diff --git a/1930/mw96cSYo9dU.mp4 b/1930/mw96cSYo9dU.mp4
new file mode 100644
index 0000000000000000000000000000000000000000..7468be1920edb557b276f100b67bc65aef2ba0c3
--- /dev/null
+++ b/1930/mw96cSYo9dU.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:eb64068949c3be4bb9f26e64d5ab07654eb07379736684e369b01ef5be4cc62e
+size 5298429
diff --git a/1963/kbGvnI1qIz8.en.srt b/1963/kbGvnI1qIz8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..46d5b2a737ab02ce184a574374598684446eec4d
--- /dev/null
+++ b/1963/kbGvnI1qIz8.en.srt
@@ -0,0 +1,425 @@
+1
+00:00:00,060 --> 00:00:04,100
+
+she drinks you know really I keep
+
+2
+00:00:04,100 --> 00:00:04,110
+she drinks you know really I keep
+ 
+
+3
+00:00:04,110 --> 00:00:07,810
+she drinks you know really I keep
+finding empty bottles under the bed
+
+4
+00:00:07,810 --> 00:00:07,820
+
+ 
+
+5
+00:00:07,820 --> 00:00:10,549
+
+love's invite you to the cash were at
+
+6
+00:00:10,549 --> 00:00:10,559
+love's invite you to the cash were at
+ 
+
+7
+00:00:10,559 --> 00:00:13,700
+love's invite you to the cash were at
+both of you but I'm sure you wouldn't
+
+8
+00:00:13,700 --> 00:00:13,710
+both of you but I'm sure you wouldn't
+ 
+
+9
+00:00:13,710 --> 00:00:18,439
+both of you but I'm sure you wouldn't
+dream of leaving your young man no I
+
+10
+00:00:18,439 --> 00:00:18,449
+dream of leaving your young man no I
+ 
+
+11
+00:00:18,449 --> 00:00:19,570
+dream of leaving your young man no I
+guess not
+
+12
+00:00:19,570 --> 00:00:19,580
+guess not
+ 
+
+13
+00:00:19,580 --> 00:00:22,849
+guess not
+although sometimes I wonder about what
+
+14
+00:00:22,849 --> 00:00:22,859
+although sometimes I wonder about what
+ 
+
+15
+00:00:22,859 --> 00:00:25,730
+although sometimes I wonder about what
+did something troubling it was suddenly
+
+16
+00:00:25,730 --> 00:00:25,740
+did something troubling it was suddenly
+ 
+
+17
+00:00:25,740 --> 00:00:27,920
+did something troubling it was suddenly
+he seems so different I mean so
+
+18
+00:00:27,920 --> 00:00:27,930
+he seems so different I mean so
+ 
+
+19
+00:00:27,930 --> 00:00:30,140
+he seems so different I mean so
+indifferent he's tired all the time not
+
+20
+00:00:30,140 --> 00:00:30,150
+indifferent he's tired all the time not
+ 
+
+21
+00:00:30,150 --> 00:00:33,470
+indifferent he's tired all the time not
+interested in me at all I'm sure there
+
+22
+00:00:33,470 --> 00:00:33,480
+interested in me at all I'm sure there
+ 
+
+23
+00:00:33,480 --> 00:00:36,170
+interested in me at all I'm sure there
+must be some explanation I'm beginning
+
+24
+00:00:36,170 --> 00:00:36,180
+must be some explanation I'm beginning
+ 
+
+25
+00:00:36,180 --> 00:00:38,150
+must be some explanation I'm beginning
+to think he's got another girl that's
+
+26
+00:00:38,150 --> 00:00:38,160
+to think he's got another girl that's
+ 
+
+27
+00:00:38,160 --> 00:00:40,639
+to think he's got another girl that's
+ridiculous why would anybody with a girl
+
+28
+00:00:40,639 --> 00:00:40,649
+ridiculous why would anybody with a girl
+ 
+
+29
+00:00:40,649 --> 00:00:41,569
+ridiculous why would anybody with a girl
+like you
+
+30
+00:00:41,569 --> 00:00:41,579
+like you
+ 
+
+31
+00:00:41,579 --> 00:00:43,430
+like you
+it's how buddy order get that young man
+
+32
+00:00:43,430 --> 00:00:43,440
+it's how buddy order get that young man
+ 
+
+33
+00:00:43,440 --> 00:00:45,709
+it's how buddy order get that young man
+a good talking to him would you like to
+
+34
+00:00:45,709 --> 00:00:45,719
+a good talking to him would you like to
+ 
+
+35
+00:00:45,719 --> 00:00:49,100
+a good talking to him would you like to
+meet him meet him he's waiting for me in
+
+36
+00:00:49,100 --> 00:00:49,110
+meet him meet him he's waiting for me in
+ 
+
+37
+00:00:49,110 --> 00:00:52,069
+meet him meet him he's waiting for me in
+the bee store across the street I really
+
+38
+00:00:52,069 --> 00:00:52,079
+the bee store across the street I really
+ 
+
+39
+00:00:52,079 --> 00:00:53,720
+the bee store across the street I really
+ought to be getting to the airport
+
+40
+00:00:53,720 --> 00:00:53,730
+ought to be getting to the airport
+ 
+
+41
+00:00:53,730 --> 00:00:56,270
+ought to be getting to the airport
+it'll only take a minute come on but buy
+
+42
+00:00:56,270 --> 00:00:56,280
+it'll only take a minute come on but buy
+ 
+
+43
+00:00:56,280 --> 00:00:56,840
+it'll only take a minute come on but buy
+you a drink
+
+44
+00:00:56,840 --> 00:00:56,850
+you a drink
+ 
+
+45
+00:00:56,850 --> 00:00:59,510
+you a drink
+thank you but no thank you I mean while
+
+46
+00:00:59,510 --> 00:00:59,520
+thank you but no thank you I mean while
+ 
+
+47
+00:00:59,520 --> 00:01:01,880
+thank you but no thank you I mean while
+I'm getting my divorce we really
+
+48
+00:01:01,880 --> 00:01:01,890
+I'm getting my divorce we really
+ 
+
+49
+00:01:01,890 --> 00:01:04,189
+I'm getting my divorce we really
+shouldn't be seen with each other yes
+
+50
+00:01:04,189 --> 00:01:04,199
+shouldn't be seen with each other yes
+ 
+
+51
+00:01:04,199 --> 00:01:05,899
+shouldn't be seen with each other yes
+yes you must be careful
+
+52
+00:01:05,899 --> 00:01:05,909
+yes you must be careful
+ 
+
+53
+00:01:05,909 --> 00:01:08,060
+yes you must be careful
+maybe we shouldn't even leave the hotel
+
+54
+00:01:08,060 --> 00:01:08,070
+maybe we shouldn't even leave the hotel
+ 
+
+55
+00:01:08,070 --> 00:01:11,929
+maybe we shouldn't even leave the hotel
+together capital suggestion sorry Rhonda
+
+56
+00:01:11,929 --> 00:01:11,939
+together capital suggestion sorry Rhonda
+ 
+
+57
+00:01:11,939 --> 00:01:17,539
+together capital suggestion sorry Rhonda
+boy again next bad day mmm-hmm I don't
+
+58
+00:01:17,539 --> 00:01:17,549
+boy again next bad day mmm-hmm I don't
+ 
+
+59
+00:01:17,549 --> 00:01:22,429
+boy again next bad day mmm-hmm I don't
+feel right about this it's taking money
+
+60
+00:01:22,429 --> 00:01:22,439
+feel right about this it's taking money
+ 
+
+61
+00:01:22,439 --> 00:01:25,070
+feel right about this it's taking money
+under false pretenses after all I don't
+
+62
+00:01:25,070 --> 00:01:25,080
+under false pretenses after all I don't
+ 
+
+63
+00:01:25,080 --> 00:01:28,310
+under false pretenses after all I don't
+do anything for you so ordered - right
+
+64
+00:01:28,310 --> 00:01:28,320
+do anything for you so ordered - right
+ 
+
+65
+00:01:28,320 --> 00:01:30,230
+do anything for you so ordered - right
+this little arrangement of ours I did
+
+66
+00:01:30,230 --> 00:01:30,240
+this little arrangement of ours I did
+ 
+
+67
+00:01:30,240 --> 00:01:33,230
+this little arrangement of ours I did
+initiate with the ceiling of course it
+
+68
+00:01:33,230 --> 00:01:33,240
+initiate with the ceiling of course it
+ 
+
+69
+00:01:33,240 --> 00:01:36,380
+initiate with the ceiling of course it
+must be very boring for you not at all
+
+70
+00:01:36,380 --> 00:01:36,390
+must be very boring for you not at all
+ 
+
+71
+00:01:36,390 --> 00:01:40,850
+must be very boring for you not at all
+I enjoy it all you made me a very happy
+
+72
+00:01:40,850 --> 00:01:40,860
+I enjoy it all you made me a very happy
+ 
+
+73
+00:01:40,860 --> 00:01:50,469
+I enjoy it all you made me a very happy
+man off man I should say tada
+
+74
+00:01:50,469 --> 00:01:50,479
+
+ 
+
+75
+00:01:50,479 --> 00:02:01,330
+
+Lou I'm telling her
+
+76
+00:02:01,330 --> 00:02:01,340
+
+ 
+
+77
+00:02:01,340 --> 00:02:07,910
+
+no up get up you lush look at those
+
+78
+00:02:07,910 --> 00:02:07,920
+no up get up you lush look at those
+ 
+
+79
+00:02:07,920 --> 00:02:10,580
+no up get up you lush look at those
+circles under your eyes carry on like
+
+80
+00:02:10,580 --> 00:02:10,590
+circles under your eyes carry on like
+ 
+
+81
+00:02:10,590 --> 00:02:11,780
+circles under your eyes carry on like
+this and we'll have to have your face
+
+82
+00:02:11,780 --> 00:02:11,790
+this and we'll have to have your face
+ 
+
+83
+00:02:11,790 --> 00:02:13,480
+this and we'll have to have your face
+lifted
+
+84
+00:02:13,480 --> 00:02:13,490
+lifted
+ 
+
+85
+00:02:13,490 --> 00:02:38,080
+lifted
+[Music]
+
diff --git a/1963/lLbWBsRVUAU.en.srt b/1963/lLbWBsRVUAU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..67cbad82d8474f0a17df2839c5c92e13803e5ab3
--- /dev/null
+++ b/1963/lLbWBsRVUAU.en.srt
@@ -0,0 +1,575 @@
+1
+00:00:04,640 --> 00:00:07,230
+
+what'll it be officer cognac no no no no
+
+2
+00:00:07,230 --> 00:00:07,240
+what'll it be officer cognac no no no no
+ 
+
+3
+00:00:07,240 --> 00:00:09,350
+what'll it be officer cognac no no no no
+I never drink when I'm on duty matter of
+
+4
+00:00:09,350 --> 00:00:09,360
+I never drink when I'm on duty matter of
+ 
+
+5
+00:00:09,360 --> 00:00:11,190
+I never drink when I'm on duty matter of
+fact I never drink when I'm off duty
+
+6
+00:00:11,190 --> 00:00:11,200
+fact I never drink when I'm off duty
+ 
+
+7
+00:00:11,200 --> 00:00:18,590
+fact I never drink when I'm off duty
+maybe this little glass of Vichy
+
+8
+00:00:18,590 --> 00:00:18,600
+
+ 
+
+9
+00:00:18,600 --> 00:00:23,070
+
+water looking for something
+
+10
+00:00:23,070 --> 00:00:23,080
+
+ 
+
+11
+00:00:23,080 --> 00:00:25,349
+
+officer what do you know about that
+
+12
+00:00:25,349 --> 00:00:25,359
+officer what do you know about that
+ 
+
+13
+00:00:25,359 --> 00:00:28,669
+officer what do you know about that
+hotel CAD over slept there 1763 I'm not
+
+14
+00:00:28,669 --> 00:00:28,679
+hotel CAD over slept there 1763 I'm not
+ 
+
+15
+00:00:28,679 --> 00:00:30,550
+hotel CAD over slept there 1763 I'm not
+talking about 1763 just since I've been
+
+16
+00:00:30,550 --> 00:00:30,560
+talking about 1763 just since I've been
+ 
+
+17
+00:00:30,560 --> 00:00:31,910
+talking about 1763 just since I've been
+standing here four couples walked in
+
+18
+00:00:31,910 --> 00:00:31,920
+standing here four couples walked in
+ 
+
+19
+00:00:31,920 --> 00:00:35,150
+standing here four couples walked in
+there Monday is always a slow
+
+20
+00:00:35,150 --> 00:00:35,160
+there Monday is always a slow
+ 
+
+21
+00:00:35,160 --> 00:00:37,950
+there Monday is always a slow
+night just between us would you have
+
+22
+00:00:37,950 --> 00:00:37,960
+night just between us would you have
+ 
+
+23
+00:00:37,960 --> 00:00:39,830
+night just between us would you have
+even a vague idea what they're doing in
+
+24
+00:00:39,830 --> 00:00:39,840
+even a vague idea what they're doing in
+ 
+
+25
+00:00:39,840 --> 00:00:41,869
+even a vague idea what they're doing in
+there I have a very definite idea
+
+26
+00:00:41,869 --> 00:00:41,879
+there I have a very definite idea
+ 
+
+27
+00:00:41,879 --> 00:00:45,350
+there I have a very definite idea
+they're making love that's illegal shows
+
+28
+00:00:45,350 --> 00:00:45,360
+they're making love that's illegal shows
+ 
+
+29
+00:00:45,360 --> 00:00:47,470
+they're making love that's illegal shows
+you the kind of world we live in love is
+
+30
+00:00:47,470 --> 00:00:47,480
+you the kind of world we live in love is
+ 
+
+31
+00:00:47,480 --> 00:00:49,950
+you the kind of world we live in love is
+illegal but not hate that you can do
+
+32
+00:00:49,950 --> 00:00:49,960
+illegal but not hate that you can do
+ 
+
+33
+00:00:49,960 --> 00:00:52,189
+illegal but not hate that you can do
+anywhere anytime to anybody but if you
+
+34
+00:00:52,189 --> 00:00:52,199
+anywhere anytime to anybody but if you
+ 
+
+35
+00:00:52,199 --> 00:00:53,670
+anywhere anytime to anybody but if you
+want a little warmth A Little Tenderness
+
+36
+00:00:53,670 --> 00:00:53,680
+want a little warmth A Little Tenderness
+ 
+
+37
+00:00:53,680 --> 00:00:55,510
+want a little warmth A Little Tenderness
+a shoulder to cry on a smile to cuddle
+
+38
+00:00:55,510 --> 00:00:55,520
+a shoulder to cry on a smile to cuddle
+ 
+
+39
+00:00:55,520 --> 00:00:58,189
+a shoulder to cry on a smile to cuddle
+up with you have to hide in dark Corners
+
+40
+00:00:58,189 --> 00:00:58,199
+up with you have to hide in dark Corners
+ 
+
+41
+00:00:58,199 --> 00:01:00,910
+up with you have to hide in dark Corners
+like a criminal free I wouldn't call
+
+42
+00:01:00,910 --> 00:01:00,920
+like a criminal free I wouldn't call
+ 
+
+43
+00:01:00,920 --> 00:01:05,229
+like a criminal free I wouldn't call
+that love spoken like a petty Bourgeois
+
+44
+00:01:05,229 --> 00:01:05,239
+that love spoken like a petty Bourgeois
+ 
+
+45
+00:01:05,239 --> 00:01:07,190
+that love spoken like a petty Bourgeois
+it's flagrant Vice and must be Stamped
+
+46
+00:01:07,190 --> 00:01:07,200
+it's flagrant Vice and must be Stamped
+ 
+
+47
+00:01:07,200 --> 00:01:09,950
+it's flagrant Vice and must be Stamped
+Out My Dear Boy your thinking is not
+
+48
+00:01:09,950 --> 00:01:09,960
+Out My Dear Boy your thinking is not
+ 
+
+49
+00:01:09,960 --> 00:01:12,789
+Out My Dear Boy your thinking is not
+only fuzzy it's economically unsound and
+
+50
+00:01:12,789 --> 00:01:12,799
+only fuzzy it's economically unsound and
+ 
+
+51
+00:01:12,799 --> 00:01:15,270
+only fuzzy it's economically unsound and
+I know what I'm talking about I used to
+
+52
+00:01:15,270 --> 00:01:15,280
+I know what I'm talking about I used to
+ 
+
+53
+00:01:15,280 --> 00:01:17,550
+I know what I'm talking about I used to
+be professor of Economics at the saon
+
+54
+00:01:17,550 --> 00:01:17,560
+be professor of Economics at the saon
+ 
+
+55
+00:01:17,560 --> 00:01:19,469
+be professor of Economics at the saon
+for Professor for six years but that's
+
+56
+00:01:19,469 --> 00:01:19,479
+for Professor for six years but that's
+ 
+
+57
+00:01:19,479 --> 00:01:21,550
+for Professor for six years but that's
+another story then you should agree with
+
+58
+00:01:21,550 --> 00:01:21,560
+another story then you should agree with
+ 
+
+59
+00:01:21,560 --> 00:01:22,990
+another story then you should agree with
+me that decent citizens have a right to
+
+60
+00:01:22,990 --> 00:01:23,000
+me that decent citizens have a right to
+ 
+
+61
+00:01:23,000 --> 00:01:24,870
+me that decent citizens have a right to
+be protected from this all right let's
+
+62
+00:01:24,870 --> 00:01:24,880
+be protected from this all right let's
+ 
+
+63
+00:01:24,880 --> 00:01:26,710
+be protected from this all right let's
+take a decent citizen married for 20
+
+64
+00:01:26,710 --> 00:01:26,720
+take a decent citizen married for 20
+ 
+
+65
+00:01:26,720 --> 00:01:28,510
+take a decent citizen married for 20
+years works hard all day selling baby
+
+66
+00:01:28,510 --> 00:01:28,520
+years works hard all day selling baby
+ 
+
+67
+00:01:28,520 --> 00:01:30,550
+years works hard all day selling baby
+cages in the evening he wants a little
+
+68
+00:01:30,550 --> 00:01:30,560
+cages in the evening he wants a little
+ 
+
+69
+00:01:30,560 --> 00:01:32,670
+cages in the evening he wants a little
+fun a little companionship so he comes
+
+70
+00:01:32,670 --> 00:01:32,680
+fun a little companionship so he comes
+ 
+
+71
+00:01:32,680 --> 00:01:35,389
+fun a little companionship so he comes
+to R cinova he meets a girl she gives
+
+72
+00:01:35,389 --> 00:01:35,399
+to R cinova he meets a girl she gives
+ 
+
+73
+00:01:35,399 --> 00:01:37,190
+to R cinova he meets a girl she gives
+him a little companionship he gives her
+
+74
+00:01:37,190 --> 00:01:37,200
+him a little companionship he gives her
+ 
+
+75
+00:01:37,200 --> 00:01:38,950
+him a little companionship he gives her
+a little money the girl gives the money
+
+76
+00:01:38,950 --> 00:01:38,960
+a little money the girl gives the money
+ 
+
+77
+00:01:38,960 --> 00:01:40,510
+a little money the girl gives the money
+to her boyfriend the boyfriend spends it
+
+78
+00:01:40,510 --> 00:01:40,520
+to her boyfriend the boyfriend spends it
+ 
+
+79
+00:01:40,520 --> 00:01:43,350
+to her boyfriend the boyfriend spends it
+on drinks on cufflinks at the
+
+80
+00:01:43,350 --> 00:01:43,360
+on drinks on cufflinks at the
+ 
+
+81
+00:01:43,360 --> 00:01:46,510
+on drinks on cufflinks at the
+racetrack sometimes he even pays a
+
+82
+00:01:46,510 --> 00:01:46,520
+racetrack sometimes he even pays a
+ 
+
+83
+00:01:46,520 --> 00:01:49,030
+racetrack sometimes he even pays a
+little money to a policeman bribe a
+
+84
+00:01:49,030 --> 00:01:49,040
+little money to a policeman bribe a
+ 
+
+85
+00:01:49,040 --> 00:01:51,190
+little money to a policeman bribe a
+policeman that's the beauty of it
+
+86
+00:01:51,190 --> 00:01:51,200
+policeman that's the beauty of it
+ 
+
+87
+00:01:51,200 --> 00:01:52,469
+policeman that's the beauty of it
+because the policeman takes the money
+
+88
+00:01:52,469 --> 00:01:52,479
+because the policeman takes the money
+ 
+
+89
+00:01:52,479 --> 00:01:54,190
+because the policeman takes the money
+and buys a baby cage from the decent
+
+90
+00:01:54,190 --> 00:01:54,200
+and buys a baby cage from the decent
+ 
+
+91
+00:01:54,200 --> 00:01:56,310
+and buys a baby cage from the decent
+citizen thus the money is kept in
+
+92
+00:01:56,310 --> 00:01:56,320
+citizen thus the money is kept in
+ 
+
+93
+00:01:56,320 --> 00:01:58,749
+citizen thus the money is kept in
+circulation everybody's prosperous
+
+94
+00:01:58,749 --> 00:01:58,759
+circulation everybody's prosperous
+ 
+
+95
+00:01:58,759 --> 00:02:01,149
+circulation everybody's prosperous
+everybody's happy don't believe it it's
+
+96
+00:02:01,149 --> 00:02:01,159
+everybody's happy don't believe it it's
+ 
+
+97
+00:02:01,159 --> 00:02:03,429
+everybody's happy don't believe it it's
+Elementary I don't I don't believe there
+
+98
+00:02:03,429 --> 00:02:03,439
+Elementary I don't I don't believe there
+ 
+
+99
+00:02:03,439 --> 00:02:05,830
+Elementary I don't I don't believe there
+are policemen who take money oh not all
+
+100
+00:02:05,830 --> 00:02:05,840
+are policemen who take money oh not all
+ 
+
+101
+00:02:05,840 --> 00:02:08,350
+are policemen who take money oh not all
+policemen take money some of the hups
+
+102
+00:02:08,350 --> 00:02:08,360
+policemen take money some of the hups
+ 
+
+103
+00:02:08,360 --> 00:02:09,830
+policemen take money some of the hups
+have a more intimate arrangement with
+
+104
+00:02:09,830 --> 00:02:09,840
+have a more intimate arrangement with
+ 
+
+105
+00:02:09,840 --> 00:02:10,750
+have a more intimate arrangement with
+the
+
+106
+00:02:10,750 --> 00:02:10,760
+the
+ 
+
+107
+00:02:10,760 --> 00:02:13,070
+the
+girls well there's one policeman around
+
+108
+00:02:13,070 --> 00:02:13,080
+girls well there's one policeman around
+ 
+
+109
+00:02:13,080 --> 00:02:24,030
+girls well there's one policeman around
+here who isn't
+
+110
+00:02:24,030 --> 00:02:24,040
+
+ 
+
+111
+00:02:24,040 --> 00:02:25,990
+
+corrupt you wouldn't know the number of
+
+112
+00:02:25,990 --> 00:02:26,000
+corrupt you wouldn't know the number of
+ 
+
+113
+00:02:26,000 --> 00:02:29,870
+corrupt you wouldn't know the number of
+the police station would you
+
+114
+00:02:29,870 --> 00:02:29,880
+the police station would you
+ 
+
+115
+00:02:29,880 --> 00:02:56,969
+the police station would you
+[Music]
+
diff --git a/1963/ljMuEDlInLo.en.srt b/1963/ljMuEDlInLo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..246c851cb7d7b9dafaea01adb72f24507f3e1f22
--- /dev/null
+++ b/1963/ljMuEDlInLo.en.srt
@@ -0,0 +1,245 @@
+1
+00:00:00,350 --> 00:00:02,869
+
+crazy those sisters tried to form that
+
+2
+00:00:02,869 --> 00:00:02,879
+crazy those sisters tried to form that
+ 
+
+3
+00:00:02,879 --> 00:00:04,910
+crazy those sisters tried to form that
+lab they aren't mean enough that old
+
+4
+00:00:04,910 --> 00:00:04,920
+lab they aren't mean enough that old
+ 
+
+5
+00:00:04,920 --> 00:00:12,290
+lab they aren't mean enough that old
+mother she'll do Oh Olga sweeter he used
+
+6
+00:00:12,290 --> 00:00:12,300
+mother she'll do Oh Olga sweeter he used
+ 
+
+7
+00:00:12,300 --> 00:00:15,020
+mother she'll do Oh Olga sweeter he used
+to own the place he could grow potatoes
+
+8
+00:00:15,020 --> 00:00:15,030
+to own the place he could grow potatoes
+ 
+
+9
+00:00:15,030 --> 00:00:18,950
+to own the place he could grow potatoes
+on their rock he left the place to this
+
+10
+00:00:18,950 --> 00:00:18,960
+on their rock he left the place to this
+ 
+
+11
+00:00:18,960 --> 00:00:21,380
+on their rock he left the place to this
+religious order back in Germany East
+
+12
+00:00:21,380 --> 00:00:21,390
+religious order back in Germany East
+ 
+
+13
+00:00:21,390 --> 00:00:23,929
+religious order back in Germany East
+Germany the sisters came over the wall
+
+14
+00:00:23,929 --> 00:00:23,939
+Germany the sisters came over the wall
+ 
+
+15
+00:00:23,939 --> 00:00:28,370
+Germany the sisters came over the wall
+they tell you about that no like in
+
+16
+00:00:28,370 --> 00:00:28,380
+they tell you about that no like in
+ 
+
+17
+00:00:28,380 --> 00:00:31,609
+they tell you about that no like in
+Berlin see over the wall across the
+
+18
+00:00:31,609 --> 00:00:31,619
+Berlin see over the wall across the
+ 
+
+19
+00:00:31,619 --> 00:00:35,620
+Berlin see over the wall across the
+ocean across the country to what this
+
+20
+00:00:35,620 --> 00:00:35,630
+ocean across the country to what this
+ 
+
+21
+00:00:35,630 --> 00:00:39,319
+ocean across the country to what this
+they can't even talk the language I've
+
+22
+00:00:39,319 --> 00:00:39,329
+they can't even talk the language I've
+ 
+
+23
+00:00:39,329 --> 00:00:40,639
+they can't even talk the language I've
+been straightening the motto on that's
+
+24
+00:00:40,639 --> 00:00:40,649
+been straightening the motto on that's
+ 
+
+25
+00:00:40,649 --> 00:00:41,810
+been straightening the motto on that's
+God yeah
+
+26
+00:00:41,810 --> 00:00:41,820
+God yeah
+ 
+
+27
+00:00:41,820 --> 00:00:49,040
+God yeah
+sho'nuff hey this you ain't gonna hang
+
+28
+00:00:49,040 --> 00:00:49,050
+sho'nuff hey this you ain't gonna hang
+ 
+
+29
+00:00:49,050 --> 00:00:52,729
+sho'nuff hey this you ain't gonna hang
+around with the sisters I'm just passing
+
+30
+00:00:52,729 --> 00:00:52,739
+around with the sisters I'm just passing
+ 
+
+31
+00:00:52,739 --> 00:00:52,970
+around with the sisters I'm just passing
+through
+
+32
+00:00:52,970 --> 00:00:52,980
+through
+ 
+
+33
+00:00:52,980 --> 00:00:55,549
+through
+that's right the sisters ask you
+
+34
+00:00:55,549 --> 00:00:55,559
+that's right the sisters ask you
+ 
+
+35
+00:00:55,559 --> 00:00:57,110
+that's right the sisters ask you
+something you tell them no you keep
+
+36
+00:00:57,110 --> 00:00:57,120
+something you tell them no you keep
+ 
+
+37
+00:00:57,120 --> 00:00:59,479
+something you tell them no you keep
+right on going yeah you got a pie there
+
+38
+00:00:59,479 --> 00:00:59,489
+right on going yeah you got a pie there
+ 
+
+39
+00:00:59,489 --> 00:01:02,240
+right on going yeah you got a pie there
+sure the whole one can I have it
+
+40
+00:01:02,240 --> 00:01:02,250
+sure the whole one can I have it
+ 
+
+41
+00:01:02,250 --> 00:01:05,420
+sure the whole one can I have it
+yeah it's gonna cost you wrap it I'm a
+
+42
+00:01:05,420 --> 00:01:05,430
+yeah it's gonna cost you wrap it I'm a
+ 
+
+43
+00:01:05,430 --> 00:01:08,270
+yeah it's gonna cost you wrap it I'm a
+millionaire from Wall Street my name is
+
+44
+00:01:08,270 --> 00:01:08,280
+millionaire from Wall Street my name is
+ 
+
+45
+00:01:08,280 --> 00:01:13,070
+millionaire from Wall Street my name is
+Homer Smith won at Alito
+
+46
+00:01:13,070 --> 00:01:13,080
+
+ 
+
+47
+00:01:13,080 --> 00:01:19,190
+
+[Music]
+
+48
+00:01:19,190 --> 00:01:19,200
+
+ 
+
+49
+00:01:19,200 --> 00:01:21,259
+
+you
+
diff --git a/1963/mRmLfuhXHR8.description b/1963/mRmLfuhXHR8.description
new file mode 100644
index 0000000000000000000000000000000000000000..0d9e930e5943ec0486082034ca4d06f52b52a033
--- /dev/null
+++ b/1963/mRmLfuhXHR8.description
@@ -0,0 +1,38 @@
+Charade movie clips: http://j.mp/1J9f1Fp
+BUY THE MOVIE: http://amzn.to/uofoaU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Peter (Cary Grant) and Scobie (George Kennedy) duke it out in the rooftop after Peter narrowly frees himself as Scobie's hostage.
+
+FILM DESCRIPTION:
+Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Cary Grant, George Kennedy
+Director: Stanley Donen
+Producers: Stanley Donen, James H. Ware
+Screenwriters: Marc Behm, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1963/qMwvHLe5m3g.description b/1963/qMwvHLe5m3g.description
new file mode 100644
index 0000000000000000000000000000000000000000..674e60d30586e446e4b799bf2022a025d641c70a
--- /dev/null
+++ b/1963/qMwvHLe5m3g.description
@@ -0,0 +1,38 @@
+The Birds movie clips: http://j.mp/15vUQTZ
+BUY THE MOVIE: http://amzn.to/vAN8ED
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mitch (Rod Taylor) leads Melanie (Tippi Hedren), Lydia (Jessica Tandy) and Cathy (Veronica Cartwright) out of the house and into the car.
