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lovingly photographed in the manner of a golden book sprung to life , stuart little 2 manages sweetness largely without stickiness .
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consistently clever and suspenseful .
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the story gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill .
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red dragon " never cuts corners .
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fresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense .
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weighty and ponderous but every bit as filling as the treat of the title .
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a real audience-pleaser that will strike a chord with anyone who's ever waited in a doctor's office , emergency room , hospital bed or insurance company office .
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generates an enormous feeling of empathy for its characters .
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exposing the ways we fool ourselves is one hour photo's real strength .
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it's up to you to decide whether to admire these people's dedication to their cause or be repelled by their dogmatism , manipulativeness and narrow , fearful view of american life .
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mostly , [goldbacher] just lets her complicated characters be unruly , confusing and , through it all , human .
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. . . quite good at providing some good old fashioned spooks .
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at its worst , the movie is pretty diverting ; the pity is that it rarely achieves its best .
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scherfig's light-hearted profile of emotional desperation is achingly honest and delightfully cheeky .
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the wonderfully lush morvern callar is pure punk existentialism , and ms . ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh's book trainspotting .
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as it turns out , you can go home again .
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you've already seen city by the sea under a variety of titles , but it's worth yet another visit .
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this kind of hands-on storytelling is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors .
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making such a tragedy the backdrop to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love's power to help people endure almost unimaginable horror .
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grown-up quibbles are beside the point here . the little girls understand , and mccracken knows that's all that matters .
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a powerful , chilling , and affecting study of one man's dying fall .
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this is a fascinating film because there is no clear-cut hero and no all-out villain .
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a dreadful day in irish history is given passionate , if somewhat flawed , treatment .
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. . . a good film that must have baffled the folks in the marketing department .
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. . . is funny in the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality .
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devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking .
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a soul-stirring documentary about the israeli/palestinian conflict as revealed through the eyes of some children who remain curious about each other against all odds .
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what's so striking about jolie's performance is that she never lets her character become a caricature -- not even with that radioactive hair .
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the main story . . . is compelling enough , but it's difficult to shrug off the annoyance of that chatty fish .
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the performances are immaculate , with roussillon providing comic relief .
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kinnear . . . gives his best screen performance with an oddly winning portrayal of one of life's ultimate losers .
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hugh grant , who has a good line in charm , has never been more charming than in about a boy .
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there's a lot of tooth in roger dodger . but what's nice is that there's a casual intelligence that permeates the script .
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reminiscent of alfred hitchcock's thrillers , most of the scary parts in 'signs' occur while waiting for things to happen .
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one of the best looking and stylish animated movies in quite a while . . .
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its use of the thriller form to examine the labyrinthine ways in which people's lives cross and change , buffeted by events seemingly out of their control , is intriguing , provocative stuff .
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denver should not get the first and last look at one of the most triumphant performances of vanessa redgrave's career . it deserves to be seen everywhere .
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you needn't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes' work . though haynes' style apes films from the period . . . its message is not rooted in that decade .
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waiting for godard can be fruitful : 'in praise of love' is the director's epitaph for himself .
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a gangster movie with the capacity to surprise .
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the film has a laundry list of minor shortcomings , but the numerous scenes of gory mayhem are worth the price of admission . . . if " gory mayhem " is your idea of a good time .
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if not a home run , then at least a solid base hit .
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goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse .
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. . . a fairly disposable yet still entertaining b picture .
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the film truly does rescue [the funk brothers] from motown's shadows . it's about time .
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works because we're never sure if ohlinger's on the level or merely a dying , delusional man trying to get into the history books before he croaks .
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[scherfig] has made a movie that will leave you wondering about the characters' lives after the clever credits roll .
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a heady , biting , be-bop ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he'll go to weave a protective cocoon around his own ego .
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skin of man gets a few cheap shocks from its kids-in-peril theatrics , but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults .
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as refreshing as a drink from a woodland stream .
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williams absolutely nails sy's queasy infatuation and overall strangeness .
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can i admit xxx is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure ?
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while it's nothing we haven't seen before from murphy , i spy is still fun and enjoyable and so aggressively silly that it's more than a worthwhile effort .
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by the time it ends in a rush of sequins , flashbulbs , blaring brass and back-stabbing babes , it has said plenty about how show business has infiltrated every corner of society -- and not always for the better .
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an intimate contemplation of two marvelously messy lives .
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rarely has skin looked as beautiful , desirable , even delectable , as it does in trouble every day .
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this is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party .
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poignant if familiar story of a young person suspended between two cultures .
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a metaphor for a modern-day urban china searching for its identity .
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an odd drama set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it didn't try to .
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despite its faults , gangs excels in spectacle and pacing .
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entertaining despite its one-joke premise with the thesis that women from venus and men from mars can indeed get together .
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a tightly directed , highly professional film that's old-fashioned in all the best possible ways .
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it's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate .
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in visual fertility treasure planet rivals the top japanese animations of recent vintage .
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enormously enjoyable , high-adrenaline documentary .
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buy is an accomplished actress , and this is a big , juicy role .
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it works its magic with such exuberance and passion that the film's length becomes a part of its fun .
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an old-fashioned but emotionally stirring adventure tale of the kind they rarely make anymore .
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charlotte sometimes is a gem . it's always enthralling .
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in my opinion , analyze that is not as funny or entertaining as analyze this , but it is a respectable sequel .
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a remarkable film by bernard rose .
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a much more successful translation than its most famous previous film adaptation , writer-director anthony friedman's similarly updated 1970 british production .
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an original and highly cerebral examination of the psychopathic mind
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michel piccoli's moving performance is this films reason for being .
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a captivating and intimate study about dying and loving . . .
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this is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that doesn't reveal even a hint of artifice .
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[grant] goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it .
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a high-spirited buddy movie about the reunion of berlin anarchists who face arrest 15 years after their crime .
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about the best thing you could say about narc is that it's a rock-solid little genre picture . whether you like it or not is basically a matter of taste .
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an involving , inspirational drama that sometimes falls prey to its sob-story trappings .
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some of the most inventive silliness you are likely to witness in a movie theatre for some time .
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canadian filmmaker gary burns' inventive and mordantly humorous take on the soullessness of work in the city .
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a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .
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the closest thing to the experience of space travel
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full of surprises .
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connoisseurs of chinese film will be pleased to discover that tian's meticulous talent has not withered during his enforced hiatus .
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if you can push on through the slow spots , you'll be rewarded with some fine acting .
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an unusually dry-eyed , even analytical approach to material that is generally played for maximum moisture .
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symbolically , warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
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spy kids 2 also happens to be that rarity among sequels : it actually improves upon the original hit movie .
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exceptionally well acted by diane lane and richard gere .
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like a precious and finely cut diamond , magnificent to behold in its sparkling beauty yet in reality it's one tough rock .
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in addition to scoring high for originality of plot -- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded .
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miller has crafted an intriguing story of maternal instincts and misguided acts of affection .
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one of the most exciting action films to come out of china in recent years .
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this is a nervy , risky film , and villeneuve has inspired croze to give herself over completely to the tormented persona of bibi .
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my little eye is the best little " horror " movie i've seen in years .
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tunney , brimming with coltish , neurotic energy , holds the screen like a true star .
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even if the naipaul original remains the real masterpiece , the movie possesses its own languorous charm .
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