Question: What two genres cut into hard rock's popularity at the end of the 1980s and early 1990s?

Answer: grunge and later Britpop

Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. <hl> Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s. <hl>

Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of <hl> grunge and later Britpop <hl> in the 1990s.


Question: What were some hard rock bands of the 1970s?

Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s.

Answer: Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen

<hl> Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen . <hl> During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s.

Hard rock developed into a major form of popular music in the 1970s, with bands such as <hl> Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen <hl>. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s.

Hard rock developed into a major form of popular music in the 1970s, with bands such as <hl> Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen <hl> .


Question: What style did some hard rock bands embrace in the 1980s?

Answer: pop rock

Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen. <hl> During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock , while others began to return to a hard rock sound. <hl> Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s.

Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, The Who, Deep Purple, Aerosmith, AC/DC and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards <hl> pop rock <hl>, while others began to return to a hard rock sound. Established bands made a comeback in the mid-1980s and it reached a commercial peak in the 1980s, with glam metal bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses, which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of grunge and later Britpop in the 1990s.

During the 1980s, some hard rock bands moved away from their hard rock roots and more towards <hl> pop rock <hl> , while others began to return to a hard rock sound.


Question: What genre laid the roots for hard rock?

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

Answer: electric blues

<hl> The roots of hard rock can be traced back to the 1950s, particularly electric blues , which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. <hl> Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

The roots of hard rock can be traced back to the 1950s, particularly <hl> electric blues <hl>, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

The roots of hard rock can be traced back to the 1950s, particularly <hl> electric blues <hl> , which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances.


Question: Who recorded "Rumble"?

Answer: Link Wray

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). <hl> Other antecedents include Link Wray 's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962). <hl>

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include <hl> Link Wray <hl>'s instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

Other antecedents include <hl> Link Wray <hl> 's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).


Question: When was "Rumble" released?

Answer: 1958

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). <hl> Other antecedents include Link Wray's instrumental "Rumble" in 1958 , and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962). <hl>

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in <hl> 1958 <hl>, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

Other antecedents include Link Wray's instrumental "Rumble" in <hl> 1958 <hl> , and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).


Question: What were two of Dick Dale's better known songs?

Answer: "Let's Go Trippin'" (1961) and "Misirlou" (1962)

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). <hl> Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962) . <hl>

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as <hl> "Let's Go Trippin'" (1961) and "Misirlou" (1962) <hl>.

Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as <hl> "Let's Go Trippin'" (1961) and "Misirlou" (1962) <hl> .


Question: What city's blues style produced hard rock precursors in electric blues?

Answer: Memphis

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. <hl> Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). <hl> Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of <hl> Memphis <hl> blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).


Question: What was the landmark hard rock album recorded by the Rolling Stones in 1972?

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

Answer: Exile on Main St.

<hl> In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). <hl> Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

In the early 1970s the Rolling Stones developed their hard rock sound with <hl> Exile on Main St. <hl> (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.


Question: Which Led Zeppelin album featured the hit "Stairway to Heaven"?

Answer: Led Zeppelin IV

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). <hl> Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). <hl> The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and <hl> Led Zeppelin IV <hl> (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.


Question: What two hard rock songs are featured on Deep Purple's Machine Head album?

Answer: "Highway Star" and "Smoke on the Water"

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. <hl> Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water" . <hl> In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks <hl> "Highway Star" and "Smoke on the Water" <hl>. In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks <hl> "Highway Star" and "Smoke on the Water" <hl> .


Question: Who was Deep Purple's guitarist?

Answer: Ritchie Blackmore

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". <hl> In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. <hl> 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist <hl> Ritchie Blackmore <hl> left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year.


Question: Who was the drummer for The Who?

Answer: Keith Moon

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. <hl> Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer Keith Moon later that year. <hl>

In the early 1970s the Rolling Stones developed their hard rock sound with Exile on Main St. (1972). Initially receiving mixed reviews, according to critic Steve Erlewine it is now "generally regarded as the Rolling Stones' finest album". They continued to pursue the riff-heavy sound on albums including It's Only Rock 'n' Roll (1974) and Black and Blue (1976). Led Zeppelin began to mix elements of world and folk music into their hard rock from Led Zeppelin III (1970) and Led Zeppelin IV (1971). The latter included the track "Stairway to Heaven", which would become the most played song in the history of album-oriented radio. Deep Purple continued to define hard rock, particularly with their album Machine Head (1972), which included the tracks "Highway Star" and "Smoke on the Water". In 1975 guitarist Ritchie Blackmore left, going on to form Rainbow and after the break-up of the band the next year, vocalist David Coverdale formed Whitesnake. 1970 saw The Who release Live at Leeds, often seen as the archetypal hard rock live album, and the following year they released their highly acclaimed album Who's Next, which mixed heavy rock with extensive use of synthesizers. Subsequent albums, including Quadrophenia (1973), built on this sound before Who Are You (1978), their last album before the death of pioneering rock drummer <hl> Keith Moon <hl> later that year.


Question: Who was the original lead singer of AC/DC who died?

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

Answer: Bon Scott

<hl> The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott , the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. <hl> Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of <hl> Bon Scott <hl>, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of <hl> Bon Scott <hl> , the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin.


Question: Who was the Led Zeppelin drummer who passed away?

Answer: John Bonham

<hl> The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham , drummer with Led Zeppelin. <hl> Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and <hl> John Bonham <hl>, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and <hl> John Bonham <hl> , drummer with Led Zeppelin.


Question: What singer replaced Ozzy Osbourne in Black Sabbath?