+
+FILM DESCRIPTION:
+The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Rod Taylor, Veronica Cartwright, Tippi Hedren, Jessica Tandy
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Daphne Du Maurier, Evan Hunter
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1963/qMwvHLe5m3g.en.srt b/1963/qMwvHLe5m3g.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..39a5ce05c0ce43ec54259c633549890dc6dbea47
--- /dev/null
+++ b/1963/qMwvHLe5m3g.en.srt
@@ -0,0 +1,62 @@
+1
+00:00:00,184 --> 00:00:02,243
+Did you hear anything
+on the radio ?
+
+2
+00:00:02,319 --> 00:00:04,845
+It's-It's all right.
+Come on.
+
+3
+00:00:28,051 --> 00:00:30,019
+<i>[ Turning Doorknob ]</i>
+
+4
+00:00:39,064 --> 00:00:40,999
+<i>[ Gull Crying ]</i>
+
+5
+00:00:43,236 --> 00:00:45,705
+No. No !
+
+6
+00:00:45,773 --> 00:00:47,707
+Shh. Shh.
+
+7
+00:01:14,841 --> 00:01:18,243
+- Mitch ?
+- Shh !
+
+8
+00:01:18,312 --> 00:01:20,371
+Stay there.
+
+9
+00:01:27,724 --> 00:01:30,056
+Can I bring
+the lovebirds, Mitch ?
+
+10
+00:01:30,126 --> 00:01:32,391
+They haven't harmed anyone.
+
+11
+00:01:32,463 --> 00:01:34,727
+A-All right.
+Bring them.
+
+12
+00:01:51,653 --> 00:01:53,587
+<i>[ Shutting Door ]</i>
+
+13
+00:02:16,482 --> 00:02:19,384
+<i>[ Starts Motor ]</i>
+
+14
+00:02:28,297 --> 00:02:31,357
+<i>[ Car Driving Away,</i>
+<i>Bird Squawking Intensifies ]</i>
+
diff --git a/1963/tyazEYlueAw.en.srt b/1963/tyazEYlueAw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..28f7da2ffe2402d3e553566c9402840fec2399e7
--- /dev/null
+++ b/1963/tyazEYlueAw.en.srt
@@ -0,0 +1,115 @@
+1
+00:00:03,060 --> 00:00:06,280
+
+walking
+
+2
+00:00:06,280 --> 00:00:06,290
+
+ 
+
+3
+00:00:06,290 --> 00:00:15,280
+
+well
+
+4
+00:00:15,280 --> 00:00:15,290
+
+ 
+
+5
+00:00:15,290 --> 00:00:19,980
+
+l
+
+6
+00:00:19,980 --> 00:00:19,990
+
+ 
+
+7
+00:00:19,990 --> 00:00:28,900
+
+[Applause]
+
+8
+00:00:28,900 --> 00:00:28,910
+
+ 
+
+9
+00:00:28,910 --> 00:01:07,600
+
+ah
+
+10
+00:01:07,600 --> 00:01:07,610
+
+ 
+
+11
+00:01:07,610 --> 00:01:15,880
+
+and
+
+12
+00:01:15,880 --> 00:01:15,890
+
+ 
+
+13
+00:01:15,890 --> 00:01:18,730
+
+simao
+
+14
+00:01:18,730 --> 00:01:18,740
+simao
+ 
+
+15
+00:01:18,740 --> 00:01:32,220
+simao
+and
+
+16
+00:01:32,220 --> 00:01:32,230
+
+ 
+
+17
+00:01:32,230 --> 00:01:43,830
+
+that's why
+
+18
+00:01:43,830 --> 00:01:43,840
+
+ 
+
+19
+00:01:43,840 --> 00:01:53,990
+
+i
+
+20
+00:01:53,990 --> 00:01:54,000
+
+ 
+
+21
+00:01:54,000 --> 00:02:17,510
+
+remembering
+
+22
+00:02:17,510 --> 00:02:17,520
+
+ 
+
+23
+00:02:17,520 --> 00:02:26,479
+
+[Music]
+
diff --git a/1963/uvXwt5HNFLU.en.srt b/1963/uvXwt5HNFLU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..db694610b47f62b7043c1deac56909abcb5df4f7
--- /dev/null
+++ b/1963/uvXwt5HNFLU.en.srt
@@ -0,0 +1,575 @@
+1
+00:00:00,080 --> 00:00:01,189
+
+oh so then you knew they were going to
+
+2
+00:00:01,189 --> 00:00:01,199
+oh so then you knew they were going to
+ 
+
+3
+00:00:01,199 --> 00:00:03,110
+oh so then you knew they were going to
+be stolen oh yes
+
+4
+00:00:03,110 --> 00:00:03,120
+be stolen oh yes
+ 
+
+5
+00:00:03,120 --> 00:00:04,470
+be stolen oh yes
+how did you know
+
+6
+00:00:04,470 --> 00:00:04,480
+how did you know
+ 
+
+7
+00:00:04,480 --> 00:00:06,150
+how did you know
+because that is the modus operandi of
+
+8
+00:00:06,150 --> 00:00:06,160
+because that is the modus operandi of
+ 
+
+9
+00:00:06,160 --> 00:00:09,669
+because that is the modus operandi of
+the phantom he always works that way
+
+10
+00:00:09,669 --> 00:00:09,679
+the phantom he always works that way
+ 
+
+11
+00:00:09,679 --> 00:00:13,509
+the phantom he always works that way
+oh i see
+
+12
+00:00:13,509 --> 00:00:13,519
+
+ 
+
+13
+00:00:13,519 --> 00:00:15,829
+
+we're the same people always present at
+
+14
+00:00:15,829 --> 00:00:15,839
+we're the same people always present at
+ 
+
+15
+00:00:15,839 --> 00:00:19,910
+we're the same people always present at
+each party oh no the guest list varied
+
+16
+00:00:19,910 --> 00:00:19,920
+each party oh no the guest list varied
+ 
+
+17
+00:00:19,920 --> 00:00:21,910
+each party oh no the guest list varied
+outside of sir charles was anybody else
+
+18
+00:00:21,910 --> 00:00:21,920
+outside of sir charles was anybody else
+ 
+
+19
+00:00:21,920 --> 00:00:25,269
+outside of sir charles was anybody else
+always present at each of these parties
+
+20
+00:00:25,269 --> 00:00:25,279
+always present at each of these parties
+ 
+
+21
+00:00:25,279 --> 00:00:26,470
+always present at each of these parties
+uh
+
+22
+00:00:26,470 --> 00:00:26,480
+uh
+ 
+
+23
+00:00:26,480 --> 00:00:28,230
+uh
+no no no
+
+24
+00:00:28,230 --> 00:00:28,240
+no no no
+ 
+
+25
+00:00:28,240 --> 00:00:29,990
+no no no
+ernesto charles was present at each
+
+26
+00:00:29,990 --> 00:00:30,000
+ernesto charles was present at each
+ 
+
+27
+00:00:30,000 --> 00:00:30,950
+ernesto charles was present at each
+party
+
+28
+00:00:30,950 --> 00:00:30,960
+party
+ 
+
+29
+00:00:30,960 --> 00:00:32,790
+party
+when there was a robbery
+
+30
+00:00:32,790 --> 00:00:32,800
+when there was a robbery
+ 
+
+31
+00:00:32,800 --> 00:00:34,069
+when there was a robbery
+yes yes
+
+32
+00:00:34,069 --> 00:00:34,079
+yes yes
+ 
+
+33
+00:00:34,079 --> 00:00:36,549
+yes yes
+let's see
+
+34
+00:00:36,549 --> 00:00:36,559
+
+ 
+
+35
+00:00:36,559 --> 00:00:38,790
+
+what about you
+
+36
+00:00:38,790 --> 00:00:38,800
+what about you
+ 
+
+37
+00:00:38,800 --> 00:00:41,590
+what about you
+me yes you
+
+38
+00:00:41,590 --> 00:00:41,600
+
+ 
+
+39
+00:00:41,600 --> 00:00:43,670
+
+what about me when you were there
+
+40
+00:00:43,670 --> 00:00:43,680
+what about me when you were there
+ 
+
+41
+00:00:43,680 --> 00:00:45,350
+what about me when you were there
+yes well then sir charles was not the
+
+42
+00:00:45,350 --> 00:00:45,360
+yes well then sir charles was not the
+ 
+
+43
+00:00:45,360 --> 00:00:48,549
+yes well then sir charles was not the
+only one who was present at each party
+
+44
+00:00:48,549 --> 00:00:48,559
+only one who was present at each party
+ 
+
+45
+00:00:48,559 --> 00:00:50,229
+only one who was present at each party
+what are you suggesting i'm not
+
+46
+00:00:50,229 --> 00:00:50,239
+what are you suggesting i'm not
+ 
+
+47
+00:00:50,239 --> 00:00:51,990
+what are you suggesting i'm not
+suggesting anything
+
+48
+00:00:51,990 --> 00:00:52,000
+suggesting anything
+ 
+
+49
+00:00:52,000 --> 00:00:57,110
+suggesting anything
+yet
+
+50
+00:00:57,110 --> 00:00:57,120
+
+ 
+
+51
+00:00:57,120 --> 00:01:00,310
+
+um inspector too sir
+
+52
+00:01:00,310 --> 00:01:00,320
+
+ 
+
+53
+00:01:00,320 --> 00:01:03,830
+
+how much money do you make
+
+54
+00:01:03,830 --> 00:01:03,840
+
+ 
+
+55
+00:01:03,840 --> 00:01:05,910
+
+oh what does this got to do with it well
+
+56
+00:01:05,910 --> 00:01:05,920
+oh what does this got to do with it well
+ 
+
+57
+00:01:05,920 --> 00:01:07,670
+oh what does this got to do with it well
+your salary how much does a police
+
+58
+00:01:07,670 --> 00:01:07,680
+your salary how much does a police
+ 
+
+59
+00:01:07,680 --> 00:01:10,149
+your salary how much does a police
+inspector get paid you know
+
+60
+00:01:10,149 --> 00:01:10,159
+inspector get paid you know
+ 
+
+61
+00:01:10,159 --> 00:01:12,390
+inspector get paid you know
+enough to buy a wi-fi
+
+62
+00:01:12,390 --> 00:01:12,400
+enough to buy a wi-fi
+ 
+
+63
+00:01:12,400 --> 00:01:14,550
+enough to buy a wi-fi
+ten thousand dollar mink code no of
+
+64
+00:01:14,550 --> 00:01:14,560
+ten thousand dollar mink code no of
+ 
+
+65
+00:01:14,560 --> 00:01:15,750
+ten thousand dollar mink code no of
+course not
+
+66
+00:01:15,750 --> 00:01:15,760
+course not
+ 
+
+67
+00:01:15,760 --> 00:01:17,190
+course not
+you're aware that your wife spent seven
+
+68
+00:01:17,190 --> 00:01:17,200
+you're aware that your wife spent seven
+ 
+
+69
+00:01:17,200 --> 00:01:18,870
+you're aware that your wife spent seven
+thousand dollars at the eve sonora only
+
+70
+00:01:18,870 --> 00:01:18,880
+thousand dollars at the eve sonora only
+ 
+
+71
+00:01:18,880 --> 00:01:21,429
+thousand dollars at the eve sonora only
+last month
+
+72
+00:01:21,429 --> 00:01:21,439
+
+ 
+
+73
+00:01:21,439 --> 00:01:23,429
+
+what and two months before that four
+
+74
+00:01:23,429 --> 00:01:23,439
+what and two months before that four
+ 
+
+75
+00:01:23,439 --> 00:01:25,109
+what and two months before that four
+thousand dollars
+
+76
+00:01:25,109 --> 00:01:25,119
+thousand dollars
+ 
+
+77
+00:01:25,119 --> 00:01:26,789
+thousand dollars
+it's impossible we know for a fact that
+
+78
+00:01:26,789 --> 00:01:26,799
+it's impossible we know for a fact that
+ 
+
+79
+00:01:26,799 --> 00:01:28,310
+it's impossible we know for a fact that
+your wife spent at least 30 thousand
+
+80
+00:01:28,310 --> 00:01:28,320
+your wife spent at least 30 thousand
+ 
+
+81
+00:01:28,320 --> 00:01:30,630
+your wife spent at least 30 thousand
+dollars on clothes during the past year
+
+82
+00:01:30,630 --> 00:01:30,640
+dollars on clothes during the past year
+ 
+
+83
+00:01:30,640 --> 00:01:32,870
+dollars on clothes during the past year
+so my wife is very frugal she saves out
+
+84
+00:01:32,870 --> 00:01:32,880
+so my wife is very frugal she saves out
+ 
+
+85
+00:01:32,880 --> 00:01:40,469
+so my wife is very frugal she saves out
+of the housekeeping money
+
+86
+00:01:40,469 --> 00:01:40,479
+
+ 
+
+87
+00:01:40,479 --> 00:01:41,990
+
+thirty thousand dollars out of the
+
+88
+00:01:41,990 --> 00:01:42,000
+thirty thousand dollars out of the
+ 
+
+89
+00:01:42,000 --> 00:01:44,069
+thirty thousand dollars out of the
+housekeeping money yeah we've been
+
+90
+00:01:44,069 --> 00:01:44,079
+housekeeping money yeah we've been
+ 
+
+91
+00:01:44,079 --> 00:01:48,550
+housekeeping money yeah we've been
+married for ten years
+
+92
+00:01:48,550 --> 00:01:48,560
+
+ 
+
+93
+00:01:48,560 --> 00:01:49,910
+
+about the time that these robberies
+
+94
+00:01:49,910 --> 00:01:49,920
+about the time that these robberies
+ 
+
+95
+00:01:49,920 --> 00:01:51,670
+about the time that these robberies
+began and the notorious phantom came
+
+96
+00:01:51,670 --> 00:01:51,680
+began and the notorious phantom came
+ 
+
+97
+00:01:51,680 --> 00:01:54,870
+began and the notorious phantom came
+into existence correct yes no no not
+
+98
+00:01:54,870 --> 00:01:54,880
+into existence correct yes no no not
+ 
+
+99
+00:01:54,880 --> 00:01:55,830
+into existence correct yes no no not
+correct
+
+100
+00:01:55,830 --> 00:01:55,840
+correct
+ 
+
+101
+00:01:55,840 --> 00:01:58,389
+correct
+of course not correct of course
+
+102
+00:01:58,389 --> 00:01:58,399
+of course not correct of course
+ 
+
+103
+00:01:58,399 --> 00:02:00,069
+of course not correct of course
+oh yeah
+
+104
+00:02:00,069 --> 00:02:00,079
+oh yeah
+ 
+
+105
+00:02:00,079 --> 00:02:01,190
+oh yeah
+wait wait
+
+106
+00:02:01,190 --> 00:02:01,200
+wait wait
+ 
+
+107
+00:02:01,200 --> 00:02:02,720
+wait wait
+you see
+
+108
+00:02:02,720 --> 00:02:02,730
+you see
+ 
+
+109
+00:02:02,730 --> 00:02:13,430
+you see
+[Music]
+
+110
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+111
+00:02:13,440 --> 00:02:16,890
+
+nine
+
+112
+00:02:16,890 --> 00:02:16,900
+
+ 
+
+113
+00:02:16,900 --> 00:02:46,470
+
+[Music]
+
+114
+00:02:46,470 --> 00:02:46,480
+
+ 
+
+115
+00:02:46,480 --> 00:02:48,560
+
+you
+
diff --git a/1963/vZqr-1GJIAk.en.srt b/1963/vZqr-1GJIAk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..5592f93d10c2c0f4558d1c18b178d2aa402733d0
--- /dev/null
+++ b/1963/vZqr-1GJIAk.en.srt
@@ -0,0 +1,345 @@
+1
+00:00:00,030 --> 00:00:04,550
+
+no even for policemen your behavior was
+
+2
+00:00:04,550 --> 00:00:04,560
+no even for policemen your behavior was
+ 
+
+3
+00:00:04,560 --> 00:00:07,369
+no even for policemen your behavior was
+ready outrageous well you could have
+
+4
+00:00:07,369 --> 00:00:07,379
+ready outrageous well you could have
+ 
+
+5
+00:00:07,379 --> 00:00:09,410
+ready outrageous well you could have
+taken a fair share like the rest of us
+
+6
+00:00:09,410 --> 00:00:09,420
+taken a fair share like the rest of us
+ 
+
+7
+00:00:09,420 --> 00:00:13,850
+taken a fair share like the rest of us
+but no wrap up the whole scene baby we
+
+8
+00:00:13,850 --> 00:00:13,860
+but no wrap up the whole scene baby we
+ 
+
+9
+00:00:13,860 --> 00:00:16,160
+but no wrap up the whole scene baby we
+had three hundred and fifty thousand
+
+10
+00:00:16,160 --> 00:00:16,170
+had three hundred and fifty thousand
+ 
+
+11
+00:00:16,170 --> 00:00:20,990
+had three hundred and fifty thousand
+bucks right in our hands fourteen into
+
+12
+00:00:20,990 --> 00:00:21,000
+bucks right in our hands fourteen into
+ 
+
+13
+00:00:21,000 --> 00:00:27,230
+bucks right in our hands fourteen into
+three hundred and fifty thousand dollars
+
+14
+00:00:27,230 --> 00:00:27,240
+
+ 
+
+15
+00:00:27,240 --> 00:00:28,910
+
+wish I knew what they were gonna do to
+
+16
+00:00:28,910 --> 00:00:28,920
+wish I knew what they were gonna do to
+ 
+
+17
+00:00:28,920 --> 00:00:33,320
+wish I knew what they were gonna do to
+us but no matter what happens to us what
+
+18
+00:00:33,320 --> 00:00:33,330
+us but no matter what happens to us what
+ 
+
+19
+00:00:33,330 --> 00:00:35,630
+us but no matter what happens to us what
+happens to you I hope will be worse I
+
+20
+00:00:35,630 --> 00:00:35,640
+happens to you I hope will be worse I
+ 
+
+21
+00:00:35,640 --> 00:00:37,450
+happens to you I hope will be worse I
+[Music]
+
+22
+00:00:37,450 --> 00:00:37,460
+[Music]
+ 
+
+23
+00:00:37,460 --> 00:00:39,380
+[Music]
+don't think you have to worry too much
+
+24
+00:00:39,380 --> 00:00:39,390
+don't think you have to worry too much
+ 
+
+25
+00:00:39,390 --> 00:00:44,600
+don't think you have to worry too much
+about that my wife is divorcing me my
+
+26
+00:00:44,600 --> 00:00:44,610
+about that my wife is divorcing me my
+ 
+
+27
+00:00:44,610 --> 00:00:48,770
+about that my wife is divorcing me my
+mother-in-law is suing me for damages my
+
+28
+00:00:48,770 --> 00:00:48,780
+mother-in-law is suing me for damages my
+ 
+
+29
+00:00:48,780 --> 00:00:50,240
+mother-in-law is suing me for damages my
+daughter is applying to the courts to
+
+30
+00:00:50,240 --> 00:00:50,250
+daughter is applying to the courts to
+ 
+
+31
+00:00:50,250 --> 00:00:53,869
+daughter is applying to the courts to
+have her name changed my pension has
+
+32
+00:00:53,869 --> 00:00:53,879
+have her name changed my pension has
+ 
+
+33
+00:00:53,879 --> 00:00:57,080
+have her name changed my pension has
+been revoked and the only reason that
+
+34
+00:00:57,080 --> 00:00:57,090
+been revoked and the only reason that
+ 
+
+35
+00:00:57,090 --> 00:01:01,550
+been revoked and the only reason that
+you 10 Didion's will very likely get off
+
+36
+00:01:01,550 --> 00:01:01,560
+you 10 Didion's will very likely get off
+ 
+
+37
+00:01:01,560 --> 00:01:04,939
+you 10 Didion's will very likely get off
+lightly is because the judge will have
+
+38
+00:01:04,939 --> 00:01:04,949
+lightly is because the judge will have
+ 
+
+39
+00:01:04,949 --> 00:01:07,359
+lightly is because the judge will have
+me up there to throw the book at oh
+
+40
+00:01:07,359 --> 00:01:07,369
+me up there to throw the book at oh
+ 
+
+41
+00:01:07,369 --> 00:01:15,080
+me up there to throw the book at oh
+that's tough oh I'd like to think that
+
+42
+00:01:15,080 --> 00:01:15,090
+that's tough oh I'd like to think that
+ 
+
+43
+00:01:15,090 --> 00:01:19,359
+that's tough oh I'd like to think that
+sometime maybe 10 or 20 years from now
+
+44
+00:01:19,359 --> 00:01:19,369
+sometime maybe 10 or 20 years from now
+ 
+
+45
+00:01:19,369 --> 00:01:21,530
+sometime maybe 10 or 20 years from now
+there'd be something I could laugh at
+
+46
+00:01:21,530 --> 00:01:21,540
+there'd be something I could laugh at
+ 
+
+47
+00:01:21,540 --> 00:01:25,420
+there'd be something I could laugh at
+anything
+
+48
+00:01:25,420 --> 00:01:25,430
+
+ 
+
+49
+00:01:25,430 --> 00:01:34,190
+
+[Music]
+
+50
+00:01:34,190 --> 00:01:34,200
+
+ 
+
+51
+00:01:34,200 --> 00:01:39,180
+
+Yoho
+
+52
+00:01:39,180 --> 00:01:39,190
+
+ 
+
+53
+00:01:39,190 --> 00:01:47,660
+
+[Applause]
+
+54
+00:01:47,660 --> 00:01:47,670
+
+ 
+
+55
+00:01:47,670 --> 00:01:54,080
+
+[Applause]
+
+56
+00:01:54,080 --> 00:01:54,090
+
+ 
+
+57
+00:01:54,090 --> 00:01:56,330
+
+[Music]
+
+58
+00:01:56,330 --> 00:01:56,340
+[Music]
+ 
+
+59
+00:01:56,340 --> 00:02:05,710
+[Music]
+[Applause]
+
+60
+00:02:05,710 --> 00:02:05,720
+[Applause]
+ 
+
+61
+00:02:05,720 --> 00:02:06,180
+[Applause]
+[Music]
+
+62
+00:02:06,180 --> 00:02:06,190
+[Music]
+ 
+
+63
+00:02:06,190 --> 00:02:08,029
+[Music]
+[Applause]
+
+64
+00:02:08,029 --> 00:02:08,039
+[Applause]
+ 
+
+65
+00:02:08,039 --> 00:02:08,499
+[Applause]
+[Music]
+
+66
+00:02:08,499 --> 00:02:08,509
+[Music]
+ 
+
+67
+00:02:08,509 --> 00:02:16,060
+[Music]
+[Applause]
+
+68
+00:02:16,060 --> 00:02:16,070
+
+ 
+
+69
+00:02:16,070 --> 00:02:29,729
+
+[Music]
+
diff --git a/1963/ydLJtKlVVZw.description b/1963/ydLJtKlVVZw.description
new file mode 100644
index 0000000000000000000000000000000000000000..c99c43339167a2c966e6d9e886962cac1e2f5289
--- /dev/null
+++ b/1963/ydLJtKlVVZw.description
@@ -0,0 +1,38 @@
+The Birds movie clips: http://j.mp/15vUQTZ
+BUY THE MOVIE: http://amzn.to/vAN8ED
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Melanie (Tippi Hedren) smokes as flocks of crows quietly gather on the school playground behind her.
+
+FILM DESCRIPTION:
+The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Tippi Hedren
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Daphne Du Maurier, Evan Hunter
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1963/ydLJtKlVVZw.en.srt b/1963/ydLJtKlVVZw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..ec46ead33aba21b6a2bcc785a5f9f35f4d8c08b2
--- /dev/null
+++ b/1963/ydLJtKlVVZw.en.srt
@@ -0,0 +1,187 @@
+1
+00:00:00,227 --> 00:00:03,220
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+2
+00:00:03,298 --> 00:00:06,826
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+3
+00:00:06,902 --> 00:00:11,169
+<i># She churns her butter</i>
+<i>In her dad's old boot #</i>
+
+4
+00:00:11,241 --> 00:00:14,074
+<i># Ristle-tee, Rostle-tee</i>
+<i>Now, now, now #</i>
+
+5
+00:00:14,144 --> 00:00:17,239
+<i># And for a dash</i>
+<i>She'd use her foot #</i>
+
+6
+00:00:17,315 --> 00:00:20,376
+<i># Ristle-tee, Rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+7
+00:00:20,452 --> 00:00:23,444
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+8
+00:00:23,522 --> 00:00:26,356
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+9
+00:00:26,426 --> 00:00:31,296
+<i># The butter it came out</i>
+<i>All grizzle-y gray #</i>
+
+10
+00:00:31,365 --> 00:00:33,994
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+11
+00:00:34,069 --> 00:00:37,801
+<i># The cheese it took legs</i>
+<i>and ran away #</i>
+
+12
+00:00:37,874 --> 00:00:40,502
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+13
+00:00:40,576 --> 00:00:43,569
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+14
+00:00:43,647 --> 00:00:46,913
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+15
+00:00:46,985 --> 00:00:50,318
+<i># She let the critter</i>
+<i>get away #</i>
+
+16
+00:00:50,388 --> 00:00:52,880
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+17
+00:00:52,958 --> 00:00:55,950
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+18
+00:00:56,029 --> 00:00:59,328
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+19
+00:00:59,399 --> 00:01:03,632
+<i># I asked my wife</i>
+<i>to wash the floor #</i>
+
+20
+00:01:03,704 --> 00:01:06,503
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+21
+00:01:06,575 --> 00:01:09,703
+<i># She gave me my hat</i>
+<i>And she showed me the door #</i>
+
+22
+00:01:09,778 --> 00:01:12,748
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+23
+00:01:12,815 --> 00:01:17,981
+<i># Knickety-knackety</i>
+<i>Rustical quality</i>
+<i>Now, now, now #</i>
+
+24
+00:01:18,055 --> 00:01:22,015
+<i># I married my wife</i>
+<i>in the month ofJune #</i>
+
+25
+00:01:22,093 --> 00:01:24,460
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+26
+00:01:24,530 --> 00:01:27,761
+<i># I brought her home</i>
+<i>by the light of the moon #</i>
+
+27
+00:01:27,833 --> 00:01:30,928
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+28
+00:01:31,004 --> 00:01:33,974
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+29
+00:01:34,042 --> 00:01:37,671
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+30
+00:01:37,746 --> 00:01:42,183
+<i># She combed her hair</i>
+<i>But once a year #</i>
+
+31
+00:01:42,251 --> 00:01:44,777
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+32
+00:01:44,854 --> 00:01:48,518
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+33
+00:01:48,593 --> 00:01:51,722
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+34
+00:01:51,797 --> 00:01:54,994
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now ##</i>
+
+35
+00:01:55,067 --> 00:01:57,161
+<i>[ Annie ]</i>
+<i>All right, children. Now,</i>
+<i>please put your song books away,</i>
+
+36
+00:01:57,236 --> 00:01:59,170
+<i>then stand up</i>
+<i>alongside your desks.</i>
+
+37
+00:01:59,238 --> 00:02:02,470
+<i>We'll go out for recess</i>
+<i>as soon as everybody gets ready.</i>
+
diff --git a/1963/ziVJd7Fwzvc.description b/1963/ziVJd7Fwzvc.description
new file mode 100644
index 0000000000000000000000000000000000000000..169183021a2731cc9936a174e0fa9ca64e4964ce
--- /dev/null
+++ b/1963/ziVJd7Fwzvc.description
@@ -0,0 +1,38 @@
+Charade movie clips: http://j.mp/1J9f1Fp
+BUY THE MOVIE: http://amzn.to/uofoaU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Regina (Audrey Hepburn) confides in Peter (Cary Grant), but is warned not to trust him by an anonymous phone call.
