Update README.md
Browse files
README.md
CHANGED
|
@@ -1,79 +1,15 @@
|
|
| 1 |
---
|
| 2 |
license: cc-by-nc-4.0
|
|
|
|
| 3 |
tags:
|
| 4 |
-
-
|
| 5 |
-
-
|
| 6 |
-
-
|
| 7 |
-
-
|
| 8 |
-
-
|
| 9 |
-
-
|
| 10 |
-
- analog-archive
|
| 11 |
-
configs:
|
| 12 |
-
- config_name: default
|
| 13 |
-
data_dir: "Short_Timelapses"
|
| 14 |
-
drop_labels: true
|
| 15 |
-
|
| 16 |
---
|
| 17 |
|
|
|
|
| 18 |
|
| 19 |
-
|
| 20 |
-
|
| 21 |
-
**A 14-Year Archive of Human Physical Endurance, Biomechanics, and Visual Cognition (2012–Present)**
|
| 22 |
-
|
| 23 |
-
## Dataset Summary
|
| 24 |
-
|
| 25 |
-
*Time-Lapse-Artifacts* is a longitudinal video dataset documenting unmediated analog execution using ink on paper. This repository isolates fine-motor wrist mechanics from broad shoulder movements, categorizing high-fidelity time-series data by spatial constraints, temporal pacing, and biomechanical execution. It provides clean, sustained data lineages for computational research, approaching complexity as a variable of the problem itself rather than the solution.
|
| 26 |
-
|
| 27 |
-
## Annotation State & Data Architecture
|
| 28 |
-
|
| 29 |
-
**Current Status:** Raw / Unannotated / Continuous Ingestion
|
| 30 |
-
|
| 31 |
-
## Short Time-Lapses
|
| 32 |
-
Quick-reference viewing files are isolated in the `Short_Timelapses/` directory.
|
| 33 |
-
[Access the Directory Here](https://huggingface.co/datasets/maxwellinked/time-lapse-artifacts/tree/main/Short_Timelapses)
|
| 34 |
-
|
| 35 |
-
Refer to `short_timelapses_index.csv` for direct file routing and timestamp metadata.
|
| 36 |
-
|
| 37 |
-
This repository functions as a passive, continuous archive. The core spatial and temporal media are immutable, but researchers should approach the environment as an unstructured dataset built for direct machine parsing.
|
| 38 |
-
|
| 39 |
-
* **Zero-Shot / Unannotated:** The media is provided entirely raw. There are no bounding boxes, segmentation masks, kinematic joint mappings, or frame-by-frame labels.
|
| 40 |
-
* **Target Workflows:** Formatted strictly for engineering and hard science applications. Optimized for self-supervised learning (SSL), optical flow analysis, motor-control modeling, and custom feature-extraction pipelines.
|
| 41 |
-
* **Passive Infrastructure:** This archive operates on a fire-and-forget data architecture, utilizing flat file-naming structures over complex metadata scripts. The primary mechanism for chronological sorting is a strict, machine-readable `Year.Month.Date` file format to support automated ingestion. Daily upload volume averages 5–10 GB.
|
| 42 |
-
|
| 43 |
-
## Directory Structure & Technical Parameters
|
| 44 |
-
|
| 45 |
-
To maintain pristine spatial and temporal data, the archive is strictly organized by physical and temporal execution constraints:
|
| 46 |
-
|
| 47 |
-
**1. `Short_Timelapses/`** *(Viewer Index)*
|
| 48 |
-
* **Content:** Highly accelerated, compressed previews.
|
| 49 |
-
* **Purpose:** Acts as a rapid visual index for the dataset without requiring the download of massive, uncompressed workflow files.
|
| 50 |
-
|
| 51 |
-
**2. `Process_Workflow_4K/`**
|
| 52 |
-
* **Content:** Standard 4K, high-bitrate time-lapses (6x pacing).
|
| 53 |
-
* **Purpose:** Pristine spatial data. Provides AI models with uncompressed edge-detection and line-fidelity data. Denoted by the `wf.` prefix.
|
| 54 |
-
|
| 55 |
-
**3. `Series_9x12/`** *(July 2025 – June 2026)*
|
| 56 |
-
* **Content:** An 11-month closed ecosystem of spatial data strictly constrained to 9" x 12" dimensions.
|
| 57 |
-
* **Biomechanical Data:** Strictly isolates fine-motor hand and wrist mechanics.
|
| 58 |
-
|
| 59 |
-
**4. `Series_11x14/`**
|
| 60 |
-
* **Content:** The chronological era and physical constraint immediately preceding the 9x12 series. Contains distinct spatial bounding and expanded forearm biomechanics.
|
| 61 |
-
|
| 62 |
-
**5. `Large_Scale_30x40/`**
|
| 63 |
-
* **Content:** Video documentation of 30" x 40" physical works. Denoted by the `x.` prefix.
|
| 64 |
-
* **Biomechanical Data:** Wider camera framing capturing broad motor movements (shoulder, elbow, full-torso engagement). Kept strictly separate from the fine-motor datasets.
|
| 65 |
-
|
| 66 |
-
**6. `Real_Time_Livestreams/`**
|
| 67 |
-
* **Content:** 1x real-time pacing footage. Contains standard livestream compression.
|
| 68 |
-
* **Purpose:** Pristine temporal data. Contains the exact human rhythm, hesitations, and micro-pauses necessary for temporal modeling.
|
| 69 |
-
|
| 70 |
-
**7. `Legacy_Livestreams_2012_2016/`**
|
| 71 |
-
* **Content:** Foundational historical broadcasts documenting the early era of this continuous practice.
|
| 72 |
-
|
| 73 |
-
## Note on Data Quality Evolution (2012–Present)
|
| 74 |
-
|
| 75 |
-
This archive documents 14 years of progression in both physical practice and technical documentation. Researchers should note that data quality scales chronologically:
|
| 76 |
-
|
| 77 |
-
* **2012–2016 (Foundational Era):** Documentation is raw, capturing the high-variance nature of early execution. Uniquely suited for studies in domain adaptation, noise reduction, and low-fidelity temporal modeling.
|
| 78 |
-
* **2017–2024 (Iterative Era):** Documentation standards stabilize, capturing the maturation of motor-control routines.
|
| 79 |
-
* **2025–Present (High-Fidelity Era):** Rigorously constrained 4K capture, optimized for high-fidelity computer vision and fine-motor biomechanics analysis.
|
|
|
|
| 1 |
---
|
| 2 |
license: cc-by-nc-4.0
|
| 3 |
+
|
| 4 |
tags:
|
| 5 |
+
- video
|
| 6 |
+
- time-series
|
| 7 |
+
- longitudinal-study
|
| 8 |
+
- computer-vision
|
| 9 |
+
- motor-control
|
| 10 |
+
- archival
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 11 |
---
|
| 12 |
|
| 13 |
+
# time-lapse-artifacts
|
| 14 |
|
| 15 |
+
**A 14-Year Longitudinal Archive of Analog Drawing Process (2012–Present)**
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|