data/questions.csv

"id","pieceNumber","composer","title","modality","fullQuestion","answerObjectType","answerFormat","answerQuantity","answerExample","cleanedReorganizedScoreFilename","withoutContextScoreFilename","audioFilename"
"Q1","1","Bach","Fugue BWV 875","S","Which accidentals are written in bars 1-2 of this piece, in order of appearance? List them all, but only the accidentals, not the attached notes.","Short text","Accidental written in full","List ordered by appearance","[""double sharp, double flat""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q2","1","Bach","Fugue BWV 875","S","What is the largest interval between two subsequent notes in the soprano voice of bars 3-4?","Interval","Interval name written in full","Single","[""perfect fifth"", ""minor seventh"", ""octave""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q3","1","Bach","Fugue BWV 875","S","Which two ornaments are attached to the F4 eighth note in the upper voice in measure 16?","Category label","Ornament name written in full","Pair","[""turn, appoggiatura""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q4","1","Bach","Fugue BWV 875","S","What are the notes of the upmost voice in measure 17?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q5","1","Bach","Fugue BWV 875","S","What are the first twelve pitches of the second highest voice in measure 14?","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""G#3, Bb2, Fx5""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q6","1","Bach","Fugue BWV 875","S","Where is the theme played in reverse for at least 1 measure (i.e. an ascending interval becomes a descending one? Ignore minor deviations.","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q7","1","Bach","Fugue BWV 875","S","How much rest (expressed in terms of quarter rests) does the upper voice have before its last re-entry?","Integer","Non-negative integer written with digits","Single","[""0""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q8","1","Bach","Fugue BWV 875","S","Numbering the voices sequentially from lowest (bass = 1) to highest (soprano), in what order do they enter?","Integer","Non-negative integer written with digits","List ordered by appearance","[""0, 4, 27""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q9","1","Bach","Fugue BWV 875","S","What are the lowest and highest written pitches in the piece?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""A4, G#3""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q10","1","Bach","Fugue BWV 875","S","How many measures does the piece contain?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q11","2","Bach","Prelude BWV 848","S","What note-value motive does the left hand play when the right hand introduces the main theme? List them in order.","Duration / ratio","Notated note value written in full","Pair","[""dotted eighth note, half note""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q12","2","Bach","Prelude BWV 848","S","In measure 97, which note is not part of the scale of the tonality?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q13","2","Bach","Prelude BWV 848","S","If the pianist had only three fingers in the right hand (nr. 1, 2, 4), which fingers should they press to play measure 55, assuming they cannot move the hand and they want to play comfortably?","Integer","Non-negative integer written with digits","List ordered by appearance","[""0, 27, 12""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q14","2","Bach","Prelude BWV 848","S","What is the interval in semitones between the first and second time the theme is played? Refer to the interval between the sixteenth notes.","Interval","Semitone count","Single","[""3""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q15","2","Bach","Prelude BWV 848","S","The elongated pedal note on the dominant that goes on until measure 103, in which bar does it start?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q16","2","Bach","Prelude BWV 848","S","The right hand in bars 18-21 plays repeating intervals, a distinct one per measure. Name the intervals played in each measure, so four in total.","Interval","Interval quality and number","List ordered by appearance","[""major third, minor seventh, augmented fourth""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q17","2","Bach","Prelude BWV 848","S","How many sharps are there at the key signature?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q18","2","Bach","Prelude BWV 848","S","Which measure is the first to contain 3 eighth notes in either hand? Ignore ties.","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q19","2","Bach","Prelude BWV 848","S","The melodic bass line in the left hand, first introduced in measure 1-7 (C#, D#, E#, F#, E#, D#, C#), is transposed a couple of times. List the first notes of this melodic line whenever it is played, starting with the C# (as in bar 1).","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, Bb, Fx""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q20","3","Balakirev","Islamey","S","What is the non-arpeggiated chord in measure 107 and what is its function in the cadence?","Composite answer","Chord symbol followed by harmonic-function label","Single","[""G7/B, dominant""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q21","3","Balakirev","Islamey","S","Which of the following is not present in measure 140: soprano melody, triplet figuration, chordal support, bass octaves, leading tone, doubled melody, dotted eighth?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q22","3","Balakirev","Islamey","S","Which scale is played in bar 148?","Key / tonality","Scale or mode name with accidentals","Single","[""C major"", ""F# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q23","3","Balakirev","Islamey","S","Oftentimes, a passage or piece is named after its tempo or playing style indication. List all the passages by their tempo or playing style indication as written in the score, up until bar 164.","Short text","Expressive term or phrase","List ordered by appearance","[""dolce, con fuoco, sotto voce""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q24","3","Balakirev","Islamey","S","Measure 198 returns to an earlier tempo. Is it less, equally, or more intense than the passage the marking is referring to? And which word makes this clear?","Composite answer","Two answer components in the formats specified in the question","Single","[]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q25","3","Balakirev","Islamey","S","Order by appearance: 
(1) Grand descent toward Db2 and Db1 in Db major using C7 as passing notes. 
(2) Lyrical song. 
(3) Presto Furioso marking. 
Write only the numbers corresponding to the described passages, in order of appearance.","Integer","Non-negative integer written with digits","List ordered by appearance","[""0, 4, 27""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q26","3","Balakirev","Islamey","S","The lyrical theme, first presented starting in bar 92, is transformed into a dance written in 2/4. When does this variation begin?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q27","3","Balakirev","Islamey","S","Which bar in the second half of the piece contains a glissando?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q28","3","Balakirev","Islamey","S","The material starting in bar 258 is a variation of a previous passage. Identify the first bar of that original passage (the first time it is played).","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q29","3","Balakirev","Islamey","S","Estimate the lowest correct upper bound for the number of notes in this piece: 1,000, 2,000, 4,000, 6,000, 8,000, 10,000, or 20,000.","Integer","Non-negative integer written with digits","Single","[]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q30","5","Beethoven","Piano Sonata 21, movement 1","S","In what year did the composer die?","Integer","Non-negative integer written with digits","Single","[""0""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q31","4","Beethoven","Piano Sonata 23, movement 1","S","What special chord is played in bar 5? ","Category label","Chord-category name written in full","Single","[""diminished-seventh chord"", ""augmented triad"", ""dominant seventh chord""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q32","4","Beethoven","Piano Sonata 23, movement 1","S","Bar 78 initiates a modulating bridge. Which tonality does it lead to, as evidenced by an dominant to that key spanning more than 10 bars?","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q33","4","Beethoven","Piano Sonata 23, movement 1","S","In which bar is the first occurrence of the lowest note? It is also the lowest note that was typically available on instruments at that time. ","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q34","4","Beethoven","Piano Sonata 23, movement 1","S","Starting in which bar is the ""fate knocking at the door"", or short-short-short-long motif, as seen in the composer's Fifth Symphony, the primary music element for the first time?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q35","4","Beethoven","Piano Sonata 23, movement 1","S","At two points in the piece, the composer writes a 4-bar almost-chromatic single-note descending line that. Which two bars feature a sudden subito forte outburst of expression following this line? ","Bar / beat","Bar number written with digits only","Pair","[""mezzo-piano, crescendo""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q36","5","Beethoven","Piano Sonata No. 21, movement 1","S","The second slur of bar 299 ends on which note?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q37","5","Beethoven","Piano Sonata No. 21, movement 1","S","What type of cadence is this is formed in bars 250-251?","Category label","Cadence name written in full","Single","[""half cadence""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q38","5","Beethoven","Piano Sonata No. 21, movement 1","S","In measure 202, the harmony shifts abruptly to C major. What is the precise Roman numeral progression in this and the subsequent bar, relative to C?","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, V6/5/V, iv6""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q39","5","Beethoven","Piano Sonata No. 21, movement 1","S","A predominant chord appears in measure 185. What is the name of this specific type of chord?","Category label","Chord-category name written in full","Single","[""diminished-seventh chord"", ""Neapolitan chord"", ""augmented triad""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q40","5","Beethoven","Piano Sonata No. 21, movement 1","S","What scale do both hands play in 301? Name key and type.","Key / tonality","Scale or mode name with accidentals","Single","[""F# minor"", ""D Dorian"", ""Bb Mixolydian""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q41","5","Beethoven","Piano Sonata No. 21, movement 1","S","What is the note value (rhythm) of the soprano note at the start of measure 20?","Duration / ratio","Notated note value written in full","Single","[""quarter note"", ""dotted eighth note"", ""half note""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q42","5","Beethoven","Piano Sonata No. 21, movement 1","S","What are the note values in the second-highest voice of measure 208?","Duration / ratio","Notated note value written in full","List ordered by appearance","[""dotted eighth note, sixteenth note, dotted half note""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q43","5","Beethoven","Piano Sonata No. 21, movement 1","S","According to the score, how many voices playing simultaneously does measure 137 contain at most at a single point in time?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q44","5","Beethoven","Piano Sonata No. 21, movement 1","S","How many notes does measure 61 count?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q45","5","Beethoven","Piano Sonata No. 21, movement 1","S","In which bar is the opening pianissimo replaced by another dynamic?","Bar / beat","Bar number written with digits only","Single","[""mezzo-piano"", ""crescendo"", ""fortissimo""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q46","5","Beethoven","Piano Sonata No. 21, movement 1","S","What is the complete chord progression from bar 198 until, but not including, the first A-minor chord?","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q47","5","Beethoven","Piano Sonata No. 21, movement 1","S","A modulating passage starts in measure 114 through a series of dominant chords. Name the leading tones of these dominant chords fueling this modulation, up until the music reaches the chord of B minor.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""G#, Bb, Fx""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q48","5","Beethoven","Piano Sonata No. 21, movement 1","S","Between measure 190 and 193, how many times does the right hand play a 4-note monotonically descending pattern in which all four notes are part of the E major chord?