+
+FILM DESCRIPTION:
+Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Cary Grant, George Kennedy, Audrey Hepburn
+Director: Stanley Donen
+Producers: Stanley Donen, James H. Ware
+Screenwriters: Marc Behm, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1963/ziVJd7Fwzvc.en.srt b/1963/ziVJd7Fwzvc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6996b72844cd734e2bb22274fe554da81790293a
--- /dev/null
+++ b/1963/ziVJd7Fwzvc.en.srt
@@ -0,0 +1,345 @@
+1
+00:00:00,709 --> 00:00:03,020
+
+Peter help me you're the only one I can
+
+2
+00:00:03,020 --> 00:00:03,030
+Peter help me you're the only one I can
+ 
+
+3
+00:00:03,030 --> 00:00:11,270
+Peter help me you're the only one I can
+trust I told you I would come on oh I'm
+
+4
+00:00:11,270 --> 00:00:11,280
+trust I told you I would come on oh I'm
+ 
+
+5
+00:00:11,280 --> 00:00:13,419
+trust I told you I would come on oh I'm
+so hungry I could faint
+
+6
+00:00:13,419 --> 00:00:13,429
+so hungry I could faint
+ 
+
+7
+00:00:13,429 --> 00:00:17,060
+so hungry I could faint
+and I've got your suit all wet that's a
+
+8
+00:00:17,060 --> 00:00:17,070
+and I've got your suit all wet that's a
+ 
+
+9
+00:00:17,070 --> 00:00:24,160
+and I've got your suit all wet that's a
+lie it's a drip dry your eyes
+
+10
+00:00:24,160 --> 00:00:24,170
+
+ 
+
+11
+00:00:24,170 --> 00:00:26,179
+
+promise me you'll never lie to me the
+
+12
+00:00:26,179 --> 00:00:26,189
+promise me you'll never lie to me the
+ 
+
+13
+00:00:26,189 --> 00:00:28,370
+promise me you'll never lie to me the
+way Charles did why do people have to
+
+14
+00:00:28,370 --> 00:00:28,380
+way Charles did why do people have to
+ 
+
+15
+00:00:28,380 --> 00:00:31,519
+way Charles did why do people have to
+tell lies usually it's because they want
+
+16
+00:00:31,519 --> 00:00:31,529
+tell lies usually it's because they want
+ 
+
+17
+00:00:31,529 --> 00:00:33,170
+tell lies usually it's because they want
+something they're afraid the truth won't
+
+18
+00:00:33,170 --> 00:00:33,180
+something they're afraid the truth won't
+ 
+
+19
+00:00:33,180 --> 00:00:37,830
+something they're afraid the truth won't
+get it for them you tell lies
+
+20
+00:00:37,830 --> 00:00:37,840
+
+ 
+
+21
+00:00:37,840 --> 00:00:46,200
+
+[Music]
+
+22
+00:00:46,200 --> 00:00:46,210
+[Music]
+ 
+
+23
+00:00:46,210 --> 00:00:49,660
+[Music]
+hello mrs. Lambert it's me the man who
+
+24
+00:00:49,660 --> 00:00:49,670
+hello mrs. Lambert it's me the man who
+ 
+
+25
+00:00:49,670 --> 00:00:52,740
+hello mrs. Lambert it's me the man who
+was in your room a few minutes ago
+
+26
+00:00:52,740 --> 00:00:52,750
+was in your room a few minutes ago
+ 
+
+27
+00:00:52,750 --> 00:00:56,830
+was in your room a few minutes ago
+what do you want who is it it's the man
+
+28
+00:00:56,830 --> 00:00:56,840
+what do you want who is it it's the man
+ 
+
+29
+00:00:56,840 --> 00:00:59,790
+what do you want who is it it's the man
+you had to fight with his dial with you
+
+30
+00:00:59,790 --> 00:00:59,800
+you had to fight with his dial with you
+ 
+
+31
+00:00:59,800 --> 00:01:03,579
+you had to fight with his dial with you
+who the man I had to fight with lady
+
+32
+00:01:03,579 --> 00:01:03,589
+who the man I had to fight with lady
+ 
+
+33
+00:01:03,589 --> 00:01:04,719
+who the man I had to fight with lady
+Dyle
+
+34
+00:01:04,719 --> 00:01:04,729
+Dyle
+ 
+
+35
+00:01:04,729 --> 00:01:07,930
+Dyle
+that's his name what's wrong is he still
+
+36
+00:01:07,930 --> 00:01:07,940
+that's his name what's wrong is he still
+ 
+
+37
+00:01:07,940 --> 00:01:15,700
+that's his name what's wrong is he still
+there yes that's right
+
+38
+00:01:15,700 --> 00:01:15,710
+there yes that's right
+ 
+
+39
+00:01:15,710 --> 00:01:19,660
+there yes that's right
+what's he saying don't trust him don't
+
+40
+00:01:19,660 --> 00:01:19,670
+what's he saying don't trust him don't
+ 
+
+41
+00:01:19,670 --> 00:01:32,310
+what's he saying don't trust him don't
+tell him anything he's after the money
+
+42
+00:01:32,310 --> 00:01:32,320
+
+ 
+
+43
+00:01:32,320 --> 00:01:37,190
+
+what was all that about he
+
+44
+00:01:37,190 --> 00:01:37,200
+what was all that about he
+ 
+
+45
+00:01:37,200 --> 00:01:38,719
+what was all that about he
+he said if I don't give him the money
+
+46
+00:01:38,719 --> 00:01:38,729
+he said if I don't give him the money
+ 
+
+47
+00:01:38,729 --> 00:01:42,039
+he said if I don't give him the money
+he'll kill me oh don't take it seriously
+
+48
+00:01:42,039 --> 00:01:42,049
+he'll kill me oh don't take it seriously
+ 
+
+49
+00:01:42,049 --> 00:01:45,749
+he'll kill me oh don't take it seriously
+he's just trying to frighten you
+
+50
+00:01:45,749 --> 00:01:45,759
+he's just trying to frighten you
+ 
+
+51
+00:01:45,759 --> 00:01:48,420
+he's just trying to frighten you
+I believe what he said no I was just a
+
+52
+00:01:48,420 --> 00:01:48,430
+I believe what he said no I was just a
+ 
+
+53
+00:01:48,430 --> 00:01:54,570
+I believe what he said no I was just a
+lot of words White's gonna hurt trying
+
+54
+00:01:54,570 --> 00:01:54,580
+lot of words White's gonna hurt trying
+ 
+
+55
+00:01:54,580 --> 00:01:56,399
+lot of words White's gonna hurt trying
+to get some sleep you'll feel better
+
+56
+00:01:56,399 --> 00:01:56,409
+to get some sleep you'll feel better
+ 
+
+57
+00:01:56,409 --> 00:01:58,770
+to get some sleep you'll feel better
+don't worry I've arranged to take the
+
+58
+00:01:58,770 --> 00:01:58,780
+don't worry I've arranged to take the
+ 
+
+59
+00:01:58,780 --> 00:02:00,330
+don't worry I've arranged to take the
+room next audio
+
+60
+00:02:00,330 --> 00:02:00,340
+room next audio
+ 
+
+61
+00:02:00,340 --> 00:02:02,450
+room next audio
+[Music]
+
+62
+00:02:02,450 --> 00:02:02,460
+[Music]
+ 
+
+63
+00:02:02,460 --> 00:02:06,120
+[Music]
+so you'll be alright if you want
+
+64
+00:02:06,120 --> 00:02:06,130
+so you'll be alright if you want
+ 
+
+65
+00:02:06,130 --> 00:02:08,969
+so you'll be alright if you want
+anything just bang on the wall better
+
+66
+00:02:08,969 --> 00:02:08,979
+anything just bang on the wall better
+ 
+
+67
+00:02:08,979 --> 00:02:12,380
+anything just bang on the wall better
+lock the door after me goodnight
+
+68
+00:02:12,380 --> 00:02:12,390
+lock the door after me goodnight
+ 
+
+69
+00:02:12,390 --> 00:02:46,490
+lock the door after me goodnight
+[Music]
+
diff --git a/1963/zyTVafoAylI.en.srt b/1963/zyTVafoAylI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f677a25098a582a712734f40b1c50eeb0ea71bfb
--- /dev/null
+++ b/1963/zyTVafoAylI.en.srt
@@ -0,0 +1,84 @@
+1
+00:00:14,070 --> 00:00:17,140
+
+metro
+
+2
+00:00:17,140 --> 00:00:17,150
+
+ 
+
+3
+00:00:17,150 --> 00:00:47,960
+
+because the fears that's
+
+4
+00:00:47,960 --> 00:00:47,970
+
+ 
+
+5
+00:00:47,970 --> 00:01:09,060
+
+
+6
+00:01:09,060 --> 00:01:09,070
+
+ 
+
+7
+00:01:09,070 --> 00:01:12,220
+
+it
+
+8
+00:01:12,220 --> 00:01:12,230
+
+ 
+
+9
+00:01:12,230 --> 00:01:15,920
+
+erakat
+
+10
+00:01:15,920 --> 00:01:15,930
+
+ 
+
+11
+00:01:15,930 --> 00:01:42,710
+
+funny
+
+12
+00:01:42,710 --> 00:01:42,720
+
+ 
+
+13
+00:01:42,720 --> 00:01:53,700
+
+I know
+
+14
+00:01:53,700 --> 00:01:53,710
+
+ 
+
+15
+00:01:53,710 --> 00:02:09,820
+
+sure
+
+16
+00:02:09,820 --> 00:02:09,830
+
+ 
+
+17
+00:02:09,830 --> 00:02:12,160
+
+m
+
diff --git a/1964/55uK9Lg3TaY.description b/1964/55uK9Lg3TaY.description
new file mode 100644
index 0000000000000000000000000000000000000000..93628fef6ce9c5c6ee66b9c43d22443abeb1f8ef
--- /dev/null
+++ b/1964/55uK9Lg3TaY.description
@@ -0,0 +1,32 @@
+Topkapi - The Floor-Mounted Alarm: Elizabeth (Melina Mercouri) and Walter (Maximilian Schell) visit mechanical expert Cedric (Robert Morley), who demonstrates the museum's alarm system.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Melina Mercouri, Robert Morley
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/55uK9Lg3TaY.en.srt b/1964/55uK9Lg3TaY.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..adc4f423ecb32b26a635d280cd3822ed06bc1f96
--- /dev/null
+++ b/1964/55uK9Lg3TaY.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:05,359 --> 00:00:09,040
+
+the entertainment is charming
+
+2
+00:00:09,040 --> 00:00:09,050
+the entertainment is charming
+ 
+
+3
+00:00:09,050 --> 00:00:12,410
+the entertainment is charming
+you don't follow I would terrible show
+
+4
+00:00:12,410 --> 00:00:12,420
+you don't follow I would terrible show
+ 
+
+5
+00:00:12,420 --> 00:00:22,340
+you don't follow I would terrible show
+off but do let me offer you a drink no
+
+6
+00:00:22,340 --> 00:00:22,350
+off but do let me offer you a drink no
+ 
+
+7
+00:00:22,350 --> 00:00:23,090
+off but do let me offer you a drink no
+thank you
+
+8
+00:00:23,090 --> 00:00:23,100
+thank you
+ 
+
+9
+00:00:23,100 --> 00:00:25,400
+thank you
+how was your trip to Istanbul marvelous
+
+10
+00:00:25,400 --> 00:00:25,410
+how was your trip to Istanbul marvelous
+ 
+
+11
+00:00:25,410 --> 00:00:26,960
+how was your trip to Istanbul marvelous
+did you go on the underground railway
+
+12
+00:00:26,960 --> 00:00:26,970
+did you go on the underground railway
+ 
+
+13
+00:00:26,970 --> 00:00:29,480
+did you go on the underground railway
+you know it's the oldest in Europe did
+
+14
+00:00:29,480 --> 00:00:29,490
+you know it's the oldest in Europe did
+ 
+
+15
+00:00:29,490 --> 00:00:31,759
+you know it's the oldest in Europe did
+you bother to go to the museum mr. page
+
+16
+00:00:31,759 --> 00:00:31,769
+you bother to go to the museum mr. page
+ 
+
+17
+00:00:31,769 --> 00:00:33,709
+you bother to go to the museum mr. page
+well of course that was the whole idea
+
+18
+00:00:33,709 --> 00:00:33,719
+well of course that was the whole idea
+ 
+
+19
+00:00:33,719 --> 00:00:36,560
+well of course that was the whole idea
+wasn't it the alarm I take my
+
+20
+00:00:36,560 --> 00:00:36,570
+wasn't it the alarm I take my
+ 
+
+21
+00:00:36,570 --> 00:00:37,900
+wasn't it the alarm I take my
+responsibilities in his enterprise
+
+22
+00:00:37,900 --> 00:00:37,910
+responsibilities in his enterprise
+ 
+
+23
+00:00:37,910 --> 00:00:41,810
+responsibilities in his enterprise
+seriously as I'm sure you do mister well
+
+24
+00:00:41,810 --> 00:00:41,820
+seriously as I'm sure you do mister well
+ 
+
+25
+00:00:41,820 --> 00:00:45,139
+seriously as I'm sure you do mister well
+now let's all go into the museum
+
+26
+00:00:45,139 --> 00:00:45,149
+now let's all go into the museum
+ 
+
+27
+00:00:45,149 --> 00:00:48,799
+now let's all go into the museum
+Michelle we here's the door should we
+
+28
+00:00:48,799 --> 00:00:48,809
+Michelle we here's the door should we
+ 
+
+29
+00:00:48,809 --> 00:00:56,000
+Michelle we here's the door should we
+say and Walter Walter is the Sultan with
+
+30
+00:00:56,000 --> 00:00:56,010
+say and Walter Walter is the Sultan with
+ 
+
+31
+00:00:56,010 --> 00:01:04,550
+say and Walter Walter is the Sultan with
+the dagger
+
+32
+00:01:04,550 --> 00:01:04,560
+
+ 
+
+33
+00:01:04,560 --> 00:01:06,500
+
+[Music]
+
+34
+00:01:06,500 --> 00:01:06,510
+[Music]
+ 
+
+35
+00:01:06,510 --> 00:01:10,050
+[Music]
+it was your way did it on the Treasury
+
+36
+00:01:10,050 --> 00:01:10,060
+it was your way did it on the Treasury
+ 
+
+37
+00:01:10,060 --> 00:01:12,630
+it was your way did it on the Treasury
+floor Epps I should have said even your
+
+38
+00:01:12,630 --> 00:01:12,640
+floor Epps I should have said even your
+ 
+
+39
+00:01:12,640 --> 00:01:19,260
+floor Epps I should have said even your
+weight try again just one foot well just
+
+40
+00:01:19,260 --> 00:01:19,270
+weight try again just one foot well just
+ 
+
+41
+00:01:19,270 --> 00:01:26,520
+weight try again just one foot well just
+the cow it's all based on a little chap
+
+42
+00:01:26,520 --> 00:01:26,530
+the cow it's all based on a little chap
+ 
+
+43
+00:01:26,530 --> 00:01:30,780
+the cow it's all based on a little chap
+down here this is a delicate strain
+
+44
+00:01:30,780 --> 00:01:30,790
+down here this is a delicate strain
+ 
+
+45
+00:01:30,790 --> 00:01:32,880
+down here this is a delicate strain
+gauge and there are hundreds of them
+
+46
+00:01:32,880 --> 00:01:32,890
+gauge and there are hundreds of them
+ 
+
+47
+00:01:32,890 --> 00:01:34,260
+gauge and there are hundreds of them
+hidden under the floor of the Treasury
+
+48
+00:01:34,260 --> 00:01:34,270
+hidden under the floor of the Treasury
+ 
+
+49
+00:01:34,270 --> 00:01:37,010
+hidden under the floor of the Treasury
+each one connected to the alarm system
+
+50
+00:01:37,010 --> 00:01:37,020
+each one connected to the alarm system
+ 
+
+51
+00:01:37,020 --> 00:01:40,109
+each one connected to the alarm system
+they measure weight the smallest weight
+
+52
+00:01:40,109 --> 00:01:40,119
+they measure weight the smallest weight
+ 
+
+53
+00:01:40,119 --> 00:01:53,669
+they measure weight the smallest weight
+even the ping pong balls to find a sweet
+
+54
+00:01:53,669 --> 00:01:53,679
+even the ping pong balls to find a sweet
+ 
+
+55
+00:01:53,679 --> 00:01:55,590
+even the ping pong balls to find a sweet
+centimeter well it could be anywhere
+
+56
+00:01:55,590 --> 00:01:55,600
+centimeter well it could be anywhere
+ 
+
+57
+00:01:55,600 --> 00:01:57,109
+centimeter well it could be anywhere
+hidden in the walls or the ceiling
+
+58
+00:01:57,109 --> 00:01:57,119
+hidden in the walls or the ceiling
+ 
+
+59
+00:01:57,119 --> 00:01:59,910
+hidden in the walls or the ceiling
+operated by remote control a mile away
+
+60
+00:01:59,910 --> 00:01:59,920
+operated by remote control a mile away
+ 
+
+61
+00:01:59,920 --> 00:02:02,430
+operated by remote control a mile away
+or more and how do you propose to get
+
+62
+00:02:02,430 --> 00:02:02,440
+or more and how do you propose to get
+ 
+
+63
+00:02:02,440 --> 00:02:05,660
+or more and how do you propose to get
+into a museum without touching the floor
+
+64
+00:02:05,660 --> 00:02:05,670
+into a museum without touching the floor
+ 
+
+65
+00:02:05,670 --> 00:02:07,889
+into a museum without touching the floor
+well I wouldn't have to touch the floor
+
+66
+00:02:07,889 --> 00:02:07,899
+well I wouldn't have to touch the floor
+ 
+
+67
+00:02:07,899 --> 00:02:10,979
+well I wouldn't have to touch the floor
+would I if I were to fly it is in how I
+
+68
+00:02:10,979 --> 00:02:10,989
+would I if I were to fly it is in how I
+ 
+
+69
+00:02:10,989 --> 00:02:13,250
+would I if I were to fly it is in how I
+see you mr. Page
+
+70
+00:02:13,250 --> 00:02:13,260
+see you mr. Page
+ 
+
+71
+00:02:13,260 --> 00:02:19,230
+see you mr. Page
+[Music]
+
+72
+00:02:19,230 --> 00:02:19,240
+
+ 
+
+73
+00:02:19,240 --> 00:02:21,300
+
+you
+
diff --git a/1964/5LvcBgWzjwc.description b/1964/5LvcBgWzjwc.description
new file mode 100644
index 0000000000000000000000000000000000000000..f94783381156244f24ced1d56a9a010842ebb38d
--- /dev/null
+++ b/1964/5LvcBgWzjwc.description
@@ -0,0 +1,32 @@
+Topkapi - Stealing the Dagger: Giulio (Gilles Segal) descends into the museum to replace the real dagger with a replica without triggering the floor alarm.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Peter Ustinov
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/5p8meeqGJbg.description b/1964/5p8meeqGJbg.description
new file mode 100644
index 0000000000000000000000000000000000000000..a01f677116110944332e78b18b63106ad7187bbb
--- /dev/null
+++ b/1964/5p8meeqGJbg.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) breaks out of his prison in time to spy on Goldfinger (Gert Frbe) explaining his master plan.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/9ZBPZ4b5LRw.description b/1964/9ZBPZ4b5LRw.description
new file mode 100644
index 0000000000000000000000000000000000000000..473ce1594b578ce56c009bc3383f3852cfb678fb
--- /dev/null
+++ b/1964/9ZBPZ4b5LRw.description
@@ -0,0 +1,32 @@
+Topkapi - Crossing the Roof: When Arthur (Peter Ustinov) refuses to cross the roof at night, Walter (Maximilian Schell) agrees to make the trip in broad daylight.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Peter Ustinov
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/AAbtiIrTqCE.description b/1964/AAbtiIrTqCE.description
new file mode 100644
index 0000000000000000000000000000000000000000..e5100350fc52b548f737cea4863726c3327d40b5
--- /dev/null
+++ b/1964/AAbtiIrTqCE.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Frustrated with the outcome of his two encounters with Bond (Sean Connery), Goldfinger (Gert Frbe) has his henchman, Oddjob (Harold Sakata), show the spy what happens to people who meddle in his affairs.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Harold Sakata, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/AAbtiIrTqCE.en.srt b/1964/AAbtiIrTqCE.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..e189356ad17c99181fae440cd398d438fe95c313
--- /dev/null
+++ b/1964/AAbtiIrTqCE.en.srt
@@ -0,0 +1,205 @@
+1
+00:00:00,199 --> 00:00:02,669
+
+you are a clever resourceful man Mr Bond
+
+2
+00:00:02,669 --> 00:00:02,679
+you are a clever resourceful man Mr Bond
+ 
+
+3
+00:00:02,679 --> 00:00:04,749
+you are a clever resourceful man Mr Bond
+well thank you perhaps too clever twice
+
+4
+00:00:04,749 --> 00:00:04,759
+well thank you perhaps too clever twice
+ 
+
+5
+00:00:04,759 --> 00:00:07,150
+well thank you perhaps too clever twice
+our paths have crossed let's leave it at
+
+6
+00:00:07,150 --> 00:00:07,160
+our paths have crossed let's leave it at
+ 
+
+7
+00:00:07,160 --> 00:00:09,190
+our paths have crossed let's leave it at
+that I should think our first meeting
+
+8
+00:00:09,190 --> 00:00:09,200
+that I should think our first meeting
+ 
+
+9
+00:00:09,200 --> 00:00:12,350
+that I should think our first meeting
+would have convinced you oh I see you're
+
+10
+00:00:12,350 --> 00:00:12,360
+would have convinced you oh I see you're
+ 
+
+11
+00:00:12,360 --> 00:00:15,630
+would have convinced you oh I see you're
+worried about me not giving you a return
+
+12
+00:00:15,630 --> 00:00:15,640
+worried about me not giving you a return
+ 
+
+13
+00:00:15,640 --> 00:00:18,070
+worried about me not giving you a return
+game both of us know perfectly well what
+
+14
+00:00:18,070 --> 00:00:18,080
+game both of us know perfectly well what
+ 
+
+15
+00:00:18,080 --> 00:00:20,750
+game both of us know perfectly well what
+we are talking about Mr Bond but I see
+
+16
+00:00:20,750 --> 00:00:20,760
+we are talking about Mr Bond but I see
+ 
+
+17
+00:00:20,760 --> 00:00:25,310
+we are talking about Mr Bond but I see
+that it is necessary to remind you our
+
+18
+00:00:25,310 --> 00:00:25,320
+
+ 
+
+19
+00:00:25,320 --> 00:00:27,990
+
+job many people have tried to involve
+
+20
+00:00:27,990 --> 00:00:28,000
+job many people have tried to involve
+ 
+
+21
+00:00:28,000 --> 00:00:33,100
+job many people have tried to involve
+themselves in my affairs unsuccess
+
+22
+00:00:33,100 --> 00:00:33,110
+
+ 
+
+23
+00:00:33,110 --> 00:00:44,350
+
+[Music]
+
+24
+00:00:44,350 --> 00:00:44,360
+
+ 
+
+25
+00:00:44,360 --> 00:00:46,990
+
+sucessfully remarkable but what does a
+
+26
+00:00:46,990 --> 00:00:47,000
+sucessfully remarkable but what does a
+ 
+
+27
+00:00:47,000 --> 00:00:49,830
+sucessfully remarkable but what does a
+club secretary have to say oh nothing Mr
+
+28
+00:00:49,830 --> 00:00:49,840
+club secretary have to say oh nothing Mr
+ 
+
+29
+00:00:49,840 --> 00:00:53,590
+club secretary have to say oh nothing Mr
+Bon I own the
+
+30
+00:00:53,590 --> 00:00:53,600
+
+ 
+
+31
+00:00:53,600 --> 00:00:56,189
+
+club I assume you want the check made
+
+32
+00:00:56,189 --> 00:00:56,199
+club I assume you want the check made
+ 
+
+33
+00:00:56,199 --> 00:00:58,470
+club I assume you want the check made
+out to cash that would be perfectly
+
+34
+00:00:58,470 --> 00:00:58,480
+out to cash that would be perfectly
+ 
+
+35
+00:00:58,480 --> 00:01:04,789
+out to cash that would be perfectly
+satisfactory
+
+36
+00:01:04,789 --> 00:01:04,799
+
+ 
+
+37
+00:01:04,799 --> 00:01:07,590
+
+Goodbye Mr
+
+38
+00:01:07,590 --> 00:01:07,600
+
+ 
+
+39
+00:01:07,600 --> 00:01:26,600
+
+Bond oh uh I believe this is yours
+
+40
+00:01:26,600 --> 00:01:26,610
+
+ 
+
+41
+00:01:26,610 --> 00:01:53,700
+
+[Music]
+
diff --git a/1964/ABUroSunjEY.description b/1964/ABUroSunjEY.description
new file mode 100644
index 0000000000000000000000000000000000000000..a4c87d600cbc28a458233f40e883749152f36836
--- /dev/null
+++ b/1964/ABUroSunjEY.description
@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rojo (Gian Maria Volonte) gives Joe (Clint Eastwood) some shooting lessons with his Winchester, but Joe prefers his .45.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Marianne Koch
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/ABUroSunjEY.en.srt b/1964/ABUroSunjEY.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..7a88e5634c6afde861fd99712a78e36f8bb44e88
--- /dev/null
+++ b/1964/ABUroSunjEY.en.srt
@@ -0,0 +1,315 @@
+1
+00:00:00,719 --> 00:00:05,190
+
+where are you
+
+2
+00:00:05,190 --> 00:00:05,200
+
+ 
+
+3
+00:00:05,200 --> 00:00:13,749
+
+going the roost to look for a
+
+4
+00:00:13,749 --> 00:00:13,759
+
+ 
+
+5
+00:00:13,759 --> 00:00:17,230
+
+job I'm glad we have the americ with us
+
+6
+00:00:17,230 --> 00:00:17,240
+job I'm glad we have the americ with us
+ 
+
+7
+00:00:17,240 --> 00:00:19,230
+job I'm glad we have the americ with us
+the best thing going to happen to us you
+
+8
+00:00:19,230 --> 00:00:19,240
+the best thing going to happen to us you
+ 
+
+9
+00:00:19,240 --> 00:00:22,029
+the best thing going to happen to us you
+know CU if either government starts an
+
+10
+00:00:22,029 --> 00:00:22,039
+know CU if either government starts an
+ 
+
+11
+00:00:22,039 --> 00:00:25,750
+know CU if either government starts an
+inquiry we need every man we can
+
+12
+00:00:25,750 --> 00:00:25,760
+inquiry we need every man we can
+ 
+
+13
+00:00:25,760 --> 00:00:29,230
+inquiry we need every man we can
+get I guess you know you'll be at war
+
+14
+00:00:29,230 --> 00:00:29,240
+get I guess you know you'll be at war
+ 
+
+15
+00:00:29,240 --> 00:00:30,950
+get I guess you know you'll be at war
+with the buers now is worse than sitting
+
+16
+00:00:30,950 --> 00:00:30,960
+with the buers now is worse than sitting
+ 
+
+17
+00:00:30,960 --> 00:00:32,790
+with the buers now is worse than sitting
+on a big case of where should we put
+
+18
+00:00:32,790 --> 00:00:32,800
+on a big case of where should we put
+ 
+
+19
+00:00:32,800 --> 00:00:42,069
+on a big case of where should we put
+this put it over
+
+20
+00:00:42,069 --> 00:00:42,079
+
+ 
+
+21
+00:00:42,079 --> 00:01:17,190
+
+there come on everybody drink up
+
+22
+00:01:17,190 --> 00:01:17,200
+
+ 
+
+23
+00:01:17,200 --> 00:01:19,749
+
+good shooting very good shooting when
+
+24
+00:01:19,749 --> 00:01:19,759
+good shooting very good shooting when
+ 
+
+25
+00:01:19,759 --> 00:01:21,149
+good shooting very good shooting when
+you want to kill a man you must shoot
+
+26
+00:01:21,149 --> 00:01:21,159
+you want to kill a man you must shoot
+ 
+
+27
+00:01:21,159 --> 00:01:23,590
+you want to kill a man you must shoot
+for his heart and the Winchester he's
+
+28
+00:01:23,590 --> 00:01:23,600
+for his heart and the Winchester he's
+ 
+
+29
+00:01:23,600 --> 00:01:25,830
+for his heart and the Winchester he's
+the best weapon that's very nice but
