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- 1931/o_N-H_5Pvu8.mp4 +3 -0
- 1955/GHpQUOP8vcE.en.srt +405 -0
- 1955/GRADFiFVLJQ.en.srt +105 -0
- 1961/DyofWTw0bqY.en.srt +425 -0
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1931/o_N-H_5Pvu8.mp4
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| 1 |
+
1
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00:00:04,190 --> 00:00:07,070
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| 3 |
+
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| 4 |
+
hey yo what time would it be in San
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| 5 |
+
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| 6 |
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2
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| 7 |
+
00:00:07,070 --> 00:00:07,080
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| 8 |
+
hey yo what time would it be in San
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| 9 |
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| 10 |
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| 11 |
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3
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| 12 |
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00:00:07,080 --> 00:00:08,110
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| 13 |
+
hey yo what time would it be in San
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| 14 |
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Francisco
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| 15 |
+
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| 16 |
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4
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| 17 |
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00:00:08,110 --> 00:00:08,120
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| 18 |
+
Francisco
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| 19 |
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| 20 |
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| 21 |
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5
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| 22 |
+
00:00:08,120 --> 00:00:11,900
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| 23 |
+
Francisco
|
| 24 |
+
Bob midnight last night midnight last
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| 25 |
+
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| 26 |
+
6
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| 27 |
+
00:00:11,900 --> 00:00:11,910
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| 28 |
+
Bob midnight last night midnight last
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| 29 |
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| 30 |
+
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| 31 |
+
7
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| 32 |
+
00:00:11,910 --> 00:00:15,169
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| 33 |
+
Bob midnight last night midnight last
|
| 34 |
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night it just must have took over that
|
| 35 |
+
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| 36 |
+
8
|
| 37 |
+
00:00:15,169 --> 00:00:15,179
|
| 38 |
+
night it just must have took over that
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,179 --> 00:00:17,210
|
| 43 |
+
night it just must have took over that
|
| 44 |
+
Island there's a ruddy white flag on
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,210 --> 00:00:17,220
|
| 48 |
+
Island there's a ruddy white flag on
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,220 --> 00:00:20,480
|
| 53 |
+
Island there's a ruddy white flag on
|
| 54 |
+
that new building jabs we ate them
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:20,480 --> 00:00:20,490
|
| 58 |
+
that new building jabs we ate them
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:20,490 --> 00:00:25,269
|
| 63 |
+
that new building jabs we ate them
|
| 64 |
+
within 5,000 miles of any Japs Japs
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:25,269 --> 00:00:25,279
|
| 68 |
+
within 5,000 miles of any Japs Japs
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:25,279 --> 00:00:36,819
|
| 73 |
+
within 5,000 miles of any Japs Japs
|
| 74 |
+
morning
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:36,819 --> 00:00:36,829
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:36,829 --> 00:00:41,150
|
| 83 |
+
|
| 84 |
+
that's a hospital flag hey Steph
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:41,150 --> 00:00:41,160
|
| 88 |
+
that's a hospital flag hey Steph
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:41,160 --> 00:00:46,000
|
| 93 |
+
that's a hospital flag hey Steph
|
| 94 |
+
I got a fancy building on that out in
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:46,000 --> 00:00:46,010
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:46,010 --> 00:00:54,860
|
| 103 |
+
|
| 104 |
+
big windows in holy cow only curry got
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:54,860 --> 00:00:54,870
|
| 108 |
+
big windows in holy cow only curry got
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:54,870 --> 00:00:58,880
|
| 113 |
+
big windows in holy cow only curry got
|
| 114 |
+
nicer than that Island nurse she's
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:58,880 --> 00:00:58,890
|
| 118 |
+
nicer than that Island nurse she's
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:58,890 --> 00:01:05,359
|
| 123 |
+
nicer than that Island nurse she's
|
| 124 |
+
taking a shower yeah look second story
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:05,359 --> 00:01:05,369
|
| 128 |
+
taking a shower yeah look second story
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:05,369 --> 00:01:07,490
|
| 133 |
+
taking a shower yeah look second story
|
| 134 |
+
second story see she's a blonde see get
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:07,490 --> 00:01:07,500
|
| 138 |
+
second story see she's a blonde see get
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:07,500 --> 00:01:12,920
|
| 143 |
+
second story see she's a blonde see get
|
| 144 |
+
off my bad knock it off I never seen
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:12,920 --> 00:01:12,930
|
| 148 |
+
off my bad knock it off I never seen
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:12,930 --> 00:01:16,460
|
| 153 |
+
off my bad knock it off I never seen
|
| 154 |
+
such a beautiful girl she's sure taking
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:16,460 --> 00:01:16,470
|
| 158 |
+
such a beautiful girl she's sure taking
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:16,470 --> 00:01:20,290
|
| 163 |
+
such a beautiful girl she's sure taking
|
| 164 |
+
a long time in that shower
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:20,290 --> 00:01:20,300
|
| 168 |
+
a long time in that shower
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:20,300 --> 00:01:28,960
|
| 173 |
+
a long time in that shower
|
| 174 |
+
yeah over here by the window how do you
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:28,960 --> 00:01:28,970
|
| 178 |
+
yeah over here by the window how do you
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:28,970 --> 00:01:33,610
|
| 183 |
+
yeah over here by the window how do you
|
| 184 |
+
use this thing there's another one over
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:33,610 --> 00:01:33,620
|
| 188 |
+
use this thing there's another one over
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:33,620 --> 00:01:35,260
|
| 193 |
+
use this thing there's another one over
|
| 194 |
+
by the wife's face and take it as
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:35,260 --> 00:01:35,270
|
| 198 |
+
by the wife's face and take it as
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:35,270 --> 00:01:39,490
|
| 203 |
+
by the wife's face and take it as
|
| 204 |
+
shampoo she's got a bathrobe on what a
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:39,490 --> 00:01:39,500
|
| 208 |
+
shampoo she's got a bathrobe on what a
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:39,500 --> 00:01:41,650
|
| 213 |
+
shampoo she's got a bathrobe on what a
|
| 214 |
+
stupid way to take a shampoo with a
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:41,650 --> 00:01:41,660
|
| 218 |
+
stupid way to take a shampoo with a
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:41,660 --> 00:01:43,540
|
| 223 |
+
stupid way to take a shampoo with a
|
| 224 |
+
bathrobe oh what's stupid about it you
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:43,540 --> 00:01:43,550
|
| 228 |
+
bathrobe oh what's stupid about it you
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:43,550 --> 00:01:47,170
|
| 233 |
+
bathrobe oh what's stupid about it you
|
| 234 |
+
think she wants Wow please fellas come
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:47,170 --> 00:01:47,180
|
| 238 |
+
think she wants Wow please fellas come
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:47,180 --> 00:01:48,640
|
| 243 |
+
think she wants Wow please fellas come
|
| 244 |
+
on didn't I tell you she was beautiful
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:48,640 --> 00:01:48,650
|
| 248 |
+
on didn't I tell you she was beautiful
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:48,650 --> 00:01:54,310
|
| 253 |
+
on didn't I tell you she was beautiful
|
| 254 |
+
yeah man I can't even see the island so
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:54,310 --> 00:01:54,320
|
| 258 |
+
yeah man I can't even see the island so
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:54,320 --> 00:01:57,480
|
| 263 |
+
yeah man I can't even see the island so
|
| 264 |
+
long blondie hey goes the other one
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:57,480 --> 00:01:57,490
|
| 268 |
+
long blondie hey goes the other one
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:57,490 --> 00:01:59,920
|
| 273 |
+
long blondie hey goes the other one
|
| 274 |
+
imagine it pignut taking a shower
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:59,920 --> 00:01:59,930
|
| 278 |
+
imagine it pignut taking a shower
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:59,930 --> 00:02:04,660
|
| 283 |
+
imagine it pignut taking a shower
|
| 284 |
+
oh come on girls
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:04,660 --> 00:02:04,670
|
| 288 |
+
oh come on girls
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:04,670 --> 00:02:08,710
|
| 293 |
+
oh come on girls
|
| 294 |
+
who's next I'm getting it I'm getting it
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:08,710 --> 00:02:08,720
|
| 298 |
+
who's next I'm getting it I'm getting it
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:08,720 --> 00:02:11,500
|
| 303 |
+
who's next I'm getting it I'm getting it
|
| 304 |
+
yeah but there ain't no one in there now
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:11,500 --> 00:02:11,510
|
| 308 |
+
yeah but there ain't no one in there now
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:11,510 --> 00:02:16,170
|
| 313 |
+
yeah but there ain't no one in there now
|
| 314 |
+
yes we try mine
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:16,170 --> 00:02:16,180
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:16,180 --> 00:02:18,369
|
| 323 |
+
|
| 324 |
+
they must think we got nothing better to
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:18,369 --> 00:02:18,379
|
| 328 |
+
they must think we got nothing better to
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:18,379 --> 00:02:21,009
|
| 333 |
+
they must think we got nothing better to
|
| 334 |
+
do than stand here you see anything
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:21,009 --> 00:02:21,019
|
| 338 |
+
do than stand here you see anything
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:21,019 --> 00:02:21,610
|
| 343 |
+
do than stand here you see anything
|
| 344 |
+
sweetie
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:21,610 --> 00:02:21,620
|
| 348 |
+
sweetie
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:21,620 --> 00:02:23,460
|
| 353 |
+
sweetie
|
| 354 |
+
know you've been panting on the lens
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:23,460 --> 00:02:23,470
|
| 358 |
+
know you've been panting on the lens
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:23,470 --> 00:02:25,210
|
| 363 |
+
know you've been panting on the lens
|
| 364 |
+
glasses getting heavy
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:25,210 --> 00:02:25,220
|
| 368 |
+
glasses getting heavy
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:25,220 --> 00:02:26,830
|
| 373 |
+
glasses getting heavy
|
| 374 |
+
yeah well wasting manpower let's take
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:26,830 --> 00:02:26,840
|
| 378 |
+
yeah well wasting manpower let's take
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:26,840 --> 00:02:28,690
|
| 383 |
+
yeah well wasting manpower let's take
|
| 384 |
+
turns okay yeah other I'll take the
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:28,690 --> 00:02:28,700
|
| 388 |
+
turns okay yeah other I'll take the
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:28,700 --> 00:02:31,040
|
| 393 |
+
turns okay yeah other I'll take the
|
| 394 |
+
first watch
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:31,040 --> 00:02:31,050
|
| 398 |
+
first watch
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:31,050 --> 00:02:44,529
|
| 403 |
+
first watch
|
| 404 |
+
[Music]
|
| 405 |
+
|
1955/GRADFiFVLJQ.en.srt
ADDED
|
@@ -0,0 +1,105 @@
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:04,810
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,810 --> 00:00:04,820
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,820 --> 00:00:11,020
|
| 13 |
+
[Music]
|
| 14 |
+
[Applause]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,020 --> 00:00:11,030
|
| 18 |
+
[Applause]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,030 --> 00:00:13,700
|
| 23 |
+
[Applause]
|
| 24 |
+
wait a minute this is the opening night
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,700 --> 00:00:13,710
|
| 28 |
+
wait a minute this is the opening night
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,710 --> 00:00:16,129
|
| 33 |
+
wait a minute this is the opening night
|
| 34 |
+
of the cafe klaris and everybody's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,129 --> 00:00:16,139
|
| 38 |
+
of the cafe klaris and everybody's
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,139 --> 00:00:33,819
|
| 43 |
+
of the cafe klaris and everybody's
|
| 44 |
+
dressed but you I'll be dressed a minute
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:33,819 --> 00:00:33,829
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:33,829 --> 00:00:46,770
|
| 53 |
+
|
| 54 |
+
wise guy
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:46,770 --> 00:00:46,780
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:46,780 --> 00:00:48,910
|
| 63 |
+
|
| 64 |
+
and do you know how to play one of these
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:48,910 --> 00:00:48,920
|
| 68 |
+
and do you know how to play one of these
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:48,920 --> 00:00:58,180
|
| 73 |
+
and do you know how to play one of these
|
| 74 |
+
why certainly show me
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:58,180 --> 00:00:58,190
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:58,190 --> 00:01:24,890
|
| 83 |
+
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:24,890 --> 00:01:24,900
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:24,900 --> 00:01:49,040
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:49,040 --> 00:01:49,050
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:49,050 --> 00:02:16,139
|
| 103 |
+
|
| 104 |
+
[Music]
|
| 105 |
+
|
1961/DyofWTw0bqY.en.srt
ADDED
|
@@ -0,0 +1,425 @@
|
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|
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|
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|
|
|
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|
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|
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|
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|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,960 --> 00:00:09,749
|
| 3 |
+
|
| 4 |
+
Maria the most beautiful sound I
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,749 --> 00:00:09,759
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,759 --> 00:00:11,430
|
| 13 |
+
|
| 14 |
+
ever
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,430 --> 00:00:11,440
|
| 18 |
+
ever
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,440 --> 00:00:17,630
|
| 23 |
+
ever
|
| 24 |
+
Maria Maria Mar
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:17,630 --> 00:00:17,640
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:17,640 --> 00:00:20,870
|
| 33 |
+
|
| 34 |
+
Maria all the beautiful sounds of the
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:20,870 --> 00:00:20,880
|
| 38 |
+
Maria all the beautiful sounds of the
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:20,880 --> 00:00:23,870
|
| 43 |
+
Maria all the beautiful sounds of the
|
| 44 |
+
world in a single
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:23,870 --> 00:00:23,880
|
| 48 |
+
world in a single
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:23,880 --> 00:00:25,589
|
| 53 |
+
world in a single
|
| 54 |
+
word
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:25,589 --> 00:00:25,599
|
| 58 |
+
word
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:25,599 --> 00:00:30,429
|
| 63 |
+
word
|
| 64 |
+
Mar Maria
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:30,429 --> 00:00:30,439
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:30,439 --> 00:00:34,270
|
| 73 |
+
|
| 74 |
+
Maria Maria
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:34,270 --> 00:00:34,280
|
| 78 |
+
Maria Maria
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:34,280 --> 00:00:38,510
|
| 83 |
+
Maria Maria
|
| 84 |
+
Maria I've just met a girl named
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:38,510 --> 00:00:38,520
|
| 88 |
+
Maria I've just met a girl named
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:38,520 --> 00:00:42,510
|
| 93 |
+
Maria I've just met a girl named
|
| 94 |
+
Maria and suddenly that name Will Never
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:42,510 --> 00:00:42,520
|
| 98 |
+
Maria and suddenly that name Will Never
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:42,520 --> 00:00:45,069
|
| 103 |
+
Maria and suddenly that name Will Never
|
| 104 |
+
Be the to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:45,069 --> 00:00:45,079
|
| 108 |
+
Be the to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:45,079 --> 00:00:46,990
|
| 113 |
+
Be the to
|
| 114 |
+
me
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:46,990 --> 00:00:47,000
|
| 118 |
+
me
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:47,000 --> 00:00:50,990
|
| 123 |
+
me
|
| 124 |
+
Maria I've just kissed a girl named
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,990 --> 00:00:51,000
|
| 128 |
+
Maria I've just kissed a girl named
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:51,000 --> 00:00:55,189
|
| 133 |
+
Maria I've just kissed a girl named
|
| 134 |
+
Maria and suddenly I found how wonderful
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:55,189 --> 00:00:55,199
|
| 138 |
+
Maria and suddenly I found how wonderful
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:55,199 --> 00:00:57,229
|
| 143 |
+
Maria and suddenly I found how wonderful
|
| 144 |
+
a sound can
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:57,229 --> 00:00:57,239
|
| 148 |
+
a sound can
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:57,239 --> 00:01:00,310
|
| 153 |
+
a sound can
|
| 154 |
+
be Maria
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:00,310 --> 00:01:00,320
|
| 158 |
+
be Maria
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:00,320 --> 00:01:04,870
|
| 163 |
+
be Maria
|
| 164 |
+
say it loud and there's music
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:04,870 --> 00:01:04,880
|
| 168 |
+
say it loud and there's music
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:04,880 --> 00:01:06,789
|
| 173 |
+
say it loud and there's music
|
| 174 |
+
play say
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:06,789 --> 00:01:06,799
|
| 178 |
+
play say
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:06,799 --> 00:01:09,940
|
| 183 |
+
play say
|
| 184 |
+
it and it's almost like
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:09,940 --> 00:01:09,950
|
| 188 |
+
it and it's almost like
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:09,950 --> 00:01:11,190
|
| 193 |
+
it and it's almost like
|
| 194 |
+
[Music]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:11,190 --> 00:01:11,200
|
| 198 |
+
[Music]
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:11,200 --> 00:01:13,590
|
| 203 |
+
[Music]
|
| 204 |
+
praying
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:13,590 --> 00:01:13,600
|
| 208 |
+
praying
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:13,600 --> 00:01:18,520
|
| 213 |
+
praying
|
| 214 |
+
Maria I'll never stop saying
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:18,520 --> 00:01:18,530
|
| 218 |
+
Maria I'll never stop saying
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:18,530 --> 00:01:20,950
|
| 223 |
+
Maria I'll never stop saying
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:20,950 --> 00:01:20,960
|
| 228 |
+
[Music]
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:20,960 --> 00:01:23,749
|
| 233 |
+
[Music]
|
| 234 |
+
Maria
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:23,749 --> 00:01:23,759
|
| 238 |
+
Maria
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:23,759 --> 00:01:25,789
|
| 243 |
+
Maria
|
| 244 |
+
Maria
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:25,789 --> 00:01:25,799
|
| 248 |
+
Maria
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:25,799 --> 00:01:28,109
|
| 253 |
+
Maria
|
| 254 |
+
Maria
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:28,109 --> 00:01:28,119
|
| 258 |
+
Maria
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:28,119 --> 00:01:35,429
|
| 263 |
+
Maria
|
| 264 |
+
Maria Maria
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:35,429 --> 00:01:35,439
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:35,439 --> 00:01:37,630
|
| 273 |
+
|
| 274 |
+
mar
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:37,630 --> 00:01:37,640
|
| 278 |
+
mar
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:37,640 --> 00:01:39,630
|
| 283 |
+
mar
|
| 284 |
+
mar
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:39,630 --> 00:01:39,640
|
| 288 |
+
mar
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:39,640 --> 00:01:41,910
|
| 293 |
+
mar
|
| 294 |
+
mar
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:41,910 --> 00:01:41,920
|
| 298 |
+
mar
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:41,920 --> 00:01:43,709
|
| 303 |
+
mar
|
| 304 |
+
mar
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:43,709 --> 00:01:43,719
|
| 308 |
+
mar
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:43,719 --> 00:01:48,789
|
| 313 |
+
mar
|
| 314 |
+
Maria say it l and there's
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:48,789 --> 00:01:48,799
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:48,799 --> 00:01:50,830
|
| 323 |
+
|
| 324 |
+
music say
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:50,830 --> 00:01:50,840
|
| 328 |
+
music say
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:50,840 --> 00:01:55,350
|
| 333 |
+
music say
|
| 334 |
+
it's and it's like
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:55,350 --> 00:01:55,360
|
| 338 |
+
it's and it's like
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:55,360 --> 00:01:57,789
|
| 343 |
+
it's and it's like
|
| 344 |
+
pray
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:57,789 --> 00:01:57,799
|
| 348 |
+
pray
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:57,799 --> 00:02:01,270
|
| 353 |
+
pray
|
| 354 |
+
Maria I'll never stop
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:01,270 --> 00:02:01,280
|
| 358 |
+
Maria I'll never stop
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:01,280 --> 00:02:06,030
|
| 363 |
+
Maria I'll never stop
|
| 364 |
+
saying
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:06,030 --> 00:02:06,040
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:06,040 --> 00:02:12,510
|
| 373 |
+
|
| 374 |
+
[Music]
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:12,510 --> 00:02:12,520
|
| 378 |
+
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:12,520 --> 00:02:21,800
|
| 383 |
+
|
| 384 |
+
Maria the most beautiful S I ever
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:21,800 --> 00:02:21,810
|
| 388 |
+
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:21,810 --> 00:02:28,010
|
| 393 |
+
|
| 394 |
+
[Music]
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:28,010 --> 00:02:28,020
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:28,020 --> 00:02:30,070
|
| 403 |
+
|
| 404 |
+
[Music]
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:30,070 --> 00:02:30,080
|
| 408 |
+
[Music]
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:30,080 --> 00:02:32,450
|
| 413 |
+
[Music]
|
| 414 |
+
oh
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:32,450 --> 00:02:32,460
|
| 418 |
+
oh
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:32,460 --> 00:03:06,519
|
| 423 |
+
oh
|
| 424 |
+
[Music]
|
| 425 |
+
|
1961/F8QVrLcmRdA.en.srt
ADDED
|
@@ -0,0 +1,305 @@
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:02,879 --> 00:00:31,950
|
| 3 |
+
|
| 4 |
+
that's game
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:31,950 --> 00:00:31,960
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:31,960 --> 00:00:33,869
|
| 13 |
+
|
| 14 |
+
how much we got
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:33,869 --> 00:00:33,879
|
| 18 |
+
how much we got
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:33,879 --> 00:00:40,110
|
| 23 |
+
how much we got
|
| 24 |
+
11,400 cash here and in my
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:40,110 --> 00:00:40,120
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:40,120 --> 00:00:42,270
|
| 33 |
+
|
| 34 |
+
pocket preacher go on down get me some
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:42,270 --> 00:00:42,280
|
| 38 |
+
pocket preacher go on down get me some
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:42,280 --> 00:00:44,110
|
| 43 |
+
pocket preacher go on down get me some
|
| 44 |
+
breakfast will you egg sandwich and a
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:44,110 --> 00:00:44,120
|
| 48 |
+
breakfast will you egg sandwich and a
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:44,120 --> 00:00:46,310
|
| 53 |
+
breakfast will you egg sandwich and a
|
| 54 |
+
cup of coffee you want something Charlie
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:46,310 --> 00:00:46,320
|
| 58 |
+
cup of coffee you want something Charlie
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:46,320 --> 00:00:47,830
|
| 63 |
+
cup of coffee you want something Charlie
|
| 64 |
+
oh wait a minute you're coming with me
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:47,830 --> 00:00:47,840
|
| 68 |
+
oh wait a minute you're coming with me
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:47,840 --> 00:00:49,270
|
| 73 |
+
oh wait a minute you're coming with me
|
| 74 |
+
you're going to eat breakfast at the
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:49,270 --> 00:00:49,280
|
| 78 |
+
you're going to eat breakfast at the
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:49,280 --> 00:00:52,790
|
| 83 |
+
you're going to eat breakfast at the
|
| 84 |
+
hotel the pool game is over no it isn't
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:52,790 --> 00:00:52,800
|
| 88 |
+
hotel the pool game is over no it isn't
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:52,800 --> 00:00:55,910
|
| 93 |
+
hotel the pool game is over no it isn't
|
| 94 |
+
Charlie Eddie the pool game is over when
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:55,910 --> 00:00:55,920
|
| 98 |
+
Charlie Eddie the pool game is over when
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:55,920 --> 00:00:58,709
|
| 103 |
+
Charlie Eddie the pool game is over when
|
| 104 |
+
fat says it's over you wanted 10,000 you
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:58,709 --> 00:00:58,719
|
| 108 |
+
fat says it's over you wanted 10,000 you
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:58,719 --> 00:01:00,950
|
| 113 |
+
fat says it's over you wanted 10,000 you
|
| 114 |
+
got 10,000 I'll get with it will you
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:00,950 --> 00:01:00,960
|
| 118 |
+
got 10,000 I'll get with it will you
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:00,960 --> 00:01:03,950
|
| 123 |
+
got 10,000 I'll get with it will you
|
| 124 |
+
Charlie get with
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:03,950 --> 00:01:03,960
|
| 128 |
+
Charlie get with
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:03,960 --> 00:01:06,429
|
| 133 |
+
Charlie get with
|
| 134 |
+
what you can't see it can you Charlie I
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:06,429 --> 00:01:06,439
|
| 138 |
+
what you can't see it can you Charlie I
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:06,439 --> 00:01:08,149
|
| 143 |
+
what you can't see it can you Charlie I
|
| 144 |
+
mean you never been able to see it I
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:08,149 --> 00:01:08,159
|
| 148 |
+
mean you never been able to see it I
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:08,159 --> 00:01:09,870
|
| 153 |
+
mean you never been able to see it I
|
| 154 |
+
came after
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:09,870 --> 00:01:09,880
|
| 158 |
+
came after
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:09,880 --> 00:01:13,510
|
| 163 |
+
came after
|
| 164 |
+
him and I'm going to get him I'm going
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:13,510 --> 00:01:13,520
|
| 168 |
+
him and I'm going to get him I'm going
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:13,520 --> 00:01:16,190
|
| 173 |
+
him and I'm going to get him I'm going
|
| 174 |
+
with him all away the pool game is not
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:16,190 --> 00:01:16,200
|
| 178 |
+
with him all away the pool game is not
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:16,200 --> 00:01:18,030
|
| 183 |
+
with him all away the pool game is not
|
| 184 |
+
over until Minnesota fat says it's over
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:18,030 --> 00:01:18,040
|
| 188 |
+
over until Minnesota fat says it's over
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:18,040 --> 00:01:26,429
|
| 193 |
+
over until Minnesota fat says it's over
|
| 194 |
+
is it over
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:26,429 --> 00:01:26,439
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:26,439 --> 00:01:29,910
|
| 203 |
+
|
| 204 |
+
fats I'm going to beat him mister I beat
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:29,910 --> 00:01:29,920
|
| 208 |
+
fats I'm going to beat him mister I beat
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:29,920 --> 00:01:30,910
|
| 213 |
+
fats I'm going to beat him mister I beat
|
| 214 |
+
beat him all night and I'm going to beat
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:30,910 --> 00:01:30,920
|
| 218 |
+
beat him all night and I'm going to beat
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:30,920 --> 00:01:39,200
|
| 223 |
+
beat him all night and I'm going to beat
|
| 224 |
+
him all
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:39,200 --> 00:01:39,210
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:39,210 --> 00:01:43,590
|
| 233 |
+
|
| 234 |
+
[Music]
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:43,590 --> 00:01:43,600
|
| 238 |
+
[Music]
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:43,600 --> 00:01:46,350
|
| 243 |
+
[Music]
|
| 244 |
+
day I'm I'm the best you ever seen fats
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:46,350 --> 00:01:46,360
|
| 248 |
+
day I'm I'm the best you ever seen fats
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:46,360 --> 00:01:48,350
|
| 253 |
+
day I'm I'm the best you ever seen fats
|
| 254 |
+
I'm the best there is now even if you
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:48,350 --> 00:01:48,360
|
| 258 |
+
I'm the best there is now even if you
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:48,360 --> 00:01:52,069
|
| 263 |
+
I'm the best there is now even if you
|
| 264 |
+
beat me I'm still the
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:52,069 --> 00:01:52,079
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:52,079 --> 00:01:56,750
|
| 273 |
+
|
| 274 |
+
best stay with this kid he's a loser
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:56,750 --> 00:01:56,760
|
| 278 |
+
best stay with this kid he's a loser
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:56,760 --> 00:02:05,350
|
| 283 |
+
best stay with this kid he's a loser
|
| 284 |
+
[Music]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:05,350 --> 00:02:05,360
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:05,360 --> 00:02:08,590
|
| 293 |
+
|
| 294 |
+
what do you say
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:08,590 --> 00:02:08,600
|
| 298 |
+
what do you say
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:08,600 --> 00:02:37,830
|
| 303 |
+
what do you say
|
| 304 |
+
[Music]
|
| 305 |
+
|
1961/L_TvaJulWx0.en.srt
ADDED
|
@@ -0,0 +1,275 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,679 --> 00:00:05,630
|
| 3 |
+
|
| 4 |
+
what do you think this ought to be the
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,630 --> 00:00:05,640
|
| 8 |
+
what do you think this ought to be the
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,640 --> 00:00:07,429
|
| 13 |
+
what do you think this ought to be the
|
| 14 |
+
right kind of place for a tough guy like
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,429 --> 00:00:07,439
|
| 18 |
+
right kind of place for a tough guy like
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,439 --> 00:00:11,230
|
| 23 |
+
right kind of place for a tough guy like
|
| 24 |
+
you garbage cans rat Galore
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,230 --> 00:00:11,240
|
| 28 |
+
you garbage cans rat Galore
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,240 --> 00:00:27,390
|
| 33 |
+
you garbage cans rat Galore
|
| 34 |
+
scram I said take off beat it let's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:27,390 --> 00:00:27,400
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:27,400 --> 00:00:32,429
|
| 43 |
+
|
| 44 |
+
go driver
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:32,429 --> 00:00:32,439
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:32,439 --> 00:00:41,510
|
| 53 |
+
|
| 54 |
+
pull over
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:41,510 --> 00:00:41,520
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:41,520 --> 00:00:44,029
|
| 63 |
+
|
| 64 |
+
here you know what's wrong with you miss
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:44,029 --> 00:00:44,039
|
| 68 |
+
here you know what's wrong with you miss
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:44,039 --> 00:00:45,069
|
| 73 |
+
here you know what's wrong with you miss
|
| 74 |
+
whoever you
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:45,069 --> 00:00:45,079
|
| 78 |
+
whoever you
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:45,079 --> 00:00:48,790
|
| 83 |
+
whoever you
|
| 84 |
+
are you're a chicken you've got no guts
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:48,790 --> 00:00:48,800
|
| 88 |
+
are you're a chicken you've got no guts
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:48,800 --> 00:00:50,270
|
| 93 |
+
are you're a chicken you've got no guts
|
| 94 |
+
you're afraid to stick out your chin and
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:50,270 --> 00:00:50,280
|
| 98 |
+
you're afraid to stick out your chin and
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:50,280 --> 00:00:52,869
|
| 103 |
+
you're afraid to stick out your chin and
|
| 104 |
+
say okay Life's a fact people do fall in
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:52,869 --> 00:00:52,879
|
| 108 |
+
say okay Life's a fact people do fall in
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:52,879 --> 00:00:55,549
|
| 113 |
+
say okay Life's a fact people do fall in
|
| 114 |
+
love people do belong to each other
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:55,549 --> 00:00:55,559
|
| 118 |
+
love people do belong to each other
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:55,559 --> 00:00:57,069
|
| 123 |
+
love people do belong to each other
|
| 124 |
+
because that's the only chance anybody's
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:57,069 --> 00:00:57,079
|
| 128 |
+
because that's the only chance anybody's
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:57,079 --> 00:00:59,670
|
| 133 |
+
because that's the only chance anybody's
|
| 134 |
+
got for real happiness you call yourself
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:59,670 --> 00:00:59,680
|
| 138 |
+
got for real happiness you call yourself
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:59,680 --> 00:01:02,830
|
| 143 |
+
got for real happiness you call yourself
|
| 144 |
+
a free spirit a wild thing and you're
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:02,830 --> 00:01:02,840
|
| 148 |
+
a free spirit a wild thing and you're
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:02,840 --> 00:01:04,229
|
| 153 |
+
a free spirit a wild thing and you're
|
| 154 |
+
terrified somebody's going to stick you
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:04,229 --> 00:01:04,239
|
| 158 |
+
terrified somebody's going to stick you
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:04,239 --> 00:01:07,590
|
| 163 |
+
terrified somebody's going to stick you
|
| 164 |
+
in a cage well baby you're already in
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:07,590 --> 00:01:07,600
|
| 168 |
+
in a cage well baby you're already in
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:07,600 --> 00:01:09,870
|
| 173 |
+
in a cage well baby you're already in
|
| 174 |
+
that cage you build it yourself and it's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:09,870 --> 00:01:09,880
|
| 178 |
+
that cage you build it yourself and it's
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:09,880 --> 00:01:11,789
|
| 183 |
+
that cage you build it yourself and it's
|
| 184 |
+
not bounded on the west by tulip Texas
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:11,789 --> 00:01:11,799
|
| 188 |
+
not bounded on the west by tulip Texas
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:11,799 --> 00:01:13,270
|
| 193 |
+
not bounded on the west by tulip Texas
|
| 194 |
+
or on the east by Somali land it's
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:13,270 --> 00:01:13,280
|
| 198 |
+
or on the east by Somali land it's
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:13,280 --> 00:01:15,630
|
| 203 |
+
or on the east by Somali land it's
|
| 204 |
+
wherever you go because no matter where
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:15,630 --> 00:01:15,640
|
| 208 |
+
wherever you go because no matter where
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:15,640 --> 00:01:25,590
|
| 213 |
+
wherever you go because no matter where
|
| 214 |
+
you run you just end up running into
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:25,590 --> 00:01:25,600
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:25,600 --> 00:01:27,390
|
| 223 |
+
|
| 224 |
+
yourself here I've been carrying this
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:27,390 --> 00:01:27,400
|
| 228 |
+
yourself here I've been carrying this
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:27,400 --> 00:01:30,109
|
| 233 |
+
yourself here I've been carrying this
|
| 234 |
+
thing around for months
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:30,109 --> 00:01:30,119
|
| 238 |
+
thing around for months
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:30,119 --> 00:01:32,770
|
| 243 |
+
thing around for months
|
| 244 |
+
I don't want it anymore
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:32,770 --> 00:01:32,780
|
| 248 |
+
I don't want it anymore
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:32,780 --> 00:02:30,869
|
| 253 |
+
I don't want it anymore
|
| 254 |
+
[Music]
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:30,869 --> 00:02:30,879
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:30,879 --> 00:02:34,520
|
| 263 |
+
|
| 264 |
+
to
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:34,520 --> 00:02:34,530
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:34,530 --> 00:02:40,479
|
| 273 |
+
|
| 274 |
+
[Music]
|
| 275 |
+
|
1962/wH-i4ImreXs.description
ADDED
|
@@ -0,0 +1,36 @@
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|
| 1 |
+
The Manchurian Candidate - Marco's Nightmare: Marco (Frank Sinatra) has a nightmare of “the gardening club” where Raymond (Laurence Harvey) strangles Ed while Soviet Generals watch.
