I. Morning" is an expansive, instrumental orchestral work defined by its gentle, flowing tempo of approximately 85 BPM and a primary tonality of E-flat major. The composition unfolds as a deeply emotive cinematic ballad, anchored by the rich, resonant v... | [
"jamendomaxcaps/masters/868344",
"jamendomaxcaps/masters/1317471"
] |
jamendomaxcaps-coreference-000024 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Ich geh mit meiner Laterne" by Arnold Wohler is an instrumental piece rooted in the Contemporary Folk and Singer-Songwriter traditions, characterized by a gentle, reflective mood. While the draft description suggests a slow 68 BPM tempo, the track actually unfolds at a moderate pace of approximately 120 BPM i... | [
"jamendomaxcaps/masters/1016588",
"jamendomaxcaps/masters/1345182",
"jamendomaxcaps/masters/1284162"
] |
jamendomaxcaps-coreference-000025 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "119t" by orangeicebear is a short, instrumental electronic intro and jingle characterized by its medium tempo of approximately 115 BPM in the key of F minor. The track features a sparse, atmospheric arrangement that begins with a dedicated bass line, which evolves into a combined texture of deep bass and synt... | [
"jamendomaxcaps/masters/1488321",
"jamendomaxcaps/masters/1589458",
"jamendomaxcaps/masters/1386616"
] |
jamendomaxcaps-coreference-000026 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Back To The Sun" by The Pulsarix is a medium-tempo instrumental progressive trance track anchored in C minor, unfolding at 127.67 BPM with a driving four-on-the-floor rhythm. The composition begins with crystalline synthesizer arpeggios and deep basslines that establish a hypnotic, cosmic atmosphere. As the p... | [
"jamendomaxcaps/masters/842088",
"jamendomaxcaps/masters/1431863",
"jamendomaxcaps/masters/1118284"
] |
jamendomaxcaps-coreference-000027 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Vereteno" by MEMK2 is a haunting darkwave and synth-pop composition rooted in the post-punk tradition, performed in E minor at a slow, deliberate tempo of approximately 90 BPM. The track opens with an atmospheric introduction dominated by cold, detuned synthesizer textures that establish a spacious and melanc... | [
"jamendomaxcaps/masters/823936",
"jamendomaxcaps/masters/1650499"
] |
jamendomaxcaps-coreference-000028 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Chinese Drama by Rostislavfilmcomposer is a high-energy, instrumental film score rooted in the classical and cinematic traditions. Set at a brisk tempo of approximately 150 BPM with a driving 2/4 time signature, the piece maintains a relentless, propulsive momentum throughout its nearly two-and-a-half-minute r... | [
"jamendomaxcaps/masters/1149162",
"jamendomaxcaps/masters/816361",
"jamendomaxcaps/masters/861920"
] |
jamendomaxcaps-coreference-000029 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Qpnzudvrt" by Igor Ombak & Jafar Penari is an instrumental drone-rock piece defined by its rhythmic noise aesthetic. Set at a medium tempo of approximately 125 BPM in the key of C minor, the track relies entirely on synthesizer textures to create a dense, atmospheric soundscape. The composition unfolds throug... | [
"jamendomaxcaps/masters/1472281",
"jamendomaxcaps/masters/1159425"
] |
jamendomaxcaps-coreference-000030 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Zagubieni gdzies (Lost somewhere)" by Gonokoki is a slow-burning alternative rock track in G minor, driven by a steady 124 BPM pulse. The song opens with atmospheric synthesizer pads before introducing a tight rhythm section of bass, drums, and electric guitar. The verses feature introspective Polish lyrics a... | [
"jamendomaxcaps/masters/443203",
"jamendomaxcaps/masters/1189192",
"jamendomaxcaps/masters/681253",
"jamendomaxcaps/masters/1624000"
] |
jamendomaxcaps-coreference-000031 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: VoglioSoloThe by Mastrobeat is a 90 BPM instrumental track in G minor, blending lo-fi hip-hop and jazz hop with boom-bap rhythms. The composition features a warm, gritty aesthetic defined by vinyl crackle, deep melodic basslines, and crisp, syncopated drums that create a head-nodding groove. Chopped samples an... | [
"jamendomaxcaps/masters/446045",
"jamendomaxcaps/masters/595459",
"jamendomaxcaps/masters/1421844",
"jamendomaxcaps/masters/1023540"
] |
jamendomaxcaps-coreference-000032 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Herding by CyberSDF is an instrumental trance track set at a driving 130 BPM in the key of A minor. The composition features a classic four-on-the-floor rhythm with a deep, pulsating sub-bass locking into the kick drum, supported by shimmering arpeggiated synthesizers and wide, evolving pads. The arrangement f... | [
"jamendomaxcaps/masters/1170203",
"jamendomaxcaps/masters/209904",
"jamendomaxcaps/masters/883105"
] |
