Question: What artifact did Indy's father focus on?

Answer: the Holy Grail

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. <hl> In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail , than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). <hl> Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of <hl> the Holy Grail <hl>, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of <hl> the Holy Grail <hl> , than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it).


Question: What is Spielberg's most common theme?

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

Answer: tension in parent-child relationships

<hl> The most persistent theme throughout his films is tension in parent-child relationships . <hl> Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is <hl> tension in parent-child relationships <hl>. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is <hl> tension in parent-child relationships <hl> .


Question: Whose son disappeared in 'Minority Report'?

Answer: John Anderton

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. <hl> There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. <hl> This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while <hl> John Anderton <hl> in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (Frank Abagnale's mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.


Question: Whose parents divorced in 'Catch Me If You Can'?

Answer: Frank Abagnale

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. <hl> Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can ( Frank Abagnale 's <hl> mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

The most persistent theme throughout his films is tension in parent-child relationships. Parents (often fathers) are reluctant, absent or ignorant. Peter Banning in Hook starts off in the beginning of the film as a reluctant married-to-his-work parent who through the course of the film regains the respect of his children. The notable absence of Elliott's father in E.T., is the most famous example of this theme. In Indiana Jones and the Last Crusade, it is revealed that Indy has always had a very strained relationship with his father, who is a professor of medieval literature, as his father always seemed more interested in his work, specifically in his studies of the Holy Grail, than in his own son, although his father does not seem to realize or understand the negative effect that his aloof nature had on Indy (he even believes he was a good father in the sense that he taught his son "self reliance," which is not how Indy saw it). Even Oskar Schindler, from Schindler's List, is reluctant to have a child with his wife. Munich depicts Avner as a man away from his wife and newborn daughter. There are of course exceptions; Brody in Jaws is a committed family man, while John Anderton in Minority Report is a shattered man after the disappearance of his son. This theme is arguably the most autobiographical aspect of Spielberg's films, since Spielberg himself was affected by his parents' divorce as a child and by the absence of his father. Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can (<hl> Frank Abagnale <hl>'s mother and father split early on in the film). Little known also is Tim in Jurassic Park (early in the film, another secondary character mentions Tim and Lex's parents' divorce). The family often shown divided is often resolved in the ending as well. Following this theme of reluctant fathers and father figures, Tim looks to Dr. Alan Grant as a father figure. Initially, Dr. Grant is reluctant to return those paternal feelings to Tim. However, by the end of the film, he has changed, and the kids even fall asleep with their heads on his shoulders.

Furthermore, to this theme, protagonists in his films often come from families with divorced parents, most notably E.T. the Extra-Terrestrial (protagonist Elliot's mother is divorced) and Catch Me If You Can ( <hl> Frank Abagnale <hl> 's


Question: Which Spielberg films has Dreyfuss been in?

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

Answer: Jaws, Close Encounters of the Third Kind, and Always

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. <hl> For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always . <hl> Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: <hl> Jaws, Close Encounters of the Third Kind, and Always <hl>. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

For instance, he has cast Richard Dreyfuss in several films: <hl> Jaws, Close Encounters of the Third Kind, and Always <hl> .


Question: Who was Ford going to play in E.T., until the scene was removed?

Answer: a headteacher

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. <hl> Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). <hl> Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as <hl> a headteacher <hl> in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.


Question: Which Spielberg TV shows has Frank Welker been a voice actor for?

Answer: Tiny Toons, Animaniacs, and SeaQuest DSV

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). <hl> Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV . <hl> Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as <hl> Tiny Toons, Animaniacs, and SeaQuest DSV <hl>. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as <hl> Tiny Toons, Animaniacs, and SeaQuest DSV <hl> .


Question: Which Spielberg films has Tom Hanks been in?

Answer: Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. <hl> Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies . <hl> Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in <hl> Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies <hl>. Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

Spielberg has used Tom Hanks on several occasions and has cast him in <hl> Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies <hl> .


Question: Which Spielberg films has Tom Cruise been in?

Answer: Minority Report and War of the Worlds

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. <hl> Spielberg has collaborated with Tom Cruise twice on Minority Report and War of the Worlds , and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon. <hl>

In terms of casting and production itself, Spielberg has a known penchant for working with actors and production members from his previous films. For instance, he has cast Richard Dreyfuss in several films: Jaws, Close Encounters of the Third Kind, and Always. Aside from his role as Indiana Jones, Spielberg also cast Harrison Ford as a headteacher in E.T. the Extra-Terrestrial (though the scene was ultimately cut). Although Spielberg directed veteran voice actor Frank Welker only once (in Raiders of the Lost Ark, for which he voiced many of the animals), Welker has lent his voice in a number of productions Spielberg has executive produced from Gremlins to its sequel Gremlins 2: The New Batch, as well as The Land Before Time, Who Framed Roger Rabbit, and television shows such as Tiny Toons, Animaniacs, and SeaQuest DSV. Spielberg has used Tom Hanks on several occasions and has cast him in Saving Private Ryan, Catch Me If You Can, The Terminal, and Bridge of Spies. Spielberg has collaborated with Tom Cruise twice on <hl> Minority Report and War of the Worlds <hl>, and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.

