Question: What did CDs retail for in 1995?

Answer: $16.98

The most expensive part of a CD is the jewel case. In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. <hl> Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98 . <hl> On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.

The most expensive part of a CD is the jewel case. In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, which retailed for <hl> $16.98 <hl>. On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.

Wholesale cost of CDs was $0.75 to $1.15, which retailed for <hl> $16.98 <hl> .


Question: Who received the most profit from the sale of CDs?

The most expensive part of a CD is the jewel case. In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98. On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.

Answer: the store

The most expensive part of a CD is the jewel case. In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98. <hl> On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. <hl> When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.

The most expensive part of a CD is the jewel case. In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98. On average, <hl> the store <hl> received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.


Question: How much did a jewel case cost in 1995?

Answer: 30 cents

The most expensive part of a CD is the jewel case. <hl> In 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. <hl> Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98. On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.

The most expensive part of a CD is the jewel case. In 1995, material costs were <hl> 30 cents <hl> for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, which retailed for $16.98. On average, the store received 35 percent of the retail price, the record company 27 percent, the artist 16 percent, the manufacturer 13 percent, and the distributor 9 percent. When 8-track tapes, cassette tapes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. This was done because the apparent value increased. This continued from vinyl to CDs but was broken when Apple marketed MP3s for $0.99, and albums for $9.99. The incremental cost, though, to produce an MP3 is very small.


Question: How long are CDs expected to last?

CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as disc rot, for which there are several, mostly environmental, reasons.

Answer: 20 to 100 years

CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. <hl> The design life is from 20 to 100 years , depending on the quality of the discs, the quality of the writing drive, and storage conditions. <hl> However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as disc rot, for which there are several, mostly environmental, reasons.

CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from <hl> 20 to 100 years <hl>, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as disc rot, for which there are several, mostly environmental, reasons.

The design life is from <hl> 20 to 100 years <hl> , depending on the quality of the discs, the quality of the writing drive, and storage conditions.


Question: What can cause sudden disc degradation?

Answer: disc rot

CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. <hl> This failure is known as disc rot , for which there are several, mostly environmental, reasons. <hl>

CD-R recordings are designed to be permanent. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as <hl> disc rot <hl>, for which there are several, mostly environmental, reasons.

This failure is known as <hl> disc rot <hl> , for which there are several, mostly environmental, reasons.


Question: Are CDs meant for permanent or temporary use?

Answer: permanent

<hl> CD-R recordings are designed to be permanent . <hl> Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as disc rot, for which there are several, mostly environmental, reasons.

CD-R recordings are designed to be <hl> permanent <hl>. Over time, the dye's physical characteristics may change causing read errors and data loss until the reading device cannot recover with error correction methods. The design life is from 20 to 100 years, depending on the quality of the discs, the quality of the writing drive, and storage conditions. However, testing has demonstrated such degradation of some discs in as little as 18 months under normal storage conditions. This failure is known as disc rot, for which there are several, mostly environmental, reasons.

CD-R recordings are designed to be <hl> permanent <hl> .


Question: What does SCMS stand for?

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

Answer: Serial Copy Management System

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. <hl> These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). <hl> The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the <hl> Serial Copy Management System <hl> (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.


Question: What does DRM stand for?

Answer: digital rights management

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. <hl> These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). <hl> The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of <hl> digital rights management <hl> (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.


Question: What does AHRA stand for?

Answer: Audio Home Recording Act

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. <hl> These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). <hl> The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' <hl> Audio Home Recording Act <hl> (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.


Question: What type of CD is intended to be used in a Consumer audio CD Recorder?

Answer: ReWritable Audio CD

<hl> The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. <hl> These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

The <hl> ReWritable Audio CD <hl> is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.


Question: Which is less expensive, the ReWritable Audio CD or a CD-RW?

Answer: CD-RW

<hl> The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard CD-RW discs. <hl> These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.

The ReWritable Audio CD is designed to be used in a consumer audio CD recorder, which will not (without modification) accept standard <hl> CD-RW <hl> discs. These consumer audio CD recorders use the Serial Copy Management System (SCMS), an early form of digital rights management (DRM), to conform to the United States' Audio Home Recording Act (AHRA). The ReWritable Audio CD is typically somewhat more expensive than CD-RW due to (a) lower volume and (b) a 3% AHRA royalty used to compensate the music industry for the making of a copy.