jamendomaxcaps-coreference-000033 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Unchained by Fusion Juice is a psychedelic jazz-rock instrumental that blends the complexity of fusion with the raw energy of indie rock. Anchored in C# major and moving at a medium tempo of approximately 93 BPM, the track features a sophisticated harmonic structure rich with extended chords like maj7, aug, di... | [
"jamendomaxcaps/masters/1041156",
"jamendomaxcaps/masters/1984097",
"jamendomaxcaps/masters/501523",
"jamendomaxcaps/masters/1098004"
] |
jamendomaxcaps-coreference-000034 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Intro - Le début du voyage" by ENIGMA63 is a high-energy, instrumental synth piece set in C minor at a rapid 175 BPM. The track opens with a rigid, procedural atmosphere that quickly dissolves into a free-flowing, immersive current. Structurally, it moves through distinct phases: an initial C minor section tr... | [
"jamendomaxcaps/masters/697218",
"jamendomaxcaps/masters/468644",
"jamendomaxcaps/masters/2004276"
] |
jamendomaxcaps-coreference-000035 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Toys by Cedric Oléon is an instrumental epic filmscore track in C minor, driven by a medium-fast tempo of approximately 145 BPM. The piece opens with a haunting, childlike theme featuring delicate arpeggiated piano and celesta, establishing a fragile and ominously unresolved atmosphere. As the structure progre... | [
"jamendomaxcaps/masters/1256218",
"jamendomaxcaps/masters/657901"
] |
jamendomaxcaps-coreference-000036 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Global by Leandro is an instrumental electronic track that bridges the gap between techno and deep house, characterized by an uplifting and spacious atmosphere. Clocking in at approximately 127 BPM, the song maintains a medium-speed, steady groove that feels both driving and relaxed. While the draft descriptio... | [
"jamendomaxcaps/masters/1419193",
"jamendomaxcaps/masters/1034278"
] |
jamendomaxcaps-coreference-000037 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Steppes" by Yukikaze is an instrumental ambient electronic track in C major, moving at a medium tempo of approximately 90 BPM. The piece opens with delicate acoustic guitar arpeggios that establish a calm, introspective mood, soon joined by soft synthesizer pads to create a vast atmospheric soundscape. While ... | [
"jamendomaxcaps/masters/933510",
"jamendomaxcaps/masters/1540444"
] |
jamendomaxcaps-coreference-000038 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Lamax’s "at the bottom of the ocean," a 314-second instrumental track from the album *diving*, is a sophisticated fusion of downtempo, trip-hop, and ambient breakbeat. Set at a steady 89 BPM in an overall F major tonality, the piece unfolds through a modal and often dissonant harmonic landscape that shifts bet... | [
"jamendomaxcaps/masters/809224",
"jamendomaxcaps/masters/867433"
] |
jamendomaxcaps-coreference-000039 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Nous les inspectons rigoureusement" by Morusque is an instrumental electronic track rooted in B minor, offering a distinct departure from high-energy techno through its moderate tempo of approximately 99 BPM. The composition relies on a single synthesizer to create a dense, low-end heavy texture characterized... | [
"jamendomaxcaps/masters/636057",
"jamendomaxcaps/masters/1309743"
] |
jamendomaxcaps-coreference-000040 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Ballade Technoidales - Generateur" by Crissy Force is a high-energy instrumental track from the album *Jugement dernier*, blending techno and hard trance elements at a driving tempo of approximately 151 BPM. Anchored in Bb minor, the piece features a relentless four-on-the-floor kick and syncopated hi-hats th... | [
"jamendomaxcaps/masters/955287",
"jamendomaxcaps/masters/1394956",
"jamendomaxcaps/masters/1540837",
"jamendomaxcaps/masters/592160"
] |
jamendomaxcaps-coreference-000041 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Stone Age" by Yaranga is a medium-tempo ambient electronic track in Bb major, unfolding at approximately 156 BPM with a steady, hypnotic pulse. The piece opens with ethereal vocalizations singing "Ooh ah ah" over shifting harmonies that transition from Bb major to F minor before settling into the primary key.... | [
"jamendomaxcaps/masters/417978",
"jamendomaxcaps/masters/788533",
"jamendomaxcaps/masters/1142872",
"jamendomaxcaps/masters/402987"
] |
jamendomaxcaps-coreference-000042 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Number Six by Celebration Symphony Orchestra is an instrumental ambient and drone track that balances peaceful minimalism with an inspirational, upbeat energy. Set in D major at a medium tempo of approximately 143 BPM, the piece features a two-beat measure structure driven primarily by solo piano. The composit... | [
"jamendomaxcaps/masters/1432273",
