A close-up, eye-level photograph captures two square glass tequila bottles lying horizontally on a dark wooden surface, stacked vertically within a clear glass display case. The top bottle contains an amber liquid and features a cream-colored label with red text reading "Tequila Reserva 1800 Reposado 100% de AGAVE HECHO EN MEXICO" alongside a red circular seal; the bottom bottle holds a clear liquid with a white label displaying blue text that reads "Tequila Reserva 1800 Silver 100% de AGAVE HECHO EN MEXICO" and a blue seal. Both bottles exhibit a distinct embossed agave leaf design on their glass bodies and have faceted necks with colored foil caps matching their labels. A third bottle is partially visible at the very top edge of the frame. The scene is illuminated by warm, directional lighting from the upper right, creating bright specular highlights on the glass shoulders and necks while casting soft shadows to the left. The background is softly blurred with a shallow depth of field, revealing hints of a lime green wall, a glowing yellow lamp shade, and indistinct wooden shelving or furniture in the distance.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=bottle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃展示柜内的真实酒瓶与玻璃表面的强反射形成清晰叠加，导致真实目标与反射外观在视觉上混叠，造成计数歧义。

玻璃柜中清晰可见的透射目标与表面反射形成显著混叠，存在真实计数风险且仔细观察后仍可辨认目标。


This wide-angle, eye-level photograph captures the expansive interior of a grand, modernist building, likely a library or university hall, characterized by soaring ceilings and deep focus that keeps details sharp from the foreground to the distant background. The ceiling is a dominant architectural feature, composed of a massive grid of coffered panels in an off-white or cream color, creating a rhythmic geometric pattern that draws the eye toward the vanishing point at the far end of the hall. Below, the floor is highly polished and reflective, mirroring the overhead lights and the silhouettes of people walking through the space. On the right side, a large, sloping structure resembling a ramp or staircase ascends diagonally, lined with rows of bookshelves filled with books, while on the left, a white wall features a long, horizontal bas-relief sculpture depicting figures in motion. Several people are scattered throughout the scene; in the immediate foreground on the left, a person in a blue jacket walks away from the camera, while further back in the center, a group of individuals, including one in a bright red shirt and another in a blue hoodie, walk towards the viewer or stand in conversation. The lighting is bright and diffuse, seemingly coming from skylights or high windows along the right wall, casting soft shadows and illuminating the beige, white, and grey palette of the architecture. The overall mood is spacious and academic, with the composition emphasizing the verticality and length of the corridor.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The highly polished floor creates clear, distinct reflections of the people walking on it, which can be confused with the real people, creating a counting ambiguity.

光滑地面清晰反射行人，与透射目标形成显著混叠，存在重复计数风险。


This indoor photograph captures a sleek, silver three-wheeled vehicle displayed on a glossy black circular platform that reflects the car's undercarriage and rear tire. The vehicle, positioned in the foreground with its rear facing the viewer, features a large, treaded rear tire, exposed mechanical components, and angular bodywork with red taillights and clear turn signals. To the left and slightly behind the silver vehicle sits a vibrant red three-wheeled sports car with a black hood stripe and visible cockpit. In the background, several people stand observing the display; one man in a red polo shirt holds a camera, while another to the right wears a white shirt and blue jeans holding a tablet. A man in a blue jacket stands near the center, and others are partially visible further back. The setting appears to be an exhibition hall or trade show with a concrete floor, white walls, and a large white truck parked in the distance bearing the text "Gruen Auto Inc." in script font. The lighting is bright and artificial, creating sharp reflections on the polished floor and the metallic surfaces of the vehicles. Visible text includes "CAN YOU DIG IT" on a white t-shirt worn by a man in the background and partial letters "DER" on a red sign in the upper left corner. The image has a shallow depth of field, keeping the silver vehicle sharp while softening the background figures and environment.

KEEP=YES
MODE=duplicate_reflection
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glossy floor creates a clear, high-salience reflection of the silver vehicle, creating a distinct duplicate appearance that could lead to double-counting.

车辆及其在光滑地面上的清晰反射形成显著混叠，存在真实计数风险且仔细观察后仍可辨认目标。


In a brightly lit indoor setting with large floor-to-ceiling windows revealing a street scene outside, a young woman with long dark hair stands on the right, wearing a black t-shirt and holding a black hairdryer to style the hair of an elderly woman seated in a white plastic chair. The seated woman has short blonde hair held back by white clips, wears glasses, a blue long-sleeved top, and holds a black handbag on her lap while looking forward. A long white folding table stretches across the foreground, cluttered with various hairdressing tools including multiple round brushes with wooden handles, combs, hair clips, and several hairdryers, one of which is blue and yellow. Behind the main subjects, a large mirror reflects the scene, showing the back of the standing stylist and the reflection of the seated client, as well as a second table with similar items. Through the glass windows in the background, parked cars including a silver sedan and a red hatchback are visible on a paved surface under daylight conditions. The room features light-colored walls and a polished wooden floor, illuminated by natural light that casts soft shadows and creates reflections on the glass surfaces.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The large mirror creates a clear reflection of the seated client and stylist, which visually overlaps with the real subjects and the background window view, creating ambiguity in counting the total number of people.

清晰可见的镜面反射与真实人物形成显著混叠，存在重复计数风险。


A man with glasses holds a camera, reflected in multiple vertical glass panels. His reflection appears several times, each slightly distorted, with buildings and greenery visible in the background. The reflections create a layered, repeating effect across the glass surfaces.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=Multiple clear, distinct reflections of the same person are visible across the glass panels, creating a counting ambiguity between the real subject and its repeated images.

玻璃表面存在清晰且显著的人体反射，与透射目标形成混叠，导致目标数量难以区分。


A close-up, eye-level photograph captures a glass window display featuring a mannequin dressed as an old prospector, set against a backdrop of a desert landscape. The mannequin has a weathered face with green eyes, a long white beard and hair, and wears a red plaid shirt with blue suspenders, a blue bandana around the neck, and a gold sheriff's star badge pinned to the chest. Above the figure, large text painted on the glass reads "JACOB WALTZ" in purple letters with a yellow outline, followed by "THE LOST DUTCHMAN" in red letters with a yellow outline below it. To the left, a partial white sign with red lettering shows the fragments "PA" and "ERN". Through the glass, reflections reveal a bright outdoor scene with parked cars, including a white SUV, and a person with blonde hair standing near a vehicle door. The window is framed by light-colored wooden siding, and the lighting suggests a sunny day with natural light illuminating the scene from the front.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=mannequin
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass window creates a significant visual overlap between the real mannequin inside and the strong reflections of the street scene outside, causing ambiguity in counting the distinct figures.

橱窗内的人偶与玻璃反射的街景车辆发生显著混叠，导致目标边界模糊，存在漏计或混淆风险。


A woman with dark shoulder-length hair stands in the foreground taking a mirror selfie, holding a black DSLR camera up to her face which obscures most of her features except for one eye and part of her forehead. She wears a white sleeveless top over a black underlayer, and a black camera strap with yellow "Nikon" lettering hangs around her neck. The scene is an indoor room with warm ambient lighting from ceiling fixtures, creating soft shadows and reflections on the large mirror that dominates the background. In the reflection behind her, another person with long dark hair wearing a white dress with a keyhole back stands facing away, while further back a man in a blue shirt and jeans holds a smaller silver camera, also appearing to take a photo. To the left, a wooden table displays decorative boxes with intricate patterns and small golden statues. The composition is a medium shot captured at eye level, with shallow depth of field keeping the main subject sharp while slightly softening the background elements. The color palette includes neutral tones of beige walls and wood furniture contrasted by the white clothing and black camera gear, contributing to a casual yet composed atmosphere typical of social gatherings or events.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear mirror selfie where the real subject and multiple distinct, high-salience reflections of other people are visible, creating a counting ambiguity between the real and reflected figures.

图像包含清晰的人体反射与透射目标，存在显著混叠，且目标清晰可辨，具备真实计数风险。


A white Iberia Boeing 727 aircraft sits on a paved airport runway under a cloudy sky, captured in a wide shot with deep focus that keeps the plane and distant background sharp. The airplane is positioned horizontally across the frame, facing right, featuring a distinctive T-tail configuration with three rear-mounted engines. The fuselage is primarily white with a bold red stripe running along the window line and a thinner orange stripe above it. On the vertical stabilizer, a large orange globe logo contains the letters "IB" in red, while the registration code "EC-CAJ" is printed in black near the top of the tail fin. The word "IBERIA" appears in large red capital letters on the forward fuselage, and smaller text reading "BOEING 727" is visible just behind the wing root. In the immediate foreground, a patch of green grass borders a puddle of water that creates a clear, inverted reflection of the aircraft's side profile and livery. The background reveals a flat horizon with low-lying industrial buildings and hangars to the left, and a tree-covered hill rising on the right side. The lighting is diffuse and even, suggesting an overcast day, which casts soft shadows beneath the landing gear and eliminates harsh highlights on the metallic surfaces.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a single vehicle with a clear, distinct reflection in the foreground puddle, creating a potential for double-counting.

真实场景中的飞机及其在水面的清晰倒影构成显著混叠，存在重复计数风险。


A wide-angle, eye-level outdoor photograph captures a bustling public plaza on a bright, sunny day, dominated by the massive, highly reflective stainless steel sculpture known as Cloud Gate. The sculpture, shaped like a giant bean or liquid metal drop, occupies the center of the frame, its polished surface mirroring the surrounding cityscape, the blue sky, and the distorted figures of the crowd gathered around it. In the immediate foreground, a man with a shaved head wearing a white t-shirt and dark trousers walks alongside a woman in a black tank top and a white skirt with black polka dots; to their right, a person in a green shirt stands with their back to the camera, while further right, a man in a plaid shirt raises his arm to take a photo. The mid-ground is filled with dozens of tourists of various ages and ethnicities, dressed in summer attire such as shorts, t-shirts, and hats, some holding umbrellas for shade, walking across the light beige stone pavement. Behind the sculpture, towering skyscrapers rise into the clear blue sky, including a building on the right with "UNITRIN" visible in large letters near the top. The lighting is harsh and direct, creating strong highlights on the metallic surface of the sculpture and casting short, sharp shadows on the ground, indicating it is likely midday. The scene is captured with deep focus, keeping both the foreground pedestrians and the distant buildings sharp and detailed.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The massive reflective sculpture creates a highly salient, distorted mirror image of the crowd, creating a clear ambiguity between the real people in the foreground and their reflections on the surface.

