Blame for data/eval_metadata.json

{
  "name": "MoviEdit-Bench",
  "fps": 24,
  "num_frames": 361,
  "samples": {
    "C1_4_A": {
      "category": "C1",
      "shots": [[0, 96], [96, 188], [188, 291], [291, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rooftop garden at dawn, a young adult male gardener in an olive canvas apron carefully repots his late grandmother's favorite rose bush, working the soil with bare hands as the sky lightens behind him. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays at the same raised planter bed on the rooftop; the rose bush remains in its terracotta pot while he alternates between loosening the soil and steadying the stem. Shot sequence: Shot 1: Wide front shot as he brings the potted rose bush over from his left, morning light already turning gold, and sets it into the raised planter bed. Shot 2: Medium side shot as he packs fresh soil around the base of the pot, settling it into place. Shot 3: Close shot of his bare hands pressing the soil firm around the stem, murmuring a memory aloud. Shot 4: High three-quarter shot as he steps back, brushing soil from his palms, the sky now fully lit behind him.",
      "source_shot_prompts": [
        "Wide front shot as he brings the potted rose bush over from his left, morning light already turning gold, and sets it into the raised planter bed.",
        "Medium side shot as he packs fresh soil around the base of the pot, settling it into place.",
        "Close shot of his bare hands pressing the soil firm around the stem, murmuring a memory aloud.",
        "High three-quarter shot as he steps back, brushing soil from his palms, the sky now fully lit behind him."
      ]
    },
    "C1_4_B": {
      "category": "C1",
      "shots": [[0, 92], [92, 187], [187, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Backstage in a narrow velvet-curtained wing lit by a single amber work light, a lean adult male magician in a burgundy tailcoat and white gloves rehearses his closing trick alone, turning a silver pocket watch on its chain while muttering tonight's patter under his breath. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays in the same backstage corner; the silver pocket watch stays on its chain around his gloved hand while he alternates between practicing the watch spin and checking the folded set-list taped to the wall. Shot sequence: Shot 1: Wide shot as he lets the silver pocket watch swing once on its chain and checks the folded set-list. Shot 2: Medium shot as he catches the watch mid-swing and mutters the trick's opening line. Shot 3: Close shot of his gloved hand snapping the watch case shut and re-pocketing it. Shot 4: Low three-quarter shot as he exhales, adjusts his tailcoat lapel, and glances once more at the set-list.",
      "source_shot_prompts": [
        "Wide shot as he lets the silver pocket watch swing once on its chain and checks the folded set-list.",
        "Medium shot as he catches the watch mid-swing and mutters the trick's opening line.",
        "Close shot of his gloved hand snapping the watch case shut and re-pocketing it.",
        "Low three-quarter shot as he exhales, adjusts his tailcoat lapel, and glances once more at the set-list."
      ]
    },
    "C1_5_A": {
      "category": "C1",
      "shots": [[0, 75], [75, 142], [142, 211], [211, 291], [291, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On the empty stage of a grand concert hall lit by a single spotlight, the rows of seats sunk in shadow, an elderly adult female violinist with a silver chignon and a charcoal shawl rehearses the final phrase of her farewell recital alone, her varnished violin and bow catching the low light. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays standing at center stage; the varnished violin remains tucked under her chin while she alternates between playing the phrase and lowering the bow to glance at the folded program on a nearby stool. Shot sequence: Shot 1: Medium-wide front shot of her standing with the violin already raised at her chin, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins. Shot 2: Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin. Shot 3: Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin. Shot 4: Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin. Shot 5: Close shot from the front, the stage's back wall behind her again, as the bow tip trembles to a stop and the note fades, the violin still raised.",
      "source_shot_prompts": [
        "Medium-wide front shot of her standing with the violin already raised at her chin, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins.",
        "Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin.",
        "Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin.",
        "Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin.",
        "Close shot from the front, the stage's back wall behind her again, as the bow tip trembles to a stop and the note fades, the violin still raised."
      ]
    },
    "C1_5_B": {
      "category": "C1",
      "shots": [[0, 73], [73, 153], [153, 212], [212, 294], [294, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered back-room workshop lit by a single swinging bulb, shadows sliding across the walls, a middle-aged adult male locksmith with a shaved head and a gray canvas apron stands at his tall workbench, working on a locked wooden box left to him by an estranged brother, a magnifying loupe hanging within reach on the wall tool rack beside him as he probes the box's brass lock with a thin tension wrench. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays within the workshop, moving between the workbench and the wall tool rack a step away; the wooden box remains clamped in the vise while he alternates between probing the brass lock and stepping to the rack for the loupe. Shot sequence: Shot 1: Wide shot as he leans over the vise, the brass lock barely visible beneath his hand. Shot 2: Medium shot as he steps to the wall rack, grabs the magnifying loupe, and returns to the bench. Shot 3: Close shot from behind his shoulder as he peers through the loupe, the lock's face glimpsed only at its edge. Shot 4: Medium overhead shot as his palm shields the lock while he listens for the pins to set. Shot 5: Close shot of the lock finally exposed as his hand lifts away and the shackle springs free.",
      "source_shot_prompts": [
        "Wide shot as he leans over the vise, the brass lock barely visible beneath his hand.",
        "Medium shot as he steps to the wall rack, grabs the magnifying loupe, and returns to the bench.",
        "Close shot from behind his shoulder as he peers through the loupe, the lock's face glimpsed only at its edge.",
        "Medium overhead shot as his palm shields the lock while he listens for the pins to set.",
        "Close shot of the lock finally exposed as his hand lifts away and the shackle springs free."
      ]
    },
    "C1_6_A": {
      "category": "C1",
      "shots": [[0, 78], [78, 126], [126, 179], [179, 223], [223, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shadow-drenched boxing gym lit by a single hanging ring light, the rest of the room swallowed in dark, a young adult male boxer with a shaved head and a red tank top shadowboxes alone near the ring ropes, replaying a taunting voicemail from his rival on a battered phone propped on a nearby stool. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays within the ring apron; the battered phone remains propped on the stool playing the voicemail while he alternates between shadowboxing combinations and pausing to glare at the phone. Shot sequence: Shot 1: Wide shot from ringside as he throws a combination toward the ropes. Shot 2: High overhead shot looking straight down as he pivots and jabs. Shot 3: Low shot from floor level as his wrapped fists snap past camera. Shot 4: Close shot of the battered phone screen as the voicemail plays on speaker. Shot 5: Side profile shot as he stops, chest heaving, glaring at the phone. Shot 6: Reverse wide shot from behind the ropes as he resumes a slower combination, jaw tight.",
      "source_shot_prompts": [
        "Wide shot from ringside as he throws a combination toward the ropes.",
        "High overhead shot looking straight down as he pivots and jabs.",
        "Low shot from floor level as his wrapped fists snap past camera.",
        "Close shot of the battered phone screen as the voicemail plays on speaker.",
        "Side profile shot as he stops, chest heaving, glaring at the phone.",
        "Reverse wide shot from behind the ropes as he resumes a slower combination, jaw tight."
      ]
    },
    "C1_6_B": {
      "category": "C1",
      "shots": [[0, 75], [75, 120], [120, 167], [167, 244], [244, 293], [293, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden boardwalk through a marsh at dawn, a young adult female wildlife photographer in a green field vest crouches behind tall reeds, tracking a wading heron with her long-lens camera as she edges along the boardwalk rail. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays on the same stretch of boardwalk, moving a few steps along the rail as the heron shifts; the long-lens camera stays in her hands while reeds and grass drift in and out of frame around her. Shot sequence: Shot 1: Wide shot through a screen of tall reeds as she crouches, camera raised toward the heron. Shot 2: Medium shot from behind waving marsh grass as she edges a step along the boardwalk rail. Shot 3: Close shot of her hands adjusting the long lens, reeds blurring across the foreground. Shot 4: Over-the-shoulder shot through hanging cattails as she leans further over the rail. Shot 5: Close shot from beside a reed cluster, its stalks partially blocking her field vest. Shot 6: Wide shot through the reed screen again as she lowers the camera, exhaling, satisfied with the shot.",
      "source_shot_prompts": [
        "Wide shot through a screen of tall reeds as she crouches, camera raised toward the heron.",
        "Medium shot from behind waving marsh grass as she edges a step along the boardwalk rail.",
        "Close shot of her hands adjusting the long lens, reeds blurring across the foreground.",
        "Over-the-shoulder shot through hanging cattails as she leans further over the rail.",
        "Close shot from beside a reed cluster, its stalks partially blocking her field vest.",
        "Wide shot through the reed screen again as she lowers the camera, exhaling, satisfied with the shot."
      ]
    },
    "C2_4_A": {
      "category": "C2",
      "shots": [[0, 87], [87, 172], [172, 242], [242, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On an outdoor running track at dusk, an adult male coach in a red team polo paces along the inside lane, while an adult female sprinter in a gold tracksuit stretches at the starting blocks, both replaying her missed qualifying time from the afternoon's heat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The sprinter starts at the blocks and breaks into a sprint down her lane by the final shot; the coach stays near the blocks, clocking her with the stopwatch, while each remains in their own single throughout. Shot sequence: Shot 1: Clean medium single of the coach alone, pacing the inside lane, stopwatch swinging in hand as he presses her about the time. Shot 2: Clean close single of the sprinter alone at the blocks, jaw tight, lacing a shoe. Shot 3: Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the track. Shot 4: Side-profile single of the sprinter alone exploding off the blocks and sprinting hard down her lane, saying nothing.",
      "source_shot_prompts": [
        "Clean medium single of the coach alone, pacing the inside lane, stopwatch swinging in hand as he presses her about the time.",
        "Clean close single of the sprinter alone at the blocks, jaw tight, lacing a shoe.",
        "Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the track.",
        "Side-profile single of the sprinter alone exploding off the blocks and sprinting hard down her lane, saying nothing."
      ]
    },
    "C2_4_B": {
      "category": "C2",
      "shots": [[0, 92], [92, 190], [190, 268], [268, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Along a hiking trail overlook at midday, a young adult male founder in a rumpled white shirt walks a switchback below the ridge, while an adult female investor in a sharp black blazer walks the ridge path above, questioning his revenue projections over the phone as they keep pace with each other. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The founder stays on the lower switchback; the investor stays on the ridge path above, both continuing to walk their own stretch of the same trail while remaining in their own single throughout. Shot sequence: Shot 1: Clean medium single of the founder alone, walking the lower switchback, phone at his ear as he defends the projection. Shot 2: Clean close single of the investor alone on the ridge path, walking briskly, narrowing her eyes at the view. Shot 3: Close single of the founder alone again, catching his breath on an incline, restating a number. Shot 4: Clean medium single of the investor alone stopping at a lookout point, ending the call and stating her verdict.",
      "source_shot_prompts": [
        "Clean medium single of the founder alone, walking the lower switchback, phone at his ear as he defends the projection.",
        "Clean close single of the investor alone on the ridge path, walking briskly, narrowing her eyes at the view.",
        "Close single of the founder alone again, catching his breath on an incline, restating a number.",
        "Clean medium single of the investor alone stopping at a lookout point, ending the call and stating her verdict."
      ]
    },
    "C2_5_A": {
      "category": "C2",
      "shots": [[0, 71], [71, 142], [142, 214], [214, 298], [298, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Inside a nearly empty passenger train car rolling through the countryside, an adult male passenger in a brown overcoat stands gripping a handrail in the aisle, arguing quietly over a shared inheritance letter with an adult female passenger in a rust-red scarf seated several rows back. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The woman remains seated in her row; the man stays standing in the aisle, shifting his grip on the handrail as he argues, while the shared inheritance letter stays as separate photocopies in each one's own hand. Shot sequence: Shot 1: Wide shot down the aisle as the man grips the handrail, letter in hand, raising his voice slightly. Shot 2: Clean medium single of the man alone, standing, as he taps his photocopy and states his claim. Shot 3: Clean medium single of the woman alone, seated several rows back, as she unfolds her own copy and counters. Shot 4: Close single of the man's hand gripping the handrail tighter, knuckles whitening as her counter lands. Shot 5: Close single of the woman alone, jaw tight, refolding her photocopy and looking out the window.",
      "source_shot_prompts": [
        "Wide shot down the aisle as the man grips the handrail, letter in hand, raising his voice slightly.",
        "Clean medium single of the man alone, standing, as he taps his photocopy and states his claim.",
        "Clean medium single of the woman alone, seated several rows back, as she unfolds her own copy and counters.",
        "Close single of the man's hand gripping the handrail tighter, knuckles whitening as her counter lands.",
        "Close single of the woman alone, jaw tight, refolding her photocopy and looking out the window."
      ]
    },
    "C2_5_B": {
      "category": "C2",
      "shots": [[0, 71], [71, 146], [146, 215], [215, 294], [294, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a courthouse side room, dust drifting through a shaft of window light, an adult female lawyer in a navy pantsuit sits at a corner desk reviewing her notes, while an adult male witness in a gray sweater paces near the door, rehearsing the same typed statement before he is called to testify. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The lawyer remains seated at the desk; the witness stays within the room, pacing a short line near the door, while the typed statement stays as separate copies in each one's own hands and the door stays closed throughout. Shot sequence: Shot 1: Clean medium single of the lawyer alone, seated, as she underlines a line on her marked statement. Shot 2: Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow. Shot 3: Close single of the lawyer alone reciting a question she expects him to face. Shot 4: Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself. Shot 5: Wide single of the witness alone standing still by the closed door, statement still gripped in his hand, as an unseen bailiff's voice calls the case through the door and he doesn't move.",
      "source_shot_prompts": [
        "Clean medium single of the lawyer alone, seated, as she underlines a line on her marked statement.",
        "Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow.",
        "Close single of the lawyer alone reciting a question she expects him to face.",
        "Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself.",
        "Wide single of the witness alone standing still by the closed door, statement still gripped in his hand, as an unseen bailiff's voice calls the case through the door and he doesn't move."
      ]
    },
    "C2_6_A": {
      "category": "C2",
      "shots": [[0, 73], [73, 124], [124, 188], [188, 272], [272, 315], [315, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Across a glass display counter in a dim pawn shop lit by a single hanging bulb, an adult male shop owner in a maroon cardigan stands at the register while an adult female customer in a faded denim jacket stands opposite him, negotiating over her late grandmother's gold locket resting on the counter between them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. Both remain standing on their own sides of the counter; the gold locket stays on the velvet counter pad while each speaks only in their own single and reaches only toward their own edge of the counter. Shot sequence: Shot 1: Clean medium single of the shop owner alone as he turns the gold locket over, inspecting the clasp. Shot 2: Clean medium single of the customer alone as she crosses her arms, watching his hands. Shot 3: Close single of the shop owner alone naming a price under his breath, tapping the register keys. Shot 4: Close single of the customer alone shaking her head, refusing the offer. Shot 5: Medium overhead single of the locket alone on the velvet pad, catching the light between offers. Shot 6: Clean medium single of the shop owner alone sliding the locket back toward the customer's edge of the counter.",
      "source_shot_prompts": [
        "Clean medium single of the shop owner alone as he turns the gold locket over, inspecting the clasp.",
        "Clean medium single of the customer alone as she crosses her arms, watching his hands.",
        "Close single of the shop owner alone naming a price under his breath, tapping the register keys.",
        "Close single of the customer alone shaking her head, refusing the offer.",
        "Medium overhead single of the locket alone on the velvet pad, catching the light between offers.",
        "Clean medium single of the shop owner alone sliding the locket back toward the customer's edge of the counter."
      ]
    },
    "C2_6_B": {
      "category": "C2",
      "shots": [[0, 77], [77, 120], [120, 179], [179, 240], [240, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mission control room lit only by rows of blinking consoles, an adult female flight director in a navy polo stands at the main console while an adult male capsule communicator in a gray flight-ops jacket sits at a side desk, coordinating through a shared status clipboard during a tense onboard anomaly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. Both remain at their own stations; the shared status clipboard passes between their desks without the two ever standing in frame together, while each speaks only into their own headset microphone. Shot sequence: Shot 1: Clean medium single of the flight director alone as she jots a reading onto the clipboard. Shot 2: Clean close single of the communicator alone as he watches the red anomaly light blink on his relay screen. Shot 3: Close single of the clipboard alone sliding across a handoff tray between the two stations. Shot 4: Clean medium single of the communicator alone now holding the clipboard, reading her note aloud into his mic. Shot 5: Clean close single of the flight director alone nodding sharply at unseen data, still speaking. Shot 6: Wide single of the communicator alone standing to relay the final call, clipboard in hand.",
      "source_shot_prompts": [
        "Clean medium single of the flight director alone as she jots a reading onto the clipboard.",
        "Clean close single of the communicator alone as he watches the red anomaly light blink on his relay screen.",
        "Close single of the clipboard alone sliding across a handoff tray between the two stations.",
        "Clean medium single of the communicator alone now holding the clipboard, reading her note aloud into his mic.",
        "Clean close single of the flight director alone nodding sharply at unseen data, still speaking.",
        "Wide single of the communicator alone standing to relay the final call, clipboard in hand."
      ]
    },
    "C3A_4_A": {
      "category": "C3A",
      "shots": [[0, 95], [95, 205], [205, 288], [288, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shared law-firm conference room lit only by desk lamps, the city lights glittering beyond the window, the night before trial, two adult women prepare opposing strategies on the same case: the lead counsel in a crimson blazer sits at the table highlighting her red-tabbed exhibit binder, while opposing counsel in a forest-green blazer paces along the far side of the room, flipping through her own blue-tabbed binder. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the conference room; the green-blazer lawyer paces the far side while the crimson-blazer lawyer stays seated at the table, and each binder stays with its owner throughout their clipped exchanges. Shot sequence: Shot 1: Wide two-shot as the crimson-blazer lawyer flips through her binder at the table while the green blazer paces behind her, tension visible. Shot 2: Medium single-weighted shot of the crimson-blazer lawyer as she taps a red tab and states her key argument, the green blazer visible pacing far down the room. Shot 3: Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point. Shot 4: Wide two-shot as the green-blazer lawyer crosses back to the table and snaps her binder shut first, the crimson-blazer lawyer closing hers a beat later without looking up.",
      "source_shot_prompts": [
        "Wide two-shot as the crimson-blazer lawyer flips through her binder at the table while the green blazer paces behind her, tension visible.",
        "Medium single-weighted shot of the crimson-blazer lawyer as she taps a red tab and states her key argument, the green blazer visible pacing far down the room.",
        "Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point.",
        "Wide two-shot as the green-blazer lawyer crosses back to the table and snaps her binder shut first, the crimson-blazer lawyer closing hers a beat later without looking up."
      ]
    },
    "C3A_4_B": {
      "category": "C3A",
      "shots": [[0, 89], [89, 164], [164, 264], [264, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At their late father's weathered boat dock, two adult brothers stand on opposite sides of his old fishing boat: the older brother in a gray flannel shirt grips the boat's bow line, while the younger brother in a navy flannel shirt reaches for the same line, both arguing over whether to sell the boat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on the dock beside the boat; the bow line stays passed between their hands while neither steps off the dock during the argument. Shot sequence: Shot 1: Wide two-shot as the gray-shirt brother pulls the bow line taut, the boat knocking against the dock. Shot 2: Medium single-weighted shot of the navy-shirt brother reaching across and gripping the line, the gray shirt visible behind him. Shot 3: Reverse medium shot of the gray-shirt brother yanking the line back and stepping between his brother and the boat. Shot 4: Wide two-shot as both grip opposite ends of the line, neither letting go, the boat rocking gently between them.",
      "source_shot_prompts": [
        "Wide two-shot as the gray-shirt brother pulls the bow line taut, the boat knocking against the dock.",
        "Medium single-weighted shot of the navy-shirt brother reaching across and gripping the line, the gray shirt visible behind him.",
        "Reverse medium shot of the gray-shirt brother yanking the line back and stepping between his brother and the boat.",
        "Wide two-shot as both grip opposite ends of the line, neither letting go, the boat rocking gently between them."
      ]
    },
    "C3A_5_A": {
      "category": "C3A",
      "shots": [[0, 72], [72, 140], [140, 211], [211, 288], [288, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct case room lit by a flickering fluorescent tube, two adult female detectives stand before the same evidence board: the senior detective in a burgundy blazer points to a timeline pinned to the board, while the junior detective in a mustard blazer marks a conflicting note on a sticky pad. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing before the same board; the pinned timeline stays fixed on the board while each detective works from her own side of it. Shot sequence: Shot 1: Wide two-shot as both women stand before the evidence board studying the pinned timeline. Shot 2: Over-the-shoulder shot past the burgundy-blazer detective's shoulder as she circles a date on the timeline. Shot 3: Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it. Shot 4: Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board. Shot 5: Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede.",
      "source_shot_prompts": [
        "Wide two-shot as both women stand before the evidence board studying the pinned timeline.",
        "Over-the-shoulder shot past the burgundy-blazer detective's shoulder as she circles a date on the timeline.",
        "Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it.",
        "Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board.",
        "Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede."
      ]
    },
    "C3A_5_B": {
      "category": "C3A",
      "shots": [[0, 71], [71, 140], [140, 216], [216, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a backstage dressing corner lit by a single bare bulb behind a heavy velvet curtain, two adult male actors run lines for tonight's climactic argument scene: the veteran actor in a wine-red robe recites his character's accusation, while the younger actor in a charcoal robe fires back the scripted retort, both close to slipping from rehearsal into real friction. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the same dressing corner; the shared script pages stay passed between them while neither leaves for the stage during the run-through. Shot sequence: Shot 1: Wide two-shot as both actors face off, scripts raised, running the scene's opening lines. Shot 2: Medium single-weighted shot of the wine-red-robe actor delivering the accusation line with real heat, charcoal robe visible behind him. Shot 3: Reverse medium shot of the charcoal-robe actor firing back the retort, script now lowered. Shot 4: Close two-shot as the veteran actor sets his reading glasses down mid-line, breaking rehearsal rhythm. Shot 5: Wide two-shot as the veteran actor catches himself first and laughs it off, the younger actor exhaling in relief a beat behind him as they lower their scripts.",
      "source_shot_prompts": [
        "Wide two-shot as both actors face off, scripts raised, running the scene's opening lines.",
        "Medium single-weighted shot of the wine-red-robe actor delivering the accusation line with real heat, charcoal robe visible behind him.",
        "Reverse medium shot of the charcoal-robe actor firing back the retort, script now lowered.",
        "Close two-shot as the veteran actor sets his reading glasses down mid-line, breaking rehearsal rhythm.",
        "Wide two-shot as the veteran actor catches himself first and laughs it off, the younger actor exhaling in relief a beat behind him as they lower their scripts."
      ]
    },
    "C3A_6_A": {
      "category": "C3A",
      "shots": [[0, 74], [74, 140], [140, 214], [214, 272], [272, 320], [320, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunlit bridal dressing room lined with garment bags, morning light spilling through a gauzy curtain, two adult women face each other before the ceremony: the bride in an ivory gown sits on a dressing bench arranging her veil, while her estranged sister in a dusty-rose bridesmaid dress stands nearby holding the bouquet, both attempting a quiet reconciliation. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the dressing room; the bouquet stays in the bridesmaid's hands until the final shot while the bride stays seated on the bench for the entire conversation. Shot sequence: Shot 1: Wide two-shot as the bride adjusts her veil on the bench while her sister stands stiffly by the door with the bouquet. Shot 2: Medium single-weighted shot of the bride speaking quietly, the dusty-rose dress visible behind her. Shot 3: Reverse medium shot of the sister gripping the bouquet tighter, voice wavering as she answers. Shot 4: Close shot of the bride's hands stilling on the veil pins as she listens. Shot 5: Close shot of the bouquet trembling slightly in the sister's hands. Shot 6: Wide two-shot as the sister crosses the room and sets the bouquet gently in the bride's lap.",
      "source_shot_prompts": [
        "Wide two-shot as the bride adjusts her veil on the bench while her sister stands stiffly by the door with the bouquet.",
        "Medium single-weighted shot of the bride speaking quietly, the dusty-rose dress visible behind her.",
        "Reverse medium shot of the sister gripping the bouquet tighter, voice wavering as she answers.",
        "Close shot of the bride's hands stilling on the veil pins as she listens.",
        "Close shot of the bouquet trembling slightly in the sister's hands.",
        "Wide two-shot as the sister crosses the room and sets the bouquet gently in the bride's lap."
      ]
    },
    "C3A_6_B": {
      "category": "C3A",
      "shots": [[0, 74], [74, 128], [128, 190], [190, 241], [241, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor ambulance bay after a difficult call, two adult male paramedics stand beside their parked ambulance: the senior paramedic in a navy uniform shirt reviews the run on a rugged tablet, while the junior paramedic in a maroon uniform shirt argues that they should have used a different treatment protocol. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing beside the ambulance in the bay; the tablet stays in the senior paramedic's hands while they each pace a short stretch of the bay during the disagreement. Shot sequence: Shot 1: Wide two-shot beside the ambulance as the senior paramedic reviews the run on the tablet. Shot 2: Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, navy shirt visible behind him. Shot 3: Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made. Shot 4: Close shot of the tablet screen as he scrolls to the logged vitals. Shot 5: Close shot of the junior paramedic's hand resting on the ambulance's open door, still unconvinced. Shot 6: Wide two-shot as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind him, unresolved.",
      "source_shot_prompts": [
        "Wide two-shot beside the ambulance as the senior paramedic reviews the run on the tablet.",
        "Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, navy shirt visible behind him.",
        "Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made.",
        "Close shot of the tablet screen as he scrolls to the logged vitals.",
        "Close shot of the junior paramedic's hand resting on the ambulance's open door, still unconvinced.",
        "Wide two-shot as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind him, unresolved."
      ]
    },
    "C3B_4_A": {
      "category": "C3B",
      "shots": [[0, 92], [92, 167], [167, 267], [267, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mediation office lit by late-afternoon light slanting through the blinds, an adult man in a navy suit sits at a round table reviewing his copy of the printed settlement agreement, clipped with a blue paperclip, while his estranged wife, an adult woman in a plum wrap dress, stands near the window a few steps away, arms crossed, her own dog-eared copy already waiting on her side of the table. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the mediation office; the woman moves between the window and the table while the man stays seated, and each keeps their own copy of the settlement agreement on their own side of the table throughout. Shot sequence: Shot 1: Wide two-shot as the man leans over his clipped copy of the agreement on the table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed. Shot 2: Medium single-weighted shot of the man in the navy suit pointing to a clause on his copy, the plum dress visible near the window behind him. Shot 3: Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy. Shot 4: Wide two-shot as both finally pick up the pen in turn and sign their own copies at the table.",
      "source_shot_prompts": [
        "Wide two-shot as the man leans over his clipped copy of the agreement on the table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed.",
        "Medium single-weighted shot of the man in the navy suit pointing to a clause on his copy, the plum dress visible near the window behind him.",
        "Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy.",
        "Wide two-shot as both finally pick up the pen in turn and sign their own copies at the table."
      ]
    },
    "C3B_4_B": {
      "category": "C3B",
      "shots": [[0, 92], [92, 188], [188, 267], [267, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct's outdoor back lot after hours, an adult female police officer in a navy uniform stands beside a parked patrol car while an adult male journalist in a rumpled tan trench coat leans against the fence nearby, trading tense words about a leaked USB drive he's holding. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the back lot; the officer stays near the patrol car while the journalist stays by the fence, the leaked USB drive staying in his coat pocket while neither moves toward the exit. Shot sequence: Shot 1: Wide two-shot across the back lot as both face off, voices low but sharp. Shot 2: Medium single-weighted shot of the officer demanding he hand over the drive, trench coat visible by the fence behind her. Shot 3: Reverse medium shot of the journalist patting his coat pocket, refusing, radio crackling faintly. Shot 4: Wide two-shot as she steps toward his pocket and he steps back against the fence, blocking her hand.",
      "source_shot_prompts": [
        "Wide two-shot across the back lot as both face off, voices low but sharp.",
        "Medium single-weighted shot of the officer demanding he hand over the drive, trench coat visible by the fence behind her.",
        "Reverse medium shot of the journalist patting his coat pocket, refusing, radio crackling faintly.",
        "Wide two-shot as she steps toward his pocket and he steps back against the fence, blocking her hand."
      ]
    },
    "C3B_5_A": {
      "category": "C3B",
      "shots": [[0, 71], [71, 140], [140, 213], [213, 290], [290, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set lit by hard work lights between takes, the soundstage otherwise dark, an adult female director in a black bomber jacket stands beside the camera rig while the adult male lead actor in a period frock coat holds his script pages, both disputing how his character's final line should land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on their marks beside the camera rig; the script pages stay in the actor's hands while the director keeps her monitor tablet at her side throughout the disagreement. Shot sequence: Shot 1: Wide two-shot beside the camera rig as both face each other mid-debate. Shot 2: Over-the-shoulder shot past the director's shoulder as she taps the monitor tablet, showing the actor a playback frame. Shot 3: Over-the-shoulder shot past the actor's shoulder as he flips to a marked script page, defending his reading. Shot 4: Medium single-weighted shot of the director countering, frock coat visible beside her. Shot 5: Wide two-shot as the director nods first and lowers her tablet, the actor exhaling and lowering his script a moment after.",
      "source_shot_prompts": [
        "Wide two-shot beside the camera rig as both face each other mid-debate.",
        "Over-the-shoulder shot past the director's shoulder as she taps the monitor tablet, showing the actor a playback frame.",
        "Over-the-shoulder shot past the actor's shoulder as he flips to a marked script page, defending his reading.",
        "Medium single-weighted shot of the director countering, frock coat visible beside her.",
        "Wide two-shot as the director nods first and lowers her tablet, the actor exhaling and lowering his script a moment after."
      ]
    },
    "C3B_5_B": {
      "category": "C3B",
      "shots": [[0, 71], [71, 135], [135, 224], [224, 292], [292, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor healing garden, an adult man in a rumpled grey cardigan sits on a stone bench, while his adult daughter in a yellow raincoat paces a tight line along the garden path in front of him, both absorbing a difficult diagnosis together. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The father remains seated on the stone bench; the daughter moves in a short pacing line along the path before finally sitting, while a paper cup of coffee stays cooling on the bench between them throughout. Shot sequence: Shot 1: Wide two-shot on the garden path as the father sits quietly on the stone bench while she paces in front of him. Shot 2: Medium single-weighted shot of the father speaking softly, the yellow raincoat still pacing in the background. Shot 3: Reverse medium shot of the daughter stopping mid-step, gripping her silenced phone, eyes welling. Shot 4: Close shot of the father's hand reaching to rest on the bench beside the coffee cup as his voice steadies. Shot 5: Wide two-shot as the daughter finally sits and leans her head onto his shoulder, the coffee cup still cooling beside them.",
      "source_shot_prompts": [
        "Wide two-shot on the garden path as the father sits quietly on the stone bench while she paces in front of him.",
        "Medium single-weighted shot of the father speaking softly, the yellow raincoat still pacing in the background.",
        "Reverse medium shot of the daughter stopping mid-step, gripping her silenced phone, eyes welling.",
        "Close shot of the father's hand reaching to rest on the bench beside the coffee cup as his voice steadies.",
        "Wide two-shot as the daughter finally sits and leans her head onto his shoulder, the coffee cup still cooling beside them."
      ]
    },
    "C3B_6_A": {
      "category": "C3B",
      "shots": [[0, 80], [80, 142], [142, 214], [214, 267], [267, 320], [320, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen lit by a single steel-blue work light after closing, steam still curling from the pass, an adult male head chef in a double-breasted white jacket stands at the pass across from an adult female food critic in a tailored burgundy coat, confronting her over the scathing review she wrote, a printed copy of it between them on the steel counter. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing at the steel pass counter; the printed review stays on the counter while the chef's tongs stay resting beside it throughout the confrontation. Shot sequence: Shot 1: Wide two-shot at the pass as the chef slaps the printed review onto the steel counter. Shot 2: Medium single-weighted shot of the chef demanding an explanation, burgundy coat visible across the pass. Shot 3: Reverse medium shot of the critic standing her ground, arms folded, restating her verdict. Shot 4: Close shot of the chef's hand gripping the counter edge, tongs rattling beside it. Shot 5: Close shot of the critic sliding the review back toward him, unmoved. Shot 6: Wide two-shot as the chef finally steps back, exhaling, the review left between them.",
      "source_shot_prompts": [
        "Wide two-shot at the pass as the chef slaps the printed review onto the steel counter.",
        "Medium single-weighted shot of the chef demanding an explanation, burgundy coat visible across the pass.",
        "Reverse medium shot of the critic standing her ground, arms folded, restating her verdict.",
        "Close shot of the chef's hand gripping the counter edge, tongs rattling beside it.",
        "Close shot of the critic sliding the review back toward him, unmoved.",
        "Wide two-shot as the chef finally steps back, exhaling, the review left between them."
      ]
    },
    "C3B_6_B": {
      "category": "C3B",
      "shots": [[0, 70], [70, 115], [115, 188], [188, 254], [254, 300], [300, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered university office late at night, an adult male biologist in a rumpled blue cardigan sits at his desk, laptop open to their joint paper's final paragraph, while his adult female co-author in a burgundy blazer paces by the window, arguing that a key finding should be stated more cautiously before tomorrow's conference deadline. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The man remains seated at the desk; the woman paces a short line by the window before leaning over his shoulder to point at the screen, while the laptop stays on his side of the desk throughout. Shot sequence: Shot 1: Wide two-shot across the office as the man types at the laptop while she paces by the window. Shot 2: Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him. Shot 3: Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen. Shot 4: Close shot of the laptop screen as the cursor highlights the disputed sentence. Shot 5: Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line. Shot 6: Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it.",
      "source_shot_prompts": [
        "Wide two-shot across the office as the man types at the laptop while she paces by the window.",
        "Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him.",
        "Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen.",
        "Close shot of the laptop screen as the cursor highlights the disputed sentence.",
        "Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line.",
        "Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it."
      ]
    },
    "C4_4_A": {
      "category": "C4",
      "shots": [[0, 92], [92, 187], [187, 268], [268, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In their mother's sitting room, lit low by a single lamp, the evening after her funeral, three adult siblings, all still in their thirties and close in age, sit in a row around a low table: the eldest brother in a charcoal cardigan sits on the left holding the sealed envelope, the middle sister in a mauve blouse sits in the middle with her hands folded, and the youngest brother in a rust flannel shirt sits on the right, leaning forward anxiously as the envelope is opened. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the low table -- eldest on the left, sister in the middle, youngest on the right -- until the youngest brother rises to stand behind his own chair when the terms are revealed; the sealed envelope and letter stay in the eldest brother's hands throughout. Shot sequence: Shot 1: Wide three-shot as the eldest brother, on the left, breaks the seal on the envelope. Shot 2: Medium single-weighted shot of the eldest brother reading the first line aloud, the sister and youngest brother visible seated beside him to the right. Shot 3: Reverse medium shot of the youngest brother, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him. Shot 4: Wide three-shot as the youngest brother stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them.",
      "source_shot_prompts": [
        "Wide three-shot as the eldest brother, on the left, breaks the seal on the envelope.",
        "Medium single-weighted shot of the eldest brother reading the first line aloud, the sister and youngest brother visible seated beside him to the right.",
        "Reverse medium shot of the youngest brother, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him.",
        "Wide three-shot as the youngest brother stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them."
      ]
    },
    "C4_4_B": {
      "category": "C4",
      "shots": [[0, 87], [87, 188], [188, 266], [266, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a newsroom's rooftop editorial terrace ten minutes before deadline, three adult journalists work at a long outdoor table: the lead reporter in a rolled-sleeve blue shirt types the lede on his laptop, the fact-checker in a green cardigan cross-references sources on her phone, and the editor in a burgundy vest reads over both their shoulders, laptop bag still slung across him. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at the long outdoor table; the fact-checker's phone stays in her hand while the editor never sits down during the countdown to deadline. Shot sequence: Shot 1: Wide three-shot across the rooftop terrace as all three work against the setting sun. Shot 2: Medium single-weighted shot of the reporter typing furiously on his laptop, green cardigan and burgundy vest visible behind him. Shot 3: Close shot of the fact-checker scrolling her phone and calling out a correction. Shot 4: Wide three-shot as the editor reads the final line over the reporter's shoulder and gives a nod.",
      "source_shot_prompts": [
        "Wide three-shot across the rooftop terrace as all three work against the setting sun.",
        "Medium single-weighted shot of the reporter typing furiously on his laptop, green cardigan and burgundy vest visible behind him.",
        "Close shot of the fact-checker scrolling her phone and calling out a correction.",
        "Wide three-shot as the editor reads the final line over the reporter's shoulder and gives a nod."