"jamendomaxcaps/masters/1560783",
"jamendomaxcaps/masters/828486",
"jamendomaxcaps/masters/1188652"
] |
jamendomaxcaps-coreference-000043 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Sideral Wind" by Nightwind is an instrumental ambient track from the album *The Sound Of Silence*, characterized by its peaceful, lounge-friendly soundscape. While the draft description suggests a heavy drone metal aesthetic, the structured data indicates a medium tempo of approximately 82 BPM in A minor, uti... | [
"jamendomaxcaps/masters/163440",
"jamendomaxcaps/masters/695448"
] |
jamendomaxcaps-coreference-000044 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "The Bay" by Terepin is an instrumental trance track from the album *Return*, characterized by a driving 135 BPM tempo and a predominant G minor tonality. The production centers on layered synthesizers, beginning with a bright lead melody and atmospheric pads before introducing sampler textures and a propulsiv... | [
"jamendomaxcaps/masters/188725",
"jamendomaxcaps/masters/636646"
] |
jamendomaxcaps-coreference-000045 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Aliens" by Retro Frank is a synthpop and electronic track from the album *Retro Future*, characterized by a medium-speed tempo of approximately 130 BPM. The piece is built entirely on synthesizer instrumentation, maintaining a consistent tonal center in C minor throughout its duration. The composition follows... | [
"jamendomaxcaps/masters/2017987",
"jamendomaxcaps/masters/1616701"
] |
jamendomaxcaps-coreference-000046 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Retro Elektro" by Piere Wöhl is an instrumental electronic track from the album *Electro Volume 1*, characterized by a medium-tempo drive at approximately 129 BPM. Rooted in the key of C minor, the piece utilizes a four-on-the-floor rhythmic foundation to establish a dance-oriented energy. The arrangement beg... | [
"jamendomaxcaps/masters/825365",
"jamendomaxcaps/masters/323776",
"jamendomaxcaps/masters/1272727",
"jamendomaxcaps/masters/691125"
] |
jamendomaxcaps-coreference-000047 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "ElleB1Uno" by A_ndry#Uk is a medium-tempo instrumental techno track anchored in C minor, driven by a steady 128 BPM pulse. The composition unfolds through a dynamic interplay of bass and synthesizer layers, beginning with sparse melodic motifs that evolve into complex, shifting harmonic structures. As the pie... | [
"jamendomaxcaps/masters/221166",
"jamendomaxcaps/masters/1574279"
] |
jamendomaxcaps-coreference-000048 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Farm Dance" by Cairo Braga is an instrumental electronic track from the album *The Beachtown Years Volume Three*, blending experimental and indie sensibilities with a driving, hypnotic rhythm. Set in C minor at a moderate tempo of approximately 130 BPM, the piece maintains a consistent tonal center throughout... | [
"jamendomaxcaps/masters/1160960",
"jamendomaxcaps/masters/539189",
"jamendomaxcaps/masters/978619"
] |
jamendomaxcaps-coreference-000049 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: “Fallen” by dismYstic is a medium-tempo alt-rock ballad in B major, clocking in at approximately 92 BPM. The track opens with a sparse arrangement featuring fingerpicked acoustic guitar and clean electric guitar arpeggios, establishing a melancholic and intimate tone. As the song progresses into the verses, th... | [
"jamendomaxcaps/masters/828979",
"jamendomaxcaps/masters/1381642",
"jamendomaxcaps/masters/1105214",
"jamendomaxcaps/masters/296675"
] |
jamendomaxcaps-coreference-000050 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Swingin Around" by Jean-Yves Allaire is an upbeat, instrumental jazz swing track from the album *10 Instrumentals Soft Jazz Songs*. Anchored in Bb major with a lively tempo of approximately 140 BPM, the piece features a classic trio arrangement of piano, upright bass, and drums. The piano leads with bright, a... | [
"jamendomaxcaps/masters/1284796",
"jamendomaxcaps/masters/1203374",
"jamendomaxcaps/masters/1021473",
"jamendomaxcaps/masters/481440"
] |
jamendomaxcaps-coreference-000051 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Punk!" by Mr.DeVo! is a high-energy acid house and electronic track from the album *The lonely cow*, clocking in at just under five minutes with a driving tempo of approximately 126 BPM. The production centers on a relentless four-on-the-floor kick drum, a punchy synth bassline, and crisp percussive elements ... | [
"jamendomaxcaps/masters/1557381",
"jamendomaxcaps/masters/1342734",
"jamendomaxcaps/masters/1543587"
] |
jamendomaxcaps-coreference-000052 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Release" by notv is an instrumental dark ambient and experimental drone track from the album "widdershins." Despite a listed tempo of 172.7 BPM, the piece feels very slow, characterized by a hypnotic pulse driven by granular textures and digital artifacts rather than traditional rhythmic beats. The compositio... | [