Question: How fast could the first ReWritable CD be written?

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.

Answer: 4x speed

<hl> Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed . <hl> High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.

Due to technical limitations, the original ReWritable CD could be written no faster than <hl> 4x speed <hl>. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.

Due to technical limitations, the original ReWritable CD could be written no faster than <hl> 4x speed <hl> .


Question: Which CD has writing speeds betwen 4x and 12x?

Answer: High Speed ReWritable CD

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. <hl> High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. <hl> Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. <hl> High Speed ReWritable CD <hl> has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.


Question: How fast can Ultra Speed+ CDs write?

Answer: 32x

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. <hl> Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ ( 32x write speed) are now available. <hl>

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (<hl> 32x <hl> write speed) are now available.

Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ ( <hl> 32x <hl> write speed) are now available.


Question: How fast can Ultra Speed CDs write?

Answer: 16x to 24x

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. <hl> Higher speed CD-RW discs, Ultra Speed ( 16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available. <hl>

Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (<hl> 16x to 24x <hl> write speed) and Ultra Speed+ (32x write speed) are now available.

Higher speed CD-RW discs, Ultra Speed ( <hl> 16x to 24x <hl> write speed) and Ultra Speed+ (32x write speed) are now available.


Question: Where is the semiconductor laser found in a CD player?

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

Answer: on a swing arm

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. <hl> In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. <hl> This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed <hl> on a swing arm <hl> within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.


Question: What wavelenght is used to pull data from a CD?

Answer: 780 nm

<hl> A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. <hl> The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

A CD is read by focusing a <hl> 780 nm <hl> wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.


Question: What is used to discern the change of intensity in light on a CD?

Answer: photodiode

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. <hl> By measuring the intensity change with a photodiode , the data can be read from the disc. <hl> In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a <hl> photodiode <hl>, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

By measuring the intensity change with a <hl> photodiode <hl> , the data can be read from the disc.


Question: In what pattern is data stored on a CD?

Answer: spiral

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. <hl> In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. <hl> This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The change in height between pits and lands results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the <hl> spiral <hl> pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.


Question: What createds the change in light reflected off of a CD?

Answer: change in height between pits and lands

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. <hl> The change in height between pits and lands results in a difference in the way the light is reflected. <hl> By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.

A CD is read by focusing a 780 nm wavelength (near infrared) semiconductor laser housed within the CD player, through the bottom of the polycarbonate layer. The <hl> change in height between pits and lands <hl> results in a difference in the way the light is reflected. By measuring the intensity change with a photodiode, the data can be read from the disc. In order to accommodate the spiral pattern of data, the semiconductor laser is placed on a swing arm within the disc tray of any CD player. This swing arm allows the laser to read information from the centre to the edge of a disc, without having to interrupt the spinning of the disc itself.


Question: What type of result from a CD will return a one?

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

Answer: change from pit to land or land to pit

The pits and lands themselves do not directly represent the zeros and ones of binary data. <hl> Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. <hl> There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a <hl> change from pit to land or land to pit <hl> indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).


Question: Where can one find the encoding techniques for CDs?

Answer: Red Book

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. <hl> These encoding techniques (defined in the Red Book ) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM). <hl>

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the <hl> Red Book <hl>) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

These encoding techniques (defined in the <hl> Red Book <hl> ) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).


Question: What type of encoding do CDs implement?

Answer: non-return-to-zero

The pits and lands themselves do not directly represent the zeros and ones of binary data. <hl> Instead, non-return-to-zero , inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. <hl> There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, <hl> non-return-to-zero <hl>, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

Instead, <hl> non-return-to-zero <hl> , inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros.


Question: What type of modulation is implemented when a disc is mastered?

Answer: eight-to-fourteen

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. <hl> This in turn is decoded by reversing the eight-to-fourteen modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. <hl> These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).

The pits and lands themselves do not directly represent the zeros and ones of binary data. Instead, non-return-to-zero, inverted encoding is used: a change from pit to land or land to pit indicates a one, while no change indicates a series of zeros. There must be at least two and no more than ten zeros between each one, which is defined by the length of the pit. This in turn is decoded by reversing the <hl> eight-to-fourteen <hl> modulation used in mastering the disc, and then reversing the cross-interleaved Reed–Solomon coding, finally revealing the raw data stored on the disc. These encoding techniques (defined in the Red Book) were originally designed for CD Digital Audio, but they later became a standard for almost all CD formats (such as CD-ROM).