Spielberg has collaborated with Tom Cruise twice on <hl> Minority Report and War of the Worlds <hl> , and cast Shia LaBeouf in five films: Transformers, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull, Transformers: Revenge of the Fallen, and Transformers: Dark of the Moon.


Question: Which film did Kathleen Kennedy first work with Spielberg on?

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Answer: E.T. the Extra-Terrestrial

Spielberg prefers working with production members with whom he has developed an existing working relationship. <hl> An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. <hl> For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from <hl> E.T. the Extra-Terrestrial <hl> to the recent Lincoln. For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.


Question: Which childhood friend worked on Spielberg's films?

Answer: Allen Daviau

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. <hl> For cinematography, Allen Daviau , a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). <hl> Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. For cinematography, <hl> Allen Daviau <hl>, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

For cinematography, <hl> Allen Daviau <hl> , a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial).


Question: Which film did Kaminski first work with Spielberg on?

Answer: Schindler's List

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. <hl> For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). <hl> Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since <hl> Schindler's List <hl> (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.


Question: Which film did Daviau first work with Spielberg on?

Answer: Amblin

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. <hl> For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. <hl> the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film <hl> Amblin <hl> and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.


Question: Which film did Kahn first work with Spielberg on?

Answer: Close Encounters

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. <hl> For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from Close Encounters to Munich (except E.T. <hl> the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.

Spielberg prefers working with production members with whom he has developed an existing working relationship. An example of this is his production relationship with Kathleen Kennedy who has served as producer on all his major films from E.T. the Extra-Terrestrial to the recent Lincoln. For cinematography, Allen Daviau, a childhood friend and cinematographer, shot the early Spielberg film Amblin and most of his films up to Empire of the Sun; Janusz Kamiński who has shot every Spielberg film since Schindler's List (see List of film director and cinematographer collaborations); and the film editor Michael Kahn who has edited every film directed by Spielberg from <hl> Close Encounters <hl> to Munich (except E.T. the Extra-Terrestrial). Most of the DVDs of Spielberg's films have documentaries by Laurent Bouzereau.


Question: What are the only Spielberg films since Sugarland Express to not have music by John Williams?

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

Answer: Bridge of Spies, The Color Purple and Twilight Zone: The Movie

<hl> A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie ) <hl> . One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except <hl> Bridge of Spies, The Color Purple and Twilight Zone: The Movie <hl>). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except <hl> Bridge of Spies, The Color Purple and Twilight Zone: The Movie <hl> )


Question: What happens at the end of 'Indiana Jones and the Last Crusade'?

Answer: they ride into the sunset

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. <hl> These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset )), of which the last two feature a Williams score at that end scene. <hl> Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where <hl> they ride into the sunset <hl>)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where <hl> they ride into the sunset <hl> )), of which the last two feature a Williams score at that end scene.


Question: Who are the 'Movie Brats', besides Spielberg?

Answer: George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. <hl> Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma , collectively known as the "Movie Brats". <hl> Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers <hl> George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma <hl>, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp, who have written a few of his films more than once.

Spielberg is a contemporary of filmmakers <hl> George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma <hl> , collectively known as the "Movie Brats".


Question: Who are the only screenwriters Spielberg has worked with on more than one film?

Answer: Tony Kushner and David Koepp

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. <hl> Spielberg has often never worked with the same screenwriter in his films, beside Tony Kushner and David Koepp , who have written a few of his films more than once. <hl>

A famous example of Spielberg working with the same professionals is his long-time collaboration with John Williams and the use of his musical scores in all of his films since The Sugarland Express (except Bridge of Spies, The Color Purple and Twilight Zone: The Movie). One of Spielberg's trademarks is his use of music by Williams to add to the visual impact of his scenes and to try and create a lasting picture and sound of the film in the memories of the film audience. These visual scenes often uses images of the sun (e.g. Empire of the Sun, Saving Private Ryan, the final scene of Jurassic Park, and the end credits of Indiana Jones and the Last Crusade (where they ride into the sunset)), of which the last two feature a Williams score at that end scene. Spielberg is a contemporary of filmmakers George Lucas, Francis Ford Coppola, Martin Scorsese, John Milius, and Brian De Palma, collectively known as the "Movie Brats". Aside from his principal role as a director, Spielberg has acted as a producer for a considerable number of films, including early hits for Joe Dante and Robert Zemeckis. Spielberg has often never worked with the same screenwriter in his films, beside <hl> Tony Kushner and David Koepp <hl>, who have written a few of his films more than once.