"jamendomaxcaps/masters/1038284",
"jamendomaxcaps/masters/1933983",
"jamendomaxcaps/masters/720429",
"jamendomaxcaps/masters/326513"
] |
jamendomaxcaps-coreference-000053 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Steven Booth’s "Don't You Feel The Beat" is an atmospheric electronic instrumental from the album *The Letter D Part 2*. Anchored in the key of D minor, the track unfolds at a moderate tempo of approximately 149 BPM, creating a steady, driving pulse rather than the high-intensity speed associated with hardcore... | [
"jamendomaxcaps/masters/1712285",
"jamendomaxcaps/masters/752178",
"jamendomaxcaps/masters/681945",
"jamendomaxcaps/masters/1000162"
] |
jamendomaxcaps-coreference-000054 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Ultra noise" by Kreaten is an instrumental electronic piece from the album *Extreme Speed Noisy Sounds*, characterized by its high-intensity, chaotic aesthetic. Set in C minor at a driving tempo of approximately 154 BPM with a two-beat measure structure, the track utilizes synthesizers to create a relentless ... | [
"jamendomaxcaps/masters/995563",
"jamendomaxcaps/masters/1548734"
] |
jamendomaxcaps-coreference-000055 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "MSsamps- (42)" by 3minutetunes is a dark ambient and drone track from the album "Spooky Movie Drones Toolbox." The instrumental piece is set in Ab major with a slow tempo of approximately 56 BPM, creating an atmospheric and ominous soundscape. A single synthesizer provides a deep, resonant drone that swells s... | [
"jamendomaxcaps/masters/1282461",
"jamendomaxcaps/masters/1812433",
"jamendomaxcaps/masters/1217708",
"jamendomaxcaps/masters/752461"
] |
jamendomaxcaps-coreference-000056 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Malkavian-Drink too much" is a high-octane instrumental track from the album *Rebellion*, characterized by its very high tempo of 133 BPM and relentless breakbeat energy. Anchored in C major, the piece features dense, meticulously textured production where crisp snares and deep sub-bass rumbles drive a frenet... | [
"jamendomaxcaps/masters/773213",
"jamendomaxcaps/masters/1286066"
] |
jamendomaxcaps-coreference-000057 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "A New Religion (Atmospheric Synthwave)" by Moonwalk is a slow, meditative instrumental track in A major, driven by a tempo of approximately 85 BPM. The piece features layered synthesizers that create an atmospheric synthpop and drone soundscape, characterized by sustained pads and deep bass drones. The harmon... | [
"jamendomaxcaps/masters/2037722",
"jamendomaxcaps/masters/770398",
"jamendomaxcaps/masters/1050045",
"jamendomaxcaps/masters/1020617"
] |
jamendomaxcaps-coreference-000058 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Disillusioned" by OptiKill is a high-energy instrumental EDM track set at 115.8 BPM in F# major, designed for fitness and sports contexts. The composition opens with gritty electric guitar riffs that quickly give way to a dominant synthesizer-led arrangement, punctuated by driving drums and percussion through... | [
"jamendomaxcaps/masters/1722314",
"jamendomaxcaps/masters/1493508",
"jamendomaxcaps/masters/1312588",
"jamendomaxcaps/masters/593559"
] |
jamendomaxcaps-coreference-000059 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Dried Jelly" by 848-2 is an instrumental indie, jazz, and blues track with a "cheapsound" aesthetic, clocking in at approximately 134 BPM. Rooted in F# minor, the piece opens with a clean guitar motif that establishes a mood of introspective urgency. The arrangement builds gradually, introducing synthesizer t... | [
"jamendomaxcaps/masters/1553775",
"jamendomaxcaps/masters/383456",
"jamendomaxcaps/masters/296310",
"jamendomaxcaps/masters/1120039"
] |
jamendomaxcaps-coreference-000060 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Mandarin" by MiL is an experimental pop and art pop track from the album *Tomate la Shanté*, characterized by its surreal blend of indie rock, chamber pop, and spoken word elements. Set in A minor with a moderate tempo of approximately 95 BPM, the song maintains a steady, driving rhythm that grounds its more ... | [
"jamendomaxcaps/masters/1168129",
"jamendomaxcaps/masters/919187",
"jamendomaxcaps/masters/620020",
"jamendomaxcaps/masters/1016606"
] |
jamendomaxcaps-coreference-000061 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Meaningless Song" by DJ Frankie Holmes is an instrumental electronic track that blends elements of techno, trance, and high-speed party music. Set in the key of A minor at a brisk tempo of approximately 140 BPM, the piece drives forward with a relentless, energetic momentum. The production features a dynamic ... | [
"jamendomaxcaps/masters/1286354",
"jamendomaxcaps/masters/554103",