The large reflective sculpture contains a dense, distorted, and significant reflection of numerous people that creates a high risk of confusion and counting errors.


A low-angle, close-up photograph captures a cluster of four large, spherical red Christmas ornaments hanging against the backdrop of a modern building at night. The ornaments are coated in a dense, sparkling glitter that catches the ambient light, creating bright white specular highlights on their curved surfaces, while silver metallic caps and wire loops are visible at the top of each sphere. They are arranged in a tight grouping, with one positioned slightly higher than the others, partially obscuring the background structure. Behind the festive decorations, the illuminated facade of a multi-story building features horizontal bands of windows glowing with warm yellow interior light, framed by dark structural beams. To the right, a reflective glass surface mirrors the red spheres and the building's lights, adding depth to the composition. The scene is lit by artificial sources, casting a warm, golden hue over the architectural elements while leaving the surrounding sky in deep shadow, emphasizing the vibrant red of the baubles and the texture of the glitter.

KEEP=YES
MODE=duplicate_reflection
TARGET=other
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows four distinct red ornaments and their clear, high-salience mirror reflections, creating a counting ambiguity where the real objects and their duplicates must be distinguished.

真实照片中的红色装饰球体在玻璃表面形成清晰且显著的反射，与透射目标混叠，存在明显的重复外观和计数风险。


A man with a beard wears a gray hoodie and looks through a glass window. His reflection is visible behind him, showing a stone wall and a poster on the glass. The scene appears to be indoors, with dim lighting and a blurred background.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃表面叠加了清晰的人物反射，与透过玻璃看到的真实人物形成重叠，导致目标数量存在歧义。

玻璃窗上存在清晰且显著的人脸反射，与透射的真实人脸形成混叠，导致目标数量难以区分。


This photograph captures a museum exhibition featuring three vintage automobiles displayed on a highly reflective black floor that mirrors the vehicles and visitors. In the foreground, a bright red open-top touring car with tufted leather seats and brass accents sits angled toward the right, its spoked wheels painted red to match the bodywork. Behind it and slightly to the right is a white automobile with a cream-colored hood and brass headlamps, featuring a spare tire mounted on the side and a wooden steering wheel visible in the cockpit. Further back stands a blue enclosed vehicle with a boxy shape and a roof rack carrying luggage. The scene is illuminated by dramatic spotlights that create strong highlights on the polished metal and paint while leaving the surrounding walls in deep shadow. Several visitors are scattered around the display; some stand near the railing on the left looking at screens, while a group of people, including men in dark jackets and casual shirts, gather on the right side observing the cars. The background features large digital screens displaying historical footage or images, set against dark walls that contrast with the brightly lit exhibits. The composition uses a wide angle to encompass the entire arrangement, emphasizing the spatial relationship between the classic cars and the modern gallery environment.

KEEP=YES
MODE=duplicate_reflection
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The highly reflective floor creates clear, distinct mirror images of the three vintage vehicles, creating a potential for double-counting if not distinguished from the real objects.

车辆及其在光滑地面上的清晰倒影形成显著混叠，存在真实计数风险。


A woman in a dark hoodie smokes from a pink hookah hose. Behind her, reflected in glass, another person in an orange shirt smiles. The scene appears to be indoors near a window or glass wall with blurred lights outside.

玻璃表面清晰叠加了真实人物与反射人物，造成目标数量混淆。

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃表面清晰叠加了真实人物与反射人物，造成目标数量混淆。

玻璃表面反射与透射目标高度混叠，形成清晰可辨的重复外观，存在显著计数风险。


This indoor photograph captures a candid, playful moment in a kitchen featuring three people interacting near a white refrigerator on the right side of the frame. The floor is covered in textured, brown linoleum with a repeating geometric pattern that reflects the overhead lighting. In the center-right foreground, a person with short dark hair and glasses sits cross-legged on the floor, wearing a plaid button-down shirt over a dark top and blue jeans, smiling directly at the camera while holding their own legs. Behind them, another individual with long dark hair and glasses leans forward from a standing position, looking down toward the seated person, dressed in a dark striped long-sleeve shirt. A third person is partially visible behind the seated individual, peeking out with a smile, wearing glasses and a dark shirt. To the far left, only the lower legs and feet of a fourth person are visible, clad in grey sweatpants and light blue socks. The background includes a red radiator cover against a wall painted green on the upper half and wood-paneled on the lower half; atop the radiator sit several large plastic jugs, likely containing milk or juice, alongside a bottle of dish soap. A window above the radiator shows darkness outside, suggesting nighttime. On the side of the refrigerator facing the room, various magnets and small decorative items are attached, including what appear to be fabric figures. The lighting is warm and artificial, casting soft shadows and creating highlights on the glossy floor and refrigerator surface. The composition is taken from a slightly elevated angle, framing the group in a medium shot that emphasizes their interaction and the domestic setting. No text is legible on any objects or surfaces. The image has a casual, snapshot quality with natural color balance and moderate sharpness throughout.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The refrigerator door acts as a mirror, creating a clear, overlapping reflection of the seated person that complicates counting the total number of visible individuals.

冰箱门上的反射与透射目标高度混叠，导致同一人物出现多次且边界不清，存在显著计数风险。


A woman with blonde hair and sunglasses laughs while holding a striped bag inside a car.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a clear reflection of a second person on the car window, creating a distinct counting ambiguity between the real person inside and the reflected person outside.

车窗玻璃上存在清晰且显著的人像反射，与透射的真实人物形成视觉混叠，存在计数混淆风险。


A young man with short brown hair and a neutral expression stands centered in the reflection of an ornate, multi-paneled mirror, wearing a dark jacket over a reddish-orange shirt. The mirror itself is the dominant subject, featuring a heavy, gilded frame decorated with intricate white scrollwork on black panels and clusters of artificial flowers in pastel shades of pink, yellow, green, and blue attached to the corners and edges. The reflection reveals a dimly lit interior space behind the viewer, characterized by dark wood paneling, arched doorways, and classical columns, suggesting a historic hall or museum setting. In the immediate foreground, resting on a surface below the mirror, sits a silver tray with a beaded rim, partially visible at the bottom center. To the right of the main mirror, a portion of another decorative wall sconce or smaller mirror is visible, also adorned with floral elements. The lighting is warm and ambient, creating soft highlights on the gold leaf of the frame and the glass surfaces, while the background remains in shadow. The composition is a medium shot taken at eye level, capturing the symmetry of the mirror's design and the depth of the room reflected within it.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a large mirror where the subject's real appearance and multiple distinct, clear reflections are visible simultaneously, creating a counting ambiguity.

图像中清晰可见一个人物及其在华丽镜框上的显著反射，反射与透射目标形成明显混叠，存在计数混淆风险。


A flock of vibrant pink flamingos stands in shallow, dark water within an outdoor enclosure featuring a rocky bank and dense green foliage in the background. The scene is captured at eye level with a medium framing that includes approximately seven birds, dominated by one flamingo in the left foreground standing tall on long, thin legs with its curved black-tipped beak facing right. To its right, another flamingo bends its neck deeply to drink from the water, while others are scattered behind them, some partially obscured or facing away. The lighting is high-contrast natural sunlight, creating bright highlights on the birds' feathers and casting deep shadows in the background vegetation and under the rocks. The color palette is defined by the intense coral-pink and orange hues of the flamingos against the dark greens of the leaves and the murky, reflective surface of the water. The image is a photograph with a shallow depth of field, keeping the foreground flamingos sharp while the background foliage is slightly softened. Clear reflections of the birds' bodies and legs ripple in the water below, mirroring their pink forms against the dark liquid.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=bird
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=Clear reflections of the flamingos in the water create a distinct visual overlap with the real birds, causing ambiguity in counting the total number of bird appearances.

水面上存在清晰且显著的鸟类倒影，与真实目标形成显著混叠，增加了计数难度。


A person with short brown hair, wearing a dark olive green jacket over a grey shirt and dark blue jeans, stands in the foreground with legs spread wide apart in a playful pose, holding two black digital cameras up to their eyes as if taking a photo. The subject is captured mid-action on a bright lime green carpeted floor, with a vertical mirror or glass pane running through the center of the frame, creating a symmetrical reflection that doubles the figure's appearance. Behind the main subject, a shallow depth of field softens the background into a busy indoor exhibition hall setting where several people are seated on white benches or standing near blue walls adorned with colorful graphics and yellow caution tape. Overhead, industrial-style metal truss lighting rigs hang from the ceiling, casting a cool, even illumination across the scene. The overall color palette features the vibrant green of the floor contrasting with the muted blues and greys of the background architecture and clothing, while the image itself has a slightly grainy texture typical of a candid photograph taken in mixed artificial lighting.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a single person standing directly in front of a vertical mirror, creating a clear, symmetrical reflection that results in two distinct, countable figures.

