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1930/er2a5WhYU-4.mp4

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1969/WRtOCCfKEvQ.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:06,680 --> 00:00:09,750
+
+I never know if I can trust you my dear
+
+2
+00:00:09,750 --> 00:00:09,760
+I never know if I can trust you my dear
+ 
+
+3
+00:00:09,760 --> 00:00:11,950
+I never know if I can trust you my dear
+you know I might be recognized anywhere
+
+4
+00:00:11,950 --> 00:00:11,960
+you know I might be recognized anywhere
+ 
+
+5
+00:00:11,960 --> 00:00:13,430
+you know I might be recognized anywhere
+simply handed in for the attention of
+
+6
+00:00:13,430 --> 00:00:13,440
+simply handed in for the attention of
+ 
+
+7
+00:00:13,440 --> 00:00:15,470
+simply handed in for the attention of
+the director that's
+
+8
+00:00:15,470 --> 00:00:15,480
+the director that's
+ 
+
+9
+00:00:15,480 --> 00:00:17,200
+the director that's
+all very
+
+10
+00:00:17,200 --> 00:00:17,210
+all very
+ 
+
+11
+00:00:17,210 --> 00:00:23,589
+all very
+[Music]
+
+12
+00:00:23,589 --> 00:00:23,599
+
+ 
+
+13
+00:00:23,599 --> 00:00:28,509
+
+well I beg you put eyes before the wind
+
+14
+00:00:28,509 --> 00:00:28,519
+well I beg you put eyes before the wind
+ 
+
+15
+00:00:28,519 --> 00:00:31,230
+well I beg you put eyes before the wind
+blows they told me look to my money and
+
+16
+00:00:31,230 --> 00:00:31,240
+blows they told me look to my money and
+ 
+
+17
+00:00:31,240 --> 00:00:32,870
+blows they told me look to my money and
+what do you do you throw it in the
+
+18
+00:00:32,870 --> 00:00:32,880
+what do you do you throw it in the
+ 
+
+19
+00:00:32,880 --> 00:00:37,510
+what do you do you throw it in the
+gutter I want my money Victory I take
+
+20
+00:00:37,510 --> 00:00:37,520
+gutter I want my money Victory I take
+ 
+
+21
+00:00:37,520 --> 00:00:39,770
+gutter I want my money Victory I take
+Excuse
+
+22
+00:00:39,770 --> 00:00:39,780
+Excuse
+ 
+
+23
+00:00:39,780 --> 00:00:42,790
+Excuse
+[Music]
+
+24
+00:00:42,790 --> 00:00:42,800
+[Music]
+ 
+
+25
+00:00:42,800 --> 00:00:47,750
+[Music]
+me yes M I have something for the
+
+26
+00:00:47,750 --> 00:00:47,760
+me yes M I have something for the
+ 
+
+27
+00:00:47,760 --> 00:00:50,510
+me yes M I have something for the
+[Music]
+
+28
+00:00:50,510 --> 00:00:50,520
+[Music]
+ 
+
+29
+00:00:50,520 --> 00:00:52,950
+[Music]
+director what is it she had something
+
+30
+00:00:52,950 --> 00:00:52,960
+director what is it she had something
+ 
+
+31
+00:00:52,960 --> 00:01:04,119
+director what is it she had something
+for the director
+
+32
+00:01:04,119 --> 00:01:04,129
+
+ 
+
+33
+00:01:04,129 --> 00:01:05,510
+
+[Music]
+
+34
+00:01:05,510 --> 00:01:05,520
+[Music]
+ 
+
+35
+00:01:05,520 --> 00:01:08,910
+[Music]
+half my apologies
+
+36
+00:01:08,910 --> 00:01:08,920
+half my apologies
+ 
+
+37
+00:01:08,920 --> 00:01:12,520
+half my apologies
+Mel take it man put it in my
+
+38
+00:01:12,520 --> 00:01:12,530
+Mel take it man put it in my
+ 
+
+39
+00:01:12,530 --> 00:01:14,190
+Mel take it man put it in my
+[Music]
+
+40
+00:01:14,190 --> 00:01:14,200
+[Music]
+ 
+
+41
+00:01:14,200 --> 00:01:16,330
+[Music]
+office terrible
+
+42
+00:01:16,330 --> 00:01:16,340
+office terrible
+ 
+
+43
+00:01:16,340 --> 00:01:24,950
+office terrible
+[Music]
+
+44
+00:01:24,950 --> 00:01:24,960
+[Music]
+ 
+
+45
+00:01:24,960 --> 00:01:28,190
+[Music]
+mising you standing here for get back to
+
+46
+00:01:28,190 --> 00:01:28,200
+mising you standing here for get back to
+ 
+
+47
+00:01:28,200 --> 00:01:30,520
+mising you standing here for get back to
+your work all of you
+
+48
+00:01:30,520 --> 00:01:30,530
+your work all of you
+ 
+
+49
+00:01:30,530 --> 00:01:37,469
+your work all of you
+[Music]
+
+50
+00:01:37,469 --> 00:01:37,479
+[Music]
+ 
+
+51
+00:01:37,479 --> 00:01:41,469
+[Music]
+get what exactly was in that case oh
+
+52
+00:01:41,469 --> 00:01:41,479
+get what exactly was in that case oh
+ 
+
+53
+00:01:41,479 --> 00:01:44,030
+get what exactly was in that case oh
+purely technical details they belong to
+
+54
+00:01:44,030 --> 00:01:44,040
+purely technical details they belong to
+ 
+
+55
+00:01:44,040 --> 00:01:45,590
+purely technical details they belong to
+our research Department we have some
+
+56
+00:01:45,590 --> 00:01:45,600
+our research Department we have some
+ 
+
+57
+00:01:45,600 --> 00:01:48,270
+our research Department we have some
+very brilliant scientists working for us
+
+58
+00:01:48,270 --> 00:01:48,280
+very brilliant scientists working for us
+ 
+
+59
+00:01:48,280 --> 00:01:49,830
+very brilliant scientists working for us
+when they make some little Discovery
+
+60
+00:01:49,830 --> 00:01:49,840
+when they make some little Discovery
+ 
+
+61
+00:01:49,840 --> 00:01:51,429
+when they make some little Discovery
+they like to deposit their secrets in a
+
+62
+00:01:51,429 --> 00:01:51,439
+they like to deposit their secrets in a
+ 
+
+63
+00:01:51,439 --> 00:02:01,469
+they like to deposit their secrets in a
+safe place
+
+64
+00:02:01,469 --> 00:02:01,479
+
+ 
+
+65
+00:02:01,479 --> 00:02:02,749
+
+I think they'll be pleased with the
+
+66
+00:02:02,749 --> 00:02:02,759
+I think they'll be pleased with the
+ 
+
+67
+00:02:02,759 --> 00:02:03,810
+I think they'll be pleased with the
+result
+
+68
+00:02:03,810 --> 00:02:03,820
+result
+ 
+
+69
+00:02:03,820 --> 00:02:38,479
+result
+[Music]
+

1969/X6UG7H2dcos.description

@@ -0,0 +1,38 @@
+Midnight Cowboy movie clips: http://j.mp/1bf0SJd
+BUY THE MOVIE: http://j.mp/16YqbHy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Cass (Sylvia Miles) breaks down when Joe (Jon Voight) asks for money for his time.
+
+FILM DESCRIPTION:
+Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA.
+
+CREDITS:
+TM & © MGM (1969)
+Cast: Jon Voight, Sylvia Miles
+Director: John Schlesinger
+Producers: Jerome Hellman, Kenneth Utt
+Screenwriters: James Leo Herlihy, Waldo Salt
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/X6UG7H2dcos.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:01,240 --> 00:00:04,349
+
+straighten out the bed for me we
+
+2
+00:00:04,349 --> 00:00:04,359
+straighten out the bed for me we
+ 
+
+3
+00:00:04,359 --> 00:00:06,309
+straighten out the bed for me we
+tex say
+
+4
+00:00:06,309 --> 00:00:06,319
+tex say
+ 
+
+5
+00:00:06,319 --> 00:00:09,270
+tex say
+chaos I'm sure I enjoyed being
+
+6
+00:00:09,270 --> 00:00:09,280
+chaos I'm sure I enjoyed being
+ 
+
+7
+00:00:09,280 --> 00:00:11,789
+chaos I'm sure I enjoyed being
+here I believe it's as fine a time as
+
+8
+00:00:11,789 --> 00:00:11,799
+here I believe it's as fine a time as
+ 
+
+9
+00:00:11,799 --> 00:00:15,350
+here I believe it's as fine a time as
+I've ever had in my damn life me too L
+
+10
+00:00:15,350 --> 00:00:15,360
+I've ever had in my damn life me too L
+ 
+
+11
+00:00:15,360 --> 00:00:17,910
+I've ever had in my damn life me too L
+well that's good it is cuz uh well hell
+
+12
+00:00:17,910 --> 00:00:17,920
+well that's good it is cuz uh well hell
+ 
+
+13
+00:00:17,920 --> 00:00:19,269
+well that's good it is cuz uh well hell
+way you make me feel so damn at home
+
+14
+00:00:19,269 --> 00:00:19,279
+way you make me feel so damn at home
+ 
+
+15
+00:00:19,279 --> 00:00:22,670
+way you make me feel so damn at home
+here I almost hate you bring up business
+
+16
+00:00:22,670 --> 00:00:22,680
+here I almost hate you bring up business
+ 
+
+17
+00:00:22,680 --> 00:00:24,990
+here I almost hate you bring up business
+yeah it's murder isn't it one line I in
+
+18
+00:00:24,990 --> 00:00:25,000
+yeah it's murder isn't it one line I in
+ 
+
+19
+00:00:25,000 --> 00:00:27,429
+yeah it's murder isn't it one line I in
+sweetie set me up when your
+
+20
+00:00:27,429 --> 00:00:27,439
+sweetie set me up when your
+ 
+
+21
+00:00:27,439 --> 00:00:30,630
+sweetie set me up when your
+text my's always complaining about his
+
+22
+00:00:30,630 --> 00:00:30,640
+text my's always complaining about his
+ 
+
+23
+00:00:30,640 --> 00:00:32,910
+text my's always complaining about his
+ulcers yeah well I don't know what line
+
+24
+00:00:32,910 --> 00:00:32,920
+ulcers yeah well I don't know what line
+ 
+
+25
+00:00:32,920 --> 00:00:36,750
+ulcers yeah well I don't know what line
+more is in but uh myself now I'm a kind
+
+26
+00:00:36,750 --> 00:00:36,760
+more is in but uh myself now I'm a kind
+ 
+
+27
+00:00:36,760 --> 00:00:40,950
+more is in but uh myself now I'm a kind
+of Hustler oh can got make a living uh
+
+28
+00:00:40,950 --> 00:00:40,960
+of Hustler oh can got make a living uh
+ 
+
+29
+00:00:40,960 --> 00:00:42,350
+of Hustler oh can got make a living uh
+pardon me
+
+30
+00:00:42,350 --> 00:00:42,360
+pardon me
+ 
+
+31
+00:00:42,360 --> 00:00:45,750
+pardon me
+ma'am I said a person's got to make a
+
+32
+00:00:45,750 --> 00:00:45,760
+ma'am I said a person's got to make a
+ 
+
+33
+00:00:45,760 --> 00:00:47,869
+ma'am I said a person's got to make a
+living are you sure you heard what I
+
+34
+00:00:47,869 --> 00:00:47,879
+living are you sure you heard what I
+ 
+
+35
+00:00:47,879 --> 00:00:50,549
+living are you sure you heard what I
+said sorry Tex my mind isn't all here I
+
+36
+00:00:50,549 --> 00:00:50,559
+said sorry Tex my mind isn't all here I
+ 
+
+37
+00:00:50,559 --> 00:00:51,990
+said sorry Tex my mind isn't all here I
+don't want to be late for my date with
+
+38
+00:00:51,990 --> 00:00:52,000
+don't want to be late for my date with
+ 
+
+39
+00:00:52,000 --> 00:00:54,189
+don't want to be late for my date with
+myy listen sweetie why don't you run
+
+40
+00:00:54,189 --> 00:00:54,199
+myy listen sweetie why don't you run
+ 
+
+41
+00:00:54,199 --> 00:00:56,510
+myy listen sweetie why don't you run
+along and um take the number and we're
+
+42
+00:00:56,510 --> 00:00:56,520
+along and um take the number and we're
+ 
+
+43
+00:00:56,520 --> 00:00:57,750
+along and um take the number and we're
+going to get in touch with each other
+
+44
+00:00:57,750 --> 00:00:57,760
+going to get in touch with each other
+ 
+
+45
+00:00:57,760 --> 00:01:00,430
+going to get in touch with each other
+real soon aren't we
+
+46
+00:01:00,430 --> 00:01:00,440
+real soon aren't we
+ 
+
+47
+00:01:00,440 --> 00:01:02,670
+real soon aren't we
+would you believe that I forgot to get
+
+48
+00:01:02,670 --> 00:01:02,680
+would you believe that I forgot to get
+ 
+
+49
+00:01:02,680 --> 00:01:04,789
+would you believe that I forgot to get
+to the bank and now it's too late listen
+
+50
+00:01:04,789 --> 00:01:04,799
+to the bank and now it's too late listen
+ 
+
+51
+00:01:04,799 --> 00:01:08,149
+to the bank and now it's too late listen
+I have to take a taxi I need a few bucks
+
+52
+00:01:08,149 --> 00:01:08,159
+I have to take a taxi I need a few bucks
+ 
+
+53
+00:01:08,159 --> 00:01:11,149
+I have to take a taxi I need a few bucks
+I hate to ask you but you're such a
+
+54
+00:01:11,149 --> 00:01:11,159
+I hate to ask you but you're such a
+ 
+
+55
+00:01:11,159 --> 00:01:13,429
+I hate to ask you but you're such a
+doll you know Cass that's a funny thing
+
+56
+00:01:13,429 --> 00:01:13,439
+doll you know Cass that's a funny thing
+ 
+
+57
+00:01:13,439 --> 00:01:14,710
+doll you know Cass that's a funny thing
+you mentioning
+
+58
+00:01:14,710 --> 00:01:14,720
+you mentioning
+ 
+
+59
+00:01:14,720 --> 00:01:16,950
+you mentioning
+money cuz I was just about to ask you
+
+60
+00:01:16,950 --> 00:01:16,960
+money cuz I was just about to ask you
+ 
+
+61
+00:01:16,960 --> 00:01:17,789
+money cuz I was just about to ask you
+for
+
+62
+00:01:17,789 --> 00:01:17,799
+for
+ 
+
+63
+00:01:17,799 --> 00:01:21,710
+for
+some you were going to ask me for money
+
+64
+00:01:21,710 --> 00:01:21,720
+some you were going to ask me for money
+ 
+
+65
+00:01:21,720 --> 00:01:24,310
+some you were going to ask me for money
+huh hell why do you think I come all the
+
+66
+00:01:24,310 --> 00:01:24,320
+huh hell why do you think I come all the
+ 
+
+67
+00:01:24,320 --> 00:01:26,109
+huh hell why do you think I come all the
+way up here from Texas for you were
+
+68
+00:01:26,109 --> 00:01:26,119
+way up here from Texas for you were
+ 
+
+69
+00:01:26,119 --> 00:01:28,030
+way up here from Texas for you were
+going to ask me for
+
+70
+00:01:28,030 --> 00:01:28,040
+going to ask me for
+ 
+
+71
+00:01:28,040 --> 00:01:30,270
+going to ask me for
+money who the hell do you you think
+
+72
+00:01:30,270 --> 00:01:30,280
+money who the hell do you you think
+ 
+
+73
+00:01:30,280 --> 00:01:32,630
+money who the hell do you you think
+you're dealing with some old on
+
+74
+00:01:32,630 --> 00:01:32,640
+you're dealing with some old on
+ 
+
+75
+00:01:32,640 --> 00:01:35,789
+you're dealing with some old on
+42nd Street in case you didn't happen to
+
+76
+00:01:35,789 --> 00:01:35,799
+42nd Street in case you didn't happen to
+ 
+
+77
+00:01:35,799 --> 00:01:39,670
+42nd Street in case you didn't happen to
+notice it you big Texas Longhorn bull
+
+78
+00:01:39,670 --> 00:01:39,680
+notice it you big Texas Longhorn bull
+ 
+
+79
+00:01:39,680 --> 00:01:42,069
+notice it you big Texas Longhorn bull
+I'm one hell of a gorgeous chick you
+
+80
+00:01:42,069 --> 00:01:42,079
+I'm one hell of a gorgeous chick you
+ 
+
+81
+00:01:42,079 --> 00:01:44,270
+I'm one hell of a gorgeous chick you
+heard it a 28 years old you think you
+
+82
+00:01:44,270 --> 00:01:44,280
+heard it a 28 years old you think you
+ 
+
+83
+00:01:44,280 --> 00:01:46,310
+heard it a 28 years old you think you
+can come up here and pull this kind of
+
+84
+00:01:46,310 --> 00:01:46,320
+can come up here and pull this kind of
+ 
+
+85
+00:01:46,320 --> 00:01:48,190
+can come up here and pull this kind of
+crap up here well you're out of your
+
+86
+00:01:48,190 --> 00:01:48,200
+crap up here well you're out of your
+ 
+
+87
+00:01:48,200 --> 00:01:51,590
+crap up here well you're out of your
+mind I can just kill you with my bad
+
+88
+00:01:51,590 --> 00:01:51,600
+mind I can just kill you with my bad
+ 
+
+89
+00:01:51,600 --> 00:01:55,069
+mind I can just kill you with my bad
+well you get out of here wa to get out
+
+90
+00:01:55,069 --> 00:01:55,079
+well you get out of here wa to get out
+ 
+
+91
+00:01:55,079 --> 00:01:57,190
+well you get out of here wa to get out
+of
+
+92
+00:01:57,190 --> 00:01:57,200
+of
+ 
+
+93
+00:01:57,200 --> 00:02:01,350
+of
+here okay
+
+94
+00:02:01,350 --> 00:02:01,360
+
+ 
+
+95
+00:02:01,360 --> 00:02:25,530
+
+Cas come on now
+
+96
+00:02:25,530 --> 00:02:25,540
+
+ 
+
+97
+00:02:25,540 --> 00:02:34,669
+
+[Music]
+

1969/XNwDyM81lSE.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:02,890 --> 00:00:10,020
+
+and pilgrimage in the son of whatsapp
+
+2
+00:00:10,020 --> 00:00:10,030
+
+ 
+
+3
+00:00:10,030 --> 00:00:12,509
+
+hello youtube
+
+4
+00:00:12,509 --> 00:00:12,519
+hello youtube
+ 
+
+5
+00:00:12,519 --> 00:00:16,199
+hello youtube
+on the roof
+
+6
+00:00:16,199 --> 00:00:16,209
+
+ 
+
+7
+00:00:16,209 --> 00:00:20,220
+
+with rivers snake and as non
+
+8
+00:00:20,220 --> 00:00:20,230
+
+ 
+
+9
+00:00:20,230 --> 00:00:23,220
+
+and it is not to
+
+10
+00:00:23,220 --> 00:00:23,230
+and it is not to
+ 
+
+11
+00:00:23,230 --> 00:00:25,870
+and it is not to
+the arab and I
+
+12
+00:00:25,870 --> 00:00:25,880
+the arab and I
+ 
+
+13
+00:00:25,880 --> 00:00:29,670
+the arab and I
+the lakers
+
+14
+00:00:29,670 --> 00:00:29,680
+
+ 
+
+15
+00:00:29,680 --> 00:00:32,499
+
+that's magicians
+
+16
+00:00:32,499 --> 00:00:32,509
+that's magicians
+ 
+
+17
+00:00:32,509 --> 00:00:34,640
+that's magicians
+water
+
+18
+00:00:34,640 --> 00:00:34,650
+water
+ 
+
+19
+00:00:34,650 --> 00:00:43,800
+water
+with the jad
+
+20
+00:00:43,800 --> 00:00:43,810
+
+ 
+
+21
+00:00:43,810 --> 00:00:46,980
+
+[Music]
+
+22
+00:00:46,980 --> 00:00:46,990
+[Music]
+ 
+
+23
+00:00:46,990 --> 00:00:52,270
+[Music]
+the face
+
+24
+00:00:52,270 --> 00:00:52,280
+
+ 
+
+25
+00:00:52,280 --> 00:00:55,200
+
+one
+
+26
+00:00:55,200 --> 00:00:55,210
+
+ 
+
+27
+00:00:55,210 --> 00:01:02,470
+
+you
+
+28
+00:01:02,470 --> 00:01:02,480
+
+ 
+
+29
+00:01:02,480 --> 00:01:08,870
+
+[Music]
+
+30
+00:01:08,870 --> 00:01:08,880
+
+ 
+
+31
+00:01:08,880 --> 00:01:28,149
+
+[Music]
+
+32
+00:01:28,149 --> 00:01:28,159
+[Music]
+ 
+
+33
+00:01:28,159 --> 00:01:29,330
+[Music]
+yes
+
+34
+00:01:29,330 --> 00:01:29,340
+yes
+ 
+
+35
+00:01:29,340 --> 00:01:38,970
+yes
+[Music]
+
+36
+00:01:38,970 --> 00:01:38,980
+[Music]
+ 
+
+37
+00:01:38,980 --> 00:01:40,770
+[Music]
+[Applause]
+
+38
+00:01:40,770 --> 00:01:40,780
+[Applause]
+ 
+
+39
+00:01:40,780 --> 00:01:43,970
+[Applause]
+bach let's thank you
+
+40
+00:01:43,970 --> 00:01:43,980
+bach let's thank you
+ 
+
+41
+00:01:43,980 --> 00:01:55,870
+bach let's thank you
+[Music]
+

1969/XTMeDBVknQY.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,080 --> 00:00:01,790
+
+now I've got business across the river
+
+2
+00:00:01,790 --> 00:00:01,800
+now I've got business across the river
+ 
+
+3
+00:00:01,800 --> 00:00:03,270
+now I've got business across the river
+and if you interfere with me you may L
+
+4
+00:00:03,270 --> 00:00:03,280
+and if you interfere with me you may L
+ 
+
+5
+00:00:03,280 --> 00:00:05,470
+and if you interfere with me you may L
+up in court which you don't want to be
+
+6
+00:00:05,470 --> 00:00:05,480
+up in court which you don't want to be
+ 
+
+7
+00:00:05,480 --> 00:00:12,390
+up in court which you don't want to be
+I've got a good LW in J Noble
+
+8
+00:00:12,390 --> 00:00:12,400
+
+ 
+
+9
+00:00:12,400 --> 00:00:16,470
+
+dagger lawyer dagger again he draws him
+
+10
+00:00:16,470 --> 00:00:16,480
+dagger lawyer dagger again he draws him
+ 
+
+11
+00:00:16,480 --> 00:00:28,589
+dagger lawyer dagger again he draws him
+like a
+
+12
+00:00:28,589 --> 00:00:28,599
+
+ 
+
+13
+00:00:28,599 --> 00:00:32,310
+
+gun I will not walk up that hill well
+
+14
+00:00:32,310 --> 00:00:32,320
+gun I will not walk up that hill well
+ 
+
+15
+00:00:32,320 --> 00:00:34,350
+gun I will not walk up that hill well
+I'm not about to let $50 slide get on
+
+16
+00:00:34,350 --> 00:00:34,360
+I'm not about to let $50 slide get on
+ 
+
+17
+00:00:34,360 --> 00:00:41,150
+I'm not about to let $50 slide get on
+that horse
+
+18
+00:00:41,150 --> 00:00:41,160
+
+ 
+
+19
+00:00:41,160 --> 00:00:43,430
+
+in wait a
+
+20
+00:00:43,430 --> 00:00:43,440
+in wait a
+ 
+
+21
+00:00:43,440 --> 00:00:50,830
+in wait a
+minute I got to fix my
+
+22
+00:00:50,830 --> 00:00:50,840
+
+ 
+
+23
+00:00:50,840 --> 00:00:56,640
+
+hat hey here
+
+24
+00:00:56,640 --> 00:00:56,650
+
+ 
+
+25
+00:00:56,650 --> 00:01:00,709
+
+[Music]
+
+26
+00:01:00,709 --> 00:01:00,719
+
+ 
+
+27
+00:01:00,719 --> 00:01:04,390
+
+look
+
+28
+00:01:04,390 --> 00:01:04,400
+
+ 
+
+29
+00:01:04,400 --> 00:01:35,070
+
+[Music]
+
+30
+00:01:35,070 --> 00:01:35,080
+[Music]
+ 
+
+31
+00:01:35,080 --> 00:01:40,530
+[Music]
+[Applause]
+
+32
+00:01:40,530 --> 00:01:40,540
+
+ 
+
+33
+00:01:40,540 --> 00:01:54,310
+
+[Music]
+
+34
+00:01:54,310 --> 00:01:54,320
+[Music]
+ 
+
+35
+00:01:54,320 --> 00:01:59,350
+[Music]
+my God she reminds me of me well then we
+
+36
+00:01:59,350 --> 00:01:59,360
+my God she reminds me of me well then we
+ 
+
+37
+00:01:59,360 --> 00:02:02,420
+my God she reminds me of me well then we
+might just not get along
+
+38
+00:02:02,420 --> 00:02:02,430
+might just not get along
+ 
+
+39
+00:02:02,430 --> 00:02:30,910
+might just not get along
+[Music]
+
+40
+00:02:30,910 --> 00:02:30,920
+
+ 
+
+41
+00:02:30,920 --> 00:02:33,640
+
+ch
+