Spielberg has often never worked with the same screenwriter in his films, beside <hl> Tony Kushner and David Koepp <hl> , who have written a few of his films more than once.


Question: Who did Spielberg begin dating in 1976?

Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Answer: Amy Irving

<hl> Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. <hl> After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Spielberg first met actress <hl> Amy Irving <hl> in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295


Question: What was Amy Irving's career?

Answer: actress

<hl> Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. <hl> After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Spielberg first met <hl> actress <hl> Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295


Question: Who introduced Irving to Spielberg?

Answer: Brian De Palma

<hl> Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma , who knew he was looking for an actress to play in Close Encounters. <hl> After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Spielberg first met actress Amy Irving in 1976 at the suggestion of director <hl> Brian De Palma <hl>, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Spielberg first met actress Amy Irving in 1976 at the suggestion of director <hl> Brian De Palma <hl> , who knew he was looking for an actress to play in Close Encounters.


Question: How did Irving describe Spielberg's house?

Answer: "bachelor funky"

Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 <hl> Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 <hl> They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295

Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his <hl> "bachelor funky" <hl> house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295


Question: Why did Irving not want to be in Spielberg's films while dating?

Answer: "I don't want to be known as Steven's girlfriend,"

Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. <hl> Irving wanted to be certain that whatever success she attained as an actress would be her own: "I don't want to be known as Steven's girlfriend," she said, and chose not to be in any of his films during those years.:295 <hl>

Spielberg first met actress Amy Irving in 1976 at the suggestion of director Brian De Palma, who knew he was looking for an actress to play in Close Encounters. After meeting her, Spielberg told his co-producer Julia Phillips, "I met a real heartbreaker last night.":293 Although she was too young for the role, she and Spielberg began dating and she eventually moved in to what she described as his "bachelor funky" house.:294 They lived together for four years, but the stresses of their professional careers took a toll on their relationship. Irving wanted to be certain that whatever success she attained as an actress would be her own: <hl> "I don't want to be known as Steven's girlfriend," <hl> she said, and chose not to be in any of his films during those years.:295


Question: When did Spielberg and Irving initially break up?

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

Answer: 1979

<hl> As a result, they broke up in 1979 , but remained close friends. <hl> Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

As a result, they broke up in <hl> 1979 <hl>, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

As a result, they broke up in <hl> 1979 <hl> , but remained close friends.


Question: When did Spielberg and Irving get back together?

Answer: 1984

As a result, they broke up in 1979, but remained close friends. <hl> Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. <hl> After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

As a result, they broke up in 1979, but remained close friends. Then in <hl> 1984 <hl> they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.


Question: When did Spielberg and Irving marry?

Answer: November 1985

As a result, they broke up in 1979, but remained close friends. <hl> Then in 1984 they renewed their romance, and in November 1985 , they married, already having had a son, Max Samuel. <hl> After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in <hl> November 1985 <hl>, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

Then in 1984 they renewed their romance, and in <hl> November 1985 <hl> , they married, already having had a son, Max Samuel.


Question: When did Spielberg and Irving divorce?

Answer: 1989

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. <hl> After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989 . <hl> They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in <hl> 1989 <hl>. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.

After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in <hl> 1989 <hl> .


Question: How expensive was Spielberg and Irving's divorce?

Answer: third most costly celebrity divorce in history

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. <hl> They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history . <hl>

As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the <hl> third most costly celebrity divorce in history <hl>.

They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the <hl> third most costly celebrity divorce in history <hl> .


Question: In which Olympics was Spielberg a flagbearer?

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

Answer: 2002 Winter Olympic Games

<hl> In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. <hl> In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the <hl> 2002 Winter Olympic Games <hl> in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.


Question: Where was Spielberg an Olympic flagbearer?

Answer: Salt Lake City

<hl> In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City . <hl> In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in <hl> Salt Lake City <hl>. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in <hl> Salt Lake City <hl> .


Question: How did Time Magazine recognize Spielberg?

Answer: one of the 100 Most Important People of the Century

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. <hl> Time listed him as one of the 100 Most Important People of the Century . <hl> At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as <hl> one of the 100 Most Important People of the Century <hl>. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

Time listed him as <hl> one of the 100 Most Important People of the Century <hl> .


Question: What honorary degree did Spielberg receive from Boston University?

Answer: Doctor of Humane Letters

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. <hl> In 2009, Boston University presented him an honorary Doctor of Humane Letters degree. <hl>

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him the most influential person of his generation. In 2009, Boston University presented him an honorary <hl> Doctor of Humane Letters <hl> degree.


Question: How did Life Magazine recognize Spielberg?