玻璃表面反射与透射目标高度混叠，形成显著重复外观，存在真实计数风险。


Two fast-food beverages sit on a wet, reflective gray surface, likely outdoors during or after rain. In the foreground to the left is a white paper cup with a blue band featuring a cartoon woman in a yellow swimsuit hula-hooping; the text "McFLURRY" is printed in stylized blue font, along with the slogan "i'm lovin' it" and a yellow McDonald's arches logo near the bottom. A thick, clear plastic spoon rests inside this cup, which has a white plastic lid. Behind it and slightly to the right stands a taller, translucent plastic cup filled with a pale yellow liquid, topped with a white lid and a red-and-white striped straw. This second cup displays a Burger King logo and the partial phrase "HAVE IT YOUR WAY." The ground beneath them is slick with water, creating a clear, inverted reflection of both cups and their contents. The lighting is diffuse and overcast, casting soft shadows and highlighting the condensation on the plastic surfaces. The composition is a close-up shot with a shallow depth of field, keeping the cups sharp while blurring the background into indistinct gray tones.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=product
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The wet ground creates a clear, inverted reflection of the two cups, and the reflection of the foreground cup is significantly larger and more detailed than the background cup, creating a potential for miscounting or confusion between the real objects and their reflections.

清晰可见的麦当劳产品及其在湿润地面上的显著倒影，形成可计数的反射与透射混合场景。


glasses, mirror, child, curly hair, hand

真实人物与镜中清晰完整的人脸倒影同时可见，构成明确的重复计数结构。

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=真实人物与镜中清晰完整的人脸倒影同时可见，构成明确的重复计数结构。

清晰的人脸反射与真实人脸在镜框内显著混叠，存在重复计数风险，仔细观察后可辨认目标。


This indoor sports photograph captures a dynamic moment during a girls' basketball game on a highly polished, reflective wooden court. In the foreground, a player with blonde hair in a ponytail, wearing a white jersey with red trim and the text "BOWLING GREEN" along with the number 34, is dribbling an orange basketball with her right hand while looking forward intently. She is being closely guarded by an opponent in a red jersey with white side stripes and the number 23, who has dark hair tied back and is leaning into a defensive stance. To the left, another player in a red jersey labeled "LADY 32 INDIANS" runs alongside the action, while further back on the right, a teammate in a red jersey reading "LADY 40 INDIANS" sprints down the court. Behind the main action, a player in a white jersey with "BOWLING GREEN" and the number 21 runs in support. The background features a gymnasium wall adorned with a large banner displaying "ROBCATS" and a mascot graphic, flanked by red padded walls and double doors marked with illuminated "EXIT" signs. Several cheerleaders in black and red uniforms stand near the sidelines, and a referee in a black-and-white striped shirt observes from the left. The scene is lit by bright overhead artificial lighting that creates strong reflections of the players on the glossy floor, emphasizing the motion and energy of the game.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The highly polished floor creates strong, clear reflections of the players that overlap with their real bodies, creating a counting ambiguity between the real and reflected figures.

地板上的反射清晰且显著，与真实目标形成重复外观，存在漏计或混淆风险。


A medium shot captures a man with short-cropped hair and a navy blue track jacket featuring white piping along the sleeves, standing in profile facing left while shouting and gesturing with his right arm extended forward. He appears to be a coach or official on the sidelines of an indoor ice hockey rink, evidenced by the glass barrier behind him which reflects his face and upper body, as well as the blurred figure of another man wearing glasses and a similar dark jacket standing slightly behind him to the left. In the immediate foreground, the out-of-focus shoulder and helmet of a player in a white and blue uniform obscure the bottom left corner, creating a shallow depth of field that keeps the focus sharp on the shouting man while softening the background elements. The lighting is artificial and diffuse, typical of an arena setting, casting soft shadows and highlighting the texture of the man's jacket and the sheen on the glass. The color palette is dominated by cool tones of navy blue, white, and grey, punctuated by the skin tones of the subjects and the warm yellow glow of overhead lights visible in the background blur. No text is legible on the clothing or equipment due to the angle and resolution.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass barrier creates a clear reflection of the main subject that overlaps with the real person, creating ambiguity in counting the total number of visible figures.

玻璃表面反射与透射目标高度混叠，形成显著重复外观，存在真实计数风险。


Two young girls sit side-by-side in the foreground of a dimly lit indoor event space, likely a hotel lobby or ballroom, captured in a medium shot with a flash that creates sharp focus on the subjects while leaving the background slightly darker. The girl on the left appears to be around eight to ten years old with dark hair pulled back, wearing a white satin dress featuring a black sash across the midsection and a silver necklace; she holds a small bouquet of white flowers and looks directly at the camera with a neutral expression. Beside her sits a younger toddler with short brown hair and bangs, dressed in a sleeveless white satin gown with a gathered skirt, also holding a matching white floral bouquet and gazing forward with wide eyes. To the far left, a partial reflection of the older girl is visible in a glass surface or mirror. Behind them stands a tall Christmas tree adorned with warm lights, and further back, the room extends into a lounge area with chairs, lamps, and patterned dividers under low ambient lighting. The color palette is dominated by the bright whites of the dresses against the deep shadows and warm yellow tones of the background lights, creating a formal yet candid atmosphere typical of a holiday gathering or wedding reception.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=左侧镜面清晰反射出左侧女孩的完整形象，与真实人物形成可区分的重复外观，导致计数歧义。

左侧女孩在镜面反射中形成清晰且显著的镜像，与主体目标共同构成可计数的重复外观，存在漏计或混淆风险。


Inside a vintage car, the steering wheel and dashboard are visible through the windshield. Outside, a red classic car is parked nearby at what appears to be a car show with tents and people in the background.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃表面叠加了外部红色车辆的清晰反射，与内部真实车辆形成视觉混叠，导致目标边界混淆。

透过挡风玻璃清晰可见外部红色车辆，同时挡风玻璃表面存在显著且可辨认的反射，导致目标与反射发生混叠，存在计数风险。


In a brightly lit indoor setting with warm ambient lighting, two women stand facing each other in conversation. The woman on the left has long blonde hair and wears a white button-down shirt tucked into dark blue jeans with a thin brown belt; she holds a black smartphone in her right hand and gestures with her left toward the other woman. Her back is mostly to the camera, showing the side profile of her face as she looks at her companion. The woman on the right has shoulder-length dark hair with bangs, sunglasses perched atop her head, and wears a fitted red short-sleeved dress with gold buttons down the front and flap pockets on the chest; she holds a clear plastic water bottle under her left arm and clasps her hands together near her waist, wearing multiple bracelets and rings. Behind them, large mirrors reflect their figures and parts of the room, including another person seated to the far right with reddish-brown hair and a patterned sleeveless top. On a white surface in the foreground left, there’s a beige leather tote bag, a disposable white cup, and two plastic water bottles—one labeled “Smartwater” with visible branding. Vertical fluorescent tube lights glow softly behind the subjects, casting even illumination across the scene without harsh shadows. The composition is eye-level and medium-framed, capturing both individuals from mid-thigh up, with shallow depth of field slightly softening background elements like the mirror reflections and distant furniture. Dominant colors include crisp white, vibrant red, denim blue, and neutral beige tones, creating a casual yet polished social atmosphere typical of an office breakroom or event lounge. No readable text appears beyond partial product labels on beverage containers.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear mirror reflection of the woman in the red dress, creating a distinct duplicate that introduces counting ambiguity.

图像包含清晰的人体反射与透射目标，且反射显著，存在真实计数风险。


This wide-angle, eye-level photograph captures the opulent interior of a grand hall, likely the Hall of Mirrors at Versailles, characterized by deep focus that keeps details sharp from the foreground to the distant vanishing point. The scene is dominated by a high, vaulted ceiling adorned with intricate frescoes depicting mythological scenes in muted blues and golds, framed by elaborate gilded moldings. Suspended from this ceiling are numerous large crystal chandeliers with candle-style bulbs emitting a warm, yellowish glow, which reflects brilliantly off the polished parquet floor below. To the left, a wall features tall arched mirrors set between marble columns, reflecting the light and the opposite side of the room, while the right side consists of tall arched windows letting in bright, cool daylight that contrasts with the interior warmth. A group of approximately fifteen tourists walks away from the camera down the center of the hall; they are dressed in casual winter clothing such as dark jackets, jeans, and boots, with some carrying bags or backpacks. On the far right, golden statues stand on pedestals near the windows, adding to the baroque aesthetic. The overall color palette is rich with gold, cream, deep blue, and the dark tones of the visitors' attire, creating a majestic and historic atmosphere.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=左侧墙壁上的镜子清晰反射了右侧窗户透射进来的真实人物，导致真实人物与镜中倒影在视觉上重叠，造成计数歧义。

真实场景中的游客在镜面墙壁上形成清晰且显著的反射，与透射目标共同构成可计数的重复外观。


A side mirror reflects two people riding bicycles on a dirt path. The vehicle’s interior and a hand gripping the window frame are visible, with green vegetation lining the roadside. The scene is set outdoors in a rural or forested area.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The side mirror clearly reflects two cyclists, while the vehicle interior and a hand are visible in the foreground, creating a distinct reflection-transmission mix that could lead to counting errors.

清晰可见的侧视镜反射中包含两个可辨认的骑行者，存在计数风险。


This black and white photograph captures a candid moment inside a barbershop, featuring two men positioned in front of a large wooden-framed mirror. In the foreground, a smiling man with short dark hair sits facing the camera, draped in a light-colored barber cape with bold vertical stripes; he wears a collared shirt underneath. Standing slightly behind him to the left is another man, likely the barber, who has short hair with bangs and is wearing a checkered button-down shirt over a white collar; he looks down at the seated man with a gentle smile. The background reveals the reflection in the mirror, showing the back of the seated man's head and another person standing further back holding a camera up to their face, capturing the scene. On top of the mirror frame sits a vintage radio or speaker unit, a bottle, and a peaked cap. To the right on the counter, a can labeled "PRICKLE HEAT" is visible, while a box with the text "Gillette" rests on the marble countertop to the left near a towel and a glass of water. The room features tiled walls and framed pictures reflected in the glass, illuminated by soft, diffuse lighting that creates a nostalgic atmosphere with deep focus keeping both the subjects and the background details sharp.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The mirror clearly shows the reflection of the seated man and a photographer, creating a distinct visual overlap with the real subjects that requires careful distinction to count correctly.