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q49","5","Beethoven","Piano Sonata No. 21, movement 1","S","Bars 159 through 169 are structurally identical to which measures of the exposition?","Bar / beat","Bar range written as N-N","Single","[""8-15"", ""24-31"", ""68-75""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q50","5","Beethoven","Piano Sonata No. 21, movement 1","S","By how many semitones does the theme in bar 249 differ from the opening statement in the beginning of the piece? ","Integer","Signed integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q51","19","Beethoven","Symphony No. 2, movement 1","S","Which two instruments aid the violin in bars 35–36 in completing the harmony?","Short text","Short phrase","Pair","[""right hand, left hand""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q52","19","Beethoven","Symphony No. 2, movement 1","SP","Which instruments first played the slurred sixteenth-note motif heard at 0:18?","Short text","Short phrase","Pair","[""right hand, left hand""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q53","20","Beethoven","Symphony No. 2, movement 3","S","Which instruments play in this fragment?","Short text","Short phrase","List ordered alphabetically","[""right hand, left hand, both hands""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q54","21","Beethoven","Symphony No. 4, movement 2","S","How many bars are written in this score? Count each instrument’s bar separately.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q55","22","Beethoven","Symphony No. 5, movement 1","S","Which wind instruments enter last?","Short text","Short phrase","List ordered alphabetically","[""right hand, left hand, both hands""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q56","24","Beethoven","Symphony No. 9, movement 1","S","Which instrument plays pizzicato, and from which bar onward?","Composite answer","Two answer components in the formats specified in the question","Pair","[""flute, 42; violin, 18""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q57","24","Beethoven","Symphony No. 9, movement 1","S","What are the highest and lowest pitches in the first bar?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""A4, G#3""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q58","24","Beethoven","Symphony No. 9, movement 1","S","Which notes does the viola play in the final bar?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q59","6","Chopin","Ballade No. 1","S","In bars 85-86, the composer writes a descending middle voice. What notes are these?","Unknown","Unknown","List ordered by appearance","[""A4, G#3, Bb2""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q60","6","Chopin","Ballade No. 1","S","Into how many subdivisions should the performer divide the first half of bar 170 in order to play that part with mathematical precision? ","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q61","6","Chopin","Ballade No. 1","S","Which chord progression begins in measure 89 and continues until the 'a tempo (meno mosso)' marking?","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q62","6","Chopin","Ballade No. 1","S","Between measures 130 and 134, the right hand plays a line of rapid eighth notes. Taking the first note of every consecutive two-note pair in this passage, what repeated sequence do they form?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Fx""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q63","6","Chopin","Ballade No. 1","S","Bar 216 introduces a particular technical challenge for the pianist's right hand: an alternating pattern of single notes with dyads while having to change hand positions across octaves at a rapid pace. Until when is this particular challenge, with all the aforementioned constraints, conceivable? Answer with the number of the last bar in which this occurs.","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q64","6","Chopin","Ballade No. 1","S","In which measures does a significant portion of the theme introduced in measure 8 repeat, albeit in a different tonality?","Bar / beat","Bar number written with digits only","List ordered by appearance","[""opening theme, second subject, closing theme""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q65","6","Chopin","Ballade No. 1","S","Which earlier eight-measure passage is the passage from bars 106 through 113 a variation of?","Bar / beat","Bar range written as N-N","Single","[""8-15"", ""24-31"", ""2-9""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q66","7","Chopin","Etude Op. 10 No. 4","S","Which beat in measure 11 is not played with an arpeggio?","Bar / beat","Beat number written with digits only","Single","[""trill"", ""mordent"", ""turn""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q67","7","Chopin","Etude Op. 10 No. 4","S","The piece contains a lot of repeated phrases. Consider the phrases in bars 18 and 22. How many semitones are these two phrases apart?","Interval","Semitone count","Single","[""3""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q68","7","Chopin","Etude Op. 10 No. 4","S","What does the annotation in bar 81 stand for?","Short text","Short phrase","Single","[""an ascending sequence""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q69","7","Chopin","Etude Op. 10 No. 4","S","What type of cadence is occurring in bar 18?","Category label","Cadence name written in full","Single","[""half cadence""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q70","7","Chopin","Etude Op. 10 No. 4","S","How many bars of the dominant chord are there before the recapitulation of the piece starts?","Integer","Non-negative integer written with digits","Single","[""7""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q71","7","Chopin","Etude Op. 10 No. 4","S","In which bars is there a voice that plays the circle of fifths for at least five notes? ","Bar / beat","Bar range written as N-N","Single","[""8-15"", ""24-31"", ""68-75""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q72","7","Chopin","Etude Op. 10 No. 4","S","There are two melodic motives, each consisting of four sixteenth notes, that are used throughout the piece and are first introduced in the first few bars. In which bars are they last played? ","Bar / beat","Bar number written with digits only","Pair","[""18, 42""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q73","8","Debussy","Reflets dans l'eau","S","Which note of the melody in measure 25 is the first to be played pp?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q74","8","Debussy","Reflets dans l'eau","S","What is the interval between the top two notes within the seventh chord in measure 16?","Interval","Interval quality and number","Single","[""major third"", ""perfect fifth"", ""minor seventh""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q75","8","Debussy","Reflets dans l'eau","S","An eighth note represents 1/8 of a whole note. How much does one note in bar 28 represent of a whole note? Answer with an irreducible fraction.","Duration / ratio","Fraction written as N/N","Single","[""1/8"", ""3/16"", ""5/32""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q76","8","Debussy","Reflets dans l'eau","S","Which note of the right hand should be played the loudest in bar 57?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q77","8","Debussy","Reflets dans l'eau","S","Which notes form the melodic line shaped by tenuti in measures 22 and 23?","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""A4, G#3, Bb2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q78","8","Debussy","Reflets dans l'eau","S","In the second half of measure 31, there are four fully chromatic descending lines, of which exactly one is doubled. Name all the notes of that line.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""G#, Fx, C""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q79","8","Debussy","Reflets dans l'eau","S","How many notes does measure 25 contain?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q80","8","Debussy","Reflets dans l'eau","S","The whole tone scales played in measure 65 end in which note?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q81","8","Debussy","Reflets dans l'eau","S","The top melody in measure 58 is repeated at three different registers. Rank them from low to high. In measure 58, consider the upper voice only. Write: low, mid, high in order of appearance.","Category label","Controlled category label written in full","List ordered by appearance","[""exposition, development, recapitulation""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q82","8","Debussy","Reflets dans l'eau","S","How many times are the first three sixteenth notes in the right hand played as a group in the first 10 measures in the exact same chord inversions (though not necessarily in the same register)? In other words, count the occurrences of this pattern across bars 1-10.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q83","8","Debussy","Reflets dans l'eau","S","In measure 31, the composer introduces a melodic-rhythmic motif consisting of four notes: C, Db, Bb, C. That motif is developed. In what measure does the composer get back to previous material, thereby concluding the development of that motif?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q84","8","Debussy","Reflets dans l'eau","S","Near the ending of the music, the composer seems to want the water to return to its tranquil state after a lot of movement and the music to sound from afar. Which measure explicitly marks the beginning of this passage?","Bar / beat","Bar number written with digits only","Single","[""rondo"", ""ternary form"", ""sonata form""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q85","9","Glinka","The Lark","S","Which instruction tells the pianist to treat the melodic fragments as if it were a declamation?","Short text","Expressive term or phrase","Single","[""dolce""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q86","9","Glinka","The Lark","S","Which chord is formed in measure 33 when both hands play arpeggios simultaneously? Provide the name of the chord in root position.","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q87","9","Glinka","The Lark","S","What scale is played by the right hand in measure 40?","Key / tonality","Scale or mode name with accidentals","Single","[""C major"", ""F# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q88","9","Glinka","The Lark","S","In the second cadenza, after the fermata, the composer writes an ascending line. What is the chord formed by this line?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q89","9","Glinka","The Lark","S","Name the two ornamentations in bars 3 and 4 that give the music its distinct character.","Short text","Short phrase","Pair","[""trill, mordent""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q90","9","Glinka","The Lark","S","After the fragmented introduction in which two musical textures alternate, in which measure does the first complete statement of the sung melody begin?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q91","9","Glinka","The Lark","S","In which measure does the second full statement of the main melody begin, though it may be varied?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q92","9","Glinka","The Lark","S","What indication reinforces the 'brilliante, ben marcata' melody?","Articulation","Articulation term written in full","Single","[""staccato""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q93","9","Glinka","The Lark","S","According to the score, which bar is to be played the softest?","Bar / beat","Bar number written with digits only","Single","[""mezzo-piano"", ""crescendo"", ""fortissimo""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q94","9","Glinka","The Lark","S","For a long time, the piece is mainly in a minor tonality. From which bar onwards has the tonality definitely shifted to major?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q95","10","Haydn","Keyboard Sonata 48, movement 2","S","Which earlier four-measure passage is repeated note for note in measures 152 through 155?","Bar / beat","Bar range written as N-N","Single","[""8-15"", ""24-31"", ""68-75""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q96","10","Haydn","Keyboard Sonata 48, movement 2","S","What harmonic interval is formed by the two dotted quarters notes played sforzando in measure 148?","Interval","Interval quality and number","Single","[""perfect fifth"", ""minor seventh"", ""augmented fourth""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q97","10","Haydn","Keyboard Sonata 48, movement 2","S","Between bars 165 and 181, the composer creates like a cliffhanger. In which bar is this cliff?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q98","10","Haydn","Keyboard Sonata 48, movement 2","S","Which written dynamics appear from measures 195 through 207, in order of appearance?","Category label","Dynamic marking or term written in full","List ordered by appearance","[""mezzo-piano, crescendo, diminuendo""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q99","10","Haydn","Keyboard Sonata 48, movement 2","S","Between 224 and 240, in which bars do left and right hand play exactly the same pitch classes?","Bar / beat","Bar number written with digits only","List ordered by appearance","[""right hand, left hand, both hands""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q100","10","Haydn","Keyboard Sonata 48, movement 2","S","From bar 140 until the end, what is the longest duration of a chain of tied notes, expressed in eighth notes?","Integer","Non-negative integer written with digits","Single","[""0""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q101","10","Haydn","Keyboard Sonata 48, movement 2","S","The main theme is played multiple times with different density and spanning different registers. In which measure does the reprise with the largest keyboard coverage start?