1969/XW9T7s1U_XU.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:01,570 --> 00:00:15,990
+
+[Music]
+
+2
+00:00:15,990 --> 00:00:16,000
+[Music]
+ 
+
+3
+00:00:16,000 --> 00:00:24,390
+[Music]
+now we'll see what tune you
+
+4
+00:00:24,390 --> 00:00:24,400
+
+ 
+
+5
+00:00:24,400 --> 00:00:26,790
+
+sing I'm going to raise wels on you like
+
+6
+00:00:26,790 --> 00:00:26,800
+sing I'm going to raise wels on you like
+ 
+
+7
+00:00:26,800 --> 00:00:30,189
+sing I'm going to raise wels on you like
+worms they were going to t you
+
+8
+00:00:30,189 --> 00:00:30,199
+worms they were going to t you
+ 
+
+9
+00:00:30,199 --> 00:00:33,270
+worms they were going to t you
+you're not hurting me I'm just mad are
+
+10
+00:00:33,270 --> 00:00:33,280
+you're not hurting me I'm just mad are
+ 
+
+11
+00:00:33,280 --> 00:00:35,590
+you're not hurting me I'm just mad are
+you going to let him do this I don't
+
+12
+00:00:35,590 --> 00:00:35,600
+you going to let him do this I don't
+ 
+
+13
+00:00:35,600 --> 00:00:39,110
+you going to let him do this I don't
+believe I will drop that switch
+
+14
+00:00:39,110 --> 00:00:39,120
+believe I will drop that switch
+ 
+
+15
+00:00:39,120 --> 00:00:42,430
+believe I will drop that switch
+Le put it down I said you're enjoying it
+
+16
+00:00:42,430 --> 00:00:42,440
+Le put it down I said you're enjoying it
+ 
+
+17
+00:00:42,440 --> 00:00:44,750
+Le put it down I said you're enjoying it
+too much you'll find that I go ahead
+
+18
+00:00:44,750 --> 00:00:44,760
+too much you'll find that I go ahead
+ 
+
+19
+00:00:44,760 --> 00:00:47,430
+too much you'll find that I go ahead
+with what I stocked you do and it'll be
+
+20
+00:00:47,430 --> 00:00:47,440
+with what I stocked you do and it'll be
+ 
+
+21
+00:00:47,440 --> 00:00:49,830
+with what I stocked you do and it'll be
+the biggest mistake you ever made you
+
+22
+00:00:49,830 --> 00:00:49,840
+the biggest mistake you ever made you
+ 
+
+23
+00:00:49,840 --> 00:00:51,670
+the biggest mistake you ever made you
+Texas brush
+
+24
+00:00:51,670 --> 00:00:51,680
+Texas brush
+ 
+
+25
+00:00:51,680 --> 00:00:55,069
+Texas brush
+popper you've taken her part all along
+
+26
+00:00:55,069 --> 00:00:55,079
+popper you've taken her part all along
+ 
+
+27
+00:00:55,079 --> 00:00:56,950
+popper you've taken her part all along
+but you ain't doing her no kindness here
+
+28
+00:00:56,950 --> 00:00:56,960
+but you ain't doing her no kindness here
+ 
+
+29
+00:00:56,960 --> 00:01:06,350
+but you ain't doing her no kindness here
+just leave her alone
+
+30
+00:01:06,350 --> 00:01:06,360
+
+ 
+
+31
+00:01:06,360 --> 00:01:08,950
+
+Hey listen this is giving me a plan when
+
+32
+00:01:08,950 --> 00:01:08,960
+Hey listen this is giving me a plan when
+ 
+
+33
+00:01:08,960 --> 00:01:10,789
+Hey listen this is giving me a plan when
+we locate Cheney we can jump him in the
+
+34
+00:01:10,789 --> 00:01:10,799
+we locate Cheney we can jump him in the
+ 
+
+35
+00:01:10,799 --> 00:01:12,390
+we locate Cheney we can jump him in the
+same way hit him on the head with sticks
+
+36
+00:01:12,390 --> 00:01:12,400
+same way hit him on the head with sticks
+ 
+
+37
+00:01:12,400 --> 00:01:14,270
+same way hit him on the head with sticks
+and knock him insensible then we can tie
+
+38
+00:01:14,270 --> 00:01:14,280
+and knock him insensible then we can tie
+ 
+
+39
+00:01:14,280 --> 00:01:15,870
+and knock him insensible then we can tie
+his feet and hands together and take him
+
+40
+00:01:15,870 --> 00:01:15,880
+his feet and hands together and take him
+ 
+
+41
+00:01:15,880 --> 00:01:18,310
+his feet and hands together and take him
+back alive what do you think I don't
+
+42
+00:01:18,310 --> 00:01:18,320
+back alive what do you think I don't
+ 
+
+43
+00:01:18,320 --> 00:01:20,469
+back alive what do you think I don't
+think you'd like to know what I think
+
+44
+00:01:20,469 --> 00:01:20,479
+think you'd like to know what I think
+ 
+
+45
+00:01:20,479 --> 00:01:22,789
+think you'd like to know what I think
+get on your
+
+46
+00:01:22,789 --> 00:01:22,799
+get on your
+ 
+
+47
+00:01:22,799 --> 00:01:25,950
+get on your
+horse is not dinner time by now dinner
+
+48
+00:01:25,950 --> 00:01:25,960
+horse is not dinner time by now dinner
+ 
+
+49
+00:01:25,960 --> 00:01:27,910
+horse is not dinner time by now dinner
+time will come and go without notice on
+
+50
+00:01:27,910 --> 00:01:27,920
+time will come and go without notice on
+ 
+
+51
+00:01:27,920 --> 00:01:31,390
+time will come and go without notice on
+this trip get on your horse
+
+52
+00:01:31,390 --> 00:01:31,400
+this trip get on your horse
+ 
+
+53
+00:01:31,400 --> 00:02:00,029
+this trip get on your horse
+[Music]
+
+54
+00:02:00,029 --> 00:02:00,039
+
+ 
+
+55
+00:02:00,039 --> 00:02:02,600
+
+d
+

1969/ZJJGXUlqb_k.en.srt

@@ -0,0 +1,225 @@
+1
+00:00:29,240 --> 00:00:32,549
+
+I a better officer speak up who's in
+
+2
+00:00:32,549 --> 00:00:32,559
+I a better officer speak up who's in
+ 
+
+3
+00:00:32,559 --> 00:00:35,389
+I a better officer speak up who's in
+there none of your damn business keep
+
+4
+00:00:35,389 --> 00:00:35,399
+there none of your damn business keep
+ 
+
+5
+00:00:35,399 --> 00:00:38,830
+there none of your damn business keep
+riding is that EMT Quincy we don't know
+
+6
+00:00:38,830 --> 00:00:38,840
+riding is that EMT Quincy we don't know
+ 
+
+7
+00:00:38,840 --> 00:00:42,270
+riding is that EMT Quincy we don't know
+any emit Quincy EMT this is Rooster I
+
+8
+00:00:42,270 --> 00:00:42,280
+any emit Quincy EMT this is Rooster I
+ 
+
+9
+00:00:42,280 --> 00:00:45,190
+any emit Quincy EMT this is Rooster I
+got five more Marshals out here and we
+
+10
+00:00:45,190 --> 00:00:45,200
+got five more Marshals out here and we
+ 
+
+11
+00:00:45,200 --> 00:00:48,709
+got five more Marshals out here and we
+got a bucket of coal oil drink it one
+
+12
+00:00:48,709 --> 00:00:48,719
+got a bucket of coal oil drink it one
+ 
+
+13
+00:00:48,719 --> 00:00:51,029
+got a bucket of coal oil drink it one
+more minute and you're going to drink it
+
+14
+00:00:51,029 --> 00:00:51,039
+more minute and you're going to drink it
+ 
+
+15
+00:00:51,039 --> 00:00:53,349
+more minute and you're going to drink it
+chunk your guns out and follow them with
+
+16
+00:00:53,349 --> 00:00:53,359
+chunk your guns out and follow them with
+ 
+
+17
+00:00:53,359 --> 00:00:56,069
+chunk your guns out and follow them with
+your hands high and nobody will get hurt
+
+18
+00:00:56,069 --> 00:00:56,079
+your hands high and nobody will get hurt
+ 
+
+19
+00:00:56,079 --> 00:00:58,069
+your hands high and nobody will get hurt
+if that coal oil goes down the chimney
+
+20
+00:00:58,069 --> 00:00:58,079
+if that coal oil goes down the chimney
+ 
+
+21
+00:00:58,079 --> 00:00:59,709
+if that coal oil goes down the chimney
+we're killing everybody that comes out
+
+22
+00:00:59,709 --> 00:00:59,719
+we're killing everybody that comes out
+ 
+
+23
+00:00:59,719 --> 00:01:00,830
+we're killing everybody that comes out
+that
+
+24
+00:01:00,830 --> 00:01:00,840
+that
+ 
+
+25
+00:01:00,840 --> 00:01:04,630
+that
+door there's no five Marshals out
+
+26
+00:01:04,630 --> 00:01:04,640
+door there's no five Marshals out
+ 
+
+27
+00:01:04,640 --> 00:01:07,670
+door there's no five Marshals out
+there well now don't You Bet Your Life
+
+28
+00:01:07,670 --> 00:01:07,680
+there well now don't You Bet Your Life
+ 
+
+29
+00:01:07,680 --> 00:01:11,870
+there well now don't You Bet Your Life
+on it Mo can't walk he's head drag him
+
+30
+00:01:11,870 --> 00:01:11,880
+on it Mo can't walk he's head drag him
+ 
+
+31
+00:01:11,880 --> 00:01:14,710
+on it Mo can't walk he's head drag him
+out what kind of papers you got on me
+
+32
+00:01:14,710 --> 00:01:14,720
+out what kind of papers you got on me
+ 
+
+33
+00:01:14,720 --> 00:01:17,670
+out what kind of papers you got on me
+got no papers on you you better move
+
+34
+00:01:17,670 --> 00:01:17,680
+got no papers on you you better move
+ 
+
+35
+00:01:17,680 --> 00:01:19,030
+got no papers on you you better move
+tell those others to be careful with
+
+36
+00:01:19,030 --> 00:01:19,040
+tell those others to be careful with
+ 
+
+37
+00:01:19,040 --> 00:01:26,350
+tell those others to be careful with
+their guns we're coming
+
+38
+00:01:26,350 --> 00:01:26,360
+
+ 
+
+39
+00:01:26,360 --> 00:01:44,910
+
+out get the dirt belly down spre
+
+40
+00:01:44,910 --> 00:01:44,920
+
+ 
+
+41
+00:01:44,920 --> 00:01:49,830
+
+Eagle I forgot they was there uhhuh get
+
+42
+00:01:49,830 --> 00:01:49,840
+Eagle I forgot they was there uhhuh get
+ 
+
+43
+00:01:49,840 --> 00:01:53,410
+Eagle I forgot they was there uhhuh get
+inside both of you
+
+44
+00:01:53,410 --> 00:01:53,420
+inside both of you
+ 
+
+45
+00:01:53,420 --> 00:02:24,479
+inside both of you
+[Music]
+

1969/_Z-tCU-sULA.description

@@ -0,0 +1,38 @@
+Midnight Cowboy movie clips: http://j.mp/1bf0SJd
+BUY THE MOVIE: http://j.mp/16YqbHy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ratso (Dustin Hoffman) explains the value of proper management to Joe (Jon Voight) and agrees to introduce Joe to Daniel, the middleman.
+
+FILM DESCRIPTION:
+Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA.
+
+CREDITS:
+TM & © MGM (1969)
+Cast: Dustin Hoffman, Jon Voight
+Director: John Schlesinger
+Producers: Jerome Hellman, Kenneth Utt
+Screenwriters: James Leo Herlihy, Waldo Salt
+
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1969/_Z-tCU-sULA.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:00,480 --> 00:00:02,869
+
+look but these girls that want to buy it
+
+2
+00:00:02,869 --> 00:00:02,879
+look but these girls that want to buy it
+ 
+
+3
+00:00:02,879 --> 00:00:05,510
+look but these girls that want to buy it
+most of them are old and dignified
+
+4
+00:00:05,510 --> 00:00:05,520
+most of them are old and dignified
+ 
+
+5
+00:00:05,520 --> 00:00:07,230
+most of them are old and dignified
+social register types you know what I
+
+6
+00:00:07,230 --> 00:00:07,240
+social register types you know what I
+ 
+
+7
+00:00:07,240 --> 00:00:09,430
+social register types you know what I
+mean they can't be trotten down a Time
+
+8
+00:00:09,430 --> 00:00:09,440
+mean they can't be trotten down a Time
+ 
+
+9
+00:00:09,440 --> 00:00:11,789
+mean they can't be trotten down a Time
+Square to pick out the merchandise they
+
+10
+00:00:11,789 --> 00:00:11,799
+Square to pick out the merchandise they
+ 
+
+11
+00:00:11,799 --> 00:00:14,430
+Square to pick out the merchandise they
+got to have some kind of uh middleman
+
+12
+00:00:14,430 --> 00:00:14,440
+got to have some kind of uh middleman
+ 
+
+13
+00:00:14,440 --> 00:00:16,189
+got to have some kind of uh middleman
+and that's where old Daniel comes in you
+
+14
+00:00:16,189 --> 00:00:16,199
+and that's where old Daniel comes in you
+ 
+
+15
+00:00:16,199 --> 00:00:17,390
+and that's where old Daniel comes in you
+know what I
+
+16
+00:00:17,390 --> 00:00:17,400
+know what I
+ 
+
+17
+00:00:17,400 --> 00:00:21,710
+know what I
+mean hey I'm walking here I'm walking
+
+18
+00:00:21,710 --> 00:00:21,720
+mean hey I'm walking here I'm walking
+ 
+
+19
+00:00:21,720 --> 00:00:24,349
+mean hey I'm walking here I'm walking
+here up your you son of a you
+
+20
+00:00:24,349 --> 00:00:24,359
+here up your you son of a you
+ 
+
+21
+00:00:24,359 --> 00:00:28,950
+here up your you son of a you
+don't talk me that way get out of
+
+22
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+23
+00:00:28,960 --> 00:00:30,630
+
+here
+
+24
+00:00:30,630 --> 00:00:30,640
+here
+ 
+
+25
+00:00:30,640 --> 00:00:32,109
+here
+don't worry about that actually that
+
+26
+00:00:32,109 --> 00:00:32,119
+don't worry about that actually that
+ 
+
+27
+00:00:32,119 --> 00:00:34,069
+don't worry about that actually that
+ain't a bad way to pick up Insurance you
+
+28
+00:00:34,069 --> 00:00:34,079
+ain't a bad way to pick up Insurance you
+ 
+
+29
+00:00:34,079 --> 00:00:37,229
+ain't a bad way to pick up Insurance you
+know it's crazy a stud like you paying
+
+30
+00:00:37,229 --> 00:00:37,239
+know it's crazy a stud like you paying
+ 
+
+31
+00:00:37,239 --> 00:00:38,990
+know it's crazy a stud like you paying
+that thing that you told me about double
+
+32
+00:00:38,990 --> 00:00:39,000
+that thing that you told me about double
+ 
+
+33
+00:00:39,000 --> 00:00:40,950
+that thing that you told me about double
+saw bucks you know with proper
+
+34
+00:00:40,950 --> 00:00:40,960
+saw bucks you know with proper
+ 
+
+35
+00:00:40,960 --> 00:00:43,430
+saw bucks you know with proper
+management you could be taking home 50
+
+36
+00:00:43,430 --> 00:00:43,440
+management you could be taking home 50
+ 
+
+37
+00:00:43,440 --> 00:00:47,310
+management you could be taking home 50
+maybe $100 a day easy hey hey Brucey
+
+38
+00:00:47,310 --> 00:00:47,320
+maybe $100 a day easy hey hey Brucey
+ 
+
+39
+00:00:47,320 --> 00:00:50,389
+maybe $100 a day easy hey hey Brucey
+hang in there baby what's
+
+40
+00:00:50,389 --> 00:00:50,399
+hang in there baby what's
+ 
+
+41
+00:00:50,399 --> 00:00:53,150
+hang in there baby what's
+that in my place with o Dan about 2
+
+42
+00:00:53,150 --> 00:00:53,160
+that in my place with o Dan about 2
+ 
+
+43
+00:00:53,160 --> 00:00:55,750
+that in my place with o Dan about 2
+weeks ago he ain't much of a stud either
+
+44
+00:00:55,750 --> 00:00:55,760
+weeks ago he ain't much of a stud either
+ 
+
+45
+00:00:55,760 --> 00:00:57,110
+weeks ago he ain't much of a stud either
+from what I
+
+46
+00:00:57,110 --> 00:00:57,120
+from what I
+ 
+
+47
+00:00:57,120 --> 00:00:58,910
+from what I
+[Music]
+
+48
+00:00:58,910 --> 00:00:58,920
+[Music]
+ 
+
+49
+00:00:58,920 --> 00:01:05,630
+[Music]
+hear
+
+50
+00:01:05,630 --> 00:01:05,640
+
+ 
+
+51
+00:01:05,640 --> 00:01:08,590
+
+all right all right hey how about you
+
+52
+00:01:08,590 --> 00:01:08,600
+all right all right hey how about you
+ 
+
+53
+00:01:08,600 --> 00:01:10,590
+all right all right hey how about you
+take me to meet this Mr OD D Bird right
+
+54
+00:01:10,590 --> 00:01:10,600
+take me to meet this Mr OD D Bird right
+ 
+
+55
+00:01:10,600 --> 00:01:11,990
+take me to meet this Mr OD D Bird right
+now what do you say what do you say
+
+56
+00:01:11,990 --> 00:01:12,000
+now what do you say what do you say
+ 
+
+57
+00:01:12,000 --> 00:01:13,910
+now what do you say what do you say
+about that well Jo you're a nice guy and
+
+58
+00:01:13,910 --> 00:01:13,920
+about that well Jo you're a nice guy and
+ 
+
+59
+00:01:13,920 --> 00:01:15,990
+about that well Jo you're a nice guy and
+actually I'd be doing b as a favor but
+
+60
+00:01:15,990 --> 00:01:16,000
+actually I'd be doing b as a favor but
+ 
+
+61
+00:01:16,000 --> 00:01:18,590
+actually I'd be doing b as a favor but
+you know for what what am I dragging my
+
+62
+00:01:18,590 --> 00:01:18,600
+you know for what what am I dragging my
+ 
+
+63
+00:01:18,600 --> 00:01:21,109
+you know for what what am I dragging my
+bum leg around town for you know I mean
+
+64
+00:01:21,109 --> 00:01:21,119
+bum leg around town for you know I mean
+ 
+
+65
+00:01:21,119 --> 00:01:22,990
+bum leg around town for you know I mean
+tomorrow some piece like that is Li to
+
+66
+00:01:22,990 --> 00:01:23,000
+tomorrow some piece like that is Li to
+ 
+
+67
+00:01:23,000 --> 00:01:24,590
+tomorrow some piece like that is Li to
+be scratching your back over there at
+
+68
+00:01:24,590 --> 00:01:24,600
+be scratching your back over there at
+ 
+
+69
+00:01:24,600 --> 00:01:26,350
+be scratching your back over there at
+the plaza where am I going to be you
+
+70
+00:01:26,350 --> 00:01:26,360
+the plaza where am I going to be you
+ 
+
+71
+00:01:26,360 --> 00:01:28,990
+the plaza where am I going to be you
+know where hold on hold it right there
+
+72
+00:01:28,990 --> 00:01:29,000
+know where hold on hold it right there
+ 
+
+73
+00:01:29,000 --> 00:01:30,550
+know where hold on hold it right there
+you think I'm that kind of
+
+74
+00:01:30,550 --> 00:01:30,560
+you think I'm that kind of
+ 
+
+75
+00:01:30,560 --> 00:01:32,830
+you think I'm that kind of
+ well you just you just name your
+
+76
+00:01:32,830 --> 00:01:32,840
+well you just you just name your
+ 
+
+77
+00:01:32,840 --> 00:01:34,910
+well you just you just name your
+cut whatever you want you you got it
+
+78
+00:01:34,910 --> 00:01:34,920
+cut whatever you want you you got it
+ 
+
+79
+00:01:34,920 --> 00:01:37,429
+cut whatever you want you you got it
+right now I swear it's all right what
+
+80
+00:01:37,429 --> 00:01:37,439
+right now I swear it's all right what
+ 
+
+81
+00:01:37,439 --> 00:01:40,310
+right now I swear it's all right what
+you want five 10 what are you kidding me
+
+82
+00:01:40,310 --> 00:01:40,320
+you want five 10 what are you kidding me
+ 
+
+83
+00:01:40,320 --> 00:01:43,109
+you want five 10 what are you kidding me
+you know what I'd ask somebody else
+
+84
+00:01:43,109 --> 00:01:43,119
+you know what I'd ask somebody else
+ 
+
+85
+00:01:43,119 --> 00:01:44,469
+you know what I'd ask somebody else
+there's 10 right there all right all
+
+86
+00:01:44,469 --> 00:01:44,479
+there's 10 right there all right all
+ 
+
+87
+00:01:44,479 --> 00:01:46,630
+there's 10 right there all right all
+right I tell you forget it I'll do I'll
+
+88
+00:01:46,630 --> 00:01:46,640
+right I tell you forget it I'll do I'll
+ 
+
+89
+00:01:46,640 --> 00:01:49,109
+right I tell you forget it I'll do I'll
+take the 10 but when I take you over to
+
+90
+00:01:49,109 --> 00:01:49,119
+take the 10 but when I take you over to
+ 
+
+91
+00:01:49,119 --> 00:01:51,310
+take the 10 but when I take you over to
+see Mr O Danel I'm going to have to have
+
+92
+00:01:51,310 --> 00:01:51,320
+see Mr O Danel I'm going to have to have
+ 
+
+93
+00:01:51,320 --> 00:01:53,749
+see Mr O Danel I'm going to have to have
+another tent just to cover expenses all
+
+94
+00:01:53,749 --> 00:01:53,759
+another tent just to cover expenses all
+ 
+
+95
+00:01:53,759 --> 00:01:57,910
+another tent just to cover expenses all
+right come on I'll buy you school off
+
+96
+00:01:57,910 --> 00:01:57,920
+right come on I'll buy you school off
+ 
+
+97
+00:01:57,920 --> 00:02:28,750
+right come on I'll buy you school off
+your get out of here come on F go to
+
+98
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+99
+00:02:28,760 --> 00:02:30,570
+
+work
+
+100
+00:02:30,570 --> 00:02:30,580
+work
+ 
+
+101
+00:02:30,580 --> 00:02:36,649
+work
+[Music]
+

1969/bwTe_vZ_2dg.en.srt

@@ -0,0 +1,135 @@
+1
+00:00:12,680 --> 00:00:27,710
+
+[Music]
+
+2
+00:00:27,710 --> 00:00:27,720
+[Music]
+ 
+
+3
+00:00:27,720 --> 00:00:38,110
+[Music]
+la la
+
+4
+00:00:38,110 --> 00:00:38,120
+
+ 
+
+5
+00:00:38,120 --> 00:00:40,709
+
+I hate bone yards don't split he ain't
+
+6
+00:00:40,709 --> 00:00:40,719
+I hate bone yards don't split he ain't
+ 
+
+7
+00:00:40,719 --> 00:01:10,820
+I hate bone yards don't split he ain't
+your goddamn father
+
+8
+00:01:10,820 --> 00:01:10,830
+
+ 
+
+9
+00:01:10,830 --> 00:01:16,990
+
+[Music]
+
+10
+00:01:16,990 --> 00:01:17,000
+
+ 
+
+11
+00:01:17,000 --> 00:01:19,550
+
+he was even dumber than you he couldn't
+
+12
+00:01:19,550 --> 00:01:19,560
+he was even dumber than you he couldn't
+ 
+
+13
+00:01:19,560 --> 00:01:21,270
+he was even dumber than you he couldn't
+even write his own
+
+14
+00:01:21,270 --> 00:01:21,280
+even write his own
+ 
+
+15
+00:01:21,280 --> 00:01:23,749
+even write his own
+name X that's what ought to say on that
+
+16
+00:01:23,749 --> 00:01:23,759
+name X that's what ought to say on that
+ 
+
+17
+00:01:23,759 --> 00:01:26,950
+name X that's what ought to say on that
+goddamn headstone one big lousy X just
+
+18
+00:01:26,950 --> 00:01:26,960
+goddamn headstone one big lousy X just
+ 
+
+19
+00:01:26,960 --> 00:01:36,190
+goddamn headstone one big lousy X just
+like our dump condamned p
+
+20
+00:01:36,190 --> 00:01:36,200
+
+ 
+
+21
+00:01:36,200 --> 00:01:39,389
+
+Hall my grandma sell a
+
+22
+00:01:39,389 --> 00:01:39,399
+Hall my grandma sell a
+ 
+
+23
+00:01:39,399 --> 00:01:43,310
+Hall my grandma sell a
+bck she died without letting me know
+
+24
+00:01:43,310 --> 00:01:43,320
+bck she died without letting me know
+ 
+
+25
+00:01:43,320 --> 00:01:54,870
+bck she died without letting me know
+[Music]
+
+26
+00:01:54,870 --> 00:01:54,880
+
+ 
+
+27
+00:01:54,880 --> 00:02:26,539
+
+[Music]
+

1969/c_69KA0PKYI.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:03,199 --> 00:00:05,470
+
+you're
+
+2
+00:00:05,470 --> 00:00:05,480
+you're
+ 
+
+3
+00:00:05,480 --> 00:00:08,230
+you're
+next I only get sh at weddings in bom
+
+4
+00:00:08,230 --> 00:00:08,240
+next I only get sh at weddings in bom
+ 
+
+5
+00:00:08,240 --> 00:00:10,629
+next I only get sh at weddings in bom
+mitz come on Kitty Let's Dance later
+
+6
+00:00:10,629 --> 00:00:10,639
+mitz come on Kitty Let's Dance later
+ 
+
+7
+00:00:10,639 --> 00:00:11,830
+mitz come on Kitty Let's Dance later
+okay
+
+8
+00:00:11,830 --> 00:00:11,840
+okay
+ 
+
+9
+00:00:11,840 --> 00:00:16,029
+okay
+later later later later hey Sunny come
+
+10
+00:00:16,029 --> 00:00:16,039
+later later later later hey Sunny come
+ 
+
+11
+00:00:16,039 --> 00:00:18,429
+later later later later hey Sunny come
+on take a picture just moling me why not
+
+12
+00:00:18,429 --> 00:00:18,439
+on take a picture just moling me why not
+ 
+
+13
+00:00:18,439 --> 00:00:22,830
+on take a picture just moling me why not
+just mol take a picture real nice
+
+14
+00:00:22,830 --> 00:00:22,840
+just mol take a picture real nice
+ 
+
+15
+00:00:22,840 --> 00:00:25,390
+just mol take a picture real nice
+ready ready
+
+16
+00:00:25,390 --> 00:00:25,400
+ready ready
+ 
+
+17
+00:00:25,400 --> 00:00:28,029
+ready ready
+smile Harry what are you
+
+18
+00:00:28,029 --> 00:00:28,039
+smile Harry what are you
+ 
+
+19
+00:00:28,039 --> 00:00:30,780
+smile Harry what are you
+doing thank you thank you
+
+20
+00:00:30,780 --> 00:00:30,790
+doing thank you thank you
+ 
+
+21
+00:00:30,790 --> 00:00:39,950
+doing thank you thank you
+[Music]
+
+22
+00:00:39,950 --> 00:00:39,960
+[Music]
+ 
+
+23
+00:00:39,960 --> 00:00:44,229
+[Music]
+hi you two love birds You're Next by the
+
+24
+00:00:44,229 --> 00:00:44,239
+hi you two love birds You're Next by the
+ 
+
+25
+00:00:44,239 --> 00:00:46,029
+hi you two love birds You're Next by the
+way sweetie what have you been doing
+
+26
+00:00:46,029 --> 00:00:46,039
+way sweetie what have you been doing
+ 
+
+27
+00:00:46,039 --> 00:00:48,590
+way sweetie what have you been doing
+with yourself this summer growing a
+
+28
+00:00:48,590 --> 00:00:48,600
+with yourself this summer growing a
+ 
+
+29
+00:00:48,600 --> 00:00:49,870
+with yourself this summer growing a
+penis
+
+30
+00:00:49,870 --> 00:00:49,880
+penis
+ 
+
+31
+00:00:49,880 --> 00:01:23,410
+penis
+[Music]
+