+
+30
+00:01:25,830 --> 00:01:25,840
+the best weapon that's very nice but
+ 
+
+31
+00:01:25,840 --> 00:01:27,670
+the best weapon that's very nice but
+I'll stick with my
+
+32
+00:01:27,670 --> 00:01:27,680
+I'll stick with my
+ 
+
+33
+00:01:27,680 --> 00:01:30,749
+I'll stick with my
+45 when a man with a 45 meets a man with
+
+34
+00:01:30,749 --> 00:01:30,759
+45 when a man with a 45 meets a man with
+ 
+
+35
+00:01:30,759 --> 00:01:34,230
+45 when a man with a 45 meets a man with
+a rifle the man with a pistol will be a
+
+36
+00:01:34,230 --> 00:01:34,240
+a rifle the man with a pistol will be a
+ 
+
+37
+00:01:34,240 --> 00:01:37,670
+a rifle the man with a pistol will be a
+dead man that's an all Mexican proverb
+
+38
+00:01:37,670 --> 00:01:37,680
+dead man that's an all Mexican proverb
+ 
+
+39
+00:01:37,680 --> 00:01:39,389
+dead man that's an all Mexican proverb
+and it's
+
+40
+00:01:39,389 --> 00:01:39,399
+and it's
+ 
+
+41
+00:01:39,399 --> 00:01:42,749
+and it's
+true you believe
+
+42
+00:01:42,749 --> 00:01:42,759
+true you believe
+ 
+
+43
+00:01:42,759 --> 00:01:45,950
+true you believe
+that Vito take five men and escort marur
+
+44
+00:01:45,950 --> 00:01:45,960
+that Vito take five men and escort marur
+ 
+
+45
+00:01:45,960 --> 00:01:47,709
+that Vito take five men and escort marur
+to this small house and stay there until
+
+46
+00:01:47,709 --> 00:01:47,719
+to this small house and stay there until
+ 
+
+47
+00:01:47,719 --> 00:01:55,720
+to this small house and stay there until
+I return
+
+48
+00:01:55,720 --> 00:01:55,730
+
+ 
+
+49
+00:01:55,730 --> 00:01:57,270
+
+[Music]
+
+50
+00:01:57,270 --> 00:01:57,280
+[Music]
+ 
+
+51
+00:01:57,280 --> 00:01:59,550
+[Music]
+return everything is prepared do not be
+
+52
+00:01:59,550 --> 00:01:59,560
+return everything is prepared do not be
+ 
+
+53
+00:01:59,560 --> 00:02:01,550
+return everything is prepared do not be
+worried
+
+54
+00:02:01,550 --> 00:02:01,560
+worried
+ 
+
+55
+00:02:01,560 --> 00:02:04,109
+worried
+I will return tomorrow all the wagons
+
+56
+00:02:04,109 --> 00:02:04,119
+I will return tomorrow all the wagons
+ 
+
+57
+00:02:04,119 --> 00:02:06,109
+I will return tomorrow all the wagons
+are ready we can leave
+
+58
+00:02:06,109 --> 00:02:06,119
+are ready we can leave
+ 
+
+59
+00:02:06,119 --> 00:02:08,550
+are ready we can leave
+everyone enjoy yourselves during my
+
+60
+00:02:08,550 --> 00:02:08,560
+everyone enjoy yourselves during my
+ 
+
+61
+00:02:08,560 --> 00:02:12,890
+everyone enjoy yourselves during my
+absence
+
+62
+00:02:12,890 --> 00:02:12,900
+
+ 
+
+63
+00:02:12,900 --> 00:02:42,100
+
+[Music]
+
diff --git a/1964/BQ5nPyRi6l8.description b/1964/BQ5nPyRi6l8.description
new file mode 100644
index 0000000000000000000000000000000000000000..541ddd3ff19cd40e6f48502b4bda939dec4d64ca
--- /dev/null
+++ b/1964/BQ5nPyRi6l8.description
@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Miss Villard (Suzanne Flon) tries to convince Labiche (Burt Lancaster) to risk the lives of his men to save the French paintings.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Charles Millot, Albert Rémy, Suzanne Flon
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/BQ5nPyRi6l8.en.srt b/1964/BQ5nPyRi6l8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..43bf10acc32c92ee413c57b5b63c84616d09fe7b
--- /dev/null
+++ b/1964/BQ5nPyRi6l8.en.srt
@@ -0,0 +1,635 @@
+1
+00:00:00,399 --> 00:00:02,070
+
+the train you were making up for that
+
+2
+00:00:02,070 --> 00:00:02,080
+the train you were making up for that
+ 
+
+3
+00:00:02,080 --> 00:00:05,470
+the train you were making up for that
+Colonel he's stealing a load of pictures
+
+4
+00:00:05,470 --> 00:00:05,480
+Colonel he's stealing a load of pictures
+ 
+
+5
+00:00:05,480 --> 00:00:07,910
+Colonel he's stealing a load of pictures
+you should hear what they're
+
+6
+00:00:07,910 --> 00:00:07,920
+you should hear what they're
+ 
+
+7
+00:00:07,920 --> 00:00:10,950
+you should hear what they're
+worth it's not just the money what does
+
+8
+00:00:10,950 --> 00:00:10,960
+worth it's not just the money what does
+ 
+
+9
+00:00:10,960 --> 00:00:13,070
+worth it's not just the money what does
+she want us to do she wants us to blow
+
+10
+00:00:13,070 --> 00:00:13,080
+she want us to do she wants us to blow
+ 
+
+11
+00:00:13,080 --> 00:00:16,670
+she want us to do she wants us to blow
+up the train oh no no you misunderstand
+
+12
+00:00:16,670 --> 00:00:16,680
+up the train oh no no you misunderstand
+ 
+
+13
+00:00:16,680 --> 00:00:19,029
+up the train oh no no you misunderstand
+they must not even be damaged they could
+
+14
+00:00:19,029 --> 00:00:19,039
+they must not even be damaged they could
+ 
+
+15
+00:00:19,039 --> 00:00:22,790
+they must not even be damaged they could
+never be replaced they're not just here
+
+16
+00:00:22,790 --> 00:00:22,800
+never be replaced they're not just here
+ 
+
+17
+00:00:22,800 --> 00:00:25,509
+never be replaced they're not just here
+I have the
+
+18
+00:00:25,509 --> 00:00:25,519
+
+ 
+
+19
+00:00:25,519 --> 00:00:32,269
+
+list renois cesan 64 picassos 29 Brocks
+
+20
+00:00:32,269 --> 00:00:32,279
+list renois cesan 64 picassos 29 Brocks
+ 
+
+21
+00:00:32,279 --> 00:00:36,549
+list renois cesan 64 picassos 29 Brocks
+dear matis he chose very carefully only
+
+22
+00:00:36,549 --> 00:00:36,559
+dear matis he chose very carefully only
+ 
+
+23
+00:00:36,559 --> 00:00:39,830
+dear matis he chose very carefully only
+the best the National Heritage what do
+
+24
+00:00:39,830 --> 00:00:39,840
+the best the National Heritage what do
+ 
+
+25
+00:00:39,840 --> 00:00:43,029
+the best the National Heritage what do
+you want us to do Madame mm moiselle
+
+26
+00:00:43,029 --> 00:00:43,039
+you want us to do Madame mm moiselle
+ 
+
+27
+00:00:43,039 --> 00:00:44,950
+you want us to do Madame mm moiselle
+well I I thought perhaps if you could
+
+28
+00:00:44,950 --> 00:00:44,960
+well I I thought perhaps if you could
+ 
+
+29
+00:00:44,960 --> 00:00:48,510
+well I I thought perhaps if you could
+just stop the
+
+30
+00:00:48,510 --> 00:00:48,520
+
+ 
+
+31
+00:00:48,520 --> 00:00:51,590
+
+train stopping a train is not simple M
+
+32
+00:00:51,590 --> 00:00:51,600
+train stopping a train is not simple M
+ 
+
+33
+00:00:51,600 --> 00:00:53,709
+train stopping a train is not simple M
+moiselle you can get killed stopping a
+
+34
+00:00:53,709 --> 00:00:53,719
+moiselle you can get killed stopping a
+ 
+
+35
+00:00:53,719 --> 00:00:56,189
+moiselle you can get killed stopping a
+train especially if you were French and
+
+36
+00:00:56,189 --> 00:00:56,199
+train especially if you were French and
+ 
+
+37
+00:00:56,199 --> 00:00:57,509
+train especially if you were French and
+the train is
+
+38
+00:00:57,509 --> 00:00:57,519
+the train is
+ 
+
+39
+00:00:57,519 --> 00:01:00,509
+the train is
+German I know
+
+40
+00:01:00,509 --> 00:01:00,519
+German I know
+ 
+
+41
+00:01:00,519 --> 00:01:01,790
+German I know
+I
+
+42
+00:01:01,790 --> 00:01:01,800
+I
+ 
+
+43
+00:01:01,800 --> 00:01:05,310
+I
+realize but soon Paris will be free
+
+44
+00:01:05,310 --> 00:01:05,320
+realize but soon Paris will be free
+ 
+
+45
+00:01:05,320 --> 00:01:06,870
+realize but soon Paris will be free
+isn't that
+
+46
+00:01:06,870 --> 00:01:06,880
+isn't that
+ 
+
+47
+00:01:06,880 --> 00:01:10,190
+isn't that
+true but if the paintings are not here
+
+48
+00:01:10,190 --> 00:01:10,200
+true but if the paintings are not here
+ 
+
+49
+00:01:10,200 --> 00:01:11,910
+true but if the paintings are not here
+our latest report is that the Allies
+
+50
+00:01:11,910 --> 00:01:11,920
+our latest report is that the Allies
+ 
+
+51
+00:01:11,920 --> 00:01:14,270
+our latest report is that the Allies
+will be in place within a week maybe 3
+
+52
+00:01:14,270 --> 00:01:14,280
+will be in place within a week maybe 3
+ 
+
+53
+00:01:14,280 --> 00:01:17,350
+will be in place within a week maybe 3
+or 4 days from Val has to get the train
+
+54
+00:01:17,350 --> 00:01:17,360
+or 4 days from Val has to get the train
+ 
+
+55
+00:01:17,360 --> 00:01:20,390
+or 4 days from Val has to get the train
+out before that can we slow it down
+
+56
+00:01:20,390 --> 00:01:20,400
+out before that can we slow it down
+ 
+
+57
+00:01:20,400 --> 00:01:23,350
+out before that can we slow it down
+delay it what do you
+
+58
+00:01:23,350 --> 00:01:23,360
+delay it what do you
+ 
+
+59
+00:01:23,360 --> 00:01:26,109
+delay it what do you
+think we can blow it up
+
+60
+00:01:26,109 --> 00:01:26,119
+think we can blow it up
+ 
+
+61
+00:01:26,119 --> 00:01:28,469
+think we can blow it up
+maybe put some plastic under the cars
+
+62
+00:01:28,469 --> 00:01:28,479
+maybe put some plastic under the cars
+ 
+
+63
+00:01:28,479 --> 00:01:30,789
+maybe put some plastic under the cars
+and blow it up they chewed a few
+
+64
+00:01:30,789 --> 00:01:30,799
+and blow it up they chewed a few
+ 
+
+65
+00:01:30,799 --> 00:01:32,789
+and blow it up they chewed a few
+hostages but that's the price you
+
+66
+00:01:32,789 --> 00:01:32,799
+hostages but that's the price you
+ 
+
+67
+00:01:32,799 --> 00:01:34,950
+hostages but that's the price you
+pay are your paintings that important
+
+68
+00:01:34,950 --> 00:01:34,960
+pay are your paintings that important
+ 
+
+69
+00:01:34,960 --> 00:01:37,550
+pay are your paintings that important
+madelle she doesn't want it blown up
+
+70
+00:01:37,550 --> 00:01:37,560
+madelle she doesn't want it blown up
+ 
+
+71
+00:01:37,560 --> 00:01:39,630
+madelle she doesn't want it blown up
+London agrees the art is
+
+72
+00:01:39,630 --> 00:01:39,640
+London agrees the art is
+ 
+
+73
+00:01:39,640 --> 00:01:42,950
+London agrees the art is
+important anything we can do to save it
+
+74
+00:01:42,950 --> 00:01:42,960
+important anything we can do to save it
+ 
+
+75
+00:01:42,960 --> 00:01:46,069
+important anything we can do to save it
+but they leave it up to us why not what
+
+76
+00:01:46,069 --> 00:01:46,079
+but they leave it up to us why not what
+ 
+
+77
+00:01:46,079 --> 00:01:47,190
+but they leave it up to us why not what
+can they
+
+78
+00:01:47,190 --> 00:01:47,200
+can they
+ 
+
+79
+00:01:47,200 --> 00:01:49,469
+can they
+lose this morning we had four men left
+
+80
+00:01:49,469 --> 00:01:49,479
+lose this morning we had four men left
+ 
+
+81
+00:01:49,479 --> 00:01:55,350
+lose this morning we had four men left
+in this group now we are three 1 2 three
+
+82
+00:01:55,350 --> 00:01:55,360
+in this group now we are three 1 2 three
+ 
+
+83
+00:01:55,360 --> 00:01:58,429
+in this group now we are three 1 2 three
+Bernard we started with 18 like your
+
+84
+00:01:58,429 --> 00:01:58,439
+Bernard we started with 18 like your
+ 
+
+85
+00:01:58,439 --> 00:02:00,510
+Bernard we started with 18 like your
+paintings madelle we couldn't rep place
+
+86
+00:02:00,510 --> 00:02:00,520
+paintings madelle we couldn't rep place
+ 
+
+87
+00:02:00,520 --> 00:02:03,789
+paintings madelle we couldn't rep place
+them for certain things we take the risk
+
+88
+00:02:03,789 --> 00:02:03,799
+them for certain things we take the risk
+ 
+
+89
+00:02:03,799 --> 00:02:05,789
+them for certain things we take the risk
+but I won't waste lives on paintings but
+
+90
+00:02:05,789 --> 00:02:05,799
+but I won't waste lives on paintings but
+ 
+
+91
+00:02:05,799 --> 00:02:08,029
+but I won't waste lives on paintings but
+they wouldn't be
+
+92
+00:02:08,029 --> 00:02:08,039
+they wouldn't be
+ 
+
+93
+00:02:08,039 --> 00:02:10,270
+they wouldn't be
+wasted excuse
+
+94
+00:02:10,270 --> 00:02:10,280
+wasted excuse
+ 
+
+95
+00:02:10,280 --> 00:02:13,990
+wasted excuse
+me I know that's a terrible thing to
+
+96
+00:02:13,990 --> 00:02:14,000
+me I know that's a terrible thing to
+ 
+
+97
+00:02:14,000 --> 00:02:17,670
+me I know that's a terrible thing to
+say but those paintings are part of
+
+98
+00:02:17,670 --> 00:02:17,680
+say but those paintings are part of
+ 
+
+99
+00:02:17,680 --> 00:02:20,229
+say but those paintings are part of
+France the Germans want to take them
+
+100
+00:02:20,229 --> 00:02:20,239
+France the Germans want to take them
+ 
+
+101
+00:02:20,239 --> 00:02:23,750
+France the Germans want to take them
+away they've taken our land our food
+
+102
+00:02:23,750 --> 00:02:23,760
+away they've taken our land our food
+ 
+
+103
+00:02:23,760 --> 00:02:26,110
+away they've taken our land our food
+they live in our houses and now they're
+
+104
+00:02:26,110 --> 00:02:26,120
+they live in our houses and now they're
+ 
+
+105
+00:02:26,120 --> 00:02:27,830
+they live in our houses and now they're
+trying to take our
+
+106
+00:02:27,830 --> 00:02:27,840
+trying to take our
+ 
+
+107
+00:02:27,840 --> 00:02:30,670
+trying to take our
+art this beauty
+
+108
+00:02:30,670 --> 00:02:30,680
+art this beauty
+ 
+
+109
+00:02:30,680 --> 00:02:33,910
+art this beauty
+this vision of Life born out of France
+
+110
+00:02:33,910 --> 00:02:33,920
+this vision of Life born out of France
+ 
+
+111
+00:02:33,920 --> 00:02:37,350
+this vision of Life born out of France
+our special Vision our
+
+112
+00:02:37,350 --> 00:02:37,360
+our special Vision our
+ 
+
+113
+00:02:37,360 --> 00:02:41,430
+our special Vision our
+trust we hold it in trust don't you see
+
+114
+00:02:41,430 --> 00:02:41,440
+trust we hold it in trust don't you see
+ 
+
+115
+00:02:41,440 --> 00:02:42,430
+trust we hold it in trust don't you see
+for
+
+116
+00:02:42,430 --> 00:02:42,440
+for
+ 
+
+117
+00:02:42,440 --> 00:02:46,670
+for
+everyone this is our pride what we
+
+118
+00:02:46,670 --> 00:02:46,680
+everyone this is our pride what we
+ 
+
+119
+00:02:46,680 --> 00:02:49,229
+everyone this is our pride what we
+create and hold for the
+
+120
+00:02:49,229 --> 00:02:49,239
+create and hold for the
+ 
+
+121
+00:02:49,239 --> 00:02:52,030
+create and hold for the
+world there are worse things to risk
+
+122
+00:02:52,030 --> 00:02:52,040
+world there are worse things to risk
+ 
+
+123
+00:02:52,040 --> 00:02:54,430
+world there are worse things to risk
+your life for than that I'm sorry
+
+124
+00:02:54,430 --> 00:02:54,440
+your life for than that I'm sorry
+ 
+
+125
+00:02:54,440 --> 00:02:56,940
+your life for than that I'm sorry
+madelle we can't help you
+
+126
+00:02:56,940 --> 00:02:56,950
+madelle we can't help you
+ 
+
+127
+00:02:56,950 --> 00:03:28,530
+madelle we can't help you
+[Music]
+
diff --git a/1964/CPRh4gw_GmQ.description b/1964/CPRh4gw_GmQ.description
new file mode 100644
index 0000000000000000000000000000000000000000..a33ffe1daa84ed62d278f3eaf8bbf1a5cb5393b0
--- /dev/null
+++ b/1964/CPRh4gw_GmQ.description
@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Von Waldheim (Paul Scofield) orders his men to load the paintings into trucks, but the defeated Nazi soldiers ignore his orders.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Wolfgang Preiss, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/CPRh4gw_GmQ.en.srt b/1964/CPRh4gw_GmQ.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..8fbc0a5e7bdbf264051d48f883ae9dc1e514785f
--- /dev/null
+++ b/1964/CPRh4gw_GmQ.en.srt
@@ -0,0 +1,255 @@
+1
+00:00:01,319 --> 00:00:04,430
+
+unload the
+
+2
+00:00:04,430 --> 00:00:04,440
+unload the
+ 
+
+3
+00:00:04,440 --> 00:00:14,829
+unload the
+trucks Haron I gave you an
+
+4
+00:00:14,829 --> 00:00:14,839
+
+ 
+
+5
+00:00:14,839 --> 00:00:18,189
+
+order we have L
+
+6
+00:00:18,189 --> 00:00:18,199
+order we have L
+ 
+
+7
+00:00:18,199 --> 00:00:20,269
+order we have L
+colel
+
+8
+00:00:20,269 --> 00:00:20,279
+colel
+ 
+
+9
+00:00:20,279 --> 00:00:25,460
+colel
+to look at those men that defeated
+
+10
+00:00:25,460 --> 00:00:25,470
+to look at those men that defeated
+ 
+
+11
+00:00:25,470 --> 00:00:28,470
+to look at those men that defeated
+[Music]
+
+12
+00:00:28,470 --> 00:00:28,480
+[Music]
+ 
+
+13
+00:00:28,480 --> 00:00:36,590
+[Music]
+Army last ter
+
+14
+00:00:36,590 --> 00:00:36,600
+
+ 
+
+15
+00:00:36,600 --> 00:00:39,890
+
+lost
+
+16
+00:00:39,890 --> 00:00:39,900
+
+ 
+
+17
+00:00:39,900 --> 00:00:41,830
+
+[Applause]
+
+18
+00:00:41,830 --> 00:00:41,840
+[Applause]
+ 
+
+19
+00:00:41,840 --> 00:00:46,150
+[Applause]
+yeah come
+
+20
+00:00:46,150 --> 00:00:46,160
+
+ 
+
+21
+00:00:46,160 --> 00:00:50,470
+
+on you want transfer thank you I have 50
+
+22
+00:00:50,470 --> 00:00:50,480
+on you want transfer thank you I have 50
+ 
+
+23
+00:00:50,480 --> 00:00:54,110
+on you want transfer thank you I have 50
+men tell them to move fast f BR the men
+
+24
+00:00:54,110 --> 00:00:54,120
+men tell them to move fast f BR the men
+ 
+
+25
+00:00:54,120 --> 00:00:56,709
+men tell them to move fast f BR the men
+of the B we are moving out not get the
+
+26
+00:00:56,709 --> 00:00:56,719
+of the B we are moving out not get the
+ 
+
+27
+00:00:56,719 --> 00:00:58,349
+of the B we are moving out not get the
+men of the trucks they're moving out all
+
+28
+00:00:58,349 --> 00:00:58,359
+men of the trucks they're moving out all
+ 
+
+29
+00:00:58,359 --> 00:01:01,470
+men of the trucks they're moving out all
+of you get in the trucks the
+
+30
+00:01:01,470 --> 00:01:01,480
+of you get in the trucks the
+ 
+
+31
+00:01:01,480 --> 00:01:09,010
+of you get in the trucks the
+TRS the chases and get in the
+
+32
+00:01:09,010 --> 00:01:09,020
+
+ 
+
+33
+00:01:09,020 --> 00:01:14,440
+
+[Music]
+
+34
+00:01:14,440 --> 00:01:14,450
+
+ 
+
+35
+00:01:14,450 --> 00:01:18,710
+
+[Applause]
+
+36
+00:01:18,710 --> 00:01:18,720
+
+ 
+
+37
+00:01:18,720 --> 00:01:23,990
+
+truck
+
+38
+00:01:23,990 --> 00:01:24,000
+
+ 
+
+39
+00:01:24,000 --> 00:01:27,910
+
+okay you go on Haron there's nothing to
+
+40
+00:01:27,910 --> 00:01:27,920
+okay you go on Haron there's nothing to
+ 
+
+41
+00:01:27,920 --> 00:01:30,590
+okay you go on Haron there's nothing to
+stay for her
+
+42
+00:01:30,590 --> 00:01:30,600
+stay for her
+ 
+
+43
+00:01:30,600 --> 00:01:35,350
+stay for her
+you're good officer
+
+44
+00:01:35,350 --> 00:01:35,360
+
+ 
+
+45
+00:01:35,360 --> 00:01:38,630
+
+Heron I'll be along in a few
+
+46
+00:01:38,630 --> 00:01:38,640
+Heron I'll be along in a few
+ 
+
+47
+00:01:38,640 --> 00:01:46,740
+Heron I'll be along in a few
+minutes there be other trucks
+
+48
+00:01:46,740 --> 00:01:46,750
+
+ 
+
+49
+00:01:46,750 --> 00:01:57,890
+
+[Applause]
+
+50
+00:01:57,890 --> 00:01:57,900
+
+ 
+
+51
+00:01:57,900 --> 00:02:29,470
+
+[Music]
+
diff --git a/1964/CbB6CosDNV4.description b/1964/CbB6CosDNV4.description
new file mode 100644
index 0000000000000000000000000000000000000000..d42ae82c5e71c78a6fe246288bae30a033452edc
--- /dev/null
+++ b/1964/CbB6CosDNV4.description
@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Clint Eastwood) practices his left-handed shooting and tests some makeshift armor.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/DXRDZkTNEuM.description b/1964/DXRDZkTNEuM.description
new file mode 100644
index 0000000000000000000000000000000000000000..0bacc2898977202c9a75195dd99e1da9aab393ed
--- /dev/null
+++ b/1964/DXRDZkTNEuM.description
@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jesus Ortiz (Jaime Sánchez) is shot in his attempt to protect Sol Nazerman (Rod Steiger).
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Warren Finnerty, John McCurry, Ed Morehouse, Rod Steiger, Jaime Sánchez
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/DXRDZkTNEuM.en.srt b/1964/DXRDZkTNEuM.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..a3707a8789939f07108dd198dae6d61ba20e6298
--- /dev/null
+++ b/1964/DXRDZkTNEuM.en.srt
@@ -0,0 +1,215 @@
+1
+00:00:06,359 --> 00:00:11,230
+
+gentlemen what do you want the
+
+2
+00:00:11,230 --> 00:00:11,240
+
+ 
+
+3
+00:00:11,240 --> 00:00:14,350
+
+money the
+
+4
+00:00:14,350 --> 00:00:14,360
+money the
+ 
+
+5
+00:00:14,360 --> 00:00:17,189
+money the
+money now we ain't
+
+6
+00:00:17,189 --> 00:00:17,199
+money now we ain't
+ 
+
+7
+00:00:17,199 --> 00:00:20,349
+money now we ain't
+playing now your open that safe
+
+8
+00:00:20,349 --> 00:00:20,359
+playing now your open that safe
+ 
+
+9
+00:00:20,359 --> 00:00:22,630
+playing now your open that safe
+fast but come
+
+10
+00:00:22,630 --> 00:00:22,640
+fast but come
+ 
+
+11
+00:00:22,640 --> 00:00:41,229
+fast but come
+on but come on
+
+12
+00:00:41,229 --> 00:00:41,239
+
+ 
+
+13
+00:00:41,239 --> 00:00:42,950
+
+go
+
+14
+00:00:42,950 --> 00:00:42,960
+go
+ 
+
+15
+00:00:42,960 --> 00:00:46,549
+go
+home we ain't joking mister now you get
+
+16
+00:00:46,549 --> 00:00:46,559
+home we ain't joking mister now you get
+ 
+
+17
+00:00:46,559 --> 00:00:50,029
+home we ain't joking mister now you get
+that money that safe now you get it hey
+
+18
+00:00:50,029 --> 00:00:50,039
+that money that safe now you get it hey
+ 
+
+19
+00:00:50,039 --> 00:00:51,790
+that money that safe now you get it hey
+no sweat it's
+
+20
+00:00:51,790 --> 00:00:51,800
+no sweat it's
+ 
+
+21
+00:00:51,800 --> 00:01:04,149
+no sweat it's
+open step aside uncle
+
+22
+00:01:04,149 --> 00:01:04,159
+
+ 
+
+23
+00:01:04,159 --> 00:01:07,310
+
+what do you want to die for Uncle I mean
+
+24
+00:01:07,310 --> 00:01:07,320
+what do you want to die for Uncle I mean
+ 
+
+25
+00:01:07,320 --> 00:01:08,590
+what do you want to die for Uncle I mean
+the money don't mean that much to you
+
+26
+00:01:08,590 --> 00:01:08,600
+the money don't mean that much to you
+ 
+
+27
+00:01:08,600 --> 00:01:14,070
+the money don't mean that much to you
+know does
+
+28
+00:01:14,070 --> 00:01:14,080
+
+ 
+
+29
+00:01:14,080 --> 00:01:15,950
+
+it
+
+30
+00:01:15,950 --> 00:01:15,960
+it
+ 
+
+31
+00:01:15,960 --> 00:01:18,870
+it
+now you
+
+32
+00:01:18,870 --> 00:01:18,880
+now you
+ 
+
+33
+00:01:18,880 --> 00:01:21,749
+now you
+move get out of the way of that
+
+34
+00:01:21,749 --> 00:01:21,759
+move get out of the way of that
+ 
+
+35
+00:01:21,759 --> 00:01:25,550
+move get out of the way of that
+saf now sh me
+
+36
+00:01:25,550 --> 00:01:25,560
+saf now sh me
+ 
+
+37
+00:01:25,560 --> 00:01:36,970
+saf now sh me
+[Music]
+
+38
+00:01:36,970 --> 00:01:36,980
+
+ 
+
+39
+00:01:36,980 --> 00:01:54,090
+
+[Music]
+
+40
+00:01:54,090 --> 00:01:54,100
+
+ 
+
+41
+00:01:54,100 --> 00:02:30,910
+
+[Music]
+
+42
+00:02:30,910 --> 00:02:30,920
+
+ 
+
+43
+00:02:30,920 --> 00:02:33,640
+
+ch
+
diff --git a/1964/E3yX8lT2UAI.description b/1964/E3yX8lT2UAI.description
new file mode 100644
index 0000000000000000000000000000000000000000..843da428bb495b4eecee0c54c03d0612b0838d95
--- /dev/null
+++ b/1964/E3yX8lT2UAI.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Naked Traffic Jam: After Clouseau (Peter Sellers) and Maria (Elke Sommer) are caught naked in a traffic jam, Clouseau is demoted by Dreyfus (Herbert Lom).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/E3yX8lT2UAI.en.srt b/1964/E3yX8lT2UAI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..65a5b892ff9e059e42c6186d4ec4aac8e55690a7
--- /dev/null
+++ b/1964/E3yX8lT2UAI.en.srt
@@ -0,0 +1,18 @@
+1
+00:00:16,100 --> 00:00:20,720
+- Only a few more blocks now.
+- I feel like I'm losing my mind.
+
+2
+00:00:21,140 --> 00:00:23,580
+I'll start screaming and
+I won't be able to stop.
+
+3
+00:00:23,700 --> 00:00:26,620
+Please, try to hold on to yourself.
+
+4
+00:00:53,100 --> 00:00:55,420
+Control yourself, please.