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q102","11","Liszt","Ballade No. 2","S","According to the score, in measure 145, which eighth notes in the right hand are struck together with a note in the left-hand? If the first eighth note of the right hand is played together with a left hand, write '1'.","Integer","Non-negative integer written with digits","List ordered by appearance","[""0, 4, 27""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q103","11","Liszt","Ballade No. 2","S","In measure 113, on which note does it make most sense for the right hand to change position?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q104","11","Liszt","Ballade No. 2","S","What is the harmonic function of the chord in the beginning of bar 296 compared to the first chord of bar 297?","Category label","Harmonic-function label written in full","Single","[""tonic""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q105","11","Liszt","Ballade No. 2","S","The pedal note in measure 24-26, how many quarter notes does it last, considering the ties?","Duration / ratio","Count in quarter notes written with digits","Single","[""2"", ""4.5"", ""7.25""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q106","11","Liszt","Ballade No. 2","S","Between the beginning of the Allegretto in bar 143 and a subsequent repeat of the rumble (i.e. the material with which the piece opens), at some point, there is the manifestation of a technique called 'rhythmic augmentation'. In which bar is this technique used? ","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q107","11","Liszt","Ballade No. 2","S","Which is the first chord that needs to be played with only one string? Name that chord.","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q108","11","Liszt","Ballade No. 2","S","Identify the first measure in which the notes in measure 59-69 are not the exact transposition of 24-34 if you only consider the content only (notes and rhythm), not the performer instructions (articulation, slurs, dynamics)? Write NA if it's an exact transposition.","Bar / beat","Bar number written with digits only, or NA","Single","[""42"", ""18"", ""7""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q109","11","Liszt","Ballade No. 2","S/P","What is the name of the person the composer dedicated this piece to?","Short text","Short phrase","Single","[""Clair de lune""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q110","11","Liszt","Ballade No. 2","S","Between bars 181-194, which melodic note breaks the melodic similarity compared to the beginning of the piece? In other words, which note arrives unexpectedly? Name the melodic note.","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q111","12","Mozart","Piano Sonata 12, movement 1","S","The slur in measure 46 starts and ends at which notes?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""A4, G#3""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q112","12","Mozart","Piano Sonata 12, movement 1","S","In measure 91, what is the note value (duration) of the note marked sforzando?","Duration / ratio","Notated note value written in full","Single","[""quarter note"", ""dotted eighth note"", ""half note""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q113","12","Mozart","Piano Sonata 12, movement 1","S","What is the harmonic function of the chord in measure 2?","Category label","Harmonic-function label written in full","Single","[""tonic""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q114","12","Mozart","Piano Sonata 12, movement 1","S","What is the Roman numeral notation for the chord in measure 120?","Chord","Roman-numeral chord symbol","Single","[""V7"", ""ii6"", ""V6/5/V""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q115","12","Mozart","Piano Sonata 12, movement 1","S","Out of the six dyads in measure 67, which ones are major? Name the notes that form the major dyads.","Pitch","Pairs of pitch classes with accidentals and no octave numbers","List ordered by appearance","[""C# Bb, A D, F C""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q116","12","Mozart","Piano Sonata 12, movement 1","S","From measure 222 until the end, how many trills are there?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q117","12","Mozart","Piano Sonata 12, movement 1","S","Which is the last measure to be played the same forte as the one written in measure 84?","Bar / beat","Bar number written with digits only","Single","[""mezzo-piano"", ""crescendo"", ""fortissimo""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q118","12","Mozart","Piano Sonata 12, movement 1","S","What sequence of seventh chords is outlined across measures 61, 62, and 63?","Chord","Lead-sheet chord symbol in root position","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q119","12","Mozart","Piano Sonata 12, movement 1","S","Name the three leading tone chords that drive the modulation between bars 155 and 168.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""G#, Bb, Fx""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q120","12","Mozart","Piano Sonata 12, movement 1","S","In bar 17, on what exact fractional rhythmic subdivision does the V chord (with respect to the home key) arrive? For example, if it falls on the second half of the first beat, write 1.5.","Bar / beat","Fractional beat number written with digits","Single","[""1.5"", ""2.25"", ""1.25""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q121","12","Mozart","Piano Sonata 12, movement 1","S","List all the distinct time signatures present in the piece.","Category label","Time signature (N/N)","List ordered by appearance","[""4/4, 6/8, 9/8""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q122","12","Mozart","Piano Sonata 12, movement 1","S","How many measures does the piece contain?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q123","13","Mozart","Piano Sonata 12, movement 3","S","According to the score, what should be the tempo of the music? ","Short text","Expressive term or phrase as written in the score","Single","[""meno mosso""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q124","13","Mozart","Piano Sonata 12, movement 3","S","Bar 124 starts a modulating passage that resolves to which tonality? Consider a chord to be the resolution if it is played for at least 2 consecutive bars.","Key / tonality","Tonic and mode in full or lead-sheet shorthand","Single","[""C major"", ""F#m"", ""D Dorian""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q125","13","Mozart","Piano Sonata 12, movement 3","S","In measures 154-155, which notes are passing notes (i.e. not part of the chord)?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, Fx, C""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q126","13","Mozart","Piano Sonata 12, movement 3","S","The slur starting in bar 100 contains how many notes? ","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q127","13","Mozart","Piano Sonata 12, movement 3","S","Measure 15-17 gives the impression of the composer feeling humorous, sad, angry, ecstatic, melancholic, or aching?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q128","13","Mozart","Piano Sonata 12, movement 3","S","In which measure does the first dolce marking appear?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q129","13","Mozart","Piano Sonata 12, movement 3","S","What is the progression in roman numerals in measures 37-39 relative to the key the passage is modulating to?","Chord","Roman-numeral chord symbol","List ordered by appearance","[""V7, ii6, V6/5/V""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q130","13","Mozart","Piano Sonata 12, movement 3","S","Prior to measure 90, there is a passage characterized by an introspective, melancholic, and contemplative atmosphere, contrasting with previous material. In which bar does it start, and which measure is the last measure of this passage?","Bar / beat","Bar number written with digits only","Pair","[""18, 42""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q131","13","Mozart","Piano Sonata 12, movement 3","S","Which movement is this within the larger composition?","Integer","Ordinal number written with digits and an ordinal suffix","Single","[""Clair de lune""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q132","13","Mozart","Piano Sonata 12, movement 3","S","In what measure does the main theme in minor tonality start?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q133","13","Mozart","Piano Sonata 12, movement 3","S","In which bar does the development section of the piece start?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q134","14","Rachmaninoff","Prelude Op. 23 No. 4","S","How many accented right-hand chords occur across measures 51 and 52?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q135","14","Rachmaninoff","Prelude Op. 23 No. 4","S","What articulation is written on the final F#5 in the piece?","Articulation","Articulation term written in full","Single","[""staccato""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q136","14","Rachmaninoff","Prelude Op. 23 No. 4","S","How many notes form the arpeggiated chord in measure 61?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q137","14","Rachmaninoff","Prelude Op. 23 No. 4","S","On which pitch does the left-hand slur, beginning in measure 71, end?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q138","14","Rachmaninoff","Prelude Op. 23 No. 4","S","How many distinct written note values occur in measure 57 when dotted and undotted values are treated as different?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q139","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Which intervals are formed by the six right-hand eighth-note dyads in measure 40?","Interval","Interval quality and number","List ordered by appearance","[""major third, perfect fifth, minor seventh""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q140","14","Rachmaninoff","Prelude Op. 23 No. 4","S","In which measure does the second statement of the main theme begin?","Bar / beat","Bar number written with digits only","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q141","14","Rachmaninoff","Prelude Op. 23 No. 4","S","What are the notes of the main melody up to its first A?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""Bb, Fx, C""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q142","14","Rachmaninoff","Prelude Op. 23 No. 4","S","In which measure does the piece reach its climax in terms of loudness, tension, and drama?","Bar / beat","Bar number written with digits only","Single","[""mezzo-piano"", ""crescendo"", ""fortissimo""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q143","14","Rachmaninoff","Prelude Op. 23 No. 4","S","Ignoring accompaniment, rhythm, and articulation differences, which melodic pitch first appears as new material in the second statement of the main theme? In other words, look for the first difference in the melody.","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q144","15","Schubert","Moment musical No. 3","S","There is a pattern in the accompaniment that is characteristic of this piece. In what bar is this pattern played the first time, and how long, expressed in quarter notes, does it last? ","Composite answer","Two answer components in the formats specified in the question","Single","[""flute, 42""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q145","15","Schubert","Moment musical No. 3","S","From bar 1 onwards, which is the last measure containing the pedal note F?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q146","15","Schubert","Moment musical No. 3","S","What are the intervals between the dyads in the first half of measure 9?","Interval","Interval quality and number","List ordered by appearance","[""perfect fifth, minor seventh, augmented fourth""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q147","15","Schubert","Moment musical No. 3","S","What is the largest interval in the melody up until bar 10?","Interval","Interval quality and number","Single","[""major third"", ""perfect fifth"", ""minor seventh""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q148","15","Schubert","Moment musical No. 3","S","What is the harmonic progression of the second theme? Do not repeat the chord name if the chord is played for an extended period of time.","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q149","15","Schubert","Moment musical No. 3","S","Near the end of the piece, the final chord is affirmed. From which measure onwards is this final chord of the piece the harmony?