1969/dkAv65bo8a8.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:07,020 --> 00:00:14,390
+
+[Music]
+
+2
+00:00:14,390 --> 00:00:14,400
+
+ 
+
+3
+00:00:14,400 --> 00:00:17,470
+
+you know some people Nam
+
+4
+00:00:17,470 --> 00:00:17,480
+you know some people Nam
+ 
+
+5
+00:00:17,480 --> 00:00:20,550
+you know some people Nam
+mandza
+
+6
+00:00:20,550 --> 00:00:20,560
+
+ 
+
+7
+00:00:20,560 --> 00:00:22,910
+
+yes they have been saying terrible
+
+8
+00:00:22,910 --> 00:00:22,920
+yes they have been saying terrible
+ 
+
+9
+00:00:22,920 --> 00:00:23,990
+yes they have been saying terrible
+things about
+
+10
+00:00:23,990 --> 00:00:24,000
+things about
+ 
+
+11
+00:00:24,000 --> 00:00:27,790
+things about
+you I do not believe them when your
+
+12
+00:00:27,790 --> 00:00:27,800
+you I do not believe them when your
+ 
+
+13
+00:00:27,800 --> 00:00:30,790
+you I do not believe them when your
+believes I can't
+
+14
+00:00:30,790 --> 00:00:30,800
+believes I can't
+ 
+
+15
+00:00:30,800 --> 00:00:32,229
+believes I can't
+they were
+
+16
+00:00:32,229 --> 00:00:32,239
+they were
+ 
+
+17
+00:00:32,239 --> 00:00:34,549
+they were
+tortured if you torture people long do
+
+18
+00:00:34,549 --> 00:00:34,559
+tortured if you torture people long do
+ 
+
+19
+00:00:34,559 --> 00:00:36,869
+tortured if you torture people long do
+not want to believe
+
+20
+00:00:36,869 --> 00:00:36,879
+not want to believe
+ 
+
+21
+00:00:36,879 --> 00:00:40,590
+not want to believe
+them a RICO we have found it in the
+
+22
+00:00:40,590 --> 00:00:40,600
+them a RICO we have found it in the
+ 
+
+23
+00:00:40,600 --> 00:00:43,069
+them a RICO we have found it in the
+pantry a dark room for cameras for
+
+24
+00:00:43,069 --> 00:00:43,079
+pantry a dark room for cameras for
+ 
+
+25
+00:00:43,079 --> 00:00:44,510
+pantry a dark room for cameras for
+developing pictures and all kinds of
+
+26
+00:00:44,510 --> 00:00:44,520
+developing pictures and all kinds of
+ 
+
+27
+00:00:44,520 --> 00:00:46,510
+developing pictures and all kinds of
+Machinery to make them small and it's
+
+28
+00:00:46,510 --> 00:00:46,520
+Machinery to make them small and it's
+ 
+
+29
+00:00:46,520 --> 00:00:48,270
+Machinery to make them small and it's
+all true they've been operating from
+
+30
+00:00:48,270 --> 00:00:48,280
+all true they've been operating from
+ 
+
+31
+00:00:48,280 --> 00:00:51,430
+all true they've been operating from
+this house give me the
+
+32
+00:00:51,430 --> 00:00:51,440
+this house give me the
+ 
+
+33
+00:00:51,440 --> 00:00:54,910
+this house give me the
+airport you know what this is for racer
+
+34
+00:00:54,910 --> 00:00:54,920
+airport you know what this is for racer
+ 
+
+35
+00:00:54,920 --> 00:00:58,910
+airport you know what this is for racer
+blades it is where they hide the
+
+36
+00:00:58,910 --> 00:00:58,920
+blades it is where they hide the
+ 
+
+37
+00:00:58,920 --> 00:01:03,590
+blades it is where they hide the
+film hello airport give me
+
+38
+00:01:03,590 --> 00:01:03,600
+
+ 
+
+39
+00:01:03,600 --> 00:01:07,469
+
+guo gueto do you still have the
+
+40
+00:01:07,469 --> 00:01:07,479
+guo gueto do you still have the
+ 
+
+41
+00:01:07,479 --> 00:01:09,350
+guo gueto do you still have the
+French
+
+42
+00:01:09,350 --> 00:01:09,360
+French
+ 
+
+43
+00:01:09,360 --> 00:01:12,149
+French
+nothing all right I tell you where to
+
+44
+00:01:12,149 --> 00:01:12,159
+nothing all right I tell you where to
+ 
+
+45
+00:01:12,159 --> 00:01:14,590
+nothing all right I tell you where to
+find it any small package of racer
+
+46
+00:01:14,590 --> 00:01:14,600
+find it any small package of racer
+ 
+
+47
+00:01:14,600 --> 00:01:18,190
+find it any small package of racer
+plates the injector typ please best
+
+48
+00:01:18,190 --> 00:01:18,200
+plates the injector typ please best
+ 
+
+49
+00:01:18,200 --> 00:01:21,590
+plates the injector typ please best
+small anyone that slide out call me back
+
+50
+00:01:21,590 --> 00:01:21,600
+small anyone that slide out call me back
+ 
+
+51
+00:01:21,600 --> 00:01:24,310
+small anyone that slide out call me back
+you know where so it is
+
+52
+00:01:24,310 --> 00:01:24,320
+you know where so it is
+ 
+
+53
+00:01:24,320 --> 00:01:26,109
+you know where so it is
+[Music]
+
+54
+00:01:26,109 --> 00:01:26,119
+[Music]
+ 
+
+55
+00:01:26,119 --> 00:01:31,469
+[Music]
+true I have to believe now
+
+56
+00:01:31,469 --> 00:01:31,479
+
+ 
+
+57
+00:01:31,479 --> 00:01:35,069
+
+the things that you have done against
+
+58
+00:01:35,069 --> 00:01:35,079
+
+ 
+
+59
+00:01:35,079 --> 00:01:39,310
+
+us against what we are trying to
+
+60
+00:01:39,310 --> 00:01:39,320
+us against what we are trying to
+ 
+
+61
+00:01:39,320 --> 00:01:42,030
+us against what we are trying to
+do
+
+62
+00:01:42,030 --> 00:01:42,040
+do
+ 
+
+63
+00:01:42,040 --> 00:01:45,190
+do
+why because you made my country
+
+64
+00:01:45,190 --> 00:01:45,200
+why because you made my country
+ 
+
+65
+00:01:45,200 --> 00:01:48,830
+why because you made my country
+prison no you cannot
+
+66
+00:01:48,830 --> 00:01:48,840
+prison no you cannot
+ 
+
+67
+00:01:48,840 --> 00:01:51,749
+prison no you cannot
+judge not
+
+68
+00:01:51,749 --> 00:01:51,759
+judge not
+ 
+
+69
+00:01:51,759 --> 00:01:54,709
+judge not
+you you shouldn't have done
+
+70
+00:01:54,709 --> 00:01:54,719
+you you shouldn't have done
+ 
+
+71
+00:01:54,719 --> 00:01:57,870
+you you shouldn't have done
+this to fool
+
+72
+00:01:57,870 --> 00:01:57,880
+this to fool
+ 
+
+73
+00:01:57,880 --> 00:02:02,550
+this to fool
+me to work against me you're part of
+
+74
+00:02:02,550 --> 00:02:02,560
+me to work against me you're part of
+ 
+
+75
+00:02:02,560 --> 00:02:05,149
+me to work against me you're part of
+it so now we'll have to do to you what
+
+76
+00:02:05,149 --> 00:02:05,159
+it so now we'll have to do to you what
+ 
+
+77
+00:02:05,159 --> 00:02:06,670
+it so now we'll have to do to you what
+we did to them
+
+78
+00:02:06,670 --> 00:02:06,680
+we did to them
+ 
+
+79
+00:02:06,680 --> 00:02:09,070
+we did to them
+endorsers to find out the names of all
+
+80
+00:02:09,070 --> 00:02:09,080
+endorsers to find out the names of all
+ 
+
+81
+00:02:09,080 --> 00:02:11,190
+endorsers to find out the names of all
+the
+
+82
+00:02:11,190 --> 00:02:11,200
+the
+ 
+
+83
+00:02:11,200 --> 00:02:15,229
+the
+others all the things that you have
+
+84
+00:02:15,229 --> 00:02:15,239
+others all the things that you have
+ 
+
+85
+00:02:15,239 --> 00:02:20,750
+others all the things that you have
+done and we we will find
+
+86
+00:02:20,750 --> 00:02:20,760
+
+ 
+
+87
+00:02:20,760 --> 00:02:23,390
+
+out and the
+
+88
+00:02:23,390 --> 00:02:23,400
+out and the
+ 
+
+89
+00:02:23,400 --> 00:02:28,670
+out and the
+things it will be done to your
+
+90
+00:02:28,670 --> 00:02:28,680
+
+ 
+
+91
+00:02:28,680 --> 00:02:55,730
+
+body the this body
+
+92
+00:02:55,730 --> 00:02:55,740
+
+ 
+
+93
+00:02:55,740 --> 00:03:22,830
+
+[Music]
+

1969/gOJJm_cSRds.description

@@ -0,0 +1,38 @@
+The Wild Bunch movie clips: http://j.mp/1iSeiuU
+BUY THE MOVIE: http://j.mp/12OlxKX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Pike Bishop (William Holden) and the Wild Bunch shoot their way out of a bank robbery against Deke Thornton (Robert Ryan).
+
+FILM DESCRIPTION:
+"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel.
+
+CREDITS:
+TM & © Warner Bros. (1969)
+Cast: Ernest Borgnine, Albert Dekker, William Holden, Bo Hopkins, Ben Johnson, L.Q. Jones, Strother Martin, Warren Oates, Matthew Peckinpah, Robert Ryan, Jaime Sánchez, Dub Taylor
+Director: Sam Peckinpah
+Producers: Phil Feldman, Roy N. Sickner
+Screenwriters: Walon Green, Sam Peckinpah, Roy N. Sickner
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/geOqbM03Hf0.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:04,359 --> 00:00:07,710
+
+Australia I figured secretly you wanted
+
+2
+00:00:07,710 --> 00:00:07,720
+Australia I figured secretly you wanted
+ 
+
+3
+00:00:07,720 --> 00:00:11,509
+Australia I figured secretly you wanted
+to know so I told you
+
+4
+00:00:11,509 --> 00:00:11,519
+to know so I told you
+ 
+
+5
+00:00:11,519 --> 00:00:14,350
+to know so I told you
+Australia that's your a great idea oh
+
+6
+00:00:14,350 --> 00:00:14,360
+Australia that's your a great idea oh
+ 
+
+7
+00:00:14,360 --> 00:00:16,870
+Australia that's your a great idea oh
+boy it's the latest in in a long
+
+8
+00:00:16,870 --> 00:00:16,880
+boy it's the latest in in a long
+ 
+
+9
+00:00:16,880 --> 00:00:19,710
+boy it's the latest in in a long
+line Australia is no better than here a
+
+10
+00:00:19,710 --> 00:00:19,720
+line Australia is no better than here a
+ 
+
+11
+00:00:19,720 --> 00:00:22,150
+line Australia is no better than here a
+that's all you know me one thing speak
+
+12
+00:00:22,150 --> 00:00:22,160
+that's all you know me one thing speak
+ 
+
+13
+00:00:22,160 --> 00:00:25,349
+that's all you know me one thing speak
+English and Australia they do that's
+
+14
+00:00:25,349 --> 00:00:25,359
+English and Australia they do that's
+ 
+
+15
+00:00:25,359 --> 00:00:26,550
+English and Australia they do that's
+right smart guy so we wouldn't be
+
+16
+00:00:26,550 --> 00:00:26,560
+right smart guy so we wouldn't be
+ 
+
+17
+00:00:26,560 --> 00:00:30,910
+right smart guy so we wouldn't be
+foreigners
+
+18
+00:00:30,910 --> 00:00:30,920
+
+ 
+
+19
+00:00:30,920 --> 00:00:33,229
+
+got horses in Australia how they got
+
+20
+00:00:33,229 --> 00:00:33,239
+got horses in Australia how they got
+ 
+
+21
+00:00:33,239 --> 00:00:35,670
+got horses in Australia how they got
+thousands of miles we could hide out in
+
+22
+00:00:35,670 --> 00:00:35,680
+thousands of miles we could hide out in
+ 
+
+23
+00:00:35,680 --> 00:00:37,430
+thousands of miles we could hide out in
+a good climate nice beaches you could
+
+24
+00:00:37,430 --> 00:00:37,440
+a good climate nice beaches you could
+ 
+
+25
+00:00:37,440 --> 00:00:42,630
+a good climate nice beaches you could
+learn to swim no swimming isn't
+
+26
+00:00:42,630 --> 00:00:42,640
+
+ 
+
+27
+00:00:42,640 --> 00:00:45,350
+
+important what about the
+
+28
+00:00:45,350 --> 00:00:45,360
+important what about the
+ 
+
+29
+00:00:45,360 --> 00:00:53,029
+important what about the
+banks they're easy easy rip and
+
+30
+00:00:53,029 --> 00:00:53,039
+
+ 
+
+31
+00:00:53,039 --> 00:00:56,349
+
+rushes banks of the women well once you
+
+32
+00:00:56,349 --> 00:00:56,359
+rushes banks of the women well once you
+ 
+
+33
+00:00:56,359 --> 00:01:02,270
+rushes banks of the women well once you
+got one you got
+
+34
+00:01:02,270 --> 00:01:02,280
+
+ 
+
+35
+00:01:02,280 --> 00:01:04,829
+
+it's a long way though isn't it ah
+
+36
+00:01:04,829 --> 00:01:04,839
+it's a long way though isn't it ah
+ 
+
+37
+00:01:04,839 --> 00:01:06,190
+it's a long way though isn't it ah
+everything's got to be perfect with you
+
+38
+00:01:06,190 --> 00:01:06,200
+everything's got to be perfect with you
+ 
+
+39
+00:01:06,200 --> 00:01:07,270
+everything's got to be perfect with you
+I just don't want to get there and find
+
+40
+00:01:07,270 --> 00:01:07,280
+I just don't want to get there and find
+ 
+
+41
+00:01:07,280 --> 00:01:10,070
+I just don't want to get there and find
+out it stinks that's all at least think
+
+42
+00:01:10,070 --> 00:01:10,080
+out it stinks that's all at least think
+ 
+
+43
+00:01:10,080 --> 00:01:12,670
+out it stinks that's all at least think
+about
+
+44
+00:01:12,670 --> 00:01:12,680
+
+ 
+
+45
+00:01:12,680 --> 00:01:15,190
+
+it all
+
+46
+00:01:15,190 --> 00:01:15,200
+it all
+ 
+
+47
+00:01:15,200 --> 00:01:21,670
+it all
+right I think about
+
+48
+00:01:21,670 --> 00:01:21,680
+
+ 
+
+49
+00:01:21,680 --> 00:01:24,429
+
+it
+
+50
+00:01:24,429 --> 00:01:24,439
+it
+ 
+
+51
+00:01:24,439 --> 00:01:28,190
+it
+hey when we get outside we get to the
+
+52
+00:01:28,190 --> 00:01:28,200
+hey when we get outside we get to the
+ 
+
+53
+00:01:28,200 --> 00:01:35,510
+hey when we get outside we get to the
+horses just remember when
+
+54
+00:01:35,510 --> 00:01:35,520
+
+ 
+
+55
+00:01:35,520 --> 00:01:38,830
+
+hey wait a minute what you didn't see
+
+56
+00:01:38,830 --> 00:01:38,840
+hey wait a minute what you didn't see
+ 
+
+57
+00:01:38,840 --> 00:01:42,670
+hey wait a minute what you didn't see
+the fores out there did you the
+
+58
+00:01:42,670 --> 00:01:42,680
+the fores out there did you the
+ 
+
+59
+00:01:42,680 --> 00:01:45,149
+the fores out there did you the
+fores
+
+60
+00:01:45,149 --> 00:01:45,159
+fores
+ 
+
+61
+00:01:45,159 --> 00:01:48,630
+fores
+no good for a moment that I thought we
+
+62
+00:01:48,630 --> 00:01:48,640
+no good for a moment that I thought we
+ 
+
+63
+00:01:48,640 --> 00:02:04,069
+no good for a moment that I thought we
+were in trouble
+
+64
+00:02:04,069 --> 00:02:04,079
+
+ 
+
+65
+00:02:04,079 --> 00:02:14,060
+
+hle heo
+
+66
+00:02:14,060 --> 00:02:14,070
+
+ 
+
+67
+00:02:14,070 --> 00:02:43,279
+
+[Music]
+

1969/gjliVll3Uyw.description

@@ -0,0 +1,38 @@
+Midnight Cowboy movie clips: http://j.mp/1bf0SJd
+BUY THE MOVIE: http://j.mp/16YqbHy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Jon Voight) keeps things light after a deathly ill Ratso (Dustin Hoffman) wets his pants on the bus en route to Florida.
+
+FILM DESCRIPTION:
+Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA.
+
+CREDITS:
+TM & © MGM (1969)
+Cast: Dustin Hoffman, Jon Voight
+Director: John Schlesinger
+Producers: Jerome Hellman, Kenneth Utt
+Screenwriters: James Leo Herlihy, Waldo Salt
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/gjliVll3Uyw.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:02,210 --> 00:00:27,990
+
+[Music]
+
+2
+00:00:27,990 --> 00:00:28,000
+
+ 
+
+3
+00:00:28,000 --> 00:00:30,150
+
+hey what's the matter
+
+4
+00:00:30,150 --> 00:00:30,160
+hey what's the matter
+ 
+
+5
+00:00:30,160 --> 00:00:34,709
+hey what's the matter
+I'm wet you're you're what I wet my
+
+6
+00:00:34,709 --> 00:00:34,719
+I'm wet you're you're what I wet my
+ 
+
+7
+00:00:34,719 --> 00:00:36,430
+I'm wet you're you're what I wet my
+pants the seats all
+
+8
+00:00:36,430 --> 00:00:36,440
+pants the seats all
+ 
+
+9
+00:00:36,440 --> 00:00:38,110
+pants the seats all
+wet
+
+10
+00:00:38,110 --> 00:00:38,120
+wet
+ 
+
+11
+00:00:38,120 --> 00:00:40,430
+wet
+oh you know you just crying over the
+
+12
+00:00:40,430 --> 00:00:40,440
+oh you know you just crying over the
+ 
+
+13
+00:00:40,440 --> 00:00:42,630
+oh you know you just crying over the
+damn
+
+14
+00:00:42,630 --> 00:00:42,640
+damn
+ 
+
+15
+00:00:42,640 --> 00:00:45,389
+damn
+thing here I am going to Florida my leg
+
+16
+00:00:45,389 --> 00:00:45,399
+thing here I am going to Florida my leg
+ 
+
+17
+00:00:45,399 --> 00:00:48,270
+thing here I am going to Florida my leg
+hurts my butt hurts my chest hurts my
+
+18
+00:00:48,270 --> 00:00:48,280
+hurts my butt hurts my chest hurts my
+ 
+
+19
+00:00:48,280 --> 00:00:50,590
+hurts my butt hurts my chest hurts my
+face hurts and like that ain't enough I
+
+20
+00:00:50,590 --> 00:00:50,600
+face hurts and like that ain't enough I
+ 
+
+21
+00:00:50,600 --> 00:00:52,470
+face hurts and like that ain't enough I
+got to peel all over
+
+22
+00:00:52,470 --> 00:00:52,480
+got to peel all over
+ 
+
+23
+00:00:52,480 --> 00:00:53,590
+got to peel all over
+[Music]
+
+24
+00:00:53,590 --> 00:00:53,600
+[Music]
+ 
+
+25
+00:00:53,600 --> 00:00:58,110
+[Music]
+myself that's funny I'm falling apart
+
+26
+00:00:58,110 --> 00:00:58,120
+myself that's funny I'm falling apart
+ 
+
+27
+00:00:58,120 --> 00:01:00,470
+myself that's funny I'm falling apart
+here he just
+
+28
+00:01:00,470 --> 00:01:00,480
+here he just
+ 
+
+29
+00:01:00,480 --> 00:01:01,830
+here he just
+you know what happened you just took a
+
+30
+00:01:01,830 --> 00:01:01,840
+you know what happened you just took a
+ 
+
+31
+00:01:01,840 --> 00:01:09,930
+you know what happened you just took a
+little rest up wasn't on the
+
+32
+00:01:09,930 --> 00:01:09,940
+
+ 
+
+33
+00:01:09,940 --> 00:01:19,710
+
+[Laughter]
+
+34
+00:01:19,710 --> 00:01:19,720
+
+ 
+
+35
+00:01:19,720 --> 00:01:23,810
+
+schedule let me put you up
+
+36
+00:01:23,810 --> 00:01:23,820
+
+ 
+
+37
+00:01:23,820 --> 00:01:26,830
+
+[Music]
+
+38
+00:01:26,830 --> 00:01:26,840
+[Music]
+ 
+
+39
+00:01:26,840 --> 00:01:29,910
+[Music]
+here hey what what size paint you wear
+
+40
+00:01:29,910 --> 00:01:29,920
+here hey what what size paint you wear
+ 
+
+41
+00:01:29,920 --> 00:02:01,620
+here hey what what size paint you wear
+[Music]
+

1969/iamsdf-VSQI.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:00,080 --> 00:00:02,110
+
+come on you little Hur for you get
+
+2
+00:00:02,110 --> 00:00:02,120
+come on you little Hur for you get
+ 
+
+3
+00:00:02,120 --> 00:00:04,390
+come on you little Hur for you get
+yourself over
+
+4
+00:00:04,390 --> 00:00:04,400
+yourself over
+ 
+
+5
+00:00:04,400 --> 00:00:08,190
+yourself over
+here yo thingy I'm really from New York
+
+6
+00:00:08,190 --> 00:00:08,200
+here yo thingy I'm really from New York
+ 
+
+7
+00:00:08,200 --> 00:00:10,990
+here yo thingy I'm really from New York
+man all just weird
+
+8
+00:00:10,990 --> 00:00:11,000
+man all just weird
+ 
+
+9
+00:00:11,000 --> 00:00:15,230
+man all just weird
+acting you're freak aren't
+
+10
+00:00:15,230 --> 00:00:15,240
+
+ 
+
+11
+00:00:15,240 --> 00:00:24,070
+
+you my name is
+
+12
+00:00:24,070 --> 00:00:24,080
+
+ 
+
+13
+00:00:24,080 --> 00:00:27,470
+
+Mary you want to drink Mary no thanks
+
+14
+00:00:27,470 --> 00:00:27,480
+Mary you want to drink Mary no thanks
+ 
+
+15
+00:00:27,480 --> 00:00:30,070
+Mary you want to drink Mary no thanks
+all what's what's what's this I mean is
+
+16
+00:00:30,070 --> 00:00:30,080
+all what's what's what's this I mean is
+ 
+
+17
+00:00:30,080 --> 00:00:31,830
+all what's what's what's this I mean is
+this really your hair no hey really what
+
+18
+00:00:31,830 --> 00:00:31,840
+this really your hair no hey really what
+ 
+
+19
+00:00:31,840 --> 00:00:33,950
+this really your hair no hey really what
+is this is this really your hair are you
+
+20
+00:00:33,950 --> 00:00:33,960
+is this is this really your hair are you
+ 
+
+21
+00:00:33,960 --> 00:00:36,510
+is this is this really your hair are you
+kidding me what what are these things
+
+22
+00:00:36,510 --> 00:00:36,520
+kidding me what what are these things
+ 
+
+23
+00:00:36,520 --> 00:00:38,990
+kidding me what what are these things
+hey what are these things what are these
+
+24
+00:00:38,990 --> 00:00:39,000
+hey what are these things what are these
+ 
+
+25
+00:00:39,000 --> 00:00:39,990
+hey what are these things what are these
+what are you doing you know I'm kind of
+
+26
+00:00:39,990 --> 00:00:40,000
+what are you doing you know I'm kind of
+ 
+
+27
+00:00:40,000 --> 00:00:42,910
+what are you doing you know I'm kind of
+a freak myself I never really thought of
+
+28
+00:00:42,910 --> 00:00:42,920
+a freak myself I never really thought of
+ 
+
+29
+00:00:42,920 --> 00:00:44,229
+a freak myself I never really thought of
+myself as a
+
+30
+00:00:44,229 --> 00:00:44,239
+myself as a
+ 
+
+31
+00:00:44,239 --> 00:00:48,189
+myself as a
+freak but I love to
+
+32
+00:00:48,189 --> 00:00:48,199
+
+ 
+
+33
+00:00:48,199 --> 00:00:50,630
+
+freak what's happening
+
+34
+00:00:50,630 --> 00:00:50,640
+freak what's happening
+ 
+
+35
+00:00:50,640 --> 00:00:53,229
+freak what's happening
+outside
+
+36
+00:00:53,229 --> 00:00:53,239
+outside
+ 
+
+37
+00:00:53,239 --> 00:00:55,310
+outside
+what you know on the street what's
+
+38
+00:00:55,310 --> 00:00:55,320
+what you know on the street what's
+ 
+
+39
+00:00:55,320 --> 00:00:57,790
+what you know on the street what's
+happening Marty Gro oh well it's you
+
+40
+00:00:57,790 --> 00:00:57,800
+happening Marty Gro oh well it's you
+ 
+
+41
+00:00:57,800 --> 00:01:05,270
+happening Marty Gro oh well it's you
+know it's crowded and all that
+
+42
+00:01:05,270 --> 00:01:05,280
+
+ 
+
+43
+00:01:05,280 --> 00:01:14,190
+
+yeah mhm anyone
+
+44
+00:01:14,190 --> 00:01:14,200
+
+ 
+
+45
+00:01:14,200 --> 00:01:22,149
+
+drink just tell you thank
+
+46
+00:01:22,149 --> 00:01:22,159
+
+ 
+
+47
+00:01:22,159 --> 00:01:25,069
+
+you what's the matter don't you like
+
+48
+00:01:25,069 --> 00:01:25,079
+you what's the matter don't you like
+ 
+
+49
+00:01:25,079 --> 00:01:30,950
+you what's the matter don't you like
+me what well you paid for me right
+
+50
+00:01:30,950 --> 00:01:30,960
+me what well you paid for me right
+ 
+
+51
+00:01:30,960 --> 00:01:34,149
+me what well you paid for me right
+well that was um that was for my
+
+52
+00:01:34,149 --> 00:01:34,159
+well that was um that was for my
+ 
+
+53
+00:01:34,159 --> 00:01:37,749
+well that was um that was for my
+friend oh I
+
+54
+00:01:37,749 --> 00:01:37,759
+friend oh I
+ 
+
+55
+00:01:37,759 --> 00:01:40,710
+friend oh I
+don't why don't I buy you a drink I
+
+56
+00:01:40,710 --> 00:01:40,720
+don't why don't I buy you a drink I
+ 
+
+57
+00:01:40,720 --> 00:01:51,510
+don't why don't I buy you a drink I
+don't
+
+58
+00:01:51,510 --> 00:01:51,520
+
+ 
+
+59
+00:01:51,520 --> 00:02:03,749
+
+drink I've got an idea let's go outside
+
+60
+00:02:03,749 --> 00:02:03,759
+
+ 
+
+61
+00:02:03,759 --> 00:02:07,109
+
+yep we'll all go outside of Marty gr
+
+62
+00:02:07,109 --> 00:02:07,119
+yep we'll all go outside of Marty gr
+ 
+
+63
+00:02:07,119 --> 00:02:11,430
+yep we'll all go outside of Marty gr
+okay okay
+
+64
+00:02:11,430 --> 00:02:11,440
+
+ 
+
+65
+00:02:11,440 --> 00:02:42,500
+
+[Music]
+