清晰可见的理发店场景中包含显著的镜面反射，导致人物目标在真实图像与反射中发生混叠，存在计数混淆风险。


This indoor photograph captures a martial arts grading or class session inside a dojo with blue padded flooring and walls lined with large mirrors reflecting the room's activity. In the foreground, three young children wearing white doboks with South Korean flag patches on the sleeves stand in a line facing a long table where several adults are seated as judges or instructors. The child on the left has curly brown hair, while the middle child has short black hair and the child on the right has short blond hair; all three stand at attention with hands clasped behind their backs. Seated at the table are adults including a woman with gray hair wearing a red and black uniform who looks toward the camera, and men in black and white uniforms looking toward the students. On the wall behind the table is a large painted mural featuring a green dragon and a red tiger surrounding a circular logo with text that reads "AMERICAN KYUKI-DO FEDERATION" along the top edge of a banner hanging above the mirror. The mirror reflects the back of the room, showing more students in white uniforms standing in lines, shelves with equipment, and additional observers. The lighting is bright and even, likely from overhead fluorescent fixtures, casting soft shadows. Visible text includes "American Kyuki-Do Federation" on the banner and partial text on the mural logo. The scene is captured at eye level with deep focus, keeping both foreground subjects and background reflections sharp.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The large mirror creates a significant reflection-transmission mix where the real people at the table and the reflected people in the background are visually overlapping, creating ambiguity in counting.

镜面反射与真实人物在画面中形成显著混叠，存在重复计数风险，且目标清晰可辨。


This outdoor photograph captures a serene canal scene on a bright, sunny day with deep focus keeping the foreground boats and background architecture equally sharp. In the immediate foreground, calm dark blue water reflects the hulls of several moored vessels and the white facades of modern apartment buildings. On the left, the bow of a green boat displays the name "morgoat" in white serif lettering. Centered in the frame is a black tugboat named "PEPERE" in bold white sans-serif text on its stern, featuring a row of black tires as fenders along its side and a yellow oval logo reading "YACCO" near the rear; smaller yellow text on the cabin lists details including "BOURDON PEPERE 1949" and "ASS. NEVEZ NOE." Behind this tugboat sits a larger green barge with a brown wooden wheelhouse and a white life ring mounted on its side. The background features a grassy bank leading up to contemporary multi-story residential buildings characterized by white stucco walls, dark window frames, and glass-railing balconies. Young deciduous trees with light green leaves are planted along the canal edge, partially obscuring the lower levels of the buildings. The lighting is natural and direct, casting distinct shadows beneath the boats and highlighting the textures of the water and building surfaces, creating a crisp, realistic image with a palette dominated by cool blues, greens, and whites.

KEEP=YES
MODE=duplicate_reflection
TARGET=boat
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The calm water creates clear, distinct reflections of the boats that could be confused with the real objects, creating a counting ambiguity.

水面反射清晰且显著，与真实船只形成重复外观，存在漏计或混淆风险。


Captured from a low-angle street-level perspective, this photograph depicts a bustling urban scene dominated by the grand architecture of the St. Stephen's Basilica in Budapest, its massive dome adorned with golden stars rising against a pale blue sky scattered with wispy clouds. To the right, a sleek, modern silver tram occupies the foreground, its reflective glass windows mirroring the surrounding buildings and traffic, while overhead wires crisscross the frame connecting to the tram's pantograph. On the left, a classic European-style building with cream-colored stucco and dark iron balconies frames the view, standing beside a black Renault hatchback with the license plate "693 AYL" visible on its front bumper. The street is paved with cobblestones near the tram tracks and asphalt further out, where other vehicles including a white van and a dark sedan navigate the road. The lighting suggests late afternoon or early morning, casting soft shadows and highlighting the intricate Gothic Revival details of the basilica's stone facade, including its rose window and flying buttresses, creating a composition that blends historical grandeur with contemporary city life.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=Tram windows clearly reflect multiple vehicles, creating ambiguity between real and reflected objects.

右侧电车车身具有显著且清晰的反射，与真实车辆目标形成混叠，存在真实计数风险。


A crowded outdoor street scene captures a group of young people, likely students, gathered on a paved sidewalk in an urban setting with brick apartment buildings and storefronts in the background. In the immediate foreground right, a person wearing a black North Face jacket, a grey hood pulled up over their head, and a black-and-white checkered face mask looks directly at the camera while carrying a pink patterned strap across their chest. Beside them to the left stands a young man with shaggy brown hair wearing a dark plaid flannel shirt and blue jeans, looking back over his shoulder with a surprised expression, standing next to a large traditional drum mounted on a metal cart frame. Behind him, several other individuals are visible, including a young man in a red hoodie holding a brass gong, another in a red hoodie and black beanie, and a girl further back wearing a teal knit hat with earflaps. To the far left, a reflective glass surface shows the reflection of the crowd. The background features bare trees indicating winter or late autumn, and various signs with Chinese characters and English text such as "GARDEN RESTAURANT" and "DINETTE & S" are visible on the buildings. The lighting is bright and diffuse daylight, casting soft shadows, and the image has a deep focus keeping both the foreground subjects and the background architecture relatively sharp.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass surface on the left creates a significant reflection of the crowd that overlaps with the real people, causing ambiguity in counting the total number of individuals.

左侧玻璃窗反射出清晰的人影，与真实人群形成显著混叠，存在重复计数风险，仔细观察后可辨认目标。


Several men in suits stand before a large mirror, looking at their reflections. One man gestures toward the mirror while others observe, with a chandelier and decorative candles visible nearby. The scene appears to be indoors, likely in a wedding reception or formal event space.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The mirror clearly reflects multiple men, creating a distinct visual overlap between the real people and their reflections that requires careful separation to count accurately.

镜子反射与前景人物形成显著混叠，存在真实计数风险且仔细观察后仍可辨认目标。


A person stands in a desert landscape, framed by large vertical panels of translucent glass or plastic that are tinted with vibrant colors. The individual is positioned centrally, holding onto the top edge of a clear rectangular panel with both hands raised above their head, creating a silhouette against the bright sky. They wear a wide-brimmed hat, a patterned scarf covering their face and neck, a long-sleeved reddish-orange shirt, dark pants with light-colored patches on the thighs, and sneakers. To the left, a blue-tinted panel reflects the figure's profile, while to the right, an orange-tinted panel stands vertically. The ground is sandy and textured, suggesting a dry, arid environment under a clear blue sky. The lighting is harsh and direct, casting strong shadows and highlighting the translucency of the colored panels which filter the sunlight into warm hues of orange and cool tones of blue. The composition is eye-level, capturing the full body of the subject within the geometric arrangement of the art installation. No text is visible on the panels or in the background. The scene conveys a sense of isolation and artistic interaction with light and color in an open outdoor setting.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The person's reflection on the blue panel to the left creates a clear visual ambiguity with the real person seen through the glass, requiring distinction to count correctly.

玻璃表面反射与透射目标高度混叠，导致同一目标出现显著重复外观，存在漏计或混淆风险。


A medium close-up photograph captures a smiling woman with blonde hair pulled back, wearing an olive green jacket and a colorful scarf, looking directly at the camera through a glass window. Her expression is cheerful with teeth visible, and she appears to be holding a small white card or ticket in her hands near the bottom left of the frame. Behind her, slightly out of focus, stands another person with dark hair and glasses, also smiling. The scene is viewed through a reflective pane of glass that overlays the subjects with ghostly reflections of the street outside, including a white car and a crosswalk pattern. In the background, visible through the glass, is a shop interior with warm lighting and a sign reading "BOISSONS" in gold lettering on a dark background. The image exhibits a shallow depth of field where the woman's face is relatively sharp while the background and foreground reflections are softer, creating a layered effect. The color palette features warm yellows and oranges from the interior lights contrasting with the cooler tones of the street reflection, and the overall style is a candid street photography shot with natural lighting and visible motion blur or softness likely due to the glass barrier.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a clear reflection of a person on the glass surface that overlaps with the real person seen through the glass, creating a counting ambiguity.

橱窗玻璃上存在清晰且显著的人脸反射，与透射的真实人物形成视觉混叠，导致目标数量难以区分。


A young boy with short brown hair and wire-rimmed glasses stands in the foreground, captured in a medium shot that frames him from the waist up. He is wearing a blue t-shirt with thin horizontal stripes and light blue denim jeans, his body angled slightly to the left as he looks down with a focused expression. His right arm is extended forward, reaching toward a green backpack resting on the patterned brown carpet below. Behind him and slightly to the left, another child with dark hair is partially visible, mostly obscured by the first boy's head and shoulder, appearing to be shirtless or wearing a very low-cut top. The scene takes place indoors against a plain, beige wall that features a small, round metallic fixture, likely a peephole or doorbell button. To the far left, a red bag sits on the floor near the edge of the frame. The lighting appears to be ambient indoor illumination, casting soft shadows and highlighting the texture of the boy's hair and clothing. The image has a candid, snapshot quality with a slight motion blur, suggesting movement during the capture.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a boy standing in front of a mirror, creating a clear, high-salience duplicate reflection of himself that causes counting ambiguity.