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q150","15","Schubert","Moment musical No. 3","S","Locate the densest moment, i.e. the moment where the most notes sound simultaneously. Name the bar and identify the harmonic function of that chord.","Composite answer","Two answer components in the formats specified in the question","Single","[""flute, 42""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q151","16","Schumann","Arabeske Op. 18","S","According to the score, how should the opening theme sound?","Short text","Expressive term or phrase","Single","[""dolce""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q152","16","Schumann","Arabeske Op. 18","S","What is the harmonic progression formed by each beat in measures 83-84?","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q153","16","Schumann","Arabeske Op. 18","S","In which two bars between bar 60 and 70 does the bass line play the first three notes in Für Elise by Beethoven? Ignore the octave.","Bar / beat","Bar number written with digits only","Pair","[""Clair de lune, Kinderszenen""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q154","16","Schumann","Arabeske Op. 18","S","What indications of tempo are written in measure 91?","Short text","Short phrase","Single","[""meno mosso""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q155","16","Schumann","Arabeske Op. 18","S","The melodic line in bars 59-62 is transposed a few bars later. To what tonality?","Key / tonality","Tonic and mode in full or lead-sheet shorthand","Single","[""C major"", ""F#m"", ""Bb major""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q156","16","Schumann","Arabeske Op. 18","S","At the start of the piece, a bass line moves in pairs. These pairs form a descending major second. Give the name of the first note that breaks this repeated pattern.","Pitch","Pitch-class name in solfège or letter notation","Single","[""Do"", ""F#"", ""La""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q157","16","Schumann","Arabeske Op. 18","S","Throughout bars 43-50, how many voices are playing, generally speaking?","Integer","Non-negative integer written with digits","Single","[""7""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q158","16","Schumann","Arabeske Op. 18","S","What is the chord progression in bar 91-106? ","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""Esus2, D#maj7, B7b5""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q159","16","Schumann","Arabeske Op. 18","S","In what year was this piece composed?","Integer","Non-negative integer written with digits","Single","[""0""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q160","16","Schumann","Arabeske Op. 18","S","Taking into consideration mainly motives and texture, in what form is this piece written? Place A, B, C, D, E in order of (re)appearance. Hint: A spans bars 1-42.","Category label","Controlled category label written in full","List ordered by appearance","[""rondo, ternary form, sonata form""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q161","16","Schumann","Arabeske Op. 18","S","The melodic material presented in bars 43-44 is developed. During the development of this material, the intensity builds up. In which measure should this peak in intensity take place?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q162","17","Scriabin","Etude Op. 8 No. 11","S","What is the name of the chord on the first beat of measure 8?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q163","17","Scriabin","Etude Op. 8 No. 11","S","In which measure does the score first change to E major key signature?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q164","17","Scriabin","Etude Op. 8 No. 11","S","Which note in measure 51 adds tension to the dominant seventh?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q165","17","Scriabin","Etude Op. 8 No. 11","S","According to the score, what should be the BPM in measure 37?","Integer","Non-negative integer written with digits","Single","[""meno mosso""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q166","17","Scriabin","Etude Op. 8 No. 11","S","In which later measure is measure 1 repeated exactly?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q167","17","Scriabin","Etude Op. 8 No. 11","S","What time signatures are used in the piece?","Category label","Time signature (N/N)","List ordered by appearance","[""4/4, 6/8, 9/8""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q168","17","Scriabin","Etude Op. 8 No. 11","S","What are the lowest and highest written pitches in the piece?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""A4, G#3""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q169","17","Scriabin","Etude Op. 8 No. 11","S","According to the score, what are all the dynamics up until bar 18 (included)? ","Category label","Dynamic marking or term written in full","List ordered by appearance","[""mezzo-piano, fortissimo""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q170","18","Scriabin","Piano Sonata No. 5","S","Which marking indicates that the performer should play the piece with eccentricity?","Short text","Expressive term or phrase","Single","[""dolce""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q171","18","Scriabin","Piano Sonata No. 5","S","In bar 47, what is the duration of a single note in the accompaniment relative to a whole note? Express your answer as an irreducible fraction. ","Duration / ratio","Fraction written as N/N","Single","[""1/8"", ""5/32"", ""2/3""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q172","18","Scriabin","Piano Sonata No. 5","S","What does the instruction in bar 222 stand for?","Short text","Short phrase","Single","[""an ascending sequence""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q173","18","Scriabin","Piano Sonata No. 5","S","What is the musical interval formed between each consecutive pair of grace notes in the right hand during the first half of measure 451?","Interval","Interval quality and number","List ordered by appearance","[""major third, perfect fifth, minor seventh""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q174","18","Scriabin","Piano Sonata No. 5","S","What are the harmonies formed by both hands in bars 432-433? ","Chord","Lead-sheet chord symbol with optional bass","List ordered by appearance","[""G7/B, Db/F, C/E""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q175","18","Scriabin","Piano Sonata No. 5","S","In which measure does the first Presto marking appear?","Bar / beat","Bar number written with digits only","Single","[""meno mosso"", ""a tempo"", ""ritardando""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q176","18","Scriabin","Piano Sonata No. 5","S","How many distinct sonic layers make up the first four bars of Languido theme? (A layer is defined by a line having its own unique dynamic, texture, or melodic structure, and is therefore is not strictly related to a voice.)","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q177","18","Scriabin","Piano Sonata No. 5","S","What is the poem, in French, that the composer attached to the piece?","Short text","Literal text","Single","[""Sous le ciel nocturne, la mer repose.""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q178","18","Scriabin","Piano Sonata No. 5","S","In the last 6 bars, the piece ends with a musical idea that was introduced earlier. Starting in which bar was this musical idea first introduced?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q179","18","Scriabin","Piano Sonata No. 5","S","List every distinct time signature used in the sonata in order of first appearance up until the music reaches 3/8 (inclusive). Write each time signature only once.","Category label","Time signature (N/N)","List ordered by appearance","[""4/4, 9/8, 2/2""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q180","18","Scriabin","Piano Sonata No. 5","S","Where does the piece have its first perfect cadence? Write NA if there is none.","Bar / beat","Bar number written with digits only, or NA","Single","[""half cadence"", ""perfect authentic cadence"", ""deceptive cadence""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q181","1","Bach","Fugue BWV 875","P","Which voices are brought to the foreground between 00:31 and 00:37? If each voice has a number and the lowest voice has number 1, list them in order. ","Integer","Non-negative integer written with digits","List ordered by appearance","[""0, 4, 27""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q182","1","Bach","Fugue BWV 875","P","Between 0:50 and 0:58, the melodic line 'A, Bb, A, G, Bb, A, G, F' is played three times. Rank those by increasing loudness. If the first time the melody is played, it is played the softest and the third one the loudest, answer: 1, 2, 3.","Integer","Non-negative integer written with digits","List ordered by appearance","[""mezzo-piano, crescendo, fortissimo""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q183","1","Bach","Fugue BWV 875","P","Between 1:26 and 1:39, the performer plays an unusual rubato. Which note do they emphasize with this rubato?","Integer","Non-negative integer written with digits","Single","[""0""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q184","2","Bach","Prelude BWV 848","P","Between 00:01 and 00:02, the performer brings out two voices. What is the interval between those two voices (ignore octave difference and major/minor)?","Interval","Diatonic interval number written as a word","Single","[""fifth"", ""octave"", ""second""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q185","2","Bach","Prelude BWV 848","P","How long is this audio?","Duration / ratio","Duration in M:SS or MM:SS","Single","[""0:08"", ""01:24"", ""12:05""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q186","2","Bach","Prelude BWV 848","P","Listen to the performance and feel the pulse given by the slower-moving voice in the opening. Which BPM range best matches the tempo: 50-70, 70-90, 90-110, 110-130, 130-150, 150-170, 170-190? ","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q187","3","Balakirev","Islamey","P","Starting at 3:37, the performer plays a passage in which they emphasize the second voice in the left hand. When does different musical material take over, marking the end of this lyrical passage?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q188","3","Balakirev","Islamey","P","The passage starting at 0:21 has a distinct pattern and is played in-between the main theme. Until when does this passage last? ","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q189","4","Beethoven","Piano Sonata 23, movement 1","P","When the main theme is repeated around 45 seconds in, the tone shifts. What emotion likely best describes the new nuance the performer brings to the theme: despair, anger, serenity, triumph, tenderness, nervousness, or happiness?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q190","4","Beethoven","Piano Sonata 23, movement 1","P","At what time does the last point of arrival, i.e. the last point the music builds up to, take place?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q191","4","Beethoven","Piano Sonata 23, movement 1","P","Within the first minute, at what time does the first katabasis (a catastrophic descent) take place?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q192","4","Beethoven","Piano Sonata 23, movement 1","P","Consider the secondary theme as a theme containing two parts. In this case, the second part starts like the first part but has a different ending, characterized an anacoluthon (a sudden event in a phrase that breaks one's expectation). When does it take place?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q193","5","Beethoven","Piano Sonata No. 21, movement 1","P","In the opening, the performer builds up with a crescendo. At what time does the first culmination point occur?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q194","19","Beethoven","Symphony No. 2, movement 1","P","At what time is the dominant first played?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q195","19","Beethoven","Symphony No. 2, movement 1","P","At some point, the orchestra plays tutti. From what time?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q196","19","Beethoven","Symphony No. 2, movement 1","P","What is the principal melody played by winds during the first 10 seconds?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q197","20","Beethoven","Symphony No. 2, movement 3","P","The first phrase is a period with an antecedent and a consequent. When does the consequent begin?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q198","20","Beethoven","Symphony No. 2, movement 3","P","Which instrument plays the main melody, 0:11 onwards?","Short text","Short phrase","Single","[""right hand""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q199","20","Beethoven","Symphony No. 2, movement 3","P","Which note is heard last in the recording?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q200","20","Beethoven","Symphony No. 2, movement 3","P","During the first 10 seconds of the piece, what are the notes of the melody formed by the notes that are played forte? Only mention the highest  notes.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""Bb, Fx, C""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q201","21","Beethoven","Symphony No. 4, movement 2","P","At what time do the violins begin playing notes at twice their previous rate?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q202","21","Beethoven","Symphony No. 4, movement 2","P","At what time does the descending line beginning at 0:11 end?