Answer: Ronnie James Dio

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. <hl> Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio , formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). <hl> Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with <hl> Ronnie James Dio <hl>, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with <hl> Ronnie James Dio <hl> , formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980).


Question: What was Ozzy Osbourne's first solo album?

Answer: Blizzard of Ozz

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). <hl> Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. <hl> Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with <hl> Blizzard of Ozz <hl> (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.


Question: What are some thrash metal bands?

Answer: Metallica, Anthrax, Megadeth and Slayer

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. <hl> The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer , helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. <hl> Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by <hl> Metallica, Anthrax, Megadeth and Slayer <hl>, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by <hl> Metallica, Anthrax, Megadeth and Slayer <hl> , helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound.


Question: Guns N Roses released both Use Your Illusion albums in what year?

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

Answer: 1991

Hard rock entered the 1990s as one of the dominant forms of commercial music. <hl> The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991 ), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. <hl> Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in <hl> 1991 <hl>), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in <hl> 1991 <hl> ), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity.


Question: What band's debut was titled Shake Your Money Maker?

Answer: The Black Crowes

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. <hl> Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. <hl> In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, <hl> The Black Crowes <hl> released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.


Question: What was the title of Def Leppard's 1992 album?

Answer: Adrenalize

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. <hl> In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize , which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks. <hl>

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with <hl> Adrenalize <hl>, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

In 1992, Def Leppard followed up 1987's Hysteria with <hl> Adrenalize <hl> , which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.


Question: Adrenalize followed what 1987 Def Leppard record?

Answer: Hysteria

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. <hl> In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks. <hl>

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's <hl> Hysteria <hl> with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.


Question: Adrenalize topped US album charts for how long?

Answer: five weeks

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. <hl> In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks . <hl>

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for <hl> five weeks <hl>.

In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for <hl> five weeks <hl> .


Question: When did the band The Darkness break up?

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

Answer: 2006

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. <hl> The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006 . <hl> Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in <hl> 2006 <hl>. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in <hl> 2006 <hl> .


Question: The Sword, High on Fire, Witchcraft and Wolfmother are all examples of what hard rock sub-genre?

Answer: retro-metal

<hl> The term " retro-metal " has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. <hl> Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The term "<hl> retro-metal <hl>" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The term " <hl> retro-metal <hl> " has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother.


Question: What is the title of Airbourne's debut lp?

Answer: Runnin' Wild

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. <hl> Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. <hl> England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album <hl> Runnin' Wild <hl> (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.


Question: Glam metal band Steel Panther is from what city?

Answer: Los Angeles

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. <hl> Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. <hl> A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. <hl> Los Angeles <hl> band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.


Question: What are some Swedish sleaze metal revivalist bands?

Answer: Vains of Jenna, Hardcore Superstar and Crashdïet

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. <hl> A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet . <hl>

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including <hl> Vains of Jenna, Hardcore Superstar and Crashdïet <hl>.

A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including <hl> Vains of Jenna, Hardcore Superstar and Crashdïet <hl> .


Question: Who were three Chicago blues players who influenced hard rock?

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Answer: Elmore James, Muddy Waters, and Howlin' Wolf

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. <hl> Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf , The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. <hl> From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians <hl> Elmore James, Muddy Waters, and Howlin' Wolf <hl>, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Early forms of hard rock can be heard in the work of Chicago blues musicians <hl> Elmore James, Muddy Waters, and Howlin' Wolf <hl> , The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones.


Question: Who recorded "You Really Got Me"?

Answer: The Kinks

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. <hl> Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. <hl> From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by <hl> The Kinks <hl> (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.


Question: "Shapes of Things" was a 1966 single by what band?

Answer: The Yardbirds

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. <hl> Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. <hl> From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by <hl> The Yardbirds <hl> and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.


Question: What garage rock classic was recorded by The Kingsmen?

Answer: "Louie Louie"

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. <hl> Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. <hl> From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of <hl> "Louie Louie" <hl> (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.


Question: When did the Rolling Stones release "(I Can't Get No" Satisfaction"?

Answer: 1965

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. <hl> Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who ( 1965 ), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. <hl> From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (<hl> 1965 <hl>), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who ( <hl> 1965 <hl> ), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones.


Question: When did Free break up?

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Answer: 1973

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. <hl> After the breakup of the band in 1973 , vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. <hl> The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in <hl> 1973 <hl>, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

After the breakup of the band in <hl> 1973 <hl> , vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit.


Question: What band did Free lead singer Paul Rodgers help form?

Answer: Bad Company

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. <hl> After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company , whose eponymous first album (1974) was an international hit. <hl> The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup <hl> Bad Company <hl>, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup <hl> Bad Company <hl> , whose eponymous first album (1974) was an international hit.


Question: Bad Company's self titled debut album was released in what year?

Answer: 1974

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. <hl> After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album ( 1974 ) was an international hit. <hl> The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (<hl> 1974 <hl>) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album ( <hl> 1974 <hl> ) was an international hit.


Question: What nationality was the band Nazareth?

Answer: Scottish

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. <hl> Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". <hl> Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. <hl> Scottish <hl> band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.


Question: What was Queen's massive 1975 hit single called?

Answer: "Bohemian Rhapsody"

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. <hl> The latter featured the single "Bohemian Rhapsody" , which stayed at number one in the UK charts for nine weeks. <hl>

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single <hl> "Bohemian Rhapsody" <hl>, which stayed at number one in the UK charts for nine weeks.

The latter featured the single <hl> "Bohemian Rhapsody" <hl> , which stayed at number one in the UK charts for nine weeks.