|
| 2 |
+
BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-manchurian-candidate-1962-1962/MMVE6ADF928F9939A73506ABC3F5A416F993?cmp=Movieclips_YT_Description
|
| 3 |
+
|
| 4 |
+
Watch the best The Manchurian Candidate scenes & clips:
|
| 5 |
+
https://www.youtube.com/playlist?list=PLZbXA4lyCtqrh2z_Z3snxL_4qnbQWiFNi
|
| 6 |
+
|
| 7 |
+
FILM DESCRIPTION:
|
| 8 |
+
Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw (Laurence Harvey) is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco (Frank Sinatra), finds himself plagued by strange nightmares and, together with fellow soldier Allen Melvin (James Edwards), races to uncover a terrible plot.
|
| 9 |
+
|
| 10 |
+
CREDITS:
|
| 11 |
+
TM & © United Artists (1962)
|
| 12 |
+
Cast: Frank Sinatra, Laurence Harvey
|
| 13 |
+
Director: John Frankenheimer
|
| 14 |
+
Screewriter: George Axelrod
|
| 15 |
+
|
| 16 |
+
WHO ARE WE?
|
| 17 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 18 |
+
|
| 19 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 20 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 21 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 22 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 23 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 24 |
+
Extras: http://bit.ly/1u431fr
|
| 25 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 26 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 27 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 28 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 29 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 30 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 31 |
+
|
| 32 |
+
HIT US UP:
|
| 33 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 34 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 35 |
+
Pinterest: http://bit.ly/14wL9De
|
| 36 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1962/wH-i4ImreXs.en.srt
ADDED
|
@@ -0,0 +1,305 @@
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|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,089 --> 00:00:04,039
|
| 3 |
+
|
| 4 |
+
idea again it's you grow older grow more
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,039 --> 00:00:04,049
|
| 8 |
+
idea again it's you grow older grow more
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,049 --> 00:00:07,629
|
| 13 |
+
idea again it's you grow older grow more
|
| 14 |
+
long-winded and to get you the point as
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,629 --> 00:00:07,639
|
| 18 |
+
long-winded and to get you the point as
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,639 --> 00:00:12,280
|
| 23 |
+
long-winded and to get you the point as
|
| 24 |
+
they may never keep anyone is enough I
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:12,280 --> 00:00:12,290
|
| 28 |
+
they may never keep anyone is enough I
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:12,290 --> 00:00:15,740
|
| 33 |
+
they may never keep anyone is enough I
|
| 34 |
+
apologize my dear Dmitri I keep
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,740 --> 00:00:15,750
|
| 38 |
+
apologize my dear Dmitri I keep
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,750 --> 00:00:17,210
|
| 43 |
+
apologize my dear Dmitri I keep
|
| 44 |
+
forgetting that you're a young country
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,210 --> 00:00:17,220
|
| 48 |
+
forgetting that you're a young country
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,220 --> 00:00:21,279
|
| 53 |
+
forgetting that you're a young country
|
| 54 |
+
and your attention span is limited
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,279 --> 00:00:21,289
|
| 58 |
+
and your attention span is limited
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:21,289 --> 00:00:24,140
|
| 63 |
+
and your attention span is limited
|
| 64 |
+
tell me Raymond how do you ever killed
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:24,140 --> 00:00:24,150
|
| 68 |
+
tell me Raymond how do you ever killed
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:24,150 --> 00:00:24,800
|
| 73 |
+
tell me Raymond how do you ever killed
|
| 74 |
+
anyone
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:24,800 --> 00:00:24,810
|
| 78 |
+
anyone
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:24,810 --> 00:00:32,840
|
| 83 |
+
anyone
|
| 84 |
+
no man not even in combat in combat yes
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:32,840 --> 00:00:32,850
|
| 88 |
+
no man not even in combat in combat yes
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:32,850 --> 00:00:35,479
|
| 93 |
+
no man not even in combat in combat yes
|
| 94 |
+
ma'am I think so of course you have
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,479 --> 00:00:35,489
|
| 98 |
+
ma'am I think so of course you have
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,489 --> 00:00:37,280
|
| 103 |
+
ma'am I think so of course you have
|
| 104 |
+
Raven Raymond has been a crack shot
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:37,280 --> 00:00:37,290
|
| 108 |
+
Raven Raymond has been a crack shot
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:37,290 --> 00:00:38,740
|
| 113 |
+
Raven Raymond has been a crack shot
|
| 114 |
+
since childhood
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:38,740 --> 00:00:38,750
|
| 118 |
+
since childhood
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:38,750 --> 00:00:42,560
|
| 123 |
+
since childhood
|
| 124 |
+
marvelous outlet for his aggressions may
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:42,560 --> 00:00:42,570
|
| 128 |
+
marvelous outlet for his aggressions may
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:42,570 --> 00:00:44,750
|
| 133 |
+
marvelous outlet for his aggressions may
|
| 134 |
+
I have the bayonet fleet not with the
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,750 --> 00:00:44,760
|
| 138 |
+
I have the bayonet fleet not with the
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,760 --> 00:00:50,209
|
| 143 |
+
I have the bayonet fleet not with the
|
| 144 |
+
knife with the hands and yeah have him
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:50,209 --> 00:00:50,219
|
| 148 |
+
knife with the hands and yeah have him
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:50,219 --> 00:00:59,569
|
| 153 |
+
knife with the hands and yeah have him
|
| 154 |
+
use this ah dah dah Raymond
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:59,569 --> 00:00:59,579
|
| 158 |
+
use this ah dah dah Raymond
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:59,579 --> 00:01:02,180
|
| 163 |
+
use this ah dah dah Raymond
|
| 164 |
+
whom do you dislike the least in your
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:02,180 --> 00:01:02,190
|
| 168 |
+
whom do you dislike the least in your
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:02,190 --> 00:01:07,420
|
| 173 |
+
whom do you dislike the least in your
|
| 174 |
+
group here today police that's right
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:07,420 --> 00:01:07,430
|
| 178 |
+
group here today police that's right
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:07,430 --> 00:01:10,730
|
| 183 |
+
group here today police that's right
|
| 184 |
+
well I guess captain my command you
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:10,730 --> 00:01:10,740
|
| 188 |
+
well I guess captain my command you
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:10,740 --> 00:01:12,500
|
| 193 |
+
well I guess captain my command you
|
| 194 |
+
notice how he is always drawn to
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:12,500 --> 00:01:12,510
|
| 198 |
+
notice how he is always drawn to
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:12,510 --> 00:01:15,350
|
| 203 |
+
notice how he is always drawn to
|
| 204 |
+
Authority and that won't do Raymond
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:15,350 --> 00:01:15,360
|
| 208 |
+
Authority and that won't do Raymond
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:15,360 --> 00:01:17,270
|
| 213 |
+
Authority and that won't do Raymond
|
| 214 |
+
we need the captain to get you your
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:17,270 --> 00:01:17,280
|
| 218 |
+
we need the captain to get you your
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:17,280 --> 00:01:21,380
|
| 223 |
+
we need the captain to get you your
|
| 224 |
+
medal oh yes well I guess Edith early
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:21,380 --> 00:01:21,390
|
| 228 |
+
medal oh yes well I guess Edith early
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:21,390 --> 00:01:21,830
|
| 233 |
+
medal oh yes well I guess Edith early
|
| 234 |
+
ma'am
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:21,830 --> 00:01:21,840
|
| 238 |
+
ma'am
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:21,840 --> 00:01:26,030
|
| 243 |
+
ma'am
|
| 244 |
+
oh that's better now then Raven take
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:26,030 --> 00:01:26,040
|
| 248 |
+
oh that's better now then Raven take
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:26,040 --> 00:01:30,470
|
| 253 |
+
oh that's better now then Raven take
|
| 254 |
+
this God
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:30,470 --> 00:01:30,480
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:30,480 --> 00:01:53,859
|
| 263 |
+
|
| 264 |
+
and strangle Edna volley to death
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:53,859 --> 00:01:53,869
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:53,869 --> 00:01:58,120
|
| 273 |
+
|
| 274 |
+
hey Sarge Canada why a dead lady are you
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:58,120 --> 00:01:58,130
|
| 278 |
+
hey Sarge Canada why a dead lady are you
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:58,130 --> 00:02:02,230
|
| 283 |
+
hey Sarge Canada why a dead lady are you
|
| 284 |
+
just sit there quietly I cooperate yes
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:02,230 --> 00:02:02,240
|
| 288 |
+
just sit there quietly I cooperate yes
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:02,240 --> 00:02:13,970
|
| 293 |
+
just sit there quietly I cooperate yes
|
| 294 |
+
ma'am
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:13,970 --> 00:02:13,980
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:13,980 --> 00:02:25,430
|
| 303 |
+
|
| 304 |
+
[Music]
|
| 305 |
+
|
1963/9VkmshlGEvE.en.srt
ADDED
|
@@ -0,0 +1,235 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:28,990
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:28,990 --> 00:00:29,000
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:29,000 --> 00:00:40,470
|
| 13 |
+
|
| 14 |
+
sh
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:40,470 --> 00:00:40,480
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:40,480 --> 00:00:42,270
|
| 23 |
+
|
| 24 |
+
let's
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:42,270 --> 00:00:42,280
|
| 28 |
+
let's
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:42,280 --> 00:00:46,470
|
| 33 |
+
let's
|
| 34 |
+
do and don't check on my chest you I'm
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:46,470 --> 00:00:46,480
|
| 38 |
+
do and don't check on my chest you I'm
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:46,480 --> 00:00:49,189
|
| 43 |
+
do and don't check on my chest you I'm
|
| 44 |
+
not an armchair you
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:49,189 --> 00:00:49,199
|
| 48 |
+
not an armchair you
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:49,199 --> 00:00:51,670
|
| 53 |
+
not an armchair you
|
| 54 |
+
idiot come on help
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:51,670 --> 00:00:51,680
|
| 58 |
+
idiot come on help
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:51,680 --> 00:00:58,349
|
| 63 |
+
idiot come on help
|
| 64 |
+
me help
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:58,349 --> 00:00:58,359
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:58,359 --> 00:01:02,670
|
| 73 |
+
|
| 74 |
+
me don't H me like that what am i ghost
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:02,670 --> 00:01:02,680
|
| 78 |
+
me don't H me like that what am i ghost
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:02,680 --> 00:01:05,509
|
| 83 |
+
me don't H me like that what am i ghost
|
| 84 |
+
but I saw you kill sh can't you speak
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:05,509 --> 00:01:05,519
|
| 88 |
+
but I saw you kill sh can't you speak
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:05,519 --> 00:01:09,350
|
| 93 |
+
but I saw you kill sh can't you speak
|
| 94 |
+
quietly you idiot I just wanted scarabus
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:09,350 --> 00:01:09,360
|
| 98 |
+
quietly you idiot I just wanted scarabus
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:09,360 --> 00:01:11,990
|
| 103 |
+
quietly you idiot I just wanted scarabus
|
| 104 |
+
to think that I was dead so I could help
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:11,990 --> 00:01:12,000
|
| 108 |
+
to think that I was dead so I could help
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:12,000 --> 00:01:14,310
|
| 113 |
+
to think that I was dead so I could help
|
| 114 |
+
if he moved against any of you he
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:14,310 --> 00:01:14,320
|
| 118 |
+
if he moved against any of you he
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:14,320 --> 00:01:16,950
|
| 123 |
+
if he moved against any of you he
|
| 124 |
+
already has has what just now I almost
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:16,950 --> 00:01:16,960
|
| 128 |
+
already has has what just now I almost
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:16,960 --> 00:01:18,910
|
| 133 |
+
already has has what just now I almost
|
| 134 |
+
killed myself coming from Miss Craven's
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:18,910 --> 00:01:18,920
|
| 138 |
+
killed myself coming from Miss Craven's
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:18,920 --> 00:01:22,190
|
| 143 |
+
killed myself coming from Miss Craven's
|
| 144 |
+
room she's locked in what are you doing
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:22,190 --> 00:01:22,200
|
| 148 |
+
room she's locked in what are you doing
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:22,200 --> 00:01:25,789
|
| 153 |
+
room she's locked in what are you doing
|
| 154 |
+
in a lady's room father that's beside
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:25,789 --> 00:01:25,799
|
| 158 |
+
in a lady's room father that's beside
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:25,799 --> 00:01:28,550
|
| 163 |
+
in a lady's room father that's beside
|
| 164 |
+
the point I decide what's beside the
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:28,550 --> 00:01:28,560
|
| 168 |
+
the point I decide what's beside the
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:28,560 --> 00:01:30,149
|
| 173 |
+
the point I decide what's beside the
|
| 174 |
+
point all right I went there there to
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:30,149 --> 00:01:30,159
|
| 178 |
+
point all right I went there there to
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:30,159 --> 00:01:32,109
|
| 183 |
+
point all right I went there there to
|
| 184 |
+
warn her if you must know Dr scarabus
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:32,109 --> 00:01:32,119
|
| 188 |
+
warn her if you must know Dr scarabus
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:32,119 --> 00:01:35,030
|
| 193 |
+
warn her if you must know Dr scarabus
|
| 194 |
+
has imprisoned her imprisoned her then
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:35,030 --> 00:01:35,040
|
| 198 |
+
has imprisoned her imprisoned her then
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:35,040 --> 00:01:36,830
|
| 203 |
+
has imprisoned her imprisoned her then
|
| 204 |
+
we must get her out what about her
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:36,830 --> 00:01:36,840
|
| 208 |
+
we must get her out what about her
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:36,840 --> 00:01:58,830
|
| 213 |
+
we must get her out what about her
|
| 214 |
+
father never mind I take care of her
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:58,830 --> 00:01:58,840
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:58,840 --> 00:02:03,490
|
| 223 |
+
|
| 224 |
+
father
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:02:03,490 --> 00:02:03,500
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:02:03,500 --> 00:02:12,460
|
| 233 |
+
|
| 234 |
+
[Music]
|
| 235 |
+
|
1963/9zugv1NdMj4.en.srt
ADDED
|
@@ -0,0 +1,375 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,439 --> 00:00:02,990
|
| 3 |
+
|
| 4 |
+
we we can't destroy the dirt and we
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,990 --> 00:00:03,000
|
| 8 |
+
we we can't destroy the dirt and we
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,000 --> 00:00:03,950
|
| 13 |
+
we we can't destroy the dirt and we
|
| 14 |
+
can't eat
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:03,950 --> 00:00:03,960
|
| 18 |
+
can't eat
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:03,960 --> 00:00:06,510
|
| 23 |
+
can't eat
|
| 24 |
+
it the only thing left to do is
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,510 --> 00:00:06,520
|
| 28 |
+
it the only thing left to do is
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,520 --> 00:00:09,030
|
| 33 |
+
it the only thing left to do is
|
| 34 |
+
camouflage it that's as far as my
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,030 --> 00:00:09,040
|
| 38 |
+
camouflage it that's as far as my
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,040 --> 00:00:10,990
|
| 43 |
+
camouflage it that's as far as my
|
| 44 |
+
thinking takes
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:10,990 --> 00:00:11,000
|
| 48 |
+
thinking takes
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,000 --> 00:00:13,390
|
| 53 |
+
thinking takes
|
| 54 |
+
me don't they teach you promptness in
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:13,390 --> 00:00:13,400
|
| 58 |
+
me don't they teach you promptness in
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:13,400 --> 00:00:15,549
|
| 63 |
+
me don't they teach you promptness in
|
| 64 |
+
the RN you'll never believe it but I
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:15,549 --> 00:00:15,559
|
| 68 |
+
the RN you'll never believe it but I
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:15,559 --> 00:00:16,750
|
| 73 |
+
the RN you'll never believe it but I
|
| 74 |
+
think I have the
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:16,750 --> 00:00:16,760
|
| 78 |
+
think I have the
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:16,760 --> 00:00:20,189
|
| 83 |
+
think I have the
|
| 84 |
+
solution the problem is somehow to get
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:20,189 --> 00:00:20,199
|
| 88 |
+
solution the problem is somehow to get
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:20,199 --> 00:00:21,670
|
| 93 |
+
solution the problem is somehow to get
|
| 94 |
+
rid of this tunnel dirt over the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:21,670 --> 00:00:21,680
|
| 98 |
+
rid of this tunnel dirt over the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:21,680 --> 00:00:23,710
|
| 103 |
+
rid of this tunnel dirt over the
|
| 104 |
+
compound well of
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:23,710 --> 00:00:23,720
|
| 108 |
+
compound well of
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:23,720 --> 00:00:28,950
|
| 113 |
+
compound well of
|
| 114 |
+
course would you
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:28,950 --> 00:00:28,960
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:28,960 --> 00:00:39,190
|
| 123 |
+
|
| 124 |
+
mind
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:39,190 --> 00:00:39,200
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:39,200 --> 00:00:42,150
|
| 133 |
+
|
| 134 |
+
now you fill these bags with the dirt
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:42,150 --> 00:00:42,160
|
| 138 |
+
now you fill these bags with the dirt
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:42,160 --> 00:00:45,750
|
| 143 |
+
now you fill these bags with the dirt
|
| 144 |
+
from the tunnel then wearing them inside
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:45,750 --> 00:00:45,760
|
| 148 |
+
from the tunnel then wearing them inside
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:45,760 --> 00:00:48,670
|
| 153 |
+
from the tunnel then wearing them inside
|
| 154 |
+
your trousers you wander out into the
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:48,670 --> 00:00:48,680
|
| 158 |
+
your trousers you wander out into the
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:48,680 --> 00:00:52,310
|
| 163 |
+
your trousers you wander out into the
|
| 164 |
+
compound where you pull these strings in
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:52,310 --> 00:00:52,320
|
| 168 |
+
compound where you pull these strings in
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:52,320 --> 00:00:53,790
|
| 173 |
+
compound where you pull these strings in
|
| 174 |
+
your
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:53,790 --> 00:00:53,800
|
| 178 |
+
your
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:53,800 --> 00:00:58,670
|
| 183 |
+
your
|
| 184 |
+
pockets out come the
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:58,670 --> 00:00:58,680
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:58,680 --> 00:01:02,150
|
| 193 |
+
|
| 194 |
+
pins and think it's good all you have to
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:02,150 --> 00:01:02,160
|
| 198 |
+
pins and think it's good all you have to
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:02,160 --> 00:01:05,550
|
| 203 |
+
pins and think it's good all you have to
|
| 204 |
+
do is Kick It in unless you're a
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:05,550 --> 00:01:05,560
|
| 208 |
+
do is Kick It in unless you're a
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:05,560 --> 00:01:07,030
|
| 213 |
+
do is Kick It in unless you're a
|
| 214 |
+
complete fool the ferrets will never see
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:07,030 --> 00:01:07,040
|
| 218 |
+
complete fool the ferrets will never see
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:07,040 --> 00:01:09,469
|
| 223 |
+
complete fool the ferrets will never see
|
| 224 |
+
a thing it's indecently brilliant what
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:09,469 --> 00:01:09,479
|
| 228 |
+
a thing it's indecently brilliant what
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:09,479 --> 00:01:11,390
|
| 233 |
+
a thing it's indecently brilliant what
|
| 234 |
+
do you think rogery we'll try it first
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:11,390 --> 00:01:11,400
|
| 238 |
+
do you think rogery we'll try it first
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:11,400 --> 00:01:15,870
|
| 243 |
+
do you think rogery we'll try it first
|
| 244 |
+
thing tomorrow I already have it
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:15,870 --> 00:01:15,880
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:15,880 --> 00:01:17,670
|
| 253 |
+
|
| 254 |
+
works
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:17,670 --> 00:01:17,680
|
| 258 |
+
works
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:17,680 --> 00:01:21,750
|
| 263 |
+
works
|
| 264 |
+
ma this is what we'll
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:21,750 --> 00:01:21,760
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:21,760 --> 00:01:23,400
|
| 273 |
+
|
| 274 |
+
[Music]
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:23,400 --> 00:01:23,410
|
| 278 |
+
[Music]
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:23,410 --> 00:01:24,250
|
| 283 |
+
[Music]
|
| 284 |
+
[Applause]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:24,250 --> 00:01:24,260
|
| 288 |
+
[Applause]
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:24,260 --> 00:01:28,910
|
| 293 |
+
[Applause]
|
| 294 |
+
[Music]
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:28,910 --> 00:01:28,920
|
| 298 |
+
[Music]
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:28,920 --> 00:01:34,270
|
| 303 |
+
[Music]
|
| 304 |
+
do
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:34,270 --> 00:01:34,280
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:34,280 --> 00:01:38,590
|
| 313 |
+
|
| 314 |
+
a present from tomza a thank you
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:38,590 --> 00:01:38,600
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:38,600 --> 00:01:44,950
|
| 323 |
+
|
| 324 |
+
[Music]
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:44,950 --> 00:01:44,960
|
| 328 |
+
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:44,960 --> 00:01:47,270
|
| 333 |
+
|
| 334 |
+
no nice Garden you got
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:47,270 --> 00:01:47,280
|
| 338 |
+
no nice Garden you got
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:47,280 --> 00:01:58,830
|
| 343 |
+
no nice Garden you got
|
| 344 |
+
[Music]
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:58,830 --> 00:01:58,840
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:58,840 --> 00:02:01,280
|
| 353 |
+
|
| 354 |
+
sir
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:01,280 --> 00:02:01,290
|
| 358 |
+
sir
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:01,290 --> 00:02:28,830
|
| 363 |
+
sir
|
| 364 |
+
[Music]
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:28,830 --> 00:02:28,840
|
| 368 |
+
[Music]
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:28,840 --> 00:02:31,840
|
| 373 |
+
[Music]
|
| 374 |
+
m
|
| 375 |
+
|
1963/CY5X8DD0ams.en.srt
ADDED
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,360 --> 00:00:02,450
|
| 3 |
+
|
| 4 |
+
SM I smell something
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,450 --> 00:00:02,460
|
| 8 |
+
SM I smell something
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,460 --> 00:00:06,909
|
| 13 |
+
SM I smell something
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,909 --> 00:00:06,919
|
| 18 |
+
[Music]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,919 --> 00:00:11,990
|
| 23 |
+
[Music]
|
| 24 |
+
burning oh we on fire come over here
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,990 --> 00:00:12,000
|
| 28 |
+
burning oh we on fire come over here
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:12,000 --> 00:00:14,509
|
| 33 |
+
burning oh we on fire come over here
|
| 34 |
+
come on
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:14,509 --> 00:00:14,519
|
| 38 |
+
come on
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,519 --> 00:00:17,189
|
| 43 |
+
come on
|
| 44 |
+
down hurry
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,189 --> 00:00:17,199
|
| 48 |
+
down hurry
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,199 --> 00:00:21,990
|
| 53 |
+
down hurry
|
| 54 |
+
up put it I know get something the
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,990 --> 00:00:22,000
|
| 58 |
+
up put it I know get something the
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,000 --> 00:00:24,230
|
| 63 |
+
up put it I know get something the
|
| 64 |
+
extinguishers get
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:24,230 --> 00:00:24,240
|
| 68 |
+
extinguishers get
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:24,240 --> 00:00:28,950
|
| 73 |
+
extinguishers get
|
| 74 |
+
one what did I do use it St me on a fire
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:28,950 --> 00:00:28,960
|
| 78 |
+
one what did I do use it St me on a fire
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:28,960 --> 00:00:32,069
|
| 83 |
+
one what did I do use it St me on a fire
|
| 84 |
+
it's too deep this is a car not a canoe
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:32,069 --> 00:00:32,079
|
| 88 |
+
it's too deep this is a car not a canoe
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:32,079 --> 00:00:33,190
|
| 93 |
+
it's too deep this is a car not a canoe
|
| 94 |
+
come on
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,190 --> 00:00:33,200
|
| 98 |
+
come on
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,200 --> 00:00:39,670
|
| 103 |
+
come on
|
| 104 |
+
it's if I don't get out of here why
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:39,670 --> 00:00:39,680
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:39,680 --> 00:00:46,350
|
| 113 |
+
|
| 114 |
+
why all right all right here I
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:46,350 --> 00:00:46,360
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:46,360 --> 00:00:49,910
|
| 123 |
+
|
| 124 |
+
come it's too deep it's too deep you
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:49,910 --> 00:00:49,920
|
| 128 |
+
come it's too deep it's too deep you
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:49,920 --> 00:00:52,189
|
| 133 |
+
come it's too deep it's too deep you
|
| 134 |
+
little rat thing why did you tell me it
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:52,189 --> 00:00:52,199
|
| 138 |
+
little rat thing why did you tell me it
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:52,199 --> 00:00:54,750
|
| 143 |
+
little rat thing why did you tell me it
|
| 144 |
+
was deep how do I don't stand I get
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:54,750 --> 00:00:54,760
|
| 148 |
+
was deep how do I don't stand I get
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:54,760 --> 00:00:57,950
|
| 153 |
+
was deep how do I don't stand I get
|
| 154 |
+
somebody don't this is no place for a
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:57,950 --> 00:00:57,960
|
| 158 |
+
somebody don't this is no place for a
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:57,960 --> 00:01:01,549
|
| 163 |
+
somebody don't this is no place for a
|
| 164 |
+
convertible
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:01,549 --> 00:01:01,559
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:01,559 --> 00:01:03,650
|
| 173 |
+
|
| 174 |
+
I'll get it I'll get
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:03,650 --> 00:01:03,660
|
| 178 |
+
I'll get it I'll get
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:03,660 --> 00:01:07,170
|
| 183 |
+
I'll get it I'll get
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:07,170 --> 00:01:07,180
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:07,180 --> 00:01:07,330
|
| 193 |
+
|
| 194 |
+
[Applause]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:07,330 --> 00:01:07,340
|
| 198 |
+
[Applause]
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:07,340 --> 00:01:10,270
|
| 203 |
+
[Applause]
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:10,270 --> 00:01:10,280
|
| 208 |
+
[Music]
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:10,280 --> 00:01:14,310
|
| 213 |
+
[Music]
|
| 214 |
+
it bleeding amine look I'm
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:14,310 --> 00:01:14,320
|
| 218 |
+
it bleeding amine look I'm
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:14,320 --> 00:01:20,640
|
| 223 |
+
it bleeding amine look I'm
|
| 224 |
+
bleeding what I do to my
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:20,640 --> 00:01:20,650
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:20,650 --> 00:01:41,710
|
| 233 |
+
|
| 234 |
+
[Music]
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:41,710 --> 00:01:41,720
|
| 238 |
+
[Music]
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:41,720 --> 00:01:44,069
|
| 243 |
+
[Music]
|
| 244 |
+
it's your father's fault the whole thing
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:44,069 --> 00:01:44,079
|
| 248 |
+
it's your father's fault the whole thing
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:44,079 --> 00:01:46,840
|
| 253 |
+
it's your father's fault the whole thing
|
| 254 |
+
is your father's fault from
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:46,840 --> 00:01:46,850
|
| 258 |
+
is your father's fault from
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:46,850 --> 00:01:53,350
|
| 263 |
+
is your father's fault from
|
| 264 |
+
[Music]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:53,350 --> 00:01:53,360
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:53,360 --> 00:01:56,749
|
| 273 |
+
|
| 274 |
+
get stop it Billy Billy you're not
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:56,749 --> 00:01:56,759
|
| 278 |
+
get stop it Billy Billy you're not
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:56,759 --> 00:01:59,990
|
| 283 |
+
get stop it Billy Billy you're not
|
| 284 |
+
listening Billy
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:59,990 --> 00:02:00,000
|
| 288 |
+
listening Billy
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:00,000 --> 00:02:06,400
|
| 293 |
+
listening Billy
|
| 294 |
+
a
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:06,400 --> 00:02:06,410
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:06,410 --> 00:02:12,340
|
| 303 |
+
|
| 304 |
+
[Music]
|
| 305 |
+
|
1963/D15HPy4x73g.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
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|
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|
|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
|
| 1 |
+
The Birds movie clips: http://j.mp/15vUQTZ
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vAN8ED
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Melanie (Tippi Hedren) takes shelter in a phone booth while the seagulls attack all around her.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Rod Taylor, Tippi Hedren
|
| 14 |
+
Director: Alfred Hitchcock
|
| 15 |
+
Producer: Alfred Hitchcock
|
| 16 |
+
Screenwriters: Daphne Du Maurier, Evan Hunter
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/D15HPy4x73g.en.srt
ADDED
|
@@ -0,0 +1,36 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,286 --> 00:00:02,652
|
| 3 |
+
[ Screaming ]
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:00:10,165 --> 00:00:12,498
|
| 7 |
+
<i>[ Man ]</i>
|
| 8 |
+
<i>Hey!</i>
|
| 9 |
+
|
| 10 |
+
3
|
| 11 |
+
00:00:12,568 --> 00:00:15,196
|
| 12 |
+
[ Gulls' Screaming
|
| 13 |
+
Increases ]
|
| 14 |
+
|
| 15 |
+
4
|
| 16 |
+
00:00:15,271 --> 00:00:18,366
|
| 17 |
+
<i>[ Wings Flapping ]</i>
|
| 18 |
+
|
| 19 |
+
5
|
| 20 |
+
00:00:36,798 --> 00:00:39,631
|
| 21 |
+
<i>[ Siren Wailing ]</i>
|
| 22 |
+
|
| 23 |
+
6
|
| 24 |
+
00:00:44,006 --> 00:00:47,272
|
| 25 |
+
<i>[ Screaming, Flapping</i>
|
| 26 |
+
<i>Become Thunderous ]</i>
|
| 27 |
+
|
| 28 |
+
7
|
| 29 |
+
00:00:47,343 --> 00:00:49,972
|
| 30 |
+
[ Gulls Pounding
|
| 31 |
+
On Glass ]
|
| 32 |
+
|
| 33 |
+
8
|
| 34 |
+
00:01:21,384 --> 00:01:23,319
|
| 35 |
+
[ Shrieking ]
|
| 36 |
+
|
1963/DXTLoQyijJ0.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Charade movie clips: http://j.mp/1J9f1Fp
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/uofoaU
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Regina (Audrey Hepburn) finally discovers Brian's (Cary Grant) true identity.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Cary Grant, Audrey Hepburn
|
| 14 |
+
Director: Stanley Donen
|
| 15 |
+
Producers: Stanley Donen, James H. Ware
|
| 16 |
+
Screenwriters: Marc Behm, Peter Stone
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/DXTLoQyijJ0.en.srt
ADDED
|
@@ -0,0 +1,515 @@
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,320 --> 00:00:03,270
|
| 3 |
+
|
| 4 |
+
Mr crook shank and Miss lamp Mrs Mrs
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,270 --> 00:00:03,280
|
| 8 |
+
Mr crook shank and Miss lamp Mrs Mrs
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,280 --> 00:00:07,070
|
| 13 |
+
Mr crook shank and Miss lamp Mrs Mrs
|
| 14 |
+
Lampert to see you yes sir go right in
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,070 --> 00:00:07,080
|
| 18 |
+
Lampert to see you yes sir go right in
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,080 --> 00:00:09,180
|
| 23 |
+
Lampert to see you yes sir go right in
|
| 24 |
+
thank
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,180 --> 00:00:09,190
|
| 28 |
+
thank
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,190 --> 00:00:17,550
|
| 33 |
+
thank
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:17,550 --> 00:00:17,560
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:17,560 --> 00:00:22,429
|
| 43 |
+
|
| 44 |
+
you of all the mean
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:22,429 --> 00:00:22,439
|
| 48 |
+
you of all the mean
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:22,439 --> 00:00:27,470
|
| 53 |
+
you of all the mean
|
| 54 |
+
rotten cont temptable crooked crooked I
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:27,470 --> 00:00:27,480
|
| 58 |
+
rotten cont temptable crooked crooked I
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:27,480 --> 00:00:28,750
|
| 63 |
+
rotten cont temptable crooked crooked I
|
| 64 |
+
you think you'd be glad to find out I'm
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,750 --> 00:00:28,760
|
| 68 |
+
you think you'd be glad to find out I'm
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,760 --> 00:00:30,950
|
| 73 |
+
you think you'd be glad to find out I'm
|
| 74 |
+
not crooked you can't even be honest
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:30,950 --> 00:00:30,960
|
| 78 |
+
not crooked you can't even be honest
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:30,960 --> 00:00:33,389
|
| 83 |
+
not crooked you can't even be honest
|
| 84 |
+
about being dishonest why didn't you say
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:33,389 --> 00:00:33,399
|
| 88 |
+
about being dishonest why didn't you say
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:33,399 --> 00:00:35,630
|
| 93 |
+
about being dishonest why didn't you say
|
| 94 |
+
something you were not allowed to tell
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,630 --> 00:00:35,640
|
| 98 |
+
something you were not allowed to tell
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,640 --> 00:00:38,270
|
| 103 |
+
something you were not allowed to tell
|
| 104 |
+
now come on give me the
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:38,270 --> 00:00:38,280
|
| 108 |
+
now come on give me the