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q203","22","Beethoven","Symphony No. 5, movement 1","P","From what time onward do the participating instruments cease playing in unison?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q204","22","Beethoven","Symphony No. 5, movement 1","P","What chord is played at 0:21?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q205","22","Beethoven","Symphony No. 5, movement 1","P","At what time does the music first reach the loudness level at which the final chord is played (approximately)?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q206","22","Beethoven","Symphony No. 5, movement 1","P","Which instruments hold the final chord the longest?","Short text","Short phrase","Single","[""right hand""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q207","23","Beethoven","Symphony No. 8, movement 2","P","To which note does the string line beginning at 0:05 build?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q208","23","Beethoven","Symphony No. 8, movement 2","P","There is a clear question-and-answer dialogue between two groups of instruments. At what times does it begin and end?","Timestamp","Timestamp in M:SS or MM:SS","Pair","[""00:37, 02:14""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q209","23","Beethoven","Symphony No. 8, movement 2","P","What tonality is stated at 0:04?","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q210","23","Beethoven","Symphony No. 8, movement 2","P","Toward which note does the wind line at the beginning build?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q211","23","Beethoven","Symphony No. 8, movement 2","P","At what time does the second crescendo begin?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q212","23","Beethoven","Symphony No. 8, movement 2","P","How long is the recording?","Duration / ratio","Duration in MM:SS","Single","[""00:08"", ""01:24"", ""12:05""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q213","24","Beethoven","Symphony No. 9, movement 1","P","Which instrument class carries the main melodic material from 0:02 to 0:10?","Short text","Short phrase","Single","[""right hand""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q214","6","Chopin","Ballade No. 1","P","What are the notes of the bass line audible between 01:57 and 02:06? Consider only the ones in the lowest register. ","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q215","6","Chopin","Ballade No. 1","P","At what timestamp does the final outburst begin, characterized by chromaticism?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q216","6","Chopin","Ballade No. 1","S/P","The performer uses an extensive rubato during the melody starting at 5:46. At what time does the performance return to the original tempo? Consider this passage only (i.e. before 6:12).","Integer","Non-negative integer written with digits","Single","[""Clair de lune""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q217","6","Chopin","Ballade No. 1","SP","The performer is playing con forza at 6:14. When exactly, after this moment, does the music change color most significantly? Consider the music up until 6:40.","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q218","7","Chopin","Etude Op. 10 No. 4","P","What is the upper voice playing starting at 1:31 until the immediately following cadence? Provide all the notes up until the arrival point of the cadence.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""Bb, Fx, C""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q219","7","Chopin","Etude Op. 10 No. 4","P","At some point there is a E melodic descending scale spanning an octave clearly audible. When does it start and when does it end?","Timestamp","Timestamp in M:SS or MM:SS","Pair","[""0:37, 02:14""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q220","7","Chopin","Etude Op. 10 No. 4","P","What is the approximate BPM, considering the pulse given by the performer across the whole piece? Indicate the matching range: 75-95, 95-115, 115-135, 135-155, 155-175, 175-195, 195-215, 215-235? ","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q221","7","Chopin","Etude Op. 10 No. 4","P","At which times is the main theme played? Provide the start times of the tonic.","Timestamp","Timestamp in M:SS or MM:SS","List ordered by appearance","[""opening theme, second subject, closing theme""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q222","8","Debussy","Reflets dans l'eau","P","In the first 26 seconds of the piece, a short melodic line may be interpreted as an object's reflection on gently flowing water. What notes are these?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q223","8","Debussy","Reflets dans l'eau","P","In the passage that is played almost like a cadenza (1:11-1:52), from what time onwards does the music become noticeably darker for the first time, an effect created by a sudden widening of the register?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""serene"", ""turbulent"", ""mysterious""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q224","9","Glinka","The Lark","P","In the cadenza that starts at 2:22, with which note is the sole, forceful F1 lifted? In other words, on which note does the performer release the pedal that contains this F1?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q225","10","Haydn","Keyboard Sonata 48, movement 2","P","The phrase that start in bar 22 builds up toward which soprano note?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q226","10","Haydn","Keyboard Sonata 48, movement 2","P","At what time between 1:37 and 2:42 does the music become noticeably darker, more daunting?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""serene"", ""turbulent"", ""mysterious""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q227","10","Haydn","Keyboard Sonata 48, movement 2","P","At what point in the passage between 3:36 and 3:47 does the performer suddenly start playing more softly?","Short text","Short phrase","Single","[""Clara Schumann""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q228","11","Liszt","Ballade No. 2","P","Following the opening rumble and its buildup of tension, at what timestamp within the first minute does the first true moment of resolution or rest (reasonably) occur?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""serene"", ""turbulent"", ""mysterious""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q229","11","Liszt","Ballade No. 2","P","What is the melody heard above the rumble during its initial occurrence, up to and including the final B before a solitary melodic line ascends out of the chaos (within the first minute)? ","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""G#, Bb, Fx""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q230","11","Liszt","Ballade No. 2","S/P","How many semitones higher or lower is the second occurrence of lento assai compared to the first?","Integer","Signed integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q231","11","Liszt","Ballade No. 2","P","From what time onwards is there a passage with a distinct decisive character (for the first time)?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q232","12","Mozart","Piano Sonata 12, movement 1","P","When does the music become dramatic for the first time?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q233","13","Mozart","Piano Sonata 12, movement 3","P","Between 2:00 and 2:15, at some point, the performer loses the flow resulting in some notes not coming out as well or in a timely manner. At what time does this happen?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q234","14","Rachmaninoff","Prelude Op. 23 No. 4","P","At what timestamp does the first melodic note of the third main-theme statement begin?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q235","14","Rachmaninoff","Prelude Op. 23 No. 4","P","How many seconds does the last chord last?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q236","14","Rachmaninoff","Prelude Op. 23 No. 4","P","The beginning of the piece is peaceful and played with a singing tone. Within the first statement of the theme, at which point does the music reach its first dramatic moment?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q237","14","Rachmaninoff","Prelude Op. 23 No. 4","P","At what point does the music reaches the silent climax of the piece, marked by rising line going softer and softer and intense rubato?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q238","15","Schubert","Moment musical No. 3","P","There is a repeating background noise. What is the source of this noise?","Short text","Short phrase","Single","[""an ascending sequence""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q239","15","Schubert","Moment musical No. 3","P","Starting at 01:00, the performer puts a middle voice in the forefront. Which note is the last clearly discernible note of this second voice?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q240","15","Schubert","Moment musical No. 3","P","The second time the theme is played, the performer emphasizes some notes from the bass. Which bass notes are clearly discernible in this reprise of the theme?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Fx""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q241","15","Schubert","Moment musical No. 3","P","What articulation creates the distinct character of the piece?","Articulation","Articulation term written in full","Single","[""legato""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q242","15","Schubert","Moment musical No. 3","P","At what times is each of the three themes played for the first time?","Timestamp","Timestamp in M:SS or MM:SS","List ordered by appearance","[""opening theme, second subject, closing theme""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q243","15","Schubert","Moment musical No. 3","S/P","Compare the use of pedal between the first and third theme. Overall, does the second use more, less, or as much pedal as the first, and when does this theme start for the first time?","Composite answer","Two answer components in the formats specified in the question","Single","[]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q244","15","Schubert","Moment musical No. 3","P","At what time is the main theme played for the last time?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q245","16","Schumann","Arabeske Op. 18","P","In the first ten seconds of the piece, the performer directs the phrasing to two points. At these two points, tension releases, seemingly creating the feeling of appeasement. Which two soprano notes does the phasing build up to?","Pitch","Pitch classes with accidentals and no octave numbers","Pair","[""A, G#""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q246","16","Schumann","Arabeske Op. 18","P","Between 5:18-5:46, a specific pitch in the soprano is played as the repeated resting point within small melodic movements. Which one?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q247","16","Schumann","Arabeske Op. 18","P","The last G is struck at which second?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q248","16","Schumann","Arabeske Op. 18","P","How long is the performance of the piece in total?","Duration / ratio","Duration in M:SS or MM:SS","Single","[""0:08"", ""01:24"", ""12:05""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q249","17","Scriabin","Etude Op. 8 No. 11","P","In the beginning, the slowly moving voices give the piece its distinct character. Eventually, a rather unexpected, dominant chord creates a moment of light or alleviation. At what time does this first occur? Refer to the time the chord is struck. Hint: it occurs before the 2nd minute.","Timestamp","Timestamp in M:SS or MM:SS","Single","[""melancholic"", ""joyful"", ""agitated""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q250","17","Scriabin","Etude Op. 8 No. 11","P","Between 03:25 and 3:37, the performer emphasizes a second voice. What is this melodic line?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""G#, Bb, Fx""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q251","18","Scriabin","Piano Sonata No. 5","P","At what time does the performer play the last note of the piece?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q252","18","Scriabin","Piano Sonata No. 5","P","Between 8:43 and 8:46, which note sounds most prominently?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""Clair de lune"", ""Kinderszenen"", ""The Well-Tempered Clavier""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q253","1","Bach","Fugue BWV 875","SP","At what timestamp does measure 25 begin in the performance? ","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q254","1","Bach","Fugue BWV 875","SP","The performer plays bars 1-2 with different articulation: sometimes legato, sometimes staccato. Which eighth notes are played staccato?  ","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""staccato, legato, tenuto""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q255","2","Bach","Prelude BWV 848","SP","In bars 35-36, and again in bars 37-38, the performer consistently emphasizes a note in the left hand. On which beat does this note fall within the bar?","Bar / beat","Beat number written with digits only","Single","[""1"", ""4"", ""2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q256","2","Bach","Prelude BWV 848","SP","In measure 77, the performer elongates a note in the right hand beyond the written duration, creating a special effect. Which note is it?