      ]
    },
    "C4_5_A": {
      "category": "C4",
      "shots": [[0, 68], [68, 140], [140, 216], [216, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a small jury deliberation room lit by flat fluorescent light, the ventilation humming, this entire three-member jury -- just these three adult women, no one else in the room -- sits around the long table: the forewoman in a navy cardigan sits at the head of the table holding the tally sheet, a juror in a coral blouse sits to her left arguing for acquittal, and an elderly juror in a gray shawl sits to her right, quietly reviewing her own notepad before speaking. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the table -- forewoman at the head, coral blouse to her left, gray shawl to her right -- except when the forewoman rises to address the table at key moments; no other jurors or people are present, and the tally sheet stays with her throughout the debate. Shot sequence: Shot 1: Wide three-shot around the table as the forewoman, at the head, rises, raising the tally sheet. Shot 2: Medium single-weighted shot of the coral-blouse juror, to the forewoman's left, arguing for acquittal from her seat, navy cardigan standing and gray shawl seated visible around the table. Shot 3: Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat. Shot 4: Close shot of the forewoman, still standing at the head of the table, marking a new tally mark on the sheet. Shot 5: Wide three-shot as the forewoman finally sits back down at the head, the tally sheet now fully marked between them.",
      "source_shot_prompts": [
        "Wide three-shot around the table as the forewoman, at the head, rises, raising the tally sheet.",
        "Medium single-weighted shot of the coral-blouse juror, to the forewoman's left, arguing for acquittal from her seat, navy cardigan standing and gray shawl seated visible around the table.",
        "Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat.",
        "Close shot of the forewoman, still standing at the head of the table, marking a new tally mark on the sheet.",
        "Wide three-shot as the forewoman finally sits back down at the head, the tally sheet now fully marked between them."
      ]
    },
    "C4_5_B": {
      "category": "C4",
      "shots": [[0, 79], [79, 149], [149, 210], [210, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In the firehouse kitchen after a difficult rescue call, three adult male firefighters sit around the worn table: the captain in a navy department polo pours coffee for the others, a younger firefighter in a soot-streaked yellow undershirt stares at his mug in silence, and the veteran in a gray thermal shirt quietly recounts what they could have done differently. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain in the kitchen; the younger firefighter rises to pace near the counter while the captain and veteran stay seated, and the coffee pot stays with the captain throughout the debrief. Shot sequence: Shot 1: Wide three-shot as the captain pours coffee into each of their mugs in turn. Shot 2: Medium single-weighted shot of the younger firefighter standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him. Shot 3: Reverse medium shot of the veteran setting his mug down and speaking quietly about the call. Shot 4: Close shot of the captain's hand resting briefly on the younger firefighter's arm as he pauses mid-pace. Shot 5: Wide three-shot as the younger firefighter finally sits back down as the captain raises his mug first, the other two lifting theirs a beat after in a quiet toast.",
      "source_shot_prompts": [
        "Wide three-shot as the captain pours coffee into each of their mugs in turn.",
        "Medium single-weighted shot of the younger firefighter standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him.",
        "Reverse medium shot of the veteran setting his mug down and speaking quietly about the call.",
        "Close shot of the captain's hand resting briefly on the younger firefighter's arm as he pauses mid-pace.",
        "Wide three-shot as the younger firefighter finally sits back down as the captain raises his mug first, the other two lifting theirs a beat after in a quiet toast."
      ]
    },
    "C4_6_A": {
      "category": "C4",
      "shots": [[0, 76], [76, 119], [119, 171], [171, 216], [216, 292], [292, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a live television news set, an adult male anchor in a navy suit and an adult female co-anchor in a red blazer sit at the news desk, while an adult male floor director in a black crew polo stands just off-camera holding a printed script update, as a breaking-news alert forces an unplanned live pivot. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at their fixed positions -- the anchors at the desk and the floor director just off-camera -- while the printed script update stays in his hands throughout the live segment. Shot sequence: Shot 1: Wide three-shot of the desk and the floor director just off-camera as the alert graphic appears. Shot 2: Medium single-weighted shot of the anchor reading the alert off the desk monitor, red blazer visible beside him. Shot 3: Reverse medium shot of the co-anchor glancing off-camera toward the floor director. Shot 4: Close shot of the floor director holding up the script update, mouthing a page number. Shot 5: Medium single-weighted shot of the co-anchor picking up the new line smoothly, anchor visible beside her. Shot 6: Wide three-shot as the floor director lowers the script and steps back off-camera, the anchors already back in rhythm reading the next line.",
      "source_shot_prompts": [
        "Wide three-shot of the desk and the floor director just off-camera as the alert graphic appears.",
        "Medium single-weighted shot of the anchor reading the alert off the desk monitor, red blazer visible beside him.",
        "Reverse medium shot of the co-anchor glancing off-camera toward the floor director.",
        "Close shot of the floor director holding up the script update, mouthing a page number.",
        "Medium single-weighted shot of the co-anchor picking up the new line smoothly, anchor visible beside her.",
        "Wide three-shot as the floor director lowers the script and steps back off-camera, the anchors already back in rhythm reading the next line."
      ]
    },
    "C4_6_B": {
      "category": "C4",
      "shots": [[0, 72], [72, 151], [151, 200], [200, 250], [250, 296], [296, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a padded recording booth lit by a single red ON-AIR bulb glowing above the door, three adult musicians stand at their fixed mic positions: the lead singer in a black leather jacket grips the center microphone, the guitarist in a denim vest stands at the left mic with his guitar, and the drummer in a gray hoodie stands at the right mic, arguing over the final track's ending after weeks of tension. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at their fixed mic positions; the guitarist's guitar stays slung on his shoulder while none of them steps away from their spot during the argument. Shot sequence: Shot 1: Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument. Shot 2: Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side. Shot 3: Reverse medium shot of the guitarist at the left mic, strumming one sharp chord in protest. Shot 4: Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down. Shot 5: Close shot of the singer's hand tightening on the center microphone stand. Shot 6: Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter.",
      "source_shot_prompts": [
        "Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument.",
        "Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side.",
        "Reverse medium shot of the guitarist at the left mic, strumming one sharp chord in protest.",
        "Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down.",
        "Close shot of the singer's hand tightening on the center microphone stand.",
        "Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter."
      ]
    },
    "C5_4_A": {
      "category": "C5",
      "shots": [[0, 91], [91, 191], [191, 275], [275, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Behind an outdoor campaign rally stage the night before the election, four adult staffers cluster near the equipment cases: the campaign manager in a navy blazer takes a grim phone call, the pollster in a mustard cardigan waits anxiously beside him, the young field director in an orange windbreaker paces near the stage stairs, and the press secretary in a burgundy sweater types urgently on her own phone. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain in the staging area behind the stage; the campaign manager's phone stays at his ear while the stacked equipment cases stay beside them throughout the tense huddle. Shot sequence: Shot 1: Wide four-shot behind the stage as the campaign manager presses the phone to his ear, the others waiting. Shot 2: Medium single-weighted shot of the campaign manager's grim expression, the other three visible behind him. Shot 3: Close shot of the field director pacing past the stage stairs, glancing back. Shot 4: Wide four-shot as the press secretary reads a new headline aloud from her phone, the other three going still one by one as the words land.",
      "source_shot_prompts": [
        "Wide four-shot behind the stage as the campaign manager presses the phone to his ear, the others waiting.",
        "Medium single-weighted shot of the campaign manager's grim expression, the other three visible behind him.",
        "Close shot of the field director pacing past the stage stairs, glancing back.",
        "Wide four-shot as the press secretary reads a new headline aloud from her phone, the other three going still one by one as the words land."
      ]
    },
    "C5_4_B": {
      "category": "C5",
      "shots": [[0, 88], [88, 191], [191, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen mid dinner-service, this entire five-person kitchen team -- no other staff in the room -- scrambles around the pass after a critic's order goes wrong: the head chef in a black jacket shouts for a remake, the saucier in a green shirt scrambles to replate, the line cook in an orange vest re-fires a pan, the pastry chef in a white toque rushes over with a replacement dessert, and the expediter in a red apron calls out the ticket times. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the pass; no other kitchen staff are present, the flagged ticket stays clipped at the pass, and each person works only their own station during the scramble. Shot sequence: Shot 1: Wide five-shot around the pass as the chef points to the flagged ticket and shouts for a remake. Shot 2: Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her. Shot 3: Close shot of the line cook re-firing the pan, flame flaring briefly. Shot 4: Wide five-shot as the pastry chef sets the replacement dessert on the pass and the expediter calls the new time.",
      "source_shot_prompts": [
        "Wide five-shot around the pass as the chef points to the flagged ticket and shouts for a remake.",
        "Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her.",
        "Close shot of the line cook re-firing the pan, flame flaring briefly.",
        "Wide five-shot as the pastry chef sets the replacement dessert on the pass and the expediter calls the new time."
      ]
    },
    "C5_5_A": {
      "category": "C5",
      "shots": [[0, 71], [71, 140], [140, 212], [212, 291], [291, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunset-lit rehearsal loft, long shadows stretching across the floor, four adult musicians argue over which piece will close their farewell concert: the violinist in a red blouse grips her bow, the cellist in a navy shirt keeps a steadying hand on his cello, the flutist in a yellow scarf holds her flute to her chest, and the percussionist in a green vest taps two mallets against his palm, waiting for a decision. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain in the loft with their own instruments; the marked score stays on the center music stand while none of them leaves during the disagreement. Shot sequence: Shot 1: Wide four-shot in the loft as all four face the center music stand, tension high. Shot 2: Medium single-weighted shot of the violinist arguing for the original closer, cellist and flutist visible behind her. Shot 3: Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn. Shot 4: Close shot of the cellist resting a hand on his cello, quietly proposing a compromise. Shot 5: Wide four-shot as the cellist taps the circled piece on the marked score, the other three easing their instruments down as they accept the choice.",
      "source_shot_prompts": [
        "Wide four-shot in the loft as all four face the center music stand, tension high.",
        "Medium single-weighted shot of the violinist arguing for the original closer, cellist and flutist visible behind her.",
        "Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn.",
        "Close shot of the cellist resting a hand on his cello, quietly proposing a compromise.",
        "Wide four-shot as the cellist taps the circled piece on the marked score, the other three easing their instruments down as they accept the choice."
      ]
    },
    "C5_5_B": {
      "category": "C5",
      "shots": [[0, 78], [78, 155], [155, 215], [215, 288], [288, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a museum preparation room lit by cool track lighting, hours before a gala opening, five adult staff crowd around the centerpiece artifact case: the curator in a burgundy blazer holds a lab report, the conservator in a tan apron examines the artifact under a loupe, the registrar in a teal cardigan flips through provenance files, the security chief in a black uniform radios upstairs, and the museum director in a gray suit waits for an answer. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the artifact case; the lab report stays in the curator's hands while the artifact itself stays inside its case throughout the scramble. Shot sequence: Shot 1: Wide five-shot crowded around the artifact case as the curator reads from the lab report. Shot 2: Medium single-weighted shot of the conservator peering through the loupe at the artifact. Shot 3: Close shot of the registrar flipping urgently through the provenance files. Shot 4: Medium single-weighted shot of the security chief speaking into his radio, director waiting beside him. Shot 5: Wide five-shot as the director steps toward the case for the final call, the other four holding their positions around it, waiting.",
      "source_shot_prompts": [
        "Wide five-shot crowded around the artifact case as the curator reads from the lab report.",
        "Medium single-weighted shot of the conservator peering through the loupe at the artifact.",
        "Close shot of the registrar flipping urgently through the provenance files.",
        "Medium single-weighted shot of the security chief speaking into his radio, director waiting beside him.",
        "Wide five-shot as the director steps toward the case for the final call, the other four holding their positions around it, waiting."
      ]
    },
    "C5_6_A": {
      "category": "C5",
      "shots": [[0, 76], [76, 132], [132, 172], [172, 219], [219, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a factory break room lit by a single flickering fluorescent tube during an unscheduled shift meeting, six adult workers stand around the long table as the floor supervisor in a yellow safety vest reads a layoff notice aloud: a welder in a scorched blue coverall crosses his arms, a machinist in a gray coverall stares at the floor, a young apprentice in a red vest grips the table edge, a quality inspector in a white coat clutches her clipboard, and a veteran operator in a rust-brown coverall shakes his head slowly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All six remain standing around the long table; the layoff notice stays in the supervisor's hands while none of them leaves the break room during the announcement. Shot sequence: Shot 1: Wide six-shot around the long table as the supervisor reads the layoff notice aloud. Shot 2: Medium single-weighted shot of the welder crossing his arms, machinist and apprentice visible behind him. Shot 3: Close shot of the apprentice's hand gripping the table edge. Shot 4: Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down. Shot 5: Close shot of the veteran operator shaking his head slowly. Shot 6: Wide six-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands and the others still watching him.",
      "source_shot_prompts": [
        "Wide six-shot around the long table as the supervisor reads the layoff notice aloud.",
        "Medium single-weighted shot of the welder crossing his arms, machinist and apprentice visible behind him.",
        "Close shot of the apprentice's hand gripping the table edge.",
        "Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down.",
        "Close shot of the veteran operator shaking his head slowly.",
        "Wide six-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands and the others still watching him."
      ]
    },
    "C5_6_B": {
      "category": "C5",
      "shots": [[0, 69], [69, 116], [116, 167], [167, 215], [215, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set washed in cool blue gel lighting between takes, four adult crew members cluster near the monitor cart: the director in a black bomber jacket rewinds the playback, the director of photography in a khaki vest argues about the lighting setup, the lead actor in a bright orange period frock coat waits for notes, and the script supervisor in a burgundy cardigan flips through marked pages, all disagreeing about why the scene isn't working. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain near the monitor cart; the marked script pages stay with the script supervisor while the monitor cart stays fixed in place throughout the dispute. Shot sequence: Shot 1: Wide four-shot around the monitor cart as the director rewinds the last take. Shot 2: Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him. Shot 3: Close shot of the lead actor crossing his arms, waiting silently for notes. Shot 4: Close shot of the script supervisor flipping to a marked page and pointing at a line. Shot 5: Medium single-weighted shot of the director watching the playback again, frustration visible. Shot 6: Wide four-shot as the director calls out the small change, the director of photography already adjusting the light rig for the next take.",
      "source_shot_prompts": [
        "Wide four-shot around the monitor cart as the director rewinds the last take.",
        "Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him.",
        "Close shot of the lead actor crossing his arms, waiting silently for notes.",
        "Close shot of the script supervisor flipping to a marked page and pointing at a line.",
        "Medium single-weighted shot of the director watching the playback again, frustration visible.",
        "Wide four-shot as the director calls out the small change, the director of photography already adjusting the light rig for the next take."
      ]
    },
    "C6_4_A": {
      "category": "C6",
      "shots": [[0, 89], [89, 188], [188, 268], [268, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a sunlit window desk, an adult woman with round glasses and a rust sweater sits with an orange tabby cat curled in her lap wearing a blue collar, her free hand stroking its back as she takes a phone call delivering unexpected bad news. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays seated at the desk with the cat in her lap; the blue collar stays on the cat while she alternates between stroking its back and gripping the phone tighter. Shot sequence: Shot 1: Wide shot at the desk as she strokes the cat's back, phone rising to her ear. Shot 2: Medium shot of her face tightening as she listens to the news, the orange cat still curled in her lap. Shot 3: Close shot of her hand gripping the phone while the other hand stills on the cat's fur. Shot 4: Close shot of the orange tabby lifting its head toward her as her voice catches.",
      "source_shot_prompts": [
        "Wide shot at the desk as she strokes the cat's back, phone rising to her ear.",
        "Medium shot of her face tightening as she listens to the news, the orange cat still curled in her lap.",
        "Close shot of her hand gripping the phone while the other hand stills on the cat's fur.",
        "Close shot of the orange tabby lifting its head toward her as her voice catches."
      ]
    },
    "C6_4_B": {
      "category": "C6",
      "shots": [[0, 88], [88, 188], [188, 265], [265, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a training hall lit by high skylights, dust motes drifting through the beams, an adult man with a shaved head and a green sweatshirt kneels beside a black-and-white border collie wearing a red harness, running through hand signals one last time before a tense operation, his voice low and clipped. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays kneeling beside the dog; the red harness stays on the dog while he alternates between hand signals and quiet verbal commands. Shot sequence: Shot 1: Wide shot as he kneels beside the dog, running through a hand signal. Shot 2: Medium shot of his tense expression as he repeats the command quietly. Shot 3: Close shot of the border collie's ears pricking up, red harness taut. Shot 4: Close shot of his hand resting briefly on the dog's back before standing.",
      "source_shot_prompts": [
        "Wide shot as he kneels beside the dog, running through a hand signal.",
        "Medium shot of his tense expression as he repeats the command quietly.",
        "Close shot of the border collie's ears pricking up, red harness taut.",
        "Close shot of his hand resting briefly on the dog's back before standing."
      ]
    },
    "C6_5_A": {
      "category": "C6",
      "shots": [[0, 68], [68, 140], [140, 216], [216, 292], [292, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a conservatory classroom lit by the last amber light through tall windows, after hours, an elderly adult man with a gray beard and a burgundy cardigan sits beside a perch holding a green parrot with a red tail, speaking softly to the bird about his late wife who used to feed it every morning. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated beside the perch; the green parrot stays on its perch while he alternates between speaking and gently touching its red tail feathers. Shot sequence: Shot 1: Wide shot as he sits beside the perch, speaking quietly to the parrot. Shot 2: Medium shot of his face as he recalls a specific memory, voice softening. Shot 3: Close shot of the green parrot tilting its head, red tail feathers catching the light. Shot 4: Close shot of his hand gently touching the parrot's tail feathers. Shot 5: Wide shot as he sets a seed in the dish, watching the parrot eat, silent for a moment.",
      "source_shot_prompts": [
        "Wide shot as he sits beside the perch, speaking quietly to the parrot.",
        "Medium shot of his face as he recalls a specific memory, voice softening.",
        "Close shot of the green parrot tilting its head, red tail feathers catching the light.",
        "Close shot of his hand gently touching the parrot's tail feathers.",
        "Wide shot as he sets a seed in the dish, watching the parrot eat, silent for a moment."
      ]
    },
    "C6_5_B": {
      "category": "C6",
      "shots": [[0, 80], [80, 146], [146, 205], [205, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a calm stable aisle before a big race, an adult jockey with curly brown hair and a navy vest brushes a chestnut horse wearing a turquoise halter, muttering anxiously about rumors of a betting-scandal accusation swirling around today's race. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays beside the horse in the aisle; the turquoise halter stays on the horse while he alternates between brushing its flank and pausing to steady his own breathing. Shot sequence: Shot 1: Wide shot in the aisle as he brushes the chestnut horse's flank, muttering under his breath. Shot 2: Medium shot of his face, tense, as he glances toward the stable entrance. Shot 3: Close shot of the orange-gloved hand pausing mid-stroke on the horse's coat. Shot 4: Close shot of the chestnut horse's ear flicking toward his voice. Shot 5: Wide shot as he exhales, steadies himself, and resumes brushing in slow, even strokes.",
      "source_shot_prompts": [
        "Wide shot in the aisle as he brushes the chestnut horse's flank, muttering under his breath.",
        "Medium shot of his face, tense, as he glances toward the stable entrance.",
        "Close shot of the orange-gloved hand pausing mid-stroke on the horse's coat.",
        "Close shot of the chestnut horse's ear flicking toward his voice.",
        "Wide shot as he exhales, steadies himself, and resumes brushing in slow, even strokes."
      ]
    },
    "C6_6_A": {
      "category": "C6",
      "shots": [[0, 67], [67, 131], [131, 166], [166, 220], [220, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a small veterinary exam table, an adult woman with dark braided hair and a teal scrub top gently examines a small white rabbit wearing a tiny yellow bandage on one paw, speaking calmly into a phone wedged against her shoulder to reassure the rabbit's anxious owner. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays at the exam table with the rabbit; the yellow bandage stays on its paw while she alternates between examining the rabbit and speaking into the phone at her shoulder. Shot sequence: Shot 1: Wide shot at the exam table as she gently lifts the rabbit's bandaged paw. Shot 2: Medium shot of her calm expression as she reassures the owner on the phone. Shot 3: Close shot of the tiny yellow bandage as she checks it for swelling. Shot 4: Close shot of the rabbit's twitching nose and ears. Shot 5: Close shot of her free hand steadying the rabbit's back gently. Shot 6: Wide shot as she sets the rabbit down carefully, phone still at her shoulder, finishing the call.",
      "source_shot_prompts": [
        "Wide shot at the exam table as she gently lifts the rabbit's bandaged paw.",
        "Medium shot of her calm expression as she reassures the owner on the phone.",
        "Close shot of the tiny yellow bandage as she checks it for swelling.",
        "Close shot of the rabbit's twitching nose and ears.",
        "Close shot of her free hand steadying the rabbit's back gently.",
        "Wide shot as she sets the rabbit down carefully, phone still at her shoulder, finishing the call."
      ]
    },
    "C6_6_B": {
      "category": "C6",
      "shots": [[0, 75], [75, 120], [120, 180], [180, 220], [220, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a woodland education center lit by shafts of late-afternoon light through the timber rafters, an adult man with a gray beard and a burgundy jacket trains a tawny owl wearing a small leather anklet on its perch, quietly recounting a personal story of loss as he guides the owl through a short flight exercise. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays beside the perch in the same corner; the leather anklet stays on the owl's leg while he alternates between guiding its short flights and returning it to the perch. Shot sequence: Shot 1: Wide shot as he raises his gloved hand and the owl lifts off the perch toward him. Shot 2: Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise. Shot 3: Close shot of the tawny owl's wings spreading mid-flight. Shot 4: Close shot of the leather anklet catching the light as the owl lands on his glove. Shot 5: Close shot of his ungloved hand resting briefly near the owl's feathers. Shot 6: Wide shot as he returns the owl gently to its perch, voice trailing off.",
      "source_shot_prompts": [
        "Wide shot as he raises his gloved hand and the owl lifts off the perch toward him.",
        "Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise.",
        "Close shot of the tawny owl's wings spreading mid-flight.",
        "Close shot of the leather anklet catching the light as the owl lands on his glove.",
        "Close shot of his ungloved hand resting briefly near the owl's feathers.",
        "Wide shot as he returns the owl gently to its perch, voice trailing off."
      ]
    },
    "C7_4_B": {
      "category": "C7",
      "shots": [[0, 88], [88, 188], [188, 291], [291, 361]],
      "source_prompt": "Create a cinematic multi-shot stylized 3D animated video of one continuous scene. In a stylized 3D animated workshop, two rival adult inventors argue over whose design flaw sank their joint entry in this morning's competition: the older inventor wears a blue apron and grips a bent metal gear, while the younger inventor wears a yellow jacket and holds the scorched circuit board that failed. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their stylized 3D proportions, colors, and owned tools remain exact; both stay at the same workbench, the bent gear and scorched board never leaving their respective hands. Shot sequence: Shot 1: 3D wide two-shot as both inventors face off at the workbench, gear and board raised. Shot 2: 3D medium shot of the blue-apron inventor jabbing a finger at the scorched board, yellow jacket visible across the bench. Shot 3: 3D reverse medium shot of the yellow-jacket inventor holding up the bent gear, blaming its design. Shot 4: 3D close two-shot as both objects meet in the middle of the bench, neither backing down.",
      "source_shot_prompts": [
        "3D wide two-shot as both inventors face off at the workbench, gear and board raised.",
        "3D medium shot of the blue-apron inventor jabbing a finger at the scorched board, yellow jacket visible across the bench.",
        "3D reverse medium shot of the yellow-jacket inventor holding up the bent gear, blaming its design.",
        "3D close two-shot as both objects meet in the middle of the bench, neither backing down."
      ]
    },
    "C7_4_C": {
      "category": "C7",
      "shots": [[0, 95], [95, 170], [170, 276], [276, 361]],
      "source_prompt": "Create a cinematic multi-shot stop-motion video of one continuous scene. In a stop-motion miniature detective office, a puppet detective wearing a tan trench coat and a felt fedora leans over a case board pinned with tiny photographs, while his puppet bloodhound wearing a brown collar sniffs at a folder on the desk, both reacting to a sudden breakthrough in the case. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The stop-motion puppet proportions, felt textures, and owned props stay exact; both remain beside the same case board while the pinned photographs never change position. Shot sequence: Shot 1: Stop-motion wide shot as the detective leans over the case board, fedora tipped back. Shot 2: Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk. Shot 3: Stop-motion close shot of the detective's felt hand jabbing a pin into a new photograph. Shot 4: Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert.",
      "source_shot_prompts": [
        "Stop-motion wide shot as the detective leans over the case board, fedora tipped back.",
        "Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk.",
        "Stop-motion close shot of the detective's felt hand jabbing a pin into a new photograph.",
        "Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert."
      ]
    },
    "C7_5_A": {
      "category": "C7",
      "shots": [[0, 74], [74, 143], [143, 211], [211, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot watercolor 2D animated video of one continuous scene. In the open-air backstage area behind a watercolor 2D animated amphitheater, three adult theater actors argue in hushed tones right after curtain call about who upstaged whom during tonight's final scene: the lead actor in a cobalt coat crosses his arms, the actress in a crimson gown clutches her prop fan, and the character actor in a mustard waistcoat holds the prop laurel wreath that caused the mix-up. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Watercolor edges, colors, fixed positions, and owned props remain consistent across shots; all three stay in the open-air backstage area while none of the props change hands. Shot sequence: Shot 1: Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call. Shot 2: Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus. Shot 3: Watercolor medium shot of the crimson-gown actress snapping her prop fan shut in irritation. Shot 4: Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up. Shot 5: Watercolor wide three-shot as the crimson-gown actress laughs first, tension breaking as the other two loosen their stances behind her.",
      "source_shot_prompts": [
        "Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call.",
        "Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus.",
        "Watercolor medium shot of the crimson-gown actress snapping her prop fan shut in irritation.",
        "Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up.",
        "Watercolor wide three-shot as the crimson-gown actress laughs first, tension breaking as the other two loosen their stances behind her."
      ]
    },
    "C7_5_B": {
      "category": "C7",
      "shots": [[0, 70], [70, 140], [140, 211], [211, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot claymation video of one continuous scene. In a claymation bakery, four clay figures scramble minutes before a wedding ceremony after the top tier of the cake slides askew: the head baker with blue clay hair wears a red apron and grips a spatula, the assistant baker wears a yellow apron and steadies the cake stand, the decorator wears a lavender smock and rushes over with a piping bag, and the delivery driver wears a green jacket and holds the van keys, frozen mid-panic. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their claymation proportions, colors, and owned tools remain exact; all four stay clustered around the same cake stand while the tilted top tier never falls. Shot sequence: Shot 1: Claymation wide four-shot around the cake stand as the top tier slides askew. Shot 2: Claymation medium shot of the head baker gripping her spatula, shouting for help. Shot 3: Claymation medium shot of the assistant baker steadying the cake stand with both clay hands. Shot 4: Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing. Shot 5: Claymation wide four-shot as the assistant baker steadies the last wobble, the tier finally settling straight while the other three ease back from the stand.",
      "source_shot_prompts": [
        "Claymation wide four-shot around the cake stand as the top tier slides askew.",
        "Claymation medium shot of the head baker gripping her spatula, shouting for help.",
        "Claymation medium shot of the assistant baker steadying the cake stand with both clay hands.",
        "Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing.",
        "Claymation wide four-shot as the assistant baker steadies the last wobble, the tier finally settling straight while the other three ease back from the stand."
      ]
    },
    "C7_6_A": {
      "category": "C7",
      "shots": [[0, 78], [78, 123], [123, 187], [187, 254], [254, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot Japanese 2D animation video of one continuous scene. In a Japanese 2D animation observatory hall, a tall adult female astronomer wearing a white lab coat stands alone at the main telescope console, her expression shifting from calm to alarm as new tracking data reveals an incoming asteroid's corrected path. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays at the telescope console; the tracking readout stays fixed on the main screen while she alternates between the eyepiece and the screen. Shot sequence: Shot 1: Wide anime shot of her alone in the observatory hall, the telescope looming behind her. Shot 2: Wide shot from the side as she leans into the eyepiece, adjusting the focus ring. Shot 3: Medium shot as she pulls back, glancing sharply at the tracking readout. Shot 4: Close shot of her eyes widening as the corrected path appears on the readout. Shot 5: Close shot of her hand gripping the console edge. Shot 6: Wide anime shot from behind her, the readout's glowing warning filling the screen ahead of her.",
      "source_shot_prompts": [
        "Wide anime shot of her alone in the observatory hall, the telescope looming behind her.",
        "Wide shot from the side as she leans into the eyepiece, adjusting the focus ring.",
        "Medium shot as she pulls back, glancing sharply at the tracking readout.",
        "Close shot of her eyes widening as the corrected path appears on the readout.",
        "Close shot of her hand gripping the console edge.",
        "Wide anime shot from behind her, the readout's glowing warning filling the screen ahead of her."
      ]
    },
    "C7_6_C": {
      "category": "C7",
      "shots": [[0, 75], [75, 140], [140, 195], [195, 251], [251, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot layered paper-cut animation video of one continuous scene. In a layered paper-cut animation school courtyard, four paper figures face off at an outdoor amphitheater for the final round of a debate competition: the first debater wears a red paper blazer and gestures as he delivers his closing argument from memory, the second wears a navy paper blazer and grips the podium edge as she counters, the moderator wears a gray paper cardigan and holds a small bell, and the timekeeper wears a green paper vest and watches a paper clock mounted on the courtyard wall. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their paper-cut layers, colors, and owned props remain exact; all four stay at their fixed spots in the outdoor amphitheater while the paper clock keeps ticking toward the same final mark. Shot sequence: Shot 1: Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round. Shot 2: Paper-cut medium shot of the red-blazer debater gesturing as he delivers his closing point from memory. Shot 3: Paper-cut medium shot of the navy-blazer debater gripping the podium edge as she counters. Shot 4: Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low. Shot 5: Paper-cut close shot of the moderator's hand lifting the small bell. Shot 6: Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums as the timekeeper watches the clock.",
      "source_shot_prompts": [
        "Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round.",
        "Paper-cut medium shot of the red-blazer debater gesturing as he delivers his closing point from memory.",
        "Paper-cut medium shot of the navy-blazer debater gripping the podium edge as she counters.",
        "Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low.",
        "Paper-cut close shot of the moderator's hand lifting the small bell.",
        "Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums as the timekeeper watches the clock."
      ]
    },
    "C8_4_A": {
      "category": "C8",
      "shots": [[0, 92], [92, 200], [200, 274], [274, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a weathered wooden fishing pier at first light, mist still clinging to the water, an old fisherman in a faded yellow oilskin jacket works alongside his grown daughter in a rust-orange rain slicker, who leaves for the city today; he keeps finding one more thing on the boat that still needs doing. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same section of the pier at its outer end; the coil of rope stays looped over the pier's iron cleat while he keeps re-checking and re-coiling it long after it's already secure. Shot sequence: Shot 1: Wide shot from the pier's edge as she checks her watch and glances toward the road, while he crouches to recheck a knot that's already tied. Shot 2: Medium two-shot as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up. Shot 3: Close shot on his hands slowly re-coiling the same rope a second time, drawing it out. Shot 4: Wide shot as she checks her watch once more, then crouches down beside him anyway, neither of them moving to leave.",
      "source_shot_prompts": [
        "Wide shot from the pier's edge as she checks her watch and glances toward the road, while he crouches to recheck a knot that's already tied.",
        "Medium two-shot as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up.",
        "Close shot on his hands slowly re-coiling the same rope a second time, drawing it out.",
        "Wide shot as she checks her watch once more, then crouches down beside him anyway, neither of them moving to leave."
      ]
    },
    "C8_4_B": {
      "category": "C8",
      "shots": [[0, 92], [92, 192], [192, 272], [272, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Along a narrow ridge trail above a valley blazing with autumn color, a young man in a forest-green windbreaker and his girlfriend in a mustard knit sweater stop at a rocky overlook, breath still quick from the climb, the valley's fall colors spread out below under a bright midday sun. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same rocky overlook along the ridge trail; the small wooden ring box remains in his jacket pocket until he brings it out, and neither moves from the overlook's edge. Shot sequence: Shot 1: Wide shot from behind as they reach the overlook together, hands still laced, taking in the view. Shot 2: Medium two-shot as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find. Shot 3: Close shot as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try. Shot 4: Wide shot as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening.",
      "source_shot_prompts": [
        "Wide shot from behind as they reach the overlook together, hands still laced, taking in the view.",
        "Medium two-shot as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find.",
        "Close shot as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try.",
        "Wide shot as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening."
      ]
    },
    "C8_4_C": {
      "category": "C8",
      "shots": [[0, 96], [96, 197], [197, 273], [273, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Inside a sunlit glass conservatory filled with tall ferns and citrus trees, a grandmother in a cream linen cardigan waters potted seedlings at a long wooden bench while her young grandson in a navy-striped t-shirt tags along, restless and eager to help, sunlight pouring through the glass panes overhead. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden potting bench inside the conservatory; the watering can remains between them while the grandson keeps reaching for it before the grandmother is ready to let go. Shot sequence: Shot 1: Wide shot down the conservatory as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her. Shot 2: Medium shot as the grandson grabs for the watering can before he's told to, sloshing water over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him. Shot 3: Close shot on the grandmother's hands steadying the can, her gaze drifting toward something past the child, distracted. Shot 4: Wide shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present.",
      "source_shot_prompts": [
        "Wide shot down the conservatory as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her.",
        "Medium shot as the grandson grabs for the watering can before he's told to, sloshing water over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him.",
        "Close shot on the grandmother's hands steadying the can, her gaze drifting toward something past the child, distracted.",
        "Wide shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present."
      ]
    },
    "C8_5_A": {
      "category": "C8",
      "shots": [[0, 76], [76, 148], [148, 216], [216, 292], [292, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a crowded open-air street market at midday, striped awnings casting patterned shade, a produce vendor in a burgundy apron spots an old friend in a teal headscarf browsing his stall and calls out to her, launching into their usual haggling routine as shoppers drift past behind them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden fruit cart at his market stall; the crate of oranges remains on the cart while they alternate between haggling and laughing at old jokes. Shot sequence: Shot 1: Wide shot of the market street as he spots her approaching and throws his arms open in mock outrage at how long it's been. Shot 2: Medium shot as she picks up an orange, inspecting it with exaggerated skepticism while he defends its quality. Shot 3: Close shot of their hands as he presses two oranges into hers anyway, refusing payment, both grinning. Shot 4: Reverse medium shot as she tries to force coins into his apron pocket and he dodges, laughing. Shot 5: Wide shot as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving.",
      "source_shot_prompts": [
        "Wide shot of the market street as he spots her approaching and throws his arms open in mock outrage at how long it's been.",
        "Medium shot as she picks up an orange, inspecting it with exaggerated skepticism while he defends its quality.",
        "Close shot of their hands as he presses two oranges into hers anyway, refusing payment, both grinning.",
        "Reverse medium shot as she tries to force coins into his apron pocket and he dodges, laughing.",
        "Wide shot as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving."
      ]
    },
    "C8_5_B": {
      "category": "C8",
      "shots": [[0, 69], [69, 153], [153, 219], [219, 294], [294, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rain-slicked city street at night, neon signs bleeding pink and blue light across the wet asphalt, a delivery courier in a glossy black raincoat wheels his bicycle to a stop beneath a noodle shop's awning just as a woman in a cropped denim jacket ducks under the same awning to escape the rain, and both freeze, recognizing each other after years apart. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay beneath the same noodle shop awning with his bicycle beside them; neither moves from the awning as the rain continues to fall around them. Shot sequence: Shot 1: Wide shot down the glowing street as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain. Shot 2: Medium two-shot as they both realize who the other is, an awkward beat stretching between them. Shot 3: Close shot on her face as she manages a small, surprised laugh and asks how long it's been. Shot 4: Reverse medium shot on him as he rubs the back of his neck, admitting he's thought about calling her more than once. Shot 5: Wide shot as the rain eases slightly and she steps half a pace closer, the neon glow reflecting in the puddles around them.",
      "source_shot_prompts": [
        "Wide shot down the glowing street as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain.",
        "Medium two-shot as they both realize who the other is, an awkward beat stretching between them.",
        "Close shot on her face as she manages a small, surprised laugh and asks how long it's been.",
        "Reverse medium shot on him as he rubs the back of his neck, admitting he's thought about calling her more than once.",
        "Wide shot as the rain eases slightly and she steps half a pace closer, the neon glow reflecting in the puddles around them."