清晰的人体反射与透射目标重叠，存在显著计数混淆风险。


In a warmly lit indoor room with wooden floorboards and exposed ceiling beams, a bride stands in profile facing left while an older woman kneels before her to adjust the bodice of the white satin wedding gown. The bride has light brown wavy hair adorned with a floral crown of white and pink blossoms, wears small dangling earrings, and looks down with a focused expression as she holds the top edge of her strapless dress. Her gown features a fitted corset-style bodice with ruched detailing and a full skirt that pools slightly on the floor. The kneeling woman, likely a mother or relative, has short gray hair, wears glasses, a black-and-white patterned sleeveless dress with a dark sash at the waist, and dark wedge heels; she gazes upward toward the bride’s chest area with hands gently lifting the fabric. Behind them, a large rectangular mirror with a thick off-white frame reflects the scene from another angle, showing the back of the bride’s dress, two other women standing nearby—one in a red dress holding flowers, another in a floral print dress—and framed artwork on the wall. To the right of the mirror, a round analog clock hangs on the cream-colored wall above a wooden sideboard topped with a vase of pink roses and greenery. The lighting is soft and ambient, casting gentle shadows and highlighting the texture of the satin dress and the wood grain of the floor. The composition is captured at eye level with a medium shot framing both figures fully, emphasizing their interaction and the intimate preparation moment. Colors are dominated by whites, creams, and warm neutrals, accented by the pinks of the flowers and the red dress in the reflection, creating a tender, celebratory mood. The image appears to be a photograph with natural depth of field, keeping the foreground subjects sharp while the background elements remain clear but slightly less prominent.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The large mirror clearly reflects the bride and other people, creating distinct, countable duplicate appearances of the same subjects that require differentiation from the real people in the foreground.

真实场景中的镜子反射与透射目标高度混叠，存在显著计数风险，仔细观察后可清晰辨认。


A male martial artist stands barefoot on a polished wooden gymnasium floor, captured in a medium full-body shot at eye level. He wears a traditional white karate gi with a black belt tied around his waist and a white cloth blindfold wrapped securely over his eyes, obscuring his vision while he maintains a focused stance with fists loosely clenched near his hips. His dark hair is short, and his expression appears serious despite the blindfold. Behind him, a large wall-to-wall mirror reflects his back and the opposite side of the room, which features light-colored cinder block walls and a section of yellow-painted wood paneling. The lighting is functional and diffuse, casting soft shadows beneath his feet and highlighting the texture of the fabric. The color palette is dominated by the stark white of the uniform, the warm beige of the floor, and the neutral tones of the background, creating a calm, disciplined atmosphere typical of an indoor dojo or training hall.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear counting ambiguity where the real person and their distinct, full-body reflection in the mirror are both visible and must be distinguished to count correctly.

清晰的人体反射与透射目标在镜面中显著混叠，存在重复计数风险。


A wide-angle, deep-focus photograph captures a tranquil harbor scene on a bright, sunny day under a clear blue sky with faint wisps of clouds. In the foreground, calm dark blue water reflects the hulls of two prominent fishing boats and the buildings behind them. On the left, a red-hulled boat with a white cabin is docked, displaying the registration "BA.55" in black text on its side; it features a tall white mast and various rigging. Beside it to the right sits a larger vessel with a blue hull and white superstructure, marked with "BF.573" in bold black letters near the bow and stern, along with the name "PROSPECT" in smaller text near the front. The blue boat shows signs of wear with rust patches near the waterline and has a white radar dome atop its cabin. Behind the boats, a concrete quay wall runs horizontally across the frame, lined with tires used as bumpers. Beyond the wall lies a row of multi-story buildings constructed from stone and stucco, featuring slate roofs and dormer windows. Visible signage includes "BAYVIEW HOTEL" painted in red on a white building facade and a blue storefront sign reading "FISH SALESMAN A.PATERSON SHIP CHANDLER." Several cars are parked along the street in front of the buildings, including a red hatchback and a silver sedan. The lighting is natural and direct, casting sharp shadows beneath the boats and highlighting the textures of the stone walls and wooden decks. The overall palette consists of cool blues from the sky and water, contrasted by the warm reds and earthy tones of the buildings and boat hulls, creating a crisp, realistic maritime atmosphere.

KEEP=YES
MODE=duplicate_reflection
TARGET=boat
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The calm water creates clear, distinct reflections of the two boats, creating a potential for double-counting if the observer does not distinguish between the real objects and their reflections.

水面反射清晰且与真实船只形成显著混叠，存在重复计数风险。


In a brightly lit indoor gymnasium with polished yellow wooden floors and wood-paneled walls, two men in white karate gi uniforms with black belts are captured mid-practice. The man in the foreground stands in a wide, grounded stance, his left arm raised to block or strike while his right fist is pulled back near his chest, his expression focused and intense. Behind him, slightly out of focus, another man mirrors a similar martial arts pose. In the background, three other individuals are seated along the wall; one on the far left sits at a table, another sits centrally observing, and a third on the right holds a camera up to his eye, seemingly photographing the session. A tripod stands near the photographer. The lighting is even and diffuse, casting soft shadows beneath the figures, and the overall color palette is dominated by the warm yellows of the floor and walls contrasting with the crisp white of the uniforms and the dark brown of the belts. The image is a photograph taken from an eye-level perspective with a medium depth of field that keeps the foreground subject sharp while slightly softening the background elements.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The large mirror wall creates a clear, high-salience reflection of the foreground person, resulting in a distinct counting ambiguity between the real individual and their mirror image.

清晰的人体反射与透射目标在镜面中显著混叠，存在重复计数风险。


A woman in a blue dress sits at a table, looking at herself in a mirror with ballet-themed wallpaper.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a clear counting ambiguity where the real person and their distinct reflection in the mirror are both fully visible, requiring the observer to distinguish between the two to count correctly.

清晰的人脸反射与透射目标在镜框内显著混叠，存在重复计数风险，仔细观察后可辨认。


This photograph captures a sterile, brightly lit medical isolation room or operating theater viewed through a glass partition with vertical metal frames. Two individuals stand on either side of the frame, both wearing full-body white protective suits, clear face shields, surgical masks, and blue disposable shoe covers; the person on the right stands with hands clasped in front while the person on the left stands slightly angled. In the center of the room sits an operating table draped in green surgical cloth, flanked by various pieces of medical equipment including monitors displaying vital signs, IV poles, and wall-mounted devices. The room features a clean, clinical aesthetic with white walls, a light blue floor, and rows of rectangular ceiling lights that cast a cool, even illumination throughout the space. A watermark in the bottom left corner reads "FARS" in bold red letters followed by "Zohreir Seidani" in smaller black text. The image is sharp from foreground to background, showing deep focus, with reflections visible on the glass barrier separating the viewer from the scene.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃表面存在显著的反射，导致观察者难以区分玻璃后的真实人物与玻璃表面的倒影，造成计数歧义。

玻璃表面清晰反射了与透射目标完全相同的人物，形成显著混叠，存在重复计数风险。


A woman in a pink and black outfit stretches beside a ballet barre in a dance studio. Her reflection is visible in a large mirror, showing her balanced pose with one leg extended. A clock hangs on the wall, and exercise balls rest near the doorway.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a person and their clear, full-length reflection in a mirror, creating a distinct visual ambiguity between the real object and its reflection.

清晰的人体反射与透射目标在镜面中显著混叠，存在重复计数风险，仔细观察后可辨认。


A headless female mannequin torso stands behind a large glass window, wearing a grey knit beanie topped with a small stuffed bird and dark sunglasses. The mannequin has a smooth, pale finish and is positioned centrally in the background, partially obscured by reflections of a building facade on the glass pane. In the immediate foreground, two rectangular terracotta planters with embossed leaf patterns sit on a stone ledge; the planter on the right contains a blooming rose bush with yellow and peach flowers, while the one on the left holds green foliage and a thin wooden stake. A tall, unlit purple candle is visible inside the window to the left of the mannequin. The scene is captured at eye level with natural daylight creating soft highlights on the mannequin's shoulders and the glossy leaves of the plants, while the reflection on the window adds a layer of visual complexity over the interior display.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=mannequin
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass window creates a significant reflection of a building facade that visually overlaps and obscures the mannequin, creating ambiguity between the real object and its reflection.

橱窗内的人体模型与玻璃表面的倒影发生显著混叠，导致目标边界模糊，存在漏计或混淆风险。


Four young women stand outdoors on a concrete surface next to a shallow pool of water that reflects their inverted figures, set against a backdrop of a wooden fence and green trees under bright sunlight. On the far left, a woman with short dark hair wears a black top with white polka dots and a blue wrap skirt, standing barefoot while looking down. Beside her, a second woman with dark hair leans forward slightly, wearing a brown tank top over a red bra, black cargo shorts, and green flip-flops, appearing to adjust something near her waist. To her right stands a third woman in a yellow halter top and loose brown harem pants with blue flip-flops, also looking downward. On the far right, a fourth woman with blonde hair tied up wears a white tank top and green drawstring pants with brown sandals, facing forward with a neutral expression. The scene is captured from an eye-level perspective with deep focus, keeping both the subjects and the background foliage sharp. Strong overhead sunlight casts distinct shadows on the ground and creates a clear, mirror-like reflection of the group in the blue-tinted water below, highlighting the textures of their clothing and the wet pavement.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The water surface creates a clear, mirror-like reflection of the four women, creating a distinct visual ambiguity where the real subjects and their inverted reflections must be separated to count the total number of people.

水面上存在清晰且显著的人体倒影，与真实人物形成重复外观，存在漏计或混淆风险。


In a dimly lit indoor studio with polished floors and large wall-to-wall mirrors, a group of people practices yoga or dance in a low-angle medium shot. The foreground is dominated by a person with light brown hair pulled back, wearing a long-sleeved red shirt over a white undershirt and black pants, standing in a lunge pose on a teal mat with their left arm extended high and right hand reaching toward the floor. Behind them, several other participants are visible in profile and reflection, including a person in a black top and another in a dark purple shirt, all mirroring similar poses with arms raised. The room features exposed ceiling beams and a mounted black speaker, while the lighting is warm and somewhat grainy, casting soft shadows and creating reflections of the dancers in the mirror that extend into the background. The overall palette consists of deep reds, blacks, and muted beige tones from the walls, contributing to an intimate, focused atmosphere captured in a photograph with moderate noise.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a large mirror where multiple distinct, clear reflections of people are visible alongside the real people, creating a counting ambiguity between the real and reflected figures.

