Add files using upload-large-folder tool

1931/KjDfOAhtWwo.mp4

@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:097fe6ccebc9a11e17641e916e72d315e6d5edc4f26d451450df2d570e9d6435
+size 4242660

1963/Bi_YR5xkRx4.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:02,340 --> 00:00:03,790
+
+[Music]
+
+2
+00:00:03,790 --> 00:00:03,800
+[Music]
+ 
+
+3
+00:00:03,800 --> 00:00:07,070
+[Music]
+what was that about your Coachman before
+
+4
+00:00:07,070 --> 00:00:07,080
+what was that about your Coachman before
+ 
+
+5
+00:00:07,080 --> 00:00:09,509
+what was that about your Coachman before
+oh well uh when he went out to the
+
+6
+00:00:09,509 --> 00:00:09,519
+oh well uh when he went out to the
+ 
+
+7
+00:00:09,519 --> 00:00:11,830
+oh well uh when he went out to the
+stable to prepare the coach something
+
+8
+00:00:11,830 --> 00:00:11,840
+stable to prepare the coach something
+ 
+
+9
+00:00:11,840 --> 00:00:15,310
+stable to prepare the coach something
+happened to him father said that he was
+
+10
+00:00:15,310 --> 00:00:15,320
+happened to him father said that he was
+ 
+
+11
+00:00:15,320 --> 00:00:17,630
+happened to him father said that he was
+obviously the victim of some diabolical
+
+12
+00:00:17,630 --> 00:00:17,640
+obviously the victim of some diabolical
+ 
+
+13
+00:00:17,640 --> 00:00:18,870
+obviously the victim of some diabolical
+mind
+
+14
+00:00:18,870 --> 00:00:18,880
+mind
+ 
+
+15
+00:00:18,880 --> 00:00:21,950
+mind
+control whatever it was the look on his
+
+16
+00:00:21,950 --> 00:00:21,960
+control whatever it was the look on his
+ 
+
+17
+00:00:21,960 --> 00:00:24,950
+control whatever it was the look on his
+face was hideous his eyes glittering
+
+18
+00:00:24,950 --> 00:00:24,960
+face was hideous his eyes glittering
+ 
+
+19
+00:00:24,960 --> 00:00:27,630
+face was hideous his eyes glittering
+like those of a Maniac his lips drawn
+
+20
+00:00:27,630 --> 00:00:27,640
+like those of a Maniac his lips drawn
+ 
+
+21
+00:00:27,640 --> 00:00:30,310
+like those of a Maniac his lips drawn
+back and his teeth clenched tight his
+
+22
+00:00:30,310 --> 00:00:30,320
+back and his teeth clenched tight his
+ 
+
+23
+00:00:30,320 --> 00:00:33,000
+back and his teeth clenched tight his
+breath harsh and
+
+24
+00:00:33,000 --> 00:00:33,010
+breath harsh and
+ 
+
+25
+00:00:33,010 --> 00:00:39,990
+breath harsh and
+[Music]
+
+26
+00:00:39,990 --> 00:00:40,000
+
+ 
+
+27
+00:00:40,000 --> 00:00:42,270
+
+Rapid don't you think we better go a
+
+28
+00:00:42,270 --> 00:00:42,280
+Rapid don't you think we better go a
+ 
+
+29
+00:00:42,280 --> 00:00:42,720
+Rapid don't you think we better go a
+little
+
+30
+00:00:42,720 --> 00:00:42,730
+little
+ 
+
+31
+00:00:42,730 --> 00:00:45,790
+little
+[Music]
+
+32
+00:00:45,790 --> 00:00:45,800
+[Music]
+ 
+
+33
+00:00:45,800 --> 00:00:47,950
+[Music]
+slow father
+
+34
+00:00:47,950 --> 00:00:47,960
+slow father
+ 
+
+35
+00:00:47,960 --> 00:00:55,940
+slow father
+[Music]
+
+36
+00:00:55,940 --> 00:00:55,950
+
+ 
+
+37
+00:00:55,950 --> 00:01:00,950
+
+[Music]
+
+38
+00:01:00,950 --> 00:01:00,960
+[Music]
+ 
+
+39
+00:01:00,960 --> 00:01:06,270
+[Music]
+now what is this OT
+
+40
+00:01:06,270 --> 00:01:06,280
+
+ 
+
+41
+00:01:06,280 --> 00:01:10,030
+
+doing hey what's the matter with you I'm
+
+42
+00:01:10,030 --> 00:01:10,040
+doing hey what's the matter with you I'm
+ 
+
+43
+00:01:10,040 --> 00:01:12,170
+doing hey what's the matter with you I'm
+talking to your
+
+44
+00:01:12,170 --> 00:01:12,180
+talking to your
+ 
+
+45
+00:01:12,180 --> 00:01:15,270
+talking to your
+[Music]
+
+46
+00:01:15,270 --> 00:01:15,280
+[Music]
+ 
+
+47
+00:01:15,280 --> 00:01:18,310
+[Music]
+exert he looks as crazy as your Coachman
+
+48
+00:01:18,310 --> 00:01:18,320
+exert he looks as crazy as your Coachman
+ 
+
+49
+00:01:18,320 --> 00:01:21,230
+exert he looks as crazy as your Coachman
+did
+
+50
+00:01:21,230 --> 00:01:21,240
+
+ 
+
+51
+00:01:21,240 --> 00:01:25,990
+
+[Music]
+
+52
+00:01:25,990 --> 00:01:26,000
+[Music]
+ 
+
+53
+00:01:26,000 --> 00:01:29,469
+[Music]
+what why don't you do something some
+
+54
+00:01:29,469 --> 00:01:29,479
+what why don't you do something some
+ 
+
+55
+00:01:29,479 --> 00:01:31,950
+what why don't you do something some
+magic or something and leave the coach
+
+56
+00:01:31,950 --> 00:01:31,960
+magic or something and leave the coach
+ 
+
+57
+00:01:31,960 --> 00:01:35,060
+magic or something and leave the coach
+without a driver
+
+58
+00:01:35,060 --> 00:01:35,070
+without a driver
+ 
+
+59
+00:01:35,070 --> 00:02:02,910
+without a driver
+[Music]
+
+60
+00:02:02,910 --> 00:02:02,920
+
+ 
+
+61
+00:02:02,920 --> 00:02:12,110
+
+wo wo wo wo wo wo W
+
+62
+00:02:12,110 --> 00:02:12,120
+wo wo wo wo wo wo W
+ 
+
+63
+00:02:12,120 --> 00:02:16,949
+wo wo wo wo wo wo W
+[Music]
+
+64
+00:02:16,949 --> 00:02:16,959
+[Music]
+ 
+
+65
+00:02:16,959 --> 00:02:22,900
+[Music]
+wo are you all right
+
+66
+00:02:22,900 --> 00:02:22,910
+
+ 
+
+67
+00:02:22,910 --> 00:02:54,500
+
+[Music]
+

1963/BnnkcdH5v14.en.srt

@@ -0,0 +1,515 @@
+1
+00:00:00,120 --> 00:00:02,790
+
+hold scrap the Dirt away the out of it
+
+2
+00:00:02,790 --> 00:00:02,800
+hold scrap the Dirt away the out of it
+ 
+
+3
+00:00:02,800 --> 00:00:05,510
+hold scrap the Dirt away the out of it
+scrap the
+
+4
+00:00:05,510 --> 00:00:05,520
+
+ 
+
+5
+00:00:05,520 --> 00:00:08,140
+
+[Applause]
+
+6
+00:00:08,140 --> 00:00:08,150
+[Applause]
+ 
+
+7
+00:00:08,150 --> 00:00:13,310
+[Applause]
+[Music]
+
+8
+00:00:13,310 --> 00:00:13,320
+
+ 
+
+9
+00:00:13,320 --> 00:00:18,470
+
+dir open up come
+
+10
+00:00:18,470 --> 00:00:18,480
+
+ 
+
+11
+00:00:18,480 --> 00:00:20,470
+
+on
+
+12
+00:00:20,470 --> 00:00:20,480
+on
+ 
+
+13
+00:00:20,480 --> 00:00:23,109
+on
+bingo I see chaps don't you think we
+
+14
+00:00:23,109 --> 00:00:23,119
+bingo I see chaps don't you think we
+ 
+
+15
+00:00:23,119 --> 00:00:24,910
+bingo I see chaps don't you think we
+ought to find a spot of cover no there's
+
+16
+00:00:24,910 --> 00:00:24,920
+ought to find a spot of cover no there's
+ 
+
+17
+00:00:24,920 --> 00:00:26,750
+ought to find a spot of cover no there's
+nobody around come on come on count it
+
+18
+00:00:26,750 --> 00:00:26,760
+nobody around come on come on count it
+ 
+
+19
+00:00:26,760 --> 00:00:28,630
+nobody around come on come on count it
+out count it out what are we waiting for
+
+20
+00:00:28,630 --> 00:00:28,640
+out count it out what are we waiting for
+ 
+
+21
+00:00:28,640 --> 00:00:30,509
+out count it out what are we waiting for
+now wait a second have anybody's going
+
+22
+00:00:30,509 --> 00:00:30,519
+now wait a second have anybody's going
+ 
+
+23
+00:00:30,519 --> 00:00:32,709
+now wait a second have anybody's going
+to get something so no arguments cuz we
+
+24
+00:00:32,709 --> 00:00:32,719
+to get something so no arguments cuz we
+ 
+
+25
+00:00:32,719 --> 00:00:35,549
+to get something so no arguments cuz we
+don't get an equal share he's right
+
+26
+00:00:35,549 --> 00:00:35,559
+don't get an equal share he's right
+ 
+
+27
+00:00:35,559 --> 00:00:37,750
+don't get an equal share he's right
+that's the only way to do it shares for
+
+28
+00:00:37,750 --> 00:00:37,760
+that's the only way to do it shares for
+ 
+
+29
+00:00:37,760 --> 00:00:40,069
+that's the only way to do it shares for
+everybody now how many are
+
+30
+00:00:40,069 --> 00:00:40,079
+everybody now how many are
+ 
+
+31
+00:00:40,079 --> 00:00:55,549
+everybody now how many are
+we 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
+
+32
+00:00:55,549 --> 00:00:55,559
+we 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
+ 
+
+33
+00:00:55,559 --> 00:00:58,509
+we 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
+15 of us that means 15 equal chance why
+
+34
+00:00:58,509 --> 00:00:58,519
+15 of us that means 15 equal chance why
+ 
+
+35
+00:00:58,519 --> 00:01:00,790
+15 of us that means 15 equal chance why
+you dirty double cross why you cut
+
+36
+00:01:00,790 --> 00:01:00,800
+you dirty double cross why you cut
+ 
+
+37
+00:01:00,800 --> 00:01:09,590
+you dirty double cross why you cut
+yourself in for
+
+38
+00:01:09,590 --> 00:01:09,600
+
+ 
+
+39
+00:01:09,600 --> 00:01:11,950
+
+TWI you didn't cheat anybody but
+
+40
+00:01:11,950 --> 00:01:11,960
+TWI you didn't cheat anybody but
+ 
+
+41
+00:01:11,960 --> 00:01:15,109
+TWI you didn't cheat anybody but
+yourself because now you're out listen
+
+42
+00:01:15,109 --> 00:01:15,119
+yourself because now you're out listen
+ 
+
+43
+00:01:15,119 --> 00:01:18,149
+yourself because now you're out listen
+listen you can't cut me out now you here
+
+44
+00:01:18,149 --> 00:01:18,159
+listen you can't cut me out now you here
+ 
+
+45
+00:01:18,159 --> 00:01:20,069
+listen you can't cut me out now you here
+not after what I've been
+
+46
+00:01:20,069 --> 00:01:20,079
+not after what I've been
+ 
+
+47
+00:01:20,079 --> 00:01:23,469
+not after what I've been
+through all right okay I'm warning you
+
+48
+00:01:23,469 --> 00:01:23,479
+through all right okay I'm warning you
+ 
+
+49
+00:01:23,479 --> 00:01:25,390
+through all right okay I'm warning you
+if I don't get a share I'm going to go
+
+50
+00:01:25,390 --> 00:01:25,400
+if I don't get a share I'm going to go
+ 
+
+51
+00:01:25,400 --> 00:01:27,230
+if I don't get a share I'm going to go
+straight to the police the police what's
+
+52
+00:01:27,230 --> 00:01:27,240
+straight to the police the police what's
+ 
+
+53
+00:01:27,240 --> 00:01:28,590
+straight to the police the police what's
+the matter look here you R what makes
+
+54
+00:01:28,590 --> 00:01:28,600
+the matter look here you R what makes
+ 
+
+55
+00:01:28,600 --> 00:01:30,670
+the matter look here you R what makes
+you think that the police
+
+56
+00:01:30,670 --> 00:01:30,680
+you think that the police
+ 
+
+57
+00:01:30,680 --> 00:01:32,270
+you think that the police
+what about that money it had to come
+
+58
+00:01:32,270 --> 00:01:32,280
+what about that money it had to come
+ 
+
+59
+00:01:32,280 --> 00:01:34,190
+what about that money it had to come
+from somewhere we know where it come
+
+60
+00:01:34,190 --> 00:01:34,200
+from somewhere we know where it come
+ 
+
+61
+00:01:34,200 --> 00:01:36,069
+from somewhere we know where it come
+from was that poor old man who died up
+
+62
+00:01:36,069 --> 00:01:36,079
+from was that poor old man who died up
+ 
+
+63
+00:01:36,079 --> 00:01:37,710
+from was that poor old man who died up
+there on the mountain this morning you
+
+64
+00:01:37,710 --> 00:01:37,720
+there on the mountain this morning you
+ 
+
+65
+00:01:37,720 --> 00:01:40,469
+there on the mountain this morning you
+wasn't even there so shut up all right
+
+66
+00:01:40,469 --> 00:01:40,479
+wasn't even there so shut up all right
+ 
+
+67
+00:01:40,479 --> 00:01:42,310
+wasn't even there so shut up all right
+okay you ask for it I'm going to go
+
+68
+00:01:42,310 --> 00:01:42,320
+okay you ask for it I'm going to go
+ 
+
+69
+00:01:42,320 --> 00:01:44,230
+okay you ask for it I'm going to go
+straight to the police what makes you
+
+70
+00:01:44,230 --> 00:01:44,240
+straight to the police what makes you
+ 
+
+71
+00:01:44,240 --> 00:01:46,109
+straight to the police what makes you
+think the police would be interested Mr
+
+72
+00:01:46,109 --> 00:01:46,119
+think the police would be interested Mr
+ 
+
+73
+00:01:46,119 --> 00:01:49,190
+think the police would be interested Mr
+M are you kidding isn't it obvious how
+
+74
+00:01:49,190 --> 00:01:49,200
+M are you kidding isn't it obvious how
+ 
+
+75
+00:01:49,200 --> 00:01:52,990
+M are you kidding isn't it obvious how
+do you think money
+
+76
+00:01:52,990 --> 00:01:53,000
+
+ 
+
+77
+00:01:53,000 --> 00:01:55,950
+
+gets how did you know my name you know
+
+78
+00:01:55,950 --> 00:01:55,960
+gets how did you know my name you know
+ 
+
+79
+00:01:55,960 --> 00:01:56,749
+gets how did you know my name you know
+this
+
+80
+00:01:56,749 --> 00:01:56,759
+this
+ 
+
+81
+00:01:56,759 --> 00:01:59,469
+this
+crook well I've never actually met him
+
+82
+00:01:59,469 --> 00:01:59,479
+crook well I've never actually met him
+ 
+
+83
+00:01:59,479 --> 00:02:01,670
+crook well I've never actually met him
+Mr like but I've come to feel that I
+
+84
+00:02:01,670 --> 00:02:01,680
+Mr like but I've come to feel that I
+ 
+
+85
+00:02:01,680 --> 00:02:04,830
+Mr like but I've come to feel that I
+know him how' you know my name I don't
+
+86
+00:02:04,830 --> 00:02:04,840
+know him how' you know my name I don't
+ 
+
+87
+00:02:04,840 --> 00:02:07,990
+know him how' you know my name I don't
+believe I've met you any place yeah yeah
+
+88
+00:02:07,990 --> 00:02:08,000
+believe I've met you any place yeah yeah
+ 
+
+89
+00:02:08,000 --> 00:02:10,109
+believe I've met you any place yeah yeah
+who are you we thought he came with you
+
+90
+00:02:10,109 --> 00:02:10,119
+who are you we thought he came with you
+ 
+
+91
+00:02:10,119 --> 00:02:12,270
+who are you we thought he came with you
+didn't he come with you he didn't come
+
+92
+00:02:12,270 --> 00:02:12,280
+didn't he come with you he didn't come
+ 
+
+93
+00:02:12,280 --> 00:02:13,790
+didn't he come with you he didn't come
+with us I mean we thought he came with
+
+94
+00:02:13,790 --> 00:02:13,800
+with us I mean we thought he came with
+ 
+
+95
+00:02:13,800 --> 00:02:16,630
+with us I mean we thought he came with
+you no well if he didn't come with you
+
+96
+00:02:16,630 --> 00:02:16,640
+you no well if he didn't come with you
+ 
+
+97
+00:02:16,640 --> 00:02:18,869
+you no well if he didn't come with you
+didn't come with us well then well then
+
+98
+00:02:18,869 --> 00:02:18,879
+didn't come with us well then well then
+ 
+
+99
+00:02:18,879 --> 00:02:22,790
+didn't come with us well then well then
+who are you I'm captain cul pepper of
+
+100
+00:02:22,790 --> 00:02:22,800
+who are you I'm captain cul pepper of
+ 
+
+101
+00:02:22,800 --> 00:02:30,270
+who are you I'm captain cul pepper of
+the Santa Rosita Police Department
+
+102
+00:02:30,270 --> 00:02:30,280
+
+ 
+
+103
+00:02:30,280 --> 00:02:41,610
+
+[Music]
+

1963/MDJ7Du14G-4.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:01,920 --> 00:00:03,750
+
+where money Penny ask the equipment
+
+2
+00:00:03,750 --> 00:00:03,760
+where money Penny ask the equipment
+ 
+
+3
+00:00:03,760 --> 00:00:05,070
+where money Penny ask the equipment
+officer to come in
+
+4
+00:00:05,070 --> 00:00:05,080
+officer to come in
+ 
+
+5
+00:00:05,080 --> 00:00:08,509
+officer to come in
+please CU branch is put together a smart
+
+6
+00:00:08,509 --> 00:00:08,519
+please CU branch is put together a smart
+ 
+
+7
+00:00:08,519 --> 00:00:10,430
+please CU branch is put together a smart
+looking piece of luggage for it we're
+
+8
+00:00:10,430 --> 00:00:10,440
+looking piece of luggage for it we're
+ 
+
+9
+00:00:10,440 --> 00:00:13,629
+looking piece of luggage for it we're
+issuing this to all dou o
+
+10
+00:00:13,629 --> 00:00:13,639
+issuing this to all dou o
+ 
+
+11
+00:00:13,639 --> 00:00:16,630
+issuing this to all dou o
+Personnel an ordinary black leather case
+
+12
+00:00:16,630 --> 00:00:16,640
+Personnel an ordinary black leather case
+ 
+
+13
+00:00:16,640 --> 00:00:23,070
+Personnel an ordinary black leather case
+with 20 rounds of ammunition here and
+
+14
+00:00:23,070 --> 00:00:23,080
+
+ 
+
+15
+00:00:23,080 --> 00:00:25,150
+
+here now if you take the top off you'll
+
+16
+00:00:25,150 --> 00:00:25,160
+here now if you take the top off you'll
+ 
+
+17
+00:00:25,160 --> 00:00:27,910
+here now if you take the top off you'll
+find the ammunition
+
+18
+00:00:27,910 --> 00:00:27,920
+find the ammunition
+ 
+
+19
+00:00:27,920 --> 00:00:31,349
+find the ammunition
+inside on the side here flat throwing
+
+20
+00:00:31,349 --> 00:00:31,359
+inside on the side here flat throwing
+ 
+
+21
+00:00:31,359 --> 00:00:36,110
+inside on the side here flat throwing
+knife press that button there now she
+
+22
+00:00:36,110 --> 00:00:36,120
+
+ 
+
+23
+00:00:36,120 --> 00:00:39,950
+
+comes inside the case you'll find an AR7
+
+24
+00:00:39,950 --> 00:00:39,960
+comes inside the case you'll find an AR7
+ 
+
+25
+00:00:39,960 --> 00:00:43,950
+comes inside the case you'll find an AR7
+folding snipers rifle .25 caliber with
+
+26
+00:00:43,950 --> 00:00:43,960
+folding snipers rifle .25 caliber with
+ 
+
+27
+00:00:43,960 --> 00:00:48,389
+folding snipers rifle .25 caliber with
+an infrared telescopic
+
+28
+00:00:48,389 --> 00:00:48,399
+
+ 
+
+29
+00:00:48,399 --> 00:00:51,310
+
+sight then if you pull out these straps
+
+30
+00:00:51,310 --> 00:00:51,320
+sight then if you pull out these straps
+ 
+
+31
+00:00:51,320 --> 00:00:53,950
+sight then if you pull out these straps
+inside of 50 gold sovereigns 25 in
+
+32
+00:00:53,950 --> 00:00:53,960
+inside of 50 gold sovereigns 25 in
+ 
+
+33
+00:00:53,960 --> 00:00:55,630
+inside of 50 gold sovereigns 25 in
+either
+
+34
+00:00:55,630 --> 00:00:55,640
+either
+ 
+
+35
+00:00:55,640 --> 00:00:58,229
+either
+side now watch very carefully an
+
+36
+00:00:58,229 --> 00:00:58,239
+side now watch very carefully an
+ 
+
+37
+00:00:58,239 --> 00:01:00,630
+side now watch very carefully an
+ordinary tin of talcum powder
+
+38
+00:01:00,630 --> 00:01:00,640
+ordinary tin of talcum powder
+ 
+
+39
+00:01:00,640 --> 00:01:03,310
+ordinary tin of talcum powder
+inside a tear gas cartridge that goes in
+
+40
+00:01:03,310 --> 00:01:03,320
+inside a tear gas cartridge that goes in
+ 
+
+41
+00:01:03,320 --> 00:01:06,590
+inside a tear gas cartridge that goes in
+the case against the side here like that
+
+42
+00:01:06,590 --> 00:01:06,600
+the case against the side here like that
+ 
+
+43
+00:01:06,600 --> 00:01:09,630
+the case against the side here like that
+it's magnetized so it won't fall shut
+
+44
+00:01:09,630 --> 00:01:09,640
+it's magnetized so it won't fall shut
+ 
+
+45
+00:01:09,640 --> 00:01:12,310
+it's magnetized so it won't fall shut
+the case now normally to open a case
+
+46
+00:01:12,310 --> 00:01:12,320
+the case now normally to open a case
+ 
+
+47
+00:01:12,320 --> 00:01:14,630
+the case now normally to open a case
+like that you move the catches to the
+
+48
+00:01:14,630 --> 00:01:14,640
+like that you move the catches to the
+ 
+
+49
+00:01:14,640 --> 00:01:17,469
+like that you move the catches to the
+side if you do the cartridge will
+
+50
+00:01:17,469 --> 00:01:17,479
+side if you do the cartridge will
+ 
+
+51
+00:01:17,479 --> 00:01:20,469
+side if you do the cartridge will
+explode in your face now to stop the
+
+52
+00:01:20,469 --> 00:01:20,479
+explode in your face now to stop the
+ 
+
+53
+00:01:20,479 --> 00:01:21,630
+explode in your face now to stop the
+cartridge
+
+54
+00:01:21,630 --> 00:01:21,640
+cartridge
+ 
+
+55
+00:01:21,640 --> 00:01:24,550
+cartridge
+exploding turn the catches
+
+56
+00:01:24,550 --> 00:01:24,560
+exploding turn the catches
+ 
+
+57
+00:01:24,560 --> 00:01:28,149
+exploding turn the catches
+horizontally like that then open
+
+58
+00:01:28,149 --> 00:01:28,159
+horizontally like that then open
+ 
+
+59
+00:01:28,159 --> 00:01:30,350
+horizontally like that then open
+normally
+
+60
+00:01:30,350 --> 00:01:30,360
+normally
+ 
+
+61
+00:01:30,360 --> 00:01:33,350
+normally
+now you tried
+
+62
+00:01:33,350 --> 00:01:33,360
+
+ 
+
+63
+00:01:33,360 --> 00:01:35,590
+
+it turn the
+
+64
+00:01:35,590 --> 00:01:35,600
+it turn the
+ 
+
+65
+00:01:35,600 --> 00:01:41,550
+it turn the
+catches like that that's right and open
+
+66
+00:01:41,550 --> 00:01:41,560
+
+ 
+
+67
+00:01:41,560 --> 00:01:44,630
+
+ordinarily you got it yes I think so is
+
+68
+00:01:44,630 --> 00:01:44,640
+ordinarily you got it yes I think so is
+ 
+
+69
+00:01:44,640 --> 00:01:47,630
+ordinarily you got it yes I think so is
+that all sir yes thanks very
+
+70
+00:01:47,630 --> 00:01:47,640
+that all sir yes thanks very
+ 
+
+71
+00:01:47,640 --> 00:01:50,590
+that all sir yes thanks very
+much that's a nasty little Christmas
+
+72
+00:01:50,590 --> 00:01:50,600
+much that's a nasty little Christmas
+ 
+
+73
+00:01:50,600 --> 00:01:52,510
+much that's a nasty little Christmas
+present but I shouldn't think I needed
+
+74
+00:01:52,510 --> 00:01:52,520
+present but I shouldn't think I needed
+ 
+
+75
+00:01:52,520 --> 00:01:54,230
+present but I shouldn't think I needed
+on this assignment sir all the same take
+
+76
+00:01:54,230 --> 00:01:54,240
+on this assignment sir all the same take
+ 
+
+77
+00:01:54,240 --> 00:01:55,870
+on this assignment sir all the same take
+it with you good
+
+78
+00:01:55,870 --> 00:01:55,880
+it with you good
+ 
+
+79
+00:01:55,880 --> 00:02:02,050
+it with you good
+luck7 thank you sir
+
+80
+00:02:02,050 --> 00:02:02,060
+
+ 
+
+81
+00:02:02,060 --> 00:02:29,150
+
+[Music]
+