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:38,280 --> 00:00:40,830
|
| 113 |
+
now come on give me the
|
| 114 |
+
steps wait a minute how did cars and dar
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:40,830 --> 00:00:40,840
|
| 118 |
+
steps wait a minute how did cars and dar
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:40,840 --> 00:00:43,069
|
| 123 |
+
steps wait a minute how did cars and dar
|
| 124 |
+
get an office in this building anyway
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:43,069 --> 00:00:43,079
|
| 128 |
+
get an office in this building anyway
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:43,079 --> 00:00:44,869
|
| 133 |
+
get an office in this building anyway
|
| 134 |
+
when did you meet him what time of day I
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,869 --> 00:00:44,879
|
| 138 |
+
when did you meet him what time of day I
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,879 --> 00:00:48,430
|
| 143 |
+
when did you meet him what time of day I
|
| 144 |
+
mean about 1 the lunch hour probably
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:48,430 --> 00:00:48,440
|
| 148 |
+
mean about 1 the lunch hour probably
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:48,440 --> 00:00:50,549
|
| 153 |
+
mean about 1 the lunch hour probably
|
| 154 |
+
worked it out in advance found an office
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:50,549 --> 00:00:50,559
|
| 158 |
+
worked it out in advance found an office
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:50,559 --> 00:00:52,270
|
| 163 |
+
worked it out in advance found an office
|
| 164 |
+
usually left open and just moved in for
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:52,270 --> 00:00:52,280
|
| 168 |
+
usually left open and just moved in for
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:52,280 --> 00:00:54,110
|
| 173 |
+
usually left open and just moved in for
|
| 174 |
+
the time you were here then how do I
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:54,110 --> 00:00:54,120
|
| 178 |
+
the time you were here then how do I
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:54,120 --> 00:00:56,430
|
| 183 |
+
the time you were here then how do I
|
| 184 |
+
know this is your
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:56,430 --> 00:00:56,440
|
| 188 |
+
know this is your
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:56,440 --> 00:00:59,950
|
| 193 |
+
know this is your
|
| 194 |
+
office Mrs Foster take a memo to B
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:59,950 --> 00:00:59,960
|
| 198 |
+
office Mrs Foster take a memo to B
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:59,960 --> 00:01:01,790
|
| 203 |
+
office Mrs Foster take a memo to B
|
| 204 |
+
Bartholomew in security recommending
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:01,790 --> 00:01:01,800
|
| 208 |
+
Bartholomew in security recommending
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:01,800 --> 00:01:02,869
|
| 213 |
+
Bartholomew in security recommending
|
| 214 |
+
that
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:02,869 --> 00:01:02,879
|
| 218 |
+
that
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:02,879 --> 00:01:04,950
|
| 223 |
+
that
|
| 224 |
+
Bartholomew recommending that Embassy
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:04,950 --> 00:01:04,960
|
| 228 |
+
Bartholomew recommending that Embassy
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:04,960 --> 00:01:06,590
|
| 233 |
+
Bartholomew recommending that Embassy
|
| 234 |
+
offices be kept locked during the lunch
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:06,590 --> 00:01:06,600
|
| 238 |
+
offices be kept locked during the lunch
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:06,600 --> 00:01:09,870
|
| 243 |
+
offices be kept locked during the lunch
|
| 244 |
+
hour starting with his own I give him
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:09,870 --> 00:01:09,880
|
| 248 |
+
hour starting with his own I give him
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:09,880 --> 00:01:11,469
|
| 253 |
+
hour starting with his own I give him
|
| 254 |
+
the stamps come on what's your first
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:11,469 --> 00:01:11,479
|
| 258 |
+
the stamps come on what's your first
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:11,479 --> 00:01:15,550
|
| 263 |
+
the stamps come on what's your first
|
| 264 |
+
name today Brian Brian crook shank SS me
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:15,550 --> 00:01:15,560
|
| 268 |
+
name today Brian Brian crook shank SS me
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:15,560 --> 00:01:17,070
|
| 273 |
+
name today Brian Brian crook shank SS me
|
| 274 |
+
right if I get stuck with that one well
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:17,070 --> 00:01:17,080
|
| 278 |
+
right if I get stuck with that one well
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:17,080 --> 00:01:18,350
|
| 283 |
+
right if I get stuck with that one well
|
| 284 |
+
who asked you to get stuck with any of
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:18,350 --> 00:01:18,360
|
| 288 |
+
who asked you to get stuck with any of
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:18,360 --> 00:01:20,710
|
| 293 |
+
who asked you to get stuck with any of
|
| 294 |
+
them come on is there a Mrs Cookshack
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:20,710 --> 00:01:20,720
|
| 298 |
+
them come on is there a Mrs Cookshack
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:20,720 --> 00:01:22,590
|
| 303 |
+
them come on is there a Mrs Cookshack
|
| 304 |
+
yes but we're
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:22,590 --> 00:01:22,600
|
| 308 |
+
yes but we're
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:22,600 --> 00:01:24,510
|
| 313 |
+
yes but we're
|
| 314 |
+
divorced
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:24,510 --> 00:01:24,520
|
| 318 |
+
divorced
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:24,520 --> 00:01:28,149
|
| 323 |
+
divorced
|
| 324 |
+
no
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:28,149 --> 00:01:28,159
|
| 328 |
+
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:28,159 --> 00:01:31,030
|
| 333 |
+
|
| 334 |
+
oh my mother she lives in Detroit you'd
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:31,030 --> 00:01:31,040
|
| 338 |
+
oh my mother she lives in Detroit you'd
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:31,040 --> 00:01:32,749
|
| 343 |
+
oh my mother she lives in Detroit you'd
|
| 344 |
+
like her she'd like you too come on give
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:32,749 --> 00:01:32,759
|
| 348 |
+
like her she'd like you too come on give
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:32,759 --> 00:01:35,030
|
| 353 |
+
like her she'd like you too come on give
|
| 354 |
+
me those stabs not until you prove to me
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:35,030 --> 00:01:35,040
|
| 358 |
+
me those stabs not until you prove to me
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:35,040 --> 00:01:37,030
|
| 363 |
+
me those stabs not until you prove to me
|
| 364 |
+
that you're really Brian
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:37,030 --> 00:01:37,040
|
| 368 |
+
that you're really Brian
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:37,040 --> 00:01:38,990
|
| 373 |
+
that you're really Brian
|
| 374 |
+
Crookshank one day next week I'll put it
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:38,990 --> 00:01:39,000
|
| 378 |
+
Crookshank one day next week I'll put it
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:39,000 --> 00:01:40,510
|
| 383 |
+
Crookshank one day next week I'll put it
|
| 384 |
+
on the marriage license how about that
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:40,510 --> 00:01:40,520
|
| 388 |
+
on the marriage license how about that
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:40,520 --> 00:01:42,350
|
| 393 |
+
on the marriage license how about that
|
| 394 |
+
qu stalling I want some identification
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:42,350 --> 00:01:42,360
|
| 398 |
+
qu stalling I want some identification
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:42,360 --> 00:01:44,910
|
| 403 |
+
qu stalling I want some identification
|
| 404 |
+
now I wouldn't lie on a license it
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:44,910 --> 00:01:44,920
|
| 408 |
+
now I wouldn't lie on a license it
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:44,920 --> 00:01:48,590
|
| 413 |
+
now I wouldn't lie on a license it
|
| 414 |
+
you're still trying to marriage
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:01:48,590 --> 00:01:48,600
|
| 418 |
+
you're still trying to marriage
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:01:48,600 --> 00:01:51,990
|
| 423 |
+
you're still trying to marriage
|
| 424 |
+
license did you say marriage license no
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:01:51,990 --> 00:01:52,000
|
| 428 |
+
license did you say marriage license no
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:01:52,000 --> 00:01:53,149
|
| 433 |
+
license did you say marriage license no
|
| 434 |
+
don't change the subject just give me
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:01:53,149 --> 00:01:53,159
|
| 438 |
+
don't change the subject just give me
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:01:53,159 --> 00:01:57,670
|
| 443 |
+
don't change the subject just give me
|
| 444 |
+
the stance oh I love you Adam Alex Peter
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:01:57,670 --> 00:01:57,680
|
| 448 |
+
the stance oh I love you Adam Alex Peter
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:01:57,680 --> 00:02:01,149
|
| 453 |
+
the stance oh I love you Adam Alex Peter
|
| 454 |
+
Brian whatever your name is oh I love
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:01,149 --> 00:02:01,159
|
| 458 |
+
Brian whatever your name is oh I love
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:01,159 --> 00:02:03,830
|
| 463 |
+
Brian whatever your name is oh I love
|
| 464 |
+
you I hope we have a lot of boys and we
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:02:03,830 --> 00:02:03,840
|
| 468 |
+
you I hope we have a lot of boys and we
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:02:03,840 --> 00:02:06,029
|
| 473 |
+
you I hope we have a lot of boys and we
|
| 474 |
+
can name them all after you well before
|
| 475 |
+
|
| 476 |
+
96
|
| 477 |
+
00:02:06,029 --> 00:02:06,039
|
| 478 |
+
can name them all after you well before
|
| 479 |
+
|
| 480 |
+
|
| 481 |
+
97
|
| 482 |
+
00:02:06,039 --> 00:02:18,900
|
| 483 |
+
can name them all after you well before
|
| 484 |
+
we start then may I have the STS
|
| 485 |
+
|
| 486 |
+
98
|
| 487 |
+
00:02:18,900 --> 00:02:18,910
|
| 488 |
+
|
| 489 |
+
|
| 490 |
+
|
| 491 |
+
99
|
| 492 |
+
00:02:18,910 --> 00:02:31,750
|
| 493 |
+
|
| 494 |
+
[Music]
|
| 495 |
+
|
| 496 |
+
100
|
| 497 |
+
00:02:31,750 --> 00:02:31,760
|
| 498 |
+
|
| 499 |
+
|
| 500 |
+
|
| 501 |
+
101
|
| 502 |
+
00:02:31,760 --> 00:02:35,520
|
| 503 |
+
|
| 504 |
+
St
|
| 505 |
+
|
| 506 |
+
102
|
| 507 |
+
00:02:35,520 --> 00:02:35,530
|
| 508 |
+
|
| 509 |
+
|
| 510 |
+
|
| 511 |
+
103
|
| 512 |
+
00:02:35,530 --> 00:02:41,490
|
| 513 |
+
|
| 514 |
+
[Music]
|
| 515 |
+
|
1963/F2Y7FnlkuCg.en.srt
ADDED
|
@@ -0,0 +1,315 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,399 --> 00:00:04,470
|
| 3 |
+
|
| 4 |
+
now father you mustn't do this who are
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,470 --> 00:00:04,480
|
| 8 |
+
now father you mustn't do this who are
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,480 --> 00:00:07,030
|
| 13 |
+
now father you mustn't do this who are
|
| 14 |
+
you to talk to me like that father you
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,030 --> 00:00:07,040
|
| 18 |
+
you to talk to me like that father you
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,040 --> 00:00:09,549
|
| 23 |
+
you to talk to me like that father you
|
| 24 |
+
are in no condition get get back to the
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,549 --> 00:00:09,559
|
| 28 |
+
are in no condition get get back to the
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,559 --> 00:00:12,310
|
| 33 |
+
are in no condition get get back to the
|
| 34 |
+
table father suppose he turns you into a
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:12,310 --> 00:00:12,320
|
| 38 |
+
table father suppose he turns you into a
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:12,320 --> 00:00:15,670
|
| 43 |
+
table father suppose he turns you into a
|
| 44 |
+
r that's none of your
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:15,670 --> 00:00:15,680
|
| 48 |
+
r that's none of your
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:15,680 --> 00:00:17,349
|
| 53 |
+
r that's none of your
|
| 54 |
+
business
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:17,349 --> 00:00:17,359
|
| 58 |
+
business
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:17,359 --> 00:00:19,429
|
| 63 |
+
business
|
| 64 |
+
now
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:19,429 --> 00:00:19,439
|
| 68 |
+
now
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:19,439 --> 00:00:21,550
|
| 73 |
+
now
|
| 74 |
+
Vinnie
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:21,550 --> 00:00:21,560
|
| 78 |
+
Vinnie
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:21,560 --> 00:00:24,050
|
| 83 |
+
Vinnie
|
| 84 |
+
v v
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:24,050 --> 00:00:24,060
|
| 88 |
+
v v
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:24,060 --> 00:00:34,830
|
| 93 |
+
v v
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:34,830 --> 00:00:34,840
|
| 98 |
+
[Music]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:34,840 --> 00:00:37,630
|
| 103 |
+
[Music]
|
| 104 |
+
oh you're defending yourself you coward
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:37,630 --> 00:00:37,640
|
| 108 |
+
oh you're defending yourself you coward
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:37,640 --> 00:00:43,490
|
| 113 |
+
oh you're defending yourself you coward
|
| 114 |
+
huh all right take this be more to
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:43,490 --> 00:00:43,500
|
| 118 |
+
huh all right take this be more to
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:43,500 --> 00:00:49,189
|
| 123 |
+
huh all right take this be more to
|
| 124 |
+
[Music]
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:49,189 --> 00:00:49,199
|
| 128 |
+
[Music]
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:49,199 --> 00:00:55,389
|
| 133 |
+
[Music]
|
| 134 |
+
hisy oh you you dirty old
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:55,389 --> 00:00:55,399
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:55,399 --> 00:00:59,670
|
| 143 |
+
|
| 144 |
+
man all right I'll give you my promise
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:59,670 --> 00:00:59,680
|
| 148 |
+
man all right I'll give you my promise
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:59,680 --> 00:01:01,069
|
| 153 |
+
man all right I'll give you my promise
|
| 154 |
+
man
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:01,069 --> 00:01:01,079
|
| 158 |
+
man
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:01,079 --> 00:01:04,420
|
| 163 |
+
man
|
| 164 |
+
in that I
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:04,420 --> 00:01:04,430
|
| 168 |
+
in that I
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:04,430 --> 00:01:07,910
|
| 173 |
+
in that I
|
| 174 |
+
[Music]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:07,910 --> 00:01:07,920
|
| 178 |
+
[Music]
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:07,920 --> 00:01:11,469
|
| 183 |
+
[Music]
|
| 184 |
+
unexcelled be easy on him I'll do my
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:11,469 --> 00:01:11,479
|
| 188 |
+
unexcelled be easy on him I'll do my
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:11,479 --> 00:01:12,850
|
| 193 |
+
unexcelled be easy on him I'll do my
|
| 194 |
+
very best
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:12,850 --> 00:01:12,860
|
| 198 |
+
very best
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:12,860 --> 00:01:32,000
|
| 203 |
+
very best
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:32,000 --> 00:01:32,010
|
| 208 |
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| 210 |
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|
| 211 |
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43
|
| 212 |
+
00:01:32,010 --> 00:01:48,930
|
| 213 |
+
|
| 214 |
+
[Music]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:48,930 --> 00:01:48,940
|
| 218 |
+
|
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|
| 220 |
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|
| 221 |
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45
|
| 222 |
+
00:01:48,940 --> 00:01:55,950
|
| 223 |
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|
| 224 |
+
[Music]
|
| 225 |
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|
| 226 |
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46
|
| 227 |
+
00:01:55,950 --> 00:01:55,960
|
| 228 |
+
|
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+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:55,960 --> 00:02:01,190
|
| 233 |
+
|
| 234 |
+
C con him
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:01,190 --> 00:02:01,200
|
| 238 |
+
|
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+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:01,200 --> 00:02:03,990
|
| 243 |
+
|
| 244 |
+
[Music]
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:03,990 --> 00:02:04,000
|
| 248 |
+
[Music]
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:04,000 --> 00:02:06,550
|
| 253 |
+
[Music]
|
| 254 |
+
how have they C it
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:06,550 --> 00:02:06,560
|
| 258 |
+
how have they C it
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:06,560 --> 00:02:27,340
|
| 263 |
+
how have they C it
|
| 264 |
+
[Music]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:27,340 --> 00:02:27,350
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:27,350 --> 00:02:34,210
|
| 273 |
+
|
| 274 |
+
[Music]
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:34,210 --> 00:02:34,220
|
| 278 |
+
|
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+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:34,220 --> 00:02:41,670
|
| 283 |
+
|
| 284 |
+
[Music]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:41,670 --> 00:02:41,680
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:41,680 --> 00:02:47,730
|
| 293 |
+
|
| 294 |
+
see these partm are a
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:47,730 --> 00:02:47,740
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:47,740 --> 00:02:54,930
|
| 303 |
+
|
| 304 |
+
[Music]
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:54,930 --> 00:02:54,940
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:54,940 --> 00:03:26,520
|
| 313 |
+
|
| 314 |
+
[Music]
|
| 315 |
+
|
1963/Fe3c7Txx0Sc.en.srt
ADDED
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,129 --> 00:00:05,019
|
| 3 |
+
|
| 4 |
+
here we go one
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,019 --> 00:00:05,029
|
| 8 |
+
here we go one
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,029 --> 00:00:07,930
|
| 13 |
+
here we go one
|
| 14 |
+
two
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,930 --> 00:00:07,940
|
| 18 |
+
two
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,940 --> 00:00:10,360
|
| 23 |
+
two
|
| 24 |
+
three
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,360 --> 00:00:10,370
|
| 28 |
+
three
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,370 --> 00:00:21,460
|
| 33 |
+
three
|
| 34 |
+
there you go
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:21,460 --> 00:00:21,470
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:21,470 --> 00:00:25,029
|
| 43 |
+
|
| 44 |
+
look look
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:25,029 --> 00:00:25,039
|
| 48 |
+
look look
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:25,039 --> 00:00:30,030
|
| 53 |
+
look look
|
| 54 |
+
hey
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:30,030 --> 00:00:30,040
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:30,040 --> 00:00:43,400
|
| 63 |
+
|
| 64 |
+
[Applause]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:43,400 --> 00:00:43,410
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:43,410 --> 00:00:49,300
|
| 73 |
+
|
| 74 |
+
[Applause]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:49,300 --> 00:00:49,310
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:49,310 --> 00:00:51,550
|
| 83 |
+
|
| 84 |
+
[Applause]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:51,550 --> 00:00:51,560
|
| 88 |
+
[Applause]
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:51,560 --> 00:00:52,380
|
| 93 |
+
[Applause]
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:52,380 --> 00:00:52,390
|
| 98 |
+
[Music]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:52,390 --> 00:00:56,560
|
| 103 |
+
[Music]
|
| 104 |
+
[Applause]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:56,560 --> 00:00:56,570
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:56,570 --> 00:01:04,640
|
| 113 |
+
|
| 114 |
+
help me get the children into the house
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:04,640 --> 00:01:04,650
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:04,650 --> 00:01:19,580
|
| 123 |
+
|
| 124 |
+
[Applause]
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:19,580 --> 00:01:19,590
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:19,590 --> 00:01:30,200
|
| 133 |
+
|
| 134 |
+
[Applause]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:30,200 --> 00:01:30,210
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:30,210 --> 00:01:42,810
|
| 143 |
+
|
| 144 |
+
[Applause]
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:42,810 --> 00:01:42,820
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:42,820 --> 00:01:46,630
|
| 153 |
+
|
| 154 |
+
I think so then it won't hurt well Jenny
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:46,630 --> 00:01:46,640
|
| 158 |
+
I think so then it won't hurt well Jenny
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:46,640 --> 00:01:48,160
|
| 163 |
+
I think so then it won't hurt well Jenny
|
| 164 |
+
got a scratch down her cheek but it's
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:48,160 --> 00:01:48,170
|
| 168 |
+
got a scratch down her cheek but it's
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:48,170 --> 00:01:53,410
|
| 173 |
+
got a scratch down her cheek but it's
|
| 174 |
+
nothing that makes three times
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:53,410 --> 00:01:53,420
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:53,420 --> 00:02:15,309
|
| 183 |
+
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:02:15,309 --> 00:02:15,319
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:02:15,319 --> 00:02:18,500
|
| 193 |
+
|
| 194 |
+
you
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:02:18,500 --> 00:02:18,510
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:02:18,510 --> 00:02:24,490
|
| 203 |
+
|
| 204 |
+
[Music]
|
| 205 |
+
|
1963/IdOF7xg5lug.en.srt
ADDED
|
@@ -0,0 +1,185 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,440 --> 00:00:02,470
|
| 3 |
+
|
| 4 |
+
Mrs bndy said something about Santa Cruz
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,470 --> 00:00:02,480
|
| 8 |
+
Mrs bndy said something about Santa Cruz
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,480 --> 00:00:04,190
|
| 13 |
+
Mrs bndy said something about Santa Cruz
|
| 14 |
+
about seagulls getting lost in a fog and
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,190 --> 00:00:04,200
|
| 18 |
+
about seagulls getting lost in a fog and
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,200 --> 00:00:06,150
|
| 23 |
+
about seagulls getting lost in a fog and
|
| 24 |
+
flyings the lights we don't have any fog
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,150 --> 00:00:06,160
|
| 28 |
+
flyings the lights we don't have any fog
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,160 --> 00:00:08,150
|
| 33 |
+
flyings the lights we don't have any fog
|
| 34 |
+
this make our own fog how do you foret
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:08,150 --> 00:00:08,160
|
| 38 |
+
this make our own fog how do you foret
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:08,160 --> 00:00:09,549
|
| 43 |
+
this make our own fog how do you foret
|
| 44 |
+
to do that we can use smoke Puffs the
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:09,549 --> 00:00:09,559
|
| 48 |
+
to do that we can use smoke Puffs the
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:09,559 --> 00:00:15,109
|
| 53 |
+
to do that we can use smoke Puffs the
|
| 54 |
+
way the Army uses them
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:15,109 --> 00:00:15,119
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:15,119 --> 00:00:17,670
|
| 63 |
+
|
| 64 |
+
look they're attacking again Melanie you
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:17,670 --> 00:00:17,680
|
| 68 |
+
look they're attacking again Melanie you
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:17,680 --> 00:00:56,990
|
| 73 |
+
look they're attacking again Melanie you
|
| 74 |
+
stay in here come on now
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:56,990 --> 00:00:57,000
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:57,000 --> 00:00:58,509
|
| 83 |
+
|
| 84 |
+
look at the gas that man's lighting a
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:58,509 --> 00:00:58,519
|
| 88 |
+
look at the gas that man's lighting a
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:58,519 --> 00:01:01,630
|
| 93 |
+
look at the gas that man's lighting a
|
| 94 |
+
cigar
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:01,630 --> 00:01:01,640
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:01,640 --> 00:01:05,830
|
| 103 |
+
|
| 104 |
+
hey watch out don't thatch get out Mr
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:05,830 --> 00:01:05,840
|
| 108 |
+
hey watch out don't thatch get out Mr
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:05,840 --> 00:01:07,390
|
| 113 |
+
hey watch out don't thatch get out Mr
|
| 114 |
+
run watch
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:07,390 --> 00:01:07,400
|
| 118 |
+
run watch
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:07,400 --> 00:01:23,000
|
| 123 |
+
run watch
|
| 124 |
+
out look out watch out
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:23,000 --> 00:01:23,010
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:23,010 --> 00:01:29,820
|
| 133 |
+
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:29,820 --> 00:01:29,830
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:29,830 --> 00:01:46,990
|
| 143 |
+
|
| 144 |
+
[Music]
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:46,990 --> 00:01:47,000
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:47,000 --> 00:01:49,300
|
| 153 |
+
|
| 154 |
+
sh
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:49,300 --> 00:01:49,310
|
| 158 |
+
sh
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:49,310 --> 00:02:00,550
|
| 163 |
+
sh
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:02:00,550 --> 00:02:00,560
|
| 168 |
+
[Music]
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:02:00,560 --> 00:02:06,410
|
| 173 |
+
[Music]
|
| 174 |
+
sh
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:06,410 --> 00:02:06,420
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:02:06,420 --> 00:02:20,460
|
| 183 |
+
|
| 184 |
+
[Music]
|
| 185 |
+
|
1963/JvG1hHsOFUA.en.srt
ADDED
|
@@ -0,0 +1,255 @@
|
|
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|
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|
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|
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|
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|
|
|
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|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,089 --> 00:00:02,210
|
| 3 |
+
|
| 4 |
+
what'll it be Your Lordship don't
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,210 --> 00:00:02,220
|
| 8 |
+
what'll it be Your Lordship don't
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,220 --> 00:00:04,190
|
| 13 |
+
what'll it be Your Lordship don't
|
| 14 |
+
mention that swine to me do you know
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,190 --> 00:00:04,200
|
| 18 |
+
mention that swine to me do you know
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,200 --> 00:00:05,450
|
| 23 |
+
mention that swine to me do you know
|
| 24 |
+
what they've been doing in that hotel
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:05,450 --> 00:00:05,460
|
| 28 |
+
what they've been doing in that hotel
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:05,460 --> 00:00:13,999
|
| 33 |
+
what they've been doing in that hotel
|
| 34 |
+
room my back one shattered my eye she's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:13,999 --> 00:00:14,009
|
| 38 |
+
room my back one shattered my eye she's
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,009 --> 00:00:16,550
|
| 43 |
+
room my back one shattered my eye she's
|
| 44 |
+
gonna walk out on she's nasty he's gonna
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,550 --> 00:00:16,560
|
| 48 |
+
gonna walk out on she's nasty he's gonna
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,560 --> 00:00:18,170
|
| 53 |
+
gonna walk out on she's nasty he's gonna
|
| 54 |
+
take her to his bloody castle she's
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:18,170 --> 00:00:18,180
|
| 58 |
+
take her to his bloody castle she's
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:18,180 --> 00:00:19,849
|
| 63 |
+
take her to his bloody castle she's
|
| 64 |
+
gonna make tea for it she's gonna need
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:19,849 --> 00:00:19,859
|
| 68 |
+
gonna make tea for it she's gonna need
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:19,859 --> 00:00:21,200
|
| 73 |
+
gonna make tea for it she's gonna need
|
| 74 |
+
him sweater that's what you're talking
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:21,200 --> 00:00:21,210
|
| 78 |
+
him sweater that's what you're talking
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:21,210 --> 00:00:21,560
|
| 83 |
+
him sweater that's what you're talking
|
| 84 |
+
crazy
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:21,560 --> 00:00:21,570
|
| 88 |
+
crazy
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:21,570 --> 00:00:23,599
|
| 93 |
+
crazy
|
| 94 |
+
get away without telling first I'll tear
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:23,599 --> 00:00:23,609
|
| 98 |
+
get away without telling first I'll tear
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:23,609 --> 00:00:31,330
|
| 103 |
+
get away without telling first I'll tear
|
| 104 |
+
him apart I'll throw him in the sand
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:31,330 --> 00:00:31,340
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:31,340 --> 00:00:37,180
|
| 113 |
+
|
| 114 |
+
there is no law there isn't that's right
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:37,180 --> 00:00:37,190
|
| 118 |
+
there is no law there isn't that's right
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:37,190 --> 00:00:39,680
|
| 123 |
+
there is no law there isn't that's right
|
| 124 |
+
how do you like that phony he's been
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:39,680 --> 00:00:39,690
|
| 128 |
+
how do you like that phony he's been
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:39,690 --> 00:00:41,780
|
| 133 |
+
how do you like that phony he's been
|
| 134 |
+
lying to her what do you mean he there
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:41,780 --> 00:00:41,790
|
| 138 |
+
lying to her what do you mean he there
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:41,790 --> 00:00:44,600
|
| 143 |
+
lying to her what do you mean he there
|
| 144 |
+
is no heat you don't cause it's me but
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:44,600 --> 00:00:44,610
|
| 148 |
+
is no heat you don't cause it's me but
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:44,610 --> 00:00:46,160
|
| 153 |
+
is no heat you don't cause it's me but
|
| 154 |
+
she doesn't know that and she doesn't
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:46,160 --> 00:00:46,170
|
| 158 |
+
she doesn't know that and she doesn't
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:46,170 --> 00:00:48,590
|
| 163 |
+
she doesn't know that and she doesn't
|
| 164 |
+
know that I know but I know that she
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:48,590 --> 00:00:48,600
|
| 168 |
+
know that I know but I know that she
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:48,600 --> 00:00:55,340
|
| 173 |
+
know that I know but I know that she
|
| 174 |
+
likes him she see take any money from
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:55,340 --> 00:00:55,350
|
| 178 |
+
likes him she see take any money from
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:55,350 --> 00:00:59,049
|
| 183 |
+
likes him she see take any money from
|
| 184 |
+
him I think you'd better have a drink
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:59,049 --> 00:00:59,059
|
| 188 |
+
him I think you'd better have a drink
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:59,059 --> 00:01:03,260
|
| 193 |
+
him I think you'd better have a drink
|
| 194 |
+
big enough for the two of us she's got a
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:03,260 --> 00:01:03,270
|
| 198 |
+
big enough for the two of us she's got a
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:03,270 --> 00:01:05,060
|
| 203 |
+
big enough for the two of us she's got a
|
| 204 |
+
walk down the street and disappear
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:05,060 --> 00:01:05,070
|
| 208 |
+
walk down the street and disappear
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:05,070 --> 00:01:07,310
|
| 213 |
+
walk down the street and disappear
|
| 214 |
+
forever nobody's ever gonna see him
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:07,310 --> 00:01:07,320
|
| 218 |
+
forever nobody's ever gonna see him
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:07,320 --> 00:01:10,160
|
| 223 |
+
forever nobody's ever gonna see him
|
| 224 |
+
again I didn't want to see him in the
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:10,160 --> 00:01:10,170
|
| 228 |
+
again I didn't want to see him in the
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:10,170 --> 00:01:11,660
|
| 233 |
+
again I didn't want to see him in the
|
| 234 |
+
first place get my other clothes Ernest
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:11,660 --> 00:01:11,670
|
| 238 |
+
first place get my other clothes Ernest
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:11,670 --> 00:01:14,300
|
| 243 |
+
first place get my other clothes Ernest
|
| 244 |
+
Alleluia coming up
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:14,300 --> 00:01:14,310
|
| 248 |
+
Alleluia coming up
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:14,310 --> 00:01:38,900
|
| 253 |
+
Alleluia coming up
|
| 254 |
+
[Music]
|
| 255 |
+
|
1963/KU5yx6v_Jr8.en.srt
ADDED
|
@@ -0,0 +1,345 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,130 --> 00:00:05,930
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,930 --> 00:00:05,940
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,940 --> 00:00:09,080
|
| 13 |
+
[Music]
|
| 14 |
+
you built a shuttle it's very nice
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,080 --> 00:00:09,090
|
| 18 |
+
you built a shuttle it's very nice
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,090 --> 00:00:11,750
|
| 23 |
+
you built a shuttle it's very nice
|
| 24 |
+
what's a shuffle and a cleric kills here
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,750 --> 00:00:11,760
|
| 28 |
+
what's a shuffle and a cleric kills here
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,760 --> 00:00:17,710
|
| 33 |
+
what's a shuffle and a cleric kills here
|
| 34 |
+
a chapel
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:17,710 --> 00:00:17,720
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:17,720 --> 00:00:21,400
|
| 43 |
+
|
| 44 |
+
we built a shuttle right here who's be
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,400 --> 00:00:21,410
|
| 48 |
+
we built a shuttle right here who's be
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,410 --> 00:00:29,030
|
| 53 |
+
we built a shuttle right here who's be
|
| 54 |
+
you lots of luck mother
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:29,030 --> 00:00:29,040
|
| 58 |
+
you lots of luck mother
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:29,040 --> 00:00:32,060
|
| 63 |
+
you lots of luck mother
|
| 64 |
+
I ain't building no shop oh yeah you not
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:32,060 --> 00:00:32,070
|
| 68 |
+
I ain't building no shop oh yeah you not
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:32,070 --> 00:00:33,979
|
| 73 |
+
I ain't building no shop oh yeah you not
|
| 74 |
+
only am i ain't building no chapel I'm
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:33,979 --> 00:00:33,989
|
| 78 |
+
only am i ain't building no chapel I'm
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:33,989 --> 00:00:34,910
|
| 83 |
+
only am i ain't building no chapel I'm
|
| 84 |
+
taking off
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:34,910 --> 00:00:34,920
|
| 88 |
+
taking off
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:34,920 --> 00:00:37,940
|
| 93 |
+
taking off
|
| 94 |
+
I know contractor that is for the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:37,940 --> 00:00:37,950
|
| 98 |
+
I know contractor that is for the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:37,950 --> 00:00:41,390
|
| 103 |
+
I know contractor that is for the
|
| 104 |
+
beginning no I don't need all that work