舞蹈室场景包含清晰的人体目标，且镜面反射与透射目标形成显著混叠，存在真实计数风险。


This black and white photograph captures a street scene viewed through a vertical rectangular frame, likely a window or doorway, which creates a natural border around the composition. In the immediate foreground, a man stands facing the viewer, holding a camera up to his eye as if taking a picture of the reflection; he wears a dark jacket, jeans, and has short hair, with a backpack slung over one shoulder. Behind him, slightly out of focus, another person is partially visible, while further back on the right side of the frame, a third individual stands in profile wearing a dark coat and carrying a bag. The background features a modern building facade with horizontal paneling and large glass windows, where the reversed text "One London Wall" is clearly legible on the glass surface. Above the street level, an elevated walkway with metal railings spans across the upper portion of the image. The lighting appears to be natural daylight, casting soft shadows and creating high contrast between the dark clothing of the subjects and the lighter tones of the building and pavement. The ground consists of paved stone tiles, and the overall mood is urban and candid, rendered in monochrome tones that emphasize texture and form over color.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image shows a person taking a photo of their own reflection in a glass surface, creating a clear visual ambiguity between the real person and their reflection.

图像展示了清晰的人体反射与透射目标混合，存在显著的计数混淆风险。


Two women stand in conversation inside a warmly lit room, viewed through a large glass window that reflects the interior scene against a dark outdoor background. The woman on the left has long brown hair and wears a grey and black geometric-patterned dress with a draped neckline, paired with black tights and knee-high boots; she holds a black clutch or bag in her hands and smiles while looking at her companion. The woman on the right has blonde, shoulder-length hair and wears a sleeveless top featuring a busy pattern of red, white, and black shapes over a black skirt, accessorized with a name tag on her chest and a watch on her left wrist; she holds a white folder or papers in her hand and gestures with her other hand as she speaks. Above them, a white sign is taped to the window displaying the text "pdxfs" in orange and black, followed by "portland fashion synergy" in a script font. In the foreground, partially visible on a table, are a small plate with a piece of cake and a lit candle in a glass holder. To the right, a leopard-print garment rests on a surface. The lighting is warm and yellow, creating soft shadows and reflections on the glass, while the background outside the window shows a brick building with illuminated windows, suggesting an evening setting.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass surface creates a significant reflection of the interior scene that overlaps with the real subjects, causing ambiguity in distinguishing between the real people and their reflections.

玻璃表面存在显著的人体反射，与透射目标形成混叠，导致目标边界模糊，存在漏计或混淆风险。


A solitary man stands on a paved sidewalk in front of a large, reflective glass storefront, captured in a monochromatic black and white photograph. The subject, appearing to be a middle-aged male with dark hair, is dressed in a long, dark overcoat that reaches his shins, paired with dark trousers and polished dress shoes. He stands in profile facing right, holding a telephone receiver to his ear with his left hand while his right hand is raised near his face, possibly shielding his mouth or adjusting his glasses. His reflection is clearly visible in the glass pane immediately to his left, creating a symmetrical visual where the reflection appears slightly darker than the actual figure. The background consists of the building's facade featuring vertical window frames and light-colored pillars, which are also mirrored in the glass surface. The ground is a smooth, light-toned concrete or stone pavement. The lighting is diffuse and even, casting soft shadows beneath the man's feet, suggesting an overcast day or shaded area. The composition is framed at eye level with deep focus, keeping both the man and the architectural details sharp from foreground to background.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image clearly shows a real person standing next to their distinct, high-salience reflection in a glass surface, creating a clear counting ambiguity between the two identical figures.

玻璃表面清晰反射与透射目标高度混叠，形成显著重复外观，存在真实计数风险。


Two women stand in front of a glass storefront at night, captured with a slight motion blur that suggests movement or a long exposure. On the left, a woman with shoulder-length reddish-brown hair and bangs smiles broadly while holding a large oversized check; she wears a light beige short-sleeved dress over black tights and black shoes. The check is clearly visible, displaying the text "Scholarship" at the top, "Paid to the order of: Janeane Ceccanti," the amount written as "One Thousand Dollars" and "$1000," and the logo for "The Art Institute" at the bottom left. To her right stands another woman with dark curly hair, seen from the back and side profile, wearing a textured grey long-sleeved tunic over a dark blue skirt and black leggings. They are positioned on a sidewalk or paved area outside a building with warm interior lighting spilling out through the windows. Above them, a white sign attached to the window frame reads "portland fashion." The background features reflections on the glass, including street lights and possibly other buildings, creating a mix of warm orange and yellow tones against the darker outdoor setting. The scene is illuminated by artificial light sources, casting soft shadows and highlighting the subjects against the glowing backdrop of the shop interior.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glass storefront creates a significant reflection of the woman on the left, which visually overlaps with her real body, creating ambiguity between the real person and her reflection.

玻璃表面存在显著的人体反射，与透射的真实人物形成视觉混叠，导致目标边界模糊，存在漏计或混淆风险。


A family of five walks away from the camera along a wet, sandy beach at dusk, holding hands in a line that stretches from left to right. On the far left, a woman with shoulder-length brown hair wears a light gray short-sleeved top and a white knee-length skirt, her bare feet sinking slightly into the sand. Beside her, a small toddler girl in a patterned blue and white dress holds her hand, looking down at the water. In the center, a man in a white short-sleeved button-down shirt and dark brown shorts walks with his back to the viewer, holding the toddler's other hand with his left and the hand of a young boy with his right. The boy, wearing a white t-shirt and dark shorts, runs slightly ahead, kicking up a small splash as he steps into the shallow surf. To his right, another young boy in a light blue long-sleeved shirt and beige shorts follows closely, also barefoot. Their reflections are clearly visible on the wet sand in the foreground, mirroring their forms with slight distortion from the ripples. The ocean stretches out before them with gentle waves rolling onto the shore, creating white foam where they break. In the background, a low-lying landmass covered in dark green trees spans the horizon under a pale sky that transitions from soft blue to warm peach near the horizon, indicating sunset. The lighting is soft and diffused, casting long, faint shadows behind the figures and highlighting the edges of their bodies with a subtle rim light. The overall color palette consists of muted blues, grays, and earthy browns, accented by the warm tones of the setting sun. The scene is captured in a wide shot with deep focus, keeping both the family in the mid-ground and the distant shoreline sharp and clear.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The wet sand creates clear, distinct reflections of the five people, creating a potential for double-counting if the real and reflected figures are not distinguished.

清晰的人体反射与透射目标形成显著混叠，存在重复计数风险，仔细观察后仍可准确辨认。


A man with short gray hair, wearing a blue short-sleeved button-down shirt and beige trousers, stands on a paved sidewalk with his back to the camera, hands resting on his hips. He is positioned in front of a large glass storefront window that reflects his figure twice, creating a layered visual effect where the reflection appears slightly offset to the right. The ground beneath him consists of interlocking gray paving stones, leading toward a busy street scene visible through the glass and in the background. Several white cars are parked or moving along the road, and a blue bus is partially visible on the far right. Overhead, green tree leaves drape into the frame from the top left, casting dappled shadows. Blue traffic signs with white arrows and red-and-blue circular no-parking symbols are mounted on poles along the street. The lighting suggests a bright, sunny day with strong natural light creating sharp reflections on the glass and distinct shadows on the pavement. The image has a slightly soft focus overall, with a subtle vignette darkening the corners, giving it a nostalgic or filtered photographic quality. No readable text is clearly legible on signs or vehicles due to distance and resolution. The composition is eye-level, capturing both the subject and his mirrored reflections within an urban outdoor setting during daytime.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image clearly shows one real person standing in front of a glass storefront, with two distinct, high-salience reflections of the same person visible on the glass surface, creating a clear counting ambiguity.

玻璃表面存在清晰且显著的人体反射，与透射的真实目标形成视觉混叠，导致目标数量难以区分。


A close-up, slightly low-angle photograph captures a man with short dark hair and a full beard featuring prominent handlebar mustache tips, wearing a bright red crew-neck t-shirt. He is sticking his tongue out playfully while wearing large silver aviator sunglasses that reflect the scene in front of him. In the reflection of the left lens, a woman with long blonde hair is visible sticking her tongue out as well, alongside a pink object hanging from a green surface. The right lens reflects another person holding a black DSLR camera up to their face, capturing the moment, along with a glimpse of a white slatted background. To the immediate left of the man's face, a large, fuzzy green object with a pink protrusion and a metal ring is partially visible, suggesting a costume or prop. The lighting appears to be natural daylight, creating soft shadows on the man's face and highlighting the metallic sheen of the sunglasses and the texture of his facial hair. The background behind the man consists of blurred vertical lines, possibly a fence or siding, indicating an outdoor setting with a shallow depth of field that keeps the focus sharp on the man's face and the reflections in his glasses.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The man's sunglasses clearly reflect two distinct people (a woman and a photographer) alongside the real man, creating a counting ambiguity between the real subject and the reflected subjects.

墨镜镜片反射清晰呈现多个人物影像，与主体面部形成显著重叠，存在真实计数风险。


A woman in a red cap and plaid shorts stands beside a glass mirror, her reflection visible behind her. She wears a white tank top and looks toward the camera under bright overhead lighting. The setting appears to be an indoor space with stairs and greenery visible through a window in the background.