1963/NEYwJbjyF2M.description

@@ -0,0 +1,38 @@
+Charade movie clips: http://j.mp/1J9f1Fp
+BUY THE MOVIE: http://amzn.to/uofoaU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Regina (Audrey Hepburn) tries to find out who Peter (Cary Grant) really is behind all the lies.
+
+FILM DESCRIPTION:
+Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Cary Grant, Audrey Hepburn
+Director: Stanley Donen
+Producers: Stanley Donen, James H. Ware
+Screenwriters: Marc Behm, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1963/NEYwJbjyF2M.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,719 --> 00:00:02,149
+
+could at least tell me what your first
+
+2
+00:00:02,149 --> 00:00:02,159
+could at least tell me what your first
+ 
+
+3
+00:00:02,159 --> 00:00:03,829
+could at least tell me what your first
+name is these
+
+4
+00:00:03,829 --> 00:00:03,839
+name is these
+ 
+
+5
+00:00:03,839 --> 00:00:06,630
+name is these
+days
+
+6
+00:00:06,630 --> 00:00:06,640
+days
+ 
+
+7
+00:00:06,640 --> 00:00:08,589
+days
+Alexander okay
+
+8
+00:00:08,589 --> 00:00:08,599
+Alexander okay
+ 
+
+9
+00:00:08,599 --> 00:00:13,310
+Alexander okay
+Alexander you're done good you're a new
+
+10
+00:00:13,310 --> 00:00:13,320
+Alexander you're done good you're a new
+ 
+
+11
+00:00:13,320 --> 00:00:15,549
+Alexander you're done good you're a new
+man I'm sorry the old one couldn't tell
+
+12
+00:00:15,549 --> 00:00:15,559
+man I'm sorry the old one couldn't tell
+ 
+
+13
+00:00:15,559 --> 00:00:18,029
+man I'm sorry the old one couldn't tell
+you the truth but I had to find out your
+
+14
+00:00:18,029 --> 00:00:18,039
+you the truth but I had to find out your
+ 
+
+15
+00:00:18,039 --> 00:00:19,710
+you the truth but I had to find out your
+part in all
+
+16
+00:00:19,710 --> 00:00:19,720
+part in all
+ 
+
+17
+00:00:19,720 --> 00:00:26,029
+part in all
+this is there a Mrs Dial yes but we're
+
+18
+00:00:26,029 --> 00:00:26,039
+this is there a Mrs Dial yes but we're
+ 
+
+19
+00:00:26,039 --> 00:00:29,230
+this is there a Mrs Dial yes but we're
+divorced I thought that was Peter Joshua
+
+20
+00:00:29,230 --> 00:00:29,240
+divorced I thought that was Peter Joshua
+ 
+
+21
+00:00:29,240 --> 00:00:32,510
+divorced I thought that was Peter Joshua
+I'm just as got to live with as he
+
+22
+00:00:32,510 --> 00:00:32,520
+I'm just as got to live with as he
+ 
+
+23
+00:00:32,520 --> 00:00:35,069
+I'm just as got to live with as he
+was Alex how can you tell if anyone's
+
+24
+00:00:35,069 --> 00:00:35,079
+was Alex how can you tell if anyone's
+ 
+
+25
+00:00:35,079 --> 00:00:36,430
+was Alex how can you tell if anyone's
+lying or
+
+26
+00:00:36,430 --> 00:00:36,440
+lying or
+ 
+
+27
+00:00:36,440 --> 00:00:40,029
+lying or
+not you can't there must be some way no
+
+28
+00:00:40,029 --> 00:00:40,039
+not you can't there must be some way no
+ 
+
+29
+00:00:40,039 --> 00:00:41,830
+not you can't there must be some way no
+no there's no riddle about two tribes of
+
+30
+00:00:41,830 --> 00:00:41,840
+no there's no riddle about two tribes of
+ 
+
+31
+00:00:41,840 --> 00:00:43,910
+no there's no riddle about two tribes of
+Indians the white feet always tell the
+
+32
+00:00:43,910 --> 00:00:43,920
+Indians the white feet always tell the
+ 
+
+33
+00:00:43,920 --> 00:00:46,110
+Indians the white feet always tell the
+truth and the black feet always lie so
+
+34
+00:00:46,110 --> 00:00:46,120
+truth and the black feet always lie so
+ 
+
+35
+00:00:46,120 --> 00:00:47,990
+truth and the black feet always lie so
+one day you meet an Indian you say hey
+
+36
+00:00:47,990 --> 00:00:48,000
+one day you meet an Indian you say hey
+ 
+
+37
+00:00:48,000 --> 00:00:50,430
+one day you meet an Indian you say hey
+Indian what are you a truthful whitefoot
+
+38
+00:00:50,430 --> 00:00:50,440
+Indian what are you a truthful whitefoot
+ 
+
+39
+00:00:50,440 --> 00:00:52,709
+Indian what are you a truthful whitefoot
+or a lying Blackfoot he says I'm a
+
+40
+00:00:52,709 --> 00:00:52,719
+or a lying Blackfoot he says I'm a
+ 
+
+41
+00:00:52,719 --> 00:00:57,310
+or a lying Blackfoot he says I'm a
+truthful whitefoot but which is
+
+42
+00:00:57,310 --> 00:00:57,320
+
+ 
+
+43
+00:00:57,320 --> 00:00:59,229
+
+he well why couldn't you just look at
+
+44
+00:00:59,229 --> 00:00:59,239
+he well why couldn't you just look at
+ 
+
+45
+00:00:59,239 --> 00:01:01,349
+he well why couldn't you just look at
+his feet because he's wearing
+
+46
+00:01:01,349 --> 00:01:01,359
+his feet because he's wearing
+ 
+
+47
+00:01:01,359 --> 00:01:03,189
+his feet because he's wearing
+moccasins well then he's a toothful
+
+48
+00:01:03,189 --> 00:01:03,199
+moccasins well then he's a toothful
+ 
+
+49
+00:01:03,199 --> 00:01:05,310
+moccasins well then he's a toothful
+white foot of course and why not a lying
+
+50
+00:01:05,310 --> 00:01:05,320
+white foot of course and why not a lying
+ 
+
+51
+00:01:05,320 --> 00:01:06,670
+white foot of course and why not a lying
+black
+
+52
+00:01:06,670 --> 00:01:06,680
+black
+ 
+
+53
+00:01:06,680 --> 00:01:12,270
+black
+foot which one are you a truthful
+
+54
+00:01:12,270 --> 00:01:12,280
+foot which one are you a truthful
+ 
+
+55
+00:01:12,280 --> 00:01:14,950
+foot which one are you a truthful
+whitefoot come
+
+56
+00:01:14,950 --> 00:01:14,960
+whitefoot come
+ 
+
+57
+00:01:14,960 --> 00:01:17,429
+whitefoot come
+in sit down right you want to look at my
+
+58
+00:01:17,429 --> 00:01:17,439
+in sit down right you want to look at my
+ 
+
+59
+00:01:17,439 --> 00:01:19,080
+in sit down right you want to look at my
+feet
+
+60
+00:01:19,080 --> 00:01:19,090
+feet
+ 
+
+61
+00:01:19,090 --> 00:01:20,469
+feet
+[Music]
+
+62
+00:01:20,469 --> 00:01:20,479
+[Music]
+ 
+
+63
+00:01:20,479 --> 00:01:23,710
+[Music]
+yes oh hey knock it off now come on
+
+64
+00:01:23,710 --> 00:01:23,720
+yes oh hey knock it off now come on
+ 
+
+65
+00:01:23,720 --> 00:01:25,870
+yes oh hey knock it off now come on
+regie listen to me oh here it comes the
+
+66
+00:01:25,870 --> 00:01:25,880
+regie listen to me oh here it comes the
+ 
+
+67
+00:01:25,880 --> 00:01:27,630
+regie listen to me oh here it comes the
+fatherly talk you forget I'm already a
+
+68
+00:01:27,630 --> 00:01:27,640
+fatherly talk you forget I'm already a
+ 
+
+69
+00:01:27,640 --> 00:01:30,910
+fatherly talk you forget I'm already a
+widow so was Juliet at 15 H but I'm not
+
+70
+00:01:30,910 --> 00:01:30,920
+widow so was Juliet at 15 H but I'm not
+ 
+
+71
+00:01:30,920 --> 00:01:32,870
+widow so was Juliet at 15 H but I'm not
+15 well that's your trouble you're too
+
+72
+00:01:32,870 --> 00:01:32,880
+15 well that's your trouble you're too
+ 
+
+73
+00:01:32,880 --> 00:01:35,710
+15 well that's your trouble you're too
+old for me can't you be serious oh you
+
+74
+00:01:35,710 --> 00:01:35,720
+old for me can't you be serious oh you
+ 
+
+75
+00:01:35,720 --> 00:01:37,670
+old for me can't you be serious oh you
+just said an horrible word what did I
+
+76
+00:01:37,670 --> 00:01:37,680
+just said an horrible word what did I
+ 
+
+77
+00:01:37,680 --> 00:01:40,710
+just said an horrible word what did I
+say serious when a man gets to be my age
+
+78
+00:01:40,710 --> 00:01:40,720
+say serious when a man gets to be my age
+ 
+
+79
+00:01:40,720 --> 00:01:42,149
+say serious when a man gets to be my age
+that's the last word he ever wants to
+
+80
+00:01:42,149 --> 00:01:42,159
+that's the last word he ever wants to
+ 
+
+81
+00:01:42,159 --> 00:01:45,149
+that's the last word he ever wants to
+hear I don't want to be serious and I
+
+82
+00:01:45,149 --> 00:01:45,159
+hear I don't want to be serious and I
+ 
+
+83
+00:01:45,159 --> 00:01:47,109
+hear I don't want to be serious and I
+especially don't want you to be okay we
+
+84
+00:01:47,109 --> 00:01:47,119
+especially don't want you to be okay we
+ 
+
+85
+00:01:47,119 --> 00:01:48,550
+especially don't want you to be okay we
+you sit around all day long being
+
+86
+00:01:48,550 --> 00:01:48,560
+you sit around all day long being
+ 
+
+87
+00:01:48,560 --> 00:01:50,280
+you sit around all day long being
+frivolous how about
+
+88
+00:01:50,280 --> 00:01:50,290
+frivolous how about
+ 
+
+89
+00:01:50,290 --> 00:01:51,910
+frivolous how about
+[Music]
+
+90
+00:01:51,910 --> 00:01:51,920
+[Music]
+ 
+
+91
+00:01:51,920 --> 00:01:54,590
+[Music]
+that Magie C it
+
+92
+00:01:54,590 --> 00:01:54,600
+that Magie C it
+ 
+
+93
+00:01:54,600 --> 00:01:58,149
+that Magie C it
+out okay well now what are you doing
+
+94
+00:01:58,149 --> 00:01:58,159
+out okay well now what are you doing
+ 
+
+95
+00:01:58,159 --> 00:02:00,830
+out okay well now what are you doing
+cutting it up who told you to do that
+
+96
+00:02:00,830 --> 00:02:00,840
+cutting it up who told you to do that
+ 
+
+97
+00:02:00,840 --> 00:02:03,510
+cutting it up who told you to do that
+you did oh I'm not through complaining
+
+98
+00:02:03,510 --> 00:02:03,520
+you did oh I'm not through complaining
+ 
+
+99
+00:02:03,520 --> 00:02:05,290
+you did oh I'm not through complaining
+yet
+
+100
+00:02:05,290 --> 00:02:05,300
+yet
+ 
+
+101
+00:02:05,300 --> 00:02:08,469
+yet
+[Music]
+
+102
+00:02:08,469 --> 00:02:08,479
+[Music]
+ 
+
+103
+00:02:08,479 --> 00:02:20,900
+[Music]
+oh cut it out Alex I think I love you
+
+104
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+105
+00:02:20,910 --> 00:02:43,500
+
+[Music]
+

1963/O_NBFJ4pow8.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,640 --> 00:00:01,690
+
+do you want to come
+
+2
+00:00:01,690 --> 00:00:01,700
+do you want to come
+ 
+
+3
+00:00:01,700 --> 00:00:06,470
+do you want to come
+[Music]
+
+4
+00:00:06,470 --> 00:00:06,480
+[Music]
+ 
+
+5
+00:00:06,480 --> 00:00:08,210
+[Music]
+in I believe it
+
+6
+00:00:08,210 --> 00:00:08,220
+in I believe it
+ 
+
+7
+00:00:08,220 --> 00:00:09,669
+in I believe it
+[Music]
+
+8
+00:00:09,669 --> 00:00:09,679
+[Music]
+ 
+
+9
+00:00:09,679 --> 00:00:19,090
+[Music]
+does well then come
+
+10
+00:00:19,090 --> 00:00:19,100
+
+ 
+
+11
+00:00:19,100 --> 00:00:26,150
+
+[Music]
+
+12
+00:00:26,150 --> 00:00:26,160
+[Music]
+ 
+
+13
+00:00:26,160 --> 00:00:32,790
+[Music]
+on who sent you to me
+
+14
+00:00:32,790 --> 00:00:32,800
+
+ 
+
+15
+00:00:32,800 --> 00:00:36,990
+
+are you some dark wied messenger from
+
+16
+00:00:36,990 --> 00:00:37,000
+are you some dark wied messenger from
+ 
+
+17
+00:00:37,000 --> 00:00:40,029
+are you some dark wied messenger from
+Beyond answer me monster tell me
+
+18
+00:00:40,029 --> 00:00:40,039
+Beyond answer me monster tell me
+ 
+
+19
+00:00:40,039 --> 00:00:42,990
+Beyond answer me monster tell me
+truly shall I ever hold again that
+
+20
+00:00:42,990 --> 00:00:43,000
+truly shall I ever hold again that
+ 
+
+21
+00:00:43,000 --> 00:00:46,430
+truly shall I ever hold again that
+radiant Maiden whom the Angels call a
+
+22
+00:00:46,430 --> 00:00:46,440
+radiant Maiden whom the Angels call a
+ 
+
+23
+00:00:46,440 --> 00:00:50,029
+radiant Maiden whom the Angels call a
+know how the hell should I know what am
+
+24
+00:00:50,029 --> 00:00:50,039
+know how the hell should I know what am
+ 
+
+25
+00:00:50,039 --> 00:00:52,310
+know how the hell should I know what am
+I fortune
+
+26
+00:00:52,310 --> 00:00:52,320
+I fortune
+ 
+
+27
+00:00:52,320 --> 00:00:54,750
+I fortune
+teller I'm CH of
+
+28
+00:00:54,750 --> 00:00:54,760
+teller I'm CH of
+ 
+
+29
+00:00:54,760 --> 00:00:57,910
+teller I'm CH of
+Bones why don't you give me some
+
+30
+00:00:57,910 --> 00:00:57,920
+Bones why don't you give me some
+ 
+
+31
+00:00:57,920 --> 00:01:00,950
+Bones why don't you give me some
+wine well don't just stand there gaping
+
+32
+00:01:00,950 --> 00:01:00,960
+wine well don't just stand there gaping
+ 
+
+33
+00:01:00,960 --> 00:01:01,670
+wine well don't just stand there gaping
+at
+
+34
+00:01:01,670 --> 00:01:01,680
+at
+ 
+
+35
+00:01:01,680 --> 00:01:06,870
+at
+me that voice I will you give me some
+
+36
+00:01:06,870 --> 00:01:06,880
+me that voice I will you give me some
+ 
+
+37
+00:01:06,880 --> 00:01:12,070
+me that voice I will you give me some
+wine yes
+
+38
+00:01:12,070 --> 00:01:12,080
+
+ 
+
+39
+00:01:12,080 --> 00:01:18,160
+
+yes here's some nice hot milk milk how
+
+40
+00:01:18,160 --> 00:01:18,170
+yes here's some nice hot milk milk how
+ 
+
+41
+00:01:18,170 --> 00:01:20,429
+yes here's some nice hot milk milk how
+[Music]
+
+42
+00:01:20,429 --> 00:01:20,439
+[Music]
+ 
+
+43
+00:01:20,439 --> 00:01:22,990
+[Music]
+vitable surely this is a
+
+44
+00:01:22,990 --> 00:01:23,000
+vitable surely this is a
+ 
+
+45
+00:01:23,000 --> 00:01:26,580
+vitable surely this is a
+dream hurry up will
+
+46
+00:01:26,580 --> 00:01:26,590
+dream hurry up will
+ 
+
+47
+00:01:26,590 --> 00:01:27,910
+dream hurry up will
+[Applause]
+
+48
+00:01:27,910 --> 00:01:27,920
+[Applause]
+ 
+
+49
+00:01:27,920 --> 00:01:30,469
+[Applause]
+you there you are
+
+50
+00:01:30,469 --> 00:01:30,479
+you there you are
+ 
+
+51
+00:01:30,479 --> 00:01:32,670
+you there you are
+what do you expect me to do hold
+
+52
+00:01:32,670 --> 00:01:32,680
+what do you expect me to do hold
+ 
+
+53
+00:01:32,680 --> 00:01:34,789
+what do you expect me to do hold
+it with
+
+54
+00:01:34,789 --> 00:01:34,799
+it with
+ 
+
+55
+00:01:34,799 --> 00:01:39,910
+it with
+what oh never
+
+56
+00:01:39,910 --> 00:01:39,920
+
+ 
+
+57
+00:01:39,920 --> 00:01:45,550
+
+mind M I like that
+
+58
+00:01:45,550 --> 00:01:45,560
+mind M I like that
+ 
+
+59
+00:01:45,560 --> 00:01:50,469
+mind M I like that
+M upon my soul never mind your soul
+
+60
+00:01:50,469 --> 00:01:50,479
+M upon my soul never mind your soul
+ 
+
+61
+00:01:50,479 --> 00:01:52,510
+M upon my soul never mind your soul
+start concentrating on getting me back
+
+62
+00:01:52,510 --> 00:01:52,520
+start concentrating on getting me back
+ 
+
+63
+00:01:52,520 --> 00:01:53,950
+start concentrating on getting me back
+to my rightful
+
+64
+00:01:53,950 --> 00:01:53,960
+to my rightful
+ 
+
+65
+00:01:53,960 --> 00:01:57,149
+to my rightful
+form your rightful form well what do you
+
+66
+00:01:57,149 --> 00:01:57,159
+form your rightful form well what do you
+ 
+
+67
+00:01:57,159 --> 00:02:00,670
+form your rightful form well what do you
+think I Was Born This Way well I I have
+
+68
+00:02:00,670 --> 00:02:00,680
+think I Was Born This Way well I I have
+ 
+
+69
+00:02:00,680 --> 00:02:04,590
+think I Was Born This Way well I I have
+it you are under an enchantment took you
+
+70
+00:02:04,590 --> 00:02:04,600
+it you are under an enchantment took you
+ 
+
+71
+00:02:04,600 --> 00:02:07,890
+it you are under an enchantment took you
+long enough to find that out
+
+72
+00:02:07,890 --> 00:02:07,900
+long enough to find that out
+ 
+
+73
+00:02:07,900 --> 00:02:39,489
+long enough to find that out
+[Music]
+

1965/uXUPYAomwDU.description

@@ -0,0 +1,36 @@
+Tiempo de Morir - The Lame Gunman: Juan (Jorge Martinez de Hoyos) visits Casildo (Carlos Jordan).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/time-to-die-1966/MMV67CBCBA4840A7ACB5DB71FBACEA502D2F?cmp=Movieclips_YT_Description
+
+Watch the best Tiempo de Morir scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoiGxyYmcHzMTXZLQtCeamt
+
+FILM DESCRIPTION:
+After serving 18 years for killing a man in a duel, a man returns to his hometown determined to live a normal life, but the sons of the man he killed are bent on revenge.
+
+CREDITS:
+TM & © Film Movement (1965)
+Cast: Carlos Jordán, Hortensia Santoveña, Jorge Martínez de Hoyos
+Director: Arturo Ripstein
+Screewriter: Carlos Fuentes, Gabriel García Márquez
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/uXUPYAomwDU.en.srt