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:41,390 --> 00:00:41,400
|
| 108 |
+
beginning no I don't need all that work
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:41,400 --> 00:00:45,080
|
| 113 |
+
beginning no I don't need all that work
|
| 114 |
+
no no no all right all right we build it
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:45,080 --> 00:00:45,090
|
| 118 |
+
no no no all right all right we build it
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:45,090 --> 00:00:47,570
|
| 123 |
+
no no no all right all right we build it
|
| 124 |
+
we women we build it you do that little
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:47,570 --> 00:00:47,580
|
| 128 |
+
we women we build it you do that little
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:47,580 --> 00:00:51,260
|
| 133 |
+
we women we build it you do that little
|
| 134 |
+
fee bill Scottsville boy look I'm
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:51,260 --> 00:00:51,270
|
| 138 |
+
fee bill Scottsville boy look I'm
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:51,270 --> 00:01:00,560
|
| 143 |
+
fee bill Scottsville boy look I'm
|
| 144 |
+
checking out all right I clean out some
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:00,560 --> 00:01:00,570
|
| 148 |
+
checking out all right I clean out some
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:00,570 --> 00:01:01,970
|
| 153 |
+
checking out all right I clean out some
|
| 154 |
+
of that stuff there for you see I don't
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:01,970 --> 00:01:01,980
|
| 158 |
+
of that stuff there for you see I don't
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:01,980 --> 00:01:03,260
|
| 163 |
+
of that stuff there for you see I don't
|
| 164 |
+
want those girls to break their backs
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:03,260 --> 00:01:03,270
|
| 168 |
+
want those girls to break their backs
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:03,270 --> 00:01:04,969
|
| 173 |
+
want those girls to break their backs
|
| 174 |
+
picking up those heavy beams just a
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:04,969 --> 00:01:04,979
|
| 178 |
+
picking up those heavy beams just a
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:04,979 --> 00:01:06,710
|
| 183 |
+
picking up those heavy beams just a
|
| 184 |
+
little bit mind you I mean just to work
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:06,710 --> 00:01:06,720
|
| 188 |
+
little bit mind you I mean just to work
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:06,720 --> 00:01:08,270
|
| 193 |
+
little bit mind you I mean just to work
|
| 194 |
+
off that tremendous breakfast you fed me
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:08,270 --> 00:01:08,280
|
| 198 |
+
off that tremendous breakfast you fed me
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:08,280 --> 00:01:09,410
|
| 203 |
+
off that tremendous breakfast you fed me
|
| 204 |
+
this morning I come on let's settle
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:09,410 --> 00:01:09,420
|
| 208 |
+
this morning I come on let's settle
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:09,420 --> 00:01:10,969
|
| 213 |
+
this morning I come on let's settle
|
| 214 |
+
house listen he's too freed let me give
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:10,969 --> 00:01:10,979
|
| 218 |
+
house listen he's too freed let me give
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:10,979 --> 00:01:12,319
|
| 223 |
+
house listen he's too freed let me give
|
| 224 |
+
you said hit me and especially get
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:12,319 --> 00:01:12,329
|
| 228 |
+
you said hit me and especially get
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:12,329 --> 00:01:14,480
|
| 233 |
+
you said hit me and especially get
|
| 234 |
+
specta parts in my states I hope you're
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:14,480 --> 00:01:14,490
|
| 238 |
+
specta parts in my states I hope you're
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:14,490 --> 00:01:16,669
|
| 243 |
+
specta parts in my states I hope you're
|
| 244 |
+
not talking me into me you you wanted
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:16,669 --> 00:01:16,679
|
| 248 |
+
not talking me into me you you wanted
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:16,679 --> 00:01:17,660
|
| 253 |
+
not talking me into me you you wanted
|
| 254 |
+
your breakfast in bed
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:17,660 --> 00:01:17,670
|
| 258 |
+
your breakfast in bed
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:17,670 --> 00:01:20,719
|
| 263 |
+
your breakfast in bed
|
| 264 |
+
you talk like American millionaire yeah
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:20,719 --> 00:01:20,729
|
| 268 |
+
you talk like American millionaire yeah
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:20,729 --> 00:01:32,910
|
| 273 |
+
you talk like American millionaire yeah
|
| 274 |
+
that's me all street
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:32,910 --> 00:01:32,920
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:32,920 --> 00:01:46,070
|
| 283 |
+
|
| 284 |
+
[Music]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:46,070 --> 00:01:46,080
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:46,080 --> 00:02:04,980
|
| 293 |
+
|
| 294 |
+
women be built on mother gonna feed
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:04,980 --> 00:02:04,990
|
| 298 |
+
women be built on mother gonna feed
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:04,990 --> 00:02:05,990
|
| 303 |
+
women be built on mother gonna feed
|
| 304 |
+
slaves
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:05,990 --> 00:02:06,000
|
| 308 |
+
slaves
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:06,000 --> 00:02:14,650
|
| 313 |
+
slaves
|
| 314 |
+
[Music]
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:14,650 --> 00:02:14,660
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:14,660 --> 00:02:23,960
|
| 323 |
+
|
| 324 |
+
yes ooh Chris sounds a Gaston Cygnus we
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:23,960 --> 00:02:23,970
|
| 328 |
+
yes ooh Chris sounds a Gaston Cygnus we
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:23,970 --> 00:02:27,890
|
| 333 |
+
yes ooh Chris sounds a Gaston Cygnus we
|
| 334 |
+
shared last
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:27,890 --> 00:02:27,900
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:27,900 --> 00:02:39,240
|
| 343 |
+
|
| 344 |
+
[Music]
|
| 345 |
+
|
1963/M0HjlCowwuM.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
|
|
| 1 |
+
The Birds movie clips: http://j.mp/15vUQTZ
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vAN8ED
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Lydia (Jessica Tandy) finds a dead man with his eyes pecked out.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Jessica Tandy
|
| 14 |
+
Director: Alfred Hitchcock
|
| 15 |
+
Producer: Alfred Hitchcock
|
| 16 |
+
Screenwriters: Daphne Du Maurier, Evan Hunter
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/M0HjlCowwuM.en.srt
ADDED
|
@@ -0,0 +1,15 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:01,040 --> 00:01:14,370
|
| 3 |
+
|
| 4 |
+
down you home
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:01:14,370 --> 00:01:14,380
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:01:14,380 --> 00:01:45,420
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
1963/OinNCchV-xk.en.srt
ADDED
|
@@ -0,0 +1,305 @@
|
|
|
|
|
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|
|
|
|
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|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,469 --> 00:00:04,010
|
| 3 |
+
|
| 4 |
+
Bravo Erasmus the splendid dissertation
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,010 --> 00:00:04,020
|
| 8 |
+
Bravo Erasmus the splendid dissertation
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,020 --> 00:00:12,980
|
| 13 |
+
Bravo Erasmus the splendid dissertation
|
| 14 |
+
you know you still look the same so does
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:12,980 --> 00:00:12,990
|
| 18 |
+
you know you still look the same so does
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:12,990 --> 00:00:18,970
|
| 23 |
+
you know you still look the same so does
|
| 24 |
+
the girl you're alive very much alive
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:18,970 --> 00:00:18,980
|
| 28 |
+
the girl you're alive very much alive
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:18,980 --> 00:00:23,000
|
| 33 |
+
the girl you're alive very much alive
|
| 34 |
+
yes so I see that was someone else's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:23,000 --> 00:00:23,010
|
| 38 |
+
yes so I see that was someone else's
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:23,010 --> 00:00:25,550
|
| 43 |
+
yes so I see that was someone else's
|
| 44 |
+
body in the casket I left you for
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:25,550 --> 00:00:25,560
|
| 48 |
+
body in the casket I left you for
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:25,560 --> 00:00:29,720
|
| 53 |
+
body in the casket I left you for
|
| 54 |
+
Scarabus no what if Scarabus down to you
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:29,720 --> 00:00:29,730
|
| 58 |
+
Scarabus no what if Scarabus down to you
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:29,730 --> 00:00:35,240
|
| 63 |
+
Scarabus no what if Scarabus down to you
|
| 64 |
+
are you under a spell spell is nothing
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:35,240 --> 00:00:35,250
|
| 68 |
+
are you under a spell spell is nothing
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:35,250 --> 00:00:36,490
|
| 73 |
+
are you under a spell spell is nothing
|
| 74 |
+
but greed
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:36,490 --> 00:00:36,500
|
| 78 |
+
but greed
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:36,500 --> 00:00:39,350
|
| 83 |
+
but greed
|
| 84 |
+
speak to me Leonora speak to me my
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:39,350 --> 00:00:39,360
|
| 88 |
+
speak to me Leonora speak to me my
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:39,360 --> 00:00:39,920
|
| 93 |
+
speak to me Leonora speak to me my
|
| 94 |
+
beloved
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:39,920 --> 00:00:39,930
|
| 98 |
+
beloved
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:39,930 --> 00:00:42,740
|
| 103 |
+
beloved
|
| 104 |
+
no Erasmus you're still just as much a
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:42,740 --> 00:00:42,750
|
| 108 |
+
no Erasmus you're still just as much a
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:42,750 --> 00:00:48,560
|
| 113 |
+
no Erasmus you're still just as much a
|
| 114 |
+
boy as ever well now gentlemen I think
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:48,560 --> 00:00:48,570
|
| 118 |
+
boy as ever well now gentlemen I think
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:48,570 --> 00:00:50,209
|
| 123 |
+
boy as ever well now gentlemen I think
|
| 124 |
+
we are ready to begin
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,209 --> 00:00:50,219
|
| 128 |
+
we are ready to begin
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:50,219 --> 00:00:54,350
|
| 133 |
+
we are ready to begin
|
| 134 |
+
I'm not ready no you disagree dr.
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:54,350 --> 00:00:54,360
|
| 138 |
+
I'm not ready no you disagree dr.
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:54,360 --> 00:01:02,010
|
| 143 |
+
I'm not ready no you disagree dr.
|
| 144 |
+
Scarabus
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:02,010 --> 00:01:02,020
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:02,020 --> 00:01:04,680
|
| 153 |
+
|
| 154 |
+
I'll do anything you want just don't
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:04,680 --> 00:01:04,690
|
| 158 |
+
I'll do anything you want just don't
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:04,690 --> 00:01:05,520
|
| 163 |
+
I'll do anything you want just don't
|
| 164 |
+
hurt me
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:05,520 --> 00:01:05,530
|
| 168 |
+
hurt me
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:05,530 --> 00:01:09,300
|
| 173 |
+
hurt me
|
| 174 |
+
father come on let me go what about the
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:09,300 --> 00:01:09,310
|
| 178 |
+
father come on let me go what about the
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:09,310 --> 00:01:11,940
|
| 183 |
+
father come on let me go what about the
|
| 184 |
+
other what that is I don't care what you
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:11,940 --> 00:01:11,950
|
| 188 |
+
other what that is I don't care what you
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:11,950 --> 00:01:15,840
|
| 193 |
+
other what that is I don't care what you
|
| 194 |
+
do with them to bed look I don't care
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:15,840 --> 00:01:15,850
|
| 198 |
+
do with them to bed look I don't care
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:15,850 --> 00:01:19,800
|
| 203 |
+
do with them to bed look I don't care
|
| 204 |
+
you turn me into a raven I don't care if
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:19,800 --> 00:01:19,810
|
| 208 |
+
you turn me into a raven I don't care if
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:19,810 --> 00:01:22,080
|
| 213 |
+
you turn me into a raven I don't care if
|
| 214 |
+
you send me out into the cold night I
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:22,080 --> 00:01:22,090
|
| 218 |
+
you send me out into the cold night I
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:22,090 --> 00:01:24,270
|
| 223 |
+
you send me out into the cold night I
|
| 224 |
+
don't care about the Hawks and pin
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:24,270 --> 00:01:24,280
|
| 228 |
+
don't care about the Hawks and pin
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:24,280 --> 00:01:26,730
|
| 233 |
+
don't care about the Hawks and pin
|
| 234 |
+
feathers anything anything is better
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:26,730 --> 00:01:26,740
|
| 238 |
+
feathers anything anything is better
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:26,740 --> 00:01:30,990
|
| 243 |
+
feathers anything anything is better
|
| 244 |
+
than death might be more amusing you
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:30,990 --> 00:01:31,000
|
| 248 |
+
than death might be more amusing you
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:31,000 --> 00:01:33,540
|
| 253 |
+
than death might be more amusing you
|
| 254 |
+
really don't care what happens to your
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:33,540 --> 00:01:33,550
|
| 258 |
+
really don't care what happens to your
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:33,550 --> 00:01:37,310
|
| 263 |
+
really don't care what happens to your
|
| 264 |
+
friends no why should I
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:37,310 --> 00:01:37,320
|
| 268 |
+
friends no why should I
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:37,320 --> 00:01:41,190
|
| 273 |
+
friends no why should I
|
| 274 |
+
such perfection of treachery fills me
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:41,190 --> 00:01:41,200
|
| 278 |
+
such perfection of treachery fills me
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:41,200 --> 00:01:43,249
|
| 283 |
+
such perfection of treachery fills me
|
| 284 |
+
with admiration
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:43,249 --> 00:01:43,259
|
| 288 |
+
with admiration
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:43,259 --> 00:01:46,230
|
| 293 |
+
with admiration
|
| 294 |
+
since thought Kraven will never have the
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:46,230 --> 00:01:46,240
|
| 298 |
+
since thought Kraven will never have the
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:46,240 --> 00:01:50,130
|
| 303 |
+
since thought Kraven will never have the
|
| 304 |
+
opportunity of helping you again
|
| 305 |
+
|
1963/Qgsst15iI2k.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
| 1 |
+
Charade movie clips: http://j.mp/1J9f1Fp
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/uofoaU
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Peter (Cary Grant) and Regina (Audrey Hepburn) meet at a ski lodge in Megeve where they flirt and exchange some witty repartee.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Cary Grant, Audrey Hepburn, Dominique Minot
|
| 14 |
+
Director: Stanley Donen
|
| 15 |
+
Producers: Stanley Donen, James H. Ware
|
| 16 |
+
Screenwriters: Marc Behm, Peter Stone
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/Qgsst15iI2k.en.srt
ADDED
|
@@ -0,0 +1,465 @@
|
|
|
|
|
|
|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,080 --> 00:00:02,110
|
| 3 |
+
|
| 4 |
+
does he belong to
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,110 --> 00:00:02,120
|
| 8 |
+
does he belong to
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,120 --> 00:00:04,269
|
| 13 |
+
does he belong to
|
| 14 |
+
you it's hers where'd you find him
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,269 --> 00:00:04,279
|
| 18 |
+
you it's hers where'd you find him
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,279 --> 00:00:06,070
|
| 23 |
+
you it's hers where'd you find him
|
| 24 |
+
robbing a bank he was throwing snowballs
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,070 --> 00:00:06,080
|
| 28 |
+
robbing a bank he was throwing snowballs
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,080 --> 00:00:09,549
|
| 33 |
+
robbing a bank he was throwing snowballs
|
| 34 |
+
at Baron Ross child oh thank you do we
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,549 --> 00:00:09,559
|
| 38 |
+
at Baron Ross child oh thank you do we
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,559 --> 00:00:11,390
|
| 43 |
+
at Baron Ross child oh thank you do we
|
| 44 |
+
know each other why do you think we're
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:11,390 --> 00:00:11,400
|
| 48 |
+
know each other why do you think we're
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,400 --> 00:00:14,190
|
| 53 |
+
know each other why do you think we're
|
| 54 |
+
going to I don't know how would I know
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:14,190 --> 00:00:14,200
|
| 58 |
+
going to I don't know how would I know
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:14,200 --> 00:00:15,709
|
| 63 |
+
going to I don't know how would I know
|
| 64 |
+
because I already know an awful lot of
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:15,709 --> 00:00:15,719
|
| 68 |
+
because I already know an awful lot of
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:15,719 --> 00:00:17,550
|
| 73 |
+
because I already know an awful lot of
|
| 74 |
+
people until one of them dies I couldn't
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:17,550 --> 00:00:17,560
|
| 78 |
+
people until one of them dies I couldn't
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:17,560 --> 00:00:19,590
|
| 83 |
+
people until one of them dies I couldn't
|
| 84 |
+
possibly meet anyone
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:19,590 --> 00:00:19,600
|
| 88 |
+
possibly meet anyone
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:19,600 --> 00:00:21,830
|
| 93 |
+
possibly meet anyone
|
| 94 |
+
else well if anyone goes on the critical
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:21,830 --> 00:00:21,840
|
| 98 |
+
else well if anyone goes on the critical
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:21,840 --> 00:00:26,109
|
| 103 |
+
else well if anyone goes on the critical
|
| 104 |
+
list let me know quitter uhh you give up
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:26,109 --> 00:00:26,119
|
| 108 |
+
list let me know quitter uhh you give up
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:26,119 --> 00:00:29,470
|
| 113 |
+
list let me know quitter uhh you give up
|
| 114 |
+
awfully easily don't you V je L let us
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:29,470 --> 00:00:29,480
|
| 118 |
+
awfully easily don't you V je L let us
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:29,480 --> 00:00:36,890
|
| 123 |
+
awfully easily don't you V je L let us
|
| 124 |
+
make a war I've never seen a r child
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:36,890 --> 00:00:36,900
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:36,900 --> 00:00:38,990
|
| 133 |
+
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:38,990 --> 00:00:39,000
|
| 138 |
+
[Music]
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:39,000 --> 00:00:43,069
|
| 143 |
+
[Music]
|
| 144 |
+
before clever fellow almost missed me
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:43,069 --> 00:00:43,079
|
| 148 |
+
before clever fellow almost missed me
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:43,079 --> 00:00:44,110
|
| 153 |
+
before clever fellow almost missed me
|
| 154 |
+
thank
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:44,110 --> 00:00:44,120
|
| 158 |
+
thank
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:44,120 --> 00:00:48,830
|
| 163 |
+
thank
|
| 164 |
+
you you're blocking my view oh oh which
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:48,830 --> 00:00:48,840
|
| 168 |
+
you you're blocking my view oh oh which
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:48,840 --> 00:00:50,950
|
| 173 |
+
you you're blocking my view oh oh which
|
| 174 |
+
view would you prefer the one you're
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:50,950 --> 00:00:50,960
|
| 178 |
+
view would you prefer the one you're
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:50,960 --> 00:00:53,310
|
| 183 |
+
view would you prefer the one you're
|
| 184 |
+
blocking it's my last chance I'm flying
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:53,310 --> 00:00:53,320
|
| 188 |
+
blocking it's my last chance I'm flying
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:53,320 --> 00:00:54,990
|
| 193 |
+
blocking it's my last chance I'm flying
|
| 194 |
+
back to Paris this afternoon what's your
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:54,990 --> 00:00:55,000
|
| 198 |
+
back to Paris this afternoon what's your
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:55,000 --> 00:00:58,069
|
| 203 |
+
back to Paris this afternoon what's your
|
| 204 |
+
name Peter Joshua oh mine's Regina
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:58,069 --> 00:00:58,079
|
| 208 |
+
name Peter Joshua oh mine's Regina
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:58,079 --> 00:01:00,869
|
| 213 |
+
name Peter Joshua oh mine's Regina
|
| 214 |
+
Lampert is there Mr Lamp yes good for
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:00,869 --> 00:01:00,879
|
| 218 |
+
Lampert is there Mr Lamp yes good for
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:00,879 --> 00:01:02,910
|
| 223 |
+
Lampert is there Mr Lamp yes good for
|
| 224 |
+
you no it isn't I'm getting a divorce
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:02,910 --> 00:01:02,920
|
| 228 |
+
you no it isn't I'm getting a divorce
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:02,920 --> 00:01:04,990
|
| 233 |
+
you no it isn't I'm getting a divorce
|
| 234 |
+
please not on my account oh no I you see
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:04,990 --> 00:01:05,000
|
| 238 |
+
please not on my account oh no I you see
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:05,000 --> 00:01:06,550
|
| 243 |
+
please not on my account oh no I you see
|
| 244 |
+
I don't really love him well at least
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:06,550 --> 00:01:06,560
|
| 248 |
+
I don't really love him well at least
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:06,560 --> 00:01:09,350
|
| 253 |
+
I don't really love him well at least
|
| 254 |
+
you're honest H is there a Mrs
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:09,350 --> 00:01:09,360
|
| 258 |
+
you're honest H is there a Mrs
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:09,360 --> 00:01:12,429
|
| 263 |
+
you're honest H is there a Mrs
|
| 264 |
+
Joshua yes but we're divorced oh that
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:12,429 --> 00:01:12,439
|
| 268 |
+
Joshua yes but we're divorced oh that
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:12,439 --> 00:01:14,190
|
| 273 |
+
Joshua yes but we're divorced oh that
|
| 274 |
+
wasn't a proposal I'm just
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:14,190 --> 00:01:14,200
|
| 278 |
+
wasn't a proposal I'm just
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:14,200 --> 00:01:16,670
|
| 283 |
+
wasn't a proposal I'm just
|
| 284 |
+
curious is your husband with you oh no
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:16,670 --> 00:01:16,680
|
| 288 |
+
curious is your husband with you oh no
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:16,680 --> 00:01:18,270
|
| 293 |
+
curious is your husband with you oh no
|
| 294 |
+
Charles is never with me what do people
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:18,270 --> 00:01:18,280
|
| 298 |
+
Charles is never with me what do people
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:18,280 --> 00:01:21,270
|
| 303 |
+
Charles is never with me what do people
|
| 304 |
+
call you Pete Mr
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:21,270 --> 00:01:21,280
|
| 308 |
+
call you Pete Mr
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:21,280 --> 00:01:24,190
|
| 313 |
+
call you Pete Mr
|
| 314 |
+
Joshua I've enjoyed talking with you now
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:24,190 --> 00:01:24,200
|
| 318 |
+
Joshua I've enjoyed talking with you now
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:24,200 --> 00:01:26,590
|
| 323 |
+
Joshua I've enjoyed talking with you now
|
| 324 |
+
you're angry no no I'm not angry I just
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:26,590 --> 00:01:26,600
|
| 328 |
+
you're angry no no I'm not angry I just
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:26,600 --> 00:01:27,789
|
| 333 |
+
you're angry no no I'm not angry I just
|
| 334 |
+
have a lot of packing to do I'm going
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:27,789 --> 00:01:27,799
|
| 338 |
+
have a lot of packing to do I'm going
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:27,799 --> 00:01:29,109
|
| 343 |
+
have a lot of packing to do I'm going
|
| 344 |
+
back to Paris too well wasn't it
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:29,109 --> 00:01:29,119
|
| 348 |
+
back to Paris too well wasn't it
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:29,119 --> 00:01:30,630
|
| 353 |
+
back to Paris too well wasn't it
|
| 354 |
+
Shakespeare who said when strangers do
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:30,630 --> 00:01:30,640
|
| 358 |
+
Shakespeare who said when strangers do
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:30,640 --> 00:01:32,429
|
| 363 |
+
Shakespeare who said when strangers do
|
| 364 |
+
meet in far off lands they should airong
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:32,429 --> 00:01:32,439
|
| 368 |
+
meet in far off lands they should airong
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:32,439 --> 00:01:34,910
|
| 373 |
+
meet in far off lands they should airong
|
| 374 |
+
see each other again Shakespeare never
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:34,910 --> 00:01:34,920
|
| 378 |
+
see each other again Shakespeare never
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:34,920 --> 00:01:37,749
|
| 383 |
+
see each other again Shakespeare never
|
| 384 |
+
said that how do you know it's terrible
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:37,749 --> 00:01:37,759
|
| 388 |
+
said that how do you know it's terrible
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:37,759 --> 00:01:39,630
|
| 393 |
+
said that how do you know it's terrible
|
| 394 |
+
you just made it up oh well it sounds
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:39,630 --> 00:01:39,640
|
| 398 |
+
you just made it up oh well it sounds
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:39,640 --> 00:01:41,190
|
| 403 |
+
you just made it up oh well it sounds
|
| 404 |
+
right you're going to call me are you in
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:41,190 --> 00:01:41,200
|
| 408 |
+
right you're going to call me are you in
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:41,200 --> 00:01:43,710
|
| 413 |
+
right you're going to call me are you in
|
| 414 |
+
the book well Charles is is there only
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:01:43,710 --> 00:01:43,720
|
| 418 |
+
the book well Charles is is there only
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:01:43,720 --> 00:01:45,749
|
| 423 |
+
the book well Charles is is there only
|
| 424 |
+
one Charles lanord
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:01:45,749 --> 00:01:45,759
|
| 428 |
+
one Charles lanord
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:01:45,759 --> 00:01:49,530
|
| 433 |
+
one Charles lanord
|
| 434 |
+
H Lord I hope so
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:01:49,530 --> 00:01:49,540
|
| 438 |
+
H Lord I hope so
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:01:49,540 --> 00:02:11,710
|
| 443 |
+
H Lord I hope so
|
| 444 |
+
[Music]
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:11,710 --> 00:02:11,720
|
| 448 |
+
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:11,720 --> 00:02:15,500
|
| 453 |
+
|
| 454 |
+
St
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:15,500 --> 00:02:15,510
|
| 458 |
+
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:15,510 --> 00:02:21,460
|
| 463 |
+
|
| 464 |
+
[Music]
|
| 465 |
+
|
1963/RZa79QGDeo8.en.srt
ADDED
|
@@ -0,0 +1,445 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,560 --> 00:00:03,230
|
| 3 |
+
|
| 4 |
+
how many escapes have you tried four
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,230 --> 00:00:03,240
|
| 8 |
+
how many escapes have you tried four
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,240 --> 00:00:05,789
|
| 13 |
+
how many escapes have you tried four
|
| 14 |
+
over seven
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,789 --> 00:00:05,799
|
| 18 |
+
over seven
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,799 --> 00:00:10,990
|
| 23 |
+
over seven
|
| 24 |
+
under T man huh sure I'm
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,990 --> 00:00:11,000
|
| 28 |
+
under T man huh sure I'm
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,000 --> 00:00:13,509
|
| 33 |
+
under T man huh sure I'm
|
| 34 |
+
that how tall you
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:13,509 --> 00:00:13,519
|
| 38 |
+
that how tall you
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:13,519 --> 00:00:16,269
|
| 43 |
+
that how tall you
|
| 44 |
+
are 5' 4
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,269 --> 00:00:16,279
|
| 48 |
+
are 5' 4
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,279 --> 00:00:19,630
|
| 53 |
+
are 5' 4
|
| 54 |
+
why oh just
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:19,630 --> 00:00:19,640
|
| 58 |
+
why oh just
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:19,640 --> 00:00:22,429
|
| 63 |
+
why oh just
|
| 64 |
+
wondering what did you do in college
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,429 --> 00:00:22,439
|
| 68 |
+
wondering what did you do in college
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,439 --> 00:00:25,109
|
| 73 |
+
wondering what did you do in college
|
| 74 |
+
study physical education chemical
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:25,109 --> 00:00:25,119
|
| 78 |
+
study physical education chemical
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:25,119 --> 00:00:27,109
|
| 83 |
+
study physical education chemical
|
| 84 |
+
engineering did little bike riding
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:27,109 --> 00:00:27,119
|
| 88 |
+
engineering did little bike riding
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:27,119 --> 00:00:28,950
|
| 93 |
+
engineering did little bike riding
|
| 94 |
+
though
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:28,950 --> 00:00:28,960
|
| 98 |
+
though
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:28,960 --> 00:00:31,870
|
| 103 |
+
though
|
| 104 |
+
bicycles motorcycles you know flat
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:31,870 --> 00:00:31,880
|
| 108 |
+
bicycles motorcycles you know flat
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:31,880 --> 00:00:34,229
|
| 113 |
+
bicycles motorcycles you know flat
|
| 114 |
+
tracks county fairs picked up a buck
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:34,229 --> 00:00:34,239
|
| 118 |
+
tracks county fairs picked up a buck
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:34,239 --> 00:00:36,990
|
| 123 |
+
tracks county fairs picked up a buck
|
| 124 |
+
here and there help pay my tuition I did
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:36,990 --> 00:00:37,000
|
| 128 |
+
here and there help pay my tuition I did
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:37,000 --> 00:00:40,310
|
| 133 |
+
here and there help pay my tuition I did
|
| 134 |
+
know we about racing myself in Scotland
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:40,310 --> 00:00:40,320
|
| 138 |
+
know we about racing myself in Scotland
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:40,320 --> 00:00:45,270
|
| 143 |
+
know we about racing myself in Scotland
|
| 144 |
+
bikes no horse racing
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:45,270 --> 00:00:45,280
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:45,280 --> 00:00:50,510
|
| 153 |
+
|
| 154 |
+
jockey
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:50,510 --> 00:00:50,520
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:50,520 --> 00:00:56,150
|
| 163 |
+
|
| 164 |
+
jocky
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:56,150 --> 00:00:56,160
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:56,160 --> 00:00:58,590
|
| 173 |
+
|
| 174 |
+
Chucky
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:58,590 --> 00:00:58,600
|
| 178 |
+
Chucky
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:58,600 --> 00:01:02,990
|
| 183 |
+
Chucky
|
| 184 |
+
PT have you their
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:02,990 --> 00:01:03,000
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:03,000 --> 00:01:05,950
|
| 193 |
+
|
| 194 |
+
HS yeah I'm here don't you have them in
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:05,950 --> 00:01:05,960
|
| 198 |
+
HS yeah I'm here don't you have them in
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:05,960 --> 00:01:08,030
|
| 203 |
+
HS yeah I'm here don't you have them in
|
| 204 |
+
the states
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:08,030 --> 00:01:08,040
|
| 208 |
+
the states
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:08,040 --> 00:01:09,710
|
| 213 |
+
the states
|
| 214 |
+
joies
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:09,710 --> 00:01:09,720
|
| 218 |
+
joies
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:09,720 --> 00:01:12,429
|
| 223 |
+
joies
|
| 224 |
+
sure they were the days some of these
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:12,429 --> 00:01:12,439
|
| 228 |
+
sure they were the days some of these
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:12,439 --> 00:01:15,670
|
| 233 |
+
sure they were the days some of these
|
| 234 |
+
Saturday nights in towns like musur and
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:15,670 --> 00:01:15,680
|
| 238 |
+
Saturday nights in towns like musur and
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:15,680 --> 00:01:18,310
|
| 243 |
+
Saturday nights in towns like musur and
|
| 244 |
+
Hamilton you to fight off the
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:18,310 --> 00:01:18,320
|
| 248 |
+
Hamilton you to fight off the
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:18,320 --> 00:01:20,550
|
| 253 |
+
Hamilton you to fight off the
|
| 254 |
+
birds you know
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:20,550 --> 00:01:20,560
|
| 258 |
+
birds you know
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:20,560 --> 00:01:23,670
|
| 263 |
+
birds you know
|
| 264 |
+
Birds girls man
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:23,670 --> 00:01:23,680
|
| 268 |
+
Birds girls man
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:23,680 --> 00:01:27,990
|
| 273 |
+
Birds girls man
|
| 274 |
+
girls you know of them in the
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:27,990 --> 00:01:28,000
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:28,000 --> 00:01:31,149
|
| 283 |
+
|
| 284 |
+
states help
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:31,149 --> 00:01:31,159
|
| 288 |
+
states help
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:31,159 --> 00:01:37,550
|
| 293 |
+
states help
|
| 294 |
+
are you there
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:37,550 --> 00:01:37,560
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:37,560 --> 00:01:39,270
|
| 303 |
+
|
| 304 |
+
help
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:39,270 --> 00:01:39,280
|
| 308 |
+
help
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:39,280 --> 00:01:41,510
|
| 313 |
+
help
|
| 314 |
+
what you know the kind of clay and
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:41,510 --> 00:01:41,520
|
| 318 |
+
what you know the kind of clay and
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:41,520 --> 00:01:45,149
|
| 323 |
+
what you know the kind of clay and
|
| 324 |
+
gravel we got here in the compound I how
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:45,149 --> 00:01:45,159
|
| 328 |
+
gravel we got here in the compound I how
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:45,159 --> 00:01:46,190
|
| 333 |
+
gravel we got here in the compound I how
|
| 334 |
+
many feet do you think you can get
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:46,190 --> 00:01:46,200