      ]
    },
    "C8_5_C": {
      "category": "C8",
      "shots": [[0, 74], [74, 135], [135, 214], [214, 300], [300, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a farmhouse kitchen's sunlit breakfast nook, morning light pooling across a scrubbed pine table, a mother in a mustard-yellow cardigan kneads bread dough at the counter while her adult daughter in a sage-green sweater perches on a stool nearby, working up the nerve to tell her something, a kettle steaming softly between them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay in the same kitchen, the mother at the counter and the daughter on the stool beside it; the dough remains on the floured board while they alternate between kneading and talking. Shot sequence: Shot 1: Wide shot of the sunlit kitchen as the mother kneads the dough and the daughter watches from her stool, working up her nerve. Shot 2: Medium two-shot as the daughter blurts out that she's engaged, watching her mother's face for a reaction. Shot 3: Close shot on the mother's flour-dusted hands going still on the dough, her expression unreadable, somewhere between a smile and something harder to name. Shot 4: Reverse medium shot as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear. Shot 5: Wide shot as the daughter searches her mother's face, still not quite sure what she just heard in her voice, the kettle whistling behind them both.",
      "source_shot_prompts": [
        "Wide shot of the sunlit kitchen as the mother kneads the dough and the daughter watches from her stool, working up her nerve.",
        "Medium two-shot as the daughter blurts out that she's engaged, watching her mother's face for a reaction.",
        "Close shot on the mother's flour-dusted hands going still on the dough, her expression unreadable, somewhere between a smile and something harder to name.",
        "Reverse medium shot as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear.",
        "Wide shot as the daughter searches her mother's face, still not quite sure what she just heard in her voice, the kettle whistling behind them both."
      ]
    },
    "C8_6_A": {
      "category": "C8",
      "shots": [[0, 69], [69, 119], [119, 179], [179, 215], [215, 295], [295, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a desert campsite beneath a vast star-strewn sky, a campfire crackling in a ring of stones, two trail guides -- one in a weathered rust-red flannel jacket, the other in a faded denim jacket with a bandana knotted at his throat -- trade an old rivalry over who tells the better campfire story, the silhouette of distant mesas ringing the horizon. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated on opposite sides of the same stone fire ring at the campsite; the fire remains burning in its ring while they alternate between storytelling and one-upping each other. Shot sequence: Shot 1: Wide shot of the campsite under the stars as the flannel-jacket guide launches into an exaggerated story, gesturing wide. Shot 2: Medium shot as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale. Shot 3: Close shot of the flannel-jacket guide's face lit by the fire, feigning offense at being one-upped, already building his rebuttal. Shot 4: Reverse wide shot from beyond the fire, the silhouette of distant mesas visible against the starlit sky behind them both. Shot 5: Medium two-shot as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it. Shot 6: Low wide shot as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them.",
      "source_shot_prompts": [
        "Wide shot of the campsite under the stars as the flannel-jacket guide launches into an exaggerated story, gesturing wide.",
        "Medium shot as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale.",
        "Close shot of the flannel-jacket guide's face lit by the fire, feigning offense at being one-upped, already building his rebuttal.",
        "Reverse wide shot from beyond the fire, the silhouette of distant mesas visible against the starlit sky behind them both.",
        "Medium two-shot as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it.",
        "Low wide shot as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them."
      ]
    },
    "C8_6_B": {
      "category": "C8",
      "shots": [[0, 54], [54, 123], [123, 176], [176, 213], [213, 299], [299, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sprawling hillside vineyard at golden hour, long rows of vines glowing amber in the low sun, two adult siblings -- an older sister in a deep-teal denim jacket and her younger brother in a rust-colored flannel shirt -- move down the same row snipping ripe grape clusters while quietly arguing over whether to sell the family land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay within the same vine row on the hillside; the wicker basket remains between them, passed back and forth, while they alternate between harvesting and arguing. Shot sequence: Shot 1: Wide shot down the sunlit vine row as they harvest side by side, her tone clipped as she raises the subject again. Shot 2: Medium shot as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary. Shot 3: Close shot of the shears trembling slightly in her hand as she sets them down, choosing her next words carefully. Shot 4: Reverse shot as he stops, looks up at her properly for the first time, something complicated crossing his face. Shot 5: Medium two-shot as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer. Shot 6: Wide shot as he picks the shears back up and keeps working the row without a word, the question still sitting between them.",
      "source_shot_prompts": [
        "Wide shot down the sunlit vine row as they harvest side by side, her tone clipped as she raises the subject again.",
        "Medium shot as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary.",
        "Close shot of the shears trembling slightly in her hand as she sets them down, choosing her next words carefully.",
        "Reverse shot as he stops, looks up at her properly for the first time, something complicated crossing his face.",
        "Medium two-shot as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer.",
        "Wide shot as he picks the shears back up and keeps working the row without a word, the question still sitting between them."
      ]
    },
    "C8_4_D": {
      "category": "C8",
      "shots": [[0, 88], [88, 223], [223, 296], [296, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a small barbershop at midday, sunlight slanting through the front window across a wall of vintage clipper photos, a barber in a black apron works clippers along the back of a client's head, the client draped in a mustard-yellow cape and gripping the chair's armrests as the cut gets shorter than she expected. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same barber chair and station; the clippers stay in the barber's hand or on the tray, and the client stays seated in the chair the entire time. Shot sequence: Shot 1: Wide shot of the barbershop as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye, the wall of vintage clipper photos visible behind them both. Shot 2: Medium two-shot as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better. Shot 3: Medium shot on the client's face, unconvinced, her hand gripping the chair's armrest tighter. Shot 4: Wide shot as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue.",
      "source_shot_prompts": [
        "Wide shot of the barbershop as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye, the wall of vintage clipper photos visible behind them both.",
        "Medium two-shot as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better.",
        "Medium shot on the client's face, unconvinced, her hand gripping the chair's armrest tighter.",
        "Wide shot as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue."
      ]
    },
    "C8_4_E": {
      "category": "C8",
      "shots": [[0, 97], [97, 199], [199, 248], [248, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a sunlit outdoor skate park, concrete bowls and rails gleaming under the afternoon light, a veteran skater in a faded red hoodie stands with one foot propped on top of her own board, watching a young rookie in a cobalt-blue beanie attempt the same trick off the same ledge for the fifth time, her board clattering against the concrete every time she bails. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same ledge and its landing ramp at the park; the veteran's board stays under her foot the entire time until she rides off in the last shot, and the rookie's board stays in her hands or under her feet, never left behind. Shot sequence: Shot 1: Wide shot of the skate park bowl as the rookie rolls up to the ledge again, the veteran standing a few feet back with one foot resting on top of her own board, arms crossed. Shot 2: Medium shot as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching. Shot 3: Close shot on the veteran's face, unimpressed, already done listening. Shot 4: Wide shot as the veteran pushes off toward the ledge on her board without another word, the rookie scrambling back to give her room.",
      "source_shot_prompts": [
        "Wide shot of the skate park bowl as the rookie rolls up to the ledge again, the veteran standing a few feet back with one foot resting on top of her own board, arms crossed.",
        "Medium shot as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching.",
        "Close shot on the veteran's face, unimpressed, already done listening.",
        "Wide shot as the veteran pushes off toward the ledge on her board without another word, the rookie scrambling back to give her room."
      ]
    },
    "C8_4_F": {
      "category": "C8",
      "shots": [[0, 91], [91, 192], [192, 268], [268, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a sunlit county fair, striped canvas booths lined up along the midway and carnival music drifting from a nearby ride, a ring-toss booth operator in a red-and-white striped vest coaches her two young assistants -- one in a yellow baseball cap, the other in a teal windbreaker -- on nudging the bottles just slightly closer whenever the odds look easy to fudge, though only one of them will actually do it. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three stay behind the same ring-toss counter at the booth; the bucket of rings stays on the counter throughout. Shot sequence: Shot 1: Wide shot of the midway as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights. Shot 2: Medium three-shot as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway. Shot 3: Close shot on the yellow-cap assistant's hands nudging the row of bottles a half-inch closer, unbothered. Shot 4: Wide shot as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something.",
      "source_shot_prompts": [
        "Wide shot of the midway as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights.",
        "Medium three-shot as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway.",
        "Close shot on the yellow-cap assistant's hands nudging the row of bottles a half-inch closer, unbothered.",
        "Wide shot as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something."
      ]
    },
    "C8_5_D": {
      "category": "C8",
      "shots": [[0, 72], [72, 153], [153, 214], [214, 292], [292, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a nearly empty diner booth well past midnight, the neon 'OPEN 24 HRS' sign buzzing pink through the rain-streaked window, a lead guitarist in a faded olive-green jacket sits alone with a half-eaten plate of fries, thumb hovering over a half-typed text to the band's group chat that he still hasn't sent. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated alone in the same window booth for the entire scene; his phone stays in his hand or on the table, the text still unsent. Shot sequence: Shot 1: Wide shot of the booth from the diner aisle as he sits alone, the neon sign's pink glow through the window behind him, the phone propped against the plate in front of him. Shot 2: Medium shot as he picks up the phone, thumb hovering over the send button on a message that's already typed out. Shot 3: Close shot on the phone screen, his thumb inches from send, then pulling back at the last second. Shot 4: Reverse medium shot on his face, jaw tight, looking anywhere but at the phone on the table. Shot 5: Wide shot as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it.",
      "source_shot_prompts": [
        "Wide shot of the booth from the diner aisle as he sits alone, the neon sign's pink glow through the window behind him, the phone propped against the plate in front of him.",
        "Medium shot as he picks up the phone, thumb hovering over the send button on a message that's already typed out.",
        "Close shot on the phone screen, his thumb inches from send, then pulling back at the last second.",
        "Reverse medium shot on his face, jaw tight, looking anywhere but at the phone on the table.",
        "Wide shot as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it."
      ]
    },
    "C8_5_E": {
      "category": "C8",
      "shots": [[0, 67], [67, 156], [156, 195], [195, 275], [275, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden zip-line platform built high in a rainforest canopy, sunlight breaking through the leaves in shifting patches, a tour guide in a bright orange safety vest clips a nervous tourist's harness onto the trolley riding the overhead zip-line cable, the tourist in a lavender rain-shell inching back from the platform's edge. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay on the same canopy platform at the zip-line launch point; the tourist's harness stays clipped to the trolley on the overhead cable in every single shot, including the moment she launches down the line, and neither ever unclips it. Shot sequence: Shot 1: Wide shot of the platform among the treetops as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her. Shot 2: Medium two-shot as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure. Shot 3: Close shot on her hands gripping the harness straps at her chest, white-knuckled. Shot 4: Reverse medium shot on the guide as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him. Shot 5: Wide shot as she pushes off the platform, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go.",
      "source_shot_prompts": [
        "Wide shot of the platform among the treetops as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her.",
        "Medium two-shot as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure.",
        "Close shot on her hands gripping the harness straps at her chest, white-knuckled.",
        "Reverse medium shot on the guide as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him.",
        "Wide shot as she pushes off the platform, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go."
      ]
    },
    "C8_5_F": {
      "category": "C8",
      "shots": [[0, 71], [71, 153], [153, 212], [212, 291], [291, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a sunlit rooftop vegetable garden overlooking the city skyline, raised wooden planter beds lined in neat rows, a co-op founder in a moss-green work shirt kneels to check a tray of seedlings while her business partner in a rust-colored flannel shirt paces between the beds holding a lease renewal letter he still hasn't shown her. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay among the same row of raised planter beds on the rooftop; the lease letter stays folded in his hand until he finally holds it out to her, and neither leaves the rooftop. Shot sequence: Shot 1: Wide shot across the rooftop garden as she checks the seedling trays and he paces a few beds down, the city skyline visible beyond the rooftop's edge. Shot 2: Medium shot as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year. Shot 3: Close shot on his hand gripping the folded letter, still not offering it to her. Shot 4: Reverse medium shot on her as she sets down her trowel slowly, waiting for him to just say the number instead of stalling. Shot 5: Wide shot as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand.",
      "source_shot_prompts": [
        "Wide shot across the rooftop garden as she checks the seedling trays and he paces a few beds down, the city skyline visible beyond the rooftop's edge.",
        "Medium shot as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year.",
        "Close shot on his hand gripping the folded letter, still not offering it to her.",
        "Reverse medium shot on her as she sets down her trowel slowly, waiting for him to just say the number instead of stalling.",
        "Wide shot as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand."
      ]
    },
    "C8_6_C": {
      "category": "C8",
      "shots": [[0, 46], [46, 131], [131, 171], [171, 219], [219, 271], [271, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In the bed of a parked pickup truck at a drive-in movie theater at night, the big outdoor screen glowing blue-white across a lot full of parked cars, two friends -- one in a mustard corduroy jacket, the other in a slate-gray hoodie -- share a blanket and a bag of popcorn as the movie nears its climax, one of them already checking the time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated in the same truck bed facing the screen for the entire scene; the bag of popcorn stays between them, and neither one gets out of the truck. Shot sequence: Shot 1: Wide shot of the drive-in lot as the two of them sit in the truck bed under a shared blanket, the glowing screen lighting their faces, rows of parked cars stretching out behind them. Shot 2: Medium two-shot as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift. Shot 3: Close shot on the one in the slate-gray hoodie's face, mock-offended, refusing to pause the movie for anyone. Shot 4: Reverse medium shot on the mustard-jacket friend as she pulls the blanket back over both their laps anyway, clearly staying a little longer. Shot 5: Medium shot as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen. Shot 6: Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down.",
      "source_shot_prompts": [
        "Wide shot of the drive-in lot as the two of them sit in the truck bed under a shared blanket, the glowing screen lighting their faces, rows of parked cars stretching out behind them.",
        "Medium two-shot as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift.",
        "Close shot on the one in the slate-gray hoodie's face, mock-offended, refusing to pause the movie for anyone.",
        "Reverse medium shot on the mustard-jacket friend as she pulls the blanket back over both their laps anyway, clearly staying a little longer.",
        "Medium shot as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen.",
        "Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down."
      ]
    },
    "C8_6_D": {
      "category": "C8",
      "shots": [[0, 75], [75, 131], [131, 175], [175, 221], [221, 271], [271, 361]],
      "source_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At the edge of a still mountain lake at sunrise, mist rising off the water, a lone swimmer in a black wetsuit stands at the end of a long wooden dock whose planks run in a straight line back to a grassy bank, working up the nerve for the cold plunge he does every morning but still dreads every time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays at the same spot at the end of the dock for the entire scene, always facing out toward the open water and never turning to face the shore; the dock is a straight run of wooden planks anchored to the same fixed point on the grassy bank behind him in every shot, and he never turns back once he commits to the jump in the final shot. Shot sequence: Shot 1: Wide shot from behind him on the shore as he stands at the end of the dock facing out over the water, the dock's planks running in a straight line back to the grassy bank behind him, mist curling off the still water. Shot 2: Medium shot from behind him as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again. Shot 3: Close shot on his bare feet, still facing forward toward the water, inching forward until his toes curl over the very edge of the dock's last plank. Shot 4: Wide shot from the water level looking back at him on the dock, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, small ripples moving across the lake's surface. Shot 5: Medium shot from behind him as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits. Shot 6: Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the water, the dock and its grassy bank anchor point still visible behind him, the still water breaking into a spray of ripples around him.",
      "source_shot_prompts": [
        "Wide shot from behind him on the shore as he stands at the end of the dock facing out over the water, the dock's planks running in a straight line back to the grassy bank behind him, mist curling off the still water.",
        "Medium shot from behind him as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again.",
        "Close shot on his bare feet, still facing forward toward the water, inching forward until his toes curl over the very edge of the dock's last plank.",
        "Wide shot from the water level looking back at him on the dock, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, small ripples moving across the lake's surface.",
        "Medium shot from behind him as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits.",
        "Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the water, the dock and its grassy bank anchor point still visible behind him, the still water breaking into a spray of ripples around him."
      ]
    }
  },
  "instructions": {
    "C1_4_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_4_A_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rooftop garden at dawn, a rose bush sits freshly repotted in its terracotta pot on the raised planter bed, the soil pressed firm around its stem, as the sky lightens; the rooftop is empty, with no one tending it. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The rose bush remains in its terracotta pot on the raised planter bed throughout, its soil undisturbed; the rooftop stays empty the whole time. Shot sequence: Shot 1: Wide front shot of the raised planter bed, the rose bush already set in its terracotta pot, morning light just beginning to turn gold across the rooftop. Shot 2: Medium side shot of the pot, fresh soil packed around its base, sitting undisturbed on the planter bed. Shot 3: Close shot of the rose bush's stem rising from the firmly pressed soil. Shot 4: High three-quarter shot of the planter bed and its rose bush, the sky now fully lit over the empty rooftop.",
      "target_shot_prompts": [
        "Wide front shot of the raised planter bed, the rose bush already set in its terracotta pot, morning light just beginning to turn gold across the rooftop.",
        "Medium side shot of the pot, fresh soil packed around its base, sitting undisturbed on the planter bed.",
        "Close shot of the rose bush's stem rising from the firmly pressed soil.",
        "High three-quarter shot of the planter bed and its rose bush, the sky now fully lit over the empty rooftop."
      ]
    },
    "C1_4_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C1_4_A_obj_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rooftop garden at dawn, a young adult male gardener in an olive canvas apron carefully repots his late grandmother's favorite rose bush, its blooms a vivid golden-yellow, working the soil with bare hands as the sky lightens behind him. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays at the same raised planter bed on the rooftop; the rose bush, its golden-yellow blooms steady throughout, remains in its terracotta pot while he alternates between loosening the soil and steadying the stem. Shot sequence: Shot 1: Wide front shot as he brings the potted rose bush, its blooms a bright golden-yellow, over from his left, morning light already turning gold, and sets it into the raised planter bed. Shot 2: Medium side shot as he packs fresh soil around the base of the pot beneath the rose bush's golden-yellow blooms, settling it into place. Shot 3: Close shot of his bare hands pressing the soil firm around the stem below the rose bush's golden-yellow blooms, murmuring a memory aloud. Shot 4: High three-quarter shot as he steps back, brushing soil from his palms, the rose bush's golden-yellow blooms catching the now fully lit sky behind him.",
      "target_shot_prompts": [
        "Wide front shot as he brings the potted rose bush, its blooms a bright golden-yellow, over from his left, morning light already turning gold, and sets it into the raised planter bed.",
        "Medium side shot as he packs fresh soil around the base of the pot beneath the rose bush's golden-yellow blooms, settling it into place.",
        "Close shot of his bare hands pressing the soil firm around the stem below the rose bush's golden-yellow blooms, murmuring a memory aloud.",
        "High three-quarter shot as he steps back, brushing soil from his palms, the rose bush's golden-yellow blooms catching the now fully lit sky behind him."
      ]
    },
    "C1_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Backstage in a narrow velvet-curtained wing lit by a single amber work light, a lean adult male magician in a burgundy tailcoat, white gloves, and an ivory opera cape with a crimson lining rehearses his closing trick alone, turning a silver pocket watch on its chain while muttering tonight's patter under his breath. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays in the same backstage corner; the silver pocket watch stays on its chain around his gloved hand and the ivory opera cape stays draped over his shoulders while he alternates between practicing the watch spin and checking the folded set-list taped to the wall. Shot sequence: Shot 1: Wide shot as he lets the silver pocket watch swing once on its chain, the ivory opera cape's crimson lining flashing at his shoulders, and checks the folded set-list. Shot 2: Medium shot as he catches the watch mid-swing, his ivory opera cape settling back over his shoulders, and mutters the trick's opening line. Shot 3: Close shot of his gloved hand snapping the watch case shut and re-pocketing it, the cape's crimson lining just visible at the edge of frame. Shot 4: Low three-quarter shot as he exhales, adjusts his tailcoat lapel beneath the opera cape, and glances once more at the set-list.",
      "target_shot_prompts": [
        "Wide shot as he lets the silver pocket watch swing once on its chain, the ivory opera cape's crimson lining flashing at his shoulders, and checks the folded set-list.",
        "Medium shot as he catches the watch mid-swing, his ivory opera cape settling back over his shoulders, and mutters the trick's opening line.",
        "Close shot of his gloved hand snapping the watch case shut and re-pocketing it, the cape's crimson lining just visible at the edge of frame.",
        "Low three-quarter shot as he exhales, adjusts his tailcoat lapel beneath the opera cape, and glances once more at the set-list."
      ]
    },
    "C1_4_B__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Backstage in a narrow velvet-curtained wing lit by a single amber work light, a lean adult male magician in a midnight-blue tailcoat with a white boutonniere and white gloves rehearses his closing trick alone, turning a silver pocket watch on its chain while muttering tonight's patter under his breath. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays in the same backstage corner; the silver pocket watch stays on its chain around his gloved hand while he alternates between practicing the watch spin and checking the folded set-list taped to the wall, his midnight-blue tailcoat and white boutonniere unchanged throughout. Shot sequence: Shot 1: Wide shot as he lets the silver pocket watch swing once on its chain, his midnight-blue tailcoat catching the amber light, and checks the folded set-list. Shot 2: Medium shot as he catches the watch mid-swing and mutters the trick's opening line, his white boutonniere bright against the midnight-blue tailcoat. Shot 3: Close shot of his gloved hand snapping the watch case shut and re-pocketing it. Shot 4: Low three-quarter shot as he exhales, adjusts his midnight-blue tailcoat lapel, his white boutonniere still pinned in place, and glances once more at the set-list.",
      "target_shot_prompts": [
        "Wide shot as he lets the silver pocket watch swing once on its chain, his midnight-blue tailcoat catching the amber light, and checks the folded set-list.",
        "Medium shot as he catches the watch mid-swing and mutters the trick's opening line, his white boutonniere bright against the midnight-blue tailcoat.",
        "Close shot of his gloved hand snapping the watch case shut and re-pocketing it.",
        "Low three-quarter shot as he exhales, adjusts his midnight-blue tailcoat lapel, his white boutonniere still pinned in place, and glances once more at the set-list."
      ]
    },
    "C1_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_5_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On the empty stage of a grand concert hall lit by a single spotlight, the rows of seats sunk in shadow, an elderly adult female violinist with a silver chignon, a charcoal shawl, and an ivory lace collar with pearl-beaded trim rehearses the final phrase of her farewell recital alone, her varnished violin and bow catching the low light. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays standing at center stage; the varnished violin remains tucked under her chin and the ivory lace collar stays at her throat while she alternates between playing the phrase and lowering the bow to glance at the folded program on a nearby stool. Shot sequence: Shot 1: Medium-wide front shot of her standing with the violin already raised at her chin, the ivory lace collar bright at her throat, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins. Shot 2: Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin, the pearl-beaded collar catching the spotlight. Shot 3: Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin. Shot 4: Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin. Shot 5: Close shot from the front, the stage's back wall behind her again, the ivory lace collar visible at her throat, as the bow tip trembles to a stop and the note fades, the violin still raised.",
      "target_shot_prompts": [
        "Medium-wide front shot of her standing with the violin already raised at her chin, the ivory lace collar bright at her throat, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins.",
        "Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin, the pearl-beaded collar catching the spotlight.",
        "Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin.",
        "Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin.",
        "Close shot from the front, the stage's back wall behind her again, the ivory lace collar visible at her throat, as the bow tip trembles to a stop and the note fades, the violin still raised."
      ]
    },
    "C1_5_A__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_5_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On the empty stage of a grand concert hall lit by a single spotlight, the rows of seats sunk in shadow, a woman in a deep burgundy velvet performance gown with long sleeves rehearses the final phrase of her farewell recital alone, her varnished violin and bow catching the low light. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays standing at center stage; the varnished violin remains tucked under her chin while she alternates between playing the phrase and lowering the bow to glance at the folded program on a nearby stool. Shot sequence: Shot 1: Medium-wide front shot of her standing with the violin already raised at her chin, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins. Shot 2: Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin. Shot 3: Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin. Shot 4: Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin. Shot 5: Close shot from the front, the stage's back wall behind her again, as the bow tip trembles to a stop and the note fades, the violin still raised.",
      "target_shot_prompts": [
        "Medium-wide front shot of her standing with the violin already raised at her chin, only the bare stage and its back wall behind her, no seats in view, drawing a slow breath before she begins.",
        "Wide shot from stage left as she draws the bow across the strings for the opening phrase, the violin still raised at her chin.",
        "Medium shot from stage right as she lowers only the bow briefly to glance at the folded program on the stool, the violin never leaving her chin.",
        "Close shot from behind her, the shadowed rows of empty seats stretching out beyond her, as her fingers press the final chord on the fingerboard, the violin held steady at her chin.",
        "Close shot from the front, the stage's back wall behind her again, as the bow tip trembles to a stop and the note fades, the violin still raised."
      ]
    },
    "C1_5_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_e",
        "mask": "masks/C1_5_B_obj_e.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered back-room workshop lit by steady overhead light, a middle-aged adult male locksmith with a shaved head and a gray canvas apron stands at his tall workbench, working on a locked wooden box left to him by an estranged brother, a magnifying loupe hanging within reach on the wall tool rack beside him as he probes the box's brass lock with a thin tension wrench. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays within the workshop, moving between the workbench and the wall tool rack a step away; the wooden box remains clamped in the vise while he alternates between probing the brass lock and stepping to the rack for the loupe. Shot sequence: Shot 1: Wide shot as he leans over the vise under the steady workshop light, the brass lock barely visible beneath his hand. Shot 2: Medium shot as he steps to the wall rack under the steady light, grabs the magnifying loupe, and returns to the bench. Shot 3: Close shot from behind his shoulder as he peers through the loupe, the lock's face glimpsed only at its edge. Shot 4: Medium overhead shot as his palm shields the lock under the steady overhead light while he listens for the pins to set. Shot 5: Close shot of the lock finally exposed as his hand lifts away and the shackle springs free.",
      "target_shot_prompts": [
        "Wide shot as he leans over the vise under the steady workshop light, the brass lock barely visible beneath his hand.",
        "Medium shot as he steps to the wall rack under the steady light, grabs the magnifying loupe, and returns to the bench.",
        "Close shot from behind his shoulder as he peers through the loupe, the lock's face glimpsed only at its edge.",
        "Medium overhead shot as his palm shields the lock under the steady overhead light while he listens for the pins to set.",
        "Close shot of the lock finally exposed as his hand lifts away and the shackle springs free."
      ]
    },
    "C1_5_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_5_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered back-room workshop lit by a single swinging bulb, shadows sliding across the walls, a woman in an indigo denim work apron with a leather tool belt stands at her tall workbench, working on a locked wooden box left to her by an estranged brother, a magnifying loupe hanging within reach on the wall tool rack beside her as she probes the box's brass lock with a thin tension wrench. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays within the workshop, moving between the workbench and the wall tool rack a step away; the wooden box remains clamped in the vise while she alternates between probing the brass lock and stepping to the rack for the loupe. Shot sequence: Shot 1: Wide shot as she leans over the vise, the brass lock barely visible beneath her hand. Shot 2: Medium shot as she steps to the wall rack, grabs the magnifying loupe, and returns to the bench. Shot 3: Close shot from behind her shoulder as she peers through the loupe, the lock's face glimpsed only at its edge. Shot 4: Medium overhead shot as her palm shields the lock while she listens for the pins to set. Shot 5: Close shot of the lock finally exposed as her hand lifts away and the shackle springs free.",
      "target_shot_prompts": [
        "Wide shot as she leans over the vise, the brass lock barely visible beneath her hand.",
        "Medium shot as she steps to the wall rack, grabs the magnifying loupe, and returns to the bench.",
        "Close shot from behind her shoulder as she peers through the loupe, the lock's face glimpsed only at its edge.",
        "Medium overhead shot as her palm shields the lock while she listens for the pins to set.",
        "Close shot of the lock finally exposed as her hand lifts away and the shackle springs free."
      ]
    },
    "C1_6_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_6_A_char_a.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shadow-drenched boxing gym lit by a single hanging ring light, the rest of the room swallowed in dark, a young adult male boxer with a neat, gentlemanly blonde hairstyle, medium-short with a natural side part, and a red tank top shadowboxes alone near the ring ropes, replaying a taunting voicemail from his rival on a battered phone propped on a nearby stool. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays within the ring apron; the battered phone remains propped on the stool playing the voicemail while he alternates between shadowboxing combinations and pausing to glare at the phone, his blonde hairstyle unchanged throughout. Shot sequence: Shot 1: Wide shot from ringside as he throws a combination toward the ropes, his neat blonde side part catching the ring light. Shot 2: High overhead shot looking straight down as he pivots and jabs, his medium-short blonde hairstyle visible from above. Shot 3: Low shot from floor level as his wrapped fists snap past camera. Shot 4: Close shot of the battered phone screen as the voicemail plays on speaker. Shot 5: Side profile shot as he stops, chest heaving, glaring at the phone, his blonde hairstyle sharp in profile. Shot 6: Reverse wide shot from behind the ropes as he resumes a slower combination, his blonde hairstyle still catching light, jaw tight.",
      "target_shot_prompts": [
        "Wide shot from ringside as he throws a combination toward the ropes, his neat blonde side part catching the ring light.",
        "High overhead shot looking straight down as he pivots and jabs, his medium-short blonde hairstyle visible from above.",
        "Low shot from floor level as his wrapped fists snap past camera.",
        "Close shot of the battered phone screen as the voicemail plays on speaker.",
        "Side profile shot as he stops, chest heaving, glaring at the phone, his blonde hairstyle sharp in profile.",
        "Reverse wide shot from behind the ropes as he resumes a slower combination, his blonde hairstyle still catching light, jaw tight."
      ]
    },
    "C1_6_A__swap__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C1_6_A_obj_a.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shadow-drenched boxing gym lit by a single hanging ring light, the rest of the room swallowed in dark, a young adult male boxer with a shaved head and a red tank top shadowboxes alone near the ring ropes, his fists in cobalt-blue leather boxing gloves with white laces, replaying a taunting voicemail from his rival on a battered phone propped on a nearby stool. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays within the ring apron; his cobalt-blue leather gloves stay laced on his fists throughout while the battered phone remains propped on the stool playing the voicemail as he alternates between shadowboxing combinations and pausing to glare at the phone. Shot sequence: Shot 1: Wide shot from ringside as he throws a combination toward the ropes, his cobalt-blue leather gloves flashing white laces. Shot 2: High overhead shot looking straight down as he pivots and jabs, his cobalt-blue gloves visible from above. Shot 3: Low shot from floor level as his cobalt-blue gloved fists snap past camera. Shot 4: Close shot of the battered phone screen as the voicemail plays on speaker. Shot 5: Side profile shot as he stops, chest heaving, glaring at the phone, his cobalt-blue gloves still laced tight. Shot 6: Reverse wide shot from behind the ropes as he resumes a slower combination, his cobalt-blue gloves catching the ring light, jaw tight.",
      "target_shot_prompts": [
        "Wide shot from ringside as he throws a combination toward the ropes, his cobalt-blue leather gloves flashing white laces.",
        "High overhead shot looking straight down as he pivots and jabs, his cobalt-blue gloves visible from above.",
        "Low shot from floor level as his cobalt-blue gloved fists snap past camera.",
        "Close shot of the battered phone screen as the voicemail plays on speaker.",
        "Side profile shot as he stops, chest heaving, glaring at the phone, his cobalt-blue gloves still laced tight.",
        "Reverse wide shot from behind the ropes as he resumes a slower combination, his cobalt-blue gloves catching the ring light, jaw tight."
      ]
    },
    "C1_6_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_6_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden boardwalk through a marsh at dawn, a young adult female wildlife photographer in a green field vest and a wide-brimmed olive canvas bucket hat crouches behind tall reeds, tracking a wading heron with her long-lens camera as she edges along the boardwalk rail. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays on the same stretch of boardwalk, moving a few steps along the rail as the heron shifts; the long-lens camera stays in her hands and the bucket hat stays on her head while reeds and grass drift in and out of frame around her. Shot sequence: Shot 1: Wide shot through a screen of tall reeds as she crouches, her olive canvas hat brim catching the light, camera raised toward the heron. Shot 2: Medium shot from behind waving marsh grass as she edges a step along the boardwalk rail, the olive canvas brim of her hat catching the light. Shot 3: Close shot of her hands adjusting the long lens, reeds blurring across the foreground, her bucket hat brim just visible at the top of frame. Shot 4: Over-the-shoulder shot through hanging cattails as she leans further over the rail, her bucket hat tipped forward. Shot 5: Close shot from beside a reed cluster, its stalks partially blocking her field vest and hat brim. Shot 6: Wide shot through the reed screen again as she lowers the camera, exhaling, satisfied with the shot, her bucket hat still shading her eyes.",
      "target_shot_prompts": [
        "Wide shot through a screen of tall reeds as she crouches, her olive canvas hat brim catching the light, camera raised toward the heron.",
        "Medium shot from behind waving marsh grass as she edges a step along the boardwalk rail, the olive canvas brim of her hat catching the light.",
        "Close shot of her hands adjusting the long lens, reeds blurring across the foreground, her bucket hat brim just visible at the top of frame.",
        "Over-the-shoulder shot through hanging cattails as she leans further over the rail, her bucket hat tipped forward.",
        "Close shot from beside a reed cluster, its stalks partially blocking her field vest and hat brim.",
        "Wide shot through the reed screen again as she lowers the camera, exhaling, satisfied with the shot, her bucket hat still shading her eyes."
      ]
    },
    "C1_6_B__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C1_6_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden boardwalk through a marsh at dawn, a wading heron moves through the tall reeds along the boardwalk rail, the marsh grass drifting in the early light; the boardwalk is empty, with no one on it. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The heron continues moving along the boardwalk rail as reeds and grass drift in and out of frame; the boardwalk stays empty the whole time. Shot sequence: Shot 1: Wide shot through a screen of tall reeds, the heron visible wading beyond them, no one on the boardwalk. Shot 2: Medium shot from behind waving marsh grass along the empty boardwalk rail. Shot 3: Close shot of the tall reeds blurring across the foreground, the boardwalk rail empty beyond them. Shot 4: Wide shot through hanging cattails toward the empty boardwalk rail, the heron visible in the marsh beyond. Shot 5: Close shot from beside a reed cluster, its stalks swaying against the empty boardwalk rail. Shot 6: Wide shot through the reed screen again, the heron settling in the shallows, the boardwalk still empty.",
      "target_shot_prompts": [
        "Wide shot through a screen of tall reeds, the heron visible wading beyond them, no one on the boardwalk.",
        "Medium shot from behind waving marsh grass along the empty boardwalk rail.",
        "Close shot of the tall reeds blurring across the foreground, the boardwalk rail empty beyond them.",
        "Wide shot through hanging cattails toward the empty boardwalk rail, the heron visible in the marsh beyond.",
        "Close shot from beside a reed cluster, its stalks swaying against the empty boardwalk rail.",
        "Wide shot through the reed screen again, the heron settling in the shallows, the boardwalk still empty."
      ]
    },
    "C2_4_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C2_4_A_obj_c.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On an outdoor running field turned into a green grass lawn, its lanes marked directly on the turf, at dusk, an adult male coach in a red team polo paces along the inside lane, while an adult female sprinter in a gold tracksuit stretches at the starting blocks, both replaying her missed qualifying time from the afternoon's heat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The sprinter starts at the blocks and breaks into a sprint down her lane by the final shot; the coach stays near the blocks, clocking her with the stopwatch, while each remains in their own single throughout; the green grass lawn stays underfoot throughout. Shot sequence: Shot 1: Clean medium single of the coach alone, pacing the inside lane on the green grass, stopwatch swinging in hand as he presses her about the time. Shot 2: Clean close single of the sprinter alone at the blocks, jaw tight, lacing a shoe, green grass visible beneath her. Shot 3: Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the grass lane. Shot 4: Side-profile single of the sprinter alone exploding off the blocks and sprinting hard down her grass lane, saying nothing.",
      "target_shot_prompts": [
        "Clean medium single of the coach alone, pacing the inside lane on the green grass, stopwatch swinging in hand as he presses her about the time.",
        "Clean close single of the sprinter alone at the blocks, jaw tight, lacing a shoe, green grass visible beneath her.",
        "Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the grass lane.",
        "Side-profile single of the sprinter alone exploding off the blocks and sprinting hard down her grass lane, saying nothing."
      ]
    },
    "C2_4_A__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C2_4_A_char_b.mp4",
        "shots": [1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On an outdoor running track at dusk, an adult male coach in a red team polo paces along the inside lane, while another adult woman wearing an emerald green satin blouse stretches at the starting blocks, both replaying her missed qualifying time from the afternoon's heat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The woman in the emerald green satin blouse starts at the blocks and breaks into a sprint down her lane by the final shot; the coach stays near the blocks, clocking her with the stopwatch, while each remains in their own single throughout; her emerald green satin blouse stays unchanged throughout. Shot sequence: Shot 1: Clean medium single of the coach alone, pacing the inside lane, stopwatch swinging in hand as he presses her about the time. Shot 2: Clean close single of the woman in the emerald green satin blouse alone at the blocks, jaw tight, lacing a shoe. Shot 3: Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the track. Shot 4: Side-profile single of the woman in the emerald green satin blouse alone exploding off the blocks and sprinting hard down her lane, saying nothing.",
      "target_shot_prompts": [
        "Clean medium single of the coach alone, pacing the inside lane, stopwatch swinging in hand as he presses her about the time.",
        "Clean close single of the woman in the emerald green satin blouse alone at the blocks, jaw tight, lacing a shoe.",
        "Side-profile single of the coach alone, thumb clicking the stopwatch, eyes tracking hard down the track.",
        "Side-profile single of the woman in the emerald green satin blouse alone exploding off the blocks and sprinting hard down her lane, saying nothing."