@@ -0,0 +1,501 @@
+1
+00:00:00,000 --> 00:00:01,670
+
+A few moments ago we learned that he had returned
+
+2
+00:00:01,670 --> 00:00:01,680
+A few moments ago we learned that he had returned
+ 
+
+3
+00:00:01,680 --> 00:00:04,370
+A few moments ago we learned that he had returned
+false arrived he was almost desperate to
+
+4
+00:00:04,370 --> 00:00:04,380
+false arrived he was almost desperate to
+ 
+
+5
+00:00:04,380 --> 00:00:08,350
+false arrived he was almost desperate to
+see him so don't tell me
+
+6
+00:00:08,350 --> 00:00:08,360
+see him so don't tell me
+ 
+
+7
+00:00:08,360 --> 00:00:10,449
+see him so don't tell me
+and through her I got the bad news that
+
+8
+00:00:10,449 --> 00:00:10,459
+and through her I got the bad news that
+ 
+
+9
+00:00:10,459 --> 00:00:12,400
+and through her I got the bad news that
+a horse had broken him that's how it was
+
+10
+00:00:12,400 --> 00:00:12,410
+a horse had broken him that's how it was
+ 
+
+11
+00:00:12,410 --> 00:00:14,410
+a horse had broken him that's how it was
+but thank god as soon as his
+
+12
+00:00:14,410 --> 00:00:14,420
+but thank god as soon as his
+ 
+
+13
+00:00:14,420 --> 00:00:16,749
+but thank god as soon as his
+legs came back he's bedridden but
+
+14
+00:00:16,749 --> 00:00:16,759
+legs came back he's bedridden but
+ 
+
+15
+00:00:16,759 --> 00:00:20,610
+legs came back he's bedridden but
+whole and giving more trouble than ever it
+
+16
+00:00:20,610 --> 00:00:20,620
+
+ 
+
+17
+00:00:20,620 --> 00:00:22,560
+
+'s the same old plan ico as always
+
+18
+00:00:22,560 --> 00:00:22,570
+'s the same old plan ico as always
+ 
+
+19
+00:00:22,570 --> 00:00:24,840
+'s the same old plan ico as always
+but even after he's dead you're going to keep
+
+20
+00:00:24,840 --> 00:00:24,850
+but even after he's dead you're going to keep
+ 
+
+21
+00:00:24,850 --> 00:00:26,750
+but even after he's dead you're going to keep
+shooting
+
+22
+00:00:26,750 --> 00:00:26,760
+shooting
+ 
+
+23
+00:00:26,760 --> 00:00:29,200
+shooting
+when sharper than an axe come on little
+
+24
+00:00:29,200 --> 00:00:29,210
+when sharper than an axe come on little
+ 
+
+25
+00:00:29,210 --> 00:00:43,850
+when sharper than an axe come on little
+sister open the window for me ah ah you ca
+
+26
+00:00:43,850 --> 00:00:43,860
+
+ 
+
+27
+00:00:43,860 --> 00:00:47,740
+
+
+28
+00:00:47,740 --> 00:00:47,750
+
+ 
+
+29
+00:00:47,750 --> 00:00:51,860
+
+
+30
+00:00:51,860 --> 00:00:51,870
+
+ 
+
+31
+00:00:51,870 --> 00:01:08,100
+
+
+32
+00:01:08,100 --> 00:01:08,110
+
+ 
+
+33
+00:01:08,110 --> 00:01:11,170
+
+n't imagine what this is like my
+
+34
+00:01:11,170 --> 00:01:11,180
+n't imagine what this is like my
+ 
+
+35
+00:01:11,180 --> 00:01:13,500
+n't imagine what this is like my
+back is bare like the curves
+
+36
+00:01:13,500 --> 00:01:13,510
+back is bare like the curves
+ 
+
+37
+00:01:13,510 --> 00:01:16,840
+back is bare like the curves
+and sometimes I can't sleep for
+
+38
+00:01:16,840 --> 00:01:16,850
+and sometimes I can't sleep for
+ 
+
+39
+00:01:16,850 --> 00:01:19,780
+and sometimes I can't sleep for
+weeks and weeks because they don't let me make any
+
+40
+00:01:19,780 --> 00:01:19,790
+weeks and weeks because they don't let me make any
+ 
+
+41
+00:01:19,790 --> 00:01:21,990
+weeks and weeks because they don't let me make any
+noise that I carry inside
+
+42
+00:01:21,990 --> 00:01:22,000
+noise that I carry inside
+ 
+
+43
+00:01:22,000 --> 00:01:24,610
+noise that I carry inside
+meter in the thickest
+
+44
+00:01:24,610 --> 00:01:24,620
+meter in the thickest
+ 
+
+45
+00:01:24,620 --> 00:01:26,750
+meter in the thickest
+words I've
+
+46
+00:01:26,750 --> 00:01:26,760
+words I've
+ 
+
+47
+00:01:26,760 --> 00:01:28,640
+words I've
+already had I have the evils that have happened
+
+48
+00:01:28,640 --> 00:01:28,650
+already had I have the evils that have happened
+ 
+
+49
+00:01:28,650 --> 00:01:31,280
+already had I have the evils that have happened
+in this town I've already had the gal and cause
+
+50
+00:01:31,280 --> 00:01:31,290
+in this town I've already had the gal and cause
+ 
+
+51
+00:01:31,290 --> 00:01:34,020
+in this town I've already had the gal and cause
+the arid vas the
+
+52
+00:01:34,020 --> 00:01:34,030
+the arid vas the
+ 
+
+53
+00:01:34,030 --> 00:01:36,500
+the arid vas the
+cockroaches
+
+54
+00:01:36,500 --> 00:01:36,510
+cockroaches
+ 
+
+55
+00:01:36,510 --> 00:01:38,820
+cockroaches
+and you see that I complained well you're
+
+56
+00:01:38,820 --> 00:01:38,830
+and you see that I complained well you're
+ 
+
+57
+00:01:38,830 --> 00:01:42,470
+and you see that I complained well you're
+not going to be lonely
+
+58
+00:01:42,470 --> 00:01:42,480
+not going to be lonely
+ 
+
+59
+00:01:42,480 --> 00:01:45,470
+not going to be lonely
+here you don't have anything to keep you company old man you'll
+
+60
+00:01:45,470 --> 00:01:45,480
+here you don't have anything to keep you company old man you'll
+ 
+
+61
+00:01:45,480 --> 00:01:48,140
+here you don't have anything to keep you company old man you'll
+see what a tasty chat and as for work don't
+
+62
+00:01:48,140 --> 00:01:48,150
+see what a tasty chat and as for work don't
+ 
+
+63
+00:01:48,150 --> 00:01:50,450
+see what a tasty chat and as for work don't
+even talk you'll have all the work you want
+
+64
+00:01:50,450 --> 00:01:50,460
+even talk you'll have all the work you want
+ 
+
+65
+00:01:50,460 --> 00:01:54,020
+even talk you'll have all the work you want
+because you know a lot of horses and if
+
+66
+00:01:54,020 --> 00:01:54,030
+because you know a lot of horses and if
+ 
+
+67
+00:01:54,030 --> 00:01:55,970
+because you know a lot of horses and if
+you get bored of the town you can go with my
+
+68
+00:01:55,970 --> 00:01:55,980
+you get bored of the town you can go with my
+ 
+
+69
+00:01:55,980 --> 00:01:57,590
+you get bored of the town you can go with my
+shotgun to the mountain and bring me back  my free
+
+70
+00:01:57,590 --> 00:01:57,600
+shotgun to the mountain and bring me back  my free
+ 
+
+71
+00:01:57,600 --> 00:02:00,550
+shotgun to the mountain and bring me back  my free
+and quails
+
+72
+00:02:00,550 --> 00:02:00,560
+and quails
+ 
+
+73
+00:02:00,560 --> 00:02:02,330
+and quails
+where you live
+
+74
+00:02:02,330 --> 00:02:02,340
+where you live
+ 
+
+75
+00:02:02,340 --> 00:02:05,649
+where you live
+I'm rebuilding my house
+
+76
+00:02:05,649 --> 00:02:05,659
+I'm rebuilding my house
+ 
+
+77
+00:02:05,659 --> 00:02:07,690
+I'm rebuilding my house
+that's how men do
+
+78
+00:02:07,690 --> 00:02:07,700
+that's how men do
+ 
+
+79
+00:02:07,700 --> 00:02:10,470
+that's how men do
+if you need bricks or boards nails
+
+80
+00:02:10,470 --> 00:02:10,480
+if you need bricks or boards nails
+ 
+
+81
+00:02:10,480 --> 00:02:13,330
+if you need bricks or boards nails
+door handles knockers whatever you want you
+
+82
+00:02:13,330 --> 00:02:13,340
+door handles knockers whatever you want you
+ 
+
+83
+00:02:13,340 --> 00:02:15,850
+door handles knockers whatever you want you
+take here
+
+84
+00:02:15,850 --> 00:02:15,860
+take here
+ 
+
+85
+00:02:15,860 --> 00:02:19,840
+take here
+and in pesos
+
+86
+00:02:19,840 --> 00:02:19,850
+
+ 
+
+87
+00:02:19,850 --> 00:02:22,900
+
+and I have a few left well you're not going to
+
+88
+00:02:22,900 --> 00:02:22,910
+and I have a few left well you're not going to
+ 
+
+89
+00:02:22,910 --> 00:02:25,090
+and I have a few left well you're not going to
+break that's why I still have something from
+
+90
+00:02:25,090 --> 00:02:25,100
+break that's why I still have something from
+ 
+
+91
+00:02:25,100 --> 00:02:26,800
+break that's why I still have something from
+the good times and you know it's
+
+92
+00:02:26,800 --> 00:02:26,810
+the good times and you know it's
+ 
+
+93
+00:02:26,810 --> 00:02:27,580
+the good times and you know it's
+yours
+
+94
+00:02:27,580 --> 00:02:27,590
+yours
+ 
+
+95
+00:02:27,590 --> 00:02:30,280
+yours
+just say
+
+96
+00:02:30,280 --> 00:02:30,290
+just say
+ 
+
+97
+00:02:30,290 --> 00:02:33,369
+just say
+you're made of old gold that's what friends are for
+
+98
+00:02:33,369 --> 00:02:33,379
+you're made of old gold that's what friends are for
+ 
+
+99
+00:02:33,379 --> 00:02:34,480
+you're made of old gold that's what friends are for
+
+100
+00:02:34,480 --> 00:02:34,490
+
+ 
+
+101
+00:02:34,490 --> 00:02:45,830
+
+[Music]
+

1965/uhOCeh9oGK4.description

@@ -0,0 +1,36 @@
+Tiempo de Morir - I'll Settle This: Julian (Alfredo Leal) threatens Juan (Jorge Martinez de Hoyos).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/time-to-die-1966/MMV67CBCBA4840A7ACB5DB71FBACEA502D2F?cmp=Movieclips_YT_Description
+
+Watch the best Tiempo de Morir scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoiGxyYmcHzMTXZLQtCeamt
+
+FILM DESCRIPTION:
+After serving 18 years for killing a man in a duel, a man returns to his hometown determined to live a normal life, but the sons of the man he killed are bent on revenge.
+
+CREDITS:
+TM & © Film Movement (1965)
+Cast: Alfredo Leal, Enrique Rocha, Jorge Martínez de Hoyos
+Director: Arturo Ripstein
+Screewriter: Carlos Fuentes, Gabriel García Márquez
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/wyQmO-LFF4M.description

@@ -0,0 +1,33 @@
+The Greatest Story Ever Told - John Baptizes Jesus: John the Baptist (Charlton Heston) is honored when Jesus (Max von Sydow) asks him to baptize him when they meet for the first time.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-greatest-story-ever-told-1965/MMV005E9C14AD3E49E7C1A0517D841ADFF5A?cmp=Movieclips_YT_Description
+
+Watch the best The Greatest Story Ever Told scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqr7n_Io6dld1R25bckpZevN
+
+FILM DESCRIPTION:
+From his birth in Bethlehem to his death and eventual resurrection, the life of Jesus Christ (Max von Sydow) is given the all-star treatment in this epic retelling. Major aspects of Christ's life are touched upon, including the execution of all the newborn males in Egypt by King Herod (Claude Rains) ; Christ's baptism by John the Baptist (Charlton Heston) ; and the betrayal by Judas after the Last Supper that eventually leads to Christ's crucifixion and miraculous return.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Charlton Heston, Max von Sydow
+Director: George Stevens
+Screenwriter: George Stevens, James Lee Barrett
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
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+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1965/wyQmO-LFF4M.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:00,060 --> 00:00:05,120
+
+repent the anger of the Lord is upon all
+
+2
+00:00:05,120 --> 00:00:05,130
+repent the anger of the Lord is upon all
+ 
+
+3
+00:00:05,130 --> 00:00:11,180
+repent the anger of the Lord is upon all
+nations repent is one coming who will
+
+4
+00:00:11,180 --> 00:00:11,190
+nations repent is one coming who will
+ 
+
+5
+00:00:11,190 --> 00:00:23,650
+nations repent is one coming who will
+baptize with fire the Holy Spirit
+
+6
+00:00:23,650 --> 00:00:23,660
+
+ 
+
+7
+00:00:23,660 --> 00:00:27,440
+
+when those comings bit of old from time
+
+8
+00:00:27,440 --> 00:00:27,450
+when those comings bit of old from time
+ 
+
+9
+00:00:27,450 --> 00:00:33,680
+when those comings bit of old from time
+everlasting soon to be among us greater
+
+10
+00:00:33,680 --> 00:00:33,690
+everlasting soon to be among us greater
+ 
+
+11
+00:00:33,690 --> 00:00:39,380
+everlasting soon to be among us greater
+than all of us one whose sandals I am
+
+12
+00:00:39,380 --> 00:00:39,390
+than all of us one whose sandals I am
+ 
+
+13
+00:00:39,390 --> 00:00:50,780
+than all of us one whose sandals I am
+not worthy to carry who are you I don't
+
+14
+00:00:50,780 --> 00:00:50,790
+not worthy to carry who are you I don't
+ 
+
+15
+00:00:50,790 --> 00:00:59,479
+not worthy to carry who are you I don't
+know you and I know you baptize me John
+
+16
+00:00:59,479 --> 00:00:59,489
+know you and I know you baptize me John
+ 
+
+17
+00:00:59,489 --> 00:01:10,870
+know you and I know you baptize me John
+what is your name Jesus where boy
+
+18
+00:01:10,870 --> 00:01:10,880
+what is your name Jesus where boy
+ 
+
+19
+00:01:10,880 --> 00:01:17,060
+what is your name Jesus where boy
+Bethlehem is it of you who should
+
+20
+00:01:17,060 --> 00:01:17,070
+Bethlehem is it of you who should
+ 
+
+21
+00:01:17,070 --> 00:01:23,590
+Bethlehem is it of you who should
+baptize me why do you ask me this
+
+22
+00:01:23,590 --> 00:01:23,600
+baptize me why do you ask me this
+ 
+
+23
+00:01:23,600 --> 00:01:27,620
+baptize me why do you ask me this
+Scriptures is written from you Bethlehem
+
+24
+00:01:27,620 --> 00:01:27,630
+Scriptures is written from you Bethlehem
+ 
+
+25
+00:01:27,630 --> 00:01:30,590
+Scriptures is written from you Bethlehem
+shall he come for who is to be ruler in
+
+26
+00:01:30,590 --> 00:01:30,600
+shall he come for who is to be ruler in
+ 
+
+27
+00:01:30,600 --> 00:01:33,770
+shall he come for who is to be ruler in
+all Israel who is coming it's been
+
+28
+00:01:33,770 --> 00:01:33,780
+all Israel who is coming it's been
+ 
+
+29
+00:01:33,780 --> 00:02:00,880
+all Israel who is coming it's been
+evolved from time everlasting
+
+30
+00:02:00,880 --> 00:02:00,890
+
+ 
+
+31
+00:02:00,890 --> 00:02:07,449
+
+you I he the one we've been waiting for
+
+32
+00:02:07,449 --> 00:02:07,459
+you I he the one we've been waiting for
+ 
+
+33
+00:02:07,459 --> 00:02:10,639
+you I he the one we've been waiting for
+world is waiting sleeps
+
+34
+00:02:10,639 --> 00:02:10,649
+world is waiting sleeps
+ 
+
+35
+00:02:10,649 --> 00:02:37,110
+world is waiting sleeps
+waiting to waken I will come back
+
+36
+00:02:37,110 --> 00:02:37,120
+
+ 
+
+37
+00:02:37,120 --> 00:02:48,449
+
+[Music]
+

1965/xpkA68e5HN4.description

@@ -0,0 +1,38 @@
+For a Few Dollars More movie clips: http://j.mp/1EyJE46
+BUY THE MOVIE: http://j.mp/1AUTWhq
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+El Indio (Gian Maria Volonte) duels with an enemy, using the chime of his watch as a cue to draw.
+
+FILM DESCRIPTION:
+This pulse-pounding follow-up to Sergio Leone's A Fistful of Dollars brings back Clint Eastwood as the serape-clad, cigar-chewing "Man With No Name." Engaged in an ongoing battle with bounty hunter Col. Douglas Mortimer (Lee Van Cleef), the Man joins forces with his enemy to capture homicidal bandit Indio (Gian Maria Volont). Both the Eastwood and Van Cleef characters are given understandable motivations for their bloodletting tendencies, something that was lacking in A Fistful of Dollars. In both films, however, the violence is raw and uninhibited -- and in many ways, curiously poetic. Leone's tense, tight close-ups, pregnant pauses, and significant silences have since been absorbed into the standard spaghetti Western lexicon; likewise, Ennio Morricone's haunting musical score has been endlessly imitated and parodied. For a Few Dollars More was originally titled Per Qualche Dollaro in Pi; it would be followed by the last and best of the Man with No Name trilogy, The Good, The Bad and the Ugly.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Werner Abrolat, Frank Braa, Mario Brega, Jos Canalejas, Antonio Molino Rojo, Nazzareno Natale, Luigi Pistilli, Lorenzo Robledo, Luis Rodrguez, Gian Maria Volont, Diana Faenza, Francesca Leone
+Director: Sergio Leone
+Producers: Arturo Gonzlez, Alfredo Fraile, Alberto Grimaldi
+Screenwriters: Sergio Leone, Fulvio Morsella, Luciano Vincenzoni, Fernando Di Leo, Sergio Donati
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1965/xvQLAg16ZD0.description

@@ -0,0 +1,38 @@
+Doctor Zhivago movie clips: http://j.mp/1LmAQ6e
+BUY THE MOVIE: http://j.mp/12OmBON
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Yuri Zhivago (Omar Sharif) watches Russain soldiers disrupt a peaceful protest.
+
+FILM DESCRIPTION:
+Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music.
+
+CREDITS:
+TM & © Warner Bros. (1965)
+Cast: Assad Bahador, Tom Courtenay, Omar Sharif
+Director: David Lean
+Producers: Arvid Griffen, Carlo Ponti
+Screenwriters: Robert Bolt, Boris Pasternak
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/z39yOZpcji0.description

@@ -0,0 +1,65 @@
+Thunderball movie clips: http://j.mp/1O8BaJn
+BUY THE MOVIE: http://j.mp/1MURFmo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Blofeld (Anthony Dawson) holds a meeting with his SPECTRE operatives.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi).
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Clive Cazes, Andr Maranne, Murray Kash, Cecil Cheng, Eric Pohlmann, Philip Stone, Gbor Baraker, Anthony Dawson
+Director: Terence Young
+Producers: Albert R. Broccoli, Kevin McClory, Harry Saltzman, Stanley Sopel
+Screenwriters: John Hopkins, Richard Maibaum, Kevin McClory, Jack Whittingham, Ian Fleming
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/z39yOZpcji0.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:02,780 --> 00:00:06,380
+
+sit down number two we will discuss your
+
+2
+00:00:06,380 --> 00:00:06,390
+sit down number two we will discuss your
+ 
+
+3
+00:00:06,390 --> 00:00:10,850
+sit down number two we will discuss your
+nature project later I regret to inform
+
+4
+00:00:10,850 --> 00:00:10,860
+nature project later I regret to inform
+ 
+
+5
+00:00:10,860 --> 00:00:13,160
+nature project later I regret to inform
+you all of the death of Spectre number
+
+6
+00:00:13,160 --> 00:00:13,170
+you all of the death of Spectre number
+ 
+
+7
+00:00:13,170 --> 00:00:13,930
+you all of the death of Spectre number
+six
+
+8
+00:00:13,930 --> 00:00:13,940
+six
+ 
+
+9
+00:00:13,940 --> 00:00:16,910
+six
+Colonel Jack do valves film an unknown
+
+10
+00:00:16,910 --> 00:00:16,920
+Colonel Jack do valves film an unknown
+ 
+
+11
+00:00:16,920 --> 00:00:19,429
+Colonel Jack do valves film an unknown
+assassin his services will be greatly
+
+12
+00:00:19,429 --> 00:00:19,439
+assassin his services will be greatly
+ 
+
+13
+00:00:19,439 --> 00:00:20,320
+assassin his services will be greatly
+missed
+
+14
+00:00:20,320 --> 00:00:20,330
+missed
+ 
+
+15
+00:00:20,330 --> 00:00:23,029
+missed
+we will now proceed with the area
+
+16
+00:00:23,029 --> 00:00:23,039
+we will now proceed with the area
+ 
+
+17
+00:00:23,039 --> 00:00:37,040
+we will now proceed with the area
+financial reports number
+
+18
+00:00:37,040 --> 00:00:37,050
+
+ 
+
+19
+00:00:37,050 --> 00:00:39,889
+
+assassination of fan 20 met of
+
+20
+00:00:39,889 --> 00:00:39,899
+assassination of fan 20 met of
+ 
+
+21
+00:00:39,899 --> 00:00:41,150
+assassination of fan 20 met of
+specialists who went over to the
+
+22
+00:00:41,150 --> 00:00:41,160
+specialists who went over to the
+ 
+
+23
+00:00:41,160 --> 00:00:46,220
+specialists who went over to the
+Russians from the get off see number
+
+24
+00:00:46,220 --> 00:00:46,230
+Russians from the get off see number
+ 
+
+25
+00:00:46,230 --> 00:00:48,860
+Russians from the get off see number
+five our consultation fee for the
+
+26
+00:00:48,860 --> 00:00:48,870
+five our consultation fee for the
+ 
+
+27
+00:00:48,870 --> 00:00:52,600
+five our consultation fee for the
+British Train Robbery 250,000 pounds
+
+28
+00:00:52,600 --> 00:00:52,610
+British Train Robbery 250,000 pounds
+ 
+
+29
+00:00:52,610 --> 00:00:56,900
+British Train Robbery 250,000 pounds
+number a livable distribution of Red
+
+30
+00:00:56,900 --> 00:00:56,910
+number a livable distribution of Red
+ 
+
+31
+00:00:56,910 --> 00:00:59,000
+number a livable distribution of Red
+China narcotics in the United States two
+
+32
+00:00:59,000 --> 00:00:59,010
+China narcotics in the United States two
+ 
+
+33
+00:00:59,010 --> 00:01:00,939
+China narcotics in the United States two
+million three hundred thousand dollars
+
+34
+00:01:00,939 --> 00:01:00,949
+million three hundred thousand dollars
+ 
+
+35
+00:01:00,949 --> 00:01:06,789
+million three hundred thousand dollars
+collected by number nine and myself
+
+36
+00:01:06,789 --> 00:01:06,799
+
+ 
+
+37
+00:01:06,799 --> 00:01:12,620
+
+considerably higher America prices are
+
+38
+00:01:12,620 --> 00:01:12,630
+considerably higher America prices are
+ 
+
+39
+00:01:12,630 --> 00:01:17,929
+considerably higher America prices are
+down I am are you quite sure all miners
+
+40
+00:01:17,929 --> 00:01:17,939
+down I am are you quite sure all miners
+ 
+
+41
+00:01:17,939 --> 00:01:25,850
+down I am are you quite sure all miners
+have been accounted for by yourself I've
+
+42
+00:01:25,850 --> 00:01:25,860
+have been accounted for by yourself I've
+ 
+
+43
+00:01:25,860 --> 00:01:28,550
+have been accounted for by yourself I've
+satisfied myself that one used clearly
+
+44
+00:01:28,550 --> 00:01:28,560
+satisfied myself that one used clearly
+ 
+
+45
+00:01:28,560 --> 00:01:31,130
+satisfied myself that one used clearly
+guilty of embezzlement spectres are
+
+46
+00:01:31,130 --> 00:01:31,140
+guilty of embezzlement spectres are
+ 
+
+47
+00:01:31,140 --> 00:01:33,080
+guilty of embezzlement spectres are
+dedicated for eternity whose facts
+
+48
+00:01:33,080 --> 00:01:33,090
+dedicated for eternity whose facts
+ 
+
+49
+00:01:33,090 --> 00:01:36,950
+dedicated for eternity whose facts
+largely absolute integrity remember the
+
+50
+00:01:36,950 --> 00:01:36,960
+largely absolute integrity remember the
+ 
+
+51
+00:01:36,960 --> 00:01:40,249
+largely absolute integrity remember the
+character is known to me decide on the
+
+52
+00:01:40,249 --> 00:01:40,259
+character is known to me decide on the
+ 
+
+53
+00:01:40,259 --> 00:02:01,940
+character is known to me decide on the
+appropriate action
+
+54
+00:02:01,940 --> 00:02:01,950
+
+ 
+
+55
+00:02:01,950 --> 00:02:21,340
+
+there's not received new business
+
+56
+00:02:21,340 --> 00:02:21,350
+
+ 
+
+57
+00:02:21,350 --> 00:02:23,410
+
+you
+