|
| 338 |
+
many feet do you think you can get
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:46,200 --> 00:01:49,310
|
| 343 |
+
many feet do you think you can get
|
| 344 |
+
through and say 8 hours I could go
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:49,310 --> 00:01:49,320
|
| 348 |
+
through and say 8 hours I could go
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:49,320 --> 00:01:51,550
|
| 353 |
+
through and say 8 hours I could go
|
| 354 |
+
through this duct here like the bit on
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:51,550 --> 00:01:51,560
|
| 358 |
+
through this duct here like the bit on
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:51,560 --> 00:01:54,429
|
| 363 |
+
through this duct here like the bit on
|
| 364 |
+
an end of a AER but you know it's not
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:54,429 --> 00:01:54,439
|
| 368 |
+
an end of a AER but you know it's not
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:54,439 --> 00:01:56,429
|
| 373 |
+
an end of a AER but you know it's not
|
| 374 |
+
the digging it's the Shoring up with
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:56,429 --> 00:01:56,439
|
| 378 |
+
the digging it's the Shoring up with
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:56,439 --> 00:01:58,870
|
| 383 |
+
the digging it's the Shoring up with
|
| 384 |
+
wood and getting the dirt out that's
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:58,870 --> 00:01:58,880
|
| 388 |
+
wood and getting the dirt out that's
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:58,880 --> 00:02:00,469
|
| 393 |
+
wood and getting the dirt out that's
|
| 394 |
+
what you have to worry about
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:00,469 --> 00:02:00,479
|
| 398 |
+
what you have to worry about
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:00,479 --> 00:02:02,469
|
| 403 |
+
what you have to worry about
|
| 404 |
+
no it isn't I you don't have to worry
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:02,469 --> 00:02:02,479
|
| 408 |
+
no it isn't I you don't have to worry
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:02,479 --> 00:02:04,590
|
| 413 |
+
no it isn't I you don't have to worry
|
| 414 |
+
about that well how are you going to get
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:04,590 --> 00:02:04,600
|
| 418 |
+
about that well how are you going to get
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:04,600 --> 00:02:07,869
|
| 423 |
+
about that well how are you going to get
|
| 424 |
+
the D out why do they call a mole and
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:07,869 --> 00:02:07,879
|
| 428 |
+
the D out why do they call a mole and
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:07,879 --> 00:02:35,520
|
| 433 |
+
the D out why do they call a mole and
|
| 434 |
+
Scotland a mo
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:35,520 --> 00:02:35,530
|
| 438 |
+
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:35,530 --> 00:02:44,479
|
| 443 |
+
|
| 444 |
+
[Music]
|
| 445 |
+
|
1963/RwMgEM9FNhE.en.srt
ADDED
|
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|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:04,910 --> 00:00:14,620
|
| 3 |
+
|
| 4 |
+
stove stove is black
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:14,620 --> 00:00:14,630
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:14,630 --> 00:00:21,490
|
| 13 |
+
|
| 14 |
+
my skin is black
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:21,490 --> 00:00:21,500
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:21,500 --> 00:00:28,359
|
| 23 |
+
|
| 24 |
+
her skin is white my skin is black right
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:28,359 --> 00:00:28,369
|
| 28 |
+
her skin is white my skin is black right
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:28,369 --> 00:00:47,560
|
| 33 |
+
her skin is white my skin is black right
|
| 34 |
+
vice white is wise watch me know what I
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:47,560 --> 00:00:47,570
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:47,570 --> 00:01:14,160
|
| 43 |
+
|
| 44 |
+
stand I stand I said ah stands up y'all
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:14,160 --> 00:01:14,170
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:14,170 --> 00:01:16,150
|
| 53 |
+
|
| 54 |
+
[Applause]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:16,150 --> 00:01:16,160
|
| 58 |
+
[Applause]
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:16,160 --> 00:01:18,410
|
| 63 |
+
[Applause]
|
| 64 |
+
no no we gotta get organized now no
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:18,410 --> 00:01:18,420
|
| 68 |
+
no no we gotta get organized now no
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:18,420 --> 00:01:23,080
|
| 73 |
+
no no we gotta get organized now no
|
| 74 |
+
everybody sit down
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:23,080 --> 00:01:23,090
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:23,090 --> 00:01:34,040
|
| 83 |
+
|
| 84 |
+
everybody sit down you stand up you
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:34,040 --> 00:01:34,050
|
| 88 |
+
everybody sit down you stand up you
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:34,050 --> 00:01:42,440
|
| 93 |
+
everybody sit down you stand up you
|
| 94 |
+
stand up you sit down you see we all
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:42,440 --> 00:01:42,450
|
| 98 |
+
stand up you sit down you see we all
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:42,450 --> 00:01:58,340
|
| 103 |
+
stand up you sit down you see we all
|
| 104 |
+
stand up
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:58,340 --> 00:01:58,350
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:58,350 --> 00:02:09,790
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
1963/S0LBIxKRCHw.en.srt
ADDED
|
@@ -0,0 +1,355 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:02,389 --> 00:00:04,999
|
| 3 |
+
|
| 4 |
+
but do you buy things to eat we don't
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,999 --> 00:00:05,009
|
| 8 |
+
but do you buy things to eat we don't
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,009 --> 00:00:09,140
|
| 13 |
+
but do you buy things to eat we don't
|
| 14 |
+
need not just a minute you know you are
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,140 --> 00:00:09,150
|
| 18 |
+
need not just a minute you know you are
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,150 --> 00:00:10,790
|
| 23 |
+
need not just a minute you know you are
|
| 24 |
+
very large on religion and all the rest
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,790 --> 00:00:10,800
|
| 28 |
+
very large on religion and all the rest
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,800 --> 00:00:11,720
|
| 33 |
+
very large on religion and all the rest
|
| 34 |
+
of it but you don't even know how to
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,720 --> 00:00:11,730
|
| 38 |
+
of it but you don't even know how to
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,730 --> 00:00:13,730
|
| 43 |
+
of it but you don't even know how to
|
| 44 |
+
accept a gift from somebody without
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,730 --> 00:00:13,740
|
| 48 |
+
accept a gift from somebody without
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,740 --> 00:00:16,880
|
| 53 |
+
accept a gift from somebody without
|
| 54 |
+
making them feel small small you follow
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:16,880 --> 00:00:16,890
|
| 58 |
+
making them feel small small you follow
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:16,890 --> 00:00:20,599
|
| 63 |
+
making them feel small small you follow
|
| 64 |
+
poor man his feelings is hurt I'm not
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:20,599 --> 00:00:20,609
|
| 68 |
+
poor man his feelings is hurt I'm not
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:20,609 --> 00:00:22,580
|
| 73 |
+
poor man his feelings is hurt I'm not
|
| 74 |
+
twisting your arm for any big thank yous
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:22,580 --> 00:00:22,590
|
| 78 |
+
twisting your arm for any big thank yous
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:22,590 --> 00:00:26,029
|
| 83 |
+
twisting your arm for any big thank yous
|
| 84 |
+
but I'm through feeling small I got all
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:26,029 --> 00:00:26,039
|
| 88 |
+
but I'm through feeling small I got all
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:26,039 --> 00:00:27,529
|
| 93 |
+
but I'm through feeling small I got all
|
| 94 |
+
the patience in the world all the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:27,529 --> 00:00:27,539
|
| 98 |
+
the patience in the world all the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:27,539 --> 00:00:30,290
|
| 103 |
+
the patience in the world all the
|
| 104 |
+
patience in the world and by do you work
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:30,290 --> 00:00:30,300
|
| 108 |
+
patience in the world and by do you work
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:30,300 --> 00:00:32,389
|
| 113 |
+
patience in the world and by do you work
|
| 114 |
+
on the road gang when you should fill
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:32,389 --> 00:00:32,399
|
| 118 |
+
on the road gang when you should fill
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:32,399 --> 00:00:36,889
|
| 123 |
+
on the road gang when you should fill
|
| 124 |
+
the chapel where are the bricks they
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:36,889 --> 00:00:36,899
|
| 128 |
+
the chapel where are the bricks they
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:36,899 --> 00:00:40,700
|
| 133 |
+
the chapel where are the bricks they
|
| 134 |
+
will come maybe not tonight but yes
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:40,700 --> 00:00:40,710
|
| 138 |
+
will come maybe not tonight but yes
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:40,710 --> 00:00:43,819
|
| 143 |
+
will come maybe not tonight but yes
|
| 144 |
+
other things you could be busy raking
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:43,819 --> 00:00:43,829
|
| 148 |
+
other things you could be busy raking
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:43,829 --> 00:00:46,490
|
| 153 |
+
other things you could be busy raking
|
| 154 |
+
and planting trees we had this contract
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:46,490 --> 00:00:46,500
|
| 158 |
+
and planting trees we had this contract
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:46,500 --> 00:00:50,540
|
| 163 |
+
and planting trees we had this contract
|
| 164 |
+
you fail to keep your part I failed
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:50,540 --> 00:00:50,550
|
| 168 |
+
you fail to keep your part I failed
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:50,550 --> 00:00:53,209
|
| 173 |
+
you fail to keep your part I failed
|
| 174 |
+
because I put my faith in people instead
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:53,209 --> 00:00:53,219
|
| 178 |
+
because I put my faith in people instead
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:53,219 --> 00:00:56,330
|
| 183 |
+
because I put my faith in people instead
|
| 184 |
+
of in God I forget it was an invisible
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:56,330 --> 00:00:56,340
|
| 188 |
+
of in God I forget it was an invisible
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:56,340 --> 00:00:58,310
|
| 193 |
+
of in God I forget it was an invisible
|
| 194 |
+
contract anyway I don't believe you
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:58,310 --> 00:00:58,320
|
| 198 |
+
contract anyway I don't believe you
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:58,320 --> 00:01:04,160
|
| 203 |
+
contract anyway I don't believe you
|
| 204 |
+
anything Oh believe me then somebody
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:04,160 --> 00:01:04,170
|
| 208 |
+
anything Oh believe me then somebody
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:04,170 --> 00:01:08,109
|
| 213 |
+
anything Oh believe me then somebody
|
| 214 |
+
passing through that away me I come
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:08,109 --> 00:01:08,119
|
| 218 |
+
passing through that away me I come
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:08,119 --> 00:01:11,810
|
| 223 |
+
passing through that away me I come
|
| 224 |
+
8,000 miles to this place do you cry
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:11,810 --> 00:01:11,820
|
| 228 |
+
8,000 miles to this place do you cry
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:11,820 --> 00:01:14,060
|
| 233 |
+
8,000 miles to this place do you cry
|
| 234 |
+
about a few bricks which I'm not here
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:14,060 --> 00:01:14,070
|
| 238 |
+
about a few bricks which I'm not here
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:14,070 --> 00:01:16,640
|
| 243 |
+
about a few bricks which I'm not here
|
| 244 |
+
when you want them do you know what we
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:16,640 --> 00:01:16,650
|
| 248 |
+
when you want them do you know what we
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:16,650 --> 00:01:19,600
|
| 253 |
+
when you want them do you know what we
|
| 254 |
+
went through to get to this place you
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:19,600 --> 00:01:19,610
|
| 258 |
+
went through to get to this place you
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:19,610 --> 00:01:22,630
|
| 263 |
+
went through to get to this place you
|
| 264 |
+
will not stand in the way of this Chapel
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:22,630 --> 00:01:22,640
|
| 268 |
+
will not stand in the way of this Chapel
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:22,640 --> 00:01:28,969
|
| 273 |
+
will not stand in the way of this Chapel
|
| 274 |
+
no will be done good luck charlie and
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:28,969 --> 00:01:28,979
|
| 278 |
+
no will be done good luck charlie and
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:28,979 --> 00:01:32,810
|
| 283 |
+
no will be done good luck charlie and
|
| 284 |
+
you do me come yeah you know that stuff
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:32,810 --> 00:01:32,820
|
| 288 |
+
you do me come yeah you know that stuff
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:32,820 --> 00:01:34,940
|
| 293 |
+
you do me come yeah you know that stuff
|
| 294 |
+
you wear you think it's a a uniform that
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:34,940 --> 00:01:34,950
|
| 298 |
+
you wear you think it's a a uniform that
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:34,950 --> 00:01:36,350
|
| 303 |
+
you wear you think it's a a uniform that
|
| 304 |
+
Nick is some kind of a cop or something
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:36,350 --> 00:01:36,360
|
| 308 |
+
Nick is some kind of a cop or something
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:36,360 --> 00:01:38,120
|
| 313 |
+
Nick is some kind of a cop or something
|
| 314 |
+
laying down the law throwing your weight
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:38,120 --> 00:01:38,130
|
| 318 |
+
laying down the law throwing your weight
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:38,130 --> 00:01:42,590
|
| 323 |
+
laying down the law throwing your weight
|
| 324 |
+
around yeah yeah solid one of them old
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:42,590 --> 00:01:42,600
|
| 328 |
+
around yeah yeah solid one of them old
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:42,600 --> 00:01:51,520
|
| 333 |
+
around yeah yeah solid one of them old
|
| 334 |
+
war movies are regular Hitler well you
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:51,520 --> 00:01:51,530
|
| 338 |
+
war movies are regular Hitler well you
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:51,530 --> 00:02:08,640
|
| 343 |
+
war movies are regular Hitler well you
|
| 344 |
+
get yourself another boy huh
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:08,640 --> 00:02:08,650
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:08,650 --> 00:02:20,090
|
| 353 |
+
|
| 354 |
+
[Music]
|
| 355 |
+
|
1963/SOnb-cyRdAg.en.srt
ADDED
|
@@ -0,0 +1,275 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,290 --> 00:00:00,950
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:00,950 --> 00:00:00,960
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:00,960 --> 00:00:01,869
|
| 13 |
+
[Music]
|
| 14 |
+
what is
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:01,869 --> 00:00:01,879
|
| 18 |
+
what is
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:01,879 --> 00:00:08,690
|
| 23 |
+
what is
|
| 24 |
+
it it's very
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,690 --> 00:00:08,700
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,700 --> 00:00:15,710
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,710 --> 00:00:15,720
|
| 38 |
+
[Music]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,720 --> 00:00:17,230
|
| 43 |
+
[Music]
|
| 44 |
+
strange
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,230 --> 00:00:17,240
|
| 48 |
+
strange
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,240 --> 00:00:20,269
|
| 53 |
+
strange
|
| 54 |
+
Jack yeah why don't you come to
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:20,269 --> 00:00:20,279
|
| 58 |
+
Jack yeah why don't you come to
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:20,279 --> 00:00:23,950
|
| 63 |
+
Jack yeah why don't you come to
|
| 64 |
+
bed you know I I don't understand
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:23,950 --> 00:00:23,960
|
| 68 |
+
bed you know I I don't understand
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:23,960 --> 00:00:26,750
|
| 73 |
+
bed you know I I don't understand
|
| 74 |
+
this you
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:26,750 --> 00:00:26,760
|
| 78 |
+
this you
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:26,760 --> 00:00:31,589
|
| 83 |
+
this you
|
| 84 |
+
see these uh footprints
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:31,589 --> 00:00:31,599
|
| 88 |
+
see these uh footprints
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:31,599 --> 00:00:35,630
|
| 93 |
+
see these uh footprints
|
| 94 |
+
they were they were made by sh
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,630 --> 00:00:35,640
|
| 98 |
+
they were they were made by sh
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,640 --> 00:00:45,820
|
| 103 |
+
they were they were made by sh
|
| 104 |
+
shoes and they were not made
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:45,820 --> 00:00:45,830
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:45,830 --> 00:00:54,750
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:54,750 --> 00:00:54,760
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:54,760 --> 00:01:02,549
|
| 123 |
+
|
| 124 |
+
by at last coming little
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:02,549 --> 00:01:02,559
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:02,559 --> 00:01:05,030
|
| 133 |
+
|
| 134 |
+
darling what's the matter my darling
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:05,030 --> 00:01:05,040
|
| 138 |
+
darling what's the matter my darling
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:05,040 --> 00:01:07,510
|
| 143 |
+
darling what's the matter my darling
|
| 144 |
+
it's very strange my love but suddenly
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:07,510 --> 00:01:07,520
|
| 148 |
+
it's very strange my love but suddenly
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:07,520 --> 00:01:10,469
|
| 153 |
+
it's very strange my love but suddenly
|
| 154 |
+
I'm freezing cold you freezing
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:10,469 --> 00:01:10,479
|
| 158 |
+
I'm freezing cold you freezing
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:10,479 --> 00:01:13,469
|
| 163 |
+
I'm freezing cold you freezing
|
| 164 |
+
cold oh the window is open the window is
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:13,469 --> 00:01:13,479
|
| 168 |
+
cold oh the window is open the window is
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:13,479 --> 00:01:15,310
|
| 173 |
+
cold oh the window is open the window is
|
| 174 |
+
open well well you know sometimes it's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:15,310 --> 00:01:15,320
|
| 178 |
+
open well well you know sometimes it's
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:15,320 --> 00:01:17,030
|
| 183 |
+
open well well you know sometimes it's
|
| 184 |
+
healthy to have a lot of fresh air
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:17,030 --> 00:01:17,040
|
| 188 |
+
healthy to have a lot of fresh air
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:17,040 --> 00:01:18,749
|
| 193 |
+
healthy to have a lot of fresh air
|
| 194 |
+
healthy is one thing but it's hell in
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:18,749 --> 00:01:18,759
|
| 198 |
+
healthy is one thing but it's hell in
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:18,759 --> 00:01:20,630
|
| 203 |
+
healthy is one thing but it's hell in
|
| 204 |
+
here my
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:20,630 --> 00:01:20,640
|
| 208 |
+
here my
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:20,640 --> 00:01:24,400
|
| 213 |
+
here my
|
| 214 |
+
love 10 below zero outside
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:24,400 --> 00:01:24,410
|
| 218 |
+
love 10 below zero outside
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:24,410 --> 00:01:36,630
|
| 223 |
+
love 10 below zero outside
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:36,630 --> 00:01:36,640
|
| 228 |
+
[Music]
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:36,640 --> 00:01:42,870
|
| 233 |
+
[Music]
|
| 234 |
+
no my
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:42,870 --> 00:01:42,880
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:42,880 --> 00:01:45,630
|
| 243 |
+
|
| 244 |
+
that at last
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:45,630 --> 00:01:45,640
|
| 248 |
+
that at last
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:45,640 --> 00:01:52,550
|
| 253 |
+
that at last
|
| 254 |
+
[Music]
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:52,550 --> 00:01:52,560
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:52,560 --> 00:01:59,760
|
| 263 |
+
|
| 264 |
+
[Music]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:59,760 --> 00:01:59,770
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:59,770 --> 00:02:38,489
|
| 273 |
+
|
| 274 |
+
[Music]
|
| 275 |
+
|
1963/ScJijQn6RyI.en.srt
ADDED
|
@@ -0,0 +1,185 @@
|
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|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:05,330 --> 00:00:10,580
|
| 3 |
+
|
| 4 |
+
yes ma'am focus all right I think I'd
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:10,580 --> 00:00:10,590
|
| 8 |
+
yes ma'am focus all right I think I'd
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:10,590 --> 00:00:16,390
|
| 13 |
+
yes ma'am focus all right I think I'd
|
| 14 |
+
better be rolling we are from Germany
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:16,390 --> 00:00:16,400
|
| 18 |
+
better be rolling we are from Germany
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:16,400 --> 00:00:21,080
|
| 23 |
+
better be rolling we are from Germany
|
| 24 |
+
from Austrian from Bulgaria they learn
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:21,080 --> 00:00:21,090
|
| 28 |
+
from Austrian from Bulgaria they learn
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:21,090 --> 00:00:31,400
|
| 33 |
+
from Austrian from Bulgaria they learn
|
| 34 |
+
English seven seed and inna of mind
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:31,400 --> 00:00:31,410
|
| 38 |
+
English seven seed and inna of mind
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:31,410 --> 00:00:35,959
|
| 43 |
+
English seven seed and inna of mind
|
| 44 |
+
simmer please send the ballot up to my
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:35,959 --> 00:00:35,969
|
| 48 |
+
simmer please send the ballot up to my
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:35,969 --> 00:00:48,860
|
| 53 |
+
simmer please send the ballot up to my
|
| 54 |
+
room here it's minor facial Easter here
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:48,860 --> 00:00:48,870
|
| 58 |
+
room here it's minor facial Easter here
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:48,870 --> 00:00:57,549
|
| 63 |
+
room here it's minor facial Easter here
|
| 64 |
+
is my laundry list here is my list
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:57,549 --> 00:00:57,559
|
| 68 |
+
is my laundry list here is my list
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:57,559 --> 00:01:08,120
|
| 73 |
+
is my laundry list here is my list
|
| 74 |
+
soccer five pairs of socks five spine
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:08,120 --> 00:01:08,130
|
| 78 |
+
soccer five pairs of socks five spine
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:08,130 --> 00:01:20,270
|
| 83 |
+
soccer five pairs of socks five spine
|
| 84 |
+
ups flight up to pajamas I could speak
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:20,270 --> 00:01:20,280
|
| 88 |
+
ups flight up to pajamas I could speak
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:20,280 --> 00:01:23,390
|
| 93 |
+
ups flight up to pajamas I could speak
|
| 94 |
+
English for you that's button see it
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:23,390 --> 00:01:23,400
|
| 98 |
+
English for you that's button see it
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:23,400 --> 00:01:25,550
|
| 103 |
+
English for you that's button see it
|
| 104 |
+
should I said Schmidt fit me into
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:25,550 --> 00:01:25,560
|
| 108 |
+
should I said Schmidt fit me into
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:25,560 --> 00:01:31,130
|
| 113 |
+
should I said Schmidt fit me into
|
| 114 |
+
English anything you want to know just
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:31,130 --> 00:01:31,140
|
| 118 |
+
English anything you want to know just
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:31,140 --> 00:01:38,389
|
| 123 |
+
English anything you want to know just
|
| 124 |
+
name it
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:38,389 --> 00:01:38,399
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:38,399 --> 00:01:44,849
|
| 133 |
+
|
| 134 |
+
what is named this photograph for no
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:44,849 --> 00:01:44,859
|
| 138 |
+
what is named this photograph for no
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:44,859 --> 00:01:50,779
|
| 143 |
+
what is named this photograph for no
|
| 144 |
+
grass
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:50,779 --> 00:01:50,789
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:50,789 --> 00:02:00,149
|
| 153 |
+
|
| 154 |
+
record phonograph record photograph
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:02:00,149 --> 00:02:00,159
|
| 158 |
+
record phonograph record photograph
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:02:00,159 --> 00:02:02,710
|
| 163 |
+
record phonograph record photograph
|
| 164 |
+
record is black
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:02:02,710 --> 00:02:02,720
|
| 168 |
+
record is black
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:02:02,720 --> 00:02:04,230
|
| 173 |
+
record is black
|
| 174 |
+
[Applause]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:04,230 --> 00:02:04,240
|
| 178 |
+
[Applause]
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:02:04,240 --> 00:02:17,259
|
| 183 |
+
[Applause]
|
| 184 |
+
[Music]
|
| 185 |
+
|
1963/VXPxIwL1e5g.en.srt
ADDED
|
@@ -0,0 +1,445 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,580 --> 00:00:04,579
|
| 3 |
+
|
| 4 |
+
what about one of those Englishmen who
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,579 --> 00:00:04,589
|
| 8 |
+
what about one of those Englishmen who
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,589 --> 00:00:06,340
|
| 13 |
+
what about one of those Englishmen who
|
| 14 |
+
draw up in heaven
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,340 --> 00:00:06,350
|
| 18 |
+
draw up in heaven
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,350 --> 00:00:09,440
|
| 23 |
+
draw up in heaven
|
| 24 |
+
you know rolls-royce oxford Coldstream
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,440 --> 00:00:09,450
|
| 28 |
+
you know rolls-royce oxford Coldstream
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,450 --> 00:00:11,990
|
| 33 |
+
you know rolls-royce oxford Coldstream
|
| 34 |
+
Guards they're harmless enough you don't
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,990 --> 00:00:12,000
|
| 38 |
+
Guards they're harmless enough you don't
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:12,000 --> 00:00:13,070
|
| 43 |
+
Guards they're harmless enough you don't
|
| 44 |
+
understand
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,070 --> 00:00:13,080
|
| 48 |
+
understand
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,080 --> 00:00:14,930
|
| 53 |
+
understand
|
| 54 |
+
I don't want anybody to make love to her
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:14,930 --> 00:00:14,940
|
| 58 |
+
I don't want anybody to make love to her
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:14,940 --> 00:00:27,019
|
| 63 |
+
I don't want anybody to make love to her
|
| 64 |
+
except me sentimental slob two onion
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:27,019 --> 00:00:27,029
|
| 68 |
+
except me sentimental slob two onion
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:27,029 --> 00:00:30,080
|
| 73 |
+
except me sentimental slob two onion
|
| 74 |
+
soup Sbarro wine 15 Frank capital onion
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:30,080 --> 00:00:30,090
|
| 78 |
+
soup Sbarro wine 15 Frank capital onion
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:30,090 --> 00:00:34,069
|
| 83 |
+
soup Sbarro wine 15 Frank capital onion
|
| 84 |
+
soup he we don't have rubber pockets we
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:34,069 --> 00:00:34,079
|
| 88 |
+
soup he we don't have rubber pockets we
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:34,079 --> 00:00:43,010
|
| 93 |
+
soup he we don't have rubber pockets we
|
| 94 |
+
can smuggle them back to London an
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:43,010 --> 00:00:43,020
|
| 98 |
+
can smuggle them back to London an
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:43,020 --> 00:00:45,160
|
| 103 |
+
can smuggle them back to London an
|
| 104 |
+
Englishman
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:45,160 --> 00:00:45,170
|
| 108 |
+
Englishman
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:45,170 --> 00:00:47,750
|
| 113 |
+
Englishman
|
| 114 |
+
maybe that wouldn't be such a bad idea
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:47,750 --> 00:00:47,760
|
| 118 |
+
maybe that wouldn't be such a bad idea
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:47,760 --> 00:00:53,450
|
| 123 |
+
maybe that wouldn't be such a bad idea
|
| 124 |
+
it's worth a try I say that would you
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:53,450 --> 00:00:53,460
|
| 128 |
+
it's worth a try I say that would you
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:53,460 --> 00:00:58,490
|
| 133 |
+
it's worth a try I say that would you
|
| 134 |
+
lend me 500 francs what for I'm gonna
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:58,490 --> 00:00:58,500
|
| 138 |
+
lend me 500 francs what for I'm gonna
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:58,500 --> 00:00:59,900
|
| 143 |
+
lend me 500 francs what for I'm gonna
|
| 144 |
+
give it a kill me it was going to give
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:59,900 --> 00:00:59,910
|
| 148 |
+
give it a kill me it was going to give
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:59,910 --> 00:01:01,369
|
| 153 |
+
give it a kill me it was going to give
|
| 154 |
+
it back to me and I'm going to keep it
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:01,369 --> 00:01:01,379
|
| 158 |
+
it back to me and I'm going to keep it
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:01,379 --> 00:01:03,049
|
| 163 |
+
it back to me and I'm going to keep it
|
| 164 |
+
back to you it's very simple really
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:03,049 --> 00:01:03,059
|
| 168 |
+
back to you it's very simple really
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:03,059 --> 00:01:06,740
|
| 173 |
+
back to you it's very simple really
|
| 174 |
+
what are you talking about you see which
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:06,740 --> 00:01:06,750
|
| 178 |
+
what are you talking about you see which
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:06,750 --> 00:01:13,310
|
| 183 |
+
what are you talking about you see which
|
| 184 |
+
lover and it's going to be me desperate
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:13,310 --> 00:01:13,320
|
| 188 |
+
lover and it's going to be me desperate
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:13,320 --> 00:01:14,420
|
| 193 |
+
lover and it's going to be me desperate
|
| 194 |
+
this is the only way out and you're
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:14,420 --> 00:01:14,430
|
| 198 |
+
this is the only way out and you're
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:14,430 --> 00:01:22,310
|
| 203 |
+
this is the only way out and you're
|
| 204 |
+
gonna help me you must you hear me all
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:22,310 --> 00:01:22,320
|
| 208 |
+
gonna help me you must you hear me all
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:22,320 --> 00:01:25,340
|
| 213 |
+
gonna help me you must you hear me all
|
| 214 |
+
right let's hear it again the rain in
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:25,340 --> 00:01:25,350
|
| 218 |
+
right let's hear it again the rain in
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:25,350 --> 00:01:27,950
|
| 223 |
+
right let's hear it again the rain in
|
| 224 |
+
Spain stays mainly in the plain
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:27,950 --> 00:01:27,960
|
| 228 |
+
Spain stays mainly in the plain
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:27,960 --> 00:01:30,679
|
| 233 |
+
Spain stays mainly in the plain
|
| 234 |
+
no no through the nose the rain in Spain
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:30,679 --> 00:01:30,689
|
| 238 |
+
no no through the nose the rain in Spain
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:30,689 --> 00:01:33,770
|
| 243 |
+
no no through the nose the rain in Spain
|
| 244 |
+
and show me some teeth the rain in Spain
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:33,770 --> 00:01:33,780
|
| 248 |
+
and show me some teeth the rain in Spain
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:33,780 --> 00:01:36,260
|
| 253 |
+
and show me some teeth the rain in Spain
|
| 254 |
+
stays mainly in the plain
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:36,260 --> 00:01:36,270
|
| 258 |
+
stays mainly in the plain
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:36,270 --> 00:01:39,050
|
| 263 |
+
stays mainly in the plain
|
| 264 |
+
I judge you haven't got it I haven't Wow
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:39,050 --> 00:01:39,060
|
| 268 |
+
I judge you haven't got it I haven't Wow
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:39,060 --> 00:01:40,910
|
| 273 |
+
I judge you haven't got it I haven't Wow
|
| 274 |
+
to a lord you wouldn't be a law but
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:40,910 --> 00:01:40,920
|
| 278 |
+
to a lord you wouldn't be a law but
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:40,920 --> 00:01:42,859
|
| 283 |
+
to a lord you wouldn't be a law but
|
| 284 |
+
maybe to ear ma don't worry I've seen
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:42,859 --> 00:01:42,869
|
| 288 |
+
maybe to ear ma don't worry I've seen
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:42,869 --> 00:01:44,600
|
| 293 |
+
maybe to ear ma don't worry I've seen
|
| 294 |
+
every English movie in town I'm ready
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:44,600 --> 00:01:44,610
|
| 298 |
+
every English movie in town I'm ready
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:44,610 --> 00:01:47,090
|
| 303 |
+
every English movie in town I'm ready
|
| 304 |
+
Oh still your Lord you tell me just once
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:47,090 --> 00:01:47,100
|
| 308 |
+
Oh still your Lord you tell me just once
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:47,100 --> 00:01:49,090
|
| 313 |
+
Oh still your Lord you tell me just once
|
| 314 |
+
more where is my castle in
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:49,090 --> 00:01:49,100
|
| 318 |
+
more where is my castle in
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:49,100 --> 00:01:51,800
|
| 323 |
+
more where is my castle in
|
| 324 |
+
Worcestershire no that's the sauce in
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:51,800 --> 00:01:51,810
|
| 328 |
+
Worcestershire no that's the sauce in
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:51,810 --> 00:01:53,330
|
| 333 |
+
Worcestershire no that's the sauce in
|
| 334 |
+
Yorkshire I thought that was a pudding
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:53,330 --> 00:01:53,340
|
| 338 |
+
Yorkshire I thought that was a pudding
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:53,340 --> 00:01:55,249
|
| 343 |
+
Yorkshire I thought that was a pudding
|
| 344 |
+
well I've done all I can
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:55,249 --> 00:01:55,259
|
| 348 |
+
well I've done all I can
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:55,259 --> 00:01:58,760
|
| 353 |
+
well I've done all I can
|
| 354 |
+
let's see Romberg problem where's my 500