1969/jVu_cuFHZnc.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,390 --> 00:00:02,310
+
+[Music]
+
+2
+00:00:02,310 --> 00:00:02,320
+[Music]
+ 
+
+3
+00:00:02,320 --> 00:00:05,110
+[Music]
+Andre to be a man of principle is one
+
+4
+00:00:05,110 --> 00:00:05,120
+Andre to be a man of principle is one
+ 
+
+5
+00:00:05,120 --> 00:00:07,829
+Andre to be a man of principle is one
+thing but a man doesn't cut his throat
+
+6
+00:00:07,829 --> 00:00:07,839
+thing but a man doesn't cut his throat
+ 
+
+7
+00:00:07,839 --> 00:00:08,709
+thing but a man doesn't cut his throat
+on
+
+8
+00:00:08,709 --> 00:00:08,719
+on
+ 
+
+9
+00:00:08,719 --> 00:00:12,910
+on
+principle I have no desire to cut my
+
+10
+00:00:12,910 --> 00:00:12,920
+principle I have no desire to cut my
+ 
+
+11
+00:00:12,920 --> 00:00:16,750
+principle I have no desire to cut my
+throat then tell us your friends that's
+
+12
+00:00:16,750 --> 00:00:16,760
+throat then tell us your friends that's
+ 
+
+13
+00:00:16,760 --> 00:00:19,950
+throat then tell us your friends that's
+why we're here be reasonable hre we are
+
+14
+00:00:19,950 --> 00:00:19,960
+why we're here be reasonable hre we are
+ 
+
+15
+00:00:19,960 --> 00:00:25,070
+why we're here be reasonable hre we are
+trying to help you yes my friends slowly
+
+16
+00:00:25,070 --> 00:00:25,080
+trying to help you yes my friends slowly
+ 
+
+17
+00:00:25,080 --> 00:00:34,270
+trying to help you yes my friends slowly
+slowly let AR tell us in his own way
+
+18
+00:00:34,270 --> 00:00:34,280
+
+ 
+
+19
+00:00:34,280 --> 00:00:36,150
+
+have any of you in your official work
+
+20
+00:00:36,150 --> 00:00:36,160
+have any of you in your official work
+ 
+
+21
+00:00:36,160 --> 00:00:40,290
+have any of you in your official work
+had any hint of aspiring called
+
+22
+00:00:40,290 --> 00:00:40,300
+had any hint of aspiring called
+ 
+
+23
+00:00:40,300 --> 00:00:50,549
+had any hint of aspiring called
+[Music]
+
+24
+00:00:50,549 --> 00:00:50,559
+
+ 
+
+25
+00:00:50,559 --> 00:00:52,310
+
+topass
+
+26
+00:00:52,310 --> 00:00:52,320
+topass
+ 
+
+27
+00:00:52,320 --> 00:00:54,830
+topass
+no what kind of a
+
+28
+00:00:54,830 --> 00:00:54,840
+no what kind of a
+ 
+
+29
+00:00:54,840 --> 00:00:57,590
+no what kind of a
+ring there is a number of
+
+30
+00:00:57,590 --> 00:00:57,600
+ring there is a number of
+ 
+
+31
+00:00:57,600 --> 00:01:00,630
+ring there is a number of
+Frenchmen compatriots of ours
+
+32
+00:01:00,630 --> 00:01:00,640
+Frenchmen compatriots of ours
+ 
+
+33
+00:01:00,640 --> 00:01:03,110
+Frenchmen compatriots of ours
+high in official circles working for the
+
+34
+00:01:03,110 --> 00:01:03,120
+high in official circles working for the
+ 
+
+35
+00:01:03,120 --> 00:01:04,310
+high in official circles working for the
+Soviet
+
+36
+00:01:04,310 --> 00:01:04,320
+Soviet
+ 
+
+37
+00:01:04,320 --> 00:01:09,350
+Soviet
+Union I go sit down I need you I have
+
+38
+00:01:09,350 --> 00:01:09,360
+Union I go sit down I need you I have
+ 
+
+39
+00:01:09,360 --> 00:01:10,910
+Union I go sit down I need you I have
+nothing to do with
+
+40
+00:01:10,910 --> 00:01:10,920
+nothing to do with
+ 
+
+41
+00:01:10,920 --> 00:01:15,640
+nothing to do with
+spies I'm concerned with exposing
+
+42
+00:01:15,640 --> 00:01:15,650
+
+ 
+
+43
+00:01:15,650 --> 00:01:18,830
+
+[Music]
+
+44
+00:01:18,830 --> 00:01:18,840
+
+ 
+
+45
+00:01:18,840 --> 00:01:21,910
+
+them this is a very
+
+46
+00:01:21,910 --> 00:01:21,920
+them this is a very
+ 
+
+47
+00:01:21,920 --> 00:01:25,310
+them this is a very
+dear how do you know about this ring of
+
+48
+00:01:25,310 --> 00:01:25,320
+dear how do you know about this ring of
+ 
+
+49
+00:01:25,320 --> 00:01:27,630
+dear how do you know about this ring of
+spies the Americans have a Russian
+
+50
+00:01:27,630 --> 00:01:27,640
+spies the Americans have a Russian
+ 
+
+51
+00:01:27,640 --> 00:01:30,109
+spies the Americans have a Russian
+Defector high in KGB
+
+52
+00:01:30,109 --> 00:01:30,119
+Defector high in KGB
+ 
+
+53
+00:01:30,119 --> 00:01:34,230
+Defector high in KGB
+we know that yes that is
+
+54
+00:01:34,230 --> 00:01:34,240
+we know that yes that is
+ 
+
+55
+00:01:34,240 --> 00:01:36,149
+we know that yes that is
+known I saw
+
+56
+00:01:36,149 --> 00:01:36,159
+known I saw
+ 
+
+57
+00:01:36,159 --> 00:01:40,230
+known I saw
+him I was allowed to talk to him he told
+
+58
+00:01:40,230 --> 00:01:40,240
+him I was allowed to talk to him he told
+ 
+
+59
+00:01:40,240 --> 00:01:42,030
+him I was allowed to talk to him he told
+me
+
+60
+00:01:42,030 --> 00:01:42,040
+me
+ 
+
+61
+00:01:42,040 --> 00:01:45,990
+me
+aspiring called topz yes what is the
+
+62
+00:01:45,990 --> 00:01:46,000
+aspiring called topz yes what is the
+ 
+
+63
+00:01:46,000 --> 00:01:47,590
+aspiring called topz yes what is the
+name of the def
+
+64
+00:01:47,590 --> 00:01:47,600
+name of the def
+ 
+
+65
+00:01:47,600 --> 00:01:52,550
+name of the def
+Factor Boris
+
+66
+00:01:52,550 --> 00:01:52,560
+
+ 
+
+67
+00:01:52,560 --> 00:01:55,630
+
+kusenov H that's not
+
+68
+00:01:55,630 --> 00:01:55,640
+kusenov H that's not
+ 
+
+69
+00:01:55,640 --> 00:01:59,670
+kusenov H that's not
+possible why the KGB official of whom
+
+70
+00:01:59,670 --> 00:01:59,680
+possible why the KGB official of whom
+ 
+
+71
+00:01:59,680 --> 00:02:02,389
+possible why the KGB official of whom
+you speak foris cousin of has been dead
+
+72
+00:02:02,389 --> 00:02:02,399
+you speak foris cousin of has been dead
+ 
+
+73
+00:02:02,399 --> 00:02:03,469
+you speak foris cousin of has been dead
+for over a
+
+74
+00:02:03,469 --> 00:02:03,479
+for over a
+ 
+
+75
+00:02:03,479 --> 00:02:05,870
+for over a
+year this man who has been planted on
+
+76
+00:02:05,870 --> 00:02:05,880
+year this man who has been planted on
+ 
+
+77
+00:02:05,880 --> 00:02:09,869
+year this man who has been planted on
+the Americans is obviously a double agan
+
+78
+00:02:09,869 --> 00:02:09,879
+the Americans is obviously a double agan
+ 
+
+79
+00:02:09,879 --> 00:02:12,110
+the Americans is obviously a double agan
+and he has taken in the
+
+80
+00:02:12,110 --> 00:02:12,120
+and he has taken in the
+ 
+
+81
+00:02:12,120 --> 00:02:15,030
+and he has taken in the
+Americans and he has taken in
+
+82
+00:02:15,030 --> 00:02:15,040
+Americans and he has taken in
+ 
+
+83
+00:02:15,040 --> 00:02:17,990
+Americans and he has taken in
+you how do you know
+
+84
+00:02:17,990 --> 00:02:18,000
+you how do you know
+ 
+
+85
+00:02:18,000 --> 00:02:21,190
+you how do you know
+that what makes you think that it's a
+
+86
+00:02:21,190 --> 00:02:21,200
+that what makes you think that it's a
+ 
+
+87
+00:02:21,200 --> 00:02:22,390
+that what makes you think that it's a
+matter of
+
+88
+00:02:22,390 --> 00:02:22,400
+matter of
+ 
+
+89
+00:02:22,400 --> 00:02:36,170
+matter of
+record I have it in my phone
+
+90
+00:02:36,170 --> 00:02:36,180
+
+ 
+
+91
+00:02:36,180 --> 00:03:03,270
+
+[Music]
+

1969/l9k9_K8Tea0.description

@@ -0,0 +1,38 @@
+The Wild Bunch movie clips: http://j.mp/1iSeiuU
+BUY THE MOVIE: http://j.mp/12OlxKX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Pike Bishop (William Holden) reprimands his bunch for wanting to desert old Freddie Sykes (Edmond O'Brien).
+
+FILM DESCRIPTION:
+"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel.
+
+CREDITS:
+TM & © Warner Bros. (1969)
+Cast: Ernest Borgnine, William Holden, Ben Johnson, Edmond O'Brien, Warren Oates, Jaime Sánchez
+Director: Sam Peckinpah
+Producers: Phil Feldman, Roy N. Sickner
+Screenwriters: Walon Green, Sam Peckinpah, Roy N. Sickner
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/l9k9_K8Tea0.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:00,930 --> 00:00:20,109
+
+[Music]
+
+2
+00:00:20,109 --> 00:00:20,119
+
+ 
+
+3
+00:00:20,119 --> 00:00:23,350
+
+EAS godamn son of a
+
+4
+00:00:23,350 --> 00:00:23,360
+EAS godamn son of a
+ 
+
+5
+00:00:23,360 --> 00:00:25,109
+EAS godamn son of a
+[Music]
+
+6
+00:00:25,109 --> 00:00:25,119
+[Music]
+ 
+
+7
+00:00:25,119 --> 00:00:28,470
+[Music]
+ get those horses up what the
+
+8
+00:00:28,470 --> 00:00:28,480
+get those horses up what the
+ 
+
+9
+00:00:28,480 --> 00:00:31,070
+get those horses up what the
+hell's going
+
+10
+00:00:31,070 --> 00:00:31,080
+hell's going
+ 
+
+11
+00:00:31,080 --> 00:00:32,910
+hell's going
+old CL
+
+12
+00:00:32,910 --> 00:00:32,920
+old CL
+ 
+
+13
+00:00:32,920 --> 00:00:41,790
+old CL
+bastard get up get
+
+14
+00:00:41,790 --> 00:00:41,800
+
+ 
+
+15
+00:00:41,800 --> 00:00:45,709
+
+up get over
+
+16
+00:00:45,709 --> 00:00:45,719
+
+ 
+
+17
+00:00:45,719 --> 00:00:48,110
+
+here what in the hell's the matter with
+
+18
+00:00:48,110 --> 00:00:48,120
+here what in the hell's the matter with
+ 
+
+19
+00:00:48,120 --> 00:00:51,470
+here what in the hell's the matter with
+you old man leave me
+
+20
+00:00:51,470 --> 00:00:51,480
+you old man leave me
+ 
+
+21
+00:00:51,480 --> 00:00:54,430
+you old man leave me
+alone he's going to get us all killed
+
+22
+00:00:54,430 --> 00:00:54,440
+alone he's going to get us all killed
+ 
+
+23
+00:00:54,440 --> 00:00:56,069
+alone he's going to get us all killed
+I'm going to get rid of you better not
+
+24
+00:00:56,069 --> 00:00:56,079
+I'm going to get rid of you better not
+ 
+
+25
+00:00:56,079 --> 00:00:58,029
+I'm going to get rid of you better not
+get rid of anybody we're going to stick
+
+26
+00:00:58,029 --> 00:00:58,039
+get rid of anybody we're going to stick
+ 
+
+27
+00:00:58,039 --> 00:01:00,470
+get rid of anybody we're going to stick
+together just like it used to be when
+
+28
+00:01:00,470 --> 00:01:00,480
+together just like it used to be when
+ 
+
+29
+00:01:00,480 --> 00:01:02,110
+together just like it used to be when
+you side with a man you stay with him
+
+30
+00:01:02,110 --> 00:01:02,120
+you side with a man you stay with him
+ 
+
+31
+00:01:02,120 --> 00:01:03,509
+you side with a man you stay with him
+and if you can't do that you're like
+
+32
+00:01:03,509 --> 00:01:03,519
+and if you can't do that you're like
+ 
+
+33
+00:01:03,519 --> 00:01:06,990
+and if you can't do that you're like
+some animal you're finished we're
+
+34
+00:01:06,990 --> 00:01:07,000
+some animal you're finished we're
+ 
+
+35
+00:01:07,000 --> 00:01:14,670
+some animal you're finished we're
+finished all of
+
+36
+00:01:14,670 --> 00:01:14,680
+
+ 
+
+37
+00:01:14,680 --> 00:01:27,860
+
+us on up
+
+38
+00:01:27,860 --> 00:01:27,870
+
+ 
+
+39
+00:01:27,870 --> 00:01:59,639
+
+[Music]
+

1969/lQWvCntonxE.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:20,480 --> 00:00:22,189
+
+we've done it we've done
+
+2
+00:00:22,189 --> 00:00:22,199
+we've done it we've done
+ 
+
+3
+00:00:22,199 --> 00:00:26,109
+we've done it we've done
+it we're rich
+
+4
+00:00:26,109 --> 00:00:26,119
+
+ 
+
+5
+00:00:26,119 --> 00:00:32,110
+
+Wyatt yeah man
+
+6
+00:00:32,110 --> 00:00:32,120
+
+ 
+
+7
+00:00:32,120 --> 00:00:38,069
+
+yeah hey we did it man we did it we did
+
+8
+00:00:38,069 --> 00:00:38,079
+yeah hey we did it man we did it we did
+ 
+
+9
+00:00:38,079 --> 00:00:40,430
+yeah hey we did it man we did it we did
+it we're rich
+
+10
+00:00:40,430 --> 00:00:40,440
+it we're rich
+ 
+
+11
+00:00:40,440 --> 00:00:45,350
+it we're rich
+man we're retired in Florida now
+
+12
+00:00:45,350 --> 00:00:45,360
+
+ 
+
+13
+00:00:45,360 --> 00:00:49,029
+
+mister you know
+
+14
+00:00:49,029 --> 00:00:49,039
+
+ 
+
+15
+00:00:49,039 --> 00:00:52,029
+
+Billy we blew
+
+16
+00:00:52,029 --> 00:00:52,039
+Billy we blew
+ 
+
+17
+00:00:52,039 --> 00:00:53,869
+Billy we blew
+it
+
+18
+00:00:53,869 --> 00:00:53,879
+it
+ 
+
+19
+00:00:53,879 --> 00:00:56,549
+it
+what what what that's what it's all
+
+20
+00:00:56,549 --> 00:00:56,559
+what what what that's what it's all
+ 
+
+21
+00:00:56,559 --> 00:00:58,590
+what what what that's what it's all
+about man I mean like you know I mean
+
+22
+00:00:58,590 --> 00:00:58,600
+about man I mean like you know I mean
+ 
+
+23
+00:00:58,600 --> 00:01:00,750
+about man I mean like you know I mean
+you go for the big money man then you're
+
+24
+00:01:00,750 --> 00:01:00,760
+you go for the big money man then you're
+ 
+
+25
+00:01:00,760 --> 00:01:06,350
+you go for the big money man then you're
+free you
+
+26
+00:01:06,350 --> 00:01:06,360
+
+ 
+
+27
+00:01:06,360 --> 00:01:13,210
+
+dig we blew
+
+28
+00:01:13,210 --> 00:01:13,220
+
+ 
+
+29
+00:01:13,220 --> 00:01:15,190
+
+[Applause]
+
+30
+00:01:15,190 --> 00:01:15,200
+[Applause]
+ 
+
+31
+00:01:15,200 --> 00:01:30,390
+[Applause]
+it good night man
+
+32
+00:01:30,390 --> 00:01:30,400
+
+ 
+
+33
+00:01:30,400 --> 00:02:01,440
+
+[Music]
+

1969/r763LgcxCyM.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:00,060 --> 00:00:02,210
+
+I guess that really tied one on last
+
+2
+00:00:02,210 --> 00:00:02,220
+I guess that really tied one on last
+ 
+
+3
+00:00:02,220 --> 00:00:07,509
+I guess that really tied one on last
+night wants to edit have a good time
+
+4
+00:00:07,509 --> 00:00:07,519
+
+ 
+
+5
+00:00:07,519 --> 00:00:15,379
+
+remember hey man you don't you don't
+
+6
+00:00:15,379 --> 00:00:15,389
+remember hey man you don't you don't
+ 
+
+7
+00:00:15,389 --> 00:00:17,300
+remember hey man you don't you don't
+think he'd give me a cigarette II you
+
+8
+00:00:17,300 --> 00:00:17,310
+think he'd give me a cigarette II you
+ 
+
+9
+00:00:17,310 --> 00:00:18,890
+think he'd give me a cigarette II you
+animals ain't smart enough to play with
+
+10
+00:00:18,890 --> 00:00:18,900
+animals ain't smart enough to play with
+ 
+
+11
+00:00:18,900 --> 00:00:21,830
+animals ain't smart enough to play with
+fire oh that's alright that's alright
+
+12
+00:00:21,830 --> 00:00:21,840
+fire oh that's alright that's alright
+ 
+
+13
+00:00:21,840 --> 00:00:27,279
+fire oh that's alright that's alright
+they're good boys you can get me sacred
+
+14
+00:00:27,279 --> 00:00:27,289
+
+ 
+
+15
+00:00:27,289 --> 00:00:33,090
+
+thanks mister
+
+16
+00:00:33,090 --> 00:00:33,100
+
+ 
+
+17
+00:00:33,100 --> 00:00:49,240
+
+yeah I'm sorry about you know the
+
+18
+00:00:49,240 --> 00:00:49,250
+yeah I'm sorry about you know the
+ 
+
+19
+00:00:49,250 --> 00:00:52,119
+yeah I'm sorry about you know the
+misunderstanding oh man I didn't know
+
+20
+00:00:52,119 --> 00:00:52,129
+misunderstanding oh man I didn't know
+ 
+
+21
+00:00:52,129 --> 00:00:58,119
+misunderstanding oh man I didn't know
+misunderstand we're all st. caged here
+
+22
+00:00:58,119 --> 00:00:58,129
+
+ 
+
+23
+00:00:58,129 --> 00:01:00,490
+
+you must be some important dude they're
+
+24
+00:01:00,490 --> 00:01:00,500
+you must be some important dude they're
+ 
+
+25
+00:01:00,500 --> 00:01:03,689
+you must be some important dude they're
+like you know that treatment hey dude
+
+26
+00:01:03,689 --> 00:01:03,699
+like you know that treatment hey dude
+ 
+
+27
+00:01:03,699 --> 00:01:10,109
+like you know that treatment hey dude
+what does he mean dude dude ranch you do
+
+28
+00:01:10,109 --> 00:01:10,119
+what does he mean dude dude ranch you do
+ 
+
+29
+00:01:10,119 --> 00:01:16,090
+what does he mean dude dude ranch you do
+dude means a nice guy yeah dude means a
+
+30
+00:01:16,090 --> 00:01:16,100
+dude means a nice guy yeah dude means a
+ 
+
+31
+00:01:16,100 --> 00:01:18,460
+dude means a nice guy yeah dude means a
+regular sort of person you boys don't
+
+32
+00:01:18,460 --> 00:01:18,470
+regular sort of person you boys don't
+ 
+
+33
+00:01:18,470 --> 00:01:20,169
+regular sort of person you boys don't
+look like you're from this part of the
+
+34
+00:01:20,169 --> 00:01:20,179
+look like you're from this part of the
+ 
+
+35
+00:01:20,179 --> 00:01:23,320
+look like you're from this part of the
+country you're lucky I'm here see it you
+
+36
+00:01:23,320 --> 00:01:23,330
+country you're lucky I'm here see it you
+ 
+
+37
+00:01:23,330 --> 00:01:26,969
+country you're lucky I'm here see it you
+don't get into anything anything well
+
+38
+00:01:26,969 --> 00:01:26,979
+don't get into anything anything well
+ 
+
+39
+00:01:26,979 --> 00:01:31,779
+don't get into anything anything well
+and they got to seriously scissor happy
+
+40
+00:01:31,779 --> 00:01:31,789
+and they got to seriously scissor happy
+ 
+
+41
+00:01:31,789 --> 00:01:34,060
+and they got to seriously scissor happy
+beautify America thing going on around
+
+42
+00:01:34,060 --> 00:01:34,070
+beautify America thing going on around
+ 
+
+43
+00:01:34,070 --> 00:01:35,800
+beautify America thing going on around
+here they're trying to make everybody
+
+44
+00:01:35,800 --> 00:01:35,810
+here they're trying to make everybody
+ 
+
+45
+00:01:35,810 --> 00:01:37,419
+here they're trying to make everybody
+look like Yul Brynner
+
+46
+00:01:37,419 --> 00:01:37,429
+look like Yul Brynner
+ 
+
+47
+00:01:37,429 --> 00:01:41,559
+look like Yul Brynner
+they used rusty razor blades on last to
+
+48
+00:01:41,559 --> 00:01:41,569
+they used rusty razor blades on last to
+ 
+
+49
+00:01:41,569 --> 00:01:43,600
+they used rusty razor blades on last to
+long hairs if they brought in here and I
+
+50
+00:01:43,600 --> 00:01:43,610
+long hairs if they brought in here and I
+ 
+
+51
+00:01:43,610 --> 00:01:45,190
+long hairs if they brought in here and I
+wasn't here to protect them
+
+52
+00:01:45,190 --> 00:01:45,200
+wasn't here to protect them
+ 
+
+53
+00:01:45,200 --> 00:01:52,089
+wasn't here to protect them
+see ya mama I'm a lure and a lot of work
+
+54
+00:01:52,089 --> 00:01:52,099
+see ya mama I'm a lure and a lot of work
+ 
+
+55
+00:01:52,099 --> 00:01:59,260
+see ya mama I'm a lure and a lot of work
+for the ACLU George Hansen listen you
+
+56
+00:01:59,260 --> 00:01:59,270
+for the ACLU George Hansen listen you
+ 
+
+57
+00:01:59,270 --> 00:02:00,699
+for the ACLU George Hansen listen you
+think you can help us get out of here no
+
+58
+00:02:00,699 --> 00:02:00,709
+think you can help us get out of here no
+ 
+
+59
+00:02:00,709 --> 00:02:05,410
+think you can help us get out of here no
+sweat I imagine that I can if you
+
+60
+00:02:05,410 --> 00:02:05,420
+sweat I imagine that I can if you
+ 
+
+61
+00:02:05,420 --> 00:02:07,770
+sweat I imagine that I can if you
+haven't killed anybody
+
+62
+00:02:07,770 --> 00:02:07,780
+haven't killed anybody
+ 
+
+63
+00:02:07,780 --> 00:02:12,430
+haven't killed anybody
+least nobody white
+
+64
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+65
+00:02:12,440 --> 00:02:43,509
+
+[Music]
+

1969/sOGhuhC4AF0.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:03,040 --> 00:00:06,829
+
+this is the self preservation Society
+
+2
+00:00:06,829 --> 00:00:06,839
+this is the self preservation Society
+ 
+
+3
+00:00:06,839 --> 00:00:15,349
+this is the self preservation Society
+this is the
+
+4
+00:00:15,349 --> 00:00:15,359
+
+ 
+
+5
+00:00:15,359 --> 00:00:21,429
+
+selfy we got a lot to do put on
+
+6
+00:00:21,429 --> 00:00:21,439
+selfy we got a lot to do put on
+ 
+
+7
+00:00:21,439 --> 00:00:26,950
+selfy we got a lot to do put on
+your cuz time to hurry
+
+8
+00:00:26,950 --> 00:00:26,960
+
+ 
+
+9
+00:00:26,960 --> 00:00:28,710
+
+by
+
+10
+00:00:28,710 --> 00:00:28,720
+by
+ 
+
+11
+00:00:28,720 --> 00:00:35,150
+by
+get get SK all night
+
+12
+00:00:35,150 --> 00:00:35,160
+
+ 
+
+13
+00:00:35,160 --> 00:00:37,590
+
+Noory your PL
+
+14
+00:00:37,590 --> 00:00:37,600
+Noory your PL
+ 
+
+15
+00:00:37,600 --> 00:00:40,549
+Noory your PL
+me the is the
+
+16
+00:00:40,549 --> 00:00:40,559
+me the is the
+ 
+
+17
+00:00:40,559 --> 00:00:44,270
+me the is the
+self Society this is the
+
+18
+00:00:44,270 --> 00:00:44,280
+self Society this is the
+ 
+
+19
+00:00:44,280 --> 00:00:46,350
+self Society this is the
+self
+
+20
+00:00:46,350 --> 00:00:46,360
+self
+ 
+
+21
+00:00:46,360 --> 00:00:48,950
+self
+societ get the get the wheels in line
+
+22
+00:00:48,950 --> 00:00:48,960
+societ get the get the wheels in line
+ 
+
+23
+00:00:48,960 --> 00:00:50,670
+societ get the get the wheels in line
+get the wheels in line with it and then
+
+24
+00:00:50,670 --> 00:00:50,680
+get the wheels in line with it and then
+ 
+
+25
+00:00:50,680 --> 00:00:57,189
+get the wheels in line with it and then
+slam your brakes on or we be in the
+
+26
+00:00:57,189 --> 00:00:57,199
+
+ 
+
+27
+00:00:57,199 --> 00:00:59,509
+
+cabin you should have used more speed on
+
+28
+00:00:59,509 --> 00:00:59,519
+cabin you should have used more speed on
+ 
+
+29
+00:00:59,519 --> 00:01:24,590
+cabin you should have used more speed on
+here s all
+
+30
+00:01:24,590 --> 00:01:24,600
+
+ 
+
+31
+00:01:24,600 --> 00:01:39,389
+
+right got should go on now
+
+32
+00:01:39,389 --> 00:01:39,399
+
+ 
+
+33
+00:01:39,399 --> 00:01:41,789
+
+Society this is
+
+34
+00:01:41,789 --> 00:01:41,799
+Society this is
+ 
+
+35
+00:01:41,799 --> 00:01:54,630
+Society this is
+the society okay hang
+
+36
+00:01:54,630 --> 00:01:54,640
+
+ 
+
+37
+00:01:54,640 --> 00:02:05,709
+
+on be very careful me
+
+38
+00:02:05,709 --> 00:02:05,719
+
+ 
+
+39
+00:02:05,719 --> 00:02:07,789
+
+right everybody out start unloading the
+
+40
+00:02:07,789 --> 00:02:07,799
+right everybody out start unloading the
+ 
+
+41
+00:02:07,799 --> 00:02:10,799
+right everybody out start unloading the
+go
+