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q257","2","Bach","Prelude BWV 848","SP","Starting in bar 87, the music builds up tension in anticipation of the cadence. Following the melodic line put forward by the performer, which note would be the most logical continuation of the melody in bar 97?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q258","2","Bach","Prelude BWV 848","SP","Which note in the first bar is played the softest?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""Clair de lune"", ""Kinderszenen"", ""The Well-Tempered Clavier""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q259","2","Bach","Prelude BWV 848","SP","From which measure onwards does the performer significantly slow down the tempo compared to the beginning?","Bar / beat","Bar number written with digits only","Single","[""meno mosso"", ""a tempo"", ""ritardando""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q260","2","Bach","Prelude BWV 848","SP","Which note is accentuated the most in the trait of bars 97-98?","Short text","Short phrase","Single","[""Clair de lune""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q261","3","Balakirev","Islamey","SP","The phrasing in bars 143-144 is built up toward which note? In other words, where is the center of gravity within that phrase?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q262","3","Balakirev","Islamey","SP","The low D in measure 95 is suspended for some time. With which harmony is the note lifted?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q263","3","Balakirev","Islamey","SP","The first part of the piece concludes at 1:59 with a fermata chord. Up until there, the first two bars of the piece were varied many times. How many times in total were these two bars evoked? Consider it evoked when the variation spans the full two bar passage and the melody remains largely the same.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q264","3","Balakirev","Islamey","SP","Which three notes in bars 100-105 are played staccato?","Composite answer","Two answer components in the formats specified in the question","List ordered by appearance","[""Clair de lune; Kinderszenen; The Well-Tempered Clavier""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q265","4","Beethoven","Piano Sonata 23, movement 1","SP","At what time does the development, the moment where the main theme is played in E major, start? ","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q266","4","Beethoven","Piano Sonata 23, movement 1","SP","When does the re-exposition start?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q267","4","Beethoven","Piano Sonata 23, movement 1","SP","In which measure of the coda does the performer start playing arpeggiated chords, cadenza-style?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q268","4","Beethoven","Piano Sonata 23, movement 1","SP","Between 09:07 and 09:11, the music plays the same melody across three different octaves. If you were to summarize this melody in three notes such that the contour remains the same, what would it be?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q269","20","Beethoven","Symphony No. 2, movement 3","S","Which two notes do the violins emphasize in bars 23 and 24?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""G#3, Bb2""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q270","21","Beethoven","Symphony No. 4, movement 2","SP","At what time do both horn parts begin playing?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""00:37"", ""02:14"", ""11:05""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q271","21","Beethoven","Symphony No. 4, movement 2","SP","Which instrument accelerates most significantly, and in which bar does this occur?","Composite answer","Two answer components in the formats specified in the question","Pair","[""meno mosso; a tempo""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q272","21","Beethoven","Symphony No. 4, movement 2","SP","The performance does not follow the indicated BPM. Which note value should accompany the BPM number to make the indication accurate, or at least more accurate?","Duration / ratio","Notated note value written in full","Single","[""meno mosso"", ""a tempo"", ""ritardando""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q273","24","Beethoven","Symphony No. 9, movement 1","SP","Starting at 0:14 (bar 382), the strings and winds exchange melodic material. What are the notes of the melody heard in the foreground?","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""Fx""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q274","6","Chopin","Ballade No. 1","SP","Which pitch is played with the most rubato in bar 73?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q275","6","Chopin","Ballade No. 1","SP","The performer plays the first three bars with a lot of rubato. How many times does the performer significantly speed up the tempo (without slowing down)?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q276","6","Chopin","Ballade No. 1","SP","Consider the theme starting at 251. In which bar does the performer reach the subverted, silent climax of this theme, characterized by a significant slow-down in tempo and loudness?","Bar / beat","Bar number written with digits only","Single","[""4""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q277","6","Chopin","Ballade No. 1","SP","When the piano plays the melody 'F, G, G, Eb, Eb, D, C, D, D, Bb' for the first time a little after the third minute, the piece is modulating. To which tonality is the music modulating next (after Bb)?","Key / tonality","Tonic and mode with accidentals","Single","[""C# minor"", ""D Dorian"", ""Bb Mixolydian""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q278","7","Chopin","Etude Op. 10 No. 4","SP","In measures 71-72 and again in measures 73-74, the performer emphasizes a specific note/chord. Which one clearly stands out? Provide the pitch value of that note/chord.","Pitch","Pitch names in scientific pitch notation with required octave numbers","Pair","[""A4, G#3""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q279","7","Chopin","Etude Op. 10 No. 4","S/P","In bar 62, on which beat is the pedal that contains the first D natural lifted?","Bar / beat","Beat number written with digits only","Single","[""1"", ""4"", ""2""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q280","7","Chopin","Etude Op. 10 No. 4","SP","In bar 81, the performer deviates from the score in terms of how the notes are played. What articulation is most strikingly different from what is written?","Articulation","Articulation term written in full","Single","[""staccato""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q281","7","Chopin","Etude Op. 10 No. 4","P","The performer takes freedom with respect to the tempo at the end of the piece. From which note onwards is this very obvious? Answer with the pitch of the highest sounding voice at that time.","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q282","7","Chopin","Etude Op. 10 No. 4","SP","The performer uses the sostenuto pedal sparingly. Starting in bar 1, up until the first beat of bar 4 (inclusive), on which beats in which bars does the performer use the pedal to broaden the sound? Consider the bars to contain 4 beats each. ","Bar / beat","Bar number and integer beat number","List ordered by appearance","[""bar 18, beat 3; bar 24, beat 2""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q283","7","Chopin","Etude Op. 10 No. 4","SP","In bars 41-44, the performer emphasizes a few notes, creating a melodic line amidst the rapid sixteenth notes. Which are these notes? Hint: the line contains 5 notes.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q284","8","Debussy","Reflets dans l'eau","SP","In bars 82 and 83, the composer writes three, unison chords that consist one a single pitch class each (Ab, F, Eb), in a descending line. In what order are the low, middle, and high notes played in the performance? If the notes are played from low to high, write 'low, middle, high'","Category label","Controlled category label written in full","List ordered by appearance","[""exposition, development, recapitulation""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q285","8","Debussy","Reflets dans l'eau","SP","Which two consecutive bars in the piece are played most heroically? ","Bar / beat","Bar number written with digits only","Pair","[""18, 42""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q286","9","Glinka","The Lark","SP","In measure 57, the performer adds an ornamentation to the first note. What is the name of this ornamentation, and which note does the performer add?","Composite answer","Bar number followed by yes-or-no label","Single","[""mordent""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q287","9","Glinka","The Lark","SP","The phrase in bars 57-60 builds up to which note?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q288","9","Glinka","The Lark","SP","In bar 50, the left hand makes eight upward jumps. Usually, the upper voices within each chord it plays form a tiny two-note melody. However, sometimes, the second note does not come out as clearly. Which of those second notes within each pair is played the softest? Answer with the name of that softest-played upper note.","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""Clara Schumann"", ""Claude Debussy"", ""Joseph Haydn""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q289","9","Glinka","The Lark","SP","The composer concludes the piece with material from the opening. At what time was this material first played?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""opening theme"", ""second subject"", ""closing theme""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q290","10","Haydn","Keyboard Sonata 48, movement 2","SP","How many beats approximately (expressed in quarter notes) is the last note last played for?","Duration / ratio","Count in quarter notes written with digits","Single","[""4.5"", ""7.25"", ""3""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q291","10","Haydn","Keyboard Sonata 48, movement 2","SP","Purely rhythmically speaking, the motif in the right hand in bar 38 is equivalent to which set of note values? Express your answer in note values.","Duration / ratio","Count followed by notated note value","Single","[""4 quarter notes"", ""6 eighth notes"", ""3 half notes""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q292","10","Haydn","Keyboard Sonata 48, movement 2","SP","The repeat sign in measure 33, to what measure does it go back to, and does the performer actually go back?","Composite answer","Bar number followed by yes-or-no label","Single","[""42, no""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q293","10","Haydn","Keyboard Sonata 48, movement 2","SP","In measure 226 - 228, the performer plays four notes staccato: which ones?","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""A4, G#3, Bb2""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q294","10","Haydn","Keyboard Sonata 48, movement 2","SP","Before the final reprise of the main theme, the composer creates suspense with an ascending line of thirds. At what time is the last third played?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q295","11","Liszt","Ballade No. 2","SP","Between bar 70 and 75, the pianist does not play all chords as cleanly. On which beats does the performer play wrong notes? ","Bar / beat","Bar number and integer beat number","List ordered by appearance","[""staccato, legato, tenuto""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q296","11","Liszt","Ballade No. 2","SP","What is the main difference in the way the two phrases in the 'lento assai' passages are played? Answer with the term suggesting that change.","Short text","Literal text","Single","[""senza pedale""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q297","12","Mozart","Piano Sonata 12, movement 1","SP","Which of the three C6 in bars 32, 34, and 36 is accentuated most in the performance? Name the left-hand note played together with the most accentuated C6. ","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q298","12","Mozart","Piano Sonata 12, movement 1","SP","At what time does the development section of this sonata's first movement start?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q299","12","Mozart","Piano Sonata 12, movement 1","SP","At what time does the re-exposition start?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""rondo"", ""ternary form"", ""sonata form""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q300","12","Mozart","Piano Sonata 12, movement 1","S/P","Which note is played the loudest in bar 212?