Question: Where can one expect to find damage on a disc?

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

Answer: label side of the disc

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. <hl> Consequently, CDs are more likely to suffer damage on the label side of the disc . <hl> Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the <hl> label side of the disc <hl>. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

Consequently, CDs are more likely to suffer damage on the <hl> label side of the disc <hl> .


Question: How are scratches on a CD fixed?

Answer: refilling them with similar refractive plastic or by careful polishing

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. <hl> Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing . <hl> The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by <hl> refilling them with similar refractive plastic or by careful polishing <hl>. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

Scratches on the clear side can be repaired by <hl> refilling them with similar refractive plastic or by careful polishing <hl> .


Question: What eats at the plastic and aluminum found in CDs?

Answer: fungus Geotrichum candidum

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. <hl> The fungus Geotrichum candidum , found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs. <hl>

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The <hl> fungus Geotrichum candidum <hl>, found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.

The <hl> fungus Geotrichum candidum <hl> , found in Belize, has been found to consume the polycarbonate plastic and aluminium found in CDs.


Question: Where does the fungus Geotrichum candidum originate from?

Answer: Belize

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. <hl> The fungus Geotrichum candidum, found in Belize , has been found to consume the polycarbonate plastic and aluminium found in CDs. <hl>

CDs are susceptible to damage during handling and from environmental exposure. Pits are much closer to the label side of a disc, enabling defects and contaminants on the clear side to be out of focus during playback. Consequently, CDs are more likely to suffer damage on the label side of the disc. Scratches on the clear side can be repaired by refilling them with similar refractive plastic or by careful polishing. The edges of CDs are sometimes incompletely sealed, allowing gases and liquids to corrode the metal reflective layer and to interfere with the focus of the laser on the pits. The fungus Geotrichum candidum, found in <hl> Belize <hl>, has been found to consume the polycarbonate plastic and aluminium found in CDs.

The fungus Geotrichum candidum, found in <hl> Belize <hl> , has been found to consume the polycarbonate plastic and aluminium found in CDs.


Question: Where is the start of data on a CD?

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

Answer: the center

<hl> The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. <hl> Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

The digital data on a CD begins at <hl> the center <hl> of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]


Question: What size CD is most frequently used?

Answer: 120 millimetres (4.7 in)

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. <hl> By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. <hl> This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is <hl> 120 millimetres (4.7 in) <hl> in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]


Question: What is the size of a Mini CD?

Answer: Eighty-millimeter

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. <hl> Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] <hl> Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. <hl> Eighty-millimeter <hl> discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]


Question: What is the size of a Maxi Single?

Answer: 120 mm

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. <hl> The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. <hl> The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for <hl> 120 mm <hl> diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]


Question: Who was the Sony Executive in 1980?

Answer: Norio Ohga

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. <hl> This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. <hl> This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]

The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive <hl> Norio Ohga <hl> in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]


Question: Where does the Red Book get it's name from?

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

Answer: the colour of its cover

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. <hl> The document is known colloquially as the Red Book CD-DA after the colour of its cover . <hl> The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after <hl> the colour of its cover <hl>. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

The document is known colloquially as the Red Book CD-DA after <hl> the colour of its cover <hl> .


Question: What is the formal name for a CD?

Answer: Compact Disc Digital Audio

<hl> The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. <hl> The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

The logical format of an audio CD (officially <hl> Compact Disc Digital Audio <hl> or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.


Question: Do CDs have a two or four channel format?

Answer: two-channel

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. <hl> The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. <hl> Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a <hl> two-channel <hl> 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.


Question: What format has never been implemented on CDs?

Answer: Four-channel sound

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. <hl> Four-channel sound was to be an allowable option within the Red Book format, but has never been implemented. <hl> Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.

The logical format of an audio CD (officially Compact Disc Digital Audio or CD-DA) is described in a document produced in 1980 by the format's joint creators, Sony and Philips. The document is known colloquially as the Red Book CD-DA after the colour of its cover. The format is a two-channel 16-bit PCM encoding at a 44.1 kHz sampling rate per channel. <hl> Four-channel sound <hl> was to be an allowable option within the Red Book format, but has never been implemented. Monaural audio has no existing standard on a Red Book CD; thus, mono source material is usually presented as two identical channels in a standard Red Book stereo track (i.e., mirrored mono); an MP3 CD, however, can have audio file formats with mono sound.