+
diff --git a/1964/G-50M2Wex20.description b/1964/G-50M2Wex20.description
new file mode 100644
index 0000000000000000000000000000000000000000..57b8e3c3765734336e7a1ee8d8bb2517c09f2807
--- /dev/null
+++ b/1964/G-50M2Wex20.description
@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rojo (Gian Maria Volonte) and his men beat the hell out of Joe (Clint Eastwood) and crush his shooting hand.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood, Gian Maria Volont, Sieghardt Rupp
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/G-50M2Wex20.en.srt b/1964/G-50M2Wex20.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..41316600476853b2921403310f4f2960e7179830
--- /dev/null
+++ b/1964/G-50M2Wex20.en.srt
@@ -0,0 +1,255 @@
+1
+00:00:01,480 --> 00:00:07,710
+
+[Music]
+
+2
+00:00:07,710 --> 00:00:07,720
+
+ 
+
+3
+00:00:07,720 --> 00:00:12,150
+
+it's a warm
+
+4
+00:00:12,150 --> 00:00:12,160
+
+ 
+
+5
+00:00:12,160 --> 00:00:14,629
+
+evening one of our wagons lost their
+
+6
+00:00:14,629 --> 00:00:14,639
+evening one of our wagons lost their
+ 
+
+7
+00:00:14,639 --> 00:00:18,470
+evening one of our wagons lost their
+wheel so we had to turn back here to get
+
+8
+00:00:18,470 --> 00:00:18,480
+wheel so we had to turn back here to get
+ 
+
+9
+00:00:18,480 --> 00:00:21,630
+wheel so we had to turn back here to get
+help one of the men tells
+
+10
+00:00:21,630 --> 00:00:21,640
+help one of the men tells
+ 
+
+11
+00:00:21,640 --> 00:00:26,029
+help one of the men tells
+me the backers attacked the small
+
+12
+00:00:26,029 --> 00:00:26,039
+me the backers attacked the small
+ 
+
+13
+00:00:26,039 --> 00:00:32,389
+me the backers attacked the small
+house do you know about it
+
+14
+00:00:32,389 --> 00:00:32,399
+
+ 
+
+15
+00:00:32,399 --> 00:00:53,709
+
+tell me what you
+
+16
+00:00:53,709 --> 00:00:53,719
+
+ 
+
+17
+00:00:53,719 --> 00:00:56,069
+
+know
+
+18
+00:00:56,069 --> 00:00:56,079
+know
+ 
+
+19
+00:00:56,079 --> 00:01:28,830
+know
+well where did you hide by son
+
+20
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+21
+00:01:28,840 --> 00:01:31,310
+
+you have first you you want to
+
+22
+00:01:31,310 --> 00:01:31,320
+you have first you you want to
+ 
+
+23
+00:01:31,320 --> 00:01:37,789
+you have first you you want to
+drink no no it is too soon to
+
+24
+00:01:37,789 --> 00:01:37,799
+
+ 
+
+25
+00:01:37,799 --> 00:02:09,389
+
+drink bring him over here
+
+26
+00:02:09,389 --> 00:02:09,399
+
+ 
+
+27
+00:02:09,399 --> 00:02:11,270
+
+you are behaving like a stubborn idiot
+
+28
+00:02:11,270 --> 00:02:11,280
+you are behaving like a stubborn idiot
+ 
+
+29
+00:02:11,280 --> 00:02:12,990
+you are behaving like a stubborn idiot
+tell us where mariso is and it l be
+
+30
+00:02:12,990 --> 00:02:13,000
+tell us where mariso is and it l be
+ 
+
+31
+00:02:13,000 --> 00:02:15,070
+tell us where mariso is and it l be
+ended in a week you'll be back in shape
+
+32
+00:02:15,070 --> 00:02:15,080
+ended in a week you'll be back in shape
+ 
+
+33
+00:02:15,080 --> 00:02:16,309
+ended in a week you'll be back in shape
+you'll get out and you can go wherever
+
+34
+00:02:16,309 --> 00:02:16,319
+you'll get out and you can go wherever
+ 
+
+35
+00:02:16,319 --> 00:02:28,509
+you'll get out and you can go wherever
+you
+
+36
+00:02:28,509 --> 00:02:28,519
+
+ 
+
+37
+00:02:28,519 --> 00:02:30,990
+
+want that's for
+
+38
+00:02:30,990 --> 00:02:31,000
+want that's for
+ 
+
+39
+00:02:31,000 --> 00:02:33,509
+want that's for
+today sooner or later he'll talk it's
+
+40
+00:02:33,509 --> 00:02:33,519
+today sooner or later he'll talk it's
+ 
+
+41
+00:02:33,519 --> 00:02:35,190
+today sooner or later he'll talk it's
+just a matter of
+
+42
+00:02:35,190 --> 00:02:35,200
+just a matter of
+ 
+
+43
+00:02:35,200 --> 00:02:37,670
+just a matter of
+time watch out he doesn't escape or die
+
+44
+00:02:37,670 --> 00:02:37,680
+time watch out he doesn't escape or die
+ 
+
+45
+00:02:37,680 --> 00:02:42,790
+time watch out he doesn't escape or die
+otherwise do as you
+
+46
+00:02:42,790 --> 00:02:42,800
+
+ 
+
+47
+00:02:42,800 --> 00:02:45,869
+
+like and wait till he comes too this way
+
+48
+00:02:45,869 --> 00:02:45,879
+like and wait till he comes too this way
+ 
+
+49
+00:02:45,879 --> 00:02:53,290
+like and wait till he comes too this way
+he hardly feels anything
+
+50
+00:02:53,290 --> 00:02:53,300
+
+ 
+
+51
+00:02:53,300 --> 00:03:30,669
+
+[Music]
+
diff --git a/1964/GvyKxUL0x0M.description b/1964/GvyKxUL0x0M.description
new file mode 100644
index 0000000000000000000000000000000000000000..ef64438d89fc0f7aaf30689a3e68bab609ec3997
--- /dev/null
+++ b/1964/GvyKxUL0x0M.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Thinking that the adventure is over, Bond (Sean Connery) is surprised to find that his inflight service will be provided by Goldfinger (Gert Frobe) and a loaded gun.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Honor Blackman, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/GvyKxUL0x0M.en.srt b/1964/GvyKxUL0x0M.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..bc6b232ccce3c864de83006da37e23aee8a4e8ff
--- /dev/null
+++ b/1964/GvyKxUL0x0M.en.srt
@@ -0,0 +1,165 @@
+1
+00:00:15,040 --> 00:00:18,109
+
+I'm glad to have you a board Mr Bond oh
+
+2
+00:00:18,109 --> 00:00:18,119
+I'm glad to have you a board Mr Bond oh
+ 
+
+3
+00:00:18,119 --> 00:00:21,070
+I'm glad to have you a board Mr Bond oh
+congratulations on your uh promotion
+
+4
+00:00:21,070 --> 00:00:21,080
+congratulations on your uh promotion
+ 
+
+5
+00:00:21,080 --> 00:00:22,910
+congratulations on your uh promotion
+Goldfinger are you having lunch at the
+
+6
+00:00:22,910 --> 00:00:22,920
+Goldfinger are you having lunch at the
+ 
+
+7
+00:00:22,920 --> 00:00:26,630
+Goldfinger are you having lunch at the
+White House too in 2 hours I shall be in
+
+8
+00:00:26,630 --> 00:00:26,640
+White House too in 2 hours I shall be in
+ 
+
+9
+00:00:26,640 --> 00:00:29,070
+White House too in 2 hours I shall be in
+Cuba and you have interfered with my
+
+10
+00:00:29,070 --> 00:00:29,080
+Cuba and you have interfered with my
+ 
+
+11
+00:00:29,080 --> 00:00:32,190
+Cuba and you have interfered with my
+plans for the last time Mr BN it's uh
+
+12
+00:00:32,190 --> 00:00:32,200
+plans for the last time Mr BN it's uh
+ 
+
+13
+00:00:32,200 --> 00:00:33,910
+plans for the last time Mr BN it's uh
+very dangerous to fire guns in Planes I
+
+14
+00:00:33,910 --> 00:00:33,920
+very dangerous to fire guns in Planes I
+ 
+
+15
+00:00:33,920 --> 00:00:37,069
+very dangerous to fire guns in Planes I
+even had to warn about it uh by
+
+16
+00:00:37,069 --> 00:00:37,079
+even had to warn about it uh by
+ 
+
+17
+00:00:37,079 --> 00:00:38,869
+even had to warn about it uh by
+the way where is she I will deal with
+
+18
+00:00:38,869 --> 00:00:38,879
+the way where is she I will deal with
+ 
+
+19
+00:00:38,879 --> 00:00:41,029
+the way where is she I will deal with
+her later at the moment she's where she
+
+20
+00:00:41,029 --> 00:00:41,039
+her later at the moment she's where she
+ 
+
+21
+00:00:41,039 --> 00:00:43,600
+her later at the moment she's where she
+ought to be at the controls
+
+22
+00:00:43,600 --> 00:00:43,610
+ought to be at the controls
+ 
+
+23
+00:00:43,610 --> 00:01:31,590
+ought to be at the controls
+[Music]
+
+24
+00:01:31,590 --> 00:01:31,600
+
+ 
+
+25
+00:01:31,600 --> 00:01:34,149
+
+py what happened let's go thinker
+
+26
+00:01:34,149 --> 00:01:34,159
+py what happened let's go thinker
+ 
+
+27
+00:01:34,159 --> 00:01:35,930
+py what happened let's go thinker
+playing this Golden
+
+28
+00:01:35,930 --> 00:01:35,940
+playing this Golden
+ 
+
+29
+00:01:35,940 --> 00:01:37,910
+playing this Golden
+[Music]
+
+30
+00:01:37,910 --> 00:01:37,920
+[Music]
+ 
+
+31
+00:01:37,920 --> 00:01:41,010
+[Music]
+Harp it's no good
+
+32
+00:01:41,010 --> 00:01:41,020
+Harp it's no good
+ 
+
+33
+00:01:41,020 --> 00:02:27,070
+Harp it's no good
+[Music]
+
diff --git a/1964/Izp0m24gYRU.description b/1964/Izp0m24gYRU.description
new file mode 100644
index 0000000000000000000000000000000000000000..61aed0b055822813a7fe0d65cbc1b00368545193
--- /dev/null
+++ b/1964/Izp0m24gYRU.description
@@ -0,0 +1,32 @@
+Topkapi - A Little Bird Told Me: After a bird sets off the alarm in the museum, Ali (Ege Ernart) pieces together the details of the heist, and the gang ends up in prison.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Jess Hahn, Maximilian Schell, Melina Mercouri, Peter Ustinov, Robert Morley
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/J67wKhddWu4.description b/1964/J67wKhddWu4.description
new file mode 100644
index 0000000000000000000000000000000000000000..3a47c541837831ad09adbb33a3b22482f054e3fe
--- /dev/null
+++ b/1964/J67wKhddWu4.description
@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ripper (Sterling Hayden) tells Mandrake (Peter Sellers) his views on why Communists don't drink water.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Sterling Hayden, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/J67wKhddWu4.en.srt b/1964/J67wKhddWu4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..bfa032c7c802fd469da351ce00a5f8e971842626
--- /dev/null
+++ b/1964/J67wKhddWu4.en.srt
@@ -0,0 +1,355 @@
+1
+00:00:09,000 --> 00:00:11,669
+
+man Drake yes
+
+2
+00:00:11,669 --> 00:00:11,679
+man Drake yes
+ 
+
+3
+00:00:11,679 --> 00:00:14,230
+man Drake yes
+Dad have you ever seen a commi drink a
+
+4
+00:00:14,230 --> 00:00:14,240
+Dad have you ever seen a commi drink a
+ 
+
+5
+00:00:14,240 --> 00:00:15,510
+Dad have you ever seen a commi drink a
+glass of
+
+6
+00:00:15,510 --> 00:00:15,520
+glass of
+ 
+
+7
+00:00:15,520 --> 00:00:21,070
+glass of
+water well yeah I I can't say I have
+
+8
+00:00:21,070 --> 00:00:21,080
+water well yeah I I can't say I have
+ 
+
+9
+00:00:21,080 --> 00:00:24,390
+water well yeah I I can't say I have
+Jack vodka that's what they drink isn't
+
+10
+00:00:24,390 --> 00:00:24,400
+Jack vodka that's what they drink isn't
+ 
+
+11
+00:00:24,400 --> 00:00:29,189
+Jack vodka that's what they drink isn't
+it never water well I I believe that's
+
+12
+00:00:29,189 --> 00:00:29,199
+it never water well I I believe that's
+ 
+
+13
+00:00:29,199 --> 00:00:32,670
+it never water well I I believe that's
+what they drink heck yes on no account
+
+14
+00:00:32,670 --> 00:00:32,680
+what they drink heck yes on no account
+ 
+
+15
+00:00:32,680 --> 00:00:35,510
+what they drink heck yes on no account
+will a commi ever drink water and not
+
+16
+00:00:35,510 --> 00:00:35,520
+will a commi ever drink water and not
+ 
+
+17
+00:00:35,520 --> 00:00:39,310
+will a commi ever drink water and not
+without good
+
+18
+00:00:39,310 --> 00:00:39,320
+
+ 
+
+19
+00:00:39,320 --> 00:00:44,869
+
+reason yes I um can't quite see what
+
+20
+00:00:44,869 --> 00:00:44,879
+reason yes I um can't quite see what
+ 
+
+21
+00:00:44,879 --> 00:00:48,990
+reason yes I um can't quite see what
+you're getting at that water that's what
+
+22
+00:00:48,990 --> 00:00:49,000
+you're getting at that water that's what
+ 
+
+23
+00:00:49,000 --> 00:00:51,110
+you're getting at that water that's what
+I'm getting at
+
+24
+00:00:51,110 --> 00:00:51,120
+I'm getting at
+ 
+
+25
+00:00:51,120 --> 00:00:56,110
+I'm getting at
+Water MRE water is a source of all
+
+26
+00:00:56,110 --> 00:00:56,120
+Water MRE water is a source of all
+ 
+
+27
+00:00:56,120 --> 00:01:00,709
+Water MRE water is a source of all
+life 7/10 of this Earth surfaces water
+
+28
+00:01:00,709 --> 00:01:00,719
+life 7/10 of this Earth surfaces water
+ 
+
+29
+00:01:00,719 --> 00:01:03,270
+life 7/10 of this Earth surfaces water
+why do you realize
+
+30
+00:01:03,270 --> 00:01:03,280
+why do you realize
+ 
+
+31
+00:01:03,280 --> 00:01:07,789
+why do you realize
+that 70% of you was
+
+32
+00:01:07,789 --> 00:01:07,799
+
+ 
+
+33
+00:01:07,799 --> 00:01:11,670
+
+water and as human beings you and I need
+
+34
+00:01:11,670 --> 00:01:11,680
+water and as human beings you and I need
+ 
+
+35
+00:01:11,680 --> 00:01:14,870
+water and as human beings you and I need
+fresh pure water to replenish our
+
+36
+00:01:14,870 --> 00:01:14,880
+fresh pure water to replenish our
+ 
+
+37
+00:01:14,880 --> 00:01:16,590
+fresh pure water to replenish our
+precious bodily
+
+38
+00:01:16,590 --> 00:01:16,600
+precious bodily
+ 
+
+39
+00:01:16,600 --> 00:01:22,990
+precious bodily
+fluids are you beginning to understand
+
+40
+00:01:22,990 --> 00:01:23,000
+
+ 
+
+41
+00:01:23,000 --> 00:01:26,670
+
+yes
+
+42
+00:01:26,670 --> 00:01:26,680
+
+ 
+
+43
+00:01:26,680 --> 00:01:29,230
+
+mandri mandri have you never wondered
+
+44
+00:01:29,230 --> 00:01:29,240
+mandri mandri have you never wondered
+ 
+
+45
+00:01:29,240 --> 00:01:30,870
+mandri mandri have you never wondered
+why
+
+46
+00:01:30,870 --> 00:01:30,880
+why
+ 
+
+47
+00:01:30,880 --> 00:01:33,670
+why
+I drink only distilled water or rain
+
+48
+00:01:33,670 --> 00:01:33,680
+I drink only distilled water or rain
+ 
+
+49
+00:01:33,680 --> 00:01:36,630
+I drink only distilled water or rain
+water and only pure grain
+
+50
+00:01:36,630 --> 00:01:36,640
+water and only pure grain
+ 
+
+51
+00:01:36,640 --> 00:01:40,910
+water and only pure grain
+alcohol what it did occur to me Jack
+
+52
+00:01:40,910 --> 00:01:40,920
+alcohol what it did occur to me Jack
+ 
+
+53
+00:01:40,920 --> 00:01:43,310
+alcohol what it did occur to me Jack
+is have you ever heard of a thing called
+
+54
+00:01:43,310 --> 00:01:43,320
+is have you ever heard of a thing called
+ 
+
+55
+00:01:43,320 --> 00:01:46,230
+is have you ever heard of a thing called
+fluoridation fluoridation of
+
+56
+00:01:46,230 --> 00:01:46,240
+fluoridation fluoridation of
+ 
+
+57
+00:01:46,240 --> 00:01:49,590
+fluoridation fluoridation of
+water uh yes I I have heard of that Jack
+
+58
+00:01:49,590 --> 00:01:49,600
+water uh yes I I have heard of that Jack
+ 
+
+59
+00:01:49,600 --> 00:01:53,910
+water uh yes I I have heard of that Jack
+yes yes well do you know what it is
+
+60
+00:01:53,910 --> 00:01:53,920
+yes yes well do you know what it is
+ 
+
+61
+00:01:53,920 --> 00:01:57,029
+yes yes well do you know what it is
+no what it is now do you
+
+62
+00:01:57,029 --> 00:01:57,039
+no what it is now do you
+ 
+
+63
+00:01:57,039 --> 00:02:00,069
+no what it is now do you
+realize that fluoridation
+
+64
+00:02:00,069 --> 00:02:00,079
+realize that fluoridation
+ 
+
+65
+00:02:00,079 --> 00:02:03,149
+realize that fluoridation
+is the most monstrously conceived and
+
+66
+00:02:03,149 --> 00:02:03,159
+is the most monstrously conceived and
+ 
+
+67
+00:02:03,159 --> 00:02:05,029
+is the most monstrously conceived and
+dangerous communist plot we have ever
+
+68
+00:02:05,029 --> 00:02:05,039
+dangerous communist plot we have ever
+ 
+
+69
+00:02:05,039 --> 00:02:12,430
+dangerous communist plot we have ever
+had to face
+
+70
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+71
+00:02:12,440 --> 00:02:43,509
+
+[Music]
+
diff --git a/1964/JfsgeCwAYEM.description b/1964/JfsgeCwAYEM.description
new file mode 100644
index 0000000000000000000000000000000000000000..897d223ea1ae3c50947a8c67577022089ac691df
--- /dev/null
+++ b/1964/JfsgeCwAYEM.description
@@ -0,0 +1,32 @@
+Topkapi - It Can Be Done!: At a traveling fair, Elizabeth (Melina Mercouri) spies a replica of a jewel-encrusted dagger and formulates a plan for stealing it.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Melina Mercouri
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/JfsgeCwAYEM.en.srt b/1964/JfsgeCwAYEM.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..7eaf8b952ab405f529809ec382b6af2a1c57f289
--- /dev/null
+++ b/1964/JfsgeCwAYEM.en.srt
@@ -0,0 +1,215 @@
+1
+00:00:00,200 --> 00:00:11,410
+
+[Music]
+
+2
+00:00:11,410 --> 00:00:11,420
+[Music]
+ 
+
+3
+00:00:11,420 --> 00:00:17,020
+[Music]
+[Applause]
+
+4
+00:00:17,020 --> 00:00:17,030
+
+ 
+
+5
+00:00:17,030 --> 00:00:21,610
+
+my kingdom for the emeralds for Ave
+
+6
+00:00:21,610 --> 00:00:21,620
+my kingdom for the emeralds for Ave
+ 
+
+7
+00:00:21,620 --> 00:00:22,810
+my kingdom for the emeralds for Ave
+Topkapi
+
+8
+00:00:22,810 --> 00:00:22,820
+Topkapi
+ 
+
+9
+00:00:22,820 --> 00:00:40,650
+Topkapi
+[Music]
+
+10
+00:00:40,650 --> 00:00:40,660
+[Music]
+ 
+
+11
+00:00:40,660 --> 00:00:45,060
+[Music]
+[Applause]
+
+12
+00:00:45,060 --> 00:00:45,070
+
+ 
+
+13
+00:00:45,070 --> 00:00:55,870
+
+[Music]
+
+14
+00:00:55,870 --> 00:00:55,880
+[Music]
+ 
+
+15
+00:00:55,880 --> 00:01:01,730
+[Music]
+[Laughter]
+
+16
+00:01:01,730 --> 00:01:01,740
+
+ 
+
+17
+00:01:01,740 --> 00:01:14,160
+
+[Music]
+
+18
+00:01:14,160 --> 00:01:14,170
+[Music]
+ 
+
+19
+00:01:14,170 --> 00:01:16,209
+[Music]
+can be done
+
+20
+00:01:16,209 --> 00:01:16,219
+can be done
+ 
+
+21
+00:01:16,219 --> 00:01:23,230
+can be done
+that's the weight can be done oh excuse
+
+22
+00:01:23,230 --> 00:01:23,240
+that's the weight can be done oh excuse
+ 
+
+23
+00:01:23,240 --> 00:01:27,399
+that's the weight can be done oh excuse
+me I just had a great idea something
+
+24
+00:01:27,399 --> 00:01:27,409
+me I just had a great idea something
+ 
+
+25
+00:01:27,409 --> 00:01:30,870
+me I just had a great idea something
+I've been looking for a long time a very
+
+26
+00:01:30,870 --> 00:01:30,880
+I've been looking for a long time a very
+ 
+
+27
+00:01:30,880 --> 00:01:35,380
+I've been looking for a long time a very
+long time Joseph how many times have you
+
+28
+00:01:35,380 --> 00:01:35,390
+long time Joseph how many times have you
+ 
+
+29
+00:01:35,390 --> 00:01:37,300
+long time Joseph how many times have you
+been in and out of the country many
+
+30
+00:01:37,300 --> 00:01:37,310
+been in and out of the country many
+ 
+
+31
+00:01:37,310 --> 00:01:42,160
+been in and out of the country many
+times many times I should say yes 12
+
+32
+00:01:42,160 --> 00:01:42,170
+times many times I should say yes 12
+ 
+
+33
+00:01:42,170 --> 00:01:44,289
+times many times I should say yes 12
+times ever had a problem at the border
+
+34
+00:01:44,289 --> 00:01:44,299
+times ever had a problem at the border
+ 
+
+35
+00:01:44,299 --> 00:01:48,699
+times ever had a problem at the border
+at customs oh no me Georgia you're going
+
+36
+00:01:48,699 --> 00:01:48,709
+at customs oh no me Georgia you're going
+ 
+
+37
+00:01:48,709 --> 00:01:53,469
+at customs oh no me Georgia you're going
+to be very richly like that like it will
+
+38
+00:01:53,469 --> 00:01:53,479
+to be very richly like that like it will
+ 
+
+39
+00:01:53,479 --> 00:01:55,240
+to be very richly like that like it will
+be some time before I see you again
+
+40
+00:01:55,240 --> 00:01:55,250
+be some time before I see you again
+ 
+
+41
+00:01:55,250 --> 00:01:59,610
+be some time before I see you again
+Georgia I will wait for you
+
+42
+00:01:59,610 --> 00:01:59,620
+Georgia I will wait for you
+ 
+
+43
+00:01:59,620 --> 00:02:24,520
+Georgia I will wait for you
+[Music]
+
diff --git a/1964/KQcLnNoYMWU.description b/1964/KQcLnNoYMWU.description
new file mode 100644
index 0000000000000000000000000000000000000000..f0ce48c8c56b233a2d4bd04b08e49922f96a3ede
--- /dev/null
+++ b/1964/KQcLnNoYMWU.description
@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Labiche (Burt Lancaster) stands guard as the resistance fighters paint the train white to denote the cars containing artwork.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Albert Rémy, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/N9d-c9ooO7s.description b/1964/N9d-c9ooO7s.description
new file mode 100644
index 0000000000000000000000000000000000000000..3481b0ca61320dcbcaa651b3a8004ab7783a85b1
--- /dev/null
+++ b/1964/N9d-c9ooO7s.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Clouseau Catches Fire: Clouseau (Peter Sellers) sets his trench coat on fire as he flirts with Maria (Elke Sommer).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, Herbert Lom, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/N9d-c9ooO7s.en.srt b/1964/N9d-c9ooO7s.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..00c83e8d2d82146d748d88023588b72b69f827fa
--- /dev/null
+++ b/1964/N9d-c9ooO7s.en.srt
@@ -0,0 +1,495 @@
+1
+00:00:00,060 --> 00:00:03,080
+
+so he just tore the dress off he
+
+2
+00:00:03,080 --> 00:00:03,090
+so he just tore the dress off he
+ 
+
+3
+00:00:03,090 --> 00:00:03,830
+so he just tore the dress off he
+attacked you
+
+4
+00:00:03,830 --> 00:00:03,840
+attacked you
+ 
+
+5
+00:00:03,840 --> 00:00:07,490
+attacked you
+oh no I would have helped him but but he
+
+6
+00:00:07,490 --> 00:00:07,500
+oh no I would have helped him but but he
+ 
+
+7
+00:00:07,500 --> 00:00:08,419
+oh no I would have helped him but but he
+couldn't wait
+
+8
+00:00:08,419 --> 00:00:08,429
+couldn't wait
+ 
+
+9
+00:00:08,429 --> 00:00:10,400
+couldn't wait
+the buttons are probably all over the
+
+10
+00:00:10,400 --> 00:00:10,410
+the buttons are probably all over the
+ 
+
+11
+00:00:10,410 --> 00:00:14,930
+the buttons are probably all over the
+room he was so impetuous a passionate
+
+12
+00:00:14,930 --> 00:00:14,940
+room he was so impetuous a passionate
+ 
+
+13
+00:00:14,940 --> 00:00:26,480
+room he was so impetuous a passionate
+Spaniard you know and he yes and then
+
+14
+00:00:26,480 --> 00:00:26,490
+Spaniard you know and he yes and then
+ 
+
+15
+00:00:26,490 --> 00:00:28,849
+Spaniard you know and he yes and then
+suddenly someone opened the door and we
+
+16
+00:00:28,849 --> 00:00:28,859
+suddenly someone opened the door and we
+ 
+
+17
+00:00:28,859 --> 00:00:31,700
+suddenly someone opened the door and we
+get left up and well that is the last I
+
+18
+00:00:31,700 --> 00:00:31,710
+get left up and well that is the last I
+ 
+
+19
+00:00:31,710 --> 00:00:33,440
+get left up and well that is the last I
+remember until Maurice came in and found
+
+20
+00:00:33,440 --> 00:00:33,450
+remember until Maurice came in and found
+ 
+
+21
+00:00:33,450 --> 00:00:38,810
+remember until Maurice came in and found
+me with a gun yes there is if your
+
+22
+00:00:38,810 --> 00:00:38,820
+me with a gun yes there is if your
+ 
+
+23
+00:00:38,820 --> 00:00:41,360
+me with a gun yes there is if your
+excuse me something here that I do not
+
+24
+00:00:41,360 --> 00:00:41,370
+excuse me something here that I do not
+ 
+
+25
+00:00:41,370 --> 00:00:43,310
+excuse me something here that I do not
+quite understand what don't you
+
+26
+00:00:43,310 --> 00:00:43,320
+quite understand what don't you
+ 
+
+27
+00:00:43,320 --> 00:00:51,139
+quite understand what don't you
+understand hey don't understand when you
+
+28
+00:00:51,139 --> 00:00:51,149
+understand hey don't understand when you
+ 
+
+29
+00:00:51,149 --> 00:00:55,130
+understand hey don't understand when you
+say that you don't remember but I guess
+
+30
+00:00:55,130 --> 00:00:55,140
+say that you don't remember but I guess
+ 
+
+31
+00:00:55,140 --> 00:00:58,279
+say that you don't remember but I guess
+I wasn't conscious unconscious I have a
+
+32
+00:00:58,279 --> 00:00:58,289
+I wasn't conscious unconscious I have a
+ 
+
+33
+00:00:58,289 --> 00:01:05,149
+I wasn't conscious unconscious I have a
+bump then yes well you don't know how it
+
+34
+00:01:05,149 --> 00:01:05,159
+bump then yes well you don't know how it
+ 
+
+35
+00:01:05,159 --> 00:01:08,060
+bump then yes well you don't know how it
+happened but it is so painful well that
+
+36
+00:01:08,060 --> 00:01:08,070
+happened but it is so painful well that
+ 
+
+37
+00:01:08,070 --> 00:01:10,429
+happened but it is so painful well that
+is beautiful perfume you're wearing it's
+
+38
+00:01:10,429 --> 00:01:10,439
+is beautiful perfume you're wearing it's
+ 
+
+39
+00:01:10,439 --> 00:01:12,679
+is beautiful perfume you're wearing it's
+bath oil yes you know I really can't
+
+40
+00:01:12,679 --> 00:01:12,689
+bath oil yes you know I really can't
+ 
+
+41
+00:01:12,689 --> 00:01:14,899
+bath oil yes you know I really can't
+figure it out it someone must've hidden
+
+42
+00:01:14,899 --> 00:01:14,909
+figure it out it someone must've hidden
+ 
+
+43
+00:01:14,909 --> 00:01:16,270
+figure it out it someone must've hidden
+me
+
+44
+00:01:16,270 --> 00:01:16,280
+me
+ 
+
+45
+00:01:16,280 --> 00:01:18,580
+me
+we have received a mild concussion with
+
+46
+00:01:18,580 --> 00:01:18,590
+we have received a mild concussion with
+ 
+
+47
+00:01:18,590 --> 00:01:19,560
+we have received a mild concussion with
+it burn
+
+48
+00:01:19,560 --> 00:01:19,570
+it burn
+ 
+
+49
+00:01:19,570 --> 00:01:22,480
+it burn
+here's cream on your nose what oh it's
+
+50
+00:01:22,480 --> 00:01:22,490
+here's cream on your nose what oh it's
+ 
+
+51
+00:01:22,490 --> 00:01:30,160
+here's cream on your nose what oh it's
+nothing raining no it's just the stupid
+
+52
+00:01:30,160 --> 00:01:30,170
+nothing raining no it's just the stupid
+ 
+
+53
+00:01:30,170 --> 00:01:31,960
+nothing raining no it's just the stupid
+driver of mine impact too close to the
+
+54
+00:01:31,960 --> 00:01:31,970
+driver of mine impact too close to the
+ 
+
+55
+00:01:31,970 --> 00:01:33,670
+driver of mine impact too close to the
+Phantom shake it out these clothes
+
+56
+00:01:33,670 --> 00:01:33,680
+Phantom shake it out these clothes
+ 
+
+57
+00:01:33,680 --> 00:01:35,350
+Phantom shake it out these clothes
+immediately it's you catch your death of
+
+58
+00:01:35,350 --> 00:01:35,360
+immediately it's you catch your death of
+ 
+
+59
+00:01:35,360 --> 00:01:38,470
+immediately it's you catch your death of
+pneumonia you will yes I probably will
+
+60
+00:01:38,470 --> 00:01:38,480
+pneumonia you will yes I probably will
+ 
+
+61
+00:01:38,480 --> 00:01:40,780
+pneumonia you will yes I probably will
+better so part of life's rich pageant
+
+62
+00:01:40,780 --> 00:01:40,790
+better so part of life's rich pageant
+ 
+
+63
+00:01:40,790 --> 00:01:43,720
+better so part of life's rich pageant
+you know we please have to put up with a
+
+64
+00:01:43,720 --> 00:01:43,730
+you know we please have to put up with a
+ 
+
+65
+00:01:43,730 --> 00:01:46,480
+you know we please have to put up with a
+lot of things because of our duties
+
+66
+00:01:46,480 --> 00:01:46,490
+lot of things because of our duties
+ 
+
+67
+00:01:46,490 --> 00:01:49,030
+lot of things because of our duties
+enter the private life one wouldn't
+
+68
+00:01:49,030 --> 00:01:49,040
+enter the private life one wouldn't
+ 
+
+69
+00:01:49,040 --> 00:01:51,880
+enter the private life one wouldn't
+normally tolerate we have a smoke helps
+
+70
+00:01:51,880 --> 00:01:51,890
+normally tolerate we have a smoke helps
+ 
+
+71
+00:01:51,890 --> 00:01:55,690
+normally tolerate we have a smoke helps
+to calm the nerves and enable us to
+
+72
+00:01:55,690 --> 00:01:55,700
+to calm the nerves and enable us to
+ 
+
+73
+00:01:55,700 --> 00:02:01,210
+to calm the nerves and enable us to
+think more clearly
+
+74
+00:02:01,210 --> 00:02:01,220
+
+ 
+
+75
+00:02:01,220 --> 00:02:03,740
+
+lovely perfume you're wearing them it's
+
+76
+00:02:03,740 --> 00:02:03,750
+lovely perfume you're wearing them it's
+ 
+
+77
+00:02:03,750 --> 00:02:11,950
+lovely perfume you're wearing them it's
+not person
+
+78
+00:02:11,950 --> 00:02:11,960
+
+ 
+
+79
+00:02:11,960 --> 00:02:17,120
+
+now where were we my bump bump that's
+
+80
+00:02:17,120 --> 00:02:17,130
+now where were we my bump bump that's
+ 
+
+81
+00:02:17,130 --> 00:02:19,370
+now where were we my bump bump that's
+right that you received when somebody
+
+82
+00:02:19,370 --> 00:02:19,380
+right that you received when somebody
+ 
+
+83
+00:02:19,380 --> 00:02:22,280
+right that you received when somebody
+hit you or at least we presume somebody
+
+84
+00:02:22,280 --> 00:02:22,290
+hit you or at least we presume somebody
+ 
+
+85
+00:02:22,290 --> 00:02:24,740
+hit you or at least we presume somebody
+hit how else could it have happened well
+
+86
+00:02:24,740 --> 00:02:24,750
+hit how else could it have happened well
+ 
+
+87
+00:02:24,750 --> 00:02:26,000
+hit how else could it have happened well
+you see in the police force
+
+88
+00:02:26,000 --> 00:02:26,010
+you see in the police force
+ 
+
+89
+00:02:26,010 --> 00:02:28,640
+you see in the police force
+first we presume after we find out that
+
+90
+00:02:28,640 --> 00:02:28,650
+first we presume after we find out that
+ 
+
+91
+00:02:28,650 --> 00:02:30,200
+first we presume after we find out that
+is the way we work always work with them
+
+92
+00:02:30,200 --> 00:02:30,210
+is the way we work always work with them
+ 
+
+93
+00:02:30,210 --> 00:02:31,430
+is the way we work always work with them
+because if we weren't the other way you
+
+94
+00:02:31,430 --> 00:02:31,440
+because if we weren't the other way you
+ 
+
+95
+00:02:31,440 --> 00:02:34,090
+because if we weren't the other way you
+see goodness it's a bit stuffy in here
+
+96
+00:02:34,090 --> 00:02:34,100
+see goodness it's a bit stuffy in here
+ 
+
+97
+00:02:34,100 --> 00:02:41,170
+see goodness it's a bit stuffy in here
+your comment yes it is my it's a fire
+
+98
+00:02:41,170 --> 00:02:41,180
+
+ 
+
+99
+00:02:41,180 --> 00:03:07,060
+
+[Music]
+
diff --git a/1964/OC_NauqyoSg.description b/1964/OC_NauqyoSg.description
new file mode 100644
index 0000000000000000000000000000000000000000..c2e731f14c3a0ffab10d54c2a7aef13d174e50cc
--- /dev/null
+++ b/1964/OC_NauqyoSg.description
@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Von Waldheim (Paul Scofield) mocks Labiche (Burt Lancaster) for his lack of art appreciation, and Labiche shoots him dead.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/OC_NauqyoSg.en.srt b/1964/OC_NauqyoSg.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..07537745359461d2341cfae359d48f4bda0a2fd9
--- /dev/null
+++ b/1964/OC_NauqyoSg.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,000 --> 00:00:04,470
+
+for
+
+2
+00:00:04,470 --> 00:00:04,480
+
+ 
+
+3
+00:00:04,480 --> 00:00:20,480
+
+[Music]
+
+4
+00:00:20,480 --> 00:00:20,490
+[Music]
+ 
+
+5
+00:00:20,490 --> 00:00:22,860
+[Music]
+[Laughter]
+
+6
+00:00:22,860 --> 00:00:22,870
+[Laughter]
+ 
+
+7
+00:00:22,870 --> 00:00:33,670
+[Laughter]
+[Music]
+
+8
+00:00:33,670 --> 00:00:33,680
+
+ 
+
+9
+00:00:33,680 --> 00:00:37,150
+
+laish here's your prize
+
+10
+00:00:37,150 --> 00:00:37,160
+laish here's your prize
+ 
+
+11
+00:00:37,160 --> 00:00:39,750
+laish here's your prize
+laish some of the greatest paintings in
+
+12
+00:00:39,750 --> 00:00:39,760
+laish some of the greatest paintings in
+ 
+
+13
+00:00:39,760 --> 00:00:45,950
+laish some of the greatest paintings in
+the
+
+14
+00:00:45,950 --> 00:00:45,960
+
+ 
+
+15
+00:00:45,960 --> 00:00:49,910
+
+world does it please you
+
+16
+00:00:49,910 --> 00:00:49,920
+
+ 
+
+17
+00:00:49,920 --> 00:00:52,590
+
+laish you feel a sense of excitement in
+
+18
+00:00:52,590 --> 00:00:52,600
+laish you feel a sense of excitement in
+ 
+
+19
+00:00:52,600 --> 00:00:55,389
+laish you feel a sense of excitement in
+just being near
+
+20
+00:00:55,389 --> 00:00:55,399
+just being near
+ 
+
+21
+00:00:55,399 --> 00:00:58,270
+just being near
+them a painting means as much to you as
+
+22
+00:00:58,270 --> 00:00:58,280
+them a painting means as much to you as
+ 
+
+23
+00:00:58,280 --> 00:01:01,790
+them a painting means as much to you as
+a String of Pearls and an
+
+24
+00:01:01,790 --> 00:01:01,800
+a String of Pearls and an
+ 
+
+25
+00:01:01,800 --> 00:01:04,670
+a String of Pearls and an
+eight you won by sheer
+
+26
+00:01:04,670 --> 00:01:04,680
+eight you won by sheer
+ 
+
+27
+00:01:04,680 --> 00:01:07,070
+eight you won by sheer
+luck you stopped me without knowing what
+
+28
+00:01:07,070 --> 00:01:07,080
+luck you stopped me without knowing what
+ 
+
+29
+00:01:07,080 --> 00:01:10,670
+luck you stopped me without knowing what
+you were doing or
+
+30
+00:01:10,670 --> 00:01:10,680
+
+ 
+
+31
+00:01:10,680 --> 00:01:14,310
+
+why you are nothing
+
+32
+00:01:14,310 --> 00:01:14,320
+why you are nothing
+ 
+
+33
+00:01:14,320 --> 00:01:17,670
+why you are nothing
+laish a lump of
+
+34
+00:01:17,670 --> 00:01:17,680
+laish a lump of
+ 
+
+35
+00:01:17,680 --> 00:01:21,590
+laish a lump of
+Flesh the paintings are mine they always
+
+36
+00:01:21,590 --> 00:01:21,600
+Flesh the paintings are mine they always
+ 
+
+37
+00:01:21,600 --> 00:01:22,590
+Flesh the paintings are mine they always
+will
+
+38
+00:01:22,590 --> 00:01:22,600
+will
+ 
+
+39
+00:01:22,600 --> 00:01:25,590
+will
+be Beauty belongs to the man who can
+
+40
+00:01:25,590 --> 00:01:25,600
+be Beauty belongs to the man who can
+ 
+
+41
+00:01:25,600 --> 00:01:28,710
+be Beauty belongs to the man who can
+appreciate it they will always belong to
+
+42
+00:01:28,710 --> 00:01:28,720
+appreciate it they will always belong to
+ 
+
+43
+00:01:28,720 --> 00:01:36,469
+appreciate it they will always belong to
+me or to a man like me
+
+44
+00:01:36,469 --> 00:01:36,479
+
+ 
+
+45
+00:01:36,479 --> 00:01:39,310
+
+now this
+
+46
+00:01:39,310 --> 00:01:39,320
+now this
+ 
+
+47
+00:01:39,320 --> 00:01:42,670
+now this
+minute you couldn't tell me why you did
+
+48
+00:01:42,670 --> 00:01:42,680
+minute you couldn't tell me why you did
+ 
+
+49
+00:01:42,680 --> 00:02:00,420
+minute you couldn't tell me why you did
+what you did
+
+50
+00:02:00,420 --> 00:02:00,430
+
+ 
+
+51
+00:02:00,430 --> 00:02:29,869
+
+[Applause]
+
+52
+00:02:29,869 --> 00:02:29,879
+
+ 
+
+53
+00:02:29,879 --> 00:02:59,940
+
+for
+
+54
+00:02:59,940 --> 00:02:59,950
+
+ 
+
+55
+00:02:59,950 --> 00:03:31,539
+
+[Music]
+
diff --git a/1964/OLtnOGTdLO4.description b/1964/OLtnOGTdLO4.description
new file mode 100644
index 0000000000000000000000000000000000000000..86321b7fe92687330fa0b0b89b6b76d70b6213f3
--- /dev/null
+++ b/1964/OLtnOGTdLO4.description
@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The barking city dogs and the gang beating of a kid trigger Sol Nazerman's (Rod Steiger) traumatic flashbacks of his days in the concentration camps.