      ]
    },
    "C2_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C2_4_B_char_a.mp4",
        "shots": [0, 2]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Along a hiking trail overlook at midday, a young adult male founder in a rumpled white shirt and a charcoal blazer walks a switchback below the ridge, while an adult female investor in a sharp black blazer walks the ridge path above, questioning his revenue projections over the phone as they keep pace with each other. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The founder, his charcoal blazer unchanged throughout, stays on the lower switchback; the investor stays on the ridge path above, both continuing to walk their own stretch of the same trail while remaining in their own single throughout. Shot sequence: Shot 1: Clean medium single of the founder alone, his charcoal blazer catching the midday light, walking the lower switchback, phone at his ear as he defends the projection. Shot 2: Clean close single of the investor alone on the ridge path, walking briskly, narrowing her eyes at the view. Shot 3: Close single of the founder alone again, blazer still buttoned, catching his breath on an incline, restating a number. Shot 4: Clean medium single of the investor alone stopping at a lookout point, ending the call and stating her verdict.",
      "target_shot_prompts": [
        "Clean medium single of the founder alone, his charcoal blazer catching the midday light, walking the lower switchback, phone at his ear as he defends the projection.",
        "Clean close single of the investor alone on the ridge path, walking briskly, narrowing her eyes at the view.",
        "Close single of the founder alone again, blazer still buttoned, catching his breath on an incline, restating a number.",
        "Clean medium single of the investor alone stopping at a lookout point, ending the call and stating her verdict."
      ]
    },
    "C2_4_B__remove__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C2_4_B_char_b.mp4",
        "shots": [1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Along a hiking trail overlook at midday, a young adult male founder in a rumpled white shirt walks alone along the switchback below the ridge, phone at his ear, going over his revenue projections; the ridge path above is empty. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The founder stays on the lower switchback, continuing to walk his own stretch of the trail while remaining in his own single throughout; the ridge path above stays empty the whole time. Shot sequence: Shot 1: Clean medium single of the founder alone, walking the lower switchback, phone at his ear as he defends the projection. Shot 2: Clean close shot of the ridge path above, empty in the midday light, wind moving through the grass. Shot 3: Close single of the founder alone again, catching his breath on an incline, restating a number. Shot 4: Clean medium shot of the empty lookout point on the ridge path, midday light unchanged.",
      "target_shot_prompts": [
        "Clean medium single of the founder alone, walking the lower switchback, phone at his ear as he defends the projection.",
        "Clean close shot of the ridge path above, empty in the midday light, wind moving through the grass.",
        "Close single of the founder alone again, catching his breath on an incline, restating a number.",
        "Clean medium shot of the empty lookout point on the ridge path, midday light unchanged."
      ]
    },
    "C2_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C2_5_A_char_a.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Inside a nearly empty passenger train car rolling through the countryside, an adult male passenger in a brown overcoat and a brown tweed flat cap stands gripping a handrail in the aisle, arguing quietly over a shared inheritance letter with an adult female passenger in a rust-red scarf seated several rows back. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The woman remains seated in her row; the man, his tweed flat cap unchanged throughout, stays standing in the aisle, shifting his grip on the handrail as he argues, while the shared inheritance letter stays as separate photocopies in each one's own hand. Shot sequence: Shot 1: Wide shot down the aisle as the man, flat cap low over his brow, grips the handrail, letter in hand, raising his voice slightly. Shot 2: Clean medium single of the man alone, standing, his tweed flat cap catching the light, as he taps his photocopy and states his claim. Shot 3: Clean medium single of the woman alone, seated several rows back, as she unfolds her own copy and counters. Shot 4: Close single of the man's hand gripping the handrail tighter, his flat cap's brim just visible above, knuckles whitening as her counter lands. Shot 5: Close single of the woman alone, jaw tight, refolding her photocopy and looking out the window.",
      "target_shot_prompts": [
        "Wide shot down the aisle as the man, flat cap low over his brow, grips the handrail, letter in hand, raising his voice slightly.",
        "Clean medium single of the man alone, standing, his tweed flat cap catching the light, as he taps his photocopy and states his claim.",
        "Clean medium single of the woman alone, seated several rows back, as she unfolds her own copy and counters.",
        "Close single of the man's hand gripping the handrail tighter, his flat cap's brim just visible above, knuckles whitening as her counter lands.",
        "Close single of the woman alone, jaw tight, refolding her photocopy and looking out the window."
      ]
    },
    "C2_5_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C2_5_A_char_b.mp4",
        "shots": [2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Inside a nearly empty passenger train car rolling through the countryside, an adult male passenger in a brown overcoat stands gripping a handrail in the aisle, arguing quietly over a shared inheritance letter with an adult female passenger in a sapphire-blue wrap dress seated several rows back. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The woman, her sapphire-blue dress unchanged throughout, remains seated in her row; the man stays standing in the aisle, shifting his grip on the handrail as he argues, while the shared inheritance letter stays as separate photocopies in each one's own hand. Shot sequence: Shot 1: Wide shot down the aisle as the man grips the handrail, letter in hand, raising his voice slightly. Shot 2: Clean medium single of the man alone, standing, as he taps his photocopy and states his claim. Shot 3: Clean medium single of the woman alone, her sapphire-blue dress catching the light, seated several rows back, as she unfolds her own copy and counters. Shot 4: Close single of the man's hand gripping the handrail tighter, knuckles whitening as her counter lands. Shot 5: Close single of the woman alone, jaw tight, her sapphire-blue dress bright in the low light, refolding her photocopy and looking out the window.",
      "target_shot_prompts": [
        "Wide shot down the aisle as the man grips the handrail, letter in hand, raising his voice slightly.",
        "Clean medium single of the man alone, standing, as he taps his photocopy and states his claim.",
        "Clean medium single of the woman alone, her sapphire-blue dress catching the light, seated several rows back, as she unfolds her own copy and counters.",
        "Close single of the man's hand gripping the handrail tighter, knuckles whitening as her counter lands.",
        "Close single of the woman alone, jaw tight, her sapphire-blue dress bright in the low light, refolding her photocopy and looking out the window."
      ]
    },
    "C2_5_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C2_5_B_obj_c.mp4",
        "shots": [1, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a courthouse side room, dust drifting through a shaft of window light, with an open doorway leading to the corridor, an adult female lawyer in a navy pantsuit sits at a corner desk reviewing her notes, while an adult male witness in a gray sweater paces near the doorway, rehearsing the same typed statement before he is called to testify. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The lawyer remains seated at the desk, her notes in front of her; the witness stays within the room, pacing a short line near the open doorway, keeping his own clean copy of the statement, and the doorway stays open throughout. Shot sequence: Shot 1: Clean medium single of the lawyer alone, seated, reviewing her notes at the desk. Shot 2: Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow. Shot 3: Close single of the lawyer alone reciting a question she expects him to face. Shot 4: Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself. Shot 5: Wide single of the witness alone standing still by the open doorway, statement still gripped in his hand, as an unseen bailiff's voice calls the case from the corridor beyond and he doesn't move.",
      "target_shot_prompts": [
        "Clean medium single of the lawyer alone, seated, reviewing her notes at the desk.",
        "Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow.",
        "Close single of the lawyer alone reciting a question she expects him to face.",
        "Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself.",
        "Wide single of the witness alone standing still by the open doorway, statement still gripped in his hand, as an unseen bailiff's voice calls the case from the corridor beyond and he doesn't move."
      ]
    },
    "C2_5_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C2_5_B_char_a.mp4",
        "shots": [0, 2]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a courthouse side room, dust drifting through a shaft of window light, an adult female lawyer in a pink suit with a silk blouse sits at a corner desk reviewing her notes, while an adult male witness in a gray sweater paces near the door, rehearsing the same typed statement before he is called to testify. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. The lawyer remains seated at the desk; the witness stays within the room, pacing a short line near the door, while the typed statement stays as separate copies in each one's own hands and the door stays closed throughout. Shot sequence: Shot 1: Clean medium single of the lawyer alone, seated, her pink suit sharp against the desk, as she underlines a line on her marked statement. Shot 2: Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow. Shot 3: Close single of the lawyer alone, silk blouse catching the window light, reciting a question she expects him to face. Shot 4: Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself. Shot 5: Wide single of the witness alone standing still by the closed door, statement still gripped in his hand, as an unseen bailiff's voice calls the case through the door and he doesn't move.",
      "target_shot_prompts": [
        "Clean medium single of the lawyer alone, seated, her pink suit sharp against the desk, as she underlines a line on her marked statement.",
        "Clean medium single of the witness alone, pacing, as he grips his clean statement, breathing shallow.",
        "Close single of the lawyer alone, silk blouse catching the window light, reciting a question she expects him to face.",
        "Close single of the witness alone, stopping mid-step, mouthing the answer silently to himself.",
        "Wide single of the witness alone standing still by the closed door, statement still gripped in his hand, as an unseen bailiff's voice calls the case through the door and he doesn't move."
      ]
    },
    "C2_6_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C2_6_A_char_a.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Across a glass display counter in a dim pawn shop lit by a single hanging bulb, an adult female customer in a faded denim jacket stands at the counter, her late grandmother's gold locket resting on the counter in front of her; the register side of the counter is empty. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The customer remains standing on her side of the counter; the gold locket stays on the velvet counter pad in front of her; the register side of the counter stays empty the whole time. Shot sequence: Shot 1: Clean medium shot of the gold locket resting on the counter in front of the customer, catching the hanging bulb's light. Shot 2: Clean medium single of the customer alone as she crosses her arms, waiting at the counter. Shot 3: Close shot of the register keys sitting untouched beside the empty side of the counter. Shot 4: Close single of the customer alone shaking her head, refusing the offer. Shot 5: Medium overhead shot of the locket alone on the velvet pad, catching the light. Shot 6: Clean medium shot of the locket resting still on the customer's edge of the counter, precisely where it was last placed.",
      "target_shot_prompts": [
        "Clean medium shot of the gold locket resting on the counter in front of the customer, catching the hanging bulb's light.",
        "Clean medium single of the customer alone as she crosses her arms, waiting at the counter.",
        "Close shot of the register keys sitting untouched beside the empty side of the counter.",
        "Close single of the customer alone shaking her head, refusing the offer.",
        "Medium overhead shot of the locket alone on the velvet pad, catching the light.",
        "Clean medium shot of the locket resting still on the customer's edge of the counter, precisely where it was last placed."
      ]
    },
    "C2_6_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C2_6_A_obj_c.mp4",
        "shots": [0, 1, 2, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Across a glass display counter in a dim pawn shop lit by a single hanging bulb, an adult male shop owner in a maroon cardigan stands at a cash register with a brushed stainless steel finish while an adult female customer in a faded denim jacket stands opposite him, negotiating over her late grandmother's gold locket resting on the counter between them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. Both remain standing on their own sides of the counter; the gold locket stays on the velvet counter pad while each speaks only in their own single and reaches only toward their own edge of the counter; the register's brushed stainless steel finish stays unchanged throughout. Shot sequence: Shot 1: Clean medium single of the shop owner alone as he turns the gold locket over, inspecting the clasp. Shot 2: Clean medium single of the customer alone as she crosses her arms, watching his hands. Shot 3: Close single of the shop owner alone naming a price under his breath, tapping the brushed stainless steel register keys. Shot 4: Close single of the customer alone shaking her head, refusing the offer. Shot 5: Medium overhead single of the locket alone on the velvet pad, catching the light between offers. Shot 6: Clean medium single of the shop owner alone sliding the locket back toward the customer's edge of the counter.",
      "target_shot_prompts": [
        "Clean medium single of the shop owner alone as he turns the gold locket over, inspecting the clasp.",
        "Clean medium single of the customer alone as she crosses her arms, watching his hands.",
        "Close single of the shop owner alone naming a price under his breath, tapping the brushed stainless steel register keys.",
        "Close single of the customer alone shaking her head, refusing the offer.",
        "Medium overhead single of the locket alone on the velvet pad, catching the light between offers.",
        "Clean medium single of the shop owner alone sliding the locket back toward the customer's edge of the counter."
      ]
    },
    "C2_6_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C2_6_B_char_a.mp4",
        "shots": [0, 2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mission control room lit only by rows of blinking consoles, an adult female flight director in a navy polo and a quilted burnt-orange flight jacket stands at the main console while an adult male capsule communicator in a gray flight-ops jacket sits at a side desk, coordinating through a shared status clipboard during a tense onboard anomaly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. Both remain at their own stations; the shared status clipboard passes between their desks without the two ever standing in frame together, while each speaks only into their own headset microphone; the flight director's burnt-orange flight jacket stays visible throughout. Shot sequence: Shot 1: Clean medium single of the flight director alone, her burnt-orange flight jacket catching the console lights, as she jots a reading onto the clipboard. Shot 2: Clean close single of the communicator alone as he watches the red anomaly light blink on his relay screen. Shot 3: Close single of the clipboard alone sliding across the handoff tray between the two stations, a flash of burnt-orange flight jacket at the edge of frame. Shot 4: Clean medium single of the communicator alone now holding the clipboard, reading her note aloud into his mic. Shot 5: Clean close single of the flight director alone, her burnt-orange jacket catching the light, nodding sharply at unseen data, still speaking. Shot 6: Wide single of the communicator alone standing to relay the final call, clipboard in hand.",
      "target_shot_prompts": [
        "Clean medium single of the flight director alone, her burnt-orange flight jacket catching the console lights, as she jots a reading onto the clipboard.",
        "Clean close single of the communicator alone as he watches the red anomaly light blink on his relay screen.",
        "Close single of the clipboard alone sliding across the handoff tray between the two stations, a flash of burnt-orange flight jacket at the edge of frame.",
        "Clean medium single of the communicator alone now holding the clipboard, reading her note aloud into his mic.",
        "Clean close single of the flight director alone, her burnt-orange jacket catching the light, nodding sharply at unseen data, still speaking.",
        "Wide single of the communicator alone standing to relay the final call, clipboard in hand."
      ]
    },
    "C2_6_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C2_6_B_char_b.mp4",
        "shots": [1, 3, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mission control room lit only by rows of blinking consoles, an adult female flight director in a navy polo stands at the main console while another woman in a green firefighter's uniform, headset in place, sits at a side desk, coordinating through a shared status clipboard during a tense onboard anomaly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Exactly two adults are present, but no shot may show them together or include the other person's shoulder, silhouette, or body part. Both remain at their own stations; the shared status clipboard passes between their desks without the two ever standing in frame together, while each speaks only into their own headset microphone. Shot sequence: Shot 1: Clean medium single of the flight director alone as she jots a reading onto the clipboard. Shot 2: Clean close single of the communicator alone, in her firefighter's uniform, as she watches the red anomaly light blink on her relay screen. Shot 3: Close single of the clipboard alone sliding across a handoff tray between the two stations. Shot 4: Clean medium single of the communicator alone now holding the clipboard, her firefighter's uniform visible, reading her note aloud into her mic. Shot 5: Clean close single of the flight director alone nodding sharply at unseen data, still speaking. Shot 6: Wide single of the communicator alone standing to relay the final call, her firefighter's uniform catching the console lights, clipboard in hand.",
      "target_shot_prompts": [
        "Clean medium single of the flight director alone as she jots a reading onto the clipboard.",
        "Clean close single of the communicator alone, in her firefighter's uniform, as she watches the red anomaly light blink on her relay screen.",
        "Close single of the clipboard alone sliding across a handoff tray between the two stations.",
        "Clean medium single of the communicator alone now holding the clipboard, her firefighter's uniform visible, reading her note aloud into her mic.",
        "Clean close single of the flight director alone nodding sharply at unseen data, still speaking.",
        "Wide single of the communicator alone standing to relay the final call, her firefighter's uniform catching the console lights, clipboard in hand."
      ]
    },
    "C3A_4_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_4_A_char_a.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shared law-firm conference room lit only by desk lamps, the city lights glittering beyond the window, the night before trial, an adult woman in a forest-green blazer paces along the far side of the room, preparing her strategy on the case, flipping through her own blue-tabbed binder; the table across from her is empty. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The green-blazer lawyer remains in the conference room, pacing the far side with her own blue-tabbed binder throughout; the table stays empty the whole time. Shot sequence: Shot 1: Wide shot of the empty table as the green-blazer lawyer paces behind it, tension visible. Shot 2: Medium single-weighted shot of the green-blazer lawyer flipping through her blue-tabbed binder far down the room. Shot 3: Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point. Shot 4: Wide shot as the green-blazer lawyer crosses back to the empty table and snaps her binder shut, alone in the room.",
      "target_shot_prompts": [
        "Wide shot of the empty table as the green-blazer lawyer paces behind it, tension visible.",
        "Medium single-weighted shot of the green-blazer lawyer flipping through her blue-tabbed binder far down the room.",
        "Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point.",
        "Wide shot as the green-blazer lawyer crosses back to the empty table and snaps her binder shut, alone in the room."
      ]
    },
    "C3A_4_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C3A_4_A_obj_a.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a shared law-firm conference room lit only by desk lamps, the city lights glittering beyond the window, the night before trial, two adult women prepare opposing strategies on the same case: the lead counsel in a crimson blazer sits at the table highlighting her red-tabbed exhibit binder in a vivid lime cover, while opposing counsel in a forest-green blazer paces along the far side of the room, flipping through her own blue-tabbed binder. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the conference room; the green-blazer lawyer paces the far side while the crimson-blazer lawyer stays seated at the table with her lime-covered binder unchanged throughout, and each binder stays with its owner throughout their clipped exchanges. Shot sequence: Shot 1: Wide two-shot as the crimson-blazer lawyer flips through her lime-covered binder at the table while the green blazer paces behind her, tension visible. Shot 2: Medium single-weighted shot of the crimson-blazer lawyer as she taps a red tab on her lime-covered binder and states her key argument, the green blazer visible pacing far down the room. Shot 3: Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point. Shot 4: Wide two-shot as the green-blazer lawyer crosses back to the table and snaps her binder shut first, the crimson-blazer lawyer closing her lime-covered binder a beat later without looking up.",
      "target_shot_prompts": [
        "Wide two-shot as the crimson-blazer lawyer flips through her lime-covered binder at the table while the green blazer paces behind her, tension visible.",
        "Medium single-weighted shot of the crimson-blazer lawyer as she taps a red tab on her lime-covered binder and states her key argument, the green blazer visible pacing far down the room.",
        "Reverse medium shot of the forest-green-blazer lawyer stopping mid-step as she flips to a blue tab and sharply disputes the point.",
        "Wide two-shot as the green-blazer lawyer crosses back to the table and snaps her binder shut first, the crimson-blazer lawyer closing her lime-covered binder a beat later without looking up."
      ]
    },
    "C3A_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At their late father's weathered boat dock, two adult brothers stand on opposite sides of his old fishing boat: the older brother in a gray flannel shirt and an amber shearling neck wrap grips the boat's bow line, while the younger brother in a navy flannel shirt reaches for the same line, both arguing over whether to sell the boat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on the dock beside the boat; the bow line stays passed between their hands while neither steps off the dock during the argument; the gray-shirt brother's neck wrap stays in place throughout. Shot sequence: Shot 1: Wide two-shot as the gray-shirt brother, amber neck wrap catching the light, pulls the bow line taut, the boat knocking against the dock. Shot 2: Medium single-weighted shot of the navy-shirt brother reaching across and gripping the line, the gray shirt and amber neck wrap visible behind him. Shot 3: Reverse medium shot of the gray-shirt brother, neck wrap shifting with him, yanking the line back and stepping between his brother and the boat. Shot 4: Wide two-shot as both grip opposite ends of the line, neither letting go, the gray-shirt brother's neck wrap still in place, the boat rocking gently between them.",
      "target_shot_prompts": [
        "Wide two-shot as the gray-shirt brother, amber neck wrap catching the light, pulls the bow line taut, the boat knocking against the dock.",
        "Medium single-weighted shot of the navy-shirt brother reaching across and gripping the line, the gray shirt and amber neck wrap visible behind him.",
        "Reverse medium shot of the gray-shirt brother, neck wrap shifting with him, yanking the line back and stepping between his brother and the boat.",
        "Wide two-shot as both grip opposite ends of the line, neither letting go, the gray-shirt brother's neck wrap still in place, the boat rocking gently between them."
      ]
    },
    "C3A_4_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3A_4_B_char_b.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At their late father's weathered boat dock, two adult brothers stand on opposite sides of his old fishing boat: the older brother in a gray flannel shirt grips the boat's bow line, while the younger brother in a brown leather jacket reaches for the same line, both arguing over whether to sell the boat. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on the dock beside the boat; the bow line stays passed between their hands while neither steps off the dock during the argument. Shot sequence: Shot 1: Wide two-shot as the gray-shirt brother pulls the bow line taut, the boat knocking against the dock. Shot 2: Medium single-weighted shot of the leather-jacket brother reaching across and gripping the line, the gray shirt visible behind him. Shot 3: Reverse medium shot of the gray-shirt brother yanking the line back and stepping between his brother and the boat. Shot 4: Wide two-shot as both grip opposite ends of the line, neither letting go, the boat rocking gently between them.",
      "target_shot_prompts": [
        "Wide two-shot as the gray-shirt brother pulls the bow line taut, the boat knocking against the dock.",
        "Medium single-weighted shot of the leather-jacket brother reaching across and gripping the line, the gray shirt visible behind him.",
        "Reverse medium shot of the gray-shirt brother yanking the line back and stepping between his brother and the boat.",
        "Wide two-shot as both grip opposite ends of the line, neither letting go, the boat rocking gently between them."
      ]
    },
    "C3A_5_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_5_A_char_a.mp4",
        "shots": [0, 1, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct case room lit by a flickering fluorescent tube, two adult detectives stand before the same evidence board: the senior detective, a man in a burgundy blazer, points to a timeline pinned to the board, while the junior detective in a mustard blazer marks a conflicting note on a sticky pad. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing before the same board; the pinned timeline stays fixed on the board while each detective works from their own side of it. Shot sequence: Shot 1: Wide two-shot as both detectives stand before the evidence board studying the pinned timeline. Shot 2: Over-the-shoulder shot past the burgundy-blazer detective's shoulder as he circles a date on the timeline. Shot 3: Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it. Shot 4: Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board. Shot 5: Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede.",
      "target_shot_prompts": [
        "Wide two-shot as both detectives stand before the evidence board studying the pinned timeline.",
        "Over-the-shoulder shot past the burgundy-blazer detective's shoulder as he circles a date on the timeline.",
        "Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it.",
        "Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board.",
        "Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede."
      ]
    },
    "C3A_5_A__swap__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C3A_5_A_obj_c.mp4",
        "shots": [0, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct case room lit by a flickering fluorescent tube, wooden barrels lined up along the back wall, two adult female detectives stand before the same evidence board: the senior detective in a burgundy blazer points to a timeline pinned to the board, while the junior detective in a mustard blazer marks a conflicting note on a sticky pad. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing before the same board; the pinned timeline stays fixed on the board while each detective works from her own side of it, and the wooden barrels along the back wall stay in place throughout. Shot sequence: Shot 1: Wide two-shot as both women stand before the evidence board studying the pinned timeline. Shot 2: Over-the-shoulder shot past the burgundy-blazer detective's shoulder as she circles a date on the timeline. Shot 3: Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it. Shot 4: Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board. Shot 5: Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede.",
      "target_shot_prompts": [
        "Wide two-shot as both women stand before the evidence board studying the pinned timeline.",
        "Over-the-shoulder shot past the burgundy-blazer detective's shoulder as she circles a date on the timeline.",
        "Over-the-shoulder shot past the mustard-blazer detective's shoulder as she sticks a conflicting note beside it.",
        "Medium single-weighted shot of the burgundy-blazer detective disputing the note, mustard blazer visible beside the board.",
        "Wide two-shot as the burgundy-blazer detective steps back, arms crossed, while the mustard-blazer detective keeps studying the board, unwilling to concede."
      ]
    },
    "C3A_5_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_5_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a backstage dressing corner lit by a single bare bulb behind a heavy velvet curtain, two adult male actors run lines for tonight's climactic argument scene: the veteran actor in a wine-red robe and a gold velvet crown recites his character's accusation, while the younger actor in a charcoal robe fires back the scripted retort, both close to slipping from rehearsal into real friction. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the same dressing corner; the shared script pages stay passed between them while neither leaves for the stage during the run-through; the veteran actor's velvet crown stays in place throughout. Shot sequence: Shot 1: Wide two-shot as both actors face off, scripts raised, the veteran actor's gold velvet crown catching the bulb's light, running the scene's opening lines. Shot 2: Medium single-weighted shot of the wine-red-robe actor, his crown catching the light, delivering the accusation line with real heat, charcoal robe visible behind him. Shot 3: Reverse medium shot of the charcoal-robe actor firing back the retort, script now lowered. Shot 4: Close two-shot as the veteran actor sets his reading glasses down mid-line, crown catching the bulb's light, breaking rehearsal rhythm. Shot 5: Wide two-shot as the veteran actor, crown still catching the light, catches himself first and laughs it off, the younger actor exhaling in relief a beat behind him as they lower their scripts.",
      "target_shot_prompts": [
        "Wide two-shot as both actors face off, scripts raised, the veteran actor's gold velvet crown catching the bulb's light, running the scene's opening lines.",
        "Medium single-weighted shot of the wine-red-robe actor, his crown catching the light, delivering the accusation line with real heat, charcoal robe visible behind him.",
        "Reverse medium shot of the charcoal-robe actor firing back the retort, script now lowered.",
        "Close two-shot as the veteran actor sets his reading glasses down mid-line, crown catching the bulb's light, breaking rehearsal rhythm.",
        "Wide two-shot as the veteran actor, crown still catching the light, catches himself first and laughs it off, the younger actor exhaling in relief a beat behind him as they lower their scripts."
      ]
    },
    "C3A_5_B__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3A_5_B_char_b.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a backstage dressing corner lit by a single bare bulb behind a heavy velvet curtain, two adult male actors run lines for tonight's climactic argument scene: the veteran actor in a wine-red robe recites his character's accusation, while the younger actor, now wearing a mustard hoodie, fires back the scripted retort, both close to slipping from rehearsal into real friction. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the same dressing corner; the shared script pages stay passed between them while neither leaves for the stage during the run-through; the younger actor's mustard hoodie stays on throughout. Shot sequence: Shot 1: Wide two-shot as both actors face off, scripts raised, running the scene's opening lines. Shot 2: Medium single-weighted shot of the wine-red-robe actor delivering the accusation line with real heat, the younger actor's mustard hoodie visible behind him. Shot 3: Reverse medium shot of the actor in the mustard hoodie firing back the retort, script now lowered. Shot 4: Close two-shot as the veteran actor sets his reading glasses down mid-line, breaking rehearsal rhythm. Shot 5: Wide two-shot as the veteran actor catches himself first and laughs it off, the younger actor, mustard hoodie visible, exhaling in relief a beat behind him as they lower their scripts.",
      "target_shot_prompts": [
        "Wide two-shot as both actors face off, scripts raised, running the scene's opening lines.",
        "Medium single-weighted shot of the wine-red-robe actor delivering the accusation line with real heat, the younger actor's mustard hoodie visible behind him.",
        "Reverse medium shot of the actor in the mustard hoodie firing back the retort, script now lowered.",
        "Close two-shot as the veteran actor sets his reading glasses down mid-line, breaking rehearsal rhythm.",
        "Wide two-shot as the veteran actor catches himself first and laughs it off, the younger actor, mustard hoodie visible, exhaling in relief a beat behind him as they lower their scripts."
      ]
    },
    "C3A_6_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_6_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunlit bridal dressing room lined with garment bags, morning light spilling through a gauzy curtain, two adult women face each other before the ceremony: the bride in an ivory gown and a pearl necklace with a lace collar sits on a dressing bench arranging her veil, while her estranged sister in a dusty-rose bridesmaid dress stands nearby holding the bouquet, both attempting a quiet reconciliation. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the dressing room; the bouquet stays in the bridesmaid's hands until the final shot while the bride stays seated on the bench for the entire conversation, her pearl necklace unchanged throughout. Shot sequence: Shot 1: Wide two-shot as the bride, pearl necklace bright at her collar, adjusts her veil on the bench while her sister stands stiffly by the door with the bouquet. Shot 2: Medium single-weighted shot of the bride speaking quietly, her lace collar and necklace visible, the dusty-rose dress visible behind her. Shot 3: Reverse medium shot of the sister gripping the bouquet tighter, voice wavering as she answers. Shot 4: Close shot of the bride's hands stilling on the veil pins as she listens, necklace catching the light at her collar. Shot 5: Close shot of the bouquet trembling slightly in the sister's hands. Shot 6: Wide two-shot as the sister crosses the room and sets the bouquet gently in the bride's lap, the pearl necklace still resting at her collar.",
      "target_shot_prompts": [
        "Wide two-shot as the bride, pearl necklace bright at her collar, adjusts her veil on the bench while her sister stands stiffly by the door with the bouquet.",
        "Medium single-weighted shot of the bride speaking quietly, her lace collar and necklace visible, the dusty-rose dress visible behind her.",
        "Reverse medium shot of the sister gripping the bouquet tighter, voice wavering as she answers.",
        "Close shot of the bride's hands stilling on the veil pins as she listens, necklace catching the light at her collar.",
        "Close shot of the bouquet trembling slightly in the sister's hands.",
        "Wide two-shot as the sister crosses the room and sets the bouquet gently in the bride's lap, the pearl necklace still resting at her collar."
      ]
    },
    "C3A_6_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3A_6_A_char_b.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunlit bridal dressing room lined with garment bags, morning light spilling through a gauzy curtain, the bride in an ivory gown sits alone on a dressing bench before the ceremony, arranging her veil in a quiet moment; the white bouquet rests on the bench beside her. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The bride remains in the dressing room, staying seated on the bench the entire time; the bouquet rests undisturbed beside her until she gathers it up. Shot sequence: Shot 1: Wide shot of the bride adjusting her veil on the bench, the white bouquet resting beside her, the room otherwise empty. Shot 2: Medium single-weighted shot of the bride speaking quietly to herself, the empty dressing room visible behind her. Shot 3: Reverse medium shot of the empty side of the room, garment bags hanging still, morning light spilling through the curtain. Shot 4: Close shot of the bride's hands stilling on the veil pins as she listens. Shot 5: Close shot of the white bouquet resting undisturbed on the bench beside her. Shot 6: Wide shot as the bride gathers the bouquet into her own lap, alone in the sunlit room.",
      "target_shot_prompts": [
        "Wide shot of the bride adjusting her veil on the bench, the white bouquet resting beside her, the room otherwise empty.",
        "Medium single-weighted shot of the bride speaking quietly to herself, the empty dressing room visible behind her.",
        "Reverse medium shot of the empty side of the room, garment bags hanging still, morning light spilling through the curtain.",
        "Close shot of the bride's hands stilling on the veil pins as she listens.",
        "Close shot of the white bouquet resting undisturbed on the bench beside her.",
        "Wide shot as the bride gathers the bouquet into her own lap, alone in the sunlit room."
      ]
    },
    "C3A_6_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_b",
        "mask": "masks/C3A_6_B_obj_b.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor ambulance bay after a difficult call, its parking spot now empty, two adult male paramedics stand together: the senior paramedic in a navy uniform shirt reviews the run on a rugged tablet, while the junior paramedic in a maroon uniform shirt argues that they should have used a different treatment protocol. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing in the open bay; the tablet stays in the senior paramedic's hands while they each pace a short stretch of the bay during the disagreement. Shot sequence: Shot 1: Wide two-shot in the empty bay as the senior paramedic reviews the run on the tablet. Shot 2: Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, navy shirt visible behind him. Shot 3: Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made. Shot 4: Close shot of the tablet screen as he scrolls to the logged vitals. Shot 5: Close shot of the junior paramedic's hand resting on the bay wall, still unconvinced. Shot 6: Wide two-shot in the bay as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind him, unresolved.",
      "target_shot_prompts": [
        "Wide two-shot in the empty bay as the senior paramedic reviews the run on the tablet.",
        "Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, navy shirt visible behind him.",
        "Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made.",
        "Close shot of the tablet screen as he scrolls to the logged vitals.",
        "Close shot of the junior paramedic's hand resting on the bay wall, still unconvinced.",
        "Wide two-shot in the bay as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind him, unresolved."
      ]
    },
    "C3A_6_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3A_6_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor ambulance bay after a difficult call, two paramedics stand beside their parked ambulance: the senior paramedic, a woman in a green EMT uniform, reviews the run on a rugged tablet, while the junior paramedic in a maroon uniform shirt argues that they should have used a different treatment protocol. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing beside the ambulance in the bay; the tablet stays in the senior paramedic's hands while they each pace a short stretch of the bay during the disagreement. Shot sequence: Shot 1: Wide two-shot beside the ambulance as the senior paramedic reviews the run on the tablet. Shot 2: Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, green EMT uniform visible behind him. Shot 3: Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made. Shot 4: Close shot of the tablet screen as she scrolls to the logged vitals. Shot 5: Close shot of the junior paramedic's hand resting on the ambulance's open door, still unconvinced. Shot 6: Wide two-shot as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind her, unresolved.",
      "target_shot_prompts": [
        "Wide two-shot beside the ambulance as the senior paramedic reviews the run on the tablet.",
        "Medium single-weighted shot of the junior paramedic pacing a step, arguing for the different protocol, green EMT uniform visible behind him.",
        "Reverse medium shot of the senior paramedic holding up the tablet, defending the call that was made.",
        "Close shot of the tablet screen as she scrolls to the logged vitals.",
        "Close shot of the junior paramedic's hand resting on the ambulance's open door, still unconvinced.",
        "Wide two-shot as the senior paramedic finally lowers the tablet, the junior paramedic still pacing a step behind her, unresolved."
      ]
    },
    "C3B_4_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_4_A_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mediation office lit by late-afternoon light slanting through the blinds, an adult woman in a plum wrap dress stands near the window, arms crossed, her own dog-eared copy of the printed settlement agreement waiting on the table nearby; the seat across from her is empty. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The woman remains in the mediation office, moving between the window and the table, keeping her own copy of the settlement agreement on her side of the table throughout; the seat across from her stays empty the whole time. Shot sequence: Shot 1: Wide shot of the empty side of the table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed. Shot 2: Medium single shot of the woman standing by the window, arms crossed, her dog-eared copy waiting on the table. Shot 3: Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy. Shot 4: Wide shot as the woman finally picks up the pen and signs her own copy at the table, alone.",
      "target_shot_prompts": [
        "Wide shot of the empty side of the table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed.",
        "Medium single shot of the woman standing by the window, arms crossed, her dog-eared copy waiting on the table.",
        "Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy.",
        "Wide shot as the woman finally picks up the pen and signs her own copy at the table, alone."
      ]
    },
    "C3B_4_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_d",
        "mask": "masks/C3B_4_A_obj_d.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a mediation office lit by late-afternoon light slanting through the blinds, an adult man in a navy suit sits at a round table with a white marble finish, reviewing his copy of the printed settlement agreement, clipped with a blue paperclip, while his estranged wife, an adult woman in a plum wrap dress, stands near the window a few steps away, arms crossed, her own dog-eared copy already waiting on her side of the marble-topped table. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the mediation office; the woman moves between the window and the table while the man stays seated, and each keeps their own copy of the settlement agreement on their own side of the table throughout; the table's white marble finish stays unchanged throughout. Shot sequence: Shot 1: Wide two-shot as the man leans over his clipped copy of the agreement on the marble-topped table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed. Shot 2: Medium single-weighted shot of the man in the navy suit pointing to a clause on his copy, the plum dress visible near the window behind him. Shot 3: Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy. Shot 4: Wide two-shot as both finally pick up the pen in turn and sign their own copies at the marble-topped table.",
      "target_shot_prompts": [
        "Wide two-shot as the man leans over his clipped copy of the agreement on the marble-topped table while the woman's dog-eared copy waits on her side, she standing by the window, arms crossed.",
        "Medium single-weighted shot of the man in the navy suit pointing to a clause on his copy, the plum dress visible near the window behind him.",
        "Reverse medium shot of the woman crossing to the table, crossing out a line on her own dog-eared copy.",
        "Wide two-shot as both finally pick up the pen in turn and sign their own copies at the marble-topped table."