清晰可见的真实人物与镜中完整反射并排呈现，形成明确的可计数重复外观。

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=清晰可见的真实人物与镜中完整反射并排呈现，形成明确的可计数重复外观。

清晰的人体反射与透射目标形成显著混叠，存在重复计数风险，仔细观察后仍可辨认。


A low-angle, eye-level photograph captures a row of identical yellow plastic construction worker figures standing on a highly polished, speckled grey and white terrazzo floor inside a large, modern indoor space with high ceilings and structural beams. The scene is brightly lit by natural light filtering through the glass roof structure above, creating strong reflections on the glossy floor that mirror the figures and the ceiling architecture. In the immediate foreground, one figure stands prominently, angled slightly to the right, wearing a red hard hat and holding a thin pole topped with a small red flag in its left hand. This figure has a blue square patch on its chest with the letters "GES" in gold serif font, and below that, red text reads "RESTRIC 'D WORK AREA" across two lines. Behind this primary subject, several other identical yellow figures are arranged in a receding line towards the left background, all facing forward or slightly right, some also holding red flags. The background reveals a spacious hall with large pillars, distant signage including a blue banner with white text partially reading "ONE PLACE ONE EVENT", and a few indistinct people walking in the far distance. The depth of field is relatively deep, keeping the foreground figure sharp while the background elements remain reasonably clear but slightly softer. The overall color palette is dominated by the bright yellow of the figures, the cool greys and whites of the floor and ceiling, and accents of red from the hats and flags, conveying a playful yet industrial mood within a clean, architectural setting.

KEEP=YES
MODE=duplicate_reflection
TARGET=toy
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The highly polished floor creates clear, distinct mirror images of the yellow toy figures, creating a visual ambiguity where a casual observer might count the reflections as additional physical objects.

地面反射与透射目标形成显著混叠，存在真实计数风险，仔细观察后仍可辨认目标。


A subway station with shiny black floors, benches, and a train with blue and white stripes parked nearby.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=vehicle
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The train on the right is clearly visible through the glass, while its reflection on the shiny floor creates a distinct, countable duplicate that could lead to overcounting.

地铁车厢在光滑地面上的清晰反射与真实车厢形成显著混叠，存在重复计数风险且目标清晰可辨。


A man sits at an outdoor table, drinking coffee, with a "Champagne à la Coupe" sign visible in the window behind him.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃窗内可见一位真实人物，其身后叠加了玻璃表面反射出的另一位清晰人物，造成真实与反射目标混叠。

玻璃窗内外的多个人物在反射与透射中形成显著混叠，存在真实计数风险且仔细观察后可辨认目标。


In a dimly lit, intimate indoor setting resembling a small bar or music venue, a musician with long hair and a fedora hat stands center stage playing a black accordion with white piano keys while singing into a microphone on a stand. The performer wears a plaid button-down shirt and light-colored trousers, illuminated by warm, reddish-orange ambient lighting that casts deep shadows across the room. To the left, two men sit at a wooden table near a window, one in a green shirt and another in a yellow sweater, both partially obscured by low light and motion blur. Behind the accordionist, several framed posters hang on dark wood-paneled walls, their details indistinct due to darkness and distance. In the foreground right, a bald man in a dark t-shirt is captured mid-motion, his face blurred from movement, suggesting he may be dancing or turning quickly. A guitar rests on the floor near the performer’s feet, alongside a glass of water and what appears to be an orange object—possibly a bag or cushion. The scene has shallow depth of field, with the accordion player relatively sharp while background figures and foreground elements soften into blur. Dominant colors include deep browns, blacks, and warm oranges, creating a moody, nostalgic atmosphere typical of live folk or jazz performances. No readable text is visible anywhere in the frame.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The mirror on the left clearly reflects two people, creating a distinct duplicate set that must be separated from the real people in the room to count correctly.

左侧镜子中清晰反射出两名与场景内人物外观一致的人，形成显著重叠，存在真实计数风险。


A baby in a pink tutu sits on a white fur rug outdoors, facing a white ornate mirror mounted on a tree trunk. The baby’s reflection shows a smiling face, and green grass is visible around the base of the tree.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image clearly shows a real baby and a distinct, high-salience reflection in a mirror, creating a counting ambiguity between the two appearances.

清晰的人体反射与透射目标形成显著混叠，存在重复计数风险，仔细观察后仍可辨认。


In a dimly lit bathroom with warm, yellowish ambient lighting, a shirtless young man stands with his back to the camera, facing a large mirror that reflects his front and another person standing behind him. The man in the foreground has short brown hair and wears dark denim shorts with a white waistband featuring the repeated text "AMERICAN EAGLE" in black capital letters alongside an eagle logo; he also wears a black digital watch on his left wrist, which rests on the white countertop of the sink. His posture is relaxed, leaning slightly forward. In the mirror's reflection, a second young man with blond hair is visible, wearing a maroon long-sleeved shirt under a dark vest and a tie, looking directly at the viewer with a slight smile while raising his hands near the mirror frame. To the right, a smaller rectangular mirror mounted on the wall captures a partial reflection of the blond man's face and arm. The white vanity counter is cluttered with various toiletries, including a blue tube of Aquafresh toothpaste, a red canister labeled "RED ZONE," a dark tube of Neutrogena Shave Cream, and an orange razor case. The scene is captured with a medium depth of field where the foreground subject is sharp while the background elements are slightly softer, creating a candid, intimate atmosphere dominated by earth tones and shadows.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear counting ambiguity where the real person in the foreground and two distinct, high-salience reflections (one in the main mirror and one in the side mirror) must be distinguished to avoid overcounting.

图像包含清晰的人体主体及其在镜中的显著反射，反射与主体形成视觉混叠，存在重复计数风险。


A young girl with dark hair and bangs stands in the center of a room with light wood flooring, captured from a high-angle perspective that looks down at her. She is wearing a pale pink long-sleeved top with white lace trim around the collar and cuffs, layered under a brownish-pink eyelet dress featuring a large bow at the waist and white lace ruffles along the hem. Her legs are covered in black leggings, and she wears white socks patterned with small colorful designs. The girl is smiling slightly while looking up toward the camera, her hands raised near her head as if adjusting a white headband or hair accessory. Behind her, a large mirror reflects parts of the room, showing other people including a person in a yellow shirt and another in blue jeans, suggesting a social gathering or class setting. The lighting appears to be indoor ambient light, casting soft shadows on the floor. In the upper right corner of the image, an orange digital timestamp reads "2012/02/18" in a sans-serif font. The overall color palette includes warm tones of beige, pink, and brown, contributing to a cozy and casual atmosphere. The photograph has a candid quality, capturing a moment of everyday life without staged composition.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear, high-salience mirror reflection of the main subject and other people, creating distinct, countable duplicate appearances that introduce ambiguity between real and reflected targets.

图片包含清晰的人体反射与透射目标，且反射显著，存在真实计数风险。


A black and white photograph captures a woman with dark, shoulder-length hair and bangs looking intently into a mirror while adjusting her hair with both hands raised behind her head. She wears a light-colored lace top with short sleeves and a watch on her left wrist, her expression serious and focused as she gazes at her reflection. The composition is framed at eye level, showing the woman in the foreground with her reflection clearly visible to her right, creating a symmetrical visual of her face and upper torso. In the background, soft vertical lines suggest curtains or drapes, while the foreground features blurred shapes that appear to be bottles or containers on a surface, indicating a shallow depth of field that keeps the subject sharp against a softer environment. The lighting is high-contrast, casting deep shadows under her chin and arms while highlighting the texture of the lace fabric and the contours of her face, contributing to a moody, intimate atmosphere typical of indoor portraiture.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image clearly shows a person and their distinct, high-salience mirror reflection side-by-side, creating a counting ambiguity between the real subject and the reflection.

图像中清晰可见一个人及其在镜子中的反射，两者在视觉上高度混叠，存在明显的重复计数风险。


This indoor photograph captures a candid moment in what appears to be a dressing room or makeup studio, featuring two men interacting near a large mirror. In the center, a man with dark hair and a blue button-down shirt sits facing the mirror, holding a black smartphone horizontally with both hands as if taking a picture of his reflection or recording a video. Standing to his right is another man with short black hair, wearing a black t-shirt with a grey patterned back panel and a red lanyard around his neck; he is reaching out with his left hand toward the seated man's face, possibly adjusting something or gesturing while looking at the phone screen. The foreground is dominated by a white countertop cluttered with professional makeup supplies, including a long tray filled with round compacts of yellow and beige powder, rows of colorful lipsticks or eyeshadows, and various brushes. To the left on the counter sits a black fabric bag with a pair of glasses resting on top, alongside a stack of yellow circular sponges. The background reveals a white door with a piece of yellow tape on it and a large wall mirror that reflects the room's interior, showing the backs of other people and bright overhead fluorescent lighting. The scene is illuminated by cool, artificial light that creates soft shadows and highlights on the subjects' skin and the glossy surfaces of the makeup products. The image has a slightly grainy texture typical of a casual snapshot taken in moderate lighting conditions.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a clear reflection-transmission mix where the seated man is visible both directly and in the mirror, creating a distinct counting ambiguity.

清晰可见的镜面反射与真实人物在画面中形成显著混叠，存在重复计数风险。


A row of white sailboats and motor yachts is docked in a calm marina, their tall masts reaching upward against a backdrop of large red brick buildings with rows of rectangular windows. The boats are lined up side-by-side along the water's edge, featuring various details such as green and blue canvas covers over cockpits, yellow life rings, and outboard motors on the sterns. One boat on the right displays the text "HIGH" in black capital letters on its transom, while another nearby has the name "Iris" written in cursive script. An American flag flies from a pole near the center of the background buildings. The scene is set outdoors under bright daylight with clear blue skies, casting sharp reflections of the boats and masts onto the still, dark water surface in the foreground. The composition is a wide shot taken at eye level, capturing the full length of the docked vessels and the urban architecture behind them, creating a sense of depth with the boats in the midground and the multi-story structures filling the background. The overall palette consists of crisp whites, deep blues, brick reds, and the grey tones of the building roofs, conveying a peaceful, sunny maritime atmosphere.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=boat
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The calm water surface creates clear, distinct reflections of the docked boats that visually overlap with the real boats, creating ambiguity in counting the total number of visible boat appearances.