Question: How is graphics information read from a CD+ Graphics?

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information.

Answer: television set or a computer monitor

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to <hl> a television set or a computer monitor ); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. <hl> The CD+G format takes advantage of the channels R through W. These six bits store the graphics information.

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a <hl> television set or a computer monitor <hl>); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information.

a <hl> television set or a computer monitor <hl> ); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with.


Question: What is the primary use of Compact Disc + Graphics?

Answer: to display lyrics on a television set for karaoke

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. <hl> The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. <hl> The CD+G format takes advantage of the channels R through W. These six bits store the graphics information.

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used <hl> to display lyrics on a television set for karaoke <hl> performers to sing along with. The CD+G format takes advantage of the channels R through W. These six bits store the graphics information.


Question: Which channels does the CD+G use to hold graphics data?

Answer: channels R through W

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. <hl> The CD+G format takes advantage of the channels R through W . <hl> These six bits store the graphics information.

Compact Disc + Graphics is a special audio compact disc that contains graphics data in addition to the audio data on the disc. The disc can be played on a regular audio CD player, but when played on a special CD+G player, it can output a graphics signal (typically, the CD+G player is hooked up to a television set or a computer monitor); these graphics are almost exclusively used to display lyrics on a television set for karaoke performers to sing along with. The CD+G format takes advantage of the <hl> channels R through W <hl>. These six bits store the graphics information.

The CD+G format takes advantage of the <hl> channels R through W <hl> .


Question: How much video can a CD-R contain?

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.

Answer: 60 minutes

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. <hl> One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. <hl> While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to <hl> 60 minutes <hl> of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.


Question: Which has better resolution, a VCD or SVCD?

Answer: SVCD

<hl> SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. <hl> One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.

<hl> SVCD <hl> has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.


Question: How are lengthy videos fit onto SVCDs?

Answer: lower the video bit rate

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. <hl> While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate , and therefore quality, to accommodate very long videos. <hl> It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must <hl> lower the video bit rate <hl>, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.

While no specific limit on SVCD video length is mandated by the specification, one must <hl> lower the video bit rate <hl> , and therefore quality, to accommodate very long videos.


Question: What is the maximum amount of video a SVCD can properly hold?

Answer: 100 minutes

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. <hl> It is usually difficult to fit much more than 100 minutes of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second. <hl>

SVCD has two-thirds the resolution of DVD, and over 2.7 times the resolution of VCD. One CD-R disc can hold up to 60 minutes of standard quality SVCD-format video. While no specific limit on SVCD video length is mandated by the specification, one must lower the video bit rate, and therefore quality, to accommodate very long videos. It is usually difficult to fit much more than <hl> 100 minutes <hl> of video onto one SVCD without incurring significant quality loss, and many hardware players are unable to play video with an instantaneous bit rate lower than 300 to 600 kilobits per second.


Question: How many images could Photo CDs initially contain?

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Answer: 100

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. <hl> Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. <hl> Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly <hl> 100 <hl> high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.


Question: When were Photo CDs initially released?

Answer: 1992

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. <hl> Launched in 1992 , the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. <hl> Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in <hl> 1992 <hl>, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Launched in <hl> 1992 <hl> , the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding.


Question: Who created Photo CDs?

Answer: Kodak

<hl> Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. <hl> Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Photo CD is a system designed by <hl> Kodak <hl> for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.


Question: What type of paper can Photo CD images be produced on?

Answer: photographic paper

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. <hl> The images can also be printed out on photographic paper with a special Kodak machine. <hl> This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on <hl> photographic paper <hl> with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.


Question: In what book are Photo CD standards defined?

Answer: Beige Book

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. <hl> Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. <hl> They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.

Photo CD is a system designed by Kodak for digitizing and storing photos on a CD. Launched in 1992, the discs were designed to hold nearly 100 high-quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the <hl> Beige Book <hl> and conform to the CD-ROM XA and CD-i Bridge specifications as well. They are intended to play on CD-i players, Photo CD players and any computer with the suitable software irrespective of the operating system. The images can also be printed out on photographic paper with a special Kodak machine. This format is not to be confused with Kodak Picture CD, which is a consumer product in CD-ROM format.