1969/tIB4z4uMeNs.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:00,760 --> 00:00:02,430
+
+have I your guarantee that he will be
+
+2
+00:00:02,430 --> 00:00:02,440
+have I your guarantee that he will be
+ 
+
+3
+00:00:02,440 --> 00:00:04,309
+have I your guarantee that he will be
+killed you have my
+
+4
+00:00:04,309 --> 00:00:04,319
+killed you have my
+ 
+
+5
+00:00:04,319 --> 00:00:06,909
+killed you have my
+word the name
+
+6
+00:00:06,909 --> 00:00:06,919
+word the name
+ 
+
+7
+00:00:06,919 --> 00:00:12,910
+word the name
+please very well then his name
+
+8
+00:00:12,910 --> 00:00:12,920
+
+ 
+
+9
+00:00:12,920 --> 00:00:18,830
+
+is Ivan
+
+10
+00:00:18,830 --> 00:00:18,840
+
+ 
+
+11
+00:00:18,840 --> 00:00:23,029
+
+dragov I shall need further
+
+12
+00:00:23,029 --> 00:00:23,039
+
+ 
+
+13
+00:00:23,039 --> 00:00:25,550
+
+identification he is a Russian
+
+14
+00:00:25,550 --> 00:00:25,560
+identification he is a Russian
+ 
+
+15
+00:00:25,560 --> 00:00:28,550
+identification he is a Russian
+extraction though educated in England
+
+16
+00:00:28,550 --> 00:00:28,560
+extraction though educated in England
+ 
+
+17
+00:00:28,560 --> 00:00:31,349
+extraction though educated in England
+physical characteristics
+
+18
+00:00:31,349 --> 00:00:31,359
+physical characteristics
+ 
+
+19
+00:00:31,359 --> 00:00:34,150
+physical characteristics
+approximately your size weight and age I
+
+20
+00:00:34,150 --> 00:00:34,160
+approximately your size weight and age I
+ 
+
+21
+00:00:34,160 --> 00:00:35,910
+approximately your size weight and age I
+was born in the province of
+
+22
+00:00:35,910 --> 00:00:35,920
+was born in the province of
+ 
+
+23
+00:00:35,920 --> 00:00:38,270
+was born in the province of
+valeno where was your man
+
+24
+00:00:38,270 --> 00:00:38,280
+valeno where was your man
+ 
+
+25
+00:00:38,280 --> 00:00:49,389
+valeno where was your man
+born in the province of
+
+26
+00:00:49,389 --> 00:00:49,399
+
+ 
+
+27
+00:00:49,399 --> 00:00:52,630
+
+valeno I am compelled to believe that
+
+28
+00:00:52,630 --> 00:00:52,640
+valeno I am compelled to believe that
+ 
+
+29
+00:00:52,640 --> 00:00:54,470
+valeno I am compelled to believe that
+you mean
+
+30
+00:00:54,470 --> 00:00:54,480
+you mean
+ 
+
+31
+00:00:54,480 --> 00:00:59,110
+you mean
+me I do you puzzle me miss winter we've
+
+32
+00:00:59,110 --> 00:00:59,120
+me I do you puzzle me miss winter we've
+ 
+
+33
+00:00:59,120 --> 00:01:02,750
+me I do you puzzle me miss winter we've
+never met yet you want my life why why
+
+34
+00:01:02,750 --> 00:01:02,760
+never met yet you want my life why why
+ 
+
+35
+00:01:02,760 --> 00:01:04,630
+never met yet you want my life why why
+because of my organization because you
+
+36
+00:01:04,630 --> 00:01:04,640
+because of my organization because you
+ 
+
+37
+00:01:04,640 --> 00:01:06,550
+because of my organization because you
+believe kill me kill my Bureau is that
+
+38
+00:01:06,550 --> 00:01:06,560
+believe kill me kill my Bureau is that
+ 
+
+39
+00:01:06,560 --> 00:01:12,550
+believe kill me kill my Bureau is that
+it is that
+
+40
+00:01:12,550 --> 00:01:12,560
+
+ 
+
+41
+00:01:12,560 --> 00:01:16,950
+
+it what an absolutely marvelous
+
+42
+00:01:16,950 --> 00:01:16,960
+
+ 
+
+43
+00:01:16,960 --> 00:01:20,350
+
+idea it was not intended to amuse you ah
+
+44
+00:01:20,350 --> 00:01:20,360
+idea it was not intended to amuse you ah
+ 
+
+45
+00:01:20,360 --> 00:01:23,710
+idea it was not intended to amuse you ah
+but it does it intrigues me too it will
+
+46
+00:01:23,710 --> 00:01:23,720
+but it does it intrigues me too it will
+ 
+
+47
+00:01:23,720 --> 00:01:25,230
+but it does it intrigues me too it will
+give me an opportunity of putting my
+
+48
+00:01:25,230 --> 00:01:25,240
+give me an opportunity of putting my
+ 
+
+49
+00:01:25,240 --> 00:01:27,789
+give me an opportunity of putting my
+aging colleagues on their metal
+
+50
+00:01:27,789 --> 00:01:27,799
+aging colleagues on their metal
+ 
+
+51
+00:01:27,799 --> 00:01:29,429
+aging colleagues on their metal
+wonderful since you will enjoy it so
+
+52
+00:01:29,429 --> 00:01:29,439
+wonderful since you will enjoy it so
+ 
+
+53
+00:01:29,439 --> 00:01:30,590
+wonderful since you will enjoy it so
+much perhaps perap you would give me a
+
+54
+00:01:30,590 --> 00:01:30,600
+much perhaps perap you would give me a
+ 
+
+55
+00:01:30,600 --> 00:01:33,670
+much perhaps perap you would give me a
+bargain price ah there's one matter upon
+
+56
+00:01:33,670 --> 00:01:33,680
+bargain price ah there's one matter upon
+ 
+
+57
+00:01:33,680 --> 00:01:36,510
+bargain price ah there's one matter upon
+which my board never compromise Finance
+
+58
+00:01:36,510 --> 00:01:36,520
+which my board never compromise Finance
+ 
+
+59
+00:01:36,520 --> 00:01:37,910
+which my board never compromise Finance
+without self- flattery I'm afraid you
+
+60
+00:01:37,910 --> 00:01:37,920
+without self- flattery I'm afraid you
+ 
+
+61
+00:01:37,920 --> 00:01:39,830
+without self- flattery I'm afraid you
+will never be able to afford me name
+
+62
+00:01:39,830 --> 00:01:39,840
+will never be able to afford me name
+ 
+
+63
+00:01:39,840 --> 00:01:40,630
+will never be able to afford me name
+your
+
+64
+00:01:40,630 --> 00:01:40,640
+your
+ 
+
+65
+00:01:40,640 --> 00:01:43,030
+your
+prize Well I'm not my father of course
+
+66
+00:01:43,030 --> 00:01:43,040
+prize Well I'm not my father of course
+ 
+
+67
+00:01:43,040 --> 00:01:45,030
+prize Well I'm not my father of course
+but uh in all due honesty I couldn't put
+
+68
+00:01:45,030 --> 00:01:45,040
+but uh in all due honesty I couldn't put
+ 
+
+69
+00:01:45,040 --> 00:01:48,550
+but uh in all due honesty I couldn't put
+myself in at a penny less than
+
+70
+00:01:48,550 --> 00:01:48,560
+myself in at a penny less than
+ 
+
+71
+00:01:48,560 --> 00:01:52,310
+myself in at a penny less than
+20,000 what a Pity I
+
+72
+00:01:52,310 --> 00:01:52,320
+20,000 what a Pity I
+ 
+
+73
+00:01:52,320 --> 00:01:55,950
+20,000 what a Pity I
+accept you do you will no doubt wish to
+
+74
+00:01:55,950 --> 00:01:55,960
+accept you do you will no doubt wish to
+ 
+
+75
+00:01:55,960 --> 00:02:00,069
+accept you do you will no doubt wish to
+count it but you will find each bundle
+
+76
+00:02:00,069 --> 00:02:00,079
+count it but you will find each bundle
+ 
+
+77
+00:02:00,079 --> 00:02:01,910
+count it but you will find each bundle
+contains
+
+78
+00:02:01,910 --> 00:02:01,920
+contains
+ 
+
+79
+00:02:01,920 --> 00:02:05,069
+contains
+,000 I trust your board will be quite
+
+80
+00:02:05,069 --> 00:02:05,079
+,000 I trust your board will be quite
+ 
+
+81
+00:02:05,079 --> 00:02:08,079
+,000 I trust your board will be quite
+satisfied
+

1969/tS36ZnWoR70.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,230 --> 00:00:05,030
+
+now this is what I came to tell you if
+
+2
+00:00:05,030 --> 00:00:05,040
+now this is what I came to tell you if
+ 
+
+3
+00:00:05,040 --> 00:00:09,230
+now this is what I came to tell you if
+it were not for her if it were not that
+
+4
+00:00:09,230 --> 00:00:09,240
+it were not for her if it were not that
+ 
+
+5
+00:00:09,240 --> 00:00:11,870
+it were not for her if it were not that
+it might involve her you will disappear
+
+6
+00:00:11,870 --> 00:00:11,880
+it might involve her you will disappear
+ 
+
+7
+00:00:11,880 --> 00:00:15,169
+it might involve her you will disappear
+tonight you would be with Uribe your
+
+8
+00:00:15,169 --> 00:00:15,179
+tonight you would be with Uribe your
+ 
+
+9
+00:00:15,179 --> 00:00:16,609
+tonight you would be with Uribe your
+country would receive bewildered
+
+10
+00:00:16,609 --> 00:00:16,619
+country would receive bewildered
+ 
+
+11
+00:00:16,619 --> 00:00:19,220
+country would receive bewildered
+apologies but you would never be heard
+
+12
+00:00:19,220 --> 00:00:19,230
+apologies but you would never be heard
+ 
+
+13
+00:00:19,230 --> 00:00:21,519
+apologies but you would never be heard
+from again
+
+14
+00:00:21,519 --> 00:00:21,529
+from again
+ 
+
+15
+00:00:21,529 --> 00:00:25,160
+from again
+she is a widow of a hero of the
+
+16
+00:00:25,160 --> 00:00:25,170
+she is a widow of a hero of the
+ 
+
+17
+00:00:25,170 --> 00:00:26,560
+she is a widow of a hero of the
+revolution
+
+18
+00:00:26,560 --> 00:00:26,570
+revolution
+ 
+
+19
+00:00:26,570 --> 00:00:31,630
+revolution
+she is loved and honored in this country
+
+20
+00:00:31,630 --> 00:00:31,640
+she is loved and honored in this country
+ 
+
+21
+00:00:31,640 --> 00:00:38,510
+she is loved and honored in this country
+you are an intelligence agent your
+
+22
+00:00:38,510 --> 00:00:38,520
+you are an intelligence agent your
+ 
+
+23
+00:00:38,520 --> 00:00:40,069
+you are an intelligence agent your
+association with Erica put it in great
+
+24
+00:00:40,069 --> 00:00:40,079
+association with Erica put it in great
+ 
+
+25
+00:00:40,079 --> 00:00:40,610
+association with Erica put it in great
+danger
+
+26
+00:00:40,610 --> 00:00:40,620
+danger
+ 
+
+27
+00:00:40,620 --> 00:00:43,280
+danger
+I want you out of the country for the
+
+28
+00:00:43,280 --> 00:00:43,290
+I want you out of the country for the
+ 
+
+29
+00:00:43,290 --> 00:00:47,750
+I want you out of the country for the
+next plane early tomorrow morning and if
+
+30
+00:00:47,750 --> 00:00:47,760
+next plane early tomorrow morning and if
+ 
+
+31
+00:00:47,760 --> 00:00:49,160
+next plane early tomorrow morning and if
+you have been collecting information
+
+32
+00:00:49,160 --> 00:00:49,170
+you have been collecting information
+ 
+
+33
+00:00:49,170 --> 00:00:51,139
+you have been collecting information
+about what the Russians are doing in
+
+34
+00:00:51,139 --> 00:00:51,149
+about what the Russians are doing in
+ 
+
+35
+00:00:51,149 --> 00:00:54,560
+about what the Russians are doing in
+Cuba to help us here don't think for one
+
+36
+00:00:54,560 --> 00:00:54,570
+Cuba to help us here don't think for one
+ 
+
+37
+00:00:54,570 --> 00:00:58,369
+Cuba to help us here don't think for one
+minute you will take it out with you you
+
+38
+00:00:58,369 --> 00:00:58,379
+minute you will take it out with you you
+ 
+
+39
+00:00:58,379 --> 00:01:01,849
+minute you will take it out with you you
+will not you will be searched at the
+
+40
+00:01:01,849 --> 00:01:01,859
+will not you will be searched at the
+ 
+
+41
+00:01:01,859 --> 00:01:07,130
+will not you will be searched at the
+airport completely and if anything is
+
+42
+00:01:07,130 --> 00:01:07,140
+airport completely and if anything is
+ 
+
+43
+00:01:07,140 --> 00:01:11,780
+airport completely and if anything is
+found on you you will be arrested and
+
+44
+00:01:11,780 --> 00:01:11,790
+found on you you will be arrested and
+ 
+
+45
+00:01:11,790 --> 00:01:15,260
+found on you you will be arrested and
+what can happen to you after that is
+
+46
+00:01:15,260 --> 00:01:15,270
+what can happen to you after that is
+ 
+
+47
+00:01:15,270 --> 00:01:20,740
+what can happen to you after that is
+something you know
+
+48
+00:01:20,740 --> 00:01:20,750
+
+ 
+
+49
+00:01:20,750 --> 00:01:22,600
+
+now if you don't mind cutting your
+
+50
+00:01:22,600 --> 00:01:22,610
+now if you don't mind cutting your
+ 
+
+51
+00:01:22,610 --> 00:01:24,970
+now if you don't mind cutting your
+dinner short I'll take you back to
+
+52
+00:01:24,970 --> 00:01:24,980
+dinner short I'll take you back to
+ 
+
+53
+00:01:24,980 --> 00:01:31,480
+dinner short I'll take you back to
+Havana to pack your bags no you will not
+
+54
+00:01:31,480 --> 00:01:31,490
+Havana to pack your bags no you will not
+ 
+
+55
+00:01:31,490 --> 00:01:34,630
+Havana to pack your bags no you will not
+take him back to Havana he is my guest
+
+56
+00:01:34,630 --> 00:01:34,640
+take him back to Havana he is my guest
+ 
+
+57
+00:01:34,640 --> 00:01:36,700
+take him back to Havana he is my guest
+he will have his dinner and he enjoy my
+
+58
+00:01:36,700 --> 00:01:36,710
+he will have his dinner and he enjoy my
+ 
+
+59
+00:01:36,710 --> 00:01:38,940
+he will have his dinner and he enjoy my
+company for as long as he pleases and
+
+60
+00:01:38,940 --> 00:01:38,950
+company for as long as he pleases and
+ 
+
+61
+00:01:38,950 --> 00:01:41,320
+company for as long as he pleases and
+when he's ready to go back into Havana
+
+62
+00:01:41,320 --> 00:01:41,330
+when he's ready to go back into Havana
+ 
+
+63
+00:01:41,330 --> 00:01:43,690
+when he's ready to go back into Havana
+he will phone the residence for a car to
+
+64
+00:01:43,690 --> 00:01:43,700
+he will phone the residence for a car to
+ 
+
+65
+00:01:43,700 --> 00:01:45,720
+he will phone the residence for a car to
+come and get him
+
+66
+00:01:45,720 --> 00:01:45,730
+come and get him
+ 
+
+67
+00:01:45,730 --> 00:01:49,480
+come and get him
+you're being a damn fool you have made
+
+68
+00:01:49,480 --> 00:01:49,490
+you're being a damn fool you have made
+ 
+
+69
+00:01:49,490 --> 00:01:50,980
+you're being a damn fool you have made
+up this story because it's what you want
+
+70
+00:01:50,980 --> 00:01:50,990
+up this story because it's what you want
+ 
+
+71
+00:01:50,990 --> 00:01:52,510
+up this story because it's what you want
+to believe because of me
+
+72
+00:01:52,510 --> 00:01:52,520
+to believe because of me
+ 
+
+73
+00:01:52,520 --> 00:01:54,490
+to believe because of me
+all right don't believe you had any
+
+74
+00:01:54,490 --> 00:01:54,500
+all right don't believe you had any
+ 
+
+75
+00:01:54,500 --> 00:01:56,230
+all right don't believe you had any
+contact with your men or either I don't
+
+76
+00:01:56,230 --> 00:01:56,240
+contact with your men or either I don't
+ 
+
+77
+00:01:56,240 --> 00:01:59,260
+contact with your men or either I don't
+think anyone else would if you're doing
+
+78
+00:01:59,260 --> 00:01:59,270
+think anyone else would if you're doing
+ 
+
+79
+00:01:59,270 --> 00:02:03,640
+think anyone else would if you're doing
+him any harm I will erase such shell and
+
+80
+00:02:03,640 --> 00:02:03,650
+him any harm I will erase such shell and
+ 
+
+81
+00:02:03,650 --> 00:02:08,140
+him any harm I will erase such shell and
+you know I can
+
+82
+00:02:08,140 --> 00:02:08,150
+
+ 
+
+83
+00:02:08,150 --> 00:02:35,240
+
+[Music]
+

1969/tY5el7dZ9H0.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:02,210 --> 00:00:06,850
+
+[Applause]
+
+2
+00:00:06,850 --> 00:00:06,860
+
+ 
+
+3
+00:00:06,860 --> 00:00:22,150
+
+[Music]
+
+4
+00:00:22,150 --> 00:00:22,160
+
+ 
+
+5
+00:00:22,160 --> 00:00:27,800
+
+well tomorrow's a day so he sent you to
+
+6
+00:00:27,800 --> 00:00:27,810
+well tomorrow's a day so he sent you to
+ 
+
+7
+00:00:27,810 --> 00:00:33,200
+well tomorrow's a day so he sent you to
+apologize to me yeah he wants to beg me
+
+8
+00:00:33,200 --> 00:00:33,210
+apologize to me yeah he wants to beg me
+ 
+
+9
+00:00:33,210 --> 00:00:34,549
+apologize to me yeah he wants to beg me
+to help him
+
+10
+00:00:34,549 --> 00:00:34,559
+to help him
+ 
+
+11
+00:00:34,559 --> 00:00:37,160
+to help him
+that's not even though I'm here he would
+
+12
+00:00:37,160 --> 00:00:37,170
+that's not even though I'm here he would
+ 
+
+13
+00:00:37,170 --> 00:00:41,560
+that's not even though I'm here he would
+shoot me he's a proud man a proud man
+
+14
+00:00:41,560 --> 00:00:41,570
+shoot me he's a proud man a proud man
+ 
+
+15
+00:00:41,570 --> 00:00:47,959
+shoot me he's a proud man a proud man
+he's a greedy man well perhaps in the
+
+16
+00:00:47,959 --> 00:00:47,969
+he's a greedy man well perhaps in the
+ 
+
+17
+00:00:47,969 --> 00:00:51,889
+he's a greedy man well perhaps in the
+beginning maybe he was but now now he
+
+18
+00:00:51,889 --> 00:00:51,899
+beginning maybe he was but now now he
+ 
+
+19
+00:00:51,899 --> 00:00:59,920
+beginning maybe he was but now now he
+feels for us then let him fight for us I
+
+20
+00:00:59,920 --> 00:00:59,930
+
+ 
+
+21
+00:00:59,930 --> 00:01:04,729
+
+heard that he has an army killers with
+
+22
+00:01:04,729 --> 00:01:04,739
+heard that he has an army killers with
+ 
+
+23
+00:01:04,739 --> 00:01:07,250
+heard that he has an army killers with
+rifles from the federales it's only a
+
+24
+00:01:07,250 --> 00:01:07,260
+rifles from the federales it's only a
+ 
+
+25
+00:01:07,260 --> 00:01:10,039
+rifles from the federales it's only a
+few farmers mm-hmm listen Rivero
+
+26
+00:01:10,039 --> 00:01:10,049
+few farmers mm-hmm listen Rivero
+ 
+
+27
+00:01:10,049 --> 00:01:13,760
+few farmers mm-hmm listen Rivero
+if it's an apology you want I apologize
+
+28
+00:01:13,760 --> 00:01:13,770
+if it's an apology you want I apologize
+ 
+
+29
+00:01:13,770 --> 00:01:16,580
+if it's an apology you want I apologize
+I beg for your help
+
+30
+00:01:16,580 --> 00:01:16,590
+I beg for your help
+ 
+
+31
+00:01:16,590 --> 00:01:20,359
+I beg for your help
+whoa-ohh what does Quintero ever done
+
+32
+00:01:20,359 --> 00:01:20,369
+whoa-ohh what does Quintero ever done
+ 
+
+33
+00:01:20,369 --> 00:01:21,140
+whoa-ohh what does Quintero ever done
+for us
+
+34
+00:01:21,140 --> 00:01:21,150
+for us
+ 
+
+35
+00:01:21,150 --> 00:01:27,560
+for us
+as he made me a general no he has fancy
+
+36
+00:01:27,560 --> 00:01:27,570
+as he made me a general no he has fancy
+ 
+
+37
+00:01:27,570 --> 00:01:31,219
+as he made me a general no he has fancy
+clothes he makes fancy talk he's no more
+
+38
+00:01:31,219 --> 00:01:31,229
+clothes he makes fancy talk he's no more
+ 
+
+39
+00:01:31,229 --> 00:01:35,679
+clothes he makes fancy talk he's no more
+than a political what will get us guns a
+
+40
+00:01:35,679 --> 00:01:35,689
+than a political what will get us guns a
+ 
+
+41
+00:01:35,689 --> 00:01:39,800
+than a political what will get us guns a
+little man with a funny hat or six
+
+42
+00:01:39,800 --> 00:01:39,810
+little man with a funny hat or six
+ 
+
+43
+00:01:39,810 --> 00:01:43,039
+little man with a funny hat or six
+hundred dollars that you gave to a
+
+44
+00:01:43,039 --> 00:01:43,049
+hundred dollars that you gave to a
+ 
+
+45
+00:01:43,049 --> 00:01:57,030
+hundred dollars that you gave to a
+stranger Chris was right
+
+46
+00:01:57,030 --> 00:01:57,040
+
+ 
+
+47
+00:01:57,040 --> 00:02:01,149
+
+you don't have big dreams Loretto only a
+
+48
+00:02:01,149 --> 00:02:01,159
+you don't have big dreams Loretto only a
+ 
+
+49
+00:02:01,159 --> 00:02:08,800
+you don't have big dreams Loretto only a
+big belly and the rest of you remember
+
+50
+00:02:08,800 --> 00:02:08,810
+big belly and the rest of you remember
+ 
+
+51
+00:02:08,810 --> 00:02:13,000
+big belly and the rest of you remember
+tomorrow when you're half drunk and all
+
+52
+00:02:13,000 --> 00:02:13,010
+tomorrow when you're half drunk and all
+ 
+
+53
+00:02:13,010 --> 00:02:16,449
+tomorrow when you're half drunk and all
+crazy that your brothers are out there
+
+54
+00:02:16,449 --> 00:02:16,459
+crazy that your brothers are out there
+ 
+
+55
+00:02:16,459 --> 00:02:53,370
+crazy that your brothers are out there
+dying for you
+
+56
+00:02:53,370 --> 00:02:53,380
+
+ 
+
+57
+00:02:53,380 --> 00:02:59,010
+
+Maximiliano right to have no big dreams
+
+58
+00:02:59,010 --> 00:02:59,020
+Maximiliano right to have no big dreams
+ 
+
+59
+00:02:59,020 --> 00:03:10,349
+Maximiliano right to have no big dreams
+[Music]
+

1969/uKZQEDh_KAA.description

@@ -0,0 +1,38 @@
+Midnight Cowboy movie clips: http://j.mp/1bf0SJd
+BUY THE MOVIE: http://j.mp/16YqbHy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ratso (Dustin Hoffman) and Joe (Jon Voight) fight about the appeal of Joe's cowboy schtick and the Ratso's lack of sexual experience.
+
+FILM DESCRIPTION:
+Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA.
+
+CREDITS:
+TM & © MGM (1969)
+Cast: Dustin Hoffman, Jon Voight
+Director: John Schlesinger
+Producers: Jerome Hellman, Kenneth Utt
+Screenwriters: James Leo Herlihy, Waldo Salt
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/uKZQEDh_KAA.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:06,480 --> 00:00:09,350
+
+hey smells wor hot and it did
+
+2
+00:00:09,350 --> 00:00:09,360
+hey smells wor hot and it did
+ 
+
+3
+00:00:09,360 --> 00:00:11,470
+hey smells wor hot and it did
+cold all right starting tomorrow you
+
+4
+00:00:11,470 --> 00:00:11,480
+cold all right starting tomorrow you
+ 
+
+5
+00:00:11,480 --> 00:00:13,509
+cold all right starting tomorrow you
+cook your own goddamn dinner where you
+
+6
+00:00:13,509 --> 00:00:13,519
+cook your own goddamn dinner where you
+ 
+
+7
+00:00:13,519 --> 00:00:15,190
+cook your own goddamn dinner where you
+get one of your Rich Park Avenue ladies
+
+8
+00:00:15,190 --> 00:00:15,200
+get one of your Rich Park Avenue ladies
+ 
+
+9
+00:00:15,200 --> 00:00:17,029
+get one of your Rich Park Avenue ladies
+to cook for you I'm eating it I'm eating
+
+10
+00:00:17,029 --> 00:00:17,039
+to cook for you I'm eating it I'm eating
+ 
+
+11
+00:00:17,039 --> 00:00:18,830
+to cook for you I'm eating it I'm eating
+it see in her penth house look I'm
+
+12
+00:00:18,830 --> 00:00:18,840
+it see in her penth house look I'm
+ 
+
+13
+00:00:18,840 --> 00:00:28,749
+it see in her penth house look I'm
+eating this right so M
+
+14
+00:00:28,749 --> 00:00:28,759
+
+ 
+
+15
+00:00:28,759 --> 00:00:30,550
+
+good good
+
+16
+00:00:30,550 --> 00:00:30,560
+good good
+ 
+
+17
+00:00:30,560 --> 00:00:32,270
+good good
+I got to get out of
+
+18
+00:00:32,270 --> 00:00:32,280
+I got to get out of
+ 
+
+19
+00:00:32,280 --> 00:00:47,110
+I got to get out of
+here got to get out of
+
+20
+00:00:47,110 --> 00:00:47,120
+
+ 
+
+21
+00:00:47,120 --> 00:00:49,790
+
+here Miami Beach that's where you could
+
+22
+00:00:49,790 --> 00:00:49,800
+here Miami Beach that's where you could
+ 
+
+23
+00:00:49,800 --> 00:00:53,069
+here Miami Beach that's where you could
+score anybody can score to even
+
+24
+00:00:53,069 --> 00:00:53,079
+score anybody can score to even
+ 
+
+25
+00:00:53,079 --> 00:00:56,189
+score anybody can score to even
+you in New York no Rich lady with any
+
+26
+00:00:56,189 --> 00:00:56,199
+you in New York no Rich lady with any
+ 
+
+27
+00:00:56,199 --> 00:00:58,349
+you in New York no Rich lady with any
+class at all buys that cowboy crap
+
+28
+00:00:58,349 --> 00:00:58,359
+class at all buys that cowboy crap
+ 
+
+29
+00:00:58,359 --> 00:01:01,270
+class at all buys that cowboy crap
+anymore they're laughing at you on a
+
+30
+00:01:01,270 --> 00:01:01,280
+anymore they're laughing at you on a
+ 
+
+31
+00:01:01,280 --> 00:01:03,470
+anymore they're laughing at you on a
+Street ain't nobody laughing at me on
+
+32
+00:01:03,470 --> 00:01:03,480
+Street ain't nobody laughing at me on
+ 
+
+33
+00:01:03,480 --> 00:01:04,630
+Street ain't nobody laughing at me on
+the street behind your back I seen them
+
+34
+00:01:04,630 --> 00:01:04,640
+the street behind your back I seen them
+ 
+
+35
+00:01:04,640 --> 00:01:06,070
+the street behind your back I seen them
+laughing at you
+
+36
+00:01:06,070 --> 00:01:06,080
+laughing at you
+ 
+
+37
+00:01:06,080 --> 00:01:08,070
+laughing at you
+fell oh what the hell you know about
+
+38
+00:01:08,070 --> 00:01:08,080
+fell oh what the hell you know about
+ 
+
+39
+00:01:08,080 --> 00:01:09,310
+fell oh what the hell you know about
+women anyway when's the last time you
+
+40
+00:01:09,310 --> 00:01:09,320
+women anyway when's the last time you
+ 
+
+41
+00:01:09,320 --> 00:01:10,550
+women anyway when's the last time you
+scored
+
+42
+00:01:10,550 --> 00:01:10,560
+scored
+ 
+
+43
+00:01:10,560 --> 00:01:13,109
+scored
+boy that's a matter I only talk about a
+
+44
+00:01:13,109 --> 00:01:13,119
+boy that's a matter I only talk about a
+ 
+
+45
+00:01:13,119 --> 00:01:15,270
+boy that's a matter I only talk about a
+confession we're not talking about me
+
+46
+00:01:15,270 --> 00:01:15,280
+confession we're not talking about me
+ 
+
+47
+00:01:15,280 --> 00:01:17,149
+confession we're not talking about me
+now when's the last time you've been to
+
+48
+00:01:17,149 --> 00:01:17,159
+now when's the last time you've been to
+ 
+
+49
+00:01:17,159 --> 00:01:19,109
+now when's the last time you've been to
+confession it's between me and my
+
+50
+00:01:19,109 --> 00:01:19,119
+confession it's between me and my
+ 
+
+51
+00:01:19,119 --> 00:01:20,870
+confession it's between me and my
+Confessor and I'll tell you another
+
+52
+00:01:20,870 --> 00:01:20,880
+Confessor and I'll tell you another
+ 
+
+53
+00:01:20,880 --> 00:01:23,990
+Confessor and I'll tell you another
+thing frankly you're beginning to smell
+
+54
+00:01:23,990 --> 00:01:24,000
+thing frankly you're beginning to smell
+ 
+
+55
+00:01:24,000 --> 00:01:25,390
+thing frankly you're beginning to smell
+and for a stud in New York that's a
+
+56
+00:01:25,390 --> 00:01:25,400
+and for a stud in New York that's a
+ 
+
+57
+00:01:25,400 --> 00:01:27,190
+and for a stud in New York that's a
+handicap well don't talk to me about
+
+58
+00:01:27,190 --> 00:01:27,200
+handicap well don't talk to me about
+ 
+
+59
+00:01:27,200 --> 00:01:29,030
+handicap well don't talk to me about
+clean I ain't never seen you change your
+
+60
+00:01:29,030 --> 00:01:29,040
+clean I ain't never seen you change your
+ 
+
+61
+00:01:29,040 --> 00:01:30,710
+clean I ain't never seen you change your
+underwear once a time I've been here in
+
+62
+00:01:30,710 --> 00:01:30,720
+underwear once a time I've been here in
+ 
+
+63
+00:01:30,720 --> 00:01:32,550
+underwear once a time I've been here in
+New York and that's pretty peculiar
+
+64
+00:01:32,550 --> 00:01:32,560
+New York and that's pretty peculiar
+ 
+
+65
+00:01:32,560 --> 00:01:33,910
+New York and that's pretty peculiar
+Behavior I don't have to do that kind of
+
+66
+00:01:33,910 --> 00:01:33,920
+Behavior I don't have to do that kind of
+ 
+
+67
+00:01:33,920 --> 00:01:35,550
+Behavior I don't have to do that kind of
+thing in public I ain't got no need to
+
+68
+00:01:35,550 --> 00:01:35,560
+thing in public I ain't got no need to
+ 
+
+69
+00:01:35,560 --> 00:01:37,990
+thing in public I ain't got no need to
+expose myself no I bet you don't I bet
+
+70
+00:01:37,990 --> 00:01:38,000
+expose myself no I bet you don't I bet
+ 
+
+71
+00:01:38,000 --> 00:01:40,149
+expose myself no I bet you don't I bet
+you ain't never even been laid how about
+
+72
+00:01:40,149 --> 00:01:40,159
+you ain't never even been laid how about
+ 
+
+73
+00:01:40,159 --> 00:01:42,310
+you ain't never even been laid how about
+that and you're going to tell me what
+
+74
+00:01:42,310 --> 00:01:42,320
+that and you're going to tell me what
+ 
+
+75
+00:01:42,320 --> 00:01:43,950
+that and you're going to tell me what
+appeals women I know enough to know that
+
+76
+00:01:43,950 --> 00:01:43,960
+appeals women I know enough to know that
+ 
+
+77
+00:01:43,960 --> 00:01:46,149
+appeals women I know enough to know that
+that great big dumb Cowboy crap years
+
+78
+00:01:46,149 --> 00:01:46,159
+that great big dumb Cowboy crap years
+ 
+
+79
+00:01:46,159 --> 00:01:48,109
+that great big dumb Cowboy crap years
+don't appeal to nobody except every
+
+80
+00:01:48,109 --> 00:01:48,119
+don't appeal to nobody except every
+ 
+
+81
+00:01:48,119 --> 00:01:51,630
+don't appeal to nobody except every
+Jackie on 42nd Street that's
+
+82
+00:01:51,630 --> 00:01:51,640
+Jackie on 42nd Street that's
+ 
+
+83
+00:01:51,640 --> 00:01:53,950
+Jackie on 42nd Street that's
+stuff you want to call by its name
+
+84
+00:01:53,950 --> 00:01:53,960
+stuff you want to call by its name
+ 
+
+85
+00:01:53,960 --> 00:01:56,069
+stuff you want to call by its name
+that's strictly for
+
+86
+00:01:56,069 --> 00:01:56,079
+that's strictly for
+ 
+
+87
+00:01:56,079 --> 00:01:58,950
+that's strictly for
+ John Wayne you want to tell me he's
+
+88
+00:01:58,950 --> 00:01:58,960
+John Wayne you want to tell me he's
+ 
+
+89
+00:01:58,960 --> 00:02:08,909
+John Wayne you want to tell me he's
+a
+
+90
+00:02:08,909 --> 00:02:08,919
+
+ 
+
+91
+00:02:08,919 --> 00:02:40,659
+
+[Music]
+