1965/z9MEhN5rjmg.description

@@ -0,0 +1,38 @@
+How to Stuff a Wild Bikini movie clips: http://j.mp/1BcP9EX
+BUY THE MOVIE: http://j.mp/1dCUBD9
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Frankie (Frankie Avalon) gets transported back home with the help of the witch doctor Bwana (Buster Keaton) and his daughter.
+
+FILM DESCRIPTION:
+How to Stuff a Wild Bikini is considered to be the strangest of the "Beach Party" movies. Frankie (Frankie Avalon) is off in the navy, serving in the South Pacific, and nervous about all of the guys that will be hitting on Dee Dee (Annette Funicello) back at the beach. He makes a deal with an eccentric white witch doctor (Buster Keaton), who conjures up a woman named Cassandra (Beverly Adam) who is irresistible to all men, and she attracts all of the guys on the beach. But complications ensue when lunatic advertising man Mickey Rooney decides to try and make Cassandra a new national sex symbol, and she gets noticed by nutsy bike gang leader Erik Von Zipper (Harvey Lembeck), who vows to have her. With enough plot complications to rival A Midsummer Night's Dream, Wild Bikini is laced with satire and some surprisingly good music.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Frankie Avalon, Buster Keaton, Annette Funicello, Elizabeth Montgomery, Bobbi Shaw
+Director: William Asher
+Producers: Samuel Z. Arkoff, Anthony Carras, James H. Nicholson
+Screenwriters: William Asher, Leo Townsend
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/z9MEhN5rjmg.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:04,480 --> 00:00:07,510
+
+where's native girl she prettier native
+
+2
+00:00:07,510 --> 00:00:07,520
+where's native girl she prettier native
+ 
+
+3
+00:00:07,520 --> 00:00:09,350
+where's native girl she prettier native
+girl come no more
+
+4
+00:00:09,350 --> 00:00:09,360
+girl come no more
+ 
+
+5
+00:00:09,360 --> 00:00:11,589
+girl come no more
+my hitch is over and i'm going home from
+
+6
+00:00:11,589 --> 00:00:11,599
+my hitch is over and i'm going home from
+ 
+
+7
+00:00:11,599 --> 00:00:13,350
+my hitch is over and i'm going home from
+now on you could squeeze your own
+
+8
+00:00:13,350 --> 00:00:13,360
+now on you could squeeze your own
+ 
+
+9
+00:00:13,360 --> 00:00:14,870
+now on you could squeeze your own
+torpedo juice
+
+10
+00:00:14,870 --> 00:00:14,880
+torpedo juice
+ 
+
+11
+00:00:14,880 --> 00:00:23,189
+torpedo juice
+cuckoo
+
+12
+00:00:23,189 --> 00:00:23,199
+
+ 
+
+13
+00:00:23,199 --> 00:00:28,150
+
+torpedo
+
+14
+00:00:28,150 --> 00:00:28,160
+
+ 
+
+15
+00:00:28,160 --> 00:00:30,870
+
+listen buana i need a favor it's an
+
+16
+00:00:30,870 --> 00:00:30,880
+listen buana i need a favor it's an
+ 
+
+17
+00:00:30,880 --> 00:00:32,549
+listen buana i need a favor it's an
+eight-day boat ride back home and i
+
+18
+00:00:32,549 --> 00:00:32,559
+eight-day boat ride back home and i
+ 
+
+19
+00:00:32,559 --> 00:00:34,549
+eight-day boat ride back home and i
+can't wait can you fix me up so that i
+
+20
+00:00:34,549 --> 00:00:34,559
+can't wait can you fix me up so that i
+ 
+
+21
+00:00:34,559 --> 00:00:36,470
+can't wait can you fix me up so that i
+can get to the beach where dd is like
+
+22
+00:00:36,470 --> 00:00:36,480
+can get to the beach where dd is like
+ 
+
+23
+00:00:36,480 --> 00:00:39,590
+can get to the beach where dd is like
+right now
+
+24
+00:00:39,590 --> 00:00:39,600
+
+ 
+
+25
+00:00:39,600 --> 00:00:40,869
+
+too late
+
+26
+00:00:40,869 --> 00:00:40,879
+too late
+ 
+
+27
+00:00:40,879 --> 00:00:43,110
+too late
+which is supermarket closed
+
+28
+00:00:43,110 --> 00:00:43,120
+which is supermarket closed
+ 
+
+29
+00:00:43,120 --> 00:00:58,389
+which is supermarket closed
+captioning not available
+
+30
+00:00:58,389 --> 00:00:58,399
+
+ 
+
+31
+00:00:58,399 --> 00:01:00,869
+
+daughter's real pro
+
+32
+00:01:00,869 --> 00:01:00,879
+daughter's real pro
+ 
+
+33
+00:01:00,879 --> 00:01:07,830
+daughter's real pro
+they call her the witch's witch
+
+34
+00:01:07,830 --> 00:01:07,840
+
+ 
+
+35
+00:01:07,840 --> 00:01:10,070
+
+frankie here wants to get back to beats
+
+36
+00:01:10,070 --> 00:01:10,080
+frankie here wants to get back to beats
+ 
+
+37
+00:01:10,080 --> 00:01:17,030
+frankie here wants to get back to beats
+where dee dee is like right now
+
+38
+00:01:17,030 --> 00:01:17,040
+
+ 
+
+39
+00:01:17,040 --> 00:01:35,280
+
+daughter you good kid
+
+40
+00:01:35,280 --> 00:01:35,290
+
+ 
+
+41
+00:01:35,290 --> 00:01:37,910
+
+[Music]
+
+42
+00:01:37,910 --> 00:01:37,920
+[Music]
+ 
+
+43
+00:01:37,920 --> 00:01:40,870
+[Music]
+quiet nobody likes a big mouth pelican
+
+44
+00:01:40,870 --> 00:01:40,880
+quiet nobody likes a big mouth pelican
+ 
+
+45
+00:01:40,880 --> 00:01:42,230
+quiet nobody likes a big mouth pelican
+[Applause]
+
+46
+00:01:42,230 --> 00:01:42,240
+[Applause]
+ 
+
+47
+00:01:42,240 --> 00:01:45,130
+[Applause]
+why are you always hanging around anyway
+
+48
+00:01:45,130 --> 00:01:45,140
+why are you always hanging around anyway
+ 
+
+49
+00:01:45,140 --> 00:01:47,270
+why are you always hanging around anyway
+[Music]
+
+50
+00:01:47,270 --> 00:01:47,280
+[Music]
+ 
+
+51
+00:01:47,280 --> 00:01:52,950
+[Music]
+because i love you
+
+52
+00:01:52,950 --> 00:01:52,960
+
+ 
+
+53
+00:01:52,960 --> 00:01:53,630
+
+frankie
+
+54
+00:01:53,630 --> 00:01:53,640
+frankie
+ 
+
+55
+00:01:53,640 --> 00:01:55,429
+frankie
+[Music]
+
+56
+00:01:55,429 --> 00:01:55,439
+[Music]
+ 
+
+57
+00:01:55,439 --> 00:01:57,830
+[Music]
+the bird's gone and you're here how it's
+
+58
+00:01:57,830 --> 00:01:57,840
+the bird's gone and you're here how it's
+ 
+
+59
+00:01:57,840 --> 00:01:59,650
+the bird's gone and you're here how it's
+magic
+
+60
+00:01:59,650 --> 00:01:59,660
+magic
+ 
+
+61
+00:01:59,660 --> 00:02:00,870
+magic
+[Music]
+
+62
+00:02:00,870 --> 00:02:00,880
+[Music]
+ 
+
+63
+00:02:00,880 --> 00:02:24,550
+[Music]
+it is magic that's for sure
+
+64
+00:02:24,550 --> 00:02:24,560
+
+ 
+
+65
+00:02:24,560 --> 00:02:35,830
+
+[Music]
+
+66
+00:02:35,830 --> 00:02:35,840
+
+ 
+
+67
+00:02:35,840 --> 00:02:37,920
+
+you
+

1965/zkTbNH79i9A.description

@@ -0,0 +1,65 @@
+Thunderball movie clips: http://j.mp/1O8BaJn
+BUY THE MOVIE: http://j.mp/1MURFmo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Largo (Adolfo Celi) and his henchmen engage in an underwater battle with US Navy Seals.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi).
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Adolfo Celi
+Director: Terence Young
+Producers: Albert R. Broccoli, Kevin McClory, Harry Saltzman, Stanley Sopel
+Screenwriters: John Hopkins, Richard Maibaum, Kevin McClory, Jack Whittingham, Ian Fleming
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/zvA-7VuKQCU.description

@@ -0,0 +1,38 @@
+Doctor Zhivago movie clips: http://j.mp/1LmAQ6e
+BUY THE MOVIE: http://j.mp/12OmBON
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+In his last minutes of life, Dr. Yuri Zhivago (Omar Sharif) thinks he sees Lara (Julie Christie) on the street.
+
+FILM DESCRIPTION:
+Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music.
+
+CREDITS:
+TM & © Warner Bros. (1965)
+Cast: Alec Guinness, Omar Sharif, Julie Christie
+Director: David Lean
+Producers: Arvid Griffen, Carlo Ponti
+Screenwriters: Robert Bolt, Boris Pasternak
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/1EtA0HrUrYM.description

@@ -0,0 +1,33 @@
+A Funny Thing Happened on the Way to the Forum - Smoked Virgin: Hysterium (Jack Gilford) and Pseudolus (Zero Mostel) scramble when Gloriosus (Leon Greene) decides he wants to cremate the "dead" bride.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-funny-thing-happened-on-the-way-to-the-forum-1966/MMV0C59FED1DA0BB4298F43007FA0BDB0DAF?cmp=Movieclips_YT_Description
+
+Watch the best A Funny Thing Happened on the Way to the Forum scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqhxsFCuoy2qE83dAa4EmvA
+
+FILM DESCRIPTION:
+This screen adaptation of the stage musical of the same name finds the Roman slave Pseudolus (Zero Mostel) scheming his way to freedom by playing matchmaker for his master's son, Hero, who is smitten with the blonde and beautiful Philia. However, things don't go at all according to plan. The complications that ensue involve blackmail, funny disguises and long-lost children, while Pseudolus desperately tries to keep up with his end of the bargain.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Jack Gilford, Leon Greene, Phil Silvers, Zero Mostel
+Screenwriter: Melvin Frank, Michael Pertwee
+Director: Richard Lester
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1966/5PgAKzmWmuk.description

@@ -0,0 +1,38 @@
+The Good, the Bad and the Ugly movie clips: http://j.mp/1BxfuOn
+BUY THE MOVIE: http://j.mp/1C5SzeU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Blondie (Clint Eastwood) shoots Angel Eyes (Lee Van Cleef), knocking him into an open grave while Tuco (Eli Wallach) fumbles with his gun.
+
+FILM DESCRIPTION:
+In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Clint Eastwood, Lee Van Cleef, Eli Wallach
+Director: Sergio Leone
+Producer: Alberto Grimaldi
+Screenwriters: Agenore Incrocci, Mickey Knox, Furio Scarpelli, Luciano Vincenzoni, Sergio Leone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Tumblr: http://bit.ly/1vUwhH7

1966/7O6j3eHsueM.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) seduces his friends wife, Lily (Vivien Merchant).
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Vivien Merchant, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/8ISsNLwwmXg.description

@@ -0,0 +1,33 @@
+Frankie and Johnny - Masquerade: Johnny (Elvis Presley) bets big at the roulette table, but discovers that his lucky girl is none other than Frankie (Donna Douglas).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/frankie-and-johnny-1966/MMVA426853FBB99B81BEA5B4DCDF18A28F33?cmp=Movieclips_YT_Description
+
+Watch the best Frankie and Johnny scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqq4RhaULnkYj-cQs9EcH3vX
+
+FILM DESCRIPTION:
+Habitual gambler and musician Johnny (Elvis Presley) performs at a riverboat casino on the Mississippi River, along with his girlfriend, Frankie (Donna Douglas). A rash of bad luck leads Johnny to a fortuneteller, who informs him of a redheaded good luck charm. Enter Nellie Bly (Nancy Kovack), the lover of Johnny's boss, whose presence coincides with a change in Johnny's luck. But Frankie grows jealous of Johnny's new acquaintance, and the conflict comes to a head during a masquerade ball.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Donna Douglas, Elvis Presley
+Producer: Edward Small
+Director: Frederick De Cordova
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1966/8ISsNLwwmXg.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,089 --> 00:00:02,899
+
+well number you like to like and Frankie
+
+2
+00:00:02,899 --> 00:00:02,909
+well number you like to like and Frankie
+ 
+
+3
+00:00:02,909 --> 00:00:08,600
+well number you like to like and Frankie
+and you we're not rhymes spin it real
+
+4
+00:00:08,600 --> 00:00:08,610
+and you we're not rhymes spin it real
+ 
+
+5
+00:00:08,610 --> 00:00:11,700
+and you we're not rhymes spin it real
+pretty
+
+6
+00:00:11,700 --> 00:00:11,710
+
+ 
+
+7
+00:00:11,710 --> 00:00:15,709
+
+[Applause]
+
+8
+00:00:15,709 --> 00:00:15,719
+[Applause]
+ 
+
+9
+00:00:15,719 --> 00:00:26,600
+[Applause]
+a winner - black can't mess with you
+
+10
+00:00:26,600 --> 00:00:26,610
+a winner - black can't mess with you
+ 
+
+11
+00:00:26,610 --> 00:00:28,249
+a winner - black can't mess with you
+you're picking up and up and will walk
+
+12
+00:00:28,249 --> 00:00:28,259
+you're picking up and up and will walk
+ 
+
+13
+00:00:28,259 --> 00:00:30,200
+you're picking up and up and will walk
+out of your rich how about playing your
+
+14
+00:00:30,200 --> 00:00:30,210
+out of your rich how about playing your
+ 
+
+15
+00:00:30,210 --> 00:00:33,350
+out of your rich how about playing your
+age five five it is he wants to grow up
+
+16
+00:00:33,350 --> 00:00:33,360
+age five five it is he wants to grow up
+ 
+
+17
+00:00:33,360 --> 00:00:34,910
+age five five it is he wants to grow up
+you're over the limit sir
+
+18
+00:00:34,910 --> 00:00:34,920
+you're over the limit sir
+ 
+
+19
+00:00:34,920 --> 00:00:40,069
+you're over the limit sir
+well then raise it the limits officer
+
+20
+00:00:40,069 --> 00:00:40,079
+well then raise it the limits officer
+ 
+
+21
+00:00:40,079 --> 00:00:42,889
+well then raise it the limits officer
+so is your hand my hand off the magnet
+
+22
+00:00:42,889 --> 00:00:42,899
+so is your hand my hand off the magnet
+ 
+
+23
+00:00:42,899 --> 00:00:45,080
+so is your hand my hand off the magnet
+button or shall I say it loud and clear
+
+24
+00:00:45,080 --> 00:00:45,090
+button or shall I say it loud and clear
+ 
+
+25
+00:00:45,090 --> 00:00:47,000
+button or shall I say it loud and clear
+we run an honest wheel here mister
+
+26
+00:00:47,000 --> 00:00:47,010
+we run an honest wheel here mister
+ 
+
+27
+00:00:47,010 --> 00:00:48,849
+we run an honest wheel here mister
+the two of us are gonna say to that
+
+28
+00:00:48,849 --> 00:00:48,859
+the two of us are gonna say to that
+ 
+
+29
+00:00:48,859 --> 00:00:50,899
+the two of us are gonna say to that
+place your bets ladies and gentlemen
+
+30
+00:00:50,899 --> 00:00:50,909
+place your bets ladies and gentlemen
+ 
+
+31
+00:00:50,909 --> 00:00:52,160
+place your bets ladies and gentlemen
+place your bets
+
+32
+00:00:52,160 --> 00:00:52,170
+place your bets
+ 
+
+33
+00:00:52,170 --> 00:00:55,579
+place your bets
+don't be Jin's II bet it all on fire and
+
+34
+00:00:55,579 --> 00:00:55,589
+don't be Jin's II bet it all on fire and
+ 
+
+35
+00:00:55,589 --> 00:00:58,099
+don't be Jin's II bet it all on fire and
+cover all the corners you in another
+
+36
+00:00:58,099 --> 00:00:58,109
+cover all the corners you in another
+ 
+
+37
+00:00:58,109 --> 00:00:58,910
+cover all the corners you in another
+game not you
+
+38
+00:00:58,910 --> 00:00:58,920
+game not you
+ 
+
+39
+00:00:58,920 --> 00:01:01,489
+game not you
+I used to go with a gambler sir on that
+
+40
+00:01:01,489 --> 00:01:01,499
+I used to go with a gambler sir on that
+ 
+
+41
+00:01:01,499 --> 00:01:06,239
+I used to go with a gambler sir on that
+fire so he can't get away
+
+42
+00:01:06,239 --> 00:01:06,249
+
+ 
+
+43
+00:01:06,249 --> 00:01:19,559
+
+broke again but just for a minute we run
+
+44
+00:01:19,559 --> 00:01:19,569
+broke again but just for a minute we run
+ 
+
+45
+00:01:19,569 --> 00:01:20,830
+broke again but just for a minute we run
+an honest game remember
+
+46
+00:01:20,830 --> 00:01:20,840
+an honest game remember
+ 
+
+47
+00:01:20,840 --> 00:01:32,210
+an honest game remember
+[Applause]
+
+48
+00:01:32,210 --> 00:01:32,220
+
+ 
+
+49
+00:01:32,220 --> 00:01:37,020
+
+five chase me I wish 10,000 bucks I'm a
+
+50
+00:01:37,020 --> 00:01:37,030
+five chase me I wish 10,000 bucks I'm a
+ 
+
+51
+00:01:37,030 --> 00:01:37,620
+five chase me I wish 10,000 bucks I'm a
+millionaire
+
+52
+00:01:37,620 --> 00:01:37,630
+millionaire
+ 
+
+53
+00:01:37,630 --> 00:01:39,780
+millionaire
+and I'll tell you what do it yes you did
+
+54
+00:01:39,780 --> 00:01:39,790
+and I'll tell you what do it yes you did
+ 
+
+55
+00:01:39,790 --> 00:01:41,160
+and I'll tell you what do it yes you did
+I'm now on its menu Nellie
+
+56
+00:01:41,160 --> 00:01:41,170
+I'm now on its menu Nellie
+ 
+
+57
+00:01:41,170 --> 00:01:42,330
+I'm now on its menu Nellie
+well break ever casino they'll
+
+58
+00:01:42,330 --> 00:01:42,340
+well break ever casino they'll
+ 
+
+59
+00:01:42,340 --> 00:01:52,440
+well break ever casino they'll
+understand are you with me why not hmm
+
+60
+00:01:52,440 --> 00:01:52,450
+understand are you with me why not hmm
+ 
+
+61
+00:01:52,450 --> 00:01:55,590
+understand are you with me why not hmm
+can't be no two women kissing like yet
+
+62
+00:01:55,590 --> 00:01:55,600
+can't be no two women kissing like yet
+ 
+
+63
+00:01:55,600 --> 00:01:57,840
+can't be no two women kissing like yet
+can't be is right from now and it's you
+
+64
+00:01:57,840 --> 00:01:57,850
+can't be is right from now and it's you
+ 
+
+65
+00:01:57,850 --> 00:02:00,150
+can't be is right from now and it's you
+and me Nellie are you with me little
+
+66
+00:02:00,150 --> 00:02:00,160
+and me Nellie are you with me little
+ 
+
+67
+00:02:00,160 --> 00:02:03,000
+and me Nellie are you with me little
+maybe she yes but I'm not
+
+68
+00:02:03,000 --> 00:02:03,010
+maybe she yes but I'm not
+ 
+
+69
+00:02:03,010 --> 00:02:14,919
+maybe she yes but I'm not
+[Music]
+