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Rod Steiger
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/PSofqNSuVy8.description b/1964/PSofqNSuVy8.description
new file mode 100644
index 0000000000000000000000000000000000000000..6d00e0ba9df472bd1cd5760dda2569d6402a1c1b
--- /dev/null
+++ b/1964/PSofqNSuVy8.description
@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Mandrake (Peter Sellers) asks Ripper (Sterling Hayden) for the launch codes, Ripper refuses and explains his true intentions to start nuclear war.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Sterling Hayden, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/PSofqNSuVy8.en.srt b/1964/PSofqNSuVy8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..aa5f138fc253ad0c6fbbac39b888a77ebc6600ba
--- /dev/null
+++ b/1964/PSofqNSuVy8.en.srt
@@ -0,0 +1,445 @@
+1
+00:00:06,560 --> 00:00:09,790
+
+I'm FR askos and the recall code have
+
+2
+00:00:09,790 --> 00:00:09,800
+I'm FR askos and the recall code have
+ 
+
+3
+00:00:09,800 --> 00:00:12,390
+I'm FR askos and the recall code have
+you got in handed sir I told you to take
+
+4
+00:00:12,390 --> 00:00:12,400
+you got in handed sir I told you to take
+ 
+
+5
+00:00:12,400 --> 00:00:14,629
+you got in handed sir I told you to take
+it easy group Captain there's nothing
+
+6
+00:00:14,629 --> 00:00:14,639
+it easy group Captain there's nothing
+ 
+
+7
+00:00:14,639 --> 00:00:16,910
+it easy group Captain there's nothing
+anybody can do about this thing now I'm
+
+8
+00:00:16,910 --> 00:00:16,920
+anybody can do about this thing now I'm
+ 
+
+9
+00:00:16,920 --> 00:00:17,910
+anybody can do about this thing now I'm
+the only person who knows the
+
+10
+00:00:17,910 --> 00:00:17,920
+the only person who knows the
+ 
+
+11
+00:00:17,920 --> 00:00:19,670
+the only person who knows the
+three-letter code group then I must
+
+12
+00:00:19,670 --> 00:00:19,680
+three-letter code group then I must
+ 
+
+13
+00:00:19,680 --> 00:00:30,830
+three-letter code group then I must
+insist sir that you're given them to him
+
+14
+00:00:30,830 --> 00:00:30,840
+
+ 
+
+15
+00:00:30,840 --> 00:00:32,549
+
+do I take it sir that you're threatening
+
+16
+00:00:32,549 --> 00:00:32,559
+do I take it sir that you're threatening
+ 
+
+17
+00:00:32,559 --> 00:00:35,190
+do I take it sir that you're threatening
+a brother officer with a
+
+18
+00:00:35,190 --> 00:00:35,200
+a brother officer with a
+ 
+
+19
+00:00:35,200 --> 00:00:37,389
+a brother officer with a
+gun amand
+
+20
+00:00:37,389 --> 00:00:37,399
+gun amand
+ 
+
+21
+00:00:37,399 --> 00:00:40,470
+gun amand
+Drake I suppose it never occurred to
+
+22
+00:00:40,470 --> 00:00:40,480
+Drake I suppose it never occurred to
+ 
+
+23
+00:00:40,480 --> 00:00:43,990
+Drake I suppose it never occurred to
+you that while we're chanting here so
+
+24
+00:00:43,990 --> 00:00:44,000
+you that while we're chanting here so
+ 
+
+25
+00:00:44,000 --> 00:00:47,189
+you that while we're chanting here so
+enjoyably a decision is being made by
+
+26
+00:00:47,189 --> 00:00:47,199
+enjoyably a decision is being made by
+ 
+
+27
+00:00:47,199 --> 00:00:48,029
+enjoyably a decision is being made by
+the
+
+28
+00:00:48,029 --> 00:00:48,039
+the
+ 
+
+29
+00:00:48,039 --> 00:00:50,229
+the
+president and the Joint Chiefs in the
+
+30
+00:00:50,229 --> 00:00:50,239
+president and the Joint Chiefs in the
+ 
+
+31
+00:00:50,239 --> 00:00:52,189
+president and the Joint Chiefs in the
+War Room at the
+
+32
+00:00:52,189 --> 00:00:52,199
+War Room at the
+ 
+
+33
+00:00:52,199 --> 00:00:55,189
+War Room at the
+Pentagon and when they realize there is
+
+34
+00:00:55,189 --> 00:00:55,199
+Pentagon and when they realize there is
+ 
+
+35
+00:00:55,199 --> 00:00:57,830
+Pentagon and when they realize there is
+no possibility of recalling the
+
+36
+00:00:57,830 --> 00:00:57,840
+no possibility of recalling the
+ 
+
+37
+00:00:57,840 --> 00:01:00,349
+no possibility of recalling the
+wing there will be only one call for of
+
+38
+00:01:00,349 --> 00:01:00,359
+wing there will be only one call for of
+ 
+
+39
+00:01:00,359 --> 00:01:02,270
+wing there will be only one call for of
+action
+
+40
+00:01:02,270 --> 00:01:02,280
+action
+ 
+
+41
+00:01:02,280 --> 00:01:06,469
+action
+open total
+
+42
+00:01:06,469 --> 00:01:06,479
+
+ 
+
+43
+00:01:06,479 --> 00:01:09,950
+
+commitment mandre do you recall what
+
+44
+00:01:09,950 --> 00:01:09,960
+commitment mandre do you recall what
+ 
+
+45
+00:01:09,960 --> 00:01:12,429
+commitment mandre do you recall what
+Clemens so once said about
+
+46
+00:01:12,429 --> 00:01:12,439
+Clemens so once said about
+ 
+
+47
+00:01:12,439 --> 00:01:16,550
+Clemens so once said about
+war no I didn't think I do that
+
+48
+00:01:16,550 --> 00:01:16,560
+war no I didn't think I do that
+ 
+
+49
+00:01:16,560 --> 00:01:19,310
+war no I didn't think I do that
+now he said war was too important to be
+
+50
+00:01:19,310 --> 00:01:19,320
+now he said war was too important to be
+ 
+
+51
+00:01:19,320 --> 00:01:20,710
+now he said war was too important to be
+left to the
+
+52
+00:01:20,710 --> 00:01:20,720
+left to the
+ 
+
+53
+00:01:20,720 --> 00:01:24,789
+left to the
+generals when he said that 50 years
+
+54
+00:01:24,789 --> 00:01:24,799
+generals when he said that 50 years
+ 
+
+55
+00:01:24,799 --> 00:01:27,350
+generals when he said that 50 years
+ago he might have been
+
+56
+00:01:27,350 --> 00:01:27,360
+ago he might have been
+ 
+
+57
+00:01:27,360 --> 00:01:30,749
+ago he might have been
+right but today
+
+58
+00:01:30,749 --> 00:01:30,759
+right but today
+ 
+
+59
+00:01:30,759 --> 00:01:33,350
+right but today
+war is too important to be left to
+
+60
+00:01:33,350 --> 00:01:33,360
+war is too important to be left to
+ 
+
+61
+00:01:33,360 --> 00:01:35,910
+war is too important to be left to
+politicians they have neither the
+
+62
+00:01:35,910 --> 00:01:35,920
+politicians they have neither the
+ 
+
+63
+00:01:35,920 --> 00:01:37,830
+politicians they have neither the
+time the
+
+64
+00:01:37,830 --> 00:01:37,840
+time the
+ 
+
+65
+00:01:37,840 --> 00:01:40,190
+time the
+training nor the inclination for
+
+66
+00:01:40,190 --> 00:01:40,200
+training nor the inclination for
+ 
+
+67
+00:01:40,200 --> 00:01:44,630
+training nor the inclination for
+strategic
+
+68
+00:01:44,630 --> 00:01:44,640
+
+ 
+
+69
+00:01:44,640 --> 00:01:48,190
+
+thought I can no longer sit back and
+
+70
+00:01:48,190 --> 00:01:48,200
+thought I can no longer sit back and
+ 
+
+71
+00:01:48,200 --> 00:01:50,469
+thought I can no longer sit back and
+allow communist
+
+72
+00:01:50,469 --> 00:01:50,479
+allow communist
+ 
+
+73
+00:01:50,479 --> 00:01:53,389
+allow communist
+infiltration communist
+
+74
+00:01:53,389 --> 00:01:53,399
+infiltration communist
+ 
+
+75
+00:01:53,399 --> 00:01:56,590
+infiltration communist
+indoctrination communist
+
+76
+00:01:56,590 --> 00:01:56,600
+indoctrination communist
+ 
+
+77
+00:01:56,600 --> 00:01:58,670
+indoctrination communist
+subversion and the international
+
+78
+00:01:58,670 --> 00:01:58,680
+subversion and the international
+ 
+
+79
+00:01:58,680 --> 00:02:01,469
+subversion and the international
+communist conspiracy
+
+80
+00:02:01,469 --> 00:02:01,479
+communist conspiracy
+ 
+
+81
+00:02:01,479 --> 00:02:03,469
+communist conspiracy
+to sapen and
+
+82
+00:02:03,469 --> 00:02:03,479
+to sapen and
+ 
+
+83
+00:02:03,479 --> 00:02:09,430
+to sapen and
+purify all of our precious bodily fluids
+
+84
+00:02:09,430 --> 00:02:09,440
+
+ 
+
+85
+00:02:09,440 --> 00:02:30,869
+
+[Music]
+
+86
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+87
+00:02:30,879 --> 00:02:34,520
+
+to
+
+88
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+89
+00:02:34,530 --> 00:02:40,479
+
+[Music]
+
diff --git a/1964/Qn336Lxy1TQ.description b/1964/Qn336Lxy1TQ.description
new file mode 100644
index 0000000000000000000000000000000000000000..ca2ab557d038094025473b1b6dcef7ca76e34bb8
--- /dev/null
+++ b/1964/Qn336Lxy1TQ.description
@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jesus Ortiz (Jaime Sánchez) makes a confession in his final goodbye to Sol Nazerman (Rod Steiger).
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Rod Steiger, Jaime Sánchez, Eusebia Cosme
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/QsSD6_V2IYk.description b/1964/QsSD6_V2IYk.description
new file mode 100644
index 0000000000000000000000000000000000000000..23b1eba7ab97e0791e37d9b1164bd3fa6e6a0a1a
--- /dev/null
+++ b/1964/QsSD6_V2IYk.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Billiards Buffoonery: Clouseau (Peter Sellers) interrogates Ballon (George Sanders) over a game of billiards.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: George Sanders, Maurice Kaufman, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/QsSD6_V2IYk.en.srt b/1964/QsSD6_V2IYk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f7bbe2b6e2ca8833db64aefb57620aba062be846
--- /dev/null
+++ b/1964/QsSD6_V2IYk.en.srt
@@ -0,0 +1,285 @@
+1
+00:00:09,389 --> 00:00:17,990
+
+mr. bell or did you not state that on
+
+2
+00:00:17,990 --> 00:00:18,000
+mr. bell or did you not state that on
+ 
+
+3
+00:00:18,000 --> 00:00:19,420
+mr. bell or did you not state that on
+the night of the murder
+
+4
+00:00:19,420 --> 00:00:19,430
+the night of the murder
+ 
+
+5
+00:00:19,430 --> 00:00:24,679
+the night of the murder
+you had just arrived from London and the
+
+6
+00:00:24,679 --> 00:00:24,689
+you had just arrived from London and the
+ 
+
+7
+00:00:24,689 --> 00:00:30,950
+you had just arrived from London and the
+11 o'clock flies yeah it was canceled
+
+8
+00:00:30,950 --> 00:00:30,960
+11 o'clock flies yeah it was canceled
+ 
+
+9
+00:00:30,960 --> 00:00:35,330
+11 o'clock flies yeah it was canceled
+due to bad weather I arrived on an
+
+10
+00:00:35,330 --> 00:00:35,340
+due to bad weather I arrived on an
+ 
+
+11
+00:00:35,340 --> 00:00:37,220
+due to bad weather I arrived on an
+earlier flight I put it to you directly
+
+12
+00:00:37,220 --> 00:00:37,230
+earlier flight I put it to you directly
+ 
+
+13
+00:00:37,230 --> 00:00:40,400
+earlier flight I put it to you directly
+mrs. Bello that it was you who murdered
+
+14
+00:00:40,400 --> 00:00:40,410
+mrs. Bello that it was you who murdered
+ 
+
+15
+00:00:40,410 --> 00:00:43,720
+mrs. Bello that it was you who murdered
+me well asked us
+
+16
+00:00:43,720 --> 00:00:43,730
+
+ 
+
+17
+00:00:43,730 --> 00:00:47,990
+
+don't be ridiculous
+
+18
+00:00:47,990 --> 00:00:48,000
+
+ 
+
+19
+00:00:48,000 --> 00:00:49,330
+
+[Music]
+
+20
+00:00:49,330 --> 00:00:49,340
+[Music]
+ 
+
+21
+00:00:49,340 --> 00:01:01,729
+[Music]
+you can't just come on that's it I just
+
+22
+00:01:01,729 --> 00:01:01,739
+you can't just come on that's it I just
+ 
+
+23
+00:01:01,739 --> 00:01:04,490
+you can't just come on that's it I just
+like to go intensely but I'm not in the
+
+24
+00:01:04,490 --> 00:01:04,500
+like to go intensely but I'm not in the
+ 
+
+25
+00:01:04,500 --> 00:01:06,139
+like to go intensely but I'm not in the
+habit of killing people merely because I
+
+26
+00:01:06,139 --> 00:01:06,149
+habit of killing people merely because I
+ 
+
+27
+00:01:06,149 --> 00:01:16,010
+habit of killing people merely because I
+was like the night that Miguel was
+
+28
+00:01:16,010 --> 00:01:16,020
+was like the night that Miguel was
+ 
+
+29
+00:01:16,020 --> 00:01:18,740
+was like the night that Miguel was
+killed I arranged for him to meet the 11
+
+30
+00:01:18,740 --> 00:01:18,750
+killed I arranged for him to meet the 11
+ 
+
+31
+00:01:18,750 --> 00:01:20,630
+killed I arranged for him to meet the 11
+o'clock plane I arrived on the nine
+
+32
+00:01:20,630 --> 00:01:20,640
+o'clock plane I arrived on the nine
+ 
+
+33
+00:01:20,640 --> 00:01:23,210
+o'clock plane I arrived on the nine
+o'clock now he would be on his way to
+
+34
+00:01:23,210 --> 00:01:23,220
+o'clock now he would be on his way to
+ 
+
+35
+00:01:23,220 --> 00:01:25,130
+o'clock now he would be on his way to
+the airport while I was on my way home
+
+36
+00:01:25,130 --> 00:01:25,140
+the airport while I was on my way home
+ 
+
+37
+00:01:25,140 --> 00:01:28,039
+the airport while I was on my way home
+my wife was at a dinner party this would
+
+38
+00:01:28,039 --> 00:01:28,049
+my wife was at a dinner party this would
+ 
+
+39
+00:01:28,049 --> 00:01:31,430
+my wife was at a dinner party this would
+give me a whole hour at least alone in
+
+40
+00:01:31,430 --> 00:01:31,440
+give me a whole hour at least alone in
+ 
+
+41
+00:01:31,440 --> 00:01:36,570
+give me a whole hour at least alone in
+the house for what
+
+42
+00:01:36,570 --> 00:01:36,580
+the house for what
+ 
+
+43
+00:01:36,580 --> 00:01:55,140
+the house for what
+Oh Maria what does that surprise you and
+
+44
+00:01:55,140 --> 00:01:55,150
+Oh Maria what does that surprise you and
+ 
+
+45
+00:01:55,150 --> 00:01:57,570
+Oh Maria what does that surprise you and
+I submit inspector below that you
+
+46
+00:01:57,570 --> 00:01:57,580
+I submit inspector below that you
+ 
+
+47
+00:01:57,580 --> 00:02:00,630
+I submit inspector below that you
+arrived home found me well with Maria
+
+48
+00:02:00,630 --> 00:02:00,640
+arrived home found me well with Maria
+ 
+
+49
+00:02:00,640 --> 00:02:03,210
+arrived home found me well with Maria
+gambrel II and killed him in a writ of
+
+50
+00:02:03,210 --> 00:02:03,220
+gambrel II and killed him in a writ of
+ 
+
+51
+00:02:03,220 --> 00:02:07,860
+gambrel II and killed him in a writ of
+Fela stage I admit to the affair but to
+
+52
+00:02:07,860 --> 00:02:07,870
+Fela stage I admit to the affair but to
+ 
+
+53
+00:02:07,870 --> 00:02:08,940
+Fela stage I admit to the affair but to
+kill for her
+
+54
+00:02:08,940 --> 00:02:08,950
+kill for her
+ 
+
+55
+00:02:08,950 --> 00:02:13,920
+kill for her
+would you kill for her of course not
+
+56
+00:02:13,920 --> 00:02:13,930
+
+ 
+
+57
+00:02:13,930 --> 00:02:25,270
+
+[Music]
+
diff --git a/1964/SpSnm6rxTqU.description b/1964/SpSnm6rxTqU.description
new file mode 100644
index 0000000000000000000000000000000000000000..7fb80458f2b055518d65895a7cd5084468bc3847
--- /dev/null
+++ b/1964/SpSnm6rxTqU.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) notices Goldfinger (Gert Frbe) cheating at cards, and decides to play with him a bit, along with his sexy accomplice Jill Masterson (Shirley Eaton)
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Shirley Eaton, Nikki Van der Zyl, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/SpSnm6rxTqU.en.srt b/1964/SpSnm6rxTqU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..57228b65cbf1ca5e391a6753242e1c3bcb8b1668
--- /dev/null
+++ b/1964/SpSnm6rxTqU.en.srt
@@ -0,0 +1,405 @@
+1
+00:00:02,159 --> 00:00:05,430
+
+he needs kings and
+
+2
+00:00:05,430 --> 00:00:05,440
+
+ 
+
+3
+00:00:05,440 --> 00:00:08,940
+
+queens who are you Bond James
+
+4
+00:00:08,940 --> 00:00:08,950
+queens who are you Bond James
+ 
+
+5
+00:00:08,950 --> 00:00:20,870
+queens who are you Bond James
+[Music]
+
+6
+00:00:20,870 --> 00:00:20,880
+[Music]
+ 
+
+7
+00:00:20,880 --> 00:00:24,509
+[Music]
+Bond come on come
+
+8
+00:00:24,509 --> 00:00:24,519
+
+ 
+
+9
+00:00:24,519 --> 00:00:27,029
+
+on Ah that's more like
+
+10
+00:00:27,029 --> 00:00:27,039
+on Ah that's more like
+ 
+
+11
+00:00:27,039 --> 00:00:30,790
+on Ah that's more like
+it what's your name j
+
+12
+00:00:30,790 --> 00:00:30,800
+it what's your name j
+ 
+
+13
+00:00:30,800 --> 00:00:34,430
+it what's your name j
+Jill who Jill
+
+14
+00:00:34,430 --> 00:00:34,440
+
+ 
+
+15
+00:00:34,440 --> 00:00:38,069
+
+masteron tell me Jill why does he do it
+
+16
+00:00:38,069 --> 00:00:38,079
+masteron tell me Jill why does he do it
+ 
+
+17
+00:00:38,079 --> 00:00:41,029
+masteron tell me Jill why does he do it
+he likes to win why do you do
+
+18
+00:00:41,029 --> 00:00:41,039
+he likes to win why do you do
+ 
+
+19
+00:00:41,039 --> 00:00:44,549
+he likes to win why do you do
+it he pays me is that all he pays you
+
+20
+00:00:44,549 --> 00:00:44,559
+it he pays me is that all he pays you
+ 
+
+21
+00:00:44,559 --> 00:00:48,630
+it he pays me is that all he pays you
+for and for being seen with him just
+
+22
+00:00:48,630 --> 00:00:48,640
+for and for being seen with him just
+ 
+
+23
+00:00:48,640 --> 00:00:51,029
+for and for being seen with him just
+seen just
+
+24
+00:00:51,029 --> 00:00:51,039
+seen just
+ 
+
+25
+00:00:51,039 --> 00:00:55,830
+seen just
+seen I'm so
+
+26
+00:00:55,830 --> 00:00:55,840
+
+ 
+
+27
+00:00:55,840 --> 00:00:59,150
+
+glad you're much too nice to be mixed up
+
+28
+00:00:59,150 --> 00:00:59,160
+glad you're much too nice to be mixed up
+ 
+
+29
+00:00:59,160 --> 00:01:06,149
+glad you're much too nice to be mixed up
+in anything like this
+
+30
+00:01:06,149 --> 00:01:06,159
+
+ 
+
+31
+00:01:06,159 --> 00:01:08,109
+
+now hear this Goldfinger your luck has
+
+32
+00:01:08,109 --> 00:01:08,119
+now hear this Goldfinger your luck has
+ 
+
+33
+00:01:08,119 --> 00:01:08,950
+now hear this Goldfinger your luck has
+just
+
+34
+00:01:08,950 --> 00:01:08,960
+just
+ 
+
+35
+00:01:08,960 --> 00:01:11,310
+just
+changed I doubt very much if the Miami
+
+36
+00:01:11,310 --> 00:01:11,320
+changed I doubt very much if the Miami
+ 
+
+37
+00:01:11,320 --> 00:01:12,950
+changed I doubt very much if the Miami
+Beach police would take kindly to what
+
+38
+00:01:12,950 --> 00:01:12,960
+Beach police would take kindly to what
+ 
+
+39
+00:01:12,960 --> 00:01:15,149
+Beach police would take kindly to what
+you're
+
+40
+00:01:15,149 --> 00:01:15,159
+you're
+ 
+
+41
+00:01:15,159 --> 00:01:17,710
+you're
+doing nod your head if you
+
+42
+00:01:17,710 --> 00:01:17,720
+doing nod your head if you
+ 
+
+43
+00:01:17,720 --> 00:01:19,990
+doing nod your head if you
+agree
+
+44
+00:01:19,990 --> 00:01:20,000
+agree
+ 
+
+45
+00:01:20,000 --> 00:01:23,950
+agree
+nod good now start losing Goldfinger
+
+46
+00:01:23,950 --> 00:01:23,960
+nod good now start losing Goldfinger
+ 
+
+47
+00:01:23,960 --> 00:01:26,510
+nod good now start losing Goldfinger
+shall we say uh
+
+48
+00:01:26,510 --> 00:01:26,520
+shall we say uh
+ 
+
+49
+00:01:26,520 --> 00:01:29,510
+shall we say uh
+$10,000 no let's be generous let's make
+
+50
+00:01:29,510 --> 00:01:29,520
+$10,000 no let's be generous let's make
+ 
+
+51
+00:01:29,520 --> 00:01:33,069
+$10,000 no let's be generous let's make
+it50
+
+52
+00:01:33,069 --> 00:01:33,079
+
+ 
+
+53
+00:01:33,079 --> 00:01:41,910
+
+15,000 may I
+
+54
+00:01:41,910 --> 00:01:41,920
+
+ 
+
+55
+00:01:41,920 --> 00:01:45,670
+
+see well I can see this is really my
+
+56
+00:01:45,670 --> 00:01:45,680
+see well I can see this is really my
+ 
+
+57
+00:01:45,680 --> 00:01:54,389
+see well I can see this is really my
+day
+
+58
+00:01:54,389 --> 00:01:54,399
+
+ 
+
+59
+00:01:54,399 --> 00:01:56,510
+
+Jen over and
+
+60
+00:01:56,510 --> 00:01:56,520
+Jen over and
+ 
+
+61
+00:01:56,520 --> 00:01:58,749
+Jen over and
+out that should keep him occupy for
+
+62
+00:01:58,749 --> 00:01:58,759
+out that should keep him occupy for
+ 
+
+63
+00:01:58,759 --> 00:02:00,870
+out that should keep him occupy for
+quite some time
+
+64
+00:02:00,870 --> 00:02:00,880
+quite some time
+ 
+
+65
+00:02:00,880 --> 00:02:04,190
+quite some time
+I'm beginning to like you Mr Bond oh
+
+66
+00:02:04,190 --> 00:02:04,200
+I'm beginning to like you Mr Bond oh
+ 
+
+67
+00:02:04,200 --> 00:02:06,670
+I'm beginning to like you Mr Bond oh
+call me James more than anyone I've met
+
+68
+00:02:06,670 --> 00:02:06,680
+call me James more than anyone I've met
+ 
+
+69
+00:02:06,680 --> 00:02:09,430
+call me James more than anyone I've met
+in a long time
+
+70
+00:02:09,430 --> 00:02:09,440
+in a long time
+ 
+
+71
+00:02:09,440 --> 00:02:11,550
+in a long time
+James would else are we going to do
+
+72
+00:02:11,550 --> 00:02:11,560
+James would else are we going to do
+ 
+
+73
+00:02:11,560 --> 00:02:12,430
+James would else are we going to do
+about
+
+74
+00:02:12,430 --> 00:02:12,440
+about
+ 
+
+75
+00:02:12,440 --> 00:02:17,150
+about
+it yes what I'll tell you a dinner
+
+76
+00:02:17,150 --> 00:02:17,160
+it yes what I'll tell you a dinner
+ 
+
+77
+00:02:17,160 --> 00:02:22,570
+it yes what I'll tell you a dinner
+where well I know the best place in town
+
+78
+00:02:22,570 --> 00:02:22,580
+
+ 
+
+79
+00:02:22,580 --> 00:02:44,620
+
+[Music]
+
+80
+00:02:44,620 --> 00:02:44,630
+
+ 
+
+81
+00:02:44,630 --> 00:02:49,669
+
+[Music]
+
diff --git a/1964/Sv_GcxkmW4Y.description b/1964/Sv_GcxkmW4Y.description
new file mode 100644
index 0000000000000000000000000000000000000000..9249362399b45ba2293891e8729900b7babf5986
--- /dev/null
+++ b/1964/Sv_GcxkmW4Y.description
@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When some gunmen refuse to apologize to his mule, the Stranger (Clint Eastwood) shoots them all.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/Sv_GcxkmW4Y.en.srt b/1964/Sv_GcxkmW4Y.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9754dd975ce7a534a6af8623f1d7786ac04f5762
--- /dev/null
+++ b/1964/Sv_GcxkmW4Y.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:01,380 --> 00:00:06,510
+
+[Music]
+
+2
+00:00:06,510 --> 00:00:06,520
+[Music]
+ 
+
+3
+00:00:06,520 --> 00:00:08,030
+[Music]
+get three coffins
+
+4
+00:00:08,030 --> 00:00:08,040
+get three coffins
+ 
+
+5
+00:00:08,040 --> 00:00:13,910
+get three coffins
+ready huh
+
+6
+00:00:13,910 --> 00:00:13,920
+
+ 
+
+7
+00:00:13,920 --> 00:00:34,470
+
+[Music]
+
+8
+00:00:34,470 --> 00:00:34,480
+[Music]
+ 
+
+9
+00:00:34,480 --> 00:00:38,030
+[Music]
+adios Amigo L stranger didn't you get
+
+10
+00:00:38,030 --> 00:00:38,040
+adios Amigo L stranger didn't you get
+ 
+
+11
+00:00:38,040 --> 00:00:40,190
+adios Amigo L stranger didn't you get
+the idea we don't like to see bad boys
+
+12
+00:00:40,190 --> 00:00:40,200
+the idea we don't like to see bad boys
+ 
+
+13
+00:00:40,200 --> 00:00:42,510
+the idea we don't like to see bad boys
+like you and town go get your
+
+14
+00:00:42,510 --> 00:00:42,520
+like you and town go get your
+ 
+
+15
+00:00:42,520 --> 00:00:45,389
+like you and town go get your
+mule you let him get away from
+
+16
+00:00:45,389 --> 00:00:45,399
+mule you let him get away from
+ 
+
+17
+00:00:45,399 --> 00:00:47,590
+mule you let him get away from
+you you see that's what I want to talk
+
+18
+00:00:47,590 --> 00:00:47,600
+you you see that's what I want to talk
+ 
+
+19
+00:00:47,600 --> 00:00:50,830
+you you see that's what I want to talk
+to you about he's feeling real
+
+20
+00:00:50,830 --> 00:00:50,840
+to you about he's feeling real
+ 
+
+21
+00:00:50,840 --> 00:00:55,310
+to you about he's feeling real
+bad huh my mule you see he got all riled
+
+22
+00:00:55,310 --> 00:00:55,320
+bad huh my mule you see he got all riled
+ 
+
+23
+00:00:55,320 --> 00:00:56,950
+bad huh my mule you see he got all riled
+up when you went fired those shots at
+
+24
+00:00:56,950 --> 00:00:56,960
+up when you went fired those shots at
+ 
+
+25
+00:00:56,960 --> 00:01:00,790
+up when you went fired those shots at
+his feet
+
+26
+00:01:00,790 --> 00:01:00,800
+
+ 
+
+27
+00:01:00,800 --> 00:01:05,950
+
+hey you making some kind of joke no you
+
+28
+00:01:05,950 --> 00:01:05,960
+hey you making some kind of joke no you
+ 
+
+29
+00:01:05,960 --> 00:01:07,510
+hey you making some kind of joke no you
+see I understand you men were just
+
+30
+00:01:07,510 --> 00:01:07,520
+see I understand you men were just
+ 
+
+31
+00:01:07,520 --> 00:01:09,950
+see I understand you men were just