      ]
    },
    "C3B_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_4_B_char_a.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct's outdoor back lot after hours, an adult female police officer in a navy uniform and a reflective neon-yellow safety vest with silver piping stands beside a parked patrol car while an adult male journalist in a rumpled tan trench coat leans against the fence nearby, trading tense words about a leaked USB drive he's holding. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the back lot; the officer stays near the patrol car while the journalist stays by the fence, the leaked USB drive staying in his coat pocket while neither moves toward the exit; the officer's safety vest stays fastened throughout. Shot sequence: Shot 1: Wide two-shot across the back lot as both face off, the officer's neon-yellow safety vest visible in the low light, voices low but sharp. Shot 2: Medium single-weighted shot of the officer, silver piping catching the light, demanding he hand over the drive, trench coat visible by the fence behind her. Shot 3: Reverse medium shot of the journalist patting his coat pocket, refusing, radio crackling faintly. Shot 4: Wide two-shot as she, neon-yellow vest catching the light, steps toward his pocket and he steps back against the fence, blocking her hand.",
      "target_shot_prompts": [
        "Wide two-shot across the back lot as both face off, the officer's neon-yellow safety vest visible in the low light, voices low but sharp.",
        "Medium single-weighted shot of the officer, silver piping catching the light, demanding he hand over the drive, trench coat visible by the fence behind her.",
        "Reverse medium shot of the journalist patting his coat pocket, refusing, radio crackling faintly.",
        "Wide two-shot as she, neon-yellow vest catching the light, steps toward his pocket and he steps back against the fence, blocking her hand."
      ]
    },
    "C3B_4_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3B_4_B_char_b.mp4",
        "shots": [0, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a precinct's outdoor back lot after hours, an adult female police officer in a navy uniform stands beside a parked patrol car while another woman in a turquoise dress leans against the fence nearby, trading tense words about a leaked USB drive she's holding. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain in the back lot; the officer stays near the patrol car while the journalist stays by the fence, the leaked USB drive staying gripped in her hand while neither moves toward the exit. Shot sequence: Shot 1: Wide two-shot across the back lot as both face off, voices low but sharp. Shot 2: Medium single-weighted shot of the officer demanding she hand over the drive, turquoise dress visible by the fence behind her. Shot 3: Reverse medium shot of the journalist closing her fingers tighter around the drive, refusing, radio crackling faintly. Shot 4: Wide two-shot as the officer reaches for the drive in the journalist's hand and the journalist steps back against the fence, blocking the officer's hand.",
      "target_shot_prompts": [
        "Wide two-shot across the back lot as both face off, voices low but sharp.",
        "Medium single-weighted shot of the officer demanding she hand over the drive, turquoise dress visible by the fence behind her.",
        "Reverse medium shot of the journalist closing her fingers tighter around the drive, refusing, radio crackling faintly.",
        "Wide two-shot as the officer reaches for the drive in the journalist's hand and the journalist steps back against the fence, blocking the officer's hand."
      ]
    },
    "C3B_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_5_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set lit by hard work lights between takes, the soundstage otherwise dark, an adult female director in a black bomber jacket and a wide-brimmed charcoal felt fedora with a leather band stands beside the camera rig while the adult male lead actor in a period frock coat holds his script pages, both disputing how his character's final line should land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on their marks beside the camera rig; the script pages stay in the actor's hands while the director keeps her monitor tablet at her side throughout the disagreement; her fedora stays on throughout. Shot sequence: Shot 1: Wide two-shot beside the camera rig as both face each other mid-debate, the director's charcoal felt fedora catching the work lights. Shot 2: Over-the-shoulder shot past the director's shoulder, fedora brim catching the light, as she taps the monitor tablet, showing the actor a playback frame. Shot 3: Over-the-shoulder shot past the actor's shoulder as he flips to a marked script page, defending his reading. Shot 4: Medium single-weighted shot of the director, fedora still on, countering, frock coat visible beside her. Shot 5: Wide two-shot as the director, fedora brim catching the light, nods first and lowers her tablet, the actor exhaling and lowering his script a moment after.",
      "target_shot_prompts": [
        "Wide two-shot beside the camera rig as both face each other mid-debate, the director's charcoal felt fedora catching the work lights.",
        "Over-the-shoulder shot past the director's shoulder, fedora brim catching the light, as she taps the monitor tablet, showing the actor a playback frame.",
        "Over-the-shoulder shot past the actor's shoulder as he flips to a marked script page, defending his reading.",
        "Medium single-weighted shot of the director, fedora still on, countering, frock coat visible beside her.",
        "Wide two-shot as the director, fedora brim catching the light, nods first and lowers her tablet, the actor exhaling and lowering his script a moment after."
      ]
    },
    "C3B_5_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3B_5_A_char_b.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set lit by hard work lights between takes, the soundstage otherwise dark, an adult female director in a black bomber jacket stands beside the camera rig while the lead actor, with long, blond wavy hair, in a long burgundy frock coat holds his script pages, both disputing how his character's final line should land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain on their marks beside the camera rig; the script pages stay in the actor's hands while the director keeps her monitor tablet at her side throughout the disagreement; the actor's long blond wavy hair stays unchanged throughout. Shot sequence: Shot 1: Wide two-shot beside the camera rig as both face each other mid-debate, the actor's long blond waves catching the work light. Shot 2: Over-the-shoulder shot past the director's shoulder as she taps the monitor tablet, showing the actor a playback frame. Shot 3: Over-the-shoulder shot past the actor's shoulder, his blond waves in profile, as he flips to a marked script page, defending his reading. Shot 4: Medium single-weighted shot of the director countering, burgundy coat and the actor's blond hair visible beside her. Shot 5: Wide two-shot as the director nods first and lowers her tablet, the actor, blond waves settling, exhaling and lowering his script a moment after.",
      "target_shot_prompts": [
        "Wide two-shot beside the camera rig as both face each other mid-debate, the actor's long blond waves catching the work light.",
        "Over-the-shoulder shot past the director's shoulder as she taps the monitor tablet, showing the actor a playback frame.",
        "Over-the-shoulder shot past the actor's shoulder, his blond waves in profile, as he flips to a marked script page, defending his reading.",
        "Medium single-weighted shot of the director countering, burgundy coat and the actor's blond hair visible beside her.",
        "Wide two-shot as the director nods first and lowers her tablet, the actor, blond waves settling, exhaling and lowering his script a moment after."
      ]
    },
    "C3B_5_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_5_B_char_a.mp4",
        "shots": [0, 1, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor healing garden, an adult man in a rumpled grey cardigan and a crimson-and-cobalt plaid scarf sits on a stone bench, while his adult daughter in a yellow raincoat paces a tight line along the garden path in front of him, both absorbing a difficult diagnosis together. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The father remains seated on the stone bench, his plaid scarf unchanged throughout; the daughter moves in a short pacing line along the path before finally sitting, while a paper cup of coffee stays cooling on the bench between them throughout. Shot sequence: Shot 1: Wide two-shot on the garden path as the father, his plaid scarf resting at his chest, sits quietly on the stone bench while she paces in front of him. Shot 2: Medium single-weighted shot of the father speaking softly, his plaid scarf visible at his collar, the yellow raincoat still pacing in the background. Shot 3: Reverse medium shot of the daughter stopping mid-step, gripping her silenced phone, eyes welling. Shot 4: Close shot of the father's hand reaching to rest on the bench beside the coffee cup, scarf grazing his wrist, as his voice steadies. Shot 5: Wide two-shot as the daughter finally sits and leans her head onto his shoulder, the scarf soft against her cheek, the coffee cup still cooling beside them.",
      "target_shot_prompts": [
        "Wide two-shot on the garden path as the father, his plaid scarf resting at his chest, sits quietly on the stone bench while she paces in front of him.",
        "Medium single-weighted shot of the father speaking softly, his plaid scarf visible at his collar, the yellow raincoat still pacing in the background.",
        "Reverse medium shot of the daughter stopping mid-step, gripping her silenced phone, eyes welling.",
        "Close shot of the father's hand reaching to rest on the bench beside the coffee cup, scarf grazing his wrist, as his voice steadies.",
        "Wide two-shot as the daughter finally sits and leans her head onto his shoulder, the scarf soft against her cheek, the coffee cup still cooling beside them."
      ]
    },
    "C3B_5_B__remove__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C3B_5_B_char_b.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a hospital's outdoor healing garden, an adult man in a rumpled grey cardigan sits alone on a stone bench, a paper cup of coffee cooling beside him, absorbing a difficult diagnosis in the quiet. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The father remains seated on the stone bench throughout, a paper cup of coffee cooling beside him. Shot sequence: Shot 1: Wide shot on the garden path as the father sits quietly alone on the stone bench, the path empty in front of him. Shot 2: Medium single shot of the father speaking softly to himself, the empty garden path visible in the background. Shot 3: Reverse medium shot of the empty garden path, light moving over the stones. Shot 4: Close shot of the father's hand reaching to rest on the bench beside the coffee cup as his voice steadies. Shot 5: Wide shot as the father sits alone on the bench, the coffee cup still cooling beside him, the garden quiet.",
      "target_shot_prompts": [
        "Wide shot on the garden path as the father sits quietly alone on the stone bench, the path empty in front of him.",
        "Medium single shot of the father speaking softly to himself, the empty garden path visible in the background.",
        "Reverse medium shot of the empty garden path, light moving over the stones.",
        "Close shot of the father's hand reaching to rest on the bench beside the coffee cup as his voice steadies.",
        "Wide shot as the father sits alone on the bench, the coffee cup still cooling beside him, the garden quiet."
      ]
    },
    "C3B_6_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_6_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen lit by a single steel-blue work light after closing, steam still curling from the pass, an adult male head chef in a black chef's coat stands at the pass across from an adult female food critic in a tailored burgundy coat, confronting her over the scathing review she wrote, a printed copy of it between them on the steel counter. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing at the steel pass counter; the printed review stays on the counter while the chef's tongs stay resting beside it throughout the confrontation; the chef's black coat stays unchanged throughout. Shot sequence: Shot 1: Wide two-shot at the pass as the chef, his black coat catching the steel-blue light, slaps the printed review onto the steel counter. Shot 2: Medium single-weighted shot of the chef, black coat sharp under the work light, demanding an explanation, burgundy coat visible across the pass. Shot 3: Reverse medium shot of the critic standing her ground, arms folded, restating her verdict. Shot 4: Close shot of the chef's hand gripping the counter edge, black sleeve visible, tongs rattling beside it. Shot 5: Close shot of the critic sliding the review back toward him, unmoved. Shot 6: Wide two-shot as the chef, his black coat catching the light, finally steps back, exhaling, the review left between them.",
      "target_shot_prompts": [
        "Wide two-shot at the pass as the chef, his black coat catching the steel-blue light, slaps the printed review onto the steel counter.",
        "Medium single-weighted shot of the chef, black coat sharp under the work light, demanding an explanation, burgundy coat visible across the pass.",
        "Reverse medium shot of the critic standing her ground, arms folded, restating her verdict.",
        "Close shot of the chef's hand gripping the counter edge, black sleeve visible, tongs rattling beside it.",
        "Close shot of the critic sliding the review back toward him, unmoved.",
        "Wide two-shot as the chef, his black coat catching the light, finally steps back, exhaling, the review left between them."
      ]
    },
    "C3B_6_A__swap__01": {
      "target": {
        "type": "object",
        "id": "obj_b",
        "mask": "masks/C3B_6_A_obj_b.mp4",
        "shots": [0, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen lit by a single steel-blue work light after closing, steam still curling from the pass, an adult male head chef in a double-breasted white jacket stands at the pass across from an adult female food critic in a tailored burgundy coat, confronting her over the scathing review she wrote, a printed copy of it between them on the steel counter. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both remain standing at the steel pass counter; the printed review stays on the counter while a wooden spoon stays resting beside it throughout the confrontation. Shot sequence: Shot 1: Wide two-shot at the pass as the chef slaps the printed review onto the steel counter. Shot 2: Medium single-weighted shot of the chef demanding an explanation, burgundy coat visible across the pass. Shot 3: Reverse medium shot of the critic standing her ground, arms folded, restating her verdict. Shot 4: Close shot of the chef's hand gripping the counter edge, a wooden spoon rattling beside it. Shot 5: Close shot of the critic sliding the review back toward him, unmoved. Shot 6: Wide two-shot as the chef finally steps back, exhaling, the review left between them.",
      "target_shot_prompts": [
        "Wide two-shot at the pass as the chef slaps the printed review onto the steel counter.",
        "Medium single-weighted shot of the chef demanding an explanation, burgundy coat visible across the pass.",
        "Reverse medium shot of the critic standing her ground, arms folded, restating her verdict.",
        "Close shot of the chef's hand gripping the counter edge, a wooden spoon rattling beside it.",
        "Close shot of the critic sliding the review back toward him, unmoved.",
        "Wide two-shot as the chef finally steps back, exhaling, the review left between them."
      ]
    },
    "C3B_6_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C3B_6_B_obj_c.mp4",
        "shots": [0, 1, 2, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered university office late at night, an adult male biologist in a rumpled blue cardigan sits at his desk, laptop open to their joint paper's final paragraph, while his adult female co-author in a burgundy blazer paces by the window, arguing that a key finding should be stated more cautiously before tomorrow's conference deadline. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The man remains seated at the desk; the woman paces a short line by the window before leaning over his shoulder to point at the screen, while the laptop stays on his side of the desk throughout. Shot sequence: Shot 1: Wide two-shot across the office as the man types at the laptop while she paces by the window. Shot 2: Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him. Shot 3: Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen. Shot 4: Close shot of the laptop screen as the cursor highlights the disputed sentence. Shot 5: Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line. Shot 6: Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it.",
      "target_shot_prompts": [
        "Wide two-shot across the office as the man types at the laptop while she paces by the window.",
        "Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him.",
        "Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen.",
        "Close shot of the laptop screen as the cursor highlights the disputed sentence.",
        "Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line.",
        "Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it."
      ]
    },
    "C3B_6_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C3B_6_B_char_a.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a cluttered university office late at night, a man in a brown corduroy jacket with reading glasses sits at his desk, laptop open to their joint paper's final paragraph, while his adult female co-author in a burgundy blazer paces by the window, arguing that a key finding should be stated more cautiously before tomorrow's conference deadline. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The man remains seated at the desk; the woman paces a short line by the window before leaning over his shoulder to point at the screen, while the laptop stays on his side of the desk throughout. Shot sequence: Shot 1: Wide two-shot across the office as the man types at the laptop while she paces by the window. Shot 2: Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him. Shot 3: Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen. Shot 4: Close shot of the laptop screen as the cursor highlights the disputed sentence. Shot 5: Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line. Shot 6: Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it.",
      "target_shot_prompts": [
        "Wide two-shot across the office as the man types at the laptop while she paces by the window.",
        "Medium single-weighted shot of the man defending the wording, typing another draft of the sentence, her pacing visible behind him.",
        "Reverse medium shot of the woman stopping at the window, then crossing back to lean over his shoulder and point at the screen.",
        "Close shot of the laptop screen as the cursor highlights the disputed sentence.",
        "Close shot of the man's hand hovering over the trackpad, hesitating before he edits the line.",
        "Wide two-shot as the man finally softens the wording and turns the laptop slightly toward her for a last look, her hand resting briefly on the desk beside it."
      ]
    },
    "C4_4_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_4_A_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In their mother's sitting room, lit low by a single lamp, the evening after her funeral, three adult siblings, all still in their thirties and close in age, sit in a row around a low table: the eldest brother in a camel overcoat sits on the left holding the sealed envelope, the middle sister in a mauve blouse sits in the middle with her hands folded, and the youngest brother in a rust flannel shirt sits on the right, leaning forward anxiously as the envelope is opened. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the low table -- eldest on the left, sister in the middle, youngest on the right -- until the youngest brother rises to stand behind his own chair when the terms are revealed; the sealed envelope and letter stay in the eldest brother's hands throughout, his camel overcoat unchanged. Shot sequence: Shot 1: Wide three-shot as the eldest brother, on the left, camel overcoat catching the lamplight, breaks the seal on the envelope. Shot 2: Medium single-weighted shot of the eldest brother, camel overcoat visible at his shoulders, reading the first line aloud, the sister and youngest brother visible seated beside him to the right. Shot 3: Reverse medium shot of the youngest brother, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him. Shot 4: Wide three-shot as the youngest brother stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them, the eldest's camel overcoat still catching the lamp.",
      "target_shot_prompts": [
        "Wide three-shot as the eldest brother, on the left, camel overcoat catching the lamplight, breaks the seal on the envelope.",
        "Medium single-weighted shot of the eldest brother, camel overcoat visible at his shoulders, reading the first line aloud, the sister and youngest brother visible seated beside him to the right.",
        "Reverse medium shot of the youngest brother, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him.",
        "Wide three-shot as the youngest brother stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them, the eldest's camel overcoat still catching the lamp."
      ]
    },
    "C4_4_A__swap__01": {
      "target": {
        "type": "character",
        "id": "char_c",
        "mask": "masks/C4_4_A_char_c.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In their mother's sitting room, lit low by a single lamp, the evening after her funeral, two adult siblings and the family's lawyer sit in a row around a low table: the eldest brother in a charcoal cardigan sits on the left holding the sealed envelope, the middle sister in a mauve blouse sits in the middle with her hands folded, and the family lawyer in a blue suit sits on the right, leaning forward anxiously as the envelope is opened. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the low table -- eldest on the left, sister in the middle, lawyer on the right -- until the lawyer rises to stand behind his own chair when the terms are revealed; the sealed envelope and letter stay in the eldest brother's hands throughout. Shot sequence: Shot 1: Wide three-shot as the eldest brother, on the left, breaks the seal on the envelope. Shot 2: Medium single-weighted shot of the eldest brother reading the first line aloud, the sister and the lawyer visible seated beside him to the right. Shot 3: Reverse medium shot of the lawyer, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him. Shot 4: Wide three-shot as the lawyer stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them.",
      "target_shot_prompts": [
        "Wide three-shot as the eldest brother, on the left, breaks the seal on the envelope.",
        "Medium single-weighted shot of the eldest brother reading the first line aloud, the sister and the lawyer visible seated beside him to the right.",
        "Reverse medium shot of the lawyer, on the right, rising sharply from his chair as the terms are revealed, the sister still seated beside him.",
        "Wide three-shot as the lawyer stands behind his own chair on the right while the other two remain seated, the letter now resting on the table between them."
      ]
    },
    "C4_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a newsroom's rooftop editorial terrace ten minutes before deadline, three adult journalists work at a long outdoor table: the lead reporter in a rolled-sleeve blue shirt and bright red over-ear headphones types the lede on his laptop, the fact-checker in a green cardigan cross-references sources on her phone, and the editor in a burgundy vest reads over both their shoulders, laptop bag still slung across him. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at the long outdoor table; the fact-checker's phone stays in her hand while the editor never sits down during the countdown to deadline; the reporter's headphones stay on throughout. Shot sequence: Shot 1: Wide three-shot across the rooftop terrace as all three work against the setting sun, the reporter's red headphones catching the light. Shot 2: Medium single-weighted shot of the reporter, red headphones visible over his ears, typing furiously on his laptop, green cardigan and burgundy vest visible behind him. Shot 3: Close shot of the fact-checker scrolling her phone and calling out a correction. Shot 4: Wide three-shot as the editor reads the final line over the reporter's shoulder and gives a nod, the red headphones still on over the reporter's ears.",
      "target_shot_prompts": [
        "Wide three-shot across the rooftop terrace as all three work against the setting sun, the reporter's red headphones catching the light.",
        "Medium single-weighted shot of the reporter, red headphones visible over his ears, typing furiously on his laptop, green cardigan and burgundy vest visible behind him.",
        "Close shot of the fact-checker scrolling her phone and calling out a correction.",
        "Wide three-shot as the editor reads the final line over the reporter's shoulder and gives a nod, the red headphones still on over the reporter's ears."
      ]
    },
    "C4_4_B__remove__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C4_4_B_char_b.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a newsroom's rooftop editorial terrace ten minutes before deadline, two adult journalists work at a long outdoor table: the lead reporter in a rolled-sleeve blue shirt types the lede on his laptop, and the editor in a burgundy vest reads over his shoulder, laptop bag still slung across him. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The reporter and editor remain at the long outdoor table; the editor never sits down during the countdown to deadline. Shot sequence: Shot 1: Wide two-shot across the rooftop terrace as the reporter and editor work against the setting sun. Shot 2: Medium single-weighted shot of the reporter typing furiously on his laptop, burgundy vest visible behind him. Shot 3: Close shot of the empty chair at the table, the setting sun behind it. Shot 4: Wide two-shot as the editor reads the final line over the reporter's shoulder and gives a nod.",
      "target_shot_prompts": [
        "Wide two-shot across the rooftop terrace as the reporter and editor work against the setting sun.",
        "Medium single-weighted shot of the reporter typing furiously on his laptop, burgundy vest visible behind him.",
        "Close shot of the empty chair at the table, the setting sun behind it.",
        "Wide two-shot as the editor reads the final line over the reporter's shoulder and gives a nod."
      ]
    },
    "C4_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_5_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a small jury deliberation room lit by flat fluorescent light, the ventilation humming, this entire three-member jury -- just these three adult women, no one else in the room -- sits around the long table: the forewoman in a navy cardigan and a mustard scarf with a floral border sits at the head of the table holding the tally sheet, a juror in a coral blouse sits to her left arguing for acquittal, and an elderly juror in a gray shawl sits to her right, quietly reviewing her own notepad before speaking. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the table -- forewoman at the head, coral blouse to her left, gray shawl to her right -- except when the forewoman rises to address the table at key moments; no other jurors or people are present, and the tally sheet stays with her throughout the debate; her mustard scarf stays in place throughout. Shot sequence: Shot 1: Wide three-shot around the table as the forewoman, at the head, mustard scarf bright at her collar, rises, raising the tally sheet. Shot 2: Medium single-weighted shot of the coral-blouse juror, to the forewoman's left, arguing for acquittal from her seat, navy cardigan with its mustard scarf standing and gray shawl seated visible around the table. Shot 3: Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat. Shot 4: Close shot of the forewoman, mustard scarf still at her collar, still standing at the head of the table, marking a new tally mark on the sheet. Shot 5: Wide three-shot as the forewoman, scarf settling as she sits, finally sits back down at the head, the tally sheet now fully marked between them.",
      "target_shot_prompts": [
        "Wide three-shot around the table as the forewoman, at the head, mustard scarf bright at her collar, rises, raising the tally sheet.",
        "Medium single-weighted shot of the coral-blouse juror, to the forewoman's left, arguing for acquittal from her seat, navy cardigan with its mustard scarf standing and gray shawl seated visible around the table.",
        "Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat.",
        "Close shot of the forewoman, mustard scarf still at her collar, still standing at the head of the table, marking a new tally mark on the sheet.",
        "Wide three-shot as the forewoman, scarf settling as she sits, finally sits back down at the head, the tally sheet now fully marked between them."
      ]
    },
    "C4_5_A__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C4_5_A_char_b.mp4",
        "shots": [0, 1, 2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a small jury deliberation room lit by flat fluorescent light, the ventilation humming, this entire three-member jury -- just these three jurors, no one else in the room -- sits around the long table: the forewoman in a navy cardigan sits at the head of the table holding the tally sheet, a man in a charcoal suit with a burgundy tie sits to her left arguing for acquittal, and an elderly juror in a gray shawl sits to her right, quietly reviewing her own notepad before speaking. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three keep their same seats around the table -- forewoman at the head, the charcoal-suit juror to her left, gray shawl to her right -- except when the forewoman rises to address the table at key moments; no other jurors or people are present, and the tally sheet stays with her throughout the debate. Shot sequence: Shot 1: Wide three-shot around the table as the forewoman, at the head, rises, raising the tally sheet. Shot 2: Medium single-weighted shot of the charcoal-suit juror, to the forewoman's left, arguing for acquittal from his seat, navy cardigan standing and gray shawl seated visible around the table. Shot 3: Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat. Shot 4: Close shot of the forewoman, still standing at the head of the table, marking a new tally mark on the sheet. Shot 5: Wide three-shot as the forewoman finally sits back down at the head, the tally sheet now fully marked between them.",
      "target_shot_prompts": [
        "Wide three-shot around the table as the forewoman, at the head, rises, raising the tally sheet.",
        "Medium single-weighted shot of the charcoal-suit juror, to the forewoman's left, arguing for acquittal from his seat, navy cardigan standing and gray shawl seated visible around the table.",
        "Reverse medium shot of the elderly juror, to the forewoman's right, looking up from her gray notepad, finally speaking from her seat.",
        "Close shot of the forewoman, still standing at the head of the table, marking a new tally mark on the sheet.",
        "Wide three-shot as the forewoman finally sits back down at the head, the tally sheet now fully marked between them."
      ]
    },
    "C4_5_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_5_B_char_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In the firehouse kitchen after a difficult rescue call, three adult male firefighters sit around the worn table: the captain in a navy department polo and a white fire helmet with a reflective badge pours coffee for the others, a younger firefighter in a soot-streaked yellow undershirt stares at his mug in silence, and the veteran in a gray thermal shirt quietly recounts what they could have done differently. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain in the kitchen; the younger firefighter rises to pace near the counter while the captain and veteran stay seated, and the coffee pot stays with the captain throughout the debrief; his fire helmet stays on throughout. Shot sequence: Shot 1: Wide three-shot as the captain, helmet's reflective badge catching the kitchen light, pours coffee into each of their mugs in turn. Shot 2: Medium single-weighted shot of the younger firefighter standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him, the captain's white helmet bright at the table. Shot 3: Reverse medium shot of the veteran setting his mug down and speaking quietly about the call. Shot 4: Close shot of the captain's hand resting briefly on the younger firefighter's arm as he pauses mid-pace, the captain's white helmet steady above him. Shot 5: Wide three-shot as the younger firefighter finally sits back down as the captain, helmet still on, raises his mug first, the other two lifting theirs a beat after in a quiet toast.",
      "target_shot_prompts": [
        "Wide three-shot as the captain, helmet's reflective badge catching the kitchen light, pours coffee into each of their mugs in turn.",
        "Medium single-weighted shot of the younger firefighter standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him, the captain's white helmet bright at the table.",
        "Reverse medium shot of the veteran setting his mug down and speaking quietly about the call.",
        "Close shot of the captain's hand resting briefly on the younger firefighter's arm as he pauses mid-pace, the captain's white helmet steady above him.",
        "Wide three-shot as the younger firefighter finally sits back down as the captain, helmet still on, raises his mug first, the other two lifting theirs a beat after in a quiet toast."
      ]
    },
    "C4_5_B__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C4_5_B_char_b.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In the firehouse kitchen after a difficult rescue call, three adult male firefighters sit around the worn table: the captain in a navy department polo pours coffee for the others, a younger firefighter now wearing a navy blue cashmere turtleneck sweater stares at his mug in silence, and the veteran in a gray thermal shirt quietly recounts what they could have done differently. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain in the kitchen; the younger firefighter rises to pace near the counter while the captain and veteran stay seated, and the coffee pot stays with the captain throughout the debrief; his navy cashmere turtleneck stays on throughout. Shot sequence: Shot 1: Wide three-shot as the captain pours coffee into each of their mugs in turn, the firefighter in the navy cashmere turtleneck visible at the table. Shot 2: Medium single-weighted shot of the firefighter, his navy turtleneck catching the light, standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him. Shot 3: Reverse medium shot of the veteran setting his mug down and speaking quietly about the call. Shot 4: Close shot of the captain's hand resting briefly on the arm of the firefighter in the navy turtleneck, as he pauses mid-pace. Shot 5: Wide three-shot as the firefighter, navy cashmere turtleneck settling as he sits, finally sits back down as the captain raises his mug first, the other two lifting theirs a beat after in a quiet toast.",
      "target_shot_prompts": [
        "Wide three-shot as the captain pours coffee into each of their mugs in turn, the firefighter in the navy cashmere turtleneck visible at the table.",
        "Medium single-weighted shot of the firefighter, his navy turtleneck catching the light, standing and pacing near the counter, untouched mug in hand, the other two visible seated behind him.",
        "Reverse medium shot of the veteran setting his mug down and speaking quietly about the call.",
        "Close shot of the captain's hand resting briefly on the arm of the firefighter in the navy turtleneck, as he pauses mid-pace.",
        "Wide three-shot as the firefighter, navy cashmere turtleneck settling as he sits, finally sits back down as the captain raises his mug first, the other two lifting theirs a beat after in a quiet toast."
      ]
    },
    "C4_6_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_6_A_char_a.mp4",
        "shots": [0, 1, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a live television news set, an adult female co-anchor in a red blazer sits alone at the news desk, while an adult male floor director in a black crew polo stands just off-camera holding a printed script update, as a breaking-news alert forces an unplanned live pivot. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The co-anchor and floor director remain at their fixed positions -- the co-anchor at the desk and the floor director just off-camera -- while the printed script update stays in his hands throughout the live segment. Shot sequence: Shot 1: Wide two-shot of the desk and the floor director just off-camera as the alert graphic appears, the co-anchor alone at the desk. Shot 2: Medium single-weighted shot of the co-anchor reading the alert off the desk monitor alone. Shot 3: Reverse medium shot of the co-anchor glancing off-camera toward the floor director. Shot 4: Close shot of the floor director holding up the script update, mouthing a page number. Shot 5: Medium single-weighted shot of the co-anchor picking up the new line smoothly, the empty anchor seat beside her. Shot 6: Wide two-shot as the floor director lowers the script and steps back off-camera, the co-anchor already back in rhythm reading the next line.",
      "target_shot_prompts": [
        "Wide two-shot of the desk and the floor director just off-camera as the alert graphic appears, the co-anchor alone at the desk.",
        "Medium single-weighted shot of the co-anchor reading the alert off the desk monitor alone.",
        "Reverse medium shot of the co-anchor glancing off-camera toward the floor director.",
        "Close shot of the floor director holding up the script update, mouthing a page number.",
        "Medium single-weighted shot of the co-anchor picking up the new line smoothly, the empty anchor seat beside her.",
        "Wide two-shot as the floor director lowers the script and steps back off-camera, the co-anchor already back in rhythm reading the next line."
      ]
    },
    "C4_6_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C4_6_A_obj_a.mp4",
        "shots": [2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a live television news set, an adult male anchor in a navy suit and an adult female co-anchor in a red blazer sit at the news desk, while an adult male floor director in a black crew polo stands just off-camera holding a script update -- a crumpled sheet of light-blue paper -- as a breaking-news alert forces an unplanned live pivot. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at their fixed positions -- the anchors at the desk and the floor director just off-camera -- while the script update, its crumpled light-blue texture unchanged, stays in his hands throughout the live segment. Shot sequence: Shot 1: Wide three-shot of the desk and the floor director just off-camera as the alert graphic appears. Shot 2: Medium single-weighted shot of the anchor reading the alert off the desk monitor, red blazer visible beside him. Shot 3: Reverse medium shot of the co-anchor glancing off-camera toward the floor director, the light-blue script visible in his hand. Shot 4: Close shot of the floor director holding up the crumpled, light-blue script update, mouthing a page number. Shot 5: Medium single-weighted shot of the co-anchor picking up the new line smoothly, anchor visible beside her. Shot 6: Wide three-shot as the floor director lowers the crumpled light-blue script and steps back off-camera, the anchors already back in rhythm reading the next line.",
      "target_shot_prompts": [
        "Wide three-shot of the desk and the floor director just off-camera as the alert graphic appears.",
        "Medium single-weighted shot of the anchor reading the alert off the desk monitor, red blazer visible beside him.",
        "Reverse medium shot of the co-anchor glancing off-camera toward the floor director, the light-blue script visible in his hand.",
        "Close shot of the floor director holding up the crumpled, light-blue script update, mouthing a page number.",
        "Medium single-weighted shot of the co-anchor picking up the new line smoothly, anchor visible beside her.",
        "Wide three-shot as the floor director lowers the crumpled light-blue script and steps back off-camera, the anchors already back in rhythm reading the next line."
      ]
    },
    "C4_6_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C4_6_B_obj_a.mp4",
        "shots": [0, 1, 2, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a padded recording booth lit by a single red ON-AIR bulb glowing above the door, three adult musicians stand at their fixed mic positions: the lead singer in a black leather jacket grips the center microphone, the guitarist in a denim vest stands at the left mic with empty hands, and the drummer in a gray hoodie stands at the right mic, arguing over the final track's ending after weeks of tension. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at their fixed mic positions; none of them steps away from their spot during the argument. Shot sequence: Shot 1: Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument, the guitarist's hands empty at his side. Shot 2: Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side. Shot 3: Reverse medium shot of the guitarist at the left mic, slapping the mic stand once in protest, hands otherwise empty. Shot 4: Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down. Shot 5: Close shot of the singer's hand tightening on the center microphone stand. Shot 6: Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter.",
      "target_shot_prompts": [
        "Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument, the guitarist's hands empty at his side.",
        "Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side.",
        "Reverse medium shot of the guitarist at the left mic, slapping the mic stand once in protest, hands otherwise empty.",
        "Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down.",
        "Close shot of the singer's hand tightening on the center microphone stand.",
        "Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter."
      ]
    },
    "C4_6_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C4_6_B_char_a.mp4",
        "shots": [0, 1, 2, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a padded recording booth lit by a single red ON-AIR bulb glowing above the door, three adult musicians stand at their fixed mic positions: the lead singer, a woman in a rust-brown suede jacket with a bolo tie, grips the center microphone, the guitarist in a denim vest stands at the left mic with his guitar, and the drummer in a gray hoodie stands at the right mic, arguing over the final track's ending after weeks of tension. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three remain at their fixed mic positions; the guitarist's guitar stays slung on his shoulder while none of them steps away from their spot during the argument. Shot sequence: Shot 1: Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument. Shot 2: Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side. Shot 3: Reverse medium shot of the guitarist at the left mic, strumming one sharp chord in protest. Shot 4: Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down. Shot 5: Close shot of the singer's hand tightening on the center microphone stand. Shot 6: Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter.",
      "target_shot_prompts": [
        "Wide three-shot across the booth as all three stand at their fixed mic positions mid-argument.",
        "Medium single-weighted shot of the singer at the center mic insisting on the original ending, guitarist and drummer visible on either side.",
        "Reverse medium shot of the guitarist at the left mic, strumming one sharp chord in protest.",
        "Reverse medium shot of the drummer at the right mic, arms crossed, refusing to back down.",
        "Close shot of the singer's hand tightening on the center microphone stand.",
        "Wide three-shot as the drummer finally sets his sticks down at the right mic, the singer and guitarist still holding their positions, tension unresolved but quieter."
      ]
    },
    "C5_4_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C5_4_A_char_a.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Behind an outdoor campaign rally stage the night before the election, three adult staffers cluster near the equipment cases: the pollster in a mustard cardigan waits anxiously, the young field director in an orange windbreaker paces near the stage stairs, and the press secretary in a burgundy sweater types urgently on her own phone. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The remaining three staffers stay in the staging area behind the stage; the stacked equipment cases stay beside them throughout the tense huddle. Shot sequence: Shot 1: Wide three-shot behind the stage as the pollster, field director, and press secretary wait tensely near the equipment cases. Shot 2: Medium single-weighted shot of the pollster's anxious expression, the other two visible behind her. Shot 3: Close shot of the field director pacing past the stage stairs, glancing back. Shot 4: Wide three-shot as the press secretary reads a new headline aloud from her phone, the other two going still one by one as the words land.",
      "target_shot_prompts": [
        "Wide three-shot behind the stage as the pollster, field director, and press secretary wait tensely near the equipment cases.",
        "Medium single-weighted shot of the pollster's anxious expression, the other two visible behind her.",
        "Close shot of the field director pacing past the stage stairs, glancing back.",
        "Wide three-shot as the press secretary reads a new headline aloud from her phone, the other two going still one by one as the words land."
      ]
    },
    "C5_4_A__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_d",
        "mask": "masks/C5_4_A_obj_d.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Behind an outdoor campaign rally stage the night before the election, four adult staffers cluster near the stacked equipment cases, now with a wooden finish: the campaign manager in a navy blazer takes a grim phone call, the pollster in a mustard cardigan waits anxiously beside him, the young field director in an orange windbreaker paces near the stage stairs, and the press secretary in a burgundy sweater types urgently on her own phone. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain in the staging area behind the stage; the campaign manager's phone stays at his ear while the stacked wooden-finished cases stay beside them throughout the tense huddle. Shot sequence: Shot 1: Wide four-shot behind the stage as the campaign manager presses the phone to his ear, the wooden-finished cases stacked beside them, the others waiting. Shot 2: Medium single-weighted shot of the campaign manager's grim expression, the other three visible behind him. Shot 3: Close shot of the field director pacing past the stage stairs, glancing back. Shot 4: Wide four-shot as the press secretary reads a new headline aloud from her phone, the other three going still one by one as the words land.",
      "target_shot_prompts": [
        "Wide four-shot behind the stage as the campaign manager presses the phone to his ear, the wooden-finished cases stacked beside them, the others waiting.",
        "Medium single-weighted shot of the campaign manager's grim expression, the other three visible behind him.",
        "Close shot of the field director pacing past the stage stairs, glancing back.",
        "Wide four-shot as the press secretary reads a new headline aloud from her phone, the other three going still one by one as the words land."
