Question: Who wrote the book 'Memoirs of a Geisha' is based on?

Answer: Arthur Golden

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. <hl> In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden , a film to which he was previously attached as director. <hl> In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by <hl> Arthur Golden <hl>, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by <hl> Arthur Golden <hl> , a film to which he was previously attached as director.


Question: Who did Spielberg collaborate with in 2006?

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

Answer: Robert Zemeckis

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. <hl> In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. <hl> He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker <hl> Robert Zemeckis <hl> a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.


Question: What film did Spielberg first collaborate with Zemeckis on?

Answer: Back to the Future Part III

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. <hl> In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III . <hl> He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's <hl> Back to the Future Part III <hl>. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.

In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's <hl> Back to the Future Part III <hl> .


Question: Which studio produced 'Super 8'?

Answer: Paramount Pictures

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. <hl> In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures . <hl>

Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for <hl> Paramount Pictures <hl>.

In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for <hl> Paramount Pictures <hl> .


Question: When did 'Into the West' air?

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Answer: 2005

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. <hl> He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. <hl> For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed <hl> 2005 <hl> TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.


Question: How many Emmys did 'Into the West' win?

Answer: two

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. <hl> He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. <hl> For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won <hl> two <hl> Emmy awards, including one for Geoff Zanelli's score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.


Question: Who wrote the music for 'Into the West'?

Answer: Geoff Zanelli

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. <hl> He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli 's score. <hl> For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for <hl> Geoff Zanelli <hl>'s score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for <hl> Geoff Zanelli <hl> 's score.


Question: When was 'The Pacific' released?

Answer: 2010

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. <hl> For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. <hl> The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. For his <hl> 2010 <hl> miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.


Question: How much did 'The Pacific' cost?

Answer: $250 million

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. <hl> The miniseries is believed to have cost $250 million and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. <hl> Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.

Other major television series Spielberg produced were Band of Brothers, Taken and The Pacific. He was an executive producer on the critically acclaimed 2005 TV miniseries Into the West which won two Emmy awards, including one for Geoff Zanelli's score. For his 2010 miniseries The Pacific he teamed up once again with co-producer Tom Hanks, with Gary Goetzman also co-producing'. The miniseries is believed to have cost <hl> $250 million <hl> and is a 10-part war miniseries centered on the battles in the Pacific Theater during World War II. Writer Bruce McKenna, who penned several installments of (Band of Brothers), was the head writer.


Question: Which channel aired 'Falling Skies'?

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

Answer: TNT

<hl> In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. <hl> He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the <hl> TNT <hl> network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.


Question: In what year does 'Terra Nova' begin?

Answer: 2149

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. <hl> Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. <hl> Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year <hl> 2149 <hl> when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.


Question: How far back in time do people in 'Terra Nova' travel?

Answer: 85 million years

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. <hl> Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. <hl> Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back <hl> 85 million years <hl> to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.


Question: Which channel aired 'Terra Nova'?

Answer: Fox

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. <hl> Spielberg is also producing the Fox TV series Terra Nova. <hl> Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched Falling Skies, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the <hl> Fox <hl> TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.


Question: What show did Spielberg work with Rodat on?

Answer: Falling Skies

<hl> In 2011, Spielberg launched Falling Skies , a science fiction television series, on the TNT network. <hl> He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched <hl> Falling Skies <hl>, a science fiction television series, on the TNT network. He developed the series with Robert Rodat and is credited as an executive producer. Spielberg is also producing the Fox TV series Terra Nova. Terra Nova begins in the year 2149 when all life on the planet Earth is threatened with extinction resulting in scientists opening a door that allows people to travel back 85 million years to prehistoric times. Spielberg also produced The River, Smash, Under the Dome, Extant and The Whispers, as well as a TV adaptation of Minority Report.

In 2011, Spielberg launched <hl> Falling Skies <hl> , a science fiction television series, on the TNT network.


Question: Who wrote the script for 'Someone's in the Kitchen'?

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

Answer: Paul Rugg

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. <hl> He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg , Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). <hl> In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' <hl> Paul Rugg <hl>, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' <hl> Paul Rugg <hl> , Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001).


Question: When was 'Skullmonkeys' released?

Answer: 1997

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. <hl> He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997 ), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). <hl> In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all <hl> 1997 <hl>), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all <hl> 1997 <hl> ), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001).


Question: When was Boombots released?

Answer: 1999

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. <hl> He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots ( 1999 ), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). <hl> In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (<hl> 1999 <hl>), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots ( <hl> 1999 <hl> ), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001).


Question: When was The Neverhood released?

Answer: 1996

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. <hl> He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996 ), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). <hl> In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in <hl> 1996 <hl>), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo.

He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in <hl> 1996 <hl> ), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001).


Question: What video game did Spielberg say in 2013 he's working on a TV show based on?