"jamendomaxcaps/masters/1541030"
] |
jamendomaxcaps-coreference-000062 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "2" by Winobie is an instrumental synthwave track from the *Things Please Minds EP*, unfolding at a medium 102 BPM. Rooted in Eb major, the piece features a crisp mid-tempo drum machine groove with clean snare and shimmering hi-hats, anchored by a warm analog bassline that emerges early on. The arrangement int... | [
"jamendomaxcaps/masters/275183",
"jamendomaxcaps/masters/1270978",
"jamendomaxcaps/masters/1701087",
"jamendomaxcaps/masters/1209301"
] |
jamendomaxcaps-coreference-000063 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "No End" by Void (Aze) is a medium-tempo instrumental piece in E minor, clocking in at approximately 90 BPM. The track opens with a sparse interplay of clean electric guitar and piano, establishing a meditative atmosphere before transitioning into a sustained, immersive piano arrangement that dominates the maj... | [
"jamendomaxcaps/masters/526039",
"jamendomaxcaps/masters/783479",
"jamendomaxcaps/masters/1388108",
"jamendomaxcaps/masters/2031541"
] |
jamendomaxcaps-coreference-000064 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: This instrumental ambient rock and experimental track, titled "not_present_iq14" by arhipco, unfolds over a duration of approximately 205 seconds. Although the overall key is identified as C major, the piece navigates a complex harmonic landscape, shifting through F major, D minor, and C minor sections. The co... | [
"jamendomaxcaps/masters/506954",
"jamendomaxcaps/masters/1160961",
"jamendomaxcaps/masters/1182872",
"jamendomaxcaps/masters/1586195"
] |
jamendomaxcaps-coreference-000065 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Better Times Are Coming" by The Guta Jasna is an instrumental experimental rock and piano-led composition in the key of E minor. Anchored by a medium tempo of approximately 95 BPM, the track features a dynamic interplay between electric guitar and piano, supported by bass and drums that enter after the initia... | [
"jamendomaxcaps/masters/1414613",
"jamendomaxcaps/masters/376175"
] |
jamendomaxcaps-coreference-000066 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "NY_CityNightZ" by Beat.Bourdeaux is an instrumental jazz-funk and lounge fusion track that blends the sophisticated textures of big band arrangements with modern synthesizer production. Set in C minor at a medium tempo of approximately 105 BPM, the piece establishes a moody yet groovy atmosphere, anchored by ... | [
"jamendomaxcaps/masters/859731",
"jamendomaxcaps/masters/1309623",
"jamendomaxcaps/masters/205066",
"jamendomaxcaps/masters/278169"
] |
jamendomaxcaps-coreference-000067 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Niente" by Revolver is a medium-tempo Italian hard rock and alternative track, clocking in at approximately 130 BPM. While the draft description suggests an E minor key, the structured data indicates an overall tonal center of G major, with the composition weaving through C major, E minor, and G major section... | [
"jamendomaxcaps/masters/704130",
"jamendomaxcaps/masters/896159",
"jamendomaxcaps/masters/631947",
"jamendomaxcaps/masters/1540430"
] |
jamendomaxcaps-coreference-000068 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Dasein Ohne Leben" by CHASMA is an instrumental electronic track rooted in the Ab major tonality, offering a stark contrast to high-intensity genre expectations. Anchored by a moderate tempo of approximately 118.5 BPM and driven exclusively by synthesizer textures, the piece unfolds through a complex structur... | [
"jamendomaxcaps/masters/843228",
"jamendomaxcaps/masters/1898322"
] |
jamendomaxcaps-coreference-000069 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Leo.D aka dj dblwi’s "Pollution Sarkostik Original Mix Trance" is a high-energy trance track set at 138 BPM in A minor, featuring a relentless four-on-the-floor pulse and driving synth basslines. The production layers shimmering arpeggiated synthesizers with soaring, euphoric lead melodies, creating a dense mi... | [
"jamendomaxcaps/masters/833349",
"jamendomaxcaps/masters/1915903",
"jamendomaxcaps/masters/470612"
] |
jamendomaxcaps-coreference-000070 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Martin Rogowsky’s remix of Nebulus’ “Destination Paradise” is a high-energy trance anthem driven by a brisk 146 BPM tempo and anchored in the key of A major. The track opens with a pulsating synthesizer and bass foundation, gradually introducing ethereal pads and crisp percussion to build a dense, immersive so... | [
"jamendomaxcaps/masters/631899",
"jamendomaxcaps/masters/1088841"
] |
jamendomaxcaps-coreference-000071 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Praforst" by Purpurea is an instrumental classical piece set in C major at a moderate tempo of approximately 85 BPM. The composition features alternating sections of piano and bass, creating a dynamic interplay between melodic clarity and harmonic depth. The track unfolds through a series of verses and extend... | [