1969/xd7SESj-nfA.description

@@ -0,0 +1,38 @@
+Midnight Cowboy movie clips: http://j.mp/1bf0SJd
+BUY THE MOVIE: http://j.mp/16YqbHy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Jon Voight) corners Ratso (Dustin Hoffman) in a diner and demands his money. Ratso makes excuses and invites Joe to stay at his place.
+
+FILM DESCRIPTION:
+Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA.
+
+CREDITS:
+TM & © MGM (1969)
+Cast: Dustin Hoffman, Jon Voight
+Director: John Schlesinger
+Producers: Jerome Hellman, Kenneth Utt
+Screenwriters: James Leo Herlihy, Waldo Salt
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/yDo7fA8sAlM.description

@@ -0,0 +1,38 @@
+The Wild Bunch movie clips: http://j.mp/1iSeiuU
+BUY THE MOVIE: http://j.mp/12OlxKX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+T.C (L.Q. Jones) and Coffer (Strother Martin) fight over who they killed during the shootout as they collect the personal belongings off of the victims.
+
+FILM DESCRIPTION:
+"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel.
+
+CREDITS:
+TM & © Warner Bros. (1969)
+Cast: Albert Dekker, Bo Hopkins, L.Q. Jones, Strother Martin, Robert Ryan
+Director: Sam Peckinpah
+Producers: Phil Feldman, Roy N. Sickner
+Screenwriters: Walon Green, Sam Peckinpah, Roy N. Sickner
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1969/yDo7fA8sAlM.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:01,520 --> 00:00:03,309
+
+hey
+
+2
+00:00:03,309 --> 00:00:03,319
+hey
+ 
+
+3
+00:00:03,319 --> 00:00:08,950
+hey
+C oh
+
+4
+00:00:08,950 --> 00:00:08,960
+
+ 
+
+5
+00:00:08,960 --> 00:00:11,470
+
+he he's mine Mr
+
+6
+00:00:11,470 --> 00:00:11,480
+he he's mine Mr
+ 
+
+7
+00:00:11,480 --> 00:00:15,190
+he he's mine Mr
+hton he's mine damn well I shot this one
+
+8
+00:00:15,190 --> 00:00:15,200
+hton he's mine damn well I shot this one
+ 
+
+9
+00:00:15,200 --> 00:00:17,310
+hton he's mine damn well I shot this one
+look at the size that hole you just dig
+
+10
+00:00:17,310 --> 00:00:17,320
+look at the size that hole you just dig
+ 
+
+11
+00:00:17,320 --> 00:00:18,790
+look at the size that hole you just dig
+out that bullet and see if it ain't my
+
+12
+00:00:18,790 --> 00:00:18,800
+out that bullet and see if it ain't my
+ 
+
+13
+00:00:18,800 --> 00:00:30,150
+out that bullet and see if it ain't my
+old six what you know
+
+14
+00:00:30,150 --> 00:00:30,160
+
+ 
+
+15
+00:00:30,160 --> 00:00:35,350
+
+damn damn I can't get
+
+16
+00:00:35,350 --> 00:00:35,360
+
+ 
+
+17
+00:00:35,360 --> 00:00:38,950
+
+his you stupid damn fools why did you
+
+18
+00:00:38,950 --> 00:00:38,960
+his you stupid damn fools why did you
+ 
+
+19
+00:00:38,960 --> 00:00:40,750
+his you stupid damn fools why did you
+shoot this employee and let the others
+
+20
+00:00:40,750 --> 00:00:40,760
+shoot this employee and let the others
+ 
+
+21
+00:00:40,760 --> 00:00:43,110
+shoot this employee and let the others
+get away why you sho that employee my
+
+22
+00:00:43,110 --> 00:00:43,120
+get away why you sho that employee my
+ 
+
+23
+00:00:43,120 --> 00:00:45,950
+get away why you sho that employee my
+first shot kill this man right here liar
+
+24
+00:00:45,950 --> 00:00:45,960
+first shot kill this man right here liar
+ 
+
+25
+00:00:45,960 --> 00:00:49,110
+first shot kill this man right here liar
+he shooting full H why I was dropping
+
+26
+00:00:49,110 --> 00:00:49,120
+he shooting full H why I was dropping
+ 
+
+27
+00:00:49,120 --> 00:00:52,189
+he shooting full H why I was dropping
+this band and them others too but I must
+
+28
+00:00:52,189 --> 00:00:52,199
+this band and them others too but I must
+ 
+
+29
+00:00:52,199 --> 00:00:55,029
+this band and them others too but I must
+have killed all three of them you must
+
+30
+00:00:55,029 --> 00:00:55,039
+have killed all three of them you must
+ 
+
+31
+00:00:55,039 --> 00:00:59,470
+have killed all three of them you must
+you think you that liar black liar you
+
+32
+00:00:59,470 --> 00:00:59,480
+you think you that liar black liar you
+ 
+
+33
+00:00:59,480 --> 00:01:02,670
+you think you that liar black liar you
+shouldn't talk like that to
+
+34
+00:01:02,670 --> 00:01:02,680
+
+ 
+
+35
+00:01:02,680 --> 00:01:05,429
+
+me I'm
+
+36
+00:01:05,429 --> 00:01:05,439
+me I'm
+ 
+
+37
+00:01:05,439 --> 00:01:11,149
+me I'm
+sorry come on TC help me get his
+
+38
+00:01:11,149 --> 00:01:11,159
+
+ 
+
+39
+00:01:11,159 --> 00:01:14,310
+
+boots I think I think is will do pretty
+
+40
+00:01:14,310 --> 00:01:14,320
+boots I think I think is will do pretty
+ 
+
+41
+00:01:14,320 --> 00:01:16,030
+boots I think I think is will do pretty
+good
+
+42
+00:01:16,030 --> 00:01:16,040
+good
+ 
+
+43
+00:01:16,040 --> 00:01:18,350
+good
+harrian the next time you better plan
+
+44
+00:01:18,350 --> 00:01:18,360
+harrian the next time you better plan
+ 
+
+45
+00:01:18,360 --> 00:01:20,310
+harrian the next time you better plan
+your Massacre more carefully or I'll
+
+46
+00:01:20,310 --> 00:01:20,320
+your Massacre more carefully or I'll
+ 
+
+47
+00:01:20,320 --> 00:01:22,749
+your Massacre more carefully or I'll
+start with you why didn't you kill Pike
+
+48
+00:01:22,749 --> 00:01:22,759
+start with you why didn't you kill Pike
+ 
+
+49
+00:01:22,759 --> 00:01:25,510
+start with you why didn't you kill Pike
+when you had the
+
+50
+00:01:25,510 --> 00:01:25,520
+
+ 
+
+51
+00:01:25,520 --> 00:01:30,030
+
+chance Yes We Shall Gather at the river
+
+52
+00:01:30,030 --> 00:01:30,040
+chance Yes We Shall Gather at the river
+ 
+
+53
+00:01:30,040 --> 00:01:32,990
+chance Yes We Shall Gather at the river
+the Beautiful the be
+
+54
+00:01:32,990 --> 00:01:33,000
+the Beautiful the be
+ 
+
+55
+00:01:33,000 --> 00:01:38,670
+the Beautiful the be
+hey hey you stop
+
+56
+00:01:38,670 --> 00:01:38,680
+
+ 
+
+57
+00:01:38,680 --> 00:01:41,510
+
+stop feathers flew like a
+
+58
+00:01:41,510 --> 00:01:41,520
+stop feathers flew like a
+ 
+
+59
+00:01:41,520 --> 00:01:44,510
+stop feathers flew like a
+turkey well they shouldn't have run they
+
+60
+00:01:44,510 --> 00:01:44,520
+turkey well they shouldn't have run they
+ 
+
+61
+00:01:44,520 --> 00:01:52,469
+turkey well they shouldn't have run they
+shouldn't have run
+
+62
+00:01:52,469 --> 00:01:52,479
+
+ 
+
+63
+00:01:52,479 --> 00:01:56,429
+
+s well had you like to kiss my sister's
+
+64
+00:01:56,429 --> 00:01:56,439
+s well had you like to kiss my sister's
+ 
+
+65
+00:01:56,439 --> 00:02:11,550
+s well had you like to kiss my sister's
+black cat's ass
+
+66
+00:02:11,550 --> 00:02:11,560
+
+ 
+
+67
+00:02:11,560 --> 00:02:14,560
+
+m
+

1969/yQ62WM_w2iM.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:02,510 --> 00:00:20,840
+
+[Music]
+
+2
+00:00:20,840 --> 00:00:20,850
+
+ 
+
+3
+00:00:20,850 --> 00:00:40,190
+
+[Music]
+
+4
+00:00:40,190 --> 00:00:40,200
+
+ 
+
+5
+00:00:40,200 --> 00:00:48,670
+
+[Music]
+
+6
+00:00:48,670 --> 00:00:48,680
+
+ 
+
+7
+00:00:48,680 --> 00:01:40,070
+
+[Music]
+
+8
+00:01:40,070 --> 00:01:40,080
+
+ 
+
+9
+00:01:40,080 --> 00:02:07,880
+
+[Applause]
+
+10
+00:02:07,880 --> 00:02:07,890
+
+ 
+
+11
+00:02:07,890 --> 00:02:10,620
+
+[Music]
+
+12
+00:02:10,620 --> 00:02:10,630
+[Music]
+ 
+
+13
+00:02:10,630 --> 00:02:25,949
+[Music]
+[Applause]
+
+14
+00:02:25,949 --> 00:02:25,959
+
+ 
+
+15
+00:02:25,959 --> 00:02:28,479
+
+now we got something to work with catch
+
+16
+00:02:28,479 --> 00:02:28,489
+now we got something to work with catch
+ 
+
+17
+00:02:28,489 --> 00:02:31,809
+now we got something to work with catch
+the odd not much but some grace I have
+
+18
+00:02:31,809 --> 00:02:31,819
+the odd not much but some grace I have
+ 
+
+19
+00:02:31,819 --> 00:02:32,650
+the odd not much but some grace I have
+20 men
+
+20
+00:02:32,650 --> 00:02:32,660
+20 men
+ 
+
+21
+00:02:32,660 --> 00:02:34,390
+20 men
+one for each rifle and one for each
+
+22
+00:02:34,390 --> 00:02:34,400
+one for each rifle and one for each
+ 
+
+23
+00:02:34,400 --> 00:02:35,979
+one for each rifle and one for each
+horse they're ready to fight but can
+
+24
+00:02:35,979 --> 00:02:35,989
+horse they're ready to fight but can
+ 
+
+25
+00:02:35,989 --> 00:02:37,870
+horse they're ready to fight but can
+they well they're they're young they're
+
+26
+00:02:37,870 --> 00:02:37,880
+they well they're they're young they're
+ 
+
+27
+00:02:37,880 --> 00:02:39,550
+they well they're they're young they're
+strong they're hungry and they will
+
+28
+00:02:39,550 --> 00:02:39,560
+strong they're hungry and they will
+ 
+
+29
+00:02:39,560 --> 00:02:45,000
+strong they're hungry and they will
+learn right I got ideas
+
+30
+00:02:45,000 --> 00:02:45,010
+
+ 
+
+31
+00:02:45,010 --> 00:03:09,810
+
+[Music]
+

1969/zT639dQIhck.description

@@ -0,0 +1,38 @@
+The Wild Bunch movie clips: http://j.mp/1iSeiuU
+BUY THE MOVIE: http://j.mp/12OlxKX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Pike Bishop (William Holden) and the Wild Bunch plant an explosive trap on the bridge for Deke Thornton (Robert Ryan) and his posse.
+
+FILM DESCRIPTION:
+"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel.
+
+CREDITS:
+TM & © Warner Bros. (1969)
+Cast: Ernest Borgnine, Stephen Ferry, William Holden, Ben Johnson, L.Q. Jones, Strother Martin, Edmond O'Brien, Warren Oates, Robert Ryan, Jaime Sánchez
+Director: Sam Peckinpah
+Producers: Phil Feldman, Roy N. Sickner
+Screenwriters: Walon Green, Sam Peckinpah, Roy N. Sickner
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1970/0cHePp1_EMg.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:06,200 --> 00:00:11,490
+
+yes I've never caught a piece of
+
+2
+00:00:11,490 --> 00:00:11,500
+yes I've never caught a piece of
+ 
+
+3
+00:00:11,500 --> 00:00:23,830
+yes I've never caught a piece of
+[Music]
+
+4
+00:00:23,830 --> 00:00:23,840
+
+ 
+
+5
+00:00:23,840 --> 00:00:26,589
+
+SHP you're a
+
+6
+00:00:26,589 --> 00:00:26,599
+SHP you're a
+ 
+
+7
+00:00:26,599 --> 00:00:31,429
+SHP you're a
+chaplain yes didn't you know that no I
+
+8
+00:00:31,429 --> 00:00:31,439
+chaplain yes didn't you know that no I
+ 
+
+9
+00:00:31,439 --> 00:00:34,069
+chaplain yes didn't you know that no I
+didn't I've uh I've never really seen a
+
+10
+00:00:34,069 --> 00:00:34,079
+didn't I've uh I've never really seen a
+ 
+
+11
+00:00:34,079 --> 00:00:37,069
+didn't I've uh I've never really seen a
+chaplain before I I had no idea chaplain
+
+12
+00:00:37,069 --> 00:00:37,079
+chaplain before I I had no idea chaplain
+ 
+
+13
+00:00:37,079 --> 00:00:38,830
+chaplain before I I had no idea chaplain
+look like
+
+14
+00:00:38,830 --> 00:00:38,840
+look like
+ 
+
+15
+00:00:38,840 --> 00:00:43,590
+look like
+that well well if I can do anything to
+
+16
+00:00:43,590 --> 00:00:43,600
+that well well if I can do anything to
+ 
+
+17
+00:00:43,600 --> 00:00:48,389
+that well well if I can do anything to
+help you anything at all you
+
+18
+00:00:48,389 --> 00:00:48,399
+
+ 
+
+19
+00:00:48,399 --> 00:00:53,150
+
+anything like books or uh
+
+20
+00:00:53,150 --> 00:00:53,160
+anything like books or uh
+ 
+
+21
+00:00:53,160 --> 00:00:56,830
+anything like books or uh
+cigarettes toys no I uh I have
+
+22
+00:00:56,830 --> 00:00:56,840
+cigarettes toys no I uh I have
+ 
+
+23
+00:00:56,840 --> 00:01:01,590
+cigarettes toys no I uh I have
+everything I need thank you very much
+
+24
+00:01:01,590 --> 00:01:01,600
+everything I need thank you very much
+ 
+
+25
+00:01:01,600 --> 00:01:04,950
+everything I need thank you very much
+uh you could do one thing for
+
+26
+00:01:04,950 --> 00:01:04,960
+uh you could do one thing for
+ 
+
+27
+00:01:04,960 --> 00:01:07,550
+uh you could do one thing for
+me well if if you could speak to Major
+
+28
+00:01:07,550 --> 00:01:07,560
+me well if if you could speak to Major
+ 
+
+29
+00:01:07,560 --> 00:01:09,670
+me well if if you could speak to Major
+Deluth this the quadrant Comm yes and
+
+30
+00:01:09,670 --> 00:01:09,680
+Deluth this the quadrant Comm yes and
+ 
+
+31
+00:01:09,680 --> 00:01:11,469
+Deluth this the quadrant Comm yes and
+tell him I don't want to fly anymore
+
+32
+00:01:11,469 --> 00:01:11,479
+tell him I don't want to fly anymore
+ 
+
+33
+00:01:11,479 --> 00:01:15,310
+tell him I don't want to fly anymore
+well ring Mission again he's trying to
+
+34
+00:01:15,310 --> 00:01:15,320
+well ring Mission again he's trying to
+ 
+
+35
+00:01:15,320 --> 00:01:16,550
+well ring Mission again he's trying to
+kill us
+
+36
+00:01:16,550 --> 00:01:16,560
+kill us
+ 
+
+37
+00:01:16,560 --> 00:01:19,149
+kill us
+all because I'm desperate but it's not
+
+38
+00:01:19,149 --> 00:01:19,159
+all because I'm desperate but it's not
+ 
+
+39
+00:01:19,159 --> 00:01:21,870
+all because I'm desperate but it's not
+my business I'm desperate I'll see what
+
+40
+00:01:21,870 --> 00:01:21,880
+my business I'm desperate I'll see what
+ 
+
+41
+00:01:21,880 --> 00:01:25,350
+my business I'm desperate I'll see what
+I can do I really will I'll I'll I'm
+
+42
+00:01:25,350 --> 00:01:25,360
+I can do I really will I'll I'll I'm
+ 
+
+43
+00:01:25,360 --> 00:01:28,830
+I can do I really will I'll I'll I'm
+going to do my
+
+44
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+45
+00:01:28,840 --> 00:01:43,350
+
+best
+
+46
+00:01:43,350 --> 00:01:43,360
+
+ 
+
+47
+00:01:43,360 --> 00:01:46,469
+
+Tak me 45 minutes to do this thing first
+
+48
+00:01:46,469 --> 00:01:46,479
+Tak me 45 minutes to do this thing first
+ 
+
+49
+00:01:46,479 --> 00:01:50,270
+Tak me 45 minutes to do this thing first
+I sa the chicken parts out I put the
+
+50
+00:01:50,270 --> 00:01:50,280
+I sa the chicken parts out I put the
+ 
+
+51
+00:01:50,280 --> 00:01:58,830
+I sa the chicken parts out I put the
+raisins in
+
+52
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+53
+00:01:58,840 --> 00:02:11,430
+
+the
+
+54
+00:02:11,430 --> 00:02:11,440
+
+ 
+
+55
+00:02:11,440 --> 00:02:28,750
+
+[Music]
+
+56
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+57
+00:02:28,760 --> 00:02:39,630
+[Music]
+you
+
+58
+00:02:39,630 --> 00:02:39,640
+
+ 
+
+59
+00:02:39,640 --> 00:02:42,640
+
+St
+

1970/0nfoP3bmd1c.description

@@ -0,0 +1,38 @@
+Five Easy Pieces movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqqA-MPQnAzEeT61AHt89tje
+BUY THE MOVIE: http://amzn.to/rB0GRW
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When a haughty intellectual insults Rayette (Karen Black), Bobby (Jack Nicholson) defends his girlfriend with his trademark wit and temper.
+
+FILM DESCRIPTION:
+A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away.
+
+CREDITS:
+TM & © Sony (1970)
+Cast: Jack Nicholson, Susan Anspach, Karen Black, Irene Dailey
+Director: Bob Rafelson
+Producers: Bob Rafelson, Richard Wechsler, Harold Schneider, Bert Schneider
+Screenwriters: Carole Eastman, Bob Rafelson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1970/0nfoP3bmd1c.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,240 --> 00:00:03,270
+
+What About Love what about it wouldn't
+
+2
+00:00:03,270 --> 00:00:03,280
+What About Love what about it wouldn't
+ 
+
+3
+00:00:03,280 --> 00:00:05,110
+What About Love what about it wouldn't
+you say that more ill has been done in
+
+4
+00:00:05,110 --> 00:00:05,120
+you say that more ill has been done in
+ 
+
+5
+00:00:05,120 --> 00:00:07,190
+you say that more ill has been done in
+the Name of Love than in the name of
+
+6
+00:00:07,190 --> 00:00:07,200
+the Name of Love than in the name of
+ 
+
+7
+00:00:07,200 --> 00:00:12,030
+the Name of Love than in the name of
+abomination no no I would well you are a
+
+8
+00:00:12,030 --> 00:00:12,040
+abomination no no I would well you are a
+ 
+
+9
+00:00:12,040 --> 00:00:15,110
+abomination no no I would well you are a
+romantic Catherine and once more about
+
+10
+00:00:15,110 --> 00:00:15,120
+romantic Catherine and once more about
+ 
+
+11
+00:00:15,120 --> 00:00:18,029
+romantic Catherine and once more about
+to be married so you can be excused from
+
+12
+00:00:18,029 --> 00:00:18,039
+to be married so you can be excused from
+ 
+
+13
+00:00:18,039 --> 00:00:21,029
+to be married so you can be excused from
+objective discussions but ask Carl ask
+
+14
+00:00:21,029 --> 00:00:21,039
+objective discussions but ask Carl ask
+ 
+
+15
+00:00:21,039 --> 00:00:22,990
+objective discussions but ask Carl ask
+him if even the institution of marriage
+
+16
+00:00:22,990 --> 00:00:23,000
+him if even the institution of marriage
+ 
+
+17
+00:00:23,000 --> 00:00:26,429
+him if even the institution of marriage
+is completely free from it ask him I
+
+18
+00:00:26,429 --> 00:00:26,439
+is completely free from it ask him I
+ 
+
+19
+00:00:26,439 --> 00:00:29,630
+is completely free from it ask him I
+think these cold objective discussions
+
+20
+00:00:29,630 --> 00:00:29,640
+think these cold objective discussions
+ 
+
+21
+00:00:29,640 --> 00:00:30,470
+think these cold objective discussions
+are
+
+22
+00:00:30,470 --> 00:00:30,480
+are
+ 
+
+23
+00:00:30,480 --> 00:00:33,590
+are
+aggressive excuse me that's
+
+24
+00:00:33,590 --> 00:00:33,600
+aggressive excuse me that's
+ 
+
+25
+00:00:33,600 --> 00:00:35,950
+aggressive excuse me that's
+reactive but if I may say without
+
+26
+00:00:35,950 --> 00:00:35,960
+reactive but if I may say without
+ 
+
+27
+00:00:35,960 --> 00:00:37,990
+reactive but if I may say without
+dampening the spirit of your adventure
+
+28
+00:00:37,990 --> 00:00:38,000
+dampening the spirit of your adventure
+ 
+
+29
+00:00:38,000 --> 00:00:40,830
+dampening the spirit of your adventure
+you haven't dampened my spirits onia
+
+30
+00:00:40,830 --> 00:00:40,840
+you haven't dampened my spirits onia
+ 
+
+31
+00:00:40,840 --> 00:00:43,069
+you haven't dampened my spirits onia
+well I should hope not but I want to say
+
+32
+00:00:43,069 --> 00:00:43,079
+well I should hope not but I want to say
+ 
+
+33
+00:00:43,079 --> 00:00:44,910
+well I should hope not but I want to say
+though it's still open to some D I'm
+
+34
+00:00:44,910 --> 00:00:44,920
+though it's still open to some D I'm
+ 
+
+35
+00:00:44,920 --> 00:00:47,830
+though it's still open to some D I'm
+sorry that there seems
+
+36
+00:00:47,830 --> 00:00:47,840
+sorry that there seems
+ 
+
+37
+00:00:47,840 --> 00:00:50,389
+sorry that there seems
+tool I'm sorry I don't speak
+
+38
+00:00:50,389 --> 00:00:50,399
+tool I'm sorry I don't speak
+ 
+
+39
+00:00:50,399 --> 00:00:57,310
+tool I'm sorry I don't speak
+French and loftier natur
+
+40
+00:00:57,310 --> 00:00:57,320
+
+ 
+
+41
+00:00:57,320 --> 00:01:01,069
+
+which element at a minimum fluffy thing
+
+42
+00:01:01,069 --> 00:01:01,079
+which element at a minimum fluffy thing
+ 
+
+43
+00:01:01,079 --> 00:01:03,789
+which element at a minimum fluffy thing
+Bobby gave it to me remember
+
+44
+00:01:03,789 --> 00:01:03,799
+Bobby gave it to me remember
+ 
+
+45
+00:01:03,799 --> 00:01:08,109
+Bobby gave it to me remember
+Bobby little cat you gave
+
+46
+00:01:08,109 --> 00:01:08,119
+
+ 
+
+47
+00:01:08,119 --> 00:01:11,789
+
+me had two little white front paws and
+
+48
+00:01:11,789 --> 00:01:11,799
+me had two little white front paws and
+ 
+
+49
+00:01:11,799 --> 00:01:14,950
+me had two little white front paws and
+know I was crazy after her we left her
+
+50
+00:01:14,950 --> 00:01:14,960
+know I was crazy after her we left her
+ 
+
+51
+00:01:14,960 --> 00:01:17,230
+know I was crazy after her we left her
+at some friend's house and she got
+
+52
+00:01:17,230 --> 00:01:17,240
+at some friend's house and she got
+ 
+
+53
+00:01:17,240 --> 00:01:18,910
+at some friend's house and she got
+squashed flat in a tortilla right
+
+54
+00:01:18,910 --> 00:01:18,920
+squashed flat in a tortilla right
+ 
+
+55
+00:01:18,920 --> 00:01:22,270
+squashed flat in a tortilla right
+outside their mobile home there do you
+
+56
+00:01:22,270 --> 00:01:22,280
+outside their mobile home there do you
+ 
+
+57
+00:01:22,280 --> 00:01:25,350
+outside their mobile home there do you
+see what I mean the choice of words just
+
+58
+00:01:25,350 --> 00:01:25,360
+see what I mean the choice of words just
+ 
+
+59
+00:01:25,360 --> 00:01:27,550
+see what I mean the choice of words just
+opposed with the image of a fluffy
+
+60
+00:01:27,550 --> 00:01:27,560
+opposed with the image of a fluffy
+ 
+
+61
+00:01:27,560 --> 00:01:31,069
+opposed with the image of a fluffy
+kitten the Enchantment of words squashed
+
+62
+00:01:31,069 --> 00:01:31,079
+kitten the Enchantment of words squashed
+ 
+
+63
+00:01:31,079 --> 00:01:35,910
+kitten the Enchantment of words squashed
+flat etc etc where she was well perhaps
+
+64
+00:01:35,910 --> 00:01:35,920
+flat etc etc where she was well perhaps
+ 
+
+65
+00:01:35,920 --> 00:01:37,350
+flat etc etc where she was well perhaps
+but it was just what I was trying to
+
+66
+00:01:37,350 --> 00:01:37,360
+but it was just what I was trying to
+ 
+
+67
+00:01:37,360 --> 00:01:39,429
+but it was just what I was trying to
+point out don't sit there pointing at
+
+68
+00:01:39,429 --> 00:01:39,439
+point out don't sit there pointing at
+ 
+
+69
+00:01:39,439 --> 00:01:42,429
+point out don't sit there pointing at
+her I beg your pardon I said don't point
+
+70
+00:01:42,429 --> 00:01:42,439
+her I beg your pardon I said don't point
+ 
+
+71
+00:01:42,439 --> 00:01:44,510
+her I beg your pardon I said don't point
+at her you creep but I was just telling
+
+72
+00:01:44,510 --> 00:01:44,520
+at her you creep but I was just telling
+ 
+
+73
+00:01:44,520 --> 00:01:46,069
+at her you creep but I was just telling
+about where the hell do you get the ass
+
+74
+00:01:46,069 --> 00:01:46,079
+about where the hell do you get the ass
+ 
+
+75
+00:01:46,079 --> 00:01:48,270
+about where the hell do you get the ass
+to tell anybody anything about class or
+
+76
+00:01:48,270 --> 00:01:48,280
+to tell anybody anything about class or
+ 
+
+77
+00:01:48,280 --> 00:01:49,709
+to tell anybody anything about class or
+Who the hell's got it or what she
+
+78
+00:01:49,709 --> 00:01:49,719
+Who the hell's got it or what she
+ 
+
+79
+00:01:49,719 --> 00:01:51,190
+Who the hell's got it or what she
+typifies you shouldn't even be in the
+
+80
+00:01:51,190 --> 00:01:51,200
+typifies you shouldn't even be in the
+ 
+
+81
+00:01:51,200 --> 00:01:53,149
+typifies you shouldn't even be in the
+same room with her you Pompa celibate
+
+82
+00:01:53,149 --> 00:01:53,159
+same room with her you Pompa celibate
+ 
+
+83
+00:01:53,159 --> 00:01:55,350
+same room with her you Pompa celibate
+car this is really too much first calm
+
+84
+00:01:55,350 --> 00:01:55,360
+car this is really too much first calm
+ 
+
+85
+00:01:55,360 --> 00:01:57,469
+car this is really too much first calm
+down you're totally full of
+
+86
+00:01:57,469 --> 00:01:57,479
+down you're totally full of
+ 
+
+87
+00:01:57,479 --> 00:02:01,420
+down you're totally full of
+ you're all full of
+
+88
+00:02:01,420 --> 00:02:01,430
+you're all full of
+ 
+
+89
+00:02:01,430 --> 00:02:28,750
+you're all full of
+[Music]
+
+90
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+91
+00:02:28,760 --> 00:02:31,760
+
+it
+

