Question: Along with Dante and Boccaccio, who was a notable Italian author of the 14th century?

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

Answer: Petrarch

<hl> The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) <hl> and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

The publication of vernacular literature increased, with Dante (d. 1321), <hl> Petrarch <hl> (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.


Question: When did Chaucer die?

Answer: 1400

1400 )

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. <hl> 1400 ) <hl> and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. <hl> 1400 <hl>) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.


Question: Who was a notable female French author of this period?

Answer: Christine de Pizan

<hl> The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. <hl> Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and <hl> Christine de Pizan <hl> (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.


Question: In what language was most religious literature of this period written?

Answer: Latin

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. <hl> Much literature remained religious in character, and although a great deal of it continued to be written in Latin , a new demand developed for saints' lives and other devotional tracts in the vernacular languages. <hl> This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in <hl> Latin <hl>, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

Much literature remained religious in character, and although a great deal of it continued to be written in <hl> Latin <hl> , a new demand developed for saints' lives and other devotional tracts in the vernacular languages.


Question: Along with Johannes Tauler, who was a prominent German mystic of this period?

Answer: Meister Eckhart

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. <hl> This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361). <hl> Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.

The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages. This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as <hl> Meister Eckhart <hl> and Johannes Tauler (d. 1361). Theatre also developed in the guise of miracle plays put on by the Church. At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.


Question: Explorers in the employ of what nation discovered the Azores?

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

Answer: Portugal

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of <hl> Portugal <hl> (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What leader sponsored the expedition that discovered Cape Verde?

Answer: Prince Henry the Navigator

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator <hl> of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What Portuguese explorer visited India in 1498?

Answer: Vasco da Gama

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. <hl> The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and <hl> Vasco da Gama <hl> (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What did Christopher Columbus discover in 1492?

Answer: the Americas

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. <hl> The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas . <hl> The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered <hl> the Americas <hl>. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered <hl> the Americas <hl> .


Question: What English monarch financed John Cabot?

Answer: Henry VII

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. <hl> The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island. <hl>

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under <hl> Henry VII <hl> sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: Along with light cavalry, what military arm was used with increasing frequency in the Late Middle Ages?

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

Answer: infantry

<hl> One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. <hl> The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of <hl> infantry <hl> and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What troops were uniquely successful in English service?

Answer: longbowmen

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. <hl> The English also employed longbowmen , but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed <hl> longbowmen <hl>, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

The English also employed <hl> longbowmen <hl> , but other countries were unable to create similar forces with the same success.


Question: What influenced the increasing development of armor?

Answer: the increasing power of crossbows

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows , and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by <hl> the increasing power of crossbows <hl>, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

Armour continued to advance, spurred by <hl> the increasing power of crossbows <hl> , and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed.


Question: What weapons were notably employed by the Swiss infantry?

Answer: pikes

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears. <hl>

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with <hl> pikes <hl> and other long spears.


Question: Along with crossbows, what was plate armor designed to defend against?

Answer: hand-held guns

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the <hl> hand-held guns <hl> that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What was replaced by the spinning wheel?

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

Answer: the traditional distaff

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. <hl> In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced <hl> the traditional distaff <hl> for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: What invention replaced laces on clothing?

Answer: buttons

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. <hl> In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of <hl> buttons <hl> as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: What new type of windmill was invented in this period?

Answer: the tower mill

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill , allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. <hl> The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of <hl> the tower mill <hl>, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

Windmills were refined with the creation of <hl> the tower mill <hl> , allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing.


Question: In what country did the blast furnace first appear?

Answer: Sweden

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. <hl> The blast furnace appeared around 1350 in Sweden , increasing the quantity of iron produced and improving its quality. <hl> The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in <hl> Sweden <hl>, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

The blast furnace appeared around 1350 in <hl> Sweden <hl> , increasing the quantity of iron produced and improving its quality.


Question: Where did patent law originate?