水面反射清晰且与真实船只形成显著混叠，存在重复计数风险，仔细观察后仍可辨认目标。


This eye-level medium shot captures a candid scene inside a wooden structure, likely a booth at an outdoor festival, where three people stand around a counter interacting with a fourth person seated behind it. On the left, a woman with long reddish-brown hair wears a wide-brimmed straw hat adorned with pink flowers and a red patterned dress, carrying a purple and black backpack; she faces right, looking toward the center. Beside her, another woman with dark hair is seen from the back, wearing a red mesh head covering, a pink bikini top, and red shorts, with a green canvas messenger bag slung over her shoulder as she adjusts her headwear. To the right, a shirtless man with blonde hair and sunglasses stands with his back to the camera, wearing a silver duct-tape skirt and a green backpack, leaning on the counter. Behind the counter sits a woman dressed in a white tutu, fishnet stockings, silver boots, and multiple strands of pearls, holding playing cards and looking forward through dark sunglasses. The setting features unfinished plywood walls and a unique counter with a large, dark, spade-shaped backboard containing three diamond-shaped mirrors. Bright natural sunlight streams in from the right, casting strong highlights on the man's back and creating a warm, high-contrast atmosphere with deep shadows within the wooden enclosure.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The diamond-shaped mirrors on the counter create a clear reflection of the seated woman, which visually overlaps with her real body, creating ambiguity in counting the total number of people.

镜子中的反射人物与真实人物在外观和姿态上高度相似，存在显著的视觉混淆风险，且反射清晰可辨。


This indoor photograph captures a scene of three men taking pictures in front of a large, dark wood-framed mirror with multiple glass panes. The setting appears to be a rustic interior, possibly a lodge or cabin, characterized by walls constructed of rough-hewn, irregular grey stones and warm-toned wooden paneling. On the left side of the frame, a man wearing a maroon t-shirt, dark shorts, and a dark baseball cap stands in profile facing right, holding a small black camera up to his eye. Beside him, slightly further back, another man wears a light beige t-shirt with a red logo on the back, blue jeans, and a white baseball cap; he is also facing away from the viewer, holding a camera up to take a photo. In the reflection within the right-hand pane of the mirror, a third man is visible facing forward, wearing a white t-shirt and dark pants, holding a black DSLR camera with both hands to his face. The lighting is warm and ambient, likely from artificial sources like the wall sconces visible in the background and reflected in the glass, casting soft shadows and highlighting the texture of the stone wall. The composition is framed at eye level, showing the subjects from the knees up, with the mirror acting as a central element that reflects the room's depth, including a glimpse of a hallway or adjacent room with more wood paneling and hanging lights. The overall color palette consists of earthy browns, greys, and warm yellows, creating a cozy atmosphere. No text is clearly legible on the clothing or surroundings.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a large mirror reflecting three distinct, clearly visible people, creating a situation where a viewer might confuse the real subjects with their reflections.

玻璃门反射与透射目标高度混叠，存在显著计数混淆风险，但仔细观察仍可清晰辨认所有人物。


This outdoor photograph captures a massive, dark metallic spider sculpture perched atop the glass facade of a modern building, its long, spindly legs splayed across the reflective surface. The image is oriented vertically, presenting a high-angle view looking down at the sculpture and the street below, where a red double-decker bus and bare-branched trees are visible in the background against a backdrop of tall brick apartment buildings. Two people stand on the sidewalk near the base of the building, appearing small in comparison to the towering artwork. The scene is bathed in bright daylight, creating sharp reflections of the spider and the surrounding cityscape on the building's windows, while the sky above is a clear, pale blue. The color palette is dominated by the cool blues of the sky and glass, the warm browns of the brickwork, and the stark black of the sculpture, conveying an urban, slightly surreal atmosphere with deep focus keeping both the foreground art and distant architecture sharp.

KEEP=YES
MODE=duplicate_reflection
TARGET=other
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The image features a large spider sculpture and its clear, distinct reflection on the glass facade, creating two countable instances of the same object.

图像展示了清晰且显著的蜘蛛雕塑及其在玻璃表面的反射，两者在视觉上形成重复外观，存在明显的计数混淆风险。


Several people in formal attire sit and stand around a long wooden table in an office. A man in the center signs a document, with plaques labeled “APR 10 '12” and “SB 566 HB 699” on the table’s surface. Portraits and flags hang on the walls behind them.

玻璃桌面上清晰可见的倒影与真实人物重叠，造成计数歧义。

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃桌面上清晰可见的倒影与真实人物重叠，造成计数歧义。

玻璃桌面清晰反射了前排就座人员的完整清晰外观，与透射目标形成显著混叠，存在真实计数风险。


A wide, eye-level photograph captures a large ensemble of male performers dressed in historical 18th-century military uniforms, marching across a glossy, reflective stage floor. The group, consisting of over a dozen men, wears bright red coats with black lapels and gold buttons, white waistcoats, and white breeches, topped with black tricorn hats featuring white trim. In the foreground on the right, a man extends his arm holding a long sword horizontally, while others behind him play flutes or march in formation with one leg raised mid-step. The lighting is dramatic and theatrical, casting strong shadows and creating elongated reflections of the soldiers on the polished blue-grey floor. In the dark background, rows of empty stadium seating rise up, illuminated only by faint ambient light and two glowing red "EXIT" signs visible in the upper left corner. The scene conveys a sense of disciplined movement and historical reenactment within an indoor arena setting.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The glossy stage floor creates clear, distinct reflections of the performers that could be mistaken for additional people, creating a counting ambiguity.

舞台表演中，人物在光滑地板上的清晰倒影与真实人物形成显著混叠，存在重复计数风险，且目标清晰可辨。


A low-angle, wide shot captures a sun-drenched pedestrian street paved with large, polished stone slabs that reflect the sky and surrounding architecture like a mirror. The scene is set outdoors in a historic European-style town, likely Dubrovnik given the limestone buildings and distant bell tower, under a clear blue sky suggesting late afternoon or early evening light. On the left, a woman with dark hair wears an orange tank top over a black long-sleeve shirt and blue jeans, walking toward the viewer while holding a colorful bag; beside her, a man in a gray t-shirt and khaki shorts walks forward with a backpack. Further back on the left, another man in a blue shirt stands near a shop entrance. In the center foreground, a woman with long brown hair in a patterned top and blue jeans strides away from the camera. To the right, a woman in a white top and gray pants leans against a stone archway, talking on a phone, while another woman in a blue tank top and jeans walks away down the street. A group of tourists gathers further down the path near the vanishing point where a tall white bell tower rises against the horizon. The buildings lining both sides are constructed of weathered beige stone blocks with arched doorways and shuttered windows; some have awnings or hanging lanterns. The lighting is warm and directional, casting soft shadows and creating bright highlights on the wet-looking pavement. Reflections of people and buildings shimmer across the glossy ground surface, adding depth and symmetry to the composition. The overall palette consists of earthy beiges, blues, oranges, and whites, evoking a relaxed, travel-oriented mood. No visible text appears in the frame. The photograph exhibits deep focus, keeping foreground reflections and distant figures equally sharp, emphasizing the expansive perspective and architectural lines converging toward the tower.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The polished ground creates a high-salience reflection of the pedestrians, causing a clear ambiguity between the real people and their mirror images.

地面反射清晰且与真实行人形成显著混叠，存在重复计数风险，仔细观察仍可辨认目标。


Several people stand indoors near a glass display case containing artifacts. A man in a dark suit and another in a light-colored shirt observe the items, with a large black-and-white photograph on the wall behind them.

KEEP=YES
MODE=reflection_transmission_mix
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=玻璃展示柜表面清晰反射了内部人物，与透过玻璃看到的真实人物形成重叠，造成计数歧义。

玻璃柜中清晰可见的多人倒影与真实人物形成显著混叠，存在重复计数风险且目标边界可辨认。


This indoor photograph captures a crowded event, likely a martial arts demonstration or seminar, taking place in a large conference room with beige walls and a light wood floor. The scene is illuminated by bright, cool-toned rectangular fluorescent lights recessed into the ceiling, casting soft shadows. In the left foreground, three men stand facing right; the man on the far left wears a black jacket over a white collared shirt and dark pants, while the central figure, an Asian man with short black hair, wears a black t-shirt with white accents and black pants, raising his right fist in a defensive stance. Beside him stands a younger Caucasian man in a black t-shirt and blue jeans, looking intently at the central figure with his hand near his chin. Behind them, a silver tripod holds a camera, and a red "EXIT" sign is mounted above double doors. The background is filled with a diverse audience of young adults sitting on the floor and in chairs, watching the interaction. Notable figures in the crowd include a person in a white costume sitting cross-legged, a woman in a pink long-sleeved shirt hugging her knees, and others wearing casual t-shirts and jeans. To the right, a large mirror reflects the room's lighting and additional attendees, adding depth to the composition. The image has a deep focus, keeping both the standing subjects and the seated audience relatively sharp, with a neutral color palette dominated by blacks, whites, and beiges, punctuated by the red exit sign and various clothing colors.

KEEP=YES
MODE=duplicate_reflection
TARGET=person
COUNTABILITY=HIGH
REFLECTION_SALIENCE=HIGH
COUNTING_AMBIGUITY=YES
REASON=The large mirror on the right creates a clear, high-salience reflection of the audience, resulting in a counting ambiguity between the real people and their mirror duplicates.

右侧镜面反射与真实人群形成显著混叠，存在重复计数风险，目标清晰可辨。