      ]
    },
    "C5_4_B__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C5_4_B_obj_c.mp4",
        "shots": [0, 1, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen mid dinner-service, this entire five-person kitchen team -- no other staff in the room -- scrambles around the pass after a critic's order goes wrong: the head chef in a black jacket shouts for a remake, the saucier in a green shirt scrambles to replate, the line cook in an orange vest re-fires a pan, the pastry chef, her hair uncovered, rushes over with a replacement dessert, and the expediter in a red apron calls out the ticket times. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the pass; no other kitchen staff are present, and each person works only their own station during the scramble. Shot sequence: Shot 1: Wide five-shot around the pass as the chef shouts for a remake, pointing toward the empty pass. Shot 2: Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her. Shot 3: Close shot of the line cook re-firing the pan, flame flaring briefly. Shot 4: Wide five-shot as the pastry chef, hair uncovered, sets the replacement dessert on the pass and the expediter calls the new time.",
      "target_shot_prompts": [
        "Wide five-shot around the pass as the chef shouts for a remake, pointing toward the empty pass.",
        "Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her.",
        "Close shot of the line cook re-firing the pan, flame flaring briefly.",
        "Wide five-shot as the pastry chef, hair uncovered, sets the replacement dessert on the pass and the expediter calls the new time."
      ]
    },
    "C5_4_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C5_4_B_char_a.mp4",
        "shots": [0, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a restaurant kitchen mid dinner-service, this entire five-person kitchen team -- no other staff in the room -- scrambles around the pass after a critic's order goes wrong: the head chef in a gray chef's coat with a black bandana shouts for a remake, the saucier in a green shirt scrambles to replate, the line cook in an orange vest re-fires a pan, the pastry chef in a white toque rushes over with a replacement dessert, and the expediter in a red apron calls out the ticket times. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the pass; no other kitchen staff are present, the flagged ticket stays clipped at the pass, and each person works only their own station during the scramble. Shot sequence: Shot 1: Wide five-shot around the pass as the chef points to the flagged ticket and shouts for a remake. Shot 2: Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her. Shot 3: Close shot of the line cook re-firing the pan, flame flaring briefly. Shot 4: Wide five-shot as the pastry chef sets the replacement dessert on the pass and the expediter calls the new time.",
      "target_shot_prompts": [
        "Wide five-shot around the pass as the chef points to the flagged ticket and shouts for a remake.",
        "Medium single-weighted shot of the saucier scrambling to replate, line cook and expediter visible behind her.",
        "Close shot of the line cook re-firing the pan, flame flaring briefly.",
        "Wide five-shot as the pastry chef sets the replacement dessert on the pass and the expediter calls the new time."
      ]
    },
    "C5_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C5_5_A_char_a.mp4",
        "shots": [0, 1, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunset-lit rehearsal loft, long shadows stretching across the floor, four adult musicians argue over which piece will close their farewell concert: the violinist in a red blouse and a black lace collar with beaded trim grips her bow, the cellist in a navy shirt keeps a steadying hand on his cello, the flutist in a yellow scarf holds her flute to her chest, and the percussionist in a green vest taps two mallets against his palm, waiting for a decision. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain in the loft with their own instruments; the marked score stays on the center music stand while none of them leaves during the disagreement; the violinist's lace collar stays in place throughout. Shot sequence: Shot 1: Wide four-shot in the loft as all four face the center music stand, the violinist's lace collar catching the sunset light, tension high. Shot 2: Medium single-weighted shot of the violinist, beaded collar bright at her throat, arguing for the original closer, cellist and flutist visible behind her. Shot 3: Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn. Shot 4: Close shot of the cellist resting a hand on his cello, quietly proposing a compromise. Shot 5: Wide four-shot as the cellist taps the circled piece on the marked score, the violinist's lace collar still at her throat, the other three easing their instruments down as they accept the choice.",
      "target_shot_prompts": [
        "Wide four-shot in the loft as all four face the center music stand, the violinist's lace collar catching the sunset light, tension high.",
        "Medium single-weighted shot of the violinist, beaded collar bright at her throat, arguing for the original closer, cellist and flutist visible behind her.",
        "Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn.",
        "Close shot of the cellist resting a hand on his cello, quietly proposing a compromise.",
        "Wide four-shot as the cellist taps the circled piece on the marked score, the violinist's lace collar still at her throat, the other three easing their instruments down as they accept the choice."
      ]
    },
    "C5_5_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C5_5_A_char_b.mp4",
        "shots": [0, 1, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sunset-lit rehearsal loft, long shadows stretching across the floor, four adult musicians argue over which piece will close their farewell concert: the violinist in a red blouse grips her bow, the cellist, a woman in a navy shirt, keeps a steadying hand on her cello, the flutist in a yellow scarf holds her flute to her chest, and the percussionist in a green vest taps two mallets against his palm, waiting for a decision. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain in the loft with their own instruments; the marked score stays on the center music stand while none of them leaves during the disagreement. Shot sequence: Shot 1: Wide four-shot in the loft as all four face the center music stand, tension high. Shot 2: Medium single-weighted shot of the violinist arguing for the original closer, cellist and flutist visible behind her. Shot 3: Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn. Shot 4: Close shot of the cellist resting a hand on her cello, quietly proposing a compromise. Shot 5: Wide four-shot as the cellist taps the circled piece on the marked score, the other three easing their instruments down as they accept the choice.",
      "target_shot_prompts": [
        "Wide four-shot in the loft as all four face the center music stand, tension high.",
        "Medium single-weighted shot of the violinist arguing for the original closer, cellist and flutist visible behind her.",
        "Reverse medium shot of the percussionist tapping his mallets impatiently, waiting his turn.",
        "Close shot of the cellist resting a hand on her cello, quietly proposing a compromise.",
        "Wide four-shot as the cellist taps the circled piece on the marked score, the other three easing their instruments down as they accept the choice."
      ]
    },
    "C5_5_B__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C5_5_B_char_a.mp4",
        "shots": [0, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a museum preparation room lit by cool track lighting, hours before a gala opening, five adult staff crowd around the centerpiece artifact case: the curator in a cobalt-blue dinner jacket holds a lab report, the conservator in a tan apron examines the artifact under a loupe, the registrar in a teal cardigan flips through provenance files, the security chief in a black uniform radios upstairs, and the museum director in a gray suit waits for an answer. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the artifact case; the lab report stays in the curator's hands while the artifact itself stays inside its case throughout the scramble; the curator's cobalt jacket stays unchanged throughout. Shot sequence: Shot 1: Wide five-shot crowded around the artifact case as the curator, cobalt-blue jacket sharp under the track lighting, reads from the lab report. Shot 2: Medium single-weighted shot of the conservator peering through the loupe at the artifact. Shot 3: Close shot of the registrar flipping urgently through the provenance files. Shot 4: Medium single-weighted shot of the security chief speaking into his radio, director waiting beside him. Shot 5: Wide five-shot as the director steps toward the case for the final call, the curator's cobalt-blue jacket still sharp among them, the other four holding their positions around it, waiting.",
      "target_shot_prompts": [
        "Wide five-shot crowded around the artifact case as the curator, cobalt-blue jacket sharp under the track lighting, reads from the lab report.",
        "Medium single-weighted shot of the conservator peering through the loupe at the artifact.",
        "Close shot of the registrar flipping urgently through the provenance files.",
        "Medium single-weighted shot of the security chief speaking into his radio, director waiting beside him.",
        "Wide five-shot as the director steps toward the case for the final call, the curator's cobalt-blue jacket still sharp among them, the other four holding their positions around it, waiting."
      ]
    },
    "C5_5_B__swap__01": {
      "target": {
        "type": "object",
        "id": "obj_d",
        "mask": "masks/C5_5_B_obj_d.mp4",
        "shots": [3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a museum preparation room lit by cool track lighting, hours before a gala opening, five adult staff crowd around the centerpiece artifact case: the curator in a burgundy blazer holds a lab report, the conservator in a tan apron examines the artifact under a loupe, the registrar in a teal cardigan flips through provenance files, the security chief in a black uniform holds a ripe yellow banana to his ear, speaking into it as though relaying an update, and the museum director in a gray suit waits for an answer. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All five remain around the artifact case; the lab report stays in the curator's hands while the artifact itself stays inside its case throughout the scramble; the banana stays in the security chief's hand throughout. Shot sequence: Shot 1: Wide five-shot crowded around the artifact case as the curator reads from the lab report. Shot 2: Medium single-weighted shot of the conservator peering through the loupe at the artifact. Shot 3: Close shot of the registrar flipping urgently through the provenance files. Shot 4: Medium single-weighted shot of the security chief holding the banana to his ear as if reporting upstairs, director waiting beside him. Shot 5: Wide five-shot as the director steps toward the case for the final call, the other four holding their positions around it, waiting.",
      "target_shot_prompts": [
        "Wide five-shot crowded around the artifact case as the curator reads from the lab report.",
        "Medium single-weighted shot of the conservator peering through the loupe at the artifact.",
        "Close shot of the registrar flipping urgently through the provenance files.",
        "Medium single-weighted shot of the security chief holding the banana to his ear as if reporting upstairs, director waiting beside him.",
        "Wide five-shot as the director steps toward the case for the final call, the other four holding their positions around it, waiting."
      ]
    },
    "C5_6_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C5_6_A_char_a.mp4",
        "shots": [0, 1, 3, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a factory break room lit by a single flickering fluorescent tube during an unscheduled shift meeting, six adult workers stand around the long table as the floor supervisor in a yellow safety vest and safety goggles with a black strap reads a layoff notice aloud: a welder in a scorched blue coverall crosses his arms, a machinist in a gray coverall stares at the floor, a young apprentice in a red vest grips the table edge, a quality inspector in a white coat clutches her clipboard, and a veteran operator in a rust-brown coverall shakes his head slowly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All six remain standing around the long table; the layoff notice stays in the supervisor's hands while none of them leaves the break room during the announcement; the supervisor's safety goggles stay on throughout. Shot sequence: Shot 1: Wide six-shot around the long table as the supervisor, goggles strapped over his eyes, reads the layoff notice aloud. Shot 2: Medium single-weighted shot of the welder crossing his arms, machinist and apprentice visible behind him. Shot 3: Close shot of the apprentice's hand gripping the table edge. Shot 4: Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down. Shot 5: Close shot of the veteran operator shaking his head slowly. Shot 6: Wide six-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands, his goggles catching the flickering light, and the others still watching him.",
      "target_shot_prompts": [
        "Wide six-shot around the long table as the supervisor, goggles strapped over his eyes, reads the layoff notice aloud.",
        "Medium single-weighted shot of the welder crossing his arms, machinist and apprentice visible behind him.",
        "Close shot of the apprentice's hand gripping the table edge.",
        "Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down.",
        "Close shot of the veteran operator shaking his head slowly.",
        "Wide six-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands, his goggles catching the flickering light, and the others still watching him."
      ]
    },
    "C5_6_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C5_6_A_char_b.mp4",
        "shots": [0, 1, 2, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a factory break room lit by a single flickering fluorescent tube during an unscheduled shift meeting, five adult workers stand around the long table as the floor supervisor in a yellow safety vest reads a layoff notice aloud: a machinist in a gray coverall stares at the floor, a young apprentice in a red vest grips the table edge, a quality inspector in a white coat clutches her clipboard, and a veteran operator in a rust-brown coverall shakes his head slowly. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The remaining five workers stand around the long table; the layoff notice stays in the supervisor's hands while none of them leaves the break room during the announcement. Shot sequence: Shot 1: Wide five-shot around the long table as the supervisor reads the layoff notice aloud. Shot 2: Medium single-weighted shot of the machinist staring at the floor, apprentice visible behind him. Shot 3: Close shot of the apprentice's hand gripping the table edge. Shot 4: Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down. Shot 5: Close shot of the veteran operator shaking his head slowly. Shot 6: Wide five-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands and the others still watching him.",
      "target_shot_prompts": [
        "Wide five-shot around the long table as the supervisor reads the layoff notice aloud.",
        "Medium single-weighted shot of the machinist staring at the floor, apprentice visible behind him.",
        "Close shot of the apprentice's hand gripping the table edge.",
        "Medium single-weighted shot of the quality inspector clutching her clipboard, eyes down.",
        "Close shot of the veteran operator shaking his head slowly.",
        "Wide five-shot as the veteran operator finally looks away first, the notice still in the supervisor's hands and the others still watching him."
      ]
    },
    "C5_6_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_c",
        "mask": "masks/C5_6_B_char_c.mp4",
        "shots": [0, 1, 2, 3, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set washed in cool blue gel lighting between takes, four adult crew members cluster near the monitor cart: the director in a black bomber jacket rewinds the playback, the director of photography in a khaki vest argues about the lighting setup, the lead actor in a bright orange period frock coat and a cream wool scarf waits for notes, and the script supervisor in a burgundy cardigan flips through marked pages, all disagreeing about why the scene isn't working. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain near the monitor cart; the marked script pages stay with the script supervisor while the monitor cart stays fixed in place throughout the dispute; the actor's cream scarf stays on throughout. Shot sequence: Shot 1: Wide four-shot around the monitor cart as the director rewinds the last take, the lead actor's cream scarf visible among the group. Shot 2: Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him. Shot 3: Close shot of the lead actor, cream scarf at his neck, crossing his arms, waiting silently for notes. Shot 4: Close shot of the script supervisor flipping to a marked page and pointing at a line. Shot 5: Medium single-weighted shot of the director watching the playback again, frustration visible. Shot 6: Wide four-shot as the director calls out the small change, the lead actor's cream scarf still in place, the director of photography already adjusting the light rig for the next take.",
      "target_shot_prompts": [
        "Wide four-shot around the monitor cart as the director rewinds the last take, the lead actor's cream scarf visible among the group.",
        "Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him.",
        "Close shot of the lead actor, cream scarf at his neck, crossing his arms, waiting silently for notes.",
        "Close shot of the script supervisor flipping to a marked page and pointing at a line.",
        "Medium single-weighted shot of the director watching the playback again, frustration visible.",
        "Wide four-shot as the director calls out the small change, the lead actor's cream scarf still in place, the director of photography already adjusting the light rig for the next take."
      ]
    },
    "C5_6_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C5_6_B_char_b.mp4",
        "shots": [0, 1, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a film set washed in cool blue gel lighting between takes, four adult crew members cluster near the monitor cart: the director in a black bomber jacket rewinds the playback, the director of photography, another man in a red flannel work jacket with a tool pouch, argues about the lighting setup, the lead actor in a bright orange period frock coat waits for notes, and the script supervisor in a burgundy cardigan flips through marked pages, all disagreeing about why the scene isn't working. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All four remain near the monitor cart; the marked script pages stay with the script supervisor while the monitor cart stays fixed in place throughout the dispute. Shot sequence: Shot 1: Wide four-shot around the monitor cart as the director rewinds the last take. Shot 2: Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him. Shot 3: Close shot of the lead actor crossing his arms, waiting silently for notes. Shot 4: Close shot of the script supervisor flipping to a marked page and pointing at a line. Shot 5: Medium single-weighted shot of the director watching the playback again, frustration visible. Shot 6: Wide four-shot as the director calls out the small change, the director of photography already adjusting the light rig for the next take.",
      "target_shot_prompts": [
        "Wide four-shot around the monitor cart as the director rewinds the last take.",
        "Medium single-weighted shot of the director of photography gesturing at the lighting rig, actor and supervisor visible behind him.",
        "Close shot of the lead actor crossing his arms, waiting silently for notes.",
        "Close shot of the script supervisor flipping to a marked page and pointing at a line.",
        "Medium single-weighted shot of the director watching the playback again, frustration visible.",
        "Wide four-shot as the director calls out the small change, the director of photography already adjusting the light rig for the next take."
      ]
    },
    "C6_4_A__remove__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_4_A_animal_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a sunlit window desk, an adult woman with round glasses and a rust sweater sits alone, her free hand resting on the desk, as she takes a phone call delivering unexpected bad news. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays seated at the desk, alternating between resting her hand on the desk and gripping the phone tighter. Shot sequence: Shot 1: Wide shot at the desk as she rests a hand on the desk, phone rising to her ear. Shot 2: Medium shot of her face tightening as she listens to the news. Shot 3: Close shot of her hand gripping the phone while the other hand stills on the desk. Shot 4: Close shot of her head lifting slightly as her voice catches.",
      "target_shot_prompts": [
        "Wide shot at the desk as she rests a hand on the desk, phone rising to her ear.",
        "Medium shot of her face tightening as she listens to the news.",
        "Close shot of her hand gripping the phone while the other hand stills on the desk.",
        "Close shot of her head lifting slightly as her voice catches."
      ]
    },
    "C6_4_A__swap__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_4_A_animal_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a sunlit window desk, an adult woman with round glasses and a rust sweater sits with a fluffy gray-and-white Persian cat curled in her lap wearing a blue collar, her free hand stroking its back as she takes a phone call delivering unexpected bad news. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays seated at the desk with the cat in her lap; the blue collar stays on the cat while she alternates between stroking its back and gripping the phone tighter. Shot sequence: Shot 1: Wide shot at the desk as she strokes the cat's back, phone rising to her ear. Shot 2: Medium shot of her face tightening as she listens to the news, the cat still curled in her lap. Shot 3: Close shot of her hand gripping the phone while the other hand stills on the cat's fur. Shot 4: Close shot of the Persian cat lifting its head toward her as her voice catches.",
      "target_shot_prompts": [
        "Wide shot at the desk as she strokes the cat's back, phone rising to her ear.",
        "Medium shot of her face tightening as she listens to the news, the cat still curled in her lap.",
        "Close shot of her hand gripping the phone while the other hand stills on the cat's fur.",
        "Close shot of the Persian cat lifting its head toward her as her voice catches."
      ]
    },
    "C6_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C6_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a training hall lit by high skylights, dust motes drifting through the beams, an adult man with a shaved head, a green sweatshirt, and a padded tactical utility vest in matte olive kneels beside a black-and-white border collie wearing a red harness, running through hand signals one last time before a tense operation, his voice low and clipped. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays kneeling beside the dog; the red harness stays on the dog while he alternates between hand signals and quiet verbal commands; his tactical vest stays fastened throughout. Shot sequence: Shot 1: Wide shot as he, tactical vest snug, kneels beside the dog, running through a hand signal. Shot 2: Medium shot of his tense expression, olive vest visible at his shoulders, as he repeats the command quietly. Shot 3: Close shot of the border collie's ears pricking up, red harness taut. Shot 4: Close shot of his hand resting briefly on the dog's back before standing, the olive vest visible at his side.",
      "target_shot_prompts": [
        "Wide shot as he, tactical vest snug, kneels beside the dog, running through a hand signal.",
        "Medium shot of his tense expression, olive vest visible at his shoulders, as he repeats the command quietly.",
        "Close shot of the border collie's ears pricking up, red harness taut.",
        "Close shot of his hand resting briefly on the dog's back before standing, the olive vest visible at his side."
      ]
    },
    "C6_4_B__remove__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_4_B_animal_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a training hall lit by high skylights, dust motes drifting through the beams, an adult man with a shaved head and a green sweatshirt kneels alone, running through hand signals one last time before a tense operation, his voice low and clipped. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays kneeling in the same spot, alternating between hand signals and quiet verbal commands. Shot sequence: Shot 1: Wide shot as he kneels alone, running through a hand signal. Shot 2: Medium shot of his tense expression as he repeats the command quietly. Shot 3: Close shot of his empty hands forming the signal in the still air. Shot 4: Close shot of his hand resting briefly on the floor beside him before standing.",
      "target_shot_prompts": [
        "Wide shot as he kneels alone, running through a hand signal.",
        "Medium shot of his tense expression as he repeats the command quietly.",
        "Close shot of his empty hands forming the signal in the still air.",
        "Close shot of his hand resting briefly on the floor beside him before standing."
      ]
    },
    "C6_5_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C6_5_A_char_a.mp4",
        "shots": [0, 1, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a conservatory classroom lit by the last amber light through tall windows, after hours, an elderly adult man with a gray beard, a burgundy cardigan, and a pair of round amber-tinted glasses sits beside a perch holding a green parrot with a red tail, speaking softly to the bird about his late wife who used to feed it every morning. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated beside the perch; the green parrot stays on its perch while he alternates between speaking and gently touching its red tail feathers; his glasses stay on throughout. Shot sequence: Shot 1: Wide shot as he, amber-tinted glasses catching the light, sits beside the perch, speaking quietly to the parrot. Shot 2: Medium shot of his face, glasses framing his eyes, as he recalls a specific memory, voice softening. Shot 3: Close shot of the green parrot tilting its head, red tail feathers catching the light. Shot 4: Close shot of his hand, glasses visible at the edge of frame, gently touching the parrot's tail feathers. Shot 5: Wide shot as he, glasses still on, sets a seed in the dish, watching the parrot eat, silent for a moment.",
      "target_shot_prompts": [
        "Wide shot as he, amber-tinted glasses catching the light, sits beside the perch, speaking quietly to the parrot.",
        "Medium shot of his face, glasses framing his eyes, as he recalls a specific memory, voice softening.",
        "Close shot of the green parrot tilting its head, red tail feathers catching the light.",
        "Close shot of his hand, glasses visible at the edge of frame, gently touching the parrot's tail feathers.",
        "Wide shot as he, glasses still on, sets a seed in the dish, watching the parrot eat, silent for a moment."
      ]
    },
    "C6_5_A__appearance_change__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_5_A_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a conservatory classroom lit by the last amber light through tall windows, after hours, an elderly adult man with a gray beard and a burgundy cardigan sits beside a perch holding a parrot with blue and yellow feathers, speaking softly to the bird about his late wife who used to feed it every morning. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated beside the perch; the parrot stays on its perch while he alternates between speaking and gently touching its feathers; its blue and yellow feathers stay unchanged throughout. Shot sequence: Shot 1: Wide shot as he sits beside the perch, speaking quietly to the parrot, its blue feathers catching the amber light. Shot 2: Medium shot of his face as he recalls a specific memory, voice softening. Shot 3: Close shot of the parrot tilting its head, its yellow feathers catching the light. Shot 4: Close shot of his hand gently touching the parrot's blue tail feathers. Shot 5: Wide shot as he sets a seed in the dish, watching the blue-and-yellow parrot eat, silent for a moment.",
      "target_shot_prompts": [
        "Wide shot as he sits beside the perch, speaking quietly to the parrot, its blue feathers catching the amber light.",
        "Medium shot of his face as he recalls a specific memory, voice softening.",
        "Close shot of the parrot tilting its head, its yellow feathers catching the light.",
        "Close shot of his hand gently touching the parrot's blue tail feathers.",
        "Wide shot as he sets a seed in the dish, watching the blue-and-yellow parrot eat, silent for a moment."
      ]
    },
    "C6_5_B__remove__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_5_B_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a calm stable aisle before a big race, an adult jockey with curly brown hair and a navy vest stands alone, muttering anxiously about rumors of a betting-scandal accusation swirling around today's race. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays in the same spot in the aisle, pausing anxiously to steady his own breathing. Shot sequence: Shot 1: Wide shot in the aisle as he stands alone, muttering under his breath. Shot 2: Medium shot of his face, tense, as he glances toward the stable entrance. Shot 3: Close shot of the orange-gloved hand pausing in the still air. Shot 4: Close shot of the empty stall, straw shifting faintly. Shot 5: Wide shot as he exhales, steadies himself, and stands quietly.",
      "target_shot_prompts": [
        "Wide shot in the aisle as he stands alone, muttering under his breath.",
        "Medium shot of his face, tense, as he glances toward the stable entrance.",
        "Close shot of the orange-gloved hand pausing in the still air.",
        "Close shot of the empty stall, straw shifting faintly.",
        "Wide shot as he exhales, steadies himself, and stands quietly."
      ]
    },
    "C6_5_B__appearance_change__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_5_B_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a calm stable aisle before a big race, an adult jockey with curly brown hair and a navy vest brushes a zebra-striped horse wearing a turquoise halter, muttering anxiously about rumors of a betting-scandal accusation swirling around today's race. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays beside the horse in the aisle; the turquoise halter stays on the horse while he alternates between brushing its flank and pausing to steady his own breathing; its zebra-striped coat stays unchanged throughout. Shot sequence: Shot 1: Wide shot in the aisle as he brushes the zebra-striped horse's flank, muttering under his breath. Shot 2: Medium shot of his face, tense, as he glances toward the stable entrance. Shot 3: Close shot of the orange-gloved hand pausing mid-stroke on the horse's coat. Shot 4: Close shot of the zebra-striped horse's ear flicking toward his voice. Shot 5: Wide shot as he exhales, steadies himself, and resumes brushing the zebra-striped coat in slow, even strokes.",
      "target_shot_prompts": [
        "Wide shot in the aisle as he brushes the zebra-striped horse's flank, muttering under his breath.",
        "Medium shot of his face, tense, as he glances toward the stable entrance.",
        "Close shot of the orange-gloved hand pausing mid-stroke on the horse's coat.",
        "Close shot of the zebra-striped horse's ear flicking toward his voice.",
        "Wide shot as he exhales, steadies himself, and resumes brushing the zebra-striped coat in slow, even strokes."
      ]
    },
    "C6_6_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C6_6_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a small veterinary exam table, an adult woman with dark braided hair, a teal scrub top, and a clear plastic face shield with a crimson headband gently examines a small white rabbit wearing a tiny yellow bandage on one paw, speaking calmly into a phone wedged against her shoulder to reassure the rabbit's anxious owner. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays at the exam table with the rabbit; the yellow bandage stays on its paw while she alternates between examining the rabbit and speaking into the phone at her shoulder; her face shield stays in place throughout. Shot sequence: Shot 1: Wide shot at the exam table as she, face shield catching the light, gently lifts the rabbit's bandaged paw. Shot 2: Medium shot of her calm expression, crimson headband framing her face, as she reassures the owner on the phone. Shot 3: Close shot of the tiny yellow bandage as she checks it for swelling, the face shield's edge visible above. Shot 4: Close shot of the rabbit's twitching nose and ears. Shot 5: Close shot of her free hand steadying the rabbit's back gently, headband visible at the edge of frame. Shot 6: Wide shot as she sets the rabbit down carefully, face shield still in place, phone still at her shoulder, finishing the call.",
      "target_shot_prompts": [
        "Wide shot at the exam table as she, face shield catching the light, gently lifts the rabbit's bandaged paw.",
        "Medium shot of her calm expression, crimson headband framing her face, as she reassures the owner on the phone.",
        "Close shot of the tiny yellow bandage as she checks it for swelling, the face shield's edge visible above.",
        "Close shot of the rabbit's twitching nose and ears.",
        "Close shot of her free hand steadying the rabbit's back gently, headband visible at the edge of frame.",
        "Wide shot as she sets the rabbit down carefully, face shield still in place, phone still at her shoulder, finishing the call."
      ]
    },
    "C6_6_A__swap__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_6_A_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a small veterinary exam table, an adult woman with dark braided hair and a teal scrub top gently examines a small gray-and-white guinea pig wearing a tiny yellow bandage on one paw, speaking calmly into a phone wedged against her shoulder to reassure the owner. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays at the exam table with the guinea pig; the yellow bandage stays on its paw while she alternates between examining it and speaking into the phone at her shoulder. Shot sequence: Shot 1: Wide shot at the exam table as she gently lifts the guinea pig's bandaged paw. Shot 2: Medium shot of her calm expression as she reassures the owner on the phone. Shot 3: Close shot of the tiny yellow bandage as she checks it for swelling. Shot 4: Close shot of the guinea pig's twitching nose and ears. Shot 5: Close shot of her free hand steadying the guinea pig's back gently. Shot 6: Wide shot as she sets the guinea pig down carefully, phone still at her shoulder, finishing the call.",
      "target_shot_prompts": [
        "Wide shot at the exam table as she gently lifts the guinea pig's bandaged paw.",
        "Medium shot of her calm expression as she reassures the owner on the phone.",
        "Close shot of the tiny yellow bandage as she checks it for swelling.",
        "Close shot of the guinea pig's twitching nose and ears.",
        "Close shot of her free hand steadying the guinea pig's back gently.",
        "Wide shot as she sets the guinea pig down carefully, phone still at her shoulder, finishing the call."
      ]
    },
    "C6_6_B__appearance_change__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_6_B_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a woodland education center lit by shafts of late-afternoon light through the timber rafters, an adult man with a gray beard and a burgundy jacket trains an owl with white-and-charcoal plumage, wearing a small leather anklet on its perch, quietly recounting a personal story of loss as he guides the owl through a short flight exercise. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays beside the perch in the same corner; the leather anklet stays on the owl's leg while he alternates between guiding its short flights and returning it to the perch; its white-and-charcoal plumage stays unchanged throughout. Shot sequence: Shot 1: Wide shot as he raises his gloved hand and the owl, its white-and-charcoal plumage catching the light, lifts off the perch toward him. Shot 2: Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise. Shot 3: Close shot of the white-and-charcoal wings spreading mid-flight. Shot 4: Close shot of the leather anklet catching the light against the owl's leg as it lands on his glove. Shot 5: Close shot of his ungloved hand resting briefly near the owl's feathers. Shot 6: Wide shot as he returns the white-and-charcoal owl gently to its perch, voice trailing off.",
      "target_shot_prompts": [
        "Wide shot as he raises his gloved hand and the owl, its white-and-charcoal plumage catching the light, lifts off the perch toward him.",
        "Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise.",
        "Close shot of the white-and-charcoal wings spreading mid-flight.",
        "Close shot of the leather anklet catching the light against the owl's leg as it lands on his glove.",
        "Close shot of his ungloved hand resting briefly near the owl's feathers.",
        "Wide shot as he returns the white-and-charcoal owl gently to its perch, voice trailing off."
      ]
    },
    "C6_6_B__swap__01": {
      "target": {
        "type": "animal",
        "id": "animal_a",
        "mask": "masks/C6_6_B_animal_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a woodland education center lit by shafts of late-afternoon light through the timber rafters, an adult man with a gray beard and a burgundy jacket trains a rainbow parrot with vividly colored plumage on its perch, quietly recounting a personal story of loss as he guides the parrot through a short flight exercise. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays beside the perch in the same corner; he alternates between guiding its short flights and returning it to the perch; the parrot's vivid rainbow plumage stays unchanged throughout. Shot sequence: Shot 1: Wide shot as he raises his gloved hand and the rainbow parrot lifts off the perch toward him. Shot 2: Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise. Shot 3: Close shot of the rainbow parrot's wings spreading mid-flight, its bright plumage fanning open. Shot 4: Close shot of the rainbow parrot's colorful feathers catching the light as it lands on his glove. Shot 5: Close shot of his ungloved hand resting briefly near the parrot's feathers. Shot 6: Wide shot as he returns the rainbow parrot gently to its perch, its plumage catching the last light, voice trailing off.",
      "target_shot_prompts": [
        "Wide shot as he raises his gloved hand and the rainbow parrot lifts off the perch toward him.",
        "Medium shot of his face, quiet and reflective, as he recounts the story mid-exercise.",
        "Close shot of the rainbow parrot's wings spreading mid-flight, its bright plumage fanning open.",
        "Close shot of the rainbow parrot's colorful feathers catching the light as it lands on his glove.",
        "Close shot of his ungloved hand resting briefly near the parrot's feathers.",
        "Wide shot as he returns the rainbow parrot gently to its perch, its plumage catching the last light, voice trailing off."
      ]
    },
    "C7_4_B__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_4_B_char_a.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot stylized 3D animated video of one continuous scene. In a stylized 3D animated workshop, two rival adult inventors argue over whose design flaw sank their joint entry in this morning's competition: the older, white-haired inventor wears a blue apron, a wide-brimmed straw sun hat with rustic frayed edges, and grips a bent metal gear, while the younger inventor wears a yellow jacket and holds the scorched circuit board that failed. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their stylized 3D proportions, colors, and owned tools remain exact; both stay at the same workbench, the bent gear and scorched board never leaving their respective hands; the straw sun hat stays on throughout. Shot sequence: Shot 1: 3D wide two-shot as both inventors face off at the workbench, the straw sun hat's frayed brim visible, gear and board raised. Shot 2: 3D medium shot of the blue-apron inventor, straw sun hat shading his eyes, jabbing a finger at the scorched board, yellow jacket visible across the bench. Shot 3: 3D reverse medium shot of the yellow-jacket inventor holding up the bent gear, blaming its design. Shot 4: 3D close two-shot as both objects meet in the middle of the bench, the frayed straw brim visible at the edge of frame, neither backing down.",
      "target_shot_prompts": [
        "3D wide two-shot as both inventors face off at the workbench, the straw sun hat's frayed brim visible, gear and board raised.",
        "3D medium shot of the blue-apron inventor, straw sun hat shading his eyes, jabbing a finger at the scorched board, yellow jacket visible across the bench.",
        "3D reverse medium shot of the yellow-jacket inventor holding up the bent gear, blaming its design.",
        "3D close two-shot as both objects meet in the middle of the bench, the frayed straw brim visible at the edge of frame, neither backing down."
      ]
    },
    "C7_4_B__swap__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C7_4_B_char_b.mp4",
        "shots": [0, 1, 2, 3]
      },
      "target_prompt": "Create a cinematic multi-shot stylized 3D animated video of one continuous scene. In a stylized 3D animated workshop, two rival adult inventors argue over whose design flaw sank their joint entry in this morning's competition: the older inventor wears a blue apron and grips a bent metal gear, while another man in a white lab coat holds the scorched circuit board that failed. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their stylized 3D proportions, colors, and owned tools remain exact; both stay at the same workbench, the bent gear and scorched board never leaving their respective hands. Shot sequence: Shot 1: 3D wide two-shot as both inventors face off at the workbench, gear and board raised. Shot 2: 3D medium shot of the blue-apron inventor jabbing a finger at the scorched board, white lab coat visible across the bench. Shot 3: 3D reverse medium shot of the white-coat inventor holding up the scorched board, blaming its design. Shot 4: 3D close two-shot as both objects meet in the middle of the bench, neither backing down.",
      "target_shot_prompts": [
        "3D wide two-shot as both inventors face off at the workbench, gear and board raised.",
        "3D medium shot of the blue-apron inventor jabbing a finger at the scorched board, white lab coat visible across the bench.",
        "3D reverse medium shot of the white-coat inventor holding up the scorched board, blaming its design.",
        "3D close two-shot as both objects meet in the middle of the bench, neither backing down."
      ]
    },
    "C7_4_C__remove__01": {
      "target": {
        "type": "object",
        "id": "obj_a",
        "mask": "masks/C7_4_C_obj_a.mp4",
        "shots": [0]
      },
      "target_prompt": "Create a cinematic multi-shot stop-motion video of one continuous scene. In a stop-motion miniature detective office, a puppet detective wearing a tan trench coat leans over a case board pinned with tiny photographs, while his puppet bloodhound wearing a brown collar sniffs at a folder on the desk, both reacting to a sudden breakthrough in the case. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The stop-motion puppet proportions, felt textures, and owned props stay exact; both remain beside the same case board while the pinned photographs never change position. Shot sequence: Shot 1: Stop-motion wide shot as the detective leans over the case board, bare-headed. Shot 2: Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk. Shot 3: Stop-motion close shot of the detective's felt hand jabbing a pin into a new photograph. Shot 4: Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert.",
      "target_shot_prompts": [
        "Stop-motion wide shot as the detective leans over the case board, bare-headed.",
        "Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk.",
        "Stop-motion close shot of the detective's felt hand jabbing a pin into a new photograph.",
        "Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert."
      ]
    },
    "C7_4_C__swap__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_4_C_char_a.mp4",
        "shots": [0, 2]
      },
      "target_prompt": "Create a cinematic multi-shot stop-motion video of one continuous scene. In a stop-motion miniature detective office, a female puppet detective in a gray trench coat and hat leans over a case board pinned with tiny photographs, while her puppet bloodhound wearing a brown collar sniffs at a folder on the desk, both reacting to a sudden breakthrough in the case. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The stop-motion puppet proportions, felt textures, and owned props stay exact; both remain beside the same case board while the pinned photographs never change position. Shot sequence: Shot 1: Stop-motion wide shot as the detective, gray trench coat and hat catching the light, leans over the case board. Shot 2: Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk. Shot 3: Stop-motion close shot of the detective's felt hand, gray coat sleeve visible, jabbing a pin into a new photograph. Shot 4: Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert.",
      "target_shot_prompts": [
        "Stop-motion wide shot as the detective, gray trench coat and hat catching the light, leans over the case board.",
        "Stop-motion medium shot of the bloodhound's felt nose pressing into the folder on the desk.",
        "Stop-motion close shot of the detective's felt hand, gray coat sleeve visible, jabbing a pin into a new photograph.",
        "Stop-motion close shot of the bloodhound's head snapping up toward the detective, tail stiff with alert."