+playing around but the muie just doesn't
+
+32
+00:01:09,950 --> 00:01:09,960
+playing around but the muie just doesn't
+ 
+
+33
+00:01:09,960 --> 00:01:13,660
+playing around but the muie just doesn't
+get it course if you were to all
+
+34
+00:01:13,660 --> 00:01:13,670
+get it course if you were to all
+ 
+
+35
+00:01:13,670 --> 00:01:24,749
+get it course if you were to all
+[Laughter]
+
+36
+00:01:24,749 --> 00:01:24,759
+
+ 
+
+37
+00:01:24,759 --> 00:01:26,990
+
+apologize I don't think it's nice you
+
+38
+00:01:26,990 --> 00:01:27,000
+apologize I don't think it's nice you
+ 
+
+39
+00:01:27,000 --> 00:01:31,830
+apologize I don't think it's nice you
+laughing
+
+40
+00:01:31,830 --> 00:01:31,840
+
+ 
+
+41
+00:01:31,840 --> 00:01:34,550
+
+see my mule don't like people
+
+42
+00:01:34,550 --> 00:01:34,560
+see my mule don't like people
+ 
+
+43
+00:01:34,560 --> 00:01:36,990
+see my mule don't like people
+laughing it's the crazy idea you're
+
+44
+00:01:36,990 --> 00:01:37,000
+laughing it's the crazy idea you're
+ 
+
+45
+00:01:37,000 --> 00:01:40,149
+laughing it's the crazy idea you're
+laughing at him now if you apologize
+
+46
+00:01:40,149 --> 00:01:40,159
+laughing at him now if you apologize
+ 
+
+47
+00:01:40,159 --> 00:01:42,910
+laughing at him now if you apologize
+like I know you're going to I might
+
+48
+00:01:42,910 --> 00:01:42,920
+like I know you're going to I might
+ 
+
+49
+00:01:42,920 --> 00:01:44,749
+like I know you're going to I might
+convince him that you really didn't mean
+
+50
+00:01:44,749 --> 00:01:44,759
+convince him that you really didn't mean
+ 
+
+51
+00:01:44,759 --> 00:02:14,509
+convince him that you really didn't mean
+it
+
+52
+00:02:14,509 --> 00:02:14,519
+
+ 
+
+53
+00:02:14,519 --> 00:02:16,070
+
+I saw the whole thing you killed all
+
+54
+00:02:16,070 --> 00:02:16,080
+I saw the whole thing you killed all
+ 
+
+55
+00:02:16,080 --> 00:02:17,710
+I saw the whole thing you killed all
+four of
+
+56
+00:02:17,710 --> 00:02:17,720
+four of
+ 
+
+57
+00:02:17,720 --> 00:02:19,869
+four of
+them you'll pay all right you'll be
+
+58
+00:02:19,869 --> 00:02:19,879
+them you'll pay all right you'll be
+ 
+
+59
+00:02:19,879 --> 00:02:22,670
+them you'll pay all right you'll be
+strung
+
+60
+00:02:22,670 --> 00:02:22,680
+
+ 
+
+61
+00:02:22,680 --> 00:02:27,710
+
+up who were you don't fire
+
+62
+00:02:27,710 --> 00:02:27,720
+up who were you don't fire
+ 
+
+63
+00:02:27,720 --> 00:02:32,830
+up who were you don't fire
+shot I'm John Baxter
+
+64
+00:02:32,830 --> 00:02:32,840
+
+ 
+
+65
+00:02:32,840 --> 00:02:35,270
+
+Sheriff yeah well if you're the sheriff
+
+66
+00:02:35,270 --> 00:02:35,280
+Sheriff yeah well if you're the sheriff
+ 
+
+67
+00:02:35,280 --> 00:02:38,620
+Sheriff yeah well if you're the sheriff
+you better get these men under the
+
+68
+00:02:38,620 --> 00:02:38,630
+you better get these men under the
+ 
+
+69
+00:02:38,630 --> 00:02:50,670
+you better get these men under the
+[Music]
+
+70
+00:02:50,670 --> 00:02:50,680
+[Music]
+ 
+
+71
+00:02:50,680 --> 00:02:54,050
+[Music]
+ground I mistake or coffins
+
+72
+00:02:54,050 --> 00:02:54,060
+ground I mistake or coffins
+ 
+
+73
+00:02:54,060 --> 00:03:28,669
+ground I mistake or coffins
+[Music]
+
diff --git a/1964/TIu_CYwemFo.description b/1964/TIu_CYwemFo.description
new file mode 100644
index 0000000000000000000000000000000000000000..199871601bdb0c981ec9fa767f92fa0ed9e65971
--- /dev/null
+++ b/1964/TIu_CYwemFo.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Dreyfus Cracks: Dreyfus (Herbert Lom) tells a psychiatrist his troubles.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Herbert Lom, Jack Melford
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/TmALN8vdU0s.description b/1964/TmALN8vdU0s.description
new file mode 100644
index 0000000000000000000000000000000000000000..59b1c6b273723945b5e08d635987512ea3821017
--- /dev/null
+++ b/1964/TmALN8vdU0s.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Sneak Attack: Clouseau (Peter Sellers) is awakened by a surprise attack from Cato (Burt Kwouk).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Kwouk, Herbert Lom, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/TmALN8vdU0s.en.srt b/1964/TmALN8vdU0s.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..50074b77c31697c1a8a8d91ff33d5447201120e4
--- /dev/null
+++ b/1964/TmALN8vdU0s.en.srt
@@ -0,0 +1,85 @@
+1
+00:00:14,020 --> 00:00:15,400
+(CREAK)
+
+2
+00:00:34,540 --> 00:00:35,900
+(SHOUTING)
+
+3
+00:00:36,140 --> 00:00:37,920
+(GRUNTING)
+
+4
+00:00:43,520 --> 00:00:45,260
+(PANTING)
+
+5
+00:00:47,740 --> 00:00:48,840
+(YELLS)
+
+6
+00:01:19,820 --> 00:01:23,580
+- Argh!
+- (PHONE RINGS)
+
+7
+00:01:24,120 --> 00:01:26,200
+Inspector Clouseau's residence.
+
+8
+00:01:26,480 --> 00:01:29,420
+One moment, please.
+Commissioner Dreyfus.
+
+9
+00:01:30,560 --> 00:01:33,300
+(BREATHING HEAVILY)
+
+10
+00:01:36,840 --> 00:01:40,380
+- Hello, Inspector Clouseau here.
+- Get down here immediately.
+
+11
+00:01:40,580 --> 00:01:43,760
+- You're back on the Gambrelli case.
+- The Gambrelli case?
+
+12
+00:01:44,000 --> 00:01:47,880
+Maria Gambrelli.
+The maid who killed the chauffeur.
+
+13
+00:01:48,020 --> 00:01:51,080
+Oh, Maria Gambrelli, the 
+maid. Yes, yes. Excellent.
+
+14
+00:01:51,220 --> 00:01:53,860
+I'll be down there
+right away. Thank you.
+
+15
+00:01:53,960 --> 00:01:56,280
+Well, Cato, I am back on the case.
+
+16
+00:01:57,120 --> 00:02:00,600
+I tell you, Maria Gambrelli is 
+beautiful. Innocent. Hah!
+
+17
+00:02:04,040 --> 00:02:07,460
+That was a good work-out.
+You're improving.
+
+18
+00:02:07,560 --> 00:02:09,440
+Every day you're getting better.
+
+19
+00:02:12,840 --> 00:02:14,140
+(MUTTERS)
+
diff --git a/1964/USD2Y7wRNgk.description b/1964/USD2Y7wRNgk.description
new file mode 100644
index 0000000000000000000000000000000000000000..87e2e68d14add15a5225c3f8dcbc4c09583826de
--- /dev/null
+++ b/1964/USD2Y7wRNgk.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After Bond (Sean Connery) and Jill Masterson (Shirley Eaton) get to know each other better, Bond finds himself knocked unconscious and finds Jill dead, covered in gold paint.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Shirley Eaton, Nikki Van der Zyl, Sean Connery
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/Ua4pj7Sxy-8.en.srt b/1964/Ua4pj7Sxy-8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..bcf60c4a1416aa41e2ccc6f0504b13e405f3eafe
--- /dev/null
+++ b/1964/Ua4pj7Sxy-8.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:02,290 --> 00:00:03,460
+
+yeah
+
+2
+00:00:03,460 --> 00:00:03,470
+yeah
+ 
+
+3
+00:00:03,470 --> 00:00:16,060
+yeah
+[Music]
+
+4
+00:00:16,060 --> 00:00:16,070
+[Music]
+ 
+
+5
+00:00:16,070 --> 00:00:18,230
+[Music]
+are the arms in the car
+
+6
+00:00:18,230 --> 00:00:18,240
+are the arms in the car
+ 
+
+7
+00:00:18,240 --> 00:00:20,180
+are the arms in the car
+haven't been touched I don't think
+
+8
+00:00:20,180 --> 00:00:20,190
+haven't been touched I don't think
+ 
+
+9
+00:00:20,190 --> 00:00:21,290
+haven't been touched I don't think
+you're an idiot
+
+10
+00:00:21,290 --> 00:00:21,300
+you're an idiot
+ 
+
+11
+00:00:21,300 --> 00:00:23,270
+you're an idiot
+want me to suspect they are Russian
+
+12
+00:00:23,270 --> 00:00:23,280
+want me to suspect they are Russian
+ 
+
+13
+00:00:23,280 --> 00:00:25,460
+want me to suspect they are Russian
+spies why did you stood sir from what
+
+14
+00:00:25,460 --> 00:00:25,470
+spies why did you stood sir from what
+ 
+
+15
+00:00:25,470 --> 00:00:27,349
+spies why did you stood sir from what
+from the cook sir what did it say that
+
+16
+00:00:27,349 --> 00:00:27,359
+from the cook sir what did it say that
+ 
+
+17
+00:00:27,359 --> 00:00:30,650
+from the cook sir what did it say that
+they were Russian spies deduction are
+
+18
+00:00:30,650 --> 00:00:30,660
+they were Russian spies deduction are
+ 
+
+19
+00:00:30,660 --> 00:00:33,020
+they were Russian spies deduction are
+they expecting mr. Plimpton I believe
+
+20
+00:00:33,020 --> 00:00:33,030
+they expecting mr. Plimpton I believe
+ 
+
+21
+00:00:33,030 --> 00:00:33,740
+they expecting mr. Plimpton I believe
+they are sir
+
+22
+00:00:33,740 --> 00:00:33,750
+they are sir
+ 
+
+23
+00:00:33,750 --> 00:00:35,990
+they are sir
+you see their leader I think it's mr.
+
+24
+00:00:35,990 --> 00:00:36,000
+you see their leader I think it's mr.
+ 
+
+25
+00:00:36,000 --> 00:00:38,000
+you see their leader I think it's mr.
+Harper sir and miss miss Lipp has her
+
+26
+00:00:38,000 --> 00:00:38,010
+Harper sir and miss miss Lipp has her
+ 
+
+27
+00:00:38,010 --> 00:00:40,940
+Harper sir and miss miss Lipp has her
+say what has missed him to say he heard
+
+28
+00:00:40,940 --> 00:00:40,950
+say what has missed him to say he heard
+ 
+
+29
+00:00:40,950 --> 00:00:44,120
+say what has missed him to say he heard
+14:1 yes I heard her speak to mr. Harper
+
+30
+00:00:44,120 --> 00:00:44,130
+14:1 yes I heard her speak to mr. Harper
+ 
+
+31
+00:00:44,130 --> 00:00:48,140
+14:1 yes I heard her speak to mr. Harper
+what did she say personal things you
+
+32
+00:00:48,140 --> 00:00:48,150
+what did she say personal things you
+ 
+
+33
+00:00:48,150 --> 00:00:49,580
+what did she say personal things you
+know I don't think a bit of any interest
+
+34
+00:00:49,580 --> 00:00:49,590
+know I don't think a bit of any interest
+ 
+
+35
+00:00:49,590 --> 00:00:52,040
+know I don't think a bit of any interest
+to you she says it's off interest for me
+
+36
+00:00:52,040 --> 00:00:52,050
+to you she says it's off interest for me
+ 
+
+37
+00:00:52,050 --> 00:00:55,310
+to you she says it's off interest for me
+well she said I was attractive to her
+
+38
+00:00:55,310 --> 00:00:55,320
+well she said I was attractive to her
+ 
+
+39
+00:00:55,320 --> 00:00:56,900
+well she said I was attractive to her
+fool she knew you are listening
+
+40
+00:00:56,900 --> 00:00:56,910
+fool she knew you are listening
+ 
+
+41
+00:00:56,910 --> 00:00:58,550
+fool she knew you are listening
+that's impossible why would she see
+
+42
+00:00:58,550 --> 00:00:58,560
+that's impossible why would she see
+ 
+
+43
+00:00:58,560 --> 00:01:00,920
+that's impossible why would she see
+anything so stupid or she did she went
+
+44
+00:01:00,920 --> 00:01:00,930
+anything so stupid or she did she went
+ 
+
+45
+00:01:00,930 --> 00:01:02,300
+anything so stupid or she did she went
+further she said she said I had
+
+46
+00:01:02,300 --> 00:01:02,310
+further she said she said I had
+ 
+
+47
+00:01:02,310 --> 00:01:04,310
+further she said she said I had
+beautiful eyelashes didn't asleep
+
+48
+00:01:04,310 --> 00:01:04,320
+beautiful eyelashes didn't asleep
+ 
+
+49
+00:01:04,320 --> 00:01:06,560
+beautiful eyelashes didn't asleep
+confide any more tender secrets to mr.
+
+50
+00:01:06,560 --> 00:01:06,570
+confide any more tender secrets to mr.
+ 
+
+51
+00:01:06,570 --> 00:01:08,630
+confide any more tender secrets to mr.
+Harper yes you did what so choose a new
+
+52
+00:01:08,630 --> 00:01:08,640
+Harper yes you did what so choose a new
+ 
+
+53
+00:01:08,640 --> 00:01:14,150
+Harper yes you did what so choose a new
+firm maniac well I just came from the
+
+54
+00:01:14,150 --> 00:01:14,160
+firm maniac well I just came from the
+ 
+
+55
+00:01:14,160 --> 00:01:15,500
+firm maniac well I just came from the
+villa well want you to find it to be
+
+56
+00:01:15,500 --> 00:01:15,510
+villa well want you to find it to be
+ 
+
+57
+00:01:15,510 --> 00:01:20,430
+villa well want you to find it to be
+loved not absolutely nothing
+
+58
+00:01:20,430 --> 00:01:20,440
+
+ 
+
+59
+00:01:20,440 --> 00:01:24,610
+
+[Music]
+
+60
+00:01:24,610 --> 00:01:24,620
+
+ 
+
+61
+00:01:24,620 --> 00:01:27,740
+
+this is your last chance Simpson today
+
+62
+00:01:27,740 --> 00:01:27,750
+this is your last chance Simpson today
+ 
+
+63
+00:01:27,750 --> 00:01:30,320
+this is your last chance Simpson today
+is Thursday on Saturday three days
+
+64
+00:01:30,320 --> 00:01:30,330
+is Thursday on Saturday three days
+ 
+
+65
+00:01:30,330 --> 00:01:32,630
+is Thursday on Saturday three days
+before the army parade your friends will
+
+66
+00:01:32,630 --> 00:01:32,640
+before the army parade your friends will
+ 
+
+67
+00:01:32,640 --> 00:01:34,300
+before the army parade your friends will
+be arrested and locked safely away
+
+68
+00:01:34,300 --> 00:01:34,310
+be arrested and locked safely away
+ 
+
+69
+00:01:34,310 --> 00:01:35,900
+be arrested and locked safely away
+before death
+
+70
+00:01:35,900 --> 00:01:35,910
+before death
+ 
+
+71
+00:01:35,910 --> 00:01:38,240
+before death
+you don't go who they work for you will
+
+72
+00:01:38,240 --> 00:01:38,250
+you don't go who they work for you will
+ 
+
+73
+00:01:38,250 --> 00:01:39,920
+you don't go who they work for you will
+be officially charged with smuggling
+
+74
+00:01:39,920 --> 00:01:39,930
+be officially charged with smuggling
+ 
+
+75
+00:01:39,930 --> 00:01:43,640
+be officially charged with smuggling
+arms into Turkey for terrorist purposes
+
+76
+00:01:43,640 --> 00:01:43,650
+arms into Turkey for terrorist purposes
+ 
+
+77
+00:01:43,650 --> 00:01:54,980
+arms into Turkey for terrorist purposes
+[Music]
+
diff --git a/1964/VEB-OoUrNuk.description b/1964/VEB-OoUrNuk.description
new file mode 100644
index 0000000000000000000000000000000000000000..0f58e6dec16649f42f273be3a004d0ca22e59aac
--- /dev/null
+++ b/1964/VEB-OoUrNuk.description
@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The President (Peter Sellers) gets into a testy phone conversation with the Russian Premier when he tells him of their problem.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Peter Bull, George C. Scott, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/WI5B7jLWZUc.description b/1964/WI5B7jLWZUc.description
new file mode 100644
index 0000000000000000000000000000000000000000..7b7f6ff955654df2227eabc2cb6bd6680af8a0c3
--- /dev/null
+++ b/1964/WI5B7jLWZUc.description
@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Buck (George C. Scott) and de Sades (Peter Bull) get into a fight over a concealed camera, the President (Peter Sellers) has to step in.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Peter Bull, George C. Scott, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/XSUU-_0cWn4.en.srt b/1964/XSUU-_0cWn4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f510041d2073f76501bcf80bc54d886e7514301d
--- /dev/null
+++ b/1964/XSUU-_0cWn4.en.srt
@@ -0,0 +1,315 @@
+1
+00:00:00,160 --> 00:00:05,909
+
+I came here mainly to apologize for
+
+2
+00:00:05,909 --> 00:00:05,919
+
+ 
+
+3
+00:00:05,919 --> 00:00:09,110
+
+what I was tactless the other day I
+
+4
+00:00:09,110 --> 00:00:09,120
+what I was tactless the other day I
+ 
+
+5
+00:00:09,120 --> 00:00:11,549
+what I was tactless the other day I
+forced myself on you I got
+
+6
+00:00:11,549 --> 00:00:11,559
+forced myself on you I got
+ 
+
+7
+00:00:11,559 --> 00:00:14,869
+forced myself on you I got
+angry it's bothered me the whole
+
+8
+00:00:14,869 --> 00:00:14,879
+angry it's bothered me the whole
+ 
+
+9
+00:00:14,879 --> 00:00:18,990
+angry it's bothered me the whole
+weekend I suppose you think I'm rather
+
+10
+00:00:18,990 --> 00:00:19,000
+weekend I suppose you think I'm rather
+ 
+
+11
+00:00:19,000 --> 00:00:21,950
+weekend I suppose you think I'm rather
+silly walking over here though I had a
+
+12
+00:00:21,950 --> 00:00:21,960
+silly walking over here though I had a
+ 
+
+13
+00:00:21,960 --> 00:00:24,070
+silly walking over here though I had a
+sensible conversation with myself would
+
+14
+00:00:24,070 --> 00:00:24,080
+sensible conversation with myself would
+ 
+
+15
+00:00:24,080 --> 00:00:25,349
+sensible conversation with myself would
+you like to hear
+
+16
+00:00:25,349 --> 00:00:25,359
+you like to hear
+ 
+
+17
+00:00:25,359 --> 00:00:29,550
+you like to hear
+it how nice I thought it would be if you
+
+18
+00:00:29,550 --> 00:00:29,560
+it how nice I thought it would be if you
+ 
+
+19
+00:00:29,560 --> 00:00:30,910
+it how nice I thought it would be if you
+and I had lunch
+
+20
+00:00:30,910 --> 00:00:30,920
+and I had lunch
+ 
+
+21
+00:00:30,920 --> 00:00:33,229
+and I had lunch
+together like
+
+22
+00:00:33,229 --> 00:00:33,239
+together like
+ 
+
+23
+00:00:33,239 --> 00:00:35,110
+together like
+Wednesday
+
+24
+00:00:35,110 --> 00:00:35,120
+Wednesday
+ 
+
+25
+00:00:35,120 --> 00:00:37,430
+Wednesday
+Thursday I I'll bring some sandwiches
+
+26
+00:00:37,430 --> 00:00:37,440
+Thursday I I'll bring some sandwiches
+ 
+
+27
+00:00:37,440 --> 00:00:39,229
+Thursday I I'll bring some sandwiches
+and and we'll have them in the park but
+
+28
+00:00:39,229 --> 00:00:39,239
+and and we'll have them in the park but
+ 
+
+29
+00:00:39,239 --> 00:00:42,470
+and and we'll have them in the park but
+certain you must be joking Miss
+
+30
+00:00:42,470 --> 00:00:42,480
+
+ 
+
+31
+00:00:42,480 --> 00:00:45,709
+
+burfield oh no I'm
+
+32
+00:00:45,709 --> 00:00:45,719
+burfield oh no I'm
+ 
+
+33
+00:00:45,719 --> 00:00:48,830
+burfield oh no I'm
+not well don't you think it's other no
+
+34
+00:00:48,830 --> 00:00:48,840
+not well don't you think it's other no
+ 
+
+35
+00:00:48,840 --> 00:00:52,590
+not well don't you think it's other no
+no please don't say stupid don't demean
+
+36
+00:00:52,590 --> 00:00:52,600
+no please don't say stupid don't demean
+ 
+
+37
+00:00:52,600 --> 00:00:58,069
+no please don't say stupid don't demean
+it I came to
+
+38
+00:00:58,069 --> 00:00:58,079
+
+ 
+
+39
+00:00:58,079 --> 00:01:02,069
+
+apologize so you came to AP olizee and
+
+40
+00:01:02,069 --> 00:01:02,079
+apologize so you came to AP olizee and
+ 
+
+41
+00:01:02,079 --> 00:01:04,429
+apologize so you came to AP olizee and
+um I accept your apology and now you
+
+42
+00:01:04,429 --> 00:01:04,439
+um I accept your apology and now you
+ 
+
+43
+00:01:04,439 --> 00:01:08,109
+um I accept your apology and now you
+have to excuse
+
+44
+00:01:08,109 --> 00:01:08,119
+
+ 
+
+45
+00:01:08,119 --> 00:01:12,190
+
+me what can I do for
+
+46
+00:01:12,190 --> 00:01:12,200
+
+ 
+
+47
+00:01:12,200 --> 00:01:16,310
+
+you nobody
+
+48
+00:01:16,310 --> 00:01:16,320
+
+ 
+
+49
+00:01:16,320 --> 00:01:20,270
+
+want my diamond engagement ring I want
+
+50
+00:01:20,270 --> 00:01:20,280
+want my diamond engagement ring I want
+ 
+
+51
+00:01:20,280 --> 00:01:33,749
+want my diamond engagement ring I want
+to borrow it's glass
+
+52
+00:01:33,749 --> 00:01:33,759
+
+ 
+
+53
+00:01:33,759 --> 00:01:55,389
+
+he said it was
+
+54
+00:01:55,389 --> 00:01:55,399
+
+ 
+
+55
+00:01:55,399 --> 00:02:02,950
+
+real Wednesday or Thursday
+
+56
+00:02:02,950 --> 00:02:02,960
+
+ 
+
+57
+00:02:02,960 --> 00:02:05,950
+
+what lunch in the park Wednesday's
+
+58
+00:02:05,950 --> 00:02:05,960
+what lunch in the park Wednesday's
+ 
+
+59
+00:02:05,960 --> 00:02:08,350
+what lunch in the park Wednesday's
+better for
+
+60
+00:02:08,350 --> 00:02:08,360
+better for
+ 
+
+61
+00:02:08,360 --> 00:02:20,900
+better for
+me Wednesday Thursday whatever you like
+
+62
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+63
+00:02:20,910 --> 00:02:43,500
+
+[Music]
+
diff --git a/1964/ZjPPfwVPTDE.description b/1964/ZjPPfwVPTDE.description
new file mode 100644
index 0000000000000000000000000000000000000000..3667d114bf5a3565ca314be7bb9663e910ba23c1
--- /dev/null
+++ b/1964/ZjPPfwVPTDE.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Naked Right Down To Your Mustache: Clouseau (Peter Sellers) searches for Maria at a resort, which he discovers to be a nudist colony.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Peter Sellers, Reginald Beckwith
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/ZjPPfwVPTDE.en.srt b/1964/ZjPPfwVPTDE.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..4611707cd317707db3c060f4b101573d17fd81f6
--- /dev/null
+++ b/1964/ZjPPfwVPTDE.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:21,490 --> 00:00:23,760
+
+good afternoon
+
+2
+00:00:23,760 --> 00:00:23,770
+good afternoon
+ 
+
+3
+00:00:23,770 --> 00:00:27,370
+good afternoon
+hmm I am Inspector Clouseau of the
+
+4
+00:00:27,370 --> 00:00:27,380
+hmm I am Inspector Clouseau of the
+ 
+
+5
+00:00:27,380 --> 00:00:32,499
+hmm I am Inspector Clouseau of the
+self-pay Oh tell me have you anyone
+
+6
+00:00:32,499 --> 00:00:32,509
+self-pay Oh tell me have you anyone
+ 
+
+7
+00:00:32,509 --> 00:00:35,170
+self-pay Oh tell me have you anyone
+registered here by the name of Maria
+
+8
+00:00:35,170 --> 00:00:35,180
+registered here by the name of Maria
+ 
+
+9
+00:00:35,180 --> 00:00:38,500
+registered here by the name of Maria
+gambrel e company yes I believe she
+
+10
+00:00:38,500 --> 00:00:38,510
+gambrel e company yes I believe she
+ 
+
+11
+00:00:38,510 --> 00:00:42,040
+gambrel e company yes I believe she
+check in about an hour ago yes Cambron
+
+12
+00:00:42,040 --> 00:00:42,050
+check in about an hour ago yes Cambron
+ 
+
+13
+00:00:42,050 --> 00:00:46,090
+check in about an hour ago yes Cambron
+it 11:45 week an offender
+
+14
+00:00:46,090 --> 00:00:46,100
+it 11:45 week an offender
+ 
+
+15
+00:00:46,100 --> 00:00:48,850
+it 11:45 week an offender
+well she could be most anywhere but my
+
+16
+00:00:48,850 --> 00:00:48,860
+well she could be most anywhere but my
+ 
+
+17
+00:00:48,860 --> 00:00:51,030
+well she could be most anywhere but my
+guess would be the recreation area
+
+18
+00:00:51,030 --> 00:00:51,040
+guess would be the recreation area
+ 
+
+19
+00:00:51,040 --> 00:01:01,350
+guess would be the recreation area
+thank you can I ask you something yes
+
+20
+00:01:01,350 --> 00:01:01,360
+thank you can I ask you something yes
+ 
+
+21
+00:01:01,360 --> 00:01:07,569
+thank you can I ask you something yes
+have you been swimming yes how did you
+
+22
+00:01:07,569 --> 00:01:07,579
+have you been swimming yes how did you
+ 
+
+23
+00:01:07,579 --> 00:01:24,210
+have you been swimming yes how did you
+know it is my business to know
+
+24
+00:01:24,210 --> 00:01:24,220
+
+ 
+
+25
+00:01:24,220 --> 00:01:32,270
+
+[Music]
+
+26
+00:01:32,270 --> 00:01:32,280
+
+ 
+
+27
+00:01:32,280 --> 00:01:33,980
+
+ha
+
+28
+00:01:33,980 --> 00:01:33,990
+ha
+ 
+
+29
+00:01:33,990 --> 00:01:38,999
+ha
+and where do you think you're going I do
+
+30
+00:01:38,999 --> 00:01:39,009
+and where do you think you're going I do
+ 
+
+31
+00:01:39,009 --> 00:01:41,969
+and where do you think you're going I do
+not think I know where I am going and
+
+32
+00:01:41,969 --> 00:01:41,979
+not think I know where I am going and
+ 
+
+33
+00:01:41,979 --> 00:01:45,179
+not think I know where I am going and
+going to the recreation area not like
+
+34
+00:01:45,179 --> 00:01:45,189
+going to the recreation area not like
+ 
+
+35
+00:01:45,189 --> 00:01:47,760
+going to the recreation area not like
+that you're not what was that you said I
+
+36
+00:01:47,760 --> 00:01:47,770
+that you're not what was that you said I
+ 
+
+37
+00:01:47,770 --> 00:01:49,289
+that you're not what was that you said I
+said you're not going to the recreation
+
+38
+00:01:49,289 --> 00:01:49,299
+said you're not going to the recreation
+ 
+
+39
+00:01:49,299 --> 00:01:52,469
+said you're not going to the recreation
+area like that I am inspector preserve
+
+40
+00:01:52,469 --> 00:01:52,479
+area like that I am inspector preserve
+ 
+
+41
+00:01:52,479 --> 00:01:55,199
+area like that I am inspector preserve
+the surf tear how do you do I'm Turk I
+
+42
+00:01:55,199 --> 00:01:55,209
+the surf tear how do you do I'm Turk I
+ 
+
+43