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:58,760 --> 00:01:58,770
|
| 358 |
+
let's see Romberg problem where's my 500
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:58,770 --> 00:02:02,480
|
| 363 |
+
let's see Romberg problem where's my 500
|
| 364 |
+
francs you mean my 500 francs think your
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:02,480 --> 00:02:02,490
|
| 368 |
+
francs you mean my 500 francs think your
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:02,490 --> 00:02:05,899
|
| 373 |
+
francs you mean my 500 francs think your
|
| 374 |
+
oh the chip not old ship old channel and
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:05,899 --> 00:02:05,909
|
| 378 |
+
oh the chip not old ship old channel and
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:05,909 --> 00:02:09,229
|
| 383 |
+
oh the chip not old ship old channel and
|
| 384 |
+
not that way on the lift on the way the
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:09,229 --> 00:02:09,239
|
| 388 |
+
not that way on the lift on the way the
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:09,239 --> 00:02:11,070
|
| 393 |
+
not that way on the lift on the way the
|
| 394 |
+
elevator
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:11,070 --> 00:02:11,080
|
| 398 |
+
elevator
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:11,080 --> 00:02:15,930
|
| 403 |
+
elevator
|
| 404 |
+
Wow then shall we ever go edit this may
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:15,930 --> 00:02:15,940
|
| 408 |
+
Wow then shall we ever go edit this may
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:15,940 --> 00:02:17,760
|
| 413 |
+
Wow then shall we ever go edit this may
|
| 414 |
+
be the biggest setback for the British
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:17,760 --> 00:02:17,770
|
| 418 |
+
be the biggest setback for the British
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:17,770 --> 00:02:21,420
|
| 423 |
+
be the biggest setback for the British
|
| 424 |
+
since Dunkirk I know I was the last man
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:21,420 --> 00:02:21,430
|
| 428 |
+
since Dunkirk I know I was the last man
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:21,430 --> 00:02:25,660
|
| 433 |
+
since Dunkirk I know I was the last man
|
| 434 |
+
to be evacuated that's another story
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:25,660 --> 00:02:25,670
|
| 438 |
+
to be evacuated that's another story
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:25,670 --> 00:02:50,259
|
| 443 |
+
to be evacuated that's another story
|
| 444 |
+
[Music]
|
| 445 |
+
|
1963/VXkEBRtERnA.en.srt
ADDED
|
@@ -0,0 +1,185 @@
|
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|
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|
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|
|
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|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:02,040 --> 00:00:06,190
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,190 --> 00:00:06,200
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:06,200 --> 00:00:09,980
|
| 13 |
+
|
| 14 |
+
it's a girl smoothest delivery I ever
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,980 --> 00:00:09,990
|
| 18 |
+
it's a girl smoothest delivery I ever
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,990 --> 00:00:12,160
|
| 23 |
+
it's a girl smoothest delivery I ever
|
| 24 |
+
had it's beautiful
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:12,160 --> 00:00:12,170
|
| 28 |
+
had it's beautiful
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:12,170 --> 00:00:14,900
|
| 33 |
+
had it's beautiful
|
| 34 |
+
you delivered the baby why not I used to
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:14,900 --> 00:00:14,910
|
| 38 |
+
you delivered the baby why not I used to
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,910 --> 00:00:16,220
|
| 43 |
+
you delivered the baby why not I used to
|
| 44 |
+
be chief obstetrician of French
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,220 --> 00:00:16,230
|
| 48 |
+
be chief obstetrician of French
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,230 --> 00:00:23,950
|
| 53 |
+
be chief obstetrician of French
|
| 54 |
+
Equatorial Africa under dr. Schweitzer
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:23,950 --> 00:00:23,960
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:23,960 --> 00:00:32,359
|
| 63 |
+
|
| 64 |
+
yes we're not taking you away never we
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:32,359 --> 00:00:32,369
|
| 68 |
+
yes we're not taking you away never we
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:32,369 --> 00:00:35,690
|
| 73 |
+
yes we're not taking you away never we
|
| 74 |
+
can call me officer for two again not
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:35,690 --> 00:00:35,700
|
| 78 |
+
can call me officer for two again not
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:35,700 --> 00:00:36,940
|
| 83 |
+
can call me officer for two again not
|
| 84 |
+
now Oh
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:36,940 --> 00:00:36,950
|
| 88 |
+
now Oh
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:36,950 --> 00:00:38,540
|
| 93 |
+
now Oh
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:38,540 --> 00:00:38,550
|
| 98 |
+
[Music]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:38,550 --> 00:00:44,540
|
| 103 |
+
[Music]
|
| 104 |
+
let me hold her Oh gonna be such fun
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:44,540 --> 00:00:44,550
|
| 108 |
+
let me hold her Oh gonna be such fun
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:44,550 --> 00:00:48,619
|
| 113 |
+
let me hold her Oh gonna be such fun
|
| 114 |
+
bringing her up put her in Oregon
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:48,619 --> 00:00:48,629
|
| 118 |
+
bringing her up put her in Oregon
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:48,629 --> 00:00:51,650
|
| 123 |
+
bringing her up put her in Oregon
|
| 124 |
+
dresses and pinafore and I'm gonna get
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:51,650 --> 00:00:51,660
|
| 128 |
+
dresses and pinafore and I'm gonna get
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:51,660 --> 00:00:53,510
|
| 133 |
+
dresses and pinafore and I'm gonna get
|
| 134 |
+
her some green stockings and a puppy
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:53,510 --> 00:00:53,520
|
| 138 |
+
her some green stockings and a puppy
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:53,520 --> 00:00:58,530
|
| 143 |
+
her some green stockings and a puppy
|
| 144 |
+
yeah if you're no talking no puppy
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:58,530 --> 00:00:58,540
|
| 148 |
+
yeah if you're no talking no puppy
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:58,540 --> 00:01:29,449
|
| 153 |
+
yeah if you're no talking no puppy
|
| 154 |
+
[Music]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:29,449 --> 00:01:29,459
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:29,459 --> 00:02:03,950
|
| 163 |
+
|
| 164 |
+
chivonne that's another story
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:02:03,950 --> 00:02:03,960
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:02:03,960 --> 00:02:09,610
|
| 173 |
+
|
| 174 |
+
you
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:09,610 --> 00:02:09,620
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:02:09,620 --> 00:02:13,270
|
| 183 |
+
|
| 184 |
+
[Music]
|
| 185 |
+
|
1963/Wh4oSUvSQTQ.en.srt
ADDED
|
@@ -0,0 +1,465 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,640 --> 00:00:12,629
|
| 3 |
+
|
| 4 |
+
what is it
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:12,629 --> 00:00:12,639
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:12,639 --> 00:00:16,109
|
| 13 |
+
|
| 14 |
+
flowers George trick or trick now wait a
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:16,109 --> 00:00:16,119
|
| 18 |
+
flowers George trick or trick now wait a
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:16,119 --> 00:00:20,790
|
| 23 |
+
flowers George trick or trick now wait a
|
| 24 |
+
minute I found these growing in the
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:20,790 --> 00:00:20,800
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:20,800 --> 00:00:23,589
|
| 33 |
+
|
| 34 |
+
hall well you get right out of here now
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:23,589 --> 00:00:23,599
|
| 38 |
+
hall well you get right out of here now
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:23,599 --> 00:00:25,790
|
| 43 |
+
hall well you get right out of here now
|
| 44 |
+
what kind of hospitality is that but
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:25,790 --> 00:00:25,800
|
| 48 |
+
what kind of hospitality is that but
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:25,800 --> 00:00:27,189
|
| 53 |
+
what kind of hospitality is that but
|
| 54 |
+
listen my husband could be back in a
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:27,189 --> 00:00:27,199
|
| 58 |
+
listen my husband could be back in a
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:27,199 --> 00:00:30,390
|
| 63 |
+
listen my husband could be back in a
|
| 64 |
+
minute he must be about halfway to B by
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:30,390 --> 00:00:30,400
|
| 68 |
+
minute he must be about halfway to B by
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:30,400 --> 00:00:32,229
|
| 73 |
+
minute he must be about halfway to B by
|
| 74 |
+
now you must come to brono immediately
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:32,229 --> 00:00:32,239
|
| 78 |
+
now you must come to brono immediately
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:32,239 --> 00:00:34,389
|
| 83 |
+
now you must come to brono immediately
|
| 84 |
+
inspector I have information regarding
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:34,389 --> 00:00:34,399
|
| 88 |
+
inspector I have information regarding
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:34,399 --> 00:00:35,110
|
| 93 |
+
inspector I have information regarding
|
| 94 |
+
the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,110 --> 00:00:35,120
|
| 98 |
+
the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,120 --> 00:00:37,310
|
| 103 |
+
the
|
| 104 |
+
Phantom and while you're in brono
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:37,310 --> 00:00:37,320
|
| 108 |
+
Phantom and while you're in brono
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:37,320 --> 00:00:39,150
|
| 113 |
+
Phantom and while you're in brono
|
| 114 |
+
waiting for the prefix the police I
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:39,150 --> 00:00:39,160
|
| 118 |
+
waiting for the prefix the police I
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:39,160 --> 00:00:41,350
|
| 123 |
+
waiting for the prefix the police I
|
| 124 |
+
shall be thank you very much I shall be
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:41,350 --> 00:00:41,360
|
| 128 |
+
shall be thank you very much I shall be
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:41,360 --> 00:00:45,790
|
| 133 |
+
shall be thank you very much I shall be
|
| 134 |
+
investigating your
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:45,790 --> 00:00:45,800
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:45,800 --> 00:00:49,709
|
| 143 |
+
|
| 144 |
+
wife one never knows huh perhaps the
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:49,709 --> 00:00:49,719
|
| 148 |
+
wife one never knows huh perhaps the
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:49,719 --> 00:00:53,270
|
| 153 |
+
wife one never knows huh perhaps the
|
| 154 |
+
Phantom is hiding under the George oh
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:53,270 --> 00:00:53,280
|
| 158 |
+
Phantom is hiding under the George oh
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:53,280 --> 00:00:55,270
|
| 163 |
+
Phantom is hiding under the George oh
|
| 164 |
+
well that's more likely no you should be
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:55,270 --> 00:00:55,280
|
| 168 |
+
well that's more likely no you should be
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:55,280 --> 00:00:56,950
|
| 173 |
+
well that's more likely no you should be
|
| 174 |
+
ashamed of yourself oh I'm planning on
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:56,950 --> 00:00:56,960
|
| 178 |
+
ashamed of yourself oh I'm planning on
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:56,960 --> 00:00:58,910
|
| 183 |
+
ashamed of yourself oh I'm planning on
|
| 184 |
+
it but suppose Jack doesn't go to
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:58,910 --> 00:00:58,920
|
| 188 |
+
it but suppose Jack doesn't go to
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:58,920 --> 00:01:00,910
|
| 193 |
+
it but suppose Jack doesn't go to
|
| 194 |
+
suppose he finds out prefect never
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:00,910 --> 00:01:00,920
|
| 198 |
+
suppose he finds out prefect never
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:00,920 --> 00:01:03,590
|
| 203 |
+
suppose he finds out prefect never
|
| 204 |
+
beauti now stop this George you the dest
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:03,590 --> 00:01:03,600
|
| 208 |
+
beauti now stop this George you the dest
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:03,600 --> 00:01:04,750
|
| 213 |
+
beauti now stop this George you the dest
|
| 214 |
+
woman I've ever met what are you a
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:04,750 --> 00:01:04,760
|
| 218 |
+
woman I've ever met what are you a
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:04,760 --> 00:01:06,550
|
| 223 |
+
woman I've ever met what are you a
|
| 224 |
+
sexual yo-yo first you jump in my bed
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:06,550 --> 00:01:06,560
|
| 228 |
+
sexual yo-yo first you jump in my bed
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:06,560 --> 00:01:07,950
|
| 233 |
+
sexual yo-yo first you jump in my bed
|
| 234 |
+
then you push me up a mountain then you
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:07,950 --> 00:01:07,960
|
| 238 |
+
then you push me up a mountain then you
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:07,960 --> 00:01:09,149
|
| 243 |
+
then you push me up a mountain then you
|
| 244 |
+
practically seduced me on the Dance
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:09,149 --> 00:01:09,159
|
| 248 |
+
practically seduced me on the Dance
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:09,159 --> 00:01:11,070
|
| 253 |
+
practically seduced me on the Dance
|
| 254 |
+
Floor now look George you're terribly
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:11,070 --> 00:01:11,080
|
| 258 |
+
Floor now look George you're terribly
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:11,080 --> 00:01:13,830
|
| 263 |
+
Floor now look George you're terribly
|
| 264 |
+
attractive and I'm naturally uh but not
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:13,830 --> 00:01:13,840
|
| 268 |
+
attractive and I'm naturally uh but not
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:13,840 --> 00:01:16,350
|
| 273 |
+
attractive and I'm naturally uh but not
|
| 274 |
+
here where well I don't know but not
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:16,350 --> 00:01:16,360
|
| 278 |
+
here where well I don't know but not
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:16,360 --> 00:01:17,789
|
| 283 |
+
here where well I don't know but not
|
| 284 |
+
tonight you know what your trouble is
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:17,789 --> 00:01:17,799
|
| 288 |
+
tonight you know what your trouble is
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:17,799 --> 00:01:19,749
|
| 293 |
+
tonight you know what your trouble is
|
| 294 |
+
you just can't make up your mind well I
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:19,749 --> 00:01:19,759
|
| 298 |
+
you just can't make up your mind well I
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:19,759 --> 00:01:20,990
|
| 303 |
+
you just can't make up your mind well I
|
| 304 |
+
am married uhhuh and where's your
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:20,990 --> 00:01:21,000
|
| 308 |
+
am married uhhuh and where's your
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:21,000 --> 00:01:23,310
|
| 313 |
+
am married uhhuh and where's your
|
| 314 |
+
husband out in 12T of snow chasing the F
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:23,310 --> 00:01:23,320
|
| 318 |
+
husband out in 12T of snow chasing the F
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:23,320 --> 00:01:25,030
|
| 323 |
+
husband out in 12T of snow chasing the F
|
| 324 |
+
well that was your idea sure it was but
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:25,030 --> 00:01:25,040
|
| 328 |
+
well that was your idea sure it was but
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:25,040 --> 00:01:26,590
|
| 333 |
+
well that was your idea sure it was but
|
| 334 |
+
if he was any kind of a man he wouldn't
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:26,590 --> 00:01:26,600
|
| 338 |
+
if he was any kind of a man he wouldn't
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:26,600 --> 00:01:27,789
|
| 343 |
+
if he was any kind of a man he wouldn't
|
| 344 |
+
have
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:27,789 --> 00:01:27,799
|
| 348 |
+
have
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:27,799 --> 00:01:33,310
|
| 353 |
+
have
|
| 354 |
+
gone darling
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:33,310 --> 00:01:33,320
|
| 358 |
+
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:33,320 --> 00:01:42,190
|
| 363 |
+
|
| 364 |
+
darling it's
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:42,190 --> 00:01:42,200
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:42,200 --> 00:01:44,190
|
| 373 |
+
|
| 374 |
+
loed half
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:44,190 --> 00:01:44,200
|
| 378 |
+
loed half
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:44,200 --> 00:01:50,590
|
| 383 |
+
loed half
|
| 384 |
+
you
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:50,590 --> 00:01:50,600
|
| 388 |
+
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:50,600 --> 00:01:54,469
|
| 393 |
+
|
| 394 |
+
Angel what do I do answer the
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:54,469 --> 00:01:54,479
|
| 398 |
+
Angel what do I do answer the
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:54,479 --> 00:01:58,670
|
| 403 |
+
Angel what do I do answer the
|
| 404 |
+
door on Yes
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:58,670 --> 00:01:58,680
|
| 408 |
+
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:58,680 --> 00:02:00,709
|
| 413 |
+
|
| 414 |
+
dear but Jack I thought you were on
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:00,709 --> 00:02:00,719
|
| 418 |
+
dear but Jack I thought you were on
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:00,719 --> 00:02:03,749
|
| 423 |
+
dear but Jack I thought you were on
|
| 424 |
+
youred that phone call was a
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:03,749 --> 00:02:03,759
|
| 428 |
+
youred that phone call was a
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:03,759 --> 00:02:08,710
|
| 433 |
+
youred that phone call was a
|
| 434 |
+
Ru oh dear are you heard my
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:08,710 --> 00:02:08,720
|
| 438 |
+
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:08,720 --> 00:02:10,990
|
| 443 |
+
|
| 444 |
+
darling I I don't recall that being
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:10,990 --> 00:02:11,000
|
| 448 |
+
darling I I don't recall that being
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:11,000 --> 00:02:35,520
|
| 453 |
+
darling I I don't recall that being
|
| 454 |
+
there no it was s a while ago I thought
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:35,520 --> 00:02:35,530
|
| 458 |
+
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:35,530 --> 00:02:44,479
|
| 463 |
+
|
| 464 |
+
[Music]
|
| 465 |
+
|
1963/Xei_IKhp9tU.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
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|
|
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|
|
|
|
|
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|
|
|
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|
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|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
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|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
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|
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|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
| 1 |
+
The Birds movie clips: http://j.mp/15vUQTZ
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vAN8ED
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Melanie (Tippi Hedren) considers leaving, but her plans are cut short when swarms of birds fly down the chimney and drive the Brenners out of their house.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Rod Taylor, Veronica Cartwright, Tippi Hedren, Jessica Tandy
|
| 14 |
+
Director: Alfred Hitchcock
|
| 15 |
+
Producer: Alfred Hitchcock
|
| 16 |
+
Screenwriters: Daphne Du Maurier, Evan Hunter
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/Xei_IKhp9tU.en.srt
ADDED
|
@@ -0,0 +1,95 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:28,960 --> 00:00:34,549
|
| 3 |
+
|
| 4 |
+
for
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:34,549 --> 00:00:34,559
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:34,559 --> 00:00:36,549
|
| 13 |
+
|
| 14 |
+
quicker
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:36,549 --> 00:00:36,559
|
| 18 |
+
quicker
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:36,559 --> 00:00:56,040
|
| 23 |
+
quicker
|
| 24 |
+
back
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:56,040 --> 00:00:56,050
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:56,050 --> 00:00:58,910
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:58,910 --> 00:00:58,920
|
| 38 |
+
[Music]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:58,920 --> 00:01:28,830
|
| 43 |
+
[Music]
|
| 44 |
+
l
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:28,830 --> 00:01:28,840
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:28,840 --> 00:01:58,830
|
| 53 |
+
|
| 54 |
+
t
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:58,830 --> 00:01:58,840
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:58,840 --> 00:02:12,320
|
| 63 |
+
|
| 64 |
+
t
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:02:12,320 --> 00:02:12,330
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:02:12,330 --> 00:02:28,750
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:02:28,750 --> 00:02:28,760
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:02:28,760 --> 00:02:40,630
|
| 83 |
+
|
| 84 |
+
Yes
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:02:40,630 --> 00:02:40,640
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:02:40,640 --> 00:02:43,640
|
| 93 |
+
|
| 94 |
+
Yes
|
| 95 |
+
|
1963/XlvqgnIkzZU.en.srt
ADDED
|
@@ -0,0 +1,495 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,079 --> 00:00:02,470
|
| 3 |
+
|
| 4 |
+
we were keeping you alive until you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,470 --> 00:00:02,480
|
| 8 |
+
we were keeping you alive until you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,480 --> 00:00:03,670
|
| 13 |
+
we were keeping you alive until you
|
| 14 |
+
could get us the
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:03,670 --> 00:00:03,680
|
| 18 |
+
could get us the
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:03,680 --> 00:00:06,269
|
| 23 |
+
could get us the
|
| 24 |
+
Lector so you had me deliver it on a
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,269 --> 00:00:06,279
|
| 28 |
+
Lector so you had me deliver it on a
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,279 --> 00:00:08,990
|
| 33 |
+
Lector so you had me deliver it on a
|
| 34 |
+
plate that's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:08,990 --> 00:00:09,000
|
| 38 |
+
plate that's
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,000 --> 00:00:11,950
|
| 43 |
+
plate that's
|
| 44 |
+
brilliant go on I'm fascinated now that
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:11,950 --> 00:00:11,960
|
| 48 |
+
brilliant go on I'm fascinated now that
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,960 --> 00:00:14,350
|
| 53 |
+
brilliant go on I'm fascinated now that
|
| 54 |
+
we've got it you and the girl are
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:14,350 --> 00:00:14,360
|
| 58 |
+
we've got it you and the girl are
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:14,360 --> 00:00:19,590
|
| 63 |
+
we've got it you and the girl are
|
| 64 |
+
expendable between here and
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:19,590 --> 00:00:19,600
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:19,600 --> 00:00:21,870
|
| 73 |
+
|
| 74 |
+
treest the
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:21,870 --> 00:00:21,880
|
| 78 |
+
treest the
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:21,880 --> 00:00:25,790
|
| 83 |
+
treest the
|
| 84 |
+
girl isn't she working for Spector to
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:25,790 --> 00:00:25,800
|
| 88 |
+
girl isn't she working for Spector to
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:25,800 --> 00:00:27,950
|
| 93 |
+
girl isn't she working for Spector to
|
| 94 |
+
no she thinks she's doing it all for
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:27,950 --> 00:00:27,960
|
| 98 |
+
no she thinks she's doing it all for
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:27,960 --> 00:00:30,230
|
| 103 |
+
no she thinks she's doing it all for
|
| 104 |
+
Mother Russia
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:30,230 --> 00:00:30,240
|
| 108 |
+
Mother Russia
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:30,240 --> 00:00:32,750
|
| 113 |
+
Mother Russia
|
| 114 |
+
she takes her orders from Colonel
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:32,750 --> 00:00:32,760
|
| 118 |
+
she takes her orders from Colonel
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:32,760 --> 00:00:36,190
|
| 123 |
+
she takes her orders from Colonel
|
| 124 |
+
kleb AR R Roa KB's Russian head of
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:36,190 --> 00:00:36,200
|
| 128 |
+
kleb AR R Roa KB's Russian head of
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:36,200 --> 00:00:38,670
|
| 133 |
+
kleb AR R Roa KB's Russian head of
|
| 134 |
+
operations for smash
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:38,670 --> 00:00:38,680
|
| 138 |
+
operations for smash
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:38,680 --> 00:00:41,470
|
| 143 |
+
operations for smash
|
| 144 |
+
was cl works for Spectre
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:41,470 --> 00:00:41,480
|
| 148 |
+
was cl works for Spectre
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:41,480 --> 00:00:45,670
|
| 153 |
+
was cl works for Spectre
|
| 154 |
+
now the girl doesn't know
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:45,670 --> 00:00:45,680
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:45,680 --> 00:00:51,349
|
| 163 |
+
|
| 164 |
+
that well then why kill her
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:51,349 --> 00:00:51,359
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:51,359 --> 00:00:54,510
|
| 173 |
+
|
| 174 |
+
orders that's only half of it old
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:54,510 --> 00:00:54,520
|
| 178 |
+
orders that's only half of it old
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:54,520 --> 00:00:57,110
|
| 183 |
+
orders that's only half of it old
|
| 184 |
+
man here's a role of
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:57,110 --> 00:00:57,120
|
| 188 |
+
man here's a role of
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:57,120 --> 00:01:00,830
|
| 193 |
+
man here's a role of
|
| 194 |
+
film you have this in a handbag and on
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:00,830 --> 00:01:00,840
|
| 198 |
+
film you have this in a handbag and on
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:00,840 --> 00:01:03,590
|
| 203 |
+
film you have this in a handbag and on
|
| 204 |
+
you I find this
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:03,590 --> 00:01:03,600
|
| 208 |
+
you I find this
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:03,600 --> 00:01:06,710
|
| 213 |
+
you I find this
|
| 214 |
+
letter it's from her threatening to give
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:06,710 --> 00:01:06,720
|
| 218 |
+
letter it's from her threatening to give
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:06,720 --> 00:01:08,510
|
| 223 |
+
letter it's from her threatening to give
|
| 224 |
+
the film to the Press unless you marry
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:08,510 --> 00:01:08,520
|
| 228 |
+
the film to the Press unless you marry
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:08,520 --> 00:01:10,590
|
| 233 |
+
the film to the Press unless you marry
|
| 234 |
+
her for helping you get the
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:10,590 --> 00:01:10,600
|
| 238 |
+
her for helping you get the
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:10,600 --> 00:01:12,550
|
| 243 |
+
her for helping you get the
|
| 244 |
+
Lector what
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:12,550 --> 00:01:12,560
|
| 248 |
+
Lector what
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:12,560 --> 00:01:16,550
|
| 253 |
+
Lector what
|
| 254 |
+
film taken in the bridal suite at your
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:16,550 --> 00:01:16,560
|
| 258 |
+
film taken in the bridal suite at your
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:16,560 --> 00:01:18,710
|
| 263 |
+
film taken in the bridal suite at your
|
| 264 |
+
hotel something else the girl didn't
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:18,710 --> 00:01:18,720
|
| 268 |
+
hotel something else the girl didn't
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:18,720 --> 00:01:22,510
|
| 273 |
+
hotel something else the girl didn't
|
| 274 |
+
know about or
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:22,510 --> 00:01:22,520
|
| 278 |
+
know about or
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:22,520 --> 00:01:25,230
|
| 283 |
+
know about or
|
| 284 |
+
you must be a pretty sick collection of
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:25,230 --> 00:01:25,240
|
| 288 |
+
you must be a pretty sick collection of
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:25,240 --> 00:01:28,030
|
| 293 |
+
you must be a pretty sick collection of
|
| 294 |
+
Minds to dream up a plan like that you
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:28,030 --> 00:01:28,040
|
| 298 |
+
Minds to dream up a plan like that you
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:28,040 --> 00:01:30,190
|
| 303 |
+
Minds to dream up a plan like that you
|
| 304 |
+
see the headlines
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:30,190 --> 00:01:30,200
|
| 308 |
+
see the headlines
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:30,200 --> 00:01:32,109
|
| 313 |
+
see the headlines
|
| 314 |
+
British agent murders beautiful Russian
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:32,109 --> 00:01:32,119
|
| 318 |
+
British agent murders beautiful Russian
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:32,119 --> 00:01:33,590
|
| 323 |
+
British agent murders beautiful Russian
|
| 324 |
+
spy then commits
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:33,590 --> 00:01:33,600
|
| 328 |
+
spy then commits
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:33,600 --> 00:01:37,270
|
| 333 |
+
spy then commits
|
| 334 |
+
suicide tell me which lunatic assignment
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:37,270 --> 00:01:37,280
|
| 338 |
+
suicide tell me which lunatic assignment
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:37,280 --> 00:01:38,550
|
| 343 |
+
suicide tell me which lunatic assignment
|
| 344 |
+
did they get you out
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:38,550 --> 00:01:38,560
|
| 348 |
+
did they get you out
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:38,560 --> 00:01:45,069
|
| 353 |
+
did they get you out
|
| 354 |
+
of don't make it tougher on
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:45,069 --> 00:01:45,079
|
| 358 |
+
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:45,079 --> 00:01:47,350
|
| 363 |
+
|
| 364 |
+
yourself my orders are to kill you and
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:47,350 --> 00:01:47,360
|
| 368 |
+
yourself my orders are to kill you and
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:47,360 --> 00:01:48,429
|
| 373 |
+
yourself my orders are to kill you and
|
| 374 |
+
deliver the
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:48,429 --> 00:01:48,439
|
| 378 |
+
deliver the
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:48,439 --> 00:01:51,190
|
| 383 |
+
deliver the
|
| 384 |
+
Lector though I do it's my
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:51,190 --> 00:01:51,200
|
| 388 |
+
Lector though I do it's my
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:51,200 --> 00:01:53,990
|
| 393 |
+
Lector though I do it's my
|
| 394 |
+
business it'll be slow and
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:53,990 --> 00:01:54,000
|
| 398 |
+
business it'll be slow and
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:54,000 --> 00:01:57,350
|
| 403 |
+
business it'll be slow and
|
| 404 |
+
painful how much are they paying you
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:57,350 --> 00:01:57,360
|
| 408 |
+
painful how much are they paying you
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:57,360 --> 00:02:01,670
|
| 413 |
+
painful how much are they paying you
|
| 414 |
+
what's it to you we'll double it
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:01,670 --> 00:02:01,680
|
| 418 |
+
what's it to you we'll double it
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:01,680 --> 00:02:03,830
|
| 423 |
+
what's it to you we'll double it
|
| 424 |
+
your word of
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:03,830 --> 00:02:03,840
|
| 428 |
+
your word of
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:03,840 --> 00:02:12,350
|
| 433 |
+
your word of
|
| 434 |
+
Honor as an English
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:12,350 --> 00:02:12,360
|
| 438 |
+
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:12,360 --> 00:02:15,030
|
| 443 |
+
|
| 444 |
+
gentleman the first one won't kill
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:15,030 --> 00:02:15,040
|
| 448 |
+
gentleman the first one won't kill
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:15,040 --> 00:02:17,390
|
| 453 |
+
gentleman the first one won't kill
|
| 454 |
+
you not the
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:17,390 --> 00:02:17,400
|
| 458 |
+
you not the
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:17,400 --> 00:02:20,830
|
| 463 |
+
you not the
|
| 464 |
+
second not even the
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:02:20,830 --> 00:02:20,840
|
| 468 |
+
second not even the
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:02:20,840 --> 00:02:23,670
|
| 473 |
+
second not even the
|
| 474 |
+
third not till you crawl over here and
|
| 475 |
+
|
| 476 |
+
96
|
| 477 |
+
00:02:23,670 --> 00:02:23,680
|
| 478 |
+
third not till you crawl over here and
|
| 479 |
+
|
| 480 |
+
|
| 481 |
+
97
|
| 482 |
+
00:02:23,680 --> 00:02:28,830
|
| 483 |
+
third not till you crawl over here and
|
| 484 |
+
you kiss my foot
|
| 485 |
+
|
| 486 |
+
98
|
| 487 |
+
00:02:28,830 --> 00:02:28,840
|
| 488 |
+
|
| 489 |
+
|
| 490 |
+
|
| 491 |
+
99
|
| 492 |
+
00:02:28,840 --> 00:02:55,930
|
| 493 |
+
|
| 494 |
+
[Music]
|
| 495 |
+
|
1963/ZH81ElJu-Jw.en.srt
ADDED
|
@@ -0,0 +1,465 @@
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| 1 |
+
1
|
| 2 |
+
00:00:02,419 --> 00:00:09,950
|
| 3 |
+
|
| 4 |
+
a glass of issue right cognac please get
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,950 --> 00:00:09,960
|
| 8 |
+
a glass of issue right cognac please get
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,960 --> 00:00:12,850
|
| 13 |
+
a glass of issue right cognac please get
|
| 14 |
+
the taste of feathers out of my mouth
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:12,850 --> 00:00:12,860
|
| 18 |
+
the taste of feathers out of my mouth
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:12,860 --> 00:00:19,760
|
| 23 |
+
the taste of feathers out of my mouth
|
| 24 |
+
little birdies pretty
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:19,760 --> 00:00:19,770
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:19,770 --> 00:00:23,870
|
| 33 |
+
|
| 34 |
+
you are cutie permanently
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:23,870 --> 00:00:23,880
|
| 38 |
+
you are cutie permanently
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:23,880 --> 00:00:26,790
|
| 43 |
+
you are cutie permanently
|
| 44 |
+
I've been bounced from the police force
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:26,790 --> 00:00:26,800
|
| 48 |
+
I've been bounced from the police force
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:26,800 --> 00:00:29,269
|
| 53 |
+
I've been bounced from the police force
|
| 54 |
+
you don't say had the goods on me
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:29,269 --> 00:00:29,279
|
| 58 |
+
you don't say had the goods on me
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:29,279 --> 00:00:31,380
|
| 63 |
+
you don't say had the goods on me
|
| 64 |
+
insubordination accepting bribes and
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:31,380 --> 00:00:31,390
|
| 68 |
+
insubordination accepting bribes and
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:31,390 --> 00:00:33,450
|
| 73 |
+
insubordination accepting bribes and
|
| 74 |
+