      ]
    },
    "C7_5_A__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C7_5_A_char_b.mp4",
        "shots": [0, 2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot watercolor 2D animated video of one continuous scene. In the open-air backstage area behind a watercolor 2D animated amphitheater, three adult theater actors argue in hushed tones right after curtain call about who upstaged whom during tonight's final scene: the lead actor in a cobalt coat crosses his arms, the actress in a crimson gown with long, wavy hair clutches her prop fan, and the character actor in a mustard waistcoat holds the prop laurel wreath that caused the mix-up. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Watercolor edges, colors, fixed positions, and owned props remain consistent across shots; all three stay in the open-air backstage area while none of the props change hands; the actress's long, wavy hair stays unchanged throughout. Shot sequence: Shot 1: Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call, the actress's long waves catching the light. Shot 2: Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus. Shot 3: Watercolor medium shot of the crimson-gown actress, her long waves catching the light, snapping her prop fan shut in irritation. Shot 4: Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up. Shot 5: Watercolor wide three-shot as the crimson-gown actress, her waves settling, laughs first, tension breaking as the other two loosen their stances behind her.",
      "target_shot_prompts": [
        "Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call, the actress's long waves catching the light.",
        "Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus.",
        "Watercolor medium shot of the crimson-gown actress, her long waves catching the light, snapping her prop fan shut in irritation.",
        "Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up.",
        "Watercolor wide three-shot as the crimson-gown actress, her waves settling, laughs first, tension breaking as the other two loosen their stances behind her."
      ]
    },
    "C7_5_A__swap__01": {
      "target": {
        "type": "object",
        "id": "obj_c",
        "mask": "masks/C7_5_A_obj_c.mp4",
        "shots": [0, 2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot watercolor 2D animated video of one continuous scene. In the open-air backstage area behind a watercolor 2D animated amphitheater, a tall window set into the stone wall behind them, three adult theater actors argue in hushed tones right after curtain call about who upstaged whom during tonight's final scene: the lead actor in a cobalt coat crosses his arms, the actress in a crimson gown clutches a prop fan, and the character actor in a mustard waistcoat holds the prop laurel wreath that caused the mix-up. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Watercolor edges, colors, fixed positions, and owned props remain consistent across shots; all three stay in the open-air backstage area while none of the props change hands; the window stays fixed in the wall throughout. Shot sequence: Shot 1: Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call. Shot 2: Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus. Shot 3: Watercolor medium shot of the crimson-gown actress snapping her prop fan shut in irritation. Shot 4: Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up. Shot 5: Watercolor wide three-shot as the crimson-gown actress laughs first, tension breaking as the other two loosen their stances behind her.",
      "target_shot_prompts": [
        "Watercolor wide three-shot in the open-air backstage area as all three face off after curtain call.",
        "Watercolor medium shot of the cobalt-coat actor crossing his arms, accusing the others of stealing focus.",
        "Watercolor medium shot of the crimson-gown actress snapping her prop fan shut in irritation.",
        "Watercolor close shot of the mustard-waistcoat actor waving the prop laurel wreath, explaining the mix-up.",
        "Watercolor wide three-shot as the crimson-gown actress laughs first, tension breaking as the other two loosen their stances behind her."
      ]
    },
    "C7_5_B__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_5_B_char_a.mp4",
        "shots": [0, 1, 2, 4]
      },
      "target_prompt": "Create a cinematic multi-shot claymation video of one continuous scene. In a claymation bakery, three clay figures scramble minutes before a wedding ceremony after the top tier of the cake slides askew: the assistant baker wears a yellow apron and steadies the cake stand, the decorator wears a lavender smock and rushes over with a piping bag, and the delivery driver wears a green jacket and holds the van keys, frozen mid-panic. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their claymation proportions, colors, and owned tools remain exact; the remaining three stay clustered around the same cake stand while the tilted top tier never falls. Shot sequence: Shot 1: Claymation wide three-shot around the cake stand as the top tier slides askew. Shot 2: Claymation medium shot of the cake stand wobbling, the assistant baker already reaching for it. Shot 3: Claymation medium shot of the assistant baker steadying the cake stand with both clay hands. Shot 4: Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing. Shot 5: Claymation wide three-shot as the assistant baker steadies the last wobble, the tier finally settling straight while the other two ease back from the stand.",
      "target_shot_prompts": [
        "Claymation wide three-shot around the cake stand as the top tier slides askew.",
        "Claymation medium shot of the cake stand wobbling, the assistant baker already reaching for it.",
        "Claymation medium shot of the assistant baker steadying the cake stand with both clay hands.",
        "Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing.",
        "Claymation wide three-shot as the assistant baker steadies the last wobble, the tier finally settling straight while the other two ease back from the stand."
      ]
    },
    "C7_5_B__appearance_change__01": {
      "target": {
        "type": "object",
        "id": "obj_e",
        "mask": "masks/C7_5_B_obj_e.mp4",
        "shots": [0, 2, 3, 4]
      },
      "target_prompt": "Create a cinematic multi-shot claymation video of one continuous scene. In a claymation bakery, four clay figures scramble minutes before a wedding ceremony after the top tier of the chocolate-frosted cake slides askew: the head baker with blue clay hair wears a red apron and grips a spatula, the assistant baker wears a yellow apron and steadies the cake stand, the decorator wears a lavender smock and rushes over with a piping bag, and the delivery driver wears a green jacket and holds the van keys, frozen mid-panic. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their claymation proportions, colors, and owned tools remain exact; all four stay clustered around the same cake stand while the chocolate cake's tilted top tier never falls. Shot sequence: Shot 1: Claymation wide four-shot around the cake stand as the top tier of the chocolate cake slides askew. Shot 2: Claymation medium shot of the head baker gripping her spatula, shouting for help. Shot 3: Claymation medium shot of the assistant baker steadying the cake stand with both clay hands. Shot 4: Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing. Shot 5: Claymation wide four-shot as the assistant baker steadies the last wobble, the chocolate tier finally settling straight while the other three ease back from the stand.",
      "target_shot_prompts": [
        "Claymation wide four-shot around the cake stand as the top tier of the chocolate cake slides askew.",
        "Claymation medium shot of the head baker gripping her spatula, shouting for help.",
        "Claymation medium shot of the assistant baker steadying the cake stand with both clay hands.",
        "Claymation close shot of the decorator's piping bag squeezing a quick repair line of icing.",
        "Claymation wide four-shot as the assistant baker steadies the last wobble, the chocolate tier finally settling straight while the other three ease back from the stand."
      ]
    },
    "C7_6_A__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_6_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot Japanese 2D animation video of one continuous scene. In a Japanese 2D animation observatory hall, a tall adult female astronomer wearing a white lab coat and teal blue wraparound sunglasses stands alone at the main telescope console, her expression shifting from calm to alarm as new tracking data reveals an incoming asteroid's corrected path. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. She stays at the telescope console; the tracking readout stays fixed on the main screen while she alternates between the eyepiece and the screen; her teal sunglasses stay on throughout. Shot sequence: Shot 1: Wide anime shot of her alone in the observatory hall, teal sunglasses catching a stray gleam, the telescope looming behind her. Shot 2: Wide shot from the side as she leans into the eyepiece, sunglasses pushed slightly up, adjusting the focus ring. Shot 3: Medium shot as she pulls back, teal sunglasses still on, glancing sharply at the tracking readout. Shot 4: Close shot of her eyes hidden behind the teal lenses, the readout's glow reflected in them, as the corrected path appears on the readout. Shot 5: Close shot of her hand gripping the console edge, teal sunglasses catching the console light. Shot 6: Wide anime shot from behind her, the readout's glowing warning filling the screen ahead of her, teal sunglasses glinting.",
      "target_shot_prompts": [
        "Wide anime shot of her alone in the observatory hall, teal sunglasses catching a stray gleam, the telescope looming behind her.",
        "Wide shot from the side as she leans into the eyepiece, sunglasses pushed slightly up, adjusting the focus ring.",
        "Medium shot as she pulls back, teal sunglasses still on, glancing sharply at the tracking readout.",
        "Close shot of her eyes hidden behind the teal lenses, the readout's glow reflected in them, as the corrected path appears on the readout.",
        "Close shot of her hand gripping the console edge, teal sunglasses catching the console light.",
        "Wide anime shot from behind her, the readout's glowing warning filling the screen ahead of her, teal sunglasses glinting."
      ]
    },
    "C7_6_A__remove__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_6_A_char_a.mp4",
        "shots": [0, 1, 2, 3, 4, 5]
      },
      "target_prompt": "Create a cinematic multi-shot Japanese 2D animation video of one continuous scene. In a Japanese 2D animation observatory hall, the main telescope console sits at the center of the room, its tracking readout glowing on the main screen with an incoming asteroid's corrected path; the hall is empty. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. The tracking readout stays fixed on the main screen at the telescope console throughout; the hall stays empty the whole time. Shot sequence: Shot 1: Wide anime shot of the empty observatory hall, the telescope looming in the stillness. Shot 2: Wide shot from the side of the telescope's eyepiece, undisturbed, focus ring still. Shot 3: Medium shot of the tracking readout glowing steadily on the main screen, no one at the console. Shot 4: Close shot of the corrected path glowing on the readout, unwatched. Shot 5: Close shot of the console edge, empty, under the readout's glow. Shot 6: Wide anime shot from behind the empty console, the readout's glowing warning filling the screen ahead.",
      "target_shot_prompts": [
        "Wide anime shot of the empty observatory hall, the telescope looming in the stillness.",
        "Wide shot from the side of the telescope's eyepiece, undisturbed, focus ring still.",
        "Medium shot of the tracking readout glowing steadily on the main screen, no one at the console.",
        "Close shot of the corrected path glowing on the readout, unwatched.",
        "Close shot of the console edge, empty, under the readout's glow.",
        "Wide anime shot from behind the empty console, the readout's glowing warning filling the screen ahead."
      ]
    },
    "C7_6_C__add__01": {
      "target": {
        "type": "character",
        "id": "char_a",
        "mask": "masks/C7_6_C_char_a.mp4",
        "shots": [0, 1, 5]
      },
      "target_prompt": "Create a cinematic multi-shot layered paper-cut animation video of one continuous scene. In a layered paper-cut animation school courtyard, four paper figures face off at an outdoor amphitheater for the final round of a debate competition: the first debater wears a red paper blazer and a gold paper bow tie, gesturing as he delivers his closing argument from memory, the second wears a navy paper blazer and grips the podium edge as she counters, the moderator wears a gray paper cardigan and holds a small bell, and the timekeeper wears a green paper vest and watches a paper clock mounted on the courtyard wall. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their paper-cut layers, colors, and owned props remain exact; all four stay at their fixed spots in the outdoor amphitheater while the paper clock keeps ticking toward the same final mark; the bow tie stays pinned in place throughout. Shot sequence: Shot 1: Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round, the gold bow tie crisp at the first debater's collar. Shot 2: Paper-cut medium shot of the red-blazer debater, gold bow tie sharp at his collar, gesturing as he delivers his closing point from memory. Shot 3: Paper-cut medium shot of the navy-blazer debater gripping the podium edge as she counters. Shot 4: Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low. Shot 5: Paper-cut close shot of the moderator's hand lifting the small bell. Shot 6: Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums, the bow tie still crisp at the first debater's collar, as the timekeeper watches the clock.",
      "target_shot_prompts": [
        "Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round, the gold bow tie crisp at the first debater's collar.",
        "Paper-cut medium shot of the red-blazer debater, gold bow tie sharp at his collar, gesturing as he delivers his closing point from memory.",
        "Paper-cut medium shot of the navy-blazer debater gripping the podium edge as she counters.",
        "Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low.",
        "Paper-cut close shot of the moderator's hand lifting the small bell.",
        "Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums, the bow tie still crisp at the first debater's collar, as the timekeeper watches the clock."
      ]
    },
    "C7_6_C__appearance_change__01": {
      "target": {
        "type": "character",
        "id": "char_b",
        "mask": "masks/C7_6_C_char_b.mp4",
        "shots": [0, 1, 2, 5]
      },
      "target_prompt": "Create a cinematic multi-shot layered paper-cut animation video of one continuous scene. In a layered paper-cut animation school courtyard, four paper figures face off at an outdoor amphitheater for the final round of a debate competition: the first debater wears a red paper blazer and gestures as he delivers his closing argument from memory, the second wears an ivory paper blazer-dress and grips the podium edge as she counters, the moderator wears a gray paper cardigan and holds a small bell, and the timekeeper wears a green paper vest and watches a paper clock mounted on the courtyard wall. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Their paper-cut layers, colors, and owned props remain exact; all four stay at their fixed spots in the outdoor amphitheater while the paper clock keeps ticking toward the same final mark; the ivory blazer-dress stays unchanged throughout. Shot sequence: Shot 1: Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round, the second debater's ivory blazer-dress crisp in the light. Shot 2: Paper-cut medium shot of the red-blazer debater gesturing as he delivers his closing point from memory. Shot 3: Paper-cut medium shot of the second debater, ivory blazer-dress sharp in the light, gripping the podium edge as she counters. Shot 4: Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low. Shot 5: Paper-cut close shot of the moderator's hand lifting the small bell. Shot 6: Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums, the ivory blazer-dress crisp on the second debater, as the timekeeper watches the clock.",
      "target_shot_prompts": [
        "Paper-cut wide four-shot as all four take their fixed spots in the outdoor amphitheater for the final round, the second debater's ivory blazer-dress crisp in the light.",
        "Paper-cut medium shot of the red-blazer debater gesturing as he delivers his closing point from memory.",
        "Paper-cut medium shot of the second debater, ivory blazer-dress sharp in the light, gripping the podium edge as she counters.",
        "Paper-cut close shot of the timekeeper's eyes flicking to the paper clock as time runs low.",
        "Paper-cut close shot of the moderator's hand lifting the small bell.",
        "Paper-cut wide four-shot as the bell rings and the moderator sets it down, the two debaters still standing at their podiums, the ivory blazer-dress crisp on the second debater, as the timekeeper watches the clock."
      ]
    },
    "C8_4_A__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a weathered wooden fishing pier lashed by torrential midnight rain, thick sheets of rain streaking through a flickering cold overhead lamp and the dark water beyond, an old fisherman in a faded yellow oilskin jacket works alongside his grown daughter in a rust-orange rain slicker, who leaves for the city today; he keeps finding one more thing on the boat that still needs doing. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same section of the rain-lashed pier at its outer end; the coil of rope stays looped over the pier's iron cleat, rain sheeting off it, while he keeps re-checking and re-coiling it long after it's already secure. Shot sequence: Shot 1: Wide shot from the pier's edge as thick rain hammers the boards and the lamp overhead flickers, she checks her watch and glances toward the road while he crouches to recheck a knot that's already tied. Shot 2: Medium two-shot in the driving rain as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up. Shot 3: Close shot on his rain-soaked hands slowly re-coiling the same rope a second time, water running off it, drawing the moment out. Shot 4: Wide shot under the flickering cold lamp as she checks her watch once more, then crouches down beside him anyway in the pouring rain, neither of them moving to leave.",
      "target_shot_prompts": [
        "Wide shot from the pier's edge as thick rain hammers the boards and the lamp overhead flickers, she checks her watch and glances toward the road while he crouches to recheck a knot that's already tied.",
        "Medium two-shot in the driving rain as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up.",
        "Close shot on his rain-soaked hands slowly re-coiling the same rope a second time, water running off it, drawing the moment out.",
        "Wide shot under the flickering cold lamp as she checks her watch once more, then crouches down beside him anyway in the pouring rain, neither of them moving to leave."
      ]
    },
    "C8_4_A__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a weathered wooden fishing pier at first light, everything cast in an overall cooler, blue-toned color grade, mist still clinging to the water, an old fisherman in a faded yellow oilskin jacket works alongside his grown daughter in a rust-orange rain slicker, who leaves for the city today; he keeps finding one more thing on the boat that still needs doing. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same section of the pier at its outer end, the whole scene rendered in the same cool blue color grade throughout; the coil of rope stays looped over the pier's iron cleat while he keeps re-checking and re-coiling it long after it's already secure. Shot sequence: Shot 1: Wide shot, the whole frame in a cool blue color grade, from the pier's edge as she checks her watch and glances toward the road, while he crouches to recheck a knot that's already tied. Shot 2: Medium two-shot, still in the cool blue grade, as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up. Shot 3: Close shot, colors cool and blue-toned, on his hands slowly re-coiling the same rope a second time, drawing it out. Shot 4: Wide shot in the same cool blue grade as she checks her watch once more, then crouches down beside him anyway, neither of them moving to leave.",
      "target_shot_prompts": [
        "Wide shot, the whole frame in a cool blue color grade, from the pier's edge as she checks her watch and glances toward the road, while he crouches to recheck a knot that's already tied.",
        "Medium two-shot, still in the cool blue grade, as she reminds him gently that her train doesn't wait, and he says he just wants to make sure it's done right, not looking up.",
        "Close shot, colors cool and blue-toned, on his hands slowly re-coiling the same rope a second time, drawing it out.",
        "Wide shot in the same cool blue grade as she checks her watch once more, then crouches down beside him anyway, neither of them moving to leave."
      ]
    },
    "C8_4_B__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot watercolor 2D animated video of one continuous scene. Along a narrow ridge trail above a valley blazing with autumn color, rendered as a watercolor painting with soft blended colors, visible brushstrokes, and a paper-like background texture, a young man in a forest-green windbreaker and his girlfriend in a mustard knit sweater stop at a rocky overlook, breath still quick from the climb, the valley's fall colors spread out below under a bright midday sun. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same rocky overlook along the ridge trail, the whole scene painted throughout in soft blended watercolor washes with visible brushstrokes on a paper-like texture; the small wooden ring box remains in his jacket pocket until he brings it out, and neither moves from the overlook's edge. Shot sequence: Shot 1: Wide watercolor shot from behind, soft blended brushstrokes filling the valley below, as they reach the overlook together, hands still laced, taking in the view. Shot 2: Medium two-shot, rendered in the same soft watercolor washes, as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find. Shot 3: Close watercolor shot, brushstrokes visible on the paper-like texture, as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try. Shot 4: Wide watercolor shot as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening, soft brushstroke color washing over the whole scene.",
      "target_shot_prompts": [
        "Wide watercolor shot from behind, soft blended brushstrokes filling the valley below, as they reach the overlook together, hands still laced, taking in the view.",
        "Medium two-shot, rendered in the same soft watercolor washes, as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find.",
        "Close watercolor shot, brushstrokes visible on the paper-like texture, as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try.",
        "Wide watercolor shot as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening, soft brushstroke color washing over the whole scene."
      ]
    },
    "C8_4_B__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Along a narrow ridge trail above a valley blazing with autumn color, the whole scene bathed in vibrant neon-lit nightlife glow, electric purple and pink ambient light washing over the ridge, a young man in a forest-green windbreaker and his girlfriend in a mustard knit sweater stop at a rocky overlook, breath still quick from the climb, the valley's fall colors glowing under the neon-tinted light below. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same rocky overlook along the ridge trail, the electric purple and pink neon glow steady over the whole scene throughout; the small wooden ring box remains in his jacket pocket until he brings it out, and neither moves from the overlook's edge. Shot sequence: Shot 1: Wide shot from behind, purple and pink neon glow washing across the valley below, as they reach the overlook together, hands still laced, taking in the view. Shot 2: Medium two-shot under the same electric neon glow as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find. Shot 3: Close shot, pink and purple light glowing across his hands, as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try. Shot 4: Wide shot bathed in vibrant neon glow as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening.",
      "target_shot_prompts": [
        "Wide shot from behind, purple and pink neon glow washing across the valley below, as they reach the overlook together, hands still laced, taking in the view.",
        "Medium two-shot under the same electric neon glow as he goes quiet mid-sentence, fumbling for words he clearly rehearsed and now can't find.",
        "Close shot, pink and purple light glowing across his hands, as he finally gets the small wooden ring box out of his jacket pocket, the wind catching the hinge so it won't quite open on the first try.",
        "Wide shot bathed in vibrant neon glow as he kneels, the question barely out of his mouth, and she stands frozen, still processing what's happening."
      ]
    },
    "C8_4_C__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot crayon-drawn animated video of one continuous scene. Inside a sunlit glass conservatory filled with tall ferns and citrus trees, rendered as a crayon drawing with scribbled color fills, overlapping strokes, sketchy shading, and wavy uneven outlines, a grandmother in a cream linen cardigan waters potted seedlings at a long wooden bench while her young grandson in a navy-striped t-shirt tags along, restless and eager to help, sunlight scribbled in waxy strokes through the glass panes overhead. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden potting bench inside the conservatory, every surface rendered in the same scribbled crayon strokes and wavy uneven outlines throughout; the watering can remains between them while the grandson keeps reaching for it before the grandmother is ready to let go. Shot sequence: Shot 1: Wide crayon-drawn shot down the conservatory, scribbled color fills and wavy outlines throughout, as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her. Shot 2: Medium crayon-drawn shot as the grandson grabs for the watering can before he's told to, sloshing scribbled waxy droplets over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him. Shot 3: Close crayon-drawn shot on the grandmother's hands steadying the can, sketchy shading across her fingers, her gaze drifting toward something past the child, distracted. Shot 4: Wide crayon-drawn shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present, wavy uneven outlines around them both.",
      "target_shot_prompts": [
        "Wide crayon-drawn shot down the conservatory, scribbled color fills and wavy outlines throughout, as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her.",
        "Medium crayon-drawn shot as the grandson grabs for the watering can before he's told to, sloshing scribbled waxy droplets over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him.",
        "Close crayon-drawn shot on the grandmother's hands steadying the can, sketchy shading across her fingers, her gaze drifting toward something past the child, distracted.",
        "Wide crayon-drawn shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present, wavy uneven outlines around them both."
      ]
    },
    "C8_4_C__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. Inside a glass conservatory filled with tall ferns and citrus trees, lit now by dim theatrical lighting -- a single intense spotlight cutting through deep surrounding shadow -- a grandmother in a cream linen cardigan waters potted seedlings at a long wooden bench while her young grandson in a navy-striped t-shirt tags along, restless and eager to help, the rest of the conservatory sunk in shadow beyond the spotlight's edge. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden potting bench inside the conservatory, held within the same single spotlight against the surrounding dark throughout; the watering can remains between them while the grandson keeps reaching for it before the grandmother is ready to let go. Shot sequence: Shot 1: Wide shot down the conservatory, a single spotlight carving them out of the deep surrounding shadow, as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her. Shot 2: Medium shot, still lit only by the intense spotlight, as the grandson grabs for the watering can before he's told to, sloshing water over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him. Shot 3: Close shot on the grandmother's hands steadying the can, the spotlight sharp across her fingers and the rest of the frame dark, her gaze drifting toward something past the child, distracted. Shot 4: Wide shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present, the spotlight following them against the deep shadow.",
      "target_shot_prompts": [
        "Wide shot down the conservatory, a single spotlight carving them out of the deep surrounding shadow, as the grandmother waters a row of seedlings at her own unhurried pace, the grandson hopping impatiently beside her.",
        "Medium shot, still lit only by the intense spotlight, as the grandson grabs for the watering can before he's told to, sloshing water over the rim, and asks a strange, specific question about the plants that the grandmother answers without quite looking at him.",
        "Close shot on the grandmother's hands steadying the can, the spotlight sharp across her fingers and the rest of the frame dark, her gaze drifting toward something past the child, distracted.",
        "Wide shot as the grandson tugs the can toward the next pot before the grandmother has finished with this one, the grandmother following a half-step behind, still not fully present, the spotlight following them against the deep shadow."
      ]
    },
    "C8_5_A__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a crowded open-air street market blanketed by dense snowfall, large snowflakes drifting visibly through the frozen wintry air, striped awnings sagging under a dusting of snow, a produce vendor in a burgundy apron spots an old friend in a teal headscarf browsing his stall and calls out to her, launching into their usual haggling routine as bundled-up shoppers drift past behind them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden fruit cart at his market stall, snow continuing to drift down over the whole scene throughout; the crate of oranges remains on the cart, dusted with snow, while they alternate between haggling and laughing at old jokes. Shot sequence: Shot 1: Wide shot of the snow-blanketed market street, large snowflakes drifting down, as he spots her approaching and throws his arms open in mock outrage at how long it's been. Shot 2: Medium shot, snow still falling around them, as she picks up a snow-dusted orange, inspecting it with exaggerated skepticism while he defends its quality. Shot 3: Close shot of their hands, snowflakes landing on their sleeves, as he presses two oranges into hers anyway, refusing payment, both grinning. Shot 4: Reverse medium shot through the falling snow as she tries to force coins into his apron pocket and he dodges, laughing. Shot 5: Wide shot in the drifting snow as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving.",
      "target_shot_prompts": [
        "Wide shot of the snow-blanketed market street, large snowflakes drifting down, as he spots her approaching and throws his arms open in mock outrage at how long it's been.",
        "Medium shot, snow still falling around them, as she picks up a snow-dusted orange, inspecting it with exaggerated skepticism while he defends its quality.",
        "Close shot of their hands, snowflakes landing on their sleeves, as he presses two oranges into hers anyway, refusing payment, both grinning.",
        "Reverse medium shot through the falling snow as she tries to force coins into his apron pocket and he dodges, laughing.",
        "Wide shot in the drifting snow as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving."
      ]
    },
    "C8_5_A__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a crowded open-air street market at midday, the entire scene rendered in high-contrast black-and-white, striped awnings casting sharp patterned shade, a produce vendor in a burgundy apron spots an old friend in a teal headscarf browsing his stall and calls out to her, launching into their usual haggling routine as shoppers drift past behind them in monochrome. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same wooden fruit cart at his market stall, the whole scene remaining in the same high-contrast black-and-white grade throughout; the crate of oranges remains on the cart while they alternate between haggling and laughing at old jokes. Shot sequence: Shot 1: Wide black-and-white shot of the market street, deep contrast between the awning shadows and midday light, as he spots her approaching and throws his arms open in mock outrage at how long it's been. Shot 2: Medium shot, still in high-contrast monochrome, as she picks up an orange, inspecting it with exaggerated skepticism while he defends its quality. Shot 3: Close black-and-white shot of their hands as he presses two oranges into hers anyway, refusing payment, both grinning. Shot 4: Reverse medium shot, high-contrast and monochrome, as she tries to force coins into his apron pocket and he dodges, laughing. Shot 5: Wide black-and-white shot as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving.",
      "target_shot_prompts": [
        "Wide black-and-white shot of the market street, deep contrast between the awning shadows and midday light, as he spots her approaching and throws his arms open in mock outrage at how long it's been.",
        "Medium shot, still in high-contrast monochrome, as she picks up an orange, inspecting it with exaggerated skepticism while he defends its quality.",
        "Close black-and-white shot of their hands as he presses two oranges into hers anyway, refusing payment, both grinning.",
        "Reverse medium shot, high-contrast and monochrome, as she tries to force coins into his apron pocket and he dodges, laughing.",
        "Wide black-and-white shot as she finally gives up, tucks the coins under the fruit crate when he isn't looking, and walks off waving."
      ]
    },
    "C8_5_B__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot Japanese 2D animation video of one continuous scene. On a rain-slicked city street at night, rendered in an anime style with bold flat colors, black outlines, and smooth rounded shapes, neon signs bleeding pink and blue light across the wet asphalt, a delivery courier in a glossy black raincoat wheels his bicycle to a stop beneath a noodle shop's awning just as a woman in a cropped denim jacket ducks under the same awning to escape the rain, and both freeze, recognizing each other after years apart, their exaggerated expressions rendered in crisp anime linework. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay beneath the same noodle shop awning with his bicycle beside them, the anime style's bold flat colors and black outlines consistent throughout; neither moves from the awning as the rain continues to fall around them in stylized flat-shaded drops. Shot sequence: Shot 1: Wide anime-style shot down the glowing street, bold flat neon colors outlined in black, as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain. Shot 2: Medium two-shot, rendered with simplified exaggerated anime expressions, as they both realize who the other is, an awkward beat stretching between them. Shot 3: Close anime-style shot on her face, smooth rounded features and bold linework, as she manages a small, surprised laugh and asks how long it's been. Shot 4: Reverse medium shot on him, flat-shaded and black-outlined, as he rubs the back of his neck, admitting he's thought about calling her more than once. Shot 5: Wide anime-style shot as the rain eases slightly and she steps half a pace closer, the neon glow rendered as bold flat color reflecting in the puddles around them.",
      "target_shot_prompts": [
        "Wide anime-style shot down the glowing street, bold flat neon colors outlined in black, as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain.",
        "Medium two-shot, rendered with simplified exaggerated anime expressions, as they both realize who the other is, an awkward beat stretching between them.",
        "Close anime-style shot on her face, smooth rounded features and bold linework, as she manages a small, surprised laugh and asks how long it's been.",
        "Reverse medium shot on him, flat-shaded and black-outlined, as he rubs the back of his neck, admitting he's thought about calling her more than once.",
        "Wide anime-style shot as the rain eases slightly and she steps half a pace closer, the neon glow rendered as bold flat color reflecting in the puddles around them."
      ]
    },
    "C8_5_B__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rain-slicked city street at night, the whole scene warmed to an overall amber/orange color temperature across the frame, neon signs bleeding warm gold and amber light across the wet asphalt, a delivery courier in a glossy black raincoat wheels his bicycle to a stop beneath a noodle shop's awning just as a woman in a cropped denim jacket ducks under the same awning to escape the rain, and both freeze, recognizing each other after years apart. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay beneath the same noodle shop awning with his bicycle beside them, the warm amber color temperature steady across the whole frame throughout; neither moves from the awning as the rain continues to fall around them. Shot sequence: Shot 1: Wide shot down the amber-warmed street as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain. Shot 2: Medium two-shot, the whole frame warmed in amber and orange tones, as they both realize who the other is, an awkward beat stretching between them. Shot 3: Close shot on her face, lit in warm amber light, as she manages a small, surprised laugh and asks how long it's been. Shot 4: Reverse medium shot on him, the warm color grade steady, as he rubs the back of his neck, admitting he's thought about calling her more than once. Shot 5: Wide shot, amber and orange tones washing the whole frame, as the rain eases slightly and she steps half a pace closer, the glow reflecting warm in the puddles around them.",
      "target_shot_prompts": [
        "Wide shot down the amber-warmed street as he wheels the bicycle to a stop beneath the dripping awning just as she ducks in from the rain.",
        "Medium two-shot, the whole frame warmed in amber and orange tones, as they both realize who the other is, an awkward beat stretching between them.",
        "Close shot on her face, lit in warm amber light, as she manages a small, surprised laugh and asks how long it's been.",
        "Reverse medium shot on him, the warm color grade steady, as he rubs the back of his neck, admitting he's thought about calling her more than once.",
        "Wide shot, amber and orange tones washing the whole frame, as the rain eases slightly and she steps half a pace closer, the glow reflecting warm in the puddles around them."
      ]
    },
    "C8_5_C__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a farmhouse kitchen's breakfast nook, thick autumnal morning fog pressing against the windows and seeping a muted grey light across the room, damping every surface, a mother in a mustard-yellow cardigan kneads bread dough at the counter while her adult daughter in a sage-green sweater perches on a stool nearby, working up the nerve to tell her something, a kettle steaming softly between them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay in the same kitchen, the mother at the counter and the daughter on the stool beside it, the thick grey fog pressing at the windows and the muted damp light steady throughout; the dough remains on the floured board while they alternate between kneading and talking. Shot sequence: Shot 1: Wide shot of the fog-muted kitchen, grey light pressing through the windows, as the mother kneads the dough and the daughter watches from her stool, working up her nerve. Shot 2: Medium two-shot in the damp grey light as the daughter blurts out that she's engaged, watching her mother's face for a reaction. Shot 3: Close shot on the mother's flour-dusted hands going still on the dough, the muted fog-light flat across them, her expression unreadable, somewhere between a smile and something harder to name. Shot 4: Reverse medium shot, grey and damp-lit, as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear. Shot 5: Wide shot in the muted fog light as the daughter searches her mother's face, still not quite sure what she just heard in her voice, the kettle whistling behind them both.",
      "target_shot_prompts": [
        "Wide shot of the fog-muted kitchen, grey light pressing through the windows, as the mother kneads the dough and the daughter watches from her stool, working up her nerve.",
        "Medium two-shot in the damp grey light as the daughter blurts out that she's engaged, watching her mother's face for a reaction.",
        "Close shot on the mother's flour-dusted hands going still on the dough, the muted fog-light flat across them, her expression unreadable, somewhere between a smile and something harder to name.",
        "Reverse medium shot, grey and damp-lit, as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear.",
        "Wide shot in the muted fog light as the daughter searches her mother's face, still not quite sure what she just heard in her voice, the kettle whistling behind them both."
      ]
    },
    "C8_5_C__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a farmhouse kitchen's breakfast nook, golden hour warm light streaming through the windows in visible shafts, dust motes drifting through the glow, a mother in a mustard-yellow cardigan kneads bread dough at the counter while her adult daughter in a sage-green sweater perches on a stool nearby, working up the nerve to tell her something, a kettle steaming softly between them. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay in the same kitchen, the mother at the counter and the daughter on the stool beside it, the golden shafts of light and drifting dust motes steady throughout; the dough remains on the floured board while they alternate between kneading and talking. Shot sequence: Shot 1: Wide shot of the kitchen, golden light streaming through the window in visible shafts full of drifting dust motes, as the mother kneads the dough and the daughter watches from her stool, working up her nerve. Shot 2: Medium two-shot in the warm golden glow as the daughter blurts out that she's engaged, watching her mother's face for a reaction. Shot 3: Close shot on the mother's flour-dusted hands going still on the dough, dust motes drifting through the golden light around them, her expression unreadable, somewhere between a smile and something harder to name. Shot 4: Reverse medium shot, golden light streaming behind her, as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear. Shot 5: Wide shot as the daughter searches her mother's face, still not quite sure what she just heard in her voice, golden light and dust motes drifting around the kettle whistling behind them both.",
      "target_shot_prompts": [
        "Wide shot of the kitchen, golden light streaming through the window in visible shafts full of drifting dust motes, as the mother kneads the dough and the daughter watches from her stool, working up her nerve.",
        "Medium two-shot in the warm golden glow as the daughter blurts out that she's engaged, watching her mother's face for a reaction.",
        "Close shot on the mother's flour-dusted hands going still on the dough, dust motes drifting through the golden light around them, her expression unreadable, somewhere between a smile and something harder to name.",
        "Reverse medium shot, golden light streaming behind her, as the mother wipes her hands slowly on her apron, saying something quiet the daughter has to lean in to hear.",
        "Wide shot as the daughter searches her mother's face, still not quite sure what she just heard in her voice, golden light and dust motes drifting around the kettle whistling behind them both."
      ]
    },
    "C8_6_A__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot pencil-sketch animated video of one continuous scene. At a desert campsite beneath a vast star-strewn sky, rendered as a grayscale pencil sketch with fine textured lines, shading depth, and hand-drawn strokes on white, a campfire crackling in a ring of stones, two trail guides -- one in a weathered rust-red flannel jacket, the other in a faded denim jacket with a bandana knotted at his throat -- trade an old rivalry over who tells the better campfire story, the silhouette of distant mesas sketched in fine cross-hatched lines along the horizon. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated on opposite sides of the same stone fire ring at the campsite, every surface built from the same fine pencil linework and shading throughout; the fire remains burning in its ring while they alternate between storytelling and one-upping each other. Shot sequence: Shot 1: Wide pencil-sketch shot of the campsite under the sketched stars, fine cross-hatched shading throughout, as the flannel-jacket guide launches into an exaggerated story, gesturing wide. Shot 2: Medium pencil-sketch shot, hand-drawn lines and shading depth, as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale. Shot 3: Close pencil-sketch shot of the flannel-jacket guide's face, fine textured shading catching the firelight, feigning offense at being one-upped, already building his rebuttal. Shot 4: Reverse wide pencil-sketch shot from beyond the fire, the silhouette of distant mesas cross-hatched against the sketched starlit sky behind them both. Shot 5: Medium two-shot, rendered in the same fine pencil linework, as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it. Shot 6: Low wide pencil-sketch shot as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them, shaded in fine hand-drawn strokes.",
      "target_shot_prompts": [
        "Wide pencil-sketch shot of the campsite under the sketched stars, fine cross-hatched shading throughout, as the flannel-jacket guide launches into an exaggerated story, gesturing wide.",
        "Medium pencil-sketch shot, hand-drawn lines and shading depth, as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale.",
        "Close pencil-sketch shot of the flannel-jacket guide's face, fine textured shading catching the firelight, feigning offense at being one-upped, already building his rebuttal.",
        "Reverse wide pencil-sketch shot from beyond the fire, the silhouette of distant mesas cross-hatched against the sketched starlit sky behind them both.",
        "Medium two-shot, rendered in the same fine pencil linework, as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it.",
        "Low wide pencil-sketch shot as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them, shaded in fine hand-drawn strokes."