1966/8p1gevM0y-I.description

@@ -0,0 +1,33 @@
+Frankie and Johnny - Lucky Redhead: Johnny (Elvis Presley) meets Nellie Bly (Nancy Kovack), who brings him good luck at roulette.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/frankie-and-johnny-1966/MMVA426853FBB99B81BEA5B4DCDF18A28F33?cmp=Movieclips_YT_Description
+
+Watch the best Frankie and Johnny scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqq4RhaULnkYj-cQs9EcH3vX
+
+FILM DESCRIPTION:
+Habitual gambler and musician Johnny (Elvis Presley) performs at a riverboat casino on the Mississippi River, along with his girlfriend, Frankie (Donna Douglas). A rash of bad luck leads Johnny to a fortuneteller, who informs him of a redheaded good luck charm. Enter Nellie Bly (Nancy Kovack), the lover of Johnny's boss, whose presence coincides with a change in Johnny's luck. But Frankie grows jealous of Johnny's new acquaintance, and the conflict comes to a head during a masquerade ball.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Elvis Presley, Harry Morgan, Nancy Kovack
+Producer: Edward Small
+Director: Frederick De Cordova
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1966/8p1gevM0y-I.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,030 --> 00:00:02,330
+
+what do you six work even let's try
+
+2
+00:00:02,330 --> 00:00:02,340
+what do you six work even let's try
+ 
+
+3
+00:00:02,340 --> 00:00:08,089
+what do you six work even let's try
+another table all blunt I can't go
+
+4
+00:00:08,089 --> 00:00:08,099
+another table all blunt I can't go
+ 
+
+5
+00:00:08,099 --> 00:00:09,350
+another table all blunt I can't go
+against Selita you're too damn
+
+6
+00:00:09,350 --> 00:00:09,360
+against Selita you're too damn
+ 
+
+7
+00:00:09,360 --> 00:00:11,690
+against Selita you're too damn
+particular the chips are so beautiful
+
+8
+00:00:11,690 --> 00:00:11,700
+particular the chips are so beautiful
+ 
+
+9
+00:00:11,700 --> 00:00:12,980
+particular the chips are so beautiful
+redhead and the beautiful redhead it's
+
+10
+00:00:12,980 --> 00:00:12,990
+redhead and the beautiful redhead it's
+ 
+
+11
+00:00:12,990 --> 00:00:14,240
+redhead and the beautiful redhead it's
+gonna be well then we're wasting our
+
+12
+00:00:14,240 --> 00:00:14,250
+gonna be well then we're wasting our
+ 
+
+13
+00:00:14,250 --> 00:00:17,230
+gonna be well then we're wasting our
+time here seven blondes not one redhead
+
+14
+00:00:17,230 --> 00:00:17,240
+time here seven blondes not one redhead
+ 
+
+15
+00:00:17,240 --> 00:00:19,730
+time here seven blondes not one redhead
+seven that's a hutch bit of ever I heard
+
+16
+00:00:19,730 --> 00:00:19,740
+seven that's a hutch bit of ever I heard
+ 
+
+17
+00:00:19,740 --> 00:00:20,179
+seven that's a hutch bit of ever I heard
+one
+
+18
+00:00:20,179 --> 00:00:20,189
+one
+ 
+
+19
+00:00:20,189 --> 00:00:21,859
+one
+one stock please how tell the Gypsy on
+
+20
+00:00:21,859 --> 00:00:21,869
+one stock please how tell the Gypsy on
+ 
+
+21
+00:00:21,869 --> 00:00:26,720
+one stock please how tell the Gypsy on
+you place your bets 1 7 oh no lady
+
+22
+00:00:26,720 --> 00:00:26,730
+you place your bets 1 7 oh no lady
+ 
+
+23
+00:00:26,730 --> 00:00:31,130
+you place your bets 1 7 oh no lady
+it's a kiss of death I'm sorry off 7 :
+
+24
+00:00:31,130 --> 00:00:31,140
+it's a kiss of death I'm sorry off 7 :
+ 
+
+25
+00:00:31,140 --> 00:00:33,110
+it's a kiss of death I'm sorry off 7 :
+Johnny maybe that you're lucky redhead
+
+26
+00:00:33,110 --> 00:00:33,120
+Johnny maybe that you're lucky redhead
+ 
+
+27
+00:00:33,120 --> 00:00:36,470
+Johnny maybe that you're lucky redhead
+are you reactions over there
+
+28
+00:00:36,470 --> 00:00:36,480
+are you reactions over there
+ 
+
+29
+00:00:36,480 --> 00:00:37,670
+are you reactions over there
+no more bets
+
+30
+00:00:37,670 --> 00:00:37,680
+no more bets
+ 
+
+31
+00:00:37,680 --> 00:00:43,799
+no more bets
+[Applause]
+
+32
+00:00:43,799 --> 00:00:43,809
+[Applause]
+ 
+
+33
+00:00:43,809 --> 00:00:50,350
+[Applause]
+Simon a winner red 35 times 20 you would
+
+34
+00:00:50,350 --> 00:00:50,360
+Simon a winner red 35 times 20 you would
+ 
+
+35
+00:00:50,360 --> 00:00:52,540
+Simon a winner red 35 times 20 you would
+have won 700 bucks she can do it once
+
+36
+00:00:52,540 --> 00:00:52,550
+have won 700 bucks she can do it once
+ 
+
+37
+00:00:52,550 --> 00:00:53,619
+have won 700 bucks she can do it once
+she can do it again
+
+38
+00:00:53,619 --> 00:00:53,629
+she can do it again
+ 
+
+39
+00:00:53,629 --> 00:00:55,540
+she can do it again
+are you a real redhead I'm a real
+
+40
+00:00:55,540 --> 00:00:55,550
+are you a real redhead I'm a real
+ 
+
+41
+00:00:55,550 --> 00:00:57,639
+are you a real redhead I'm a real
+everything what's your lucky number
+
+42
+00:00:57,639 --> 00:00:57,649
+everything what's your lucky number
+ 
+
+43
+00:00:57,649 --> 00:01:00,910
+everything what's your lucky number
+one one at a time one it is would you
+
+44
+00:01:00,910 --> 00:01:00,920
+one one at a time one it is would you
+ 
+
+45
+00:01:00,920 --> 00:01:03,759
+one one at a time one it is would you
+mind giving them your magic touch just
+
+46
+00:01:03,759 --> 00:01:03,769
+mind giving them your magic touch just
+ 
+
+47
+00:01:03,769 --> 00:01:06,999
+mind giving them your magic touch just
+for luck I better get the bottom or two
+
+48
+00:01:06,999 --> 00:01:07,009
+for luck I better get the bottom or two
+ 
+
+49
+00:01:07,009 --> 00:01:11,649
+for luck I better get the bottom or two
+Hey this time tomorrow the ship should
+
+50
+00:01:11,649 --> 00:01:11,659
+Hey this time tomorrow the ship should
+ 
+
+51
+00:01:11,659 --> 00:01:14,050
+Hey this time tomorrow the ship should
+be the SS Johnny what's your name lucky
+
+52
+00:01:14,050 --> 00:01:14,060
+be the SS Johnny what's your name lucky
+ 
+
+53
+00:01:14,060 --> 00:01:16,660
+be the SS Johnny what's your name lucky
+Nellie Nellie Bly welcome aboard
+
+54
+00:01:16,660 --> 00:01:16,670
+Nellie Nellie Bly welcome aboard
+ 
+
+55
+00:01:16,670 --> 00:01:19,210
+Nellie Nellie Bly welcome aboard
+that's it Bly I need a name to rhyme
+
+56
+00:01:19,210 --> 00:01:19,220
+that's it Bly I need a name to rhyme
+ 
+
+57
+00:01:19,220 --> 00:01:20,980
+that's it Bly I need a name to rhyme
+with I for a new song I'm writing now I
+
+58
+00:01:20,980 --> 00:01:20,990
+with I for a new song I'm writing now I
+ 
+
+59
+00:01:20,990 --> 00:01:21,639
+with I for a new song I'm writing now I
+got it
+
+60
+00:01:21,639 --> 00:01:21,649
+got it
+ 
+
+61
+00:01:21,649 --> 00:01:24,040
+got it
+nearly bride we're gonna be made famous
+
+62
+00:01:24,040 --> 00:01:24,050
+nearly bride we're gonna be made famous
+ 
+
+63
+00:01:24,050 --> 00:01:25,690
+nearly bride we're gonna be made famous
+in a song well I've tried every other
+
+64
+00:01:25,690 --> 00:01:25,700
+in a song well I've tried every other
+ 
+
+65
+00:01:25,700 --> 00:01:30,940
+in a song well I've tried every other
+way I don't even have to look I know
+
+66
+00:01:30,940 --> 00:01:30,950
+way I don't even have to look I know
+ 
+
+67
+00:01:30,950 --> 00:01:39,219
+way I don't even have to look I know
+it's gonna be number one one maybe we
+
+68
+00:01:39,219 --> 00:01:39,229
+it's gonna be number one one maybe we
+ 
+
+69
+00:01:39,229 --> 00:01:47,770
+it's gonna be number one one maybe we
+just got here they break up in what 400
+
+70
+00:01:47,770 --> 00:01:47,780
+just got here they break up in what 400
+ 
+
+71
+00:01:47,780 --> 00:01:49,540
+just got here they break up in what 400
+yeah where'd she go I was just going
+
+72
+00:01:49,540 --> 00:01:49,550
+yeah where'd she go I was just going
+ 
+
+73
+00:01:49,550 --> 00:01:50,979
+yeah where'd she go I was just going
+good what about these chips keep
+
+74
+00:01:50,979 --> 00:01:50,989
+good what about these chips keep
+ 
+
+75
+00:01:50,989 --> 00:01:54,339
+good what about these chips keep
+counting on the right back alley it's
+
+76
+00:01:54,339 --> 00:01:54,349
+counting on the right back alley it's
+ 
+
+77
+00:01:54,349 --> 00:01:56,020
+counting on the right back alley it's
+been a long year without you you never
+
+78
+00:01:56,020 --> 00:01:56,030
+been a long year without you you never
+ 
+
+79
+00:01:56,030 --> 00:01:56,830
+been a long year without you you never
+looked better
+
+80
+00:01:56,830 --> 00:01:56,840
+looked better
+ 
+
+81
+00:01:56,840 --> 00:01:59,199
+looked better
+you have who's been keeping you up night
+
+82
+00:01:59,199 --> 00:01:59,209
+you have who's been keeping you up night
+ 
+
+83
+00:01:59,209 --> 00:02:03,040
+you have who's been keeping you up night
+we're gonna remember names
+
+84
+00:02:03,040 --> 00:02:03,050
+
+ 
+
+85
+00:02:03,050 --> 00:02:09,070
+
+[Music]
+
+86
+00:02:09,070 --> 00:02:09,080
+
+ 
+
+87
+00:02:09,080 --> 00:02:11,140
+
+you
+

1966/9Vve6PAxRpk.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) flirts with a customer he photographs.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Shelley Winters, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
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1966/9Vve6PAxRpk.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:05,480 --> 00:00:06,829
+
+I'm sure he a nice gentleman you can
+
+2
+00:00:06,829 --> 00:00:06,839
+I'm sure he a nice gentleman you can
+ 
+
+3
+00:00:06,839 --> 00:00:08,990
+I'm sure he a nice gentleman you can
+have it on your own if you I
+
+4
+00:00:08,990 --> 00:00:09,000
+have it on your own if you I
+ 
+
+5
+00:00:09,000 --> 00:00:11,870
+have it on your own if you I
+mean you got film in that camera hey you
+
+6
+00:00:11,870 --> 00:00:11,880
+mean you got film in that camera hey you
+ 
+
+7
+00:00:11,880 --> 00:00:15,270
+mean you got film in that camera hey you
+loaded yeah oh good oh good morning T
+
+8
+00:00:15,270 --> 00:00:15,280
+loaded yeah oh good oh good morning T
+ 
+
+9
+00:00:15,280 --> 00:00:24,349
+loaded yeah oh good oh good morning T
+nice to see
+
+10
+00:00:24,349 --> 00:00:24,359
+
+ 
+
+11
+00:00:24,359 --> 00:00:28,310
+
+you come on lady give us a great big
+
+12
+00:00:28,310 --> 00:00:28,320
+you come on lady give us a great big
+ 
+
+13
+00:00:28,320 --> 00:00:31,029
+you come on lady give us a great big
+smile here you are sir not today thank
+
+14
+00:00:31,029 --> 00:00:31,039
+smile here you are sir not today thank
+ 
+
+15
+00:00:31,039 --> 00:00:32,830
+smile here you are sir not today thank
+you they won't bite you I tell you I
+
+16
+00:00:32,830 --> 00:00:32,840
+you they won't bite you I tell you I
+ 
+
+17
+00:00:32,840 --> 00:00:34,350
+you they won't bite you I tell you I
+don't want my photograph taken well I
+
+18
+00:00:34,350 --> 00:00:34,360
+don't want my photograph taken well I
+ 
+
+19
+00:00:34,360 --> 00:00:35,630
+don't want my photograph taken well I
+can't say that I blame you what about
+
+20
+00:00:35,630 --> 00:00:35,640
+can't say that I blame you what about
+ 
+
+21
+00:00:35,640 --> 00:00:37,510
+can't say that I blame you what about
+the young lady and nor does she now how
+
+22
+00:00:37,510 --> 00:00:37,520
+the young lady and nor does she now how
+ 
+
+23
+00:00:37,520 --> 00:00:39,069
+the young lady and nor does she now how
+would you know that sir what about it
+
+24
+00:00:39,069 --> 00:00:39,079
+would you know that sir what about it
+ 
+
+25
+00:00:39,079 --> 00:00:41,750
+would you know that sir what about it
+one on your Jack I mean on your own all
+
+26
+00:00:41,750 --> 00:00:41,760
+one on your Jack I mean on your own all
+ 
+
+27
+00:00:41,760 --> 00:00:45,029
+one on your Jack I mean on your own all
+right I think I will vacationing no
+
+28
+00:00:45,029 --> 00:00:45,039
+right I think I will vacationing no
+ 
+
+29
+00:00:45,039 --> 00:00:50,430
+right I think I will vacationing no
+immigrant in a way married sometimes now
+
+30
+00:00:50,430 --> 00:00:50,440
+immigrant in a way married sometimes now
+ 
+
+31
+00:00:50,440 --> 00:00:53,590
+immigrant in a way married sometimes now
+no not now uh how do you want me how do
+
+32
+00:00:53,590 --> 00:00:53,600
+no not now uh how do you want me how do
+ 
+
+33
+00:00:53,600 --> 00:00:55,430
+no not now uh how do you want me how do
+I want you well I've got two positions
+
+34
+00:00:55,430 --> 00:00:55,440
+I want you well I've got two positions
+ 
+
+35
+00:00:55,440 --> 00:00:57,549
+I want you well I've got two positions
+straight up or sideways depending on
+
+36
+00:00:57,549 --> 00:00:57,559
+straight up or sideways depending on
+ 
+
+37
+00:00:57,559 --> 00:00:59,430
+straight up or sideways depending on
+your nationality I'll tell you what I'll
+
+38
+00:00:59,430 --> 00:00:59,440
+your nationality I'll tell you what I'll
+ 
+
+39
+00:00:59,440 --> 00:01:01,790
+your nationality I'll tell you what I'll
+have you against ships all right I've
+
+40
+00:01:01,790 --> 00:01:01,800
+have you against ships all right I've
+ 
+
+41
+00:01:01,800 --> 00:01:04,590
+have you against ships all right I've
+always been partial to the
+
+42
+00:01:04,590 --> 00:01:04,600
+always been partial to the
+ 
+
+43
+00:01:04,600 --> 00:01:07,630
+always been partial to the
+Navy you look a real treat there you do
+
+44
+00:01:07,630 --> 00:01:07,640
+Navy you look a real treat there you do
+ 
+
+45
+00:01:07,640 --> 00:01:09,630
+Navy you look a real treat there you do
+Ru be we have no time to waste here but
+
+46
+00:01:09,630 --> 00:01:09,640
+Ru be we have no time to waste here but
+ 
+
+47
+00:01:09,640 --> 00:01:11,030
+Ru be we have no time to waste here but
+won't take the tick sir we got a fast
+
+48
+00:01:11,030 --> 00:01:11,040
+won't take the tick sir we got a fast
+ 
+
+49
+00:01:11,040 --> 00:01:14,469
+won't take the tick sir we got a fast
+film in today allow me
+
+50
+00:01:14,469 --> 00:01:14,479
+film in today allow me
+ 
+
+51
+00:01:14,479 --> 00:01:16,789
+film in today allow me
+Madam he's getting a bit choked up isn't
+
+52
+00:01:16,789 --> 00:01:16,799
+Madam he's getting a bit choked up isn't
+ 
+
+53
+00:01:16,799 --> 00:01:19,230
+Madam he's getting a bit choked up isn't
+he well don't let it worry you oh it
+
+54
+00:01:19,230 --> 00:01:19,240
+he well don't let it worry you oh it
+ 
+
+55
+00:01:19,240 --> 00:01:20,830
+he well don't let it worry you oh it
+doesn't worry me it doesn't seem to
+
+56
+00:01:20,830 --> 00:01:20,840
+doesn't worry me it doesn't seem to
+ 
+
+57
+00:01:20,840 --> 00:01:22,069
+doesn't worry me it doesn't seem to
+worry you
+
+58
+00:01:22,069 --> 00:01:22,079
+worry you
+ 
+
+59
+00:01:22,079 --> 00:01:24,670
+worry you
+either well I never let any man worried
+
+60
+00:01:24,670 --> 00:01:24,680
+either well I never let any man worried
+ 
+
+61
+00:01:24,680 --> 00:01:26,910
+either well I never let any man worried
+me no I see what you
+
+62
+00:01:26,910 --> 00:01:26,920
+me no I see what you
+ 
+
+63
+00:01:26,920 --> 00:01:30,910
+me no I see what you
+mean now that's lovely can you hold it
+
+64
+00:01:30,910 --> 00:01:30,920
+mean now that's lovely can you hold it
+ 
+
+65
+00:01:30,920 --> 00:01:33,550
+mean now that's lovely can you hold it
+I'll do my best young man put a jerk in
+
+66
+00:01:33,550 --> 00:01:33,560
+I'll do my best young man put a jerk in
+ 
+
+67
+00:01:33,560 --> 00:01:34,990
+I'll do my best young man put a jerk in
+it I'll put a jerk in you if you're not
+
+68
+00:01:34,990 --> 00:01:35,000
+it I'll put a jerk in you if you're not
+ 
+
+69
+00:01:35,000 --> 00:01:37,990
+it I'll put a jerk in you if you're not
+careful right hold it lovely that's a
+
+70
+00:01:37,990 --> 00:01:38,000
+careful right hold it lovely that's a
+ 
+
+71
+00:01:38,000 --> 00:01:39,429
+careful right hold it lovely that's a
+real Beauty now let's get in for the
+
+72
+00:01:39,429 --> 00:01:39,439
+real Beauty now let's get in for the
+ 
+
+73
+00:01:39,439 --> 00:01:42,190
+real Beauty now let's get in for the
+closeup licky
+
+74
+00:01:42,190 --> 00:01:42,200
+closeup licky
+ 
+
+75
+00:01:42,200 --> 00:01:44,310
+closeup licky
+lips it's
+
+76
+00:01:44,310 --> 00:01:44,320
+lips it's
+ 
+
+77
+00:01:44,320 --> 00:01:50,590
+lips it's
+true now what's should di your
+
+78
+00:01:50,590 --> 00:01:50,600
+
+ 
+
+79
+00:01:50,600 --> 00:01:53,429
+
+P now what's your
+
+80
+00:01:53,429 --> 00:01:53,439
+P now what's your
+ 
+
+81
+00:01:53,439 --> 00:01:58,830
+P now what's your
+address and your telephone
+
+82
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+83
+00:01:58,840 --> 00:02:01,670
+
+number that's uh three of each be 15
+
+84
+00:02:01,670 --> 00:02:01,680
+number that's uh three of each be 15
+ 
+
+85
+00:02:01,680 --> 00:02:03,709
+number that's uh three of each be 15
+Shillings
+
+86
+00:02:03,709 --> 00:02:03,719
+Shillings
+ 
+
+87
+00:02:03,719 --> 00:02:07,309
+Shillings
+H haven't you got any change no I
+
+88
+00:02:07,309 --> 00:02:07,319
+H haven't you got any change no I
+ 
+
+89
+00:02:07,319 --> 00:02:09,350
+H haven't you got any change no I
+haven't now I'll have to go and look for
+
+90
+00:02:09,350 --> 00:02:09,360
+haven't now I'll have to go and look for
+ 
+
+91
+00:02:09,360 --> 00:02:12,430
+haven't now I'll have to go and look for
+some keep the bloody
+
+92
+00:02:12,430 --> 00:02:12,440
+some keep the bloody
+ 
+
+93
+00:02:12,440 --> 00:02:28,830
+some keep the bloody
+[Music]
+
+94
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+95
+00:02:28,840 --> 00:02:37,530
+
+change
+
+96
+00:02:37,530 --> 00:02:37,540
+
+ 
+
+97
+00:02:37,540 --> 00:02:43,509
+
+[Music]
+