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""Clara Schumann"", ""Claude Debussy"", ""Joseph Haydn""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q301","13","Mozart","Piano Sonata 12, movement 3","SP","The fourth notes played in bar 4, what cue in the score makes them being emphasized the way they are?","Category label","Dynamic marking or term written in full","Single","[""mezzo-piano""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q302","13","Mozart","Piano Sonata 12, movement 3","SP","With which pitch does the ornamentation in measure 53 start?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q303","13","Mozart","Piano Sonata 12, movement 3","SP","In measure 243, some note in the right hand gets an emphasis in the performance, perhaps accidentally, slightly breaking the flow of the melody. Which note?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""G#"", ""Bb"", ""Fx""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q304","13","Mozart","Piano Sonata 12, movement 3","SP","If one were to continue to count at the same tempo as it was in measure 244, how many beats would measure 245 count? Count until the pedal is lifted.","Duration / ratio","Count in beats (according to the meter) written with digits","Single","[""2"", ""4.5"", ""7.25""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q305","13","Mozart","Piano Sonata 12, movement 3","SP","At what time does an authentic cadence to the piece's relative minor first occur? Provide the time of when the leading tone is struck in the soprano. Hint: it occurs in the exposition of the piece.","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q306","13","Mozart","Piano Sonata 12, movement 3","SP","In which 2 bars does the performer slow down most between bars 170 and 180? ","Bar / beat","Bar number written with digits only","Pair","[""18, 42""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q307","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","Which right-hand chord in measure 51 is played the longest? Answer with the name of the top note.","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q308","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","In the first two bars, the performer plays rubato as if there are two tempi: one slower and one faster tempo. Which notes in the first bar are played with the significantly slower tempo? ","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""A4, G#3, Bb2""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q309","14","Rachmaninoff","Prelude Op. 23 No. 4","SP","Which main-melody note across measures 65 through 67 carries the loudest written dynamic (and is also played the loudest)?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q310","15","Schubert","Moment musical No. 3","SP","In measure 36, the melodic line is not clear. Although there are multiple notes that don't sound clearly, there is one note that does not sound at the time it should be played. Which one?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q311","15","Schubert","Moment musical No. 3","SP","At some point in bar 75-78, the performer uses a rubato that significantly and unexpectedly delays the arrival of a particular beat, without a gradual slowdown preceding it. Divide each measure into four beats. In which bar and at which beat does this rubato take place?","Bar / beat","Bar and beat","Single","[""18, 3"", ""42, 1"", ""24, 2""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q312","16","Schumann","Arabeske Op. 18","SP","What unwritten performance technique does the performer use in bar 215?","Category label","Performance-technique label written in full","Single","[""glissando""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q313","16","Schumann","Arabeske Op. 18","SP","Which passage has a more decisive, static character, relative to the overall lyrical character of the piece? Indicate the first and last bar of this passage.","Bar / beat","Bar number written with digits only","Pair","[""18, 42""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q314","16","Schumann","Arabeske Op. 18","SP","In bars 224-226, a rather unexpected note in the melody is played with special care, creating a suspenseful moment. At what time?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q315","17","Scriabin","Etude Op. 8 No. 11","SP","Which note did the performer miss in the last two bars?","Composite answer","Two answer components in the formats specified in the question","Single","[""flute, 42""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q316","17","Scriabin","Etude Op. 8 No. 11","SP","In bar 8, does the performer play crescendo, diminuendo, or equally loud/soft in the whole bar?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q317","17","Scriabin","Etude Op. 8 No. 11","SP","Through pronounced rubato across measures 37-38, the performer creates a sense of temporal and harmonic suspension over a single chord. Which chord (most) produces this effect?","Chord","Lead-sheet chord symbol in root position","Single","[""Esus2"", ""D#maj7"", ""B7b5""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q318","17","Scriabin","Etude Op. 8 No. 11","SP","Which sixteenth note has the most rubato in bar 20?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q319","17","Scriabin","Etude Op. 8 No. 11","SP","From 1:47 onwards, which note is the last one to  be played with force, before the first subsequent F major chord? ","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q320","18","Scriabin","Piano Sonata No. 5","SP","The work features a complete spelling of the mystic chord in bar 264. At which time is the chord struck?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q321","18","Scriabin","Piano Sonata No. 5","SP","The passage played at 11:17-11:18 reminds of which theme in the piece? Name the theme by the marking associated with it.","Short text","Expressive term or phrase","Single","[""opening theme""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q322","18","Scriabin","Piano Sonata No. 5","SP","What is the upper voice melody that sounds in bars 203-206, as emphasized by the performer?","Pitch","Pitch names in scientific pitch notation with required octave numbers","List ordered by appearance","[""A4, G#3, Bb2""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q323","18","Scriabin","Piano Sonata No. 5","SP","Which voice does the performer bring to the foreground, starting in bar 251-257? List the notes.","Pitch","Pitch classes with accidentals and no octave numbers","List ordered by appearance","[""A, G#, Bb""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q324","18","Scriabin","Piano Sonata No. 5","SP","At what time does the exposition of the piece start? ","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q325","1","Bach","Fugue BWV 875","S/P","What is the form of this piece?","Category label","Formal label written in full","Single","[""rondo""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q326","1","Bach","Fugue BWV 875","S/P","What is the tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q327","1","Bach","Fugue BWV 875","S/P","How many times is the theme played in full, though it may be transposed or mirrored? Consider the theme being played when at least its first bar is played in full.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q328","3","Balakirev","Islamey","S/P","In the beginning of the piece, passages are repeated one after the other (almost) literally, except with different dynamics. How many times does this happen? Ignore small differences and focus on the broad musical material.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q329","3","Balakirev","Islamey","S/P","Which instrument section of the symphonic orchestra does the very opening of this piece bring to mind most?","Short text","Short phrase","Single","[""woodwinds""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q330","4","Beethoven","Piano Sonata 23, movement 1","S/P","In which key is the secondary theme written in (when it is first played)? Hint: it uses material from the first theme.","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q331","4","Beethoven","Piano Sonata 23, movement 1","S/P","At what point in the opening (0:00-0:43, bars 1-17) does the music repeat its melodic 'question' in the original key after stating it in another key?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q332","4","Beethoven","Piano Sonata 23, movement 1","S/P","The opening (00:00-00:43, bars 1-17) contains what may seem like a question-answer dialogue between two people. At what point does the questioner seem so dissatisfied with the repeated answer that they enter a state of fright?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""melancholic"", ""joyful"", ""agitated""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q333","4","Beethoven","Piano Sonata 23, movement 1","S/P","What note creates the effect of a relentless pulse in the beginning of the recapitulation?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q334","4","Beethoven","Piano Sonata 23, movement 1","S/P","The coda reviews the two main themes: in what order? For example, if the first theme is reviewed three times, separated by different musical material, write '1, 1, 1'. ","Integer","Non-negative integer written with digits","List ordered by appearance","[""opening theme, second subject, closing theme""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q335","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","In this piece, the recapitulation starts similarly as in the exposition, but takes an unexpected turn, taking the listener into a different tonality. Which pitch creates this anacoluthon effect?","Pitch","Pitch classes with accidentals and no octave numbers","Single","[""A"", ""G#"", ""Bb""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q336","19","Beethoven","Symphony No. 2, movement 1","S/P","How many notes do the violins play before the flutes enter?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q337","22","Beethoven","Symphony No. 5, movement 1","S/P","How many times is the Klopfmotiv played in total? Count simultaneous performances by multiple instruments as one occurrence.","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q338","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q339","6","Chopin","Ballade No. 1","P","What scale is played between 8:12 and 8:16?","Key / tonality","Scale or mode name with accidentals","Single","[""C major"", ""F# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q340","6","Chopin","Ballade No. 1","S/P","Consider a thought to be a continuous piece of music without rests. How many thoughts are expressed before the theme in G minor starts?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q341","6","Chopin","Ballade No. 1","S/P","The composer writes in different genres/forms: sonatas, nocturnes... What specific musical genre/form (that is also typical for the composer) does the material introduced in measure 8 evoke?","Short text","Style or genre descriptor","Single","[""Romantic""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q342","7","Chopin","Etude Op. 10 No. 4","S/P","The piece starts with which harmonic function?","Category label","Harmonic-function label written in full","Single","[""tonic""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q343","8","Debussy","Reflets dans l'eau","S/P","In the opening of the piece up until the moment where the two hands start playing parallel octave-chords moving in opposite direction, decorative lines that start on high pitches and move toward the center of the piano may create the impression of flickering light on the surface of the water. What intervals are formed between subsequent notes in this line?","Interval","Interval quality and number","Pair","[""major third, minor seventh""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q344","8","Debussy","Reflets dans l'eau","S/P","What is the highest note of the piece?","Pitch","Pitch names in scientific pitch notation with required octave numbers","Single","[""A4"", ""G#3"", ""Bb2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q345","9","Glinka","The Lark","S/P","What kind of animal are measures 3-4 most likely representing: kangaroo, bumblebee, bird, tiger, dolphin, bat, or owl?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q346","9","Glinka","The Lark","S/P","Which of the four elements of nature is most conceivable in measure 64?","Short text","Short phrase","Single","[""serene""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q347","9","Glinka","The Lark","S/P","This song is a transcription of a piece for which two instruments?","Short text","Short phrase","Pair","[""right hand, left hand""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q348","10","Haydn","Keyboard Sonata 48, movement 2","SP","At which timestamp does the written trill in measure 195 begin?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q349","10","Haydn","Keyboard Sonata 48, movement 2","S/P","The composer employs a motif to announce the beginning of the main melody of the piece. Of which note values does this motif consist?","Duration / ratio","Count followed by notated note value","Single","[""4 quarter notes"", ""6 eighth notes"", ""8 sixteenth notes""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q350","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What form is this piece in?","Category label","Formal label written in full","Single","[""ternary form""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q351","11","Liszt","Ballade No. 2","P","When does the rumble appear for the second time?