      ]
    },
    "C8_6_A__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a desert campsite under a blinding midday summer sun, harsh white sunlight beating down and deep ink-black shadows pooling beneath every rock and stone, a campfire crackling faintly in a ring of stones despite the daylight, two trail guides -- one in a weathered rust-red flannel jacket, the other in a faded denim jacket with a bandana knotted at his throat -- trade an old rivalry over who tells the better campfire story, the silhouette of distant mesas shimmering in the heat along the horizon. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated on opposite sides of the same stone fire ring at the campsite, the harsh white midday sun and deep ink-black shadows steady throughout; the fire remains burning in its ring while they alternate between storytelling and one-upping each other. Shot sequence: Shot 1: Wide shot of the sunbaked campsite, harsh white light and deep black shadows carving the ground, as the flannel-jacket guide launches into an exaggerated story, gesturing wide. Shot 2: Medium shot, hard midday light and ink-black shadow across his face, as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale. Shot 3: Close shot of the flannel-jacket guide's face, deep black shadow cut sharp across it in the blinding sun, feigning offense at being one-upped, already building his rebuttal. Shot 4: Reverse wide shot from beyond the fire, the silhouette of distant mesas shimmering in harsh white heat-haze behind them both. Shot 5: Medium two-shot in the blinding midday sun as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it. Shot 6: Low wide shot, sunlight harsh and shadows ink-black, as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them.",
      "target_shot_prompts": [
        "Wide shot of the sunbaked campsite, harsh white light and deep black shadows carving the ground, as the flannel-jacket guide launches into an exaggerated story, gesturing wide.",
        "Medium shot, hard midday light and ink-black shadow across his face, as the denim-jacket guide rolls his eyes and interrupts with a louder, more dramatic version of the same tale.",
        "Close shot of the flannel-jacket guide's face, deep black shadow cut sharp across it in the blinding sun, feigning offense at being one-upped, already building his rebuttal.",
        "Reverse wide shot from beyond the fire, the silhouette of distant mesas shimmering in harsh white heat-haze behind them both.",
        "Medium two-shot in the blinding midday sun as the flannel-jacket guide leans in with a bigger, clearly exaggerated comeback, daring the other to top it.",
        "Low wide shot, sunlight harsh and shadows ink-black, as the denim-jacket guide sets down his cup, already opening his mouth to one-up him again, the fire steady between them."
      ]
    },
    "C8_6_B__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sprawling hillside vineyard swallowed by dim eerie nocturnal fog, cold bluish ambient light seeping through the dampened, low-visibility air, long rows of vines barely visible through the mist, two adult siblings -- an older sister in a deep-teal denim jacket and her younger brother in a rust-colored flannel shirt -- move down the same row snipping ripe grape clusters while quietly arguing over whether to sell the family land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay within the same vine row on the hillside, the cold bluish fog and dampened visibility steady throughout; the wicker basket remains between them, passed back and forth, while they alternate between harvesting and arguing. Shot sequence: Shot 1: Wide shot down the fog-shrouded vine row, cold bluish light barely cutting through the mist, as they harvest side by side, her tone clipped as she raises the subject again. Shot 2: Medium shot, visibility low in the dampened blue fog, as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary. Shot 3: Close shot of the shears trembling slightly in her hand in the cold blue haze as she sets them down, choosing her next words carefully. Shot 4: Reverse shot, the fog pressing close and eerie around them, as he stops, looks up at her properly for the first time, something complicated crossing his face. Shot 5: Medium two-shot in the dim bluish fog as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer. Shot 6: Wide shot, the cold fog still hanging low over the row, as he picks the shears back up and keeps working the row without a word, the question still sitting between them.",
      "target_shot_prompts": [
        "Wide shot down the fog-shrouded vine row, cold bluish light barely cutting through the mist, as they harvest side by side, her tone clipped as she raises the subject again.",
        "Medium shot, visibility low in the dampened blue fog, as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary.",
        "Close shot of the shears trembling slightly in her hand in the cold blue haze as she sets them down, choosing her next words carefully.",
        "Reverse shot, the fog pressing close and eerie around them, as he stops, looks up at her properly for the first time, something complicated crossing his face.",
        "Medium two-shot in the dim bluish fog as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer.",
        "Wide shot, the cold fog still hanging low over the row, as he picks the shears back up and keeps working the row without a word, the question still sitting between them."
      ]
    },
    "C8_6_B__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a sprawling hillside vineyard under muted overcast daylight, sterile gray light and diffused low-contrast illumination flattening the rows of vines, two adult siblings -- an older sister in a deep-teal denim jacket and her younger brother in a rust-colored flannel shirt -- move down the same row snipping ripe grape clusters while quietly arguing over whether to sell the family land. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay within the same vine row on the hillside, the flat gray overcast light steady throughout; the wicker basket remains between them, passed back and forth, while they alternate between harvesting and arguing. Shot sequence: Shot 1: Wide shot down the vine row under the flat gray overcast sky as they harvest side by side, her tone clipped as she raises the subject again. Shot 2: Medium shot, the diffused gray light low-contrast across them, as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary. Shot 3: Close shot of the shears trembling slightly in her hand under the sterile gray light as she sets them down, choosing her next words carefully. Shot 4: Reverse shot, the overcast light flat and even, as he stops, looks up at her properly for the first time, something complicated crossing his face. Shot 5: Medium two-shot under the muted gray sky as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer. Shot 6: Wide shot, the diffused overcast light unchanged, as he picks the shears back up and keeps working the row without a word, the question still sitting between them.",
      "target_shot_prompts": [
        "Wide shot down the vine row under the flat gray overcast sky as they harvest side by side, her tone clipped as she raises the subject again.",
        "Medium shot, the diffused gray light low-contrast across them, as he snaps back that he's not ready to sign anything yet, snipping a cluster harder than necessary.",
        "Close shot of the shears trembling slightly in her hand under the sterile gray light as she sets them down, choosing her next words carefully.",
        "Reverse shot, the overcast light flat and even, as he stops, looks up at her properly for the first time, something complicated crossing his face.",
        "Medium two-shot under the muted gray sky as she admits she doesn't want to sell either, just doesn't know how else to save the vineyard, and he doesn't answer.",
        "Wide shot, the diffused overcast light unchanged, as he picks the shears back up and keeps working the row without a word, the question still sitting between them."
      ]
    },
    "C8_4_D__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot watercolor 2D animated video of one continuous scene. In a small barbershop at midday, rendered as a watercolor painting with soft blended colors, visible brushstrokes, and a paper-like background texture, sunlight slanting through the front window across a wall of vintage clipper photos, a barber in a black apron works clippers along the back of a client's head, the client draped in a mustard-yellow cape and gripping the chair's armrests as the cut gets shorter than she expected. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same barber chair and station, the whole scene painted throughout in soft blended watercolor washes with visible brushstrokes on a paper-like texture; the clippers stay in the barber's hand or on the tray, and the client stays seated in the chair the entire time. Shot sequence: Shot 1: Wide watercolor shot of the barbershop, soft brushstrokes filling the wall of vintage clipper photos, as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye. Shot 2: Medium two-shot, rendered in the same soft watercolor washes, as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better. Shot 3: Medium shot, brushstrokes visible on the paper-like texture, on the client's face, unconvinced, her hand gripping the chair's armrest tighter. Shot 4: Wide watercolor shot as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue, soft brushstroke color washing over the whole scene.",
      "target_shot_prompts": [
        "Wide watercolor shot of the barbershop, soft brushstrokes filling the wall of vintage clipper photos, as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye.",
        "Medium two-shot, rendered in the same soft watercolor washes, as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better.",
        "Medium shot, brushstrokes visible on the paper-like texture, on the client's face, unconvinced, her hand gripping the chair's armrest tighter.",
        "Wide watercolor shot as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue, soft brushstroke color washing over the whole scene."
      ]
    },
    "C8_4_D__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a small barbershop at midday, the whole scene washed in a warm sepia tone, sunlight slanting through the front window across a wall of vintage clipper photos, a barber in a black apron works clippers along the back of a client's head, the client draped in a mustard-yellow cape and gripping the chair's armrests as the cut gets shorter than she expected. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same barber chair and station, the same warm sepia tone held throughout; the clippers stay in the barber's hand or on the tray, and the client stays seated in the chair the entire time. Shot sequence: Shot 1: Wide shot of the barbershop, the whole frame in a warm sepia tone, as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye, the wall of vintage clipper photos visible behind them both. Shot 2: Medium two-shot, sepia-toned throughout, as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better. Shot 3: Medium shot, warm sepia light on the client's face, unconvinced, her hand gripping the chair's armrest tighter. Shot 4: Wide shot, still in the same sepia tone, as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue.",
      "target_shot_prompts": [
        "Wide shot of the barbershop, the whole frame in a warm sepia tone, as the barber lifts the clippers away from the client's head mid-pass, pausing to look her in the eye, the wall of vintage clipper photos visible behind them both.",
        "Medium two-shot, sepia-toned throughout, as the client admits she's had second thoughts about going this short and asks him to stop right now, and the barber argues that stopping halfway will look worse, not better.",
        "Medium shot, warm sepia light on the client's face, unconvinced, her hand gripping the chair's armrest tighter.",
        "Wide shot, still in the same sepia tone, as the barber lifts the clippers again anyway and leans back in, the client closing her eyes and letting him continue."
      ]
    },
    "C8_4_E__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At an outdoor skate park lashed by a heavy rainstorm, concrete bowls and rails slick and streaming under sheets of falling rain, a veteran skater in a faded red hoodie stands with one foot propped on top of her own board, watching a young rookie in a cobalt-blue beanie attempt the same trick off the same ledge for the fifth time, her board clattering against the wet concrete every time she bails. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same ledge and its landing ramp at the park, rain hammering down around them throughout; the veteran's board stays under her foot the entire time until she rides off in the last shot, and the rookie's board stays in her hands or under her feet, never left behind. Shot sequence: Shot 1: Wide shot of the skate park bowl, rain streaming down the concrete walls, as the rookie rolls up to the ledge again, the veteran standing a few feet back in the downpour with one foot resting on top of her own board, arms crossed. Shot 2: Medium shot, rain soaking both of them, as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching. Shot 3: Close shot on the veteran's rain-streaked face, unimpressed, already done listening. Shot 4: Wide shot as the veteran pushes off toward the ledge through the falling rain on her board without another word, the rookie scrambling back through the puddles to give her room.",
      "target_shot_prompts": [
        "Wide shot of the skate park bowl, rain streaming down the concrete walls, as the rookie rolls up to the ledge again, the veteran standing a few feet back in the downpour with one foot resting on top of her own board, arms crossed.",
        "Medium shot, rain soaking both of them, as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching.",
        "Close shot on the veteran's rain-streaked face, unimpressed, already done listening.",
        "Wide shot as the veteran pushes off toward the ledge through the falling rain on her board without another word, the rookie scrambling back through the puddles to give her room."
      ]
    },
    "C8_4_E__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At an outdoor skate park lit by a single harsh spotlight cutting through the darkness, concrete bowls and rails thrown into stark relief by the narrow beam, a veteran skater in a faded red hoodie stands with one foot propped on top of her own board, watching a young rookie in a cobalt-blue beanie attempt the same trick off the same ledge for the fifth time, her board clattering against the concrete every time she bails. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay at the same ledge and its landing ramp at the park, the same single harsh spotlight fixed on them throughout; the veteran's board stays under her foot the entire time until she rides off in the last shot, and the rookie's board stays in her hands or under her feet, never left behind. Shot sequence: Shot 1: Wide shot of the skate park bowl, the harsh spotlight beam cutting a stark circle of light across the concrete, as the rookie rolls up to the ledge again, the veteran standing at the beam's edge with one foot resting on top of her own board, arms crossed. Shot 2: Medium shot, half her face lit hard by the spotlight and half in shadow, as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching. Shot 3: Close shot on the veteran's face, the harsh spotlight carving deep shadow across half of it, unimpressed, already done listening. Shot 4: Wide shot as the veteran pushes off toward the ledge through the spotlight's beam on her board without another word, the rookie scrambling back into the surrounding dark to give her room.",
      "target_shot_prompts": [
        "Wide shot of the skate park bowl, the harsh spotlight beam cutting a stark circle of light across the concrete, as the rookie rolls up to the ledge again, the veteran standing at the beam's edge with one foot resting on top of her own board, arms crossed.",
        "Medium shot, half her face lit hard by the spotlight and half in shadow, as the rookie asks, half-annoyed, why the veteran won't just show her how it's done instead of just watching.",
        "Close shot on the veteran's face, the harsh spotlight carving deep shadow across half of it, unimpressed, already done listening.",
        "Wide shot as the veteran pushes off toward the ledge through the spotlight's beam on her board without another word, the rookie scrambling back into the surrounding dark to give her room."
      ]
    },
    "C8_4_F__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot layered paper-cut animated video of one continuous scene. At a sunlit county fair, rendered in a layered paper-cutout style with angular paper shapes, visible cut edges, and flat textured paper surfaces, striped canvas booths lined up along the midway and carnival music drifting from a nearby ride, a ring-toss booth operator in a red-and-white striped vest coaches her two young assistants -- one in a yellow baseball cap, the other in a teal windbreaker -- on nudging the bottles just slightly closer whenever the odds look easy to fudge, though only one of them will actually do it. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three stay behind the same ring-toss counter at the booth, every element built from layered angular paper shapes with visible cut edges throughout; the bucket of rings stays on the counter throughout. Shot sequence: Shot 1: Wide paper-cutout shot of the midway, angular paper booths and canvas shapes layered against the background, as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights. Shot 2: Medium three-shot, flat paper textures visible on every surface, as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway. Shot 3: Close paper-cutout shot on the yellow-cap assistant's hands, cut-paper fingers nudging the row of bottles a half-inch closer, unbothered. Shot 4: Wide shot, the whole scene still built from layered paper shapes, as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something.",
      "target_shot_prompts": [
        "Wide paper-cutout shot of the midway, angular paper booths and canvas shapes layered against the background, as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights.",
        "Medium three-shot, flat paper textures visible on every surface, as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway.",
        "Close paper-cutout shot on the yellow-cap assistant's hands, cut-paper fingers nudging the row of bottles a half-inch closer, unbothered.",
        "Wide shot, the whole scene still built from layered paper shapes, as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something."
      ]
    },
    "C8_4_F__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At a county fair at blue twilight dusk, striped canvas booths lined up along the midway glowing under strings of lights against the darkening sky, carnival music drifting from a nearby ride, a ring-toss booth operator in a red-and-white striped vest coaches her two young assistants -- one in a yellow baseball cap, the other in a teal windbreaker -- on nudging the bottles just slightly closer whenever the odds look easy to fudge, though only one of them will actually do it. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. All three stay behind the same ring-toss counter at the booth, the same deep blue dusk settled over the midway throughout; the bucket of rings stays on the counter throughout. Shot sequence: Shot 1: Wide shot of the midway in the blue dusk light, string lights glowing warm against the dusk sky, as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights. Shot 2: Medium three-shot, the deep blue twilight settling around them, as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway. Shot 3: Close shot, string lights glowing against the dusk sky behind, on the yellow-cap assistant's hands nudging the row of bottles a half-inch closer, unbothered. Shot 4: Wide shot, the midway still lit blue-dusk with glowing booths, as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something.",
      "target_shot_prompts": [
        "Wide shot of the midway in the blue dusk light, string lights glowing warm against the dusk sky, as the operator leans over the counter between her two assistants, coaching them under her breath, the booth's row of bottles gleaming under the string lights.",
        "Medium three-shot, the deep blue twilight settling around them, as the assistant in the teal windbreaker argues that rigging the bottles feels wrong, while the one in the yellow cap just shrugs and reaches for the bottles anyway.",
        "Close shot, string lights glowing against the dusk sky behind, on the yellow-cap assistant's hands nudging the row of bottles a half-inch closer, unbothered.",
        "Wide shot, the midway still lit blue-dusk with glowing booths, as the teal-windbreaker assistant slides the bucket of rings toward the front of the booth without meeting anyone's eye, the operator watching to see if she'll say something."
      ]
    },
    "C8_5_D__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot flat-vector animated video of one continuous scene. In a nearly empty diner booth well past midnight, rendered in a flat vector style with solid colors, geometric shapes, no shadows, and a minimalist 2D appearance, the neon 'OPEN 24 HRS' sign buzzing pink through the rain-streaked window, a lead guitarist in a faded olive-green jacket sits alone with a half-eaten plate of fries, thumb hovering over a half-typed text to the band's group chat that he still hasn't sent. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated alone in the same window booth for the entire scene, every surface rendered in the same flat solid-color geometric style with no shadows throughout; his phone stays in his hand or on the table, the text still unsent. Shot sequence: Shot 1: Wide flat-vector shot of the booth from the diner aisle, solid geometric shapes with no shadows, as he sits alone, the neon sign's pink glow through the window behind him, the phone propped against the plate in front of him. Shot 2: Medium shot, flat solid colors throughout, as he picks up the phone, thumb hovering over the send button on a message that's already typed out. Shot 3: Close shot on the phone screen, rendered as simple flat geometric shapes, his thumb inches from send, then pulling back at the last second. Shot 4: Reverse medium shot on his face, minimalist and shadow-free, jaw tight, looking anywhere but at the phone on the table. Shot 5: Wide shot, still in the same flat vector style, as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it.",
      "target_shot_prompts": [
        "Wide flat-vector shot of the booth from the diner aisle, solid geometric shapes with no shadows, as he sits alone, the neon sign's pink glow through the window behind him, the phone propped against the plate in front of him.",
        "Medium shot, flat solid colors throughout, as he picks up the phone, thumb hovering over the send button on a message that's already typed out.",
        "Close shot on the phone screen, rendered as simple flat geometric shapes, his thumb inches from send, then pulling back at the last second.",
        "Reverse medium shot on his face, minimalist and shadow-free, jaw tight, looking anywhere but at the phone on the table.",
        "Wide shot, still in the same flat vector style, as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it."
      ]
    },
    "C8_5_D__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In a nearly empty diner booth well past midnight, harsh silhouette lighting from the neon 'OPEN 24 HRS' sign throwing him into stark dark outline against the rain-streaked window, a lead guitarist in a faded olive-green jacket sits alone with a half-eaten plate of fries, thumb hovering over a half-typed text to the band's group chat that he still hasn't sent. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays seated alone in the same window booth for the entire scene, the same harsh silhouette lighting from the sign outside holding steady throughout; his phone stays in his hand or on the table, the text still unsent. Shot sequence: Shot 1: Wide shot of the booth from the diner aisle, his outline thrown into hard silhouette against the pink-lit window behind him, as he sits alone, the phone propped against the plate in front of him. Shot 2: Medium shot, his face reduced to a dark silhouette against the glowing sign, as he picks up the phone, thumb hovering over the send button on a message that's already typed out. Shot 3: Close shot on the phone screen, a faint rim of light catching its edge, his thumb inches from send, then pulling back at the last second. Shot 4: Reverse medium shot on his face, hard-edged silhouette lighting carving one side of him dark, jaw tight, looking anywhere but at the phone on the table. Shot 5: Wide shot, his silhouette still sharp against the window's glow, as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it.",
      "target_shot_prompts": [
        "Wide shot of the booth from the diner aisle, his outline thrown into hard silhouette against the pink-lit window behind him, as he sits alone, the phone propped against the plate in front of him.",
        "Medium shot, his face reduced to a dark silhouette against the glowing sign, as he picks up the phone, thumb hovering over the send button on a message that's already typed out.",
        "Close shot on the phone screen, a faint rim of light catching its edge, his thumb inches from send, then pulling back at the last second.",
        "Reverse medium shot on his face, hard-edged silhouette lighting carving one side of him dark, jaw tight, looking anywhere but at the phone on the table.",
        "Wide shot, his silhouette still sharp against the window's glow, as he sets the phone face-down on the table and pulls the plate of fries back toward him, eating one anyway, still not sending it."
      ]
    },
    "C8_5_E__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden zip-line platform built high in a rainforest canopy in the early dawn light, pale bluish morning haze drifting between the leaves in shifting patches, a tour guide in a bright orange safety vest clips a nervous tourist's harness onto the trolley riding the overhead zip-line cable, the tourist in a lavender rain-shell inching back from the platform's edge. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay on the same canopy platform at the zip-line launch point, the same pale dawn haze hanging over the canopy throughout; the tourist's harness stays clipped to the trolley on the overhead cable in every single shot, including the moment she launches down the line, and neither ever unclips it. Shot sequence: Shot 1: Wide shot of the platform among the treetops, the canopy still pale and hazy in the early dawn light, as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her. Shot 2: Medium two-shot in the cool dawn haze as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure. Shot 3: Close shot, dawn light pale on her skin, on her hands gripping the harness straps at her chest, white-knuckled. Shot 4: Reverse medium shot on the guide in the soft dawn haze as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him. Shot 5: Wide shot as she pushes off the platform into the pale morning light, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go.",
      "target_shot_prompts": [
        "Wide shot of the platform among the treetops, the canopy still pale and hazy in the early dawn light, as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her.",
        "Medium two-shot in the cool dawn haze as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure.",
        "Close shot, dawn light pale on her skin, on her hands gripping the harness straps at her chest, white-knuckled.",
        "Reverse medium shot on the guide in the soft dawn haze as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him.",
        "Wide shot as she pushes off the platform into the pale morning light, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go."
      ]
    },
    "C8_5_E__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a wooden zip-line platform built high in a rainforest canopy, warm amber light washing through the leaves in shifting patches, a tour guide in a bright orange safety vest clips a nervous tourist's harness onto the trolley riding the overhead zip-line cable, the tourist in a lavender rain-shell inching back from the platform's edge. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay on the same canopy platform at the zip-line launch point, the same warm amber glow settled over the canopy throughout; the tourist's harness stays clipped to the trolley on the overhead cable in every single shot, including the moment she launches down the line, and neither ever unclips it. Shot sequence: Shot 1: Wide shot of the platform among the treetops, warm amber light glowing through the canopy, as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her. Shot 2: Medium two-shot bathed in the amber glow as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure. Shot 3: Close shot, warm amber light on her knuckles, on her hands gripping the harness straps at her chest, white-knuckled. Shot 4: Reverse medium shot on the guide, the amber light warm across his face, as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him. Shot 5: Wide shot as she pushes off the platform through the warm amber light, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go.",
      "target_shot_prompts": [
        "Wide shot of the platform among the treetops, warm amber light glowing through the canopy, as the guide clips the tourist's harness onto the trolley riding the overhead cable, the metal trolley and cable clearly visible above her.",
        "Medium two-shot bathed in the amber glow as she asks, only half-joking, if anyone has ever actually died doing this, and the guide answers a little too quickly that it's basically never happened, tugging the still-clipped harness once to show it's secure.",
        "Close shot, warm amber light on her knuckles, on her hands gripping the harness straps at her chest, white-knuckled.",
        "Reverse medium shot on the guide, the amber light warm across his face, as he holds the cable line steady and tells her the countdown is just for her, whenever she's ready, her harness still clipped to the trolley beside him.",
        "Wide shot as she pushes off the platform through the warm amber light, the trolley sliding away down the overhead cable with her harness still clipped to it, the guide already leaning out to watch her go."
      ]
    },
    "C8_5_F__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rooftop vegetable garden overlooking the city skyline at golden hour, the setting sun casting long warm light across the raised wooden planter beds lined in neat rows, a co-op founder in a moss-green work shirt kneels to check a tray of seedlings while her business partner in a rust-colored flannel shirt paces between the beds holding a lease renewal letter he still hasn't shown her. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay among the same row of raised planter beds on the rooftop, the same golden sunset light stretching long shadows across the beds throughout; the lease letter stays folded in his hand until he finally holds it out to her, and neither leaves the rooftop. Shot sequence: Shot 1: Wide shot across the rooftop garden in the golden sunset light, long shadows stretching between the beds, as she checks the seedling trays and he paces a few beds down, the city skyline glowing amber beyond the rooftop's edge. Shot 2: Medium shot, warm sunset light on her face, as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year. Shot 3: Close shot, golden light catching the folded paper, on his hand gripping the folded letter, still not offering it to her. Shot 4: Reverse medium shot on her, sunset light warm across her shoulders, as she sets down her trowel slowly, waiting for him to just say the number instead of stalling. Shot 5: Wide shot, the skyline glowing behind them in the last of the sunset light, as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand.",
      "target_shot_prompts": [
        "Wide shot across the rooftop garden in the golden sunset light, long shadows stretching between the beds, as she checks the seedling trays and he paces a few beds down, the city skyline glowing amber beyond the rooftop's edge.",
        "Medium shot, warm sunset light on her face, as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year.",
        "Close shot, golden light catching the folded paper, on his hand gripping the folded letter, still not offering it to her.",
        "Reverse medium shot on her, sunset light warm across her shoulders, as she sets down her trowel slowly, waiting for him to just say the number instead of stalling.",
        "Wide shot, the skyline glowing behind them in the last of the sunset light, as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand."
      ]
    },
    "C8_5_F__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. On a rooftop vegetable garden overlooking the city skyline, the whole scene rendered in a bold teal-and-orange color grade, raised wooden planter beds lined in neat rows, a co-op founder in a moss-green work shirt kneels to check a tray of seedlings while her business partner in a rust-colored flannel shirt paces between the beds holding a lease renewal letter he still hasn't shown her. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay among the same row of raised planter beds on the rooftop, the same teal-and-orange color grade held throughout; the lease letter stays folded in his hand until he finally holds it out to her, and neither leaves the rooftop. Shot sequence: Shot 1: Wide shot across the rooftop garden, the skyline and planter beds rendered in the same teal-and-orange grade, as she checks the seedling trays and he paces a few beds down, the city visible beyond the rooftop's edge. Shot 2: Medium shot, colors pushed into the same teal-and-orange palette, as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year. Shot 3: Close shot, the folded letter warm orange against teal shadow, on his hand gripping it, still not offering it to her. Shot 4: Reverse medium shot on her, still in the teal-and-orange grade, as she sets down her trowel slowly, waiting for him to just say the number instead of stalling. Shot 5: Wide shot, the whole frame still in the teal-and-orange color grade, as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand.",
      "target_shot_prompts": [
        "Wide shot across the rooftop garden, the skyline and planter beds rendered in the same teal-and-orange grade, as she checks the seedling trays and he paces a few beds down, the city visible beyond the rooftop's edge.",
        "Medium shot, colors pushed into the same teal-and-orange palette, as she asks what's wrong without looking up, and he admits the landlord tripled the rooftop lease for next year.",
        "Close shot, the folded letter warm orange against teal shadow, on his hand gripping it, still not offering it to her.",
        "Reverse medium shot on her, still in the teal-and-orange grade, as she sets down her trowel slowly, waiting for him to just say the number instead of stalling.",
        "Wide shot, the whole frame still in the teal-and-orange color grade, as he finally holds the letter out, and she doesn't take it yet, just stares at it in his hand."
      ]
    },
    "C8_6_C__stylization__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot voxel-art animated video of one continuous scene. In the bed of a parked pickup truck at a drive-in movie theater at night, rendered in a voxel-art style with every surface rebuilt from small 3D cubes and a grid background with subtle depth and shadowing, the big outdoor screen glowing blue-white across a lot full of parked cars, two friends -- one in a mustard corduroy jacket, the other in a slate-gray hoodie -- share a blanket and a bag of popcorn as the movie nears its climax, one of them already checking the time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated in the same truck bed facing the screen for the entire scene, every object built from the same small 3D voxel cubes throughout; the bag of popcorn stays between them, and neither one gets out of the truck. Shot sequence: Shot 1: Wide voxel-art shot of the drive-in lot, blocky cube-built cars and truck bed against a subtly shadowed grid background, as the two of them sit under a shared blanket, the glowing screen lighting their cube-shaded faces, rows of parked cars stretching out behind them. Shot 2: Medium two-shot, every surface built from small voxel cubes, as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift. Shot 3: Close shot on the one in the slate-gray hoodie's blocky voxel face, mock-offended, refusing to pause the movie for anyone. Shot 4: Reverse medium shot on the mustard-jacket friend, cube-shaded and grid-lit, as she pulls the blanket back over both their laps anyway, clearly staying a little longer. Shot 5: Medium shot, still rendered in cubic voxel surfaces, as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen. Shot 6: Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down, the whole scene still built from voxel cubes.",
      "target_shot_prompts": [
        "Wide voxel-art shot of the drive-in lot, blocky cube-built cars and truck bed against a subtly shadowed grid background, as the two of them sit under a shared blanket, the glowing screen lighting their cube-shaded faces, rows of parked cars stretching out behind them.",
        "Medium two-shot, every surface built from small voxel cubes, as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift.",
        "Close shot on the one in the slate-gray hoodie's blocky voxel face, mock-offended, refusing to pause the movie for anyone.",
        "Reverse medium shot on the mustard-jacket friend, cube-shaded and grid-lit, as she pulls the blanket back over both their laps anyway, clearly staying a little longer.",
        "Medium shot, still rendered in cubic voxel surfaces, as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen.",
        "Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down, the whole scene still built from voxel cubes."
      ]
    },
    "C8_6_C__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. In the bed of a parked pickup truck at a drive-in movie theater at night, a snowy blizzard swirling thick flakes through the beams of the big outdoor screen across a lot full of snow-dusted parked cars, two friends -- one in a mustard corduroy jacket, the other in a slate-gray hoodie -- share a blanket and a bag of popcorn as the movie nears its climax, one of them already checking the time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. Both stay seated in the same truck bed facing the screen for the entire scene, the same blizzard swirling steadily around them throughout; the bag of popcorn stays between them, and neither one gets out of the truck. Shot sequence: Shot 1: Wide shot of the drive-in lot, snow swirling thick through the screen's glow, as the two of them sit in the truck bed under a shared blanket, rows of snow-dusted parked cars stretching out behind them. Shot 2: Medium two-shot, snowflakes drifting past their faces, as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift. Shot 3: Close shot on the one in the slate-gray hoodie's face, a few snowflakes catching in her hair, mock-offended, refusing to pause the movie for anyone. Shot 4: Reverse medium shot on the mustard-jacket friend, snow gathering on the edge of the blanket, as she pulls it back over both their laps anyway, clearly staying a little longer. Shot 5: Medium shot, the blizzard still swirling around them, as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen. Shot 6: Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, snow piling on the truck bed's edge, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down.",
      "target_shot_prompts": [
        "Wide shot of the drive-in lot, snow swirling thick through the screen's glow, as the two of them sit in the truck bed under a shared blanket, rows of snow-dusted parked cars stretching out behind them.",
        "Medium two-shot, snowflakes drifting past their faces, as the one in the mustard jacket checks the time again and says she really has to leave before the ending if she's making her early shift.",
        "Close shot on the one in the slate-gray hoodie's face, a few snowflakes catching in her hair, mock-offended, refusing to pause the movie for anyone.",
        "Reverse medium shot on the mustard-jacket friend, snow gathering on the edge of the blanket, as she pulls it back over both their laps anyway, clearly staying a little longer.",
        "Medium shot, the blizzard still swirling around them, as the slate-gray-hoodie friend passes the popcorn bag back across without looking away from the screen.",
        "Wide shot as the movie's music swells behind them and neither of them moves toward the truck's cab, snow piling on the truck bed's edge, the mustard-jacket friend glancing at her phone screen light up once, then setting it face-down."
      ]
    },
    "C8_6_D__environment_change__01": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At the edge of a mountain lake under a rolling thunderstorm, dark clouds churning overhead and distant thunder rumbling across the water, a lone swimmer in a black wetsuit stands at the end of a long wooden dock whose planks run in a straight line back to a grassy bank, working up the nerve for the cold plunge he does every morning but still dreads every time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays at the same spot at the end of the dock for the entire scene, the same rolling thunderstorm churning overhead throughout, always facing out toward the open water and never turning to face the shore; the dock is a straight run of wooden planks anchored to the same fixed point on the grassy bank behind him in every shot, and he never turns back once he commits to the jump in the final shot. Shot sequence: Shot 1: Wide shot from behind him on the shore as he stands at the end of the dock facing out over the storm-churned water, the dock's planks running in a straight line back to the grassy bank behind him, dark clouds rolling overhead. Shot 2: Medium shot from behind him as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again as thunder rumbles in the distance. Shot 3: Close shot on his bare feet, still facing forward toward the churning water, inching forward until his toes curl over the very edge of the dock's last plank. Shot 4: Wide shot from the water level looking back at him on the dock, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, the lake's surface choppy under the darkening storm. Shot 5: Medium shot from behind him as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits, lightning flickering somewhere far off. Shot 6: Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the storm-tossed water, the dock and its grassy bank anchor point still visible behind him, the water breaking into a spray of ripples around him.",
      "target_shot_prompts": [
        "Wide shot from behind him on the shore as he stands at the end of the dock facing out over the storm-churned water, the dock's planks running in a straight line back to the grassy bank behind him, dark clouds rolling overhead.",
        "Medium shot from behind him as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again as thunder rumbles in the distance.",
        "Close shot on his bare feet, still facing forward toward the churning water, inching forward until his toes curl over the very edge of the dock's last plank.",
        "Wide shot from the water level looking back at him on the dock, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, the lake's surface choppy under the darkening storm.",
        "Medium shot from behind him as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits, lightning flickering somewhere far off.",
        "Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the storm-tossed water, the dock and its grassy bank anchor point still visible behind him, the water breaking into a spray of ripples around him."
      ]
    },
    "C8_6_D__environment_change__02": {
      "target": {
        "type": "scene",
        "id": null,
        "mask": null,
        "shots": null
      },
      "target_prompt": "Create a cinematic multi-shot live-action video of one continuous scene. At the edge of a still mountain lake at sunrise, the whole scene rendered in a deep charcoal-toned color grade, mist rising off the water, a lone swimmer in a black wetsuit stands at the end of a long wooden dock whose planks run in a straight line back to a grassy bank, working up the nerve for the cold plunge he does every morning but still dreads every time. Shoot this like a feature film: cinematic lighting, deliberate camera movement, and rich, expressive performances. Let every shot feel like it belongs to the same continuous, emotionally alive scene. He stays at the same spot at the end of the dock for the entire scene, the same charcoal-toned grade held throughout, always facing out toward the open water and never turning to face the shore; the dock is a straight run of wooden planks anchored to the same fixed point on the grassy bank behind him in every shot, and he never turns back once he commits to the jump in the final shot. Shot sequence: Shot 1: Wide shot from behind him on the shore, the whole frame in the same deep charcoal grade, as he stands at the end of the dock facing out over the water, the dock's planks running in a straight line back to the grassy bank behind him, mist curling off the still water. Shot 2: Medium shot from behind him, colors still charcoal-toned, as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again. Shot 3: Close shot, charcoal tones deep across the frame, on his bare feet, still facing forward toward the water, inching forward until his toes curl over the very edge of the dock's last plank. Shot 4: Wide shot from the water level looking back at him on the dock, the charcoal grade still steady, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, small ripples moving across the lake's surface. Shot 5: Medium shot from behind him, still in the charcoal-toned grade, as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits. Shot 6: Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the water, the charcoal color grade steady over the whole frame, the dock and its grassy bank anchor point still visible behind him, the still water breaking into a spray of ripples around him.",
      "target_shot_prompts": [
        "Wide shot from behind him on the shore, the whole frame in the same deep charcoal grade, as he stands at the end of the dock facing out over the water, the dock's planks running in a straight line back to the grassy bank behind him, mist curling off the still water.",
        "Medium shot from behind him, colors still charcoal-toned, as he rocks back on his heels at the end of the same dock, still facing the open water, laughing under his breath at himself for stalling again.",
        "Close shot, charcoal tones deep across the frame, on his bare feet, still facing forward toward the water, inching forward until his toes curl over the very edge of the dock's last plank.",
        "Wide shot from the water level looking back at him on the dock, the charcoal grade still steady, his body still oriented toward the water and the camera, the same straight line of planks running back to the grassy bank behind him, small ripples moving across the lake's surface.",
        "Medium shot from behind him, still in the charcoal-toned grade, as he takes one last breath at the end of the dock, still facing forward over the water, shoulders dropping as he finally commits.",
        "Wide shot as he pushes off the end of the dock in a shallow dive facing forward into the water, the charcoal color grade steady over the whole frame, the dock and its grassy bank anchor point still visible behind him, the still water breaking into a spray of ripples around him."
      ]
    }
  }
}