"jamendomaxcaps/masters/1120707",
"jamendomaxcaps/masters/657002"
] |
jamendomaxcaps-coreference-000072 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Pleasant Journey" by PERSSON is a medium-tempo instrumental rock track set at approximately 114 BPM in the key of A minor, transitioning to G major during its central chorus. The piece opens with spacious atmospheric synthesizer pads that establish a contemplative mood before introducing a steady mid-tempo dr... | [
"jamendomaxcaps/masters/978195",
"jamendomaxcaps/masters/706084"
] |
jamendomaxcaps-coreference-000073 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: This instrumental future bass track, rooted in D minor with a moderate tempo of approximately 82 BPM, blends energetic electronic production with corporate and sport-oriented vibes. The arrangement opens with a piano motif before introducing synthesizers and a deep bass line that drive the rhythm forward. The ... | [
"jamendomaxcaps/masters/1556220",
"jamendomaxcaps/masters/1546632",
"jamendomaxcaps/masters/778138",
"jamendomaxcaps/masters/968033"
] |
jamendomaxcaps-coreference-000074 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "How Could You Get Mad With Me" by TARTOUF is a medium-tempo instrumental track rooted in A minor, blending electronic, funk, and Latin dance influences. Set at approximately 120 BPM, the piece features a driving house rhythm anchored by a syncopated electric bassline and a punchy drum machine pattern with cri... | [
"jamendomaxcaps/masters/566138",
"jamendomaxcaps/masters/690760",
"jamendomaxcaps/masters/151033",
"jamendomaxcaps/masters/530416"
] |
jamendomaxcaps-coreference-000075 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "I Dreamt of A Thousand Airplanes" by Misto is an instrumental post-rock and electronic track from the album *Infinite Mirrors*, blending indie sensibilities with a medium tempo of approximately 124 BPM. Rooted in C major, the composition utilizes a complex harmonic palette featuring D minor, G major, and F ma... | [
"jamendomaxcaps/masters/1315909",
"jamendomaxcaps/masters/219231"
] |
jamendomaxcaps-coreference-000076 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: “Julias Heaven Julias Hell” by paniq is an instrumental progressive breakbeat track from the album *Advertising for Metaphysics*, clocking in at just under six minutes. Anchored in Bb minor with a medium tempo of approximately 133 BPM, the piece navigates a complex harmonic journey through Ab minor, Bb major, ... | [
"jamendomaxcaps/masters/219004",
"jamendomaxcaps/masters/921851"
] |
jamendomaxcaps-coreference-000077 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Passion and Pride" by MarVin Cooper is an atmospheric instrumental track that blends new age and ambient textures with a driving trance energy. Set in D minor at approximately 110 BPM, the piece opens with delicate piano arpeggios that gradually give way to shimmering synthesizer pads and hypnotic leads. The ... | [
"jamendomaxcaps/masters/1227099",
"jamendomaxcaps/masters/1036143"
] |
jamendomaxcaps-coreference-000078 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Z - Factory" by CHASMA is an instrumental fusion of house, drum and bass, and 8-bit styles, driven by a quirky and powerful energy. Set in C# major with a tempo of approximately 186 BPM, the track features a relentless barrage of synthesizers and bass that create a high-octane digital maelstrom. The productio... | [
"jamendomaxcaps/masters/1829343",
"jamendomaxcaps/masters/1363239"
] |
jamendomaxcaps-coreference-000079 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Song of the morning." by Giocol is a medium-tempo (116 BPM) fusion of Latin and African rhythms that balances raw, tribal energy with a feel-good atmosphere. Anchored in F major, the track opens with intricate percussion and synthesizer textures before introducing a driving bass and drum foundation. Vocal cha... | [
"jamendomaxcaps/masters/1504868",
"jamendomaxcaps/masters/892520",
"jamendomaxcaps/masters/1445050"
] |
jamendomaxcaps-coreference-000080 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Earthbeat" by zero-project is an instrumental electronic track that blends darkwave and trance elements with a retro aesthetic. Clocking in at approximately 136 BPM, the piece is grounded in the key of F minor, creating a dramatic and moody atmosphere from start to finish. The production relies heavily on syn... | [
"jamendomaxcaps/masters/373290",
"jamendomaxcaps/masters/607987",
"jamendomaxcaps/masters/315628",
"jamendomaxcaps/masters/1256005"
] |