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q352","11","Liszt","Ballade No. 2","S","For which instrument is the score written?","Short text","Short phrase","Single","[""right hand""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q353","11","Liszt","Ballade No. 2","S/P","Which classical music period does this composition belong to?","Short text","Style or genre descriptor","Single","[""Romantic""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q354","12","Mozart","Piano Sonata 12, movement 1","SP","At which timestamp does the Recapitulation begin?","Timestamp","Timestamp in M:SS or MM:SS","Single","[""02:54""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q355","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","How many accompaniment notes are played before the melody first enters at the beginning of the piece?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q356","15","Schubert","Moment musical No. 3","P","What is the articulation used in the first three seconds of the piece, before the right hand enters?","Articulation","Articulation term written in full","Single","[""legato""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q357","15","Schubert","Moment musical No. 3","S/P","There is a clear main theme presented at the very beginning of the piece. How many times is this played in full throughout the piece?","Integer","Non-negative integer written with digits","Single","[""4""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q358","17","Scriabin","Etude Op. 8 No. 11","S/P","What key is declared at the beginning of the piece?","Key / tonality","Tonic and mode with accidentals","Single","[""Eb major"", ""C# minor"", ""D Dorian""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q359","17","Scriabin","Etude Op. 8 No. 11","S/P","Would you say the character of the piece is mostly happy, ecstatic, angry, pondering, or aching?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q360","17","Scriabin","Etude Op. 8 No. 11","S/P","What would you say is the source for the main challenge for the pianist in this piece? Polyphonic texture, complex polyrhythms, expressive depth, virtuosic arpeggios, large leaps, hand synchronization, or rapid scales?","Choice","One choice copied exactly from the question","Single","[]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q361","1","Bach","Fugue BWV 875","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q362","1","Bach","Fugue BWV 875","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q363","1","Bach","Fugue BWV 875","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q364","1","Bach","Fugue BWV 875","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-01.pdf","scores/without_context/piece-01.pdf","audio/piece-01.mp3"
"Q365","2","Bach","Prelude BWV 848","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q366","2","Bach","Prelude BWV 848","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q367","2","Bach","Prelude BWV 848","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q368","2","Bach","Prelude BWV 848","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-02.pdf","scores/without_context/piece-02.pdf","audio/piece-02.mp3"
"Q369","3","Balakirev","Islamey","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q370","3","Balakirev","Islamey","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q371","3","Balakirev","Islamey","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q372","3","Balakirev","Islamey","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-03.pdf","scores/without_context/piece-03.pdf","audio/piece-03.mp3"
"Q373","4","Beethoven","Piano Sonata 23, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q374","4","Beethoven","Piano Sonata 23, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q375","4","Beethoven","Piano Sonata 23, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q376","4","Beethoven","Piano Sonata 23, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-04.pdf","scores/without_context/piece-04.pdf","audio/piece-04.mp3"
"Q377","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q378","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q379","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q380","5","Beethoven","Piano Sonata No. 21, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-05.pdf","scores/without_context/piece-05.pdf","audio/piece-05.mp3"
"Q381","6","Chopin","Ballade No. 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q382","6","Chopin","Ballade No. 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q383","6","Chopin","Ballade No. 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q384","6","Chopin","Ballade No. 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-06.pdf","scores/without_context/piece-06.pdf","audio/piece-06.mp3"
"Q385","7","Chopin","Etude Op. 10 No. 4","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q386","7","Chopin","Etude Op. 10 No. 4","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q387","7","Chopin","Etude Op. 10 No. 4","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q388","7","Chopin","Etude Op. 10 No. 4","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-07.pdf","scores/without_context/piece-07.pdf","audio/piece-07.mp3"
"Q389","8","Debussy","Reflets dans l'eau","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q390","8","Debussy","Reflets dans l'eau","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q391","8","Debussy","Reflets dans l'eau","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q392","8","Debussy","Reflets dans l'eau","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-08.pdf","scores/without_context/piece-08.pdf","audio/piece-08.mp3"
"Q393","9","Glinka","The Lark","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q394","9","Glinka","The Lark","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q395","9","Glinka","The Lark","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q396","9","Glinka","The Lark","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-09.pdf","scores/without_context/piece-09.pdf","audio/piece-09.mp3"
"Q397","10","Haydn","Keyboard Sonata 48, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q398","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q399","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q400","10","Haydn","Keyboard Sonata 48, movement 2","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-10.pdf","scores/without_context/piece-10.pdf","audio/piece-10.mp3"
"Q401","11","Liszt","Ballade No. 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q402","11","Liszt","Ballade No. 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q403","11","Liszt","Ballade No. 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q404","11","Liszt","Ballade No. 2","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-11.pdf","scores/without_context/piece-11.pdf","audio/piece-11.mp3"
"Q405","12","Mozart","Piano Sonata 12, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q406","12","Mozart","Piano Sonata 12, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q407","12","Mozart","Piano Sonata 12, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q408","12","Mozart","Piano Sonata 12, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-12.pdf","scores/without_context/piece-12.pdf","audio/piece-12.mp3"
"Q409","13","Mozart","Piano Sonata 12, movement 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q410","13","Mozart","Piano Sonata 12, movement 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q411","13","Mozart","Piano Sonata 12, movement 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q412","13","Mozart","Piano Sonata 12, movement 3","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-13.pdf","scores/without_context/piece-13.pdf","audio/piece-13.mp3"
"Q413","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q414","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q415","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q416","14","Rachmaninoff","Prelude Op. 23 No. 4","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-14.pdf","scores/without_context/piece-14.pdf","audio/piece-14.mp3"
"Q417","15","Schubert","Moment musical No. 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q418","15","Schubert","Moment musical No. 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q419","15","Schubert","Moment musical No. 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q420","15","Schubert","Moment musical No. 3","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-15.pdf","scores/without_context/piece-15.pdf","audio/piece-15.mp3"
"Q421","16","Schumann","Arabeske Op. 18","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q422","16","Schumann","Arabeske Op. 18","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q423","16","Schumann","Arabeske Op. 18","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q424","16","Schumann","Arabeske Op. 18","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-16.pdf","scores/without_context/piece-16.pdf","audio/piece-16.mp3"
"Q425","17","Scriabin","Etude Op. 8 No. 11","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q426","17","Scriabin","Etude Op. 8 No. 11","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q427","17","Scriabin","Etude Op. 8 No. 11","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q428","17","Scriabin","Etude Op. 8 No. 11","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-17.pdf","scores/without_context/piece-17.pdf","audio/piece-17.mp3"
"Q429","18","Scriabin","Piano Sonata No. 5","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q430","18","Scriabin","Piano Sonata No. 5","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q431","18","Scriabin","Piano Sonata No. 5","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q432","18","Scriabin","Piano Sonata No. 5","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-18.pdf","scores/without_context/piece-18.pdf","audio/piece-18.mp3"
"Q433","19","Beethoven","Symphony No. 2, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q434","19","Beethoven","Symphony No. 2, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q435","19","Beethoven","Symphony No. 2, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q436","19","Beethoven","Symphony No. 2, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-19.pdf","scores/without_context/piece-19.pdf","audio/piece-19.mp3"
"Q437","20","Beethoven","Symphony No. 2, movement 3","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q438","20","Beethoven","Symphony No. 2, movement 3","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q439","20","Beethoven","Symphony No. 2, movement 3","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q440","20","Beethoven","Symphony No. 2, movement 3","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-20.pdf","scores/without_context/piece-20.pdf","audio/piece-20.mp3"
"Q441","21","Beethoven","Symphony No. 4, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q442","21","Beethoven","Symphony No. 4, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q443","21","Beethoven","Symphony No. 4, movement 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q444","21","Beethoven","Symphony No. 4, movement 2","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-21.pdf","scores/without_context/piece-21.pdf","audio/piece-21.mp3"
"Q445","22","Beethoven","Symphony No. 5, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q446","22","Beethoven","Symphony No. 5, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q447","22","Beethoven","Symphony No. 5, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q448","22","Beethoven","Symphony No. 5, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-22.pdf","scores/without_context/piece-22.pdf","audio/piece-22.mp3"
"Q449","23","Beethoven","Symphony No. 8, movement 2","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q450","23","Beethoven","Symphony No. 8, movement 2","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q451","23","Beethoven","Symphony No. 8, movement 2","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q452","23","Beethoven","Symphony No. 8, movement 2","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-23.pdf","scores/without_context/piece-23.pdf","audio/piece-23.mp3"
"Q453","24","Beethoven","Symphony No. 9, movement 1","S/P","Who composed this piece?","Short text","Short phrase","Single","[""Johannes Brahms""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q454","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the title of this work?","Short text","Short phrase","Single","[""Piano Sonata No. 2, Op. 2""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q455","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the principal tonality of this piece?","Key / tonality","Tonic and mode with accidentals","Single","[""E major""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"
"Q456","24","Beethoven","Symphony No. 9, movement 1","S/P","What is the overall form of this piece?","Category label","Musical form written in full","Single","[""sonata""]","scores/cleaned_reorganized/piece-24.pdf","scores/without_context/piece-24.pdf","audio/piece-24.mp3"