1966/AF9cqjNt9uc.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) gives some parental advise to Gilda (Julia Foster), and talks about his relationship with his son.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Julia Foster, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/AF9cqjNt9uc.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:01,400 --> 00:00:03,830
+
+don't don't jump after him at once it
+
+2
+00:00:03,830 --> 00:00:03,840
+don't don't jump after him at once it
+ 
+
+3
+00:00:03,840 --> 00:00:05,630
+don't don't jump after him at once it
+don't do you'll grow more and more
+
+4
+00:00:05,630 --> 00:00:05,640
+don't do you'll grow more and more
+ 
+
+5
+00:00:05,640 --> 00:00:06,909
+don't do you'll grow more and more
+attached to one another he won't even go
+
+6
+00:00:06,909 --> 00:00:06,919
+attached to one another he won't even go
+ 
+
+7
+00:00:06,919 --> 00:00:08,629
+attached to one another he won't even go
+to this Miss
+
+8
+00:00:08,629 --> 00:00:08,639
+to this Miss
+ 
+
+9
+00:00:08,639 --> 00:00:12,110
+to this Miss
+tipping here he mate it's enough of that
+
+10
+00:00:12,110 --> 00:00:12,120
+tipping here he mate it's enough of that
+ 
+
+11
+00:00:12,120 --> 00:00:14,629
+tipping here he mate it's enough of that
+now I'll give you something to cry
+
+12
+00:00:14,629 --> 00:00:14,639
+now I'll give you something to cry
+ 
+
+13
+00:00:14,639 --> 00:00:24,910
+now I'll give you something to cry
+for come on
+
+14
+00:00:24,910 --> 00:00:24,920
+
+ 
+
+15
+00:00:24,920 --> 00:00:27,669
+
+now yeah you see all you need is a
+
+16
+00:00:27,669 --> 00:00:27,679
+now yeah you see all you need is a
+ 
+
+17
+00:00:27,679 --> 00:00:30,029
+now yeah you see all you need is a
+father's voice don't forget he's got
+
+18
+00:00:30,029 --> 00:00:30,039
+father's voice don't forget he's got
+ 
+
+19
+00:00:30,039 --> 00:00:31,589
+father's voice don't forget he's got
+hard life in front of him so you don't
+
+20
+00:00:31,589 --> 00:00:31,599
+hard life in front of him so you don't
+ 
+
+21
+00:00:31,599 --> 00:00:32,950
+hard life in front of him so you don't
+want to give him any wrong impression
+
+22
+00:00:32,950 --> 00:00:32,960
+want to give him any wrong impression
+ 
+
+23
+00:00:32,960 --> 00:00:35,250
+want to give him any wrong impression
+from the start
+
+24
+00:00:35,250 --> 00:00:35,260
+from the start
+ 
+
+25
+00:00:35,260 --> 00:01:04,030
+from the start
+[Music]
+
+26
+00:01:04,030 --> 00:01:04,040
+[Music]
+ 
+
+27
+00:01:04,040 --> 00:01:06,590
+[Music]
+now about this little kid of mine well
+
+28
+00:01:06,590 --> 00:01:06,600
+now about this little kid of mine well
+ 
+
+29
+00:01:06,600 --> 00:01:08,910
+now about this little kid of mine well
+he turns out to be a real quicking and
+
+30
+00:01:08,910 --> 00:01:08,920
+he turns out to be a real quicking and
+ 
+
+31
+00:01:08,920 --> 00:01:10,469
+he turns out to be a real quicking and
+he don't not love it when I play games
+
+32
+00:01:10,469 --> 00:01:10,479
+he don't not love it when I play games
+ 
+
+33
+00:01:10,479 --> 00:01:13,670
+he don't not love it when I play games
+with him never want his mother always
+
+34
+00:01:13,670 --> 00:01:13,680
+with him never want his mother always
+ 
+
+35
+00:01:13,680 --> 00:01:15,310
+with him never want his mother always
+asked him for his
+
+36
+00:01:15,310 --> 00:01:15,320
+asked him for his
+ 
+
+37
+00:01:15,320 --> 00:01:17,910
+asked him for his
+father very soon I find I'm getting
+
+38
+00:01:17,910 --> 00:01:17,920
+father very soon I find I'm getting
+ 
+
+39
+00:01:17,920 --> 00:01:21,149
+father very soon I find I'm getting
+quite attached to him know what I mean
+
+40
+00:01:21,149 --> 00:01:21,159
+quite attached to him know what I mean
+ 
+
+41
+00:01:21,159 --> 00:01:24,109
+quite attached to him know what I mean
+now leted samic I always guard against
+
+42
+00:01:24,109 --> 00:01:24,119
+now leted samic I always guard against
+ 
+
+43
+00:01:24,119 --> 00:01:25,950
+now leted samic I always guard against
+because sooner or later that's going to
+
+44
+00:01:25,950 --> 00:01:25,960
+because sooner or later that's going to
+ 
+
+45
+00:01:25,960 --> 00:01:28,550
+because sooner or later that's going to
+bring you some pain so if a bird ain't
+
+46
+00:01:28,550 --> 00:01:28,560
+bring you some pain so if a bird ain't
+ 
+
+47
+00:01:28,560 --> 00:01:32,390
+bring you some pain so if a bird ain't
+got you one way she's got J now
+
+48
+00:01:32,390 --> 00:01:32,400
+got you one way she's got J now
+ 
+
+49
+00:01:32,400 --> 00:02:00,870
+got you one way she's got J now
+[Music]
+
+50
+00:02:00,870 --> 00:02:00,880
+
+ 
+
+51
+00:02:00,880 --> 00:02:03,600
+
+ch
+

1966/AWJPmyL5uHI.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After being introduced to his newborn son, Alfie (Michael Caine) continues to charm the women he encounters.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Julia Foster, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/AWJPmyL5uHI.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:01,680 --> 00:00:04,590
+
+I can see more of me and him than
+
+2
+00:00:04,590 --> 00:00:04,600
+I can see more of me and him than
+ 
+
+3
+00:00:04,600 --> 00:00:07,550
+I can see more of me and him than
+you what are you going to call him I
+
+4
+00:00:07,550 --> 00:00:07,560
+you what are you going to call him I
+ 
+
+5
+00:00:07,560 --> 00:00:11,589
+you what are you going to call him I
+thought Malcolm Alfred Malcolm bleed and
+
+6
+00:00:11,589 --> 00:00:11,599
+thought Malcolm Alfred Malcolm bleed and
+ 
+
+7
+00:00:11,599 --> 00:00:13,749
+thought Malcolm Alfred Malcolm bleed and
+Alfred you'll never forgive you you give
+
+8
+00:00:13,749 --> 00:00:13,759
+Alfred you'll never forgive you you give
+ 
+
+9
+00:00:13,759 --> 00:00:15,150
+Alfred you'll never forgive you you give
+him a name like
+
+10
+00:00:15,150 --> 00:00:15,160
+him a name like
+ 
+
+11
+00:00:15,160 --> 00:00:19,190
+him a name like
+that yeah he's moving quick you better
+
+12
+00:00:19,190 --> 00:00:19,200
+that yeah he's moving quick you better
+ 
+
+13
+00:00:19,200 --> 00:00:24,029
+that yeah he's moving quick you better
+[Music]
+
+14
+00:00:24,029 --> 00:00:24,039
+
+ 
+
+15
+00:00:24,039 --> 00:00:26,630
+
+take now the mistake I made with Gilda
+
+16
+00:00:26,630 --> 00:00:26,640
+take now the mistake I made with Gilda
+ 
+
+17
+00:00:26,640 --> 00:00:28,950
+take now the mistake I made with Gilda
+was getting involved I was having a
+
+18
+00:00:28,950 --> 00:00:28,960
+was getting involved I was having a
+ 
+
+19
+00:00:28,960 --> 00:00:31,150
+was getting involved I was having a
+beautiful little life and I couldn't see
+
+20
+00:00:31,150 --> 00:00:31,160
+beautiful little life and I couldn't see
+ 
+
+21
+00:00:31,160 --> 00:00:34,160
+beautiful little life and I couldn't see
+it there was this manageress of a dry
+
+22
+00:00:34,160 --> 00:00:34,170
+it there was this manageress of a dry
+ 
+
+23
+00:00:34,170 --> 00:00:54,869
+it there was this manageress of a dry
+[Music]
+
+24
+00:00:54,869 --> 00:00:54,879
+
+ 
+
+25
+00:00:54,879 --> 00:00:56,830
+
+cleaners and I was getting a soup
+
+26
+00:00:56,830 --> 00:00:56,840
+cleaners and I was getting a soup
+ 
+
+27
+00:00:56,840 --> 00:01:00,270
+cleaners and I was getting a soup
+cleaned in the bargain
+
+28
+00:01:00,270 --> 00:01:00,280
+cleaned in the bargain
+ 
+
+29
+00:01:00,280 --> 00:01:04,070
+cleaned in the bargain
+well you can't turn something like that
+
+30
+00:01:04,070 --> 00:01:04,080
+well you can't turn something like that
+ 
+
+31
+00:01:04,080 --> 00:01:06,630
+well you can't turn something like that
+down then there was this Shir up with
+
+32
+00:01:06,630 --> 00:01:06,640
+down then there was this Shir up with
+ 
+
+33
+00:01:06,640 --> 00:01:08,429
+down then there was this Shir up with
+this woman from a foot camp at service I
+
+34
+00:01:08,429 --> 00:01:08,439
+this woman from a foot camp at service I
+ 
+
+35
+00:01:08,439 --> 00:01:10,390
+this woman from a foot camp at service I
+was having it off with she used to cut
+
+36
+00:01:10,390 --> 00:01:10,400
+was having it off with she used to cut
+ 
+
+37
+00:01:10,400 --> 00:01:12,670
+was having it off with she used to cut
+me Corn's handsom she did blind me I
+
+38
+00:01:12,670 --> 00:01:12,680
+me Corn's handsom she did blind me I
+ 
+
+39
+00:01:12,680 --> 00:01:14,230
+me Corn's handsom she did blind me I
+never had me feet in such lovely
+
+40
+00:01:14,230 --> 00:01:14,240
+never had me feet in such lovely
+ 
+
+41
+00:01:14,240 --> 00:01:16,030
+never had me feet in such lovely
+condition I was uping about like a
+
+42
+00:01:16,030 --> 00:01:16,040
+condition I was uping about like a
+ 
+
+43
+00:01:16,040 --> 00:01:17,749
+condition I was uping about like a
+little
+
+44
+00:01:17,749 --> 00:01:17,759
+little
+ 
+
+45
+00:01:17,759 --> 00:01:20,950
+little
+fairy she's got a little ginger
+
+46
+00:01:20,950 --> 00:01:20,960
+fairy she's got a little ginger
+ 
+
+47
+00:01:20,960 --> 00:01:23,630
+fairy she's got a little ginger
+mustache but I find I'm quite willing to
+
+48
+00:01:23,630 --> 00:01:23,640
+mustache but I find I'm quite willing to
+ 
+
+49
+00:01:23,640 --> 00:01:26,310
+mustache but I find I'm quite willing to
+overlook the unblemish in a woman
+
+50
+00:01:26,310 --> 00:01:26,320
+overlook the unblemish in a woman
+ 
+
+51
+00:01:26,320 --> 00:01:27,749
+overlook the unblemish in a woman
+provided she's got something else to
+
+52
+00:01:27,749 --> 00:01:27,759
+provided she's got something else to
+ 
+
+53
+00:01:27,759 --> 00:01:31,950
+provided she's got something else to
+make up for it
+
+54
+00:01:31,950 --> 00:01:31,960
+
+ 
+
+55
+00:01:31,960 --> 00:01:33,749
+
+well that's what we're all here for a't
+
+56
+00:01:33,749 --> 00:01:33,759
+well that's what we're all here for a't
+ 
+
+57
+00:01:33,759 --> 00:01:37,830
+well that's what we're all here for a't
+it to help one another out in this
+
+58
+00:01:37,830 --> 00:01:37,840
+it to help one another out in this
+ 
+
+59
+00:01:37,840 --> 00:01:40,350
+it to help one another out in this
+life then there was Dora this little
+
+60
+00:01:40,350 --> 00:01:40,360
+life then there was Dora this little
+ 
+
+61
+00:01:40,360 --> 00:01:42,230
+life then there was Dora this little
+bird from pimo I was having it off with
+
+62
+00:01:42,230 --> 00:01:42,240
+bird from pimo I was having it off with
+ 
+
+63
+00:01:42,240 --> 00:01:44,069
+bird from pimo I was having it off with
+every Monday and Wednesday when her
+
+64
+00:01:44,069 --> 00:01:44,079
+every Monday and Wednesday when her
+ 
+
+65
+00:01:44,079 --> 00:01:50,469
+every Monday and Wednesday when her
+young man was at his bodybuilding
+
+66
+00:01:50,469 --> 00:01:50,479
+
+ 
+
+67
+00:01:50,479 --> 00:01:53,190
+
+class and on top of them there was
+
+68
+00:01:53,190 --> 00:01:53,200
+class and on top of them there was
+ 
+
+69
+00:01:53,200 --> 00:01:55,310
+class and on top of them there was
+always the odd bird that came my way by
+
+70
+00:01:55,310 --> 00:01:55,320
+always the odd bird that came my way by
+ 
+
+71
+00:01:55,320 --> 00:02:00,910
+always the odd bird that came my way by
+chance
+
+72
+00:02:00,910 --> 00:02:00,920
+
+ 
+
+73
+00:02:00,920 --> 00:02:02,630
+
+oh what a lovely
+
+74
+00:02:02,630 --> 00:02:02,640
+oh what a lovely
+ 
+
+75
+00:02:02,640 --> 00:02:07,910
+oh what a lovely
+baby yeah is it yours no no it's my
+
+76
+00:02:07,910 --> 00:02:07,920
+baby yeah is it yours no no it's my
+ 
+
+77
+00:02:07,920 --> 00:02:10,350
+baby yeah is it yours no no it's my
+sister's so why I had to get involved
+
+78
+00:02:10,350 --> 00:02:10,360
+sister's so why I had to get involved
+ 
+
+79
+00:02:10,360 --> 00:02:20,900
+sister's so why I had to get involved
+with Gilda I do not know
+
+80
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+81
+00:02:20,910 --> 00:02:43,509
+
+[Music]
+

1966/B0FZhLeHy7A.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) explains the difference between married and single women.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Millicent Martin, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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1966/B0FZhLeHy7A.en.srt

@@ -0,0 +1,475 @@
+1
+00:00:00,359 --> 00:00:02,790
+
+watch your ring with my stockings move
+
+2
+00:00:02,790 --> 00:00:02,800
+watch your ring with my stockings move
+ 
+
+3
+00:00:02,800 --> 00:00:04,550
+watch your ring with my stockings move
+over a bit
+
+4
+00:00:04,550 --> 00:00:04,560
+over a bit
+ 
+
+5
+00:00:04,560 --> 00:00:07,230
+over a bit
+then
+
+6
+00:00:07,230 --> 00:00:07,240
+then
+ 
+
+7
+00:00:07,240 --> 00:00:10,430
+then
+oh get your knee off the steering wheel
+
+8
+00:00:10,430 --> 00:00:10,440
+oh get your knee off the steering wheel
+ 
+
+9
+00:00:10,440 --> 00:00:13,350
+oh get your knee off the steering wheel
+I can't I'm stuck here look out I'll do
+
+10
+00:00:13,350 --> 00:00:13,360
+I can't I'm stuck here look out I'll do
+ 
+
+11
+00:00:13,360 --> 00:00:18,870
+I can't I'm stuck here look out I'll do
+it oh that
+
+12
+00:00:18,870 --> 00:00:18,880
+
+ 
+
+13
+00:00:18,880 --> 00:00:21,269
+
+hurt I told you before to be careful
+
+14
+00:00:21,269 --> 00:00:21,279
+hurt I told you before to be careful
+ 
+
+15
+00:00:21,279 --> 00:00:22,630
+hurt I told you before to be careful
+where you put your legs I was only
+
+16
+00:00:22,630 --> 00:00:22,640
+where you put your legs I was only
+ 
+
+17
+00:00:22,640 --> 00:00:26,790
+where you put your legs I was only
+trying to be helpful I can help
+
+18
+00:00:26,790 --> 00:00:26,800
+
+ 
+
+19
+00:00:26,800 --> 00:00:30,509
+
+myself hello
+
+20
+00:00:30,509 --> 00:00:30,519
+myself hello
+ 
+
+21
+00:00:30,519 --> 00:00:33,510
+myself hello
+they never make these cars big enough do
+
+22
+00:00:33,510 --> 00:00:33,520
+they never make these cars big enough do
+ 
+
+23
+00:00:33,520 --> 00:00:36,590
+they never make these cars big enough do
+they well you all settled in right we
+
+24
+00:00:36,590 --> 00:00:36,600
+they well you all settled in right we
+ 
+
+25
+00:00:36,600 --> 00:00:40,229
+they well you all settled in right we
+can begin my name is
+
+26
+00:00:40,229 --> 00:00:40,239
+can begin my name is
+ 
+
+27
+00:00:40,239 --> 00:00:42,670
+can begin my name is
+Alfie
+
+28
+00:00:42,670 --> 00:00:42,680
+Alfie
+ 
+
+29
+00:00:42,680 --> 00:00:44,510
+Alfie
+Alfie I suppose you think you're going
+
+30
+00:00:44,510 --> 00:00:44,520
+Alfie I suppose you think you're going
+ 
+
+31
+00:00:44,520 --> 00:00:46,990
+Alfie I suppose you think you're going
+to see the bleeding titles now well
+
+32
+00:00:46,990 --> 00:00:47,000
+to see the bleeding titles now well
+ 
+
+33
+00:00:47,000 --> 00:00:49,389
+to see the bleeding titles now well
+you're not so you can all relax Alie
+
+34
+00:00:49,389 --> 00:00:49,399
+you're not so you can all relax Alie
+ 
+
+35
+00:00:49,399 --> 00:00:51,350
+you're not so you can all relax Alie
+here what time did your old man say be
+
+36
+00:00:51,350 --> 00:00:51,360
+here what time did your old man say be
+ 
+
+37
+00:00:51,360 --> 00:00:52,950
+here what time did your old man say be
+waiting for you at the station oh never
+
+38
+00:00:52,950 --> 00:00:52,960
+waiting for you at the station oh never
+ 
+
+39
+00:00:52,960 --> 00:00:54,590
+waiting for you at the station oh never
+mind about him that's just who I am
+
+40
+00:00:54,590 --> 00:00:54,600
+mind about him that's just who I am
+ 
+
+41
+00:00:54,600 --> 00:00:56,510
+mind about him that's just who I am
+going to mind never spoil a good thing
+
+42
+00:00:56,510 --> 00:00:56,520
+going to mind never spoil a good thing
+ 
+
+43
+00:00:56,520 --> 00:00:57,869
+going to mind never spoil a good thing
+that's a thing you women can't get into
+
+44
+00:00:57,869 --> 00:00:57,879
+that's a thing you women can't get into
+ 
+
+45
+00:00:57,879 --> 00:01:00,110
+that's a thing you women can't get into
+your heads come on now enough is good as
+
+46
+00:01:00,110 --> 00:01:00,120
+your heads come on now enough is good as
+ 
+
+47
+00:01:00,120 --> 00:01:02,790
+your heads come on now enough is good as
+a feast oh you soon changed your tune
+
+48
+00:01:02,790 --> 00:01:02,800
+a feast oh you soon changed your tune
+ 
+
+49
+00:01:02,800 --> 00:01:04,829
+a feast oh you soon changed your tune
+well that horn put me off I hate the
+
+50
+00:01:04,829 --> 00:01:04,839
+well that horn put me off I hate the
+ 
+
+51
+00:01:04,839 --> 00:01:09,030
+well that horn put me off I hate the
+noise at a time like that hey mate you
+
+52
+00:01:09,030 --> 00:01:09,040
+noise at a time like that hey mate you
+ 
+
+53
+00:01:09,040 --> 00:01:11,270
+noise at a time like that hey mate you
+don't forget your napkin I well do you
+
+54
+00:01:11,270 --> 00:01:11,280
+don't forget your napkin I well do you
+ 
+
+55
+00:01:11,280 --> 00:01:12,510
+don't forget your napkin I well do you
+know what I thought the first time I saw
+
+56
+00:01:12,510 --> 00:01:12,520
+know what I thought the first time I saw
+ 
+
+57
+00:01:12,520 --> 00:01:13,670
+know what I thought the first time I saw
+you put your handkerchief over your
+
+58
+00:01:13,670 --> 00:01:13,680
+you put your handkerchief over your
+ 
+
+59
+00:01:13,680 --> 00:01:15,270
+you put your handkerchief over your
+shoulder what thought you were going to
+
+60
+00:01:15,270 --> 00:01:15,280
+shoulder what thought you were going to
+ 
+
+61
+00:01:15,280 --> 00:01:17,070
+shoulder what thought you were going to
+take out your fidd and play well I come
+
+62
+00:01:17,070 --> 00:01:17,080
+take out your fidd and play well I come
+ 
+
+63
+00:01:17,080 --> 00:01:19,990
+take out your fidd and play well I come
+my musical family do I here what mind
+
+64
+00:01:19,990 --> 00:01:20,000
+my musical family do I here what mind
+ 
+
+65
+00:01:20,000 --> 00:01:24,950
+my musical family do I here what mind
+you don't get
+
+66
+00:01:24,950 --> 00:01:24,960
+
+ 
+
+67
+00:01:24,960 --> 00:01:30,230
+
+cold I've had a lovely time Alfie
+
+68
+00:01:30,230 --> 00:01:30,240
+
+ 
+
+69
+00:01:30,240 --> 00:01:32,469
+
+a married woman see they're every one of
+
+70
+00:01:32,469 --> 00:01:32,479
+a married woman see they're every one of
+ 
+
+71
+00:01:32,479 --> 00:01:34,749
+a married woman see they're every one of
+them in need of a good laugh they'll
+
+72
+00:01:34,749 --> 00:01:34,759
+them in need of a good laugh they'll
+ 
+
+73
+00:01:34,759 --> 00:01:37,670
+them in need of a good laugh they'll
+never Strike their husbands I always say
+
+74
+00:01:37,670 --> 00:01:37,680
+never Strike their husbands I always say
+ 
+
+75
+00:01:37,680 --> 00:01:39,510
+never Strike their husbands I always say
+make a married woman laugh and you're
+
+76
+00:01:39,510 --> 00:01:39,520
+make a married woman laugh and you're
+ 
+
+77
+00:01:39,520 --> 00:01:41,789
+make a married woman laugh and you're
+halfway there with her of course it
+
+78
+00:01:41,789 --> 00:01:41,799
+halfway there with her of course it
+ 
+
+79
+00:01:41,799 --> 00:01:43,630
+halfway there with her of course it
+don't work with a single Bird start you
+
+80
+00:01:43,630 --> 00:01:43,640
+don't work with a single Bird start you
+ 
+
+81
+00:01:43,640 --> 00:01:45,670
+don't work with a single Bird start you
+off on the wrong foot you get one of
+
+82
+00:01:45,670 --> 00:01:45,680
+off on the wrong foot you get one of
+ 
+
+83
+00:01:45,680 --> 00:01:49,830
+off on the wrong foot you get one of
+them laughing you w't get nothing
+
+84
+00:01:49,830 --> 00:01:49,840
+
+ 
+
+85
+00:01:49,840 --> 00:01:53,069
+
+else yeah just listen to it it was dead
+
+86
+00:01:53,069 --> 00:01:53,079
+else yeah just listen to it it was dead
+ 
+
+87
+00:01:53,079 --> 00:01:54,990
+else yeah just listen to it it was dead
+Glam when I made it tonight I listen to
+
+88
+00:01:54,990 --> 00:01:55,000
+Glam when I made it tonight I listen to
+ 
+
+89
+00:01:55,000 --> 00:01:57,510
+Glam when I made it tonight I listen to
+all its problems then I got it laughing
+
+90
+00:01:57,510 --> 00:01:57,520
+all its problems then I got it laughing
+ 
+
+91
+00:01:57,520 --> 00:02:01,590
+all its problems then I got it laughing
+it will go home ay
+
+92
+00:02:01,590 --> 00:02:01,600
+
+ 
+
+93
+00:02:01,600 --> 00:02:12,430
+
+p
+
+94
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+95
+00:02:12,440 --> 00:02:43,509
+
+[Music]
+