Question: When did record companies first attempt to protect their CDs from copying?

The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.

Answer: 2001

The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. <hl> Known at least as early as 2001 , attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. <hl> One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.

The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as <hl> 2001 <hl>, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.

Known at least as early as <hl> 2001 <hl> , attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s.


Question: Who said that protected CDs are not allowed to carry the CDDA logo?

Answer: Philips

The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. <hl> Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. <hl> Numerous copy-protection systems have been countered by readily available, often free, software.

The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. <hl> Philips <hl> has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.


Question: Where does the Red Book mention copy protection?

Answer: in the subcode

<hl> The Red Book audio specification, except for a simple "anti-copy" statement in the subcode , does not include any copy protection mechanism. <hl> Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.

The Red Book audio specification, except for a simple "anti-copy" statement <hl> in the subcode <hl>, does not include any copy protection mechanism. Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.

The Red Book audio specification, except for a simple "anti-copy" statement <hl> in the subcode <hl> , does not include any copy protection mechanism.


Question: What is the use of a transistor?

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

Answer: to amplify or switch electronic signals and electrical power

<hl> A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power . <hl> It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

A transistor is a semiconductor device used <hl> to amplify or switch electronic signals and electrical power <hl>. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

A transistor is a semiconductor device used <hl> to amplify or switch electronic signals and electrical power <hl> .


Question: What is a transistor made of?

Answer: semiconductor material

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. <hl> It is composed of semiconductor material with at least three terminals for connection to an external circuit. <hl> A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of <hl> semiconductor material <hl> with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.


Question: Why does a transistor increase a signal?

Answer: the controlled (output) power can be higher than the controlling (input) power

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. <hl> Because the controlled (output) power can be higher than the controlling (input) power , a transistor can amplify a signal. <hl> Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because <hl> the controlled (output) power can be higher than the controlling (input) power <hl>, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

Because <hl> the controlled (output) power can be higher than the controlling (input) power <hl> , a transistor can amplify a signal.


Question: What is the minimum amount of external connection terminals to call an item a transistor?

Answer: three

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. <hl> It is composed of semiconductor material with at least three terminals for connection to an external circuit. <hl> A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least <hl> three <hl> terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found embedded in integrated circuits.


Question: Where are most transistors found?

Answer: embedded in integrated circuits

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. <hl> Today, some transistors are packaged individually, but many more are found embedded in integrated circuits . <hl>

A transistor is a semiconductor device used to amplify or switch electronic signals and electrical power. It is composed of semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Today, some transistors are packaged individually, but many more are found <hl> embedded in integrated circuits <hl>.

Today, some transistors are packaged individually, but many more are found <hl> embedded in integrated circuits <hl> .


Question: When was the first transistor created?

The transistor is the fundamental building block of modern electronic devices, and is ubiquitous in modern electronic systems. First conceived by Julius Lilienfeld in 1926 and practically implemented in 1947 by American physicists John Bardeen, Walter Brattain, and William Shockley, the transistor revolutionized the field of electronics, and paved the way for smaller and cheaper radios, calculators, and computers, among other things. The transistor is on the list of IEEE milestones in electronics, and Bardeen, Brattain, and Shockley shared the 1956 Nobel Prize in Physics for their achievement.

Answer: 1926

The transistor is the fundamental building block of modern electronic devices, and is ubiquitous in modern electronic systems. <hl> First conceived by Julius Lilienfeld in 1926 and practically implemented in 1947 by American physicists John Bardeen, Walter Brattain, and William Shockley, the transistor revolutionized the field of electronics, and paved the way for smaller and cheaper radios, calculators, and computers, among other things. <hl> The transistor is on the list of IEEE milestones in electronics, and Bardeen, Brattain, and Shockley shared the 1956 Nobel Prize in Physics for their achievement.

The transistor is the fundamental building block of modern electronic devices, and is ubiquitous in modern electronic systems. First conceived by Julius Lilienfeld in <hl> 1926 <hl> and practically implemented in 1947 by American physicists John Bardeen, Walter Brattain, and William Shockley, the transistor revolutionized the field of electronics, and paved the way for smaller and cheaper radios, calculators, and computers, among other things. The transistor is on the list of IEEE milestones in electronics, and Bardeen, Brattain, and Shockley shared the 1956 Nobel Prize in Physics for their achievement.