Answer: Venice

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. <hl> The first patent law in 1447 in Venice protected the rights of inventors to their inventions. <hl>

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in <hl> Venice <hl> protected the rights of inventors to their inventions.


Question: Around what year did the International Gothic style flourish?

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

Answer: 1400

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. <hl> International Gothic was a courtly style that reached much of Europe in the decades around 1400 , producing masterpieces such as the Très Riches Heures du Duc de Berry. <hl> All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around <hl> 1400 <hl>, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

International Gothic was a courtly style that reached much of Europe in the decades around <hl> 1400 <hl> , producing masterpieces such as the Très Riches Heures du Duc de Berry.


Question: What is a notable masterpiece of the International Gothic style?

Answer: the Très Riches Heures du Duc de Berry

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. <hl> International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry . <hl> All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as <hl> the Très Riches Heures du Duc de Berry <hl>. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as <hl> the Très Riches Heures du Duc de Berry <hl> .


Question: Along with the Trecento, what period occurred in Italy during the Late Middle Ages?

Answer: Early Renaissance

<hl> The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. <hl> Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and <hl> Early Renaissance <hl> cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: Who produced most of the Hispano-Moresque pottery?

Answer: Mudéjar potters

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. <hl> These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. <hl> Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly <hl> Mudéjar potters <hl> in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: What is a notable piece of surviving Late Middle Age royal plate?

Answer: the Royal Gold Cup

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. <hl> Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup . <hl> Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for <hl> the Royal Gold Cup <hl>. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

Although royalty owned huge collections of plate, little survives except for <hl> the Royal Gold Cup <hl> .


Question: Who carved the Pulpit in Sant'Andrea?

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

Answer: Giovanni Pisano

<hl> The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by <hl> Giovanni Pisano <hl> in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: Along with being carved, how were altarpieces often decorated in this period?

Answer: Painted

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. <hl> Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted <hl> or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: When did Rogier van der Weyden die?

Answer: 1464

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. <hl> 1464 ) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. <hl> From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. <hl> 1464 <hl>) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

<hl> 1464 <hl> ) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories.


Question: Of what nationality was Jan van Eyck?

Answer: Netherlandish

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. <hl> Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. <hl> From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early <hl> Netherlandish <hl> painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: What does incunabula refer to?

Answer: works printed before 1500

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. <hl> There were around 30,000 different editions of incunabula, or works printed before 1500 , by which time illuminated manuscripts were commissioned only by royalty and a few others. <hl> Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or <hl> works printed before 1500 <hl>, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

There were around 30,000 different editions of incunabula, or <hl> works printed before 1500 <hl> , by which time illuminated manuscripts were commissioned only by royalty and a few others.


Question: Along with the Renaissance, during what period were the Middle Ages disparaged?

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

Answer: Enlightenment

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." <hl> This is a legacy from both the Renaissance and Enlightenment , when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and <hl> Enlightenment <hl>, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

This is a legacy from both the Renaissance and <hl> Enlightenment <hl> , when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages.


Question: What era did Renaissance scholars negatively compare the Middle Ages to?

Answer: the Classical world

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world ; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition. <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of <hl> the Classical world <hl>; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of <hl> the Classical world <hl> ; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: How did scholars of the Enlightenment see the Middle Ages?

Answer: as a time of ignorance and superstition

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition . <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages <hl> as a time of ignorance and superstition <hl>.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages <hl> as a time of ignorance and superstition <hl> .


Question: What did Enlightenment scholars consider to be inferior to reason?

Answer: faith

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith , and thus viewed the Middle Ages as a time of ignorance and superstition. <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to <hl> faith <hl>, and thus viewed the Middle Ages as a time of ignorance and superstition.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to <hl> faith <hl> , and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: What is Edward Grant a historian of?

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

Answer: Science

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science <hl> historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: Who argued that scholars in the Middle Ages were rarely coerced by the Church?