jamendomaxcaps-coreference-000081 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Beauty Land" by Adaris is an instrumental track blending trance and rock elements, driven by a high-speed tempo of approximately 144 BPM. The piece is anchored in the key of E minor, utilizing a harmonic progression that shifts between E minor, G major, C major, D major, and A minor to create a dynamic tonal ... | [
"jamendomaxcaps/masters/1269832",
"jamendomaxcaps/masters/301979"
] |
jamendomaxcaps-coreference-000082 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: Edward Schaffer’s "The Gray Nothingness - A Journey to Hell, Op 250" is a haunting, instrumental composition from the album *Heaven & Hell*, characterized by a slow, atmospheric tempo of approximately 164 BPM and a tonal center in B minor. The piece unfolds as a cinematic journey through shifting harmonic land... | [
"jamendomaxcaps/masters/874975",
"jamendomaxcaps/masters/1553749",
"jamendomaxcaps/masters/995852",
"jamendomaxcaps/masters/1252947"
] |
jamendomaxcaps-coreference-000083 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Memorable Moments" by Stefano Giardiniere is a poignant neoclassical and new age instrumental that balances melancholic introspection with peaceful resolve. Anchored in C major with frequent excursions into D minor, F major, and A minor, the piece unfolds at a moderate 77 BPM, allowing for expressive, rubato-... | [
"jamendomaxcaps/masters/1014065",
"jamendomaxcaps/masters/728969"
] |
jamendomaxcaps-coreference-000084 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Flame and Go" by CyberSDF is a 256-second electronic track that fuses flamenco traditions with modern dubstep energy, anchored in the key of A minor at a driving 127 BPM. The piece opens with a sparse introduction before launching into a rhythmic groove defined by bass, drums, percussion, and synthesizer. Cas... | [
"jamendomaxcaps/masters/1332943",
"jamendomaxcaps/masters/632365",
"jamendomaxcaps/masters/1069873"
] |
jamendomaxcaps-coreference-000085 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Membrana metamorphosis" by KATUSHKA is an experimental instrumental track from the album "УБИЙЦА ВАКУОЛЕЙ," characterized by a medium tempo of approximately 81 BPM and a clear C major tonality. The piece features a dense, wide mix driven by heavily manipulated synthesizer textures that create a chaotic, glitc... | [
"jamendomaxcaps/masters/392425",
"jamendomaxcaps/masters/1313645",
"jamendomaxcaps/masters/1091479",
"jamendomaxcaps/masters/489919"
] |
jamendomaxcaps-coreference-000086 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "ScheidereiTer LiSS N" by MagiC N is a medium-tempo trip-hop track set at approximately 100 BPM, anchored in C major with shifting tonal centers through F and C. The arrangement features a lush, atmospheric production dominated by synthesizers, complemented by deep basslines, subtle drums, keyboards, and occas... | [
"jamendomaxcaps/masters/633703",
"jamendomaxcaps/masters/1998283"
] |
jamendomaxcaps-coreference-000087 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Midnight Melody" by DavidKBD is a slow, atmospheric instrumental piece rooted in G major, moving at a gentle 89 BPM. The track opens with an intimate piano introduction that establishes a contemplative mood, supported by rich harmonic progressions including Gmaj7 and F chords. As the arrangement unfolds, subt... | [
"jamendomaxcaps/masters/884965",
"jamendomaxcaps/masters/1392711"
] |
jamendomaxcaps-coreference-000088 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Lullaby" by Hazardous is an instrumental electronic chillout track set in C minor with a medium tempo of approximately 110 BPM. The composition features a peaceful and gentle atmosphere, incorporating elements reminiscent of Japanese musical aesthetics. The arrangement begins with atmospheric bass tones befor... | [
"jamendomaxcaps/masters/1338568",
"jamendomaxcaps/masters/511507"
] |
jamendomaxcaps-coreference-000089 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Solar Flare" by Mark.Nine is a medium-tempo instrumental track in C major, characterized by a steady 95 BPM pulse and an introspective, cinematic atmosphere. The piece begins with sparse piano arpeggios before transitioning into warm, reverb-drenched guitar textures that establish a contemplative mood. As the... | [
"jamendomaxcaps/masters/906894",
"jamendomaxcaps/masters/269580",
"jamendomaxcaps/masters/1432848"
] |
jamendomaxcaps-coreference-000090 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Deserticon" by Daniel Bautista is an instrumental fusion of Latin, progressive rock, and Western genres, anchored in the key of E major at a moderate tempo of approximately 93 BPM. The composition opens with a B major introduction before transitioning into intricate C# minor verses characterized by complex ha... | [
"jamendomaxcaps/masters/1595288",
"jamendomaxcaps/masters/313776",
"jamendomaxcaps/masters/1481366",
"jamendomaxcaps/masters/1358365"
] |