1966/BCC8LOkisAI.description

@@ -0,0 +1,33 @@
+A Funny Thing Happened on the Way to the Forum - The Soothsayer: Pseudolus (Zero Mostel) pretends to be a soothsayer to keep Erronius (Buster Keaotn) from going into his home.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-funny-thing-happened-on-the-way-to-the-forum-1966/MMV0C59FED1DA0BB4298F43007FA0BDB0DAF?cmp=Movieclips_YT_Description
+
+Watch the best A Funny Thing Happened on the Way to the Forum scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqhxsFCuoy2qE83dAa4EmvA
+
+FILM DESCRIPTION:
+This screen adaptation of the stage musical of the same name finds the Roman slave Pseudolus (Zero Mostel) scheming his way to freedom by playing matchmaker for his master's son, Hero, who is smitten with the blonde and beautiful Philia. However, things don't go at all according to plan. The complications that ensue involve blackmail, funny disguises and long-lost children, while Pseudolus desperately tries to keep up with his end of the bargain.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Buster Keaton, Michael Hordern, Zero Mostel
+Screenwriter: Melvin Frank, Michael Pertwee
+Director: Richard Lester
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
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+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1966/BCC8LOkisAI.en.srt

@@ -0,0 +1,280 @@
+1
+00:00:03,920 --> 00:00:09,770
+
+daddy's that hot inspiration
+
+2
+00:00:09,770 --> 00:00:09,780
+
+ 
+
+3
+00:00:09,780 --> 00:00:13,459
+
+look in every idea was a mary sue
+
+4
+00:00:13,459 --> 00:00:13,469
+look in every idea was a mary sue
+ 
+
+5
+00:00:13,469 --> 00:00:16,700
+look in every idea was a mary sue
+series to mike the house live
+
+6
+00:00:16,700 --> 00:00:16,710
+series to mike the house live
+ 
+
+7
+00:00:16,710 --> 00:00:18,680
+series to mike the house live
+share but poor takes it no new
+
+8
+00:00:18,680 --> 00:00:18,690
+share but poor takes it no new
+ 
+
+9
+00:00:18,690 --> 00:00:22,700
+share but poor takes it no new
+series your house is dog a dog and
+
+10
+00:00:22,700 --> 00:00:22,710
+series your house is dog a dog and
+ 
+
+11
+00:00:22,710 --> 00:00:25,400
+series your house is dog a dog and
+after they is long you have systems
+
+12
+00:00:25,400 --> 00:00:25,410
+after they is long you have systems
+ 
+
+13
+00:00:25,410 --> 00:00:26,720
+after they is long you have systems
+sheets
+
+14
+00:00:26,720 --> 00:00:26,730
+sheets
+ 
+
+15
+00:00:26,730 --> 00:00:30,980
+sheets
+is this yes no flats more sometimes there
+
+16
+00:00:30,980 --> 00:00:30,990
+is this yes no flats more sometimes there
+ 
+
+17
+00:00:30,990 --> 00:00:41,330
+is this yes no flats more sometimes there
+between him and sometimes my house the moss and
+
+18
+00:00:41,330 --> 00:00:41,340
+between him and sometimes my house the moss and
+ 
+
+19
+00:00:41,340 --> 00:00:42,830
+between him and sometimes my house the moss and
+down the museums
+
+20
+00:00:42,830 --> 00:00:42,840
+down the museums
+ 
+
+21
+00:00:42,840 --> 00:00:47,510
+down the museums
+hardjono again vine scene of this white
+
+22
+00:00:47,510 --> 00:00:47,520
+hardjono again vine scene of this white
+ 
+
+23
+00:00:47,520 --> 00:00:52,549
+hardjono again vine scene of this white
+stuff in my
+
+24
+00:00:52,549 --> 00:00:52,559
+
+ 
+
+25
+00:00:52,559 --> 00:00:57,139
+
+completely to zele soup you pass he
+
+26
+00:00:57,139 --> 00:00:57,149
+completely to zele soup you pass he
+ 
+
+27
+00:00:57,149 --> 00:00:58,160
+completely to zele soup you pass he
+went
+
+28
+00:00:58,160 --> 00:00:58,170
+went
+ 
+
+29
+00:00:58,170 --> 00:01:04,700
+went
+do your glasses live in ahoy o but that is
+
+30
+00:01:04,700 --> 00:01:04,710
+do your glasses live in ahoy o but that is
+ 
+
+31
+00:01:04,710 --> 00:01:12,620
+do your glasses live in ahoy o but that is
+now have in coaching oh what are to
+
+32
+00:01:12,620 --> 00:01:12,630
+now have in coaching oh what are to
+ 
+
+33
+00:01:12,630 --> 00:01:20,660
+now have in coaching oh what are to
+check out my big boy and is strange
+
+34
+00:01:20,660 --> 00:01:20,670
+check out my big boy and is strange
+ 
+
+35
+00:01:20,670 --> 00:01:29,899
+check out my big boy and is strange
+little boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh
+
+36
+00:01:29,899 --> 00:01:32,060
+little boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh boy oh
+ 
+
+37
+00:01:32,060 --> 00:01:36,200
+
+ 
+
+38
+00:01:36,200 --> 00:01:39,800
+
+ 
+
+39
+00:01:39,800 --> 00:01:39,810
+
+ 
+
+40
+00:01:39,810 --> 00:01:42,380
+
+boy oh I so in the world and my
+
+41
+00:01:42,380 --> 00:01:42,390
+boy oh I so in the world and my
+ 
+
+42
+00:01:42,390 --> 00:01:46,490
+boy oh I so in the world and my
+driver the politicians legal at least
+
+43
+00:01:46,490 --> 00:01:46,500
+driver the politicians legal at least
+ 
+
+44
+00:01:46,500 --> 00:01:50,749
+driver the politicians legal at least
+effe the fire sweet and boys room
+
+45
+00:01:50,749 --> 00:01:50,759
+effe the fire sweet and boys room
+ 
+
+46
+00:01:50,759 --> 00:01:54,030
+effe the fire sweet and boys room
+seven times rounds and our it
+
+47
+00:01:54,030 --> 00:01:54,040
+seven times rounds and our it
+ 
+
+48
+00:01:54,040 --> 00:01:57,180
+seven times rounds and our it
+saves I started with a cardiologist
+
+49
+00:01:57,180 --> 00:01:57,190
+saves I started with a cardiologist
+ 
+
+50
+00:01:57,190 --> 00:01:59,760
+saves I started with a cardiologist
+domain within
+
+51
+00:01:59,760 --> 00:01:59,770
+
+ 
+
+52
+00:01:59,770 --> 00:02:04,140
+
+time stage to use
+
+53
+00:02:04,140 --> 00:02:04,150
+
+ 
+
+54
+00:02:04,150 --> 00:02:07,999
+
+this is the list put thank you
+
+55
+00:02:07,999 --> 00:02:08,009
+
+ 
+
+56
+00:02:08,009 --> 00:02:19,340
+
+[Music]
+

1966/BFpoIHexhKQ.description

@@ -0,0 +1,38 @@
+The Naked Prey movie clips: http://j.mp/1J9zFFa
+BUY THE MOVIE: http://j.mp/AttkJ9
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Man (Cornel Wilde) and a brazen ivory trader (Patrick Mynhardt) hunt elephants for their tusks while on safari in Africa.
+
+FILM DESCRIPTION:
+In the bush country of South Africa in the late 19th century, chauvinistic hunter Gert vanDen Bergh calculatedly offends a local tribal chief. Given several opportunities, he refuses to apologize. As consequence, vanDen Bergh and the rest of his hunting party are captured by the tribesmen and grotesquely tortured to death. The only white man spared is safari-guide Cornel Wilde, whom the natives respect and vice versa. The tribesmen offer Wilde a chance to survive; stripping him naked and giving him a knife to defend himself, they set Wilde free in the jungle, in preparation of hunting him down like a lion. Given a head start equal to the distance one of the tribesman can fire an arrow, Wilde is pursued by the tribe's six most accomplished warriors. The rest of this thrill-a-minute film follows Wilde into the underbrush in his desperate, resourceful flight for life. Cornel Wilde's The Naked Prey was filmed entirely on location under circumstances nearly as dangerous as the plight of its protagonist.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Patrick Mynhardt, Cornel Wilde
+Director: Cornel Wilde
+Producers: Cornel Wilde, Sven Persson
+Screenwriters: Clint Johnston, Don Peters
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Movie News: http://bit.ly/1C3Ncd2
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/BFpoIHexhKQ.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,240 --> 00:00:20,260
+
+oh
+
+2
+00:00:20,260 --> 00:00:20,270
+
+ 
+
+3
+00:00:20,270 --> 00:00:21,150
+
+[Music]
+
+4
+00:00:21,150 --> 00:00:21,160
+[Music]
+ 
+
+5
+00:00:21,160 --> 00:00:27,160
+[Music]
+[Applause]
+
+6
+00:00:27,160 --> 00:00:27,170
+
+ 
+
+7
+00:00:27,170 --> 00:00:30,150
+
+[Music]
+
+8
+00:00:30,150 --> 00:00:30,160
+[Music]
+ 
+
+9
+00:00:30,160 --> 00:00:32,039
+[Music]
+a
+
+10
+00:00:32,039 --> 00:00:32,049
+a
+ 
+
+11
+00:00:32,049 --> 00:01:09,710
+a
+[Music]
+
+12
+00:01:09,710 --> 00:01:09,720
+
+ 
+
+13
+00:01:09,720 --> 00:01:11,590
+
+did you see that brain shot I made in
+
+14
+00:01:11,590 --> 00:01:11,600
+did you see that brain shot I made in
+ 
+
+15
+00:01:11,600 --> 00:01:13,910
+did you see that brain shot I made in
+that big
+
+16
+00:01:13,910 --> 00:01:13,920
+that big
+ 
+
+17
+00:01:13,920 --> 00:01:16,990
+that big
+bull running too let everybody eat after
+
+18
+00:01:16,990 --> 00:01:17,000
+bull running too let everybody eat after
+ 
+
+19
+00:01:17,000 --> 00:01:21,069
+bull running too let everybody eat after
+they've clean one Tusk
+
+20
+00:01:21,069 --> 00:01:21,079
+
+ 
+
+21
+00:01:21,079 --> 00:01:24,870
+
+right at an
+
+22
+00:01:24,870 --> 00:01:24,880
+
+ 
+
+23
+00:01:24,880 --> 00:01:31,710
+
+angle I got 14 of them not bad
+
+24
+00:01:31,710 --> 00:01:31,720
+
+ 
+
+25
+00:01:31,720 --> 00:01:33,990
+
+how many did you get we're not in a
+
+26
+00:01:33,990 --> 00:01:34,000
+how many did you get we're not in a
+ 
+
+27
+00:01:34,000 --> 00:01:36,950
+how many did you get we're not in a
+contest
+
+28
+00:01:36,950 --> 00:01:36,960
+contest
+ 
+
+29
+00:01:36,960 --> 00:01:41,270
+contest
+11 that's how many l 11 to my
+
+30
+00:01:41,270 --> 00:01:41,280
+11 that's how many l 11 to my
+ 
+
+31
+00:01:41,280 --> 00:01:44,310
+11 that's how many l 11 to my
+14 all of mine were carrying Ivory what
+
+32
+00:01:44,310 --> 00:01:44,320
+14 all of mine were carrying Ivory what
+ 
+
+33
+00:01:44,320 --> 00:01:46,550
+14 all of mine were carrying Ivory what
+is that supposed to mean but mine
+
+34
+00:01:46,550 --> 00:01:46,560
+is that supposed to mean but mine
+ 
+
+35
+00:01:46,560 --> 00:01:49,030
+is that supposed to mean but mine
+weren't exactly five of them weren't
+
+36
+00:01:49,030 --> 00:01:49,040
+weren't exactly five of them weren't
+ 
+
+37
+00:01:49,040 --> 00:01:51,950
+weren't exactly five of them weren't
+worth the gunpowder what the hell so I
+
+38
+00:01:51,950 --> 00:01:51,960
+worth the gunpowder what the hell so I
+ 
+
+39
+00:01:51,960 --> 00:01:54,630
+worth the gunpowder what the hell so I
+shot some of them for
+
+40
+00:01:54,630 --> 00:01:54,640
+shot some of them for
+ 
+
+41
+00:01:54,640 --> 00:01:57,550
+shot some of them for
+sport have another
+
+42
+00:01:57,550 --> 00:01:57,560
+sport have another
+ 
+
+43
+00:01:57,560 --> 00:02:00,510
+sport have another
+drink not for me I think we both had
+
+44
+00:02:00,510 --> 00:02:00,520
+drink not for me I think we both had
+ 
+
+45
+00:02:00,520 --> 00:02:02,069
+drink not for me I think we both had
+enough we've got quite a few miles to
+
+46
+00:02:02,069 --> 00:02:02,079
+enough we've got quite a few miles to
+ 
+
+47
+00:02:02,079 --> 00:02:05,389
+enough we've got quite a few miles to
+cover today look friend you're managing
+
+48
+00:02:05,389 --> 00:02:05,399
+cover today look friend you're managing
+ 
+
+49
+00:02:05,399 --> 00:02:09,430
+cover today look friend you're managing
+the Safari not me I'll have another
+
+50
+00:02:09,430 --> 00:02:09,440
+the Safari not me I'll have another
+ 
+
+51
+00:02:09,440 --> 00:02:30,869
+the Safari not me I'll have another
+[Music]
+
+52
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+53
+00:02:30,879 --> 00:02:34,520
+
+to
+
+54
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+55
+00:02:34,530 --> 00:02:40,490
+
+[Music]
+

1966/C4dkYaeNLuc.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) overreacts when he finds out from the doctor that he has an infection.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Michael Caine, Eleanor Bron
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/C4dkYaeNLuc.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,399 --> 00:00:02,750
+
+this is your X-ray
+
+2
+00:00:02,750 --> 00:00:02,760
+this is your X-ray
+ 
+
+3
+00:00:02,760 --> 00:00:07,309
+this is your X-ray
+Mr blam is that me yes it is I'm just a
+
+4
+00:00:07,309 --> 00:00:07,319
+Mr blam is that me yes it is I'm just a
+ 
+
+5
+00:00:07,319 --> 00:00:09,669
+Mr blam is that me yes it is I'm just a
+load of old roofs I'm afraid there are
+
+6
+00:00:09,669 --> 00:00:09,679
+load of old roofs I'm afraid there are
+ 
+
+7
+00:00:09,679 --> 00:00:12,110
+load of old roofs I'm afraid there are
+two Shadows on your lungs Shadows on me
+
+8
+00:00:12,110 --> 00:00:12,120
+two Shadows on your lungs Shadows on me
+ 
+
+9
+00:00:12,120 --> 00:00:13,749
+two Shadows on your lungs Shadows on me
+lungs what are you talking about Shadows
+
+10
+00:00:13,749 --> 00:00:13,759
+lungs what are you talking about Shadows
+ 
+
+11
+00:00:13,759 --> 00:00:15,509
+lungs what are you talking about Shadows
+what sort of Shadows look at this patch
+
+12
+00:00:15,509 --> 00:00:15,519
+what sort of Shadows look at this patch
+ 
+
+13
+00:00:15,519 --> 00:00:18,550
+what sort of Shadows look at this patch
+you got an infection here and one here
+
+14
+00:00:18,550 --> 00:00:18,560
+you got an infection here and one here
+ 
+
+15
+00:00:18,560 --> 00:00:20,550
+you got an infection here and one here
+an infection but I can't have I ain't
+
+16
+00:00:20,550 --> 00:00:20,560
+an infection but I can't have I ain't
+ 
+
+17
+00:00:20,560 --> 00:00:22,670
+an infection but I can't have I ain't
+been with nobody it's not a question
+
+18
+00:00:22,670 --> 00:00:22,680
+been with nobody it's not a question
+ 
+
+19
+00:00:22,680 --> 00:00:25,310
+been with nobody it's not a question
+yeah you got to do something about this
+
+20
+00:00:25,310 --> 00:00:25,320
+yeah you got to do something about this
+ 
+
+21
+00:00:25,320 --> 00:00:26,830
+yeah you got to do something about this
+no don't worry we can deal with it no
+
+22
+00:00:26,830 --> 00:00:26,840
+no don't worry we can deal with it no
+ 
+
+23
+00:00:26,840 --> 00:00:28,029
+no don't worry we can deal with it no
+but you better add him quick I want the
+
+24
+00:00:28,029 --> 00:00:28,039
+but you better add him quick I want the
+ 
+
+25
+00:00:28,039 --> 00:00:29,790
+but you better add him quick I want the
+best attention there is I'll even pay
+
+26
+00:00:29,790 --> 00:00:29,800
+best attention there is I'll even pay
+ 
+
+27
+00:00:29,800 --> 00:00:32,350
+best attention there is I'll even pay
+for it's just a question of rest that's
+
+28
+00:00:32,350 --> 00:00:32,360
+for it's just a question of rest that's
+ 
+
+29
+00:00:32,360 --> 00:00:34,830
+for it's just a question of rest that's
+all you need rest I can't rest I off to
+
+30
+00:00:34,830 --> 00:00:34,840
+all you need rest I can't rest I off to
+ 
+
+31
+00:00:34,840 --> 00:00:37,069
+all you need rest I can't rest I off to
+Brighton now with a party of Lous pictus
+
+32
+00:00:37,069 --> 00:00:37,079
+Brighton now with a party of Lous pictus
+ 
+
+33
+00:00:37,079 --> 00:00:38,750
+Brighton now with a party of Lous pictus
+we're in for a real good blowout it's
+
+34
+00:00:38,750 --> 00:00:38,760
+we're in for a real good blowout it's
+ 
+
+35
+00:00:38,760 --> 00:00:40,670
+we're in for a real good blowout it's
+all been booked you have to be unbooked
+
+36
+00:00:40,670 --> 00:00:40,680
+all been booked you have to be unbooked
+ 
+
+37
+00:00:40,680 --> 00:00:42,270
+all been booked you have to be unbooked
+you need rest in the quiet of the
+
+38
+00:00:42,270 --> 00:00:42,280
+you need rest in the quiet of the
+ 
+
+39
+00:00:42,280 --> 00:00:45,029
+you need rest in the quiet of the
+country I hate the country anyway how
+
+40
+00:00:45,029 --> 00:00:45,039
+country I hate the country anyway how
+ 
+
+41
+00:00:45,039 --> 00:00:54,470
+country I hate the country anyway how
+can you rest with all that beding D
+
+42
+00:00:54,470 --> 00:00:54,480
+
+ 
+
+43
+00:00:54,480 --> 00:00:58,790
+
+chorus oh what's the
+
+44
+00:00:58,790 --> 00:00:58,800
+chorus oh what's the
+ 
+
+45
+00:00:58,800 --> 00:01:03,429
+chorus oh what's the
+matter what my feet feel like
+
+46
+00:01:03,429 --> 00:01:03,439
+
+ 
+
+47
+00:01:03,439 --> 00:01:06,550
+
+L the sweat is pouring off me now Mr
+
+48
+00:01:06,550 --> 00:01:06,560
+L the sweat is pouring off me now Mr
+ 
+
+49
+00:01:06,560 --> 00:01:08,710
+L the sweat is pouring off me now Mr
+Elkins do keep calm these are only
+
+50
+00:01:08,710 --> 00:01:08,720
+Elkins do keep calm these are only
+ 
+
+51
+00:01:08,720 --> 00:01:11,950
+Elkins do keep calm these are only
+Shadows you know
+
+52
+00:01:11,950 --> 00:01:11,960
+Shadows you know
+ 
+
+53
+00:01:11,960 --> 00:01:15,109
+Shadows you know
+Shadows only me
+
+54
+00:01:15,109 --> 00:01:15,119
+Shadows only me
+ 
+
+55
+00:01:15,119 --> 00:01:17,310
+Shadows only me
+lungs I'm being eaten
+
+56
+00:01:17,310 --> 00:01:17,320
+lungs I'm being eaten
+ 
+
+57
+00:01:17,320 --> 00:01:21,670
+lungs I'm being eaten
+away this is the end of me oh got it EV
+
+58
+00:01:21,670 --> 00:01:21,680
+away this is the end of me oh got it EV
+ 
+
+59
+00:01:21,680 --> 00:01:33,830
+away this is the end of me oh got it EV
+help me
+
+60
+00:01:33,830 --> 00:01:33,840
+
+ 
+
+61
+00:01:33,840 --> 00:01:38,030
+
+good afternoon Mr Elkins good
+
+62
+00:01:38,030 --> 00:01:38,040
+
+ 
+
+63
+00:01:38,040 --> 00:01:40,990
+
+afternoon here once you know you ain't
+
+64
+00:01:40,990 --> 00:01:41,000
+afternoon here once you know you ain't
+ 
+
+65
+00:01:41,000 --> 00:01:43,389
+afternoon here once you know you ain't
+going to die funny how soon you pull
+
+66
+00:01:43,389 --> 00:01:43,399
+going to die funny how soon you pull
+ 
+
+67
+00:01:43,399 --> 00:01:49,410
+going to die funny how soon you pull
+back to normal
+
+68
+00:01:49,410 --> 00:01:49,420
+
+ 
+
+69
+00:01:49,420 --> 00:02:00,550
+
+[Music]
+
+70
+00:02:00,550 --> 00:02:00,560
+[Music]
+ 
+
+71
+00:02:00,560 --> 00:02:06,410
+[Music]
+sh
+
+72
+00:02:06,410 --> 00:02:06,420
+
+ 
+
+73
+00:02:06,420 --> 00:02:20,470
+
+[Music]
+