1970/1GiYwJRA2NA.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:01,670 --> 00:00:06,039
+
+[Music]
+
+2
+00:00:06,039 --> 00:00:06,049
+[Music]
+ 
+
+3
+00:00:06,049 --> 00:00:09,970
+[Music]
+well you must be the new warden what
+
+4
+00:00:09,970 --> 00:00:09,980
+well you must be the new warden what
+ 
+
+5
+00:00:09,980 --> 00:00:22,160
+well you must be the new warden what
+hell is this come in come in sky warden
+
+6
+00:00:22,160 --> 00:00:22,170
+hell is this come in come in sky warden
+ 
+
+7
+00:00:22,170 --> 00:00:26,089
+hell is this come in come in sky warden
+compliments of the old warden don't
+
+8
+00:00:26,089 --> 00:00:26,099
+compliments of the old warden don't
+ 
+
+9
+00:00:26,099 --> 00:00:32,530
+compliments of the old warden don't
+smoke hey drink maybe hmm
+
+10
+00:00:32,530 --> 00:00:32,540
+
+ 
+
+11
+00:00:32,540 --> 00:00:39,889
+
+don't drink well I guess you want to
+
+12
+00:00:39,889 --> 00:00:39,899
+don't drink well I guess you want to
+ 
+
+13
+00:00:39,899 --> 00:00:42,200
+don't drink well I guess you want to
+hear the truth did it help
+
+14
+00:00:42,200 --> 00:00:42,210
+hear the truth did it help
+ 
+
+15
+00:00:42,210 --> 00:00:43,940
+hear the truth did it help
+well maybe you ain't heard but I got
+
+16
+00:00:43,940 --> 00:00:43,950
+well maybe you ain't heard but I got
+ 
+
+17
+00:00:43,950 --> 00:00:46,100
+well maybe you ain't heard but I got
+five hundred thousand thousand that is
+
+18
+00:00:46,100 --> 00:00:46,110
+five hundred thousand thousand that is
+ 
+
+19
+00:00:46,110 --> 00:00:48,410
+five hundred thousand thousand that is
+dollars in US legal currency hid in a
+
+20
+00:00:48,410 --> 00:00:48,420
+dollars in US legal currency hid in a
+ 
+
+21
+00:00:48,420 --> 00:00:50,990
+dollars in US legal currency hid in a
+hole somewhere in this territory and
+
+22
+00:00:50,990 --> 00:00:51,000
+hole somewhere in this territory and
+ 
+
+23
+00:00:51,000 --> 00:00:57,049
+hole somewhere in this territory and
+nobody knows where but me now the man
+
+24
+00:00:57,049 --> 00:00:57,059
+nobody knows where but me now the man
+ 
+
+25
+00:00:57,059 --> 00:00:59,209
+nobody knows where but me now the man
+who used to have your job got the bruton
+
+26
+00:00:59,209 --> 00:00:59,219
+who used to have your job got the bruton
+ 
+
+27
+00:00:59,219 --> 00:01:01,459
+who used to have your job got the bruton
+on it every time miss expect you will
+
+28
+00:01:01,459 --> 00:01:01,469
+on it every time miss expect you will
+ 
+
+29
+00:01:01,469 --> 00:01:06,260
+on it every time miss expect you will
+and it well I'll save you the trouble
+
+30
+00:01:06,260 --> 00:01:06,270
+and it well I'll save you the trouble
+ 
+
+31
+00:01:06,270 --> 00:01:09,560
+and it well I'll save you the trouble
+and tell you what we were gonna do after
+
+32
+00:01:09,560 --> 00:01:09,570
+and tell you what we were gonna do after
+ 
+
+33
+00:01:09,570 --> 00:01:11,750
+and tell you what we were gonna do after
+four weeks of solitary 'it it's enough
+
+34
+00:01:11,750 --> 00:01:11,760
+four weeks of solitary 'it it's enough
+ 
+
+35
+00:01:11,760 --> 00:01:13,910
+four weeks of solitary 'it it's enough
+to kill any man i was supposed to break
+
+36
+00:01:13,910 --> 00:01:13,920
+to kill any man i was supposed to break
+ 
+
+37
+00:01:13,920 --> 00:01:16,010
+to kill any man i was supposed to break
+you know stop yelling like alright
+
+38
+00:01:16,010 --> 00:01:16,020
+you know stop yelling like alright
+ 
+
+39
+00:01:16,020 --> 00:01:18,050
+you know stop yelling like alright
+alright get me out here I'll tell you
+
+40
+00:01:18,050 --> 00:01:18,060
+alright get me out here I'll tell you
+ 
+
+41
+00:01:18,060 --> 00:01:19,130
+alright get me out here I'll tell you
+where I hid the money but the only
+
+42
+00:01:19,130 --> 00:01:19,140
+where I hid the money but the only
+ 
+
+43
+00:01:19,140 --> 00:01:20,690
+where I hid the money but the only
+person I'll tell it to is the governor
+
+44
+00:01:20,690 --> 00:01:20,700
+person I'll tell it to is the governor
+ 
+
+45
+00:01:20,700 --> 00:01:26,210
+person I'll tell it to is the governor
+himself face to face sounds like
+
+46
+00:01:26,210 --> 00:01:26,220
+himself face to face sounds like
+ 
+
+47
+00:01:26,220 --> 00:01:27,679
+himself face to face sounds like
+something I don't want them bad novels
+
+48
+00:01:27,679 --> 00:01:27,689
+something I don't want them bad novels
+ 
+
+49
+00:01:27,689 --> 00:01:41,980
+something I don't want them bad novels
+like
+
+50
+00:01:41,980 --> 00:01:41,990
+
+ 
+
+51
+00:01:41,990 --> 00:01:44,740
+
+well anyway here's a ticket warden the
+
+52
+00:01:44,740 --> 00:01:44,750
+well anyway here's a ticket warden the
+ 
+
+53
+00:01:44,750 --> 00:01:46,090
+well anyway here's a ticket warden the
+golf was gonna take me out of here under
+
+54
+00:01:46,090 --> 00:01:46,100
+golf was gonna take me out of here under
+ 
+
+55
+00:01:46,100 --> 00:01:48,100
+golf was gonna take me out of here under
+his personal guard to see the governor
+
+56
+00:01:48,100 --> 00:01:48,110
+his personal guard to see the governor
+ 
+
+57
+00:01:48,110 --> 00:01:50,140
+his personal guard to see the governor
+well me being such an important
+
+58
+00:01:50,140 --> 00:01:50,150
+well me being such an important
+ 
+
+59
+00:01:50,150 --> 00:01:52,330
+well me being such an important
+desperado see only thing on the way to
+
+60
+00:01:52,330 --> 00:01:52,340
+desperado see only thing on the way to
+ 
+
+61
+00:01:52,340 --> 00:01:54,760
+desperado see only thing on the way to
+the Capitol we was gonna drop by and
+
+62
+00:01:54,760 --> 00:01:54,770
+the Capitol we was gonna drop by and
+ 
+
+63
+00:01:54,770 --> 00:01:58,450
+the Capitol we was gonna drop by and
+visit with my money split it down the
+
+64
+00:01:58,450 --> 00:01:58,460
+visit with my money split it down the
+ 
+
+65
+00:01:58,460 --> 00:02:03,580
+visit with my money split it down the
+middle hightail it to Mexico live like
+
+66
+00:02:03,580 --> 00:02:03,590
+middle hightail it to Mexico live like
+ 
+
+67
+00:02:03,590 --> 00:02:11,890
+middle hightail it to Mexico live like
+kings but as it turned out warden the
+
+68
+00:02:11,890 --> 00:02:11,900
+kings but as it turned out warden the
+ 
+
+69
+00:02:11,900 --> 00:02:17,850
+kings but as it turned out warden the
+Gulf is going on to a far greater reward
+
+70
+00:02:17,850 --> 00:02:17,860
+
+ 
+
+71
+00:02:17,860 --> 00:02:20,470
+
+which is just about the luckiest thing
+
+72
+00:02:20,470 --> 00:02:20,480
+which is just about the luckiest thing
+ 
+
+73
+00:02:20,480 --> 00:02:29,560
+which is just about the luckiest thing
+that ever happened to you
+
+74
+00:02:29,560 --> 00:02:29,570
+
+ 
+
+75
+00:02:29,570 --> 00:02:41,600
+
+[Laughter]
+
+76
+00:02:41,600 --> 00:02:41,610
+[Laughter]
+ 
+
+77
+00:02:41,610 --> 00:02:53,600
+[Laughter]
+right you guessed it Borden 250,000
+
+78
+00:02:53,600 --> 00:02:53,610
+right you guessed it Borden 250,000
+ 
+
+79
+00:02:53,610 --> 00:03:00,130
+right you guessed it Borden 250,000
+dollars
+
+80
+00:03:00,130 --> 00:03:00,140
+
+ 
+
+81
+00:03:00,140 --> 00:03:11,479
+
+[Music]
+

1970/2K-ihnb5kho.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,230 --> 00:00:00,709
+
+[Music]
+
+2
+00:00:00,709 --> 00:00:00,719
+[Music]
+ 
+
+3
+00:00:00,719 --> 00:00:07,470
+[Music]
+and they're not the same what do you
+
+4
+00:00:07,470 --> 00:00:07,480
+
+ 
+
+5
+00:00:07,480 --> 00:00:12,620
+
+do go to sleep girl go to sleep go to
+
+6
+00:00:12,620 --> 00:00:12,630
+do go to sleep girl go to sleep go to
+ 
+
+7
+00:00:12,630 --> 00:00:14,789
+do go to sleep girl go to sleep go to
+[Music]
+
+8
+00:00:14,789 --> 00:00:14,799
+[Music]
+ 
+
+9
+00:00:14,799 --> 00:00:23,150
+[Music]
+sleep lose your eyes and hide from every
+
+10
+00:00:23,150 --> 00:00:23,160
+
+ 
+
+11
+00:00:23,160 --> 00:00:28,950
+
+care when you wake up they may not be
+
+12
+00:00:28,950 --> 00:00:28,960
+care when you wake up they may not be
+ 
+
+13
+00:00:28,960 --> 00:00:30,630
+care when you wake up they may not be
+there
+
+14
+00:00:30,630 --> 00:00:30,640
+there
+ 
+
+15
+00:00:30,640 --> 00:00:34,190
+there
+but tell me how can I sleep tell me who
+
+16
+00:00:34,190 --> 00:00:34,200
+but tell me how can I sleep tell me who
+ 
+
+17
+00:00:34,200 --> 00:00:36,750
+but tell me how can I sleep tell me who
+could when you see your whole life
+
+18
+00:00:36,750 --> 00:00:36,760
+could when you see your whole life
+ 
+
+19
+00:00:36,760 --> 00:00:40,110
+could when you see your whole life
+Tangled Up good I could drink I could
+
+20
+00:00:40,110 --> 00:00:40,120
+Tangled Up good I could drink I could
+ 
+
+21
+00:00:40,120 --> 00:00:44,670
+Tangled Up good I could drink I could
+weep oh but how can I
+
+22
+00:00:44,670 --> 00:00:44,680
+
+ 
+
+23
+00:00:44,680 --> 00:00:48,549
+
+sleep go to
+
+24
+00:00:48,549 --> 00:00:48,559
+
+ 
+
+25
+00:00:48,559 --> 00:00:53,590
+
+sleep go to
+
+26
+00:00:53,590 --> 00:00:53,600
+
+ 
+
+27
+00:00:53,600 --> 00:00:57,750
+
+sleep and when you and someone have a
+
+28
+00:00:57,750 --> 00:00:57,760
+sleep and when you and someone have a
+ 
+
+29
+00:00:57,760 --> 00:01:01,470
+sleep and when you and someone have a
+date you made when were thinking
+
+30
+00:01:01,470 --> 00:01:01,480
+date you made when were thinking
+ 
+
+31
+00:01:01,480 --> 00:01:05,030
+date you made when were thinking
+straight and when you and someone stay
+
+32
+00:01:05,030 --> 00:01:05,040
+straight and when you and someone stay
+ 
+
+33
+00:01:05,040 --> 00:01:10,190
+straight and when you and someone stay
+out late bad too but I had to when
+
+34
+00:01:10,190 --> 00:01:10,200
+out late bad too but I had to when
+ 
+
+35
+00:01:10,200 --> 00:01:13,990
+out late bad too but I had to when
+they're not the same who gets the gate
+
+36
+00:01:13,990 --> 00:01:14,000
+they're not the same who gets the gate
+ 
+
+37
+00:01:14,000 --> 00:01:18,030
+they're not the same who gets the gate
+this is not the way to find a m go to
+
+38
+00:01:18,030 --> 00:01:18,040
+this is not the way to find a m go to
+ 
+
+39
+00:01:18,040 --> 00:01:22,030
+this is not the way to find a m go to
+sleep girl go to sleep go to sleep go to
+
+40
+00:01:22,030 --> 00:01:22,040
+sleep girl go to sleep go to sleep go to
+ 
+
+41
+00:01:22,040 --> 00:01:25,789
+sleep girl go to sleep go to sleep go to
+sleep girl go to sleep go to sleep comes
+
+42
+00:01:25,789 --> 00:01:25,799
+sleep girl go to sleep go to sleep comes
+ 
+
+43
+00:01:25,799 --> 00:01:30,510
+sleep girl go to sleep go to sleep comes
+the Dawn I may not feel the same
+
+44
+00:01:30,510 --> 00:01:30,520
+the Dawn I may not feel the same
+ 
+
+45
+00:01:30,520 --> 00:01:33,990
+the Dawn I may not feel the same
+he may not know your name in the
+
+46
+00:01:33,990 --> 00:01:34,000
+he may not know your name in the
+ 
+
+47
+00:01:34,000 --> 00:01:38,670
+he may not know your name in the
+sunlight who can see a
+
+48
+00:01:38,670 --> 00:01:38,680
+
+ 
+
+49
+00:01:38,680 --> 00:01:42,510
+
+flame but tell me how can I sleep look
+
+50
+00:01:42,510 --> 00:01:42,520
+flame but tell me how can I sleep look
+ 
+
+51
+00:01:42,520 --> 00:01:45,670
+flame but tell me how can I sleep look
+what I've done mess around with two men
+
+52
+00:01:45,670 --> 00:01:45,680
+what I've done mess around with two men
+ 
+
+53
+00:01:45,680 --> 00:01:50,190
+what I've done mess around with two men
+soon you have n as you so you reap which
+
+54
+00:01:50,190 --> 00:01:50,200
+soon you have n as you so you reap which
+ 
+
+55
+00:01:50,200 --> 00:01:53,709
+soon you have n as you so you reap which
+is why I can't
+
+56
+00:01:53,709 --> 00:01:53,719
+
+ 
+
+57
+00:01:53,719 --> 00:01:57,469
+
+sleep go to
+
+58
+00:01:57,469 --> 00:01:57,479
+
+ 
+
+59
+00:01:57,479 --> 00:02:02,310
+
+sleep go to sleep
+
+60
+00:02:02,310 --> 00:02:02,320
+
+ 
+
+61
+00:02:02,320 --> 00:02:05,230
+
+go to
+
+62
+00:02:05,230 --> 00:02:05,240
+
+ 
+
+63
+00:02:05,240 --> 00:02:10,430
+
+sleep go
+
+64
+00:02:10,430 --> 00:02:10,440
+
+ 
+
+65
+00:02:10,440 --> 00:02:28,830
+
+[Music]
+
+66
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+67
+00:02:28,840 --> 00:02:38,630
+[Music]
+to
+
+68
+00:02:38,630 --> 00:02:38,640
+
+ 
+
+69
+00:02:38,640 --> 00:02:41,640
+
+St
+

1970/45X0_m1KYQM.description

@@ -0,0 +1,42 @@
+MASH movie clips: http://j.mp/1IjmeQi
+BUY THE MOVIE:
+iTunes - http://apple.co/1H1aPIT
+Google Play - http://bit.ly/1FuEDIt
+Amazon - http://amzn.to/1AOqbiG
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Following the show prank, Hot Lips (Sally Kellerman) complains about the antics of the MASH unit to Lt. Col. Blake (Roger Bowen).
+
+FILM DESCRIPTION:
+Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived.
+
+CREDITS:
+TM & © Fox (1970)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Roger Bowen, Indus Arthur, Sally Kellerman
+Director: Robert Altman
+Producers: Leon Ericksen, Ingo Preminger
+Screenwriter: Ring Lardner Jr.
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1970/45X0_m1KYQM.en.srt

@@ -0,0 +1,85 @@
+1
+00:00:04,740 --> 00:00:17,950
+
+not the
+
+2
+00:00:17,950 --> 00:00:17,960
+
+ 
+
+3
+00:00:17,960 --> 00:00:25,500
+
+same
+
+4
+00:00:25,500 --> 00:00:25,510
+
+ 
+
+5
+00:00:25,510 --> 00:00:28,590
+
+but it doesn't stop to
+
+6
+00:00:28,590 --> 00:00:28,600
+but it doesn't stop to
+ 
+
+7
+00:00:28,600 --> 00:00:55,880
+but it doesn't stop to
+give to Las Vegas
+
+8
+00:00:55,880 --> 00:00:55,890
+
+ 
+
+9
+00:00:55,890 --> 00:01:15,700
+
+[Applause]
+
+10
+00:01:15,700 --> 00:01:15,710
+
+ 
+
+11
+00:01:15,710 --> 00:01:18,100
+
+and
+
+12
+00:01:18,100 --> 00:01:18,110
+and
+ 
+
+13
+00:01:18,110 --> 00:01:21,660
+and
+[Music]
+
+14
+00:01:21,660 --> 00:01:21,670
+
+ 
+
+15
+00:01:21,670 --> 00:01:27,390
+
+and it's sad
+
+16
+00:01:27,390 --> 00:01:27,400
+
+ 
+
+17
+00:01:27,400 --> 00:01:55,940
+
+[Music]
+

1970/5JLr0XUrEF0.description

@@ -0,0 +1,38 @@
+Five Easy Pieces movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqqA-MPQnAzEeT61AHt89tje
+BUY THE MOVIE: http://amzn.to/rB0GRW
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Trapped in a traffic jam, Bobby (Jack Nicholson) jumps onto the back of a truck and starts playing the piano in an impromptu freeway performance.
+
+FILM DESCRIPTION:
+A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away.
+
+CREDITS:
+TM & © Sony (1970)
+Cast: Billy Green Bush, Jack Nicholson
+Director: Bob Rafelson
+Producers: Bob Rafelson, Richard Wechsler, Harold Schneider, Bert Schneider
+Screenwriters: Carole Eastman, Bob Rafelson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1970/7e6DCyXotE0.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,760 --> 00:00:02,110
+
+you saw Dr
+
+2
+00:00:02,110 --> 00:00:02,120
+you saw Dr
+ 
+
+3
+00:00:02,120 --> 00:00:06,950
+you saw Dr
+shapley mhm and his buddy too he's a
+
+4
+00:00:06,950 --> 00:00:06,960
+shapley mhm and his buddy too he's a
+ 
+
+5
+00:00:06,960 --> 00:00:10,669
+shapley mhm and his buddy too he's a
+very nice
+
+6
+00:00:10,669 --> 00:00:10,679
+
+ 
+
+7
+00:00:10,679 --> 00:00:15,350
+
+guy who Dr Addison he's a y college and
+
+8
+00:00:15,350 --> 00:00:15,360
+guy who Dr Addison he's a y college and
+ 
+
+9
+00:00:15,360 --> 00:00:19,750
+guy who Dr Addison he's a y college and
+med school but I said you wouldn't
+
+10
+00:00:19,750 --> 00:00:19,760
+med school but I said you wouldn't
+ 
+
+11
+00:00:19,760 --> 00:00:23,710
+med school but I said you wouldn't
+mind no not if he's a nice guy he's a
+
+12
+00:00:23,710 --> 00:00:23,720
+mind no not if he's a nice guy he's a
+ 
+
+13
+00:00:23,720 --> 00:00:25,029
+mind no not if he's a nice guy he's a
+nice guy all right you know he didn't
+
+14
+00:00:25,029 --> 00:00:25,039
+nice guy all right you know he didn't
+ 
+
+15
+00:00:25,039 --> 00:00:28,950
+nice guy all right you know he didn't
+ me and that's what I
+
+16
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+17
+00:00:28,960 --> 00:00:30,749
+
+wanted
+
+18
+00:00:30,749 --> 00:00:30,759
+wanted
+ 
+
+19
+00:00:30,759 --> 00:00:32,750
+wanted
+okay then for the y
+
+20
+00:00:32,750 --> 00:00:32,760
+okay then for the y
+ 
+
+21
+00:00:32,760 --> 00:00:46,549
+okay then for the y
+doctor
+
+22
+00:00:46,549 --> 00:00:46,559
+
+ 
+
+23
+00:00:46,559 --> 00:00:49,150
+
+okay counting on you to be strong you
+
+24
+00:00:49,150 --> 00:00:49,160
+okay counting on you to be strong you
+ 
+
+25
+00:00:49,160 --> 00:00:52,150
+okay counting on you to be strong you
+goddamn hockey
+
+26
+00:00:52,150 --> 00:00:52,160
+
+ 
+
+27
+00:00:52,160 --> 00:00:58,029
+
+jock I will baby I
+
+28
+00:00:58,029 --> 00:00:58,039
+
+ 
+
+29
+00:00:58,039 --> 00:01:00,869
+
+will no I mean feel it's going to be
+
+30
+00:01:00,869 --> 00:01:00,879
+will no I mean feel it's going to be
+ 
+
+31
+00:01:00,879 --> 00:01:03,189
+will no I mean feel it's going to be
+hardest on
+
+32
+00:01:03,189 --> 00:01:03,199
+hardest on
+ 
+
+33
+00:01:03,199 --> 00:01:05,509
+hardest on
+him you after all you're going to be the
+
+34
+00:01:05,509 --> 00:01:05,519
+him you after all you're going to be the
+ 
+
+35
+00:01:05,519 --> 00:01:10,270
+him you after all you're going to be the
+merry
+
+36
+00:01:10,270 --> 00:01:10,280
+
+ 
+
+37
+00:01:10,280 --> 00:01:12,429
+
+widower I won't be
+
+38
+00:01:12,429 --> 00:01:12,439
+widower I won't be
+ 
+
+39
+00:01:12,439 --> 00:01:15,990
+widower I won't be
+married yes you will be I want you to be
+
+40
+00:01:15,990 --> 00:01:16,000
+married yes you will be I want you to be
+ 
+
+41
+00:01:16,000 --> 00:01:21,270
+married yes you will be I want you to be
+married you'll be married
+
+42
+00:01:21,270 --> 00:01:21,280
+
+ 
+
+43
+00:01:21,280 --> 00:01:23,020
+
+okay
+
+44
+00:01:23,020 --> 00:01:23,030
+okay
+ 
+
+45
+00:01:23,030 --> 00:01:24,390
+okay
+[Applause]
+
+46
+00:01:24,390 --> 00:01:24,400
+[Applause]
+ 
+
+47
+00:01:24,400 --> 00:01:28,910
+[Applause]
+okay
+
+48
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+49
+00:01:28,920 --> 00:01:34,390
+
+okay
+
+50
+00:01:34,390 --> 00:01:34,400
+
+ 
+
+51
+00:01:34,400 --> 00:02:05,470
+
+[Music]
+

1970/DHJDwY4xoEc.en.srt

@@ -0,0 +1,85 @@
+1
+00:00:00,320 --> 00:00:14,190
+
+say that n never
+
+2
+00:00:14,190 --> 00:00:14,200
+
+ 
+
+3
+00:00:14,200 --> 00:00:16,029
+
+done
+
+4
+00:00:16,029 --> 00:00:16,039
+done
+ 
+
+5
+00:00:16,039 --> 00:00:19,410
+done
+K Never
+
+6
+00:00:19,410 --> 00:00:19,420
+K Never
+ 
+
+7
+00:00:19,420 --> 00:00:39,040
+K Never
+[Applause]
+
+8
+00:00:39,040 --> 00:00:39,050
+
+ 
+
+9
+00:00:39,050 --> 00:00:45,110
+
+[Applause]
+
+10
+00:00:45,110 --> 00:00:45,120
+
+ 
+
+11
+00:00:45,120 --> 00:01:26,670
+
+l
+
+12
+00:01:26,670 --> 00:01:26,680
+
+ 
+
+13
+00:01:26,680 --> 00:01:41,749
+
+for god
+
+14
+00:01:41,749 --> 00:01:41,759
+
+ 
+
+15
+00:01:41,759 --> 00:01:52,870
+
+fin turn
+
+16
+00:01:52,870 --> 00:01:52,880
+
+ 
+
+17
+00:01:52,880 --> 00:02:24,470
+
+[Music]
+