Answer: the most influential person of his generation

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. <hl> At the end of the 20th century, Life named him the most influential person of his generation . <hl> In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

In 2002, Spielberg was one of eight flagbearers who carried the Olympic Flag into Rice-Eccles Stadium at the Opening Ceremonies of the 2002 Winter Olympic Games in Salt Lake City. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the 20th century, Life named him <hl> the most influential person of his generation <hl>. In 2009, Boston University presented him an honorary Doctor of Humane Letters degree.

At the end of the 20th century, Life named him <hl> the most influential person of his generation <hl> .


Question: When was Spielberg named the 'most influential celebrity in America'?

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."

Answer: 2014

<hl> According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. <hl> The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."

According to Forbes' Most Influential Celebrities <hl> 2014 <hl> list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."


Question: How much of the US believes Spielberg is influential?

Answer: 47%

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." <hl> Spielberg received a score of 47, meaning 47% of the US believes he is influential. <hl> Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning <hl> 47% <hl> of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."


Question: Who is Gerry Philpott?

Answer: president of E-Poll Market Research

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. <hl> Gerry Philpott, president of E-Poll Market Research , supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer." <hl>

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, <hl> president of E-Poll Market Research <hl>, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."

Gerry Philpott, <hl> president of E-Poll Market Research <hl> , supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how many will think for a second before going into the water this summer."


Question: How did Spielberg influence the public's behavior?

Answer: many will think for a second before going into the water this summer

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about <hl> how many will think for a second before going into the water this summer ." <hl>

According to Forbes' Most Influential Celebrities 2014 list, Spielberg was listed as the most influential celebrity in America. The annual list is conducted by E-Poll Market Research and it gave more than 6,600 celebrities on 46 different personality attributes a score representing "how that person is perceived as influencing the public, their peers, or both." Spielberg received a score of 47, meaning 47% of the US believes he is influential. Gerry Philpott, president of E-Poll Market Research, supported Spielberg's score by stating, "If anyone doubts that Steven Spielberg has greatly influenced the public, think about how <hl> many will think for a second before going into the water this summer <hl>."

how <hl> many will think for a second before going into the water this summer <hl> ."


Question: When was Citizen Kane released?

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

Answer: 1941

<hl> A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane ( 1941 ) in 1982. <hl> He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (<hl> 1941 <hl>) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane ( <hl> 1941 <hl> ) in 1982.


Question: When was 'The War of the Worlds' radio broadcast?

Answer: 1938

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. <hl> He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds ( 1938 ) in 1994. <hl> Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (<hl> 1938 <hl>) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds ( <hl> 1938 <hl> ) in 1994.


Question: When did Spielberg buy a sled from Citizen Kane?

Answer: 1982

<hl> A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982 . <hl> He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in <hl> 1982 <hl>. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in <hl> 1982 <hl> .


Question: When did Spielberg buy Orson Welles' personal script copy from 'The War of the Worlds'?

Answer: 1994

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. <hl> He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994 . <hl> Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in <hl> 1994 <hl>. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in <hl> 1994 <hl> .


Question: What does Spielberg do with Academy Awards he buys?

Answer: donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. <hl> Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation . <hl> His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and <hl> donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation <hl>. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934).

Spielberg has purchased Academy Award statuettes being sold on the open market and <hl> donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation <hl> .


Question: What was the first video game Spielberg played?

Since playing Pong while filming Jaws in 1974, Spielberg has been an avid video gamer. Spielberg played many of LucasArts adventure games, including the first Monkey Island games. He owns a Wii, a PlayStation 3, a PSP, and Xbox 360, and enjoys playing first-person shooters such as the Medal of Honor series and Call of Duty 4: Modern Warfare. He has also criticized the use of cut scenes in games, calling them intrusive, and feels making story flow naturally into the gameplay is a challenge for future game developers.

Answer: Pong

<hl> Since playing Pong while filming Jaws in 1974, Spielberg has been an avid video gamer. <hl> Spielberg played many of LucasArts adventure games, including the first Monkey Island games. He owns a Wii, a PlayStation 3, a PSP, and Xbox 360, and enjoys playing first-person shooters such as the Medal of Honor series and Call of Duty 4: Modern Warfare. He has also criticized the use of cut scenes in games, calling them intrusive, and feels making story flow naturally into the gameplay is a challenge for future game developers.

Since playing <hl> Pong <hl> while filming Jaws in 1974, Spielberg has been an avid video gamer. Spielberg played many of LucasArts adventure games, including the first Monkey Island games. He owns a Wii, a PlayStation 3, a PSP, and Xbox 360, and enjoys playing first-person shooters such as the Medal of Honor series and Call of Duty 4: Modern Warfare. He has also criticized the use of cut scenes in games, calling them intrusive, and feels making story flow naturally into the gameplay is a challenge for future game developers.