about missing from my uniform so they
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:33,450 --> 00:00:33,460
|
| 78 |
+
about missing from my uniform so they
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:33,460 --> 00:00:35,670
|
| 83 |
+
about missing from my uniform so they
|
| 84 |
+
took away my metal throw me out of the
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:35,670 --> 00:00:35,680
|
| 88 |
+
took away my metal throw me out of the
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:35,680 --> 00:00:38,460
|
| 93 |
+
took away my metal throw me out of the
|
| 94 |
+
barracks reminds me of when I was
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:38,460 --> 00:00:38,470
|
| 98 |
+
barracks reminds me of when I was
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:38,470 --> 00:00:41,130
|
| 103 |
+
barracks reminds me of when I was
|
| 104 |
+
drummed out of the army Marrakesh unit I
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:41,130 --> 00:00:41,140
|
| 108 |
+
drummed out of the army Marrakesh unit I
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:41,140 --> 00:00:44,790
|
| 113 |
+
drummed out of the army Marrakesh unit I
|
| 114 |
+
was a colonel the fall agent is that
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:44,790 --> 00:00:44,800
|
| 118 |
+
was a colonel the fall agent is that
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:44,800 --> 00:00:46,530
|
| 123 |
+
was a colonel the fall agent is that
|
| 124 |
+
before or after you were a professor a
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:46,530 --> 00:00:46,540
|
| 128 |
+
before or after you were a professor a
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:46,540 --> 00:00:48,420
|
| 133 |
+
before or after you were a professor a
|
| 134 |
+
being enough no in-betweener was a
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:48,420 --> 00:00:48,430
|
| 138 |
+
being enough no in-betweener was a
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:48,430 --> 00:00:49,920
|
| 143 |
+
being enough no in-betweener was a
|
| 144 |
+
croupier in Monte Carlo but that's
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:49,920 --> 00:00:49,930
|
| 148 |
+
croupier in Monte Carlo but that's
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:49,930 --> 00:00:56,119
|
| 153 |
+
croupier in Monte Carlo but that's
|
| 154 |
+
another story so what's your next move
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:56,119 --> 00:00:56,129
|
| 158 |
+
another story so what's your next move
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:56,129 --> 00:00:59,040
|
| 163 |
+
another story so what's your next move
|
| 164 |
+
I've been looking for a job and applied
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:59,040 --> 00:00:59,050
|
| 168 |
+
I've been looking for a job and applied
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:59,050 --> 00:01:01,200
|
| 173 |
+
I've been looking for a job and applied
|
| 174 |
+
to all of your old customs inspection
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:01,200 --> 00:01:01,210
|
| 178 |
+
to all of your old customs inspection
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:01,210 --> 00:01:03,029
|
| 183 |
+
to all of your old customs inspection
|
| 184 |
+
post office sanitation department but
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:03,029 --> 00:01:03,039
|
| 188 |
+
post office sanitation department but
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:03,039 --> 00:01:04,650
|
| 193 |
+
post office sanitation department but
|
| 194 |
+
once you've been dishonorably discharged
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:04,650 --> 00:01:04,660
|
| 198 |
+
once you've been dishonorably discharged
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:04,660 --> 00:01:07,279
|
| 203 |
+
once you've been dishonorably discharged
|
| 204 |
+
there won't be much acquainted sewers I
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:07,279 --> 00:01:07,289
|
| 208 |
+
there won't be much acquainted sewers I
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:07,289 --> 00:01:09,840
|
| 213 |
+
there won't be much acquainted sewers I
|
| 214 |
+
hate to see a young man like you take a
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:09,840 --> 00:01:09,850
|
| 218 |
+
hate to see a young man like you take a
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:09,850 --> 00:01:12,419
|
| 223 |
+
hate to see a young man like you take a
|
| 224 |
+
defeatist attitude the world is full of
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:12,419 --> 00:01:12,429
|
| 228 |
+
defeatist attitude the world is full of
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:12,429 --> 00:01:16,950
|
| 233 |
+
defeatist attitude the world is full of
|
| 234 |
+
opportunities just look around there's
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:16,950 --> 00:01:16,960
|
| 238 |
+
opportunities just look around there's
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:16,960 --> 00:01:19,940
|
| 243 |
+
opportunities just look around there's
|
| 244 |
+
one armed usual used to be a safecracker
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:19,940 --> 00:01:19,950
|
| 248 |
+
one armed usual used to be a safecracker
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:19,950 --> 00:01:21,600
|
| 253 |
+
one armed usual used to be a safecracker
|
| 254 |
+
and he put a little too much
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:21,600 --> 00:01:21,610
|
| 258 |
+
and he put a little too much
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:21,610 --> 00:01:24,719
|
| 263 |
+
and he put a little too much
|
| 264 |
+
nitroglycerin and aboard and that's
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:24,719 --> 00:01:24,729
|
| 268 |
+
nitroglycerin and aboard and that's
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:24,729 --> 00:01:28,319
|
| 273 |
+
nitroglycerin and aboard and that's
|
| 274 |
+
Casablanca Charlie five years ago he
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:28,319 --> 00:01:28,329
|
| 278 |
+
Casablanca Charlie five years ago he
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:28,329 --> 00:01:29,730
|
| 283 |
+
Casablanca Charlie five years ago he
|
| 284 |
+
walked in here with holes in his shoes
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:29,730 --> 00:01:29,740
|
| 288 |
+
walked in here with holes in his shoes
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:29,740 --> 00:01:32,850
|
| 293 |
+
walked in here with holes in his shoes
|
| 294 |
+
and a pocket full of dirty poles ah ok
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:32,850 --> 00:01:32,860
|
| 298 |
+
and a pocket full of dirty poles ah ok
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:32,860 --> 00:01:33,810
|
| 303 |
+
and a pocket full of dirty poles ah ok
|
| 304 |
+
people eat the Ox
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:33,810 --> 00:01:33,820
|
| 308 |
+
people eat the Ox
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:33,820 --> 00:01:36,179
|
| 313 |
+
people eat the Ox
|
| 314 |
+
there's to be a purse-snatcher around
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:36,179 --> 00:01:36,189
|
| 318 |
+
there's to be a purse-snatcher around
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:36,189 --> 00:01:39,050
|
| 323 |
+
there's to be a purse-snatcher around
|
| 324 |
+
the market it all started at the bottom
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:39,050 --> 00:01:39,060
|
| 328 |
+
the market it all started at the bottom
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:39,060 --> 00:01:42,139
|
| 333 |
+
the market it all started at the bottom
|
| 334 |
+
they had perseverance and drive
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:42,139 --> 00:01:42,149
|
| 338 |
+
they had perseverance and drive
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:42,149 --> 00:01:46,319
|
| 343 |
+
they had perseverance and drive
|
| 344 |
+
tradition now they've got it me the
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:46,319 --> 00:01:46,329
|
| 348 |
+
tradition now they've got it me the
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:46,329 --> 00:01:50,120
|
| 353 |
+
tradition now they've got it me the
|
| 354 |
+
Ratanak and their girls work for them
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:50,120 --> 00:01:50,130
|
| 358 |
+
Ratanak and their girls work for them
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:50,130 --> 00:01:52,499
|
| 363 |
+
Ratanak and their girls work for them
|
| 364 |
+
well I'm afraid I wasn't cut out for a
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:52,499 --> 00:01:52,509
|
| 368 |
+
well I'm afraid I wasn't cut out for a
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:52,509 --> 00:01:53,580
|
| 373 |
+
well I'm afraid I wasn't cut out for a
|
| 374 |
+
life of crime
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:53,580 --> 00:01:53,590
|
| 378 |
+
life of crime
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:53,590 --> 00:01:56,060
|
| 383 |
+
life of crime
|
| 384 |
+
there you go selling yourself short oh
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:56,060 --> 00:01:56,070
|
| 388 |
+
there you go selling yourself short oh
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:56,070 --> 00:01:59,370
|
| 393 |
+
there you go selling yourself short oh
|
| 394 |
+
maybe I could snatch a purse or crack a
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:59,370 --> 00:01:59,380
|
| 398 |
+
maybe I could snatch a purse or crack a
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:59,380 --> 00:02:01,440
|
| 403 |
+
maybe I could snatch a purse or crack a
|
| 404 |
+
small safe we just sit around in a
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:01,440 --> 00:02:01,450
|
| 408 |
+
small safe we just sit around in a
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:01,450 --> 00:02:03,420
|
| 413 |
+
small safe we just sit around in a
|
| 414 |
+
striped suit well some girl I didn't to
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:03,420 --> 00:02:03,430
|
| 418 |
+
striped suit well some girl I didn't to
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:03,430 --> 00:02:06,209
|
| 423 |
+
striped suit well some girl I didn't to
|
| 424 |
+
straight it up never you're being petty
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:06,209 --> 00:02:06,219
|
| 428 |
+
straight it up never you're being petty
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:06,219 --> 00:02:09,810
|
| 433 |
+
straight it up never you're being petty
|
| 434 |
+
bourgeois again life is total war my
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:09,810 --> 00:02:09,820
|
| 438 |
+
bourgeois again life is total war my
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:09,820 --> 00:02:12,120
|
| 443 |
+
bourgeois again life is total war my
|
| 444 |
+
friend nobody has a right to be a
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:12,120 --> 00:02:12,130
|
| 448 |
+
friend nobody has a right to be a
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:12,130 --> 00:02:13,390
|
| 453 |
+
friend nobody has a right to be a
|
| 454 |
+
conscientious objector
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:13,390 --> 00:02:13,400
|
| 458 |
+
conscientious objector
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:13,400 --> 00:02:38,789
|
| 463 |
+
conscientious objector
|
| 464 |
+
[Music]
|
| 465 |
+
|
1963/ZQ0JJpvMq-g.en.srt
ADDED
|
@@ -0,0 +1,485 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,160 --> 00:00:03,510
|
| 3 |
+
|
| 4 |
+
up up up let's
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,510 --> 00:00:03,520
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,520 --> 00:00:08,250
|
| 13 |
+
|
| 14 |
+
go who does this belong to
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,250 --> 00:00:08,260
|
| 18 |
+
go who does this belong to
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,260 --> 00:00:19,050
|
| 23 |
+
go who does this belong to
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:19,050 --> 00:00:19,060
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:19,060 --> 00:00:20,130
|
| 33 |
+
|
| 34 |
+
[Applause]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:20,130 --> 00:00:20,140
|
| 38 |
+
[Applause]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:20,140 --> 00:00:21,260
|
| 43 |
+
[Applause]
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,260 --> 00:00:21,270
|
| 48 |
+
[Music]
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,270 --> 00:00:22,950
|
| 53 |
+
[Music]
|
| 54 |
+
[Applause]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:22,950 --> 00:00:22,960
|
| 58 |
+
[Applause]
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,960 --> 00:00:23,600
|
| 63 |
+
[Applause]
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:23,600 --> 00:00:23,610
|
| 68 |
+
[Music]
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:23,610 --> 00:00:38,229
|
| 73 |
+
[Music]
|
| 74 |
+
[Applause]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:38,229 --> 00:00:38,239
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:38,239 --> 00:00:41,590
|
| 83 |
+
|
| 84 |
+
officer would you zip my dress
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:41,590 --> 00:00:41,600
|
| 88 |
+
officer would you zip my dress
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:41,600 --> 00:00:44,900
|
| 93 |
+
officer would you zip my dress
|
| 94 |
+
up will you hold this please
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:44,900 --> 00:00:44,910
|
| 98 |
+
up will you hold this please
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:44,910 --> 00:00:46,270
|
| 103 |
+
up will you hold this please
|
| 104 |
+
[Applause]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:46,270 --> 00:00:46,280
|
| 108 |
+
[Applause]
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:46,280 --> 00:00:46,710
|
| 113 |
+
[Applause]
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:46,710 --> 00:00:46,720
|
| 118 |
+
[Music]
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:46,720 --> 00:00:50,540
|
| 123 |
+
[Music]
|
| 124 |
+
[Applause]
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,540 --> 00:00:50,550
|
| 128 |
+
[Applause]
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:50,550 --> 00:00:55,470
|
| 133 |
+
[Applause]
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:55,470 --> 00:00:55,480
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:55,480 --> 00:00:57,780
|
| 143 |
+
|
| 144 |
+
oh hey
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:57,780 --> 00:00:57,790
|
| 148 |
+
oh hey
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:57,790 --> 00:01:00,270
|
| 153 |
+
oh hey
|
| 154 |
+
[Applause]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:00,270 --> 00:01:00,280
|
| 158 |
+
[Applause]
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:00,280 --> 00:01:01,060
|
| 163 |
+
[Applause]
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:01,060 --> 00:01:01,070
|
| 168 |
+
[Music]
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:01,070 --> 00:01:07,250
|
| 173 |
+
[Music]
|
| 174 |
+
[Applause]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:07,250 --> 00:01:07,260
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:07,260 --> 00:01:07,640
|
| 183 |
+
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:07,640 --> 00:01:07,650
|
| 188 |
+
[Music]
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:07,650 --> 00:01:16,390
|
| 193 |
+
[Music]
|
| 194 |
+
[Applause]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:16,390 --> 00:01:16,400
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:16,400 --> 00:01:18,350
|
| 203 |
+
|
| 204 |
+
officer do you really have to take us to
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:18,350 --> 00:01:18,360
|
| 208 |
+
officer do you really have to take us to
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:18,360 --> 00:01:20,830
|
| 213 |
+
officer do you really have to take us to
|
| 214 |
+
the station the last time we arrested we
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:20,830 --> 00:01:20,840
|
| 218 |
+
the station the last time we arrested we
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:20,840 --> 00:01:23,350
|
| 223 |
+
the station the last time we arrested we
|
| 224 |
+
drove right on to doville what a weekend
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:23,350 --> 00:01:23,360
|
| 228 |
+
drove right on to doville what a weekend
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:23,360 --> 00:01:25,469
|
| 233 |
+
drove right on to doville what a weekend
|
| 234 |
+
18 girls and three policemen and they
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:25,469 --> 00:01:25,479
|
| 238 |
+
18 girls and three policemen and they
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:25,479 --> 00:01:32,030
|
| 243 |
+
18 girls and three policemen and they
|
| 244 |
+
weren't nearly as cute as you are
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:32,030 --> 00:01:32,040
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:32,040 --> 00:01:33,069
|
| 253 |
+
|
| 254 |
+
wouldn't you like to have your own
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:33,069 --> 00:01:33,079
|
| 258 |
+
wouldn't you like to have your own
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:33,079 --> 00:01:34,950
|
| 263 |
+
wouldn't you like to have your own
|
| 264 |
+
little Harum we'll make you feel like a
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:34,950 --> 00:01:34,960
|
| 268 |
+
little Harum we'll make you feel like a
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:34,960 --> 00:01:37,670
|
| 273 |
+
little Harum we'll make you feel like a
|
| 274 |
+
king king
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:37,670 --> 00:01:37,680
|
| 278 |
+
king king
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:37,680 --> 00:01:40,710
|
| 283 |
+
king king
|
| 284 |
+
faru
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:40,710 --> 00:01:40,720
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:40,720 --> 00:01:43,789
|
| 293 |
+
|
| 294 |
+
look I guess he's too young maybe if we
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:43,789 --> 00:01:43,799
|
| 298 |
+
look I guess he's too young maybe if we
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:43,799 --> 00:01:45,780
|
| 303 |
+
look I guess he's too young maybe if we
|
| 304 |
+
put a mustache on and we look
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:45,780 --> 00:01:45,790
|
| 308 |
+
put a mustache on and we look
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:45,790 --> 00:01:47,870
|
| 313 |
+
put a mustache on and we look
|
| 314 |
+
[Applause]
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:47,870 --> 00:01:47,880
|
| 318 |
+
[Applause]
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:47,880 --> 00:01:49,630
|
| 323 |
+
[Applause]
|
| 324 |
+
old all
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:49,630 --> 00:01:49,640
|
| 328 |
+
old all
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:49,640 --> 00:01:51,950
|
| 333 |
+
old all
|
| 334 |
+
right one false move out of any one of
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:51,950 --> 00:01:51,960
|
| 338 |
+
right one false move out of any one of
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:51,960 --> 00:01:55,149
|
| 343 |
+
right one false move out of any one of
|
| 344 |
+
you I'm going to let you have
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:55,149 --> 00:01:55,159
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:55,159 --> 00:01:58,630
|
| 353 |
+
|
| 354 |
+
it that's enough girls leave him alone
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:58,630 --> 00:01:58,640
|
| 358 |
+
it that's enough girls leave him alone
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:58,640 --> 00:02:01,109
|
| 363 |
+
it that's enough girls leave him alone
|
| 364 |
+
take care of himself no he can't you
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:01,109 --> 00:02:01,119
|
| 368 |
+
take care of himself no he can't you
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:01,119 --> 00:02:02,590
|
| 373 |
+
take care of himself no he can't you
|
| 374 |
+
know what he was doing before this
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:02,590 --> 00:02:02,600
|
| 378 |
+
know what he was doing before this
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:02,600 --> 00:02:04,350
|
| 383 |
+
know what he was doing before this
|
| 384 |
+
policing a children's
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:04,350 --> 00:02:04,360
|
| 388 |
+
policing a children's
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:04,360 --> 00:02:07,350
|
| 393 |
+
policing a children's
|
| 394 |
+
playground now now kids stay out of the
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:07,350 --> 00:02:07,360
|
| 398 |
+
playground now now kids stay out of the
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:07,360 --> 00:02:10,109
|
| 403 |
+
playground now now kids stay out of the
|
| 404 |
+
bushes don't take candy for strangers
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:10,109 --> 00:02:10,119
|
| 408 |
+
bushes don't take candy for strangers
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:10,119 --> 00:02:12,510
|
| 413 |
+
bushes don't take candy for strangers
|
| 414 |
+
and no playing
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:12,510 --> 00:02:12,520
|
| 418 |
+
and no playing
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:12,520 --> 00:02:17,270
|
| 423 |
+
and no playing
|
| 424 |
+
doctor little pry pretty little birdie
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:17,270 --> 00:02:17,280
|
| 428 |
+
doctor little pry pretty little birdie
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:17,280 --> 00:02:21,270
|
| 433 |
+
doctor little pry pretty little birdie
|
| 434 |
+
little birdie fly away with me we will
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:21,270 --> 00:02:21,280
|
| 438 |
+
little birdie fly away with me we will
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:21,280 --> 00:02:23,630
|
| 443 |
+
little birdie fly away with me we will
|
| 444 |
+
build a little Nest we will build a
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:23,630 --> 00:02:23,640
|
| 448 |
+
build a little Nest we will build a
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:23,640 --> 00:02:27,350
|
| 453 |
+
build a little Nest we will build a
|
| 454 |
+
little get the best get the best in my
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:27,350 --> 00:02:27,360
|
| 458 |
+
little get the best get the best in my
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:27,360 --> 00:02:34,420
|
| 463 |
+
little get the best get the best in my
|
| 464 |
+
in my little blue J I
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:02:34,420 --> 00:02:34,430
|
| 468 |
+
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:02:34,430 --> 00:02:37,710
|
| 473 |
+
|
| 474 |
+
[Applause]
|
| 475 |
+
|
| 476 |
+
96
|
| 477 |
+
00:02:37,710 --> 00:02:37,720
|
| 478 |
+
|
| 479 |
+
|
| 480 |
+
|
| 481 |
+
97
|
| 482 |
+
00:02:37,720 --> 00:03:04,810
|
| 483 |
+
|
| 484 |
+
[Music]
|
| 485 |
+
|
1963/ZYLekT6cYwY.en.srt
ADDED
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,640 --> 00:00:02,669
|
| 3 |
+
|
| 4 |
+
just in time thank you you sure you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,669 --> 00:00:02,679
|
| 8 |
+
just in time thank you you sure you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,679 --> 00:00:07,589
|
| 13 |
+
just in time thank you you sure you
|
| 14 |
+
won't join me quite
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,589 --> 00:00:07,599
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,599 --> 00:00:09,589
|
| 23 |
+
|
| 24 |
+
sure do you really have to leave this
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,589 --> 00:00:09,599
|
| 28 |
+
sure do you really have to leave this
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,599 --> 00:00:13,390
|
| 33 |
+
sure do you really have to leave this
|
| 34 |
+
afternoon yes is this departure rather
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:13,390 --> 00:00:13,400
|
| 38 |
+
afternoon yes is this departure rather
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:13,400 --> 00:00:16,510
|
| 43 |
+
afternoon yes is this departure rather
|
| 44 |
+
sudden not at all why do you think so
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,510 --> 00:00:16,520
|
| 48 |
+
sudden not at all why do you think so
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,520 --> 00:00:18,429
|
| 53 |
+
sudden not at all why do you think so
|
| 54 |
+
well I just thought that uh after last
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:18,429 --> 00:00:18,439
|
| 58 |
+
well I just thought that uh after last
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:18,439 --> 00:00:20,509
|
| 63 |
+
well I just thought that uh after last
|
| 64 |
+
night that my leaving has nothing to do
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:20,509 --> 00:00:20,519
|
| 68 |
+
night that my leaving has nothing to do
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:20,519 --> 00:00:23,150
|
| 73 |
+
night that my leaving has nothing to do
|
| 74 |
+
with last night hasn't it you don't know
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:23,150 --> 00:00:23,160
|
| 78 |
+
with last night hasn't it you don't know
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:23,160 --> 00:00:25,429
|
| 83 |
+
with last night hasn't it you don't know
|
| 84 |
+
me very well Sir Charles no but I
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:25,429 --> 00:00:25,439
|
| 88 |
+
me very well Sir Charles no but I
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:25,439 --> 00:00:26,669
|
| 93 |
+
me very well Sir Charles no but I
|
| 94 |
+
thought last night I was making some
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:26,669 --> 00:00:26,679
|
| 98 |
+
thought last night I was making some
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:26,679 --> 00:00:29,990
|
| 103 |
+
thought last night I was making some
|
| 104 |
+
progress that was champagne nothing more
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:29,990 --> 00:00:30,000
|
| 108 |
+
progress that was champagne nothing more
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:30,000 --> 00:00:32,030
|
| 113 |
+
progress that was champagne nothing more
|
| 114 |
+
well whatever it was it was um very
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:32,030 --> 00:00:32,040
|
| 118 |
+
well whatever it was it was um very
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:32,040 --> 00:00:34,270
|
| 123 |
+
well whatever it was it was um very
|
| 124 |
+
interesting I really don't remember oh
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:34,270 --> 00:00:34,280
|
| 128 |
+
interesting I really don't remember oh
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:34,280 --> 00:00:35,470
|
| 133 |
+
interesting I really don't remember oh
|
| 134 |
+
come on now that's such an awful old
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:35,470 --> 00:00:35,480
|
| 138 |
+
come on now that's such an awful old
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:35,480 --> 00:00:38,229
|
| 143 |
+
come on now that's such an awful old
|
| 144 |
+
cliche I don't remember it's true you
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:38,229 --> 00:00:38,239
|
| 148 |
+
cliche I don't remember it's true you
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:38,239 --> 00:00:39,709
|
| 153 |
+
cliche I don't remember it's true you
|
| 154 |
+
know the majority of women they have
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:39,709 --> 00:00:39,719
|
| 158 |
+
know the majority of women they have
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:39,719 --> 00:00:40,990
|
| 163 |
+
know the majority of women they have
|
| 164 |
+
half a glass too much and let down the
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:40,990 --> 00:00:41,000
|
| 168 |
+
half a glass too much and let down the
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:41,000 --> 00:00:42,590
|
| 173 |
+
half a glass too much and let down the
|
| 174 |
+
barriers a little and they wake up in
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:42,590 --> 00:00:42,600
|
| 178 |
+
barriers a little and they wake up in
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:42,600 --> 00:00:44,110
|
| 183 |
+
barriers a little and they wake up in
|
| 184 |
+
the morning riddle with guilt and think
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:44,110 --> 00:00:44,120
|
| 188 |
+
the morning riddle with guilt and think
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:44,120 --> 00:00:45,950
|
| 193 |
+
the morning riddle with guilt and think
|
| 194 |
+
they can reclaim their virtue by saying
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:45,950 --> 00:00:45,960
|
| 198 |
+
they can reclaim their virtue by saying
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:45,960 --> 00:00:48,470
|
| 203 |
+
they can reclaim their virtue by saying
|
| 204 |
+
I don't remember are you saying my
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:48,470 --> 00:00:48,480
|
| 208 |
+
I don't remember are you saying my
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:48,480 --> 00:00:51,270
|
| 213 |
+
I don't remember are you saying my
|
| 214 |
+
virtue is not intact you know it is then
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:00:51,270 --> 00:00:51,280
|
| 218 |
+
virtue is not intact you know it is then
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:00:51,280 --> 00:00:53,029
|
| 223 |
+
virtue is not intact you know it is then
|
| 224 |
+
why should I feel guilty well you're not
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:00:53,029 --> 00:00:53,039
|
| 228 |
+
why should I feel guilty well you're not
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:00:53,039 --> 00:00:54,990
|
| 233 |
+
why should I feel guilty well you're not
|
| 234 |
+
concerned about what happened you're
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:00:54,990 --> 00:00:55,000
|
| 238 |
+
concerned about what happened you're
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:00:55,000 --> 00:00:57,189
|
| 243 |
+
concerned about what happened you're
|
| 244 |
+
worried about what might have happened
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:00:57,189 --> 00:00:57,199
|
| 248 |
+
worried about what might have happened
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:00:57,199 --> 00:00:58,910
|
| 253 |
+
worried about what might have happened
|
| 254 |
+
that makes you vulnerable that makes you
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:00:58,910 --> 00:00:58,920
|
| 258 |
+
that makes you vulnerable that makes you
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:00:58,920 --> 00:01:02,590
|
| 263 |
+
that makes you vulnerable that makes you
|
| 264 |
+
a woman you're an arrogant
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:02,590 --> 00:01:02,600
|
| 268 |
+
a woman you're an arrogant
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:02,600 --> 00:01:05,270
|
| 273 |
+
a woman you're an arrogant
|
| 274 |
+
fool perhaps I am but after what I just
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:05,270 --> 00:01:05,280
|
| 278 |
+
fool perhaps I am but after what I just
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:05,280 --> 00:01:18,469
|
| 283 |
+
fool perhaps I am but after what I just
|
| 284 |
+
said a real woman would have slapped my
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:18,469 --> 00:01:18,479
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:18,479 --> 00:01:22,710
|
| 293 |
+
|
| 294 |
+
face I'm glad that's over friends again
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:22,710 --> 00:01:22,720
|
| 298 |
+
face I'm glad that's over friends again
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:22,720 --> 00:01:25,590
|
| 303 |
+
face I'm glad that's over friends again
|
| 304 |
+
friends good now the least you can do is
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:25,590 --> 00:01:25,600
|
| 308 |
+
friends good now the least you can do is
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:25,600 --> 00:01:27,950
|
| 313 |
+
friends good now the least you can do is
|
| 314 |
+
let me take you to the station all right
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:27,950 --> 00:01:27,960
|
| 318 |
+
let me take you to the station all right
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:27,960 --> 00:01:29,749
|
| 323 |
+
let me take you to the station all right
|
| 324 |
+
you really have to go though yes I must
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:29,749 --> 00:01:29,759
|
| 328 |
+
you really have to go though yes I must
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:29,759 --> 00:01:32,389
|
| 333 |
+
you really have to go though yes I must
|
| 334 |
+
go oh that's too bad nothing I can say
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:32,389 --> 00:01:32,399
|
| 338 |
+
go oh that's too bad nothing I can say
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:32,399 --> 00:01:34,789
|
| 343 |
+
go oh that's too bad nothing I can say
|
| 344 |
+
to make you stay nothing what time do
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:34,789 --> 00:01:34,799
|
| 348 |
+
to make you stay nothing what time do
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:34,799 --> 00:01:37,109
|
| 353 |
+
to make you stay nothing what time do
|
| 354 |
+
you have to be there 3:00 3:00 on the
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:37,109 --> 00:01:37,119
|
| 358 |
+
you have to be there 3:00 3:00 on the
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:37,119 --> 00:01:42,030
|
| 363 |
+
you have to be there 3:00 3:00 on the
|
| 364 |
+
dot I'll be here your
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:42,030 --> 00:01:42,040
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:42,040 --> 00:01:48,870
|
| 373 |
+
|
| 374 |
+
highness 3:00
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:48,870 --> 00:01:48,880
|
| 378 |
+
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:48,880 --> 00:02:20,460
|
| 383 |
+
|
| 384 |
+
[Music]
|
| 385 |
+
|
1963/a8FA5zBHiFA.description
ADDED
|
@@ -0,0 +1,38 @@
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| 1 |
+
Charade movie clips: http://j.mp/1J9f1Fp
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/uofoaU
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
At her husband's funeral, Regina (Audrey Hepburn) witnesses a variety of strange characters paying "respects" and receives a letter.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: James Coburn, Ned Glass, George Kennedy, Jacques Marin, Audrey Hepburn, Dominique Minot
|
| 14 |
+
Director: Stanley Donen
|
| 15 |
+
Producers: Stanley Donen, James H. Ware
|
| 16 |
+
Screenwriters: Marc Behm, Peter Stone
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/a8FA5zBHiFA.en.srt
ADDED
|
@@ -0,0 +1,345 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:02,460 --> 00:00:11,430
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:11,430 --> 00:00:11,440
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:11,440 --> 00:00:13,749
|
| 13 |
+
[Music]
|
| 14 |
+
not a very large turnout is
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:13,749 --> 00:00:13,759
|
| 18 |
+
not a very large turnout is
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:13,759 --> 00:00:17,390
|
| 23 |
+
not a very large turnout is
|
| 24 |
+
it didn't Charles have any friends don't
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:17,390 --> 00:00:17,400
|
| 28 |
+
it didn't Charles have any friends don't
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:17,400 --> 00:00:19,109
|
| 33 |
+
it didn't Charles have any friends don't
|
| 34 |
+
ask me I'm only the
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,109 --> 00:00:19,119
|
| 38 |
+
ask me I'm only the
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,119 --> 00:00:21,630
|
| 43 |
+
ask me I'm only the
|
| 44 |
+
Widow if Charles had died in bed we
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,630 --> 00:00:21,640
|
| 48 |
+
Widow if Charles had died in bed we
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,640 --> 00:00:26,669
|
| 53 |
+
Widow if Charles had died in bed we
|
| 54 |
+
wouldn't even have
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:26,669 --> 00:00:26,679
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:26,679 --> 00:00:29,029
|
| 63 |
+
|
| 64 |
+
him at least he knows how to behave at
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,029 --> 00:00:29,039
|
| 68 |
+
him at least he knows how to behave at
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,039 --> 00:00:30,930
|
| 73 |
+
him at least he knows how to behave at
|
| 74 |
+
funerals
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:30,930 --> 00:00:30,940
|
| 78 |
+
funerals
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:30,940 --> 00:00:37,389
|
| 83 |
+
funerals
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:37,389 --> 00:00:37,399
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:37,399 --> 00:00:39,670
|
| 93 |
+
|
| 94 |
+
have you no idea who could have done
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:39,670 --> 00:00:39,680
|
| 98 |
+
have you no idea who could have done
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:39,680 --> 00:00:42,350
|
| 103 |
+
have you no idea who could have done
|
| 104 |
+
it until two days ago the only thing I
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:42,350 --> 00:00:42,360
|
| 108 |
+
it until two days ago the only thing I
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:42,360 --> 00:00:44,990
|
| 113 |
+
it until two days ago the only thing I
|
| 114 |
+
really knew about Charles was his name
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:44,990 --> 00:00:45,000
|
| 118 |
+
really knew about Charles was his name
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:45,000 --> 00:00:50,930
|
| 123 |
+
really knew about Charles was his name
|
| 124 |
+
now it seems I didn't even know that
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,930 --> 00:00:50,940