Answer: Halo

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. <hl> In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of Halo . <hl>

Apart from being an ardent gamer Spielberg has had a long history of involvement in video games. He has been giving thanks to his games of his division DreamWorks Interactive most notable as Someone's in the Kitchen with script written by Animaniacs' Paul Rugg, Goosebumps: Escape from HorrorLand, The Neverhood (all in 1996), Skullmonkeys, Dilbert's Desktop Games, Goosebumps: Attack of the Mutant (all 1997), Boombots (1999), T'ai Fu: Wrath of the Tiger (1999), and Clive Barker's Undying (2001). In 2005 the director signed with Electronic Arts to collaborate on three games including an action game and an award winning puzzle game for the Wii called Boom Blox (and its 2009 sequel: Boom Blox Bash Party). Previously, he was involved in creating the scenario for the adventure game The Dig. In 1996, Spielberg worked on and shot original footage for a movie-making simulation game called Steven Spielberg's Director's Chair. He is the creator of the Medal of Honor series by Electronic Arts. He is credited in the special thanks section of the 1998 video game Trespasser. In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of <hl> Halo <hl>.

In 2013, Spielberg has announced he is collaborating with 343 Industries for a live-action TV show of <hl> Halo <hl> .


Question: Who wrote 'The BFG'?

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016.

Answer: Roald Dahl

<hl> Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl 's <hl> celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016.

Spielberg has filmed and is currently in post-production on an adaptation of <hl> Roald Dahl <hl>'s celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016.

Spielberg has filmed and is currently in post-production on an adaptation of <hl> Roald Dahl <hl> 's


Question: Who wrote E.T.'s script?

Answer: Melissa Mathison

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. <hl> The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. <hl> The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016.

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter <hl> Melissa Mathison <hl> and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016.


Question: What film festival will first air 'The BFG'?

Answer: Cannes Film Festival

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. <hl> The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016. <hl>

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the <hl> Cannes Film Festival <hl> in May 2016, before its wide release in the US on July 1, 2016.


Question: In what month is Cannes held?

Answer: May

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. <hl> The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016. <hl>

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in <hl> May <hl> 2016, before its wide release in the US on July 1, 2016.


Question: When will 'The BFG' be in most theaters?

Answer: July 1, 2016

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. <hl> The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on July 1, 2016 . <hl>

Spielberg has filmed and is currently in post-production on an adaptation of Roald Dahl's celebrated children's story The BFG. Spielberg's DreamWorks bought the rights in 2010, originally intending John Madden to direct. The film was written by E.T. screenwriter Melissa Mathison and is co-produced by Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg. The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on <hl> July 1, 2016 <hl>.

The BFG is set to premiere out of competition at the Cannes Film Festival in May 2016, before its wide release in the US on <hl> July 1, 2016 <hl> .


Question: Who wrote 'The Kidnapping of Edgardo Mortara'?

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

Answer: David Kertzer

<hl> After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer 's acclaimed The Kidnapping of Edgardo Mortara. <hl> The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of <hl> David Kertzer <hl>'s acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of <hl> David Kertzer <hl> 's acclaimed The Kidnapping of Edgardo Mortara.


Question: When does 'The Kidnapping of Edgardo Mortara' take place?

Answer: 1858

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. <hl> The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. <hl> First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in <hl> 1858 <hl> Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.


Question: Where does 'The Kidnapping of Edgardo Mortara' take place?

Answer: Italy

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. <hl> The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. <hl> First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 <hl> Italy <hl> who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.


Question: Who plays Pope Pius IX in 'The Kidnapping of Edgardo Mortara'?

Answer: Mark Rylance

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. <hl> First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance , as Pope Pius IX. <hl> It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star <hl> Mark Rylance <hl>, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018.

First announced in 2014, the book has been adapted by Tony Kushner and the film will again star <hl> Mark Rylance <hl> , as Pope Pius IX.


Question: When is 'Ready Player One' planned to be released?

Answer: 2018

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. <hl> It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in 2018 . <hl>

After completing filming on Ready Player One, while it is in its lengthy, effects-heavy post-production, he will film his long-planned adaptation of David Kertzer's acclaimed The Kidnapping of Edgardo Mortara. The book follows the true story of a young Jewish boy in 1858 Italy who was secretly baptized by a family servant and then kidnapped from his family by the Papal States, where he was raised and trained as a priest, causing international outrage and becoming a media sensation. First announced in 2014, the book has been adapted by Tony Kushner and the film will again star Mark Rylance, as Pope Pius IX. It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in <hl> 2018 <hl>.

It will be filmed in early 2017 for release at the end of that year, before Ready Player One is completed and released in <hl> 2018 <hl> .


Question: Who was going to star in 'Robopocalypse'?

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

Answer: Anne Hathaway and Chris Hemsworth

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. <hl> It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin. <hl>

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with <hl> Anne Hathaway and Chris Hemsworth <hl> set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.