jamendomaxcaps-coreference-000091 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Music For Being In Oblivion" by Ambient Samurai - Ichiro NAKAGAWA is an instrumental ambient piece in D major, unfolding at a slow, meditative tempo of approximately 84 BPM. The track features layered electric guitars creating a spacious and contemplative atmosphere, characterized by sustained, reverb-drenche... | [
"jamendomaxcaps/masters/1165558",
"jamendomaxcaps/masters/180362",
"jamendomaxcaps/masters/1253536"
] |
jamendomaxcaps-coreference-000092 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Force Field" by DJ Frankie Holmes is an instrumental electronic track that blends elements of techno and trance with a medium tempo of approximately 137 BPM. Set primarily in the key of C# minor, the piece opens with synthesizer-driven textures that establish a moody, atmospheric foundation. The arrangement e... | [
"jamendomaxcaps/masters/1287199",
"jamendomaxcaps/masters/584748",
"jamendomaxcaps/masters/519674",
"jamendomaxcaps/masters/822674"
] |
jamendomaxcaps-coreference-000093 | coreference | Audio 1: <audio>
Audio 2: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Vampire Lover (Darkness Mix)" by Die Slein is a dark, industrial techno track rooted in the darkwave genre. Clocking in at approximately 138 BPM, the song maintains a steady, driving pulse throughout its nearly five-minute runtime. The piece is entirely instrumental, relying on synthesizers to create a dense,... | [
"jamendomaxcaps/masters/1448740",
"jamendomaxcaps/masters/845921"
] |
jamendomaxcaps-coreference-000094 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Qalibre" by Berhane Prod is an instrumental track from the album "Iyahmist," blending deep tech house grooves with ambient techno textures. Set at a steady 120 BPM in E minor, the piece features a hypnotic, syncopated rhythm driven by a resonant kick and crisp snare, anchored by a pulsing synth bassline. The ... | [
"jamendomaxcaps/masters/1038173",
"jamendomaxcaps/masters/1131227",
"jamendomaxcaps/masters/949094",
"jamendomaxcaps/masters/318965"
] |
jamendomaxcaps-coreference-000095 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "JIDIHeKtods" by GASNOPROD is an instrumental hard rock and heavy metal fusion track set at a driving 125 BPM in C major. The composition features a relentless mid-to-fast tempo anchored by distorted electric guitars, punchy drums, and a grooving bassline that establishes a tense, aggressive atmosphere through... | [
"jamendomaxcaps/masters/178333",
"jamendomaxcaps/masters/831448",
"jamendomaxcaps/masters/654890",
"jamendomaxcaps/masters/1901108"
] |
jamendomaxcaps-coreference-000096 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Stop Pretending We Have Something_To_Fight_For" by Yoghurt For Breakfast is a 4-minute and 25-second instrumental track that blends electronic, rock, and experimental genres. While the draft description suggests an aggressive fusion of Free Jazz and Noise Music, the structured data reveals a more nuanced, med... | [
"jamendomaxcaps/masters/1435961",
"jamendomaxcaps/masters/1319527",
"jamendomaxcaps/masters/1186811",
"jamendomaxcaps/masters/515308"
] |
jamendomaxcaps-coreference-000097 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Bohemian Comedyl" by Bornstück is a medium-tempo, atmospheric track rooted in post-punk and darkwave traditions, anchored in the key of F# minor. Running at approximately 142 BPM, the song opens with a sparse, reverb-drenched synthesizer intro before establishing a steady, mid-tempo pulse driven by a deep bas... | [
"jamendomaxcaps/masters/205210",
"jamendomaxcaps/masters/914697",
"jamendomaxcaps/masters/1079902",
"jamendomaxcaps/masters/990278"
] |
jamendomaxcaps-coreference-000098 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Audio 4: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "08 entracte" by 3.14159otr3G is an instrumental electronic track rooted in experimental garage styles, characterized by its abstract and computer-generated sound design. Set at a medium tempo of approximately 119 BPM in the key of C major, the piece unfolds over a four-beat measure with a harmonic progression... | [
"jamendomaxcaps/masters/1774893",
"jamendomaxcaps/masters/1562994",
"jamendomaxcaps/masters/1127149",
"jamendomaxcaps/masters/167489"
] |
jamendomaxcaps-coreference-000099 | coreference | Audio 1: <audio>
Audio 2: <audio>
Audio 3: <audio>
Describe each audio separately. Use the audio labels and do not merge the descriptions. | Audio 1: "Nubra’s 'Sounds Of The Universe' is a medium-tempo instrumental electronic track set at 126 BPM, anchored in the introspective tonality of C minor. The composition unfolds as a hypnotic journey through progressive house and dance-pop textures, driven by a relentless, driving rhythm that locks the listener int... | [
"jamendomaxcaps/masters/1284880",
"jamendomaxcaps/masters/1108259",
"jamendomaxcaps/masters/687467"
] |
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