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:50,940 --> 00:01:06,670
|
| 133 |
+
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:06,670 --> 00:01:06,680
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:06,680 --> 00:01:09,030
|
| 143 |
+
|
| 144 |
+
he must have known Charles pretty well
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:09,030 --> 00:01:09,040
|
| 148 |
+
he must have known Charles pretty well
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:09,040 --> 00:01:16,350
|
| 153 |
+
he must have known Charles pretty well
|
| 154 |
+
how can you tell he's allergic to
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:16,350 --> 00:01:16,360
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:16,360 --> 00:01:18,590
|
| 163 |
+
|
| 164 |
+
him bless
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:18,590 --> 00:01:18,600
|
| 168 |
+
him bless
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:18,600 --> 00:01:21,789
|
| 173 |
+
him bless
|
| 174 |
+
you do you know him never seen him
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:21,789 --> 00:01:21,799
|
| 178 |
+
you do you know him never seen him
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:21,799 --> 00:01:23,970
|
| 183 |
+
you do you know him never seen him
|
| 184 |
+
before
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:23,970 --> 00:01:23,980
|
| 188 |
+
before
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:23,980 --> 00:01:30,030
|
| 193 |
+
before
|
| 194 |
+
[Music]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:30,030 --> 00:01:30,040
|
| 198 |
+
[Music]
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:30,040 --> 00:01:34,540
|
| 203 |
+
[Music]
|
| 204 |
+
a
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:34,540 --> 00:01:34,550
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:34,550 --> 00:02:00,990
|
| 213 |
+
|
| 214 |
+
[Music]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:02:00,990 --> 00:02:01,000
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:02:01,000 --> 00:02:02,680
|
| 223 |
+
|
| 224 |
+
rivet or Che
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:02:02,680 --> 00:02:02,690
|
| 228 |
+
rivet or Che
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:02:02,690 --> 00:02:08,469
|
| 233 |
+
rivet or Che
|
| 234 |
+
[Music]
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:08,469 --> 00:02:08,479
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:08,479 --> 00:02:12,190
|
| 243 |
+
|
| 244 |
+
Charlie Miss Lampert
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:12,190 --> 00:02:12,200
|
| 248 |
+
Charlie Miss Lampert
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:12,200 --> 00:02:15,229
|
| 253 |
+
Charlie Miss Lampert
|
| 254 |
+
ma'am uh Miss Lampert
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:15,229 --> 00:02:15,239
|
| 258 |
+
ma'am uh Miss Lampert
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:15,239 --> 00:02:17,949
|
| 263 |
+
ma'am uh Miss Lampert
|
| 264 |
+
ma'am Charlie had no call of doing it
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:17,949 --> 00:02:17,959
|
| 268 |
+
ma'am Charlie had no call of doing it
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:17,959 --> 00:02:21,150
|
| 273 |
+
ma'am Charlie had no call of doing it
|
| 274 |
+
that way no sir
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:21,150 --> 00:02:21,160
|
| 278 |
+
that way no sir
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:21,160 --> 00:02:38,180
|
| 283 |
+
that way no sir
|
| 284 |
+
[Music]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:38,180 --> 00:02:38,190
|
| 288 |
+
[Music]
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:38,190 --> 00:02:45,030
|
| 293 |
+
[Music]
|
| 294 |
+
[Applause]
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:45,030 --> 00:02:45,040
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:45,040 --> 00:02:59,589
|
| 303 |
+
|
| 304 |
+
[Music]
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:59,589 --> 00:02:59,599
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:59,599 --> 00:03:00,480
|
| 313 |
+
|
| 314 |
+
what
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:03:00,480 --> 00:03:00,490
|
| 318 |
+
what
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:03:00,490 --> 00:03:15,030
|
| 323 |
+
what
|
| 324 |
+
[Music]
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:03:15,030 --> 00:03:15,040
|
| 328 |
+
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:03:15,040 --> 00:03:25,710
|
| 333 |
+
|
| 334 |
+
next who is it from the American embassy
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:03:25,710 --> 00:03:25,720
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:03:25,720 --> 00:03:58,569
|
| 343 |
+
|
| 344 |
+
[Music]
|
| 345 |
+
|
1963/aoBeDwBxv04.en.srt
ADDED
|
@@ -0,0 +1,155 @@
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
|
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|
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|
|
|
|
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|
|
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|
|
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|
|
|
|
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|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:10,280
|
| 3 |
+
|
| 4 |
+
animal is that me I can see Schmidt you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:10,280 --> 00:00:10,290
|
| 8 |
+
animal is that me I can see Schmidt you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:10,290 --> 00:00:15,890
|
| 13 |
+
animal is that me I can see Schmidt you
|
| 14 |
+
make knocking like I told you saved for
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:15,890 --> 00:00:15,900
|
| 18 |
+
make knocking like I told you saved for
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:15,900 --> 00:00:18,500
|
| 23 |
+
make knocking like I told you saved for
|
| 24 |
+
your supper mm-hmm no more bread and
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:18,500 --> 00:00:18,510
|
| 28 |
+
your supper mm-hmm no more bread and
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:18,510 --> 00:00:21,109
|
| 33 |
+
your supper mm-hmm no more bread and
|
| 34 |
+
milk a nice potato soup
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:21,109 --> 00:00:21,119
|
| 38 |
+
milk a nice potato soup
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:21,119 --> 00:00:23,720
|
| 43 |
+
milk a nice potato soup
|
| 44 |
+
oh and that'll make me nice and fat
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:23,720 --> 00:00:23,730
|
| 48 |
+
oh and that'll make me nice and fat
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:23,730 --> 00:00:33,000
|
| 53 |
+
oh and that'll make me nice and fat
|
| 54 |
+
strong yeah and you love me fast
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:33,000 --> 00:00:33,010
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:33,010 --> 00:00:44,510
|
| 63 |
+
|
| 64 |
+
[Applause]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:44,510 --> 00:00:44,520
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:44,520 --> 00:00:58,560
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:58,560 --> 00:00:58,570
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:58,570 --> 00:01:03,270
|
| 83 |
+
|
| 84 |
+
what now look your hands dirty
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:03,270 --> 00:01:03,280
|
| 88 |
+
what now look your hands dirty
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:03,280 --> 00:01:11,820
|
| 93 |
+
what now look your hands dirty
|
| 94 |
+
go wash your dirty hands and face okay I
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:11,820 --> 00:01:11,830
|
| 98 |
+
go wash your dirty hands and face okay I
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:11,830 --> 00:01:12,600
|
| 103 |
+
go wash your dirty hands and face okay I
|
| 104 |
+
will
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:12,600 --> 00:01:12,610
|
| 108 |
+
will
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:12,610 --> 00:01:15,389
|
| 113 |
+
will
|
| 114 |
+
and didn't I come and give for you the
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:15,389 --> 00:01:15,399
|
| 118 |
+
and didn't I come and give for you the
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:15,399 --> 00:01:27,630
|
| 123 |
+
and didn't I come and give for you the
|
| 124 |
+
English last night yeah see how about
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:27,630 --> 00:01:27,640
|
| 128 |
+
English last night yeah see how about
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:27,640 --> 00:01:33,270
|
| 133 |
+
English last night yeah see how about
|
| 134 |
+
thanking me - eh no I think him you you
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:33,270 --> 00:01:33,280
|
| 138 |
+
thanking me - eh no I think him you you
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:33,280 --> 00:01:38,180
|
| 143 |
+
thanking me - eh no I think him you you
|
| 144 |
+
couldn't hurt yourself
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:38,180 --> 00:01:38,190
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:38,190 --> 00:01:49,530
|
| 153 |
+
|
| 154 |
+
[Music]
|
| 155 |
+
|
1963/c9O1VVeMzhc.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Charade movie clips: http://j.mp/1J9f1Fp
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/uofoaU
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Regina (Audrey Hepburn) visits a rare stamp dealer.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Paul Bonifas, Thomas Chelimsky, Audrey Hepburn, Dominique Minot
|
| 14 |
+
Director: Stanley Donen
|
| 15 |
+
Producers: Stanley Donen, James H. Ware
|
| 16 |
+
Screenwriters: Marc Behm, Peter Stone
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/c9O1VVeMzhc.en.srt
ADDED
|
@@ -0,0 +1,405 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,120 --> 00:00:07,509
|
| 3 |
+
|
| 4 |
+
Andre M Felix
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,509 --> 00:00:07,519
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,519 --> 00:00:11,270
|
| 13 |
+
|
| 14 |
+
we I was expecting you I knew you would
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,270 --> 00:00:11,280
|
| 18 |
+
we I was expecting you I knew you would
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,280 --> 00:00:13,509
|
| 23 |
+
we I was expecting you I knew you would
|
| 24 |
+
come look at them
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,509 --> 00:00:13,519
|
| 28 |
+
come look at them
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,519 --> 00:00:16,029
|
| 33 |
+
come look at them
|
| 34 |
+
Madame have you ever in your entire life
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,029 --> 00:00:16,039
|
| 38 |
+
Madame have you ever in your entire life
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,039 --> 00:00:18,429
|
| 43 |
+
Madame have you ever in your entire life
|
| 44 |
+
seen anything so beautiful I'm sorry I
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:18,429 --> 00:00:18,439
|
| 48 |
+
seen anything so beautiful I'm sorry I
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:18,439 --> 00:00:20,830
|
| 53 |
+
seen anything so beautiful I'm sorry I
|
| 54 |
+
don't know anything about stamps I know
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:20,830 --> 00:00:20,840
|
| 58 |
+
don't know anything about stamps I know
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:20,840 --> 00:00:22,830
|
| 63 |
+
don't know anything about stamps I know
|
| 64 |
+
them as one knows his own face though I
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,830 --> 00:00:22,840
|
| 68 |
+
them as one knows his own face though I
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,840 --> 00:00:25,990
|
| 73 |
+
them as one knows his own face though I
|
| 74 |
+
had never seen them this one a Swedish
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:25,990 --> 00:00:26,000
|
| 78 |
+
had never seen them this one a Swedish
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:26,000 --> 00:00:29,230
|
| 83 |
+
had never seen them this one a Swedish
|
| 84 |
+
for Shilling called the Gula FAS lingan
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:29,230 --> 00:00:29,240
|
| 88 |
+
for Shilling called the Gula FAS lingan
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:29,240 --> 00:00:33,069
|
| 93 |
+
for Shilling called the Gula FAS lingan
|
| 94 |
+
printed in 1954 what is it worth or the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,069 --> 00:00:33,079
|
| 98 |
+
printed in 1954 what is it worth or the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,079 --> 00:00:35,389
|
| 103 |
+
printed in 1954 what is it worth or the
|
| 104 |
+
money is UN important I'm afraid it's
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:35,389 --> 00:00:35,399
|
| 108 |
+
money is UN important I'm afraid it's
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:35,399 --> 00:00:36,350
|
| 113 |
+
money is UN important I'm afraid it's
|
| 114 |
+
very
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:36,350 --> 00:00:36,360
|
| 118 |
+
very
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:36,360 --> 00:00:40,310
|
| 123 |
+
very
|
| 124 |
+
important when in your money perhaps
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:40,310 --> 00:00:40,320
|
| 128 |
+
important when in your money perhaps
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:40,320 --> 00:00:43,670
|
| 133 |
+
important when in your money perhaps
|
| 134 |
+
$85,000 may I sit down yeah and the blue
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:43,670 --> 00:00:43,680
|
| 138 |
+
$85,000 may I sit down yeah and the blue
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:43,680 --> 00:00:46,549
|
| 143 |
+
$85,000 may I sit down yeah and the blue
|
| 144 |
+
one oh it's called the Hawaiian blue in
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:46,549 --> 00:00:46,559
|
| 148 |
+
one oh it's called the Hawaiian blue in
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:46,559 --> 00:00:49,430
|
| 153 |
+
one oh it's called the Hawaiian blue in
|
| 154 |
+
1894 the owner was murdered by a rival
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:49,430 --> 00:00:49,440
|
| 158 |
+
1894 the owner was murdered by a rival
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:49,440 --> 00:00:52,189
|
| 163 |
+
1894 the owner was murdered by a rival
|
| 164 |
+
collector who was obsessed to own it and
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:52,189 --> 00:00:52,199
|
| 168 |
+
collector who was obsessed to own it and
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:52,199 --> 00:00:53,750
|
| 173 |
+
collector who was obsessed to own it and
|
| 174 |
+
what is its value
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:53,750 --> 00:00:53,760
|
| 178 |
+
what is its value
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:53,760 --> 00:00:55,790
|
| 183 |
+
what is its value
|
| 184 |
+
today
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:55,790 --> 00:00:55,800
|
| 188 |
+
today
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:55,800 --> 00:00:59,189
|
| 193 |
+
today
|
| 194 |
+
65,000 and the last one of the best for
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:59,189 --> 00:00:59,199
|
| 198 |
+
65,000 and the last one of the best for
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:59,199 --> 00:01:02,150
|
| 203 |
+
65,000 and the last one of the best for
|
| 204 |
+
last
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:02,150 --> 00:01:02,160
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:02,160 --> 00:01:04,869
|
| 213 |
+
|
| 214 |
+
the Masterpiece is the most valuable
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:04,869 --> 00:01:04,879
|
| 218 |
+
the Masterpiece is the most valuable
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:04,879 --> 00:01:06,910
|
| 223 |
+
the Masterpiece is the most valuable
|
| 224 |
+
stamp in the world it's called The
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:06,910 --> 00:01:06,920
|
| 228 |
+
stamp in the world it's called The
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:06,920 --> 00:01:10,070
|
| 233 |
+
stamp in the world it's called The
|
| 234 |
+
Gazette MAV it was printed by hand on
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:10,070 --> 00:01:10,080
|
| 238 |
+
Gazette MAV it was printed by hand on
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:10,080 --> 00:01:11,830
|
| 243 |
+
Gazette MAV it was printed by hand on
|
| 244 |
+
colored paper and marked with the
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:11,830 --> 00:01:11,840
|
| 248 |
+
colored paper and marked with the
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:11,840 --> 00:01:14,910
|
| 253 |
+
colored paper and marked with the
|
| 254 |
+
initials of the printer today it has a
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:14,910 --> 00:01:14,920
|
| 258 |
+
initials of the printer today it has a
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:14,920 --> 00:01:17,429
|
| 263 |
+
initials of the printer today it has a
|
| 264 |
+
value of
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:17,429 --> 00:01:17,439
|
| 268 |
+
value of
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:17,439 --> 00:01:21,190
|
| 273 |
+
value of
|
| 274 |
+
$100,000 I'm not a thief Madame I knew
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:21,190 --> 00:01:21,200
|
| 278 |
+
$100,000 I'm not a thief Madame I knew
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:21,200 --> 00:01:26,469
|
| 283 |
+
$100,000 I'm not a thief Madame I knew
|
| 284 |
+
there was some
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:26,469 --> 00:01:26,479
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:26,479 --> 00:01:28,710
|
| 293 |
+
|
| 294 |
+
mistake you gave the boy a great many
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:28,710 --> 00:01:28,720
|
| 298 |
+
mistake you gave the boy a great many
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:28,720 --> 00:01:30,710
|
| 303 |
+
mistake you gave the boy a great many
|
| 304 |
+
stamps in return are they sale now oh
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:30,710 --> 00:01:30,720
|
| 308 |
+
stamps in return are they sale now oh
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:30,720 --> 00:01:35,389
|
| 313 |
+
stamps in return are they sale now oh
|
| 314 |
+
let me see 350 European 200 Asian 175
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:35,389 --> 00:01:35,399
|
| 318 |
+
let me see 350 European 200 Asian 175
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:35,399 --> 00:01:38,469
|
| 323 |
+
let me see 350 European 200 Asian 175
|
| 324 |
+
American 100 African and 12 Princess
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:38,469 --> 00:01:38,479
|
| 328 |
+
American 100 African and 12 Princess
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:38,479 --> 00:01:39,350
|
| 333 |
+
American 100 African and 12 Princess
|
| 334 |
+
Grace
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:39,350 --> 00:01:39,360
|
| 338 |
+
Grace
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:39,360 --> 00:01:43,670
|
| 343 |
+
Grace
|
| 344 |
+
commemorative which comes to 10
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:43,670 --> 00:01:43,680
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:43,680 --> 00:01:46,469
|
| 353 |
+
|
| 354 |
+
Franks and don't forget
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:46,469 --> 00:01:46,479
|
| 358 |
+
Franks and don't forget
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:46,479 --> 00:01:48,469
|
| 363 |
+
Franks and don't forget
|
| 364 |
+
these thank
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:48,469 --> 00:01:48,479
|
| 368 |
+
these thank
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:48,479 --> 00:01:52,030
|
| 373 |
+
these thank
|
| 374 |
+
you I'm sorry oh no for a few minutes
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:52,030 --> 00:01:52,040
|
| 378 |
+
you I'm sorry oh no for a few minutes
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:52,040 --> 00:01:58,830
|
| 383 |
+
you I'm sorry oh no for a few minutes
|
| 384 |
+
there were mine that is
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:58,830 --> 00:01:58,840
|
| 388 |
+
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:58,840 --> 00:02:03,890
|
| 393 |
+
|
| 394 |
+
enough
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:03,890 --> 00:02:03,900
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:03,900 --> 00:02:26,490
|
| 403 |
+
|
| 404 |
+
[Music]
|
| 405 |
+
|
1963/eHh6bwuPShw.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
|
|
|
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|
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|
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|
|
|
|
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|
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|
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|
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|
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|
|
|
| 1 |
+
The Birds movie clips: http://j.mp/15vUQTZ
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vAN8ED
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Melanie (Tippi Hedren) is ambushed by a seagull and gets a gash on her head.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: Rod Taylor, Tippi Hedren
|
| 14 |
+
Director: Alfred Hitchcock
|
| 15 |
+
Producer: Alfred Hitchcock
|
| 16 |
+
Screenwriters: Daphne Du Maurier, Evan Hunter
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/eHh6bwuPShw.en.srt
ADDED
|
@@ -0,0 +1,105 @@
|
|
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|
|
|
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|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:21,760 --> 00:00:33,750
|
| 3 |
+
|
| 4 |
+
a
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:33,750 --> 00:00:33,760
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:33,760 --> 00:00:36,630
|
| 13 |
+
|
| 14 |
+
you all right yes I think so what do you
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:36,630 --> 00:00:36,640
|
| 18 |
+
you all right yes I think so what do you
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:36,640 --> 00:00:38,510
|
| 23 |
+
you all right yes I think so what do you
|
| 24 |
+
suppose me to do that that's the damnest
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:38,510 --> 00:00:38,520
|
| 28 |
+
suppose me to do that that's the damnest
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:38,520 --> 00:00:39,670
|
| 33 |
+
suppose me to do that that's the damnest
|
| 34 |
+
thing I ever saw and I know it seemed to
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:39,670 --> 00:00:39,680
|
| 38 |
+
thing I ever saw and I know it seemed to
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:39,680 --> 00:00:42,029
|
| 43 |
+
thing I ever saw and I know it seemed to
|
| 44 |
+
swoop down at you deliberately oh you're
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:42,029 --> 00:00:42,039
|
| 48 |
+
swoop down at you deliberately oh you're
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:42,039 --> 00:00:44,709
|
| 53 |
+
swoop down at you deliberately oh you're
|
| 54 |
+
bleeding too let's take care of that
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:44,709 --> 00:00:44,719
|
| 58 |
+
bleeding too let's take care of that
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:44,719 --> 00:00:53,470
|
| 63 |
+
bleeding too let's take care of that
|
| 64 |
+
okay that's the
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:53,470 --> 00:00:53,480
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:53,480 --> 00:00:58,189
|
| 73 |
+
|
| 74 |
+
girl come
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:58,189 --> 00:00:58,199
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:58,199 --> 00:01:01,310
|
| 83 |
+
|
| 84 |
+
on what happened Miss
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:01,310 --> 00:01:01,320
|
| 88 |
+
on what happened Miss
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:01,320 --> 00:01:05,369
|
| 93 |
+
on what happened Miss
|
| 94 |
+
Gull hitter a gull
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:05,369 --> 00:01:05,379
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:05,379 --> 00:01:36,420
|
| 103 |
+
|
| 104 |
+
[Music]
|
| 105 |
+
|
1963/eSYNuO9GTU4.en.srt
ADDED
|
@@ -0,0 +1,155 @@
|
|
|
|
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|
|
|
|
|
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|
|
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|
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|
|
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|
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|
|
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|
|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:23,480 --> 00:00:26,630
|
| 3 |
+
|
| 4 |
+
in the stove we keep fire burning always
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:26,630 --> 00:00:26,640
|
| 8 |
+
in the stove we keep fire burning always
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:26,640 --> 00:00:27,990
|
| 13 |
+
in the stove we keep fire burning always
|
| 14 |
+
this way the goons will not feel like
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:27,990 --> 00:00:28,000
|
| 18 |
+
this way the goons will not feel like
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:28,000 --> 00:00:31,390
|
| 23 |
+
this way the goons will not feel like
|
| 24 |
+
moving it good and leave
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:31,390 --> 00:00:31,400
|
| 28 |
+
moving it good and leave
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:31,400 --> 00:00:33,590
|
| 33 |
+
moving it good and leave
|
| 34 |
+
two tiles there are chipped we need new
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:33,590 --> 00:00:33,600
|
| 38 |
+
two tiles there are chipped we need new
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:33,600 --> 00:00:36,270
|
| 43 |
+
two tiles there are chipped we need new
|
| 44 |
+
ones there's some in 13's washroom
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:36,270 --> 00:00:36,280
|
| 48 |
+
ones there's some in 13's washroom
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:36,280 --> 00:00:46,229
|
| 53 |
+
ones there's some in 13's washroom
|
| 54 |
+
should match perfectly
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:46,229 --> 00:00:46,239
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:46,239 --> 00:00:50,510
|
| 63 |
+
|
| 64 |
+
good it's going to be a bit tricky
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:50,510 --> 00:00:50,520
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:50,520 --> 00:00:57,150
|
| 73 |
+
|
| 74 |
+
Danny when you're organized
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:57,150 --> 00:00:57,160
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:57,160 --> 00:01:01,509
|
| 83 |
+
|
| 84 |
+
M where're ready big enough it's perfect
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:01,509 --> 00:01:01,519
|
| 88 |
+
M where're ready big enough it's perfect
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:01,519 --> 00:01:09,350
|
| 93 |
+
M where're ready big enough it's perfect
|
| 94 |
+
right through the middle of the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:09,350 --> 00:01:09,360
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:09,360 --> 00:01:28,830
|
| 103 |
+
|
| 104 |
+
foundation good luck to us
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:28,830 --> 00:01:28,840
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:28,840 --> 00:01:30,950
|
| 113 |
+
|
| 114 |
+
Danny
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:30,950 --> 00:01:30,960
|
| 118 |
+
Danny
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:30,960 --> 00:01:32,350
|
| 123 |
+
Danny
|
| 124 |
+
why
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:32,350 --> 00:01:32,360
|
| 128 |
+
why
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:32,360 --> 00:01:58,830
|
| 133 |
+
why
|
| 134 |
+
17th this is the 17th tunnel Danny
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:58,830 --> 00:01:58,840
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:58,840 --> 00:02:05,490
|
| 143 |
+
|
| 144 |
+
started
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:02:05,490 --> 00:02:05,500
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:02:05,500 --> 00:02:14,460
|
| 153 |
+
|
| 154 |
+
[Music]
|
| 155 |
+
|
1963/frTBOhJ0XHU.en.srt
ADDED
|
@@ -0,0 +1,135 @@
|
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|
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|
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|
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|
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|
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|
|
|
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:14,160 --> 00:00:24,670
|
| 3 |
+
|
| 4 |
+
it's good
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:24,670 --> 00:00:24,680
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:24,680 --> 00:00:27,470
|
| 13 |
+
|
| 14 |
+
it's very good
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:27,470 --> 00:00:27,480
|
| 18 |
+
it's very good
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:27,480 --> 00:01:01,310
|
| 23 |
+
it's very good
|
| 24 |
+
it's
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:01:01,310 --> 00:01:01,320
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:01:01,320 --> 00:01:04,990
|
| 33 |
+
|
| 34 |
+
okay
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:04,990 --> 00:01:05,000
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:05,000 --> 00:01:07,910
|
| 43 |
+
|
| 44 |
+
let's get out get out of here get out
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:07,910 --> 00:01:07,920
|
| 48 |
+
let's get out get out of here get out
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:07,920 --> 00:01:24,550
|
| 53 |
+
let's get out get out of here get out
|
| 54 |
+
who's here I was about this how's
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:24,550 --> 00:01:24,560
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:24,560 --> 00:01:32,350
|
| 63 |
+
|
| 64 |
+
I was
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:32,350 --> 00:01:32,360
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:32,360 --> 00:01:34,910
|
| 73 |
+
|
| 74 |
+
what are you doing here
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:34,910 --> 00:01:34,920
|
| 78 |
+
what are you doing here
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:34,920 --> 00:01:40,130
|
| 83 |
+
what are you doing here
|
| 84 |
+
mopping up
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:40,130 --> 00:01:40,140
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:40,140 --> 00:01:47,330
|
| 93 |
+
|
| 94 |
+
and you shower I need a wash
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:47,330 --> 00:01:47,340
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:47,340 --> 00:01:49,010
|
| 103 |
+
|
| 104 |
+
I'm watching him
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:49,010 --> 00:01:49,020
|
| 108 |
+
I'm watching him
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:49,020 --> 00:01:55,090
|
| 113 |
+
I'm watching him
|
| 114 |
+
I'm a life God
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:55,090 --> 00:01:55,100
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:55,100 --> 00:02:28,070
|
| 123 |
+
|
| 124 |
+
you might be outside all night
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:02:28,070 --> 00:02:28,080
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:02:28,080 --> 00:02:31,080
|
| 133 |
+
|
| 134 |
+
foreign
|
| 135 |
+
|
1963/gfLw0KJ6bLI.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
|
|
| 1 |
+
Charade movie clips: http://j.mp/1J9f1Fp
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/uofoaU
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Tex (James Coburn) corners Regina (Audrey Hepburn) in a phone booth and demands she get him what he wants, or else.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1963)
|
| 13 |
+
Cast: James Coburn, Cary Grant, Audrey Hepburn
|
| 14 |
+
Director: Stanley Donen
|
| 15 |
+
Producers: Stanley Donen, James H. Ware
|
| 16 |
+
Screenwriters: Marc Behm, Peter Stone
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1963/gfLw0KJ6bLI.en.srt
ADDED
|
@@ -0,0 +1,225 @@
|
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| 1 |
+
1
|
| 2 |
+
00:00:00,880 --> 00:00:07,940
|
| 3 |
+
|
| 4 |
+
it's about this is Regina lamber I
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,940 --> 00:00:07,950
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,950 --> 00:00:09,230
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,230 --> 00:00:09,240
|
| 18 |
+
[Music]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,240 --> 00:00:13,190
|
| 23 |
+
[Music]
|
| 24 |
+
just howy what do you want now you must
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,190 --> 00:00:13,200
|
| 28 |
+
just howy what do you want now you must
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,200 --> 00:00:16,790
|
| 33 |
+
just howy what do you want now you must
|
| 34 |
+
be kiding no I'm not now come on now
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,790 --> 00:00:16,800
|
| 38 |
+
be kiding no I'm not now come on now
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,800 --> 00:00:19,950
|
| 43 |
+
be kiding no I'm not now come on now
|
| 44 |
+
miss Lambert you know what it is you're
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:19,950 --> 00:00:19,960
|
| 48 |
+
miss Lambert you know what it is you're
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:19,960 --> 00:00:22,230
|
| 53 |
+
miss Lambert you know what it is you're
|
| 54 |
+
going to get it for me too if you know I
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:22,230 --> 00:00:22,240
|
| 58 |
+
going to get it for me too if you know I
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,240 --> 00:00:28,390
|
| 63 |
+
going to get it for me too if you know I
|
| 64 |
+
ain't fooling around
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,390 --> 00:00:28,400
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,400 --> 00:00:32,350
|
| 73 |
+
|
| 74 |
+
here no sir
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:32,350 --> 00:00:32,360
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:32,360 --> 00:00:35,150
|
| 83 |
+
|
| 84 |
+
rebb that now don't make too much noise
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:35,150 --> 00:00:35,160
|
| 88 |
+
rebb that now don't make too much noise
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:35,160 --> 00:00:36,630
|
| 93 |
+
rebb that now don't make too much noise
|
| 94 |
+
Miss
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:36,630 --> 00:00:36,640
|
| 98 |
+
Miss
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:36,640 --> 00:00:40,790
|
| 103 |
+
Miss
|
| 104 |
+
lamp it could get a whole lot worse you
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,790 --> 00:00:40,800
|
| 108 |
+
lamp it could get a whole lot worse you
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,800 --> 00:00:44,510
|
| 113 |
+
lamp it could get a whole lot worse you
|
| 114 |
+
know that belongs to me Miss Lambert and
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:44,510 --> 00:00:44,520
|
| 118 |
+
know that belongs to me Miss Lambert and
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:44,520 --> 00:00:47,029
|
| 123 |
+
know that belongs to me Miss Lambert and
|
| 124 |
+
you're going to get it for me or your
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:47,029 --> 00:00:47,039
|
| 128 |
+
you're going to get it for me or your
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:47,039 --> 00:00:48,830
|
| 133 |
+
you're going to get it for me or your
|
| 134 |
+
life ain't going to be worth the paper
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:48,830 --> 00:00:48,840
|
| 138 |
+
life ain't going to be worth the paper
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:48,840 --> 00:00:51,350
|
| 143 |
+
life ain't going to be worth the paper
|
| 144 |
+
it print on you say what I'm saying to
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:51,350 --> 00:00:51,360
|
| 148 |
+
it print on you say what I'm saying to
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:51,360 --> 00:00:54,229
|
| 153 |
+
it print on you say what I'm saying to
|
| 154 |
+
you stop stop please stop now you go
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:54,229 --> 00:00:54,239
|
| 158 |
+
you stop stop please stop now you go
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:54,239 --> 00:00:56,590
|
| 163 |
+
you stop stop please stop now you go
|
| 164 |
+
home and take it over real careful now
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:56,590 --> 00:00:56,600
|
| 168 |
+
home and take it over real careful now
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:56,600 --> 00:00:58,830
|
| 173 |
+
home and take it over real careful now
|
| 174 |
+
you're absolutely insane
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:58,830 --> 00:00:58,840
|
| 178 |
+
you're absolutely insane
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:58,840 --> 00:01:07,310
|
| 183 |
+
you're absolutely insane
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:07,310 --> 00:01:07,320
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:07,320 --> 00:01:09,469
|
| 193 |
+
|
| 194 |
+
oh what's the
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:09,469 --> 00:01:09,479
|
| 198 |
+
oh what's the
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:09,479 --> 00:01:12,830
|
| 203 |
+
oh what's the
|
| 204 |
+
matter what are you doing in
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:12,830 --> 00:01:12,840
|
| 208 |
+
matter what are you doing in
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:12,840 --> 00:01:16,380
|
| 213 |
+
matter what are you doing in
|
| 214 |
+
here I'm having a nervous breakdown
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:16,380 --> 00:01:16,390
|
| 218 |
+
here I'm having a nervous breakdown
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:16,390 --> 00:01:47,439
|
| 223 |
+
here I'm having a nervous breakdown
|
| 224 |
+
[Music]
|
| 225 |
+
|