+00:01:55,209 --> 00:01:56,880
+the surf tear how do you do I'm Turk I
+am here on official business and I'm
+
+44
+00:01:56,880 --> 00:01:56,890
+am here on official business and I'm
+ 
+
+45
+00:01:56,890 --> 00:01:58,349
+am here on official business and I'm
+looking for someone at the Recreation
+
+46
+00:01:58,349 --> 00:01:58,359
+looking for someone at the Recreation
+ 
+
+47
+00:01:58,359 --> 00:02:00,690
+looking for someone at the Recreation
+Area not unless you take off your
+
+48
+00:02:00,690 --> 00:02:00,700
+Area not unless you take off your
+ 
+
+49
+00:02:00,700 --> 00:02:02,690
+Area not unless you take off your
+clothes
+
+50
+00:02:02,690 --> 00:02:02,700
+clothes
+ 
+
+51
+00:02:02,700 --> 00:02:05,719
+clothes
+you sir are under arrest
+
+52
+00:02:05,719 --> 00:02:05,729
+you sir are under arrest
+ 
+
+53
+00:02:05,729 --> 00:02:08,669
+you sir are under arrest
+what for for making lewd and suggestive
+
+54
+00:02:08,669 --> 00:02:08,679
+what for for making lewd and suggestive
+ 
+
+55
+00:02:08,679 --> 00:02:09,960
+what for for making lewd and suggestive
+remarks to an official of the French
+
+56
+00:02:09,960 --> 00:02:09,970
+remarks to an official of the French
+ 
+
+57
+00:02:09,970 --> 00:02:11,610
+remarks to an official of the French
+government loose and suggestive remarks
+
+58
+00:02:11,610 --> 00:02:11,620
+government loose and suggestive remarks
+ 
+
+59
+00:02:11,620 --> 00:02:13,380
+government loose and suggestive remarks
+also for indecent exposure doesn't
+
+60
+00:02:13,380 --> 00:02:13,390
+also for indecent exposure doesn't
+ 
+
+61
+00:02:13,390 --> 00:02:15,020
+also for indecent exposure doesn't
+anyone wear any clothes around here know
+
+62
+00:02:15,020 --> 00:02:15,030
+anyone wear any clothes around here know
+ 
+
+63
+00:02:15,030 --> 00:02:21,270
+anyone wear any clothes around here know
+what this is a nudist colony a nudist
+
+64
+00:02:21,270 --> 00:02:21,280
+what this is a nudist colony a nudist
+ 
+
+65
+00:02:21,280 --> 00:02:24,750
+what this is a nudist colony a nudist
+colony right and nobody gets in unless
+
+66
+00:02:24,750 --> 00:02:24,760
+colony right and nobody gets in unless
+ 
+
+67
+00:02:24,760 --> 00:02:29,970
+colony right and nobody gets in unless
+they take that clothes off what damn one
+
+68
+00:02:29,970 --> 00:02:29,980
+they take that clothes off what damn one
+ 
+
+69
+00:02:29,980 --> 00:02:33,030
+they take that clothes off what damn one
+of them all of them right down to your
+
+70
+00:02:33,030 --> 00:02:33,040
+of them all of them right down to your
+ 
+
+71
+00:02:33,040 --> 00:02:36,820
+of them all of them right down to your
+mustache
+
+72
+00:02:36,820 --> 00:02:36,830
+
+ 
+
+73
+00:02:36,830 --> 00:02:48,159
+
+[Music]
+
diff --git a/1964/eRNCIg86DKs.description b/1964/eRNCIg86DKs.description
new file mode 100644
index 0000000000000000000000000000000000000000..be3d31e4e20ee2f912c4b6384c0d8fb4d7884e81
--- /dev/null
+++ b/1964/eRNCIg86DKs.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - Everything I Do Is Carefully Planned: Clouseau (Peter Sellers) reviews the case with his usual clumsiness.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, George Sanders, Martin Benson, Maurice Kaufman, Moira Redmond, Peter Sellers, Tracy Reed, Vanda Godsell
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/ebkY0u1-NKk.description b/1964/ebkY0u1-NKk.description
new file mode 100644
index 0000000000000000000000000000000000000000..7fdc46bc9ad96dfc96343fdec97be1d3b643127e
--- /dev/null
+++ b/1964/ebkY0u1-NKk.description
@@ -0,0 +1,32 @@
+A Shot in the Dark - A Bump Upon The Head: Clouseau (Peter Sellers) recounts the murder, trying the patience and pain threshold of his listeners.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, Martin Benson, Maurice Kaufman, Moira Redmond, Peter Sellers, Tracy Reed, Vanda Godsell
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/ebkY0u1-NKk.en.srt b/1964/ebkY0u1-NKk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..2f9320b79bfeba1149ee3c247f54eb44add8531f
--- /dev/null
+++ b/1964/ebkY0u1-NKk.en.srt
@@ -0,0 +1,295 @@
+1
+00:00:11,570 --> 00:00:21,560
+
+nothing denied the show the night the
+
+2
+00:00:21,560 --> 00:00:21,570
+nothing denied the show the night the
+ 
+
+3
+00:00:21,570 --> 00:00:22,970
+nothing denied the show the night the
+shopper was killed they wanted to shove
+
+4
+00:00:22,970 --> 00:00:22,980
+shopper was killed they wanted to shove
+ 
+
+5
+00:00:22,980 --> 00:00:23,509
+shopper was killed they wanted to shove
+his name
+
+6
+00:00:23,509 --> 00:00:23,519
+his name
+ 
+
+7
+00:00:23,519 --> 00:00:26,450
+his name
+you know regret yes no bigger regret
+
+8
+00:00:26,450 --> 00:00:26,460
+you know regret yes no bigger regret
+ 
+
+9
+00:00:26,460 --> 00:00:30,169
+you know regret yes no bigger regret
+Miguel where this Italian were you lose
+
+10
+00:00:30,169 --> 00:00:30,179
+Miguel where this Italian were you lose
+ 
+
+11
+00:00:30,179 --> 00:00:36,440
+Miguel where this Italian were you lose
+family with this Spaniard M manga he was
+
+12
+00:00:36,440 --> 00:00:36,450
+family with this Spaniard M manga he was
+ 
+
+13
+00:00:36,450 --> 00:00:39,020
+family with this Spaniard M manga he was
+furious with Maria Goretti he tore her
+
+14
+00:00:39,020 --> 00:00:39,030
+furious with Maria Goretti he tore her
+ 
+
+15
+00:00:39,030 --> 00:00:45,139
+furious with Maria Goretti he tore her
+dress off he protested violently sorry I
+
+16
+00:00:45,139 --> 00:00:45,149
+dress off he protested violently sorry I
+ 
+
+17
+00:00:45,149 --> 00:00:48,459
+dress off he protested violently sorry I
+kept up excuse me
+
+18
+00:00:48,459 --> 00:00:48,469
+kept up excuse me
+ 
+
+19
+00:00:48,469 --> 00:00:52,459
+kept up excuse me
+he tore her dress off an adept precise
+
+20
+00:00:52,459 --> 00:00:52,469
+he tore her dress off an adept precise
+ 
+
+21
+00:00:52,469 --> 00:00:57,220
+he tore her dress off an adept precise
+moment the door opened and somebody
+
+22
+00:00:57,220 --> 00:00:57,230
+moment the door opened and somebody
+ 
+
+23
+00:00:57,230 --> 00:01:00,650
+moment the door opened and somebody
+somebody shot him now Maria could not
+
+24
+00:01:00,650 --> 00:01:00,660
+somebody shot him now Maria could not
+ 
+
+25
+00:01:00,660 --> 00:01:02,360
+somebody shot him now Maria could not
+see who the killer was because she was
+
+26
+00:01:02,360 --> 00:01:02,370
+see who the killer was because she was
+ 
+
+27
+00:01:02,370 --> 00:01:04,759
+see who the killer was because she was
+unconscious and the reason that she was
+
+28
+00:01:04,759 --> 00:01:04,769
+unconscious and the reason that she was
+ 
+
+29
+00:01:04,769 --> 00:01:06,140
+unconscious and the reason that she was
+unconscious was that she had received
+
+30
+00:01:06,140 --> 00:01:06,150
+unconscious was that she had received
+ 
+
+31
+00:01:06,150 --> 00:01:11,740
+unconscious was that she had received
+that belt upon the head oh what a bit
+
+32
+00:01:11,740 --> 00:01:11,750
+that belt upon the head oh what a bit
+ 
+
+33
+00:01:11,750 --> 00:01:14,120
+that belt upon the head oh what a bit
+now there is only one way that she could
+
+34
+00:01:14,120 --> 00:01:14,130
+now there is only one way that she could
+ 
+
+35
+00:01:14,130 --> 00:01:16,520
+now there is only one way that she could
+have received a belt like that she was
+
+36
+00:01:16,520 --> 00:01:16,530
+have received a belt like that she was
+ 
+
+37
+00:01:16,530 --> 00:01:19,070
+have received a belt like that she was
+hit upon the head by an object and the
+
+38
+00:01:19,070 --> 00:01:19,080
+hit upon the head by an object and the
+ 
+
+39
+00:01:19,080 --> 00:01:21,880
+hit upon the head by an object and the
+object was the knob on the closet door
+
+40
+00:01:21,880 --> 00:01:21,890
+object was the knob on the closet door
+ 
+
+41
+00:01:21,890 --> 00:01:25,149
+object was the knob on the closet door
+somebody was hiding in that closet and
+
+42
+00:01:25,149 --> 00:01:25,159
+somebody was hiding in that closet and
+ 
+
+43
+00:01:25,159 --> 00:01:27,830
+somebody was hiding in that closet and
+when they opened the door she received
+
+44
+00:01:27,830 --> 00:01:27,840
+when they opened the door she received
+ 
+
+45
+00:01:27,840 --> 00:01:30,350
+when they opened the door she received
+the belt upon the head over heaven's
+
+46
+00:01:30,350 --> 00:01:30,360
+the belt upon the head over heaven's
+ 
+
+47
+00:01:30,360 --> 00:01:32,510
+the belt upon the head over heaven's
+sake inspector come to the point don't
+
+48
+00:01:32,510 --> 00:01:32,520
+sake inspector come to the point don't
+ 
+
+49
+00:01:32,520 --> 00:01:43,170
+sake inspector come to the point don't
+tangle
+
+50
+00:01:43,170 --> 00:01:43,180
+
+ 
+
+51
+00:01:43,180 --> 00:01:51,899
+
+coming Vidya my darling my darling Oh
+
+52
+00:01:51,899 --> 00:01:51,909
+
+ 
+
+53
+00:01:51,909 --> 00:01:55,630
+
+careful Missy with me do not tangle with
+
+54
+00:01:55,630 --> 00:01:55,640
+careful Missy with me do not tangle with
+ 
+
+55
+00:01:55,640 --> 00:01:58,240
+careful Missy with me do not tangle with
+me I'm a trained expert in karate my
+
+56
+00:01:58,240 --> 00:01:58,250
+me I'm a trained expert in karate my
+ 
+
+57
+00:01:58,250 --> 00:02:04,780
+me I'm a trained expert in karate my
+hands are lethal weapons
+
+58
+00:02:04,780 --> 00:02:04,790
+
+ 
+
+59
+00:02:04,790 --> 00:02:16,129
+
+[Music]
+
diff --git a/1964/fZPyHZo5oDE.description b/1964/fZPyHZo5oDE.description
new file mode 100644
index 0000000000000000000000000000000000000000..116987ef90644823bb2e8f8bf253a8b8e4f2e113
--- /dev/null
+++ b/1964/fZPyHZo5oDE.description
@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) wakes up to find himself tied to a table in the direct path of a large industrial laser, while Goldfinger (Gert Frobe) watches from the side.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/fZPyHZo5oDE.en.srt b/1964/fZPyHZo5oDE.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..04ea6c04e4227e6adac7b0f888e14bc6836db287
--- /dev/null
+++ b/1964/fZPyHZo5oDE.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:21,240 --> 00:00:23,630
+
+this is gold Mr
+
+2
+00:00:23,630 --> 00:00:23,640
+this is gold Mr
+ 
+
+3
+00:00:23,640 --> 00:00:26,710
+this is gold Mr
+B all my life I've been in love with its
+
+4
+00:00:26,710 --> 00:00:26,720
+B all my life I've been in love with its
+ 
+
+5
+00:00:26,720 --> 00:00:29,189
+B all my life I've been in love with its
+color its Brilliance its Divine
+
+6
+00:00:29,189 --> 00:00:29,199
+color its Brilliance its Divine
+ 
+
+7
+00:00:29,199 --> 00:00:31,630
+color its Brilliance its Divine
+heaviness
+
+8
+00:00:31,630 --> 00:00:31,640
+heaviness
+ 
+
+9
+00:00:31,640 --> 00:00:33,709
+heaviness
+I welcome any Enterprise that will
+
+10
+00:00:33,709 --> 00:00:33,719
+I welcome any Enterprise that will
+ 
+
+11
+00:00:33,719 --> 00:00:35,229
+I welcome any Enterprise that will
+increase my
+
+12
+00:00:35,229 --> 00:00:35,239
+increase my
+ 
+
+13
+00:00:35,239 --> 00:00:39,430
+increase my
+stock which is
+
+14
+00:00:39,430 --> 00:00:39,440
+
+ 
+
+15
+00:00:39,440 --> 00:00:41,150
+
+considerable I think you've made your
+
+16
+00:00:41,150 --> 00:00:41,160
+considerable I think you've made your
+ 
+
+17
+00:00:41,160 --> 00:00:43,430
+considerable I think you've made your
+point Goldfinger thank you for the
+
+18
+00:00:43,430 --> 00:00:43,440
+point Goldfinger thank you for the
+ 
+
+19
+00:00:43,440 --> 00:00:46,029
+point Goldfinger thank you for the
+demonstration choose your next criticism
+
+20
+00:00:46,029 --> 00:00:46,039
+demonstration choose your next criticism
+ 
+
+21
+00:00:46,039 --> 00:00:50,670
+demonstration choose your next criticism
+carefully Mr bondit may be your
+
+22
+00:00:50,670 --> 00:00:50,680
+
+ 
+
+23
+00:00:50,680 --> 00:00:53,150
+
+last the purpose of our two previous
+
+24
+00:00:53,150 --> 00:00:53,160
+last the purpose of our two previous
+ 
+
+25
+00:00:53,160 --> 00:00:55,389
+last the purpose of our two previous
+encounters is now very clear to me I do
+
+26
+00:00:55,389 --> 00:00:55,399
+encounters is now very clear to me I do
+ 
+
+27
+00:00:55,399 --> 00:00:57,029
+encounters is now very clear to me I do
+not intend to be distracted by another
+
+28
+00:00:57,029 --> 00:00:57,039
+not intend to be distracted by another
+ 
+
+29
+00:00:57,039 --> 00:01:01,189
+not intend to be distracted by another
+good night Mr Bond
+
+30
+00:01:01,189 --> 00:01:01,199
+
+ 
+
+31
+00:01:01,199 --> 00:01:02,590
+
+do you expect me to
+
+32
+00:01:02,590 --> 00:01:02,600
+do you expect me to
+ 
+
+33
+00:01:02,600 --> 00:01:06,670
+do you expect me to
+talk no Mr burn I expect you to die
+
+34
+00:01:06,670 --> 00:01:06,680
+talk no Mr burn I expect you to die
+ 
+
+35
+00:01:06,680 --> 00:01:07,830
+talk no Mr burn I expect you to die
+there is nothing you can talk to me
+
+36
+00:01:07,830 --> 00:01:07,840
+there is nothing you can talk to me
+ 
+
+37
+00:01:07,840 --> 00:01:12,730
+there is nothing you can talk to me
+about that I don't already
+
+38
+00:01:12,730 --> 00:01:12,740
+
+ 
+
+39
+00:01:12,740 --> 00:01:22,270
+
+[Music]
+
+40
+00:01:22,270 --> 00:01:22,280
+
+ 
+
+41
+00:01:22,280 --> 00:01:24,990
+
+know are you forgetting one
+
+42
+00:01:24,990 --> 00:01:25,000
+know are you forgetting one
+ 
+
+43
+00:01:25,000 --> 00:01:29,310
+know are you forgetting one
+thing if I fail the report8 replaces me
+
+44
+00:01:29,310 --> 00:01:29,320
+thing if I fail the report8 replaces me
+ 
+
+45
+00:01:29,320 --> 00:01:31,850
+thing if I fail the report8 replaces me
+I trust you will be more
+
+46
+00:01:31,850 --> 00:01:31,860
+I trust you will be more
+ 
+
+47
+00:01:31,860 --> 00:01:35,270
+I trust you will be more
+[Music]
+
+48
+00:01:35,270 --> 00:01:35,280
+
+ 
+
+49
+00:01:35,280 --> 00:01:38,149
+
+successful well he knows what I know you
+
+50
+00:01:38,149 --> 00:01:38,159
+successful well he knows what I know you
+ 
+
+51
+00:01:38,159 --> 00:01:40,510
+successful well he knows what I know you
+know nothing Mr
+
+52
+00:01:40,510 --> 00:01:40,520
+know nothing Mr
+ 
+
+53
+00:01:40,520 --> 00:01:45,990
+know nothing Mr
+bone operation Grand Slam for instance
+
+54
+00:01:45,990 --> 00:01:46,000
+bone operation Grand Slam for instance
+ 
+
+55
+00:01:46,000 --> 00:02:08,830
+bone operation Grand Slam for instance
+[Music]
+
+56
+00:02:08,830 --> 00:02:08,840
+
+ 
+
+57
+00:02:08,840 --> 00:02:11,190
+
+two words you may have overheard which
+
+58
+00:02:11,190 --> 00:02:11,200
+two words you may have overheard which
+ 
+
+59
+00:02:11,200 --> 00:02:13,110
+two words you may have overheard which
+cannot possibly have any significance to
+
+60
+00:02:13,110 --> 00:02:13,120
+cannot possibly have any significance to
+ 
+
+61
+00:02:13,120 --> 00:02:15,430
+cannot possibly have any significance to
+you or anyone in your
+
+62
+00:02:15,430 --> 00:02:15,440
+you or anyone in your
+ 
+
+63
+00:02:15,440 --> 00:02:17,430
+you or anyone in your
+organization can you afford to take that
+
+64
+00:02:17,430 --> 00:02:17,440
+organization can you afford to take that
+ 
+
+65
+00:02:17,440 --> 00:02:20,650
+organization can you afford to take that
+chance
+
+66
+00:02:20,650 --> 00:02:20,660
+
+ 
+
+67
+00:02:20,660 --> 00:03:02,849
+
+[Music]
+
diff --git a/1964/gzTzSOHP_HM.description b/1964/gzTzSOHP_HM.description
new file mode 100644
index 0000000000000000000000000000000000000000..c1edcf3fcfecc016d083396d872ad7222571657a
--- /dev/null
+++ b/1964/gzTzSOHP_HM.description
@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rodriguez (Brock Peters) throws the truth of Sol Nazerman's (Rod Steiger) reality in his face.
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Brock Peters, Rod Steiger
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1964/hIokX-nhQd8.description b/1964/hIokX-nhQd8.description
new file mode 100644
index 0000000000000000000000000000000000000000..b12cccf790497619d03b49e5bd96df092010c6fa
--- /dev/null
+++ b/1964/hIokX-nhQd8.description
@@ -0,0 +1,32 @@
+Topkapi - Interrogation: Arthur (Peter Ustinov) denies all involvement in terrorism, and agrees to work with the Turkish police to clear his name.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Peter Ustinov
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1964/hIokX-nhQd8.en.srt b/1964/hIokX-nhQd8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..3b365812ed6d34ebd16306cd2a2eda08dc557c0e
--- /dev/null
+++ b/1964/hIokX-nhQd8.en.srt
@@ -0,0 +1,375 @@
+1
+00:00:00,060 --> 00:00:16,960
+
+the penalty for terrorism is death the
+
+2
+00:00:16,960 --> 00:00:16,970
+the penalty for terrorism is death the
+ 
+
+3
+00:00:16,970 --> 00:00:20,120
+the penalty for terrorism is death the
+balcony's rule well really use the smoke
+
+4
+00:00:20,120 --> 00:00:20,130
+balcony's rule well really use the smoke
+ 
+
+5
+00:00:20,130 --> 00:00:22,010
+balcony's rule well really use the smoke
+grenade are they for your accomplices
+
+6
+00:00:22,010 --> 00:00:22,020
+grenade are they for your accomplices
+ 
+
+7
+00:00:22,020 --> 00:00:23,980
+grenade are they for your accomplices
+near the Grand Stand to create confusion
+
+8
+00:00:23,980 --> 00:00:23,990
+near the Grand Stand to create confusion
+ 
+
+9
+00:00:23,990 --> 00:00:26,990
+near the Grand Stand to create confusion
+complicit grand stay on her
+
+10
+00:00:26,990 --> 00:00:27,000
+complicit grand stay on her
+ 
+
+11
+00:00:27,000 --> 00:00:28,580
+complicit grand stay on her
+Simpson you know well that next
+
+12
+00:00:28,580 --> 00:00:28,590
+Simpson you know well that next
+ 
+
+13
+00:00:28,590 --> 00:00:30,800
+Simpson you know well that next
+Tuesday's our annual Army Day Parade I
+
+14
+00:00:30,800 --> 00:00:30,810
+Tuesday's our annual Army Day Parade I
+ 
+
+15
+00:00:30,810 --> 00:00:33,709
+Tuesday's our annual Army Day Parade I
+swear on the life of my father of my
+
+16
+00:00:33,709 --> 00:00:33,719
+swear on the life of my father of my
+ 
+
+17
+00:00:33,719 --> 00:00:36,080
+swear on the life of my father of my
+mother my mother you also know that all
+
+18
+00:00:36,080 --> 00:00:36,090
+mother my mother you also know that all
+ 
+
+19
+00:00:36,090 --> 00:00:38,030
+mother my mother you also know that all
+Chiefs of Staff and the foreign military
+
+20
+00:00:38,030 --> 00:00:38,040
+Chiefs of Staff and the foreign military
+ 
+
+21
+00:00:38,040 --> 00:00:39,889
+Chiefs of Staff and the foreign military
+missions will be together on the grand
+
+22
+00:00:39,889 --> 00:00:39,899
+missions will be together on the grand
+ 
+
+23
+00:00:39,899 --> 00:00:42,860
+missions will be together on the grand
+stands their Safety's our responsibility
+
+24
+00:00:42,860 --> 00:00:42,870
+stands their Safety's our responsibility
+ 
+
+25
+00:00:42,870 --> 00:00:45,290
+stands their Safety's our responsibility
+we shall be merciless with anyone who
+
+26
+00:00:45,290 --> 00:00:45,300
+we shall be merciless with anyone who
+ 
+
+27
+00:00:45,300 --> 00:00:56,060
+we shall be merciless with anyone who
+threatens it mirthless you frighten me
+
+28
+00:00:56,060 --> 00:00:56,070
+threatens it mirthless you frighten me
+ 
+
+29
+00:00:56,070 --> 00:00:58,580
+threatens it mirthless you frighten me
+sir but after all that's part of your
+
+30
+00:00:58,580 --> 00:00:58,590
+sir but after all that's part of your
+ 
+
+31
+00:00:58,590 --> 00:01:02,380
+sir but after all that's part of your
+job but if my father could hear you now
+
+32
+00:01:02,380 --> 00:01:02,390
+job but if my father could hear you now
+ 
+
+33
+00:01:02,390 --> 00:01:05,890
+job but if my father could hear you now
+he loved himself sick
+
+34
+00:01:05,890 --> 00:01:05,900
+he loved himself sick
+ 
+
+35
+00:01:05,900 --> 00:01:08,090
+he loved himself sick
+he wasn't no colonel sir
+
+36
+00:01:08,090 --> 00:01:08,100
+he wasn't no colonel sir
+ 
+
+37
+00:01:08,100 --> 00:01:09,859
+he wasn't no colonel sir
+I just said that in order to make myself
+
+38
+00:01:09,859 --> 00:01:09,869
+I just said that in order to make myself
+ 
+
+39
+00:01:09,869 --> 00:01:14,750
+I just said that in order to make myself
+seem important he was a sergeant acting
+
+40
+00:01:14,750 --> 00:01:14,760
+seem important he was a sergeant acting
+ 
+
+41
+00:01:14,760 --> 00:01:18,710
+seem important he was a sergeant acting
+sergeant acting unpaid sergeant and do
+
+42
+00:01:18,710 --> 00:01:18,720
+sergeant acting unpaid sergeant and do
+ 
+
+43
+00:01:18,720 --> 00:01:19,969
+sergeant acting unpaid sergeant and do
+you know what he used to say to me is to
+
+44
+00:01:19,969 --> 00:01:19,979
+you know what he used to say to me is to
+ 
+
+45
+00:01:19,979 --> 00:01:21,429
+you know what he used to say to me is to
+say Arthur you just call me Arthur
+
+46
+00:01:21,429 --> 00:01:21,439
+say Arthur you just call me Arthur
+ 
+
+47
+00:01:21,439 --> 00:01:24,980
+say Arthur you just call me Arthur
+Arthur you're a carbuncle on the behind
+
+48
+00:01:24,980 --> 00:01:24,990
+Arthur you're a carbuncle on the behind
+ 
+
+49
+00:01:24,990 --> 00:01:30,319
+Arthur you're a carbuncle on the behind
+of humanity bungle I'm a nothing I'm a
+
+50
+00:01:30,319 --> 00:01:30,329
+of humanity bungle I'm a nothing I'm a
+ 
+
+51
+00:01:30,329 --> 00:01:30,859
+of humanity bungle I'm a nothing I'm a
+nobody
+
+52
+00:01:30,859 --> 00:01:30,869
+nobody
+ 
+
+53
+00:01:30,869 --> 00:01:34,249
+nobody
+me we look for the gun meet me up on the
+
+54
+00:01:34,249 --> 00:01:34,259
+me we look for the gun meet me up on the
+ 
+
+55
+00:01:34,259 --> 00:01:36,530
+me we look for the gun meet me up on the
+roof I don't like Heights
+
+56
+00:01:36,530 --> 00:01:36,540
+roof I don't like Heights
+ 
+
+57
+00:01:36,540 --> 00:01:41,660
+roof I don't like Heights
+I get very dizzy honestly I don't know
+
+58
+00:01:41,660 --> 00:01:41,670
+I get very dizzy honestly I don't know
+ 
+
+59
+00:01:41,670 --> 00:01:43,850
+I get very dizzy honestly I don't know
+what you're up to sir but I'd see it
+
+60
+00:01:43,850 --> 00:01:43,860
+what you're up to sir but I'd see it
+ 
+
+61
+00:01:43,860 --> 00:01:46,609
+what you're up to sir but I'd see it
+from your face you don't think that I'm
+
+62
+00:01:46,609 --> 00:01:46,619
+from your face you don't think that I'm
+ 
+
+63
+00:01:46,619 --> 00:01:52,880
+from your face you don't think that I'm
+a terrorist
+
+64
+00:01:52,880 --> 00:01:52,890
+
+ 
+
+65
+00:01:52,890 --> 00:01:56,730
+
+all right I'll give you a chance to
+
+66
+00:01:56,730 --> 00:01:56,740
+all right I'll give you a chance to
+ 
+
+67
+00:01:56,740 --> 00:02:00,840
+all right I'll give you a chance to
+prove it here we work for us
+
+68
+00:02:00,840 --> 00:02:00,850
+prove it here we work for us
+ 
+
+69
+00:02:00,850 --> 00:02:06,230
+prove it here we work for us
+I can't do that if they were to find out
+
+70
+00:02:06,230 --> 00:02:06,240
+I can't do that if they were to find out
+ 
+
+71
+00:02:06,240 --> 00:02:09,300
+I can't do that if they were to find out
+I'd kill me you will not let them find
+
+72
+00:02:09,300 --> 00:02:09,310
+I'd kill me you will not let them find
+ 
+
+73
+00:02:09,310 --> 00:02:12,920
+I'd kill me you will not let them find
+out
+
+74
+00:02:12,920 --> 00:02:12,930
+
+ 
+
+75
+00:02:12,930 --> 00:02:24,259
+
+[Music]
+
diff --git a/1964/hON2sYpnJoQ.en.srt b/1964/hON2sYpnJoQ.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..cd8895f3fbf96506163e830242119d4863b93062
--- /dev/null
+++ b/1964/hON2sYpnJoQ.en.srt
@@ -0,0 +1,15 @@
+1
+00:00:21,759 --> 00:01:20,820
+
+the complex
+
+2
+00:01:20,820 --> 00:01:20,830
+
+ 
+
+3
+00:01:20,830 --> 00:01:30,430
+
+what i can shopping
+