Answer: David Lindberg

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led". <hl>

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, <hl> David Lindberg <hl> writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: According to Grant, the medieval use of reason was the forerunner the revolutionary rationalism of what century?

Answer: 18th

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the <hl> 18th <hl> century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: During what century was it first proposed that people in the Middle Ages thought the Earth was flat?

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

Answer: 19th

The caricature of the period is also reflected in some more specific notions. <hl> One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. <hl> This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the <hl> 19th <hl> century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: Along with autopsies, what is it erroneously believed that the medieval Church forbade?

Answer: dissections

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research. <hl>

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and <hl> dissections <hl> during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: According to a misconception, what did the rise of Christianity destroy?

Answer: ancient science

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science ", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research. <hl>

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off <hl> ancient science <hl>", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off <hl> ancient science <hl> ", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: According to another misconception, what field of study was the medieval Church opposed to?

Answer: natural philosophy

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy ", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research. <hl>

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of <hl> natural philosophy <hl>", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of <hl> natural philosophy <hl> ", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: Along with Lindberg, who is a notable scholar of the Middle Ages?

Answer: Ronald Numbers

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. <hl> Lindberg and Ronald Numbers , another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and <hl> Ronald Numbers <hl>, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

Lindberg and <hl> Ronald Numbers <hl> , another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference".


Question: What is phonology a branch of?

Phonology is a branch of linguistics concerned with the systematic organization of sounds in languages. It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.

Answer: linguistics

<hl> Phonology is a branch of linguistics concerned with the systematic organization of sounds in languages. <hl> It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.

Phonology is a branch of <hl> linguistics <hl> concerned with the systematic organization of sounds in languages. It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.


Question: What kind of systems are the traditional focus of phonology?

Answer: phonemes

Phonology is a branch of linguistics concerned with the systematic organization of sounds in languages. <hl> It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. <hl> Phonology also includes the study of equivalent organizational systems in sign languages.

Phonology is a branch of linguistics concerned with the systematic organization of sounds in languages. It has traditionally focused largely on the study of the systems of <hl> phonemes <hl> in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.


Question: The study of sign language is a part of what?

Answer: Phonology

<hl> Phonology is a branch of linguistics concerned with the systematic organization of sounds in languages. <hl> It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.

<hl> Phonology <hl> is a branch of linguistics concerned with the systematic organization of sounds in languages. It has traditionally focused largely on the study of the systems of phonemes in particular languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound is considered to be structured for conveying linguistic meaning. Phonology also includes the study of equivalent organizational systems in sign languages.


Question: What part of a language can phonology as a word also refer to?

The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary.

Answer: the phonological system

<hl> The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. <hl> This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary.

The word phonology (as in the phonology of English) can also refer to <hl> the phonological system <hl> (sound system) of a given language. This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary.


Question: What is another term for phonological system?

Answer: sound system

<hl> The word phonology (as in the phonology of English) can also refer to the phonological system ( sound system ) of a given language. <hl> This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary.

The word phonology (as in the phonology of English) can also refer to the phonological system (<hl> sound system <hl>) of a given language. This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary.

The word phonology (as in the phonology of English) can also refer to the phonological system ( <hl> sound system <hl> ) of a given language.


Question: Aside from syntax and the phonological system, what else comprises a language?

Answer: vocabulary

The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. <hl> This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary . <hl>

The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. This is one of the fundamental systems which a language is considered to comprise, like its syntax and its <hl> vocabulary <hl>.

This is one of the fundamental systems which a language is considered to comprise, like its syntax and its <hl> vocabulary <hl> .


Question: What sort of language system is phonology?

Answer: fundamental

The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. <hl> This is one of the fundamental systems which a language is considered to comprise, like its syntax and its vocabulary. <hl>

The word phonology (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. This is one of the <hl> fundamental <hl> systems which a language is considered to comprise, like its syntax and its vocabulary.