1966/D7Ax5jr6mDM.description

@@ -0,0 +1,38 @@
+The Good, the Bad and the Ugly movie clips: http://j.mp/1BxfuOn
+BUY THE MOVIE: http://j.mp/1C5SzeU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After Blondie (Clint Eastwood) saves Tuco (Eli Wallach) from hanging, they split the reward and Tuco delivers him a warning.
+
+FILM DESCRIPTION:
+In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: John Bartha, Clint Eastwood, Eli Wallach
+Director: Sergio Leone
+Producer: Alberto Grimaldi
+Screenwriters: Agenore Incrocci, Mickey Knox, Furio Scarpelli, Luciano Vincenzoni, Sergio Leone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/D7Ax5jr6mDM.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,240 --> 00:00:02,470
+
+The Condemned is guilty of using Mark
+
+2
+00:00:02,470 --> 00:00:02,480
+The Condemned is guilty of using Mark
+ 
+
+3
+00:00:02,480 --> 00:00:03,829
+The Condemned is guilty of using Mark
+cards and
+
+4
+00:00:03,829 --> 00:00:03,839
+cards and
+ 
+
+5
+00:00:03,839 --> 00:00:07,190
+cards and
+loaded therefore according to the powers
+
+6
+00:00:07,190 --> 00:00:07,200
+loaded therefore according to the powers
+ 
+
+7
+00:00:07,200 --> 00:00:10,350
+loaded therefore according to the powers
+vested in us we sentence the accused
+
+8
+00:00:10,350 --> 00:00:10,360
+vested in us we sentence the accused
+ 
+
+9
+00:00:10,360 --> 00:00:14,350
+vested in us we sentence the accused
+here before us Tuco benedicto Pacifico
+
+10
+00:00:14,350 --> 00:00:14,360
+here before us Tuco benedicto Pacifico
+ 
+
+11
+00:00:14,360 --> 00:00:17,310
+here before us Tuco benedicto Pacifico
+Juan Maria Ramirez known as the rat and
+
+12
+00:00:17,310 --> 00:00:17,320
+Juan Maria Ramirez known as the rat and
+ 
+
+13
+00:00:17,320 --> 00:00:19,870
+Juan Maria Ramirez known as the rat and
+any other aliases he
+
+14
+00:00:19,870 --> 00:00:19,880
+any other aliases he
+ 
+
+15
+00:00:19,880 --> 00:00:23,150
+any other aliases he
+might to hang by the neck until dead may
+
+16
+00:00:23,150 --> 00:00:23,160
+might to hang by the neck until dead may
+ 
+
+17
+00:00:23,160 --> 00:00:52,389
+might to hang by the neck until dead may
+God have mercy on his soul proceed
+
+18
+00:00:52,389 --> 00:00:52,399
+
+ 
+
+19
+00:00:52,399 --> 00:00:53,590
+
+time for
+
+20
+00:00:53,590 --> 00:00:53,600
+time for
+ 
+
+21
+00:00:53,600 --> 00:01:00,670
+time for
+you one two three four five for me
+
+22
+00:01:00,670 --> 00:01:00,680
+you one two three four five for me
+ 
+
+23
+00:01:00,680 --> 00:01:01,910
+you one two three four five for me
+five for
+
+24
+00:01:01,910 --> 00:01:01,920
+five for
+ 
+
+25
+00:01:01,920 --> 00:01:04,590
+five for
+you and five for
+
+26
+00:01:04,590 --> 00:01:04,600
+you and five for
+ 
+
+27
+00:01:04,600 --> 00:01:08,630
+you and five for
+me know how much you're worth now no how
+
+28
+00:01:08,630 --> 00:01:08,640
+me know how much you're worth now no how
+ 
+
+29
+00:01:08,640 --> 00:01:12,480
+me know how much you're worth now no how
+much
+
+30
+00:01:12,480 --> 00:01:12,490
+
+ 
+
+31
+00:01:12,490 --> 00:01:14,070
+
+[Music]
+
+32
+00:01:14,070 --> 00:01:14,080
+[Music]
+ 
+
+33
+00:01:14,080 --> 00:01:16,190
+[Music]
+$3,000 there are two kinds of people in
+
+34
+00:01:16,190 --> 00:01:16,200
+$3,000 there are two kinds of people in
+ 
+
+35
+00:01:16,200 --> 00:01:18,789
+$3,000 there are two kinds of people in
+the world my friend those with a rope
+
+36
+00:01:18,789 --> 00:01:18,799
+the world my friend those with a rope
+ 
+
+37
+00:01:18,799 --> 00:01:19,990
+the world my friend those with a rope
+around their neck and the people who
+
+38
+00:01:19,990 --> 00:01:20,000
+around their neck and the people who
+ 
+
+39
+00:01:20,000 --> 00:01:22,789
+around their neck and the people who
+have the job of doing the cutting listen
+
+40
+00:01:22,789 --> 00:01:22,799
+have the job of doing the cutting listen
+ 
+
+41
+00:01:22,799 --> 00:01:25,510
+have the job of doing the cutting listen
+the neck at the end of the Rope is mine
+
+42
+00:01:25,510 --> 00:01:25,520
+the neck at the end of the Rope is mine
+ 
+
+43
+00:01:25,520 --> 00:01:26,870
+the neck at the end of the Rope is mine
+I run the
+
+44
+00:01:26,870 --> 00:01:26,880
+I run the
+ 
+
+45
+00:01:26,880 --> 00:01:29,630
+I run the
+risks so the next time I want more than
+
+46
+00:01:29,630 --> 00:01:29,640
+risks so the next time I want more than
+ 
+
+47
+00:01:29,640 --> 00:01:31,550
+risks so the next time I want more than
+half
+
+48
+00:01:31,550 --> 00:01:31,560
+half
+ 
+
+49
+00:01:31,560 --> 00:01:34,429
+half
+you may run the risks my friend but I do
+
+50
+00:01:34,429 --> 00:01:34,439
+you may run the risks my friend but I do
+ 
+
+51
+00:01:34,439 --> 00:01:36,350
+you may run the risks my friend but I do
+the
+
+52
+00:01:36,350 --> 00:01:36,360
+the
+ 
+
+53
+00:01:36,360 --> 00:01:40,510
+the
+cutting if we cut down my
+
+54
+00:01:40,510 --> 00:01:40,520
+cutting if we cut down my
+ 
+
+55
+00:01:40,520 --> 00:01:43,670
+cutting if we cut down my
+percentage
+
+56
+00:01:43,670 --> 00:01:43,680
+
+ 
+
+57
+00:01:43,680 --> 00:01:48,670
+
+cigar liable to interfere with my
+
+58
+00:01:48,670 --> 00:01:48,680
+
+ 
+
+59
+00:01:48,680 --> 00:01:51,350
+
+aim but if you miss you i' better Miss
+
+60
+00:01:51,350 --> 00:01:51,360
+aim but if you miss you i' better Miss
+ 
+
+61
+00:01:51,360 --> 00:01:52,590
+aim but if you miss you i' better Miss
+very
+
+62
+00:01:52,590 --> 00:01:52,600
+very
+ 
+
+63
+00:01:52,600 --> 00:01:55,149
+very
+well whoever double crosses me and
+
+64
+00:01:55,149 --> 00:01:55,159
+well whoever double crosses me and
+ 
+
+65
+00:01:55,159 --> 00:01:56,429
+well whoever double crosses me and
+leaves me
+
+66
+00:01:56,429 --> 00:01:56,439
+leaves me
+ 
+
+67
+00:01:56,439 --> 00:02:01,670
+leaves me
+alive he understands nothing about too
+
+68
+00:02:01,670 --> 00:02:01,680
+alive he understands nothing about too
+ 
+
+69
+00:02:01,680 --> 00:02:07,050
+alive he understands nothing about too
+nothing
+
+70
+00:02:07,050 --> 00:02:07,060
+
+ 
+
+71
+00:02:07,060 --> 00:02:36,259
+
+[Music]
+

1966/DPPoZpw3NOg.description

@@ -0,0 +1,38 @@
+The Naked Prey movie clips: http://j.mp/1J9zFFa
+BUY THE MOVIE: http://j.mp/AttkJ9
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+An army of native warriors ambush the camp of an ivory expedition in Africa.
+
+FILM DESCRIPTION:
+In the bush country of South Africa in the late 19th century, chauvinistic hunter Gert vanDen Bergh calculatedly offends a local tribal chief. Given several opportunities, he refuses to apologize. As consequence, vanDen Bergh and the rest of his hunting party are captured by the tribesmen and grotesquely tortured to death. The only white man spared is safari-guide Cornel Wilde, whom the natives respect and vice versa. The tribesmen offer Wilde a chance to survive; stripping him naked and giving him a knife to defend himself, they set Wilde free in the jungle, in preparation of hunting him down like a lion. Given a head start equal to the distance one of the tribesman can fire an arrow, Wilde is pursued by the tribe's six most accomplished warriors. The rest of this thrill-a-minute film follows Wilde into the underbrush in his desperate, resourceful flight for life. Cornel Wilde's The Naked Prey was filmed entirely on location under circumstances nearly as dangerous as the plight of its protagonist.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Joe Dlamini, Ken Gampu, Horace Gilman, John Marcus, Richard Mashiya, Eric Mcanyana, Franklyn Mdhluli, Patrick Mynhardt, Sandy Nkomo, Jose Sithole, Cornel Wilde, Fusi Zazayokwe
+Director: Cornel Wilde
+Producers: Cornel Wilde, Sven Persson
+Screenwriters: Clint Johnston, Don Peters
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/E303pbjYRdo.description

@@ -0,0 +1,38 @@
+The Good, the Bad and the Ugly movie clips: http://j.mp/1BxfuOn
+BUY THE MOVIE: http://j.mp/1C5SzeU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Angel Eyes (Lee Van Cleef) gets the name "Bill Carson" from Stevens (Antonio Casas), along with some dough, just before shooting and killing him.
+
+FILM DESCRIPTION:
+In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Antonio Casas, Antonio Ruiz, Lee Van Cleef, Chelo Alonso
+Director: Sergio Leone
+Producer: Alberto Grimaldi
+Screenwriters: Agenore Incrocci, Mickey Knox, Furio Scarpelli, Luciano Vincenzoni, Sergio Leone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1966/E303pbjYRdo.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:00,350 --> 00:00:07,000
+
+what does he pay you for murdering me
+
+2
+00:00:07,000 --> 00:00:07,010
+
+ 
+
+3
+00:00:07,010 --> 00:00:16,300
+
+$500 to get the name
+
+4
+00:00:16,300 --> 00:00:16,310
+
+ 
+
+5
+00:00:16,310 --> 00:00:24,840
+
+the name
+
+6
+00:00:24,840 --> 00:00:24,850
+
+ 
+
+7
+00:00:24,850 --> 00:00:27,890
+
+you
+
+8
+00:00:27,890 --> 00:00:27,900
+
+ 
+
+9
+00:00:27,900 --> 00:00:32,480
+
+Carson bill Carson that's what he calls
+
+10
+00:00:32,480 --> 00:00:32,490
+Carson bill Carson that's what he calls
+ 
+
+11
+00:00:32,490 --> 00:01:04,150
+Carson bill Carson that's what he calls
+himself now
+
+12
+00:01:04,150 --> 00:01:04,160
+
+ 
+
+13
+00:01:04,160 --> 00:01:05,980
+
+money
+
+14
+00:01:05,980 --> 00:01:05,990
+money
+ 
+
+15
+00:01:05,990 --> 00:01:10,930
+money
+1000
+
+16
+00:01:10,930 --> 00:01:10,940
+
+ 
+
+17
+00:01:10,940 --> 00:01:14,770
+
+thousand dollars
+
+18
+00:01:14,770 --> 00:01:14,780
+
+ 
+
+19
+00:01:14,780 --> 00:01:22,570
+
+and some in gold to tidy sum
+
+20
+00:01:22,570 --> 00:01:22,580
+
+ 
+
+21
+00:01:22,580 --> 00:01:25,180
+
+but when I'm paid I
+
+22
+00:01:25,180 --> 00:01:25,190
+but when I'm paid I
+ 
+
+23
+00:01:25,190 --> 00:01:32,870
+but when I'm paid I
+always see the job through
+
+24
+00:01:32,870 --> 00:01:32,880
+
+ 
+
+25
+00:01:32,880 --> 00:02:21,890
+
+[Music]
+
+26
+00:02:21,890 --> 00:02:21,900
+
+ 
+
+27
+00:02:21,900 --> 00:02:36,590
+
+you
+
+28
+00:02:36,590 --> 00:02:36,600
+
+ 
+
+29
+00:02:36,600 --> 00:02:43,000
+
+[Music]
+

1966/FyS7kFIZJ6k.description

@@ -0,0 +1,38 @@
+Alfie movie clips: http://j.mp/1Je6l0l
+BUY THE MOVIE: http://amzn.to/wNjEDV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alfie (Michael Caine) walks in on Ruby (Shelley Winters) with a younger man.
+
+FILM DESCRIPTION:
+Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance.
+
+CREDITS:
+TM & © Paramount (1966)
+Cast: Shelley Winters, Michael Caine
+Director: Lewis Gilbert
+Producers: John Gilbert, Lewis Gilbert
+Screenwriter: Bill Naughton
+
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1966/FyS7kFIZJ6k.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:03,359 --> 00:00:05,389
+
+Alfie
+
+2
+00:00:05,389 --> 00:00:05,399
+Alfie
+ 
+
+3
+00:00:05,399 --> 00:00:07,709
+Alfie
+yeah I'm sorry about the
+
+4
+00:00:07,709 --> 00:00:07,719
+yeah I'm sorry about the
+ 
+
+5
+00:00:07,719 --> 00:00:13,549
+yeah I'm sorry about the
+headache I'll make it up to you
+
+6
+00:00:13,549 --> 00:00:13,559
+
+ 
+
+7
+00:00:13,559 --> 00:00:19,910
+
+sure what's that what that it's a
+
+8
+00:00:19,910 --> 00:00:19,920
+sure what's that what that it's a
+ 
+
+9
+00:00:19,920 --> 00:00:22,150
+sure what's that what that it's a
+guitar what you doing it with groups now
+
+10
+00:00:22,150 --> 00:00:22,160
+guitar what you doing it with groups now
+ 
+
+11
+00:00:22,160 --> 00:00:24,830
+guitar what you doing it with groups now
+then don't be so disgusting and the
+
+12
+00:00:24,830 --> 00:00:24,840
+then don't be so disgusting and the
+ 
+
+13
+00:00:24,840 --> 00:00:27,509
+then don't be so disgusting and the
+radio here you got a bloke in there
+
+14
+00:00:27,509 --> 00:00:27,519
+radio here you got a bloke in there
+ 
+
+15
+00:00:27,519 --> 00:00:29,189
+radio here you got a bloke in there
+ain't you it's none of your damn
+
+16
+00:00:29,189 --> 00:00:29,199
+ain't you it's none of your damn
+ 
+
+17
+00:00:29,199 --> 00:00:31,269
+ain't you it's none of your damn
+business you picking map cheap too there
+
+18
+00:00:31,269 --> 00:00:31,279
+business you picking map cheap too there
+ 
+
+19
+00:00:31,279 --> 00:00:33,190
+business you picking map cheap too there
+is no one in there I mean I never
+
+20
+00:00:33,190 --> 00:00:33,200
+is no one in there I mean I never
+ 
+
+21
+00:00:33,200 --> 00:00:34,549
+is no one in there I mean I never
+tumbled I honestly thought you had
+
+22
+00:00:34,549 --> 00:00:34,559
+tumbled I honestly thought you had
+ 
+
+23
+00:00:34,559 --> 00:00:36,670
+tumbled I honestly thought you had
+headache what a mug I've grown into
+
+24
+00:00:36,670 --> 00:00:36,680
+headache what a mug I've grown into
+ 
+
+25
+00:00:36,680 --> 00:00:38,389
+headache what a mug I've grown into
+Alfie get out of here I have a splitting
+
+26
+00:00:38,389 --> 00:00:38,399
+Alfie get out of here I have a splitting
+ 
+
+27
+00:00:38,399 --> 00:01:08,270
+Alfie get out of here I have a splitting
+headache
+
+28
+00:01:08,270 --> 00:01:08,280
+
+ 
+
+29
+00:01:08,280 --> 00:01:10,350
+
+why him better than
+
+30
+00:01:10,350 --> 00:01:10,360
+why him better than
+ 
+
+31
+00:01:10,360 --> 00:01:14,230
+why him better than
+me what's he got that I haven't far from
+
+32
+00:01:14,230 --> 00:01:14,240
+me what's he got that I haven't far from
+ 
+
+33
+00:01:14,240 --> 00:01:16,270
+me what's he got that I haven't far from
+long
+
+34
+00:01:16,270 --> 00:01:16,280
+long
+ 
+
+35
+00:01:16,280 --> 00:01:18,510
+long
+air
+
+36
+00:01:18,510 --> 00:01:18,520
+air
+ 
+
+37
+00:01:18,520 --> 00:01:21,270
+air
+well come on let's have it what's he
+
+38
+00:01:21,270 --> 00:01:21,280
+well come on let's have it what's he
+ 
+
+39
+00:01:21,280 --> 00:01:22,950
+well come on let's have it what's he
+bleeding
+
+40
+00:01:22,950 --> 00:01:22,960
+bleeding
+ 
+
+41
+00:01:22,960 --> 00:01:27,390
+bleeding
+got he's younger than you
+
+42
+00:01:27,390 --> 00:01:27,400
+
+ 
+
+43
+00:01:27,400 --> 00:01:30,420
+
+are you got it
+
+44
+00:01:30,420 --> 00:01:30,430
+are you got it
+ 
+
+45
+00:01:30,430 --> 00:01:50,730
+are you got it
+[Music]
+
+46
+00:01:50,730 --> 00:01:50,740
+
+ 
+
+47
+00:01:50,740 --> 00:02:27,490
+
+[Music]
+

1966/ILkyIHOOoq4.description

@@ -0,0 +1,32 @@
+The Russians Are Coming! The Russians Are Coming! - Finding the Key: The Russians try to borrow the Whittaker's car, but have trouble finding the keys in Elspeth's (Eva Marie Saint) purse.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-russians-are-coming-the-russians-are-coming-1966/MMV6B1C4A7E74F01C63D95B43F35389992D6?cmp=Movieclips_YT_Description
+
+Watch the best The Russians Are Coming! The Russians Are Coming! scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpSNbYmV4b5jwWEikjlHfO2
+
+FILM DESCRIPTION:
+When a Soviet submarine gets stuck on a sandbar off the coast of a New England island, its commander (Theodore Bikel) orders his second-in-command, Lieutenant Rozanov (Alan Arkin), to get them moving again before there is an international incident. Rozanov seeks assistance from the island locals, including the police chief (Brian Keith) and a vacationing television writer (Carl Reiner), while trying to allay their fears of a Communist invasion by claiming he and his crew are Norwegian sailors.
+
+CREDITS:
+TM & © MGM (1966)
+Cast: Alan Arkin, Carl Reiner, Eva Marie Saint, John Phillip Law, Sheldon Golomb
+Director: Norman Jewison
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
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+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1966/ILkyIHOOoq4.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,030 --> 00:00:02,530
+
+now what else people are in this house
+
+2
+00:00:02,530 --> 00:00:02,540
+now what else people are in this house
+ 
+
+3
+00:00:02,540 --> 00:00:05,749
+now what else people are in this house
+oh yeah there's only our little girl she
+
+4
+00:00:05,749 --> 00:00:05,759
+oh yeah there's only our little girl she
+ 
+
+5
+00:00:05,759 --> 00:00:08,299
+oh yeah there's only our little girl she
+she's asleep upstairs but but she's only
+
+6
+00:00:08,299 --> 00:00:08,309
+she's asleep upstairs but but she's only
+ 
+
+7
+00:00:08,309 --> 00:00:12,080
+she's asleep upstairs but but she's only
+a little baby so there's is necessary to
+
+8
+00:00:12,080 --> 00:00:12,090
+a little baby so there's is necessary to
+ 
+
+9
+00:00:12,090 --> 00:00:14,390
+a little baby so there's is necessary to
+make borrowings of automobile where our
+
+10
+00:00:14,390 --> 00:00:14,400
+make borrowings of automobile where our
+ 
+
+11
+00:00:14,400 --> 00:00:31,340
+make borrowings of automobile where our
+keys in my purse bag bag culture mr. ha
+
+12
+00:00:31,340 --> 00:00:31,350
+
+ 
+
+13
+00:00:31,350 --> 00:01:20,420
+
+I don't
+
+14
+00:01:20,420 --> 00:01:20,430
+
+ 
+
+15
+00:01:20,430 --> 00:01:23,560
+
+[Applause]
+
+16
+00:01:23,560 --> 00:01:23,570
+
+ 
+
+17
+00:01:23,570 --> 00:01:27,820
+
+severely secrets of that shut up know
+
+18
+00:01:27,820 --> 00:01:27,830
+severely secrets of that shut up know
+ 
+
+19
+00:01:27,830 --> 00:01:31,900
+severely secrets of that shut up know
+what this population of islands about
+
+20
+00:01:31,900 --> 00:01:31,910
+what this population of islands about
+ 
+
+21
+00:01:31,910 --> 00:01:34,460
+what this population of islands about
+200 people here oh honey there's more
+
+22
+00:01:34,460 --> 00:01:34,470
+200 people here oh honey there's more
+ 
+
+23
+00:01:34,470 --> 00:01:36,620
+200 people here oh honey there's more
+than not in September you're thinking of
+
+24
+00:01:36,620 --> 00:01:36,630
+than not in September you're thinking of
+ 
+
+25
+00:01:36,630 --> 00:01:38,240
+than not in September you're thinking of
+the summer people in West Village all
+
+26
+00:01:38,240 --> 00:01:38,250
+the summer people in West Village all
+ 
+
+27
+00:01:38,250 --> 00:01:45,320
+the summer people in West Village all
+the farms not many people recycle the
+
+28
+00:01:45,320 --> 00:01:45,330
+the farms not many people recycle the
+ 
+
+29
+00:01:45,330 --> 00:01:49,430
+the farms not many people recycle the
+Domitian a toy please
+
+30
+00:01:49,430 --> 00:01:49,440
+Domitian a toy please
+ 
+
+31
+00:01:49,440 --> 00:01:51,529
+Domitian a toy please
+you know if nobody except that boat
+
+32
+00:01:51,529 --> 00:01:51,539
+you know if nobody except that boat
+ 
+
+33
+00:01:51,539 --> 00:01:54,109
+you know if nobody except that boat
+place nobody close to me we are here
+
+34
+00:01:54,109 --> 00:01:54,119
+place nobody close to me we are here
+ 
+
+35
+00:01:54,119 --> 00:01:59,480
+place nobody close to me we are here
+no there just aren't any boats you think
+
+36
+00:01:59,480 --> 00:01:59,490
+no there just aren't any boats you think
+ 
+
+37
+00:01:59,490 --> 00:02:00,919
+no there just aren't any boats you think
+investable I'm coaching a desk Rho
+
+38
+00:02:00,919 --> 00:02:00,929
+investable I'm coaching a desk Rho
+ 
+
+39
+00:02:00,929 --> 00:02:02,870
+investable I'm coaching a desk Rho
+Richelieu siddhappa denote its KP
+
+40
+00:02:02,870 --> 00:02:02,880
+Richelieu siddhappa denote its KP
+ 
+
+41
+00:02:02,880 --> 00:02:06,710
+Richelieu siddhappa denote its KP
+register your pony profit very few
+
+42
+00:02:06,710 --> 00:02:06,720
+register your pony profit very few
+ 
+
+43
+00:02:06,720 --> 00:02:17,300
+register your pony profit very few
+questions now it is no establishment of
+
+44
+00:02:17,300 --> 00:02:17,310
+questions now it is no establishment of
+ 
+
+45
+00:02:17,310 --> 00:02:19,790
+questions now it is no establishment of
+US Navy or army or coastal Guardians an
+
+46
+00:02:19,790 --> 00:02:19,800
+US Navy or army or coastal Guardians an
+ 
+
+47
+00:02:19,800 --> 00:02:23,240
+US Navy or army or coastal Guardians an
+island no us of airports oh there are no
+
+48
+00:02:23,240 --> 00:02:23,250
+island no us of airports oh there are no
+ 
+
+49
+00:02:23,250 --> 00:02:28,810
+island no us of airports oh there are no
+bases a Gloucester luk Easter
+
+50
+00:02:28,810 --> 00:02:28,820
+
+ 
+
+51
+00:02:28,820 --> 00:02:40,160
+
+[Music]
+