Question: When was 'Robopocalypse' scheduled for release?

Answer: April 25, 2014

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. <hl> It was set for release on April 25, 2014 , with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin. <hl>

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on <hl> April 25, 2014 <hl>, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

It was set for release on <hl> April 25, 2014 <hl> , with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.


Question: How far in the future was 'Robopocalypse' set?

Answer: 15–20 years

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. <hl> The film would follow a global human war against a robot uprising about 15–20 years in the future. <hl> Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about <hl> 15–20 years <hl> in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.


Question: Who wrote the book 'Robopocalypse' is based on?

Answer: Daniel H. Wilson

<hl> Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson 's novel Robopocalypse, adapted for the screen by Drew Goddard. <hl> The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

Spielberg was scheduled to shoot a $200 million adaptation of <hl> Daniel H. Wilson <hl>'s novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

Spielberg was scheduled to shoot a $200 million adaptation of <hl> Daniel H. Wilson <hl> 's novel Robopocalypse, adapted for the screen by Drew Goddard.


Question: What was the budget for 'Robopocalypse'?

Answer: $200 million

<hl> Spielberg was scheduled to shoot a $200 million adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. <hl> The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.

Spielberg was scheduled to shoot a <hl> $200 million <hl> adaptation of Daniel H. Wilson's novel Robopocalypse, adapted for the screen by Drew Goddard. The film would follow a global human war against a robot uprising about 15–20 years in the future. Like Lincoln, it was to be released by Disney in the United States and Fox overseas. It was set for release on April 25, 2014, with Anne Hathaway and Chris Hemsworth set to star, but Spielberg postponed production indefinitely in January 2013, just before it had been set to begin.


Question: What theme is common to Spielberg's films?

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Answer: ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances

Spielberg's films often deal with several recurring themes. <hl> Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances . <hl> In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Spielberg's films often deal with several recurring themes. Most of his films deal with <hl> ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances <hl>. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Most of his films deal with <hl> ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances <hl> .


Question: When in his life did Spielberg 'feel like an alien'?

Answer: during childhood

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. <hl> Spielberg described himself as feeling like an alien during childhood , and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge. <hl>

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien <hl> during childhood <hl>, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Spielberg described himself as feeling like an alien <hl> during childhood <hl> , and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.


Question: When did Spielberg give an interview saying he had 'felt like an alien'?

Answer: August 2000

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. <hl> In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. <hl> Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in <hl> August 2000 <hl> Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.


Question: Why does Spielberg think aliens would visit?

Answer: curiosity and sharing of knowledge

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. <hl> Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge . <hl>

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead <hl> curiosity and sharing of knowledge <hl>.

Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead <hl> curiosity and sharing of knowledge <hl> .


Question: Which of Spielberg's parents liked sci-fi?

Answer: his father

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. <hl> Spielberg described himself as feeling like an alien during childhood, and his interest came from his father , a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge. <hl>

Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from <hl> his father <hl>, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.

Spielberg described himself as feeling like an alien during childhood, and his interest came from <hl> his father <hl> , a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.


Question: Which Spielberg films are examples of a childlike sense of wonder?

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

Answer: Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG

<hl> A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG . <hl> According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as <hl> Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG <hl>. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as <hl> Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG <hl> .


Question: What camera style does Spielberg often use?

Answer: low height camera tracking shots

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. <hl> According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots , which have become one of Spielberg's directing trademarks. <hl> In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of <hl> low height camera tracking shots <hl>, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

According to Warren Buckland, these themes are portrayed through the use of <hl> low height camera tracking shots <hl> , which have become one of Spielberg's directing trademarks.


Question: What are some Spielberg films that included kids?

Answer: E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. <hl> In the cases when his films include children ( E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park , etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. <hl> If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (<hl> E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park <hl>, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

In the cases when his films include children ( <hl> E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park <hl> , etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad.


Question: How were the water scenes in Jaws filmed?

Answer: from the low-angle perspective of someone swimming

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. <hl> If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming . <hl> Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed <hl> from the low-angle perspective of someone swimming <hl>. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.

If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed <hl> from the low-angle perspective of someone swimming <hl> .


Question: Who is naive in 'Catch Me if You Can'?

Answer: Frank

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. <hl> Similarly, in Catch Me If You Can, Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them. <hl>

A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, A.I. Artificial Intelligence and The BFG. According to Warren Buckland, these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child oriented theme in Spielberg's films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II China. Similarly, in Catch Me If You Can, <hl> Frank <hl> naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support them.


Question: What was Indy's father's career?

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

Answer: professor of medieval literature

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is <hl> a professor of medieval literature , as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). <hl> Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a <hl> professor of medieval literature <hl>, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

a <hl> professor of medieval literature <hl> , as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it).