1970/EEVcrvlYO-w.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:06,240 --> 00:00:08,629
+
+I'm afraid I can only offer you half our
+
+2
+00:00:08,629 --> 00:00:08,639
+I'm afraid I can only offer you half our
+ 
+
+3
+00:00:08,639 --> 00:00:12,190
+I'm afraid I can only offer you half our
+usual agreement that's robbery bum Gard
+
+4
+00:00:12,190 --> 00:00:12,200
+usual agreement that's robbery bum Gard
+ 
+
+5
+00:00:12,200 --> 00:00:14,789
+usual agreement that's robbery bum Gard
+yeah that's very true but in the absence
+
+6
+00:00:14,789 --> 00:00:14,799
+yeah that's very true but in the absence
+ 
+
+7
+00:00:14,799 --> 00:00:16,429
+yeah that's very true but in the absence
+now of any further
+
+8
+00:00:16,429 --> 00:00:16,439
+now of any further
+ 
+
+9
+00:00:16,439 --> 00:00:19,070
+now of any further
+bers on the way here we pass no less
+
+10
+00:00:19,070 --> 00:00:19,080
+bers on the way here we pass no less
+ 
+
+11
+00:00:19,080 --> 00:00:21,109
+bers on the way here we pass no less
+than four police patrols looking
+
+12
+00:00:21,109 --> 00:00:21,119
+than four police patrols looking
+ 
+
+13
+00:00:21,119 --> 00:00:24,870
+than four police patrols looking
+especially for stolen horses Mr B Garian
+
+14
+00:00:24,870 --> 00:00:24,880
+especially for stolen horses Mr B Garian
+ 
+
+15
+00:00:24,880 --> 00:00:27,390
+especially for stolen horses Mr B Garian
+I take it you're open to the usual
+
+16
+00:00:27,390 --> 00:00:27,400
+I take it you're open to the usual
+ 
+
+17
+00:00:27,400 --> 00:00:30,630
+I take it you're open to the usual
+negotiation ah you are dooming on my
+
+18
+00:00:30,630 --> 00:00:30,640
+negotiation ah you are dooming on my
+ 
+
+19
+00:00:30,640 --> 00:00:32,069
+negotiation ah you are dooming on my
+gambler's
+
+20
+00:00:32,069 --> 00:00:32,079
+gambler's
+ 
+
+21
+00:00:32,079 --> 00:00:35,310
+gambler's
+nature well I think I have someone who
+
+22
+00:00:35,310 --> 00:00:35,320
+nature well I think I have someone who
+ 
+
+23
+00:00:35,320 --> 00:01:00,069
+nature well I think I have someone who
+can match you this time mozar
+
+24
+00:01:00,069 --> 00:01:00,079
+
+ 
+
+25
+00:01:00,079 --> 00:01:16,630
+
+I bother Mr Kelly msart has Rubble
+
+26
+00:01:16,630 --> 00:01:16,640
+
+ 
+
+27
+00:01:16,640 --> 00:01:28,720
+
+limbs try again
+
+28
+00:01:28,720 --> 00:01:28,730
+
+ 
+
+29
+00:01:28,730 --> 00:01:41,970
+
+[Applause]
+
+30
+00:01:41,970 --> 00:01:41,980
+
+ 
+
+31
+00:01:41,980 --> 00:01:45,590
+
+[Laughter]
+
+32
+00:01:45,590 --> 00:01:45,600
+[Laughter]
+ 
+
+33
+00:01:45,600 --> 00:01:48,590
+[Laughter]
+enough enough how much is it I owe
+
+34
+00:01:48,590 --> 00:01:48,600
+enough enough how much is it I owe
+ 
+
+35
+00:01:48,600 --> 00:01:52,469
+enough enough how much is it I owe
+you 4 and 1/2 ft that's £4 10 Shillings
+
+36
+00:01:52,469 --> 00:01:52,479
+you 4 and 1/2 ft that's £4 10 Shillings
+ 
+
+37
+00:01:52,479 --> 00:01:55,190
+you 4 and 1/2 ft that's £4 10 Shillings
+above your price Mr Bal garton which
+
+38
+00:01:55,190 --> 00:01:55,200
+above your price Mr Bal garton which
+ 
+
+39
+00:01:55,200 --> 00:01:59,149
+above your price Mr Bal garton which
+brings the total to uh200 if I'm not
+
+40
+00:01:59,149 --> 00:01:59,159
+brings the total to uh200 if I'm not
+ 
+
+41
+00:01:59,159 --> 00:02:03,310
+brings the total to uh200 if I'm not
+mistaken the Irish the Irish I can never
+
+42
+00:02:03,310 --> 00:02:03,320
+mistaken the Irish the Irish I can never
+ 
+
+43
+00:02:03,320 --> 00:02:05,270
+mistaken the Irish the Irish I can never
+understand all other nations in the
+
+44
+00:02:05,270 --> 00:02:05,280
+understand all other nations in the
+ 
+
+45
+00:02:05,280 --> 00:02:08,070
+understand all other nations in the
+world even the mouse primitive but the
+
+46
+00:02:08,070 --> 00:02:08,080
+world even the mouse primitive but the
+ 
+
+47
+00:02:08,080 --> 00:02:11,070
+world even the mouse primitive but the
+Irish never I think it has something to
+
+48
+00:02:11,070 --> 00:02:11,080
+Irish never I think it has something to
+ 
+
+49
+00:02:11,080 --> 00:02:14,150
+Irish never I think it has something to
+do with the rain never let it be said
+
+50
+00:02:14,150 --> 00:02:14,160
+do with the rain never let it be said
+ 
+
+51
+00:02:14,160 --> 00:02:18,750
+do with the rain never let it be said
+that the Jews are not Greatful inist and
+
+52
+00:02:18,750 --> 00:02:18,760
+that the Jews are not Greatful inist and
+ 
+
+53
+00:02:18,760 --> 00:02:33,110
+that the Jews are not Greatful inist and
+sportsman an MR balar
+
+54
+00:02:33,110 --> 00:02:33,120
+
+ 
+
+55
+00:02:33,120 --> 00:02:35,910
+
+thanks
+
+56
+00:02:35,910 --> 00:02:35,920
+thanks
+ 
+
+57
+00:02:35,920 --> 00:03:07,519
+thanks
+[Music]
+

1970/F1cWO821sR4.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:08,860 --> 00:00:10,790
+
+[Music]
+
+2
+00:00:10,790 --> 00:00:10,800
+[Music]
+ 
+
+3
+00:00:10,800 --> 00:00:14,150
+[Music]
+oh someone stole oban's Pig blame it on
+
+4
+00:00:14,150 --> 00:00:14,160
+oh someone stole oban's Pig blame it on
+ 
+
+5
+00:00:14,160 --> 00:00:17,870
+oh someone stole oban's Pig blame it on
+the Kelly Pat Mar's horse and rig blame
+
+6
+00:00:17,870 --> 00:00:17,880
+the Kelly Pat Mar's horse and rig blame
+ 
+
+7
+00:00:17,880 --> 00:00:21,150
+the Kelly Pat Mar's horse and rig blame
+it on the Kelly someone robed the Sydney
+
+8
+00:00:21,150 --> 00:00:21,160
+it on the Kelly someone robed the Sydney
+ 
+
+9
+00:00:21,160 --> 00:00:24,269
+it on the Kelly someone robed the Sydney
+mail sacked the J their jail if the
+
+10
+00:00:24,269 --> 00:00:24,279
+mail sacked the J their jail if the
+ 
+
+11
+00:00:24,279 --> 00:00:27,790
+mail sacked the J their jail if the
+Tater crop should fail they'll blame it
+
+12
+00:00:27,790 --> 00:00:27,800
+Tater crop should fail they'll blame it
+ 
+
+13
+00:00:27,800 --> 00:00:30,910
+Tater crop should fail they'll blame it
+on the Kelly blame it on on the Kelly
+
+14
+00:00:30,910 --> 00:00:30,920
+on the Kelly blame it on on the Kelly
+ 
+
+15
+00:00:30,920 --> 00:00:34,150
+on the Kelly blame it on on the Kelly
+boys blame it on the Kelly Shame Shame
+
+16
+00:00:34,150 --> 00:00:34,160
+boys blame it on the Kelly Shame Shame
+ 
+
+17
+00:00:34,160 --> 00:00:38,700
+boys blame it on the Kelly Shame Shame
+upon their name blame it on the Kelly
+
+18
+00:00:38,700 --> 00:00:38,710
+upon their name blame it on the Kelly
+ 
+
+19
+00:00:38,710 --> 00:00:44,310
+upon their name blame it on the Kelly
+[Laughter]
+
+20
+00:00:44,310 --> 00:00:44,320
+[Laughter]
+ 
+
+21
+00:00:44,320 --> 00:00:52,050
+[Laughter]
+[Music]
+
+22
+00:00:52,050 --> 00:00:52,060
+
+ 
+
+23
+00:00:52,060 --> 00:01:00,270
+
+[Music]
+
+24
+00:01:00,270 --> 00:01:00,280
+[Music]
+ 
+
+25
+00:01:00,280 --> 00:01:01,950
+[Music]
+test the Kelly
+
+26
+00:01:01,950 --> 00:01:01,960
+test the Kelly
+ 
+
+27
+00:01:01,960 --> 00:01:05,870
+test the Kelly
+gang at last there must be some mistake
+
+28
+00:01:05,870 --> 00:01:05,880
+gang at last there must be some mistake
+ 
+
+29
+00:01:05,880 --> 00:01:09,070
+gang at last there must be some mistake
+the game's up Ned come quietly I'm not
+
+30
+00:01:09,070 --> 00:01:09,080
+the game's up Ned come quietly I'm not
+ 
+
+31
+00:01:09,080 --> 00:01:11,149
+the game's up Ned come quietly I'm not
+Nam Kelly sir but I
+
+32
+00:01:11,149 --> 00:01:11,159
+Nam Kelly sir but I
+ 
+
+33
+00:01:11,159 --> 00:01:14,830
+Nam Kelly sir but I
+am anybody steals a horse blame it on
+
+34
+00:01:14,830 --> 00:01:14,840
+am anybody steals a horse blame it on
+ 
+
+35
+00:01:14,840 --> 00:01:18,830
+am anybody steals a horse blame it on
+the Kelly anybody breaks the law bra on
+
+36
+00:01:18,830 --> 00:01:18,840
+the Kelly anybody breaks the law bra on
+ 
+
+37
+00:01:18,840 --> 00:01:22,069
+the Kelly anybody breaks the law bra on
+the Kelly anyone does something new or
+
+38
+00:01:22,069 --> 00:01:22,079
+the Kelly anyone does something new or
+ 
+
+39
+00:01:22,079 --> 00:01:24,230
+the Kelly anyone does something new or
+does what you would like to do and if
+
+40
+00:01:24,230 --> 00:01:24,240
+does what you would like to do and if
+ 
+
+41
+00:01:24,240 --> 00:01:27,670
+does what you would like to do and if
+the Troopers don't know who they blame
+
+42
+00:01:27,670 --> 00:01:27,680
+the Troopers don't know who they blame
+ 
+
+43
+00:01:27,680 --> 00:01:31,030
+the Troopers don't know who they blame
+it on the Kelly blame it on the Kelly
+
+44
+00:01:31,030 --> 00:01:31,040
+it on the Kelly blame it on the Kelly
+ 
+
+45
+00:01:31,040 --> 00:01:34,590
+it on the Kelly blame it on the Kelly
+boys blame it on the Kelly Shame Shame
+
+46
+00:01:34,590 --> 00:01:34,600
+boys blame it on the Kelly Shame Shame
+ 
+
+47
+00:01:34,600 --> 00:01:37,789
+boys blame it on the Kelly Shame Shame
+the name blame it on the Kelly I've come
+
+48
+00:01:37,789 --> 00:01:37,799
+the name blame it on the Kelly I've come
+ 
+
+49
+00:01:37,799 --> 00:01:41,510
+the name blame it on the Kelly I've come
+to make a withdrawal B unlock your safe
+
+50
+00:01:41,510 --> 00:01:41,520
+to make a withdrawal B unlock your safe
+ 
+
+51
+00:01:41,520 --> 00:01:44,110
+to make a withdrawal B unlock your safe
+hand out your
+
+52
+00:01:44,110 --> 00:01:44,120
+hand out your
+ 
+
+53
+00:01:44,120 --> 00:01:54,630
+hand out your
+[Music]
+
+54
+00:01:54,630 --> 00:01:54,640
+[Music]
+ 
+
+55
+00:01:54,640 --> 00:01:57,350
+[Music]
+cash now we're all going for a drive
+
+56
+00:01:57,350 --> 00:01:57,360
+cash now we're all going for a drive
+ 
+
+57
+00:01:57,360 --> 00:01:58,910
+cash now we're all going for a drive
+come along Mrs Scott out with the
+
+58
+00:01:58,910 --> 00:01:58,920
+come along Mrs Scott out with the
+ 
+
+59
+00:01:58,920 --> 00:02:00,590
+come along Mrs Scott out with the
+question we're going to to a
+
+60
+00:02:00,590 --> 00:02:00,600
+question we're going to to a
+ 
+
+61
+00:02:00,600 --> 00:02:03,749
+question we're going to to a
+funeral it's posted up on every wall
+
+62
+00:02:03,749 --> 00:02:03,759
+funeral it's posted up on every wall
+ 
+
+63
+00:02:03,759 --> 00:02:06,510
+funeral it's posted up on every wall
+blame it on the Kelly there is no crime
+
+64
+00:02:06,510 --> 00:02:06,520
+blame it on the Kelly there is no crime
+ 
+
+65
+00:02:06,520 --> 00:02:08,669
+blame it on the Kelly there is no crime
+too great or small to blame it on the
+
+66
+00:02:08,669 --> 00:02:08,679
+too great or small to blame it on the
+ 
+
+67
+00:02:08,679 --> 00:02:11,110
+too great or small to blame it on the
+Kelly they've killed a thousand so they
+
+68
+00:02:11,110 --> 00:02:11,120
+Kelly they've killed a thousand so they
+ 
+
+69
+00:02:11,120 --> 00:02:13,070
+Kelly they've killed a thousand so they
+tell you know they're bound to burn in
+
+70
+00:02:13,070 --> 00:02:13,080
+tell you know they're bound to burn in
+ 
+
+71
+00:02:13,080 --> 00:02:15,589
+tell you know they're bound to burn in
+hell I think I'll steal a horse
+
+72
+00:02:15,589 --> 00:02:15,599
+hell I think I'll steal a horse
+ 
+
+73
+00:02:15,599 --> 00:02:18,270
+hell I think I'll steal a horse
+myself and blame
+
+74
+00:02:18,270 --> 00:02:18,280
+myself and blame
+ 
+
+75
+00:02:18,280 --> 00:02:21,990
+myself and blame
+it blame it on the Kell blame it on the
+
+76
+00:02:21,990 --> 00:02:22,000
+it blame it on the Kell blame it on the
+ 
+
+77
+00:02:22,000 --> 00:02:26,790
+it blame it on the Kell blame it on the
+Kell Shan shame their name blame it all
+
+78
+00:02:26,790 --> 00:02:26,800
+Kell Shan shame their name blame it all
+ 
+
+79
+00:02:26,800 --> 00:02:27,869
+Kell Shan shame their name blame it all
+the
+
+80
+00:02:27,869 --> 00:02:27,879
+the
+ 
+
+81
+00:02:27,879 --> 00:02:30,550
+the
+Kelly get in
+
+82
+00:02:30,550 --> 00:02:30,560
+Kelly get in
+ 
+
+83
+00:02:30,560 --> 00:02:35,200
+Kelly get in
+come along
+
+84
+00:02:35,200 --> 00:02:35,210
+
+ 
+
+85
+00:02:35,210 --> 00:02:40,350
+
+[Music]
+
+86
+00:02:40,350 --> 00:02:40,360
+
+ 
+
+87
+00:02:40,360 --> 00:02:43,270
+
+children there credit to man thank you
+
+88
+00:02:43,270 --> 00:02:43,280
+children there credit to man thank you
+ 
+
+89
+00:02:43,280 --> 00:02:46,270
+children there credit to man thank you
+Mr Kelly I must say you're much better
+
+90
+00:02:46,270 --> 00:02:46,280
+Mr Kelly I must say you're much better
+ 
+
+91
+00:02:46,280 --> 00:02:48,550
+Mr Kelly I must say you're much better
+looking than we'd be led to
+
+92
+00:02:48,550 --> 00:02:48,560
+looking than we'd be led to
+ 
+
+93
+00:02:48,560 --> 00:02:50,750
+looking than we'd be led to
+believe but why does such a young man
+
+94
+00:02:50,750 --> 00:02:50,760
+believe but why does such a young man
+ 
+
+95
+00:02:50,760 --> 00:02:51,990
+believe but why does such a young man
+wear a
+
+96
+00:02:51,990 --> 00:02:52,000
+wear a
+ 
+
+97
+00:02:52,000 --> 00:02:54,670
+wear a
+beard my mother used to say Mrs Scott
+
+98
+00:02:54,670 --> 00:02:54,680
+beard my mother used to say Mrs Scott
+ 
+
+99
+00:02:54,680 --> 00:02:56,430
+beard my mother used to say Mrs Scott
+that kissing a man without a beard was
+
+100
+00:02:56,430 --> 00:02:56,440
+that kissing a man without a beard was
+ 
+
+101
+00:02:56,440 --> 00:03:00,309
+that kissing a man without a beard was
+like eating porridge without salt
+
+102
+00:03:00,309 --> 00:03:00,319
+like eating porridge without salt
+ 
+
+103
+00:03:00,319 --> 00:03:03,750
+like eating porridge without salt
+do you eat porridge without salt Mrs
+
+104
+00:03:03,750 --> 00:03:03,760
+do you eat porridge without salt Mrs
+ 
+
+105
+00:03:03,760 --> 00:03:07,350
+do you eat porridge without salt Mrs
+Scott oh never Mr
+
+106
+00:03:07,350 --> 00:03:07,360
+Scott oh never Mr
+ 
+
+107
+00:03:07,360 --> 00:03:10,830
+Scott oh never Mr
+Kelly excuse me someone killed Old Jim
+
+108
+00:03:10,830 --> 00:03:10,840
+Kelly excuse me someone killed Old Jim
+ 
+
+109
+00:03:10,840 --> 00:03:35,580
+Kelly excuse me someone killed Old Jim
+Divine blame it on the Kell
+
+110
+00:03:35,580 --> 00:03:35,590
+
+ 
+
+111
+00:03:35,590 --> 00:03:44,550
+
+[Music]
+

1970/Fsqymfl2Q_A.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:05,080 --> 00:00:15,310
+
+[Music]
+
+2
+00:00:15,310 --> 00:00:15,320
+
+ 
+
+3
+00:00:15,320 --> 00:00:18,950
+
+Tad how are you what are you doing here
+
+4
+00:00:18,950 --> 00:00:18,960
+Tad how are you what are you doing here
+ 
+
+5
+00:00:18,960 --> 00:00:21,310
+Tad how are you what are you doing here
+well you know same old
+
+6
+00:00:21,310 --> 00:00:21,320
+well you know same old
+ 
+
+7
+00:00:21,320 --> 00:00:23,990
+well you know same old
+thing looking for myself yeah but what
+
+8
+00:00:23,990 --> 00:00:24,000
+thing looking for myself yeah but what
+ 
+
+9
+00:00:24,000 --> 00:00:26,509
+thing looking for myself yeah but what
+are you doing here well I thought I
+
+10
+00:00:26,509 --> 00:00:26,519
+are you doing here well I thought I
+ 
+
+11
+00:00:26,519 --> 00:00:30,230
+are you doing here well I thought I
+might take uh a course in anatomy
+
+12
+00:00:30,230 --> 00:00:30,240
+might take uh a course in anatomy
+ 
+
+13
+00:00:30,240 --> 00:00:32,150
+might take uh a course in anatomy
+maybe I'll find out how you do all those
+
+14
+00:00:32,150 --> 00:00:32,160
+maybe I'll find out how you do all those
+ 
+
+15
+00:00:32,160 --> 00:00:34,790
+maybe I'll find out how you do all those
+wonderful things oh for p sake don't
+
+16
+00:00:34,790 --> 00:00:34,800
+wonderful things oh for p sake don't
+ 
+
+17
+00:00:34,800 --> 00:00:35,790
+wonderful things oh for p sake don't
+don't don't say anything about that
+
+18
+00:00:35,790 --> 00:00:35,800
+don't don't say anything about that
+ 
+
+19
+00:00:35,800 --> 00:00:37,869
+don't don't say anything about that
+around here I mean will you I mean I for
+
+20
+00:00:37,869 --> 00:00:37,879
+around here I mean will you I mean I for
+ 
+
+21
+00:00:37,879 --> 00:00:41,310
+around here I mean will you I mean I for
+Peet take why it's it's not unamerican I
+
+22
+00:00:41,310 --> 00:00:41,320
+Peet take why it's it's not unamerican I
+ 
+
+23
+00:00:41,320 --> 00:00:43,470
+Peet take why it's it's not unamerican I
+mean you've got uh some kind of psychic
+
+24
+00:00:43,470 --> 00:00:43,480
+mean you've got uh some kind of psychic
+ 
+
+25
+00:00:43,480 --> 00:00:46,630
+mean you've got uh some kind of psychic
+power that's all I think it's beautiful
+
+26
+00:00:46,630 --> 00:00:46,640
+power that's all I think it's beautiful
+ 
+
+27
+00:00:46,640 --> 00:00:48,470
+power that's all I think it's beautiful
+yeah to you maybe that's cuz you're a
+
+28
+00:00:48,470 --> 00:00:48,480
+yeah to you maybe that's cuz you're a
+ 
+
+29
+00:00:48,480 --> 00:00:51,549
+yeah to you maybe that's cuz you're a
+nut Daisy a lot of people are psychic
+
+30
+00:00:51,549 --> 00:00:51,559
+nut Daisy a lot of people are psychic
+ 
+
+31
+00:00:51,559 --> 00:00:52,910
+nut Daisy a lot of people are psychic
+fine I'm sure they're all very nice but
+
+32
+00:00:52,910 --> 00:00:52,920
+fine I'm sure they're all very nice but
+ 
+
+33
+00:00:52,920 --> 00:00:54,150
+fine I'm sure they're all very nice but
+that is not the group I'd like to be
+
+34
+00:00:54,150 --> 00:00:54,160
+that is not the group I'd like to be
+ 
+
+35
+00:00:54,160 --> 00:00:56,069
+that is not the group I'd like to be
+known as in I mean if Warren ever found
+
+36
+00:00:56,069 --> 00:00:56,079
+known as in I mean if Warren ever found
+ 
+
+37
+00:00:56,079 --> 00:00:58,029
+known as in I mean if Warren ever found
+out he'd never forgive me he he thinks
+
+38
+00:00:58,029 --> 00:00:58,039
+out he'd never forgive me he he thinks
+ 
+
+39
+00:00:58,039 --> 00:01:00,709
+out he'd never forgive me he he thinks
+I'm uh you know normal
+
+40
+00:01:00,709 --> 00:01:00,719
+I'm uh you know normal
+ 
+
+41
+00:01:00,719 --> 00:01:04,109
+I'm uh you know normal
+normal nobody even knows what normal is
+
+42
+00:01:04,109 --> 00:01:04,119
+normal nobody even knows what normal is
+ 
+
+43
+00:01:04,119 --> 00:01:07,350
+normal nobody even knows what normal is
+Warren
+
+44
+00:01:07,350 --> 00:01:07,360
+
+ 
+
+45
+00:01:07,360 --> 00:01:11,070
+
+does I I I did write to you about uh
+
+46
+00:01:11,070 --> 00:01:11,080
+does I I I did write to you about uh
+ 
+
+47
+00:01:11,080 --> 00:01:17,670
+does I I I did write to you about uh
+warrening me didn't
+
+48
+00:01:17,670 --> 00:01:17,680
+
+ 
+
+49
+00:01:17,680 --> 00:01:23,109
+
+I what you look at that I think you're
+
+50
+00:01:23,109 --> 00:01:23,119
+I what you look at that I think you're
+ 
+
+51
+00:01:23,119 --> 00:01:26,230
+I what you look at that I think you're
+sexier you think sexy I thought you were
+
+52
+00:01:26,230 --> 00:01:26,240
+sexier you think sexy I thought you were
+ 
+
+53
+00:01:26,240 --> 00:01:28,429
+sexier you think sexy I thought you were
+noticing that I'm not smoking oh excuse
+
+54
+00:01:28,429 --> 00:01:28,439
+noticing that I'm not smoking oh excuse
+ 
+
+55
+00:01:28,439 --> 00:01:32,950
+noticing that I'm not smoking oh excuse
+me no no no I'm trying to quit where are
+
+56
+00:01:32,950 --> 00:01:32,960
+me no no no I'm trying to quit where are
+ 
+
+57
+00:01:32,960 --> 00:01:35,630
+me no no no I'm trying to quit where are
+they no no
+
+58
+00:01:35,630 --> 00:01:35,640
+they no no
+ 
+
+59
+00:01:35,640 --> 00:01:37,749
+they no no
+thanks
+
+60
+00:01:37,749 --> 00:01:37,759
+thanks
+ 
+
+61
+00:01:37,759 --> 00:01:40,109
+thanks
+oh
+
+62
+00:01:40,109 --> 00:01:40,119
+oh
+ 
+
+63
+00:01:40,119 --> 00:01:44,910
+oh
+Dar um 2 hours and 7 minutes without a
+
+64
+00:01:44,910 --> 00:01:44,920
+Dar um 2 hours and 7 minutes without a
+ 
+
+65
+00:01:44,920 --> 00:01:48,550
+Dar um 2 hours and 7 minutes without a
+weed I got to tell a doctor doctor what
+
+66
+00:01:48,550 --> 00:01:48,560
+weed I got to tell a doctor doctor what
+ 
+
+67
+00:01:48,560 --> 00:01:50,590
+weed I got to tell a doctor doctor what
+what
+
+68
+00:01:50,590 --> 00:01:50,600
+what
+ 
+
+69
+00:01:50,600 --> 00:01:53,350
+what
+doctor I went to this uh doctor you know
+
+70
+00:01:53,350 --> 00:01:53,360
+doctor I went to this uh doctor you know
+ 
+
+71
+00:01:53,360 --> 00:01:54,510
+doctor I went to this uh doctor you know
+to help me stop
+
+72
+00:01:54,510 --> 00:01:54,520
+to help me stop
+ 
+
+73
+00:01:54,520 --> 00:01:57,350
+to help me stop
+smoking you went to a doctor for that
+
+74
+00:01:57,350 --> 00:01:57,360
+smoking you went to a doctor for that
+ 
+
+75
+00:01:57,360 --> 00:02:01,029
+smoking you went to a doctor for that
+why because five packs a day is just a
+
+76
+00:02:01,029 --> 00:02:01,039
+why because five packs a day is just a
+ 
+
+77
+00:02:01,039 --> 00:02:06,789
+why because five packs a day is just a
+normal oh Warren yeah um that's him uh
+
+78
+00:02:06,789 --> 00:02:06,799
+normal oh Warren yeah um that's him uh
+ 
+
+79
+00:02:06,799 --> 00:02:17,900
+normal oh Warren yeah um that's him uh
+the one in the chair isn't he dynamic
+
+80
+00:02:17,900 --> 00:02:17,910
+
+ 
+
+81
+00:02:17,910 --> 00:02:30,869
+
+[Music]
+
+82
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+83
+00:02:30,879 --> 00:02:34,520
+
+to
+
+84
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+85
+00:02:34,530 --> 00:02:40,490
+
+[Music]
+